1 00:00:01,120 --> 00:00:04,440 Speaker 1: On the Bobby Bones Show Now, Megan Marony, Megan, good 2 00:00:04,440 --> 00:00:07,000 Speaker 1: to see you, Good to see you. I was wondering 3 00:00:07,040 --> 00:00:08,119 Speaker 1: if you had to go buy a bunch of new 4 00:00:08,119 --> 00:00:08,719 Speaker 1: pink stuff. 5 00:00:09,400 --> 00:00:12,760 Speaker 2: Yeah I did. I had some, but you know, stocking up. 6 00:00:12,920 --> 00:00:17,000 Speaker 1: Yeah, sometimes you can tell ahead of time. And I 7 00:00:17,040 --> 00:00:18,640 Speaker 1: wonder if people would have seen you at a store 8 00:00:18,680 --> 00:00:20,960 Speaker 1: buying pink stuff, if they'd gone like, ah, we got it, 9 00:00:21,040 --> 00:00:23,160 Speaker 1: we know her next era is going to be pink. 10 00:00:23,200 --> 00:00:25,880 Speaker 3: For my birthday, before the color was announced in October, 11 00:00:26,120 --> 00:00:27,800 Speaker 3: I got a lot of pink stuff. I got a 12 00:00:27,920 --> 00:00:30,840 Speaker 3: pink purse, pink ug slippers, and I couldn't post them 13 00:00:30,920 --> 00:00:33,680 Speaker 3: or anything or be seen in them because my fans 14 00:00:33,680 --> 00:00:35,400 Speaker 3: are really sneaky and smart. 15 00:00:35,600 --> 00:00:38,479 Speaker 1: In a similar way, my wife is very pregnant, and 16 00:00:38,560 --> 00:00:41,280 Speaker 1: when I post any sort of picture of if I have, 17 00:00:41,440 --> 00:00:44,000 Speaker 1: like a stroller, I'm putting together a stroller, I make 18 00:00:44,040 --> 00:00:46,720 Speaker 1: them black and white because we're not saying what it's 19 00:00:46,720 --> 00:00:49,760 Speaker 1: going to be. And if I'm wearing blue shorts, oh 20 00:00:49,800 --> 00:00:53,640 Speaker 1: it's so. I wondered if you had to hide all 21 00:00:53,640 --> 00:00:54,560 Speaker 1: your pink stuff. 22 00:00:54,360 --> 00:00:55,080 Speaker 2: Yeah I did. 23 00:00:55,200 --> 00:00:56,120 Speaker 1: Why did you choose pink? 24 00:00:57,720 --> 00:01:00,680 Speaker 3: Well? Once I started writing the album about like three 25 00:01:00,680 --> 00:01:03,960 Speaker 3: songs in there was a song that was like really 26 00:01:04,560 --> 00:01:08,160 Speaker 3: like hot pink, and so that kind of was stuck 27 00:01:08,200 --> 00:01:09,800 Speaker 3: in my brain. And then I continue to write the 28 00:01:09,840 --> 00:01:13,120 Speaker 3: rest of the album. And there's a softness about Cloud 29 00:01:13,200 --> 00:01:16,160 Speaker 3: nine that isn't in my other albums. So I think 30 00:01:17,080 --> 00:01:18,720 Speaker 3: I kind of chose like all shades of pink. But 31 00:01:18,760 --> 00:01:21,760 Speaker 3: I guess there is that like staple hot pink. But 32 00:01:21,840 --> 00:01:24,880 Speaker 3: I think it's soft but also still confident and empowering, 33 00:01:24,920 --> 00:01:27,440 Speaker 3: and it just makes sense in my brain. 34 00:01:28,920 --> 00:01:31,960 Speaker 1: I love pink. I wear a lot of pink anyway, real. 35 00:01:31,760 --> 00:01:32,480 Speaker 2: Men wear pink. 36 00:01:33,319 --> 00:01:36,560 Speaker 1: I'm also very color blind, okay, and reds I do 37 00:01:36,600 --> 00:01:38,839 Speaker 1: pretty good with. And isn't pink just a version of red, 38 00:01:38,840 --> 00:01:39,880 Speaker 1: like a lighter red. 39 00:01:40,560 --> 00:01:43,400 Speaker 2: With some white? Yeah, maybe that's why I like red 40 00:01:43,400 --> 00:01:46,199 Speaker 2: and white makes pink. There you go. And what color 41 00:01:46,240 --> 00:01:47,240 Speaker 2: do you think I'm wearing right now? 42 00:01:47,280 --> 00:01:50,760 Speaker 1: I know you well. I would have trouble with the pants, okay, 43 00:01:51,280 --> 00:01:54,880 Speaker 1: because the pants don't the shoes look purple. I can 44 00:01:54,920 --> 00:01:57,760 Speaker 1: tell you have a pink top on like a hoodie 45 00:01:57,800 --> 00:02:00,480 Speaker 1: or sweatshirt, and the pants, I don't know, doesn't look 46 00:02:00,480 --> 00:02:00,880 Speaker 1: like any. 47 00:02:00,760 --> 00:02:03,680 Speaker 3: They're all like a little bit different shades they all 48 00:02:03,760 --> 00:02:06,720 Speaker 3: see where you struggle. They are all pink, not even 49 00:02:06,880 --> 00:02:09,280 Speaker 3: a little purple. I don't think like say. 50 00:02:09,120 --> 00:02:10,440 Speaker 1: That, like you don't have to like double down on it. 51 00:02:10,560 --> 00:02:12,600 Speaker 1: You can just be like, it's all pink. Go ahead. 52 00:02:12,880 --> 00:02:15,080 Speaker 4: I keep having that line from have you ever watched 53 00:02:15,080 --> 00:02:16,000 Speaker 4: Steel Magnolius? 54 00:02:16,320 --> 00:02:19,000 Speaker 2: No? Okay, actually some of it? Yeah, I can't sleep. 55 00:02:19,280 --> 00:02:22,280 Speaker 3: Oh really, it's a movie thing when it's dark, Like 56 00:02:22,320 --> 00:02:23,800 Speaker 3: I can only watch movies with the lights on. 57 00:02:23,880 --> 00:02:24,840 Speaker 2: That's like a whole other thing. 58 00:02:24,919 --> 00:02:26,560 Speaker 4: Okay, well, maybe turn the lights on and watch it. 59 00:02:26,560 --> 00:02:27,119 Speaker 2: It's so good. 60 00:02:27,160 --> 00:02:29,040 Speaker 1: But maybe turn the lights on and watch. 61 00:02:28,840 --> 00:02:31,800 Speaker 4: It because it's so good. But her, her wedding colors 62 00:02:31,840 --> 00:02:34,440 Speaker 4: are pink and pink, and she's adamant. Her mom is like, 63 00:02:34,680 --> 00:02:36,720 Speaker 4: your colors are pink and pink. She goes my colors 64 00:02:36,760 --> 00:02:40,040 Speaker 4: a blush and bashful, and she's very specific. So you've 65 00:02:40,040 --> 00:02:42,880 Speaker 4: got on your different your blush, your bash different versions 66 00:02:42,919 --> 00:02:43,280 Speaker 4: of pink. 67 00:02:43,480 --> 00:02:45,440 Speaker 1: What was the first song on this album that you wrote? 68 00:02:45,680 --> 00:02:47,120 Speaker 2: Wedding Dress is the oldest? 69 00:02:47,280 --> 00:02:47,920 Speaker 1: How long ago? 70 00:02:48,600 --> 00:02:49,480 Speaker 2: Three four years? 71 00:02:49,760 --> 00:02:51,640 Speaker 1: And is that a song you hold with intention of 72 00:02:51,680 --> 00:02:55,280 Speaker 1: at some point putting on an album or project or 73 00:02:55,480 --> 00:02:57,519 Speaker 1: you just write and go I don't know what's gonna happen. 74 00:02:57,600 --> 00:02:58,799 Speaker 1: Let's just see the. 75 00:02:58,760 --> 00:02:59,760 Speaker 2: Story of wedding dresses. 76 00:02:59,760 --> 00:03:03,680 Speaker 3: Really interesting because I had posted the bridge and the 77 00:03:03,720 --> 00:03:04,639 Speaker 3: chorus years. 