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Speaker 1: Hi, Christy, Hey Will, how are you good. We've got

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Speaker 1: a kind of a strange start to our show because

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Speaker 1: our wonderful engineer Brian is not here today, so Trevor

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Speaker 1: is with us. So for the first time ever, Hey Trevor,

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Speaker 1: why hello, we get to hay in our guest, which

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Speaker 1: we've never done before. Christie, welcome, and welcome back Trevor.

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Speaker 1: He was actually signed on first, so he should be

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Speaker 1: the one that's I am ready to go great awesome

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Speaker 1: walk us through the contest today, Trevor. What are the

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Speaker 1: rules and what's going on? Fun? So we are back again,

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Speaker 1: everybody with our super awesome contest to become the next

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Speaker 1: big Voice actor. And thank you so much Trevor for

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Speaker 1: joining us as our special guest today. So Trevor, so,

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Speaker 1: so you know we told you about the launch of

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Speaker 1: this contest. We ended up getting over four thousand entries

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Speaker 1: that we then whittled down to the top sixteen and

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Speaker 1: they are going the first sixteen the Sweet sixteen. I'm

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Speaker 1: coining that phrase, um are going to be coining to

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Speaker 1: the Elite eight, the winners coining that phrase as well

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Speaker 1: to then the final four. I love all these things

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Speaker 1: I made up. Yeah, but we are so happy the

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Speaker 1: competition has been I'm right here, Hey, Brendan, can we

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Speaker 1: maybe be in the middle of our podcast instead of

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Speaker 1: you swearing all over the place. So I'm recording of

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Speaker 1: a podcast. Yeah, I was screaming because I'm talking to

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Speaker 1: Will for now and he makes me scream. What the hell, Brendan?

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Speaker 1: He said, what the hell Brendon? He thought I got hurt.

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Speaker 1: I'd like to point out that he's actually one of

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Speaker 1: the executive producers of the show. It shows how little

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Speaker 1: he knows of what's actually happening. He's the perfect executive producer, exactly,

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Speaker 1: exactly pretty much. Yeah, no, that's awesome. So we are,

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Speaker 1: as we said, fifth round, and the competition has been

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Speaker 1: amazingly fierce. We've had some incredible guests come on, guest judges. So, Trevor,

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Speaker 1: what we're going to do is we have two guests

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Speaker 1: come on, they go head to head. We have a

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Speaker 1: game that we're doing that we call by the Numbers.

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Speaker 1: So what we've done is we have come up with

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Speaker 1: four categories, size, what are you, age, and a wacky

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Speaker 1: attribute You. Trevor de Val, who are our guests today,

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Speaker 1: are going to give us different numbers and by the

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Speaker 1: numbers you pick, you will be creating the characters that

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Speaker 1: the contestants have to do on the fly. They have

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Speaker 1: been given two lines of dialogue that they were allowed

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Speaker 1: to have overnight. We will do two rounds and then

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Speaker 1: we throw a third line of dialogue which they have

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Speaker 1: not seen to see how they do with cold readings,

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Speaker 1: and we go from there. In between each round or

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Speaker 1: in between each take, I should say, we like to

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Speaker 1: throw it to you and open to us, the guest judges,

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Speaker 1: to maybe give everybody some notes, maybe give them some

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Speaker 1: ideas of what they could change, what they would do differently,

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Speaker 1: and then we, you know, go through the three rounds

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Speaker 1: and then we decide who was moving on to the

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Speaker 1: Elite eight. Which is a lot of fun. So we

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Speaker 1: last week was a great round. The week before we

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Speaker 1: could it was it was amazing. We just Cree Summer

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Speaker 1: was our our guest judge, and we were going back

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Speaker 1: and forth. They were so good we just didn't know

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Speaker 1: who to pick. It was really really neck and neck.

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Speaker 1: I mean, the competition is getting very very stiff. Everybody's

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Speaker 1: doing really really well, so it was really great. So

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Speaker 1: is everybody here are the contestants with us now yes, okay,

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Speaker 1: So our contestants are with us, So we bring our

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Speaker 1: contestants in just by whoever was in the waiting room first.

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Speaker 1: So I believe our first contestant that was here is

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Speaker 1: Hannah from Alabama. So if we could bring Hannah in

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Speaker 1: and learn a little bit about her before we start

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Speaker 1: our show, that would be great. Hannah, come on in.

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Speaker 1: Oh hi, Hannah, how are you? Are you welcome to

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Speaker 1: the super awesome contest to become the next big Voice Actor.

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Speaker 1: Thank you and congratulations on making the top sixteen. No pressure, right,

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Speaker 1: no pressure, I'm Will. This is Christy and our very

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Speaker 1: special guest judge today is the legendary Trevor de Val,

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Speaker 1: who you've heard as everything. How are yours? Sounds ling? Voice?

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Speaker 1: That is his real voice. We've never actually no one's

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Speaker 1: ever heard his real voice. It's like it's like going

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Speaker 1: back and seeing the beginning of time. You can't actually

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Speaker 1: see it. So Trevor, I don't think even remembers what

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Speaker 1: Trevor actually sounds like. Remember what we sound like? It's

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Speaker 1: very strange. See. So, Hannah, where where you know? You're from? Alabama? Correct?

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Speaker 1: I am? And what made you decide that you wanted

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Speaker 1: to be a voiceover actor. Well, I was originally setting

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Speaker 1: to be an opera singer, and I had a really

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Speaker 1: rough summer where I was just sick every other week

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Speaker 1: and singing just wasn't happening, and I needed a creative outlet.

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Speaker 1: And I had always loved playing, you know, video games

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Speaker 1: with my brother Replaylic and I Seal Old Republic, Call

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Speaker 1: It or Water or Warfare too, and we just had

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Speaker 1: a blast at those. And actually Avatar the Last Airbender

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Speaker 1: was running while I was six, so I was watching

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Speaker 1: that in the middle of the night. I was like,

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Speaker 1: I didn't it never registered to me that like voice

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Speaker 1: actors could actually was a job like that. And I

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Speaker 1: was like, wait a minute, Like how do I do this?

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Speaker 1: This sounds like a great creative outlet. So I typed in,

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Speaker 1: like how do I become a voice actor? And I

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Speaker 1: got Dee Bradley Baker's website that popped up, started educating

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Speaker 1: myself and so like for three days, I just like

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Speaker 1: really got into it, and then I was like, all right,

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Speaker 1: I'm gonna throw some auditions out there and see what happens,

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Speaker 1: because why not. And with my laptop my phone in

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Speaker 1: my basement, we recorded. We had no idea what sounds

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Speaker 1: quality was. We just went for it and uh yeah,

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Speaker 1: book two of the three. That's great. I was like,

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Speaker 1: oh my gosh, okay, this is something and then it

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Speaker 1: just it unraveled into this unbridled passion that's really taken over.

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Speaker 1: It's great. But you do not have representation, correct, I don't. Okay, good,

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Speaker 1: or else I would have disqualified you right here, unfortunately, Hannah.

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Speaker 1: So we're looking for amateurs. That's the point. I mean.

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Speaker 1: The thing is is though honestly you may be amateur,

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Speaker 1: but you sound like you're a pro. So I'm excited

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Speaker 1: to get into it today with you, Hannah. Thank you

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Speaker 1: so much for being here. Thank you. Guys. We will

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Speaker 1: make this as inspirational and positive experience as possible. I

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Speaker 1: promise Christie. I want to make it painful and difficult,

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Speaker 1: except mister fidel I love the All right, Anna, you

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Speaker 1: have your your couple lines dialogue ready, I sure do? Okay, perfect,

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Speaker 1: So we will be back with you in a moment.

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Speaker 1: And now we are going to go with contested Number

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Speaker 1: two is Adam Adam from Illinoisies. It's Illinois, Illinoisies. I

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Speaker 1: like to pronounce the s. I was just in Illinois.

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Speaker 1: E's last night. Literally I was. We were at C

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Speaker 1: two E two this weekend in beautiful downtown Chicago, Illinois.

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Speaker 1: Is that where you had that amazing reunion and Friday party? Did?

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Speaker 1: We had our ninety six birthday party from mister Bill

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Speaker 1: Daniels and a lot of the cast deployment. Roy was there.

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Speaker 1: It was absolutely wonderful. It was great, um, But we're

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Speaker 1: not here to discuss mister Bill Daniels. We are here

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Speaker 1: to discuss Adam from Illinois. Adam, welcome to the show.

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Speaker 1: Congratulations on making the top sixteen. Thank you so much.

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Speaker 1: I appreciate it. And we are here with Christy and

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Speaker 1: Christy Carser Romano and that is Trevor Deal, who is

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Speaker 1: actor extort. I like to use the word redoubtable because

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Speaker 1: it sounds like an insult and nobody really knows what

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Speaker 1: it means. So the redoubtable Trevor de Val is here

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Speaker 1: and I am just curious. What started you on your

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Speaker 1: journey to become a voice over actor. Cool? Yeah, I

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Speaker 1: think like a lot of people, I grew up with

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Speaker 1: my brother watching a lot of cartoons, playing a lot

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Speaker 1: of video games. I took the more scientific mathematic track

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Speaker 1: and then pivoted back around over the last handful of

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Speaker 1: years in Chicago back into RPGs and long form improv.

