1
00:00:01,120 --> 00:00:04,080
Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

2
00:00:04,240 --> 00:00:06,880
Speaker 1: at Total Wine and More. It's peak season for asparagus,

3
00:00:06,920 --> 00:00:09,840
Speaker 1: which pairs perfectly with a light and crisp rose. Many

4
00:00:09,880 --> 00:00:12,800
Speaker 1: bottles of champagne and sparkling wines are perfect for adult

5
00:00:12,840 --> 00:00:16,560
Speaker 1: Easter basket and they're really cute too. My perfect brunch

6
00:00:16,800 --> 00:00:19,560
Speaker 1: Belgian waffles with extra whip cream and a holiday poor

7
00:00:19,640 --> 00:00:22,560
Speaker 1: or your sweetest rose. Whether you're hosting or just bring

8
00:00:22,600 --> 00:00:25,439
Speaker 1: the wine we love to share are always low prices

9
00:00:25,480 --> 00:00:32,280
Speaker 1: and ridiculous selection this spring at Total Wine and More, Cheers,

10
00:00:32,600 --> 00:00:39,440
Speaker 1: y'all is going He's a legendary queen's rapper. Hang segoes

11
00:00:39,479 --> 00:00:42,800
Speaker 1: your boy. No, he's a Miami hip hop pioneer. What

12
00:00:42,960 --> 00:00:45,400
Speaker 1: up is d J e f N Together they drink

13
00:00:45,440 --> 00:00:47,760
Speaker 1: it up with some of the biggest players in music

14
00:00:47,840 --> 00:00:50,520
Speaker 1: and sport. You know what I mean? The most professional,

15
00:00:50,680 --> 00:00:54,800
Speaker 1: unprofessional podcast and your number one source for drunk facts.

16
00:00:54,800 --> 00:00:56,920
Speaker 1: This is Drinks Chip Radar War Every Day is New

17
00:00:57,000 --> 00:01:03,360
Speaker 1: Year's e just right what it could be hopeless The

18
00:01:03,360 --> 00:01:07,840
Speaker 1: shop Boy and DJ and the d est On Podcast

19
00:01:07,920 --> 00:01:13,920
Speaker 1: make something and right now we had a legend every name.

20
00:01:14,000 --> 00:01:16,520
Speaker 1: First off, people at Martel. You know what I'm saying.

21
00:01:17,120 --> 00:01:19,800
Speaker 1: The corn yak. We we drank a lot of the

22
00:01:19,840 --> 00:01:22,360
Speaker 1: con yak, had drank a lot of it. Yeah, yeah,

23
00:01:22,360 --> 00:01:24,320
Speaker 1: you went in, You went in, you and you're the

24
00:01:24,400 --> 00:01:27,400
Speaker 1: only one hot. Nobody else was. I feel like anybody

25
00:01:27,440 --> 00:01:31,119
Speaker 1: else was hot. And that's that's that. Martell got damnit.

26
00:01:31,160 --> 00:01:35,960
Speaker 1: Let's make some noise of Martel got damn. So we

27
00:01:36,080 --> 00:01:38,240
Speaker 1: gotta describe to the people when they're bound to head

28
00:01:38,360 --> 00:01:41,679
Speaker 1: right now, both one of both very seldomly to me,

29
00:01:41,760 --> 00:01:44,800
Speaker 1: and you have the same favorite rapper, ice Cube is

30
00:01:44,840 --> 00:01:48,200
Speaker 1: one of them, definitely one of them, And we gotta

31
00:01:48,240 --> 00:01:51,600
Speaker 1: describe that. We actually flew to New York to get them. Yeah,

32
00:01:51,720 --> 00:01:54,360
Speaker 1: that's not much. That's much. He's one of my favorite.

33
00:01:54,760 --> 00:01:58,560
Speaker 1: The Snowstorm debt at us and then they said he's

34
00:01:58,560 --> 00:02:02,320
Speaker 1: gonna be in Atlanta and I drove. You went back

35
00:02:02,320 --> 00:02:05,160
Speaker 1: home here the handle business and you flew back and' hesitate.

36
00:02:05,240 --> 00:02:08,200
Speaker 1: We didn't hesitate. We got it. So we're doing this

37
00:02:08,480 --> 00:02:13,680
Speaker 1: and uh, I's killed. Many came in, ain't gonna front

38
00:02:15,440 --> 00:02:17,560
Speaker 1: is that I'll get a little stars frock man. I

39
00:02:17,680 --> 00:02:19,880
Speaker 1: kind of saw you a little nervous, and I was like,

40
00:02:19,919 --> 00:02:25,000
Speaker 1: I was kind of like I like de centificate. It

41
00:02:25,080 --> 00:02:28,640
Speaker 1: was just crazy man, America's most wanted Americans, most wanted

42
00:02:28,800 --> 00:02:31,000
Speaker 1: um all the legend that we said we I could

43
00:02:31,000 --> 00:02:34,280
Speaker 1: have went for hours, we could have done. But I've

44
00:02:34,320 --> 00:02:36,560
Speaker 1: seen that. You know his people's you know it's cool,

45
00:02:36,600 --> 00:02:38,639
Speaker 1: but you know, we got it done. This is what

46
00:02:38,680 --> 00:02:41,440
Speaker 1: this is what our jobs is. We come, we get

47
00:02:41,480 --> 00:02:44,119
Speaker 1: it done, and we relax and it's gonna be another time.

48
00:02:44,280 --> 00:02:47,400
Speaker 1: And we relaxed as well, and we relaxed so we

49
00:02:47,440 --> 00:02:51,240
Speaker 1: can go about to say it was I don't want

50
00:02:51,320 --> 00:02:56,760
Speaker 1: to anyway if I go to Chick fil A it's

51
00:02:56,840 --> 00:03:01,239
Speaker 1: kind of crazy. That sounded wrong, right, Like it's sound

52
00:03:01,280 --> 00:03:03,480
Speaker 1: like cold word. I'm not even like I actually like

53
00:03:03,560 --> 00:03:07,520
Speaker 1: the Chick fil A off the chicken salad s no't no,

54
00:03:07,600 --> 00:03:11,119
Speaker 1: I'm just trying to clear it up. But we got

55
00:03:11,160 --> 00:03:14,520
Speaker 1: ice Cube and we heard this a couple of podcasts

56
00:03:14,520 --> 00:03:18,680
Speaker 1: out there hating. You're gonna go with the Elliott Wilson

57
00:03:19,000 --> 00:03:24,359
Speaker 1: Elliott why you hated. We're gonna tell you why he's

58
00:03:24,400 --> 00:03:28,079
Speaker 1: doing drink Chance and not Wrap radar because you're not

59
00:03:28,240 --> 00:03:33,239
Speaker 1: on the radar, Wrap radar. You're not even on anybody's radar.

60
00:03:33,400 --> 00:03:35,320
Speaker 1: And you're lucky. I ain't called hold and say you

61
00:03:35,440 --> 00:03:40,600
Speaker 1: made a wrong move. You're taking he's doing a little

62
00:03:40,600 --> 00:03:43,440
Speaker 1: director title. But we'll expect you, elliot, because you haven't

63
00:03:44,960 --> 00:03:47,160
Speaker 1: other than other than this. I thought you would you

64
00:03:47,280 --> 00:03:49,760
Speaker 1: turned over a new leaf, and I thought you stopped hating.

65
00:03:49,800 --> 00:03:52,440
Speaker 1: But apparently not. But we don't care. We we got

66
00:03:52,560 --> 00:03:54,760
Speaker 1: love for you. We want you to to come back.

67
00:03:54,840 --> 00:03:57,440
Speaker 1: Jack who had n because they also hated on us

68
00:03:57,440 --> 00:03:59,960
Speaker 1: in combat Jack as the fact it's not just us

69
00:04:00,000 --> 00:04:01,920
Speaker 1: so U. The fact that he's puting on us both,

70
00:04:01,920 --> 00:04:04,440
Speaker 1: I kind of like, I'm not even mad, Like I'm

71
00:04:04,480 --> 00:04:06,520
Speaker 1: not cool with you hating on us both is cool.

72
00:04:06,720 --> 00:04:08,520
Speaker 1: But you know, um, you know, get you get your

73
00:04:08,520 --> 00:04:11,920
Speaker 1: weight up and hate up. He should come to the show. Yeah,

74
00:04:12,240 --> 00:04:15,600
Speaker 1: we're gonna keep giving it to you at least. Yeah,

75
00:04:15,640 --> 00:04:20,080
Speaker 1: you gotta relax for you, but you until you and

76
00:04:20,160 --> 00:04:27,200
Speaker 1: b dot com on Mr Lead called every year. But

77
00:04:27,279 --> 00:04:29,159
Speaker 1: you know, for the people that's listening, we're just playing around.

78
00:04:29,400 --> 00:04:31,719
Speaker 1: They actually don't care what they do. They can hate.

79
00:04:31,760 --> 00:04:36,279
Speaker 1: We're gonna still do us. But yeah, we got to relax.

80
00:04:36,360 --> 00:04:40,120
Speaker 1: Shirts all right? Cool website star Wick Clothing dot com.

81
00:04:40,160 --> 00:04:42,479
Speaker 1: You can also buy weed from there. I'm just playing.

82
00:04:43,320 --> 00:04:50,520
Speaker 1: What did you say, Rosenberg? Yeah did you? Yeah? Listen,

83
00:04:50,640 --> 00:04:53,520
Speaker 1: I mean sucking up your ads as you picking up

84
00:04:53,520 --> 00:04:55,159
Speaker 1: your ads just s throw Molly in there for so

85
00:04:55,240 --> 00:04:58,120
Speaker 1: no reason. Take them Molley as well, like you know

86
00:04:58,160 --> 00:05:00,120
Speaker 1: what I mean. It's just retarded. But also you go

87
00:05:00,240 --> 00:05:02,920
Speaker 1: to Martel once again for they came here. Cube had

88
00:05:02,920 --> 00:05:08,560
Speaker 1: a right Russian with Martell. He drank very lightly. He's working,

89
00:05:08,120 --> 00:05:11,200
Speaker 1: he's he's working, and we was his last interview. He

90
00:05:11,240 --> 00:05:13,680
Speaker 1: actually went to colleges and he went and it was

91
00:05:13,720 --> 00:05:16,280
Speaker 1: a great experience for us. You know, that's just coming

92
00:05:16,279 --> 00:05:18,200
Speaker 1: out here because the thing about it is we want

93
00:05:18,200 --> 00:05:21,360
Speaker 1: people to know that we're serious about what we're doing,

94
00:05:22,040 --> 00:05:25,479
Speaker 1: and um, we'll come, we'll come to the artist, you know,

95
00:05:25,520 --> 00:05:30,080
Speaker 1: pause because we know other shows won't. Other shows won't

96
00:05:30,120 --> 00:05:32,839
Speaker 1: do that, and so we're part of that. And I

97
00:05:33,120 --> 00:05:36,240
Speaker 1: actually got to see fist Fight at level. Confused me

98
00:05:36,279 --> 00:05:39,160
Speaker 1: on the hashtags. He gave me like seven different hashtags.

99
00:05:39,240 --> 00:05:42,200
Speaker 1: I didn't remember which one. It was teaching fight at first,

100
00:05:42,400 --> 00:05:44,919
Speaker 1: and it was fist fight. And I really want you

101
00:05:44,920 --> 00:05:46,839
Speaker 1: guys to go out there and support it because I'm

102
00:05:46,880 --> 00:05:49,520
Speaker 1: not saying this because he's on the show. I'm saying

103
00:05:49,520 --> 00:05:56,120
Speaker 1: this because it's actually I am not you know, because

104
00:05:56,120 --> 00:05:57,880
Speaker 1: I'm open. Like if I hated the movie, I probably

105
00:05:57,880 --> 00:06:01,120
Speaker 1: would still picked it up. But this is not the case. Like,

106
00:06:01,160 --> 00:06:03,480
Speaker 1: this is not the case here, Like I actually love

107
00:06:03,839 --> 00:06:08,919
Speaker 1: the movie and I'm actually homegirls. She offered me free tickets,

108
00:06:08,920 --> 00:06:10,880
Speaker 1: and I was I'm just still gonna take the free tickets,

109
00:06:10,960 --> 00:06:12,640
Speaker 1: but I'm still gonna go out of support, and I'm

110
00:06:12,640 --> 00:06:16,239
Speaker 1: definitely gonna buy popcorn definitely, like I'm gonna support because

111
00:06:16,320 --> 00:06:20,320
Speaker 1: it's a great movie and I love comedies. Can we

112
00:06:20,360 --> 00:06:22,800
Speaker 1: shot you out or you want to? You want to

113
00:06:22,839 --> 00:06:25,160
Speaker 1: be behind the scenes? Tell me you don't like the movie,

114
00:06:25,160 --> 00:06:30,359
Speaker 1: you don't buy popcorn? Alex big of Alex from Atlanta?

115
00:06:30,440 --> 00:06:37,080
Speaker 1: What company you do or no company? What that? See?

