WEBVTT - INTERVIEW 4: Lynne McNeil

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<v Speaker 1>Strange Arrivals is a production of I Heart three D

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<v Speaker 1>Audience for full exposure, listen with headphones. Lynn McNeil is

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<v Speaker 1>an associate professor of folklore in the English Department at

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<v Speaker 1>Utah State University. She serves as the chair of the

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<v Speaker 1>Folklore Program. She is also a regular cast member on

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<v Speaker 1>the Travel Channel's Paranormal Caught on Camera. We had a

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<v Speaker 1>wide ranging conversation about contemporary folklore, the paranormal, and much more.

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<v Speaker 1>I'm Lynn McNeil. I am a folkloreist at Utah State University.

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<v Speaker 1>I run the folklore program there. I teach folklore there.

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<v Speaker 1>I work in the folklore archives that we have there,

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<v Speaker 1>which are really incredible. We are a great hub of

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<v Speaker 1>folklore studies. We have for a offer a master's program

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<v Speaker 1>and folklore and undergraduate minor. It's a good place to

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<v Speaker 1>be a folkloreist. I also am very lucky and that

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<v Speaker 1>I get to be a folklorist um in the media

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<v Speaker 1>fairly often, so I get to be a folklorist on

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<v Speaker 1>podcasts like this, on the radio, on television, and mainly

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<v Speaker 1>what I like doing is bringing the concepts of folklore

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<v Speaker 1>studies to a really broad audience because people don't always

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<v Speaker 1>think in terms of what folklore is doing in a culture.

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<v Speaker 1>We hear the word folklore, we tend to think untrue stories,

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<v Speaker 1>old stories, maybe rural, rustic, peasantee stories. We might have

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<v Speaker 1>sort of a brother's grim model in our minds of folklore.

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<v Speaker 1>And the reality is is that folklore is are really

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<v Speaker 1>contemporary form of cultural expression. Yes, it comes from the past,

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<v Speaker 1>but the whole point of it being folklore is that

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<v Speaker 1>it keeps itself relevant by adapting and changing dynamically so

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<v Speaker 1>that when it was relevant in the past, it can

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<v Speaker 1>adjust to be relevant now. So, yeah, folklore dies out,

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<v Speaker 1>folklore disappears. For a long time people thought of folklore

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<v Speaker 1>as the survivals of a past age. And what we

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<v Speaker 1>now know is that it's not so much that it's

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<v Speaker 1>dying out, it's that it's changing its face in order

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<v Speaker 1>to keep up. So the term actually that folklore has

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<v Speaker 1>use for this, which I love, is eco typification. It's

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<v Speaker 1>borrowed from botany, basically the study of plants and the

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<v Speaker 1>way that they emerge differently even though it's the same

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<v Speaker 1>species in two different climate and geological and geographical environments,

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<v Speaker 1>because it's being responsive to its context. And so folklore

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<v Speaker 1>is seen as operating in that same way, you can

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<v Speaker 1>have the same story, the same legend, the same fairy tales,

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<v Speaker 1>show up in two different places, and it's going to

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<v Speaker 1>be morphologically distinct because of the context of those two

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<v Speaker 1>different places. It's going to be meeting the needs of

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<v Speaker 1>a different time, maybe a different culture, and if region,

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<v Speaker 1>a different language, family, all those sorts of things. So

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<v Speaker 1>it's it's not that folklore is old. It's that folklore

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<v Speaker 1>is continuously adapting. That's what makes it relevant, and that's

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<v Speaker 1>not how people think of folklore. So that's what I

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<v Speaker 1>like to talk about with people, is that it's it's

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<v Speaker 1>this way more sort of psychological, communicative, symbolic form of interaction,

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<v Speaker 1>more than just the old stories model that we often

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<v Speaker 1>have exactly I mean, which you know is And it's

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<v Speaker 1>interesting too to think about the awareness people had of

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<v Speaker 1>stories like that. If we look at the Brothers Grimm's

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<v Speaker 1>um early draft of their eighteen twelve volume of Stories,

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<v Speaker 1>that story Hunsel and Gretel, the woman who's mean in

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<v Speaker 1>the story and pushes the kids out of the house

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<v Speaker 1>and sends them out into the woods to get rid

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<v Speaker 1>of them is originally their mother, and the grim brothers

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<v Speaker 1>themselves were like, oh, you know, we're collecting these stories

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<v Speaker 1>to be a reflection on you know, German culture and spirit.

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<v Speaker 1>That doesn't make us look right, Let's make it a

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<v Speaker 1>step mom. And it's sort of like, hey, Alex, guys,

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<v Speaker 1>but we we read into that so much and we

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<v Speaker 1>now are left with this incredible trope of the wicked stepmother,

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<v Speaker 1>and it's like, yeah, that was a real conscious decision

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<v Speaker 1>made we assume so that German moms didn't look bad

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<v Speaker 1>by the editors of these stories, who, in their call

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<v Speaker 1>for collecting folklore, were like, hey, scholars of the world,

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<v Speaker 1>don't change anything about the stories you collect, because the

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<v Speaker 1>way they emerge from the mouths of the people is

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<v Speaker 1>the way that they are meant to represent culture. And

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<v Speaker 1>then here they are editing them the leaders. You know.

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<v Speaker 1>Oh wow, that's funny. I'm just thinking about trends in

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<v Speaker 1>folklore since like past World War two, you know, because

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<v Speaker 1>I'm kind of looking starting in moving forward. I guess

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<v Speaker 1>what are the major trends are are there? Yeah, It's

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<v Speaker 1>it's hard to say because folklore is so big and

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<v Speaker 1>so encompassing that there's so many different genres of folklore.

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<v Speaker 1>I mean, we have the narrative genres of folklore like stories.

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<v Speaker 1>We also have the customary genres of folklore like holiday

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<v Speaker 1>practices and gestures and ritual and and greetings and leave

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<v Speaker 1>takings and all that sort of stuff. And we have

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<v Speaker 1>belief based folklore, which might be entirely conceptual or steeped

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<v Speaker 1>in folk religion, or come out of superstition or the

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<v Speaker 1>supernatural or something like that. All of these things are

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<v Speaker 1>so big on one scale and then manifest so individually

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<v Speaker 1>within families, within communities, within cultural groups, that it can

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<v Speaker 1>be hard to point to big trends other than the

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<v Speaker 1>fact that folklore on the whole, especially the most up

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<v Speaker 1>to the minute contemporary genres, which interestingly are usually urban

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<v Speaker 1>legends and jokes. Those are two forms of folklore. Um

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<v Speaker 1>so stories that we tell as true and you know,

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<v Speaker 1>humorous anecdotes that we make as commentary on things. Um

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<v Speaker 1>those forms of folklore are really really representative of the

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<v Speaker 1>time that they come from, and so there's some of

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<v Speaker 1>the most adaptable. We actually have studies of urban legends

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<v Speaker 1>that go back to ancient Rome, where we can see

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<v Speaker 1>the same legend type being told in like the first

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<v Speaker 1>century a d that is still being told now but

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<v Speaker 1>just about things relevant to us now rather than things

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<v Speaker 1>that were relevant to us then, and knowing that folklore

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<v Speaker 1>does equal work reflecting a culture and shaping that culture,

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<v Speaker 1>we see a lot of the same themes that we're

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<v Speaker 1>cropping up in, you know, post war, not just America

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<v Speaker 1>or the West, but the world. Um an increase of

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<v Speaker 1>visual media was a huge thing that was happening there.