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Speaker 1: So all these things kind of go hand in hand together,

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Speaker 1: and I was like, I'll just try to do some

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Speaker 1: of this stuff and have been loving it pretty much

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Speaker 1: ever since. That's great. Oh, in an improv background, that

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Speaker 1: is very helpful when it comes to the world of vo.

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Speaker 1: So we are going to have to see do you

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Speaker 1: have your your lines of dialogue ready? I do? All right, perfect.

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Speaker 1: We are going to be back through your Your fellow

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Speaker 1: contestant got here first, so we will be starting with them,

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Speaker 1: but we will be back with you in a second, Adam,

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Speaker 1: and we will start our wonderful game. Sounds great, Thank you?

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Speaker 1: All right? Seeing a bit all right, everybody, here we go.

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Speaker 1: It is going to be round one of by the numbers,

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Speaker 1: and we are going to start with Hannah from Alabama.

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Speaker 1: So if we can bring Hannah back in, Hi, Hannah,

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Speaker 1: how are you? I'm good? How are you? I am good?

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Speaker 1: We are going to jump into this so as you know, Hannah,

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Speaker 1: or hopefully you know that, we have four categories size,

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Speaker 1: what are you, age? And a wacky attribute and by

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Speaker 1: random chance with mister Trevor de val, we are going

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Speaker 1: to be picking the character with which you are going

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Speaker 1: to be reading your line of dialogue. So Trevor, if

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Speaker 1: you would, sir, a number between one and six four,

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Speaker 1: and now a number between one and twelve eleven, and

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Speaker 1: now a number between one and seven one, and now

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Speaker 1: a number between one and eleven. This is so hard.

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Speaker 1: Eight eight, Chris, Okay, I got it. You are going

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Speaker 1: to be a small mirror person who is ancient who

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Speaker 1: has been stuck in traffic for six hours. We never

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Speaker 1: said it was going to be easy, Hannah, Sir, you

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Speaker 1: can take the character and do whatever you want. We

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Speaker 1: are just going to be reading the first line of dialogue,

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Speaker 1: so Hannah at your pleasure, all right. It is not

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Speaker 1: the size of the dog in the fight. It is

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Speaker 1: the size of the fight and the dog unless fighting

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Speaker 1: a lion or traffic, they're the size of the dog matters.

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Speaker 1: I like the ad lib in there too, Trevor, do

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Speaker 1: you have any notes? Yeah? What was the description again?

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Speaker 1: A small ancient mirror person who's been stuck in traffic

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Speaker 1: for six hours? Cool? Well, you definitely got the frustration

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Speaker 1: of being stuck in traffic. I definitely heard the small

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Speaker 1: I would like to hear just just for fun, just

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Speaker 1: for fun, absolutely, let's hear what happens with the two things.

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Speaker 1: I'm gonna throw two curveballs to hear. The first one is, uh,

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Speaker 1: can you dial up the ancient? I want to hear

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Speaker 1: some wisdom in there. So it's gonna you know, you

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Speaker 1: gotta get a bounce frustration to be in traffic with

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Speaker 1: the wisdom. But also, and and here's the fun one.

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Speaker 1: I'd like to hear like you're trying to breathe there,

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Speaker 1: but you have gills because you're a mer person, so

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Speaker 1: you're having some issues with not being in water. Let's

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Speaker 1: see what you'll do with it. All right, Hannah, those

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Speaker 1: are your notes. I don't have anything to add to that.

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Speaker 1: CHRISTI da, how could I that was perfection? Un doubt?

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Speaker 1: What is it? Undoubtable? Redoubtable, redoubtable? Are the normal? The

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Speaker 1: normal note I have the first time they read it,

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Speaker 1: because people have their adrenaline pumping a little bit. Is

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Speaker 1: slow down, But I think actually the pace was pretty good.

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Speaker 1: So once again line one, Hannah, at your pleasure. It's

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Speaker 1: not the size of the dog in the fight. It's

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Speaker 1: the size of the fight and the dog, he lash

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Speaker 1: a fighting a lion for traffic in the size of

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Speaker 1: the dog matics right, thank you so much. We will

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Speaker 1: be back with you in a moment. Not bad, she took.

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Speaker 1: So one of the things we're noticing, obviously, why we're

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Speaker 1: doing this, Trevor, and I know you've already picked up

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Speaker 1: on this is just to see how they take direction

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Speaker 1: and kind of how they're taking the notes. And I

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Speaker 1: thought she added, you know a little more, a little

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Speaker 1: more texture to it, which was nice. So let us

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Speaker 1: go on now and see what contestant number two, Adam

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Speaker 1: from Illinois, ees can do. Hey, Adam, how are you

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Speaker 1: doing well? How are you all right? I am doing well. So,

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Speaker 1: as we just explained to your fellow contestant, you know,

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Speaker 1: we're going to be playing by the numbers. We have

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Speaker 1: four categories for you, size, what are you age, and

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Speaker 1: a wacky attribute, and through a random chance of numbers

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Speaker 1: that mister Trevor de Val is going to pick, we

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Speaker 1: will be creating the character with which you will be

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Speaker 1: reading your dialogue. So aren't you got that? Got it

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Speaker 1: all right? Here we go, Trevor, if you would, please, sir,

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Speaker 1: a number between one and six six, and now a

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Speaker 1: number between one and twelve three, and now a number

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Speaker 1: between one and seven seven, and now a number between

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Speaker 1: one and eleven two. Christy, you are a ninety five

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Speaker 1: year old Scottish mouse who is microscopic. Oh so once again,

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Speaker 1: that is a microscopic ninety five year old Scottish mouse. Hey,

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Speaker 1: all right, ready, so you got line number one there, Adam,

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Speaker 1: at your pleasure. It's not the size of the dog

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Speaker 1: in the fight. It's the size of the fight in

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Speaker 1: the dog unless you're fighting a lion, of course, and

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Speaker 1: the sleighs of the dogs. I thought that was pretty good,

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Speaker 1: Trevor any notes, Well, yes, that's good. It's interesting. A

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Speaker 1: lot of people when they hear Scottish they tend to

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Speaker 1: go into Irish. You had a had a little irish

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Speaker 1: ism in there for a second, which is fine. Fine Trevor.

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Speaker 1: By the way, the Master of Dialects, I'm not gonna

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Speaker 1: I'm not gonna go on and on about access because

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Speaker 1: that's just that's a very specific thing. But I like

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Speaker 1: the I like the attitude of it. I wonder if

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Speaker 1: ninety five years old and microscopic. So let's let's not

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Speaker 1: focus so much on the accent part of it now,

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Speaker 1: let's focus more on the the ninety five year old

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Speaker 1: mouse and microscopic. That's I'm I'm thinking small. I'm thinking,

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Speaker 1: I'm I want to hear small, but I want to

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Speaker 1: hear kind of crotchety, because because ninety five year olds

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Speaker 1: and Scottish goes very well together, small and crotchety is

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Speaker 1: what I would say. We can build it to that,

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Speaker 1: all right. I would also say, just from a technical standpoint,

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Speaker 1: i'd back off your microphone just a little bit, right, yeah,

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Speaker 1: or maybe even just turn your game down just it's

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Speaker 1: just the tight, tiniest little bit. And Christy, do you

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Speaker 1: have any other notes? I don't. I think it's perfect,

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Speaker 1: all right, Adam, actual pleasure. It's not the size of

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Speaker 1: the dog in the fight. It's the size of the

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Speaker 1: fights and the dog. Right, unless you're fighting a lion,

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Speaker 1: the size of the dog really matters. There. Oh, oh,

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Speaker 1: thank you very much, appreciate it. We will be back

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Speaker 1: to you for a round two. Good thanks. Interesting when

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Speaker 1: when when you gave the note of crotchety, did he

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Speaker 1: think that meant in pain or I don't know where

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Speaker 1: I got that from, but it was kind of a

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Speaker 1: little more coffee I think then like he was struggling

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Speaker 1: with that that was his choice. Yeah, No, but I like,

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Speaker 1: I loved that both of those characters were super tiny

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Speaker 1: for both of them, so we saw their voices very small,

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Speaker 1: and uh, that was cool. That was a good round.

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Speaker 1: I thought, just if we're going round by round, I

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Speaker 1: thought the first round she I think her adjustments were

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Speaker 1: a little better than his adjustments were. I disagree. Oh really, okay,

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Speaker 1: you do you thought you thought his adjustments were better? No,

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Speaker 1: I think that overall, I think that his acting was

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Speaker 1: better from the jump. I think so far it seems

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Speaker 1: like his his he's really putting himself into those characters.

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Speaker 1: I think I want to I want to encourage her

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Speaker 1: to have fun with it, you know, because a lot

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Speaker 1: of times what we've seen in these contestants is that

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Speaker 1: they'll get in their heads with all these notes and

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Speaker 1: um and that's really truly what we have to deal

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Speaker 1: with when you're in the boot or when you're you know,

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Speaker 1: given an audition. So him was that he immediately physicalized it,

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Speaker 1: and that's yea. Yeah, you could see his body shape

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Speaker 1: sort of change as he's inhabiting that character. That's that's passive.

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Speaker 1: That is that no that's true. Now, that's very now. Yeah,

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Speaker 1: the acting, I think he would have the leg up.

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Speaker 1: I thought she took the direction better than he did.

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Speaker 1: But I thought his acting is better. And at the

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Speaker 1: end of the day, we're looking for a voice actor.

