1 00:00:02,960 --> 00:00:05,320 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of 2 00:00:05,360 --> 00:00:11,160 Speaker 1: My Heart Radio. Hey, welcome to Stuff to Blow your Mind. 3 00:00:11,480 --> 00:00:15,120 Speaker 1: Listener mail. This is Robert Lamb and this is Joe McCormick. 4 00:00:15,360 --> 00:00:17,520 Speaker 1: And uh, it's Monday. This is the day of the 5 00:00:17,560 --> 00:00:20,280 Speaker 1: week that we read back messages you've sent into the show. 6 00:00:21,200 --> 00:00:23,079 Speaker 1: Rob if you don't mind today, I think I'm gonna 7 00:00:23,079 --> 00:00:26,200 Speaker 1: get started with this message we got from Adam. Let's 8 00:00:26,200 --> 00:00:34,120 Speaker 1: do it, okay. This is replying to previous listener mail 9 00:00:34,240 --> 00:00:38,320 Speaker 1: about the Seven Day Week episodes. Uh and uh. A 10 00:00:38,440 --> 00:00:41,680 Speaker 1: note here. Adam, who is a rabbi, wrote in with 11 00:00:41,720 --> 00:00:44,840 Speaker 1: a shorter message about the history of the Sabbath observance 12 00:00:45,440 --> 00:00:48,599 Speaker 1: and public Torah readings in the ancient Near East, and 13 00:00:49,080 --> 00:00:53,199 Speaker 1: he mentioned that his rabbinical thesis was actually on the 14 00:00:53,240 --> 00:00:57,440 Speaker 1: subject of how space colonization might affect the observance of 15 00:00:57,480 --> 00:01:00,680 Speaker 1: the Sabbath week. And obviously that's right up our alley. 16 00:01:00,760 --> 00:01:02,960 Speaker 1: We were very interested in that subject, so he wrote 17 00:01:03,000 --> 00:01:06,000 Speaker 1: in again to share more. So Adam says, Hey, Joe 18 00:01:06,000 --> 00:01:08,320 Speaker 1: and Rob, thank you for the fantastic show. I've been 19 00:01:08,360 --> 00:01:11,160 Speaker 1: listening for years now. I'm thrilled to hear you're interested 20 00:01:11,200 --> 00:01:14,160 Speaker 1: in the topic of my rabbinical thesis. It's called Eyes 21 00:01:14,240 --> 00:01:18,720 Speaker 1: on the Horizon, Theological and Hallockic challenges to the first 22 00:01:18,800 --> 00:01:22,360 Speaker 1: Jewish settlers on the moon, Mars and beyond. I have 23 00:01:22,440 --> 00:01:26,039 Speaker 1: always been very scientifically minded, even as a rabbi in 24 00:01:26,120 --> 00:01:29,559 Speaker 1: rabbinical school, we needed to write a thesis before ordination. 25 00:01:30,000 --> 00:01:32,880 Speaker 1: One day, while sitting in class, I had an epiphany, 26 00:01:32,920 --> 00:01:35,680 Speaker 1: what would a Jewish prayer book look like for future 27 00:01:35,840 --> 00:01:39,360 Speaker 1: exo Jews living on Mars. I reached out to friends 28 00:01:39,360 --> 00:01:42,919 Speaker 1: and colleagues and pose the question. I asked what blessings 29 00:01:42,920 --> 00:01:46,160 Speaker 1: they may recite? For instance, in Judaism, a blessing is 30 00:01:46,160 --> 00:01:49,440 Speaker 1: a formula accidence that makes a moment or ritual holy. 31 00:01:49,920 --> 00:01:53,200 Speaker 1: Before eating an apple, for example, I may say, blessed 32 00:01:53,200 --> 00:01:56,360 Speaker 1: are you Eternal, our God, ruler of the universe, creator 33 00:01:56,440 --> 00:01:59,520 Speaker 1: of the fruit of the tree. So I asked what 34 00:01:59,640 --> 00:02:02,960 Speaker 1: blessing someone on Mars may recite? Is there a blessing 35 00:02:03,000 --> 00:02:06,600 Speaker 1: for landing on a new celestial body, etcetera. Before I 36 00:02:06,640 --> 00:02:09,160 Speaker 1: found a thesis referee, I had been turned down by 37 00:02:09,200 --> 00:02:13,520 Speaker 1: several professors. The first one said, quote, Judaism doesn't exist 38 00:02:13,600 --> 00:02:17,239 Speaker 1: off planet. That's not a thesis. Judaism is the relationship 39 00:02:17,280 --> 00:02:21,160 Speaker 1: between God, Israel and the Earth. I eventually found someone 40 00:02:21,160 --> 00:02:24,280 Speaker 1: who agreed to advise me my thesis. Referee, being an 41 00:02:24,320 --> 00:02:27,960 Speaker 1: expert in Jewish halaca, which is Jewish law put forth 42 00:02:28,000 --> 00:02:32,040 Speaker 1: by the rabbis throughout the centuries, recommended bringing in that aspect. 43 00:02:32,120 --> 00:02:35,800 Speaker 1: So half of my thesis became a theological exploration of 44 00:02:35,919 --> 00:02:40,200 Speaker 1: whether Judaism can exist off planet and what theological complications 45 00:02:40,280 --> 00:02:44,080 Speaker 1: might arise by trying to live Jewishly off planet. My 46 00:02:44,200 --> 00:02:47,320 Speaker 1: second half focused on how one could follow Jewish law, 47 00:02:47,440 --> 00:02:51,679 Speaker 1: particularly concerning the issue of Jewish time off planet at all. 48 00:02:52,120 --> 00:02:55,240 Speaker 1: One main thought experiment, for example, is the Hallockic issue 49 00:02:55,280 --> 00:02:59,720 Speaker 1: of the quote lost traveler. It is as follows. Suppose 50 00:02:59,760 --> 00:03:02,720 Speaker 1: you are a religious Jew who is traveling through the wilderness. 51 00:03:02,840 --> 00:03:05,480 Speaker 1: You realize that you have lost track of the day, 52 00:03:05,560 --> 00:03:08,919 Speaker 1: so you don't know when Shabbat, the Jewish Sabbath, will begin. 