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<v Speaker 1>Obviously DEO stayed big, but television was booming. So we

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<v Speaker 1>start to see people think in terms of images more

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<v Speaker 1>than words, and that of course has only grown thanks

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<v Speaker 1>to the Internet and our ability to now combine images

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<v Speaker 1>and words in all sorts of new ways. But we

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<v Speaker 1>see folklore reflect that. We suddenly start getting genres of

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<v Speaker 1>folklore that scholars referred to as xerox lore and facts lore,

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<v Speaker 1>and we get things like visual legends, so instead of

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<v Speaker 1>telling a story, we just get an image of something.

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<v Speaker 1>And you can see how something like UFOs, something that's

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<v Speaker 1>relying on visual input or photography or you know, mapping

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<v Speaker 1>and things like that. The ability to share that information,

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<v Speaker 1>the ability to pass around that evidence just gets that

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<v Speaker 1>much stronger. And we're also entering this period of time

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<v Speaker 1>where you know, where politics are booming, and there's bipartisan

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<v Speaker 1>support for anti communist efforts and the Cold War and

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<v Speaker 1>all of this, and we see that as well. We

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<v Speaker 1>see people develop this new relationship with the military with

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<v Speaker 1>their governments where, you know, we don't have an ongoing

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<v Speaker 1>international conflict to worry about, so we worry about what

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<v Speaker 1>we can't see. You know. The Cold War is it's

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<v Speaker 1>called cold for a reason, right, It's this freezing out

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<v Speaker 1>of each other. It's not hot, it's not engaged, it's

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<v Speaker 1>not blood boiling anger. It's silence. It's secrecy. And we

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<v Speaker 1>start to wonder, well, what are the secrets? What is

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<v Speaker 1>it that we don't know? And this fixation on things

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<v Speaker 1>like conspiracy and um the information that's out there that

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<v Speaker 1>we might be getting glimpses of an unsatisfactory explanations for

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<v Speaker 1>any time there's a vacuum of knowledge, things like legends,

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<v Speaker 1>things like superstition just rush in to fill that void.

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<v Speaker 1>We want to understand. There's actually a really cool, old

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<v Speaker 1>old study that was done by some psychologists looking at

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<v Speaker 1>rumor and how rumor works and folk cours know that

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<v Speaker 1>rumor and legend are really similar, and they came up

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<v Speaker 1>with what they uh called the rumor equation. And no,

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<v Speaker 1>this is not deeply scientific, but it's pretty revealing when

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<v Speaker 1>we think about it. What they said was that the

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<v Speaker 1>reach of any rumor, the power of a rumor, the

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<v Speaker 1>spread of it, is equal to the topics importance multiplied

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<v Speaker 1>by its ambiguity. So if we have a topic to

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<v Speaker 1>us that's incredibly important, but we have all the info,

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<v Speaker 1>but we're gonna talk about it. There's gonna be new

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<v Speaker 1>stories about it, but we're kind of gonna rest easy.

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<v Speaker 1>We're gonna be like, Okay, really important, Thank goodness, we

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<v Speaker 1>know everything. If we have a topic that's incredibly ambiguous

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<v Speaker 1>but we don't really care, then we're sort of like whatever,

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<v Speaker 1>I don't need to know, it doesn't matter to me.

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<v Speaker 1>The minute you start that multiplying, exponential growth of something

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<v Speaker 1>that is both unbelievably important. So of course we can

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<v Speaker 1>use this as a barometer for our culture. Right what

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<v Speaker 1>has always been important to us? Our military security, the

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<v Speaker 1>lives and safety of our children, our personal health and

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<v Speaker 1>die violence, anti crime, things like that, plus or multiplied

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<v Speaker 1>by this question of ambiguity. I don't have the answers.

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<v Speaker 1>I don't know the answers. It's possible someone is trying

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<v Speaker 1>to keep the answers from me. You put those things

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<v Speaker 1>together and you are just asking for a wildfire spread

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<v Speaker 1>of rumor of legend of conspiracy theory. So what would

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<v Speaker 1>be an example of that sort of apex? You know,

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<v Speaker 1>I think um one of the most recent examples that

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<v Speaker 1>we have a lot of good data on a lot

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<v Speaker 1>of good folklore data would be nine eleven. It's sort

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<v Speaker 1>of a peak example where if we think about the

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<v Speaker 1>rumors and the legends that spread immediately in the wake

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<v Speaker 1>of September eleventh, two thousand and one, we saw people

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<v Speaker 1>hinting at the idea that there were people in this

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<v Speaker 1>country who knew this was going to happen. So one

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<v Speaker 1>of the most popular legend cycle is that we saw

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<v Speaker 1>was that someone, usually a white American, would do some

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<v Speaker 1>sort of kindness for someone of Middle Eastern descent, would

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<v Speaker 1>be just a maybe a titch above normal levels of

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<v Speaker 1>thoughtful or tipping someone a little bit extra, helping someone

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<v Speaker 1>out in a way they didn't need to. And then

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<v Speaker 1>that person says to them, hey, you keep yourself and

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<v Speaker 1>your family away from the World Trade Center on September eleven,

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<v Speaker 1>and that person is like, whatever, WEIRDO, Okay, thanks, you know,

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<v Speaker 1>and then they go on and then after the event

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<v Speaker 1>they realized what had happened. Um, and that legend type

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<v Speaker 1>among folklorists is known as the grateful terrorist. It's horribly

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<v Speaker 1>xenophobic and racist, obviously, but it it does that thing

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<v Speaker 1>folklore does where it just encapsulates people's anxieties, people's fears,

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<v Speaker 1>the tenor of the moment, where what we see is

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<v Speaker 1>this suspen Asian and and these are I mean, it

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<v Speaker 1>sounds now, however many years we are out from September eleven,

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<v Speaker 1>twenty years almost um, it seems ridiculous. It seems like,

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<v Speaker 1>oh wow, that's an awful story to have told, Like

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<v Speaker 1>it almost seems like a bad joke. But at the

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<v Speaker 1>time when this thing of unbelievable importance and also just

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<v Speaker 1>unspeakable ambiguity, nobody had any idea what was going on.

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<v Speaker 1>I remember that morning, the general thinking was that it

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<v Speaker 1>was an accident, right, there's no way this happened on purpose,

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<v Speaker 1>until there was a second airplane involved, and suddenly that

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<v Speaker 1>vacuum opened up and all of these stories just got

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<v Speaker 1>sucked into this explanation and you could see that multiplication

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<v Speaker 1>of importance our personal safety and national safety and ambiguity.

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<v Speaker 1>Who the heck is doing this to us? What is happening?