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Speaker 1: But they that was just round one. We are going

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Speaker 1: to round number two. If we could bring Hannah back in,

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Speaker 1: please hello, Hannah, Hello again. Welcome to round number two.

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Speaker 1: So you've got your second line there, and once again,

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Speaker 1: mister de Val, if you will a number between one

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Speaker 1: and six three, and now a number between one and

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Speaker 1: twelve twelve, and now a number between one and seven four,

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Speaker 1: and now a number between one and eleven five. Okay,

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Speaker 1: this is a good one. You are a fifteen year

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Speaker 1: old teddy bear, medium sized who just lost the love

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Speaker 1: of your life. Oh no, no, no number five, Christy,

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Speaker 1: oh he thought, he said six. Okay, well then never mind,

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Speaker 1: you just you just won the lottery, exactly. Keep talking

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Speaker 1: about two different things. No, wait, you just won the lottery,

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Speaker 1: but teddy bear losing the lover of the lift This

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Speaker 1: kind of makes sense. But okay, so you are a

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Speaker 1: fifteen year old teddy bear who's a medium size who

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Speaker 1: just won the lottery. Good luck. There you go, and

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Speaker 1: now line number two, Hannah at your pleasure. I was

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Speaker 1: sitting here contemplating some of the mysteries of the world,

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Speaker 1: like why do you park? Why do you drive on

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Speaker 1: a parkway? But the park got a driveway? Oh, we're raving.

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Speaker 1: That was very good, Trevor any notes, Yeah, that's good.

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Speaker 1: I wonder this kind of changes it up. But what

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Speaker 1: the hell that's what we're doing here? Yeah? Absolutely? What

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Speaker 1: if you keep keep everything you did, keep everything perfect?

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Speaker 1: Does that get it perfect? But now I want you

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Speaker 1: to build in this idea of like full on teenager.

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Speaker 1: I want to hear some of that going on. I

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Speaker 1: won the lettery and I'm fifteen. Great, Okay, that's awesome, Christy.

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Speaker 1: Anything else? Yeah, I mean I think that, um, yes,

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Speaker 1: I think that, And speaking from the fifteen year old

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Speaker 1: female viewpoint in that, I think it's easy to go

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Speaker 1: caricature with that, um and it might be fun to

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Speaker 1: kind of do that with more of a point of

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Speaker 1: view rather than just going straight for like the full

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Speaker 1: you know, teenage archetype, because teenagers now are different than

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Speaker 1: teenagers when we grew up, Because you could almost even

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Speaker 1: make the choice of is she really all that excited

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Speaker 1: about winning the lottery because these kids, I just don't

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Speaker 1: know what these kids value anymore. But you know what,

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Speaker 1: let's just say she's really excited for the sake of

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Speaker 1: range in your voice, and have fun with it. I'm

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Speaker 1: just going on in tangent. Don't listen. I just said no,

335
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Speaker 1: but for real, like I just think that, like you know,

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Speaker 1: it's you don't as a female voice actor. You don't

337
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Speaker 1: want to get caught in the trap of doing the

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Speaker 1: same thing, and so you want to really find your

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Speaker 1: voice and what your instrument. Hannah is into into the

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Speaker 1: female voice of that, you know what I mean? Absolutely, Yeah, Okay,

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Speaker 1: so let's give it a try. Have fun with it.

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Speaker 1: Like like Trevor said, will what do you think I

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Speaker 1: agree with? I'm just now excited to hear what Hannah's

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Speaker 1: gonna do. So here we go, Hannah once again, line

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Speaker 1: too at your pleasure. I was sitting here contemplating some

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Speaker 1: of the mysteries of the world, like why do you

347
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Speaker 1: drive on a parkway kind of driveway? Weird? Right, very nice,

348
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Speaker 1: Thank you very much. We'll be right back with you. Well,

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Speaker 1: I'm tickled because I said nonsense and she listened to it.

350
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Speaker 1: It was probably Trevor. But no, Actually, as soon as

351
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Speaker 1: you said that, I was like, oh, yeah, no, I

352
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Speaker 1: just steered her directly towards the stereotype. You pulled her

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Speaker 1: away from that. And I love it that she took

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Speaker 1: that part of the note because she she took sort

355
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Speaker 1: of like you could you could feel the character building.

356
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Speaker 1: It's like the characters trying to be super cool but

357
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Speaker 1: then just can't contain themselves. And that was really that

358
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Speaker 1: was great. There's some lovely shape to that bit. Yeah, good,

359
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Speaker 1: good choices, and I thought she made a great adjustment there,

360
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Speaker 1: and the acting was there on that one. Fully, yes, fully.

361
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Speaker 1: Now I'm like, now I'm confused, guys, because now I

362
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Speaker 1: don't know. Now we're neck and neck. Now we are

363
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Speaker 1: neck and neck again. Competition here, Oh my goodness. All right, well,

364
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Speaker 1: let's bring back Adam from Illinois E's um for round

365
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Speaker 1: number two. No fight fight Hello Adam, Hello, welcome back,

366
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Speaker 1: and we are now going to be doing line number two.

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Speaker 1: Uh playing by the number, So mister val once again, sir,

368
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Speaker 1: if you would a number between one and six, I'm right,

369
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Speaker 1: numbers here about six? We did do that, okay, two

370
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Speaker 1: copy that? All right? Now a number between one and twelve. Three.

371
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Speaker 1: Oh my god, see I'm just I'm the same guy

372
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Speaker 1: every time. Eight all right, And now a number between

373
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Speaker 1: one and seven O. Nine is nine? Is not between

374
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Speaker 1: one and seven? You want three? Okay? And now a

375
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Speaker 1: number between one and eleven, This is nine. This is

376
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Speaker 1: for the wind, nine for the wind. Okay, you are

377
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Speaker 1: a shocked, big fish that's ten years old, A big

378
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Speaker 1: old ten year old fish that's shocked. All right, Adam,

379
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Speaker 1: you're ready for line number two at your pleasure. It

380
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Speaker 1: was just sitting here some of the mysteries of the world.

381
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Speaker 1: What why you're driving a parkway but park on a driveway?

382
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Speaker 1: M h weird? Run like how for some reason? He's

383
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Speaker 1: sad seriously Trevor and notes, Yeah, that would be my note.

384
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Speaker 1: I liked it. I think, uh, if we can play,

385
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Speaker 1: you're doing the sort of thing which is awesome. Can

386
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Speaker 1: you take that and use that to fuel the shocked attitude?

387
00:23:49,240 --> 00:23:51,399
Speaker 1: And also I'm missing the ten year old boy. But

388
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Speaker 1: I do like, I do love that he feels big,

389
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Speaker 1: like he's a big boy, you know, he's like a

390
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Speaker 1: big ten year old boy. So I kind of love that.

391
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Speaker 1: But I wonder if they're's a way to feel like

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Speaker 1: he's more a ten year old boy somehow. All right, Adam,

393
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Speaker 1: here we go. You got your notes ready to go?

394
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Speaker 1: Line number two at your pleasure, sir. I was just

395
00:24:13,280 --> 00:24:17,160
Speaker 1: sitting here contemplating to some of the mysteries of the world,

396
00:24:17,880 --> 00:24:22,480
Speaker 1: like why do you drive on a parkway? Park on

397
00:24:22,600 --> 00:24:30,760
Speaker 1: a driveway? We are right, thank you very much. We

398
00:24:30,880 --> 00:24:42,960
Speaker 1: will be right back with you. This is hard, man,

399
00:24:43,040 --> 00:24:45,240
Speaker 1: This is gonna be a tough one. But they actually

400
00:24:45,240 --> 00:24:47,040
Speaker 1: have a tiebreaker on this time. I know. I've got

401
00:24:47,040 --> 00:24:51,040
Speaker 1: to be honest. I thought her last round was really strong. Yeah, ye,

402
00:24:52,440 --> 00:24:54,639
Speaker 1: so I think he took the first round and she

403
00:24:54,760 --> 00:24:57,600
Speaker 1: took the second, if I'm honest. So I think we

404
00:24:57,640 --> 00:25:01,879
Speaker 1: are coming into round three tide. That's my personal opinion. Sure,

405
00:25:02,680 --> 00:25:04,560
Speaker 1: we haven't even done a tiebreaker yet, we won't even

406
00:25:04,600 --> 00:25:07,600
Speaker 1: get there yet. But we are now going to round three.

407
00:25:09,000 --> 00:25:12,240
Speaker 1: This is the will we will see, uh if the

408
00:25:12,280 --> 00:25:14,119
Speaker 1: cream will rise to the top here because this is

409
00:25:14,160 --> 00:25:16,480
Speaker 1: the line of dialogue that neither of them have seen

410
00:25:16,600 --> 00:25:19,600
Speaker 1: or have any time with. So it is a completely

411
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Speaker 1: cold reading. And let us start with Hannah. So here

412
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Speaker 1: we go, Hannah, Hello, Hannah, Hello, So if you could

413
00:25:31,240 --> 00:25:41,840
Speaker 1: look at your chat. Yes, alrighty, Trevor, can tell I

414
00:25:41,880 --> 00:25:49,000
Speaker 1: write all these you can? You? Can you see the

415
00:25:49,000 --> 00:25:52,840
Speaker 1: line of dialogue? Yes, sir, okay, so while you read that, Trevor,

416
00:25:52,920 --> 00:25:56,600
Speaker 1: please a number between one and six one, and now

417
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Speaker 1: a number between one and twelve, ten, and now a

418
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Speaker 1: number between one and seven. Three. One more time? Oh four?

