WEBVTT - Round Five!

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<v Speaker 1>Hi, Christy, Hey Will, how are you good. We've got

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<v Speaker 1>a kind of a strange start to our show because

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<v Speaker 1>our wonderful engineer Brian is not here today, so Trevor

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<v Speaker 1>is with us. So for the first time ever, Hey Trevor,

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<v Speaker 1>why hello, we get to hay in our guest, which

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<v Speaker 1>we've never done before. Christie, welcome, and welcome back Trevor.

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<v Speaker 1>He was actually signed on first, so he should be

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<v Speaker 1>the one that's I am ready to go great awesome

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<v Speaker 1>walk us through the contest today, Trevor. What are the

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<v Speaker 1>rules and what's going on? Fun? So we are back again,

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<v Speaker 1>everybody with our super awesome contest to become the next

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<v Speaker 1>big Voice actor. And thank you so much Trevor for

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<v Speaker 1>joining us as our special guest today. So Trevor, so,

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<v Speaker 1>so you know we told you about the launch of

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<v Speaker 1>this contest. We ended up getting over four thousand entries

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<v Speaker 1>that we then whittled down to the top sixteen and

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<v Speaker 1>they are going the first sixteen the Sweet sixteen. I'm

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<v Speaker 1>coining that phrase, um are going to be coining to

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<v Speaker 1>the Elite eight, the winners coining that phrase as well

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<v Speaker 1>to then the final four. I love all these things

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<v Speaker 1>I made up. Yeah, but we are so happy the

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<v Speaker 1>competition has been I'm right here, Hey, Brendan, can we

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<v Speaker 1>maybe be in the middle of our podcast instead of

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<v Speaker 1>you swearing all over the place. So I'm recording of

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<v Speaker 1>a podcast. Yeah, I was screaming because I'm talking to

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<v Speaker 1>Will for now and he makes me scream. What the hell, Brendan?

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<v Speaker 1>He said, what the hell Brendon? He thought I got hurt.

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<v Speaker 1>I'd like to point out that he's actually one of

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<v Speaker 1>the executive producers of the show. It shows how little

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<v Speaker 1>he knows of what's actually happening. He's the perfect executive producer, exactly,

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<v Speaker 1>exactly pretty much. Yeah, no, that's awesome. So we are,

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<v Speaker 1>as we said, fifth round, and the competition has been

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<v Speaker 1>amazingly fierce. We've had some incredible guests come on, guest judges. So, Trevor,

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<v Speaker 1>what we're going to do is we have two guests

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<v Speaker 1>come on, they go head to head. We have a

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<v Speaker 1>game that we're doing that we call by the Numbers.

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<v Speaker 1>So what we've done is we have come up with

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<v Speaker 1>four categories, size, what are you, age, and a wacky

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<v Speaker 1>attribute You. Trevor de Val, who are our guests today,

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<v Speaker 1>are going to give us different numbers and by the

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<v Speaker 1>numbers you pick, you will be creating the characters that

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<v Speaker 1>the contestants have to do on the fly. They have

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<v Speaker 1>been given two lines of dialogue that they were allowed

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<v Speaker 1>to have overnight. We will do two rounds and then

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<v Speaker 1>we throw a third line of dialogue which they have

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<v Speaker 1>not seen to see how they do with cold readings,

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<v Speaker 1>and we go from there. In between each round or

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<v Speaker 1>in between each take, I should say, we like to

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<v Speaker 1>throw it to you and open to us, the guest judges,

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<v Speaker 1>to maybe give everybody some notes, maybe give them some

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<v Speaker 1>ideas of what they could change, what they would do differently,

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<v Speaker 1>and then we, you know, go through the three rounds

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<v Speaker 1>and then we decide who was moving on to the

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<v Speaker 1>Elite eight. Which is a lot of fun. So we

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<v Speaker 1>last week was a great round. The week before we

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<v Speaker 1>could it was it was amazing. We just Cree Summer

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<v Speaker 1>was our our guest judge, and we were going back

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<v Speaker 1>and forth. They were so good we just didn't know

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<v Speaker 1>who to pick. It was really really neck and neck.

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<v Speaker 1>I mean, the competition is getting very very stiff. Everybody's

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<v Speaker 1>doing really really well, so it was really great. So

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<v Speaker 1>is everybody here are the contestants with us now yes, okay,

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<v Speaker 1>So our contestants are with us, So we bring our

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<v Speaker 1>contestants in just by whoever was in the waiting room first.

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<v Speaker 1>So I believe our first contestant that was here is

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<v Speaker 1>Hannah from Alabama. So if we could bring Hannah in

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<v Speaker 1>and learn a little bit about her before we start

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<v Speaker 1>our show, that would be great. Hannah, come on in.

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<v Speaker 1>Oh hi, Hannah, how are you? Are you welcome to

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<v Speaker 1>the super awesome contest to become the next big Voice Actor.

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<v Speaker 1>Thank you and congratulations on making the top sixteen. No pressure, right,

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<v Speaker 1>no pressure, I'm Will. This is Christy and our very

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<v Speaker 1>special guest judge today is the legendary Trevor de Val,

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<v Speaker 1>who you've heard as everything. How are yours? Sounds ling? Voice?

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<v Speaker 1>That is his real voice. We've never actually no one's

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<v Speaker 1>ever heard his real voice. It's like it's like going

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<v Speaker 1>back and seeing the beginning of time. You can't actually

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<v Speaker 1>see it. So Trevor, I don't think even remembers what

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<v Speaker 1>Trevor actually sounds like. Remember what we sound like? It's

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<v Speaker 1>very strange. See. So, Hannah, where where you know? You're from? Alabama? Correct?

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<v Speaker 1>I am? And what made you decide that you wanted

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<v Speaker 1>to be a voiceover actor. Well, I was originally setting

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<v Speaker 1>to be an opera singer, and I had a really

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<v Speaker 1>rough summer where I was just sick every other week

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<v Speaker 1>and singing just wasn't happening, and I needed a creative outlet.

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<v Speaker 1>And I had always loved playing, you know, video games

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<v Speaker 1>with my brother Replaylic and I Seal Old Republic, Call

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<v Speaker 1>It or Water or Warfare too, and we just had

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<v Speaker 1>a blast at those. And actually Avatar the Last Airbender

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<v Speaker 1>was running while I was six, so I was watching

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<v Speaker 1>that in the middle of the night. I was like,

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<v Speaker 1>I didn't it never registered to me that like voice

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<v Speaker 1>actors could actually was a job like that. And I

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<v Speaker 1>was like, wait a minute, Like how do I do this?

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<v Speaker 1>This sounds like a great creative outlet. So I typed in,

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<v Speaker 1>like how do I become a voice actor? And I

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<v Speaker 1>got Dee Bradley Baker's website that popped up, started educating

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<v Speaker 1>myself and so like for three days, I just like

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<v Speaker 1>really got into it, and then I was like, all right,

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<v Speaker 1>I'm gonna throw some auditions out there and see what happens,

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<v Speaker 1>because why not. And with my laptop my phone in

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<v Speaker 1>my basement, we recorded. We had no idea what sounds

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<v Speaker 1>quality was. We just went for it and uh yeah,

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<v Speaker 1>book two of the three. That's great. I was like,

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<v Speaker 1>oh my gosh, okay, this is something and then it

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<v Speaker 1>just it unraveled into this unbridled passion that's really taken over.

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<v Speaker 1>It's great. But you do not have representation, correct, I don't. Okay, good,

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<v Speaker 1>or else I would have disqualified you right here, unfortunately, Hannah.

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<v Speaker 1>So we're looking for amateurs. That's the point. I mean.

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<v Speaker 1>The thing is is though honestly you may be amateur,

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<v Speaker 1>but you sound like you're a pro. So I'm excited

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<v Speaker 1>to get into it today with you, Hannah. Thank you

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<v Speaker 1>so much for being here. Thank you. Guys. We will

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<v Speaker 1>make this as inspirational and positive experience as possible. I

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<v Speaker 1>promise Christie. I want to make it painful and difficult,

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<v Speaker 1>except mister fidel I love the All right, Anna, you

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<v Speaker 1>have your your couple lines dialogue ready, I sure do? Okay, perfect,

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<v Speaker 1>So we will be back with you in a moment.

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<v Speaker 1>And now we are going to go with contested Number

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<v Speaker 1>two is Adam Adam from Illinoisies. It's Illinois, Illinoisies. I

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<v Speaker 1>like to pronounce the s. I was just in Illinois.

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<v Speaker 1>E's last night. Literally I was. We were at C

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<v Speaker 1>two E two this weekend in beautiful downtown Chicago, Illinois.

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<v Speaker 1>Is that where you had that amazing reunion and Friday party? Did?

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<v Speaker 1>We had our ninety six birthday party from mister Bill

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<v Speaker 1>Daniels and a lot of the cast deployment. Roy was there.

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<v Speaker 1>It was absolutely wonderful. It was great, um, But we're

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<v Speaker 1>not here to discuss mister Bill Daniels. We are here

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<v Speaker 1>to discuss Adam from Illinois. Adam, welcome to the show.

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<v Speaker 1>Congratulations on making the top sixteen. Thank you so much.

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<v Speaker 1>I appreciate it. And we are here with Christy and

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<v Speaker 1>Christy Carser Romano and that is Trevor Deal, who is

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<v Speaker 1>actor extort. I like to use the word redoubtable because

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<v Speaker 1>it sounds like an insult and nobody really knows what

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<v Speaker 1>it means. So the redoubtable Trevor de Val is here

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<v Speaker 1>and I am just curious. What started you on your

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<v Speaker 1>journey to become a voice over actor. Cool? Yeah, I

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<v Speaker 1>think like a lot of people, I grew up with

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<v Speaker 1>my brother watching a lot of cartoons, playing a lot

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<v Speaker 1>of video games. I took the more scientific mathematic track

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<v Speaker 1>and then pivoted back around over the last handful of

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<v Speaker 1>years in Chicago back into RPGs and long form improv.

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<v Speaker 1>So all these things kind of go hand in hand together,

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<v Speaker 1>and I was like, I'll just try to do some

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<v Speaker 1>of this stuff and have been loving it pretty much

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<v Speaker 1>ever since. That's great. Oh, in an improv background, that

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<v Speaker 1>is very helpful when it comes to the world of vo.

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<v Speaker 1>So we are going to have to see do you

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<v Speaker 1>have your your lines of dialogue ready? I do? All right, perfect.