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<v Speaker 1>How can we make sure it doesn't happen again? Who

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<v Speaker 1>can I trust? Who can't I trust? Leads to just this,

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<v Speaker 1>like you know, conflagration of rumor and legend, where any

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<v Speaker 1>story that seems to give me a spec of control,

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<v Speaker 1>who I know to trust, who I know not to trust,

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<v Speaker 1>is going to latch on because we want to start

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<v Speaker 1>a signing blame. We want to start constructing a future

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<v Speaker 1>where we're in control of this not happening again, or

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<v Speaker 1>if it's going to happen again, I'm not going to

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<v Speaker 1>be there. Um. So yeah, so we get these stories

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<v Speaker 1>that I mean and think we we can think about

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<v Speaker 1>so many more stories of people claiming to have witnessed

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<v Speaker 1>um people of certain ethnic backgrounds celebrating in the September eleven. Yeah,

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<v Speaker 1>and there were a lot of That was another one

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<v Speaker 1>where the legends were very visual. There were photographs that circulated.

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<v Speaker 1>Every one of those photographs was traced to an event

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<v Speaker 1>that had nothing to do with that date or that moment.

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<v Speaker 1>None of them were true, but they seemed to provide sense,

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<v Speaker 1>not good sense, not sense we liked very racist and

0:13:55.920 --> 0:13:59.280
<v Speaker 1>xenophobic sense. But it seemed to make sense out of

0:13:59.320 --> 0:14:03.160
<v Speaker 1>the the comprehensible, and that drive to make sense of

0:14:03.200 --> 0:14:07.400
<v Speaker 1>things is really what what pushes a lot of rumor

0:14:07.480 --> 0:14:11.160
<v Speaker 1>and legend in arenas like this. You know, one of

0:14:11.200 --> 0:14:14.560
<v Speaker 1>the things I'm kind of interested in is why do

0:14:14.640 --> 0:14:19.920
<v Speaker 1>you does UFO folklore seem to have this staying power? Yeah,

0:14:20.200 --> 0:14:24.840
<v Speaker 1>this is an awesome question, and the answer exists on

0:14:24.920 --> 0:14:28.600
<v Speaker 1>several levels, because there's staying power and then there's staying power.

0:14:28.680 --> 0:14:32.280
<v Speaker 1>If we want to look at the legend type of

0:14:32.320 --> 0:14:37.400
<v Speaker 1>the UFO visitor, where we have odd, often vaguely humanoid,

0:14:37.520 --> 0:14:42.000
<v Speaker 1>sometimes a little extra tall, slender creatures descending from the

0:14:42.040 --> 0:14:45.760
<v Speaker 1>sky or perhaps emerging from another dimension to interact with humans,

0:14:46.200 --> 0:14:49.240
<v Speaker 1>often to kidnap them, often to interfere with their bodies

0:14:49.280 --> 0:14:53.960
<v Speaker 1>in some way. We've just described centuries of fairy lore,

0:14:54.000 --> 0:14:59.280
<v Speaker 1>you know, other creatures, slender, humanoid, mysterious, powerful emerging from

0:14:59.280 --> 0:15:02.400
<v Speaker 1>the mists, taking us away. Being kidnapped by the fairies

0:15:02.400 --> 0:15:05.520
<v Speaker 1>and taken by the fairies is a longstanding tradition. Um

0:15:05.560 --> 0:15:09.200
<v Speaker 1>So if we want to call that UFO lore, we

0:15:09.360 --> 0:15:13.880
<v Speaker 1>could very very easily. But taking a shorter view of it,

0:15:13.960 --> 0:15:18.240
<v Speaker 1>where UFO really takes on these sort of technological pseudo

0:15:18.240 --> 0:15:23.880
<v Speaker 1>scientific ideas of space and space travel and extraterrestrial life.

0:15:24.640 --> 0:15:27.480
<v Speaker 1>The question of the staying power of that, I think

0:15:28.320 --> 0:15:32.920
<v Speaker 1>is really multifaceted just on its own, because we know

0:15:33.720 --> 0:15:36.920
<v Speaker 1>that belief doesn't stick around for no reason, and we

0:15:37.040 --> 0:15:41.040
<v Speaker 1>know that one straightforward, if hard to accept answer is

0:15:41.360 --> 0:15:46.160
<v Speaker 1>perhaps people keep talking about UFOs because people keep seeing them,

0:15:46.200 --> 0:15:49.000
<v Speaker 1>because they're there, they're real, people are having encounters. That

0:15:49.080 --> 0:15:52.240
<v Speaker 1>is a possibility that it does us no service to

0:15:52.440 --> 0:15:55.480
<v Speaker 1>discount when we wonder, wow, why do people keep talking

0:15:55.520 --> 0:15:58.240
<v Speaker 1>about this? It's like, wow, why do people keep talking

0:15:58.240 --> 0:16:01.200
<v Speaker 1>about Bigfoot? Maybe because they keep seeing him? You know,

0:16:01.320 --> 0:16:05.680
<v Speaker 1>that's one answer that we don't need to erase. But

0:16:06.240 --> 0:16:09.600
<v Speaker 1>let's say that we cannot confirm the existence of UFOs.

0:16:09.680 --> 0:16:12.560
<v Speaker 1>We don't have one that most of us know of, right,

0:16:12.640 --> 0:16:15.480
<v Speaker 1>We don't have one to look at to take apart

0:16:15.520 --> 0:16:19.360
<v Speaker 1>to dismantle, to analyze with what tools are available to us?

0:16:19.720 --> 0:16:23.320
<v Speaker 1>Why do we keep telling the story? Clearly there's some

0:16:24.280 --> 0:16:31.160
<v Speaker 1>other beneficial not meaning always positive, but meaning it serves

0:16:31.280 --> 0:16:35.480
<v Speaker 1>us in our psychological and you know, social needs. Some

0:16:35.840 --> 0:16:40.320
<v Speaker 1>beneficial outcome of believing in this possibility. I'm going to

0:16:40.400 --> 0:16:44.280
<v Speaker 1>make a quick detour just because I think it's important

0:16:44.320 --> 0:16:46.960
<v Speaker 1>to point out that legends, as a genre of folk

0:16:47.080 --> 0:16:52.200
<v Speaker 1>narrative are a legend about possibility. For a long time,

0:16:52.280 --> 0:16:56.840
<v Speaker 1>legends were defined by folklorists as stories told as true,

0:16:57.240 --> 0:17:00.320
<v Speaker 1>whereas fairy tales are stories told as fiction and myths

0:17:00.360 --> 0:17:03.840
<v Speaker 1>our stories told sort of as sacred revelation. Right, Legends

0:17:03.840 --> 0:17:06.680
<v Speaker 1>are the ones that we're told as literally true. We've

0:17:06.800 --> 0:17:10.000
<v Speaker 1>nuanced this since then to talk about the idea that

0:17:10.040 --> 0:17:15.600
<v Speaker 1>what legends do is they allow us to symbolically discuss possibility,

0:17:16.040 --> 0:17:19.600
<v Speaker 1>and the possibilities of reality are a thing that human

0:17:19.680 --> 0:17:25.920
<v Speaker 1>beings love to discuss. We really want to chew over

0:17:26.640 --> 0:17:31.399
<v Speaker 1>the potential boundaries of reality. Could this be? Could this

0:17:31.600 --> 0:17:36.919
<v Speaker 1>not be? Could this happen? Is this real? And UFOs

0:17:36.960 --> 0:17:42.120
<v Speaker 1>are something that clearly there's both ambiguity and importance in this.

