Speaker 1: Don't answer the phone. Elvis Durand Elvis durand phone tapping.
Speaker 1: What's all about Danielle?
Speaker 2: All right, so Connor is phone tapping his friend Brandon.
Speaker 2: Brandon has wanted to work at this wanted house for
Speaker 2: years as a zombie. But you have to audition to
Speaker 2: be in the house because it's that, it's this, this
Speaker 2: is a really cool house.
Speaker 1: So I call and I make him audition.
Speaker 3: Really Oh god, all right, let's listen.
Speaker 1: Good morning, hey Brandon, It's Lisa from Molly.
Speaker 3: Oh. I'm in a meeting, right, there's me one minute
Speaker 3: to step out. Okay, all right, I'm geting.
Speaker 1: Are you in a bathroom? All right?
Speaker 2: So here's the deal. When you came the other night,
Speaker 2: we loved you. You have the look that we want
Speaker 2: for this. Oh yeah, so I just I needed to
Speaker 2: feel that you are zombie material. So I need you
Speaker 2: to give me your best grandpa zombie.
Speaker 3: Zombie.
Speaker 1: Yeah yeah, Oh that's pretty good. That's pretty good.
Speaker 2: Okay, how about now the guy comes to the door.
Speaker 2: You open the door and it's a zombie pizza guy.
Speaker 2: What does the zombie pizza guy sound like?
Speaker 3: Here's your pipe, it's got food and brain.
Speaker 2: That no that sounds more like a pirate. We don't
Speaker 2: want a pirate zombie. Don't sound like, oh my gosh, no,
Speaker 2: you need to take zombie one oh one. Zombies have
Speaker 2: different sounds depending on what happened to them before they passed,
Speaker 2: Just like.
Speaker 3: Like that type of thing, right, all right, to take
Speaker 3: him good?
Speaker 1: What happened?
Speaker 3: Someone just entered the office, that's all. I just want
Speaker 3: them for good.
Speaker 1: So people hear you making these sounds.
Speaker 3: If they come in the office, don't hear me.
Speaker 1: But all right, so we can continue. Yeah, okay, okay.
Speaker 1: This is the type of one that house where.
Speaker 2: If someone gets scared, we allow them to like take
Speaker 2: it out on the zombie.
Speaker 1: Are you cool with that?
Speaker 3: So I might get like hit.
Speaker 2: Well, we don't let them hit above the face because
Speaker 2: we don't want to mess up the makeup that we
Speaker 2: spend hours doing. But like you know, chess and arms
Speaker 2: and so, do you want a jockstrap?
Speaker 3: Do I own a jockstrap? Yeah? Probably from high school.
Speaker 2: Because if this, if somebody kicks you when you scare them,
Speaker 2: you want to make sure that the stuff is protected
Speaker 2: they kick me, That's what I'm saying. This makes us
Speaker 2: better than the other haunted houses where it's you know,
Speaker 2: it's a different feel in the haunted house.
Speaker 3: Okay, I guess.
Speaker 2: So there's different packages. So are you Are you okay
Speaker 2: with that?
Speaker 3: Is it possible to work in that particular package? No?
Speaker 1: Yeah, Unfortunately you have to do everything.
Speaker 3: Right.
Speaker 1: And it's not that they're hitting your brand and they're
Speaker 1: hitting zombie.
Speaker 3: Branded, but they're hitting the actual brand and underneath all
Speaker 3: of the zombie branded.
Speaker 1: Okay, what would two zombies having sex sound like? Go,
Speaker 1: that's pretty good. That's a good one.
Speaker 2: All right, Well okay, what would a zombie sitting on
Speaker 2: the toilet sound like?
Speaker 3: Oh?
Speaker 1: That's good. Way one more time.
Speaker 3: You did?
Speaker 1: Is that?
Speaker 3: Connor? Yeah?
Speaker 1: Connor, you want to tell him what's going on.
Speaker 3: I'm on the phone too, man.
Speaker 1: You can phone to.
Speaker 3: Alf.
Speaker 1: This isn't an audition.
Speaker 2: Daniel and over Melvis Durant in the Morning show and
Speaker 2: we're just phone tapping you.
Speaker 3: I'm going to kill you.
Speaker 1: Gonna be Elvis Durant's phone tap