1 00:00:08,680 --> 00:00:21,599 Speaker 1: Bodybags with Joseph Scott Morgan. The song Home Sick is 2 00:00:21,640 --> 00:00:24,840 Speaker 1: a song from my youth. It resonates in my ears, 3 00:00:25,120 --> 00:00:27,800 Speaker 1: came out in the seventies and if you've never heard it, 4 00:00:27,800 --> 00:00:30,120 Speaker 1: it kind of takes you back on a bit of 5 00:00:30,280 --> 00:00:33,760 Speaker 1: a time travel if you will. I love ars. Other 6 00:00:33,760 --> 00:00:36,800 Speaker 1: people have recorded I think Travis Tript recorded it or 7 00:00:36,840 --> 00:00:39,800 Speaker 1: re recorded it, but it takes you back in time 8 00:00:40,360 --> 00:00:43,519 Speaker 1: to that moment you begin to think as kids, as 9 00:00:43,640 --> 00:00:45,640 Speaker 1: kids of the sixties, where were you well. I was 10 00:00:45,720 --> 00:00:49,360 Speaker 1: just a little thing back then. I was playing in 11 00:00:49,400 --> 00:00:52,160 Speaker 1: the backyard of my grandparents' house, where I lived most 12 00:00:52,159 --> 00:00:54,840 Speaker 1: of the time. It was a very people It's a 13 00:00:54,880 --> 00:00:57,440 Speaker 1: well worn phrase. People say it's very innocent time, and 14 00:00:57,520 --> 00:01:01,960 Speaker 1: it was for me, playing in my sandpile, enjoying life 15 00:01:02,040 --> 00:01:04,960 Speaker 1: in the Deep South. The further thing from my mind 16 00:01:05,440 --> 00:01:11,040 Speaker 1: back then was probably mass homicide in the news nationally. 17 00:01:11,480 --> 00:01:15,720 Speaker 1: It sent a chill down everyone spote of the horrors 18 00:01:16,319 --> 00:01:20,959 Speaker 1: that were revealed back in nineteen sixty nine, of what 19 00:01:21,160 --> 00:01:25,280 Speaker 1: was going on in Alick County, particularly as it applied 20 00:01:25,480 --> 00:01:29,000 Speaker 1: to the Manson family. Today owned body Bags. We're going 21 00:01:29,080 --> 00:01:32,280 Speaker 1: to turn back the page a little bit and we're 22 00:01:32,280 --> 00:01:36,560 Speaker 1: going to re examine the murders of the Lobiyankas. 23 00:01:37,560 --> 00:01:43,119 Speaker 2: August eleventh, nineteen sixty nine, Rosemary Labianca's teenage son discovers 24 00:01:43,200 --> 00:01:46,280 Speaker 2: the brutal murders carried out by three of Charles Manson's 25 00:01:46,280 --> 00:01:50,800 Speaker 2: followers the night before. Leno LaBianca had been stabbed twelve 26 00:01:50,840 --> 00:01:54,160 Speaker 2: times with a knife or bayonet and seven times with 27 00:01:54,280 --> 00:01:58,640 Speaker 2: a two tined carving fork, leaving fourteen puncture wounds in 28 00:01:58,720 --> 00:02:03,160 Speaker 2: his abdomen, was still stuck in his abdomen, and a 29 00:02:03,240 --> 00:02:07,000 Speaker 2: kitchen knife pierced his throat. The word war had also 30 00:02:07,160 --> 00:02:11,280 Speaker 2: been carved into his abdomen. Rosemary Lebianca had a total 31 00:02:11,320 --> 00:02:14,320 Speaker 2: of forty one stab wounds on the front and back 32 00:02:14,360 --> 00:02:17,400 Speaker 2: of her body, and autopsy showed that many of the 33 00:02:17,440 --> 00:02:18,960 Speaker 2: wounds were post mortem. 34 00:02:19,639 --> 00:02:26,839 Speaker 1: I'm Joseph Scott Morgan and this is body bags. Hey, 35 00:02:26,919 --> 00:02:29,240 Speaker 1: Dave mac where were you in sixty nine? 36 00:02:29,320 --> 00:02:33,200 Speaker 3: I was a very very young child. This murder, the 37 00:02:33,200 --> 00:02:37,160 Speaker 3: Tate Lobianca murders, as they are commonly referred to, I 38 00:02:37,280 --> 00:02:40,240 Speaker 3: had actually impacted my life on a personal level and 39 00:02:40,360 --> 00:02:43,519 Speaker 3: professionally over the years because I lived in that area 40 00:02:43,639 --> 00:02:46,960 Speaker 3: when this happened. I was born and raised in southern California, 41 00:02:47,040 --> 00:02:50,400 Speaker 3: born in Hawthorne and raised in Orange County predominantly. But anyway, 42 00:02:50,919 --> 00:02:53,639 Speaker 3: when this happened, here's the thing that people may or 43 00:02:53,720 --> 00:02:55,840 Speaker 3: man I know and Joe you might not know. It 44 00:02:55,960 --> 00:02:59,679 Speaker 3: happened August eighth, August ninth, nineteen sixty nine. Think about 45 00:02:59,720 --> 00:03:01,760 Speaker 3: some of the things that was actually happening in the 46 00:03:01,760 --> 00:03:04,880 Speaker 3: world a couple weeks earlier. Neil Armstrong Man on the Moon. 47 00:03:05,160 --> 00:03:08,000 Speaker 1: You bet, buddy, I remember it. I remember watching on 48 00:03:08,160 --> 00:03:11,079 Speaker 1: black and white television my grandparents' house. It was a 49 00:03:11,200 --> 00:03:12,160 Speaker 1: magical thing. 50 00:03:12,440 --> 00:03:15,480 Speaker 3: So that's a huge deal. Made everybody, I mean just 51 00:03:15,520 --> 00:03:19,720 Speaker 3: made everybody feel like anything's possible. And a week after 52 00:03:19,760 --> 00:03:23,440 Speaker 3: the murders, what else happened? Wouldstock in New York right, 53 00:03:23,720 --> 00:03:26,280 Speaker 3: so imagine and by the way, and mixed into this 54 00:03:26,440 --> 00:03:31,000 Speaker 3: same time period Chap Equittic and Teddy Kennedy, So we 55 00:03:31,120 --> 00:03:33,600 Speaker 3: had a lot going on in the United States of 56 00:03:33,600 --> 00:03:39,800 Speaker 3: America at the time that Rosemary and Leno Labianco were murdered. 57 00:03:40,200 --> 00:03:44,800 Speaker 3: It impacted my life because being in southern California when 58 00:03:44,800 --> 00:03:47,280 Speaker 3: Sharon Tate along with her friends and off the top 59 00:03:47,320 --> 00:03:49,400 Speaker 3: of my head, I remember it was Abagail Folger and 60 00:03:49,480 --> 00:03:54,320 Speaker 3: Voytek Freikowski, Jay se Bring and then they had the 61 00:03:54,640 --> 00:03:57,520 Speaker 3: like a guy that was like the yardkeeper. Anyway, that 62 00:03:57,680 --> 00:03:59,480 Speaker 3: was such a big deal because first of all, Sharon 63 00:03:59,480 --> 00:04:01,560 Speaker 3: Tate was a buful model. She was an actress married 64 00:04:01,560 --> 00:04:04,440 Speaker 3: to Roman Polanski, the master of the macabre. Because of 65 00:04:04,520 --> 00:04:07,680 Speaker 3: Rosemary's Baby. You start thinking about how all these things 66 00:04:07,800 --> 00:04:11,080 Speaker 3: kind of come together, and it's like crazy time. But 67 00:04:11,280 --> 00:04:16,400 Speaker 3: the next night the Labyancas, and that was fear in 68 00:04:16,440 --> 00:04:19,599 Speaker 3: the hearts of people. Sharon Tate and celebrity rich people 69 00:04:19,680 --> 00:04:23,200 Speaker 3: getting murdered is one thing, but the Lobyancas were looked 70 00:04:23,200 --> 00:04:25,800 Speaker 3: at as just regular people like the rest of us, 71 00:04:25,960 --> 00:04:27,679 Speaker 3: and now nobody's safe. 72 00:04:27,839 --> 00:04:30,840 Speaker 1: There's one little interesting factoid I think that some people 73 00:04:31,560 --> 00:04:34,159 Speaker 1: might not be aware of, and I got it to 74 00:04:34,240 --> 00:04:38,159 Speaker 1: