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Speaker 1: Don't answer the phone. Elvis Durand Elvis durand phone tapping.

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Speaker 1: What's all about Danielle?

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Speaker 2: All right, so Connor is phone tapping his friend Brandon.

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Speaker 2: Brandon has wanted to work at this wanted house for

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Speaker 2: years as a zombie. But you have to audition to

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Speaker 2: be in the house because it's that, it's this, this

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Speaker 2: is a really cool house.

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Speaker 1: So I call and I make him audition.

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Speaker 3: Really Oh god, all right, let's listen.

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Speaker 1: Good morning, hey Brandon, It's Lisa from Molly.

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Speaker 3: Oh. I'm in a meeting, right, there's me one minute

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Speaker 3: to step out. Okay, all right, I'm geting.

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Speaker 1: Are you in a bathroom? All right?

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Speaker 2: So here's the deal. When you came the other night,

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Speaker 2: we loved you. You have the look that we want

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Speaker 2: for this. Oh yeah, so I just I needed to

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Speaker 2: feel that you are zombie material. So I need you

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Speaker 2: to give me your best grandpa zombie.

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Speaker 3: Zombie.

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Speaker 1: Yeah yeah, Oh that's pretty good. That's pretty good.

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Speaker 2: Okay, how about now the guy comes to the door.

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Speaker 2: You open the door and it's a zombie pizza guy.

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Speaker 2: What does the zombie pizza guy sound like?

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Speaker 3: Here's your pipe, it's got food and brain.

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Speaker 2: That no that sounds more like a pirate. We don't

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Speaker 2: want a pirate zombie. Don't sound like, oh my gosh, no,

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Speaker 2: you need to take zombie one oh one. Zombies have

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Speaker 2: different sounds depending on what happened to them before they passed,

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Speaker 2: Just like.

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Speaker 3: Like that type of thing, right, all right, to take

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Speaker 3: him good?

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Speaker 1: What happened?

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Speaker 3: Someone just entered the office, that's all. I just want

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Speaker 3: them for good.

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Speaker 1: So people hear you making these sounds.

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Speaker 3: If they come in the office, don't hear me.

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Speaker 1: But all right, so we can continue. Yeah, okay, okay.

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Speaker 1: This is the type of one that house where.

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Speaker 2: If someone gets scared, we allow them to like take

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Speaker 2: it out on the zombie.

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Speaker 1: Are you cool with that?

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Speaker 3: So I might get like hit.

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Speaker 2: Well, we don't let them hit above the face because

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Speaker 2: we don't want to mess up the makeup that we

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Speaker 2: spend hours doing. But like you know, chess and arms

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Speaker 2: and so, do you want a jockstrap?

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Speaker 3: Do I own a jockstrap? Yeah? Probably from high school.

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Speaker 2: Because if this, if somebody kicks you when you scare them,

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Speaker 2: you want to make sure that the stuff is protected

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Speaker 2: they kick me, That's what I'm saying. This makes us

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Speaker 2: better than the other haunted houses where it's you know,

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Speaker 2: it's a different feel in the haunted house.

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Speaker 3: Okay, I guess.

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Speaker 2: So there's different packages. So are you Are you okay

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Speaker 2: with that?

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Speaker 3: Is it possible to work in that particular package? No?

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Speaker 1: Yeah, Unfortunately you have to do everything.

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Speaker 3: Right.

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Speaker 1: And it's not that they're hitting your brand and they're

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Speaker 1: hitting zombie.

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Speaker 3: Branded, but they're hitting the actual brand and underneath all

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Speaker 3: of the zombie branded.

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Speaker 1: Okay, what would two zombies having sex sound like? Go,

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Speaker 1: that's pretty good. That's a good one.

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Speaker 2: All right, Well okay, what would a zombie sitting on

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Speaker 2: the toilet sound like?

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Speaker 3: Oh?

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Speaker 1: That's good. Way one more time.

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Speaker 3: You did?

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Speaker 1: Is that?

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Speaker 3: Connor? Yeah?

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Speaker 1: Connor, you want to tell him what's going on.

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Speaker 3: I'm on the phone too, man.

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Speaker 1: You can phone to.

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Speaker 3: Alf.

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Speaker 1: This isn't an audition.

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Speaker 2: Daniel and over Melvis Durant in the Morning show and

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Speaker 2: we're just phone tapping you.

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Speaker 3: I'm going to kill you.

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Speaker 1: Gonna be Elvis Durant's phone tap