1 00:00:06,600 --> 00:00:09,360 Speaker 1: I'm Brett Wood, the writer and director of The Seventh Daughter, 2 00:00:09,800 --> 00:00:11,760 Speaker 1: and I thank you for coming back for the second 3 00:00:11,840 --> 00:00:17,200 Speaker 1: of three bonus episodes, one in which I'll share some 4 00:00:17,360 --> 00:00:21,000 Speaker 1: scenes that were removed from the podcast prior to its release. 5 00:00:21,920 --> 00:00:48,280 Speaker 1: M h after what is now episode five Paradise, there 6 00:00:48,360 --> 00:00:51,600 Speaker 1: was to be an episode entitled The Lecture. It was 7 00:00:51,640 --> 00:00:55,960 Speaker 1: an episode devoted mostly to Albert von Schrienk Notzing. I'm 8 00:00:55,960 --> 00:00:59,520 Speaker 1: thoroughly fascinated by this person. Yes, he was a real person, 9 00:01:00,080 --> 00:01:02,440 Speaker 1: and I wanted to represent more of the research he 10 00:01:02,520 --> 00:01:06,880 Speaker 1: was conducting, which I did by quoting directly and extensively 11 00:01:07,040 --> 00:01:12,560 Speaker 1: from his book Phenomena of Materialization. The English language publication 12 00:01:12,600 --> 00:01:16,199 Speaker 1: was nineteen twenty, so it's perfectly situated in the period 13 00:01:16,280 --> 00:01:19,399 Speaker 1: we're dealing with. One purpose of the Lecture was to 14 00:01:19,480 --> 00:01:23,400 Speaker 1: explain what a cabinet sitting was, how it works, the 15 00:01:23,400 --> 00:01:26,920 Speaker 1: dimensions of a cabinet, the process of performing a seyance, 16 00:01:27,400 --> 00:01:30,600 Speaker 1: and a more detailed description of teleplasm and the kinds 17 00:01:30,640 --> 00:01:34,880 Speaker 1: of ghosts that appear in episode eight. The intention was 18 00:01:34,959 --> 00:01:38,880 Speaker 1: that by having this lengthy primer in cabinet sittings, the 19 00:01:38,920 --> 00:01:41,679 Speaker 1: listener would better understand what's going on in the episode 20 00:01:41,680 --> 00:01:44,960 Speaker 1: that would come next the Cabinet. But it turned out 21 00:01:45,160 --> 00:01:48,360 Speaker 1: listeners didn't really need all that explanation, and there really 22 00:01:48,480 --> 00:01:51,680 Speaker 1: was no reason for the descriptions of other Cabinet sittings 23 00:01:51,760 --> 00:02:02,520 Speaker 1: other than to satisfy my love for medical curiosities. Gentleman, gentlemen, 24 00:02:02,600 --> 00:02:08,480 Speaker 1: come to order if you please. I recognize you were 25 00:02:08,520 --> 00:02:12,960 Speaker 1: all quite eager to listen to today's lecture, and it 26 00:02:13,160 --> 00:02:18,280 Speaker 1: is with great pride and no small expense at the 27 00:02:18,320 --> 00:02:22,639 Speaker 1: mid Atlantic College of Medicine brings to you are esteemed 28 00:02:22,840 --> 00:02:28,560 Speaker 1: guest more than ten years. Baron von Shrink is sought 29 00:02:28,680 --> 00:02:34,840 Speaker 1: truth in the fantastical, determined to provide a scientific explanation 30 00:02:35,520 --> 00:02:42,080 Speaker 1: for the inexplicable. Since nineteen o nine he has attended 31 00:02:42,240 --> 00:02:48,560 Speaker 1: seances and cabinet sittings by the world's most celebrated mediums, 32 00:02:48,960 --> 00:02:56,560 Speaker 1: blowing the most advanced scientific and photographic tools. Is documented 33 00:02:56,680 --> 00:03:04,000 Speaker 1: telekinetic phenomena, teleplast phenomena, and established the principles by which 34 00:03:04,240 --> 00:03:11,480 Speaker 1: mediumistic occurrences are to day substantiated. Welcome, Fry, have one 35 00:03:11,520 --> 00:03:23,440 Speaker 1: Shrink not si. Thank you Dr Hubert for the flattering introduction. 