WEBVTT - MC Lyte

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 3>Take volatility.

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<v Speaker 4>We are the authority on all R and Ladies and gentlemen.

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<v Speaker 4>My name is Tank, I'm Valentine. This is the R

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<v Speaker 4>and B Money podcast telling what it is the authority

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<v Speaker 4>on all things.

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<v Speaker 3>R and B authority because we have one of the

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<v Speaker 3>authorities on all things authority.

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<v Speaker 4>Yeah. Yeah, we don't take this word in this moment lightly.

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<v Speaker 1>Uh as it is light. It is extremely heavy.

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<v Speaker 2>Yeah.

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<v Speaker 4>Yeah, it is not paper thing. It is not paper thin.

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<v Speaker 4>The way it has been paved and what shines upon

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<v Speaker 4>this path and has been trail blazed is a light.

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<v Speaker 5>Oh, ladies and gentlemen, No introduction is needed, but I

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<v Speaker 5>just felt the need to say a few words that

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<v Speaker 5>coincided with light, Ladies and gentlemen, the theeah MC Yeah yeah,

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<v Speaker 5>thank you, jeez.

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<v Speaker 2>I want to.

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<v Speaker 4>Here's what, Here's what this this this, this moment is right,

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<v Speaker 4>this part is this is I don't know how often

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<v Speaker 4>you get to do this. This is to pop your

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<v Speaker 4>ship moment. This is the yes I am who I am.

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<v Speaker 4>That's what this pod is about. Talking about time fifty flowers,

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<v Speaker 4>all time flowers, and you are allowed to smell them

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<v Speaker 4>on this pod. I want to ask question in the beginning,

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<v Speaker 4>and I want you to step outside of yourself and

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<v Speaker 4>answer this. For me, what makes mc light timeless? What

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<v Speaker 4>do you feel the ingredients?

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<v Speaker 6>Okay, well, first of all, I try my damnedest to

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<v Speaker 6>stay inside my body. So you're asking me to step

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<v Speaker 6>outside of my body. Because we're always out right as

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<v Speaker 6>creative people.

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<v Speaker 7>We're always out, So get out. Look in timeless. Fearless.

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<v Speaker 6>Got to be fearless in order to be okay, to

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<v Speaker 6>move where you were to where you.

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<v Speaker 7>Want to be.

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<v Speaker 6>And so for me, being timeless has everything to do

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<v Speaker 6>with changing, with what is happening. Oh, at the same

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<v Speaker 6>time keeping who it is that you are at the core.

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<v Speaker 6>But for me, yeah, it's about realizing that change is

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<v Speaker 6>good and to implement it wherever it feels most natural.

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<v Speaker 4>Was that, Okay, you're you're really good? Like you're you're good.

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<v Speaker 4>I say that, and I asked you that because you know,

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<v Speaker 4>as I'm as I'm walking, I go on my snack

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<v Speaker 4>walk and and I'm listening to to the new records,

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<v Speaker 4>and I'm like, you haven't missed the beat. Doesn't sound

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<v Speaker 4>like we're trying to figure out how to pay homage

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<v Speaker 4>to someone who was we are actually in the midst

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<v Speaker 4>of celebrating someone who is This is now like those records,

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<v Speaker 4>I'm like, oh, I can't wait to be in the

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<v Speaker 4>King video. If you haven't shot shot it already, we did.

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<v Speaker 4>I just want to be somewhere the album album is

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<v Speaker 4>done out.

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<v Speaker 7>Yes, I mean.

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<v Speaker 6>The wonderful thing about this new age of music you

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<v Speaker 6>know on all of the DSPs of streaming, uh, is

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<v Speaker 6>that people find it when they find it, and it's

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<v Speaker 6>it's new for them and it's invigorating for them. It's

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<v Speaker 6>no longer like.

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<v Speaker 7>This mad rush.

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<v Speaker 6>The record is in the stores on the shelves, and

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<v Speaker 6>if you don't go get it now, they're gonna return

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<v Speaker 6>all of them. This is no pressure.

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<v Speaker 4>It can be digested at a study pace, which is

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<v Speaker 4>which is great business for you, sure, but it's just

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<v Speaker 4>like that's not very that's not the easy feat to

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<v Speaker 4>be you and be able to be applied. This is

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<v Speaker 4>twenty twenty four going into twenty twenty five. You've been

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<v Speaker 4>doing this and you sound and feel fresh as day

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<v Speaker 4>one on these records. I gotta give you.

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<v Speaker 6>That thank you, thank you, and that means a lot

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<v Speaker 6>coming from you guys who know everything R and B.

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<v Speaker 6>The authority, the authority authority, you know what. I kind

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<v Speaker 6>of can attribute that to Warren Campbell, who the master

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<v Speaker 6>executive produced the record, and he was just like, be yourself,

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<v Speaker 6>you know it was It wasn't this thing where sometimes

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<v Speaker 6>I can find myself in the studio with other producers

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<v Speaker 6>and they're like, we need you to put a little

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<v Speaker 6>bit on this song.

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<v Speaker 7>O got it.

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<v Speaker 6>They doing this now, so you gotta do that, and

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<v Speaker 6>you got it. Wasn't any comparison. As a matter of fact,

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<v Speaker 6>he doesn't really listen to a lot of music at

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<v Speaker 6>all because he likes to keep himself somewhat in the tunnel.

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<v Speaker 7>Of what he's creating and what feels good to him.

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<v Speaker 4>Yeah, he is music. I about to say he is music.

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<v Speaker 4>He's a child prodigy, doesn't He doesn't have to listen

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<v Speaker 4>to any more music. He knows everything. I saw another

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<v Speaker 4>saw another day up at at the concert Kirk with

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<v Speaker 4>kirk In and Fred and all of them, and he

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<v Speaker 4>just did this musical bed for this song that had

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<v Speaker 4>been creat created many moons agof and he created the

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<v Speaker 4>musical bad for it. That was. That was the twin

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<v Speaker 4>identical twin like clone, if you will, the same everything

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<v Speaker 4>the same. I'm like, what is wrong with you? How

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<v Speaker 4>did you do that? He said, well, Tank, you just

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<v Speaker 4>got to know when you hear that sound, that means

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<v Speaker 4>you got to go to the overhigh and you hear

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<v Speaker 4>that sound, you know that's going to be in this.

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<v Speaker 4>I said, no, nobody knows. He knows that this too.

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<v Speaker 1>I don't know that.

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<v Speaker 6>Well, what what's what's so great about even this record?