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<v Speaker 1>We are going to be back through your Your fellow

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<v Speaker 1>contestant got here first, so we will be starting with them,

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<v Speaker 1>but we will be back with you in a second, Adam,

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<v Speaker 1>and we will start our wonderful game. Sounds great, Thank you?

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<v Speaker 1>All right? Seeing a bit all right, everybody, here we go.

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<v Speaker 1>It is going to be round one of by the numbers,

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<v Speaker 1>and we are going to start with Hannah from Alabama.

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<v Speaker 1>So if we can bring Hannah back in, Hi, Hannah,

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<v Speaker 1>how are you? I'm good? How are you? I am good?

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<v Speaker 1>We are going to jump into this so as you know, Hannah,

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<v Speaker 1>or hopefully you know that, we have four categories size,

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<v Speaker 1>what are you, age? And a wacky attribute and by

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<v Speaker 1>random chance with mister Trevor de val, we are going

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<v Speaker 1>to be picking the character with which you are going

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<v Speaker 1>to be reading your line of dialogue. So Trevor, if

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<v Speaker 1>you would, sir, a number between one and six four,

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<v Speaker 1>and now a number between one and twelve eleven, and

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<v Speaker 1>now a number between one and seven one, and now

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<v Speaker 1>a number between one and eleven. This is so hard.

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<v Speaker 1>Eight eight, Chris, Okay, I got it. You are going

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<v Speaker 1>to be a small mirror person who is ancient who

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<v Speaker 1>has been stuck in traffic for six hours. We never

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<v Speaker 1>said it was going to be easy, Hannah, Sir, you

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<v Speaker 1>can take the character and do whatever you want. We

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<v Speaker 1>are just going to be reading the first line of dialogue,

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<v Speaker 1>so Hannah at your pleasure, all right. It is not

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<v Speaker 1>the size of the dog in the fight. It is

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<v Speaker 1>the size of the fight and the dog unless fighting

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<v Speaker 1>a lion or traffic, they're the size of the dog matters.

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<v Speaker 1>I like the ad lib in there too, Trevor, do

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<v Speaker 1>you have any notes? Yeah? What was the description again?

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<v Speaker 1>A small ancient mirror person who's been stuck in traffic

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<v Speaker 1>for six hours? Cool? Well, you definitely got the frustration

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<v Speaker 1>of being stuck in traffic. I definitely heard the small

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<v Speaker 1>I would like to hear just just for fun, just

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<v Speaker 1>for fun, absolutely, let's hear what happens with the two things.

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<v Speaker 1>I'm gonna throw two curveballs to hear. The first one is, uh,

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<v Speaker 1>can you dial up the ancient? I want to hear

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<v Speaker 1>some wisdom in there. So it's gonna you know, you

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<v Speaker 1>gotta get a bounce frustration to be in traffic with

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<v Speaker 1>the wisdom. But also, and and here's the fun one.

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<v Speaker 1>I'd like to hear like you're trying to breathe there,

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<v Speaker 1>but you have gills because you're a mer person, so

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<v Speaker 1>you're having some issues with not being in water. Let's

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<v Speaker 1>see what you'll do with it. All right, Hannah, those

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<v Speaker 1>are your notes. I don't have anything to add to that.

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<v Speaker 1>CHRISTI da, how could I that was perfection? Un doubt?

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<v Speaker 1>What is it? Undoubtable? Redoubtable, redoubtable? Are the normal? The

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<v Speaker 1>normal note I have the first time they read it,

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<v Speaker 1>because people have their adrenaline pumping a little bit. Is

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<v Speaker 1>slow down, But I think actually the pace was pretty good.

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<v Speaker 1>So once again line one, Hannah, at your pleasure. It's

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<v Speaker 1>not the size of the dog in the fight. It's

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<v Speaker 1>the size of the fight and the dog, he lash

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<v Speaker 1>a fighting a lion for traffic in the size of

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<v Speaker 1>the dog matics right, thank you so much. We will

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<v Speaker 1>be back with you in a moment. Not bad, she took.

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<v Speaker 1>So one of the things we're noticing, obviously, why we're

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<v Speaker 1>doing this, Trevor, and I know you've already picked up

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<v Speaker 1>on this is just to see how they take direction

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<v Speaker 1>and kind of how they're taking the notes. And I

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<v Speaker 1>thought she added, you know a little more, a little

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<v Speaker 1>more texture to it, which was nice. So let us

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<v Speaker 1>go on now and see what contestant number two, Adam

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<v Speaker 1>from Illinois, ees can do. Hey, Adam, how are you

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<v Speaker 1>doing well? How are you all right? I am doing well. So,

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<v Speaker 1>as we just explained to your fellow contestant, you know,

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<v Speaker 1>we're going to be playing by the numbers. We have

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<v Speaker 1>four categories for you, size, what are you age, and

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<v Speaker 1>a wacky attribute, and through a random chance of numbers

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<v Speaker 1>that mister Trevor de Val is going to pick, we

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<v Speaker 1>will be creating the character with which you will be

0:13:12.960 --> 0:13:16.600
<v Speaker 1>reading your dialogue. So aren't you got that? Got it

0:13:16.920 --> 0:13:19.280
<v Speaker 1>all right? Here we go, Trevor, if you would, please, sir,

0:13:19.320 --> 0:13:22.719
<v Speaker 1>a number between one and six six, and now a

0:13:22.800 --> 0:13:26.720
<v Speaker 1>number between one and twelve three, and now a number

0:13:26.760 --> 0:13:31.280
<v Speaker 1>between one and seven seven, and now a number between

0:13:31.320 --> 0:13:39.320
<v Speaker 1>one and eleven two. Christy, you are a ninety five

0:13:39.440 --> 0:13:51.800
<v Speaker 1>year old Scottish mouse who is microscopic. Oh so once again,

0:13:51.840 --> 0:13:59.480
<v Speaker 1>that is a microscopic ninety five year old Scottish mouse. Hey,

0:14:00.000 --> 0:14:03.480
<v Speaker 1>all right, ready, so you got line number one there, Adam,

0:14:03.520 --> 0:14:10.559
<v Speaker 1>at your pleasure. It's not the size of the dog

0:14:10.679 --> 0:14:13.880
<v Speaker 1>in the fight. It's the size of the fight in

0:14:14.040 --> 0:14:17.719
<v Speaker 1>the dog unless you're fighting a lion, of course, and

0:14:17.880 --> 0:14:23.880
<v Speaker 1>the sleighs of the dogs. I thought that was pretty good,

0:14:23.920 --> 0:14:28.880
<v Speaker 1>Trevor any notes, Well, yes, that's good. It's interesting. A

0:14:28.880 --> 0:14:31.040
<v Speaker 1>lot of people when they hear Scottish they tend to

0:14:31.080 --> 0:14:33.120
<v Speaker 1>go into Irish. You had a had a little irish

0:14:33.160 --> 0:14:37.080
<v Speaker 1>ism in there for a second, which is fine. Fine Trevor.

0:14:37.080 --> 0:14:41.400
<v Speaker 1>By the way, the Master of Dialects, I'm not gonna

0:14:41.440 --> 0:14:43.040
<v Speaker 1>I'm not gonna go on and on about access because

0:14:43.040 --> 0:14:44.720
<v Speaker 1>that's just that's a very specific thing. But I like

0:14:44.840 --> 0:14:47.520
<v Speaker 1>the I like the attitude of it. I wonder if

0:14:47.920 --> 0:14:50.960
<v Speaker 1>ninety five years old and microscopic. So let's let's not

0:14:51.160 --> 0:14:53.200
<v Speaker 1>focus so much on the accent part of it now,

0:14:53.880 --> 0:14:57.560
<v Speaker 1>let's focus more on the the ninety five year old

0:14:57.760 --> 0:15:02.680
<v Speaker 1>mouse and microscopic. That's I'm I'm thinking small. I'm thinking,

0:15:04.040 --> 0:15:06.360
<v Speaker 1>I'm I want to hear small, but I want to

0:15:06.400 --> 0:15:09.080
<v Speaker 1>hear kind of crotchety, because because ninety five year olds

0:15:09.080 --> 0:15:13.920
<v Speaker 1>and Scottish goes very well together, small and crotchety is

0:15:13.960 --> 0:15:15.840
<v Speaker 1>what I would say. We can build it to that,

0:15:17.600 --> 0:15:20.000
<v Speaker 1>all right. I would also say, just from a technical standpoint,

0:15:20.040 --> 0:15:22.960
<v Speaker 1>i'd back off your microphone just a little bit, right, yeah,

0:15:23.520 --> 0:15:25.480
<v Speaker 1>or maybe even just turn your game down just it's

0:15:25.560 --> 0:15:28.440
<v Speaker 1>just the tight, tiniest little bit. And Christy, do you

0:15:28.480 --> 0:15:31.720
<v Speaker 1>have any other notes? I don't. I think it's perfect,

0:15:31.720 --> 0:15:36.200
<v Speaker 1>all right, Adam, actual pleasure. It's not the size of

0:15:36.280 --> 0:15:41.560
<v Speaker 1>the dog in the fight. It's the size of the

0:15:41.600 --> 0:15:45.680
<v Speaker 1>fights and the dog. Right, unless you're fighting a lion,

0:15:46.480 --> 0:15:50.480
<v Speaker 1>the size of the dog really matters. There. Oh, oh,

0:15:54.520 --> 0:15:56.880
<v Speaker 1>thank you very much, appreciate it. We will be back

0:15:56.920 --> 0:16:01.240
<v Speaker 1>to you for a round two. Good thanks. Interesting when

0:16:01.240 --> 0:16:03.760
<v Speaker 1>when when you gave the note of crotchety, did he

0:16:03.800 --> 0:16:06.080
<v Speaker 1>think that meant in pain or I don't know where

0:16:06.080 --> 0:16:07.640
<v Speaker 1>I got that from, but it was kind of a

0:16:07.680 --> 0:16:10.280
<v Speaker 1>little more coffee I think then like he was struggling

0:16:10.480 --> 0:16:13.680
<v Speaker 1>with that that was his choice. Yeah, No, but I like,

0:16:13.880 --> 0:16:16.960
<v Speaker 1>I loved that both of those characters were super tiny

0:16:17.040 --> 0:16:19.680
<v Speaker 1>for both of them, so we saw their voices very small,

0:16:20.360 --> 0:16:23.040
<v Speaker 1>and uh, that was cool. That was a good round.

