WEBVTT - Deleted Scenes 2

0:00:06.600 --> 0:00:09.360
<v Speaker 1>I'm Brett Wood, the writer and director of The Seventh Daughter,

0:00:09.800 --> 0:00:11.760
<v Speaker 1>and I thank you for coming back for the second

0:00:11.840 --> 0:00:17.200
<v Speaker 1>of three bonus episodes, one in which I'll share some

0:00:17.360 --> 0:00:21.000
<v Speaker 1>scenes that were removed from the podcast prior to its release.

0:00:21.920 --> 0:00:48.280
<v Speaker 1>M h after what is now episode five Paradise, there

0:00:48.360 --> 0:00:51.600
<v Speaker 1>was to be an episode entitled The Lecture. It was

0:00:51.640 --> 0:00:55.960
<v Speaker 1>an episode devoted mostly to Albert von Schrienk Notzing. I'm

0:00:55.960 --> 0:00:59.520
<v Speaker 1>thoroughly fascinated by this person. Yes, he was a real person,

0:01:00.080 --> 0:01:02.440
<v Speaker 1>and I wanted to represent more of the research he

0:01:02.520 --> 0:01:06.880
<v Speaker 1>was conducting, which I did by quoting directly and extensively

0:01:07.040 --> 0:01:12.560
<v Speaker 1>from his book Phenomena of Materialization. The English language publication

0:01:12.600 --> 0:01:16.199
<v Speaker 1>was nineteen twenty, so it's perfectly situated in the period

0:01:16.280 --> 0:01:19.399
<v Speaker 1>we're dealing with. One purpose of the Lecture was to

0:01:19.480 --> 0:01:23.400
<v Speaker 1>explain what a cabinet sitting was, how it works, the

0:01:23.400 --> 0:01:26.920
<v Speaker 1>dimensions of a cabinet, the process of performing a seyance,

0:01:27.400 --> 0:01:30.600
<v Speaker 1>and a more detailed description of teleplasm and the kinds

0:01:30.640 --> 0:01:34.880
<v Speaker 1>of ghosts that appear in episode eight. The intention was

0:01:34.959 --> 0:01:38.880
<v Speaker 1>that by having this lengthy primer in cabinet sittings, the

0:01:38.920 --> 0:01:41.679
<v Speaker 1>listener would better understand what's going on in the episode

0:01:41.680 --> 0:01:44.960
<v Speaker 1>that would come next the Cabinet. But it turned out

0:01:45.160 --> 0:01:48.360
<v Speaker 1>listeners didn't really need all that explanation, and there really

0:01:48.480 --> 0:01:51.680
<v Speaker 1>was no reason for the descriptions of other Cabinet sittings

0:01:51.760 --> 0:02:02.520
<v Speaker 1>other than to satisfy my love for medical curiosities. Gentleman, gentlemen,

0:02:02.600 --> 0:02:08.480
<v Speaker 1>come to order if you please. I recognize you were

0:02:08.520 --> 0:02:12.960
<v Speaker 1>all quite eager to listen to today's lecture, and it

0:02:13.160 --> 0:02:18.280
<v Speaker 1>is with great pride and no small expense at the

0:02:18.320 --> 0:02:22.639
<v Speaker 1>mid Atlantic College of Medicine brings to you are esteemed

0:02:22.840 --> 0:02:28.560
<v Speaker 1>guest more than ten years. Baron von Shrink is sought

0:02:28.680 --> 0:02:34.840
<v Speaker 1>truth in the fantastical, determined to provide a scientific explanation

0:02:35.520 --> 0:02:42.080
<v Speaker 1>for the inexplicable. Since nineteen o nine he has attended

0:02:42.240 --> 0:02:48.560
<v Speaker 1>seances and cabinet sittings by the world's most celebrated mediums,

0:02:48.960 --> 0:02:56.560
<v Speaker 1>blowing the most advanced scientific and photographic tools. Is documented

0:02:56.680 --> 0:03:04.000
<v Speaker 1>telekinetic phenomena, teleplast phenomena, and established the principles by which

0:03:04.240 --> 0:03:11.480
<v Speaker 1>mediumistic occurrences are to day substantiated. Welcome, Fry, have one

0:03:11.520 --> 0:03:23.440
<v Speaker 1>Shrink not si. Thank you Dr Hubert for the flattering introduction.