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<v Speaker 6>It was, you know, so many samples and at a

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<v Speaker 6>certain point, you know, we're dealing with the sample clearance

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<v Speaker 6>person and things are coming back so expensive to the

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<v Speaker 6>degree that I called up one of the labels and

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<v Speaker 6>I was like, this is just too much. I need

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<v Speaker 6>you to be on my side for a second. You know,

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<v Speaker 6>I have something to contribute to hip hop and I'm

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<v Speaker 6>not going to be able to do it at at

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<v Speaker 6>this cost. And then finally Warren was like, okay, I

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<v Speaker 6>didn't want to have to do it, but I will,

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<v Speaker 6>and he went and replayed.

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<v Speaker 7>Everything is exactly like it.

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<v Speaker 6>Is exactly, and I thought I was, you know, kind

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<v Speaker 6>of chivalry.

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<v Speaker 7>Because I was like, oh my goodness, what is going

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<v Speaker 7>to happen.

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<v Speaker 6>It's like, I'm so used to this sound demo itis

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<v Speaker 6>and I was just used to it.

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<v Speaker 7>And you know, with samples, it's.

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<v Speaker 6>Compacted, and it feels so solid, like real food. And

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<v Speaker 6>I was afraid we were gonna get soup or you know,

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<v Speaker 6>things were going to be separate, but it just it's everything.

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<v Speaker 4>Chef worn, chef worn past, the elder chef. And and

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<v Speaker 4>you sound you sound excited like you sound you know,

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<v Speaker 4>you sound still very much in love with this process

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<v Speaker 4>like you sound. You sound bright. You don't sound like,

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<v Speaker 4>all right, let me get this one more like you

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<v Speaker 4>sound like nah, we.

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<v Speaker 7>We're about to do another one.

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<v Speaker 6>We got about maybe five that didn't go on this record,

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<v Speaker 6>and so we just go do five more, put it out.

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<v Speaker 6>It's like I heard Jazzy Jeff said, don't don't die

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<v Speaker 6>with anything, HM, give it all, give everything you've got.

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<v Speaker 6>So I'm just gonna keep going till I don't have

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<v Speaker 6>anything left.

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<v Speaker 4>And you should. I saw I saw some R and

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<v Speaker 4>B artists names on on the feature featured a couple

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<v Speaker 4>of songs.

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<v Speaker 3>Just he didn't see his name, you know is going?

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<v Speaker 3>Was I know what this is going? But he got

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<v Speaker 3>five more for this next project.

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<v Speaker 7>Yeah, sure enough, look to be looking for his name.

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<v Speaker 1>Look at it.

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<v Speaker 4>I know the context of the music. Okay, you do,

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<v Speaker 4>I can put some like I can put I can

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<v Speaker 4>keep clothes on. Yeah, okay, he's having I'm having a problem.

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<v Speaker 7>No, Well, now that we know, we can call you.

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<v Speaker 6>You know, you're so busy, you chap traveling the world,

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<v Speaker 6>snack walks and stuff. You know.

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<v Speaker 7>I just I just want we're coming after you.

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<v Speaker 4>I am available. It sounds, it sounds, and it is.

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<v Speaker 4>It is so good. It is so good. And I

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<v Speaker 4>was like I was, I don't think I was expecting

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<v Speaker 4>anything less, but it just for me. It it just

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<v Speaker 4>serves into the idea and the image that I have

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<v Speaker 4>of you, of this, of this timeless icon, this this

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<v Speaker 4>this gifted light that continues to shine in in any avenue,

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<v Speaker 4>in any arena, wherever. Whatever you're called upon to do,

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<v Speaker 4>you just you just seem to you you just are

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<v Speaker 4>special in it.

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<v Speaker 7>Thank you so so much.

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<v Speaker 6>I'm just on a to still be able to do it,

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<v Speaker 6>to still have somebody. It's funny because during the record,

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<v Speaker 6>you know, Apion writes he's an MC And so we

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<v Speaker 6>came into the studio a couple of times, and then

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<v Speaker 6>we took a break, I think it was a holiday

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<v Speaker 6>or something, and he hit me up like Okay, what's

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<v Speaker 6>up when we're going back in? Yeah, And you know

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<v Speaker 6>I was like, oh not yet, Okay, well when we're

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<v Speaker 6>going back in. And then finally I had to just

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<v Speaker 6>call him and say, you know what, this record has

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<v Speaker 6>become really personal and I.

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<v Speaker 7>Can't really do it with anybody. I gotta go.

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<v Speaker 6>I gotta go inward and come out with what it

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<v Speaker 6>is that God is telling me. I need to deliver

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<v Speaker 6>on this record and so to have you. And I

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<v Speaker 6>got a call from Busta, a call from Sway. I got,

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<v Speaker 6>you know, like all of these folks are reaching out like,

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<v Speaker 6>oh my God, like like yo.

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<v Speaker 7>You you put some work in. And so it feels good.

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<v Speaker 7>Chrus One, you know I grew up with her. He

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<v Speaker 7>hit me like that king.

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<v Speaker 6>Be called Flex, you know, like he just was like

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<v Speaker 6>on a mission call w B L S right now.

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<v Speaker 7>I told him he's gonna be calling, and he was.

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<v Speaker 6>Like kind of setting things up for a win for me.

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<v Speaker 6>So that felt good.

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<v Speaker 4>I mean, listen, your gift makes room for you and

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<v Speaker 4>the the relationships, the very good relationships and the things

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<v Speaker 4>that you've imparted along the way, along the journey, all

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<v Speaker 4>calming it to make this moment, you know, even more

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<v Speaker 4>special because it's just like you said, calling cats is

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<v Speaker 4>making place for your off the top. Like I was

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<v Speaker 4>immediate like oh yeah, when they shoot that video, men

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<v Speaker 4>that you shot it already, you got to keep it moving.

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<v Speaker 4>But it's just really done.

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<v Speaker 6>People love it to the King King video because what

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<v Speaker 6>I did is mis a gentleman named mister Upfront. I

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<v Speaker 6>don't know if you're aware of him, but he's been

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<v Speaker 6>shooting footage since like the mid eighties, and so he's

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<v Speaker 6>got all of this footage that we were able to

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<v Speaker 6>tap into so much that Vivo didn't believe that he

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<v Speaker 6>owned all the footage and so he wasn't gonna sit

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<v Speaker 6>there and do a licensing agreement for every piece of

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<v Speaker 6>footage that he put in there.

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<v Speaker 7>But we said, you know what, we're gonna put this up.

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<v Speaker 6>And it is that one video that guys are always

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<v Speaker 6>comments like, if you look in the comments, it's like

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<v Speaker 6>thank you, thank you, oh you see us, you love us,

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<v Speaker 6>Thank you to you and Queen Lati for doing this record.

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<v Speaker 6>And I thought it was really necessary because nobody's really

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<v Speaker 6>especially in hip hop, it's like everything that's wrong with

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<v Speaker 6>a man, let me tell you, right, right, Well.

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<v Speaker 4>It's just like we're coming out of it though.