53 00:03:09,600 --> 00:03:13,000 Speaker 1: Jewish law stipulates you must count six twenty four hour 54 00:03:13,120 --> 00:03:16,960 Speaker 1: periods from the moment you lost track. The seventh hour 55 00:03:17,080 --> 00:03:19,960 Speaker 1: period is to be your Shabbat. You must say the 56 00:03:20,000 --> 00:03:23,400 Speaker 1: proper blessings one says on Shabbat. That way you fulfill 57 00:03:23,480 --> 00:03:26,520 Speaker 1: the commandment of keeping the Shabbat. However, you still cannot 58 00:03:26,639 --> 00:03:30,000 Speaker 1: violate the actual Shabbat even if you don't know which 59 00:03:30,040 --> 00:03:33,000 Speaker 1: day it will actually be, So you must remain in 60 00:03:33,040 --> 00:03:36,440 Speaker 1: a state of pseudo Shabbat at all times until you 61 00:03:36,520 --> 00:03:39,880 Speaker 1: have once again found civilization. That means you cannot do 62 00:03:39,920 --> 00:03:43,400 Speaker 1: anything that counts as something forbidden on Shabbat. You may 63 00:03:43,400 --> 00:03:45,840 Speaker 1: only do that which keeps you alive or helps you 64 00:03:45,880 --> 00:03:49,400 Speaker 1: travel towards civilization once again. Thus, to apply to the 65 00:03:49,440 --> 00:03:52,760 Speaker 1: context of Jews living off planet, if one has difficulty 66 00:03:52,840 --> 00:03:55,560 Speaker 1: determining what day of the week it is, whether that 67 00:03:55,640 --> 00:03:57,920 Speaker 1: means you must follow the time on Earth or the 68 00:03:57,960 --> 00:04:01,680 Speaker 1: time of a Martian society, must that religious to remain 69 00:04:01,800 --> 00:04:06,080 Speaker 1: in a state of pseudo Shabbat on Mars. Finally, Adam 70 00:04:06,120 --> 00:04:08,640 Speaker 1: attaches a link to a PDF of his thesis so 71 00:04:08,680 --> 00:04:10,640 Speaker 1: that we can take a look. Maybe we will in 72 00:04:10,640 --> 00:04:14,040 Speaker 1: the future, and then says all the best, Adam, but yeah, 73 00:04:14,200 --> 00:04:17,000 Speaker 1: thanks so much, Adam. Fascinating. I love it. Yeah, this 74 00:04:17,080 --> 00:04:19,360 Speaker 1: is exactly what we were hoping we would We would 75 00:04:19,400 --> 00:04:22,120 Speaker 1: hear back from people on Yeah, this is this is fascinating. 76 00:04:22,360 --> 00:04:24,720 Speaker 1: I mean, I think questions like this are actually really 77 00:04:24,760 --> 00:04:29,800 Speaker 1: interesting from the religious point of view, even if you're 78 00:04:29,839 --> 00:04:32,240 Speaker 1: not actually going to be applying them to say, living 79 00:04:32,279 --> 00:04:33,880 Speaker 1: off planet. I mean, we're probably not going to be 80 00:04:33,920 --> 00:04:38,440 Speaker 1: living off planet in our lifetimes. But it's very interesting 81 00:04:38,440 --> 00:04:41,440 Speaker 1: from a religious point of view because it forces you 82 00:04:41,480 --> 00:04:45,000 Speaker 1: to ask questions about, like, what is really the spirit 83 00:04:45,200 --> 00:04:48,280 Speaker 1: of the law or of this requirement within my religion? 84 00:04:48,600 --> 00:04:51,599 Speaker 1: So if like something, you know, normally you can just 85 00:04:51,720 --> 00:04:55,000 Speaker 1: follow the law as written, but if the circumstances of 86 00:04:55,000 --> 00:04:57,680 Speaker 1: your environment change so that so such that it's not 87 00:04:57,720 --> 00:05:00,160 Speaker 1: really possible to follow the law as written, say, if 88 00:05:00,160 --> 00:05:03,359 Speaker 1: you're on a different planet and the law depends on 89 00:05:03,480 --> 00:05:05,520 Speaker 1: time periods that are contingent on the length of the 90 00:05:05,600 --> 00:05:08,560 Speaker 1: day on Earth or something like that, then it forces 91 00:05:08,600 --> 00:05:10,320 Speaker 1: you to ask, Okay, well, then what is the law 92 00:05:10,440 --> 00:05:13,200 Speaker 1: really about? What is the law trying to get me 93 00:05:13,240 --> 00:05:16,000 Speaker 1: to do? And how could I most closely replicate that, 94 00:05:16,480 --> 00:05:19,320 Speaker 1: uh in a scenario where the law as strictly written 95 00:05:19,400 --> 00:05:22,880 Speaker 1: can't apply. Yeah. Yeah, And and also just the sort 96 00:05:22,880 --> 00:05:27,000 Speaker 1: of general theme of what what happens when you have 97 00:05:27,040 --> 00:05:32,520 Speaker 1: a given religion and new uh cosmological information presents itself, 98 00:05:33,120 --> 00:05:35,960 Speaker 1: you know, and this is always fun to discuss, you know, 99 00:05:35,960 --> 00:05:39,279 Speaker 1: in many cases Uh, nothing changes, and maybe nothing has 100 00:05:39,320 --> 00:05:41,720 Speaker 1: to change because certainly, like you said, we don't have 101 00:05:41,760 --> 00:05:45,040 Speaker 1: people living in space. But then you have some curious examples, 102 00:05:45,080 --> 00:05:47,760 Speaker 1: like you know, some of the some details from from 103 00:05:47,839 --> 00:05:53,440 Speaker 1: Hindu mythology, where you had mythological entities based upon um, 104 00:05:53,480 --> 00:05:59,560 Speaker 1: you know, observable cosmological uh properties, and then as is 105 00:05:59,720 --> 00:06:03,200 Speaker 1: not knowledge of those things changed. So too, then did 106 00:06:03,600 --> 00:06:07,680 Speaker 1: did the structure of the mythological entities change? What do 107 00:06:07,680 --> 00:06:10,440 Speaker 1: you mean by like certain observations of heavenly like the 108 00:06:10,480 --> 00:06:12,719 Speaker 1: moon and the sun and things. Um. Yeah, well, I 109 00:06:12,720 --> 00:06:15,080 Speaker 1: think the the example I'm drawing on we discussed in 110 00:06:15,080 --> 00:06:19,960 Speaker 