0:17:42.200 --> 0:17:45.400
<v Speaker 1>It matters to us to not be alone in the universe,

0:17:45.760 --> 0:17:47.919
<v Speaker 1>and we aren't sure if it's going to be a

0:17:47.920 --> 0:17:50.240
<v Speaker 1>good thing or a bad thing when we get that answer.

0:17:50.640 --> 0:17:55.000
<v Speaker 1>So we see that combination of social and cultural import there,

0:17:55.600 --> 0:17:59.320
<v Speaker 1>and then we also see something that simply starts to

0:17:59.400 --> 0:18:03.600
<v Speaker 1>make more more sense I mean, it is an accepted

0:18:03.680 --> 0:18:07.560
<v Speaker 1>scientific principle that there's probably a planet out there in

0:18:07.760 --> 0:18:11.880
<v Speaker 1>our infinite universe that can sustain life as ours can.

0:18:12.040 --> 0:18:15.840
<v Speaker 1>It does not make sense that we would be unique. Um.

0:18:15.920 --> 0:18:19.800
<v Speaker 1>Then we start adding in not just the narratives, not

0:18:19.920 --> 0:18:23.920
<v Speaker 1>just the stories, but this digital additional media that comes

0:18:23.960 --> 0:18:26.960
<v Speaker 1>to us from this particular time in our culture, where

0:18:27.119 --> 0:18:31.200
<v Speaker 1>there's more everyday people out there with cameras, there's more

0:18:31.520 --> 0:18:35.439
<v Speaker 1>visual media than just textual. We're able to capture things

0:18:35.520 --> 0:18:38.840
<v Speaker 1>and share them with each other in unprecedented ways, and

0:18:38.880 --> 0:18:41.159
<v Speaker 1>that changes how we talk about this stuff. It's one

0:18:41.200 --> 0:18:43.720
<v Speaker 1>thing to trust your neighbor when he's like, I saw

0:18:43.800 --> 0:18:47.159
<v Speaker 1>some weird lights over my farm and then I lost

0:18:47.280 --> 0:18:49.840
<v Speaker 1>three hours of my day. I don't know what happened,

0:18:49.840 --> 0:18:51.359
<v Speaker 1>but I woke up in a ditch and I had

0:18:51.400 --> 0:18:54.119
<v Speaker 1>all these bruises. You know, you tell me what that means.

0:18:54.359 --> 0:18:56.520
<v Speaker 1>It's another thing when your neighbor tells you that same

0:18:56.560 --> 0:18:58.879
<v Speaker 1>story and then shows you a photo that he took,

0:18:59.119 --> 0:19:03.080
<v Speaker 1>and you're like, oh, yeah, I can't explain what those

0:19:03.160 --> 0:19:05.080
<v Speaker 1>lights are. They don't look like an airplane, they don't

0:19:05.080 --> 0:19:07.119
<v Speaker 1>look like anything I'm familiar with. You know, we just

0:19:07.160 --> 0:19:09.920
<v Speaker 1>start to start to get that that word of mouth

0:19:10.040 --> 0:19:14.919
<v Speaker 1>culture is now being bolstered by additional things, which of

0:19:14.960 --> 0:19:18.199
<v Speaker 1>course sort of conveniently takes us to even that next

0:19:18.320 --> 0:19:23.040
<v Speaker 1>level of authenticity or validation, which is, hey, this isn't

0:19:23.080 --> 0:19:26.040
<v Speaker 1>just your neighbor now, it's the government. Now, it's an

0:19:26.080 --> 0:19:30.199
<v Speaker 1>institutional element of our culture who we know isn't joking around,

0:19:31.080 --> 0:19:35.560
<v Speaker 1>and they're taking it seriously, and they're producing documents and

0:19:35.600 --> 0:19:38.400
<v Speaker 1>they're gathering photos, and you start to go okay, wait, hey,

0:19:38.440 --> 0:19:43.760
<v Speaker 1>wait a minute, Like like the authority that institutions lend

0:19:44.440 --> 0:19:48.600
<v Speaker 1>to the already powerful word of mouth consensus of folklore

0:19:49.240 --> 0:20:10.159
<v Speaker 1>is really something that you can't underestimate. I brought up

0:20:10.240 --> 0:20:14.560
<v Speaker 1>Joe Nichols Roswell syndrome framework for the dynamic. The UFO

0:20:14.680 --> 0:20:18.359
<v Speaker 1>stories sometimes go through the thing that happens sort of

0:20:18.440 --> 0:20:23.120
<v Speaker 1>again and again in uphology is that like a case

0:20:23.160 --> 0:20:27.879
<v Speaker 1>will occur and it will pretty quickly be explained, and

0:20:27.920 --> 0:20:30.399
<v Speaker 1>then it will go dark, and then it will come

0:20:30.440 --> 0:20:34.439
<v Speaker 1>back a little while later, sort of armored. So in

0:20:34.480 --> 0:20:38.560
<v Speaker 1>the retelling, like these objections are sort of like pre

0:20:39.640 --> 0:20:42.760
<v Speaker 1>you know, you have a pre planned explanation for it,

0:20:42.840 --> 0:20:47.280
<v Speaker 1>and now everything can kind of make sense. Yes, absolutely,

0:20:47.359 --> 0:20:50.800
<v Speaker 1>and that that is part of that dynamism that we

0:20:50.880 --> 0:20:53.160
<v Speaker 1>see all folks are happening. Right. If someone had written

0:20:53.160 --> 0:20:54.800
<v Speaker 1>a book about this and published it, and it were

0:20:54.800 --> 0:20:58.639
<v Speaker 1>a copyrighted piece of work, it's it already exists. It

0:20:58.720 --> 0:21:01.160
<v Speaker 1>is what it is. You know, the novel, that book,

0:21:01.240 --> 0:21:05.959
<v Speaker 1>that newspaper article. Doesn't get to be updated. It's still exist.

0:21:06.080 --> 0:21:08.800
<v Speaker 1>You can print a new version with new information maybe

0:21:08.880 --> 0:21:11.640
<v Speaker 1>or something, but it's not dynamic in the way folk

0:21:11.680 --> 0:21:14.200
<v Speaker 1>culture is dynamic. And one of the things that folk

0:21:14.240 --> 0:21:18.080
<v Speaker 1>culture often does, especially in the genre of legend and belief,

0:21:18.760 --> 0:21:23.639
<v Speaker 1>is that there is a developing performance of rationality. People

0:21:23.800 --> 0:21:30.320
<v Speaker 1>know that being seen as a believer can automatically cast

0:21:30.400 --> 0:21:33.520
<v Speaker 1>doubt on people's stories. You know, we we talk about

0:21:34.280 --> 0:21:37.800
<v Speaker 1>belief in the supernatural or the paranormal as sort of

0:21:37.840 --> 0:21:40.880
<v Speaker 1>this black or white proposition. Do you believe in ghosts? Yes?

0:21:40.960 --> 0:21:44.880
<v Speaker 1>Or no? The average everyday person knows the correct answer

0:21:45.000 --> 0:21:49.320
<v Speaker 1>is no, because that makes you a rational, scientifically minded person.

0:21:50.280 --> 0:21:54.440
<v Speaker 1>For most people, though the real answer isn't necessarily yes.

0:21:54.520 --> 0:21:57.439
<v Speaker 1>The real answer is something along the lines of a story.