0:16:23.280 --> 0:16:25.720
<v Speaker 1>I thought, just if we're going round by round, I

0:16:25.720 --> 0:16:28.520
<v Speaker 1>thought the first round she I think her adjustments were

0:16:28.520 --> 0:16:33.440
<v Speaker 1>a little better than his adjustments were. I disagree. Oh really, okay,

0:16:33.560 --> 0:16:36.320
<v Speaker 1>you do you thought you thought his adjustments were better? No,

0:16:36.480 --> 0:16:40.560
<v Speaker 1>I think that overall, I think that his acting was

0:16:40.640 --> 0:16:43.600
<v Speaker 1>better from the jump. I think so far it seems

0:16:43.640 --> 0:16:47.600
<v Speaker 1>like his his he's really putting himself into those characters.

0:16:47.880 --> 0:16:49.760
<v Speaker 1>I think I want to I want to encourage her

0:16:49.800 --> 0:16:51.560
<v Speaker 1>to have fun with it, you know, because a lot

0:16:51.560 --> 0:16:53.760
<v Speaker 1>of times what we've seen in these contestants is that

0:16:53.760 --> 0:16:56.520
<v Speaker 1>they'll get in their heads with all these notes and

0:16:56.280 --> 0:16:58.400
<v Speaker 1>um and that's really truly what we have to deal

0:16:58.440 --> 0:17:01.040
<v Speaker 1>with when you're in the boot or when you're you know,

0:17:01.520 --> 0:17:06.159
<v Speaker 1>given an audition. So him was that he immediately physicalized it,

0:17:06.240 --> 0:17:10.040
<v Speaker 1>and that's yea. Yeah, you could see his body shape

0:17:10.119 --> 0:17:12.879
<v Speaker 1>sort of change as he's inhabiting that character. That's that's passive.

0:17:13.200 --> 0:17:15.080
<v Speaker 1>That is that no that's true. Now, that's very now. Yeah,

0:17:15.119 --> 0:17:16.760
<v Speaker 1>the acting, I think he would have the leg up.

0:17:16.800 --> 0:17:18.960
<v Speaker 1>I thought she took the direction better than he did.

0:17:19.400 --> 0:17:21.119
<v Speaker 1>But I thought his acting is better. And at the

0:17:21.200 --> 0:17:22.600
<v Speaker 1>end of the day, we're looking for a voice actor.

0:17:22.640 --> 0:17:25.359
<v Speaker 1>But they that was just round one. We are going

0:17:25.400 --> 0:17:29.480
<v Speaker 1>to round number two. If we could bring Hannah back in,

0:17:29.560 --> 0:17:35.080
<v Speaker 1>please hello, Hannah, Hello again. Welcome to round number two.

0:17:36.240 --> 0:17:39.080
<v Speaker 1>So you've got your second line there, and once again,

0:17:39.200 --> 0:17:41.320
<v Speaker 1>mister de Val, if you will a number between one

0:17:41.320 --> 0:17:45.320
<v Speaker 1>and six three, and now a number between one and

0:17:45.400 --> 0:17:52.160
<v Speaker 1>twelve twelve, and now a number between one and seven four,

0:17:53.200 --> 0:18:00.240
<v Speaker 1>and now a number between one and eleven five. Okay,

0:18:00.480 --> 0:18:03.560
<v Speaker 1>this is a good one. You are a fifteen year

0:18:03.600 --> 0:18:08.920
<v Speaker 1>old teddy bear, medium sized who just lost the love

0:18:09.320 --> 0:18:12.600
<v Speaker 1>of your life. Oh no, no, no number five, Christy,

0:18:12.960 --> 0:18:16.639
<v Speaker 1>oh he thought, he said six. Okay, well then never mind,

0:18:17.000 --> 0:18:20.560
<v Speaker 1>you just you just won the lottery, exactly. Keep talking

0:18:20.600 --> 0:18:26.200
<v Speaker 1>about two different things. No, wait, you just won the lottery,

0:18:26.480 --> 0:18:28.480
<v Speaker 1>but teddy bear losing the lover of the lift This

0:18:28.600 --> 0:18:31.680
<v Speaker 1>kind of makes sense. But okay, so you are a

0:18:31.720 --> 0:18:34.760
<v Speaker 1>fifteen year old teddy bear who's a medium size who

0:18:34.880 --> 0:18:38.479
<v Speaker 1>just won the lottery. Good luck. There you go, and

0:18:38.600 --> 0:18:42.720
<v Speaker 1>now line number two, Hannah at your pleasure. I was

0:18:42.800 --> 0:18:45.280
<v Speaker 1>sitting here contemplating some of the mysteries of the world,

0:18:45.520 --> 0:18:48.159
<v Speaker 1>like why do you park? Why do you drive on

0:18:48.240 --> 0:18:51.760
<v Speaker 1>a parkway? But the park got a driveway? Oh, we're raving.

0:18:55.240 --> 0:18:57.560
<v Speaker 1>That was very good, Trevor any notes, Yeah, that's good.

0:18:58.480 --> 0:19:01.679
<v Speaker 1>I wonder this kind of changes it up. But what

0:19:01.760 --> 0:19:04.679
<v Speaker 1>the hell that's what we're doing here? Yeah? Absolutely? What

0:19:04.800 --> 0:19:07.840
<v Speaker 1>if you keep keep everything you did, keep everything perfect?

0:19:07.880 --> 0:19:10.560
<v Speaker 1>Does that get it perfect? But now I want you

0:19:10.600 --> 0:19:14.480
<v Speaker 1>to build in this idea of like full on teenager.

0:19:14.880 --> 0:19:20.800
<v Speaker 1>I want to hear some of that going on. I

0:19:20.960 --> 0:19:25.439
<v Speaker 1>won the lettery and I'm fifteen. Great, Okay, that's awesome, Christy.

0:19:25.520 --> 0:19:29.800
<v Speaker 1>Anything else? Yeah, I mean I think that, um, yes,

0:19:30.119 --> 0:19:33.200
<v Speaker 1>I think that, And speaking from the fifteen year old

0:19:33.200 --> 0:19:38.280
<v Speaker 1>female viewpoint in that, I think it's easy to go

0:19:38.800 --> 0:19:43.040
<v Speaker 1>caricature with that, um and it might be fun to

0:19:43.160 --> 0:19:45.040
<v Speaker 1>kind of do that with more of a point of

0:19:45.080 --> 0:19:48.240
<v Speaker 1>view rather than just going straight for like the full

0:19:48.960 --> 0:19:53.320
<v Speaker 1>you know, teenage archetype, because teenagers now are different than

0:19:53.359 --> 0:19:56.520
<v Speaker 1>teenagers when we grew up, Because you could almost even

0:19:56.560 --> 0:19:59.640
<v Speaker 1>make the choice of is she really all that excited

0:19:59.680 --> 0:20:01.880
<v Speaker 1>about winning the lottery because these kids, I just don't

0:20:01.920 --> 0:20:03.840
<v Speaker 1>know what these kids value anymore. But you know what,

0:20:04.040 --> 0:20:06.320
<v Speaker 1>let's just say she's really excited for the sake of

0:20:06.440 --> 0:20:11.440
<v Speaker 1>range in your voice, and have fun with it. I'm

0:20:11.480 --> 0:20:14.399
<v Speaker 1>just going on in tangent. Don't listen. I just said no,

0:20:14.520 --> 0:20:17.399
<v Speaker 1>but for real, like I just think that, like you know,

0:20:17.480 --> 0:20:21.280
<v Speaker 1>it's you don't as a female voice actor. You don't

0:20:21.320 --> 0:20:23.680
<v Speaker 1>want to get caught in the trap of doing the

0:20:23.760 --> 0:20:26.240
<v Speaker 1>same thing, and so you want to really find your

0:20:26.320 --> 0:20:30.119
<v Speaker 1>voice and what your instrument. Hannah is into into the

0:20:30.240 --> 0:20:34.600
<v Speaker 1>female voice of that, you know what I mean? Absolutely, Yeah, Okay,

0:20:34.720 --> 0:20:37.119
<v Speaker 1>so let's give it a try. Have fun with it.

0:20:37.200 --> 0:20:40.080
<v Speaker 1>Like like Trevor said, will what do you think I

0:20:40.160 --> 0:20:42.479
<v Speaker 1>agree with? I'm just now excited to hear what Hannah's

0:20:42.480 --> 0:20:47.160
<v Speaker 1>gonna do. So here we go, Hannah once again, line

0:20:47.200 --> 0:20:53.479
<v Speaker 1>too at your pleasure. I was sitting here contemplating some

0:20:53.520 --> 0:20:56.359
<v Speaker 1>of the mysteries of the world, like why do you

0:20:56.440 --> 0:21:04.600
<v Speaker 1>drive on a parkway kind of driveway? Weird? Right, very nice,

0:21:04.640 --> 0:21:09.440
<v Speaker 1>Thank you very much. We'll be right back with you. Well,

0:21:09.480 --> 0:21:12.280
<v Speaker 1>I'm tickled because I said nonsense and she listened to it.

0:21:13.320 --> 0:21:16.719
<v Speaker 1>It was probably Trevor. But no, Actually, as soon as

0:21:16.720 --> 0:21:18.159
<v Speaker 1>you said that, I was like, oh, yeah, no, I

0:21:18.240 --> 0:21:23.480
<v Speaker 1>just steered her directly towards the stereotype. You pulled her

0:21:23.480 --> 0:21:25.359
<v Speaker 1>away from that. And I love it that she took

0:21:25.440 --> 0:21:28.520
<v Speaker 1>that part of the note because she she took sort

0:21:28.560 --> 0:21:30.720
<v Speaker 1>of like you could you could feel the character building.

0:21:30.880 --> 0:21:33.000
<v Speaker 1>It's like the characters trying to be super cool but

0:21:33.000 --> 0:21:34.800
<v Speaker 1>then just can't contain themselves. And that was really that

0:21:34.800 --> 0:21:37.119
<v Speaker 1>was great. There's some lovely shape to that bit. Yeah, good,

0:21:37.280 --> 0:21:40.040
<v Speaker 1>good choices, and I thought she made a great adjustment there,

0:21:40.119 --> 0:21:43.639
<v Speaker 1>and the acting was there on that one. Fully, yes, fully.

0:21:43.720 --> 0:21:45.960
<v Speaker 1>Now I'm like, now I'm confused, guys, because now I

0:21:46.000 --> 0:21:47.879
<v Speaker 1>don't know. Now we're neck and neck. Now we are

0:21:48.000 --> 0:21:52.440
<v Speaker 1>neck and neck again. Competition here, Oh my goodness. All right, well,

0:21:52.520 --> 0:21:57.720
<v Speaker 1>let's bring back Adam from Illinois E's um for round

0:21:57.840 --> 0:22:05.120
<v Speaker 1>number two. No fight fight Hello Adam, Hello, welcome back,

0:22:05.119 --> 0:22:07.480
<v Speaker 1>and we are now going to be doing line number two.