116
00:06:37,440 --> 00:06:43,480
Speaker 1: That seemed mad complicated to announced? I'm sorry, and Alex

117
00:06:43,560 --> 00:06:46,440
Speaker 1: and what's the name again? I'm sorry, Alex, Alex, She's

118
00:06:46,480 --> 00:06:50,039
Speaker 1: such a wonderful person. Pick up Jenny um Our people's

119
00:06:50,080 --> 00:06:53,440
Speaker 1: you know what I'm saying. Martell provided the Martell uh

120
00:06:53,520 --> 00:06:55,480
Speaker 1: you pick up to the rock as well. Big up everybody,

121
00:06:55,520 --> 00:06:58,000
Speaker 1: Big up everybody who supports Drink Chance. Drink Chance supports

122
00:06:58,000 --> 00:07:01,279
Speaker 1: you am I'm very very hype and excited. This is

123
00:07:01,279 --> 00:07:05,240
Speaker 1: our new season. We're starting off. So um. We had fun, man,

124
00:07:05,279 --> 00:07:07,440
Speaker 1: we had fun. We had ice Cube. I'm still drinking

125
00:07:07,920 --> 00:07:12,960
Speaker 1: vodka with ice cubes and Martel on the side. Driver

126
00:07:14,880 --> 00:07:19,640
Speaker 1: Martell got you high. You are high ship? Alright? Alright?

127
00:07:19,640 --> 00:07:21,360
Speaker 1: So and then come on, come over here, Chicken come

128
00:07:21,440 --> 00:07:23,280
Speaker 1: sell to the people. God damn it, come over here,

129
00:07:23,360 --> 00:07:25,240
Speaker 1: chink Being getting on the ice Cube episode. Come on,

130
00:07:25,320 --> 00:07:27,760
Speaker 1: come sit over here. Tell these people. For years you

131
00:07:27,760 --> 00:07:34,200
Speaker 1: tell people you Chinese, but you are not porges. Please

132
00:07:34,240 --> 00:07:36,960
Speaker 1: come sit over here, chink Bing, co don't know we're

133
00:07:36,960 --> 00:07:40,120
Speaker 1: going to set up, to set up. Come on, chink Bing,

134
00:07:40,240 --> 00:07:42,120
Speaker 1: Come on, man, you know you know being Chicken Being

135
00:07:42,160 --> 00:07:45,320
Speaker 1: actually me and Poem in jail for me and Chicken

136
00:07:45,360 --> 00:07:47,720
Speaker 1: Being is actually like in the same houses like Poem

137
00:07:47,800 --> 00:07:50,440
Speaker 1: was across. Chin Bing, talk to the people. God damnit, Yo,

138
00:07:50,520 --> 00:07:53,720
Speaker 1: y'alla hats wait they selling yayall the New York. Y'alla

139
00:07:53,800 --> 00:07:56,240
Speaker 1: hats right. I was chilling with my man with that.

140
00:07:56,360 --> 00:07:59,040
Speaker 1: He said, Yo, chick Being. He said, you're more famous

141
00:07:59,080 --> 00:08:01,800
Speaker 1: in a little bit and everybody ship. You need to

142
00:08:01,840 --> 00:08:05,000
Speaker 1: design your own ship. So I said, yo, let's do it,

143
00:08:05,080 --> 00:08:07,160
Speaker 1: I said. He said, what you said, let's doing. He said,

144
00:08:07,720 --> 00:08:09,320
Speaker 1: what you want to put? I want to do it?

145
00:08:09,400 --> 00:08:12,800
Speaker 1: Yo y'alla had He said, yo y'alla had. It is

146
00:08:12,880 --> 00:08:15,440
Speaker 1: so like an hour later he sent me the ship.

147
00:08:15,560 --> 00:08:17,680
Speaker 1: He was like, Yo, what's something you like this? I said,

148
00:08:17,720 --> 00:08:19,520
Speaker 1: it looked like, but you need to put it. You

149
00:08:19,520 --> 00:08:21,560
Speaker 1: need to make it look good lout like you know,

150
00:08:21,640 --> 00:08:23,960
Speaker 1: with some aura. And then he sent me the flick.

151
00:08:24,040 --> 00:08:25,480
Speaker 1: I was like, Yo, let's do it. I like it.

152
00:08:25,520 --> 00:08:27,880
Speaker 1: I put one fire seven on the side that's for

153
00:08:28,120 --> 00:08:30,840
Speaker 1: draw the murder unit. But you know, we switched up

154
00:08:31,320 --> 00:08:33,760
Speaker 1: in time. You got you got you know what I'm saying,

155
00:08:34,360 --> 00:08:39,920
Speaker 1: land both what's going on? He sent me twelve and

156
00:08:39,960 --> 00:08:42,079
Speaker 1: I was like, all right, cool. So now I got

157
00:08:42,120 --> 00:08:44,120
Speaker 1: like an order of like a hundred and fifties. So

158
00:08:44,160 --> 00:08:46,600
Speaker 1: it's like crazy because I ain't believe it at first though.

159
00:08:47,040 --> 00:08:48,920
Speaker 1: Now they were like a hundred fifty orders of me

160
00:08:49,000 --> 00:08:51,280
Speaker 1: and God, so they're making them now, and you got

161
00:08:51,280 --> 00:08:59,440
Speaker 1: fall these residue on you. Let's make some much old jokes,

162
00:08:59,480 --> 00:09:03,160
Speaker 1: you know every you gotta said, it's not the true relax,

163
00:09:07,520 --> 00:09:09,559
Speaker 1: but we have you drink some Martell. Don someone tell

164
00:09:09,679 --> 00:09:13,080
Speaker 1: you already got some martelling. You got some more. Tell

165
00:09:13,160 --> 00:09:15,320
Speaker 1: to Mike, don't mix with I don't know what. Yeah,

166
00:09:15,400 --> 00:09:18,199
Speaker 1: I ain't gonna front that. Don't that whatever you mixed

167
00:09:18,200 --> 00:09:22,439
Speaker 1: it with, don't look gave you. Let's make up to

168
00:09:22,480 --> 00:09:28,560
Speaker 1: the Marktell girls, by the way, not only they we

169
00:09:28,600 --> 00:09:32,400
Speaker 1: have Martell, we've got the markets. Tell girls and they

170
00:09:32,400 --> 00:09:35,240
Speaker 1: would dressed. They were professional, they were here on time.

171
00:09:36,240 --> 00:09:43,160
Speaker 1: They look pretty and gorgeous. Definitely made sure they make

172
00:09:43,240 --> 00:09:46,320
Speaker 1: up was tights. I like women with great makeup. I'm

173
00:09:46,320 --> 00:09:51,800
Speaker 1: into that. I'm into it. I acknowledge I'll be like

174
00:09:51,920 --> 00:09:55,760
Speaker 1: sometimes like girl, your lip line is not you gotta

175
00:09:55,800 --> 00:09:58,760
Speaker 1: get you gotta get your life together. Your shape up

176
00:09:58,760 --> 00:10:01,800
Speaker 1: on your lips and good. You gotta shape your lips up.

177
00:10:02,240 --> 00:10:08,320
Speaker 1: You know what I'm saying. The teams shout sound as

178
00:10:08,760 --> 00:10:11,719
Speaker 1: the fight of the movie. Yeah, look up the rich

179
00:10:11,760 --> 00:10:16,280
Speaker 1: Blanco even though he ain't here. My man, it's the lead, Diego,

180
00:10:16,760 --> 00:10:19,480
Speaker 1: Russ and everybody a part of the cool hour. Leaders.

181
00:10:21,679 --> 00:10:25,199
Speaker 1: You gotta get you rex what you're doing right now.

182
00:10:25,240 --> 00:10:34,560
Speaker 1: You gotta relax. Six dollars, you gotta relax, relaxed. But yo, man,

183
00:10:34,880 --> 00:10:37,040
Speaker 1: we're building that we visited earlier I forgot that was

184
00:10:37,160 --> 00:10:40,800
Speaker 1: pretty dope. Was it was? It was it was the

185
00:10:41,120 --> 00:10:45,720
Speaker 1: the country country Club, the gathering Club. So it's a

186
00:10:45,760 --> 00:10:47,880
Speaker 1: place you would go, you could meet, you could have

187
00:10:47,920 --> 00:10:50,720
Speaker 1: events there, and they had a full fledged of restaurant,

188
00:10:50,880 --> 00:10:55,880
Speaker 1: had a full fledged ball and private private So it's

189
00:10:56,160 --> 00:10:58,440
Speaker 1: very much worth birth the money whatever the money is

190
00:10:58,440 --> 00:11:00,000
Speaker 1: a month, I forget what they said, but it was

191
00:11:00,160 --> 00:11:02,880
Speaker 1: very much worth it. It was a very great environment.

192
00:11:02,920 --> 00:11:05,120
Speaker 1: I immediately wanted to drink as soon as I've seen it,

193
00:11:05,160 --> 00:11:07,840
Speaker 1: Like you know, usually I like I come to a place,

194
00:11:08,040 --> 00:11:10,040
Speaker 1: I just admire it and that's it. When I see

195
00:11:10,120 --> 00:11:12,200
Speaker 1: the ball, I was like, I'm the type of person

196
00:11:12,360 --> 00:11:14,640
Speaker 1: I have to have a drink there. And I did.

197
00:11:14,960 --> 00:11:19,400
Speaker 1: And let's make some thise to that academic but so

198
00:11:19,559 --> 00:11:26,880
Speaker 1: big up. So my people, uh didn't work. You know

199
00:11:26,920 --> 00:11:29,120
Speaker 1: what you can tell you can tell Cube does fifteen

200
00:11:29,120 --> 00:11:34,520
Speaker 1: minute interviews in that set, like we were, it was

201
00:11:34,520 --> 00:11:36,960
Speaker 1: getting it was getting great crashes. We were you know

202
00:11:38,920 --> 00:11:41,440
Speaker 1: that we seen him get off the limo. We she

203
00:11:41,480 --> 00:11:43,320
Speaker 1: didn't get off the limo. We she didn't get in

204
00:11:43,360 --> 00:11:45,280
Speaker 1: the limo. I thought that was so fly. I felt

205
00:11:45,320 --> 00:11:48,439
Speaker 1: like to me, like to me, like like when a

206
00:11:48,559 --> 00:11:52,240
Speaker 1: person keeps something old school about them and they keep

207
00:11:52,280 --> 00:11:55,080
Speaker 1: it like to me, that's dope, Like it's like, yo,

208
00:11:55,320 --> 00:11:58,000
Speaker 1: you never forgot because like it was so dope that

209
00:11:58,040 --> 00:12:00,160
Speaker 1: he was in driving a studio and it was let

210
00:12:00,160 --> 00:12:02,760
Speaker 1: me to leave and I just for some reasons didn't

211
00:12:02,760 --> 00:12:05,600
Speaker 1: feel the energy to leave, and just to me see

212
00:12:06,000 --> 00:12:09,679
Speaker 1: him get into the limbo. He got us subourbon there

213
00:12:09,720 --> 00:12:12,720
Speaker 1: as well. But he said, I'm not security. Just like

214
00:12:12,760 --> 00:12:15,240
Speaker 1: you just said, he was little boy. Yeah, yeah he didn't.

215
00:12:15,240 --> 00:12:18,400
Speaker 1: He didn't. He didn't care that. Yeah, but he was little.

216
00:12:18,960 --> 00:12:24,000
Speaker 1: But I didn't know. Stanley was his cousin. Stanley the

217
00:12:24,120 --> 00:12:28,680
Speaker 1: guy you don't remember Stanley before keep off my grass,

218
00:12:29,080 --> 00:12:36,120
Speaker 1: the dude with the no no no mania. That was

219
00:12:36,200 --> 00:12:39,319
Speaker 1: Bernie Mac you're talking about. I'm talking abbout Bernie Mac

220
00:12:39,400 --> 00:12:49,719
Speaker 1: was the square dude, Like, yeah, that's Stanley tonight. So

221
00:12:50,120 --> 00:12:52,280
Speaker 1: and I've seen him yesterday. That's what really caught me

222
00:12:52,280 --> 00:12:54,960
Speaker 1: because I'm like, damn, and he's actually standing in front

223
00:12:54,960 --> 00:12:57,280
Speaker 1: of the cube. He's actually like walking like almost I

224
00:12:57,320 --> 00:12:59,000
Speaker 1: want to say, I don't want to say assisted because

225
00:12:59,000 --> 00:13:01,760
Speaker 1: that's like, but wasn't assistant roll. It was kind of

226
00:13:01,840 --> 00:13:05,120
Speaker 1: almost like security. It's the way he walked, and then

227
00:13:05,120 --> 00:13:06,600
Speaker 1: he just said as his cousin. But I did not

228
00:13:06,720 --> 00:13:09,480
Speaker 1: know that, and that now the Stanley is a fucking

229
00:13:10,080 --> 00:13:12,800
Speaker 1: a great fucking character, fra you know what I mean.

230
00:13:13,160 --> 00:13:15,160
Speaker 1: Draink got hyped and I didn't get to ask him.

231
00:13:15,200 --> 00:13:18,520
Speaker 1: Drinking didn't warranted because Draine found out right before that

232
00:13:18,760 --> 00:13:24,559
Speaker 1: he might be Jamaican. It's a great great grandparents. Only

233
00:13:24,640 --> 00:13:32,319
Speaker 1: another Jamaican would think like that, like nobody else this information.

234
00:13:32,400 --> 00:13:35,000
Speaker 1: But Dream didn't even He drank like a one to

235
00:13:35,360 --> 00:13:40,680
Speaker 1: side drinking the same coup. You can't we can't always

236
00:13:41,200 --> 00:13:43,679
Speaker 1: expect God guests to get drunk and things like that.

237
00:13:43,720 --> 00:13:46,320
Speaker 1: And and we're a better show. And he took a shot.

238
00:13:46,400 --> 00:13:48,360
Speaker 1: That was he took a san he took a shape,

239
00:13:48,400 --> 00:13:53,360
Speaker 1: and he's working. He's working too many, little man. You

240
00:13:53,360 --> 00:13:57,040
Speaker 1: know my brother Mike no I g Mike more I

241
00:13:57,400 --> 00:14:04,400
Speaker 1: big my brother song. Yeah, people of us were to diego.

