WEBVTT - Listener Mail: Week Sauce

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. This is Robert Lamb and this is Joe McCormick.

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<v Speaker 1>And uh, it's Monday. This is the day of the

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<v Speaker 1>week that we read back messages you've sent into the show.

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<v Speaker 1>Rob if you don't mind today, I think I'm gonna

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<v Speaker 1>get started with this message we got from Adam. Let's

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<v Speaker 1>do it, okay. This is replying to previous listener mail

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<v Speaker 1>about the Seven Day Week episodes. Uh and uh. A

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<v Speaker 1>note here. Adam, who is a rabbi, wrote in with

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<v Speaker 1>a shorter message about the history of the Sabbath observance

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<v Speaker 1>and public Torah readings in the ancient Near East, and

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<v Speaker 1>he mentioned that his rabbinical thesis was actually on the

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<v Speaker 1>subject of how space colonization might affect the observance of

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<v Speaker 1>the Sabbath week. And obviously that's right up our alley.

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<v Speaker 1>We were very interested in that subject, so he wrote

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<v Speaker 1>in again to share more. So Adam says, Hey, Joe

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<v Speaker 1>and Rob, thank you for the fantastic show. I've been

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<v Speaker 1>listening for years now. I'm thrilled to hear you're interested

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<v Speaker 1>in the topic of my rabbinical thesis. It's called Eyes

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<v Speaker 1>on the Horizon, Theological and Hallockic challenges to the first

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<v Speaker 1>Jewish settlers on the moon, Mars and beyond. I have

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<v Speaker 1>always been very scientifically minded, even as a rabbi in

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<v Speaker 1>rabbinical school, we needed to write a thesis before ordination.

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<v Speaker 1>One day, while sitting in class, I had an epiphany,

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<v Speaker 1>what would a Jewish prayer book look like for future

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<v Speaker 1>exo Jews living on Mars. I reached out to friends

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<v Speaker 1>and colleagues and pose the question. I asked what blessings

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<v Speaker 1>they may recite? For instance, in Judaism, a blessing is

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<v Speaker 1>a formula accidence that makes a moment or ritual holy.

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<v Speaker 1>Before eating an apple, for example, I may say, blessed

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<v Speaker 1>are you Eternal, our God, ruler of the universe, creator

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<v Speaker 1>of the fruit of the tree. So I asked what

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<v Speaker 1>blessing someone on Mars may recite? Is there a blessing

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<v Speaker 1>for landing on a new celestial body, etcetera. Before I

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<v Speaker 1>found a thesis referee, I had been turned down by

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<v Speaker 1>several professors. The first one said, quote, Judaism doesn't exist

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<v Speaker 1>off planet. That's not a thesis. Judaism is the relationship

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<v Speaker 1>between God, Israel and the Earth. I eventually found someone

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<v Speaker 1>who agreed to advise me my thesis. Referee, being an

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<v Speaker 1>expert in Jewish halaca, which is Jewish law put forth

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<v Speaker 1>by the rabbis throughout the centuries, recommended bringing in that aspect.

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<v Speaker 1>So half of my thesis became a theological exploration of

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<v Speaker 1>whether Judaism can exist off planet and what theological complications

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<v Speaker 1>might arise by trying to live Jewishly off planet. My

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<v Speaker 1>second half focused on how one could follow Jewish law,

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<v Speaker 1>particularly concerning the issue of Jewish time off planet at all.

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<v Speaker 1>One main thought experiment, for example, is the Hallockic issue

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<v Speaker 1>of the quote lost traveler. It is as follows. Suppose

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<v Speaker 1>you are a religious Jew who is traveling through the wilderness.

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<v Speaker 1>You realize that you have lost track of the day,

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<v Speaker 1>so you don't know when Shabbat, the Jewish Sabbath, will begin.

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<v Speaker 1>Jewish law stipulates you must count six twenty four hour

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<v Speaker 1>periods from the moment you lost track. The seventh hour

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<v Speaker 1>period is to be your Shabbat. You must say the

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<v Speaker 1>proper blessings one says on Shabbat. That way you fulfill

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<v Speaker 1>the commandment of keeping the Shabbat. However, you still cannot

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<v Speaker 1>violate the actual Shabbat even if you don't know which

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<v Speaker 1>day it will actually be, So you must remain in

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<v Speaker 1>a state of pseudo Shabbat at all times until you

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<v Speaker 1>have once again found civilization. That means you cannot do

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<v Speaker 1>anything that counts as something forbidden on Shabbat. You may

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<v Speaker 1>only do that which keeps you alive or helps you

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<v Speaker 1>travel towards civilization once again. Thus, to apply to the

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<v Speaker 1>context of Jews living off planet, if one has difficulty

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<v Speaker 1>determining what day of the week it is, whether that

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<v Speaker 1>means you must follow the time on Earth or the

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<v Speaker 1>time of a Martian society, must that religious to remain

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<v Speaker 1>in a state of pseudo Shabbat on Mars. Finally, Adam

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<v Speaker 1>attaches a link to a PDF of his thesis so

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<v Speaker 1>that we can take a look. Maybe we will in

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<v Speaker 1>the future, and then says all the best, Adam, but yeah,

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<v Speaker 1>thanks so much, Adam. Fascinating. I love it. Yeah, this

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<v Speaker 1>is exactly what we were hoping we would We would

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<v Speaker 1>hear back from people on Yeah, this is this is fascinating.