0:22:08.680 --> 0:22:13.200
<v Speaker 1>Uh playing by the number, So mister val once again, sir,

0:22:13.240 --> 0:22:15.600
<v Speaker 1>if you would a number between one and six, I'm right,

0:22:16.000 --> 0:22:23.640
<v Speaker 1>numbers here about six? We did do that, okay, two

0:22:24.840 --> 0:22:28.880
<v Speaker 1>copy that? All right? Now a number between one and twelve. Three.

0:22:30.280 --> 0:22:33.360
<v Speaker 1>Oh my god, see I'm just I'm the same guy

0:22:33.400 --> 0:22:36.440
<v Speaker 1>every time. Eight all right, And now a number between

0:22:36.480 --> 0:22:40.159
<v Speaker 1>one and seven O. Nine is nine? Is not between

0:22:40.200 --> 0:22:47.040
<v Speaker 1>one and seven? You want three? Okay? And now a

0:22:47.119 --> 0:22:49.520
<v Speaker 1>number between one and eleven, This is nine. This is

0:22:49.520 --> 0:22:53.080
<v Speaker 1>for the wind, nine for the wind. Okay, you are

0:22:53.240 --> 0:22:59.440
<v Speaker 1>a shocked, big fish that's ten years old, A big

0:22:59.440 --> 0:23:04.439
<v Speaker 1>old ten year old fish that's shocked. All right, Adam,

0:23:04.440 --> 0:23:09.040
<v Speaker 1>you're ready for line number two at your pleasure. It

0:23:09.119 --> 0:23:13.560
<v Speaker 1>was just sitting here some of the mysteries of the world.

0:23:14.600 --> 0:23:19.240
<v Speaker 1>What why you're driving a parkway but park on a driveway?

0:23:20.119 --> 0:23:27.120
<v Speaker 1>M h weird? Run like how for some reason? He's

0:23:27.160 --> 0:23:35.000
<v Speaker 1>sad seriously Trevor and notes, Yeah, that would be my note.

0:23:35.040 --> 0:23:38.320
<v Speaker 1>I liked it. I think, uh, if we can play,

0:23:39.440 --> 0:23:42.520
<v Speaker 1>you're doing the sort of thing which is awesome. Can

0:23:42.560 --> 0:23:47.600
<v Speaker 1>you take that and use that to fuel the shocked attitude?

0:23:49.240 --> 0:23:51.399
<v Speaker 1>And also I'm missing the ten year old boy. But

0:23:51.480 --> 0:23:54.320
<v Speaker 1>I do like, I do love that he feels big,

0:23:54.359 --> 0:23:56.560
<v Speaker 1>like he's a big boy, you know, he's like a

0:23:56.600 --> 0:23:58.840
<v Speaker 1>big ten year old boy. So I kind of love that.

0:23:59.200 --> 0:24:01.320
<v Speaker 1>But I wonder if they're's a way to feel like

0:24:01.359 --> 0:24:05.560
<v Speaker 1>he's more a ten year old boy somehow. All right, Adam,

0:24:05.640 --> 0:24:07.439
<v Speaker 1>here we go. You got your notes ready to go?

0:24:07.760 --> 0:24:12.800
<v Speaker 1>Line number two at your pleasure, sir. I was just

0:24:13.280 --> 0:24:17.160
<v Speaker 1>sitting here contemplating to some of the mysteries of the world,

0:24:17.880 --> 0:24:22.480
<v Speaker 1>like why do you drive on a parkway? Park on

0:24:22.600 --> 0:24:30.760
<v Speaker 1>a driveway? We are right, thank you very much. We

0:24:30.880 --> 0:24:42.960
<v Speaker 1>will be right back with you. This is hard, man,

0:24:43.040 --> 0:24:45.240
<v Speaker 1>This is gonna be a tough one. But they actually

0:24:45.240 --> 0:24:47.040
<v Speaker 1>have a tiebreaker on this time. I know. I've got

0:24:47.040 --> 0:24:51.040
<v Speaker 1>to be honest. I thought her last round was really strong. Yeah, ye,

0:24:52.440 --> 0:24:54.639
<v Speaker 1>so I think he took the first round and she

0:24:54.760 --> 0:24:57.600
<v Speaker 1>took the second, if I'm honest. So I think we

0:24:57.640 --> 0:25:01.879
<v Speaker 1>are coming into round three tide. That's my personal opinion. Sure,

0:25:02.680 --> 0:25:04.560
<v Speaker 1>we haven't even done a tiebreaker yet, we won't even

0:25:04.600 --> 0:25:07.600
<v Speaker 1>get there yet. But we are now going to round three.

0:25:09.000 --> 0:25:12.240
<v Speaker 1>This is the will we will see, uh if the

0:25:12.280 --> 0:25:14.119
<v Speaker 1>cream will rise to the top here because this is

0:25:14.160 --> 0:25:16.480
<v Speaker 1>the line of dialogue that neither of them have seen

0:25:16.600 --> 0:25:19.600
<v Speaker 1>or have any time with. So it is a completely

0:25:19.720 --> 0:25:25.320
<v Speaker 1>cold reading. And let us start with Hannah. So here

0:25:25.320 --> 0:25:31.200
<v Speaker 1>we go, Hannah, Hello, Hannah, Hello, So if you could

0:25:31.240 --> 0:25:41.840
<v Speaker 1>look at your chat. Yes, alrighty, Trevor, can tell I

0:25:41.880 --> 0:25:49.000
<v Speaker 1>write all these you can? You? Can you see the

0:25:49.000 --> 0:25:52.840
<v Speaker 1>line of dialogue? Yes, sir, okay, so while you read that, Trevor,

0:25:52.920 --> 0:25:56.600
<v Speaker 1>please a number between one and six one, and now

0:25:56.640 --> 0:26:02.639
<v Speaker 1>a number between one and twelve, ten, and now a

0:26:02.760 --> 0:26:10.280
<v Speaker 1>number between one and seven. Three. One more time? Oh four?

0:26:10.720 --> 0:26:13.119
<v Speaker 1>No wait you said, yeah, okay, four, No, four works,

0:26:13.160 --> 0:26:15.560
<v Speaker 1>four works forwards. And now a number between one and eleven.

0:26:16.560 --> 0:26:19.320
<v Speaker 1>Have you done eleven? We have done four for her before,

0:26:19.440 --> 0:26:23.480
<v Speaker 1>just so you know. Oh okay, then, okay, I'm sorry, Yeah,

0:26:23.480 --> 0:26:33.880
<v Speaker 1>you're right, You're right, Christie. Let's go one ten, sorry, one, one, ten, five, okay, eleven, okay, great,

0:26:33.960 --> 0:26:37.160
<v Speaker 1>one ten, five, five's good for her? Five works? And

0:26:37.280 --> 0:26:42.680
<v Speaker 1>now one between one and eleven six yeah, six, okay,

0:26:42.720 --> 0:26:45.639
<v Speaker 1>you're ready for this. Here we go. You are a

0:26:45.800 --> 0:26:51.160
<v Speaker 1>giant robot that's thirty years old whose love of your

0:26:51.160 --> 0:26:57.320
<v Speaker 1>life just left. No there it is, which which actually

0:26:57.400 --> 0:26:59.920
<v Speaker 1>works perfect for the line of dialogue. There were really done,

0:27:00.080 --> 0:27:05.640
<v Speaker 1>and robot robot to boot. Oh boy, all right, Hannah,

0:27:06.400 --> 0:27:11.480
<v Speaker 1>at your pleasure. I was on a date the other

0:27:11.640 --> 0:27:15.840
<v Speaker 1>night and it wasn't going well, so I swiped him

0:27:15.920 --> 0:27:22.000
<v Speaker 1>right in the face is that well? I never learned

0:27:22.000 --> 0:27:30.199
<v Speaker 1>how to use any of those dating apps. A robot

0:27:30.200 --> 0:27:33.959
<v Speaker 1>who cries? I love it, Trevor in that in that

0:27:34.080 --> 0:27:37.760
<v Speaker 1>vein just because let's let's hear what what happens? Um?

0:27:37.800 --> 0:27:39.720
<v Speaker 1>I like that you were you were kind of holding

0:27:39.720 --> 0:27:42.360
<v Speaker 1>back on the robotic thing. But what would what would

0:27:42.400 --> 0:27:45.320
<v Speaker 1>it be like if if the robot um had very

0:27:45.440 --> 0:27:52.439
<v Speaker 1>robotic emotional outburst? Right? Oh okay, so like normal speaking

0:27:52.440 --> 0:27:57.679
<v Speaker 1>but robotic emotional whatever that means to you? Say? Also,

0:27:57.760 --> 0:28:00.600
<v Speaker 1>I feel like your void your natural voice to me

0:28:00.720 --> 0:28:04.240
<v Speaker 1>sounds more thirties than the voice that you had done there,

0:28:04.320 --> 0:28:07.440
<v Speaker 1>So maybe maybe enjoy more of your richness of your

0:28:07.960 --> 0:28:10.520
<v Speaker 1>of your voice, you know, because even Siri has like

0:28:10.520 --> 0:28:15.600
<v Speaker 1>a womanly thirties type voice like that. Good point, all right,

0:28:15.640 --> 0:28:17.360
<v Speaker 1>I'm not going to add anything because I think all

0:28:17.400 --> 0:28:19.600
<v Speaker 1>of that is absolutely right. I would go with what

0:28:19.640 --> 0:28:26.679
<v Speaker 1>they said and at your pleasure. I was on a

0:28:26.800 --> 0:28:31.040
<v Speaker 1>date the other night and it wasn't going well insert

0:28:31.119 --> 0:28:34.760
<v Speaker 1>emotion here, so I swiped them right in the face.

0:28:36.640 --> 0:28:41.240
<v Speaker 1>Query is that wrong? I never learned how to use

0:28:41.280 --> 0:28:53.960
<v Speaker 1>any of those dating apps insert anger. Good stuff, Hannah,

0:28:54.400 --> 0:28:57.760
<v Speaker 1>thank you very much. We'll be back with you. That was.