0:03:25.560 --> 0:03:29.160
<v Speaker 1>If you've come today to hear my pronouncement as to

0:03:29.240 --> 0:03:33.520
<v Speaker 1>the existence of a psychical realm what we come and

0:03:33.560 --> 0:03:38.480
<v Speaker 1>be called the beyond. I am afraid I must disappoint

0:03:38.560 --> 0:03:43.680
<v Speaker 1>you as impressive and convincing as are the many psychical

0:03:43.840 --> 0:03:52.400
<v Speaker 1>manifestations I have witnessed. The evidence remains inconclusive, but I

0:03:52.440 --> 0:03:58.680
<v Speaker 1>can tell you without reservation that we also cannot disprove

0:03:59.080 --> 0:04:04.320
<v Speaker 1>the existence of a spiritual realm. Far too much evidence

0:04:04.400 --> 0:04:08.080
<v Speaker 1>exists for us to dismiss such a thing based on

0:04:08.160 --> 0:04:13.640
<v Speaker 1>a lack of physical, tangible, quantifiable evidence, or the exposure

0:04:13.720 --> 0:04:19.400
<v Speaker 1>of solatans whose selfish greed clouds are research with their

0:04:19.880 --> 0:04:26.719
<v Speaker 1>theatrical illusions and parlor tricks. The Charlatan is the enemy

0:04:26.760 --> 0:04:32.880
<v Speaker 1>of science and must be exposed, must be disproven, and

0:04:33.080 --> 0:04:36.200
<v Speaker 1>must be driven in shame back to the den of

0:04:36.320 --> 0:04:43.039
<v Speaker 1>thieves from thence they emerged. Today, I will present to

0:04:43.080 --> 0:04:47.640
<v Speaker 1>you case histories of two mediums who have the potential

0:04:47.720 --> 0:04:51.120
<v Speaker 1>to throw open the doors of perception and allow us

0:04:51.160 --> 0:04:57.640
<v Speaker 1>to interact with the psychical realm. If you will deem

0:04:57.720 --> 0:05:01.719
<v Speaker 1>the lights please, I have prepared a series of lantern

0:05:01.880 --> 0:05:13.039
<v Speaker 1>slides to illustrate Plate one. You are no doubt already

0:05:13.080 --> 0:05:20.320
<v Speaker 1>familiar with this woman known publicly as Eva See undoubtedly

0:05:20.560 --> 0:05:26.080
<v Speaker 1>the most gifted and consistently successful spirit medium. More than

0:05:26.120 --> 0:05:30.279
<v Speaker 1>a hundred scientific men have had the pleasure of observing

0:05:30.440 --> 0:05:38.960
<v Speaker 1>Eva Sees talents. Plate two is a diagram of the

0:05:39.080 --> 0:05:44.480
<v Speaker 1>parlor in which the sittings occur. The medium sits there,

0:05:45.440 --> 0:05:50.000
<v Speaker 1>encased on three sides by an enclosure of black drapes

0:05:50.680 --> 0:05:56.600
<v Speaker 1>known as the cabinet. The medium's hands remain visible at

0:05:56.720 --> 0:06:01.039
<v Speaker 1>old times, usually gripping the sides of the curtains that

0:06:01.080 --> 0:06:08.760
<v Speaker 1>frame the front side of the cabinet. Plate three. Eva

0:06:08.920 --> 0:06:14.040
<v Speaker 1>is brought to the cabinet, already submerged in a hypnotic state.

0:06:14.520 --> 0:06:18.320
<v Speaker 1>A female assistant guides her to her seat in the cabinet.