give you an idea, a measure for how innocent Tim's 75 00:04:38,279 --> 00:04:46,120 Speaker 1: were when the Labyanka's bodies were actually discovered that cannot 76 00:04:46,160 --> 00:04:50,880 Speaker 1: get access to the home, that is the family that 77 00:04:51,279 --> 00:04:53,560 Speaker 1: they were trying to open the door to get in. 78 00:04:54,240 --> 00:04:57,359 Speaker 1: Guess where they got the key from to unlock the 79 00:04:57,400 --> 00:05:00,440 Speaker 1: door to get into the house under the mat No, 80 00:05:01,440 --> 00:05:04,200 Speaker 1: they went and dig this just for a second. They 81 00:05:04,240 --> 00:05:09,480 Speaker 1: went out to the vehicle parked in the driveway, and 82 00:05:09,520 --> 00:05:13,200 Speaker 1: the keys were in the ignition, and they take the 83 00:05:13,279 --> 00:05:16,640 Speaker 1: key out of the ignition and make access to this 84 00:05:16,760 --> 00:05:21,320 Speaker 1: house with that key. And can you just imagine when 85 00:05:21,960 --> 00:05:28,599 Speaker 1: Rosemary Labanca's children went into this environment and they see 86 00:05:28,640 --> 00:05:33,840 Speaker 1: these words scrawled in blood on the walls, on the doors. 87 00:05:34,279 --> 00:05:38,360 Speaker 1: I think, most famously the words helter skelter. By the way, 88 00:05:38,400 --> 00:05:41,720 Speaker 1: I think it was misspelled. And there's several interesting things 89 00:05:41,760 --> 00:05:44,159 Speaker 1: about this is because some people think that it was 90 00:05:44,200 --> 00:05:47,960 Speaker 1: intentionally misspelled. There were little clues along the way. I 91 00:05:47,960 --> 00:05:51,080 Speaker 1: don't know if any of these people were that sophisticated. 92 00:05:51,360 --> 00:05:53,960 Speaker 1: You walk in and you see this horror show, and 93 00:05:54,040 --> 00:05:56,960 Speaker 1: it was truly a horror show. Lots and lots of 94 00:05:57,000 --> 00:06:00,120 Speaker 1: blood evidence at the scene, and I don't know that 95 00:06:00,160 --> 00:06:02,560 Speaker 1: you could necessarily take the measure of it. You have 96 00:06:02,760 --> 00:06:06,400 Speaker 1: the police coming off the so called Tate homicides on 97 00:06:06,520 --> 00:06:09,760 Speaker 1: CLO and then you walk into this environment, and you know, 98 00:06:09,800 --> 00:06:14,920 Speaker 1: there was resistance at first by the police to at 99 00:06:15,000 --> 00:06:20,640 Speaker 1: least publicly show any kind of connectivity between what had 100 00:06:20,760 --> 00:06:24,720 Speaker 1: happened previously with Sharon Tate and that group of people, 101 00:06:25,120 --> 00:06:29,560 Speaker 1: and then what had happened with the Labiancas, and it 102 00:06:29,600 --> 00:06:33,040 Speaker 1: all goes to what was trying to be accomplished here. 103 00:06:33,279 --> 00:06:35,480 Speaker 1: I think with the police one of the biggest things 104 00:06:35,480 --> 00:06:37,679 Speaker 1: for them is they were trying to prevent a panic 105 00:06:38,120 --> 00:06:41,599 Speaker 1: because can you imagine what those conversations were like, you know, 106 00:06:41,680 --> 00:06:46,080 Speaker 1: in the detective bureau when you've got arguably two blood 107 00:06:46,120 --> 00:06:50,520 Speaker 1: baths that have taken place, and you've got the shadow 108 00:06:50,760 --> 00:06:54,960 Speaker 1: of celebrity that's kind of hanging over both of these events, 109 00:06:55,000 --> 00:06:57,920 Speaker 1: with Sharon Tate and everyone up on Colo, and then 110 00:06:57,920 --> 00:07:01,400 Speaker 1: you've got the Lobyancas. Okay, so they're starting up here 111 00:07:01,520 --> 00:07:04,880 Speaker 1: in relative to the celebrities. Now they're going out here 112 00:07:05,000 --> 00:07:07,760 Speaker 1: where the rest of us mix and mingle, the mere 113 00:07:07,839 --> 00:07:08,920 Speaker 1: mortals among us. 114 00:07:09,080 --> 00:07:11,280 Speaker 3: And the one thing to think of again, nineteen sixty 115 00:07:11,360 --> 00:07:14,200 Speaker 3: nine was a different time and the way we lived 116 00:07:14,520 --> 00:07:17,680 Speaker 3: the Tate Lobianca murders. Joe, we could actually spend all 117 00:07:17,720 --> 00:07:22,400 Speaker 3: of today, tomorrow the next day talking just about these murders, 118 00:07:22,440 --> 00:07:24,800 Speaker 3: and we would go for twenty four hours a day 119 00:07:25,160 --> 00:07:27,600 Speaker 3: for the next few d and wouldn't finish. There's too much. 120 00:07:27,960 --> 00:07:33,840 Speaker 3: So focusing on the Labyancas, they were married couple. They 121 00:07:34,000 --> 00:07:38,280 Speaker 3: actually were the next day, meaning the day after the 122 00:07:38,280 --> 00:07:42,360 Speaker 3: Tate murders had taken place. And the reason it's in 123 00:07:42,400 --> 00:07:46,120 Speaker 3: the news this week is because Leslie Van Howden actually 124 00:07:46,800 --> 00:07:49,960 Speaker 3: was released from prison after fifty some odd years. Now 125 00:07:50,200 --> 00:07:53,200 Speaker 3: here's the kick, Joe, and you've been around crime scenes 126 00:07:53,240 --> 00:07:56,800 Speaker 3: and murders for a long time. I really want to 127 00:07:56,840 --> 00:08:01,480 Speaker 3: hear your explanation of what police were looking at when 128 00:08:01,480 --> 00:08:03,680 Speaker 3: they got to the scene of the crime. But the 129 00:08:03,680 --> 00:08:07,080 Speaker 3: bottom line is with Leslie van Houghten being a Manson 130 00:08:07,160 --> 00:08:10,000 Speaker 3: family member, one of the women, well she actually only 131 00:08:10,600 --> 00:08:14,120 Speaker 3: was involved in the Labyanca murders. She was not at 132 00:08:14,200 --> 00:08:18,440 Speaker 3: the previous night's activities. At the Lobyanca crime scene, you 133 00:08:18,560 --> 00:08:21,320 Speaker 3: had Tex Watson, he and Charlie Ye And by the way, 134 00:08:21,560 --> 00:08:25,840 Speaker 3: Charlie Manson was not at the Tape murders. He was, however, 135 00:08:26,160 --> 00:08:27,960 Speaker 3: at the Lobbyanca house. 136 00:08:28,240 --> 00:08:31,880 Speaker 1: At the house, but he beat feet before the actual 137 00:08:31,880 --> 00:08:33,560 Speaker 1: event occurred. 