1: our eclipse episode of years back, where you had in 111 00:06:20,040 --> 00:06:24,560 Speaker 1: different interpretations of what was happening with um I can't 112 00:06:24,600 --> 00:06:28,200 Speaker 1: recall off and it was a solar or lunar or both. Um. 113 00:06:28,240 --> 00:06:33,240 Speaker 1: But as as a Hindu understanding of what, uh you 114 00:06:33,279 --> 00:06:38,040 Speaker 1: know what what the observable phenomena happened to be changed? Uh. 115 00:06:38,160 --> 00:06:44,279 Speaker 1: Then instead of like separating that from the mythological model, Uh, 116 00:06:44,360 --> 00:06:49,400 Speaker 1: they updated the mythological model, which I was found very interesting. Anyway, 117 00:06:49,920 --> 00:06:51,960 Speaker 1: fun episodes as I recall, so go back and listen 118 00:06:51,960 --> 00:06:55,360 Speaker 1: to those if anyone is interested. Yeah, I think those 119 00:06:55,440 --> 00:06:58,120 Speaker 1: may have been my first ever episodes on the show. 120 00:06:58,520 --> 00:07:07,520 Speaker 1: Oh okay a while back then, Yeah, alright, this next 121 00:07:07,520 --> 00:07:10,960 Speaker 1: time when comes to us from Jolt, Hi, Robert and Joe, 122 00:07:11,160 --> 00:07:14,600 Speaker 1: just writing to chime in on the topic of connections 123 00:07:14,640 --> 00:07:17,600 Speaker 1: between the names of days and markets has brought up 124 00:07:17,600 --> 00:07:21,440 Speaker 1: in the recent Listener Mail episode. In my native tongue, Hungarian, 125 00:07:21,800 --> 00:07:25,840 Speaker 1: the word used for Sunday literally means market day. The 126 00:07:25,880 --> 00:07:30,400 Speaker 1: pronunciation itself changed from the original word for market uh 127 00:07:30,600 --> 00:07:36,080 Speaker 1: this is would be with vassah to now being vas 128 00:07:36,520 --> 00:07:39,720 Speaker 1: not uh market day, but the meaning is still there. 129 00:07:39,840 --> 00:07:42,840 Speaker 1: Sunday as the designated day for markets, goes back at 130 00:07:43,000 --> 00:07:45,400 Speaker 1: least to the first King of Hungary and to the 131 00:07:45,440 --> 00:07:48,640 Speaker 1: introduction of Christianity in the eleventh century, but it's still 132 00:07:48,800 --> 00:07:52,320 Speaker 1: very much a cultural reality today with markets being held 133 00:07:52,320 --> 00:07:55,440 Speaker 1: almost exclusively on Sundays, especially in the form of various 134 00:07:55,480 --> 00:07:59,480 Speaker 1: pop up markets in the countryside and in villages. Thank 135 00:07:59,480 --> 00:08:02,400 Speaker 1: you for the great show. I feel like we're seeing 136 00:08:02,440 --> 00:08:06,280 Speaker 1: major themes emerge there. There are like three main branches 137 00:08:06,400 --> 00:08:10,720 Speaker 1: of day naming conventions. One is naming them with numbers, 138 00:08:10,760 --> 00:08:13,280 Speaker 1: so they go first day, second day, third day. The 139 00:08:13,360 --> 00:08:16,200 Speaker 1: other is naming them in relationship to a market day. 140 00:08:16,280 --> 00:08:18,320 Speaker 1: So you have a day that's called market day, and 141 00:08:18,360 --> 00:08:21,520 Speaker 1: then others are named like I don't know, first from market, 142 00:08:21,560 --> 00:08:24,480 Speaker 1: second from market something like that. And then the third 143 00:08:24,600 --> 00:08:27,360 Speaker 1: is naming them after celestial bodies. So you've got Sunday, 144 00:08:27,600 --> 00:08:35,720 Speaker 1: Moon Day and so forth. And according to that last convention, 145 00:08:35,760 --> 00:08:38,160 Speaker 1: we could actually look at this next message from Jacinth 146 00:08:38,320 --> 00:08:41,600 Speaker 1: who says, listen to your episodes on the seven day week, 147 00:08:41,760 --> 00:08:45,280 Speaker 1: great content. My mother tongue is Tamil, which is the 148 00:08:45,360 --> 00:08:48,720 Speaker 1: language of the state of Tamil Nadu in India. Here 149 00:08:48,760 --> 00:08:51,440 Speaker 1: the days of the week are the names of celestial bodies. 150 00:08:51,760 --> 00:08:54,959 Speaker 1: I'm gonna try these. I apologize in advance for mispronunciation, 151 00:08:55,080 --> 00:08:59,200 Speaker 1: but Sunday is Nyayiru meaning the sun, Monday is Thingall 152 00:08:59,400 --> 00:09:03,400 Speaker 1: meaning the move, Tuesday is cheval meaning Mars. Wednesday is 153 00:09:03,440 --> 00:09:08,959 Speaker 1: Pudan meaning Mercury, Thursday is via John meaning Jupiter, Friday 154 00:09:09,160 --> 00:09:14,920 Speaker 1: is Velli meaning Venus, and Saturday is sawny meaning saturn Uh. 155 00:09:14,960 --> 00:09:18,400 Speaker 1: And then Jessin says I'm an English literature graduate and 156 00:09:18,480 --> 00:09:21,240 Speaker 1: generally love different language works. You learn a lot of 157 00:09:21,280 --> 00:09:26,520 Speaker 1: fascinating things from various language literatures. Couldn't agree more absolutely. 158 00:09:31,720 --> 00:09:33,520 Speaker 1: All right, let's move on to some weird house cinema 159 00:09:33,679 --> 00:09:36,360 Speaker 1: listener mail. This first one comes to us from Charlie 160 00:09:36,920 --> 00:09:41,720 Speaker 1: Um and Charlie writes in and says, hello science boys, 161 00:09:41,960 --> 00:09:44,960 Speaker 1: b O, I s I have a simple question semi 162 00:09:45,000 --> 00:09:47,760 Speaker 1: related to your Beast Master two weird house episode is 163 00:09:47,800 --> 00:09:51,680 Speaker 1: in Sino Man's Brendan Fraser a meat Beast. If the 164 00:09:51,760 --> 00:09:55,160 Speaker 1: requirements are learns about rock music and slushing machines and 165 00:09:55,240 --> 00:09:59,520 Speaker 1: teaching a young me my first Spanish phrase. Thanks Charlie 166 00:09:59,840 --> 00:10:02,200 Speaker 1: X allent choice. You know, I was thinking of Encino 167 00:10:02,280 --> 00:10:06,040 Speaker 1: Man while we were doing the Beast Smester two episode. 