36 00:03:25,560 --> 00:03:29,160 Speaker 1: If you've come today to hear my pronouncement as to 37 00:03:29,240 --> 00:03:33,520 Speaker 1: the existence of a psychical realm what we come and 38 00:03:33,560 --> 00:03:38,480 Speaker 1: be called the beyond. I am afraid I must disappoint 39 00:03:38,560 --> 00:03:43,680 Speaker 1: you as impressive and convincing as are the many psychical 40 00:03:43,840 --> 00:03:52,400 Speaker 1: manifestations I have witnessed. The evidence remains inconclusive, but I 41 00:03:52,440 --> 00:03:58,680 Speaker 1: can tell you without reservation that we also cannot disprove 42 00:03:59,080 --> 00:04:04,320 Speaker 1: the existence of a spiritual realm. Far too much evidence 43 00:04:04,400 --> 00:04:08,080 Speaker 1: exists for us to dismiss such a thing based on 44 00:04:08,160 --> 00:04:13,640 Speaker 1: a lack of physical, tangible, quantifiable evidence, or the exposure 45 00:04:13,720 --> 00:04:19,400 Speaker 1: of solatans whose selfish greed clouds are research with their 46 00:04:19,880 --> 00:04:26,719 Speaker 1: theatrical illusions and parlor tricks. The Charlatan is the enemy 47 00:04:26,760 --> 00:04:32,880 Speaker 1: of science and must be exposed, must be disproven, and 48 00:04:33,080 --> 00:04:36,200 Speaker 1: must be driven in shame back to the den of 49 00:04:36,320 --> 00:04:43,039 Speaker 1: thieves from thence they emerged. Today, I will present to 50 00:04:43,080 --> 00:04:47,640 Speaker 1: you case histories of two mediums who have the potential 51 00:04:47,720 --> 00:04:51,120 Speaker 1: to throw open the doors of perception and allow us 52 00:04:51,160 --> 00:04:57,640 Speaker 1: to interact with the psychical realm. If you will deem 53 00:04:57,720 --> 00:05:01,719 Speaker 1: the lights please, I have prepared a series of lantern 54 00:05:01,880 --> 00:05:13,039 Speaker 1: slides to illustrate Plate one. You are no doubt already 55 00:05:13,080 --> 00:05:20,320 Speaker 1: familiar with this woman known publicly as Eva See undoubtedly 56 00:05:20,560 --> 00:05:26,080 Speaker 1: the most gifted and consistently successful spirit medium. More than 57 00:05:26,120 --> 00:05:30,279 Speaker 1: a hundred scientific men have had the pleasure of observing 58 00:05:30,440 --> 00:05:38,960 Speaker 1: Eva Sees talents. Plate two is a diagram of the 59 00:05:39,080 --> 00:05:44,480 Speaker 1: parlor in which the sittings occur. The medium sits there, 60 00:05:45,440 --> 00:05:50,000 Speaker 1: encased on three sides by an enclosure of black drapes 61 00:05:50,680 --> 00:05:56,600 Speaker 1: known as the cabinet. The medium's hands remain visible at 62 00:05:56,720 --> 00:06:01,039 Speaker 1: old times, usually gripping the sides of the curtains that 63 00:06:01,080 --> 00:06:08,760 Speaker 1: frame the front side of the cabinet. Plate three. Eva 64 00:06:08,920 --> 00:06:14,040 Speaker 1: is brought to the cabinet, already submerged in a hypnotic state. 65 00:06:14,520 --> 00:06:18,320 Speaker 1: A female assistant guides her to her seat in the cabinet. 