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<v Speaker 3>Okay, personally, as music is starting to shift again. I mean,

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<v Speaker 3>and we've all been in music business for you know,

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<v Speaker 3>our lives practically, and we've seen so many times where

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<v Speaker 3>you know, that shift happens, you know, and I personally,

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<v Speaker 3>I kind of I see it, you know, I see

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<v Speaker 3>a little more emotions coming back, people speaking how they

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<v Speaker 3>really feel, more so only just being a fad of

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<v Speaker 3>like oh yeah, if I'm just as toxic as I

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<v Speaker 3>possibly can be, or if I'm the killer.

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<v Speaker 4>Of all killers this week, you know what I mean.

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<v Speaker 3>I feel like that's that's starting to change in my

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<v Speaker 3>opinion as I'm you know, as I'm experiencing it and

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<v Speaker 3>seeing it and especially having kids and a teenage son,

0:14:39.000 --> 0:14:43.000
<v Speaker 3>so I'm listening to what he's listening to and I'm like, oh, okay,

0:14:43.600 --> 0:14:45.480
<v Speaker 3>you're starting to tap into something different.

0:14:45.520 --> 0:14:45.680
<v Speaker 4>Now.

0:14:45.760 --> 0:14:48.720
<v Speaker 3>It's starting to be more like it's starting to be

0:14:48.760 --> 0:14:50.200
<v Speaker 3>you know what I mean, it's.

0:14:49.800 --> 0:14:53.960
<v Speaker 4>You know, more reality, more you know, love songs. And

0:14:54.000 --> 0:14:56.720
<v Speaker 4>then I'm like, Okay, I hear a melody coming from

0:14:56.760 --> 0:14:58.600
<v Speaker 4>the room, you know what I mean.

0:15:00.720 --> 0:15:02.760
<v Speaker 3>Listen, we went through a moment where we didn't have

0:15:02.800 --> 0:15:05.560
<v Speaker 3>any melody. Even from the R and B side, they

0:15:05.560 --> 0:15:06.960
<v Speaker 3>were taking out some of the melody, and.

0:15:06.920 --> 0:15:09.720
<v Speaker 4>I'm like, this is dark, this is weird.

0:15:09.840 --> 0:15:13.520
<v Speaker 3>Yeah, but I feel like we're I feel like we're

0:15:13.560 --> 0:15:16.160
<v Speaker 3>getting back to that space in my opinion.

0:15:16.520 --> 0:15:17.240
<v Speaker 7>No, I love it.

0:15:17.720 --> 0:15:18.080
<v Speaker 4>I love it.

0:15:18.120 --> 0:15:22.400
<v Speaker 6>I remember one time going into a gym and literally

0:15:22.480 --> 0:15:26.280
<v Speaker 6>it felt like war. It was like the darkest hip

0:15:26.280 --> 0:15:30.720
<v Speaker 6>hop that you could ever listen to while working out.

0:15:31.160 --> 0:15:32.600
<v Speaker 7>But I guess if they you.

0:15:32.560 --> 0:15:45.760
<v Speaker 3>Know, I said the guys like that's.

0:15:44.840 --> 0:15:48.200
<v Speaker 7>That was the music. It just was like so dark.

0:15:49.120 --> 0:15:51.280
<v Speaker 7>I could not wait to get out of the gym.

0:15:51.400 --> 0:15:52.520
<v Speaker 7>I was like, this is too much.

0:15:52.920 --> 0:15:56.640
<v Speaker 6>Yeah, but yes, it has taken a turn, and especially

0:15:56.680 --> 0:16:00.920
<v Speaker 6>with R and B, like, I'm really feeling the young

0:16:01.000 --> 0:16:06.920
<v Speaker 6>cats coming up and giving a different perspective on not

0:16:07.000 --> 0:16:09.720
<v Speaker 6>just getting all of the women they can, but actually

0:16:09.800 --> 0:16:11.920
<v Speaker 6>choosing one and say I'm gonna spend some time.

0:16:12.320 --> 0:16:13.160
<v Speaker 7>I'm loving on you.

0:16:13.200 --> 0:16:16.360
<v Speaker 6>I'm liking how this is going, and you know it,

0:16:16.360 --> 0:16:18.640
<v Speaker 6>it feels good to see it brighten.

0:16:18.360 --> 0:16:19.160
<v Speaker 7>Up a little bit.

0:16:19.320 --> 0:16:22.320
<v Speaker 4>You're gonna get these young the junctions back to courting.

0:16:23.080 --> 0:16:27.640
<v Speaker 6>Yeah, putting, well, you got to get the women to agree.

0:16:27.600 --> 0:16:31.160
<v Speaker 4>To but I think they will. Okay, I think they will.

0:16:31.520 --> 0:16:35.080
<v Speaker 3>I mean personally, I believe I believe that that that

0:16:37.280 --> 0:16:43.520
<v Speaker 3>most people follow things they believe are cool at the moment.

0:16:44.720 --> 0:16:48.160
<v Speaker 3>And I think when someone that they deem as cool

0:16:49.040 --> 0:16:55.120
<v Speaker 3>try something different, are goes back to grab what's always

0:16:55.200 --> 0:16:57.440
<v Speaker 3>been that's been cool and said, hey, no, no, no, no, no,

0:16:57.880 --> 0:17:00.000
<v Speaker 3>this is this is how it's supposed to.

0:17:00.920 --> 0:17:01.440
<v Speaker 4>Yeah.

0:17:01.480 --> 0:17:04.560
<v Speaker 3>And if you're a leader of that, you know what

0:17:04.600 --> 0:17:08.479
<v Speaker 3>I mean. Now it's you know, the conversation gets different.

0:17:10.200 --> 0:17:12.360
<v Speaker 3>So I just think that you know, we just need,

0:17:12.400 --> 0:17:14.600
<v Speaker 3>you know, a couple more than you younger cats to

0:17:14.640 --> 0:17:16.879
<v Speaker 3>feel like they can stand in front of it and

0:17:16.920 --> 0:17:19.439
<v Speaker 3>not feel a way about somebody being like, oh you

0:17:19.480 --> 0:17:20.320
<v Speaker 3>only got one girl.

0:17:20.600 --> 0:17:27.200
<v Speaker 7>Well yeah right, it's.

0:17:29.119 --> 0:17:31.320
<v Speaker 4>Like me, you know what I mean.

0:17:31.400 --> 0:17:37.280
<v Speaker 3>So, speaking of like going back to things, you being

0:17:37.320 --> 0:17:43.720
<v Speaker 3>a pioneer in this whole rap world, especially from the

0:17:43.760 --> 0:17:49.560
<v Speaker 3>female side of it, Like what made you say because

0:17:49.560 --> 0:17:52.000
<v Speaker 3>we talked off camera and you know, we were talking

0:17:52.000 --> 0:17:54.200
<v Speaker 3>about growing up in the whole thing, But what made

0:17:54.200 --> 0:17:57.119
<v Speaker 3>you say, like, you know what I want to rap?