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<v Speaker 1>I mean, I think questions like this are actually really

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<v Speaker 1>interesting from the religious point of view, even if you're

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<v Speaker 1>not actually going to be applying them to say, living

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<v Speaker 1>off planet. I mean, we're probably not going to be

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<v Speaker 1>living off planet in our lifetimes. But it's very interesting

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<v Speaker 1>from a religious point of view because it forces you

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<v Speaker 1>to ask questions about, like, what is really the spirit

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<v Speaker 1>of the law or of this requirement within my religion?

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<v Speaker 1>So if like something, you know, normally you can just

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<v Speaker 1>follow the law as written, but if the circumstances of

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<v Speaker 1>your environment change so that so such that it's not

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<v Speaker 1>really possible to follow the law as written, say, if

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<v Speaker 1>you're on a different planet and the law depends on

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<v Speaker 1>time periods that are contingent on the length of the

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<v Speaker 1>day on Earth or something like that, then it forces

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<v Speaker 1>you to ask, Okay, well, then what is the law

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<v Speaker 1>really about? What is the law trying to get me

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<v Speaker 1>to do? And how could I most closely replicate that,

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<v Speaker 1>uh in a scenario where the law as strictly written

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<v Speaker 1>can't apply. Yeah. Yeah, And and also just the sort

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<v Speaker 1>of general theme of what what happens when you have

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<v Speaker 1>a given religion and new uh cosmological information presents itself,

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<v Speaker 1>you know, and this is always fun to discuss, you know,

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<v Speaker 1>in many cases Uh, nothing changes, and maybe nothing has

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<v Speaker 1>to change because certainly, like you said, we don't have

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<v Speaker 1>people living in space. But then you have some curious examples,

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<v Speaker 1>like you know, some of the some details from from

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<v Speaker 1>Hindu mythology, where you had mythological entities based upon um,

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<v Speaker 1>you know, observable cosmological uh properties, and then as is

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<v Speaker 1>not knowledge of those things changed. So too, then did

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<v Speaker 1>did the structure of the mythological entities change? What do

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<v Speaker 1>you mean by like certain observations of heavenly like the

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<v Speaker 1>moon and the sun and things. Um. Yeah, well, I

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<v Speaker 1>think the the example I'm drawing on we discussed in

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<v Speaker 1>our eclipse episode of years back, where you had in

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<v Speaker 1>different interpretations of what was happening with um I can't

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<v Speaker 1>recall off and it was a solar or lunar or both. Um.

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<v Speaker 1>But as as a Hindu understanding of what, uh you

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<v Speaker 1>know what what the observable phenomena happened to be changed? Uh.

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<v Speaker 1>Then instead of like separating that from the mythological model, Uh,

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<v Speaker 1>they updated the mythological model, which I was found very interesting. Anyway,

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<v Speaker 1>fun episodes as I recall, so go back and listen

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<v Speaker 1>to those if anyone is interested. Yeah, I think those

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<v Speaker 1>may have been my first ever episodes on the show.

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<v Speaker 1>Oh okay a while back then, Yeah, alright, this next

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<v Speaker 1>time when comes to us from Jolt, Hi, Robert and Joe,

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<v Speaker 1>just writing to chime in on the topic of connections

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<v Speaker 1>between the names of days and markets has brought up

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<v Speaker 1>in the recent Listener Mail episode. In my native tongue, Hungarian,

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<v Speaker 1>the word used for Sunday literally means market day. The

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<v Speaker 1>pronunciation itself changed from the original word for market uh

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<v Speaker 1>this is would be with vassah to now being vas

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<v Speaker 1>not uh market day, but the meaning is still there.

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<v Speaker 1>Sunday as the designated day for markets, goes back at

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<v Speaker 1>least to the first King of Hungary and to the

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<v Speaker 1>introduction of Christianity in the eleventh century, but it's still

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<v Speaker 1>very much a cultural reality today with markets being held

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<v Speaker 1>almost exclusively on Sundays, especially in the form of various

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<v Speaker 1>pop up markets in the countryside and in villages. Thank

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<v Speaker 1>you for the great show. I feel like we're seeing

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<v Speaker 1>major themes emerge there. There are like three main branches

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<v Speaker 1>of day naming conventions. One is naming them with numbers,

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<v Speaker 1>so they go first day, second day, third day. The

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<v Speaker 1>other is naming them in relationship to a market day.

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<v Speaker 1>So you have a day that's called market day, and

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<v Speaker 1>then others are named like I don't know, first from market,

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<v Speaker 1>second from market something like that. And then the third

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<v Speaker 1>is naming them after celestial bodies. So you've got Sunday,

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<v Speaker 1>Moon Day and so forth. And according to that last convention,

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<v Speaker 1>we could actually look at this next message from Jacinth

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<v Speaker 1>who says, listen to your episodes on the seven day week,

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<v Speaker 1>great content. My mother tongue is Tamil, which is the

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<v Speaker 1>language of the state of Tamil Nadu in India. Here

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<v Speaker 1>the days of the week are the names of celestial bodies.