242
00:14:04,960 --> 00:14:13,280
Speaker 1: We drove here like idiots from Yo. It was a

243
00:14:13,280 --> 00:14:15,760
Speaker 1: great trip. But I'm just saying it was an eightiot

244
00:14:15,880 --> 00:14:17,600
Speaker 1: like we were just all eightiots were just like you're

245
00:14:17,600 --> 00:14:19,920
Speaker 1: fucking tonight, And I just wanted one of them to

246
00:14:19,960 --> 00:14:22,960
Speaker 1: be like new anybody looked at they watched and say,

247
00:14:23,000 --> 00:14:26,600
Speaker 1: we ain't got ship to do with and this Valentine's Day.

248
00:14:26,600 --> 00:14:28,280
Speaker 1: And I looked at my girl, I said, come on,

249
00:14:28,280 --> 00:14:33,040
Speaker 1: one Valentinized dayta we gotta relax. We gotta relax, man.

250
00:14:33,400 --> 00:14:35,520
Speaker 1: And she's like, hey, she let me get away with it.

251
00:14:35,520 --> 00:14:38,400
Speaker 1: I kissed the missing already. I'm trying to get home.

252
00:14:38,640 --> 00:14:43,280
Speaker 1: Look at me. We can get me all. Don't be

253
00:14:43,360 --> 00:14:46,160
Speaker 1: afraid to give me all. I like the alls. God damnit.

254
00:14:46,680 --> 00:14:49,600
Speaker 1: So yeah, so we did. We came here two days earlier.

255
00:14:49,600 --> 00:14:51,640
Speaker 1: Atlanta is great. You know. We had we had a

256
00:14:51,720 --> 00:14:54,040
Speaker 1: ball out here then chick bing and my glue flew

257
00:14:54,080 --> 00:14:57,160
Speaker 1: out here and we were just having fun. And that's

258
00:14:57,200 --> 00:14:59,480
Speaker 1: what it's about, man, Like you know, we handle business

259
00:15:02,320 --> 00:15:07,840
Speaker 1: talking about at offers. Yeah, they've been crazy at the

260
00:15:07,840 --> 00:15:11,120
Speaker 1: wing stop stop. He took care of all the bill.

261
00:15:11,440 --> 00:15:15,160
Speaker 1: The bill was, the bill was gracious. But we have fun.

262
00:15:17,120 --> 00:15:27,520
Speaker 1: That's what it's about. Let's from yesterday. Let me go.

263
00:15:30,200 --> 00:15:32,360
Speaker 1: I don't know where you got to. I don't know

264
00:15:33,520 --> 00:15:40,680
Speaker 1: I was there. I wasn't little scoops right now, what

265
00:15:41,400 --> 00:15:48,880
Speaker 1: was DAGs? You got to have a clip right all right,

266
00:15:48,920 --> 00:15:50,880
Speaker 1: So we're gonna smoke blunt, look at your phone, and

267
00:15:50,880 --> 00:15:54,840
Speaker 1: we're gonna we're gonna hopefully enjoy what we did. Hopefully.

268
00:15:54,840 --> 00:15:56,920
Speaker 1: I enjoyed the teasers that we put out, you know

269
00:15:56,920 --> 00:15:59,320
Speaker 1: what I'm saying before the second season, because you know,

270
00:15:59,400 --> 00:16:01,600
Speaker 1: we're really into what we do. We really want you

271
00:16:01,600 --> 00:16:03,280
Speaker 1: guys to have fun. We really want you guys to

272
00:16:03,320 --> 00:16:06,720
Speaker 1: be entertained. We really want you guys to laugh, joke

273
00:16:07,160 --> 00:16:09,800
Speaker 1: and also learn something, you know what I mean. And

274
00:16:09,840 --> 00:16:11,680
Speaker 1: I think we've done We've done a great job. I

275
00:16:11,680 --> 00:16:15,000
Speaker 1: think we've done a great job. So with no further ado,

276
00:16:15,400 --> 00:16:24,160
Speaker 1: he goes to the ice Cube episode, Hey Hanks, that

277
00:16:24,240 --> 00:16:25,800
Speaker 1: green Hope, it's south of here. That's your point and

278
00:16:26,880 --> 00:16:29,480
Speaker 1: his dj e F and his Dreat Chance Mother podcast

279
00:16:29,600 --> 00:16:37,560
Speaker 1: make something And right now, it's the absolute honor for

280
00:16:37,640 --> 00:16:40,120
Speaker 1: me to introduce this man. Not only is he one

281
00:16:40,120 --> 00:16:43,480
Speaker 1: of my favorite rappers, he's also one of my favorite people.

282
00:16:43,880 --> 00:16:46,760
Speaker 1: Like the person that he is right now, I'm I

283
00:16:46,840 --> 00:16:48,760
Speaker 1: strive to be that, you know what I'm saying, as

284
00:16:48,800 --> 00:16:52,200
Speaker 1: a person that who who writes his own movies, produces

285
00:16:52,240 --> 00:16:55,120
Speaker 1: in his own movies, who you could tell he hand

286
00:16:55,200 --> 00:16:57,320
Speaker 1: picks his roles. I do a lot of things in

287
00:16:57,360 --> 00:16:59,480
Speaker 1: life and I say, if Ice Cube ain't doing it,

288
00:16:59,520 --> 00:17:01,560
Speaker 1: I ain't do on it. Like I live like that.

289
00:17:01,680 --> 00:17:03,920
Speaker 1: Like in real life, I'll be like, yo, somebody off

290
00:17:04,040 --> 00:17:06,440
Speaker 1: me pink popcorn. I'm like, I don't think a cute

291
00:17:06,920 --> 00:17:08,680
Speaker 1: you know what I mean? So in life I do that.

292
00:17:08,840 --> 00:17:11,440
Speaker 1: So I'm so honored to have in the building with

293
00:17:11,480 --> 00:17:13,800
Speaker 1: the drink Chance. It's the first time hip hop is

294
00:17:13,800 --> 00:17:16,920
Speaker 1: controlling media. My brother DJ e f Finn is a DJ.

295
00:17:17,320 --> 00:17:20,320
Speaker 1: I'm a hip hop artist. And we transitioned and we

296
00:17:20,600 --> 00:17:23,399
Speaker 1: now on the journalistic point of view, and we got

297
00:17:24,680 --> 00:17:29,040
Speaker 1: what this is like our biggest, biggest, goddamn it, motherfucking

298
00:17:29,080 --> 00:17:36,920
Speaker 1: West Coast legend school build it. I appreciate it. Man,

299
00:17:36,960 --> 00:17:40,040
Speaker 1: that's love. Now. I went to the man last night

300
00:17:40,119 --> 00:17:43,240
Speaker 1: and it was he hasn't stopped talking about that, not

301
00:17:43,440 --> 00:17:46,880
Speaker 1: talking about I'm going to go out and spend money. Yeah,

302
00:17:46,920 --> 00:17:49,440
Speaker 1: I got with the preview for free, but I'm gonna

303
00:17:49,480 --> 00:17:51,880
Speaker 1: spend money. I'm gonna bring my kids, I'm gonna bring

304
00:17:51,920 --> 00:17:56,000
Speaker 1: my wife because the movie was hilarious from the beginning. Now,

305
00:17:56,040 --> 00:17:59,199
Speaker 1: so when we speak about this movie, was, how did

306
00:17:59,200 --> 00:18:02,840
Speaker 1: you get approached to this movie? Uh? You know, I've

307
00:18:02,840 --> 00:18:06,600
Speaker 1: been um been working with New Line. Thank you. I've

308
00:18:06,600 --> 00:18:10,000
Speaker 1: been working with New Line for a minute, and they

309
00:18:10,040 --> 00:18:13,200
Speaker 1: had this project you know that they brought to me. Uh.

310
00:18:13,320 --> 00:18:16,119
Speaker 1: They said Charlie Dave was attached to it. Uh. And

311
00:18:16,160 --> 00:18:17,960
Speaker 1: I've been wanting to work with Charlie for a minute

312
00:18:17,960 --> 00:18:23,320
Speaker 1: because I think his form of comic is unique, you know,

313
00:18:23,480 --> 00:18:26,160
Speaker 1: and so I just knew if we ever did something

314
00:18:26,160 --> 00:18:30,440
Speaker 1: together it would be lit. And you know, it all

315
00:18:30,480 --> 00:18:33,320
Speaker 1: came together. You know. The director is a guy that

316
00:18:33,359 --> 00:18:36,480
Speaker 1: he worked with, you know, on Always Sunny. He shot

317
00:18:36,840 --> 00:18:40,360
Speaker 1: episodes of that, so you know, the synergy was right,

318
00:18:41,200 --> 00:18:44,360
Speaker 1: the role was right, and you know, we came out

319
00:18:44,400 --> 00:18:46,400
Speaker 1: here and did our thing. We shot it out in Atlanta,

320
00:18:46,920 --> 00:18:51,520
Speaker 1: and then you got Tracy Morgan of a turn of

321
00:18:51,640 --> 00:18:55,520
Speaker 1: Tracy Morgan is in this year and he's funny as

322
00:18:57,080 --> 00:18:59,840
Speaker 1: oh my god, like you like because sometimes you know,

323
00:19:00,000 --> 00:19:02,960
Speaker 1: the person goes through a tragic accident almost yeah, you

324
00:19:03,240 --> 00:19:05,880
Speaker 1: almost feel like that it's something gonna be different about him.

325
00:19:05,920 --> 00:19:09,560
Speaker 1: But he was straight up Tracy Morgan and it was hilarious. Yeah,

326
00:19:09,640 --> 00:19:13,080
Speaker 1: you know, it was just good to see see that dude. Uh.

327
00:19:13,160 --> 00:19:16,000
Speaker 1: I had worked with him before on First Sunday, did

328
00:19:16,000 --> 00:19:25,320
Speaker 1: a movie together. Yeah, yeah, and I got to go

329
00:19:25,400 --> 00:19:30,520
Speaker 1: with the money he had. He had an ankle bracelet

330
00:19:30,600 --> 00:19:36,040
Speaker 1: on his ankle, you know, so after we shot, he

331
00:19:36,080 --> 00:19:38,879
Speaker 1: had to go straight to the hotel and you know,

332
00:19:38,920 --> 00:19:40,880
Speaker 1: he said, man, doing that movie. You know, I really

333
00:19:41,280 --> 00:19:43,320
Speaker 1: thought about it. I got my life together after that.

334
00:19:43,920 --> 00:19:46,520
Speaker 1: It was cool to see him, you know, on the

335
00:19:46,560 --> 00:19:50,320
Speaker 1: other side of this accident and you know, just a

336
00:19:50,400 --> 00:19:53,880
Speaker 1: happy guy. You know what, He's still being healthy and happy. Yeah.

337
00:19:53,960 --> 00:19:56,320
Speaker 1: So now I'm gonna be a little bit all over

338
00:19:56,320 --> 00:19:59,440
Speaker 1: the place because this is something that that that hit

339
00:19:59,520 --> 00:20:02,560
Speaker 1: me crazy easy when I watched Straight out of Content. Yeah,

340
00:20:02,920 --> 00:20:06,320
Speaker 1: was your wife comes over to you and says, how

341
00:20:07,240 --> 00:20:11,480
Speaker 1: is Friday coming along? Yeah? So did you right Friday

342
00:20:11,600 --> 00:20:15,760
Speaker 1: when you were still doing n W. No, I just

343
00:20:15,880 --> 00:20:19,879
Speaker 1: left the group. But we wrote it in about ninety four,

344
00:20:20,200 --> 00:20:25,320
Speaker 1: me and DJ what you wrote Friday in lanty four?

345
00:20:26,080 --> 00:20:29,600
Speaker 1: We shot at ninety five, so around that certificate time

346
00:20:29,680 --> 00:20:32,040
Speaker 1: or right after right after, and then it came out

347
00:20:32,040 --> 00:20:35,720
Speaker 1: of ninety five. Yeah, we shot Friday came out later.

348
00:20:37,040 --> 00:20:39,800
Speaker 1: So but you you so you had the forcelight to

349
00:20:39,800 --> 00:20:43,240
Speaker 1: to write this movie. Yeah. You know, we was fans

350
00:20:43,320 --> 00:20:47,880
Speaker 1: of Hollywood Shuffle, which is a Robert Townsend comedy about

351
00:20:48,680 --> 00:20:52,040
Speaker 1: you know, black people's experience going through in Hollywood. So

352
00:20:53,040 --> 00:20:56,160
Speaker 1: it just we heard that he had he had done

353
00:20:56,200 --> 00:20:59,639
Speaker 1: that movie Off for Credit Cards. Basically he shot that movie,

354
00:21:00,440 --> 00:21:03,399
Speaker 1: you know, kind of buying credit I mean getting credit

355
00:21:03,400 --> 00:21:07,280
Speaker 1: cards and and uh you know the charge and everything

356
00:21:07,520 --> 00:21:10,280
Speaker 1: and and kind of pieced it together. So we was like, Yo,

357
00:21:10,359 --> 00:21:12,600
Speaker 1: that's what we're gonna do. We're about to make a movie.

358
00:21:12,680 --> 00:21:16,720
Speaker 1: So me and Poole started writing it was DJ Pooh.

359
00:21:17,320 --> 00:21:20,680
Speaker 1: We as fans of In Living Color too, you know. Uh.

360
00:21:20,760 --> 00:21:26,080
Speaker 1: So it started coming together and and New Line got

361
00:21:26,080 --> 00:21:28,520
Speaker 1: wind of it, and it was like, Yo, we'll make it.