168 00:10:07,400 --> 00:10:09,480 Speaker 1: I don't think I ever actually watched in Sino Man. 169 00:10:09,520 --> 00:10:11,400 Speaker 1: I think I was always a little turned off by 170 00:10:11,440 --> 00:10:14,120 Speaker 1: the trailers for that one. I don't think I saw 171 00:10:14,120 --> 00:10:16,520 Speaker 1: it either, I just know of it. That's one of 172 00:10:16,559 --> 00:10:19,080 Speaker 1: those does he escape from a biodome like I didn't 173 00:10:19,080 --> 00:10:21,720 Speaker 1: see Biodome either, So I kind of combined these into 174 00:10:21,760 --> 00:10:26,000 Speaker 1: one film where in Sino Man escapes a biodome with 175 00:10:26,120 --> 00:10:30,560 Speaker 1: Polly Shore, Encino Man is the unfrozen Caveman lawyer skit 176 00:10:30,720 --> 00:10:32,680 Speaker 1: from sn L, but it's a whole movie of it. 177 00:10:32,880 --> 00:10:34,640 Speaker 1: I guess he's not a lawyer. He becomes like a 178 00:10:34,760 --> 00:10:37,840 Speaker 1: rock and roll guy. Okay, but yeah, he's just a 179 00:10:37,840 --> 00:10:42,280 Speaker 1: caveman who they unfreeze him, and here he is learning. 180 00:10:42,440 --> 00:10:45,640 Speaker 1: He's putting on high top sneakers. I mean, there are 181 00:10:46,000 --> 00:10:50,640 Speaker 1: other caveman in the modern day films. I wonder how 182 00:10:50,880 --> 00:10:53,280 Speaker 1: robust that sub genre truly is, and how many of 183 00:10:53,320 --> 00:10:56,600 Speaker 1: those we could quote classify as as meat beast pictures. 184 00:10:57,240 --> 00:11:01,320 Speaker 1: I recall Brendan Fraser being pretty buff in the in 185 00:11:01,440 --> 00:11:04,439 Speaker 1: the poster art for for Encino Man, so I think 186 00:11:04,480 --> 00:11:06,800 Speaker 1: he comes pretty close. I don't know if he's full 187 00:11:06,840 --> 00:11:11,800 Speaker 1: on barbarian, but he's he's something, he's something in the zone. 188 00:11:12,280 --> 00:11:15,120 Speaker 1: One last note here is I'm wondering why Charlie is 189 00:11:15,160 --> 00:11:18,840 Speaker 1: calling us science boys because I'm reading b O. I 190 00:11:19,200 --> 00:11:23,480 Speaker 1: s is, isn't that the French word meaning would wa science? Would? 191 00:11:23,600 --> 00:11:27,959 Speaker 1: I don't. I don't know. Yeah, what Webstre's is saying, 192 00:11:27,960 --> 00:11:34,640 Speaker 1: it's would, but Webstre's is not necessarily hip to uh slang. Okay, well, 193 00:11:34,679 --> 00:11:36,680 Speaker 1: I like that we're we're we are now the science 194 00:11:36,720 --> 00:11:47,800 Speaker 1: would build a treehouse out of us? All right? What 195 00:11:47,840 --> 00:11:49,360 Speaker 1: else do we have with this? Can't be the only 196 00:11:49,400 --> 00:11:52,080 Speaker 1: listener man were received about Beast Master two. Oh no, 197 00:11:52,240 --> 00:11:55,360 Speaker 1: it was not. Let's see. Brian wrote in to say, Hi, 198 00:11:55,480 --> 00:11:58,120 Speaker 1: Robin Joe. I was listening to your Weird House Cinema 199 00:11:58,160 --> 00:12:01,040 Speaker 1: episode on Beast Master two this morning during my daily walk, 200 00:12:01,480 --> 00:12:04,199 Speaker 1: and as I always do when you're covering a movie 201 00:12:04,240 --> 00:12:06,960 Speaker 1: I haven't seen, I began looking for stills from the 202 00:12:07,000 --> 00:12:09,600 Speaker 1: movie so I could have more context. I'd seen the 203 00:12:09,600 --> 00:12:13,080 Speaker 1: original beast Smester many times as a child, and the 204 00:12:13,200 --> 00:12:16,720 Speaker 1: site of the leather clad, glowing eyed meat man absolutely 205 00:12:16,880 --> 00:12:20,200 Speaker 1: terrified me. I was mainly interested in seeing if this 206 00:12:20,240 --> 00:12:23,440 Speaker 1: figure that haunted my nightmares returned in the sequel. He 207 00:12:23,520 --> 00:12:26,760 Speaker 1: apparently does not, So, ROBBD. You are the person who 208 00:12:26,760 --> 00:12:28,760 Speaker 1: knows about beast Smester one. Do you know who Brian 209 00:12:28,880 --> 00:12:31,199 Speaker 1: is talking about. There's another meat man, but this one 210 00:12:31,280 --> 00:12:34,040 Speaker 1: is scary. Yeah. I don't recall the name of this 211 00:12:34,160 --> 00:12:36,320 Speaker 1: if this thing even had a name. But there's a 212 00:12:36,360 --> 00:12:38,800 Speaker 1: there's a wonderful sequence in the film where we're in 213 00:12:38,840 --> 00:12:42,880 Speaker 1: the like the Dungeons of of the the the evil 214 00:12:43,480 --> 00:12:46,280 Speaker 1: Max played by Ripped Torn and there's you know, all 215 00:12:46,320 --> 00:12:49,200 Speaker 1: sorts of like evil cult shenanigans going on down there, 216 00:12:49,679 --> 00:12:53,280 Speaker 1: hands reaching out of cages. It's it's wonderful scary stuff. 217 00:12:53,320 --> 00:12:56,920 Speaker 1: And there is this kind of like rampaging um like 218 00:12:57,080 --> 00:12:59,719 Speaker 1: muscle man with like an iron mask, and I think 219 00:12:59,720 --> 00:13:04,439 Speaker 1: they've like jacked him up with some sort of nefarious 220 00:13:04,960 --> 00:13:09,000 Speaker 1: magical chemicals. Uh. So yeah, it's real, real, great nightmare stuff. 