78 00:03:04,440 --> 00:03:08,040 Speaker 2: Ago and it's gone viral since then, and. 79 00:03:08,000 --> 00:03:11,160 Speaker 3: Truthfully, it doesn't really fit the theme of the rest 80 00:03:11,200 --> 00:03:14,560 Speaker 3: of the album, Like there's some heartbreak songs on the album, 81 00:03:14,600 --> 00:03:17,720 Speaker 3: but none of them are truly like I'm devastated, I'm 82 00:03:17,760 --> 00:03:20,440 Speaker 3: never gonna get over it, and wedding dress is that. 83 00:03:21,200 --> 00:03:22,880 Speaker 3: So I included it on the album for my fans 84 00:03:22,880 --> 00:03:25,720 Speaker 3: because I know they wanted it. And what's interesting is 85 00:03:25,720 --> 00:03:30,520 Speaker 3: I didn't like the verses that I wrote, you know, 86 00:03:30,600 --> 00:03:32,840 Speaker 3: years ago, so the song was never good enough to 87 00:03:32,880 --> 00:03:35,240 Speaker 3: put out like last year for am I okay, I 88 00:03:35,280 --> 00:03:40,960 Speaker 3: hadn't rewritten it and Lucky hadn't rewritten it. So I 89 00:03:41,080 --> 00:03:44,560 Speaker 3: randomly woke up one day this year I felt like 90 00:03:44,560 --> 00:03:48,240 Speaker 3: I was finally passed the situation, and I wrote down, like, 91 00:03:48,240 --> 00:03:51,000 Speaker 3: what is the most logical way that this makes sense? 92 00:03:51,040 --> 00:03:53,160 Speaker 3: Because I think when I felt the whole song is 93 00:03:53,280 --> 00:03:55,640 Speaker 3: don't let me miss my a wedding dress, like let 94 00:03:55,640 --> 00:03:57,920 Speaker 3: me miss him at the store, let me miss him 95 00:03:57,920 --> 00:04:00,200 Speaker 3: on his birthday. When I meet someone with this same 96 00:04:00,240 --> 00:04:01,920 Speaker 3: name as him, but like, just don't let me miss 97 00:04:02,000 --> 00:04:02,800 Speaker 3: him in a wedding dress. 98 00:04:03,760 --> 00:04:04,840 Speaker 2: So that's pretty devastating. 99 00:04:05,040 --> 00:04:09,360 Speaker 3: Yeah, but I the verses were just not good to me, 100 00:04:09,720 --> 00:04:11,920 Speaker 3: and I feel like because I felt that way, and 101 00:04:11,960 --> 00:04:13,920 Speaker 3: I was just kind of distraught. When I wrote the song, 102 00:04:15,000 --> 00:04:16,919 Speaker 3: I couldn't even make sense. 103 00:04:17,160 --> 00:04:19,080 Speaker 2: So it took me like getting. 104 00:04:18,920 --> 00:04:21,159 Speaker 3: Over the situation, I think, to actually be like what 105 00:04:21,160 --> 00:04:23,560 Speaker 3: would a logical person say if they're feeling this way? 106 00:04:24,120 --> 00:04:24,760 Speaker 2: So I woke up. 107 00:04:24,760 --> 00:04:27,880 Speaker 3: Randomly on my first writer's trip of the year and 108 00:04:28,360 --> 00:04:30,280 Speaker 3: I wrote it in my notes app as a poem, 109 00:04:30,320 --> 00:04:31,599 Speaker 3: and then I figured out the melody. 110 00:04:32,040 --> 00:04:34,520 Speaker 1: So will you read it and just sit with a 111 00:04:34,520 --> 00:04:36,760 Speaker 1: guitar and just kind of find the chords that fit. 112 00:04:36,760 --> 00:04:38,239 Speaker 1: As that how you'll do a lot of your songwriting. 113 00:04:38,240 --> 00:04:39,279 Speaker 1: Do you write lyrics first? 114 00:04:40,320 --> 00:04:43,800 Speaker 3: Not typically, but for whatever, Like I always say, like 115 00:04:43,839 --> 00:04:45,640 Speaker 3: the songwriting stuff is like a god thing, Like I 116 00:04:45,640 --> 00:04:47,520 Speaker 3: have no idea why. I just woke up one day 117 00:04:47,760 --> 00:04:50,599 Speaker 3: and the whole song came to me, Like I have 118 00:04:50,720 --> 00:04:53,640 Speaker 3: no explanation. There's also a weird thing in the song 119 00:04:53,640 --> 00:04:56,240 Speaker 3: where I say at the store on Aisle nine, and 120 00:04:56,279 --> 00:04:58,120 Speaker 3: this was before I had written Cloud nine, So I'm like, 121 00:04:58,120 --> 00:04:59,720 Speaker 3: why the heck did I pick Cloud or why did 122 00:04:59,720 --> 00:05:01,960 Speaker 3: I pick Aisle nine before Cloud nine was even a thing? 123 00:05:02,120 --> 00:05:02,559 Speaker 2: So weird? 124 00:05:02,640 --> 00:05:04,560 Speaker 1: Do you have any songs that you play only live 125 00:05:04,600 --> 00:05:06,640 Speaker 1: that you've never recorded that your fans know, like the 126 00:05:06,680 --> 00:05:07,440 Speaker 1: hardcore fans know. 127 00:05:09,240 --> 00:05:10,200 Speaker 2: There's a song. 128 00:05:10,040 --> 00:05:12,240 Speaker 3: From like a long time ago that I released and 129 00:05:12,279 --> 00:05:16,560 Speaker 3: then took down and only a select few of my fans, 130 00:05:16,600 --> 00:05:19,120 Speaker 3: like back when I could still reply to everyone's dms, 131 00:05:19,600 --> 00:05:21,920 Speaker 3: I would send them a link, like a private listening link, 132 00:05:21,960 --> 00:05:23,360 Speaker 3: so that they could still have it and they wouldn't 133 00:05:23,400 --> 00:05:25,600 Speaker 3: be mad at me for taking it off platforms. 134 00:05:25,760 --> 00:05:27,240 Speaker 2: But is a song called Haven't Met Yet? 135 00:05:27,800 --> 00:05:29,640 Speaker 1: When you play that, do you hear like a pop 136 00:05:29,640 --> 00:05:31,000 Speaker 1: in the crowd? And you know that's like the old 137 00:05:31,080 --> 00:05:31,560 Speaker 1: the Ogs? 138 00:05:31,800 --> 00:05:33,560 Speaker 3: You know, I really I don't play it, Oh you 139 00:05:33,560 --> 00:05:35,560 Speaker 3: don't play it anymore? I do play wonder, And that 140 00:05:35,680 --> 00:05:38,279 Speaker 3: kind of wonder was the first song I ever released. 141 00:05:38,279 --> 00:05:40,599 Speaker 3: I wrote it by myself, I made the cover up 142 00:05:40,640 --> 00:05:44,680 Speaker 3: by myself. It was a one man band there, and 143 00:05:46,040 --> 00:05:48,359 Speaker 3: I play that and it's become a staple in my 144 00:05:48,400 --> 00:05:50,919 Speaker 3: show because I think my fans. It's kind of one 145 00:05:50,960 --> 00:05:52,760 Speaker 3: of those things where my fans are like you don't 146 00:05:52,800 --> 00:05:54,240 Speaker 3: no wonder why are you here? 147 00:05:54,920 --> 00:05:57,080 Speaker 1: You haven't been to thirty one day Matthews Banchos. That's 148 00:05:57,120 --> 00:05:59,040 Speaker 1: what it feels like, like you judged basically if they 149 00:05:59,040 --> 00:06:02,200 Speaker 1: know the old school stuff. Yeah, do when you play 150 00:06:02,200 --> 00:06:04,440 Speaker 1: these shows and you're having to invest more money and 151 00:06:04,480 --> 00:06:06,560 Speaker 1: because the shows are getting bigger, and that is that 152 00:06:06,640 --> 00:06:08,640 Speaker 1: is a process to where when you're a new artist, 153 00:06:08,800 --> 00:06:10,679 Speaker 1: you just go on and you're performing with your guitar 154 00:06:11,000 --> 00:06:12,160 Speaker 1: and then it's like, hey, you have a hit, we 155 00:06:12,400 --> 00:06:14,080 Speaker 1: need to invest more into your state. So now you've 156 00:06:14,080 --> 00:06:16,480 Speaker 1: got to pay more. You're always paying more in building 157 00:06:16,560 --> 00:06:18,040 Speaker 1: up you're doing bigger. 158 00:06:17,800 --> 00:06:19,279 Speaker 2: Shows, everyone gets more expensive. 159 00:06:19,320 --> 00:06:22,120 Speaker 1: Yeah, if you're doing Arenas now with this next tour, 160 00:06:22,320 --> 00:06:23,880 Speaker 1: is that again another one of those man I got 161 00:06:24,000 --> 00:06:26,520 Speaker 1: to invest even more now to get more because the 162 00:06:26,520 --> 00:06:27,200 Speaker 1: shows are bigger. 