0:17:58.320 --> 0:17:59.760
<v Speaker 4>This is this is what I'm about to be on

0:18:00.080 --> 0:18:01.080
<v Speaker 4>right right? Uh?

0:18:04.800 --> 0:18:05.320
<v Speaker 7>Well I was.

0:18:05.440 --> 0:18:09.920
<v Speaker 6>I was rapping ever since sequence, you know, you know,

0:18:10.040 --> 0:18:17.800
<v Speaker 6>sequence infinitse, no requests sequence is bing g B Blondie

0:18:17.840 --> 0:18:22.080
<v Speaker 6>and okay, okay, and hearing them and that was a

0:18:22.080 --> 0:18:25.879
<v Speaker 6>lot of melody during that time, and then hearing the

0:18:26.000 --> 0:18:31.800
<v Speaker 6>message and Lottie Dottie and I felt like, ooh, this

0:18:31.880 --> 0:18:32.600
<v Speaker 6>is something to get into.

0:18:32.680 --> 0:18:33.680
<v Speaker 7>So I was doing it for fun.

0:18:34.040 --> 0:18:36.399
<v Speaker 6>But it wasn't until I heard Salt and Pepper and

0:18:36.440 --> 0:18:41.119
<v Speaker 6>I was like, oh, oh, I'm gonna do this. And

0:18:41.160 --> 0:18:45.240
<v Speaker 6>then that's when I really started paying attention and writing

0:18:46.640 --> 0:18:50.040
<v Speaker 6>and yeah and cultivating.

0:18:50.680 --> 0:18:50.880
<v Speaker 2>Yeah.

0:18:52.440 --> 0:18:56.840
<v Speaker 4>Because okay, so you it's crazy how things. You know,

0:18:58.160 --> 0:19:03.479
<v Speaker 4>the manifest is the big word. But even you seeing

0:19:03.520 --> 0:19:08.040
<v Speaker 4>that moment in saying that's what I'm going to do

0:19:09.280 --> 0:19:13.399
<v Speaker 4>at any moment, are you thinking, well, let me also

0:19:13.480 --> 0:19:16.760
<v Speaker 4>have this plan B, you know, to make sure that

0:19:16.880 --> 0:19:17.480
<v Speaker 4>just a case.

0:19:17.880 --> 0:19:18.120
<v Speaker 2>Yeah.

0:19:18.240 --> 0:19:20.239
<v Speaker 6>Well, even when I said that's what I was going

0:19:20.359 --> 0:19:24.040
<v Speaker 6>to do, it wasn't at the sacrifice of.

0:19:24.000 --> 0:19:26.359
<v Speaker 7>What I already was going to do, which was going

0:19:26.440 --> 0:19:29.399
<v Speaker 7>to go to school. Yeah.

0:19:29.440 --> 0:19:32.760
<v Speaker 6>So it just happened to be that it all kind

0:19:32.800 --> 0:19:37.560
<v Speaker 6>of fell into line prior to school, and so my

0:19:37.600 --> 0:19:38.760
<v Speaker 6>mom was like, I don't want you to go all

0:19:38.800 --> 0:19:41.720
<v Speaker 6>the way to Norfolk State University. With this record deal,

0:19:42.160 --> 0:19:44.119
<v Speaker 6>I would rather you stay in New York City.

0:19:44.560 --> 0:19:46.360
<v Speaker 4>You had your record deal, Yeah.

0:19:46.200 --> 0:19:49.560
<v Speaker 6>I got my record deal when I was in my

0:19:49.640 --> 0:19:50.720
<v Speaker 6>last year of high school.

0:19:50.960 --> 0:19:52.760
<v Speaker 4>I got a record deal in high school.

0:19:53.119 --> 0:19:55.919
<v Speaker 6>Yeah, and the record was on the radio. So I'm like,

0:19:55.960 --> 0:19:57.600
<v Speaker 6>walking through the hallways.

0:19:57.640 --> 0:20:00.600
<v Speaker 4>Are you cracking? Are you acting out? Yeah? You acting?

0:20:00.760 --> 0:20:01.159
<v Speaker 4>Senior year?

0:20:01.600 --> 0:20:04.360
<v Speaker 7>It was a fun time acting Yeah, it's a fun time.

0:20:04.680 --> 0:20:07.080
<v Speaker 4>Did you get most likely to succeed?

0:20:10.200 --> 0:20:11.040
<v Speaker 7>That's a good question.

0:20:11.400 --> 0:20:14.480
<v Speaker 3>Hey, guys, I do have a record deal. I'm succeeding.

0:20:14.520 --> 0:20:15.480
<v Speaker 3>I'm going somewhere.

0:20:15.480 --> 0:20:17.320
<v Speaker 4>I don't know if you've seen this happened? Did you

0:20:17.359 --> 0:20:19.879
<v Speaker 4>have a video out? And all that? Uh not?

0:20:20.000 --> 0:20:21.320
<v Speaker 7>For I cram to understand you.

0:20:21.400 --> 0:20:25.520
<v Speaker 6>That was the first single that was in the bottom

0:20:25.600 --> 0:20:29.159
<v Speaker 6>half of nineteen eighty seven, And in January I graduated,

0:20:29.240 --> 0:20:31.320
<v Speaker 6>so I left six months early.

0:20:31.440 --> 0:20:34.000
<v Speaker 4>Do you get a record deal in high school?

0:20:34.560 --> 0:20:37.520
<v Speaker 6>I just went and at the time it was an audition,

0:20:37.640 --> 0:20:40.200
<v Speaker 6>but I didn't know to even call it that. I

0:20:40.240 --> 0:20:42.960
<v Speaker 6>was going to meet the people that own the record label.

0:20:43.320 --> 0:20:46.840
<v Speaker 6>And I got there and I sat my rhymes. You

0:20:46.840 --> 0:20:49.719
<v Speaker 6>don't have my little book, And at this point I

0:20:49.760 --> 0:20:53.520
<v Speaker 6>had already been rehearsing with George lucy and who is

0:20:53.600 --> 0:20:56.400
<v Speaker 6>Full Force's father. So he would come to my house

0:20:56.440 --> 0:21:00.040
<v Speaker 6>every Saturday and we would practice. And so about the

0:20:59.880 --> 0:21:02.679
<v Speaker 6>time I got to the audition, I was like, I

0:21:02.800 --> 0:21:06.840
<v Speaker 6>was alive wire. They was like, oh, okay, she ready. Yeah,

0:21:06.960 --> 0:21:09.200
<v Speaker 6>And that's how I was able to get the deal.