0:06:19.000 --> 0:06:23.279
<v Speaker 1>She closes the front curtains, careful that her hands remained

0:06:23.480 --> 0:06:28.640
<v Speaker 1>visible at old times, and opens them. Then she feels

0:06:28.720 --> 0:06:37.440
<v Speaker 1>the materialization is about to commence. Plate four. Just before

0:06:37.560 --> 0:06:42.840
<v Speaker 1>the phenomenon occurs, painful sensations are experienced on the part

0:06:42.880 --> 0:06:47.680
<v Speaker 1>of the medium. She sighs and groans and recalls the

0:06:47.760 --> 0:06:53.600
<v Speaker 1>condition of a woman in the act of parturition. These

0:06:54.000 --> 0:07:01.880
<v Speaker 1>paroxysms vary from expressions of misery to exstas e. Then

0:07:02.040 --> 0:07:10.640
<v Speaker 1>the materializations do appear. It usually occurs as follows. Plate five.

0:07:15.200 --> 0:07:19.160
<v Speaker 1>A substance emanates from the body of the medium. It

0:07:19.520 --> 0:07:25.880
<v Speaker 1>externalizes itself and is a morphous or polymorphous. In the

0:07:25.960 --> 0:07:31.160
<v Speaker 1>first instance, its appearance is generally announced by the presence

0:07:31.240 --> 0:07:39.040
<v Speaker 1>of fluid, viteent luminous flakes. The substance itself emanates from

0:07:39.120 --> 0:07:43.560
<v Speaker 1>the whole body of the medium, but especially from the

0:07:43.720 --> 0:07:48.440
<v Speaker 1>natural orifices and the extremities, from the top of the head,

0:07:49.080 --> 0:07:53.920
<v Speaker 1>from the breasts and the tips of the fingers. The

0:07:54.040 --> 0:08:00.000
<v Speaker 1>most usual origin, which is most easily observed, is from

0:08:00.040 --> 0:08:09.880
<v Speaker 1>the mouth. Place six. The substance occurs, sometimes as a

0:08:10.040 --> 0:08:16.880
<v Speaker 1>true protoplastic mass, sometimes in the form of numerous thinned threads,

0:08:16.920 --> 0:08:21.520
<v Speaker 1>sometimes as cords of various thicknesses, or in the form

0:08:21.640 --> 0:08:30.240
<v Speaker 1>of a woven material with indefinite and irregular outlines. Sometimes

0:08:30.320 --> 0:08:36.160
<v Speaker 1>it moves slowly up or down across the medium, on

0:08:36.280 --> 0:08:41.960
<v Speaker 1>her shoulders or her breast, or on her knees, with

0:08:42.080 --> 0:08:50.280
<v Speaker 1>a creeping motion resembling that of a reptile. Plate seven.

0:08:53.280 --> 0:08:59.040
<v Speaker 1>A mass of teleplasm emerging from the medium's hands. Plate

0:08:59.440 --> 0:09:09.720
<v Speaker 1>eight e merchants of teleplastic material like luminous cloudy ribbons

0:09:09.760 --> 0:09:15.880
<v Speaker 1>suspended from the mouth and nose of the medium. Plate nine,

0:09:18.120 --> 0:09:22.520
<v Speaker 1>A nebulous mass has formed on the right neck and

0:09:22.760 --> 0:09:27.880
<v Speaker 1>shoulder of the medium, taking the form of a second

0:09:28.400 --> 0:09:36.200
<v Speaker 1>human head. The publication of these findings by myself and

0:09:36.280 --> 0:09:41.040
<v Speaker 1>others has caused skeptics to question the veracity of the

0:09:41.120 --> 0:09:47.600
<v Speaker 1>images and the materializations themselves. My response has been to

0:09:47.720 --> 0:09:52.280
<v Speaker 1>impose even greater controls upon the conditions under vich the

0:09:52.360 --> 0:09:57.120
<v Speaker 1>sittings occur, and to make greater demands upon the medium

0:09:57.160 --> 0:10:03.800
<v Speaker 1>herself to dispel any skepticism there may be. Eva C

0:10:04.720 --> 0:10:10.200
<v Speaker 1>has consented to perform her sittings nude except for a

0:10:10.360 --> 0:10:17.720
<v Speaker 1>black cloth draped over her abdomen and feet. If any

0:10:17.840 --> 0:10:23.560
<v Speaker 1>medium can rival the materializations produced by Eva C, that

0:10:23.800 --> 0:10:29.280
<v Speaker 1>person would be Stana Slava. P I first examined her

0:10:29.840 --> 0:10:33.360
<v Speaker 1>when she was eighteen years of age, still a virgin,