163 00:06:27,720 --> 00:06:28,560 Speaker 2: Definitely. Yeah. 164 00:06:28,600 --> 00:06:32,279 Speaker 3: I think it's all like a part of the strategy 165 00:06:32,279 --> 00:06:34,000 Speaker 3: that we've always had. Like from the day that I 166 00:06:34,080 --> 00:06:36,760 Speaker 3: met my agent in either late twenty twenty or early 167 00:06:36,760 --> 00:06:38,560 Speaker 3: twenty twenty one, she told me you're going to be 168 00:06:38,560 --> 00:06:40,280 Speaker 3: in Stateia or you're going to be in Arenas in 169 00:06:40,320 --> 00:06:43,200 Speaker 3: twenty twenty six. So this has always been a plan 170 00:06:43,320 --> 00:06:45,600 Speaker 3: and even like the last tour where there's a little 171 00:06:45,600 --> 00:06:49,120 Speaker 3: bit more production than I think has ever been brought into. 172 00:06:48,920 --> 00:06:50,040 Speaker 2: The Pinnacle in Nashville. 173 00:06:50,560 --> 00:06:53,560 Speaker 3: But that's just like I like to give my fans 174 00:06:53,640 --> 00:06:55,600 Speaker 3: like a memorable set, and. 175 00:06:56,240 --> 00:06:57,360 Speaker 1: You have to pay for that. I don't think that's 176 00:06:57,360 --> 00:06:59,960 Speaker 1: what people realize, Like, yeah, the Pinnacle or whatever venue 177 00:07:00,160 --> 00:07:01,920 Speaker 1: not paying for that. No, you're the one paying for 178 00:07:01,960 --> 00:07:04,760 Speaker 1: the trucks. Yeah, you're the one paying for all the buses. 179 00:07:04,839 --> 00:07:05,239 Speaker 2: True. 180 00:07:05,400 --> 00:07:09,080 Speaker 3: I went from zero trucks to like, uh four or 181 00:07:09,120 --> 00:07:10,160 Speaker 3: five trucks this year. 182 00:07:10,760 --> 00:07:12,760 Speaker 1: So next year in the year you went zero of 183 00:07:12,800 --> 00:07:13,680 Speaker 1: four five and a year. 184 00:07:13,880 --> 00:07:16,080 Speaker 2: Yeah, that's expensive. 185 00:07:16,160 --> 00:07:18,800 Speaker 3: Yeah, they do have my face actually the amount key graphic. 186 00:07:18,840 --> 00:07:21,600 Speaker 3: There's like several of my faces. It's like a collage 187 00:07:21,680 --> 00:07:24,119 Speaker 3: shows kind of like a jump scare. Every morning walking 188 00:07:24,200 --> 00:07:25,040 Speaker 3: to get my breakfast. 189 00:07:25,400 --> 00:07:27,800 Speaker 1: Did you have van days before bus days? 190 00:07:28,040 --> 00:07:29,960 Speaker 2: I had rental car days before the van days. 191 00:07:30,280 --> 00:07:31,040 Speaker 1: I walked me through that. 192 00:07:32,680 --> 00:07:33,400 Speaker 2: Well, I didn't want to. 193 00:07:33,520 --> 00:07:36,800 Speaker 3: I had a twenty ten Mustang up until like last year, 194 00:07:37,240 --> 00:07:39,840 Speaker 3: and I didn't want to put miles on it, and 195 00:07:39,880 --> 00:07:42,040 Speaker 3: it obviously I couldn't like carry more than a guitar 196 00:07:42,680 --> 00:07:45,480 Speaker 3: in that So like suitcase and a guitar was a 197 00:07:45,480 --> 00:07:49,560 Speaker 3: big problem, and so we would rent like a mini 198 00:07:49,640 --> 00:07:53,920 Speaker 3: van and that was before the church van. We were 199 00:07:53,920 --> 00:07:57,400 Speaker 3: actually I had a you know, a band dinner with 200 00:07:57,440 --> 00:08:00,280 Speaker 3: everybody last night and we were talking about how easy 201 00:08:00,280 --> 00:08:02,960 Speaker 3: it is that like it went from rental car. We 202 00:08:03,000 --> 00:08:04,760 Speaker 3: thought we were living it up because we were like, oh, 203 00:08:04,800 --> 00:08:07,280 Speaker 3: we're on tour. This is like we're touring artists. Then 204 00:08:07,320 --> 00:08:10,240 Speaker 3: you get a church van with a U hole and 205 00:08:10,280 --> 00:08:14,880 Speaker 3: you're like, we got leg room ao. And then we 206 00:08:15,160 --> 00:08:18,080 Speaker 3: got into a bandwagon, which is not quite a bus but. 207 00:08:19,000 --> 00:08:19,840 Speaker 1: Like a sprinter van. 208 00:08:20,720 --> 00:08:24,440 Speaker 3: No, it's like a semi truck with bunks on it. 209 00:08:24,440 --> 00:08:26,920 Speaker 3: It's like a rock tumbler. You hit a bump down 210 00:08:26,960 --> 00:08:28,960 Speaker 3: the highway and you about sends you through the roof. 211 00:08:29,560 --> 00:08:31,320 Speaker 3: But we got to lay down like there was bunks, 212 00:08:31,400 --> 00:08:33,600 Speaker 3: so we were like, okay, we've made it. And then 213 00:08:34,040 --> 00:08:36,520 Speaker 3: we all were on our first bus for about a 214 00:08:36,600 --> 00:08:40,120 Speaker 3: year and a half, all like thirteen of us. So 215 00:08:40,840 --> 00:08:43,440 Speaker 3: we were just talking about the evolution and it's I 216 00:08:43,440 --> 00:08:44,360 Speaker 3: think it's necessary. 217 00:08:44,400 --> 00:08:45,719 Speaker 2: It makes you grateful that. 218 00:08:45,760 --> 00:08:49,000 Speaker 3: You even have a bunk to lay in, even when 219 00:08:49,040 --> 00:08:51,240 Speaker 3: it's like a seventeen hour drive, like not ideal, but 220 00:08:51,280 --> 00:08:52,719 Speaker 3: it's like we were in a rental car. 221 00:08:52,920 --> 00:08:55,679 Speaker 1: So what about the last song you recorded? And how 222 00:08:55,679 --> 00:08:57,400 Speaker 1: close did you record it to? Actually, when they had 223 00:08:57,400 --> 00:08:58,880 Speaker 1: to like it have it sealed. 224 00:09:00,240 --> 00:09:05,079 Speaker 3: Song I recorded, it would have been I guess probably 225 00:09:05,920 --> 00:09:09,679 Speaker 3: who Hurt You? I guess that was the last one. 226 00:09:09,720 --> 00:09:13,240 Speaker 3: And I finished up the album completely in July, so 227 00:09:13,840 --> 00:09:16,240 Speaker 3: like my I was done, it was mixed and master. 228 00:09:16,520 --> 00:09:18,000 Speaker 1: Was that a song though? You were like, we can't 229 00:09:18,040 --> 00:09:19,760 Speaker 1: shut it down yet because I have this one song 230 00:09:19,800 --> 00:09:20,560 Speaker 1: we need to record. 231 00:09:20,760 --> 00:09:23,920 Speaker 3: Was it one of those No, Actually, there was one 232 00:09:23,960 --> 00:09:27,320 Speaker 3: weekend and I can like go back and I'm sure 233 00:09:27,360 --> 00:09:29,079 Speaker 3: my fans like look into this, but it was when 234 00:09:29,120 --> 00:09:33,880 Speaker 3: I played the Ohio State Buckeye Stadium with like Jelly 235 00:09:33,920 --> 00:09:36,720 Speaker 3: Rowling came Brown whatever festival that was that weekend we 236 00:09:36,760 --> 00:09:39,160 Speaker 3: wrote Waiting on the Rain, Liars and Tigers and Bears 237 00:09:39,160 --> 00:09:41,880 Speaker 3: and Who Hurt You? And once we wrote those songs, 238 00:09:42,040 --> 00:09:44,000 Speaker 3: I was like, the album's done. And that was like 239 00:09:44,040 --> 00:09:44,719 Speaker 3: I didn't call it. 240 00:09:45,120 --> 00:09:47,240 Speaker 2: I called it. I said it's complete. 241 00:09:47,800 --> 00:09:50,240 Speaker 3: These are three songs that totally wrapped up the album 242 00:09:50,320 --> 00:09:53,440 Speaker 3: and things, and it was interesting because it's never happened 243 00:09:53,480 --> 00:09:55,600 Speaker 3: like that, you know, I've always been like a little unsure, 244 00:09:55,920 --> 00:09:57,880 Speaker 3: But as soon as we got done writing those, I 245 00:09:57,920 --> 00:10:00,000 Speaker 3: was like, we're done, let's drink a margaret. 