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<v Speaker 1>I'm gonna try these. I apologize in advance for mispronunciation,

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<v Speaker 1>but Sunday is Nyayiru meaning the sun, Monday is Thingall

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<v Speaker 1>meaning the move, Tuesday is cheval meaning Mars. Wednesday is

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<v Speaker 1>Pudan meaning Mercury, Thursday is via John meaning Jupiter, Friday

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<v Speaker 1>is Velli meaning Venus, and Saturday is sawny meaning saturn Uh.

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<v Speaker 1>And then Jessin says I'm an English literature graduate and

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<v Speaker 1>generally love different language works. You learn a lot of

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<v Speaker 1>fascinating things from various language literatures. Couldn't agree more absolutely.

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<v Speaker 1>All right, let's move on to some weird house cinema

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<v Speaker 1>listener mail. This first one comes to us from Charlie

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<v Speaker 1>Um and Charlie writes in and says, hello science boys,

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<v Speaker 1>b O, I s I have a simple question semi

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<v Speaker 1>related to your Beast Master two weird house episode is

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<v Speaker 1>in Sino Man's Brendan Fraser a meat Beast. If the

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<v Speaker 1>requirements are learns about rock music and slushing machines and

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<v Speaker 1>teaching a young me my first Spanish phrase. Thanks Charlie

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<v Speaker 1>X allent choice. You know, I was thinking of Encino

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<v Speaker 1>Man while we were doing the Beast Smester two episode.

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<v Speaker 1>I don't think I ever actually watched in Sino Man.

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<v Speaker 1>I think I was always a little turned off by

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<v Speaker 1>the trailers for that one. I don't think I saw

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<v Speaker 1>it either, I just know of it. That's one of

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<v Speaker 1>those does he escape from a biodome like I didn't

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<v Speaker 1>see Biodome either, So I kind of combined these into

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<v Speaker 1>one film where in Sino Man escapes a biodome with

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<v Speaker 1>Polly Shore, Encino Man is the unfrozen Caveman lawyer skit

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<v Speaker 1>from sn L, but it's a whole movie of it.

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<v Speaker 1>I guess he's not a lawyer. He becomes like a

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<v Speaker 1>rock and roll guy. Okay, but yeah, he's just a

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<v Speaker 1>caveman who they unfreeze him, and here he is learning.

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<v Speaker 1>He's putting on high top sneakers. I mean, there are

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<v Speaker 1>other caveman in the modern day films. I wonder how

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<v Speaker 1>robust that sub genre truly is, and how many of

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<v Speaker 1>those we could quote classify as as meat beast pictures.

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<v Speaker 1>I recall Brendan Fraser being pretty buff in the in

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<v Speaker 1>the poster art for for Encino Man, so I think

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<v Speaker 1>he comes pretty close. I don't know if he's full

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<v Speaker 1>on barbarian, but he's he's something, he's something in the zone.

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<v Speaker 1>One last note here is I'm wondering why Charlie is

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<v Speaker 1>calling us science boys because I'm reading b O. I

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<v Speaker 1>s is, isn't that the French word meaning would wa science? Would?

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<v Speaker 1>I don't. I don't know. Yeah, what Webstre's is saying,

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<v Speaker 1>it's would, but Webstre's is not necessarily hip to uh slang. Okay, well,

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<v Speaker 1>I like that we're we're we are now the science

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<v Speaker 1>would build a treehouse out of us? All right? What

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<v Speaker 1>else do we have with this? Can't be the only

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<v Speaker 1>listener man were received about Beast Master two. Oh no,

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<v Speaker 1>it was not. Let's see. Brian wrote in to say, Hi,

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<v Speaker 1>Robin Joe. I was listening to your Weird House Cinema

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<v Speaker 1>episode on Beast Master two this morning during my daily walk,

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<v Speaker 1>and as I always do when you're covering a movie

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<v Speaker 1>I haven't seen, I began looking for stills from the

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<v Speaker 1>movie so I could have more context. I'd seen the

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<v Speaker 1>original beast Smester many times as a child, and the

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<v Speaker 1>site of the leather clad, glowing eyed meat man absolutely

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<v Speaker 1>terrified me. I was mainly interested in seeing if this

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<v Speaker 1>figure that haunted my nightmares returned in the sequel. He

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<v Speaker 1>apparently does not, So, ROBBD. You are the person who

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<v Speaker 1>knows about beast Smester one. Do you know who Brian

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<v Speaker 1>is talking about. There's another meat man, but this one

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<v Speaker 1>is scary. Yeah. I don't recall the name of this

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<v Speaker 1>if this thing even had a name. But there's a

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<v Speaker 1>there's a wonderful sequence in the film where we're in

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<v Speaker 1>the like the Dungeons of of the the the evil

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<v Speaker 1>Max played by Ripped Torn and there's you know, all

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<v Speaker 1>sorts of like evil cult shenanigans going on down there,

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<v Speaker 1>hands reaching out of cages. It's it's wonderful scary stuff.