66 00:06:19,000 --> 00:06:23,279 Speaker 1: She closes the front curtains, careful that her hands remained 67 00:06:23,480 --> 00:06:28,640 Speaker 1: visible at old times, and opens them. Then she feels 68 00:06:28,720 --> 00:06:37,440 Speaker 1: the materialization is about to commence. Plate four. Just before 69 00:06:37,560 --> 00:06:42,840 Speaker 1: the phenomenon occurs, painful sensations are experienced on the part 70 00:06:42,880 --> 00:06:47,680 Speaker 1: of the medium. She sighs and groans and recalls the 71 00:06:47,760 --> 00:06:53,600 Speaker 1: condition of a woman in the act of parturition. These 72 00:06:54,000 --> 00:07:01,880 Speaker 1: paroxysms vary from expressions of misery to exstas e. Then 73 00:07:02,040 --> 00:07:10,640 Speaker 1: the materializations do appear. It usually occurs as follows. Plate five. 74 00:07:15,200 --> 00:07:19,160 Speaker 1: A substance emanates from the body of the medium. It 75 00:07:19,520 --> 00:07:25,880 Speaker 1: externalizes itself and is a morphous or polymorphous. In the 76 00:07:25,960 --> 00:07:31,160 Speaker 1: first instance, its appearance is generally announced by the presence 77 00:07:31,240 --> 00:07:39,040 Speaker 1: of fluid, viteent luminous flakes. The substance itself emanates from 78 00:07:39,120 --> 00:07:43,560 Speaker 1: the whole body of the medium, but especially from the 79 00:07:43,720 --> 00:07:48,440 Speaker 1: natural orifices and the extremities, from the top of the head, 80 00:07:49,080 --> 00:07:53,920 Speaker 1: from the breasts and the tips of the fingers. The 81 00:07:54,040 --> 00:08:00,000 Speaker 1: most usual origin, which is most easily observed, is from 82 00:08:00,040 --> 00:08:09,880 Speaker 1: the mouth. Place six. The substance occurs, sometimes as a 83 00:08:10,040 --> 00:08:16,880 Speaker 1: true protoplastic mass, sometimes in the form of numerous thinned threads, 84 00:08:16,920 --> 00:08:21,520 Speaker 1: sometimes as cords of various thicknesses, or in the form 85 00:08:21,640 --> 00:08:30,240 Speaker 1: of a woven material with indefinite and irregular outlines. Sometimes 86 00:08:30,320 --> 00:08:36,160 Speaker 1: it moves slowly up or down across the medium, on 87 00:08:36,280 --> 00:08:41,960 Speaker 1: her shoulders or her breast, or on her knees, with 88 00:08:42,080 --> 00:08:50,280 Speaker 1: a creeping motion resembling that of a reptile. Plate seven. 89 00:08:53,280 --> 00:08:59,040 Speaker 1: A mass of teleplasm emerging from the medium's hands. Plate 90 00:08:59,440 --> 00:09:09,720 Speaker 1: eight e merchants of teleplastic material like luminous cloudy ribbons 91 00:09:09,760 --> 00:09:15,880 Speaker 1: suspended from the mouth and nose of the medium. Plate nine, 92 00:09:18,120 --> 00:09:22,520 Speaker 1: A nebulous mass has formed on the right neck and 93 00:09:22,760 --> 00:09:27,880 Speaker 1: shoulder of the medium, taking the form of a second 94 00:09:28,400 --> 00:09:36,200 Speaker 1: human head. The publication of these findings by myself and 95 00:09:36,280 --> 00:09:41,040 Speaker 1: others has caused skeptics to question the veracity of the 96 00:09:41,120 --> 00:09:47,600 Speaker 1: images and the materializations themselves. My response has been to 97 00:09:47,720 --> 00:09:52,280 Speaker 1: impose even greater controls upon the conditions under vich the 98 00:09:52,360 --> 00:09:57,120 Speaker 1: sittings occur, and to make greater demands upon the medium 99 00:09:57,160 --> 00:10:03,800 Speaker 1: herself to dispel any skepticism there may be. Eva C 100 00:10:04,720 --> 00:10:10,200 Speaker 1: has consented to perform her sittings nude except for a 101 00:10:10,360 --> 00:10:17,720 Speaker 1: black cloth draped over her abdomen and feet. If any 102 00:10:17,840 --> 00:10:23,560 Speaker 1: medium can rival the materializations produced by Eva C, that 103 00:10:23,800 --> 00:10:29,280 Speaker 1: person would be Stana Slava. P I first examined her 104 00:10:29,840 --> 00:10:33,360 Speaker 1: when she was eighteen years of age, still a virgin, 105 00:10:33,960 --> 00:10:37,920 Speaker 