419
00:26:10,720 --> 00:26:13,119
Speaker 1: No wait you said, yeah, okay, four, No, four works,

420
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Speaker 1: four works forwards. And now a number between one and eleven.

421
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Speaker 1: Have you done eleven? We have done four for her before,

422
00:26:19,440 --> 00:26:23,480
Speaker 1: just so you know. Oh okay, then, okay, I'm sorry, Yeah,

423
00:26:23,480 --> 00:26:33,880
Speaker 1: you're right, You're right, Christie. Let's go one ten, sorry, one, one, ten, five, okay, eleven, okay, great,

424
00:26:33,960 --> 00:26:37,160
Speaker 1: one ten, five, five's good for her? Five works? And

425
00:26:37,280 --> 00:26:42,680
Speaker 1: now one between one and eleven six yeah, six, okay,

426
00:26:42,720 --> 00:26:45,639
Speaker 1: you're ready for this. Here we go. You are a

427
00:26:45,800 --> 00:26:51,160
Speaker 1: giant robot that's thirty years old whose love of your

428
00:26:51,160 --> 00:26:57,320
Speaker 1: life just left. No there it is, which which actually

429
00:26:57,400 --> 00:26:59,920
Speaker 1: works perfect for the line of dialogue. There were really done,

430
00:27:00,080 --> 00:27:05,640
Speaker 1: and robot robot to boot. Oh boy, all right, Hannah,

431
00:27:06,400 --> 00:27:11,480
Speaker 1: at your pleasure. I was on a date the other

432
00:27:11,640 --> 00:27:15,840
Speaker 1: night and it wasn't going well, so I swiped him

433
00:27:15,920 --> 00:27:22,000
Speaker 1: right in the face is that well? I never learned

434
00:27:22,000 --> 00:27:30,199
Speaker 1: how to use any of those dating apps. A robot

435
00:27:30,200 --> 00:27:33,959
Speaker 1: who cries? I love it, Trevor in that in that

436
00:27:34,080 --> 00:27:37,760
Speaker 1: vein just because let's let's hear what what happens? Um?

437
00:27:37,800 --> 00:27:39,720
Speaker 1: I like that you were you were kind of holding

438
00:27:39,720 --> 00:27:42,360
Speaker 1: back on the robotic thing. But what would what would

439
00:27:42,400 --> 00:27:45,320
Speaker 1: it be like if if the robot um had very

440
00:27:45,440 --> 00:27:52,439
Speaker 1: robotic emotional outburst? Right? Oh okay, so like normal speaking

441
00:27:52,440 --> 00:27:57,679
Speaker 1: but robotic emotional whatever that means to you? Say? Also,

442
00:27:57,760 --> 00:28:00,600
Speaker 1: I feel like your void your natural voice to me

443
00:28:00,720 --> 00:28:04,240
Speaker 1: sounds more thirties than the voice that you had done there,

444
00:28:04,320 --> 00:28:07,440
Speaker 1: So maybe maybe enjoy more of your richness of your

445
00:28:07,960 --> 00:28:10,520
Speaker 1: of your voice, you know, because even Siri has like

446
00:28:10,520 --> 00:28:15,600
Speaker 1: a womanly thirties type voice like that. Good point, all right,

447
00:28:15,640 --> 00:28:17,360
Speaker 1: I'm not going to add anything because I think all

448
00:28:17,400 --> 00:28:19,600
Speaker 1: of that is absolutely right. I would go with what

449
00:28:19,640 --> 00:28:26,679
Speaker 1: they said and at your pleasure. I was on a

450
00:28:26,800 --> 00:28:31,040
Speaker 1: date the other night and it wasn't going well insert

451
00:28:31,119 --> 00:28:34,760
Speaker 1: emotion here, so I swiped them right in the face.

452
00:28:36,640 --> 00:28:41,240
Speaker 1: Query is that wrong? I never learned how to use

453
00:28:41,280 --> 00:28:53,960
Speaker 1: any of those dating apps insert anger. Good stuff, Hannah,

454
00:28:54,400 --> 00:28:57,760
Speaker 1: thank you very much. We'll be back with you. That was.

455
00:28:58,480 --> 00:29:00,680
Speaker 1: I can hear every director I've ever worked with going,

456
00:29:00,760 --> 00:29:04,320
Speaker 1: can we get one? Is written place? Yeah? Yeah, yeah,

457
00:29:04,360 --> 00:29:08,000
Speaker 1: I know, but you know, as an actor, it was

458
00:29:08,080 --> 00:29:10,959
Speaker 1: like she took all the all the notes, added her

459
00:29:11,000 --> 00:29:14,160
Speaker 1: own thing, did something none of us were expecting. Yes,

460
00:29:14,720 --> 00:29:17,800
Speaker 1: that was. That was a wonderful take. And what do

461
00:29:17,880 --> 00:29:20,240
Speaker 1: they say in the in our acting world here they say,

462
00:29:20,400 --> 00:29:23,800
Speaker 1: you know you can't you can't ever go too big.

463
00:29:24,200 --> 00:29:27,120
Speaker 1: The problem is is that when somebody's too small, it's

464
00:29:27,200 --> 00:29:30,760
Speaker 1: way harder to pull them out of that. So we

465
00:29:30,760 --> 00:29:33,840
Speaker 1: were looking for somebody that goes big, makes bold choices.

466
00:29:33,840 --> 00:29:36,200
Speaker 1: We've said this many times week by week. So she's

467
00:29:36,240 --> 00:29:38,280
Speaker 1: doing it. She's having fun, that's important. She is. She's

468
00:29:38,280 --> 00:29:41,400
Speaker 1: also completely relaxed from the first round. Obviously she's joking

469
00:29:41,440 --> 00:29:45,480
Speaker 1: with us in between the two. That's the thing. That's

470
00:29:45,560 --> 00:29:48,880
Speaker 1: the thing. So yeah, all right, well let's let's that

471
00:29:49,000 --> 00:29:51,400
Speaker 1: was that was very good. That was. Let's see what

472
00:29:51,440 --> 00:29:53,160
Speaker 1: Adam can do. Let's see what Adam can do, because

473
00:29:53,200 --> 00:29:59,360
Speaker 1: he's been great as well. So here we go Adam.

474
00:29:59,520 --> 00:30:01,560
Speaker 1: All right, Adam, we got one to throw at you here.

475
00:30:01,560 --> 00:30:03,120
Speaker 1: As you know, we're going to give you one line

476
00:30:03,120 --> 00:30:05,800
Speaker 1: that you've never seen before. It is going to be

477
00:30:05,880 --> 00:30:10,200
Speaker 1: on your chat there, can you see it? Yep? All right,

478
00:30:10,240 --> 00:30:13,200
Speaker 1: So as you are reading that, Trevor, please a number

479
00:30:13,280 --> 00:30:18,000
Speaker 1: between one and six. I'm going to totally repeat myself. Five. No,

480
00:30:18,160 --> 00:30:20,560
Speaker 1: that's good. Five is good. Five is good. And now

481
00:30:20,600 --> 00:30:24,040
Speaker 1: a number between one and twelve. Have we done? Have

482
00:30:24,160 --> 00:30:27,640
Speaker 1: we done seven on that one? No we have not,

483
00:30:28,000 --> 00:30:32,440
Speaker 1: No we haven't. And now a number between one and seven, one, seven,

484
00:30:32,760 --> 00:30:36,520
Speaker 1: one and seven ons? Can we do two? Yeah? Yeah

485
00:30:36,560 --> 00:30:39,680
Speaker 1: we can. And now a number between one and eleven?

486
00:30:41,120 --> 00:30:46,080
Speaker 1: Can we do ten on that one? Yes? Yes we can.

487
00:30:46,120 --> 00:30:48,880
Speaker 1: What we got Christy? So you're a tiny five year

488
00:30:48,880 --> 00:30:57,000
Speaker 1: old flower who's afraid of your own shadow. Um, So,

489
00:30:58,320 --> 00:31:00,400
Speaker 1: I don't know, guys. I mean it's interesting to me

490
00:31:00,960 --> 00:31:03,160
Speaker 1: with the five year old. I guess we'll let him

491
00:31:03,160 --> 00:31:05,680
Speaker 1: do it. We'll see what happens and then we'll go

492
00:31:05,760 --> 00:31:09,280
Speaker 1: from there. So Adam, you got your marching orders at

493
00:31:09,320 --> 00:31:12,720
Speaker 1: your pleasure. I was on to dig it the other

494
00:31:12,840 --> 00:31:16,080
Speaker 1: night and I well, it wasn't going well, so I

495
00:31:16,200 --> 00:31:20,360
Speaker 1: swiped him right in the face. Is that wrong? I

496
00:31:20,520 --> 00:31:28,480
Speaker 1: never learned how to use any of those dating apps, Trevor.