0:21:57.760 --> 0:22:01.000
<v Speaker 1>The real answer to do you believe in ghosts as well? No?

0:22:01.200 --> 0:22:04.320
<v Speaker 1>Of course not. I mean who would. But after my

0:22:04.440 --> 0:22:07.280
<v Speaker 1>grandpa died, there was like this one Christmas light and

0:22:07.280 --> 0:22:09.520
<v Speaker 1>it was totally the one that he was always into,

0:22:09.800 --> 0:22:12.160
<v Speaker 1>and it just started blinking like the day after he died,

0:22:12.240 --> 0:22:14.880
<v Speaker 1>and it never stopped blinking, and we all just sort

0:22:14.880 --> 0:22:17.280
<v Speaker 1>of knew, like that was Grandpa, you know, letting us

0:22:17.280 --> 0:22:19.240
<v Speaker 1>know that he was still there with us for the holidays.

0:22:19.280 --> 0:22:20.880
<v Speaker 1>So no, I don't believe in ghosts, but I mean,

0:22:20.880 --> 0:22:24.960
<v Speaker 1>my Grandpa's in that Christmas light, like that very paradoxical,

0:22:25.080 --> 0:22:29.159
<v Speaker 1>very contradictory answer, And that's never on the survey, you know,

0:22:29.200 --> 0:22:30.920
<v Speaker 1>when we send out the survey of do you believe

0:22:30.920 --> 0:22:33.560
<v Speaker 1>in ghosts? That's not an option, so everyone checks no.

0:22:34.359 --> 0:22:36.920
<v Speaker 1>But the truth is that when someone wants to speak

0:22:36.920 --> 0:22:41.560
<v Speaker 1>about a supernatural experience they've had, they grow I like

0:22:41.680 --> 0:22:45.720
<v Speaker 1>the word armor over their story in anticipation of people

0:22:45.760 --> 0:22:48.600
<v Speaker 1>who are going to say, okay, weirdo. You know I

0:22:49.119 --> 0:22:52.680
<v Speaker 1>you clearly are an irrational thinker. So we see this

0:22:53.160 --> 0:22:59.480
<v Speaker 1>performance of rationality, this intentional reality testing that takes place

0:22:59.560 --> 0:23:01.720
<v Speaker 1>that hums a part of the story to say, now

0:23:01.760 --> 0:23:04.040
<v Speaker 1>I thought it could be this, but then I realized

0:23:04.080 --> 0:23:06.000
<v Speaker 1>it couldn't. Because of this, And I also thought that

0:23:06.080 --> 0:23:08.600
<v Speaker 1>maybe it could be this, but that doesn't make any

0:23:08.600 --> 0:23:12.600
<v Speaker 1>sense because of X, Y, and Z. And what that

0:23:12.800 --> 0:23:19.400
<v Speaker 1>tells us is that people are actually being surprisingly rational

0:23:19.800 --> 0:23:22.760
<v Speaker 1>when they talk about the paranormal or the supernatural, and

0:23:22.800 --> 0:23:25.840
<v Speaker 1>that's not something we want to grant people always. When

0:23:25.880 --> 0:23:29.560
<v Speaker 1>people are talking about things that we, in particular don't

0:23:29.600 --> 0:23:33.240
<v Speaker 1>believe in, it's very easy to be dismissive and assume

0:23:33.320 --> 0:23:36.440
<v Speaker 1>that they've jumped to supernatural conclusions. Oh, this person wants

0:23:36.440 --> 0:23:39.040
<v Speaker 1>it to be a UFO. Oh, this person wants it

0:23:39.080 --> 0:23:42.840
<v Speaker 1>to be bigfoot. And the truth is is that most

0:23:43.080 --> 0:23:47.200
<v Speaker 1>people are going through this process of elimination and starting

0:23:47.200 --> 0:23:49.119
<v Speaker 1>with well could it have been the lighthouse, No, the

0:23:49.160 --> 0:23:51.680
<v Speaker 1>lighthouse is over there, it's over here, Or you know, well,

0:23:51.760 --> 0:23:53.800
<v Speaker 1>could it have been a bear? No, I've seen bears,

0:23:53.800 --> 0:23:55.520
<v Speaker 1>I've hunted bears, I know what bears look like. That

0:23:55.600 --> 0:23:59.760
<v Speaker 1>wasn't a bear, And then they end up at this

0:24:00.119 --> 0:24:04.680
<v Speaker 1>supernatural or paranormal conclusion that, for all that it might

0:24:04.720 --> 0:24:07.720
<v Speaker 1>not be scientifically testable the way that we think of

0:24:08.040 --> 0:24:12.440
<v Speaker 1>the scientific process, it's a rational thought process that they've

0:24:12.480 --> 0:24:15.239
<v Speaker 1>gone through. And this is something that any folklorist who

0:24:15.280 --> 0:24:19.280
<v Speaker 1>has done ethnographic work with people on the subjects of

0:24:19.320 --> 0:24:23.600
<v Speaker 1>belief in the supernatural sees right away is oftentimes these

0:24:23.600 --> 0:24:28.240
<v Speaker 1>are incredibly thoughtful, observant people who themselves don't want to

0:24:28.320 --> 0:24:32.080
<v Speaker 1>have to have drawn that conclusion, and yet there's no

0:24:32.119 --> 0:24:36.600
<v Speaker 1>other conclusion for them to draw. Sometimes the first episode

0:24:36.600 --> 0:24:39.359
<v Speaker 1>of Strange Arrivals, like the first like three minutes or

0:24:39.400 --> 0:24:41.800
<v Speaker 1>five minutes or whatever, is to be telling the story

0:24:41.840 --> 0:24:44.639
<v Speaker 1>about how, you know, my best friend and his wife

0:24:44.640 --> 0:24:48.200
<v Speaker 1>and me and my wife, we're having dinner out on

0:24:48.240 --> 0:24:51.640
<v Speaker 1>a porch on this on this island, and we saw

0:24:51.680 --> 0:24:56.960
<v Speaker 1>these lights, these red lights up is ways away. They

0:24:56.960 --> 0:24:58.800
<v Speaker 1>were just there and they're moving a little bit. We

0:24:58.840 --> 0:25:01.600
<v Speaker 1>went down the dock watching them, you know. We watched

0:25:01.600 --> 0:25:04.320
<v Speaker 1>them probably for twenty minutes, and then they kind of disappeared.