1: not yet distracted by the obligations of family, and as 106 00:10:37,960 --> 00:10:42,720 Speaker 1: a result in fum command of her psychical abilities. After 107 00:10:42,800 --> 00:10:48,240 Speaker 1: the sitting, Stanaslava submitted herself to a lady physician, and 108 00:10:48,360 --> 00:10:53,800 Speaker 1: this physician provided me with a virginity certificate concerning the 109 00:10:53,960 --> 00:11:00,880 Speaker 1: medium Eva C. By comparison is twenty six years and 110 00:11:01,240 --> 00:11:09,880 Speaker 1: passed what is considered scientifically speaking, a medium's prime plate. Twelve. 111 00:11:12,440 --> 00:11:17,440 Speaker 1: Stanislava arrived in the parlor wearing a blue dressing gown 112 00:11:18,400 --> 00:11:23,559 Speaker 1: nothing more. Before every sitting, the young girl went into 113 00:11:23,559 --> 00:11:27,360 Speaker 1: a separate room, accompanied by the author's wife or some 114 00:11:27,520 --> 00:11:34,480 Speaker 1: other lady, who superintended her toilette. There she undressed completely 115 00:11:34,920 --> 00:11:40,760 Speaker 1: and put on the seance costume, a black treacle suit 116 00:11:41,760 --> 00:11:47,199 Speaker 1: which has been tailored to conform to her body. This gaunment, 117 00:11:47,679 --> 00:11:51,720 Speaker 1: prepared at the suggestion of a Paris physician, consists of 118 00:11:51,880 --> 00:11:55,760 Speaker 1: one piece and has only one opening at the back, 119 00:11:56,200 --> 00:12:01,320 Speaker 1: from the vaist to the neck. The feet are enclosed 120 00:12:01,400 --> 00:12:06,040 Speaker 1: as stockings vns. The medium is inside. The back of 121 00:12:06,080 --> 00:12:09,400 Speaker 1: the costume is laced together from the junction of the 122 00:12:09,520 --> 00:12:13,040 Speaker 1: tights at the buttocks up to the color, and the 123 00:12:13,160 --> 00:12:20,280 Speaker 1: knot is lead sealed. The medium's mouth was closely examined 124 00:12:20,320 --> 00:12:24,400 Speaker 1: by means of a spatula to which an electric lamp 125 00:12:24,679 --> 00:12:29,080 Speaker 1: was attached. Her sin is cavities were tested by having 126 00:12:29,080 --> 00:12:33,600 Speaker 1: her blow her nose horsefully through a handkerchief. One lastile, 127 00:12:34,080 --> 00:12:39,920 Speaker 1: then another. It is the application of signs to determine 128 00:12:40,080 --> 00:12:45,560 Speaker 1: with absolute certainty that no deception by means of hidden 129 00:12:45,640 --> 00:12:52,680 Speaker 1: objects is taking place. This is, after all, science, not 130 00:12:52,920 --> 00:12:58,360 Speaker 1: simple more bi curiosity. After each sitting, I provide an 131 00:12:58,360 --> 00:13:02,240 Speaker 1: emetic of my own form relation, which enables me to 132 00:13:02,440 --> 00:13:09,400 Speaker 1: examine the contents of the woman's stomach. A black hood 133 00:13:09,920 --> 00:13:13,800 Speaker 1: is placed over her head and sewn into the color 134 00:13:14,000 --> 00:13:18,360 Speaker 1: of the suit in stitches tight enough that a fingertip 135 00:13:18,440 --> 00:13:23,760 Speaker 1: cannot be pushed between them. White gloves to preserve visibility, 136 00:13:23,840 --> 00:13:27,800 Speaker 1: and the lamplight are sown onto the sleeves of the garment. 137 00:13:28,720 --> 00:13:35,280 Speaker 1: Thus attired completely encased in transparent fabric from head to foot, 138 00:13:35,360 --> 00:13:45,200 Speaker 1: the medium is let to their cabinet. Hypnotization performed by 139 00:13:45,240 --> 00:13:48,160 Speaker 1: my self. River, keep your eyes fixed on the glow 140 00:13:48,320 --> 00:13:51,600 Speaker 1: of the candle. Then I moved the candle. Follow the 141 00:13:51,640 --> 00:13:56,040 Speaker 1: flame with your eyes, while keeping your head perfectly still. 