362
00:21:28,520 --> 00:21:32,199
Speaker 1: Will make it with your credit card. He was on

363
00:21:32,280 --> 00:21:35,640
Speaker 1: Money but New Lincense Friday even, Yeah, I've been working

364
00:21:35,640 --> 00:21:41,040
Speaker 1: with New Lincense Friday. And it's that Stanley that's my cousin.

365
00:21:42,040 --> 00:21:45,879
Speaker 1: I keep on people grass to this day because yeahs

366
00:21:47,440 --> 00:21:50,800
Speaker 1: Stanley ain't let you walk with his grass. Damn. Let's up.

367
00:21:52,720 --> 00:21:55,919
Speaker 1: So when you wrote Friday, did you know that this

368
00:21:56,000 --> 00:21:59,200
Speaker 1: is a cult movie? Like immediately I knew it was

369
00:21:59,240 --> 00:22:01,720
Speaker 1: a movie that only like I felt like, only cool

370
00:22:01,760 --> 00:22:05,760
Speaker 1: people get this movie, you know, because it's just too hood.

371
00:22:05,880 --> 00:22:09,399
Speaker 1: But it's too funny. But you know what happened was

372
00:22:09,480 --> 00:22:12,800
Speaker 1: everybody got it. You know, everybody came to the party,

373
00:22:13,040 --> 00:22:15,520
Speaker 1: and I just thought it was gonna be like like

374
00:22:15,560 --> 00:22:17,639
Speaker 1: my records. I thought only you know, people in the

375
00:22:17,640 --> 00:22:20,320
Speaker 1: hood was gonna buy and everybody end up buying them.

376
00:22:20,320 --> 00:22:21,920
Speaker 1: We kind of felt the same way with the movie

377
00:22:21,960 --> 00:22:24,760
Speaker 1: that it wasn't too many people in Hollywood like us

378
00:22:25,480 --> 00:22:28,240
Speaker 1: and this movie, you know, is a little different than

379
00:22:28,280 --> 00:22:32,320
Speaker 1: what people used to uh So we felt like only

380
00:22:32,320 --> 00:22:35,320
Speaker 1: a niche group of people would would like this movie

381
00:22:35,359 --> 00:22:38,400
Speaker 1: because because that was that was very It was very

382
00:22:38,480 --> 00:22:41,520
Speaker 1: crazy that you had such a lustrious career as a

383
00:22:41,600 --> 00:22:44,040
Speaker 1: hip hop artist. He was part of the arguably the

384
00:22:44,080 --> 00:22:46,359
Speaker 1: best group of all times, in my opinion, the best

385
00:22:46,359 --> 00:22:48,680
Speaker 1: group of all times. Then you go have your own

386
00:22:48,800 --> 00:22:52,040
Speaker 1: solo success. Why did you even think, like, let me

387
00:22:52,080 --> 00:22:55,119
Speaker 1: do a movie next? Um, I got bit by the

388
00:22:55,160 --> 00:22:57,439
Speaker 1: bug working with John Singleton. Boys gonna put me in

389
00:22:57,440 --> 00:23:00,280
Speaker 1: Boys in the Hood, And you know one that was

390
00:23:00,320 --> 00:23:03,040
Speaker 1: over at this crib and he was like, your que

391
00:23:03,080 --> 00:23:06,560
Speaker 1: when you're gonna write a movie. I'm like what, I'm like,

392
00:23:07,000 --> 00:23:09,720
Speaker 1: China came over here to have a big and I didn't,

393
00:23:11,880 --> 00:23:14,320
Speaker 1: you know, get put to work. He was like, no, no,

394
00:23:14,400 --> 00:23:15,800
Speaker 1: I think you can do it. I'm like, what makes

395
00:23:15,840 --> 00:23:18,159
Speaker 1: you think I could do it? He said, the record?

396
00:23:18,240 --> 00:23:20,200
Speaker 1: You right? You know so vivid, I know you can

397
00:23:20,200 --> 00:23:24,399
Speaker 1: write a movie. So that night, it's the trip. I

398
00:23:24,400 --> 00:23:27,480
Speaker 1: went to the computer store and bought a computer and

399
00:23:28,720 --> 00:23:30,639
Speaker 1: I got the programs I needed. That was back when

400
00:23:30,680 --> 00:23:33,200
Speaker 1: you had to load all the damn programs into the computer.

401
00:23:33,880 --> 00:23:36,800
Speaker 1: And uh, and I started writing the script that night.

402
00:23:37,800 --> 00:23:40,120
Speaker 1: I didn't know what I was doing. I just started.

403
00:23:41,160 --> 00:23:46,240
Speaker 1: The first two scripts I wrote was Whack Garbage Folly,

404
00:23:46,359 --> 00:23:50,560
Speaker 1: still worth four hundred million dollars. But but you know,

405
00:23:50,640 --> 00:23:53,840
Speaker 1: the third one was Friday, And you know, seeing that

406
00:23:53,920 --> 00:23:55,919
Speaker 1: when getting made, I kind of knew what I was

407
00:23:56,400 --> 00:23:59,080
Speaker 1: doing right, knew what I was doing wrong. Just kept

408
00:23:59,119 --> 00:24:01,080
Speaker 1: on from now. Who was the up AFT on Friday?

409
00:24:01,240 --> 00:24:06,600
Speaker 1: Um Gray as Steve Carr did a Friday too? Right?

410
00:24:06,720 --> 00:24:09,879
Speaker 1: He did next front? Okay, okay, I worked with Steve Carbore,

411
00:24:10,080 --> 00:24:22,240
Speaker 1: He's crazy. Welcome to play a new podcast network featuring

412
00:24:22,359 --> 00:24:26,840
Speaker 1: radio and TV personalities talking business, sports, tech, entertainment, and more.

413
00:24:27,160 --> 00:24:31,480
Speaker 1: Play it at play dot it. We're back to Drink

414
00:24:31,560 --> 00:24:35,440
Speaker 1: Champs Radio with Rapper and R and d J. Then

415
00:24:37,760 --> 00:24:44,119
Speaker 1: so now now easy, Yeah, easy, he said one of

416
00:24:44,160 --> 00:24:48,720
Speaker 1: the most prolific lines in life. He said, ice cube,

417
00:24:48,880 --> 00:24:53,359
Speaker 1: right the rhymes that I say, And nobody thought he

418
00:24:53,520 --> 00:24:57,040
Speaker 1: was a sucker for that. But right now, Drake and

419
00:24:57,080 --> 00:24:59,359
Speaker 1: all these people like, how did you feel when you

420
00:24:59,440 --> 00:25:03,440
Speaker 1: heard about the Drake thing? Um, I don't think it's

421
00:25:03,480 --> 00:25:07,160
Speaker 1: a big deal. I think you got to two categories,

422
00:25:07,240 --> 00:25:10,480
Speaker 1: you know, of of m c s. You know, you

423
00:25:10,560 --> 00:25:13,160
Speaker 1: got mcs who could just kind of grab the mic

424
00:25:13,880 --> 00:25:17,720
Speaker 1: and just ripped and they you know, naturally that and

425
00:25:17,720 --> 00:25:21,160
Speaker 1: then you've got guys who you know, make good records

426
00:25:21,160 --> 00:25:22,919
Speaker 1: and make it, you know, and that's really what it's

427
00:25:22,920 --> 00:25:25,000
Speaker 1: all about. What coming what's coming out to speak is

428
00:25:25,760 --> 00:25:27,919
Speaker 1: when it comes to this record gag because when you

429
00:25:27,960 --> 00:25:31,560
Speaker 1: were an Easy were you writing it from his perspective?

430
00:25:31,680 --> 00:25:34,600
Speaker 1: Were you like saying, I'm gonna write it from Eric

431
00:25:35,200 --> 00:25:38,640
Speaker 1: or was it like it was I mean his perspective

432
00:25:38,840 --> 00:25:42,600
Speaker 1: is are my perspective? We all come from the same

433
00:25:42,640 --> 00:25:46,080
Speaker 1: area going through the same issue. So I never looked

434
00:25:46,119 --> 00:25:51,080
Speaker 1: at it like I'm writing the Easy record only only

435
00:25:51,200 --> 00:25:54,480
Speaker 1: he could do. You know. It's kind of like, you know,

436
00:25:54,520 --> 00:25:56,720
Speaker 1: I just took his name out and put my name

437
00:25:56,800 --> 00:25:59,080
Speaker 1: in there, you know to be my rhyd Now did

438
00:25:59,119 --> 00:26:00,919
Speaker 1: it happen like that in a movie? Because like in

439
00:26:00,960 --> 00:26:06,320
Speaker 1: the movie, Um, I think y'all y'all was writing around

440
00:26:06,359 --> 00:26:11,040
Speaker 1: for East Coast dudes. YEA, yeah, I was definitely disappointed

441
00:26:13,520 --> 00:26:20,960
Speaker 1: they couldn't write to drive. I'm really happy Easy wanted

442
00:26:21,000 --> 00:26:24,440
Speaker 1: to be a manager. He just wanted to manage the groups.

443
00:26:24,720 --> 00:26:28,400
Speaker 1: He didn't want to wrap and New York was so

444
00:26:28,480 --> 00:26:31,960
Speaker 1: hot in l A was so cold. He was like, man,

445
00:26:32,000 --> 00:26:34,440
Speaker 1: I want a New York group. So he found these

446
00:26:34,520 --> 00:26:39,800
Speaker 1: dudes out of New York called Homeboys only HBO I

447
00:26:39,800 --> 00:26:44,760
Speaker 1: think I remember them, and he said he was like, yo, right,

448
00:26:45,280 --> 00:26:48,119
Speaker 1: cute right one of them hood wraps for these dudes.

449
00:26:48,840 --> 00:26:51,680
Speaker 1: So I did it. But when I wasn't rolling in

450
00:26:51,720 --> 00:26:58,720
Speaker 1: the sixth foll wasn't really roll no third period, So

451
00:26:59,600 --> 00:27:01,560
Speaker 1: I wrote did and gave it to him and they

452
00:27:01,680 --> 00:27:09,320
Speaker 1: was like, man, this, what are you talking about? Ganking six? Yeah, Jack,

453
00:27:09,640 --> 00:27:11,680
Speaker 1: we don't know what you're talking about. Man, this ain't

454
00:27:11,720 --> 00:27:14,159
Speaker 1: got nothing to do with where we're from. So I

455
00:27:14,200 --> 00:27:16,399
Speaker 1: think it was just the fact that the rhymes was

456
00:27:16,520 --> 00:27:20,719
Speaker 1: so l a. They they just was like, no, and

457
00:27:20,800 --> 00:27:26,520
Speaker 1: you act easy, you say easy dred so easy, man,

458
00:27:26,560 --> 00:27:28,480
Speaker 1: what you do it? We got at the studio time,

459
00:27:29,640 --> 00:27:32,280
Speaker 1: we paid for it once you tried. Because Drey was

460
00:27:32,280 --> 00:27:36,040
Speaker 1: producing all kind of records and he was producing, you know,

461
00:27:36,200 --> 00:27:39,960
Speaker 1: he was moonlighting basically just producing these side records, so

462
00:27:40,960 --> 00:27:42,960
Speaker 1: you know, he was used to working with guys who

463
00:27:43,880 --> 00:27:47,159
Speaker 1: you know, dudes was paying any money. DJ's from radio

464
00:27:47,240 --> 00:27:50,800
Speaker 1: stations was like, yo, I got this creative rap. I

465
00:27:50,840 --> 00:27:53,239
Speaker 1: want you to do the beat for it. So you know,

466
00:27:53,359 --> 00:27:55,920
Speaker 1: Dre was like that, you know, just trying to trying

467
00:27:55,960 --> 00:27:58,600
Speaker 1: to get on, trying to get money, and so it

468
00:27:58,680 --> 00:28:01,760
Speaker 1: was like, easy, can coach you up, you know what

469
00:28:01,880 --> 00:28:05,359
Speaker 1: you're doing now. In the movie, it was like you

470
00:28:05,520 --> 00:28:10,160
Speaker 1: were like the only business savvy person, like you knew, uh,

471
00:28:10,200 --> 00:28:13,640
Speaker 1: you knew to ask for like certain things. And all

472
00:28:13,680 --> 00:28:15,679
Speaker 1: the other artists they were they were kind of I mean,

473
00:28:15,720 --> 00:28:17,520
Speaker 1: according to the movie, it kind of seemed like they

474
00:28:17,520 --> 00:28:19,760
Speaker 1: were cool with going on too all getting some checks

475
00:28:20,119 --> 00:28:22,560
Speaker 1: and smoking some weed and they were. But you had

476
00:28:22,560 --> 00:28:25,959
Speaker 1: the foresight to say, I know that I'm I'm old something.

477
00:28:26,520 --> 00:28:29,440
Speaker 1: How did you develop that business mind sense? I mean,

478
00:28:29,640 --> 00:28:31,320
Speaker 1: you know, it ain't it ain't like I'm from a

479
00:28:31,400 --> 00:28:34,040
Speaker 1: different planet, you know, it's each one to teach one,

480
00:28:34,160 --> 00:28:37,280
Speaker 1: you know. I had a publicist. The publicist for in

481
00:28:37,560 --> 00:28:41,160
Speaker 1: w A was a lady named pass Shop And if y'all,

482
00:28:41,200 --> 00:28:44,160
Speaker 1: if y'all know Friday, y'all know, y'all see that ain't

483
00:28:44,200 --> 00:28:47,160
Speaker 1: pass Shoping now. But she ended up becoming my manager.