246 00:10:00,679 --> 00:10:03,320 Speaker 1: Are you ever so excited about a song you just 247 00:10:03,360 --> 00:10:04,920 Speaker 1: wrote and you want to play it so bad but 248 00:10:04,960 --> 00:10:06,840 Speaker 1: you know you can't, and it's got to just sit 249 00:10:07,080 --> 00:10:08,800 Speaker 1: until it's horrible, right. 250 00:10:09,280 --> 00:10:12,000 Speaker 3: I play it for everyone in person, though there's been 251 00:10:12,000 --> 00:10:13,480 Speaker 3: like fans that all meet at bars. 252 00:10:13,520 --> 00:10:14,880 Speaker 2: I'm like, just listen to the bridge. 253 00:10:14,720 --> 00:10:19,680 Speaker 3: Please, And yeah, it's difficult because I want to share 254 00:10:19,679 --> 00:10:25,120 Speaker 3: everything right away, but obviously there's strategy, and yeah. 255 00:10:25,000 --> 00:10:27,360 Speaker 1: That's the strategy. Though it's not really for the creative. 256 00:10:27,600 --> 00:10:30,320 Speaker 1: It's for them to enforce that you're doing this strategy 257 00:10:30,679 --> 00:10:32,880 Speaker 1: that you've agreed on before you got creative. 258 00:10:33,040 --> 00:10:33,199 Speaker 3: Right. 259 00:10:33,320 --> 00:10:35,640 Speaker 1: Have you had a song fall out of you where 260 00:10:35,640 --> 00:10:38,280 Speaker 1: it's almost twenty thirty minutes or so. 261 00:10:38,440 --> 00:10:42,640 Speaker 3: Yeah, a lot of them, honestly, one that comes to 262 00:10:42,640 --> 00:10:45,800 Speaker 3: mind six months later. I mean honestly beautiful things too. 263 00:10:45,840 --> 00:10:48,559 Speaker 3: Like basically every song that makes an album, it happened 264 00:10:48,559 --> 00:10:51,840 Speaker 3: pretty quickly. There's very few times where it's like wedding Dress, 265 00:10:51,840 --> 00:10:53,640 Speaker 3: where I love the chorus and the bridge so much 266 00:10:53,720 --> 00:10:57,080 Speaker 3: that I know it's worth going back and fixing one day, 267 00:10:57,080 --> 00:10:59,960 Speaker 3: but a lot of the times it just happens very naturally. 268 00:11:00,240 --> 00:11:03,000 Speaker 1: Which is what was the first concert you've went to? 269 00:11:04,320 --> 00:11:06,200 Speaker 2: I was talking to Luke Brian about this the other day. 270 00:11:06,240 --> 00:11:08,960 Speaker 3: It's either Luke Brian Farm Tour at the Villarica Vplex 271 00:11:09,120 --> 00:11:11,560 Speaker 3: or it was Justin Bieber at Phillips Arena, and I 272 00:11:11,559 --> 00:11:13,760 Speaker 3: can't remember I each came first. 273 00:11:13,920 --> 00:11:16,080 Speaker 2: Yeah, I think it must have been the same year. 274 00:11:16,600 --> 00:11:17,440 Speaker 1: Have you met Bieber? 275 00:11:17,880 --> 00:11:20,880 Speaker 2: No, He's like the one. 276 00:11:20,559 --> 00:11:22,880 Speaker 3: Person when people ask me who would you get starstruck over? 277 00:11:22,920 --> 00:11:24,760 Speaker 3: I genuinely think it would be Justin Bieber. 278 00:11:24,960 --> 00:11:26,480 Speaker 1: And you haven't like talked to him at all, Like 279 00:11:26,679 --> 00:11:28,200 Speaker 1: no message from him being like I'm a big fan 280 00:11:28,240 --> 00:11:28,760 Speaker 1: of your music. 281 00:11:28,880 --> 00:11:33,800 Speaker 3: Nope, nothing, And I still got Bieber Feaver, who doesn't I. 282 00:11:33,760 --> 00:11:34,280 Speaker 2: Know, I don't think. 283 00:11:34,400 --> 00:11:36,400 Speaker 3: I think it's something that you you contract and it 284 00:11:36,400 --> 00:11:37,120 Speaker 3: never goes away. 285 00:11:37,840 --> 00:11:40,000 Speaker 1: Do you play piano a little bit? Do you ever 286 00:11:40,040 --> 00:11:42,080 Speaker 1: just sit down and play piano and like it? 287 00:11:42,400 --> 00:11:45,800 Speaker 3: I do when I'm like, it's nice to just sit 288 00:11:45,840 --> 00:11:48,360 Speaker 3: down and like make your brain stop working for a second. 289 00:11:48,880 --> 00:11:52,040 Speaker 3: And I'm not good at playing piano, Like I took 290 00:11:52,040 --> 00:11:55,400 Speaker 3: piano lessons as a kid hated him. I had to 291 00:11:55,400 --> 00:11:57,320 Speaker 3: do a few piano recitals and I was mad at 292 00:11:57,320 --> 00:11:59,480 Speaker 3: my mom for making me do that. And now I 293 00:11:59,520 --> 00:12:01,600 Speaker 3: can like play chords and stuff, and I can figure 294 00:12:01,600 --> 00:12:02,840 Speaker 3: out stuff if I teach myself. 295 00:12:02,880 --> 00:12:04,960 Speaker 2: But for the most part, I'm like not very good. 296 00:12:05,040 --> 00:12:07,800 Speaker 3: So it requires a lot of brain power, which is 297 00:12:07,840 --> 00:12:08,760 Speaker 3: sometimes fun for me. 298 00:12:09,040 --> 00:12:12,160 Speaker 1: Do you wish you would have committed more younger? Say 299 00:12:12,200 --> 00:12:15,600 Speaker 1: something to small kids out there listening that are going 300 00:12:15,760 --> 00:12:17,680 Speaker 1: through this that are like I hate piano. 301 00:12:18,720 --> 00:12:20,680 Speaker 3: I will give a message to the kids and the 302 00:12:20,720 --> 00:12:22,360 Speaker 3: mom's kids which camera ready? 303 00:12:22,360 --> 00:12:23,880 Speaker 1: I wanted to look at a camera to which one? 304 00:12:24,040 --> 00:12:24,679 Speaker 2: Which one. 305 00:12:26,200 --> 00:12:26,760 Speaker 1: That camera? 306 00:12:26,880 --> 00:12:30,679 Speaker 3: Okay, okay to the kids, listen to your mom and 307 00:12:30,720 --> 00:12:33,320 Speaker 3: take the piano lessons, because one day it'll be a 308 00:12:33,320 --> 00:12:35,439 Speaker 3: cool party trick that you're gonna You're gonna be the 309 00:12:35,440 --> 00:12:37,600 Speaker 3: coolest kid at the party. It might not seem cool 310 00:12:37,640 --> 00:12:39,600 Speaker 3: right now, but it will be one day to the moms. 311 00:12:40,440 --> 00:12:42,839 Speaker 3: Maybe if the kid has a suggestion of what it 312 00:12:42,880 --> 00:12:45,240 Speaker 3: would like to learn, just go with it. I wanted 313 00:12:45,240 --> 00:12:47,160 Speaker 3: to learn how to play high school musical so bad, 314 00:12:47,600 --> 00:12:51,240 Speaker 3: and instead I was learning these like really classical pieces 315 00:12:51,280 --> 00:12:53,320 Speaker 3: as like a you know, however, old I was eight 316 00:12:53,440 --> 00:12:54,120 Speaker 3: or something, so. 317 00:12:54,559 --> 00:12:58,520 Speaker 1: Maybe a little mixed like Tchaikowski. Yes, and more Demon Hunters. 318 00:12:58,679 --> 00:13:01,840 Speaker 2: Yeah, let them learned honors Janius. 319 00:13:02,080 --> 00:13:09,920 Speaker 1: Yes on the Bobby Bones Show. Now, what's your coffee order? 320 00:13:10,840 --> 00:13:14,520 Speaker 3: Depends on the day, when it's when it's like Christmas time, 321 00:13:14,600 --> 00:13:17,320 Speaker 3: I've been trying everything. Am I give me that caramel 322 00:13:17,440 --> 00:13:21,600 Speaker 3: BRULEI latte, give me the gingerbread latte. But typically it's 323 00:13:21,640 --> 00:13:24,440 Speaker 3: a salted caramel cream cole brew with extra cold foam 324 00:13:24,760 --> 00:13:26,560 Speaker 3: unless you're at Lalla Land and I get a banana 325 00:13:26,600 --> 00:13:27,160 Speaker 3: cloud MATCHA. 