142 00:13:56,960 --> 00:14:00,720 Speaker 1: And though your eyes remain open, your vision feel duck 143 00:14:00,840 --> 00:14:06,600 Speaker 1: in your mind begins to recede into the shadows of 144 00:14:06,800 --> 00:14:25,080 Speaker 1: the unconscious. The medium's hands grasped the curtain and remained 145 00:14:25,200 --> 00:14:34,760 Speaker 1: visible during the whole sitting. Suddenly she commences to vapor 146 00:14:35,440 --> 00:14:41,760 Speaker 1: names muscular efforts, and I can cries of pain. The 147 00:14:41,880 --> 00:14:59,880 Speaker 1: hands become cool. Efforts continue mediumistic labor. A vite about 148 00:15:00,080 --> 00:15:05,200 Speaker 1: half a yard long, penetrates the veil before our eyes 149 00:15:05,880 --> 00:15:17,840 Speaker 1: and places itself upon her left upper arm. At the 150 00:15:17,960 --> 00:15:22,520 Speaker 1: next opening of the curtain, a substance hangs in broad 151 00:15:22,760 --> 00:15:26,480 Speaker 1: strips out of the mouth, and at the lower end 152 00:15:27,160 --> 00:15:37,600 Speaker 1: a finger seems to be attached to it. Do you 153 00:15:37,720 --> 00:15:42,280 Speaker 1: also see it? Look at the bottom, just the tip 154 00:15:42,520 --> 00:15:48,760 Speaker 1: of a finger. A finger tip has materialized from the teleplasm, 155 00:15:48,760 --> 00:15:56,920 Speaker 1: a thick, soft cloud of solid substance diaphonos luminous, simply 156 00:15:57,280 --> 00:16:08,320 Speaker 1: extra and up. The pain is unbearable, saslava. You've performed wfully. 157 00:16:09,040 --> 00:16:21,480 Speaker 1: Thank you, Thank you. After the lecture, we find that 158 00:16:21,520 --> 00:16:24,760 Speaker 1: not all medical authorities share of one shrink's belief in 159 00:16:24,880 --> 00:16:29,840 Speaker 1: psychical realms. The headmaster provided a welcome voice of skepticism 160 00:16:29,880 --> 00:16:35,480 Speaker 1: in the face of Albert's blind faith. Have a seat, Albert, 161 00:16:35,560 --> 00:16:38,280 Speaker 1: you have our little talk before they whisk you away 162 00:16:38,360 --> 00:16:44,720 Speaker 1: to some dinner engagement. That was quite some lecture you 163 00:16:44,800 --> 00:16:51,560 Speaker 1: gave today, Thank you, sir. Sensation. One might say it's 164 00:16:51,600 --> 00:16:55,720 Speaker 1: read to have the entire gallery food students standing in 165 00:16:55,800 --> 00:16:58,880 Speaker 1: the aisles, and the more lectures like this, and we 166 00:16:58,960 --> 00:17:04,520 Speaker 1: may need to admission I'll take that as a compliment, Sir, 167 00:17:06,240 --> 00:17:12,480 Speaker 1: you shouldn't necessarily I beg your pardon. It's just that 168 00:17:13,520 --> 00:17:19,120 Speaker 1: when something attracts this much public attention, is this sensational? 169 00:17:19,320 --> 00:17:23,840 Speaker 1: One asked a question whether it is legitimate field of study. 170 00:17:23,880 --> 00:17:28,800 Speaker 1: I do believe you're jealoist. I can't help but feel 171 00:17:28,880 --> 00:17:31,960 Speaker 1: that this area of study does not long in an 172 00:17:31,960 --> 00:17:38,080 Speaker 1: academy of matters. Dr Hubert. This is academic inquiry. This 173 00:17:38,280 --> 00:17:43,359 Speaker 1: is science calling something science does not make its science. 