484
00:28:47,640 --> 00:28:50,280
Speaker 1: But before she was my manager, she was like as

485
00:28:50,280 --> 00:28:53,800
Speaker 1: soon as she saw Jerry Heller, she was like, y'all

486
00:28:53,880 --> 00:28:55,680
Speaker 1: know this guy? Do you know who this dude is?

487
00:28:55,720 --> 00:28:58,880
Speaker 1: And I'm like, nope, Who's he? Somebody easy brought around?

488
00:28:59,280 --> 00:29:02,680
Speaker 1: So she would give me the game on like did

489
00:29:02,720 --> 00:29:06,160
Speaker 1: y'all sign a contract with him? Like? Nah? Because she

490
00:29:06,240 --> 00:29:10,000
Speaker 1: knew his history and he was a guy. I mean,

491
00:29:10,680 --> 00:29:12,560
Speaker 1: she knew his history. I don't know what he was

492
00:29:12,600 --> 00:29:16,040
Speaker 1: knowing for, but she was like, yo, so she starts saying,

493
00:29:17,320 --> 00:29:19,120
Speaker 1: did he get you? Kind of you know, just kind

494
00:29:19,160 --> 00:29:21,960
Speaker 1: of giving me the game. So I was I was like,

495
00:29:22,680 --> 00:29:24,320
Speaker 1: you know this the dude I need to watch then,

496
00:29:24,480 --> 00:29:26,800
Speaker 1: you know, because if she I don't even really know

497
00:29:26,880 --> 00:29:29,360
Speaker 1: her that good and if she's saying to watch him,

498
00:29:29,760 --> 00:29:32,520
Speaker 1: I don't know none of these people. So I'm watching everybody.

499
00:29:33,000 --> 00:29:37,360
Speaker 1: And that's how I started to just notice things wasn't happening,

500
00:29:37,920 --> 00:29:39,880
Speaker 1: you know, because I was young too. We all young.

501
00:29:40,360 --> 00:29:43,200
Speaker 1: We're happy to just be doing a record, We're happy

502
00:29:43,240 --> 00:29:46,520
Speaker 1: to be on tour, We're happy to just be part

503
00:29:46,560 --> 00:29:50,200
Speaker 1: of hip hop and not just locals no more. So

504
00:29:51,000 --> 00:29:54,080
Speaker 1: you know, I would listen to that lady, you know

505
00:29:54,120 --> 00:29:56,680
Speaker 1: what I mean, And and she was giving me a

506
00:29:56,680 --> 00:29:59,400
Speaker 1: lot of good game, and I was using it. And

507
00:29:59,440 --> 00:30:01,840
Speaker 1: I was helping them too. You know, in the movie

508
00:30:01,960 --> 00:30:04,960
Speaker 1: Don't Don't Show that, I go to win and say, look, man,

509
00:30:05,440 --> 00:30:08,720
Speaker 1: don't don't sign nothing. You know, I got already knew,

510
00:30:09,080 --> 00:30:11,560
Speaker 1: They already knew somewhere coming. Yeah, they knew where I

511
00:30:11,560 --> 00:30:14,240
Speaker 1: was coming from. And you know they clowned me when

512
00:30:14,240 --> 00:30:17,040
Speaker 1: I didn't sign that contract. Man, And it really was

513
00:30:17,160 --> 00:30:22,400
Speaker 1: seventy it was. Is there any reason y'all didn't portray?

514
00:30:22,640 --> 00:30:26,000
Speaker 1: Hold on? Hold on? Because I want you to go there?

515
00:30:26,080 --> 00:30:28,760
Speaker 1: But do you know seventy five thousand back then was

516
00:30:28,800 --> 00:30:32,160
Speaker 1: like seven hundreds? So how did you walk away? And

517
00:30:32,200 --> 00:30:33,800
Speaker 1: I would go right back to your question. I'm sorry,

518
00:30:34,000 --> 00:30:38,160
Speaker 1: but um, how did I like every young black kid

519
00:30:38,160 --> 00:30:40,760
Speaker 1: from toghether it would have took that seventy five? Yeah,

520
00:30:40,960 --> 00:30:43,640
Speaker 1: why didn't you want to do that I knew they

521
00:30:44,200 --> 00:30:46,720
Speaker 1: owed me more more. I knew they owed me more,

522
00:30:47,320 --> 00:30:50,160
Speaker 1: so I knew if I took that, then I was

523
00:30:50,200 --> 00:30:54,720
Speaker 1: accepting that that I wasn't paid more, that this was cool,

524
00:30:54,800 --> 00:30:56,720
Speaker 1: and I was like, this ain't cool. They gave me

525
00:30:56,720 --> 00:31:03,120
Speaker 1: five thousand dollars. I was happy seventy. You know, It's like, dude,

526
00:31:03,160 --> 00:31:06,680
Speaker 1: you know when when you ain't never had nothing, and

527
00:31:06,680 --> 00:31:09,920
Speaker 1: and you start getting getting a little and you start

528
00:31:09,920 --> 00:31:12,400
Speaker 1: seeing people get a lot, and you start saying, with

529
00:31:12,600 --> 00:31:16,920
Speaker 1: hold on, man, I'm putting in more work than anybody,

530
00:31:17,040 --> 00:31:20,280
Speaker 1: or you know, most of the people around you know

531
00:31:20,440 --> 00:31:22,920
Speaker 1: just throw up red flag. And where I'm from, it's

532
00:31:22,960 --> 00:31:25,920
Speaker 1: like if you know somebody beating you and you accept it,

533
00:31:26,840 --> 00:31:30,960
Speaker 1: you're just a bit period period you So I was

534
00:31:30,960 --> 00:31:32,880
Speaker 1: asking about Arabian princes. Is there any reason why he

535
00:31:32,920 --> 00:31:36,800
Speaker 1: wasn't portrayed in the film? Um, you know, it's really

536
00:31:36,840 --> 00:31:38,680
Speaker 1: like in a movie you don't even have so much

537
00:31:38,720 --> 00:31:42,200
Speaker 1: real estate. And you know, he got out the group

538
00:31:42,760 --> 00:31:44,640
Speaker 1: it's a trip. As soon as he saw Jerry, he

539
00:31:44,720 --> 00:31:49,160
Speaker 1: was like, I'm out. I mean the original Yeah, he was.

540
00:31:50,120 --> 00:31:53,640
Speaker 1: He quit the day after we shot that cover. He

541
00:31:53,720 --> 00:31:57,040
Speaker 1: quit the day after we shot he quit. He quit,

542
00:31:58,080 --> 00:32:01,160
Speaker 1: he wouldn't talk to He knew about Jerry because because

543
00:32:01,160 --> 00:32:04,240
Speaker 1: he had done records with mccolla, he knew Jerry was

544
00:32:04,240 --> 00:32:07,080
Speaker 1: sitting there and wait for artists. He was like, Easy,

545
00:32:07,240 --> 00:32:09,320
Speaker 1: what's up, man, Why are you signing with this dude?

546
00:32:10,000 --> 00:32:14,479
Speaker 1: And I think, you know, Easy was like, he's a

547
00:32:14,520 --> 00:32:17,840
Speaker 1: dope dealer that's making records and this dude is like, yeah,

548
00:32:17,840 --> 00:32:21,760
Speaker 1: I'm gonna take you off of that at level and

549
00:32:22,000 --> 00:32:24,960
Speaker 1: turning into some legit stuff. And he did get us,

550
00:32:25,280 --> 00:32:28,240
Speaker 1: you know, he did get doors open, and he did

551
00:32:28,280 --> 00:32:32,160
Speaker 1: get us a deal Jerry, you know, because the Majors

552
00:32:32,200 --> 00:32:35,640
Speaker 1: wasn't giving us no deal. He was like, nah, it's

553
00:32:36,120 --> 00:32:39,400
Speaker 1: too crazy. So uh, you know, he did his thing

554
00:32:39,440 --> 00:32:43,360
Speaker 1: in business by Easy, but he didn't do it by us.

555
00:32:43,960 --> 00:32:47,320
Speaker 1: And then we find out that, you know, he was

556
00:32:47,360 --> 00:32:50,960
Speaker 1: even still it from Easy. So it was just, you know,

557
00:32:50,960 --> 00:32:56,720
Speaker 1: I don't want to talk about the dead, but yeah, whatever, Yeah,

558
00:32:57,080 --> 00:32:58,880
Speaker 1: at least he was a part of getting y'all out

559
00:32:58,920 --> 00:33:01,920
Speaker 1: though all probably that's why in the movie, you know,

560
00:33:02,200 --> 00:33:05,560
Speaker 1: if you really look at he was, we didn't we

561
00:33:05,600 --> 00:33:12,280
Speaker 1: didn't lampooning like we like I wanted to. We you know,

562
00:33:12,360 --> 00:33:16,160
Speaker 1: we we did all right, buying Now you worked with

563
00:33:16,600 --> 00:33:21,920
Speaker 1: arguably everybody's top five producer of all times. Was Dr

564
00:33:22,000 --> 00:33:25,200
Speaker 1: Dre always special or that was something that it was

565
00:33:25,240 --> 00:33:28,200
Speaker 1: developed in time. He was always special, you know, first

566
00:33:28,280 --> 00:33:33,160
Speaker 1: Djan then doing mix tapes. It was the O G

567
00:33:33,400 --> 00:33:36,360
Speaker 1: mix tape now, not the new mix tapes where they

568
00:33:36,440 --> 00:33:38,800
Speaker 1: just got somebody beating you wrap over it, because the

569
00:33:38,880 --> 00:33:49,760
Speaker 1: mix tape back then was mixing, actually mixing, mixing, mixing records.

570
00:33:49,800 --> 00:33:52,320
Speaker 1: You know, he was, he was hot. He was always nice,

571
00:33:52,400 --> 00:33:55,840
Speaker 1: you know, uh making beats, it's just his you know,

572
00:33:55,960 --> 00:34:00,040
Speaker 1: his his ear is he just hears stuff different what

573
00:34:00,080 --> 00:34:05,280
Speaker 1: I'm saying, and he's tedious and he liked it. He

574
00:34:06,080 --> 00:34:08,600
Speaker 1: won't let you out that booth til you get it right. Yeah,

575
00:34:08,719 --> 00:34:11,480
Speaker 1: some dudes can't handle it. I mean I heard chastise

576
00:34:11,640 --> 00:34:14,200
Speaker 1: some dudes. You know, they used to going in there

577
00:34:14,239 --> 00:34:18,239
Speaker 1: and just spitting right nah nah. But that's how I

578
00:34:18,280 --> 00:34:21,160
Speaker 1: know you was a real artists. I remember we did

579
00:34:21,239 --> 00:34:24,759
Speaker 1: Pushing Weight the remix, and you said, Norri has to

580
00:34:24,800 --> 00:34:27,200
Speaker 1: come to the studio, and you actually wanted to come

581
00:34:27,200 --> 00:34:29,960
Speaker 1: into the stud and see me right my rhyme and

582
00:34:30,040 --> 00:34:32,560
Speaker 1: like that, like you wanted you like to me that's

583
00:34:32,640 --> 00:34:34,800
Speaker 1: real because when you do a record with somebody, you

584
00:34:34,800 --> 00:34:38,520
Speaker 1: should share world. And I just knew one hundred said,

585
00:34:38,520 --> 00:34:41,600
Speaker 1: this guy is authentic because of that, because I knew

586
00:34:41,640 --> 00:34:43,319
Speaker 1: you could have You could have sent me the record

587
00:34:43,320 --> 00:34:44,640
Speaker 1: wherever I was at and I could have did it.

588
00:34:44,640 --> 00:34:46,319
Speaker 1: He was like, I'm gonna be in the studio with him.

589
00:34:46,360 --> 00:34:49,280
Speaker 1: And I always knew you one hundred percent real artists

590
00:34:49,320 --> 00:34:51,480
Speaker 1: for that. That's what it's all about. Man, you know

591
00:34:51,520 --> 00:34:53,520
Speaker 1: we're gonna do a record together. I don't want to

592
00:34:53,560 --> 00:34:56,560
Speaker 1: send it over there. You know, we gotta be we

593
00:34:56,640 --> 00:35:00,600
Speaker 1: gotta vibe, you know, or oh, we shouldn't do a

594
00:35:00,600 --> 00:35:06,759
Speaker 1: record together. We smoked helloween that day, were as a

595
00:35:06,800 --> 00:35:08,879
Speaker 1: fly ship to say just right now, we're gonna chill

596
00:35:08,960 --> 00:35:10,759
Speaker 1: because we don't want smoking bills and ship like that.

597
00:35:10,800 --> 00:35:15,799
Speaker 1: But you know, um, so now you you you you

598
00:35:15,800 --> 00:35:21,359
Speaker 1: you you you do Friday? What makes you say let

599
00:35:21,360 --> 00:35:25,279
Speaker 1: me continue this franchise and go and do Friday Part two?

600
00:35:25,320 --> 00:35:29,680
Speaker 1: Because now Friday Part two, Chris Tucker is not a

601
00:35:29,760 --> 00:35:32,480
Speaker 1: part of this. Yeah, So what made you still want

602
00:35:32,520 --> 00:35:34,319
Speaker 1: to say I'm gonna I'm gonna continue to do that?