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<v Speaker 1>And there is this kind of like rampaging um like

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<v Speaker 1>muscle man with like an iron mask, and I think

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<v Speaker 1>they've like jacked him up with some sort of nefarious

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<v Speaker 1>magical chemicals. Uh. So yeah, it's real, real, great nightmare stuff.

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<v Speaker 1>I mean, we have to have to remember with beast

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<v Speaker 1>Master two, if you haven't seen it, um, you know,

0:13:13.240 --> 0:13:16.400
<v Speaker 1>this is the same mind that brought us a phantasm.

0:13:17.080 --> 0:13:21.080
<v Speaker 1>So there's plenty of Yes, I'm sorry beat beast Master one.

0:13:21.120 --> 0:13:23.040
<v Speaker 1>Beast Master two had nothing to do with but uh,

0:13:23.320 --> 0:13:27.200
<v Speaker 1>beast Master one. Uh, this is don A Costarelli. So yeah,

0:13:27.200 --> 0:13:30.600
<v Speaker 1>there's a lot of like really cool, very creative ideas

0:13:30.640 --> 0:13:35.840
<v Speaker 1>in there. Uh it's not just your blueprint Barbarian film.

0:13:35.920 --> 0:13:38.400
<v Speaker 1>You've got this, You've got the got these, these these

0:13:38.559 --> 0:13:42.000
<v Speaker 1>be these the beefy men with the iron masks. There,

0:13:42.040 --> 0:13:46.320
<v Speaker 1>the the crazy cool bird creatures, the winged creatures that

0:13:47.080 --> 0:13:50.880
<v Speaker 1>externally digest their prey. Oh, there's a there's some a

0:13:50.920 --> 0:13:52.920
<v Speaker 1>bunch of other stuff as well. You have some hags,

0:13:52.960 --> 0:13:56.679
<v Speaker 1>some wonderful hag action going on. Love a hag does

0:13:56.720 --> 0:14:00.559
<v Speaker 1>that have a ball like in phantasm. Uh, there's no

0:14:00.640 --> 0:14:03.960
<v Speaker 1>there's no no ball, but there's a magic ring. Okay,

0:14:03.960 --> 0:14:08.480
<v Speaker 1>that's quote. It's round. Yeah. But anyway, so Brian's message

0:14:08.520 --> 0:14:11.800
<v Speaker 1>is not over. Brian says, while searching for pictures from movie,

0:14:11.920 --> 0:14:14.600
<v Speaker 1>I came across its poster. I thought I might have

0:14:14.679 --> 0:14:17.760
<v Speaker 1>mistakenly searched for Back to the Future too instead of

0:14:17.800 --> 0:14:21.520
<v Speaker 1>BE Semester two, because the posters are shockingly similar, for

0:14:21.720 --> 0:14:25.880
<v Speaker 1>your consideration, And then Brian attaches h little screen captures

0:14:25.920 --> 0:14:30.600
<v Speaker 1>of both posters and whoa I got that? Is that

0:14:30.320 --> 0:14:34.760
<v Speaker 1>that is worthy of a lawsuit right there? I mean

0:14:34.800 --> 0:14:38.440
<v Speaker 1>that is really really close everybody's Uh, it's framed the

0:14:38.480 --> 0:14:40.640
<v Speaker 1>same way, it's got a similar color scheme, it's got

0:14:40.640 --> 0:14:44.040
<v Speaker 1>the car coming out of the portal and the same orientation,

0:14:44.160 --> 0:14:47.320
<v Speaker 1>and the characters posted the same way. Either this is

0:14:47.360 --> 0:14:50.400
<v Speaker 1>just a they're both taking part of a standard template

0:14:50.480 --> 0:14:53.320
<v Speaker 1>for movie posters of the time, or or BE Semester

0:14:53.440 --> 0:14:55.840
<v Speaker 1>two is uh is doing a doing a bit of

0:14:55.840 --> 0:14:58.720
<v Speaker 1>a copycat job. Yeah, I mean it could be the

0:14:58.760 --> 0:15:02.120
<v Speaker 1>same artist as well. I wouldn't discount that. I didn't

0:15:02.120 --> 0:15:04.560
<v Speaker 1>have time to research these and try and figure out

0:15:04.560 --> 0:15:08.239
<v Speaker 1>who might have created them. Uh, but that's always a possibility.

0:15:08.280 --> 0:15:10.720
<v Speaker 1>Maybe this is just how the particular artists tended to

0:15:10.800 --> 0:15:13.520
<v Speaker 1>style things could be, could be, and you know, and

0:15:13.560 --> 0:15:17.080
<v Speaker 1>of course movie posters are they're not always created exlo.

0:15:17.240 --> 0:15:20.720
<v Speaker 1>So maybe they're uh, there's just sort of a template,

0:15:20.760 --> 0:15:22.920
<v Speaker 1>you know. There's there's a format of how you were

0:15:22.920 --> 0:15:25.160
<v Speaker 1>doing movie posters at the time, and a lot of

0:15:25.200 --> 0:15:27.640
<v Speaker 1>them looked like this. Maybe maybe that's the case. There

0:15:27.640 --> 0:15:29.760
<v Speaker 1>are some other posters I was looking around for beast

0:15:29.800 --> 0:15:33.320
<v Speaker 1>Master two. There's one that has a huge wings houser

0:15:34.200 --> 0:15:36.680
<v Speaker 1>on there with his little Phantom of the Opera face plate.