0:28:58.480 --> 0:29:00.680
<v Speaker 1>I can hear every director I've ever worked with going,

0:29:00.760 --> 0:29:04.320
<v Speaker 1>can we get one? Is written place? Yeah? Yeah, yeah,

0:29:04.360 --> 0:29:08.000
<v Speaker 1>I know, but you know, as an actor, it was

0:29:08.080 --> 0:29:10.959
<v Speaker 1>like she took all the all the notes, added her

0:29:11.000 --> 0:29:14.160
<v Speaker 1>own thing, did something none of us were expecting. Yes,

0:29:14.720 --> 0:29:17.800
<v Speaker 1>that was. That was a wonderful take. And what do

0:29:17.880 --> 0:29:20.240
<v Speaker 1>they say in the in our acting world here they say,

0:29:20.400 --> 0:29:23.800
<v Speaker 1>you know you can't you can't ever go too big.

0:29:24.200 --> 0:29:27.120
<v Speaker 1>The problem is is that when somebody's too small, it's

0:29:27.200 --> 0:29:30.760
<v Speaker 1>way harder to pull them out of that. So we

0:29:30.760 --> 0:29:33.840
<v Speaker 1>were looking for somebody that goes big, makes bold choices.

0:29:33.840 --> 0:29:36.200
<v Speaker 1>We've said this many times week by week. So she's

0:29:36.240 --> 0:29:38.280
<v Speaker 1>doing it. She's having fun, that's important. She is. She's

0:29:38.280 --> 0:29:41.400
<v Speaker 1>also completely relaxed from the first round. Obviously she's joking

0:29:41.440 --> 0:29:45.480
<v Speaker 1>with us in between the two. That's the thing. That's

0:29:45.560 --> 0:29:48.880
<v Speaker 1>the thing. So yeah, all right, well let's let's that

0:29:49.000 --> 0:29:51.400
<v Speaker 1>was that was very good. That was. Let's see what

0:29:51.440 --> 0:29:53.160
<v Speaker 1>Adam can do. Let's see what Adam can do, because

0:29:53.200 --> 0:29:59.360
<v Speaker 1>he's been great as well. So here we go Adam.

0:29:59.520 --> 0:30:01.560
<v Speaker 1>All right, Adam, we got one to throw at you here.

0:30:01.560 --> 0:30:03.120
<v Speaker 1>As you know, we're going to give you one line

0:30:03.120 --> 0:30:05.800
<v Speaker 1>that you've never seen before. It is going to be

0:30:05.880 --> 0:30:10.200
<v Speaker 1>on your chat there, can you see it? Yep? All right,

0:30:10.240 --> 0:30:13.200
<v Speaker 1>So as you are reading that, Trevor, please a number

0:30:13.280 --> 0:30:18.000
<v Speaker 1>between one and six. I'm going to totally repeat myself. Five. No,

0:30:18.160 --> 0:30:20.560
<v Speaker 1>that's good. Five is good. Five is good. And now

0:30:20.600 --> 0:30:24.040
<v Speaker 1>a number between one and twelve. Have we done? Have

0:30:24.160 --> 0:30:27.640
<v Speaker 1>we done seven on that one? No we have not,

0:30:28.000 --> 0:30:32.440
<v Speaker 1>No we haven't. And now a number between one and seven, one, seven,

0:30:32.760 --> 0:30:36.520
<v Speaker 1>one and seven ons? Can we do two? Yeah? Yeah

0:30:36.560 --> 0:30:39.680
<v Speaker 1>we can. And now a number between one and eleven?

0:30:41.120 --> 0:30:46.080
<v Speaker 1>Can we do ten on that one? Yes? Yes we can.

0:30:46.120 --> 0:30:48.880
<v Speaker 1>What we got Christy? So you're a tiny five year

0:30:48.880 --> 0:30:57.000
<v Speaker 1>old flower who's afraid of your own shadow. Um, So,

0:30:58.320 --> 0:31:00.400
<v Speaker 1>I don't know, guys. I mean it's interesting to me

0:31:00.960 --> 0:31:03.160
<v Speaker 1>with the five year old. I guess we'll let him

0:31:03.160 --> 0:31:05.680
<v Speaker 1>do it. We'll see what happens and then we'll go

0:31:05.760 --> 0:31:09.280
<v Speaker 1>from there. So Adam, you got your marching orders at

0:31:09.320 --> 0:31:12.720
<v Speaker 1>your pleasure. I was on to dig it the other

0:31:12.840 --> 0:31:16.080
<v Speaker 1>night and I well, it wasn't going well, so I

0:31:16.200 --> 0:31:20.360
<v Speaker 1>swiped him right in the face. Is that wrong? I

0:31:20.520 --> 0:31:28.480
<v Speaker 1>never learned how to use any of those dating apps, Trevor.

0:31:28.480 --> 0:31:31.000
<v Speaker 1>Any notes what was the description again one more time

0:31:31.560 --> 0:31:37.800
<v Speaker 1>of five year old flower who's scared of their own shadow. Yeah,

0:31:37.840 --> 0:31:43.520
<v Speaker 1>who's who's tiny? Yeah. I would love to really get

0:31:43.600 --> 0:31:48.760
<v Speaker 1>the sense of that kid energy, that that really sort

0:31:48.760 --> 0:31:52.440
<v Speaker 1>of hesitant kid energy thing. I'm not gonna do an

0:31:52.440 --> 0:31:56.120
<v Speaker 1>example because I want you to do it, but yeah,

0:31:55.880 --> 0:32:00.200
<v Speaker 1>a very very young kid energy in terms of um

0:32:01.080 --> 0:32:03.560
<v Speaker 1>in terms of speech pattern, well whatever that means to you,

0:32:03.600 --> 0:32:05.840
<v Speaker 1>like five year old. Really, that's what I would say.

0:32:05.840 --> 0:32:07.720
<v Speaker 1>I want to hear more more than the child and

0:32:07.800 --> 0:32:10.240
<v Speaker 1>that see. And you know what's frustrating for me is

0:32:10.240 --> 0:32:12.920
<v Speaker 1>that I feel like a lot of times we'll see

0:32:12.960 --> 0:32:17.040
<v Speaker 1>something like in Roger Rabbit with the baby baby Louie right,

0:32:17.400 --> 0:32:20.440
<v Speaker 1>where it's like was it baby Huey, baby Huey right,

0:32:20.520 --> 0:32:22.760
<v Speaker 1>Roger Rabbit, where it's like you see the baby, but

0:32:22.800 --> 0:32:26.800
<v Speaker 1>then he has this really bright, like you know accent. Yeah. Yeah.

0:32:26.840 --> 0:32:29.440
<v Speaker 1>And sometimes you know, we see a lot of ironic

0:32:29.480 --> 0:32:33.840
<v Speaker 1>animation voices where because why would a five year old

0:32:33.880 --> 0:32:35.800
<v Speaker 1>be talking about a date? So I don't know, I'm

0:32:35.880 --> 0:32:38.560
<v Speaker 1>kind of like, do we encourage him to just full

0:32:38.600 --> 0:32:41.240
<v Speaker 1>onto another bold choice or I think you've got to

0:32:41.280 --> 0:32:43.240
<v Speaker 1>play You've got to as an actor. That's part of

0:32:43.280 --> 0:32:44.760
<v Speaker 1>it is you've got to make your choices and then

0:32:44.800 --> 0:32:47.880
<v Speaker 1>you've got to run into them. So I think, you know,

0:32:47.920 --> 0:32:50.080
<v Speaker 1>Adam's got to decide how he wants that five year

0:32:50.080 --> 0:32:51.640
<v Speaker 1>old to sound and five year old to be? And

0:32:51.680 --> 0:32:53.760
<v Speaker 1>are you playing against type? Are you playing with type?

0:32:53.760 --> 0:32:55.960
<v Speaker 1>Are you you know? It's that's part of the deal

0:32:56.160 --> 0:32:57.840
<v Speaker 1>is you got to you got to make those choices.

0:32:57.880 --> 0:33:02.120
<v Speaker 1>So with that in mind, Adam, you want want you

0:33:02.160 --> 0:33:03.920
<v Speaker 1>take another swinging that that's your pleasure? Can I get

0:33:03.920 --> 0:33:07.320
<v Speaker 1>the description one more time? Tiny five year old flower

0:33:07.760 --> 0:33:14.800
<v Speaker 1>who's afraid of his own shadow. I was on a

0:33:14.920 --> 0:33:20.320
<v Speaker 1>date the other night. I wasn't going so well so

0:33:20.320 --> 0:33:24.280
<v Speaker 1>so I swiped him right in the face. Is that wrong?

0:33:26.000 --> 0:33:30.200
<v Speaker 1>I never learned how to use any of those dating apps.

0:33:32.800 --> 0:33:36.480
<v Speaker 1>Thank you, Adam, appreciate it. We'll be back with you. Thanks.

0:33:36.880 --> 0:33:41.560
<v Speaker 1>All right, let's talk about this, okay, guys. I think

0:33:41.560 --> 0:33:44.160
<v Speaker 1>we may have a tie, only because I really feel

0:33:44.160 --> 0:33:47.120
<v Speaker 1>like we've not been able to utilize his voice base

0:33:48.280 --> 0:33:51.440
<v Speaker 1>like frustrating for him. I know, but I think I

0:33:51.440 --> 0:33:53.920
<v Speaker 1>don't know. At the same time, can we do a

0:33:53.960 --> 0:33:57.240
<v Speaker 1>tie on this one? Please? You just want to do

0:33:57.280 --> 0:34:00.560
<v Speaker 1>a tie? I don't know. I just I don't know.

0:34:00.840 --> 0:34:02.960
<v Speaker 1>I also, yes, I do, I want to do a tie,

0:34:03.000 --> 0:34:05.560
<v Speaker 1>and I want to Trevor, and you I know, but

0:34:05.640 --> 0:34:08.800
<v Speaker 1>I I personally don't think it was a tie. Okay.

0:34:09.160 --> 0:34:11.799
<v Speaker 1>That is my own personal opinion is I believe that

0:34:12.239 --> 0:34:15.480
<v Speaker 1>she grew as we were going. Her acting got better

0:34:15.520 --> 0:34:17.359
<v Speaker 1>as we were going. The note She took the notes

0:34:17.400 --> 0:34:19.200
<v Speaker 1>as we were going. She was more playful as we

0:34:19.200 --> 0:34:22.279
<v Speaker 1>were going, and she was ad living and adding things

0:34:22.320 --> 0:34:26.000
<v Speaker 1>to the character. Again, I could be overruled, but I

0:34:26.080 --> 0:34:29.400
<v Speaker 1>personally think she did more with what she was given

0:34:29.400 --> 0:34:31.560
<v Speaker 1>than he did. That's not to say that he was

0:34:31.600 --> 0:34:34.920
<v Speaker 1>bad in any way, but that's my opinion. Trevor. I

0:34:34.960 --> 0:34:38.960
<v Speaker 1>think in this case, he got caught up on trying

0:34:39.080 --> 0:34:44.360
<v Speaker 1>to play play the notes rather than playing the scene,

0:34:45.160 --> 0:34:46.760
<v Speaker 1>you know what I mean? Like I felt we lost

0:34:46.800 --> 0:34:50.200
<v Speaker 1>connection with the meaning of the words because he was

0:34:50.760 --> 0:34:55.440
<v Speaker 1>maybe focused on the directions we gave or or or something.