326 00:13:27,640 --> 00:13:31,000 Speaker 1: Lala Land's tough because it's a long lined La La Land. 327 00:13:31,000 --> 00:13:33,400 Speaker 1: Long does Megan RONI have to wait in line? 328 00:13:33,760 --> 00:13:35,560 Speaker 2: I have waited in line before. Yeah. 329 00:13:35,640 --> 00:13:38,240 Speaker 3: I think we could probably call them ahead and get 330 00:13:38,280 --> 00:13:39,960 Speaker 3: something done. But there's been times where I've just like 331 00:13:40,000 --> 00:13:41,559 Speaker 3: gone after a workout and I'm like, I don't want 332 00:13:41,559 --> 00:13:42,319 Speaker 3: to be like a diva. 333 00:13:42,400 --> 00:13:43,000 Speaker 2: That's crazy. 334 00:13:43,400 --> 00:13:45,199 Speaker 1: Will you just go to a workout by yourself? 335 00:13:45,559 --> 00:13:45,800 Speaker 2: Yeah? 336 00:13:45,960 --> 00:13:46,240 Speaker 1: Really? 337 00:13:46,480 --> 00:13:46,680 Speaker 2: Yeah? 338 00:13:46,760 --> 00:13:47,760 Speaker 1: Nashville is fine though. 339 00:13:47,720 --> 00:13:48,520 Speaker 2: Right Yeah? 340 00:13:48,559 --> 00:13:52,160 Speaker 3: And I go like really early so there's not that 341 00:13:52,240 --> 00:13:54,160 Speaker 3: many people taking classes, which is nice. 342 00:13:54,200 --> 00:13:55,120 Speaker 1: Do you like mornings? 343 00:13:55,520 --> 00:13:56,520 Speaker 2: I do? Yeah? 344 00:13:56,880 --> 00:13:58,959 Speaker 3: I like my mom called it the farm clock. The 345 00:13:59,040 --> 00:13:59,880 Speaker 3: other day, we wake up. 346 00:13:59,760 --> 00:14:00,160 Speaker 2: With this on. 347 00:14:01,360 --> 00:14:02,360 Speaker 1: Have you always been that way? 348 00:14:03,800 --> 00:14:05,640 Speaker 2: I think so I just have. I can't. I've never 349 00:14:05,640 --> 00:14:07,240 Speaker 2: been able to sleep past ten ever. 350 00:14:07,679 --> 00:14:09,760 Speaker 3: And that was like even when I'm like hungover in college, 351 00:14:09,800 --> 00:14:11,800 Speaker 3: you know, like I'm still like the first one up. 352 00:14:11,840 --> 00:14:13,559 Speaker 3: I'm like getting everybody coffee and bagels. 353 00:14:13,679 --> 00:14:16,240 Speaker 1: I have an or ring and they don't advertise, but 354 00:14:16,320 --> 00:14:18,400 Speaker 1: it tells me there's like an update, and it tells 355 00:14:18,400 --> 00:14:20,840 Speaker 1: you what your natural body clock is. And because I 356 00:14:20,920 --> 00:14:22,440 Speaker 1: wake up so early, I would go to bed early. 357 00:14:22,480 --> 00:14:24,920 Speaker 1: I would try to, and it's telling me, do not 358 00:14:25,000 --> 00:14:27,920 Speaker 1: go to bed so early, Like, even though you're waking 359 00:14:27,960 --> 00:14:30,520 Speaker 1: up early, your body is not doing well, so you 360 00:14:30,840 --> 00:14:32,440 Speaker 1: need Yeah, so it's you know, I try to go 361 00:14:32,520 --> 00:14:34,160 Speaker 1: to bed at eight thirty. We wake up very early, 362 00:14:34,240 --> 00:14:36,000 Speaker 1: so eight thirty, and it's like if you go to 363 00:14:36,000 --> 00:14:38,720 Speaker 1: bed before ten thirty, you're not getting optimal output. Even 364 00:14:38,800 --> 00:14:40,720 Speaker 1: you could take less hours and go to bed later 365 00:14:40,760 --> 00:14:42,840 Speaker 1: and feel better. Wow, which is crazy. 366 00:14:42,960 --> 00:14:44,600 Speaker 3: Okay, So I think you need like three months of 367 00:14:44,680 --> 00:14:45,800 Speaker 3: data for that to start working. 368 00:14:46,120 --> 00:14:48,400 Speaker 1: Yeah, I've got like four days, so it's very micro 369 00:14:48,560 --> 00:14:50,840 Speaker 1: data right now. But I've been staying up late this 370 00:14:51,000 --> 00:14:53,200 Speaker 1: or ring, like really like, I look at it every morning. 371 00:14:53,280 --> 00:14:54,040 Speaker 1: I'm obsessed with that. 372 00:14:54,200 --> 00:14:56,160 Speaker 2: I look at the sleep score every morning because I 373 00:14:56,200 --> 00:14:56,680 Speaker 2: try to win. 374 00:14:57,200 --> 00:15:00,760 Speaker 1: Like today mine was eighty really, yeah, I think I 375 00:15:00,800 --> 00:15:02,800 Speaker 1: got a good I got a solid five last night, 376 00:15:03,840 --> 00:15:07,000 Speaker 1: five hours. Well that's a solid five. Though she got eighty, 377 00:15:07,000 --> 00:15:08,600 Speaker 1: you got no eighty four. 378 00:15:10,440 --> 00:15:12,920 Speaker 3: The highest I've gotten was ninety four, and that was 379 00:15:13,000 --> 00:15:14,880 Speaker 3: on the flight home from Australia. 380 00:15:14,880 --> 00:15:17,200 Speaker 2: I took an ADVILPM. Oh, well that'll do it. 381 00:15:17,400 --> 00:15:19,880 Speaker 3: I was like, I've never gotten above ninety four, though 382 00:15:20,160 --> 00:15:21,760 Speaker 3: I got shooting for the stars. 383 00:15:21,600 --> 00:15:24,200 Speaker 1: I got a seventy one. Okay, that's pretty good for me. 384 00:15:24,200 --> 00:15:27,720 Speaker 1: I don't sleep well. Yeah, to see it's a solid sea. Yeah, 385 00:15:27,760 --> 00:15:30,160 Speaker 1: I got a seventy one sleep and a seventy one readiness. 386 00:15:30,160 --> 00:15:32,200 Speaker 1: I look at that readiness a lot because sometimes if 387 00:15:32,200 --> 00:15:35,120 Speaker 1: I get good sleep, my readiness is low. I don't know. 388 00:15:35,160 --> 00:15:36,120 Speaker 1: I don't know how this ring does it. 389 00:15:36,120 --> 00:15:37,720 Speaker 4: So wait, what does readiness mean? 390 00:15:38,160 --> 00:15:40,200 Speaker 1: It means how ready you are, how you are? 391 00:15:40,280 --> 00:15:41,880 Speaker 4: Okay, well, what does that? What does that mean? 392 00:15:42,000 --> 00:15:44,000 Speaker 1: I think it means based on the activity from the 393 00:15:44,080 --> 00:15:47,880 Speaker 1: day before, Okay, the sleep that you got, all the data, 394 00:15:48,120 --> 00:15:50,240 Speaker 1: how good your day is going to be physically just 395 00:15:50,240 --> 00:15:52,160 Speaker 1: based on that what it knows about you, right, But 396 00:15:52,160 --> 00:15:54,160 Speaker 1: I'm blown away that Apple Watches and ore range can 397 00:15:54,200 --> 00:15:55,840 Speaker 1: just fill a pulse and tell you all the stuff. 