0:15:37.280 --> 0:15:39.600
<v Speaker 1>That one looks pretty good. Well anyway, Brian goes on

0:15:39.680 --> 0:15:42.720
<v Speaker 1>and says, maybe I'm imagining things because I recently watched

0:15:43.000 --> 0:15:44.920
<v Speaker 1>the Back to the Future trilogy, but I have a

0:15:44.960 --> 0:15:49.280
<v Speaker 1>strong mental image of a Simpson's esque ponytailed Hollywood executive

0:15:49.640 --> 0:15:53.240
<v Speaker 1>saying time travel cars lightning high tops. Put them on

0:15:53.280 --> 0:15:56.560
<v Speaker 1>the box in the hopes that beast Master two would

0:15:56.600 --> 0:15:59.880
<v Speaker 1>cause a double take at the local blockbuster. Someone out

0:16:00.280 --> 0:16:03.080
<v Speaker 1>knows the truth. Love the podcast and love the Weird

0:16:03.120 --> 0:16:06.720
<v Speaker 1>House episodes. Please keep doing them, Brian. Now, one last

0:16:06.760 --> 0:16:08.440
<v Speaker 1>thing I have to say about the speace Master two

0:16:08.440 --> 0:16:11.240
<v Speaker 1>poster is that they do not include Wings Houser or

0:16:11.320 --> 0:16:14.200
<v Speaker 1>Sarah Douglas on the poster. You're only seeing the heroes.

0:16:14.400 --> 0:16:17.200
<v Speaker 1>And I think that's a mistake. Yeah, I mean you have,

0:16:17.320 --> 0:16:18.840
<v Speaker 1>you have some fun villains in that movie, so you

0:16:18.920 --> 0:16:21.320
<v Speaker 1>might as well get him on the poster. Um. But

0:16:21.720 --> 0:16:23.800
<v Speaker 1>I don't know this idea of like, yeah, you just

0:16:23.800 --> 0:16:25.520
<v Speaker 1>need to turn heads of the video store. I mean

0:16:25.560 --> 0:16:29.640
<v Speaker 1>that was that was a huge deal. Um. In fact,

0:16:29.760 --> 0:16:31.480
<v Speaker 1>oh man, I was just thinking about this the other day.

0:16:31.520 --> 0:16:34.640
<v Speaker 1>I was in Videodrome, are are our local and our

0:16:34.680 --> 0:16:39.160
<v Speaker 1>city's only video store, video rental store, and I noticed

0:16:39.200 --> 0:16:41.160
<v Speaker 1>they had like a new I think a Blu Ray

0:16:41.400 --> 0:16:45.560
<v Speaker 1>edition of the film The Dead Pit, which I don't

0:16:45.560 --> 0:16:47.200
<v Speaker 1>know if you're familiar with this one, Joe, I've I've

0:16:47.320 --> 0:16:50.760
<v Speaker 1>not actually seen. It is directed by Brett Leonard and

0:16:50.880 --> 0:16:55.240
<v Speaker 1>stars nobody in particular. But the crazy thing about it

0:16:55.280 --> 0:16:59.280
<v Speaker 1>is the classic VHS and now you know, Blu Ray

0:16:59.360 --> 0:17:03.120
<v Speaker 1>DVD art for this movie was this kind of Frankenstein

0:17:03.200 --> 0:17:08.320
<v Speaker 1>looking dude, uh, kind of emerging from a uh it

0:17:08.359 --> 0:17:10.600
<v Speaker 1>looks like a hole with the hands reaching out of

0:17:10.600 --> 0:17:13.240
<v Speaker 1>it and there's like a bite behind him. And on

0:17:13.280 --> 0:17:15.440
<v Speaker 1>the old VHS box I guess it was like that

0:17:15.520 --> 0:17:19.000
<v Speaker 1>they must have sent this special you know, uh, the

0:17:19.080 --> 0:17:21.800
<v Speaker 1>eyes lit up. It had a little bitty like Halloween

0:17:21.880 --> 0:17:25.240
<v Speaker 1>costume l e Ed I guess, sort of the predecessor

0:17:25.280 --> 0:17:28.680
<v Speaker 1>to l e Ed little eyes inside, and it would

0:17:28.760 --> 0:17:31.639
<v Speaker 1>light up and possibly make noises. I don't remember particularly,

0:17:31.680 --> 0:17:34.320
<v Speaker 1>but the eyes definitely lit up as it so that

0:17:34.359 --> 0:17:36.919
<v Speaker 1>when you were strolling through the horror section or the

0:17:36.920 --> 0:17:40.760
<v Speaker 1>New Arrival section, it's like it's just shrieking for your attention.