0:10:33.960 --> 0:10:37.920
<v Speaker 1>not yet distracted by the obligations of family, and as

0:10:37.960 --> 0:10:42.720
<v Speaker 1>a result in fum command of her psychical abilities. After

0:10:42.800 --> 0:10:48.240
<v Speaker 1>the sitting, Stanaslava submitted herself to a lady physician, and

0:10:48.360 --> 0:10:53.800
<v Speaker 1>this physician provided me with a virginity certificate concerning the

0:10:53.960 --> 0:11:00.880
<v Speaker 1>medium Eva C. By comparison is twenty six years and

0:11:01.240 --> 0:11:09.880
<v Speaker 1>passed what is considered scientifically speaking, a medium's prime plate. Twelve.

0:11:12.440 --> 0:11:17.440
<v Speaker 1>Stanislava arrived in the parlor wearing a blue dressing gown

0:11:18.400 --> 0:11:23.559
<v Speaker 1>nothing more. Before every sitting, the young girl went into

0:11:23.559 --> 0:11:27.360
<v Speaker 1>a separate room, accompanied by the author's wife or some

0:11:27.520 --> 0:11:34.480
<v Speaker 1>other lady, who superintended her toilette. There she undressed completely

0:11:34.920 --> 0:11:40.760
<v Speaker 1>and put on the seance costume, a black treacle suit

0:11:41.760 --> 0:11:47.199
<v Speaker 1>which has been tailored to conform to her body. This gaunment,

0:11:47.679 --> 0:11:51.720
<v Speaker 1>prepared at the suggestion of a Paris physician, consists of

0:11:51.880 --> 0:11:55.760
<v Speaker 1>one piece and has only one opening at the back,

0:11:56.200 --> 0:12:01.320
<v Speaker 1>from the vaist to the neck. The feet are enclosed

0:12:01.400 --> 0:12:06.040
<v Speaker 1>as stockings vns. The medium is inside. The back of

0:12:06.080 --> 0:12:09.400
<v Speaker 1>the costume is laced together from the junction of the

0:12:09.520 --> 0:12:13.040
<v Speaker 1>tights at the buttocks up to the color, and the

0:12:13.160 --> 0:12:20.280
<v Speaker 1>knot is lead sealed. The medium's mouth was closely examined

0:12:20.320 --> 0:12:24.400
<v Speaker 1>by means of a spatula to which an electric lamp

0:12:24.679 --> 0:12:29.080
<v Speaker 1>was attached. Her sin is cavities were tested by having

0:12:29.080 --> 0:12:33.600
<v Speaker 1>her blow her nose horsefully through a handkerchief. One lastile,

0:12:34.080 --> 0:12:39.920
<v Speaker 1>then another. It is the application of signs to determine

0:12:40.080 --> 0:12:45.560
<v Speaker 1>with absolute certainty that no deception by means of hidden

0:12:45.640 --> 0:12:52.680
<v Speaker 1>objects is taking place. This is, after all, science, not

0:12:52.920 --> 0:12:58.360
<v Speaker 1>simple more bi curiosity. After each sitting, I provide an

0:12:58.360 --> 0:13:02.240
<v Speaker 1>emetic of my own form relation, which enables me to

0:13:02.440 --> 0:13:09.400
<v Speaker 1>examine the contents of the woman's stomach. A black hood

0:13:09.920 --> 0:13:13.800
<v Speaker 1>is placed over her head and sewn into the color

0:13:14.000 --> 0:13:18.360
<v Speaker 1>of the suit in stitches tight enough that a fingertip

0:13:18.440 --> 0:13:23.760
<v Speaker 1>cannot be pushed between them. White gloves to preserve visibility,

0:13:23.840 --> 0:13:27.800
<v Speaker 1>and the lamplight are sown onto the sleeves of the garment.

0:13:28.720 --> 0:13:35.280
<v Speaker 1>Thus attired completely encased in transparent fabric from head to foot,

0:13:35.360 --> 0:13:45.200
<v Speaker 1>the medium is let to their cabinet. Hypnotization performed by

0:13:45.240 --> 0:13:48.160
<v Speaker 1>my self. River, keep your eyes fixed on the glow

0:13:48.320 --> 0:13:51.600
<v Speaker 1>of the candle. Then I moved the candle. Follow the

0:13:51.640 --> 0:13:56.040
<v Speaker 1>flame with your eyes, while keeping your head perfectly still.