138 00:08:33,240 --> 00:08:35,280 Speaker 3: Right they get there. Well, I'm gonna skip through this 139 00:08:35,400 --> 00:08:39,400 Speaker 3: real fast. Charlie Manson had convinced these young people that 140 00:08:39,480 --> 00:08:42,240 Speaker 3: a race war was coming and they needed to have 141 00:08:42,280 --> 00:08:44,360 Speaker 3: a safe place out in the desert, which is why 142 00:08:44,400 --> 00:08:47,079 Speaker 3: they were maneuvered out there. In reality, they were out 143 00:08:47,080 --> 00:08:50,160 Speaker 3: there because they'd been stealing volkswagons and converting them into 144 00:08:50,240 --> 00:08:52,840 Speaker 3: doom buggies and selling them, and the heat was getting hot, 145 00:08:52,840 --> 00:08:55,199 Speaker 3: and so they wanted to get out of town. And 146 00:08:55,679 --> 00:09:00,200 Speaker 3: Charlie went there and in their drug whatever decided that 147 00:09:00,360 --> 00:09:03,480 Speaker 3: they needed to commit crimes. The Manson family that would 148 00:09:03,520 --> 00:09:06,600 Speaker 3: they needed to commit murders that didn't make sense. That's 149 00:09:06,600 --> 00:09:09,280 Speaker 3: what the La Beiyanca murder was all about, a murder 150 00:09:09,800 --> 00:09:13,360 Speaker 3: that didn't make any sense and would cause fear and 151 00:09:13,600 --> 00:09:17,480 Speaker 3: panic in people. And Leslie Van Henton said that in 152 00:09:17,559 --> 00:09:19,760 Speaker 3: her own words. By the way, I actually listened to 153 00:09:19,760 --> 00:09:23,400 Speaker 3: this yesterday in preparation for the show and heard her 154 00:09:23,760 --> 00:09:27,000 Speaker 3: in nineteen seventy one talking to her new lawyer. He said, 155 00:09:27,480 --> 00:09:29,720 Speaker 3: how are you going to start a revolution? She actually said, 156 00:09:29,800 --> 00:09:35,360 Speaker 3: Joe by committing a senseless murder, which is exactly what 157 00:09:35,559 --> 00:09:39,280 Speaker 3: Leno and Rosemary LaBianca. It was just a murder. But 158 00:09:39,280 --> 00:09:42,000 Speaker 3: anyway I mentioned, Charles Manson was not at the Tate House, well, 159 00:09:42,040 --> 00:09:45,720 Speaker 3: he was at the Labyankas. Charles Manson and Text Watson 160 00:09:45,800 --> 00:09:48,320 Speaker 3: go inside the La Bianca's house. And by the way, 161 00:09:48,440 --> 00:09:52,280 Speaker 3: these mental giants. The Manson family. They've been driving around 162 00:09:52,280 --> 00:09:54,640 Speaker 3: for a couple hours looking for a place that they 163 00:09:54,640 --> 00:09:57,320 Speaker 3: could go in and commit this heinous act. Right they 164 00:09:57,320 --> 00:10:00,160 Speaker 3: didn't find one right away, and so Leslie van out 165 00:10:00,160 --> 00:10:02,360 Speaker 3: and said she fall asleep in the car as they 166 00:10:02,360 --> 00:10:05,920 Speaker 3: were driving around. When she woke up, Charles and Tex 167 00:10:06,000 --> 00:10:07,960 Speaker 3: Watson had gone in the house and they'd already tied 168 00:10:08,040 --> 00:10:11,840 Speaker 3: up Leno and Rosemary Labiyanca. They found Lino on the 169 00:10:11,880 --> 00:10:14,679 Speaker 3: couch in the living room in the den, and so 170 00:10:14,720 --> 00:10:17,480 Speaker 3: they tied him up, and then Charlie Manson went in 171 00:10:18,280 --> 00:10:20,120 Speaker 3: and they got Rosemary out of bed, she was already 172 00:10:20,120 --> 00:10:23,280 Speaker 3: in bed, got her up and you know, sign of 173 00:10:23,320 --> 00:10:28,160 Speaker 3: the Times, maybe Joe. But before they brought Rosemary Lobyanka 174 00:10:28,400 --> 00:10:31,640 Speaker 3: out of the bedroom, she was already in her night clothes. 175 00:10:31,920 --> 00:10:33,800 Speaker 3: And do you know what she did? And they let 176 00:10:33,840 --> 00:10:36,960 Speaker 3: her They let her put on a dress. Rosemary Lobianca 177 00:10:37,160 --> 00:10:41,040 Speaker 3: was allowed to put on a dress over her night clothes, 178 00:10:41,440 --> 00:10:43,959 Speaker 3: to be dressed appropriately for what she thought was just 179 00:10:44,000 --> 00:10:46,520 Speaker 3: a robbery. Charles Manson and Text Watson said, you're not 180 00:10:46,520 --> 00:10:49,600 Speaker 3: going to be hurt. We just want your money. So 181 00:10:49,640 --> 00:10:53,160 Speaker 3: they got the cash and then Charlie goes outside, they 182 00:10:53,200 --> 00:10:56,280 Speaker 3: send the girls in. They sent Leslie van Houghton and 183 00:10:56,400 --> 00:11:00,439 Speaker 3: Patricia Crinwinkle to go in and kill Rosemary Lobby. 184 00:11:01,040 --> 00:11:04,640 Speaker 1: One interesting little aside here is that you think about 185 00:11:04,679 --> 00:11:07,959 Speaker 1: Manson and kind of how he had been prepping this crew. 186 00:11:08,320 --> 00:11:09,679 Speaker 1: That's the way you have to look at it. It's 187 00:11:09,720 --> 00:11:12,840 Speaker 1: an organized crime venture, is what it comes down to. 188 00:11:13,040 --> 00:11:17,000 Speaker 1: Because they were a collection of thieves, is essentially what 189 00:11:17,080 --> 00:11:20,120 Speaker 1: they were. And of course they're fueled by asurgic acid 190 00:11:20,160 --> 00:11:23,559 Speaker 1: to a great degree. You know, it's been well documented 191 00:11:23,640 --> 00:11:26,920 Speaker 1: stated that they would drop LSD. There's some people that 192 00:11:26,960 --> 00:11:34,240 Speaker 1: have actually opined that Manson himself would fake taking LSD 193 00:11:35,080 --> 00:11:38,040 Speaker 1: and then everybody else would have it on board and 194 00:11:38,080 --> 00:11:40,880 Speaker 1: he could influence them and begin to talk to them 195 00:11:41,040 --> 00:11:44,040 Speaker 1: when they're tripping essentially. But one of the things that 196 00:11:44,080 --> 00:11:46,760 Speaker 1: he would do, to give you back to this idea 197 00:11:46,760 --> 00:11:50,240 Speaker 1: of thievery, this being a theft ring, is that he 198 00:11:50,640 --> 00:11:54,080 Speaker 1: introduced them to something called creepy crawling. He would actually 199 00:11:54,480 --> 00:11:59,760 Speaker 1: have these people go out and purposefully go into residences 200 00:12:00,120 --> 00:12:04,120 Speaker 1: in a stealth like manner, and the trick was not 201 00:12:04,160 --> 00:12:06,640 Speaker 1: to be caught, and they would go in and perhaps 202 00:12:06,760 --> 00:12:10,920 Speaker 1: rearrange things and not necessarily take anything, but just to 203 00:12:11,000 --> 00:12:13,960 Speaker 1: kind of hone these skills so that they could go 204 00:12:14,040 --> 00:12:19,840 Speaker 1: in and commit thievery, stealing, if you will, burglary and 205 00:12:19,920 --> 00:12:23,400 Speaker 1: not be caught. I think here's the big question though, 206 00:12:23,679 --> 00:12:28,599 Speaker 1: If that's the case, what is it that would motivate 207 00:12:29,240 --> 00:12:33,120 Speaker 1: a band of thieves that lived out in the desert, 208 00:12:33,559 --> 00:12:37,600 Speaker 1: away from society. What is it that caused them to 209 00:12:37,720 --> 00:13:02,520 Speaker 1: commit such a horrible, horrible crime. There's a couple of 210 00:13:02,559 --> 00:13:07,760 Speaker 1: classic images, black and white photography of the exterior of 211 00:13:07,800 --> 00:13:11,960 Speaker 1: the scene up on Siela, where the Tate home was 212 00:13:12,760 --> 00:13:16,840 Speaker 1: and where that multiple homicide took place. In One that 213 00:13:17,080 --> 00:13:19,480 Speaker 1: really jumps to mind is there's an image of one 214 00:13:19,520 --> 00:13:22,959 Speaker 1: of my heroes at the scene, and that's doctor Tom Magucci, 215 00:13:23,080 --> 00:13:27,440 Speaker 1: who was with the Medical Examiner corner back during that 216 00:13:27,520 --> 00:13:30,720 Speaker 1: time at Los Angeles, probably arguably one of the greatest 217 00:13:30,760 --> 00:13:35,000 Speaker 1: forensic pathologists that's ever worked in my way of estimation. 