0:17:40.960 --> 0:17:43.000
<v Speaker 1>I wonder if that kind of marketing game but paid off,

0:17:43.119 --> 0:17:46.439
<v Speaker 1>Like you you invest more money into complicated packaging, do

0:17:46.560 --> 0:17:49.560
<v Speaker 1>more people rented. I don't know, maybe they're like maybe

0:17:49.600 --> 0:17:51.640
<v Speaker 1>they just thought, well, heck, we we picked this movie

0:17:51.720 --> 0:17:54.320
<v Speaker 1>up for virtually nothing. Nobody wants to see this thing.

0:17:54.760 --> 0:17:56.679
<v Speaker 1>What if we just throw a little more cash at

0:17:56.720 --> 0:17:58.800
<v Speaker 1>the VHS boxer. Because I think it was also it

0:17:59.320 --> 0:18:02.600
<v Speaker 1>had kind of like a ready coover as well, Um,

0:18:02.880 --> 0:18:04.800
<v Speaker 1>we'll just get people excited about it. They'll just be

0:18:04.840 --> 0:18:06.719
<v Speaker 1>sold on it and they'll just have to rent it.

0:18:06.920 --> 0:18:09.360
<v Speaker 1>And I want to say there was at least one

0:18:09.359 --> 0:18:11.680
<v Speaker 1>other film from the time period that did something like

0:18:11.800 --> 0:18:15.800
<v Speaker 1>this with a light up eye but yeah, you know,

0:18:15.840 --> 0:18:17.159
<v Speaker 1>of course you don't see that anymore. And I was

0:18:17.200 --> 0:18:19.560
<v Speaker 1>so anyway, I was disappointed a little bit when I

0:18:19.600 --> 0:18:21.399
<v Speaker 1>saw it there on the shelf of Video Drone and

0:18:21.400 --> 0:18:23.120
<v Speaker 1>it didn't have light up eyes. And I think even

0:18:23.160 --> 0:18:25.800
<v Speaker 1>commented to the guy working there, It's like, oh, man,

0:18:25.880 --> 0:18:27.840
<v Speaker 1>it doesn't have light up eyes. Don't you remember the

0:18:27.920 --> 0:18:30.239
<v Speaker 1>light up eyes? And he said no. It's funny how

0:18:30.280 --> 0:18:34.560
<v Speaker 1>often we come back to talking about VHS boxes that

0:18:34.640 --> 0:18:37.160
<v Speaker 1>we remember from walking through the video store as a kid.

0:18:38.119 --> 0:18:40.280
<v Speaker 1>I feel like this is a this is a recurring theme,

0:18:40.400 --> 0:18:42.880
<v Speaker 1>Like didn't we get into one time the Jason Goes

0:18:42.920 --> 0:18:46.960
<v Speaker 1>to Hell video video box cover? Um? I think, so

0:18:47.040 --> 0:18:49.200
<v Speaker 1>what was special about that one? Well, it's just really

0:18:49.200 --> 0:18:51.960
<v Speaker 1>eye catching. It's it's like a metal looking Jason mask

0:18:52.080 --> 0:18:54.480
<v Speaker 1>that's got this demon snake coming out of one of

0:18:54.480 --> 0:18:58.040
<v Speaker 1>its holes. It's just gross looking and that fitting for

0:18:58.119 --> 0:19:01.199
<v Speaker 1>that movie. Uh well, you know, I just looked up

0:19:01.240 --> 0:19:03.800
<v Speaker 1>a bloody disgusting article the coolest and most Unique car

0:19:03.960 --> 0:19:07.520
<v Speaker 1>VHS boxes reminded me of Dead Pit. It also reminds

0:19:07.560 --> 0:19:12.200
<v Speaker 1>me that, oh, the the VHS box for Metamorphosis, which

0:19:12.240 --> 0:19:15.600
<v Speaker 1>I believe was George Eastman's Uh, This is the film

0:19:15.640 --> 0:19:19.280
<v Speaker 1>he directed and wrote. I haven't seen this one either,

0:19:19.359 --> 0:19:21.399
<v Speaker 1>but it had some sort of light up eye scenario.

0:19:21.960 --> 0:19:24.199
<v Speaker 1>And then this rings the bell as well. Do you

0:19:24.200 --> 0:19:27.800
<v Speaker 1>remember a Fright Night Part two VHS box It was

0:19:27.800 --> 0:19:33.600
<v Speaker 1>shaped like a casket. Oh yeah, yeah, I'm looking it up. Well,

0:19:33.680 --> 0:19:35.760
<v Speaker 1>you may have been planted a false memory, because when

0:19:35.760 --> 0:19:38.400
<v Speaker 1>you said that, I was like, oh, yeah, that does

0:19:38.440 --> 0:19:40.680
<v Speaker 1>seem familiar. I just looked up pictures of it and

0:19:40.720 --> 0:19:42.639
<v Speaker 1>I was like, actually, I don't think I've ever seen this,

0:19:42.720 --> 0:19:47.600
<v Speaker 1>so your enthusiasm is infectious. It it made me remember

0:19:47.640 --> 0:19:50.320
<v Speaker 1>things I've never seen. Well, I'm not even saying this

0:19:50.400 --> 0:19:53.440
<v Speaker 1>casket thing pop up on eBay, but I was curious.

0:19:53.440 --> 0:19:54.960
<v Speaker 1>I was like, how much are these things going for?