497
00:31:28,480 --> 00:31:31,000
Speaker 1: Any notes what was the description again one more time

498
00:31:31,560 --> 00:31:37,800
Speaker 1: of five year old flower who's scared of their own shadow. Yeah,

499
00:31:37,840 --> 00:31:43,520
Speaker 1: who's who's tiny? Yeah. I would love to really get

500
00:31:43,600 --> 00:31:48,760
Speaker 1: the sense of that kid energy, that that really sort

501
00:31:48,760 --> 00:31:52,440
Speaker 1: of hesitant kid energy thing. I'm not gonna do an

502
00:31:52,440 --> 00:31:56,120
Speaker 1: example because I want you to do it, but yeah,

503
00:31:55,880 --> 00:32:00,200
Speaker 1: a very very young kid energy in terms of um

504
00:32:01,080 --> 00:32:03,560
Speaker 1: in terms of speech pattern, well whatever that means to you,

505
00:32:03,600 --> 00:32:05,840
Speaker 1: like five year old. Really, that's what I would say.

506
00:32:05,840 --> 00:32:07,720
Speaker 1: I want to hear more more than the child and

507
00:32:07,800 --> 00:32:10,240
Speaker 1: that see. And you know what's frustrating for me is

508
00:32:10,240 --> 00:32:12,920
Speaker 1: that I feel like a lot of times we'll see

509
00:32:12,960 --> 00:32:17,040
Speaker 1: something like in Roger Rabbit with the baby baby Louie right,

510
00:32:17,400 --> 00:32:20,440
Speaker 1: where it's like was it baby Huey, baby Huey right,

511
00:32:20,520 --> 00:32:22,760
Speaker 1: Roger Rabbit, where it's like you see the baby, but

512
00:32:22,800 --> 00:32:26,800
Speaker 1: then he has this really bright, like you know accent. Yeah. Yeah.

513
00:32:26,840 --> 00:32:29,440
Speaker 1: And sometimes you know, we see a lot of ironic

514
00:32:29,480 --> 00:32:33,840
Speaker 1: animation voices where because why would a five year old

515
00:32:33,880 --> 00:32:35,800
Speaker 1: be talking about a date? So I don't know, I'm

516
00:32:35,880 --> 00:32:38,560
Speaker 1: kind of like, do we encourage him to just full

517
00:32:38,600 --> 00:32:41,240
Speaker 1: onto another bold choice or I think you've got to

518
00:32:41,280 --> 00:32:43,240
Speaker 1: play You've got to as an actor. That's part of

519
00:32:43,280 --> 00:32:44,760
Speaker 1: it is you've got to make your choices and then

520
00:32:44,800 --> 00:32:47,880
Speaker 1: you've got to run into them. So I think, you know,

521
00:32:47,920 --> 00:32:50,080
Speaker 1: Adam's got to decide how he wants that five year

522
00:32:50,080 --> 00:32:51,640
Speaker 1: old to sound and five year old to be? And

523
00:32:51,680 --> 00:32:53,760
Speaker 1: are you playing against type? Are you playing with type?

524
00:32:53,760 --> 00:32:55,960
Speaker 1: Are you you know? It's that's part of the deal

525
00:32:56,160 --> 00:32:57,840
Speaker 1: is you got to you got to make those choices.

526
00:32:57,880 --> 00:33:02,120
Speaker 1: So with that in mind, Adam, you want want you

527
00:33:02,160 --> 00:33:03,920
Speaker 1: take another swinging that that's your pleasure? Can I get

528
00:33:03,920 --> 00:33:07,320
Speaker 1: the description one more time? Tiny five year old flower

529
00:33:07,760 --> 00:33:14,800
Speaker 1: who's afraid of his own shadow. I was on a

530
00:33:14,920 --> 00:33:20,320
Speaker 1: date the other night. I wasn't going so well so

531
00:33:20,320 --> 00:33:24,280
Speaker 1: so I swiped him right in the face. Is that wrong?

532
00:33:26,000 --> 00:33:30,200
Speaker 1: I never learned how to use any of those dating apps.

533
00:33:32,800 --> 00:33:36,480
Speaker 1: Thank you, Adam, appreciate it. We'll be back with you. Thanks.

534
00:33:36,880 --> 00:33:41,560
Speaker 1: All right, let's talk about this, okay, guys. I think

535
00:33:41,560 --> 00:33:44,160
Speaker 1: we may have a tie, only because I really feel

536
00:33:44,160 --> 00:33:47,120
Speaker 1: like we've not been able to utilize his voice base

537
00:33:48,280 --> 00:33:51,440
Speaker 1: like frustrating for him. I know, but I think I

538
00:33:51,440 --> 00:33:53,920
Speaker 1: don't know. At the same time, can we do a

539
00:33:53,960 --> 00:33:57,240
Speaker 1: tie on this one? Please? You just want to do

540
00:33:57,280 --> 00:34:00,560
Speaker 1: a tie? I don't know. I just I don't know.

541
00:34:00,840 --> 00:34:02,960
Speaker 1: I also, yes, I do, I want to do a tie,

542
00:34:03,000 --> 00:34:05,560
Speaker 1: and I want to Trevor, and you I know, but

543
00:34:05,640 --> 00:34:08,800
Speaker 1: I I personally don't think it was a tie. Okay.

544
00:34:09,160 --> 00:34:11,799
Speaker 1: That is my own personal opinion is I believe that

545
00:34:12,239 --> 00:34:15,480
Speaker 1: she grew as we were going. Her acting got better

546
00:34:15,520 --> 00:34:17,359
Speaker 1: as we were going. The note She took the notes

547
00:34:17,400 --> 00:34:19,200
Speaker 1: as we were going. She was more playful as we

548
00:34:19,200 --> 00:34:22,279
Speaker 1: were going, and she was ad living and adding things

549
00:34:22,320 --> 00:34:26,000
Speaker 1: to the character. Again, I could be overruled, but I

550
00:34:26,080 --> 00:34:29,400
Speaker 1: personally think she did more with what she was given

551
00:34:29,400 --> 00:34:31,560
Speaker 1: than he did. That's not to say that he was

552
00:34:31,600 --> 00:34:34,920
Speaker 1: bad in any way, but that's my opinion. Trevor. I

553
00:34:34,960 --> 00:34:38,960
Speaker 1: think in this case, he got caught up on trying

554
00:34:39,080 --> 00:34:44,360
Speaker 1: to play play the notes rather than playing the scene,

555
00:34:45,160 --> 00:34:46,760
Speaker 1: you know what I mean? Like I felt we lost

556
00:34:46,800 --> 00:34:50,200
Speaker 1: connection with the meaning of the words because he was

557
00:34:50,760 --> 00:34:55,440
Speaker 1: maybe focused on the directions we gave or or or something.

558
00:34:55,480 --> 00:34:59,600
Speaker 1: But she was able to more inhabit the scene with

559
00:34:59,760 --> 00:35:01,160
Speaker 1: the notes, do you know what I mean? Like she

560
00:35:01,200 --> 00:35:04,319
Speaker 1: was the character felt like it emerged organically out of

561
00:35:04,320 --> 00:35:07,560
Speaker 1: the meaning of the words, whereas it felt like with

562
00:35:07,640 --> 00:35:09,040
Speaker 1: him in this last one, it felt like he was

563
00:35:09,080 --> 00:35:11,880
Speaker 1: imposing the character on the words. And I know, obviously

564
00:35:11,920 --> 00:35:14,520
Speaker 1: it's super tough. Sure these are this is a sentence

565
00:35:14,520 --> 00:35:16,480
Speaker 1: out of context. He's just seeing for the first time now,

566
00:35:16,520 --> 00:35:22,600
Speaker 1: and then we're throwing sometimes contradictory. Yeah, that's a tough one.

567
00:35:22,719 --> 00:35:25,520
Speaker 1: So maybe so maybe this was the tiebreaker, if we

568
00:35:25,520 --> 00:35:27,200
Speaker 1: were to look at it like this was the final

569
00:35:27,880 --> 00:35:30,239
Speaker 1: you know this, I mean, Trevor, do you think we

570
00:35:30,239 --> 00:35:33,120
Speaker 1: should do you think it's worthy of a tiebreaker? No?

571
00:35:33,520 --> 00:35:36,600
Speaker 1: I think I think she wins that. Okay, yeah, all right,

572
00:35:38,280 --> 00:35:40,640
Speaker 1: I have to agree, But I also I also tend

573
00:35:40,680 --> 00:35:42,759
Speaker 1: to agree with you guys, And I really love the

574
00:35:42,800 --> 00:35:45,000
Speaker 1: way that she took that that fifteen year old note

575
00:35:45,080 --> 00:35:46,920
Speaker 1: that I gave her. Yes, I mean that to me.

576
00:35:47,160 --> 00:35:50,480
Speaker 1: That to me was like, I feel like, really really expected. Also,

577
00:35:50,520 --> 00:35:52,960
Speaker 1: you gave her another note, Christie, where you said I

578
00:35:53,000 --> 00:35:55,680
Speaker 1: like the regular register of your voice as a thirty

579
00:35:55,719 --> 00:35:57,400
Speaker 1: year old, and when she just went back to her

580
00:35:57,760 --> 00:36:02,040
Speaker 1: regular voice, it was great. She has a lot of range.