218 00:13:35,320 --> 00:13:38,800 Speaker 1: But he was at the scene and what he bore 219 00:13:38,880 --> 00:13:42,640 Speaker 1: witness to there. He's talked about or had talked about 220 00:13:42,679 --> 00:13:47,640 Speaker 1: previously on many occasions at the Tate residence. Horrible things 221 00:13:47,679 --> 00:13:51,040 Speaker 1: had happened, obviously over the years and we see this 222 00:13:51,400 --> 00:13:54,440 Speaker 1: carnage that erupts from time to time, but I don't 223 00:13:54,520 --> 00:13:58,719 Speaker 1: know that anybody could really fully appreciate what they were 224 00:13:58,760 --> 00:14:02,080 Speaker 1: seeing then and try to make sense of it, the 225 00:14:02,200 --> 00:14:07,600 Speaker 1: level of brutality. And so one interesting little point bringing 226 00:14:07,640 --> 00:14:12,439 Speaker 1: it back to the Lobbyanca double homicide is that apparently 227 00:14:12,920 --> 00:14:17,600 Speaker 1: at first the investigators really were thinking that they might 228 00:14:17,720 --> 00:14:22,680 Speaker 1: be dealing with a copycat crime. That the word had 229 00:14:22,800 --> 00:14:25,600 Speaker 1: leaked out at that point in time about how horrific 230 00:14:25,680 --> 00:14:29,760 Speaker 1: the Tate homicides were, and then you see this horror 231 00:14:29,800 --> 00:14:34,400 Speaker 1: show that takes place at the Lobbyanca household. They're thinking, Okay, 232 00:14:34,520 --> 00:14:36,960 Speaker 1: somebody read about this and they just wanted to see 233 00:14:36,960 --> 00:14:39,560 Speaker 1: if they could duplicate it. What do you think about that, Dave. 234 00:14:39,720 --> 00:14:42,400 Speaker 3: I lived there in this area at that time as 235 00:14:42,440 --> 00:14:44,960 Speaker 3: a young child, And one of the things that I 236 00:14:45,000 --> 00:14:48,640 Speaker 3: think people forget it's about copycat crimes. There was so 237 00:14:48,760 --> 00:14:52,240 Speaker 3: much made about Sharon Tate because she was eight and 238 00:14:52,280 --> 00:14:54,520 Speaker 3: a half months pregnant when she was murdered, and this 239 00:14:54,680 --> 00:14:58,320 Speaker 3: was a horrible crime scene and it was splashed everywhere. 240 00:14:58,600 --> 00:15:01,520 Speaker 3: And then you have this normal middle class Rosemary and 241 00:15:01,640 --> 00:15:04,840 Speaker 3: Lena LaBianca being murdered, and there was some thought that 242 00:15:05,200 --> 00:15:08,680 Speaker 3: copycat crimes were going to occur. My family personally, we 243 00:15:08,680 --> 00:15:12,160 Speaker 3: were moving into a a different home, a bigger home. 244 00:15:12,400 --> 00:15:14,880 Speaker 3: In the process of the move Joe Scott Morgan, I 245 00:15:14,920 --> 00:15:17,640 Speaker 3: remember going to that house on our move in was 246 00:15:17,680 --> 00:15:19,600 Speaker 3: delayed for some reason. I was a kid, I don't 247 00:15:19,600 --> 00:15:21,400 Speaker 3: you know. I didn't know why at the time, but 248 00:15:21,480 --> 00:15:24,520 Speaker 3: I know that when we got there the week after Halloween, 249 00:15:25,320 --> 00:15:27,880 Speaker 3: you could still see the chalk outline in the next 250 00:15:27,880 --> 00:15:31,400 Speaker 3: door neighbors driveway where a dead body had been. We 251 00:15:31,560 --> 00:15:35,360 Speaker 3: didn't know if it was actually a Halloween prank or 252 00:15:35,400 --> 00:15:39,240 Speaker 3: if there was a copycat murder, because that's what we 253 00:15:39,240 --> 00:15:41,680 Speaker 3: were all talking about at the time. One thing people 254 00:15:41,760 --> 00:15:44,600 Speaker 3: need to know is that while the murders took place 255 00:15:45,280 --> 00:15:49,720 Speaker 3: August eight, nine ten, the Tate Lobianca murders, that they 256 00:15:49,760 --> 00:15:52,520 Speaker 3: were not caught right away. It was actually a couple 257 00:15:52,520 --> 00:15:56,320 Speaker 3: of months, and there was a lot of tabloid journalism 258 00:15:56,360 --> 00:15:59,400 Speaker 3: at work and a lot of very poorly researched information, 259 00:15:59,680 --> 00:16:01,120 Speaker 3: so it was a lot of lies. A lot of 260 00:16:01,160 --> 00:16:03,880 Speaker 3: myths were being created at the time. But when you 261 00:16:04,000 --> 00:16:06,720 Speaker 3: get right down to it, there were only three people 262 00:16:06,800 --> 00:16:10,120 Speaker 3: inside the house for the lobbyancas that actually committed the murders, 263 00:16:10,280 --> 00:16:15,160 Speaker 3: and that's Tax Watson, Patricia Crinwinkle, and Leslie van Houghton, 264 00:16:15,880 --> 00:16:18,760 Speaker 3: Charles Manson. He did go in the house and he 265 00:16:18,840 --> 00:16:23,520 Speaker 3: in text tied up Leno and Rosemary Lobyanca, but Charles 266 00:16:23,600 --> 00:16:27,680 Speaker 3: left because he's that kind of guy. And he told 267 00:16:27,720 --> 00:16:30,640 Speaker 3: them the night before at the Tate resident that it 268 00:16:30,680 --> 00:16:33,280 Speaker 3: had been very messy, and he said, don't you know, 269 00:16:33,320 --> 00:16:36,760 Speaker 3: let's make it more clean. And when he of course, 270 00:16:36,800 --> 00:16:40,240 Speaker 3: he takes off with other members of the family there 271 00:16:40,680 --> 00:16:44,160 Speaker 3: and he leaves the job of murder up to Patricia 272 00:16:44,200 --> 00:16:46,160 Speaker 3: cram with Leslie van Houghton, who were supposed to take 273 00:16:46,200 --> 00:16:49,200 Speaker 3: out Rosemary and tex who was supposed to take out Leno. 274 00:16:49,720 --> 00:16:52,560 Speaker 3: When it actually happened, Leslie van Houghton had never killed 275 00:16:52,600 --> 00:16:56,080 Speaker 3: anybody before, and she wrote and talked about some things 276 00:16:56,080 --> 00:16:58,800 Speaker 3: that I'm kind of I'm hoping you'll explain this to us. 277 00:16:59,040 --> 00:17:01,760 Speaker 3: She actually pointed out some things that were just horrific 278 00:17:01,840 --> 00:17:05,199 Speaker 3: to me. But setting the stage inside the house, Lino 279 00:17:05,720 --> 00:17:08,240 Speaker 3: and Rosemary LaBianca have both been tied up. Their hands 280 00:17:08,240 --> 00:17:11,359 Speaker 3: are tied in the case of Rosemary LaBianca, A pillow 281 00:17:11,440 --> 00:17:13,960 Speaker 3: case had been placed over her head and it had 282 00:17:14,000 --> 00:17:18,240 Speaker 3: been tied off with a lamp cord. But they didn't 283 00:17:18,240 --> 00:17:20,560 Speaker 3: bother like rip the cord off the lamp. The lamp 284 00:17:20,600 --> 00:17:25,919 Speaker 3: was still attached. So Rosemary LaBianca hands tied up the 285 00:17:26,040 --> 00:17:29,440 Speaker 3: pillow case over her head and she's sitting there. Lino meanwhile, 286 00:17:29,600 --> 00:17:33,120 Speaker 3: Lebyanka had his hands tied and he also is sitting 287 00:17:33,320 --> 00:17:36,560 Speaker 3: and waiting for the robbery to finish, because that's what 288 00:17:36,600 --> 00:17:39,360 Speaker 3: they were told. Since Charles Manson and those guys are 289 00:17:39,359 --> 00:17:42,120 Speaker 3: down the road, that's when the murder begins. Tex Watson 290 00:17:42,160 --> 00:17:46,600 Speaker 3: took charge of killing Lino LaBianca, Patricia Creenwinkle, and Leslie 291 00:17:46,680 --> 00:17:50,159 Speaker 3: Van Houghten. It was their job to kill Rosemary in 292 00:17:50,440 --> 00:17:54,840 Speaker 3: her bedroom. To Rosemary Labyanca, already we had text Watson 293 00:17:54,880 --> 00:18:00,000 Speaker 3: stabbing away on Lino just I mean horrifically. But Leslie 294 00:18:00,040 --> 00:18:03,399 Speaker 3: Van Houghton said later that it wasn't new for Text, 295 00:18:03,520 --> 00:18:06,679 Speaker 3: he had done this before, he had killed before. For 296 00:18:06,760 --> 00:18:12,240 Speaker 3: Leslie Van Houghten to kill Rosemary Labyanca, it was horrific, 297 00:18:12,359 --> 00:18:14,560 Speaker 3: to the point that she didn't know what it was 298 00:18:14,640 --> 00:18:17,520 Speaker 3: like cutting through human flesh. She thought it would be different. 