603
00:35:34,719 --> 00:35:38,000
Speaker 1: Why I didn't want to? I was like, why no,

604
00:35:38,239 --> 00:35:41,279
Speaker 1: Chris Man, what is this movie? You know? It's like,

605
00:35:42,360 --> 00:35:46,360
Speaker 1: you know, just like you're losing a major piece, shock

606
00:35:46,440 --> 00:35:48,759
Speaker 1: and Kobe breaking up, you know what I mean? It's like,

607
00:35:48,800 --> 00:35:52,719
Speaker 1: how can how could y'all win championships? But then I

608
00:35:52,760 --> 00:35:57,160
Speaker 1: started thinking, like, you know, this movie is not about

609
00:35:57,320 --> 00:36:02,839
Speaker 1: two people. It's about a day. It's about understanding your

610
00:36:02,920 --> 00:36:06,680
Speaker 1: environment and having a little fun laughing at it. So

611
00:36:06,719 --> 00:36:10,040
Speaker 1: I'm like, yo, it makes sense if we're gonna continue

612
00:36:10,040 --> 00:36:14,440
Speaker 1: this for Craig maybe to go off the block ranching

613
00:36:14,480 --> 00:36:17,759
Speaker 1: all the characters. You know, we're gonna introduce you You

614
00:36:17,920 --> 00:36:19,680
Speaker 1: had no idea that was a real place the way

615
00:36:20,760 --> 00:36:24,160
Speaker 1: were wont We're wonna be in a new place. We're

616
00:36:24,200 --> 00:36:27,040
Speaker 1: having new cast of characters. And then I started saying

617
00:36:27,080 --> 00:36:30,680
Speaker 1: it like yo, when I saw Mike Gapps do stand up,

618
00:36:30,760 --> 00:36:35,480
Speaker 1: I'm like, we have that's Craig cousin. That's Craig Cousin

619
00:36:35,600 --> 00:36:38,160
Speaker 1: right now. So I was like, yo, we can we

620
00:36:38,280 --> 00:36:40,880
Speaker 1: can keep this thing going, you know, and just have

621
00:36:41,640 --> 00:36:45,600
Speaker 1: my cousin instead of my friend and just clown about

622
00:36:45,680 --> 00:36:48,920
Speaker 1: being away from the hood. Now, be honest, because Chris

623
00:36:49,040 --> 00:36:54,000
Speaker 1: Tucker destroy Please did you did you think Mike apps

624
00:36:54,000 --> 00:36:55,920
Speaker 1: because now Mike Epps is a no name like at

625
00:36:55,960 --> 00:36:59,640
Speaker 1: this time, like I don't remember being in the movie.

626
00:36:59,760 --> 00:37:02,359
Speaker 1: There it up and people being like when they saw

627
00:37:02,520 --> 00:37:05,800
Speaker 1: that it wasn't uh data, it was smoking, excuse me

628
00:37:06,080 --> 00:37:08,359
Speaker 1: when they saw it wasn't smoking, like people were they

629
00:37:08,480 --> 00:37:11,440
Speaker 1: actually were boring at first when they seen that there

630
00:37:11,560 --> 00:37:15,239
Speaker 1: was and in it transitions to be like, but did

631
00:37:15,320 --> 00:37:17,080
Speaker 1: you know that he can hold it down or did

632
00:37:17,160 --> 00:37:19,279
Speaker 1: you have doubts? I mean, I know he can hold

633
00:37:19,320 --> 00:37:22,800
Speaker 1: it down. I knew that we can make because Friday

634
00:37:23,000 --> 00:37:26,920
Speaker 1: is about it, it's about a field. It's more than

635
00:37:27,160 --> 00:37:31,719
Speaker 1: just one person, you know, housing the movie. It's a

636
00:37:32,920 --> 00:37:35,880
Speaker 1: it's his own thing in a way. So I just

637
00:37:36,040 --> 00:37:40,680
Speaker 1: knew that the cast that we had in the story,

638
00:37:41,200 --> 00:37:43,040
Speaker 1: of course it was gonna jar people a little bit.

639
00:37:43,160 --> 00:37:45,960
Speaker 1: But I knew once people got a chance to really

640
00:37:46,920 --> 00:37:50,840
Speaker 1: feel my gaps and see him that his comedy is

641
00:37:51,000 --> 00:37:54,880
Speaker 1: mo hood and Smokey's to me. And I just felt like,

642
00:37:55,239 --> 00:37:58,399
Speaker 1: people are you know, they love him to tell people

643
00:37:58,440 --> 00:38:01,920
Speaker 1: love my cap because he's so real and raw with it.

644
00:38:02,480 --> 00:38:05,600
Speaker 1: And then when we did part three, you know, bringing

645
00:38:05,680 --> 00:38:09,320
Speaker 1: Cat Williams and bringing in Terry Crews, it just was

646
00:38:10,160 --> 00:38:13,759
Speaker 1: Triple O. G Yeah, it's just it's just, uh, it's

647
00:38:13,800 --> 00:38:16,680
Speaker 1: just a franchise people love and we want to do

648
00:38:16,760 --> 00:38:22,160
Speaker 1: another one. But we gotta do it. Right there, I

649
00:38:22,280 --> 00:38:24,720
Speaker 1: hear this is correct. It's gonna be a last Friday

650
00:38:25,040 --> 00:38:29,960
Speaker 1: with Smokey and that's what we want. We're still trying

651
00:38:30,000 --> 00:38:31,680
Speaker 1: to get Chris to do the rolling that. I know

652
00:38:31,800 --> 00:38:34,319
Speaker 1: this is very bad and I'm just throwing myself in there,

653
00:38:34,320 --> 00:38:38,279
Speaker 1: but I think I think I belong. Just throw me

654
00:38:38,360 --> 00:38:40,200
Speaker 1: in there. I could be the garbage man. I could

655
00:38:40,200 --> 00:38:44,360
Speaker 1: be maybe the guy who picks up smoking whatever. I

656
00:38:44,440 --> 00:38:46,439
Speaker 1: didn't do whatever, because yeah, you know, I mean I'm

657
00:38:46,480 --> 00:38:48,959
Speaker 1: just such a fan of that. So so it would

658
00:38:48,960 --> 00:38:50,719
Speaker 1: be a last Friday with both of them, I hope.

659
00:38:50,760 --> 00:38:53,719
Speaker 1: So you know, it's like I can't make Chris do it,

660
00:38:53,840 --> 00:38:58,480
Speaker 1: but fans can do. Yeah. Yeah, you know we're doing.

661
00:38:58,520 --> 00:39:00,040
Speaker 1: I think you gotta write rushing over there too. You

662
00:39:00,120 --> 00:39:04,800
Speaker 1: got be celebrating you tonight. Ice C. You know, I

663
00:39:04,800 --> 00:39:06,640
Speaker 1: don't know if you know about show what it is is.

664
00:39:06,719 --> 00:39:08,920
Speaker 1: You know, when people in this music business, they got

665
00:39:08,960 --> 00:39:10,680
Speaker 1: more than ten years, they try to kick us out.

666
00:39:10,880 --> 00:39:12,399
Speaker 1: They try to say we old, They try to say

667
00:39:12,480 --> 00:39:15,839
Speaker 1: me washed up. But me, you if we are prime

668
00:39:15,920 --> 00:39:17,840
Speaker 1: examples that you can do whatever you want to do

669
00:39:18,040 --> 00:39:19,960
Speaker 1: as long as you want to do it and continue

670
00:39:20,000 --> 00:39:22,680
Speaker 1: to have fun. So tonight we are celebrating ice Cube

671
00:39:22,880 --> 00:39:24,680
Speaker 1: and his luxurious career because I want to be the

672
00:39:24,719 --> 00:39:30,800
Speaker 1: East Coast version of ice Cube. People want to be

673
00:39:31,000 --> 00:39:34,680
Speaker 1: jay Z and Puff and Nas and Snoop, and that's great.

674
00:39:34,719 --> 00:39:37,000
Speaker 1: I love those guys. We ain't taking nothing from them,

675
00:39:37,320 --> 00:39:40,040
Speaker 1: but I look, I feel like you're still having fun

676
00:39:40,160 --> 00:39:42,200
Speaker 1: doing what you're doing. I am man. You know, It's

677
00:39:42,280 --> 00:39:45,239
Speaker 1: like I got into this as a fan. You know,

678
00:39:45,680 --> 00:39:49,840
Speaker 1: you know when I first started to just pay attention

679
00:39:49,920 --> 00:39:52,239
Speaker 1: to hip hop, he was as a fan. And then

680
00:39:52,600 --> 00:39:54,879
Speaker 1: to be able to do it, just to be able

681
00:39:54,920 --> 00:39:58,279
Speaker 1: to rap, I felt like that was accomplishment. But to

682
00:39:58,400 --> 00:40:01,719
Speaker 1: get this far with with my career, you know, it's

683
00:40:01,800 --> 00:40:05,239
Speaker 1: just like I feel like, uh, you know, God is

684
00:40:05,280 --> 00:40:10,680
Speaker 1: smiling on me. What artists inspired you? Your primianship is crazy,

685
00:40:10,880 --> 00:40:15,160
Speaker 1: oh man, man, Artists like Melli mal Sho, d carras One,

686
00:40:15,800 --> 00:40:19,839
Speaker 1: I used t Big Daddy Kane, who get who don't

687
00:40:19,880 --> 00:40:23,680
Speaker 1: get enough credit for being a lyricist? Um, you know

688
00:40:23,800 --> 00:40:28,480
Speaker 1: these dudes were our giants. Run DMC is like the

689
00:40:28,920 --> 00:40:33,399
Speaker 1: blueprint of how you do it, you know. So, um,

690
00:40:33,920 --> 00:40:37,480
Speaker 1: you know I'm a fan of that school, MCS now

691
00:40:37,800 --> 00:40:42,160
Speaker 1: fun the Police? Yeah, did you know that? Twenty years later,

692
00:40:42,360 --> 00:40:45,400
Speaker 1: people still want to be saying, did you knew? The

693
00:40:45,480 --> 00:40:48,160
Speaker 1: Police was never gonna get better? And I was hoping,

694
00:40:49,640 --> 00:40:52,560
Speaker 1: I mean, I was hoping it would get better, but

695
00:40:53,160 --> 00:40:56,560
Speaker 1: I was hoping people will still be rocking something. But

696
00:40:57,120 --> 00:40:59,840
Speaker 1: it's a trip. When we was, when we had like

697
00:41:00,080 --> 00:41:04,120
Speaker 1: laid our lyrics, you know, I was so into making

698
00:41:04,200 --> 00:41:07,600
Speaker 1: the song that Wren looked over at me and it

699
00:41:07,680 --> 00:41:11,319
Speaker 1: was like, this one right here, it's gonna start some ship.

700
00:41:12,040 --> 00:41:16,960
Speaker 1: And y'all knew it. Yeah, he just gotta just a

701
00:41:17,120 --> 00:41:19,600
Speaker 1: sense like this one right here is gonna start some ship.

702
00:41:20,000 --> 00:41:23,960
Speaker 1: And and every since he said that, it just put

703
00:41:24,040 --> 00:41:26,240
Speaker 1: it on my radar. And it was so true because

704
00:41:26,920 --> 00:41:30,040
Speaker 1: you know, that was before we released the record. After

705
00:41:30,120 --> 00:41:33,200
Speaker 1: we released it, it was like it was something you

706
00:41:33,320 --> 00:41:36,440
Speaker 1: know that I still can't explain how because in the

707
00:41:36,600 --> 00:41:39,520
Speaker 1: movie Electric that time you guys was at the studio

708
00:41:39,800 --> 00:41:42,560
Speaker 1: and they pulled you guys over in the studio that

709
00:41:42,719 --> 00:41:45,520
Speaker 1: I used to sweat us at that studio all the time.

710
00:41:45,760 --> 00:41:48,640
Speaker 1: I just one incident because it was like a Mexican

711
00:41:48,760 --> 00:41:51,759
Speaker 1: food spot right down the street we were walked to

712
00:41:52,480 --> 00:41:55,040
Speaker 1: and the Torrents police was on our neck, you know

713
00:41:55,040 --> 00:41:57,560
Speaker 1: because they just wouldn't used to seeing dudes like us

714
00:41:57,640 --> 00:42:02,680
Speaker 1: walking around. But we're in the studio right here doing

715
00:42:02,719 --> 00:42:06,200
Speaker 1: our things. So man, a lot, a lot, way more

716
00:42:06,239 --> 00:42:08,320
Speaker 1: than in the movie. It's just one time in the movie,

717
00:42:09,120 --> 00:42:11,920
Speaker 1: but we gotta you know, doing that whole record at

718
00:42:12,000 --> 00:42:17,239
Speaker 1: least five six incidents. Wow, Now on tour, did it

719
00:42:17,360 --> 00:42:20,640
Speaker 1: really happen like that when they said they told you

720
00:42:20,800 --> 00:42:23,480
Speaker 1: not to perform that record? It TK that was on

721
00:42:23,719 --> 00:42:27,320
Speaker 1: with us. He was on the TK was crazy, but

722
00:42:27,640 --> 00:42:31,480
Speaker 1: he was on that tour. They was. They would do

723
00:42:31,520 --> 00:42:34,239
Speaker 1: it every city though they would tell you don't perform this. Yeah,

724
00:42:34,320 --> 00:42:38,080
Speaker 1: they would. You know. We was coming after the BCT

725
00:42:38,239 --> 00:42:42,360
Speaker 1: boys had come around and everybody's like, man, this Raptur

726
00:42:42,480 --> 00:42:44,600
Speaker 1: stuff is craig, you know, getting two out of hand.