398 00:15:55,960 --> 00:15:59,480 Speaker 3: Yeah, I've I've been wearing this on stage at the 399 00:15:59,560 --> 00:16:02,160 Speaker 3: end of the year when I played in Australia and stuff, 400 00:16:02,160 --> 00:16:05,280 Speaker 3: and it's really interesting, like my stress levels on show 401 00:16:05,360 --> 00:16:08,720 Speaker 3: days compared to non show days. It's interesting how this 402 00:16:08,760 --> 00:16:10,360 Speaker 3: little ring does all that mine. 403 00:16:10,400 --> 00:16:12,600 Speaker 1: Will give me a did you just cross train during 404 00:16:12,640 --> 00:16:15,760 Speaker 1: the show because I get so elevated on a live 405 00:16:15,800 --> 00:16:17,880 Speaker 1: show and it goes cross training one hundred and seventy 406 00:16:17,880 --> 00:16:21,040 Speaker 1: eight calories and I'm like, no, it was just at work. Happened, 407 00:16:21,280 --> 00:16:26,240 Speaker 1: was just at work. Yeah. So I'm gonna play like 408 00:16:26,360 --> 00:16:28,680 Speaker 1: random hits of yours before we go and play six 409 00:16:28,720 --> 00:16:30,840 Speaker 1: months later before we play beautiful Things. So can you 410 00:16:30,920 --> 00:16:33,280 Speaker 1: give me just like a random story about three of 411 00:16:33,320 --> 00:16:35,640 Speaker 1: these songs? If I say the song sure, okay, if 412 00:16:35,640 --> 00:16:37,800 Speaker 1: we go back to Tennessee Orange, like what comes to 413 00:16:37,840 --> 00:16:38,680 Speaker 1: mind about that song? 414 00:16:40,600 --> 00:16:42,520 Speaker 3: Me sending it to my mom for the first time 415 00:16:42,640 --> 00:16:44,640 Speaker 3: and literally being scared because I'm like, she's gonna be 416 00:16:44,640 --> 00:16:45,120 Speaker 3: so mad. 417 00:16:45,000 --> 00:16:48,000 Speaker 1: At me because of what you're singing about. 418 00:16:47,920 --> 00:16:50,000 Speaker 2: Because I'm saying I'm wearing Tennessee orange for him. 419 00:16:50,120 --> 00:16:52,240 Speaker 1: Yeah, what about I'm not pretty? 420 00:16:53,920 --> 00:16:57,840 Speaker 3: I think about how the person that inspired it accidentally 421 00:16:57,880 --> 00:16:59,520 Speaker 3: liked to photo at two am or. 422 00:16:59,440 --> 00:17:01,480 Speaker 2: Something like that. I think it was like two am. 423 00:17:01,360 --> 00:17:03,440 Speaker 1: One, and then I wrote a whole song accidental likes 424 00:17:03,440 --> 00:17:07,200 Speaker 1: where they were just stalking and hit Yep. That's tough 425 00:17:07,240 --> 00:17:10,600 Speaker 1: because I scroll, Yeah, because it takes a push to scroll. 426 00:17:11,040 --> 00:17:12,400 Speaker 1: It does take a put and if you just push 427 00:17:12,440 --> 00:17:13,520 Speaker 1: too hard sometimes it likes. 428 00:17:13,920 --> 00:17:16,639 Speaker 3: My favorite is or I'm like showing my mom and 429 00:17:16,680 --> 00:17:19,760 Speaker 3: she's like getting she's really being careless. 430 00:17:19,280 --> 00:17:22,080 Speaker 2: With the phone. I'm like, easy, don't like you don't. 431 00:17:21,880 --> 00:17:23,680 Speaker 1: Want her to accidentally like something. 432 00:17:24,080 --> 00:17:25,960 Speaker 2: You can't explain that to somebody. It was my mom. 433 00:17:26,840 --> 00:17:28,840 Speaker 1: And we're here talking about six months later, so give 434 00:17:28,840 --> 00:17:30,080 Speaker 1: me a story. About six months later. 435 00:17:30,880 --> 00:17:33,080 Speaker 3: I wrote that song in the middle of the ocean 436 00:17:33,320 --> 00:17:35,919 Speaker 3: on a boat and I was I was in the 437 00:17:35,960 --> 00:17:38,560 Speaker 3: island for about like seven days and we were supposed 438 00:17:38,560 --> 00:17:39,520 Speaker 3: to be writing songs. 439 00:17:39,280 --> 00:17:39,720 Speaker 2: The whole time. 440 00:17:39,760 --> 00:17:42,840 Speaker 3: Which island It was like the BVS somewhere, but it's 441 00:17:42,880 --> 00:17:48,080 Speaker 3: like middle of the ocean, so not sure, and we 442 00:17:48,080 --> 00:17:50,440 Speaker 3: were writing. We're supposed to be writing all week. We 443 00:17:50,480 --> 00:17:53,359 Speaker 3: wrote six months later, and then all the following days. 444 00:17:53,520 --> 00:17:55,119 Speaker 3: I didn't like the songs as much as I liked 445 00:17:55,119 --> 00:17:58,000 Speaker 3: six months later. So that's the only song we got 446 00:17:58,040 --> 00:18:00,000 Speaker 3: the whole seven days. It's quite inefficient. 447 00:18:01,359 --> 00:18:02,959 Speaker 1: Do you have any songs you're holding on too now 448 00:18:02,960 --> 00:18:04,680 Speaker 1: that you've held for so long that maybe at one 449 00:18:04,680 --> 00:18:07,840 Speaker 1: point you'll do what you did with wedding dress. 450 00:18:08,920 --> 00:18:11,800 Speaker 2: I think there's a possibility, yeah, yeah, that. 451 00:18:11,760 --> 00:18:14,639 Speaker 1: You just haven't found it exactly, but there's a reason 452 00:18:14,720 --> 00:18:16,239 Speaker 1: you're holding on to it, and you maybe don't even 453 00:18:16,280 --> 00:18:16,800 Speaker 1: know why yet. 454 00:18:17,119 --> 00:18:17,479 Speaker 2: Yeah. 455 00:18:17,520 --> 00:18:20,360 Speaker 3: I think there's two Like songs take on different meanings 456 00:18:20,480 --> 00:18:24,440 Speaker 3: at different times in your life, So I keep everything. 457 00:18:24,560 --> 00:18:27,920 Speaker 3: I this is like something that I guess is kind 458 00:18:27,920 --> 00:18:30,760 Speaker 3: of weird. But I don't like pitch my songs. They're 459 00:18:30,800 --> 00:18:33,439 Speaker 3: all just yeah, they're all locked up on my phone. 460 00:18:33,760 --> 00:18:34,600 Speaker 1: A mean thing for Megan. 461 00:18:34,680 --> 00:18:36,240 Speaker 4: Well, I was just saying, I like what you said 462 00:18:36,280 --> 00:18:38,600 Speaker 4: about wedding dress, and I found it so interesting that 463 00:18:38,640 --> 00:18:40,439 Speaker 4: you're like, wait a second, I need to pause, Like 464 00:18:40,440 --> 00:18:43,520 Speaker 4: what would a rational person say, because you you had 465 00:18:43,560 --> 00:18:45,800 Speaker 4: the awareness of like I don't know that I'm thinking 466 00:18:45,880 --> 00:18:47,879 Speaker 4: rationally right now, and I want this song to be 467 00:18:48,000 --> 00:18:50,919 Speaker 4: from that place. So you had to to pause, and 468 00:18:50,960 --> 00:18:52,600 Speaker 4: then you woke up one morning, and so I wonder 469 00:18:52,640 --> 00:18:54,560 Speaker 4: if your ability to write it and finish it the 470 00:18:54,560 --> 00:18:57,320 Speaker 4: way you wanted was, like, oh maybe was there like 471 00:18:57,440 --> 00:18:59,879 Speaker 4: this is the day where I know that healing happened. 472 00:18:59,600 --> 00:19:02,000 Speaker 3: Right, And I think to like songs like Wedding Dress 473 00:19:02,040 --> 00:19:03,440 Speaker 3: and Girl in the Mirror to be able to sing 474 00:19:03,480 --> 00:19:06,080 Speaker 3: those live. I think it's inspiring to my fans to 475 00:19:06,119 --> 00:19:09,439 Speaker 3: know like I was in the trenches, like I was 476 00:19:09,480 --> 00:19:12,520 Speaker 3: down astronomically bad, and it did get better. And I 477 00:19:12,520 --> 00:19:16,359 Speaker 3: think that there's strengthened that definitely, even though hope, yeah, 478 00:19:16,400 --> 00:19:21,080 Speaker 3: and hope. So some of the you know, best songwriters 479 00:19:21,119 --> 00:19:23,560 Speaker 3: I know have given me the advice to just like 480 00:19:23,840 --> 00:19:26,240 Speaker 3: hold onto songs if there's like a little like sparkle 481 00:19:26,280 --> 00:19:29,159 Speaker 3: in there that you think exists, like, don't give up 482 00:19:29,160 --> 00:19:29,399 Speaker 3: on it. 483 00:19:29,440 --> 00:19:31,840 Speaker 2: It might come back around and you never know. 484 00:19:32,160 --> 00:19:36,159 Speaker 4: And with your pink your current lip color, do you 485 00:19:36,240 --> 00:19:36,560 Speaker 4: know it? 486 00:19:37,040 --> 00:19:37,280 Speaker 2: Yeah? 487 00:19:37,320 --> 00:19:41,240 Speaker 3: So it's endless cacao by Makeup Forever? Do you kind 488 00:19:41,240 --> 00:19:46,639 Speaker 3: of overline. 