299 00:18:17,720 --> 00:18:20,240 Speaker 3: Joseph Scott Morgan, and I wonder how many of us 300 00:18:21,119 --> 00:18:23,000 Speaker 3: because I've never thought about it until I read that, 301 00:18:23,400 --> 00:18:25,399 Speaker 3: how many has really thought about what it would be? Like, 302 00:18:25,600 --> 00:18:29,800 Speaker 3: what force does it take to actually kill somebody with 303 00:18:29,840 --> 00:18:32,960 Speaker 3: a knife. That's a personal thing. If you're shooting somebody, 304 00:18:33,160 --> 00:18:35,880 Speaker 3: you can do it from a distance. With a knife, 305 00:18:36,280 --> 00:18:39,879 Speaker 3: you're up close and personal. It is very personal. And 306 00:18:39,960 --> 00:18:43,240 Speaker 3: so while Leslie Van Houghton and Patricia Creamwinkle are trying 307 00:18:43,240 --> 00:18:47,080 Speaker 3: to kill Rosemary Lebyanka in her bedroom, Rosemary fights back 308 00:18:47,480 --> 00:18:50,760 Speaker 3: and the lamp cord used to keep that pillow case 309 00:18:50,800 --> 00:18:53,240 Speaker 3: on her head, well, the lamp now becomes a weapon. 310 00:18:53,560 --> 00:18:56,200 Speaker 3: She can't see, but she was fighting for her life 311 00:18:56,240 --> 00:19:00,680 Speaker 3: and winning. She was beating Leslie Van Houghton and Patricia 312 00:19:00,720 --> 00:19:03,800 Speaker 3: cremwigill to the point where they yelled protext Watson. He's 313 00:19:03,800 --> 00:19:06,080 Speaker 3: in the middle of stabbing Lino and they're like, Tex, 314 00:19:06,119 --> 00:19:08,240 Speaker 3: you got to get in here now. He had already 315 00:19:08,280 --> 00:19:12,080 Speaker 3: stabbed Lena LaBianca a Lotleno had no fight left in him, 316 00:19:12,240 --> 00:19:16,280 Speaker 3: so Tex left him to go back and help them 317 00:19:16,400 --> 00:19:18,760 Speaker 3: kill Rosemary Labyanca. 318 00:19:18,680 --> 00:19:22,840 Speaker 1: With the participation of Van Houghten. I think that it's 319 00:19:22,840 --> 00:19:25,800 Speaker 1: important to remember that she was out of the so 320 00:19:25,920 --> 00:19:29,120 Speaker 1: called Manson family. She was one of the youngest members 321 00:19:29,400 --> 00:19:32,240 Speaker 1: nineteen at the time, I believe. 322 00:19:32,160 --> 00:19:34,800 Speaker 3: High school cheerleader and prince at homecoming princess. 323 00:19:35,240 --> 00:19:39,440 Speaker 1: Yeah, from this area of the country as well. She's 324 00:19:39,640 --> 00:19:42,959 Speaker 1: one of these kind of people that was kind of 325 00:19:42,960 --> 00:19:46,800 Speaker 1: glommed on to Manson. However, later reports say that she 326 00:19:47,080 --> 00:19:49,960 Speaker 1: was kind of a leader among these folks, but she 327 00:19:50,200 --> 00:19:53,280 Speaker 1: wasn't present when the Tate murders took place. She was 328 00:19:53,280 --> 00:19:59,479 Speaker 1: specifically brought in to handle the Lobyancas, these random people 329 00:19:59,560 --> 00:20:04,280 Speaker 1: that they had identified. And what's quite interesting when you 330 00:20:04,359 --> 00:20:08,600 Speaker 1: begin to kind of explore what happened at this residence 331 00:20:08,640 --> 00:20:14,119 Speaker 1: that particular night with Lobyanca, mister Lobianca, all of his 332 00:20:14,240 --> 00:20:18,760 Speaker 1: injuries are essentially anterior, which means on the front of 333 00:20:18,840 --> 00:20:22,639 Speaker 1: his body, and there are multiple stab wounds to his 334 00:20:22,800 --> 00:20:27,600 Speaker 1: neck and to his abdomen, and he died as a 335 00:20:27,640 --> 00:20:32,080 Speaker 1: result of massive hemorrhage, which means that every time this 336 00:20:32,200 --> 00:20:37,160 Speaker 1: knife is plunged into his body, that you're creating another 337 00:20:37,320 --> 00:20:40,400 Speaker 1: channel for blood to kind of seep out, and he's 338 00:20:40,440 --> 00:20:43,960 Speaker 1: going to be bleeding out internally. When you begin to 339 00:20:44,400 --> 00:20:48,719 Speaker 1: look through the autopsy reports on him. His right carotid artery, 340 00:20:49,119 --> 00:20:52,320 Speaker 1: which is the major artery in the neck that essentially 341 00:20:52,600 --> 00:20:57,159 Speaker 1: supplies the brain with blood, is the right one on 342 00:20:57,200 --> 00:21:01,200 Speaker 1: the right aspect of People will essentially place your index 343 00:21:01,240 --> 00:21:05,399 Speaker 1: finger just to the right of your trachea. It's rest 344 00:21:05,600 --> 00:21:09,040 Speaker 1: right in this area. So that knife was buried through 345 00:21:09,080 --> 00:21:13,200 Speaker 1: that surface into his neck. It's completely what they've referred 346 00:21:13,200 --> 00:21:17,600 Speaker 1: to as transsected. In addition to that, he's got a 347 00:21:17,720 --> 00:21:22,320 Speaker 1: laceration of his trachea. So if you take that orientation 348 00:21:22,560 --> 00:21:25,600 Speaker 1: that we just mentioned about the carotid artery and slightly 349 00:21:25,680 --> 00:21:29,160 Speaker 1: move over to the midline which people refer to as 350 00:21:29,240 --> 00:21:33,160 Speaker 1: the wind pipe with the trachia, it's lacerated as well, 351 00:21:33,240 --> 00:21:38,320 Speaker 1: which means that Dave, this is not just merely a 352 00:21:38,680 --> 00:21:42,840 Speaker 1: slice when they say laceration, You've got this kind of 353 00:21:43,560 --> 00:21:47,119 Speaker 1: blunting action that's taking the edges and the margins of 354 00:21:47,160 --> 00:21:50,600 Speaker 1: this thing. Would not have been very neat and moving 355 00:21:50,680 --> 00:21:52,639 Speaker 1: from the top of the body. Just to give you 356 00:21:52,800 --> 00:21:55,800 Speaker 1: an idea how extensive this was. They had taken the 357 00:21:55,880 --> 00:21:59,479 Speaker 1: knife and buried it into not just his small bowel, 358 00:21:59,520 --> 00:22:03,080 Speaker 1: but also his large bowel, into his colon, so you've 359 00:22:03,119 --> 00:22:07,359 Speaker 1: got insults that are running the full length of his 360 00:22:07,680 --> 00:22:12,760 Speaker 1: upper body, and when the body is received at the morgue, 361 00:22:12,920 --> 00:22:15,600 Speaker 1: I can only imagine at