0:25:05.040 --> 0:25:07.359
<v Speaker 1>And for the first season of Strange Arrivals, what I

0:25:07.400 --> 0:25:09.560
<v Speaker 1>was kind of interested in was how our our memories

0:25:09.600 --> 0:25:12.359
<v Speaker 1>of it kind of differed and how something that happened

0:25:12.359 --> 0:25:15.560
<v Speaker 1>like five years ago, we can like get into like

0:25:15.680 --> 0:25:19.120
<v Speaker 1>knock knockdown, drag out arguments about how certain things happened,

0:25:19.560 --> 0:25:23.199
<v Speaker 1>you know, But it also seems to me that you know,

0:25:23.240 --> 0:25:26.199
<v Speaker 1>the way you interpret that which is something that like

0:25:26.840 --> 0:25:29.960
<v Speaker 1>my friend and I, you know, don't know what it was,

0:25:30.480 --> 0:25:35.240
<v Speaker 1>but we're like, also, don't think it was aliens um,

0:25:35.359 --> 0:25:39.080
<v Speaker 1>whereas our wives are like, uh yeah, if that's like,

0:25:39.160 --> 0:25:44.680
<v Speaker 1>what else would it be? So what part would sort

0:25:44.720 --> 0:25:50.399
<v Speaker 1>of preconceived notions play in that process that you just

0:25:50.440 --> 0:25:53.879
<v Speaker 1>talked about what you've hit on is one of the

0:25:53.960 --> 0:25:58.800
<v Speaker 1>reasons that legends are this genre of debate, this genre

0:25:58.920 --> 0:26:03.360
<v Speaker 1>of possibility, because you don't have to agree, you don't

0:26:03.400 --> 0:26:05.680
<v Speaker 1>have to believe. Someone can tell a legend that they

0:26:05.680 --> 0:26:08.720
<v Speaker 1>don't think is true to someone who thinks it might be,

0:26:09.160 --> 0:26:15.280
<v Speaker 1>and that legend becomes this this central point around which

0:26:15.280 --> 0:26:19.399
<v Speaker 1>a discussion of possibility can happen. Right folklorists in the

0:26:19.440 --> 0:26:24.960
<v Speaker 1>past have looked at because folklore is under the purview

0:26:25.040 --> 0:26:28.240
<v Speaker 1>of everyday people. It's not something that only those with

0:26:28.400 --> 0:26:32.840
<v Speaker 1>access to publishing houses or you know, executive producers are

0:26:32.880 --> 0:26:35.400
<v Speaker 1>able to make. We all get to share folklore. It's

0:26:35.440 --> 0:26:39.760
<v Speaker 1>all equally genuine when we do. There's no single right version.

0:26:39.840 --> 0:26:42.159
<v Speaker 1>My story about a UFO is just as legitimate as

0:26:42.160 --> 0:26:45.320
<v Speaker 1>your story of a UFO because we're all in charge

0:26:45.359 --> 0:26:48.879
<v Speaker 1>of it. There's these different dynamics that go into shaping it.

0:26:49.320 --> 0:26:53.440
<v Speaker 1>So at the very far back end there's our shared worldview.

0:26:53.880 --> 0:26:58.000
<v Speaker 1>You know, any any story that is collectively circulating in

0:26:58.000 --> 0:27:01.560
<v Speaker 1>the United States is going to have its background some

0:27:01.720 --> 0:27:05.439
<v Speaker 1>awareness of the basic large scale cultural structures of the

0:27:05.520 --> 0:27:08.359
<v Speaker 1>United States that will be reflected in that folklore. And

0:27:08.640 --> 0:27:10.680
<v Speaker 1>you can see that when you look at the folklore

0:27:10.720 --> 0:27:14.760
<v Speaker 1>from a different culture, it seems exotic and strange and different.

0:27:14.800 --> 0:27:19.040
<v Speaker 1>It's common and familiar to those folks with their cultural norms.

0:27:19.280 --> 0:27:22.480
<v Speaker 1>So we can see those big scale norms reflected in folklore.

0:27:22.880 --> 0:27:26.800
<v Speaker 1>But because everyday people are in charge of the dissemination

0:27:26.880 --> 0:27:29.760
<v Speaker 1>and sharing in the shape of folklore, we also get

0:27:29.840 --> 0:27:33.680
<v Speaker 1>much more small scale, individualized things. So we get me,

0:27:34.000 --> 0:27:37.120
<v Speaker 1>my personality and my motivations and my intent, and you

0:27:37.640 --> 0:27:41.080
<v Speaker 1>and yours. So when I tell a story, I'm gonna

0:27:41.160 --> 0:27:43.639
<v Speaker 1>tell it differently than someone else's. What I think is

0:27:43.680 --> 0:27:47.000
<v Speaker 1>significant or key or important is going to say one

0:27:47.440 --> 0:27:50.120
<v Speaker 1>a lot about my culture because it's that larger cultural

0:27:50.200 --> 0:27:52.479
<v Speaker 1>milieu that the story is coming from in the first place.

0:27:52.800 --> 0:27:54.879
<v Speaker 1>But my telling of it's gonna say a lot about

0:27:54.920 --> 0:27:58.040
<v Speaker 1>me too. Am I going to play up the potential

0:27:58.200 --> 0:28:01.240
<v Speaker 1>alien elements here? Am I going to tell those down.

0:28:01.960 --> 0:28:04.560
<v Speaker 1>It's also gonna be affected by who I'm talking to.

0:28:04.880 --> 0:28:07.239
<v Speaker 1>Am I talking to someone who's standing there with their

0:28:07.359 --> 0:28:11.399
<v Speaker 1>arms crossed, you know, giving me a real skeptical face,

0:28:11.680 --> 0:28:13.800
<v Speaker 1>Or am I talking to someone who is like wrapped

0:28:14.080 --> 0:28:16.080
<v Speaker 1>and listening and being like yeah, yeah, no, no, I've

0:28:16.080 --> 0:28:18.879
<v Speaker 1>seen that too. I've seen that too. Whole different story

0:28:18.920 --> 0:28:25.800
<v Speaker 1>emerges discursively between those two different people, right, And so

0:28:25.960 --> 0:28:28.920
<v Speaker 1>all of these elements. As a folklorist, we're looking at

0:28:29.880 --> 0:28:34.440
<v Speaker 1>these small scale, performative, emergent elements as well as those

0:28:34.560 --> 0:28:39.600
<v Speaker 1>larger structural worldview things that that come from a culture,

0:28:39.640 --> 0:28:42.520
<v Speaker 1>which means that any two iterations of the same story

0:28:43.000 --> 0:28:47.440
<v Speaker 1>could be wildly divergent, you know, very symbolically different in

0:28:47.520 --> 0:28:53.040
<v Speaker 1>what they're communicating, while still technically being recognized recognizable as

0:28:53.160 --> 0:28:56.480
<v Speaker 1>the same story. So another thing I don't I don't

0:28:56.480 --> 0:28:58.160
<v Speaker 1>really even know how to ask a question, but maybe

0:28:58.160 --> 0:29:00.320
<v Speaker 1>just to get your reactions. So one of the things things.