489 00:19:46,200 --> 00:19:47,000 Speaker 2: It's kind of like a. 490 00:19:48,240 --> 00:19:51,080 Speaker 3: Make up forever, Okay, and then you fill in like 491 00:19:51,600 --> 00:19:56,040 Speaker 3: I kind of overline that with whatever walnut and then 492 00:19:57,000 --> 00:19:59,640 Speaker 3: oh gosh, it's a makeup you can use any like gloss. 493 00:20:00,080 --> 00:20:01,919 Speaker 2: But my makeup artist has posted it. 494 00:20:01,920 --> 00:20:04,720 Speaker 3: It's something makeup by Mario, lipstick and then a gloss. 495 00:20:04,920 --> 00:20:06,800 Speaker 4: Okay, Well, it's like the lip color that I'm most 496 00:20:06,840 --> 00:20:10,640 Speaker 4: intrigued by. It's like the perfect like light or pinkish. 497 00:20:10,920 --> 00:20:13,639 Speaker 4: I don't know you effect. Okay, but this makeup by Mario. 498 00:20:13,800 --> 00:20:15,800 Speaker 2: Yeah, I wear the same one every single day. Okay. 499 00:20:15,840 --> 00:20:17,479 Speaker 4: Well, then if your person's posted about it, we can 500 00:20:17,480 --> 00:20:18,080 Speaker 4: find it online. 501 00:20:18,119 --> 00:20:20,280 Speaker 3: You could probably just look it up on TikTok. 502 00:20:20,320 --> 00:20:21,600 Speaker 1: I feel like we just did to get ready. 503 00:20:21,400 --> 00:20:23,920 Speaker 2: With me with We should do that next time. 504 00:20:23,960 --> 00:20:26,399 Speaker 3: I'll just come in, no makeup, no hair, should put 505 00:20:26,440 --> 00:20:27,240 Speaker 3: it in. 506 00:20:27,960 --> 00:20:29,600 Speaker 2: Yeah. 507 00:20:29,640 --> 00:20:32,760 Speaker 1: So the collab with Casey and Ed so, I don't know, 508 00:20:32,800 --> 00:20:34,440 Speaker 1: that's a lot. That's three of my favorites. 509 00:20:35,119 --> 00:20:35,320 Speaker 4: Yeah. 510 00:20:35,560 --> 00:20:39,679 Speaker 3: I The Casey muskra thing is my super Bowl, as 511 00:20:40,040 --> 00:20:42,120 Speaker 3: anyone who's followed me for the past however many years, 512 00:20:42,160 --> 00:20:45,240 Speaker 3: would know. And the Ed Sheeran thing is also just unbelievable. 513 00:20:45,680 --> 00:20:48,560 Speaker 3: I don't know how I pulled that one off. 514 00:20:48,800 --> 00:20:51,080 Speaker 1: So do you send them songs and go, do you 515 00:20:51,080 --> 00:20:53,600 Speaker 1: want to be on this individually? Do you get nervous 516 00:20:53,600 --> 00:20:54,639 Speaker 1: they're not going to say yes. 517 00:20:55,480 --> 00:20:57,399 Speaker 3: At first, I was nervous to talk to Ed Sheeran, 518 00:20:57,480 --> 00:20:59,840 Speaker 3: of course, but he's a emailer, so that takes kind 519 00:20:59,840 --> 00:21:01,680 Speaker 3: of the pressure off because I would just not check 520 00:21:01,720 --> 00:21:03,679 Speaker 3: my email for like two weeks and wouldn't worry about it. 521 00:21:04,400 --> 00:21:06,840 Speaker 3: But Ed and I would send back and forth songs 522 00:21:08,040 --> 00:21:09,800 Speaker 3: and then is it? Like we had said, he would 523 00:21:09,800 --> 00:21:11,239 Speaker 3: send me one and I'm like, I don't know if 524 00:21:11,280 --> 00:21:12,840 Speaker 3: this is it, I'd send him on He's like, Hey, 525 00:21:12,840 --> 00:21:13,239 Speaker 3: I don't know. 526 00:21:13,440 --> 00:21:15,119 Speaker 1: Oh you guys did that? Did the dance? 527 00:21:15,280 --> 00:21:15,520 Speaker 2: Yeah? 528 00:21:15,840 --> 00:21:20,880 Speaker 3: And we really just after the Bluebird Show, he told 529 00:21:20,920 --> 00:21:22,640 Speaker 3: me that his wife and kids love me and he 530 00:21:22,760 --> 00:21:25,360 Speaker 3: like loves my songwriting, and I'm obviously such a fan 531 00:21:25,400 --> 00:21:25,600 Speaker 3: of his. 532 00:21:25,680 --> 00:21:28,080 Speaker 2: So I think we just really wanted to like collab together. 533 00:21:28,320 --> 00:21:30,320 Speaker 1: What's great about that? As you know, you're actually honest 534 00:21:30,359 --> 00:21:31,760 Speaker 1: about it, Because if both of you said I don't 535 00:21:31,760 --> 00:21:33,399 Speaker 1: know if this is it, that means when it is it, 536 00:21:33,480 --> 00:21:35,160 Speaker 1: you both are sincere about it. 537 00:21:35,359 --> 00:21:40,320 Speaker 3: And I definitely trusted Ed after it's done, like he 538 00:21:40,359 --> 00:21:42,520 Speaker 3: made the right decision. The song that we cut is 539 00:21:42,560 --> 00:21:45,320 Speaker 3: a traditionally country song. It's not a pop song, I 540 00:21:45,320 --> 00:21:49,440 Speaker 3: think from what I know about collabing with pop artists, 541 00:21:49,520 --> 00:21:52,280 Speaker 3: usually it's like a tempo like kind of pop song 542 00:21:52,280 --> 00:21:53,359 Speaker 3: with a country voice on it. 543 00:21:53,600 --> 00:21:56,360 Speaker 2: But he wanted to go the opposite. 544 00:21:56,000 --> 00:21:58,800 Speaker 3: Route and do a really traditional country song with his 545 00:21:58,920 --> 00:22:00,919 Speaker 3: like modern pop voice on it. 546 00:22:01,720 --> 00:22:02,680 Speaker 2: So it made it. 547 00:22:02,640 --> 00:22:05,200 Speaker 3: Really interesting and that I'm very excited for everyone to 548 00:22:05,200 --> 00:22:10,840 Speaker 3: hear that. One the Casey club, I had just hail Mary, 549 00:22:11,080 --> 00:22:14,959 Speaker 3: will you just sing some background vocals? It was actually 550 00:22:14,960 --> 00:22:18,400 Speaker 3: my team my manager knows her manager pretty well, and 551 00:22:18,640 --> 00:22:20,520 Speaker 3: I remember them asking me like, is there anything that 552 00:22:20,560 --> 00:22:24,160 Speaker 3: would make this album like a little bit better to you, 553 00:22:24,520 --> 00:22:27,119 Speaker 3: Like if you could have any us request anything, what 554 00:22:27,119 --> 00:22:29,320 Speaker 3: do you want? And I was like, you know, bells 555 00:22:29,320 --> 00:22:31,879 Speaker 3: and whistles would sound really good with Casey. It sounds 556 00:22:31,880 --> 00:22:33,840 Speaker 3: like a song that maybe could have been on same Chailer, 557 00:22:33,880 --> 00:22:36,920 Speaker 3: different park, I think, And I was like, man, it 558 00:22:36,960 --> 00:22:39,600 Speaker 3: would just be a cool talking point to have, like, yeah, 559 00:22:39,680 --> 00:22:43,280 Speaker 3: Casey Musgraves sing on one of my songs, and she. 560 00:22:43,680 --> 00:22:45,040 Speaker 2: Ended up singing on it. 561 00:22:45,200 --> 00:22:46,720 Speaker 3: I found out the day I found out I want 562 00:22:46,760 --> 00:22:50,000 Speaker 3: his VMA Award, and I was like, I was in 563 00:22:50,000 --> 00:22:52,159 Speaker 3: the best mood. Ever, and nobody knew wy because I 564 00:22:52,160 --> 00:22:56,320 Speaker 3: coudn't say anything. They just thought I was just like whoa, 565 00:22:57,119 --> 00:23:00,439 Speaker 3: which they were really really fun, I will say, but 566 00:23:00,520 --> 00:23:05,000 Speaker 3: I was on cloud nine that day and so that's 567 00:23:05,040 --> 00:23:06,439 Speaker 3: when I found out she was going to sing on it. 568 00:23:06,480 --> 00:23:08,760 Speaker 3: I was like, oh my god, Casey's singing on my song. 569 00:23:09,320 --> 00:23:12,320 Speaker 3: Life has never been better. And then when we finally 570 00:23:12,359 --> 00:23:14,679 Speaker 3: got the song, she had sent over a text that 571 00:23:14,800 --> 00:23:16,919 Speaker 3: was like, Hey, I've never done this before. 