that moment in time they're 362 00:22:15,640 --> 00:22:17,680 Speaker 1: trying to make sense of One of the things that 363 00:22:18,119 --> 00:22:21,479 Speaker 1: you're always asked about with these types of events, are 364 00:22:21,640 --> 00:22:26,560 Speaker 1: sequencing in what order did these things actually occur? And 365 00:22:26,720 --> 00:22:30,480 Speaker 1: you begin to think about, well, it's not necessarily possible 366 00:22:30,760 --> 00:22:34,440 Speaker 1: to be able to tell anyone what sequence they actually 367 00:22:34,680 --> 00:22:37,959 Speaker 1: took place in. There's been a lot of as they 368 00:22:38,040 --> 00:22:42,360 Speaker 1: used to say, ink slung over the injuries that LaBianca 369 00:22:42,560 --> 00:22:46,720 Speaker 1: sustained probably one of the more striking things. Even at 370 00:22:46,720 --> 00:22:49,760 Speaker 1: the scene, the corner investigator made note of the fact 371 00:22:49,840 --> 00:22:53,560 Speaker 1: that there was some kind of rudimentary engraving on the 372 00:22:53,600 --> 00:22:56,760 Speaker 1: surface of this man's abdomen, and the word, as it 373 00:22:56,800 --> 00:23:00,399 Speaker 1: turns out, was the word war. This means that the 374 00:23:00,600 --> 00:23:04,600 Speaker 1: individual that had done this would have had to have 375 00:23:04,640 --> 00:23:08,800 Speaker 1: had the will to sit there and make this happen, 376 00:23:09,119 --> 00:23:14,160 Speaker 1: to actually sit there and be able to perhaps tolerate 377 00:23:14,480 --> 00:23:17,880 Speaker 1: the sounds of this man as life is leaving his body, 378 00:23:18,000 --> 00:23:21,919 Speaker 1: taking the tip of a knife which they believe was utilized, 379 00:23:22,400 --> 00:23:27,000 Speaker 1: and making it through the dermis of his skin, so 380 00:23:27,040 --> 00:23:29,919 Speaker 1: that the individuals could appreciate that later on when they 381 00:23:30,000 --> 00:23:33,359 Speaker 1: walked onto the scene. This goes into areas like motivation, 382 00:23:33,560 --> 00:23:36,560 Speaker 1: you know, why would somebody do this? And going back 383 00:23:36,560 --> 00:23:39,560 Speaker 1: with our theme here, the idea that back during this 384 00:23:39,680 --> 00:23:41,879 Speaker 1: time the police are trying to make sense of this. 385 00:23:41,960 --> 00:23:45,840 Speaker 1: And then interestingly enough, one of the things that was 386 00:23:45,880 --> 00:23:50,520 Speaker 1: also documented was this idea of the carving fork that 387 00:23:50,600 --> 00:23:55,159 Speaker 1: was left behind the individual little points on forks or 388 00:23:55,200 --> 00:23:59,680 Speaker 1: referred to as times, well, the times for carving fork, 389 00:24:00,040 --> 00:24:02,760 Speaker 1: only two of them. I think that in some of 390 00:24:02,800 --> 00:24:05,919 Speaker 1: the media that's out there, these movies that have been 391 00:24:05,960 --> 00:24:08,280 Speaker 1: created over the years, I think there was one in particular, 392 00:24:08,359 --> 00:24:11,959 Speaker 1: the very graphic where they showed the victim the actor 393 00:24:12,320 --> 00:24:14,159 Speaker 1: was stabbed with a fork and it was kind of 394 00:24:14,200 --> 00:24:17,200 Speaker 1: bouncing about and that sort of thing. This was actually 395 00:24:17,320 --> 00:24:21,720 Speaker 1: a superficial wound. And the corner investigator makes an interesting 396 00:24:21,840 --> 00:24:25,040 Speaker 1: point here, and this goes to the larger group of 397 00:24:25,119 --> 00:24:28,960 Speaker 1: evidence here in this case where he talks about if 398 00:24:28,960 --> 00:24:34,560 Speaker 1: they had not removed that fork, that carving fork from 399 00:24:35,119 --> 00:24:38,920 Speaker 1: mister Labianca's abdomen, it could very well have fallen out 400 00:24:38,960 --> 00:24:41,280 Speaker 1: and they would have lost the evidence at that moment 401 00:24:41,280 --> 00:24:44,200 Speaker 1: in time. For us in forensics, you know kind of 402 00:24:44,240 --> 00:24:46,800 Speaker 1: our rule of thumb, and this actually applies in medicine too. 403 00:24:46,840 --> 00:24:49,320 Speaker 1: If you ever see these things where people say, well, 404 00:24:49,320 --> 00:24:52,879 Speaker 1: if there's an object impaled in somebody's body, don't remove it, 405 00:24:52,960 --> 00:24:55,920 Speaker 1: because it's going to If you remove it, you're going 406 00:24:55,960 --> 00:24:59,240 Speaker 1: to promote blood flow. Okay, you're creating this kind of 407 00:24:59,280 --> 00:25:03,240 Speaker 1: defect in the But for us in forensics, we want 408 00:25:03,240 --> 00:25:06,880 Speaker 1: to be able to appreciate an item in sight too, 409 00:25:07,000 --> 00:25:10,600 Speaker 1: is what it's referred to as in place rather in place, 410 00:25:10,840 --> 00:25:14,440 Speaker 1: so that it can be fully documented and appreciated by 411 00:25:14,480 --> 00:25:16,920 Speaker 1: the forensic pathologist. Keep in mind, most of the time 412 00:25:16,960 --> 00:25:19,520 Speaker 1: you're not going to have a forensic pathologist at the 413 00:25:19,560 --> 00:25:23,960 Speaker 1: scene to see the body in its pristine post mortem state, 414 00:25:24,320 --> 00:25:27,439 Speaker 1: So you try to leave any kind of elements that 415 00:25:27,480 --> 00:25:29,959 Speaker 1: are in or on the body in place, and that 416 00:25:30,000 --> 00:25:32,479 Speaker 1: way it'll be more thoroughly examined at the morgue. And 417 00:25:32,520 --> 00:25:35,680 Speaker 1: in this particular case, they actually had to remove it 418 00:25:35,760 --> 00:25:39,080 Speaker 1: because they very well could have lost that evidence. And 419 00:25:39,119 --> 00:25:43,240 Speaker 1: of course we know that it's significant because it goes 420 00:25:43,359 --> 00:25:48,560 Speaker 1: to the behavior of the individual. It wasn't just simply 421 00:25:48,960 --> 00:25:53,080 Speaker 1: a knife wound. We're talking about multiple weapons that led 422 00:25:53,400 --> 00:26:17,440 Speaker 1: to mister Lobianca's death. Many of the deaths that I've 423 00:26:17,480 --> 00:26:21,720 Speaker 1: investigated over the course of my career, for good or bad, 424 00:26:21,800 --> 00:26:26,159 Speaker 1: I have an ability of kind of placing myself in 425 00:26:26,240 --> 00:26:28,720 Speaker 1: the position of victims, or at least kind of trying 426 00:26:28,720 --> 00:26:32,720 Speaker 1: to imagine what they've gone through. With single victims, it's 427 00:26:33,080 --> 00:26:37,040 Speaker 1: it's hard, I think, or it's less nuanced when you 428 00:26:37,160 --> 00:26:42,560 Speaker 1: have family members that are killed simultaneously. There's something about 429 00:26:43,000 --> 00:26:46,320 Speaker 1: from in my case, my own humanity that begins to 430 00:26:46,320 --> 00:26:50,800 Speaker 1: think about the relationship that these individuals within a home 431 00:26:50,960 --> 00:26:54,080 Speaker 1: like this had La Bianca's. I'm referring to what was 432 00:26:54,280 --> 00:26:56,520 Speaker 1: going through their minds at that moment in time, because 433 00:26:56,560 --> 00:27:01,320 Speaker 1: you have two people that were apparently have married, they'd 434 00:27:01,320 --> 00:27:05,920 Speaker 1: built a life together. Missus Lobianca managed to address store. 