0:29:00.360 --> 0:29:02.800
<v Speaker 1>A couple of days ago, I ended up talking to

0:29:02.840 --> 0:29:08.760
<v Speaker 1>this guy named Richard Doty who was in Air Force Intelligence,

0:29:09.440 --> 0:29:14.680
<v Speaker 1>and his thing was too to basically muddy the waters

0:29:14.680 --> 0:29:22.200
<v Speaker 1>in the UFO community by giving them misinformation and basically saying, look, uh,

0:29:22.280 --> 0:29:24.280
<v Speaker 1>he kind of had this deal where it's like I

0:29:24.320 --> 0:29:26.160
<v Speaker 1>want to I want to find out what's going on

0:29:26.560 --> 0:29:29.240
<v Speaker 1>in the UFO world, and I will let you in

0:29:29.360 --> 0:29:32.760
<v Speaker 1>on secret. Said only I know about, you know, as

0:29:32.800 --> 0:29:37.120
<v Speaker 1>being an Air Force uh insider. And this is during

0:29:37.160 --> 0:29:40.120
<v Speaker 1>the Cold War, and they're they're worried. Was that enough

0:29:40.280 --> 0:29:45.480
<v Speaker 1>UFO people were actually seeing you know, special projects and stuff,

0:29:45.920 --> 0:29:48.120
<v Speaker 1>and that they didn't want the Russians to be in

0:29:48.160 --> 0:29:51.080
<v Speaker 1>the UFO community and be finding out stuff that might

0:29:51.120 --> 0:29:55.240
<v Speaker 1>somehow help them. Um. So his thing was, I'm you know,

0:29:55.320 --> 0:29:57.720
<v Speaker 1>I muddy the waters. So I was trying to get

0:29:57.840 --> 0:30:03.800
<v Speaker 1>him to reflect a little bit about and I must

0:30:03.800 --> 0:30:06.560
<v Speaker 1>say unsuccessfully, but I was trying to get him to

0:30:06.600 --> 0:30:11.720
<v Speaker 1>reflect about how what he was doing was. It was

0:30:11.760 --> 0:30:15.880
<v Speaker 1>it was sort of taking in like an already established

0:30:16.520 --> 0:30:22.560
<v Speaker 1>narrative or set of ideas that would be consistent with

0:30:22.600 --> 0:30:27.040
<v Speaker 1>those things, but but sort of have his own you know,

0:30:27.480 --> 0:30:31.600
<v Speaker 1>he's doing it for his own purpose and uh, and

0:30:31.680 --> 0:30:34.640
<v Speaker 1>he was just he was not willing to engage really

0:30:34.680 --> 0:30:37.680
<v Speaker 1>on that beyond like I had a mission. You know,

0:30:37.880 --> 0:30:40.520
<v Speaker 1>this is my mission. It wasn't hard to do. Like

0:30:40.560 --> 0:30:42.400
<v Speaker 1>when you get people who believe it like that. You

0:30:42.480 --> 0:30:46.800
<v Speaker 1>basically if you just kind of nod um, you know,

0:30:46.880 --> 0:30:50.920
<v Speaker 1>and encourage them, they'll they'll like they'll do all the

0:30:50.920 --> 0:30:55.160
<v Speaker 1>work themselves. But that was a little disingenuous because he

0:30:55.280 --> 0:30:59.280
<v Speaker 1>was he did spread a lot of like super super

0:30:59.320 --> 0:31:04.000
<v Speaker 1>weird stuff, so like an intentional culture jammer of the

0:31:05.040 --> 0:31:07.320
<v Speaker 1>there's some of the stuff that you still see today

0:31:07.520 --> 0:31:11.840
<v Speaker 1>is stuff that he spread, like back in the early eighties,

0:31:11.920 --> 0:31:14.160
<v Speaker 1>like he was passing to people and then you know

0:31:14.400 --> 0:31:17.760
<v Speaker 1>they're still around today. When people talk about, you know,

0:31:18.000 --> 0:31:22.200
<v Speaker 1>the secret government programs, Wow, it makes me think of

0:31:22.280 --> 0:31:24.560
<v Speaker 1>the fake news that you know, we've been dealing with

0:31:24.600 --> 0:31:28.920
<v Speaker 1>since sort of the it's like it's like an intentionally

0:31:29.000 --> 0:31:32.960
<v Speaker 1>weaponized version of legends. You know, someone who's trying sitting

0:31:33.000 --> 0:31:35.080
<v Speaker 1>behind a desk trying to come up with what's going

0:31:35.160 --> 0:31:40.840
<v Speaker 1>to stick. Because the difficult thing is this folklore moves

0:31:41.280 --> 0:31:45.040
<v Speaker 1>almost on an evolutionary or a mimetic in the sense

0:31:45.040 --> 0:31:49.440
<v Speaker 1>of Richard Dawkins memetics um model, which is survival of

0:31:49.480 --> 0:31:53.240
<v Speaker 1>the fittest. You know, all this dynamism that folklore has

0:31:53.400 --> 0:31:55.920
<v Speaker 1>that it everyone gets to tell their own version and

0:31:55.960 --> 0:31:59.880
<v Speaker 1>shape it their own way. Also means that the elements

0:32:00.080 --> 0:32:03.160
<v Speaker 1>that that last are the ones that work for the

0:32:03.200 --> 0:32:07.960
<v Speaker 1>most people. So we see this communal shaping, this communal

0:32:08.000 --> 0:32:10.880
<v Speaker 1>evolution of folklore, and as it moves through a population,

0:32:10.960 --> 0:32:14.360
<v Speaker 1>it grows more and more generally applicable, so that I'll

0:32:14.360 --> 0:32:18.200
<v Speaker 1>still tell it in my unique way, but if I

0:32:18.280 --> 0:32:21.640
<v Speaker 1>add or play up an element that really resonates with

0:32:21.680 --> 0:32:23.240
<v Speaker 1>a lot of people, it's going to become a part

0:32:23.280 --> 0:32:25.560
<v Speaker 1>of it. And if I try and add an element

0:32:25.600 --> 0:32:27.880
<v Speaker 1>that doesn't really resonate and it's just sort of it's

0:32:27.880 --> 0:32:31.000
<v Speaker 1>going to drop out. I mean, by this principle, folklore

0:32:31.400 --> 0:32:35.480
<v Speaker 1>is self correcting in how it is crowdsourced like Wikipedia,

0:32:35.880 --> 0:32:38.760
<v Speaker 1>something that doesn't fit's gonna fall by the wayside. Something

0:32:38.800 --> 0:32:43.840
<v Speaker 1>that really speaks to people's anxieties or curiosities, it's gonna stay.

0:32:44.320 --> 0:32:48.680
<v Speaker 1>That is incredibly hard to fake, and it's incredibly hard

0:32:48.920 --> 0:32:51.760
<v Speaker 1>to do it in one go. The best example we

0:32:51.840 --> 0:32:57.240
<v Speaker 1>have contemporarily of this, interestingly is slender Man, who was wholesale,

0:32:57.680 --> 0:33:01.360
<v Speaker 1>almost perfect as an have been legend from the minute

0:33:01.360 --> 0:33:04.680
<v Speaker 1>of his creation. There is absolutely crowdsourcing and where we

0:33:04.760 --> 0:33:08.440
<v Speaker 1>ended up with Slenderman, and he absolutely has already evolved

0:33:08.600 --> 0:33:11.480
<v Speaker 1>almost to an unrecognizable character from what he started off

0:33:11.520 --> 0:33:16.200
<v Speaker 1>as initially as that whole communal process of dynamic folklore

0:33:16.200 --> 0:33:19.840
<v Speaker 1>shaping has happened to him. But with something like this,

0:33:19.920 --> 0:33:23.200
<v Speaker 1>with like a disinformation campaign, with fake news, or with

0:33:23.280 --> 0:33:27.120
<v Speaker 1>someone who is attempting to muddy the waters, it's gonna

0:33:27.160 --> 0:33:32.040
<v Speaker 1>be a uh, you know, shotgun blast of attempts, and

0:33:33.640 --> 0:33:37.400
<v Speaker 1>of them are going to fail. People don't believe things

0:33:37.520 --> 0:33:41.600
<v Speaker 1>for no reason. It needs to click, it needs to resonate,

0:33:41.880 --> 0:33:45.800
<v Speaker 1>It needs to work for them. What percentage of the

0:33:46.160 --> 0:33:50.560
<v Speaker 1>you know, mud that got spread around they're stuck. I

0:33:50.560 --> 0:33:53.800
<v Speaker 1>don't know, But it's only gonna stick around if it

0:33:53.880 --> 0:33:58.400
<v Speaker 1>seems to work, in which case, yeah, it might confuse things.