174 00:17:44,240 --> 00:17:47,680 Speaker 1: Let's be honest with one another. What's your studying as 175 00:17:47,880 --> 00:17:52,320 Speaker 1: theoretical at best? But how can you properly investigate something 176 00:17:52,320 --> 00:17:56,040 Speaker 1: for which there is no physical levity? In my I've 177 00:17:56,160 --> 00:18:02,600 Speaker 1: compelled volumes. My phenomenal Materialist is his five d pages long. 178 00:18:03,359 --> 00:18:08,280 Speaker 1: It provides page after page of evidence. Besides, you can't 179 00:18:08,320 --> 00:18:13,040 Speaker 1: see or touch electromagnetic waves. There was the evidence of 180 00:18:13,119 --> 00:18:19,480 Speaker 1: gravity before Isaac Newton. A heliocentric solar system was there, 181 00:18:19,600 --> 00:18:22,960 Speaker 1: but people didn't yet know how to interpret it. And 182 00:18:23,040 --> 00:18:26,280 Speaker 1: the evidence is here, and I'm trying to develop a 183 00:18:26,359 --> 00:18:30,119 Speaker 1: means of understanding it. Don't uset yourself, but I don't 184 00:18:30,160 --> 00:18:34,520 Speaker 1: have my work ridiculed by someone of such narrow vision. 185 00:18:34,800 --> 00:18:37,560 Speaker 1: My vision may be narrower, but at least my eyes 186 00:18:37,600 --> 00:18:42,080 Speaker 1: are open. What do you mean by that? I'm sorry 187 00:18:42,119 --> 00:18:45,320 Speaker 1: if i hair, but at times your confidence in these 188 00:18:45,400 --> 00:18:52,160 Speaker 1: spirit medium's views misguided. The ghostly faces she summons her 189 00:18:52,160 --> 00:18:56,960 Speaker 1: obviously photographs cut from newspapers and hidden about her persons. 190 00:18:57,400 --> 00:19:01,320 Speaker 1: It's no possible place since which she hide them. She 191 00:19:01,480 --> 00:19:05,360 Speaker 1: has been thoroughly searched, either by myself or Madame Pison, 192 00:19:05,680 --> 00:19:10,639 Speaker 1: who usually examines the intimate areas of Eva's boss. You 193 00:19:10,680 --> 00:19:15,520 Speaker 1: can see for yourself. There are pieces of paper, and 194 00:19:15,560 --> 00:19:19,160 Speaker 1: when you publish the images, there were skeptics who located 195 00:19:19,160 --> 00:19:21,720 Speaker 1: the additions of the papers from which they were taken. 196 00:19:22,600 --> 00:19:28,800 Speaker 1: Dr Hubert. She is producing an earthly representation of something 197 00:19:28,880 --> 00:19:33,080 Speaker 1: that has no physical form. For us to be able 198 00:19:33,160 --> 00:19:36,280 Speaker 1: to see it with our own eyes, it has to 199 00:19:36,400 --> 00:19:42,159 Speaker 1: assume some physical substance that we can understand. Paper is 200 00:19:42,200 --> 00:19:47,040 Speaker 1: a substance we can see. So the spirit materialization often 201 00:19:47,160 --> 00:19:54,280 Speaker 1: takes the form of ordinary paper. But in one photograph 202 00:19:54,840 --> 00:19:59,719 Speaker 1: would you yourself published? We see headlines printed on the 203 00:19:59,720 --> 00:20:04,600 Speaker 1: back of the paper. The apparition, whatever you want to 204 00:20:04,640 --> 00:20:09,760 Speaker 1: call it, how do you possibly explain? Yes, I have 205 00:20:10,040 --> 00:20:17,240 Speaker 1: said the materializations travel through Eva, she physical licensed them, 206 00:20:17,400 --> 00:20:20,840 Speaker 1: and she must do this by conjuring materials that resemble 207 00:20:21,200 --> 00:20:27,000 Speaker 1: materials from our world familiar to Eva and the participants 208 00:20:27,040 --> 00:20:31,280 Speaker 1: in the sitting. The teleprism that On curls from her 209 00:20:31,320 --> 00:20:35,760 Speaker 1: nose and mouth may look like Cartonville, but that is 210 00:20:35,800 --> 