435 00:27:06,400 --> 00:27:11,439 Speaker 1: Mister Lobianca was a grocery executive. They had built a 436 00:27:11,520 --> 00:27:16,080 Speaker 1: home together, not simply a house, but a home, and 437 00:27:16,119 --> 00:27:19,960 Speaker 1: they were still involved in their children's lives. And you think, 438 00:27:20,000 --> 00:27:23,080 Speaker 1: in those last moments before you leave this earth, what 439 00:27:23,240 --> 00:27:26,160 Speaker 1: was going through their mind? The pure horror, the pure terror, 440 00:27:26,200 --> 00:27:29,840 Speaker 1: because it's not just what's happening to you. You begin 441 00:27:30,040 --> 00:27:34,040 Speaker 1: to kind of imagine what's happening to my loved one, 442 00:27:34,240 --> 00:27:37,720 Speaker 1: what's happening to my beloved spouse that might be in 443 00:27:37,720 --> 00:27:41,040 Speaker 1: the other room. You're hearing screams, you're hearing commotion, and 444 00:27:41,359 --> 00:27:44,880 Speaker 1: maybe not thinking about the pain that's being inflicted upon you, 445 00:27:44,960 --> 00:27:47,760 Speaker 1: but about the pain that's being inflicted upon them. 446 00:27:48,480 --> 00:27:52,920 Speaker 3: Leno and Rosemary LaBianca had been told when they were 447 00:27:52,960 --> 00:27:55,520 Speaker 3: woken up, they were told, this is justin robbery. We're 448 00:27:55,600 --> 00:27:57,520 Speaker 3: just taking your money, and you're not going to be hurt. 449 00:27:57,760 --> 00:28:00,239 Speaker 3: They were tied up with that in mind. That's what 450 00:28:00,280 --> 00:28:02,680 Speaker 3: Text Watson told and that's what Charles Manson told him, 451 00:28:02,880 --> 00:28:04,800 Speaker 3: You're not going to be hurt. All the way up 452 00:28:04,880 --> 00:28:07,640 Speaker 3: until the point where the killing began, they were told, 453 00:28:07,680 --> 00:28:10,000 Speaker 3: you're not going to be hurt. Rosemary LaBianca was in 454 00:28:10,040 --> 00:28:13,679 Speaker 3: her bedroom with Leslie Van Holton and Patricia Crinwinkle. She 455 00:28:13,880 --> 00:28:18,560 Speaker 3: hears commotion going on while Tex Watson is stabbing Lena LaBianca, 456 00:28:18,600 --> 00:28:22,040 Speaker 3: and she asked, what's going on with Lenoleno? Are you okay? 457 00:28:22,080 --> 00:28:26,679 Speaker 3: And that's what caused her, Rosemary Labyanka to actually really 458 00:28:26,720 --> 00:28:30,560 Speaker 3: fight back hard to the point where Patricia Crinwinkle and 459 00:28:30,640 --> 00:28:34,080 Speaker 3: Leslie van Houghton could not control her. They screamed out 460 00:28:34,119 --> 00:28:38,040 Speaker 3: for text to get help. Because of Rosemary LaBianca. She 461 00:28:38,280 --> 00:28:41,440 Speaker 3: just I don't the heart of that woman. But I 462 00:28:41,520 --> 00:28:44,320 Speaker 3: have a question for you, Joe, because I'm curious after 463 00:28:44,360 --> 00:28:48,640 Speaker 3: the fact. Could you tell an examination the difference between 464 00:28:48,680 --> 00:28:52,840 Speaker 3: a wound being done by Leslie van Houghton and Patricia 465 00:28:52,920 --> 00:28:57,400 Speaker 3: Crinwinkle versus a wound created by Tex Watson, who is 466 00:28:57,480 --> 00:29:00,320 Speaker 3: obviously going to hit harder. Could you do you tell 467 00:29:00,320 --> 00:29:04,040 Speaker 3: a difference between that type of a knife wound that's going. 468 00:29:04,000 --> 00:29:07,320 Speaker 1: To be heavily depended day First off, on the instrument 469 00:29:07,440 --> 00:29:11,000 Speaker 1: that's used, how robust the instrument is that is being 470 00:29:11,080 --> 00:29:15,280 Speaker 1: utilized in order to inflict the injuries, and what structures 471 00:29:15,560 --> 00:29:18,760 Speaker 1: this instrument is going to strike. Because it's not, as 472 00:29:18,800 --> 00:29:21,760 Speaker 1: we've talked about before on body bags, it's not just 473 00:29:21,920 --> 00:29:25,280 Speaker 1: passing through the skin and through the muscle. You have 474 00:29:25,360 --> 00:29:29,440 Speaker 1: to think about any kind of bony prominences that are there, 475 00:29:29,560 --> 00:29:34,720 Speaker 1: whether it's ribs or the spine. In Miss Lobianca's case 476 00:29:34,800 --> 00:29:38,880 Speaker 1: in particular, because her spinal cord is essentially transacted, what 477 00:29:38,960 --> 00:29:42,520 Speaker 1: type of force would it take in order to inflict 478 00:29:42,520 --> 00:29:47,040 Speaker 1: these There's another important piece to this. There was a 479 00:29:47,160 --> 00:29:50,920 Speaker 1: need on the part of the Manson family as it 480 00:29:50,960 --> 00:29:53,760 Speaker 1: applied to vin how and I believe, for her to 481 00:29:53,920 --> 00:29:58,240 Speaker 1: get her hands dirty. So the question arises, how many 482 00:29:58,280 --> 00:30:01,840 Speaker 1: of these insults that that both of these victims, and 483 00:30:01,960 --> 00:30:05,000 Speaker 1: Rosemary in particular, because hers were as bad as it 484 00:30:05,080 --> 00:30:09,400 Speaker 1: is to talk about carving on Lobianca's body and this 485 00:30:09,560 --> 00:30:13,600 Speaker 1: carving knife that was utilized on him in its measure, 486 00:30:13,880 --> 00:30:16,680 Speaker 1: I think that Rosemary got the real horror show thrown 487 00:30:16,760 --> 00:30:19,160 Speaker 1: at her. Her injuries were over the top. A lot 488 00:30:19,200 --> 00:30:21,520 Speaker 1: of that has to go to you were mentioning how 489 00:30:21,600 --> 00:30:24,280 Speaker 1: much she fought. She had to be restrained. They had 490 00:30:24,280 --> 00:30:27,440 Speaker 1: to guarantee that she was not going to get back 491 00:30:27,520 --> 00:30:30,560 Speaker 1: up off of that floor. Most of her injuries are 492 00:30:30,840 --> 00:30:35,080 Speaker 1: posterior on her back. You begin to think about that 493 00:30:35,280 --> 00:30:38,560 Speaker 1: and the level of force that's used, and also how 494 00:30:38,600 --> 00:30:43,360 Speaker 1: many of these injury tracks where she sustained these stab wounds, 495 00:30:43,760 --> 00:30:48,120 Speaker 1: how many of these actually had hemorrhage in them, Because 496 00:30:48,160 --> 00:30:52,200 Speaker 1: that's the big delineation here for us between this idea 497 00:30:52,360 --> 00:30:56,080 Speaker 1: of post mortem and anti mortem injuries. You know, you 498 00:30:56,120 --> 00:30:59,080 Speaker 1: think about the anti mortem injuries, these wounds that are 499 00:30:59,240 --> 00:31:02,840 Speaker 1: inflicted on her. You think about, well, how many of 500 00:31:02,880 --> 00:31:07,600 Speaker 1: these came while she was still alive, and how many 501 00:31:07,640 --> 00:31:12,040 Speaker 1: of these happened afterwards. And they're randomized. It's not like 502 00:31:12,160 --> 00:31:19,080 Speaker 1: they're necessarily in any particular order or have penetrated specific 503 00:31:19,320 --> 00:31:24,000 Speaker 1: anatomical structures and stayed in that particular area. A lot 504 00:31:24,040 --> 00:31:27,880 Speaker 1: of the stuff that has occurred to her is randomized. 