0:33:58.680 --> 0:34:01.280
<v Speaker 1>But if anything, it's working, and it's just going to

0:34:01.360 --> 0:34:05.280
<v Speaker 1>continue to promote that stuff more than necessarily poke holes

0:34:05.280 --> 0:34:09.480
<v Speaker 1>in it or deflated interesting. I should have, you know,

0:34:10.920 --> 0:34:14.840
<v Speaker 1>having this conversation, I'm realizing that the first season of

0:34:14.880 --> 0:34:17.880
<v Speaker 1>Strange Arrivals, I probably should have talked to to you

0:34:19.040 --> 0:34:22.920
<v Speaker 1>because like the second, you know, there's twelve episode. Eleven

0:34:22.920 --> 0:34:26.759
<v Speaker 1>episodes probably the last four are really about how the

0:34:26.800 --> 0:34:32.000
<v Speaker 1>alien abduction story changed over time to incorporate new elements

0:34:32.120 --> 0:34:35.360
<v Speaker 1>and and I kind of sort of argue that it

0:34:35.360 --> 0:34:37.600
<v Speaker 1>it kind of collapsed under its own weight, and that

0:34:37.880 --> 0:34:40.760
<v Speaker 1>it's just like it kept becoming more and more extreme

0:34:40.840 --> 0:34:43.160
<v Speaker 1>until it was like, well, millions of people are being abductive,

0:34:43.160 --> 0:34:44.600
<v Speaker 1>but most of them don't know what it is, and

0:34:44.640 --> 0:34:47.400
<v Speaker 1>they're making hybrids who might walk among us. And then

0:34:47.440 --> 0:34:49.279
<v Speaker 1>it's like, well where do you go from there? You know,

0:34:49.400 --> 0:34:52.840
<v Speaker 1>it's like you've kind of reached the apex of of

0:34:52.960 --> 0:34:55.200
<v Speaker 1>insanity as far as that goes, and it just kind

0:34:55.200 --> 0:34:59.080
<v Speaker 1>of collapsed. Well, And the more the more specific and

0:34:59.120 --> 0:35:04.400
<v Speaker 1>elaborate story gets, the smaller the population that accepts it

0:35:04.640 --> 0:35:07.080
<v Speaker 1>usually gets, you know what I mean. It's like there's

0:35:07.080 --> 0:35:12.200
<v Speaker 1>a happy medium of there are probably aliens, they've probably

0:35:12.239 --> 0:35:15.680
<v Speaker 1>messed with us, that really seems to resonate with people

0:35:15.680 --> 0:35:19.680
<v Speaker 1>on a very broad scale, and we can start getting

0:35:19.680 --> 0:35:23.080
<v Speaker 1>into specifics of that and watching those specifics resonate in

0:35:23.160 --> 0:35:27.239
<v Speaker 1>different ways with different people, depending upon again their worldview,

0:35:27.280 --> 0:35:29.960
<v Speaker 1>their cultural background as well as their own personality, as

0:35:30.000 --> 0:35:33.200
<v Speaker 1>well as the small you know groups that they do

0:35:33.239 --> 0:35:37.520
<v Speaker 1>the majority of their communicating within um. But when we

0:35:37.560 --> 0:35:41.719
<v Speaker 1>look at that you know, lowest common denominator, we get

0:35:41.760 --> 0:35:44.480
<v Speaker 1>the clear idea that a lot of people think UFOs

0:35:44.480 --> 0:35:46.680
<v Speaker 1>are a possibility. We get the clear idea that a

0:35:46.680 --> 0:35:49.560
<v Speaker 1>lot of people think some people have seen him. We

0:35:49.640 --> 0:35:51.600
<v Speaker 1>get the clear idea that a lot of people think

0:35:51.719 --> 0:35:54.040
<v Speaker 1>our government knows more than they're telling us, or the

0:35:54.080 --> 0:35:56.759
<v Speaker 1>governments of the world no more than they're telling us.

0:35:56.880 --> 0:36:00.640
<v Speaker 1>And when we start to see any sort of institutional

0:36:00.680 --> 0:36:04.359
<v Speaker 1>acknowledgment of that, like the declassified reports that have come

0:36:04.360 --> 0:36:07.200
<v Speaker 1>out from the U. S. Military of we caught these

0:36:07.239 --> 0:36:11.239
<v Speaker 1>things on camera, what are they? We don't know, that

0:36:11.400 --> 0:36:16.319
<v Speaker 1>sort of admission from that level of authority, and just bam,

0:36:16.480 --> 0:36:21.240
<v Speaker 1>suddenly a whole slice of people who previously were maybe

0:36:21.280 --> 0:36:24.400
<v Speaker 1>on the skeptical side are now just like, whoa. That

0:36:24.560 --> 0:36:26.640
<v Speaker 1>was what was missing for me. That was the resonant

0:36:26.640 --> 0:36:29.359
<v Speaker 1>piece that's going to get me to take this seriously again.

0:36:29.400 --> 0:36:32.920
<v Speaker 1>And so it's a it's an ever shifting landscape, but

0:36:33.080 --> 0:36:36.680
<v Speaker 1>one in which we can stand back and see really

0:36:37.080 --> 0:36:40.440
<v Speaker 1>big themes, but we can also zoom in and seem

0:36:40.560 --> 0:36:46.120
<v Speaker 1>really see really really specific, small scale, symbolic moments that

0:36:46.200 --> 0:36:51.880
<v Speaker 1>are generating that that larger theme. So so this has

0:36:51.920 --> 0:36:55.000
<v Speaker 1>been awesome. This has been super interesting. Yes, I agree,

0:36:55.080 --> 0:36:58.040
<v Speaker 1>this has been super interesting. I appreciate all your questions.

0:36:58.680 --> 0:37:02.840
<v Speaker 1>Thanks so much. Hey, thank you, Okay, take care, bye bye.

0:37:06.960 --> 0:37:09.600
<v Speaker 1>Strange Arrivals is a production of I Heart three D

0:37:09.680 --> 0:37:13.400
<v Speaker 1>Audio and Grim and Mild from Aaron Mankey. This episode

0:37:13.400 --> 0:37:16.040
<v Speaker 1>was written and hosted by Toby Ball and produced by

0:37:16.080 --> 0:37:20.600
<v Speaker 1>Miranda Hawkins and Josh Same, with executive producers Alex Williams,

0:37:20.760 --> 0:37:25.560
<v Speaker 1>Matt Frederick, and Aaron Mankey. Learn more about Strange Rivals

0:37:25.680 --> 0:37:28.960
<v Speaker 1>over at grimm and mil dot com, and find more

0:37:29.000 --> 0:37:32.000
<v Speaker 1>podcasts from my heart Radio by visiting the I Heart

0:37:32.040 --> 0:37:35.520
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

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<v Speaker 1>favorite shows.