581
00:36:02,160 --> 00:36:04,520
Speaker 1: I just feel bad because I do think he's very great,

582
00:36:04,520 --> 00:36:06,000
Speaker 1: and I feel like we should just encourage him to

583
00:36:06,080 --> 00:36:08,960
Speaker 1: keep moving. Oh definitely, Well, we've talked about this all

584
00:36:09,000 --> 00:36:11,439
Speaker 1: the time Christy, the sixteen that we ended up with

585
00:36:11,800 --> 00:36:15,439
Speaker 1: could be signed. I mean, we picked sixteen sixteen people

586
00:36:15,480 --> 00:36:17,040
Speaker 1: that know what they're doing. Some of them need a

587
00:36:17,120 --> 00:36:19,480
Speaker 1: little bit of acting experience, some of them need just

588
00:36:19,680 --> 00:36:22,680
Speaker 1: you know, again, my my, My overall note for Adam

589
00:36:22,719 --> 00:36:26,120
Speaker 1: would be and it's a horrible thing, but it's a

590
00:36:26,160 --> 00:36:27,960
Speaker 1: note we all need to hear eventually, which is you

591
00:36:28,000 --> 00:36:29,719
Speaker 1: need to get out of your head a little bit. Yeah,

592
00:36:29,800 --> 00:36:31,960
Speaker 1: you need to. You need to just feel, you know,

593
00:36:32,000 --> 00:36:34,640
Speaker 1: the acting side, the organic side, and just kind of

594
00:36:34,719 --> 00:36:37,000
Speaker 1: let go and be a little more playful, especially in

595
00:36:37,040 --> 00:36:40,080
Speaker 1: the world of Voum. And again that's that's a tough

596
00:36:40,160 --> 00:36:45,000
Speaker 1: thing to ask an actor who's auditioning with a line

597
00:36:45,040 --> 00:36:47,640
Speaker 1: they've never seen before. Oh my god, I don't think

598
00:36:48,000 --> 00:36:50,120
Speaker 1: the actors in front of them. We always talk about

599
00:36:50,160 --> 00:36:52,719
Speaker 1: how horrifying this would be if this was it and

600
00:36:52,800 --> 00:36:55,520
Speaker 1: some of the characters recreate. Like we're sitting there. It

601
00:36:55,600 --> 00:36:57,520
Speaker 1: was Rob Paulson going like, I don't want to do that.

602
00:36:57,600 --> 00:36:59,120
Speaker 1: I don't want to do that character that you just

603
00:36:59,600 --> 00:37:02,960
Speaker 1: I mean, Trevor said, the German characters that we've got, yeah,

604
00:37:02,960 --> 00:37:05,719
Speaker 1: we've gotten It's like you're you're an ancient German mer

605
00:37:05,800 --> 00:37:08,680
Speaker 1: person who just won the lottery. Well, what the hell

606
00:37:08,719 --> 00:37:12,400
Speaker 1: does that mean? So it's, oh god, I know Trevor

607
00:37:12,440 --> 00:37:14,000
Speaker 1: so well in his head, in his head, he already

608
00:37:14,040 --> 00:37:20,320
Speaker 1: has the character down to it. But it but that's

609
00:37:20,400 --> 00:37:22,600
Speaker 1: but that's what we're looking for. You're looking forward the

610
00:37:22,719 --> 00:37:25,799
Speaker 1: exactly Trevor's face right there. That's the actor you're looking for.

611
00:37:25,840 --> 00:37:27,640
Speaker 1: You're looking for. Oh, I already just had the voice

612
00:37:27,680 --> 00:37:29,440
Speaker 1: in my head of exactly what you're gonna do. And

613
00:37:29,480 --> 00:37:31,640
Speaker 1: that's what we're trying to find. And with her adding

614
00:37:32,080 --> 00:37:35,759
Speaker 1: those insert emotion here and and showing how she could

615
00:37:35,760 --> 00:37:39,480
Speaker 1: go from younger to that's impressive. And I have to say,

616
00:37:39,520 --> 00:37:42,000
Speaker 1: I think I think she took the day and I didn't.

617
00:37:42,040 --> 00:37:44,040
Speaker 1: I don't think she was winning after round one. And

618
00:37:44,080 --> 00:37:47,920
Speaker 1: I think she really she really turned it around. All right,

619
00:37:47,960 --> 00:37:50,880
Speaker 1: we all agree? I agree? All right? All right? Now

620
00:37:51,040 --> 00:37:53,320
Speaker 1: is the hard part. Gotta hate this so much. Will

621
00:37:53,520 --> 00:37:56,000
Speaker 1: Will is so good at this though, I can't stand.

622
00:37:56,200 --> 00:37:58,960
Speaker 1: I definitely we could bring if we could bring Adam in, please,

623
00:37:59,000 --> 00:38:05,080
Speaker 1: I would appreciate it. Hey, Adam, how are you doing well?

624
00:38:05,120 --> 00:38:07,479
Speaker 1: How are you? I'm good? Thanks, We want to thank

625
00:38:07,520 --> 00:38:10,400
Speaker 1: you so much for coming and congratulate you again on

626
00:38:10,520 --> 00:38:14,359
Speaker 1: making the top sixteen. Unfortunately, this is going to be

627
00:38:14,840 --> 00:38:17,680
Speaker 1: as far as you go today. I'm so sorry. We

628
00:38:17,880 --> 00:38:19,680
Speaker 1: have been discussing this for a while. We think you

629
00:38:19,719 --> 00:38:22,959
Speaker 1: are great and you have to keep going. You've got

630
00:38:22,960 --> 00:38:28,680
Speaker 1: a wonderful resonance to your voice. And yeah, we it

631
00:38:28,719 --> 00:38:31,000
Speaker 1: was a tough one today. Really, We've we discussed quite

632
00:38:31,000 --> 00:38:35,279
Speaker 1: a bit who was moving forward and by no means

633
00:38:35,320 --> 00:38:37,440
Speaker 1: should this be the end for you? This would absolutely

634
00:38:37,440 --> 00:38:41,080
Speaker 1: be the start for you, because you're good. Any anybody

635
00:38:41,080 --> 00:38:45,760
Speaker 1: have anything they want to add tremor Oh yeah, yeah

636
00:38:45,800 --> 00:38:50,440
Speaker 1: what wealth diad yah, I know it's I think something

637
00:38:50,440 --> 00:38:54,520
Speaker 1: that Christie had mentioned behind the scenes is that you

638
00:38:53,960 --> 00:38:57,879
Speaker 1: you you buy total fluke kept getting characters that were

639
00:38:58,360 --> 00:39:00,839
Speaker 1: really sort of young and small when we were sort

640
00:39:00,840 --> 00:39:02,680
Speaker 1: of dying to hear something more in your because we

641
00:39:02,760 --> 00:39:04,440
Speaker 1: just even when you're speaking, we can hear this this

642
00:39:04,600 --> 00:39:07,880
Speaker 1: lovely sort of you know residence you have. Um, but

643
00:39:08,040 --> 00:39:10,319
Speaker 1: that's a way to cookie crumbulls kids. What can I

644
00:39:10,320 --> 00:39:14,120
Speaker 1: tell you? Yeah, it's it's awful. It stinks. We hate

645
00:39:14,120 --> 00:39:17,480
Speaker 1: this so much. Um. But yes, what we said before,

646
00:39:17,480 --> 00:39:20,040
Speaker 1: and we were just talking about this the top sixteen.

647
00:39:20,120 --> 00:39:22,200
Speaker 1: The people that we picked could all be signed by

648
00:39:22,200 --> 00:39:25,600
Speaker 1: agents today. We truly believe that. Um. And so you

649
00:39:25,680 --> 00:39:28,840
Speaker 1: have to keep going and using this to move forward

650
00:39:28,880 --> 00:39:32,000
Speaker 1: because you've got you've definitely got a possibility of a

651
00:39:32,040 --> 00:39:34,640
Speaker 1: career here. Um And I think you need to keep

652
00:39:34,680 --> 00:39:37,920
Speaker 1: going and doing what you're doing. I appreciate it so much, Adam.

653
00:39:37,960 --> 00:39:40,759
Speaker 1: I did. I agree with what Trevor said. Obviously we

654
00:39:40,760 --> 00:39:43,200
Speaker 1: were we were were we were Obviously we're all rooting

655
00:39:43,200 --> 00:39:46,160
Speaker 1: for you still, um and UM, it is it is

656
00:39:46,160 --> 00:39:49,200
Speaker 1: complicated to be getting out of your head. And what

657
00:39:49,320 --> 00:39:52,880
Speaker 1: we enjoyed I think most was how you were doing

658
00:39:53,000 --> 00:39:56,360
Speaker 1: all of your physicality was kind of giving life to

659
00:39:56,480 --> 00:39:59,680
Speaker 1: what you created today. And like, just doing more of

660
00:39:59,719 --> 00:40:03,080
Speaker 1: that and fine tuning the range of your voice will

661
00:40:03,080 --> 00:40:05,640
Speaker 1: only help you more and more. I think, Yeah, that's huge.