221 00:13:09,000 --> 00:13:10,520 Speaker 1: I mean, we have to have to remember with beast 222 00:13:10,600 --> 00:13:13,200 Speaker 1: Master two, if you haven't seen it, um, you know, 223 00:13:13,240 --> 00:13:16,400 Speaker 1: this is the same mind that brought us a phantasm. 224 00:13:17,080 --> 00:13:21,080 Speaker 1: So there's plenty of Yes, I'm sorry beat beast Master one. 225 00:13:21,120 --> 00:13:23,040 Speaker 1: Beast Master two had nothing to do with but uh, 226 00:13:23,320 --> 00:13:27,200 Speaker 1: beast Master one. Uh, this is don A Costarelli. So yeah, 227 00:13:27,200 --> 00:13:30,600 Speaker 1: there's a lot of like really cool, very creative ideas 228 00:13:30,640 --> 00:13:35,840 Speaker 1: in there. Uh it's not just your blueprint Barbarian film. 229 00:13:35,920 --> 00:13:38,400 Speaker 1: You've got this, You've got the got these, these these 230 00:13:38,559 --> 00:13:42,000 Speaker 1: be these the beefy men with the iron masks. There, 231 00:13:42,040 --> 00:13:46,320 Speaker 1: the the crazy cool bird creatures, the winged creatures that 232 00:13:47,080 --> 00:13:50,880 Speaker 1: externally digest their prey. Oh, there's a there's some a 233 00:13:50,920 --> 00:13:52,920 Speaker 1: bunch of other stuff as well. You have some hags, 234 00:13:52,960 --> 00:13:56,679 Speaker 1: some wonderful hag action going on. Love a hag does 235 00:13:56,720 --> 00:14:00,559 Speaker 1: that have a ball like in phantasm. Uh, there's no 236 00:14:00,640 --> 00:14:03,960 Speaker 1: there's no no ball, but there's a magic ring. Okay, 237 00:14:03,960 --> 00:14:08,480 Speaker 1: that's quote. It's round. Yeah. But anyway, so Brian's message 238 00:14:08,520 --> 00:14:11,800 Speaker 1: is not over. Brian says, while searching for pictures from movie, 239 00:14:11,920 --> 00:14:14,600 Speaker 1: I came across its poster. I thought I might have 240 00:14:14,679 --> 00:14:17,760 Speaker 1: mistakenly searched for Back to the Future too instead of 241 00:14:17,800 --> 00:14:21,520 Speaker 1: BE Semester two, because the posters are shockingly similar, for 242 00:14:21,720 --> 00:14:25,880 Speaker 1: your consideration, And then Brian attaches h little screen captures 243 00:14:25,920 --> 00:14:30,600 Speaker 1: of both posters and whoa I got that? Is that 244 00:14:30,320 --> 00:14:34,760 Speaker 1: that is worthy of a lawsuit right there? I mean 245 00:14:34,800 --> 00:14:38,440 Speaker 1: that is really really close everybody's Uh, it's framed the 246 00:14:38,480 --> 00:14:40,640 Speaker 1: same way, it's got a similar color scheme, it's got 247 00:14:40,640 --> 00:14:44,040 Speaker 1: the car coming out of the portal and the same orientation, 248 00:14:44,160 --> 00:14:47,320 Speaker 1: and the characters posted the same way. Either this is 249 00:14:47,360 --> 00:14:50,400 Speaker 1: just a they're both taking part of a standard template 250 00:14:50,480 --> 00:14:53,320 Speaker 1: for movie posters of the time, or or BE Semester 251 00:14:53,440 --> 00:14:55,840 Speaker 1: two is uh is doing a doing a bit of 252 00:14:55,840 --> 00:14:58,720 Speaker 1: a copycat job. Yeah, I mean it could be the 253 00:14:58,760 --> 00:15:02,120 Speaker 1: same artist as well. I wouldn't discount that. I didn't 254 00:15:02,120 --> 00:15:04,560 Speaker 1: have time to research these and try and figure out 255 00:15:04,560 --> 00:15:08,239 Speaker 1: who might have created them. Uh, but that's always a possibility. 256 00:15:08,280 --> 00:15:10,720 Speaker 1: Maybe this is just how the particular artists tended to 257 00:15:10,800 --> 00:15:13,520 Speaker 1: style things could be, could be, and you know, and 258 00:15:13,560 --> 00:15:17,080 Speaker 1: of course movie posters are they're not always created exlo. 259 00:15:17,240 --> 00:15:20,720 Speaker 1: So maybe they're uh, there's just sort of a template, 260 00:15:20,760 --> 00:15:22,920 Speaker 1: you know. There's there's a format of how you were 261 00:15:22,920 --> 00:15:25,160 Speaker 1: doing movie posters at the time, and a lot of 262 00:15:25,200 --> 00:15:27,640 Speaker 1: them looked like this. Maybe maybe that's the case. There 263 00:15:27,640 --> 00:15:29,760 Speaker 1: are some other posters I was looking around for beast 264 00:15:29,800 --> 00:15:33,320 Speaker 1: Master two. There's one that has a huge wings houser 265 00:15:34,200 --> 00:15:36,680 Speaker 1: on there with his little Phantom of the Opera face plate. 266 00:15:37,280 --> 00:15:39,600 Speaker 1: That one looks pretty good. Well anyway, Brian goes on 267 00:15:39,680 --> 00:15:42,720 Speaker 1: and says, maybe I'm imagining things because I recently watched 268 00:15:43,000 --> 00:15:44,920 Speaker 1: the Back to the Future trilogy, but I have a 269 00:15:44,960 --> 00:15:49,280 Speaker 1: strong mental image of a Simpson's esque ponytailed Hollywood executive 270 00:15:49,640 --> 00:15:53,240 Speaker 1: saying time travel cars lightning high tops. Put them on 271 00:15:53,280 --> 00:15:56,560 Speaker 1: the box in the hopes that beast Master two would 272 00:15:56,600 --> 00:15:59,880 Speaker 1: cause a double take at the local blockbuster. Someone out 273 00:16:00,280 --> 00:16:03,080 Speaker 1: knows the truth. Love the podcast and love the Weird 274 00:16:03,120 --> 00:16:06,720 Speaker 1: House episodes. Please keep doing them, Brian. Now, one last 275 00:16:06,760 --> 00:16:08,440 Speaker 1: thing I have to say about the speace Master two 276 00:16:08,440 --> 00:16:11,240 Speaker 1: poster is that they do not include Wings Houser or 277 00:16:11,320 --> 00:16:14,200 Speaker 1: Sarah Douglas on the poster. You're only seeing the heroes. 