0:21:10.640 --> 0:21:15.439
<v Speaker 4>Did they give you like this is what this is

0:21:15.520 --> 0:21:18.240
<v Speaker 4>what we like about you, this is what's dope about you.

0:21:19.320 --> 0:21:22.560
<v Speaker 4>Where you can expound, where you could build on like

0:21:22.800 --> 0:21:25.320
<v Speaker 4>using those outside.

0:21:24.800 --> 0:21:25.960
<v Speaker 7>Of just she's ready to go.

0:21:26.400 --> 0:21:28.359
<v Speaker 6>She's ready to go, and we're gonna let her do

0:21:28.440 --> 0:21:33.480
<v Speaker 6>whatever she wants. And most of that first album existed

0:21:33.520 --> 0:21:34.840
<v Speaker 6>in that book Light as a.

0:21:34.880 --> 0:21:43.040
<v Speaker 3>Rock then, yeah, cause you were writing about yeah before

0:21:43.080 --> 0:21:44.280
<v Speaker 3>you ever even got a deal.

0:21:45.040 --> 0:21:45.600
<v Speaker 7>Yeah.

0:21:45.880 --> 0:21:51.840
<v Speaker 6>I think the only song from that first album that

0:21:52.000 --> 0:21:55.560
<v Speaker 6>I didn't have written might have been Light as a Rock,

0:21:55.920 --> 0:21:59.120
<v Speaker 6>and then I just wrote it to the music okay, yeah,

0:21:59.440 --> 0:22:01.600
<v Speaker 6>but everything else was kind of written already.

0:22:03.800 --> 0:22:07.480
<v Speaker 4>Did you know did you know at the time.

0:22:07.320 --> 0:22:12.440
<v Speaker 6>I know nothing, but you can say the rest.

0:22:14.480 --> 0:22:19.240
<v Speaker 4>Did you have an idea that your voice was different?

0:22:19.440 --> 0:22:23.880
<v Speaker 7>Oh? I don't think so. I knew that.

0:22:24.600 --> 0:22:27.159
<v Speaker 6>Carol Ford, who did New York radio that our voices

0:22:27.200 --> 0:22:27.800
<v Speaker 6>sounded alike.

0:22:27.920 --> 0:22:29.760
<v Speaker 7>And I was like, Oh, I'm gonna do radio. That's

0:22:29.760 --> 0:22:30.280
<v Speaker 7>what I'm gonna do.

0:22:31.000 --> 0:22:32.640
<v Speaker 6>And so that's why I was headed to Norfolk State

0:22:32.720 --> 0:22:34.920
<v Speaker 6>University to major in communications, because.

0:22:34.680 --> 0:22:38.000
<v Speaker 7>That's what I was gonna do. But not to the

0:22:38.080 --> 0:22:40.160
<v Speaker 7>degree that I know now right.

0:22:42.920 --> 0:22:47.000
<v Speaker 6>I just I remember performing at Latin Quarters and later

0:22:47.160 --> 0:22:50.560
<v Speaker 6>my manager telling me that Red Alert said she's not

0:22:50.560 --> 0:22:54.840
<v Speaker 6>gonna make it. She's too monotone, and I was like, oh, okay,

0:22:54.920 --> 0:22:58.800
<v Speaker 6>mono tone. Well shit, I'm just talking very different from

0:22:58.840 --> 0:23:03.120
<v Speaker 6>what was happening in hip hop prior to nineteen eighty eight. Well,

0:23:03.160 --> 0:23:06.040
<v Speaker 6>even rock Kim always just talked to me, but he

0:23:06.080 --> 0:23:09.679
<v Speaker 6>was the beginning of that. I'm just smooth, just talking,

0:23:09.760 --> 0:23:15.120
<v Speaker 6>telling a story, no extra who aff And so I.

0:23:15.080 --> 0:23:16.600
<v Speaker 7>Was like, okay, well we'll see.

0:23:16.920 --> 0:23:30.320
<v Speaker 2>Okay.

0:23:30.800 --> 0:23:35.320
<v Speaker 6>It's great to have people who understand.

0:23:36.119 --> 0:23:37.880
<v Speaker 7>Who you are, what it is.

0:23:37.800 --> 0:23:44.320
<v Speaker 6>That you do, how important you know, respect for what

0:23:44.359 --> 0:23:46.520
<v Speaker 6>it is that you do, along with who it is

0:23:46.560 --> 0:23:48.359
<v Speaker 6>that you are. Now, of course, I've got plenty of

0:23:48.400 --> 0:23:50.840
<v Speaker 6>friends that are not in entertainment.

0:23:50.480 --> 0:23:51.159
<v Speaker 4>As well.

0:23:53.520 --> 0:24:01.880
<v Speaker 6>Who are worthy of friendship and since yeah, but those

0:24:01.880 --> 0:24:05.439
<v Speaker 6>are some of the names and Chuck Chuck d is

0:24:05.440 --> 0:24:08.000
<v Speaker 6>a really good friend of mine. Kris One is a

0:24:08.000 --> 0:24:09.919
<v Speaker 6>good friend of mine.

0:24:10.320 --> 0:24:11.200
<v Speaker 4>Yea, I feel like.

0:24:13.720 --> 0:24:17.240
<v Speaker 3>That generation of music, I know what you're I know

0:24:17.280 --> 0:24:21.000
<v Speaker 3>where you're going, really stuck together, really stuck together. And

0:24:21.040 --> 0:24:26.320
<v Speaker 3>maybe it goes back to those fresh fests, you know,

0:24:26.880 --> 0:24:30.320
<v Speaker 3>tour style tours where it's ten people on the road together,

0:24:30.680 --> 0:24:32.760
<v Speaker 3>like really getting to know each other at a young

0:24:32.800 --> 0:24:35.600
<v Speaker 3>age too, because you weren't the only person that was

0:24:35.680 --> 0:24:36.520
<v Speaker 3>nineteen twenty.

0:24:37.440 --> 0:24:40.439
<v Speaker 4>It was a couple of artists that were Yeah, nineteen twenty,

0:24:40.520 --> 0:24:41.760
<v Speaker 4>twenty two, twenty four.

0:24:42.160 --> 0:24:44.080
<v Speaker 3>You guys are meeting each other at a really young

0:24:44.119 --> 0:24:48.160
<v Speaker 3>age and growing together and becoming family. And I think

0:24:48.280 --> 0:24:51.760
<v Speaker 3>now it's so spread it's a little more spread out.

0:24:51.920 --> 0:24:54.560
<v Speaker 4>But do you think that the messaging in the music

0:24:54.680 --> 0:24:56.560
<v Speaker 4>at that time also helped with that?