0:13:56.960 --> 0:14:00.720
<v Speaker 1>And though your eyes remain open, your vision feel duck

0:14:00.840 --> 0:14:06.600
<v Speaker 1>in your mind begins to recede into the shadows of

0:14:06.800 --> 0:14:25.080
<v Speaker 1>the unconscious. The medium's hands grasped the curtain and remained

0:14:25.200 --> 0:14:34.760
<v Speaker 1>visible during the whole sitting. Suddenly she commences to vapor

0:14:35.440 --> 0:14:41.760
<v Speaker 1>names muscular efforts, and I can cries of pain. The

0:14:41.880 --> 0:14:59.880
<v Speaker 1>hands become cool. Efforts continue mediumistic labor. A vite about

0:15:00.080 --> 0:15:05.200
<v Speaker 1>half a yard long, penetrates the veil before our eyes

0:15:05.880 --> 0:15:17.840
<v Speaker 1>and places itself upon her left upper arm. At the

0:15:17.960 --> 0:15:22.520
<v Speaker 1>next opening of the curtain, a substance hangs in broad

0:15:22.760 --> 0:15:26.480
<v Speaker 1>strips out of the mouth, and at the lower end

0:15:27.160 --> 0:15:37.600
<v Speaker 1>a finger seems to be attached to it. Do you

0:15:37.720 --> 0:15:42.280
<v Speaker 1>also see it? Look at the bottom, just the tip

0:15:42.520 --> 0:15:48.760
<v Speaker 1>of a finger. A finger tip has materialized from the teleplasm,

0:15:48.760 --> 0:15:56.920
<v Speaker 1>a thick, soft cloud of solid substance diaphonos luminous, simply

0:15:57.280 --> 0:16:08.320
<v Speaker 1>extra and up. The pain is unbearable, saslava. You've performed wfully.

0:16:09.040 --> 0:16:21.480
<v Speaker 1>Thank you, Thank you. After the lecture, we find that

0:16:21.520 --> 0:16:24.760
<v Speaker 1>not all medical authorities share of one shrink's belief in

0:16:24.880 --> 0:16:29.840
<v Speaker 1>psychical realms. The headmaster provided a welcome voice of skepticism

0:16:29.880 --> 0:16:35.480
<v Speaker 1>in the face of Albert's blind faith. Have a seat, Albert,

0:16:35.560 --> 0:16:38.280
<v Speaker 1>you have our little talk before they whisk you away

0:16:38.360 --> 0:16:44.720
<v Speaker 1>to some dinner engagement. That was quite some lecture you

0:16:44.800 --> 0:16:51.560
<v Speaker 1>gave today, Thank you, sir. Sensation. One might say it's

0:16:51.600 --> 0:16:55.720
<v Speaker 1>read to have the entire gallery food students standing in

0:16:55.800 --> 0:16:58.880
<v Speaker 1>the aisles, and the more lectures like this, and we

0:16:58.960 --> 0:17:04.520
<v Speaker 1>may need to admission I'll take that as a compliment, Sir,

0:17:06.240 --> 0:17:12.480
<v Speaker 1>you shouldn't necessarily I beg your pardon. It's just that

0:17:13.520 --> 0:17:19.120
<v Speaker 1>when something attracts this much public attention, is this sensational?

0:17:19.320 --> 0:17:23.840
<v Speaker 1>One asked a question whether it is legitimate field of study.

0:17:23.880 --> 0:17:28.800
<v Speaker 1>I do believe you're jealoist. I can't help but feel

0:17:28.880 --> 0:17:31.960
<v Speaker 1>that this area of study does not long in an

0:17:31.960 --> 0:17:38.080
<v Speaker 1>academy of matters. Dr Hubert. This is academic inquiry. This

0:17:38.280 --> 0:17:43.359
<v Speaker 1>is science calling something science does not make its science.