278 00:16:14,400 --> 00:16:17,200 Speaker 1: And I think that's a mistake. Yeah, I mean you have, 279 00:16:17,320 --> 00:16:18,840 Speaker 1: you have some fun villains in that movie, so you 280 00:16:18,920 --> 00:16:21,320 Speaker 1: might as well get him on the poster. Um. But 281 00:16:21,720 --> 00:16:23,800 Speaker 1: I don't know this idea of like, yeah, you just 282 00:16:23,800 --> 00:16:25,520 Speaker 1: need to turn heads of the video store. I mean 283 00:16:25,560 --> 00:16:29,640 Speaker 1: that was that was a huge deal. Um. In fact, 284 00:16:29,760 --> 00:16:31,480 Speaker 1: oh man, I was just thinking about this the other day. 285 00:16:31,520 --> 00:16:34,640 Speaker 1: I was in Videodrome, are are our local and our 286 00:16:34,680 --> 00:16:39,160 Speaker 1: city's only video store, video rental store, and I noticed 287 00:16:39,200 --> 00:16:41,160 Speaker 1: they had like a new I think a Blu Ray 288 00:16:41,400 --> 00:16:45,560 Speaker 1: edition of the film The Dead Pit, which I don't 289 00:16:45,560 --> 00:16:47,200 Speaker 1: know if you're familiar with this one, Joe, I've I've 290 00:16:47,320 --> 00:16:50,760 Speaker 1: not actually seen. It is directed by Brett Leonard and 291 00:16:50,880 --> 00:16:55,240 Speaker 1: stars nobody in particular. But the crazy thing about it 292 00:16:55,280 --> 00:16:59,280 Speaker 1: is the classic VHS and now you know, Blu Ray 293 00:16:59,360 --> 00:17:03,120 Speaker 1: DVD art for this movie was this kind of Frankenstein 294 00:17:03,200 --> 00:17:08,320 Speaker 1: looking dude, uh, kind of emerging from a uh it 295 00:17:08,359 --> 00:17:10,600 Speaker 1: looks like a hole with the hands reaching out of 296 00:17:10,600 --> 00:17:13,240 Speaker 1: it and there's like a bite behind him. And on 297 00:17:13,280 --> 00:17:15,440 Speaker 1: the old VHS box I guess it was like that 298 00:17:15,520 --> 00:17:19,000 Speaker 1: they must have sent this special you know, uh, the 299 00:17:19,080 --> 00:17:21,800 Speaker 1: eyes lit up. It had a little bitty like Halloween 300 00:17:21,880 --> 00:17:25,240 Speaker 1: costume l e Ed I guess, sort of the predecessor 301 00:17:25,280 --> 00:17:28,680 Speaker 1: to l e Ed little eyes inside, and it would 302 00:17:28,760 --> 00:17:31,639 Speaker 1: light up and possibly make noises. I don't remember particularly, 303 00:17:31,680 --> 00:17:34,320 Speaker 1: but the eyes definitely lit up as it so that 304 00:17:34,359 --> 00:17:36,919 Speaker 1: when you were strolling through the horror section or the 305 00:17:36,920 --> 00:17:40,760 Speaker 1: New Arrival section, it's like it's just shrieking for your attention. 306 00:17:40,960 --> 00:17:43,000 Speaker 1: I wonder if that kind of marketing game but paid off, 307 00:17:43,119 --> 00:17:46,439 Speaker 1: Like you you invest more money into complicated packaging, do 308 00:17:46,560 --> 00:17:49,560 Speaker 1: more people rented. I don't know, maybe they're like maybe 309 00:17:49,600 --> 00:17:51,640 Speaker 1: they just thought, well, heck, we we picked this movie 310 00:17:51,720 --> 00:17:54,320 Speaker 1: up for virtually nothing. Nobody wants to see this thing. 311 00:17:54,760 --> 00:17:56,679 Speaker 1: What if we just throw a little more cash at 312 00:17:56,720 --> 00:17:58,800 Speaker 1: the VHS boxer. Because I think it was also it 313 00:17:59,320 --> 00:18:02,600 Speaker 1: had kind of like a ready coover as well, Um, 314 00:18:02,880 --> 00:18:04,800 Speaker 1: we'll just get people excited about it. They'll just be 315 00:18:04,840 --> 00:18:06,719 Speaker 1: sold on it and they'll just have to rent it. 316 00:18:06,920 --> 00:18:09,360 Speaker 1: And I want to say there was at least one 317 00:18:09,359 --> 00:18:11,680 Speaker 1: other film from the time period that did something like 318 00:18:11,800 --> 00:18:15,800 Speaker 1: this with a light up eye but yeah, you know, 319 00:18:15,840 --> 00:18:17,159 Speaker 1: of course you don't see that anymore. And I was 320 00:18:17,200 --> 00:18:19,560 Speaker 1: so anyway, I was disappointed a little bit when I 321 00:18:19,600 --> 00:18:21,399 Speaker 1: saw it there on the shelf of Video Drone and 322 00:18:21,400 --> 00:18:23,120 Speaker 1: it didn't have light up eyes. And I think even 323 00:18:23,160 --> 00:18:25,800 Speaker 1: commented to the guy working there, It's like, oh, man, 324 00:18:25,880 --> 00:18:27,840 Speaker 1: it doesn't have light up eyes. Don't you remember the 325 00:18:27,920 --> 00:18:30,239 Speaker 1: light up eyes? And he said no. It's funny how 326 00:18:30,280 --> 00:18:34,560 Speaker 1: often we come back to talking about VHS boxes that 327 00:18:34,640 --> 00:18:37,160 Speaker 1: we remember from walking through the video store as a kid. 328 00:18:38,119 --> 00:18:40,280 Speaker 1: I feel like this is a this is a recurring theme, 329 00:18:40,400 --> 00:18:42,880 Speaker 1: Like didn't we get into one time the Jason Goes 330 00:18:42,920 --> 00:18:46,960 Speaker 1: to Hell video video box cover? Um? I think, so 331 00:18:47,040 --> 