0:24:57.000 --> 0:24:59.760
<v Speaker 3>Absolutely, you were a part of self destruction, You're part

0:24:59.800 --> 0:25:03.840
<v Speaker 3>of song something of something, but which was a very

0:25:03.880 --> 0:25:07.200
<v Speaker 3>pivotal and major part of the music business and had

0:25:09.240 --> 0:25:12.760
<v Speaker 3>this powerful messaging behind it, you know what I mean,

0:25:12.800 --> 0:25:15.879
<v Speaker 3>and something that I think that that's something that's something

0:25:15.880 --> 0:25:18.720
<v Speaker 3>to stand on and that's something to connect to that

0:25:18.800 --> 0:25:21.000
<v Speaker 3>we may not have now.

0:25:20.920 --> 0:25:23.399
<v Speaker 4>And something that is that was that is that was

0:25:23.560 --> 0:25:27.040
<v Speaker 4>ultimately connective. It just kept you guys locked in and

0:25:28.080 --> 0:25:33.280
<v Speaker 4>in a common goal on that same course like today

0:25:33.400 --> 0:25:38.080
<v Speaker 4>is so divided. It's so divided because everybody's trying to

0:25:38.119 --> 0:25:46.159
<v Speaker 4>get their bag. It's I see so much value in

0:25:46.320 --> 0:25:51.480
<v Speaker 4>team because I come from that. You know, once I

0:25:51.520 --> 0:25:54.280
<v Speaker 4>found the Boys and Girls Club in Milwaukee, and then

0:25:54.520 --> 0:25:58.160
<v Speaker 4>once I found the football team, and then the basketball team,

0:25:58.320 --> 0:26:01.040
<v Speaker 4>and then and then a group. I never wanted to

0:26:01.040 --> 0:26:05.120
<v Speaker 4>be by myself. I became a solo artist by default,

0:26:06.720 --> 0:26:12.080
<v Speaker 4>but I always wanted to be part of something bigger.

0:26:12.880 --> 0:26:15.240
<v Speaker 4>Of cheering somebody else song when they sing in lead,

0:26:15.800 --> 0:26:17.760
<v Speaker 4>or cheering somebody else song when they do a good beat,

0:26:17.800 --> 0:26:20.400
<v Speaker 4>or cheering somebody like I always wanted to be part

0:26:20.440 --> 0:26:24.040
<v Speaker 4>of that. And I feel like that's that's so needed

0:26:25.040 --> 0:26:29.240
<v Speaker 4>that I have a lot of good friends and good

0:26:29.280 --> 0:26:34.760
<v Speaker 4>people in music and in entertainment, but it's very rare

0:26:34.800 --> 0:26:40.800
<v Speaker 4>that we collectively do something impactful and something It's very rare.

0:26:41.080 --> 0:26:42.600
<v Speaker 7>No, No, you're absolutely right.

0:26:44.040 --> 0:26:44.720
<v Speaker 4>There are.

0:26:46.240 --> 0:26:50.440
<v Speaker 6>There are moments where my whole thing is we cool,

0:26:50.720 --> 0:26:53.520
<v Speaker 6>let's find something to work on together. Because now we're

0:26:53.640 --> 0:26:55.800
<v Speaker 6>that age where we can kind of pick and choose

0:26:55.840 --> 0:26:58.280
<v Speaker 6>what it is that we want to do. And my

0:26:58.359 --> 0:27:01.200
<v Speaker 6>thing is I'm immersed in work.

0:27:01.280 --> 0:27:06.320
<v Speaker 7>I love my work. So either will see one another on.

0:27:06.320 --> 0:27:09.920
<v Speaker 6>These bits, you know, these little bitty moments, or will

0:27:09.920 --> 0:27:13.320
<v Speaker 6>create something together so that you know, let's let's do

0:27:13.359 --> 0:27:15.640
<v Speaker 6>a movie, let's do a song, let's do you know.

0:27:15.680 --> 0:27:16.760
<v Speaker 7>Whatever the case is.

0:27:16.880 --> 0:27:21.119
<v Speaker 4>Yeah, I love that. I want to. I like this

0:27:21.119 --> 0:27:26.760
<v Speaker 4>this little list right here that says accolades. So I

0:27:26.760 --> 0:27:34.880
<v Speaker 4>don't know. Honorary doctorate of music, humanitarians, I too have

0:27:34.920 --> 0:27:39.560
<v Speaker 4>a honorary doctorate and and and the masters as well.

0:27:40.920 --> 0:27:42.480
<v Speaker 4>They're not gonna give me one because I'd be talking.

0:27:48.160 --> 0:27:52.680
<v Speaker 1>I've done the work, Jay, I've done the work.

0:27:53.480 --> 0:28:00.480
<v Speaker 7>That's terrible. Trophies right, those are your agrees.

0:28:01.160 --> 0:28:06.600
<v Speaker 4>Presidential Lifetime Achievement Award, President Joe Biden, Vice President Kamala Harris,

0:28:08.800 --> 0:28:17.919
<v Speaker 4>Philanthropy Hip Hop Sisters Foundation, over a million in scholarships awarded.

0:28:18.560 --> 0:28:25.200
<v Speaker 4>Mm hmm. That's awesome, thank you, that's awesome. Health advocate

0:28:25.800 --> 0:28:34.840
<v Speaker 4>official spokesperson for the Johnson and Johnson Mayaloma Awareness National Campaign.

0:28:40.440 --> 0:28:47.640
<v Speaker 4>What don't you do? I bet you, I bet I

0:28:47.680 --> 0:28:53.600
<v Speaker 4>can kill you if you break out with young nigga.

0:28:53.600 --> 0:28:59.880
<v Speaker 7>You don't want this, That's what I don't do you.

0:29:01.360 --> 0:29:04.800
<v Speaker 3>So, were these all things that were just kind of

0:29:05.520 --> 0:29:07.640
<v Speaker 3>along your journey or did you plan out some of

0:29:07.680 --> 0:29:09.200
<v Speaker 3>these things, like this is some of the stuff I

0:29:09.240 --> 0:29:11.800
<v Speaker 3>want to be a part of, even before you know,

0:29:11.840 --> 0:29:14.920
<v Speaker 3>because as we're working and things are coming to you,

0:29:15.720 --> 0:29:17.600
<v Speaker 3>obviously you're saying yes or no the certain things. But

0:29:18.000 --> 0:29:21.400
<v Speaker 3>did you have did you set out for any of the.

0:29:21.280 --> 0:29:23.560
<v Speaker 6>Only thing, the only thing on there that I set

0:29:23.560 --> 0:29:26.360
<v Speaker 6>out for was the Hip Hop Sisters Foundation to give

0:29:26.360 --> 0:29:32.280
<v Speaker 6>scholarships away to give people further in their education. Everything else, yeah,

0:29:32.520 --> 0:29:35.480
<v Speaker 6>just came. But I guess you're planning for it with

0:29:35.520 --> 0:29:36.680
<v Speaker 6>the work that you actually do.