0:19:55.119 --> 0:20:00.080
<v Speaker 1>But uh, maybe they're just too rare literally priceless. M

0:20:05.640 --> 0:20:07.560
<v Speaker 1>all right, more beast Master. This one comes to us

0:20:07.560 --> 0:20:10.000
<v Speaker 1>from Brad. Hello, gentlemen. I apologize if I am the

0:20:10.080 --> 0:20:12.320
<v Speaker 1>thousandth person to write in about this, but just in

0:20:12.320 --> 0:20:15.160
<v Speaker 1>case I'm not, I had a thought as to why

0:20:15.240 --> 0:20:20.040
<v Speaker 1>Jackie may have reacted the way she did to Dars Ferrets. Now,

0:20:20.080 --> 0:20:22.800
<v Speaker 1>remember this is a thing from the movie where the

0:20:22.920 --> 0:20:27.560
<v Speaker 1>character played by Carrie were she she sees Mark singers ferrets,

0:20:27.600 --> 0:20:30.520
<v Speaker 1>and she reacts as if there's some kind of like, uh,

0:20:30.800 --> 0:20:33.920
<v Speaker 1>fantasy creature, like an animal unknown in the real world,

0:20:34.000 --> 0:20:36.719
<v Speaker 1>like a unicorn or something. But they're just ferrets, ferrets

0:20:36.760 --> 0:20:40.520
<v Speaker 1>or earth animals. Brad continues. See, ferrets are actually not

0:20:40.600 --> 0:20:43.720
<v Speaker 1>native to California and also have been deemed too invasive

0:20:43.800 --> 0:20:46.600
<v Speaker 1>of a species to allow them as pets, So ferrets

0:20:46.600 --> 0:20:49.959
<v Speaker 1>are actually illegal in California. I have heard that special

0:20:50.040 --> 0:20:53.160
<v Speaker 1>arrangements can be made to get one that is declaude

0:20:53.240 --> 0:20:57.840
<v Speaker 1>to prevent predation on other critters and uh descented, meaning

0:20:57.880 --> 0:21:01.160
<v Speaker 1>they remove the scent glands I believe to make finding

0:21:01.280 --> 0:21:04.399
<v Speaker 1>mates and therefore breeding more difficult if they were to

0:21:04.400 --> 0:21:06.080
<v Speaker 1>get out in the wild. But I'm not sure if

0:21:06.080 --> 0:21:10.200
<v Speaker 1>these rumors are true. Coincidentally, Darr actually commits a federal

0:21:10.280 --> 0:21:13.440
<v Speaker 1>crime by giving them to Jackie that one pair could

0:21:13.520 --> 0:21:17.440
<v Speaker 1>have designated California wildlife had they been a breeding pair.

0:21:17.960 --> 0:21:21.159
<v Speaker 1>L O L. Brad, very good note, Brad, thank you,

0:21:21.280 --> 0:21:23.840
<v Speaker 1>and yeah, this does bring to bind the controversy about

0:21:23.880 --> 0:21:27.199
<v Speaker 1>ferrets in the Big Lebowski, you know, where Walter clarifies

0:21:27.280 --> 0:21:29.200
<v Speaker 1>that you're not allowed to have an animal like that

0:21:29.320 --> 0:21:33.200
<v Speaker 1>in California. Oh yeah, that's right. Wouldn't it be funny

0:21:33.240 --> 0:21:36.640
<v Speaker 1>if that's where the interrogation when when Mark Singer gets

0:21:36.720 --> 0:21:40.000
<v Speaker 1>arrested by the police. Uh, if that's where the interrogation went,

0:21:40.119 --> 0:21:41.879
<v Speaker 1>it's like I need to know about these ferrets. How

0:21:41.920 --> 0:21:44.720
<v Speaker 1>do you get them into the state? And that becomes

0:21:44.720 --> 0:21:53.120
<v Speaker 1>the central plot. Yeah, okay. One last message. This comes

0:21:53.160 --> 0:21:56.240
<v Speaker 1>from Alan and it is about the Green Bays Vampire

0:21:56.400 --> 0:22:00.600
<v Speaker 1>and the song about green stamps. Alan says, greetings England

0:22:00.640 --> 0:22:03.560
<v Speaker 1>and thanks for the fascinating show. I am having trouble

0:22:03.600 --> 0:22:07.280
<v Speaker 1>believing that trading stamps are so forgotten that adult people

0:22:07.320 --> 0:22:11.160
<v Speaker 1>don't even know what they were. Here. Green Shield stamps

0:22:11.160 --> 0:22:14.120
<v Speaker 1>were given out by supermarkets, so many stamps for each

0:22:14.119 --> 0:22:17.240
<v Speaker 1>pound spent, and I remember sticking them into books for

0:22:17.320 --> 0:22:20.119
<v Speaker 1>my parents. Then full books could be taken into the

0:22:20.119 --> 0:22:23.360
<v Speaker 1>Green Shield shop and spent like money on goods out

0:22:23.400 --> 0:22:26.359
<v Speaker 1>of their catalog. You can imagine the piles of books