727
00:42:44,960 --> 00:42:49,800
Speaker 1: Then Bobby Brown went around the country and just doing

728
00:42:51,719 --> 00:42:56,200
Speaker 1: the most nasty sexy you could do for R and

729
00:42:56,280 --> 00:42:58,759
Speaker 1: b artists. So they was by the time in w

730
00:42:59,040 --> 00:43:04,840
Speaker 1: it was time them venues, police, everybody, hotels was ready

731
00:43:05,400 --> 00:43:07,560
Speaker 1: like no, I mean, we ain't having with y'all bringing.

732
00:43:08,120 --> 00:43:11,680
Speaker 1: So before every show, they would gather us up some

733
00:43:12,760 --> 00:43:17,080
Speaker 1: you know, fat ass police would come with ordinance of

734
00:43:19,120 --> 00:43:23,000
Speaker 1: it's basically saying, as you don't know about that, we're

735
00:43:23,080 --> 00:43:27,600
Speaker 1: pulling out our ass from eighteen seventy six. Come back

736
00:43:27,680 --> 00:43:31,200
Speaker 1: the sidewalk. If you do this, if you have seen

737
00:43:31,320 --> 00:43:33,759
Speaker 1: on stage boom boom one, we can't arrest you. And

738
00:43:33,840 --> 00:43:38,279
Speaker 1: not just in the Bible, is everywhere everywhere. So we're

739
00:43:38,360 --> 00:43:41,520
Speaker 1: hearing that, man, we hear that every night. We're getting

740
00:43:41,560 --> 00:43:45,279
Speaker 1: tired of this. Man, it's harassment because we're seeing rocking

741
00:43:45,400 --> 00:43:47,560
Speaker 1: rollers and guns and roses. They're doing what the hell

742
00:43:47,640 --> 00:43:51,600
Speaker 1: they want to do. So we we just was fed

743
00:43:51,719 --> 00:43:54,280
Speaker 1: up and they just it all came together in Detroit

744
00:43:54,440 --> 00:43:58,000
Speaker 1: that night and we just was like, man, we're gonna

745
00:43:58,040 --> 00:44:01,120
Speaker 1: do it. And because we was like, man, ain't gonna

746
00:44:01,120 --> 00:44:03,120
Speaker 1: causing the ride, because they kept saying, you do this song,

747
00:44:03,480 --> 00:44:05,680
Speaker 1: it's gonna cause a ride. You do this song, it's

748
00:44:05,680 --> 00:44:09,080
Speaker 1: gonna cause a ride, We're like, come on, man, hip,

749
00:44:09,120 --> 00:44:11,920
Speaker 1: I ain't cause no damn Right then we did that

750
00:44:12,080 --> 00:44:19,000
Speaker 1: song and it caused a damn ride. It's crazy it

751
00:44:19,080 --> 00:44:23,080
Speaker 1: the whole time, the whole time when I'm performed, I'm like, oh,

752
00:44:24,840 --> 00:44:26,839
Speaker 1: you know, this is getting out of hand right now,

753
00:44:27,360 --> 00:44:29,920
Speaker 1: saying the crowd like you know, when it's suthing, you know,

754
00:44:30,640 --> 00:44:33,360
Speaker 1: when in this funk out in there and it's fighting

755
00:44:33,400 --> 00:44:36,919
Speaker 1: and this crazy and yeah, it just kicked it off.

756
00:44:37,200 --> 00:44:40,560
Speaker 1: Does does ice Cube consider himself the origin of one

757
00:44:40,600 --> 00:44:44,080
Speaker 1: of the originators against the rat one of them? You know,

758
00:44:44,200 --> 00:44:46,759
Speaker 1: but you gotta you gotta look at Iced Tea Tea

759
00:44:47,000 --> 00:44:48,920
Speaker 1: wet Iced Tea on the show. Who who picked you

760
00:44:49,040 --> 00:44:52,680
Speaker 1: up as wells Iced Tea man. You know he uh,

761
00:44:53,320 --> 00:44:56,719
Speaker 1: he's the one who really said it was okay you know,

762
00:44:56,840 --> 00:44:59,239
Speaker 1: to put it on him and and and say, yo,

763
00:44:59,360 --> 00:45:01,200
Speaker 1: you can say what you want to say, do what

764
00:45:01,320 --> 00:45:03,680
Speaker 1: you want to do. And uh, you know he's an

765
00:45:03,760 --> 00:45:08,720
Speaker 1: architect too. Sure, So all you and ice Cube listening

766
00:45:08,800 --> 00:45:11,879
Speaker 1: to young the young boys or every now and then,

767
00:45:12,239 --> 00:45:14,439
Speaker 1: you know, every now and then, you know, my my wife,

768
00:45:14,560 --> 00:45:17,080
Speaker 1: my kids put put me up on it, you know,

769
00:45:17,280 --> 00:45:21,840
Speaker 1: and uh, it's all good. I was just curious. I

770
00:45:22,000 --> 00:45:24,520
Speaker 1: was just curious. You know, what's what's your favorite song

771
00:45:24,640 --> 00:45:26,960
Speaker 1: right now? Any song? Um man, I ain't got no

772
00:45:27,080 --> 00:45:33,720
Speaker 1: favor that I'm liking that Big Shine, Okay, now you know, okay,

773
00:45:33,840 --> 00:45:38,520
Speaker 1: that's not as Yeah, I like that. So now that

774
00:45:38,640 --> 00:45:42,080
Speaker 1: you conk it, the movie world like, uh, do you

775
00:45:42,160 --> 00:45:44,799
Speaker 1: open the doors for people like me to live out

776
00:45:44,840 --> 00:45:48,480
Speaker 1: my dream? We're hearing that you're doing that? Was it?

777
00:45:48,640 --> 00:45:52,040
Speaker 1: Big Three? The Big Three? The Big Three? Explain to

778
00:45:52,200 --> 00:45:54,239
Speaker 1: us for those of who that didn't know what the

779
00:45:54,280 --> 00:45:56,759
Speaker 1: Big three is, the Big Three is a professional three

780
00:45:56,800 --> 00:46:00,719
Speaker 1: on three basketball played by a retired NBA players. But

781
00:46:00,800 --> 00:46:03,279
Speaker 1: I'm hearing it's a full court, half court, half court,

782
00:46:03,400 --> 00:46:06,040
Speaker 1: half court three on three and you know how you

783
00:46:06,120 --> 00:46:08,200
Speaker 1: know when dudes played three on three get you get

784
00:46:08,320 --> 00:46:11,399
Speaker 1: rough and there, so so we're gonna have dudes going hard.

785
00:46:11,680 --> 00:46:14,640
Speaker 1: But you coach, you ain't ain't coaching that on as

786
00:46:14,640 --> 00:46:18,279
Speaker 1: a founder. We don't have pro pros. It ain't for this.

787
00:46:18,360 --> 00:46:21,000
Speaker 1: Ain't no celebrity game on a good thing, on a

788
00:46:21,080 --> 00:46:24,600
Speaker 1: good day. You said you nice and basketball? Ain't that nice?

789
00:46:27,040 --> 00:46:29,560
Speaker 1: You're gonna play in the game. I'm like, this ain't

790
00:46:29,600 --> 00:46:33,240
Speaker 1: no joke. Don't give me saint no Mountain dew amateur,

791
00:46:34,920 --> 00:46:40,680
Speaker 1: because if we're alson Allen Iverson, Chauncey Biller, Jermaine On,

792
00:46:40,840 --> 00:46:49,920
Speaker 1: neil Um, Stephen Jackson, shar Lewis like Kenerson Henna, uh,

793
00:46:50,160 --> 00:46:51,719
Speaker 1: you know some of them dudes got to go to

794
00:46:51,800 --> 00:46:55,320
Speaker 1: the combine. We're gonna say combines. We're gonna see what

795
00:46:55,360 --> 00:46:58,040
Speaker 1: they got they still got, you know what I mean. Yeah,

796
00:46:58,040 --> 00:46:59,560
Speaker 1: we're gonna put them through it. You know, you gotta

797
00:46:59,600 --> 00:47:02,399
Speaker 1: have the ain't just not the name, you know, right?

798
00:47:02,880 --> 00:47:05,840
Speaker 1: So what does ice Cube like more? You like movies

799
00:47:05,960 --> 00:47:08,960
Speaker 1: or music? Mall? Uh, I love them both, you know,

800
00:47:09,080 --> 00:47:12,120
Speaker 1: but music is my that's my baby, you know, that's

801
00:47:12,400 --> 00:47:14,040
Speaker 1: I could do whatever I want to do. When it

802
00:47:14,120 --> 00:47:19,040
Speaker 1: comes to music, it's no meetings, no committee, no you know,

803
00:47:19,080 --> 00:47:21,120
Speaker 1: a bunch of people. You know, with a movie, you

804
00:47:21,200 --> 00:47:23,840
Speaker 1: got a hundred people working on one project, you know,

805
00:47:24,000 --> 00:47:26,960
Speaker 1: but with a record not I can work on a

806
00:47:27,040 --> 00:47:30,640
Speaker 1: hundred records just one man if I want to. So, um,

807
00:47:30,920 --> 00:47:35,320
Speaker 1: you know my records are more um personal, I guess. Okay,

808
00:47:36,080 --> 00:47:38,680
Speaker 1: one of the eldest collaborations. I think that people don't

809
00:47:38,680 --> 00:47:41,040
Speaker 1: acknowledge or give it as much problem as when you

810
00:47:41,120 --> 00:47:44,080
Speaker 1: did America's Most Party with the Bomb Spot. Yeah, because

811
00:47:44,080 --> 00:47:46,840
Speaker 1: I remember back then, there's no internet. You go to

812
00:47:46,880 --> 00:47:51,080
Speaker 1: the mall, You're going to wrap producers. Yeah, it's public enemy.

813
00:47:51,080 --> 00:47:52,400
Speaker 1: But yeah, you know what I'm saying that that's what

814
00:47:52,680 --> 00:47:54,640
Speaker 1: made the sounds, So you go. N w A is

815
00:47:54,680 --> 00:47:57,280
Speaker 1: my favorite group at the time. I excuse my favorite

816
00:47:57,360 --> 00:47:59,600
Speaker 1: artists in n w A. Public Enemies one of my

817
00:47:59,680 --> 00:48:02,960
Speaker 1: favorite groups. I go in the store and you don't

818
00:48:03,000 --> 00:48:06,520
Speaker 1: get Internet, you don't get and I see America's Most

819
00:48:06,560 --> 00:48:10,480
Speaker 1: Wanted produced by the Bomb Squad. I nearly lost my mind. Yeah,

820
00:48:11,400 --> 00:48:13,960
Speaker 1: those was my favorite producers. You know. I worked with Dre,

821
00:48:14,200 --> 00:48:18,839
Speaker 1: but my was the Bomb Squad. Uh. I met Chuck

822
00:48:18,880 --> 00:48:22,080
Speaker 1: on tour and when I left the group, I went

823
00:48:22,160 --> 00:48:25,520
Speaker 1: up to Deaf Jam to to look for a producer

824
00:48:25,560 --> 00:48:27,960
Speaker 1: by the name of Sam sever who I worked with

825
00:48:28,440 --> 00:48:31,960
Speaker 1: Third Base. Third Base album was out. They had dope

826
00:48:32,000 --> 00:48:34,960
Speaker 1: beats on it. So Leoy was like, Yo, I hook

827
00:48:35,000 --> 00:48:38,040
Speaker 1: you over Sam and the nigga. Sam never showed up

828
00:48:38,080 --> 00:48:41,800
Speaker 1: to the meeting, so I was like, so I'm bouncing,

829
00:48:41,840 --> 00:48:45,080
Speaker 1: I'm leaving and coming down the hearts Chuck d Chuck

830
00:48:45,200 --> 00:48:47,040
Speaker 1: was like, Yo, what you're doing here? I told him

831
00:48:47,080 --> 00:48:50,120
Speaker 1: what was up. He was like, man, come to the studio.

832
00:48:50,880 --> 00:48:53,319
Speaker 1: I'm doing a record tonight with Big Daddy Kane called

833
00:48:53,360 --> 00:48:56,320
Speaker 1: Burn Hollywood, Burn. You wanted you want to be on it.

834
00:48:57,120 --> 00:48:58,720
Speaker 1: You want to be on it. Come to the studio

835
00:48:58,800 --> 00:49:05,120
Speaker 1: that let people know you so long. I'm there did

836
00:49:05,239 --> 00:49:07,600
Speaker 1: that record, and I was just telling them, and then

837
00:49:07,840 --> 00:49:11,120
Speaker 1: Hank Shockley, Keith Shockley was in there and I was saying, y'all,

838
00:49:11,200 --> 00:49:13,040
Speaker 1: you know, I'm leaving the group and I need to

839
00:49:13,120 --> 00:49:16,319
Speaker 1: do my own album. I told her, I said, I said,

840
00:49:16,320 --> 00:49:19,000
Speaker 1: I told everybody I was coming out here to get production.

841
00:49:19,440 --> 00:49:22,080
Speaker 1: And they laughed at me, right, because that's what I

842
00:49:22,160 --> 00:49:24,719
Speaker 1: heard that. They was like, what in New York, She's

843
00:49:24,719 --> 00:49:28,359
Speaker 1: gonna be wet. So when when when Hank, when Hank

844
00:49:28,440 --> 00:49:30,960
Speaker 1: heard that, that turned him on, he was like what

845
00:49:31,200 --> 00:49:33,520
Speaker 1: they laughed and said, yeah, they laughed. They don't think

846
00:49:33,520 --> 00:49:35,839
Speaker 1: I can get a record done out here. He was like, man,

847
00:49:35,880 --> 00:49:38,040
Speaker 1: we do the whole record if he wants to a

848
00:49:38,080 --> 00:49:40,680
Speaker 1: lot of songs, a lot of songs that did everything.