0:17:44.240 --> 0:17:47.680
<v Speaker 1>Let's be honest with one another. What's your studying as

0:17:47.880 --> 0:17:52.320
<v Speaker 1>theoretical at best? But how can you properly investigate something

0:17:52.320 --> 0:17:56.040
<v Speaker 1>for which there is no physical levity? In my I've

0:17:56.160 --> 0:18:02.600
<v Speaker 1>compelled volumes. My phenomenal Materialist is his five d pages long.

0:18:03.359 --> 0:18:08.280
<v Speaker 1>It provides page after page of evidence. Besides, you can't

0:18:08.320 --> 0:18:13.040
<v Speaker 1>see or touch electromagnetic waves. There was the evidence of

0:18:13.119 --> 0:18:19.480
<v Speaker 1>gravity before Isaac Newton. A heliocentric solar system was there,

0:18:19.600 --> 0:18:22.960
<v Speaker 1>but people didn't yet know how to interpret it. And

0:18:23.040 --> 0:18:26.280
<v Speaker 1>the evidence is here, and I'm trying to develop a

0:18:26.359 --> 0:18:30.119
<v Speaker 1>means of understanding it. Don't uset yourself, but I don't

0:18:30.160 --> 0:18:34.520
<v Speaker 1>have my work ridiculed by someone of such narrow vision.

0:18:34.800 --> 0:18:37.560
<v Speaker 1>My vision may be narrower, but at least my eyes

0:18:37.600 --> 0:18:42.080
<v Speaker 1>are open. What do you mean by that? I'm sorry

0:18:42.119 --> 0:18:45.320
<v Speaker 1>if i hair, but at times your confidence in these

0:18:45.400 --> 0:18:52.160
<v Speaker 1>spirit medium's views misguided. The ghostly faces she summons her

0:18:52.160 --> 0:18:56.960
<v Speaker 1>obviously photographs cut from newspapers and hidden about her persons.

0:18:57.400 --> 0:19:01.320
<v Speaker 1>It's no possible place since which she hide them. She

0:19:01.480 --> 0:19:05.360
<v Speaker 1>has been thoroughly searched, either by myself or Madame Pison,

0:19:05.680 --> 0:19:10.639
<v Speaker 1>who usually examines the intimate areas of Eva's boss. You

0:19:10.680 --> 0:19:15.520
<v Speaker 1>can see for yourself. There are pieces of paper, and

0:19:15.560 --> 0:19:19.160
<v Speaker 1>when you publish the images, there were skeptics who located

0:19:19.160 --> 0:19:21.720
<v Speaker 1>the additions of the papers from which they were taken.

0:19:22.600 --> 0:19:28.800
<v Speaker 1>Dr Hubert. She is producing an earthly representation of something

0:19:28.880 --> 0:19:33.080
<v Speaker 1>that has no physical form. For us to be able

0:19:33.160 --> 0:19:36.280
<v Speaker 1>to see it with our own eyes, it has to

0:19:36.400 --> 0:19:42.159
<v Speaker 1>assume some physical substance that we can understand. Paper is

0:19:42.200 --> 0:19:47.040
<v Speaker 1>a substance we can see. So the spirit materialization often

0:19:47.160 --> 0:19:54.280
<v Speaker 1>takes the form of ordinary paper. But in one photograph

0:19:54.840 --> 0:19:59.719
<v Speaker 1>would you yourself published? We see headlines printed on the

0:19:59.720 --> 0:20:04.600
<v Speaker 1>back of the paper. The apparition, whatever you want to

0:20:04.640 --> 0:20:09.760
<v Speaker 1>call it, how do you possibly explain? Yes, I have

0:20:10.040 --> 0:20:17.240
<v Speaker 1>said the materializations travel through Eva, she physical licensed them,

0:20:17.400 --> 0:20:20.840
<v Speaker 1>and she must do this by conjuring materials that resemble

0:20:21.200 --> 0:20:27.000
<v Speaker 1>materials from our world familiar to Eva and the participants

0:20:27.040 --> 0:20:31.280
<v Speaker 1>in the sitting. The teleprism that On curls from her

0:20:31.320 --> 0:20:35.760
<v Speaker 1>nose and mouth may look like Cartonville, but that is

0:20:35.800 --> 0:20:41.440
<v Speaker 1>the spirit assuming a physical form, a physiccle form that