0:22:26.359 --> 0:22:29.800
<v Speaker 1>necessary as the big co Ops stamps fill a whole

0:22:29.840 --> 0:22:34.439
<v Speaker 1>page and is worth one pt thirty three pence. The

0:22:34.560 --> 0:22:38.000
<v Speaker 1>US blue Chip stamp is worth one quote mill, which

0:22:38.040 --> 0:22:40.600
<v Speaker 1>I take to be a tenth of ascent. I believe

0:22:40.640 --> 0:22:43.520
<v Speaker 1>when the stamps went obsolete, the stores continued just selling

0:22:43.520 --> 0:22:46.920
<v Speaker 1>for cash and still exist under the name Argos All

0:22:46.960 --> 0:22:49.920
<v Speaker 1>the Best Alan or maybe maybe that's Argo A R

0:22:50.000 --> 0:22:53.199
<v Speaker 1>G O S. And then Alan attaches pictures of the

0:22:53.200 --> 0:22:57.960
<v Speaker 1>green shield stamps. It's funny. After I saw these, I

0:22:57.960 --> 0:23:01.280
<v Speaker 1>had a memory of within the past year, um, some

0:23:01.320 --> 0:23:05.520
<v Speaker 1>of my in laws going through a relatives possessions and

0:23:05.560 --> 0:23:07.760
<v Speaker 1>finding a bunch of these in a box. And I

0:23:08.160 --> 0:23:10.400
<v Speaker 1>didn't know what they were, all right. I was doing

0:23:10.440 --> 0:23:12.400
<v Speaker 1>a little searching in the background, and I just want

0:23:12.440 --> 0:23:15.200
<v Speaker 1>to let everybody know that I did find on eBay

0:23:15.440 --> 0:23:19.560
<v Speaker 1>um an old entry, well not that old from January, uh,

0:23:19.600 --> 0:23:22.320
<v Speaker 1>the Ultra Rare Fright Night, Part two VHS in the

0:23:22.359 --> 0:23:27.960
<v Speaker 1>Coffin presentation pack. It went for three and eighty dollars. Whoa, Yeah,

0:23:28.160 --> 0:23:31.560
<v Speaker 1>so that's a serious collector's item there, maybe literally worth

0:23:31.600 --> 0:23:35.040
<v Speaker 1>its weight in gold. Yeah yeah, all right, Well, we're

0:23:35.040 --> 0:23:36.960
<v Speaker 1>gonna go ahead and call it there. But we'd love

0:23:37.000 --> 0:23:40.000
<v Speaker 1>to hear from everyone if you have responses to any

0:23:40.000 --> 0:23:43.160
<v Speaker 1>of these listener mails right in, let us know. Let's

0:23:43.200 --> 0:23:46.640
<v Speaker 1>keep a conversation rolling. If you have anything you want

0:23:46.640 --> 0:23:50.119
<v Speaker 1>to add regarding previous episodes of the show Stuff to

0:23:50.119 --> 0:23:53.160
<v Speaker 1>Blow Your Mind or Weird House. Uh thoughts about potential

0:23:53.200 --> 0:23:56.840
<v Speaker 1>future episodes, Uh, right in and let us know if

0:23:56.920 --> 0:24:00.719
<v Speaker 1>you have memories of particular weird v A chess tapes

0:24:00.920 --> 0:24:05.719
<v Speaker 1>from from VHS rental stores of old. Yes, definitely, right

0:24:05.800 --> 0:24:08.400
<v Speaker 1>in and tell us all about that. Send us pictures

0:24:08.480 --> 0:24:10.760
<v Speaker 1>if you have them. In the meantime, if you want

0:24:10.760 --> 0:24:13.440
<v Speaker 1>to check out other episodes of listener Mail, they come

0:24:13.440 --> 0:24:16.680
<v Speaker 1>out on Monday's We do Artifact on Wednesday at short

0:24:16.680 --> 0:24:19.520
<v Speaker 1>Form Core episodes of Stuff to Blow Your Mind Tuesdays

0:24:19.560 --> 0:24:21.879
<v Speaker 1>and Thursdays, and on Fridays we do Weird How Cinema.

0:24:21.920 --> 0:24:24.640
<v Speaker 1>That's our time to set aside most serious matters and

0:24:24.680 --> 0:24:27.520
<v Speaker 1>just discuss a weird film. Huge thanks as always to

0:24:27.560 --> 0:24:31.040
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you would

0:24:31.040 --> 0:24:33.159
<v Speaker 1>like to get in touch with us with feedback on

0:24:33.200 --> 0:24:35.320
<v Speaker 1>this episode or any other, to suggest a topic for

0:24:35.359 --> 0:24:37.359
<v Speaker 1>the future, or just to say hello, you can email

0:24:37.440 --> 0:24:47.840
<v Speaker 1>us at contact at stuff to Blow your Mind dot com.

0:24:47.960 --> 0:24:50.440
<v Speaker 1>Stuff to Blow Your Mind is production of I Heart Radio.

0:24:50.800 --> 0:24:53.120
<v Speaker 1>For more podcasts my Heart Radio, visit the i heart

0:24:53.200 --> 0:24:55.919
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:24:55.960 --> 0:24:56.639
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