662
00:40:05,760 --> 00:40:07,600
Speaker 1: That's one of the first notes that I had for you,

663
00:40:07,719 --> 00:40:10,120
Speaker 1: or what the observations I had, was that you physically

664
00:40:10,120 --> 00:40:13,400
Speaker 1: embodied the character and that is big, that that really

665
00:40:13,400 --> 00:40:16,400
Speaker 1: really helps. So yeah, keep going down that road and

666
00:40:16,440 --> 00:40:19,600
Speaker 1: you'll you'll find all kinds of cool stuff to use. Cool. Well,

667
00:40:19,600 --> 00:40:20,920
Speaker 1: thank you so much. I just want to say that

668
00:40:20,960 --> 00:40:23,400
Speaker 1: I really appreciate this being on. I'm super thankful and

669
00:40:23,400 --> 00:40:25,040
Speaker 1: grateful for you, guys. I think this is just such

670
00:40:25,080 --> 00:40:27,360
Speaker 1: an awesome contest that you're putting out there, just getting

671
00:40:27,360 --> 00:40:31,080
Speaker 1: something people involved, and I'm just forever grateful and thankful

672
00:40:31,120 --> 00:40:33,440
Speaker 1: for the opportunity. And I just really love all of

673
00:40:33,480 --> 00:40:37,440
Speaker 1: you individually together on this podcast. So I appreciate that. Adam,

674
00:40:37,480 --> 00:40:39,759
Speaker 1: I'm gonna do something. I'm gonna do something really weird

675
00:40:39,800 --> 00:40:41,400
Speaker 1: that I've never done before. But can you do me

676
00:40:41,440 --> 00:40:45,000
Speaker 1: a favor? Sure? Can you, just as if you were

677
00:40:45,040 --> 00:40:49,120
Speaker 1: reading an ad copy, say, drive the new Toyota Tacoma

678
00:40:49,280 --> 00:40:53,640
Speaker 1: in your normal cadence, in your normal voice. Sure, drive

679
00:40:53,719 --> 00:40:59,239
Speaker 1: the new Toyota Tacoma. Done perfect, Hire him, guys. I

680
00:40:59,320 --> 00:41:01,560
Speaker 1: just wanted to just wanted to hear what kind of

681
00:41:01,600 --> 00:41:04,960
Speaker 1: your your normal ad read voice was going to be like,

682
00:41:05,080 --> 00:41:07,040
Speaker 1: because I think I think you might have a career

683
00:41:07,080 --> 00:41:09,800
Speaker 1: doing that too. You've got a very nice, young dad

684
00:41:09,920 --> 00:41:14,399
Speaker 1: kind of kind of voice, and I yeah, I would say,

685
00:41:14,440 --> 00:41:16,319
Speaker 1: if you're going to be putting together a real do

686
00:41:16,719 --> 00:41:18,880
Speaker 1: a lot of AD read stuff, because I think I

687
00:41:18,920 --> 00:41:20,960
Speaker 1: think you could find a very nice career doing that.

688
00:41:21,520 --> 00:41:24,799
Speaker 1: Audiobooks too. Audiobooks too. I think he's got a beautiful voice.

689
00:41:24,800 --> 00:41:26,640
Speaker 1: To listen to you now, you've got a great voice,

690
00:41:26,680 --> 00:41:28,680
Speaker 1: you really do. So we wanted I just I wanted

691
00:41:28,680 --> 00:41:29,839
Speaker 1: to hear that, and I wanted you to be able

692
00:41:29,880 --> 00:41:31,480
Speaker 1: to hear that when you listen to this back, because

693
00:41:32,120 --> 00:41:34,719
Speaker 1: you should definitely make a real and animation is great,

694
00:41:34,760 --> 00:41:36,840
Speaker 1: and I think you can definitely focus on some animation.

695
00:41:36,880 --> 00:41:38,960
Speaker 1: But I think you got some ad read in your

696
00:41:39,000 --> 00:41:42,440
Speaker 1: in your future, so that's really real. Money is money? True?

697
00:41:43,280 --> 00:41:45,799
Speaker 1: Thank you so much for joining us again, Adam. We

698
00:41:45,920 --> 00:41:48,600
Speaker 1: really appreciate it. And congratulations again. I'm making the top sixteen.

699
00:41:48,760 --> 00:41:51,359
Speaker 1: Thank you so much. All right, bye bye, bye bye,

700
00:41:52,520 --> 00:41:55,839
Speaker 1: And now we get to have fun with Hannah. This

701
00:41:55,920 --> 00:41:58,919
Speaker 1: is my favorite part because we like her to think

702
00:41:59,239 --> 00:42:01,759
Speaker 1: she didn't make it. That's the fun part. So if

703
00:42:01,800 --> 00:42:05,640
Speaker 1: we could bring Hannah back in Hey, hey, Hannah, Hello,

704
00:42:06,160 --> 00:42:11,920
Speaker 1: how are you good? That's good. Today was tough. Today

705
00:42:12,080 --> 00:42:13,960
Speaker 1: was very tough. I just want to start by saying

706
00:42:13,960 --> 00:42:17,520
Speaker 1: that because the contestants that we have on are so

707
00:42:17,600 --> 00:42:20,759
Speaker 1: good and it's so difficult to pick, and you made

708
00:42:20,800 --> 00:42:23,400
Speaker 1: the top sixteen, which you need to be so proud

709
00:42:23,440 --> 00:42:25,960
Speaker 1: of the fact that you've made it. This far. You really,

710
00:42:26,040 --> 00:42:28,960
Speaker 1: you really do, because it was it was great and

711
00:42:29,000 --> 00:42:31,120
Speaker 1: you did really really well today and we're just super

712
00:42:31,160 --> 00:42:33,960
Speaker 1: happy that you were on. So we just wanted to

713
00:42:34,000 --> 00:42:36,520
Speaker 1: start by saying that, and then we wanted to say, um,

714
00:42:36,680 --> 00:42:43,200
Speaker 1: congratulations for making it to the next round. I was

715
00:42:46,280 --> 00:42:48,320
Speaker 1: so you did. You made it to the next round.

716
00:42:48,400 --> 00:42:56,000
Speaker 1: Oh my god, all the emotions, Hannah just happened. Oh man, congratulations,

717
00:42:56,160 --> 00:42:59,240
Speaker 1: you did great, you really did. You took the direction

718
00:42:59,400 --> 00:43:02,640
Speaker 1: very well. You were ad libbing and putting your own

719
00:43:02,640 --> 00:43:05,640
Speaker 1: stuff in there. And if I have any notes moving forward,

720
00:43:05,680 --> 00:43:08,360
Speaker 1: it would be continue with that, the playful side, the

721
00:43:08,400 --> 00:43:12,120
Speaker 1: fun side, the taking chances, the taking risks that can

722
00:43:12,200 --> 00:43:15,080
Speaker 1: only get you farther in this industry. So anybody else

723
00:43:15,080 --> 00:43:17,680
Speaker 1: have anything to add? I think her gain is a

724
00:43:17,719 --> 00:43:19,640
Speaker 1: little low. I don't know what that's about. And we

725
00:43:19,680 --> 00:43:22,719
Speaker 1: don't have our regular producer because because I want to

726
00:43:22,760 --> 00:43:25,960
Speaker 1: hear the richness of your voice. That matters. That is

727
00:43:26,000 --> 00:43:29,000
Speaker 1: what we kin. Yeah, definitely just a little bit more loud.

728
00:43:29,120 --> 00:43:31,560
Speaker 1: But other than that, girl, you're good. I can fix that.

729
00:43:32,520 --> 00:43:38,920
Speaker 1: There you go. Trevor. Yeah, you surprise, You're surprised and

730
00:43:39,000 --> 00:43:43,279
Speaker 1: delighted me with your choices. And building up something that

731
00:43:43,320 --> 00:43:46,520
Speaker 1: Christie has aid at one point about how it's very

732
00:43:46,560 --> 00:43:50,840
Speaker 1: easy to go to what seems obvious at first glance.

733
00:43:51,520 --> 00:43:54,600
Speaker 1: But and that's good because sometimes producers have a very

734
00:43:54,640 --> 00:43:57,960
Speaker 1: specific idea of what they want. But you got to remember,

735
00:43:57,960 --> 00:43:59,480
Speaker 1: when you're going into an audition, there's going to be

736
00:43:59,480 --> 00:44:01,640
Speaker 1: fifty other people that are doing maybe that exact thing.

737
00:44:01,640 --> 00:44:03,480
Speaker 1: So if you can throw a curveball in there and

738
00:44:03,520 --> 00:44:06,560
Speaker 1: play the opposite, that can get you the job many times.

739
00:44:06,560 --> 00:44:10,200
Speaker 1: And you obviously have instinct for that, which is awesome

740
00:44:10,200 --> 00:44:14,400
Speaker 1: and it's going to serve you well. Yeah, you you

741
00:44:14,400 --> 00:44:18,440
Speaker 1: you relaxed as you went on. You By the time

742
00:44:18,480 --> 00:44:21,399
Speaker 1: you were giving your last take, I was like, oh, yeah,

743
00:44:21,440 --> 00:44:22,920
Speaker 1: she could be in a room with us. Yeah, like

744
00:44:23,080 --> 00:44:26,759
Speaker 1: hands dead, hands dead, definitely. Oh that's that's great. I

745
00:44:26,800 --> 00:44:29,160
Speaker 1: agree with everything Trevor said. Yes, you started, you were

746
00:44:29,160 --> 00:44:30,919
Speaker 1: at a little nervous when you started to be honest

747
00:44:30,960 --> 00:44:32,879
Speaker 1: with you, you were not in the lead after round one.

748
00:44:34,000 --> 00:44:37,359
Speaker 1: Totally honest with you, you you ran into a very

749
00:44:37,440 --> 00:44:41,160
Speaker 1: good fellow contestant today. But just like Trevor said, you

750
00:44:41,239 --> 00:44:45,040
Speaker 1: relaxed and you let the acting take over and then

751
00:44:45,760 --> 00:44:48,040
Speaker 1: the natural kind of richness of your voice came through,

752
00:44:48,680 --> 00:44:51,439
Speaker 1: so it was great, and just keep doing what you're doing.