0:34:55.480 --> 0:34:59.600
<v Speaker 1>But she was able to more inhabit the scene with

0:34:59.760 --> 0:35:01.160
<v Speaker 1>the notes, do you know what I mean? Like she

0:35:01.200 --> 0:35:04.319
<v Speaker 1>was the character felt like it emerged organically out of

0:35:04.320 --> 0:35:07.560
<v Speaker 1>the meaning of the words, whereas it felt like with

0:35:07.640 --> 0:35:09.040
<v Speaker 1>him in this last one, it felt like he was

0:35:09.080 --> 0:35:11.880
<v Speaker 1>imposing the character on the words. And I know, obviously

0:35:11.920 --> 0:35:14.520
<v Speaker 1>it's super tough. Sure these are this is a sentence

0:35:14.520 --> 0:35:16.480
<v Speaker 1>out of context. He's just seeing for the first time now,

0:35:16.520 --> 0:35:22.600
<v Speaker 1>and then we're throwing sometimes contradictory. Yeah, that's a tough one.

0:35:22.719 --> 0:35:25.520
<v Speaker 1>So maybe so maybe this was the tiebreaker, if we

0:35:25.520 --> 0:35:27.200
<v Speaker 1>were to look at it like this was the final

0:35:27.880 --> 0:35:30.239
<v Speaker 1>you know this, I mean, Trevor, do you think we

0:35:30.239 --> 0:35:33.120
<v Speaker 1>should do you think it's worthy of a tiebreaker? No?

0:35:33.520 --> 0:35:36.600
<v Speaker 1>I think I think she wins that. Okay, yeah, all right,

0:35:38.280 --> 0:35:40.640
<v Speaker 1>I have to agree, But I also I also tend

0:35:40.680 --> 0:35:42.759
<v Speaker 1>to agree with you guys, And I really love the

0:35:42.800 --> 0:35:45.000
<v Speaker 1>way that she took that that fifteen year old note

0:35:45.080 --> 0:35:46.920
<v Speaker 1>that I gave her. Yes, I mean that to me.

0:35:47.160 --> 0:35:50.480
<v Speaker 1>That to me was like, I feel like, really really expected. Also,

0:35:50.520 --> 0:35:52.960
<v Speaker 1>you gave her another note, Christie, where you said I

0:35:53.000 --> 0:35:55.680
<v Speaker 1>like the regular register of your voice as a thirty

0:35:55.719 --> 0:35:57.400
<v Speaker 1>year old, and when she just went back to her

0:35:57.760 --> 0:36:02.040
<v Speaker 1>regular voice, it was great. She has a lot of range.

0:36:02.160 --> 0:36:04.520
<v Speaker 1>I just feel bad because I do think he's very great,

0:36:04.520 --> 0:36:06.000
<v Speaker 1>and I feel like we should just encourage him to

0:36:06.080 --> 0:36:08.960
<v Speaker 1>keep moving. Oh definitely, Well, we've talked about this all

0:36:09.000 --> 0:36:11.439
<v Speaker 1>the time Christy, the sixteen that we ended up with

0:36:11.800 --> 0:36:15.439
<v Speaker 1>could be signed. I mean, we picked sixteen sixteen people

0:36:15.480 --> 0:36:17.040
<v Speaker 1>that know what they're doing. Some of them need a

0:36:17.120 --> 0:36:19.480
<v Speaker 1>little bit of acting experience, some of them need just

0:36:19.680 --> 0:36:22.680
<v Speaker 1>you know, again, my my, My overall note for Adam

0:36:22.719 --> 0:36:26.120
<v Speaker 1>would be and it's a horrible thing, but it's a

0:36:26.160 --> 0:36:27.960
<v Speaker 1>note we all need to hear eventually, which is you

0:36:28.000 --> 0:36:29.719
<v Speaker 1>need to get out of your head a little bit. Yeah,

0:36:29.800 --> 0:36:31.960
<v Speaker 1>you need to. You need to just feel, you know,

0:36:32.000 --> 0:36:34.640
<v Speaker 1>the acting side, the organic side, and just kind of

0:36:34.719 --> 0:36:37.000
<v Speaker 1>let go and be a little more playful, especially in

0:36:37.040 --> 0:36:40.080
<v Speaker 1>the world of Voum. And again that's that's a tough

0:36:40.160 --> 0:36:45.000
<v Speaker 1>thing to ask an actor who's auditioning with a line

0:36:45.040 --> 0:36:47.640
<v Speaker 1>they've never seen before. Oh my god, I don't think

0:36:48.000 --> 0:36:50.120
<v Speaker 1>the actors in front of them. We always talk about

0:36:50.160 --> 0:36:52.719
<v Speaker 1>how horrifying this would be if this was it and

0:36:52.800 --> 0:36:55.520
<v Speaker 1>some of the characters recreate. Like we're sitting there. It

0:36:55.600 --> 0:36:57.520
<v Speaker 1>was Rob Paulson going like, I don't want to do that.

0:36:57.600 --> 0:36:59.120
<v Speaker 1>I don't want to do that character that you just

0:36:59.600 --> 0:37:02.960
<v Speaker 1>I mean, Trevor said, the German characters that we've got, yeah,

0:37:02.960 --> 0:37:05.719
<v Speaker 1>we've gotten It's like you're you're an ancient German mer

0:37:05.800 --> 0:37:08.680
<v Speaker 1>person who just won the lottery. Well, what the hell

0:37:08.719 --> 0:37:12.400
<v Speaker 1>does that mean? So it's, oh god, I know Trevor

0:37:12.440 --> 0:37:14.000
<v Speaker 1>so well in his head, in his head, he already

0:37:14.040 --> 0:37:20.320
<v Speaker 1>has the character down to it. But it but that's

0:37:20.400 --> 0:37:22.600
<v Speaker 1>but that's what we're looking for. You're looking forward the

0:37:22.719 --> 0:37:25.799
<v Speaker 1>exactly Trevor's face right there. That's the actor you're looking for.

0:37:25.840 --> 0:37:27.640
<v Speaker 1>You're looking for. Oh, I already just had the voice

0:37:27.680 --> 0:37:29.440
<v Speaker 1>in my head of exactly what you're gonna do. And

0:37:29.480 --> 0:37:31.640
<v Speaker 1>that's what we're trying to find. And with her adding

0:37:32.080 --> 0:37:35.759
<v Speaker 1>those insert emotion here and and showing how she could

0:37:35.760 --> 0:37:39.480
<v Speaker 1>go from younger to that's impressive. And I have to say,

0:37:39.520 --> 0:37:42.000
<v Speaker 1>I think I think she took the day and I didn't.

0:37:42.040 --> 0:37:44.040
<v Speaker 1>I don't think she was winning after round one. And

0:37:44.080 --> 0:37:47.920
<v Speaker 1>I think she really she really turned it around. All right,

0:37:47.960 --> 0:37:50.880
<v Speaker 1>we all agree? I agree? All right? All right? Now

0:37:51.040 --> 0:37:53.320
<v Speaker 1>is the hard part. Gotta hate this so much. Will

0:37:53.520 --> 0:37:56.000
<v Speaker 1>Will is so good at this though, I can't stand.

0:37:56.200 --> 0:37:58.960
<v Speaker 1>I definitely we could bring if we could bring Adam in, please,

0:37:59.000 --> 0:38:05.080
<v Speaker 1>I would appreciate it. Hey, Adam, how are you doing well?

0:38:05.120 --> 0:38:07.479
<v Speaker 1>How are you? I'm good? Thanks, We want to thank

0:38:07.520 --> 0:38:10.400
<v Speaker 1>you so much for coming and congratulate you again on

0:38:10.520 --> 0:38:14.359
<v Speaker 1>making the top sixteen. Unfortunately, this is going to be

0:38:14.840 --> 0:38:17.680
<v Speaker 1>as far as you go today. I'm so sorry. We

0:38:17.880 --> 0:38:19.680
<v Speaker 1>have been discussing this for a while. We think you

0:38:19.719 --> 0:38:22.959
<v Speaker 1>are great and you have to keep going. You've got

0:38:22.960 --> 0:38:28.680
<v Speaker 1>a wonderful resonance to your voice. And yeah, we it

0:38:28.719 --> 0:38:31.000
<v Speaker 1>was a tough one today. Really, We've we discussed quite

0:38:31.000 --> 0:38:35.279
<v Speaker 1>a bit who was moving forward and by no means

0:38:35.320 --> 0:38:37.440
<v Speaker 1>should this be the end for you? This would absolutely

0:38:37.440 --> 0:38:41.080
<v Speaker 1>be the start for you, because you're good. Any anybody

0:38:41.080 --> 0:38:45.760
<v Speaker 1>have anything they want to add tremor Oh yeah, yeah

0:38:45.800 --> 0:38:50.440
<v Speaker 1>what wealth diad yah, I know it's I think something

0:38:50.440 --> 0:38:54.520
<v Speaker 1>that Christie had mentioned behind the scenes is that you

0:38:53.960 --> 0:38:57.879
<v Speaker 1>you you buy total fluke kept getting characters that were

0:38:58.360 --> 0:39:00.839
<v Speaker 1>really sort of young and small when we were sort

0:39:00.840 --> 0:39:02.680
<v Speaker 1>of dying to hear something more in your because we

0:39:02.760 --> 0:39:04.440
<v Speaker 1>just even when you're speaking, we can hear this this

0:39:04.600 --> 0:39:07.880
<v Speaker 1>lovely sort of you know residence you have. Um, but

0:39:08.040 --> 0:39:10.319
<v Speaker 1>that's a way to cookie crumbulls kids. What can I

0:39:10.320 --> 0:39:14.120
<v Speaker 1>tell you? Yeah, it's it's awful. It stinks. We hate

0:39:14.120 --> 0:39:17.480
<v Speaker 1>this so much. Um. But yes, what we said before,

0:39:17.480 --> 0:39:20.040
<v Speaker 1>and we were just talking about this the top sixteen.