0:20:41.720 --> 0:20:48.520
<v Speaker 1>our minds can actually see and try to comprehend. Why

0:20:48.640 --> 0:20:52.000
<v Speaker 1>are you shaking your head because I am trying very

0:20:52.040 --> 0:20:56.920
<v Speaker 1>hard to understand you, but cannot. Am I so difficult

0:20:56.960 --> 0:21:01.560
<v Speaker 1>to understand the students in lectures seem to have You

0:21:01.560 --> 0:21:04.119
<v Speaker 1>are either the biggest fool the world has ever known

0:21:04.720 --> 0:21:08.800
<v Speaker 1>to be taken in by all this humbug dare you Sechurch?

0:21:09.200 --> 0:21:13.040
<v Speaker 1>Or you are the most clever purveyor of humbug the

0:21:13.040 --> 0:21:17.080
<v Speaker 1>world has ever known. I mean, Phineas T. Barnum is

0:21:17.119 --> 0:21:22.720
<v Speaker 1>an amateur compared to you, Baron von Schrink. If this

0:21:22.840 --> 0:21:25.280
<v Speaker 1>is the case, in some part of me would like

0:21:25.400 --> 0:21:32.320
<v Speaker 1>to commend you. Well, if you excuse me, there is

0:21:32.359 --> 0:21:38.720
<v Speaker 1>a third option. You believe in it because you want

0:21:38.800 --> 0:21:43.159
<v Speaker 1>it to be true, either because the professional rewards it

0:21:43.160 --> 0:21:46.960
<v Speaker 1>could bring to you, and because you were so desperate

0:21:47.000 --> 0:21:50.560
<v Speaker 1>for some assurance of the existence of an afterlife and

0:21:50.680 --> 0:21:54.560
<v Speaker 1>a spirit world. That you have convinced yourself it is real,

0:21:56.119 --> 0:21:59.000
<v Speaker 1>and you will not allow yourself to entertain the slightest

0:21:59.040 --> 0:22:04.280
<v Speaker 1>doubt as to its authenticity. Mm hmm, which are you,

0:22:05.720 --> 0:22:10.600
<v Speaker 1>Baron von Schrink. I love the world of the Seventh

0:22:10.640 --> 0:22:13.159
<v Speaker 1>Daughter and would love to have the opportunity someday to

0:22:13.240 --> 0:22:17.600
<v Speaker 1>further flesh it out, tell the backstory of Caglios, reveal

0:22:17.720 --> 0:22:21.280
<v Speaker 1>what happens next to Pearl. Hopefully I Heart Radio will

0:22:21.280 --> 0:22:25.120
<v Speaker 1>consider the show successful enough to warrant another season. If

0:22:25.160 --> 0:22:27.320
<v Speaker 1>you would like that to happen, one simple thing you

0:22:27.359 --> 0:22:30.080
<v Speaker 1>can do is go on iTunes or Apple podcasts and

0:22:30.160 --> 0:22:33.679
<v Speaker 1>leave a star rating and even write a review. It

0:22:33.760 --> 0:22:36.160
<v Speaker 1>helps to show that The Seventh Daughter has listeners who

0:22:36.200 --> 0:22:39.880
<v Speaker 1>care about the characters and want to hear more from them.

0:22:39.960 --> 0:22:43.399
<v Speaker 1>Now there's one more bonus episode to come. It doesn't

0:22:43.440 --> 0:22:47.359
<v Speaker 1>present more deleted scenes. No, it's something really special for

0:22:47.400 --> 0:22:49.879
<v Speaker 1>the super fan and I'm not going to say anything

0:22:49.880 --> 0:22:53.399
<v Speaker 1>more about it. Just tune in you'll see This is

0:22:53.400 --> 0:22:55.720
<v Speaker 1>Brett Wood and I thank you for listening to these

0:22:55.720 --> 0:22:59.440
<v Speaker 1>bonus episodes and for supporting the Seventh Daughter as a whole.

0:23:06.359 --> 0:23:09.080
<v Speaker 1>The Seventh Daughter is a production of I Heart Radio

0:23:10.880 --> 0:23:10.920
<v Speaker 1>M