00:20:41,440 Speaker 1: the spirit assuming a physical form, a physiccle form that 211 00:20:41,720 --> 00:20:48,520 Speaker 1: our minds can actually see and try to comprehend. Why 212 00:20:48,640 --> 00:20:52,000 Speaker 1: are you shaking your head because I am trying very 213 00:20:52,040 --> 00:20:56,920 Speaker 1: hard to understand you, but cannot. Am I so difficult 214 00:20:56,960 --> 00:21:01,560 Speaker 1: to understand the students in lectures seem to have You 215 00:21:01,560 --> 00:21:04,119 Speaker 1: are either the biggest fool the world has ever known 216 00:21:04,720 --> 00:21:08,800 Speaker 1: to be taken in by all this humbug dare you Sechurch? 217 00:21:09,200 --> 00:21:13,040 Speaker 1: Or you are the most clever purveyor of humbug the 218 00:21:13,040 --> 00:21:17,080 Speaker 1: world has ever known. I mean, Phineas T. Barnum is 219 00:21:17,119 --> 00:21:22,720 Speaker 1: an amateur compared to you, Baron von Schrink. If this 220 00:21:22,840 --> 00:21:25,280 Speaker 1: is the case, in some part of me would like 221 00:21:25,400 --> 00:21:32,320 Speaker 1: to commend you. Well, if you excuse me, there is 222 00:21:32,359 --> 00:21:38,720 Speaker 1: a third option. You believe in it because you want 223 00:21:38,800 --> 00:21:43,159 Speaker 1: it to be true, either because the professional rewards it 224 00:21:43,160 --> 00:21:46,960 Speaker 1: could bring to you, and because you were so desperate 225 00:21:47,000 --> 00:21:50,560 Speaker 1: for some assurance of the existence of an afterlife and 226 00:21:50,680 --> 00:21:54,560 Speaker 1: a spirit world. That you have convinced yourself it is real, 227 00:21:56,119 --> 00:21:59,000 Speaker 1: and you will not allow yourself to entertain the slightest 228 00:21:59,040 --> 00:22:04,280 Speaker 1: doubt as to its authenticity. Mm hmm, which are you, 229 00:22:05,720 --> 00:22:10,600 Speaker 1: Baron von Schrink. I love the world of the Seventh 230 00:22:10,640 --> 00:22:13,159 Speaker 1: Daughter and would love to have the opportunity someday to 231 00:22:13,240 --> 00:22:17,600 Speaker 1: further flesh it out, tell the backstory of Caglios, reveal 232 00:22:17,720 --> 00:22:21,280 Speaker 1: what happens next to Pearl. Hopefully I Heart Radio will 233 00:22:21,280 --> 00:22:25,120 Speaker 1: consider the show successful enough to warrant another season. If 234 00:22:25,160 --> 00:22:27,320 Speaker 1: you would like that to happen, one simple thing you 235 00:22:27,359 --> 00:22:30,080 Speaker 1: can do is go on iTunes or Apple podcasts and 236 00:22:30,160 --> 00:22:33,679 Speaker 1: leave a star rating and even write a review. It 237 00:22:33,760 --> 00:22:36,160 Speaker 1: helps to show that The Seventh Daughter has listeners who 238 00:22:36,200 --> 00:22:39,880 Speaker 1: care about the characters and want to hear more from them. 239 00:22:39,960 --> 00:22:43,399 Speaker 1: Now there's one more bonus episode to come. It doesn't 240 00:22:43,440 --> 00:22:47,359 Speaker 1: present more deleted scenes. No, it's something really special for 241 00:22:47,400 --> 00:22:49,879 Speaker 1: the super fan and I'm not going to say anything 242 00:22:49,880 --> 00:22:53,399 Speaker 1: more about it. Just tune in you'll see This is 243 00:22:53,400 --> 00:22:55,720 Speaker 1: Brett Wood and I thank you for listening to these 244 00:22:55,720 --> 00:22:59,440 Speaker 1: bonus episodes and for supporting the Seventh Daughter as a whole. 245 00:23:06,359 --> 00:23:09,080 Speaker 1: The Seventh Daughter is a production of I Heart Radio 246 00:23:10,880 --> 00:23:10,920 Speaker 1: M