0:39:20.120 --> 0:39:22.200
<v Speaker 1>The people that we picked could all be signed by

0:39:22.200 --> 0:39:25.600
<v Speaker 1>agents today. We truly believe that. Um. And so you

0:39:25.680 --> 0:39:28.840
<v Speaker 1>have to keep going and using this to move forward

0:39:28.880 --> 0:39:32.000
<v Speaker 1>because you've got you've definitely got a possibility of a

0:39:32.040 --> 0:39:34.640
<v Speaker 1>career here. Um And I think you need to keep

0:39:34.680 --> 0:39:37.920
<v Speaker 1>going and doing what you're doing. I appreciate it so much, Adam.

0:39:37.960 --> 0:39:40.759
<v Speaker 1>I did. I agree with what Trevor said. Obviously we

0:39:40.760 --> 0:39:43.200
<v Speaker 1>were we were were we were Obviously we're all rooting

0:39:43.200 --> 0:39:46.160
<v Speaker 1>for you still, um and UM, it is it is

0:39:46.160 --> 0:39:49.200
<v Speaker 1>complicated to be getting out of your head. And what

0:39:49.320 --> 0:39:52.880
<v Speaker 1>we enjoyed I think most was how you were doing

0:39:53.000 --> 0:39:56.360
<v Speaker 1>all of your physicality was kind of giving life to

0:39:56.480 --> 0:39:59.680
<v Speaker 1>what you created today. And like, just doing more of

0:39:59.719 --> 0:40:03.080
<v Speaker 1>that and fine tuning the range of your voice will

0:40:03.080 --> 0:40:05.640
<v Speaker 1>only help you more and more. I think, Yeah, that's huge.

0:40:05.760 --> 0:40:07.600
<v Speaker 1>That's one of the first notes that I had for you,

0:40:07.719 --> 0:40:10.120
<v Speaker 1>or what the observations I had, was that you physically

0:40:10.120 --> 0:40:13.400
<v Speaker 1>embodied the character and that is big, that that really

0:40:13.400 --> 0:40:16.400
<v Speaker 1>really helps. So yeah, keep going down that road and

0:40:16.440 --> 0:40:19.600
<v Speaker 1>you'll you'll find all kinds of cool stuff to use. Cool. Well,

0:40:19.600 --> 0:40:20.920
<v Speaker 1>thank you so much. I just want to say that

0:40:20.960 --> 0:40:23.400
<v Speaker 1>I really appreciate this being on. I'm super thankful and

0:40:23.400 --> 0:40:25.040
<v Speaker 1>grateful for you, guys. I think this is just such

0:40:25.080 --> 0:40:27.360
<v Speaker 1>an awesome contest that you're putting out there, just getting

0:40:27.360 --> 0:40:31.080
<v Speaker 1>something people involved, and I'm just forever grateful and thankful

0:40:31.120 --> 0:40:33.440
<v Speaker 1>for the opportunity. And I just really love all of

0:40:33.480 --> 0:40:37.440
<v Speaker 1>you individually together on this podcast. So I appreciate that. Adam,

0:40:37.480 --> 0:40:39.759
<v Speaker 1>I'm gonna do something. I'm gonna do something really weird

0:40:39.800 --> 0:40:41.400
<v Speaker 1>that I've never done before. But can you do me

0:40:41.440 --> 0:40:45.000
<v Speaker 1>a favor? Sure? Can you, just as if you were

0:40:45.040 --> 0:40:49.120
<v Speaker 1>reading an ad copy, say, drive the new Toyota Tacoma

0:40:49.280 --> 0:40:53.640
<v Speaker 1>in your normal cadence, in your normal voice. Sure, drive

0:40:53.719 --> 0:40:59.239
<v Speaker 1>the new Toyota Tacoma. Done perfect, Hire him, guys. I

0:40:59.320 --> 0:41:01.560
<v Speaker 1>just wanted to just wanted to hear what kind of

0:41:01.600 --> 0:41:04.960
<v Speaker 1>your your normal ad read voice was going to be like,

0:41:05.080 --> 0:41:07.040
<v Speaker 1>because I think I think you might have a career

0:41:07.080 --> 0:41:09.800
<v Speaker 1>doing that too. You've got a very nice, young dad

0:41:09.920 --> 0:41:14.399
<v Speaker 1>kind of kind of voice, and I yeah, I would say,

0:41:14.440 --> 0:41:16.319
<v Speaker 1>if you're going to be putting together a real do

0:41:16.719 --> 0:41:18.880
<v Speaker 1>a lot of AD read stuff, because I think I

0:41:18.920 --> 0:41:20.960
<v Speaker 1>think you could find a very nice career doing that.

0:41:21.520 --> 0:41:24.799
<v Speaker 1>Audiobooks too. Audiobooks too. I think he's got a beautiful voice.

0:41:24.800 --> 0:41:26.640
<v Speaker 1>To listen to you now, you've got a great voice,

0:41:26.680 --> 0:41:28.680
<v Speaker 1>you really do. So we wanted I just I wanted

0:41:28.680 --> 0:41:29.839
<v Speaker 1>to hear that, and I wanted you to be able

0:41:29.880 --> 0:41:31.480
<v Speaker 1>to hear that when you listen to this back, because

0:41:32.120 --> 0:41:34.719
<v Speaker 1>you should definitely make a real and animation is great,

0:41:34.760 --> 0:41:36.840
<v Speaker 1>and I think you can definitely focus on some animation.

0:41:36.880 --> 0:41:38.960
<v Speaker 1>But I think you got some ad read in your

0:41:39.000 --> 0:41:42.440
<v Speaker 1>in your future, so that's really real. Money is money? True?

0:41:43.280 --> 0:41:45.799
<v Speaker 1>Thank you so much for joining us again, Adam. We

0:41:45.920 --> 0:41:48.600
<v Speaker 1>really appreciate it. And congratulations again. I'm making the top sixteen.

0:41:48.760 --> 0:41:51.359
<v Speaker 1>Thank you so much. All right, bye bye, bye bye,

0:41:52.520 --> 0:41:55.839
<v Speaker 1>And now we get to have fun with Hannah. This

0:41:55.920 --> 0:41:58.919
<v Speaker 1>is my favorite part because we like her to think

0:41:59.239 --> 0:42:01.759
<v Speaker 1>she didn't make it. That's the fun part. So if

0:42:01.800 --> 0:42:05.640
<v Speaker 1>we could bring Hannah back in Hey, hey, Hannah, Hello,

0:42:06.160 --> 0:42:11.920
<v Speaker 1>how are you good? That's good. Today was tough. Today

0:42:12.080 --> 0:42:13.960
<v Speaker 1>was very tough. I just want to start by saying

0:42:13.960 --> 0:42:17.520
<v Speaker 1>that because the contestants that we have on are so

0:42:17.600 --> 0:42:20.759
<v Speaker 1>good and it's so difficult to pick, and you made

0:42:20.800 --> 0:42:23.400
<v Speaker 1>the top sixteen, which you need to be so proud

0:42:23.440 --> 0:42:25.960
<v Speaker 1>of the fact that you've made it. This far. You really,

0:42:26.040 --> 0:42:28.960
<v Speaker 1>you really do, because it was it was great and

0:42:29.000 --> 0:42:31.120
<v Speaker 1>you did really really well today and we're just super

0:42:31.160 --> 0:42:33.960
<v Speaker 1>happy that you were on. So we just wanted to

0:42:34.000 --> 0:42:36.520
<v Speaker 1>start by saying that, and then we wanted to say, um,

0:42:36.680 --> 0:42:43.200
<v Speaker 1>congratulations for making it to the next round. I was

0:42:46.280 --> 0:42:48.320
<v Speaker 1>so you did. You made it to the next round.

0:42:48.400 --> 0:42:56.000
<v Speaker 1>Oh my god, all the emotions, Hannah just happened. Oh man, congratulations,

0:42:56.160 --> 0:42:59.240
<v Speaker 1>you did great, you really did. You took the direction

0:42:59.400 --> 0:43:02.640
<v Speaker 1>very well. You were ad libbing and putting your own

0:43:02.640 --> 0:43:05.640
<v Speaker 1>stuff in there. And if I have any notes moving forward,

0:43:05.680 --> 0:43:08.360
<v Speaker 1>it would be continue with that, the playful side, the

0:43:08.400 --> 0:43:12.120
<v Speaker 1>fun side, the taking chances, the taking risks that can

0:43:12.200 --> 0:43:15.080
<v Speaker 1>only get you farther in this industry. So anybody else

0:43:15.080 --> 0:43:17.680
<v Speaker 1>have anything to add? I think her gain is a

0:43:17.719 --> 0:43:19.640
<v Speaker 1>little low. I don't know what that's about. And we

0:43:19.680 --> 0:43:22.719
<v Speaker 1>don't have our regular producer because because I want to

0:43:22.760 --> 0:43:25.960
<v Speaker 1>hear the richness of your voice. That matters. That is

0:43:26.000 --> 0:43:29.000
<v Speaker 1>what we kin. Yeah, definitely just a little bit more loud.

0:43:29.120 --> 0:43:31.560
<v Speaker 1>But other than that, girl, you're good. I can fix that.

0:43:32.520 --> 0:43:38.920
<v Speaker 1>There you go. Trevor. Yeah, you surprise, You're surprised and

0:43:39.000 --> 0:43:43.279
<v Speaker 1>delighted me with your choices. And building up something that

0:43:43.320 --> 0:43:46.520
<v Speaker 1>Christie has aid at one point about how it's very

0:43:46.560 --> 0:43:50.840
<v Speaker 1>easy to go to what seems obvious at first glance.

0:43:51.520 --> 0:43:54.600
<v Speaker 1>But and that's good because sometimes producers have a very

0:43:54.640 --> 0:43:57.960
<v Speaker 1>specific idea of what they want. But you got to remember,

0:43:57.960 --> 0:43:59.480
<v Speaker 1>when you're going into an audition, there's going to be

0:43:59.480 --> 0:44:01.640
<v Speaker 1>fifty other people that are doing maybe that exact thing.

0:44:01.640 --> 0:44:03.480
<v Speaker 1>So if you can throw a curveball in there and

0:44:03.520 --> 0:44:06.560
<v Speaker 1>play the opposite, that can get you the job many times.