572 00:23:16,960 --> 00:23:18,320 Speaker 2: Please don't feel like you have to use it. But 573 00:23:18,320 --> 00:23:19,240 Speaker 2: I went ahead and sang. 574 00:23:19,040 --> 00:23:20,760 Speaker 1: The second verse no way. 575 00:23:21,040 --> 00:23:21,399 Speaker 2: Yeah. 576 00:23:21,520 --> 00:23:23,239 Speaker 3: She's like, I've never done this before, and like, I 577 00:23:23,280 --> 00:23:24,600 Speaker 3: really don't want you to feel like you have to 578 00:23:24,680 --> 00:23:25,000 Speaker 3: use this. 579 00:23:26,040 --> 00:23:27,040 Speaker 2: But I love the song. 580 00:23:27,560 --> 00:23:29,520 Speaker 1: And were you blown away at that that? 581 00:23:30,080 --> 00:23:33,040 Speaker 3: Like, like I said, it's my super Bowl, Like she 582 00:23:33,440 --> 00:23:35,200 Speaker 3: same to a different park made me want to start 583 00:23:35,240 --> 00:23:38,600 Speaker 3: writing songs. And so to have her, first of all, 584 00:23:38,640 --> 00:23:40,960 Speaker 3: just lend me her voice, which I've I always knew 585 00:23:40,960 --> 00:23:42,880 Speaker 3: we sounded good together because I've been harmonizing with her 586 00:23:42,880 --> 00:23:45,159 Speaker 3: in the car for a long time, but just to 587 00:23:45,160 --> 00:23:48,359 Speaker 3: hear our voices together, and then to know as a songwriter. 588 00:23:48,520 --> 00:23:50,880 Speaker 3: She liked the song so much she didn't change one word. 589 00:23:50,960 --> 00:23:54,080 Speaker 3: She didn't change a syllable, like she sang it as 590 00:23:54,119 --> 00:23:56,800 Speaker 3: it is, And to me, that's like the highest compliment. 591 00:23:56,800 --> 00:23:58,959 Speaker 3: We sat next to each other at Paul McCartney and 592 00:23:59,040 --> 00:23:59,960 Speaker 3: like the whole time, I was. 593 00:24:00,160 --> 00:24:02,919 Speaker 2: Just like, I love you. I still our song, and 594 00:24:03,000 --> 00:24:04,960 Speaker 2: I'm like all hill Queen Casey. 595 00:24:05,080 --> 00:24:06,560 Speaker 1: So that's a great story. 596 00:24:06,640 --> 00:24:09,920 Speaker 3: It's definitely like a bucket list thing. And my I cried. 597 00:24:10,000 --> 00:24:12,520 Speaker 3: I'm not a happy crier typically, and I cried when 598 00:24:12,560 --> 00:24:13,560 Speaker 3: I heard it because. 599 00:24:13,359 --> 00:24:16,439 Speaker 2: I just couldn't believe that she was singing with me. 600 00:24:16,560 --> 00:24:19,119 Speaker 3: I used to make my parents anytime she was in 601 00:24:19,119 --> 00:24:21,399 Speaker 3: the Southeast, I would make my parents go with me 602 00:24:21,480 --> 00:24:23,680 Speaker 3: and we would get there at like two pm, sit 603 00:24:23,760 --> 00:24:26,120 Speaker 3: outside the venue. I met her outside of her tour 604 00:24:26,160 --> 00:24:29,480 Speaker 3: bus one time, a yeah, have you told her that? 605 00:24:29,720 --> 00:24:30,400 Speaker 2: Yeah? 606 00:24:30,560 --> 00:24:34,000 Speaker 3: And we shared her dressing room at the CMA's last year, 607 00:24:34,160 --> 00:24:36,040 Speaker 3: which was that I didn't know how it was going 608 00:24:36,080 --> 00:24:37,639 Speaker 3: to go, because I was like, she might be like, 609 00:24:37,840 --> 00:24:39,040 Speaker 3: oh great, the girl that. 610 00:24:39,119 --> 00:24:41,440 Speaker 2: Waited outside my bus for me. I had to share 611 00:24:41,440 --> 00:24:42,760 Speaker 2: a room with her. How lucky am I? 612 00:24:44,000 --> 00:24:47,120 Speaker 3: But she was so sweet and that's to me, like, 613 00:24:47,400 --> 00:24:49,159 Speaker 3: you know, a ward shows are stressful anyways, so I 614 00:24:49,200 --> 00:24:51,400 Speaker 3: wasn't expecting her to even say hi, and she took 615 00:24:51,400 --> 00:24:54,879 Speaker 3: time to take pictures and stuff. So I'll always be 616 00:24:54,920 --> 00:24:57,199 Speaker 3: grateful for her just being so kind and just for 617 00:24:57,240 --> 00:24:58,280 Speaker 3: her music and her voice. 618 00:24:58,280 --> 00:25:00,360 Speaker 2: It's I'm like the number in case. 619 00:25:00,480 --> 00:25:03,399 Speaker 1: That is great. I can tell yeah, that's a great story. 620 00:25:03,720 --> 00:25:06,199 Speaker 1: My final question is, can you gave you a Dolly 621 00:25:06,359 --> 00:25:08,640 Speaker 1: autograph guitar? What'd you do with it? 622 00:25:08,640 --> 00:25:11,760 Speaker 3: It's like in the case in my bedroom right now. 623 00:25:12,520 --> 00:25:13,320 Speaker 3: I don't want it to get. 624 00:25:13,280 --> 00:25:13,840 Speaker 2: Dust on it. 625 00:25:14,640 --> 00:25:19,199 Speaker 1: You're still deciding what do you mean? Just what to do? 626 00:25:19,240 --> 00:25:20,760 Speaker 1: It's is it always going to stay in the case. 627 00:25:20,880 --> 00:25:22,840 Speaker 1: It's not. It's not a guitar you're gonna play, is it? 628 00:25:23,280 --> 00:25:24,440 Speaker 2: I'm gonna write with it? 629 00:25:24,960 --> 00:25:25,400 Speaker 1: That's cool. 630 00:25:25,480 --> 00:25:27,720 Speaker 3: Yes, it's gonna be my new writing guitar because I 631 00:25:27,720 --> 00:25:29,440 Speaker 3: feel like if it's got the Kinney touch and the 632 00:25:29,480 --> 00:25:31,439 Speaker 3: Dolly touch, like there's got to be some sort of 633 00:25:31,480 --> 00:25:34,199 Speaker 3: magic in that. Definitely not going to bring it on 634 00:25:34,200 --> 00:25:36,119 Speaker 3: the road or anything, because it's like one of my 635 00:25:36,160 --> 00:25:37,000 Speaker 3: prize possessions. 636 00:25:37,040 --> 00:25:39,280 Speaker 1: But well, congratulations on everything. 637 00:25:39,600 --> 00:25:40,520 Speaker 2: Thank you. It was great. 638 00:25:40,680 --> 00:25:43,439 Speaker 1: I can't wait for the full album. Congrats on Six 639 00:25:43,520 --> 00:25:45,880 Speaker 1: months later, We love when you come by, so great 640 00:25:45,880 --> 00:25:48,040 Speaker 1: to see you next time. We'll do it. Get ready 641 00:25:48,080 --> 00:25:49,879 Speaker 1: with me. We also get ready, but it takes me 642 00:25:49,960 --> 00:25:50,600 Speaker 1: five seconds. 643 00:25:51,040 --> 00:25:52,439 Speaker 2: Yeah, we can do each other's makeup. 644 00:25:53,320 --> 00:25:55,639 Speaker 4: I'm already over here shopping. I'm like, okay, found it 645 00:25:55,680 --> 00:25:56,480 Speaker 4: and let's cackl. 646 00:25:56,560 --> 00:26:01,280 Speaker 1: Got it Mega Maroni everybody at meg Moroon and yeah, 647 00:26:01,280 --> 00:26:02,760 Speaker 1: I streamed the crap out of the album when it 648 00:26:02,800 --> 00:26:06,560 Speaker 1: comes out February twentieth. Right, we're getting really close, all right, 649 00:26:06,560 --> 00:26:08,280 Speaker 1: there she has Mega Maroni. Everybody Yay.