849
00:49:41,120 --> 00:49:44,200
Speaker 1: Now now now we I can't tell me and my

850
00:49:44,280 --> 00:49:47,080
Speaker 1: homies earlier was debating that when you left the n

851
00:49:47,280 --> 00:49:50,479
Speaker 1: W Way that it was them who took a shot

852
00:49:50,560 --> 00:49:54,080
Speaker 1: at you first. Yeah, it was not. You know, America

853
00:49:54,520 --> 00:49:59,919
Speaker 1: wanted I don't say nothing about n Wright, right, that's why. Yeah,

854
00:50:00,520 --> 00:50:02,640
Speaker 1: And then you came back with no Vassil. I hit

855
00:50:02,719 --> 00:50:04,560
Speaker 1: him a little bit with a hunt like I hit

856
00:50:04,640 --> 00:50:06,320
Speaker 1: him a little bit on the end of Jacking for

857
00:50:06,440 --> 00:50:08,640
Speaker 1: Beats because I had a song called a hunting Mouths

858
00:50:08,680 --> 00:50:11,520
Speaker 1: and Running and uh so I just gave him a

859
00:50:11,560 --> 00:50:14,080
Speaker 1: little little jab just to see what they would do.

860
00:50:14,840 --> 00:50:16,480
Speaker 1: Then they kind of came out with a little more

861
00:50:16,600 --> 00:50:19,520
Speaker 1: on on that Niggas for Life album, and then I

862
00:50:19,640 --> 00:50:27,000
Speaker 1: was like, man, I'm going in probably records of all times.

863
00:50:27,080 --> 00:50:28,560
Speaker 1: And you know what else is great to see is

864
00:50:28,600 --> 00:50:33,400
Speaker 1: that see you in common together? Yeah? Together? It's good man.

865
00:50:34,200 --> 00:50:37,879
Speaker 1: It's cool to you gotta beat for somebody. It's better

866
00:50:37,920 --> 00:50:39,719
Speaker 1: to squash it, you know what I mean, It's better

867
00:50:39,760 --> 00:50:43,160
Speaker 1: to squash it. Um, So it's cool. You know, we

868
00:50:43,239 --> 00:50:46,200
Speaker 1: had a misunderstanding years years ago because I never knew

869
00:50:46,239 --> 00:50:49,359
Speaker 1: what that started. It was just a misunderstanding, you know, um,

870
00:50:50,360 --> 00:50:53,320
Speaker 1: and it's cool that we got past it, grown men style.

871
00:50:54,080 --> 00:50:56,880
Speaker 1: Now did you ever get to see the Tupac movie? Now?

872
00:50:56,920 --> 00:51:00,359
Speaker 1: Ain't seening it? What? What was your relationship a pop?

873
00:51:00,680 --> 00:51:03,399
Speaker 1: It was cool, you know, that was one of the homies. Um.

874
00:51:04,840 --> 00:51:06,920
Speaker 1: You know, I just looked at him as I look

875
00:51:06,960 --> 00:51:08,840
Speaker 1: at you know, most of the guys that that's in

876
00:51:08,920 --> 00:51:11,480
Speaker 1: the game and I'm cool with you know, just one

877
00:51:11,520 --> 00:51:14,480
Speaker 1: of the homies that uh you know, it's kind of

878
00:51:14,520 --> 00:51:18,520
Speaker 1: spired out of control. Yeah, definitely, it's Cube doing another album.

879
00:51:18,800 --> 00:51:27,960
Speaker 1: Of course, we got the name of the album, Everything's Corrupt,

880
00:51:28,239 --> 00:51:35,640
Speaker 1: Everything's Corrupt, and now now it's Cube Independent or No,

881
00:51:35,719 --> 00:51:39,759
Speaker 1: I'm on Interscope. Wow, Jimmy, I've seen. Wow, that's the

882
00:51:39,840 --> 00:51:41,759
Speaker 1: kind of like a three sixty. Even though like No,

883
00:51:41,960 --> 00:51:43,759
Speaker 1: Jimmy was deaf for all, he didn't have nothing to

884
00:51:43,800 --> 00:51:45,440
Speaker 1: do with in No, No, he had nothing to do

885
00:51:45,480 --> 00:51:48,560
Speaker 1: it in w A. I don't even know. I don't

886
00:51:48,600 --> 00:51:52,279
Speaker 1: even know if he was still at in Scope, right, Yeah, yeah, yeah,

887
00:51:52,320 --> 00:51:54,239
Speaker 1: we just signed a deal with him. Do you think

888
00:51:54,320 --> 00:51:56,680
Speaker 1: do you think that certificate gets is just do I

889
00:51:56,719 --> 00:52:00,320
Speaker 1: think that's one of the best albums? Well, you know

890
00:52:00,440 --> 00:52:02,560
Speaker 1: from fans, from people like you. We're gonna release the

891
00:52:02,600 --> 00:52:07,719
Speaker 1: twenty fifth year Universary that next month. Um, and I

892
00:52:07,800 --> 00:52:10,080
Speaker 1: got three new songs on that, so it's gonna be

893
00:52:10,160 --> 00:52:15,640
Speaker 1: cool too, you know, put that album back. Movie about

894
00:52:15,640 --> 00:52:18,880
Speaker 1: some vacation. Yeah, everybody say that. I heard you got

895
00:52:18,960 --> 00:52:23,520
Speaker 1: a movie called vacation coming up. Um, it's called Vacation.

896
00:52:23,640 --> 00:52:26,600
Speaker 1: Friends and vacations. They still we're still putting it together.

897
00:52:26,680 --> 00:52:29,239
Speaker 1: That's that's in the still in the infant stage. But

898
00:52:29,360 --> 00:52:31,319
Speaker 1: it's filmed already. No, no, we haven't shot it yet

899
00:52:31,480 --> 00:52:34,360
Speaker 1: because the writer is Tim and Tom where the writers

900
00:52:34,520 --> 00:52:37,600
Speaker 1: um um. They actually met with them and they were

901
00:52:37,680 --> 00:52:40,479
Speaker 1: talking about the vacation. Yeah. It was so totally dope,

902
00:52:40,680 --> 00:52:42,560
Speaker 1: Manque because I see your people were sickening of us,

903
00:52:42,600 --> 00:52:44,279
Speaker 1: so you gotta go. You know what I mean? But

904
00:52:44,360 --> 00:52:47,400
Speaker 1: you know this is hip hip hop. These people they

905
00:52:47,480 --> 00:52:51,279
Speaker 1: need to know. So what is next for Cube though?

906
00:52:51,480 --> 00:52:54,280
Speaker 1: Oh you know, just I got the hip hop squares

907
00:52:54,360 --> 00:53:01,600
Speaker 1: coming out, but with hip hopers you know, and find

908
00:53:01,800 --> 00:53:12,040
Speaker 1: Ray can't get sick. I'm here whatever, person, Cube, listen,

909
00:53:12,120 --> 00:53:15,920
Speaker 1: I'm gonna just be honest. We're in an industry that

910
00:53:16,120 --> 00:53:18,440
Speaker 1: is full of fake people. So when I meet a

911
00:53:18,520 --> 00:53:20,520
Speaker 1: real brother like you, when I sat down and we

912
00:53:20,680 --> 00:53:23,120
Speaker 1: vibe that day, it's nothing more than I want to

913
00:53:23,160 --> 00:53:25,440
Speaker 1: do is always just give you a person like you

914
00:53:25,560 --> 00:53:29,440
Speaker 1: respect and continue because you know why, the older we get,

915
00:53:29,560 --> 00:53:31,400
Speaker 1: the better we get in the more that we should

916
00:53:31,440 --> 00:53:33,879
Speaker 1: know that we should big up each other, us as

917
00:53:34,040 --> 00:53:36,680
Speaker 1: not just black people, but us as hip hop because

918
00:53:36,680 --> 00:53:39,920
Speaker 1: we're part of a fraternity. It's bigger. It transcends race.

919
00:53:39,960 --> 00:53:42,880
Speaker 1: It's bigger than just just being black and that's just

920
00:53:43,040 --> 00:53:45,120
Speaker 1: I'm being Puerto Rican and you being Cuban. It's bigger

921
00:53:45,160 --> 00:53:47,600
Speaker 1: than that. We're all part of a hip hop fraternity.

922
00:53:47,880 --> 00:53:50,200
Speaker 1: And if we don't continue to bag each other up,

923
00:53:50,480 --> 00:53:52,920
Speaker 1: there won't be nobody else. And you're a person that

924
00:53:53,040 --> 00:53:55,680
Speaker 1: we got to continue to big up. You're continuously doing

925
00:53:55,800 --> 00:53:58,800
Speaker 1: great work. I sat there and I watched that movie

926
00:53:59,360 --> 00:54:02,279
Speaker 1: in all like, I was just like, Wow, this ship

927
00:54:02,440 --> 00:54:05,759
Speaker 1: was funny from the beginning, and like, how do you

928
00:54:05,960 --> 00:54:08,400
Speaker 1: always get the tough guy rolls? And do you request

929
00:54:08,440 --> 00:54:11,279
Speaker 1: the tough guys? They just come to you come to me.

930
00:54:13,480 --> 00:54:15,040
Speaker 1: Because I feel like, you know, when you do a

931
00:54:15,120 --> 00:54:18,120
Speaker 1: movie you want, you got, you got, you got characters,

932
00:54:18,160 --> 00:54:20,280
Speaker 1: and you got it. Like, yo, I see this person

933
00:54:20,360 --> 00:54:22,480
Speaker 1: as that I see that you don't always get who

934
00:54:22,520 --> 00:54:25,360
Speaker 1: you see, but you know, people you know put you

935
00:54:25,400 --> 00:54:28,480
Speaker 1: in the category and start you know, casting you on

936
00:54:28,560 --> 00:54:30,520
Speaker 1: that level. That's so dope. And you know what else,

937
00:54:30,560 --> 00:54:32,360
Speaker 1: I got a big up before you leave there. You know,

938
00:54:32,600 --> 00:54:34,560
Speaker 1: I went to DJ Drama Studio because I had an

939
00:54:34,600 --> 00:54:37,120
Speaker 1: interview real quick, and you there and I just watched it.

940
00:54:37,120 --> 00:54:39,560
Speaker 1: I was trying to hide and just people. You and

941
00:54:39,680 --> 00:54:42,000
Speaker 1: I seed you rolling the limo. Let's make some noise

942
00:54:42,040 --> 00:54:48,440
Speaker 1: of the limo. That is some real, real nigga like you.

943
00:54:48,880 --> 00:54:56,000
Speaker 1: You stuck with the limo. Yeah, you gotta jump in security.

944
00:54:57,880 --> 00:55:00,880
Speaker 1: You know, I really appreciate it. I really said there,

945
00:55:00,920 --> 00:55:03,399
Speaker 1: and yo, listen, we really appreciate as you being both

946
00:55:03,680 --> 00:55:08,040
Speaker 1: both of my favorite rappers and you know, um what

947
00:55:08,200 --> 00:55:12,359
Speaker 1: you transition to is a great example for young hip

948
00:55:12,400 --> 00:55:16,600
Speaker 1: hoppers period. Uh it doesn't stop with hip hop, no,

949
00:55:17,080 --> 00:55:18,640
Speaker 1: you know what I'm saying. Like you look at uh

950
00:55:18,880 --> 00:55:21,960
Speaker 1: you look at uh what is it? Kenney Smith and

951
00:55:22,120 --> 00:55:25,399
Speaker 1: Charles Barkley, they all set up a platform that after

952
00:55:25,520 --> 00:55:28,239
Speaker 1: hip hop they can do something. But if it wasn't

953
00:55:28,280 --> 00:55:31,120
Speaker 1: for you, you started their first with Friday and that

954
00:55:31,320 --> 00:55:34,160
Speaker 1: we could actually still be relevant, still be out here,

955
00:55:34,440 --> 00:55:36,719
Speaker 1: still do our things. You ain't gotta change, you know,

956
00:55:37,080 --> 00:55:39,040
Speaker 1: and and you're a goldfallt of that. We gotta make

957
00:55:39,080 --> 00:55:46,120
Speaker 1: some glad you're on the mic, man like you, you

958
00:55:46,200 --> 00:55:49,120
Speaker 1: know what I mean, definitely need to be heard on

959
00:55:49,239 --> 00:55:52,080
Speaker 1: the regular and uh, it's much love man, much A

960
00:55:52,120 --> 00:55:55,799
Speaker 1: million people who listen to us. Now that's so much cute,

961
00:55:56,280 --> 00:56:27,000
Speaker 1: thank you so much. Oh you find all your favorite

962
00:56:27,000 --> 00:56:29,560
Speaker 1: movies and shows factor with Accinity just speaking to the

963
00:56:29,640 --> 00:56:32,680
Speaker 1: excellent voice remote to search across live, CV on demand,

964
00:56:32,800 --> 00:56:36,520
Speaker 1: even Netflix and Prime Video. Now that's simple, easy, awesome.

965
00:56:37,160 --> 00:56:39,799
Speaker 1: Switch to Excenity today and get a great author. You'll

966
00:56:39,880 --> 00:56:42,200
Speaker 1: enjoy Infinity x one, which could you access to your

967
00:56:42,200 --> 00:56:45,959
Speaker 1: favorite streaming apps like Netflix, YouTube and now Prime Video.

968
00:56:46,320 --> 00:56:49,959
Speaker 1: Go to exfinity dot com calley or visit the store

969
00:56:50,000 --> 00:56:51,799
Speaker 1: today to learn more. Restrictions supply