00:18:49,200 Speaker 1: what was special about that one? Well, it's just really 332 00:18:49,200 --> 00:18:51,960 Speaker 1: eye catching. It's it's like a metal looking Jason mask 333 00:18:52,080 --> 00:18:54,480 Speaker 1: that's got this demon snake coming out of one of 334 00:18:54,480 --> 00:18:58,040 Speaker 1: its holes. It's just gross looking and that fitting for 335 00:18:58,119 --> 00:19:01,199 Speaker 1: that movie. Uh well, you know, I just looked up 336 00:19:01,240 --> 00:19:03,800 Speaker 1: a bloody disgusting article the coolest and most Unique car 337 00:19:03,960 --> 00:19:07,520 Speaker 1: VHS boxes reminded me of Dead Pit. It also reminds 338 00:19:07,560 --> 00:19:12,200 Speaker 1: me that, oh, the the VHS box for Metamorphosis, which 339 00:19:12,240 --> 00:19:15,600 Speaker 1: I believe was George Eastman's Uh, This is the film 340 00:19:15,640 --> 00:19:19,280 Speaker 1: he directed and wrote. I haven't seen this one either, 341 00:19:19,359 --> 00:19:21,399 Speaker 1: but it had some sort of light up eye scenario. 342 00:19:21,960 --> 00:19:24,199 Speaker 1: And then this rings the bell as well. Do you 343 00:19:24,200 --> 00:19:27,800 Speaker 1: remember a Fright Night Part two VHS box It was 344 00:19:27,800 --> 00:19:33,600 Speaker 1: shaped like a casket. Oh yeah, yeah, I'm looking it up. Well, 345 00:19:33,680 --> 00:19:35,760 Speaker 1: you may have been planted a false memory, because when 346 00:19:35,760 --> 00:19:38,400 Speaker 1: you said that, I was like, oh, yeah, that does 347 00:19:38,440 --> 00:19:40,680 Speaker 1: seem familiar. I just looked up pictures of it and 348 00:19:40,720 --> 00:19:42,639 Speaker 1: I was like, actually, I don't think I've ever seen this, 349 00:19:42,720 --> 00:19:47,600 Speaker 1: so your enthusiasm is infectious. It it made me remember 350 00:19:47,640 --> 00:19:50,320 Speaker 1: things I've never seen. Well, I'm not even saying this 351 00:19:50,400 --> 00:19:53,440 Speaker 1: casket thing pop up on eBay, but I was curious. 352 00:19:53,440 --> 00:19:54,960 Speaker 1: I was like, how much are these things going for? 353 00:19:55,119 --> 00:20:00,080 Speaker 1: But uh, maybe they're just too rare literally priceless. M 354 00:20:05,640 --> 00:20:07,560 Speaker 1: all right, more beast Master. This one comes to us 355 00:20:07,560 --> 00:20:10,000 Speaker 1: from Brad. Hello, gentlemen. I apologize if I am the 356 00:20:10,080 --> 00:20:12,320 Speaker 1: thousandth person to write in about this, but just in 357 00:20:12,320 --> 00:20:15,160 Speaker 1: case I'm not, I had a thought as to why 358 00:20:15,240 --> 00:20:20,040 Speaker 1: Jackie may have reacted the way she did to Dars Ferrets. Now, 359 00:20:20,080 --> 00:20:22,800 Speaker 1: remember this is a thing from the movie where the 360 00:20:22,920 --> 00:20:27,560 Speaker 1: character played by Carrie were she she sees Mark singers ferrets, 361 00:20:27,600 --> 00:20:30,520 Speaker 1: and she reacts as if there's some kind of like, uh, 362 00:20:30,800 --> 00:20:33,920 Speaker 1: fantasy creature, like an animal unknown in the real world, 363 00:20:34,000 --> 00:20:36,719 Speaker 1: like a unicorn or something. But they're just ferrets, ferrets 364 00:20:36,760 --> 00:20:40,520 Speaker 1: or earth animals. Brad continues. See, ferrets are actually not 365 00:20:40,600 --> 00:20:43,720 Speaker 1: native to California and also have been deemed too invasive 366 00:20:43,800 --> 00:20:46,600 Speaker 1: of a species to allow them as pets, So ferrets 367 00:20:46,600 --> 00:20:49,959 Speaker 1: are actually illegal in California. I have heard that special 368 00:20:50,040 --> 00:20:53,160 Speaker 1: arrangements can be made to get one that is declaude 369 00:20:53,240 --> 00:20:57,840 Speaker 1: to prevent predation on other critters and uh descented, meaning 370 00:20:57,880 --> 00:21:01,160 Speaker 1: they remove the scent glands I believe to make finding 371 00:21:01,280 --> 00:21:04,399 Speaker 1: mates and therefore breeding more difficult if they were to 372 00:21:04,400 --> 00:21:06,080 Speaker 1: get out in the wild. But I'm not sure if 373 00:21:06,080 --> 00:21:10,200 Speaker 1: these rumors are true. Coincidentally, Darr actually commits a federal 374 00:21:10,280 --> 00:21:13,440 Speaker 1: crime by giving them to Jackie that one pair could 375 00:21:13,520 --> 00:21:17,440 Speaker 1: have designated California wildlife had they been a breeding pair. 376 00:21:17,960 --> 00:21:21,159 Speaker 1: L O L. Brad, very good note, Brad, thank you, 377 00:21:21,280 --> 00:21:23,840 Speaker 1: and yeah, this does bring to bind the controversy about 378 00:21:23,880 --> 00:21:27,199 Speaker 1: ferrets in the Big Lebowski, you know, where Walter clarifies 379 00:21:27,280 --> 00:21:29,200 Speaker 1: that you're not allowed to have an animal like that 380 00:21:29,320 --> 00:21:33,200 Speaker 1: in California. Oh yeah, that's right. Wouldn't it be funny 381 00:21:33,240 --> 00:21:36,640 Speaker 1: if that's where the interrogation when when Mark Singer gets 382 00:21:36,720 --> 00:21:40,000 Speaker 1: arrested by the police. Uh, if that's where the interrogation went, 383 00:21:40,119 --> 00:21:41,879 Speaker 1: it's like I need to know about these ferrets. How 384 00:21:41,920 --> 00:21:44,720 Speaker 1: do you get them into the state? And that becomes 385 00:21:44,720 --> 00:21:53,120 Speaker 1: the central plot. Yeah, okay. One last message. This