753
00:44:51,520 --> 00:44:53,799
Speaker 1: The competition is only going to get more stiff. Only

754
00:44:53,840 --> 00:44:57,200
Speaker 1: one person can win, and the prizes, as you know,

755
00:44:57,320 --> 00:45:00,799
Speaker 1: are pretty wonderful. So not only flying out LA, meeting

756
00:45:00,840 --> 00:45:04,960
Speaker 1: all of us, training sessions with Mary McGlynn and of

757
00:45:05,000 --> 00:45:08,520
Speaker 1: course Sam Regal, but also signing with CESD winning a

758
00:45:08,560 --> 00:45:13,680
Speaker 1: thousand dollars, it's pretty amazing. So we look forward to

759
00:45:13,719 --> 00:45:19,720
Speaker 1: seeing you in the next round. Hannah, Congratulations, you're moving

760
00:45:19,760 --> 00:45:22,560
Speaker 1: on to the Elite eight trademark. I'm trademarking that nobody's

761
00:45:22,560 --> 00:45:26,080
Speaker 1: episode before. Thank you so much, Thank you, and we

762
00:45:26,120 --> 00:45:28,960
Speaker 1: will see you next time. Congratulations, Bye, thank you guys,

763
00:45:29,120 --> 00:45:33,080
Speaker 1: Bye bye. Hannah. Ah, that's so much fun. I think

764
00:45:33,080 --> 00:45:35,680
Speaker 1: the right person went through, I do, but I also

765
00:45:35,800 --> 00:45:39,960
Speaker 1: think I think Adam's got a shot. I do. I

766
00:45:39,960 --> 00:45:43,680
Speaker 1: think he's you know, everybody's good. So before we get

767
00:45:43,920 --> 00:45:45,800
Speaker 1: too much farther, we want to give shout outs to

768
00:45:45,840 --> 00:45:48,920
Speaker 1: everybody who has helped make this contest happen. Our friends

769
00:45:48,960 --> 00:45:52,759
Speaker 1: over there at Prime Video, everybody on Voxmachina, and our

770
00:45:52,800 --> 00:45:55,359
Speaker 1: friends over there at Critical Role. Don't forget season two

771
00:45:55,360 --> 00:45:59,000
Speaker 1: of Voxmachina is available for download right now on Prime Video.

772
00:45:59,080 --> 00:46:01,279
Speaker 1: It is amazing. I'm not just saying that because I

773
00:46:01,320 --> 00:46:03,759
Speaker 1: am on it. It is in fact very very good.

774
00:46:03,800 --> 00:46:07,440
Speaker 1: We also, of course want to thank our sponsors, everybody

775
00:46:07,440 --> 00:46:09,560
Speaker 1: that's helping us out. We want to thank I Heeart,

776
00:46:09,640 --> 00:46:12,239
Speaker 1: who has been so amazing in allowing us to do

777
00:46:12,280 --> 00:46:14,719
Speaker 1: this contest. We want to thank CESD and everybody helping

778
00:46:14,760 --> 00:46:17,160
Speaker 1: us with the incredible prizes. And of course we want

779
00:46:17,160 --> 00:46:20,680
Speaker 1: to thank Trevor to Val and all of our great,

780
00:46:21,239 --> 00:46:24,640
Speaker 1: great celebrity guests who are coming on and mentoring and

781
00:46:24,719 --> 00:46:27,240
Speaker 1: helping everybody and giving notes and doing all that fun,

782
00:46:27,640 --> 00:46:30,440
Speaker 1: wonderful stuff. It has been great. Thank you again Trevor

783
00:46:30,520 --> 00:46:33,160
Speaker 1: for coming out. My pleasure. Thanks for having me on. Guys,

784
00:46:33,160 --> 00:46:37,080
Speaker 1: that was fun. It is too much fun. Then congrats Trevor.

785
00:46:37,120 --> 00:46:39,680
Speaker 1: If I don't see you again, I hope the Texas

786
00:46:39,680 --> 00:46:43,600
Speaker 1: weather behaves for your your upcoming nuptials. Yes we had

787
00:46:43,680 --> 00:46:48,000
Speaker 1: not mentioned that, but Trevor is in fact getting Married's

788
00:46:48,040 --> 00:46:51,040
Speaker 1: got going on, and I will be there. We also

789
00:46:51,040 --> 00:46:53,560
Speaker 1: have She doesn't know it yet, but when I let

790
00:46:53,560 --> 00:46:55,399
Speaker 1: her out of the chains in the basement, it'll be

791
00:46:56,080 --> 00:47:00,640
Speaker 1: very happy. Wait, what's great When when Trevor was building

792
00:47:00,640 --> 00:47:02,080
Speaker 1: his wife, he said, all right, I didn't need a

793
00:47:02,160 --> 00:47:09,520
Speaker 1: number between one and six. You are Dat's thirty year

794
00:47:09,560 --> 00:47:14,400
Speaker 1: old flower. So thank you all for joining us. Trevor

795
00:47:14,600 --> 00:47:17,000
Speaker 1: once again, just so everybody knows where to find you,

796
00:47:17,040 --> 00:47:18,960
Speaker 1: what's where are your socials and what do you got

797
00:47:18,960 --> 00:47:21,600
Speaker 1: coming up? And what do you want to pump? Well,

798
00:47:21,760 --> 00:47:24,480
Speaker 1: the big thing I'm doing now is the Me, Myself

799
00:47:24,480 --> 00:47:28,359
Speaker 1: and Die Show, which is rule playing game show but

800
00:47:28,800 --> 00:47:30,840
Speaker 1: I play again. It's like Critical Role except without all

801
00:47:30,840 --> 00:47:32,879
Speaker 1: the people. It's just me and I play the character.

802
00:47:33,200 --> 00:47:35,240
Speaker 1: So that's a big thing right now. I just released

803
00:47:35,239 --> 00:47:37,279
Speaker 1: a new series based on the Blade Weather game, which

804
00:47:37,360 --> 00:47:41,000
Speaker 1: is pretty cool. But yeah, kind of stuff there at Me,

805
00:47:41,080 --> 00:47:42,600
Speaker 1: Myself and Die dot com where you can find it

806
00:47:42,640 --> 00:47:45,720
Speaker 1: on YouTube. Otherwise I'm on the twitters at at Trevor

807
00:47:45,760 --> 00:47:49,280
Speaker 1: de Vell and uh not that I'm ever on Twitter.

808
00:47:49,360 --> 00:47:51,280
Speaker 1: I don't really have much time. I mean my Twitter

809
00:47:51,400 --> 00:47:55,239
Speaker 1: just was hacked. Yeah, it was hacked. I don't know

810
00:47:55,280 --> 00:47:57,600
Speaker 1: when I'm going to get it back. Some guy pool

811
00:47:58,000 --> 00:48:01,880
Speaker 1: X stole my verification, stole my my people, and started

812
00:48:01,880 --> 00:48:06,080
Speaker 1: selling bitcoin on my Twitter. So I needed the money

813
00:48:06,120 --> 00:48:09,520
Speaker 1: and I knew your passwords, so okay, it was very

814
00:48:09,640 --> 00:48:12,720
Speaker 1: very simple. But thank you again for joining us, Trevor.

815
00:48:12,800 --> 00:48:15,520
Speaker 1: Thank you everybody else out there for sticking with us

816
00:48:15,520 --> 00:48:18,000
Speaker 1: as we're getting down to the nitty gritty and we

817
00:48:18,040 --> 00:48:21,160
Speaker 1: are going to find the next great American voice actor.

818
00:48:21,200 --> 00:48:22,920
Speaker 1: And don't forget if you think you have what it

819
00:48:22,960 --> 00:48:25,279
Speaker 1: takes to step up to the microphone, put your voices

820
00:48:25,280 --> 00:48:27,800
Speaker 1: where your mouth is. Thanks everybody. I Hear Voices is

821
00:48:27,840 --> 00:48:31,400
Speaker 1: hosted by Wilfridell and Christy Carlson Romano. Executive produced by Wilfridille,

822
00:48:31,400 --> 00:48:33,960
Speaker 1: Brendan Rooney, Amy Sugarman. Our executive in charge of production

823
00:48:34,040 --> 00:48:36,600
Speaker 1: is Danielle Romo, Our producer is Lorraine Vera Wez, and

824
00:48:36,640 --> 00:48:40,239
Speaker 1: our editors slash engineer is Brian Burton. And that was

825
00:48:40,320 --> 00:48:42,960
Speaker 1: my announcer voice. Some side effects of listening to I

826
00:48:43,040 --> 00:48:45,480
Speaker 1: Hear Voices are sore abs from hilarity, falling down the

827
00:48:45,480 --> 00:48:48,880
Speaker 1: coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.

828
00:48:49,000 --> 00:48:51,080
Speaker 1: Follow I Hear Voices wherever you listen to podcasts so

829
00:48:51,160 --> 00:48:53,319
Speaker 1: you don't miss any of the amazing voices. Be sure

830
00:48:53,360 --> 00:48:55,520
Speaker 1: to follow us on Instagram and TikTok At I Hear

831
00:48:55,600 --> 00:48:58,080
Speaker 1: Voices podcast. You can also check us out on my space,

832
00:48:58,080 --> 00:49:01,439
Speaker 1: omigal Vine, LimeWire. Ay, I'm a napster. Okay, well, let's

833
00:49:01,480 --> 00:49:03,000
Speaker 1: teach you about the Internet, the who