0:29:37.200 --> 0:29:42.480
<v Speaker 4>So yeah, and how did the foundation start?

0:29:42.960 --> 0:29:47.240
<v Speaker 6>Oh goodness, Well, I had used my name or allowed

0:29:47.280 --> 0:29:50.800
<v Speaker 6>people to use my name with other foundations for other causes,

0:29:51.600 --> 0:30:00.480
<v Speaker 6>other campaigns, you know, musicians for art, AIDS, awareness, gun

0:30:00.520 --> 0:30:03.000
<v Speaker 6>anti gun violence, you know, all those types of things.

0:30:03.280 --> 0:30:04.960
<v Speaker 6>And then finally I was like, I want to start

0:30:04.960 --> 0:30:07.280
<v Speaker 6>my own foundation. But it's not so easy to find

0:30:07.320 --> 0:30:08.320
<v Speaker 6>an executive director.

0:30:08.320 --> 0:30:08.920
<v Speaker 7>You might know that.

0:30:10.280 --> 0:30:16.440
<v Speaker 6>But so at some point doctor Lynn Richardson saw Hip

0:30:16.440 --> 0:30:19.840
<v Speaker 6>Hop Sisters, which at that point we were on ning

0:30:20.560 --> 0:30:23.200
<v Speaker 6>you know, the Ning platform. We had about two thousand

0:30:23.480 --> 0:30:30.480
<v Speaker 6>women MC's, DJ's, journalists, photographers, everybody who was really into

0:30:30.600 --> 0:30:34.680
<v Speaker 6>hip hop music and they could join us and men

0:30:34.720 --> 0:30:35.560
<v Speaker 6>could join too.

0:30:35.520 --> 0:30:37.680
<v Speaker 7>Just as long as you respected the women in the space.

0:30:38.560 --> 0:30:40.800
<v Speaker 6>And so she saw that and she was like, wow, well,

0:30:40.800 --> 0:30:44.560
<v Speaker 6>before I was a graduate of Northwestern, before I was

0:30:44.600 --> 0:30:48.080
<v Speaker 6>an executive at JP Morgan, if I was hip hop,

0:30:48.600 --> 0:30:50.520
<v Speaker 6>I'm going to reach out to light. And she reached

0:30:50.560 --> 0:30:52.080
<v Speaker 6>out to me and asked me, did I want to

0:30:52.120 --> 0:30:54.640
<v Speaker 6>start a foundation? I was like, you gotta be kidding me. Yes,

0:30:54.760 --> 0:30:57.640
<v Speaker 6>of course I do. And about four months later we

0:30:57.680 --> 0:31:00.840
<v Speaker 6>had five and one C three status and we were

0:31:00.840 --> 0:31:02.080
<v Speaker 6>giving away scholarships.

0:31:02.880 --> 0:31:03.880
<v Speaker 7>That's how it started.

0:31:05.680 --> 0:31:07.360
<v Speaker 4>How long have you guys had the foundation?

0:31:07.880 --> 0:31:11.400
<v Speaker 6>About fourteen years now and our last.

0:31:12.720 --> 0:31:17.360
<v Speaker 7>Her last efforts were with a partnership with Dillard University HBCU,

0:31:17.840 --> 0:31:18.280
<v Speaker 7>New Orleans.

0:31:18.560 --> 0:31:23.960
<v Speaker 4>Yeah. Television projects rhyme.

0:31:24.360 --> 0:31:27.120
<v Speaker 6>Oh that's the little baby that went away.

0:31:28.360 --> 0:31:30.000
<v Speaker 7>We did two seasons. It was great.

0:31:30.800 --> 0:31:33.360
<v Speaker 6>I think it was just too clean because my thing

0:31:33.480 --> 0:31:37.320
<v Speaker 6>is I was trying to create the Yesteryear sitcom where

0:31:37.360 --> 0:31:39.239
<v Speaker 6>everybody could sit down and watch it.

0:31:39.400 --> 0:31:39.760
<v Speaker 4>Family.

0:31:39.960 --> 0:31:42.880
<v Speaker 7>Yeah, yeah, the family. And so we had we had

0:31:42.920 --> 0:31:45.960
<v Speaker 7>a good spend. Now I'm playing a dirty detective.

0:31:45.520 --> 0:31:49.840
<v Speaker 4>But it's on Angel Angel. Yeah you're dirty detective.

0:31:49.960 --> 0:31:53.760
<v Speaker 6>Well, you know, she's in a rush to somebody got

0:31:53.880 --> 0:31:55.600
<v Speaker 6>to go down for this crime. Now it may not

0:31:55.640 --> 0:31:59.480
<v Speaker 6>be the person that did it, but somebody somebody's going

0:31:59.520 --> 0:31:59.880
<v Speaker 6>to do sea.

0:32:00.920 --> 0:32:01.680
<v Speaker 4>Yeah that dirty.

0:32:01.960 --> 0:32:05.000
<v Speaker 7>Yeah, that's dirty.

0:32:04.480 --> 0:32:10.000
<v Speaker 4>That's dirty. Maybe they may be guilty of something. It's

0:32:10.040 --> 0:32:16.160
<v Speaker 4>just calmer coming to bite your children's book.

0:32:17.720 --> 0:32:21.880
<v Speaker 6>Oh yeah, that's coming this Christmas with a full push.

0:32:21.960 --> 0:32:22.880
<v Speaker 6>That's with Van Van.

0:32:23.480 --> 0:32:24.600
<v Speaker 4>Yeah.

0:32:25.040 --> 0:32:26.600
<v Speaker 6>Matter of fact, I think the last time I saw

0:32:26.640 --> 0:32:28.520
<v Speaker 6>you all, Van Van might have been there. I don't

0:32:28.520 --> 0:32:30.320
<v Speaker 6>know if you all got a chance to speak to her.

0:32:30.360 --> 0:32:33.840
<v Speaker 6>But she's a hip hop sensation. She just released her

0:32:33.880 --> 0:32:37.280
<v Speaker 6>first album, her debut album at five years old. During

0:32:37.280 --> 0:32:41.040
<v Speaker 6>the Essence Festival, she performed on the main stage at

0:32:41.040 --> 0:32:45.160
<v Speaker 6>the Convention Center. She let me perform with her. Yeah, five,

0:32:45.240 --> 0:32:47.480
<v Speaker 6>we have a song called too Bold with Rhapsody the

0:32:47.560 --> 0:32:50.960
<v Speaker 6>Bratt and myself with Van Van five.

0:32:51.720 --> 0:32:51.920
<v Speaker 1>Yeah.

0:32:51.960 --> 0:32:55.760
<v Speaker 6>Well she just turned six earlier this month, but yeah,

0:32:56.360 --> 0:33:06.440
<v Speaker 6>she's five, bro. Yeah. She introduced the Queen Latifa segment

0:33:06.480 --> 0:33:09.280
<v Speaker 6>that I produced for the Kennedy Center Honors last year.