comes 386 00:21:53,160 --> 00:21:56,240 Speaker 1: from Alan and it is about the Green Bays Vampire 387 00:21:56,400 --> 00:22:00,600 Speaker 1: and the song about green stamps. Alan says, greetings England 388 00:22:00,640 --> 00:22:03,560 Speaker 1: and thanks for the fascinating show. I am having trouble 389 00:22:03,600 --> 00:22:07,280 Speaker 1: believing that trading stamps are so forgotten that adult people 390 00:22:07,320 --> 00:22:11,160 Speaker 1: don't even know what they were. Here. Green Shield stamps 391 00:22:11,160 --> 00:22:14,120 Speaker 1: were given out by supermarkets, so many stamps for each 392 00:22:14,119 --> 00:22:17,240 Speaker 1: pound spent, and I remember sticking them into books for 393 00:22:17,320 --> 00:22:20,119 Speaker 1: my parents. Then full books could be taken into the 394 00:22:20,119 --> 00:22:23,360 Speaker 1: Green Shield shop and spent like money on goods out 395 00:22:23,400 --> 00:22:26,359 Speaker 1: of their catalog. You can imagine the piles of books 396 00:22:26,359 --> 00:22:29,800 Speaker 1: necessary as the big co Ops stamps fill a whole 397 00:22:29,840 --> 00:22:34,439 Speaker 1: page and is worth one pt thirty three pence. The 398 00:22:34,560 --> 00:22:38,000 Speaker 1: US blue Chip stamp is worth one quote mill, which 399 00:22:38,040 --> 00:22:40,600 Speaker 1: I take to be a tenth of ascent. I believe 400 00:22:40,640 --> 00:22:43,520 Speaker 1: when the stamps went obsolete, the stores continued just selling 401 00:22:43,520 --> 00:22:46,920 Speaker 1: for cash and still exist under the name Argos All 402 00:22:46,960 --> 00:22:49,920 Speaker 1: the Best Alan or maybe maybe that's Argo A R 403 00:22:50,000 --> 00:22:53,199 Speaker 1: G O S. And then Alan attaches pictures of the 404 00:22:53,200 --> 00:22:57,960 Speaker 1: green shield stamps. It's funny. After I saw these, I 405 00:22:57,960 --> 00:23:01,280 Speaker 1: had a memory of within the past year, um, some 406 00:23:01,320 --> 00:23:05,520 Speaker 1: of my in laws going through a relatives possessions and 407 00:23:05,560 --> 00:23:07,760 Speaker 1: finding a bunch of these in a box. And I 408 00:23:08,160 --> 00:23:10,400 Speaker 1: didn't know what they were, all right. I was doing 409 00:23:10,440 --> 00:23:12,400 Speaker 1: a little searching in the background, and I just want 410 00:23:12,440 --> 00:23:15,200 Speaker 1: to let everybody know that I did find on eBay 411 00:23:15,440 --> 00:23:19,560 Speaker 1: um an old entry, well not that old from January, uh, 412 00:23:19,600 --> 00:23:22,320 Speaker 1: the Ultra Rare Fright Night, Part two VHS in the 413 00:23:22,359 --> 00:23:27,960 Speaker 1: Coffin presentation pack. It went for three and eighty dollars. Whoa, Yeah, 414 00:23:28,160 --> 00:23:31,560 Speaker 1: so that's a serious collector's item there, maybe literally worth 415 00:23:31,600 --> 00:23:35,040 Speaker 1: its weight in gold. Yeah yeah, all right, Well, we're 416 00:23:35,040 --> 00:23:36,960 Speaker 1: gonna go ahead and call it there. But we'd love 417 00:23:37,000 --> 00:23:40,000 Speaker 1: to hear from everyone if you have responses to any 418 00:23:40,000 --> 00:23:43,160 Speaker 1: of these listener mails right in, let us know. Let's 419 00:23:43,200 --> 00:23:46,640 Speaker 1: keep a conversation rolling. If you have anything you want 420 00:23:46,640 --> 00:23:50,119 Speaker 1: to add regarding previous episodes of the show Stuff to 421 00:23:50,119 --> 00:23:53,160 Speaker 1: Blow Your Mind or Weird House. Uh thoughts about potential 422 00:23:53,200 --> 00:23:56,840 Speaker 1: future episodes, Uh, right in and let us know if 423 00:23:56,920 --> 00:24:00,719 Speaker 1: you have memories of particular weird v A chess tapes 424 00:24:00,920 --> 00:24:05,719 Speaker 1: from from VHS rental stores of old. Yes, definitely, right 425 00:24:05,800 --> 00:24:08,400 Speaker 1: in and tell us all about that. Send us pictures 426 00:24:08,480 --> 00:24:10,760 Speaker 1: if you have them. In the meantime, if you want 427 00:24:10,760 --> 00:24:13,440 Speaker 1: to check out other episodes of listener Mail, they come 428 00:24:13,440 --> 00:24:16,680 Speaker 1: out on Monday's We do Artifact on Wednesday at short 429 00:24:16,680 --> 00:24:19,520 Speaker 1: Form Core episodes of Stuff to Blow Your Mind Tuesdays 430 00:24:19,560 --> 00:24:21,879 Speaker 1: and Thursdays, and on Fridays we do Weird How Cinema. 431 00:24:21,920 --> 00:24:24,640 Speaker 1: That's our time to set aside most serious matters and 432 00:24:24,680 --> 00:24:27,520 Speaker 1: just discuss a weird film. Huge thanks as always to 433 00:24:27,560 --> 00:24:31,040 Speaker 1: our excellent audio producer Seth Nicholas Johnson. If you would 434 00:24:31,040 --> 00:24:33,159 Speaker 1: like to get in touch with us with feedback on 435 00:24:33,200 --> 00:24:35,320 Speaker 1: this episode or any other, to suggest a topic for 436 00:24:35,359 --> 00:24:37,359 Speaker 1: the future, or just to say hello, you can email 437 00:24:37,440 --> 00:24:47,840 Speaker 1: us at contact at stuff to Blow your Mind dot com. 438 00:24:47,960 --> 00:24:50,440 Speaker 1: Stuff to Blow Your Mind is production of I Heart Radio. 439 00:24:50,800 --> 00:24:53,120 Speaker 1: For more podcasts my Heart Radio, visit the i heart 440 00:24:53,200 --> 00:24:55,919 Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your 441 00:24:55,960 --> 00:24:56,639 Speaker 1: favorite shows,