505 00:31:27,960 --> 00:31:30,760 Speaker 1: It's all over her body, so that gives you an 506 00:31:30,840 --> 00:31:35,040 Speaker 1: idea of what kind of fight had ensued initially, and 507 00:31:35,080 --> 00:31:37,640 Speaker 1: when you begin to look at it, you begin to 508 00:31:37,920 --> 00:31:40,960 Speaker 1: think about the horror that was inflicted upon her. What 509 00:31:41,040 --> 00:31:45,200 Speaker 1: we do know is that they have enumerated these injuries 510 00:31:45,280 --> 00:31:49,880 Speaker 1: and she had sustained I think, if I'm not mistaken, 511 00:31:50,280 --> 00:31:53,760 Speaker 1: twenty two insults on the upper portion of her back 512 00:31:54,240 --> 00:31:58,040 Speaker 1: and fourteen on the lower portion of her back. And 513 00:31:58,400 --> 00:32:01,080 Speaker 1: one of these that gives you idea as to how 514 00:32:01,680 --> 00:32:06,240 Speaker 1: much power was involved in this, is that she's got 515 00:32:06,560 --> 00:32:12,000 Speaker 1: transsecting injury of her neck. Place your finger at the 516 00:32:12,080 --> 00:32:15,200 Speaker 1: base of your skull. The first vertebral body that you 517 00:32:15,280 --> 00:32:18,480 Speaker 1: have there is c one that's referred to as the atlas, 518 00:32:18,520 --> 00:32:21,440 Speaker 1: and you just think about atlas holding up the world. 519 00:32:21,520 --> 00:32:26,960 Speaker 1: From mythology, you go to the second vertebral body, which 520 00:32:27,040 --> 00:32:31,720 Speaker 1: is immediately below the atlas, and then the third. There 521 00:32:31,840 --> 00:32:36,880 Speaker 1: is a wound that passes between that junction right there, 522 00:32:37,440 --> 00:32:41,520 Speaker 1: and the vertebral bodies are some of the most robust 523 00:32:41,800 --> 00:32:45,160 Speaker 1: elements in our body as far as the skeletal structure goes. 524 00:32:45,800 --> 00:32:49,040 Speaker 1: They transacted that day. That's how much power was involved 525 00:32:49,040 --> 00:32:52,720 Speaker 1: in this, which means that that knife passed through in 526 00:32:52,840 --> 00:32:57,680 Speaker 1: between those two vertebral bodies and completely transsected her cerebral 527 00:32:57,760 --> 00:32:58,760 Speaker 1: spinal cord. 528 00:32:59,360 --> 00:33:01,840 Speaker 3: The one thing that I did see with Leslie van 529 00:33:01,880 --> 00:33:06,960 Speaker 3: Houghton describing the killing, this is her exact words. I 530 00:33:07,120 --> 00:33:09,760 Speaker 3: was supposed to mess her up, and I took the 531 00:33:09,840 --> 00:33:13,719 Speaker 3: knife and I started stabbing, and I turned into an 532 00:33:13,920 --> 00:33:18,800 Speaker 3: animal almost. I just completely let out on that woman's back. 533 00:33:19,120 --> 00:33:22,600 Speaker 3: You just mentioned the wounds on her back, Leslie Van 534 00:33:22,640 --> 00:33:28,000 Speaker 3: Houghten talking about I completely let out on that woman's back. 535 00:33:28,480 --> 00:33:31,480 Speaker 3: But then she says, it's not like cutting a piece 536 00:33:31,520 --> 00:33:34,880 Speaker 3: of meat. It's much tougher. I had to use both 537 00:33:34,960 --> 00:33:38,520 Speaker 3: hands and all my pressure and all my strength behind 538 00:33:38,600 --> 00:33:42,520 Speaker 3: it to get it in. What actually is she describing there, Joe. 539 00:33:42,680 --> 00:33:46,080 Speaker 1: She's in a dominant position. And remember this is not 540 00:33:46,200 --> 00:33:49,680 Speaker 1: something she's doing by herself, Dave. There are other people, 541 00:33:49,800 --> 00:33:54,080 Speaker 1: other hands involved in this, and she is essentially in 542 00:33:54,120 --> 00:33:58,000 Speaker 1: a dominant position. This is a perfect example of what 543 00:33:58,000 --> 00:34:00,960 Speaker 1: we refer to as a symmetry in an attack. That 544 00:34:01,000 --> 00:34:04,080 Speaker 1: means you've got one individual that's dominant over another. And 545 00:34:04,440 --> 00:34:07,680 Speaker 1: what's really the tail of the tape is that since 546 00:34:07,760 --> 00:34:12,920 Speaker 1: these injuries are posterior on Rosemary la Bianca's body, that 547 00:34:13,080 --> 00:34:16,560 Speaker 1: means that she's faced down more than likely throughout most 548 00:34:16,560 --> 00:34:20,160 Speaker 1: of this attack, and you have access to that particular 549 00:34:20,520 --> 00:34:24,480 Speaker 1: plane of the body. The knife is being driven downward. 550 00:34:25,280 --> 00:34:28,680 Speaker 1: When say, look, if you're ever attacked by a bear, 551 00:34:28,840 --> 00:34:31,319 Speaker 1: crawl up into a kind of contract yourself up into 552 00:34:31,360 --> 00:34:33,839 Speaker 1: a ball. And one of the reasons is is that 553 00:34:33,920 --> 00:34:37,320 Speaker 1: I've often envisioned in my mind that our back is 554 00:34:37,360 --> 00:34:39,600 Speaker 1: almost like a turtle shell. We have all of these 555 00:34:39,640 --> 00:34:43,560 Speaker 1: bony prominences and structures posteriorly because you know, our ribs 556 00:34:43,560 --> 00:34:46,240 Speaker 1: are not just on the front of our body and sides. 557 00:34:46,280 --> 00:34:50,359 Speaker 1: They mixed in into the back and they attached to 558 00:34:50,719 --> 00:34:54,440 Speaker 1: our spine, and so you've got this kind of rigidity 559 00:34:54,640 --> 00:34:59,239 Speaker 1: that comes in well, no wonder she is stating and 560 00:34:59,320 --> 00:35:03,080 Speaker 1: has admitted to having to drive this knife through these 561 00:35:03,120 --> 00:35:08,000 Speaker 1: bony structures with both hands, and essentially to give you 562 00:35:08,080 --> 00:35:11,960 Speaker 1: an idea as to how much force was involved. Not 563 00:35:12,000 --> 00:35:16,600 Speaker 1: only do we have this laceration of the spinal cord, 564 00:35:16,960 --> 00:35:20,360 Speaker 1: but in addition to that, there was so much force 565 00:35:20,640 --> 00:35:25,440 Speaker 1: used during the midst of this attack that Rosemary LaBianca 566 00:35:26,160 --> 00:35:31,200 Speaker 1: also sustained injuries of her lung it perforated, along also 567 00:35:31,760 --> 00:35:36,279 Speaker 1: her stomach, and in addition to that her spleen was lacerated. 568 00:35:36,600 --> 00:35:39,680 Speaker 1: And for what For absolutely what you asked that question, 569 00:35:39,960 --> 00:35:43,960 Speaker 1: I think we all do. It's just a random event 570 00:35:44,320 --> 00:35:47,640 Speaker 1: that occurred where these two people who had nothing to 571 00:35:47,680 --> 00:35:51,760 Speaker 1: do with race wars, had nothing to do with hippie culture, 572 00:35:51,920 --> 00:35:56,440 Speaker 1: had nothing to do with anything other than just simply living. 573 00:35:56,480 --> 00:36:03,359 Speaker 1: Their lives are gone and now Leslie Van Houghton is free. 574 00:36:05,800 --> 00:36:09,440 Speaker 1: I'm Joseph Scott Morgan and this is body Backs