0:44:06.560 --> 0:44:10.200
<v Speaker 1>And you obviously have instinct for that, which is awesome

0:44:10.200 --> 0:44:14.400
<v Speaker 1>and it's going to serve you well. Yeah, you you

0:44:14.400 --> 0:44:18.440
<v Speaker 1>you relaxed as you went on. You By the time

0:44:18.480 --> 0:44:21.399
<v Speaker 1>you were giving your last take, I was like, oh, yeah,

0:44:21.440 --> 0:44:22.920
<v Speaker 1>she could be in a room with us. Yeah, like

0:44:23.080 --> 0:44:26.759
<v Speaker 1>hands dead, hands dead, definitely. Oh that's that's great. I

0:44:26.800 --> 0:44:29.160
<v Speaker 1>agree with everything Trevor said. Yes, you started, you were

0:44:29.160 --> 0:44:30.919
<v Speaker 1>at a little nervous when you started to be honest

0:44:30.960 --> 0:44:32.879
<v Speaker 1>with you, you were not in the lead after round one.

0:44:34.000 --> 0:44:37.359
<v Speaker 1>Totally honest with you, you you ran into a very

0:44:37.440 --> 0:44:41.160
<v Speaker 1>good fellow contestant today. But just like Trevor said, you

0:44:41.239 --> 0:44:45.040
<v Speaker 1>relaxed and you let the acting take over and then

0:44:45.760 --> 0:44:48.040
<v Speaker 1>the natural kind of richness of your voice came through,

0:44:48.680 --> 0:44:51.439
<v Speaker 1>so it was great, and just keep doing what you're doing.

0:44:51.520 --> 0:44:53.799
<v Speaker 1>The competition is only going to get more stiff. Only

0:44:53.840 --> 0:44:57.200
<v Speaker 1>one person can win, and the prizes, as you know,

0:44:57.320 --> 0:45:00.799
<v Speaker 1>are pretty wonderful. So not only flying out LA, meeting

0:45:00.840 --> 0:45:04.960
<v Speaker 1>all of us, training sessions with Mary McGlynn and of

0:45:05.000 --> 0:45:08.520
<v Speaker 1>course Sam Regal, but also signing with CESD winning a

0:45:08.560 --> 0:45:13.680
<v Speaker 1>thousand dollars, it's pretty amazing. So we look forward to

0:45:13.719 --> 0:45:19.720
<v Speaker 1>seeing you in the next round. Hannah, Congratulations, you're moving

0:45:19.760 --> 0:45:22.560
<v Speaker 1>on to the Elite eight trademark. I'm trademarking that nobody's

0:45:22.560 --> 0:45:26.080
<v Speaker 1>episode before. Thank you so much, Thank you, and we

0:45:26.120 --> 0:45:28.960
<v Speaker 1>will see you next time. Congratulations, Bye, thank you guys,

0:45:29.120 --> 0:45:33.080
<v Speaker 1>Bye bye. Hannah. Ah, that's so much fun. I think

0:45:33.080 --> 0:45:35.680
<v Speaker 1>the right person went through, I do, but I also

0:45:35.800 --> 0:45:39.960
<v Speaker 1>think I think Adam's got a shot. I do. I

0:45:39.960 --> 0:45:43.680
<v Speaker 1>think he's you know, everybody's good. So before we get

0:45:43.920 --> 0:45:45.800
<v Speaker 1>too much farther, we want to give shout outs to

0:45:45.840 --> 0:45:48.920
<v Speaker 1>everybody who has helped make this contest happen. Our friends

0:45:48.960 --> 0:45:52.759
<v Speaker 1>over there at Prime Video, everybody on Voxmachina, and our

0:45:52.800 --> 0:45:55.359
<v Speaker 1>friends over there at Critical Role. Don't forget season two

0:45:55.360 --> 0:45:59.000
<v Speaker 1>of Voxmachina is available for download right now on Prime Video.

0:45:59.080 --> 0:46:01.279
<v Speaker 1>It is amazing. I'm not just saying that because I

0:46:01.320 --> 0:46:03.759
<v Speaker 1>am on it. It is in fact very very good.

0:46:03.800 --> 0:46:07.440
<v Speaker 1>We also, of course want to thank our sponsors, everybody

0:46:07.440 --> 0:46:09.560
<v Speaker 1>that's helping us out. We want to thank I Heeart,

0:46:09.640 --> 0:46:12.239
<v Speaker 1>who has been so amazing in allowing us to do

0:46:12.280 --> 0:46:14.719
<v Speaker 1>this contest. We want to thank CESD and everybody helping

0:46:14.760 --> 0:46:17.160
<v Speaker 1>us with the incredible prizes. And of course we want

0:46:17.160 --> 0:46:20.680
<v Speaker 1>to thank Trevor to Val and all of our great,

0:46:21.239 --> 0:46:24.640
<v Speaker 1>great celebrity guests who are coming on and mentoring and

0:46:24.719 --> 0:46:27.240
<v Speaker 1>helping everybody and giving notes and doing all that fun,

0:46:27.640 --> 0:46:30.440
<v Speaker 1>wonderful stuff. It has been great. Thank you again Trevor

0:46:30.520 --> 0:46:33.160
<v Speaker 1>for coming out. My pleasure. Thanks for having me on. Guys,

0:46:33.160 --> 0:46:37.080
<v Speaker 1>that was fun. It is too much fun. Then congrats Trevor.

0:46:37.120 --> 0:46:39.680
<v Speaker 1>If I don't see you again, I hope the Texas

0:46:39.680 --> 0:46:43.600
<v Speaker 1>weather behaves for your your upcoming nuptials. Yes we had

0:46:43.680 --> 0:46:48.000
<v Speaker 1>not mentioned that, but Trevor is in fact getting Married's

0:46:48.040 --> 0:46:51.040
<v Speaker 1>got going on, and I will be there. We also

0:46:51.040 --> 0:46:53.560
<v Speaker 1>have She doesn't know it yet, but when I let

0:46:53.560 --> 0:46:55.399
<v Speaker 1>her out of the chains in the basement, it'll be

0:46:56.080 --> 0:47:00.640
<v Speaker 1>very happy. Wait, what's great When when Trevor was building

0:47:00.640 --> 0:47:02.080
<v Speaker 1>his wife, he said, all right, I didn't need a

0:47:02.160 --> 0:47:09.520
<v Speaker 1>number between one and six. You are Dat's thirty year

0:47:09.560 --> 0:47:14.400
<v Speaker 1>old flower. So thank you all for joining us. Trevor

0:47:14.600 --> 0:47:17.000
<v Speaker 1>once again, just so everybody knows where to find you,

0:47:17.040 --> 0:47:18.960
<v Speaker 1>what's where are your socials and what do you got

0:47:18.960 --> 0:47:21.600
<v Speaker 1>coming up? And what do you want to pump? Well,

0:47:21.760 --> 0:47:24.480
<v Speaker 1>the big thing I'm doing now is the Me, Myself

0:47:24.480 --> 0:47:28.359
<v Speaker 1>and Die Show, which is rule playing game show but

0:47:28.800 --> 0:47:30.840
<v Speaker 1>I play again. It's like Critical Role except without all

0:47:30.840 --> 0:47:32.879
<v Speaker 1>the people. It's just me and I play the character.

0:47:33.200 --> 0:47:35.240
<v Speaker 1>So that's a big thing right now. I just released

0:47:35.239 --> 0:47:37.279
<v Speaker 1>a new series based on the Blade Weather game, which

0:47:37.360 --> 0:47:41.000
<v Speaker 1>is pretty cool. But yeah, kind of stuff there at Me,

0:47:41.080 --> 0:47:42.600
<v Speaker 1>Myself and Die dot com where you can find it

0:47:42.640 --> 0:47:45.720
<v Speaker 1>on YouTube. Otherwise I'm on the twitters at at Trevor

0:47:45.760 --> 0:47:49.280
<v Speaker 1>de Vell and uh not that I'm ever on Twitter.

0:47:49.360 --> 0:47:51.280
<v Speaker 1>I don't really have much time. I mean my Twitter

0:47:51.400 --> 0:47:55.239
<v Speaker 1>just was hacked. Yeah, it was hacked. I don't know

0:47:55.280 --> 0:47:57.600
<v Speaker 1>when I'm going to get it back. Some guy pool

0:47:58.000 --> 0:48:01.880
<v Speaker 1>X stole my verification, stole my my people, and started

0:48:01.880 --> 0:48:06.080
<v Speaker 1>selling bitcoin on my Twitter. So I needed the money

0:48:06.120 --> 0:48:09.520
<v Speaker 1>and I knew your passwords, so okay, it was very

0:48:09.640 --> 0:48:12.720
<v Speaker 1>very simple. But thank you again for joining us, Trevor.

0:48:12.800 --> 0:48:15.520
<v Speaker 1>Thank you everybody else out there for sticking with us

0:48:15.520 --> 0:48:18.000
<v Speaker 1>as we're getting down to the nitty gritty and we

0:48:18.040 --> 0:48:21.160
<v Speaker 1>are going to find the next great American voice actor.

0:48:21.200 --> 0:48:22.920
<v Speaker 1>And don't forget if you think you have what it

0:48:22.960 --> 0:48:25.279
<v Speaker 1>takes to step up to the microphone, put your voices

0:48:25.280 --> 0:48:27.800
<v Speaker 1>where your mouth is. Thanks everybody. I Hear Voices is

0:48:27.840 --> 0:48:31.400
<v Speaker 1>hosted by Wilfridell and Christy Carlson Romano. Executive produced by Wilfridille,

0:48:31.400 --> 0:48:33.960
<v Speaker 1>Brendan Rooney, Amy Sugarman. Our executive in charge of production

0:48:34.040 --> 0:48:36.600
<v Speaker 1>is Danielle Romo, Our producer is Lorraine Vera Wez, and

0:48:36.640 --> 0:48:40.239
<v Speaker 1>our editors slash engineer is Brian Burton. And that was

0:48:40.320 --> 0:48:42.960
<v Speaker 1>my announcer voice. Some side effects of listening to I

0:48:43.040 --> 0:48:45.480
<v Speaker 1>Hear Voices are sore abs from hilarity, falling down the

0:48:45.480 --> 0:48:48.880
<v Speaker 1>coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.

0:48:49.000 --> 0:48:51.080
<v Speaker 1>Follow I Hear Voices wherever you listen to podcasts so

0:48:51.160 --> 0:48:53.319
<v Speaker 1>you don't miss any of the amazing voices. Be sure

0:48:53.360 --> 0:48:55.520
<v Speaker 1>to follow us on Instagram and TikTok At I Hear

0:48:55.600 --> 0:48:58.080
<v Speaker 1>Voices podcast. You can also check us out on my space,

0:48:58.080 --> 0:49:01.439
<v Speaker 1>omigal Vine, LimeWire. Ay, I'm a napster. Okay, well, let's

0:49:01.480 --> 0:49:03.000
<v Speaker 1>teach you about the Internet, the who