0:33:10.360 --> 0:33:11.280
<v Speaker 7>So she's.

0:33:14.120 --> 0:33:14.520
<v Speaker 2>Yeah.

0:33:14.640 --> 0:33:19.120
<v Speaker 3>So we have a book coming together and this Christmas. Yeah, Okay,

0:33:19.400 --> 0:33:20.240
<v Speaker 3>what's the name of the book?

0:33:21.320 --> 0:33:26.680
<v Speaker 6>Rhyme Time Adventures with fan Van And that is so awesome.

0:33:26.920 --> 0:33:34.040
<v Speaker 4>Nice. Nice. Her ecosystem is crazy already.

0:33:34.160 --> 0:33:36.640
<v Speaker 6>She's a part of doggie Land. She plays a character

0:33:36.720 --> 0:33:43.800
<v Speaker 6>on doggie Land called Vancy. Yeah, she cooking animated series.

0:33:45.800 --> 0:33:49.640
<v Speaker 4>You are a distinguished member of the Hip Hop Council

0:33:49.960 --> 0:33:50.960
<v Speaker 4>of the Kennedy Center.

0:33:51.120 --> 0:33:53.440
<v Speaker 7>This is true.

0:33:53.360 --> 0:34:01.040
<v Speaker 3>Distinguished And then they got running by you.

0:34:02.320 --> 0:34:04.600
<v Speaker 6>It's a lot of us and there was always a

0:34:04.680 --> 0:34:09.880
<v Speaker 6>vote involved. But what that relationship has allowed me to

0:34:09.960 --> 0:34:16.040
<v Speaker 6>do is some really great, some great content at the

0:34:16.080 --> 0:34:18.799
<v Speaker 6>Kennedy Center. So we did I Am Woman a couple

0:34:18.840 --> 0:34:22.399
<v Speaker 6>of years ago. We brought all the female MC's into

0:34:22.400 --> 0:34:25.040
<v Speaker 6>the Kennedy Center that hadn't performed there before.

0:34:25.160 --> 0:34:26.959
<v Speaker 4>So we had Remy.

0:34:26.640 --> 0:34:29.120
<v Speaker 7>Ma and the Brat and and.

0:34:31.760 --> 0:34:36.400
<v Speaker 6>Then we went back last year and we did Rhapsody

0:34:37.760 --> 0:34:40.080
<v Speaker 6>and Cash Doll.

0:34:40.680 --> 0:34:44.440
<v Speaker 7>And Bahammadia carry it up a little bit.

0:34:45.239 --> 0:34:47.880
<v Speaker 6>And this past year, as a matter of fact, I

0:34:47.960 --> 0:34:50.480
<v Speaker 6>reached out That might have been while I reached out

0:34:50.480 --> 0:34:54.120
<v Speaker 6>to you, because I talked to Tyresee about doing a

0:34:54.200 --> 0:34:58.200
<v Speaker 6>Mother's Day special and he was like, Okay, you gotta

0:34:58.280 --> 0:35:01.520
<v Speaker 6>you gotta get tanged, you gotta get to you.

0:35:01.520 --> 0:35:03.200
<v Speaker 4>Reached out about Mother's Day.

0:35:03.239 --> 0:35:06.080
<v Speaker 3>He was booked. Oh yeah, he was booked for that.

0:35:06.120 --> 0:35:07.239
<v Speaker 3>You were booked for Mother's Day.

0:35:07.360 --> 0:35:08.680
<v Speaker 7>So it was him. I was talking to.

0:35:09.239 --> 0:35:12.200
<v Speaker 3>No about the show. Yes, about the show, about the show,

0:35:12.600 --> 0:35:13.719
<v Speaker 3>look at that about the show?

0:35:13.840 --> 0:35:17.120
<v Speaker 4>Was me? Nobody definitely told you that Tank said what

0:35:17.200 --> 0:35:17.520
<v Speaker 4>you want?

0:35:17.600 --> 0:35:21.080
<v Speaker 6>That might have been. That was another year.

0:35:21.320 --> 0:35:24.439
<v Speaker 4>Ever say Tank said what you want?

0:35:24.920 --> 0:35:25.839
<v Speaker 7>That was another year.

0:35:26.520 --> 0:35:28.000
<v Speaker 4>I know I got to see you in these streets.

0:35:28.000 --> 0:35:37.640
<v Speaker 4>I would never no way. Here's my question to you. Yes,

0:35:40.320 --> 0:35:46.160
<v Speaker 4>as you observe the terrain a female rap at the moment,

0:35:50.000 --> 0:35:50.760
<v Speaker 4>what are your thoughts?

0:35:52.680 --> 0:35:53.000
<v Speaker 7>Mmmm?

0:35:53.200 --> 0:35:56.040
<v Speaker 6>I think there's so many, so many You know that

0:35:58.280 --> 0:36:01.080
<v Speaker 6>it used to be like that and then everything went away,

0:36:02.440 --> 0:36:03.759
<v Speaker 6>and then you.

0:36:03.680 --> 0:36:06.480
<v Speaker 7>Know, Nikki came on the scene. It was crushing it.

0:36:06.640 --> 0:36:11.400
<v Speaker 6>Like she was everybody's songs.

0:36:11.400 --> 0:36:16.640
<v Speaker 4>To people to put in category with her. Yeah she was.

0:36:17.880 --> 0:36:18.879
<v Speaker 4>She's that good.

0:36:19.080 --> 0:36:20.080
<v Speaker 7>Yeah exactly.

0:36:20.320 --> 0:36:22.920
<v Speaker 6>And so you know, now the day that we're in,

0:36:23.000 --> 0:36:27.040
<v Speaker 6>we've got so many that are coming from different, uh

0:36:27.600 --> 0:36:32.040
<v Speaker 6>geographical spaces as well as content. But what it is

0:36:32.080 --> 0:36:35.360
<v Speaker 6>that they're talking about, how it is that they dress.

0:36:36.600 --> 0:36:41.000
<v Speaker 6>So to me, to see this many feels like we've

0:36:41.040 --> 0:36:47.399
<v Speaker 6>turned the corner on them believing in themselves, because that's

0:36:47.440 --> 0:36:49.600
<v Speaker 6>the first order of business. If you don't think that

0:36:49.719 --> 0:36:52.320
<v Speaker 6>you can do it, or you don't really consider yourself

0:36:52.360 --> 0:36:54.759
<v Speaker 6>a business, it's not gonna it's not gonna really go

0:36:54.880 --> 0:36:55.480
<v Speaker 6>down for you.

0:36:55.760 --> 0:36:58.040
<v Speaker 7>Or it'll come up and then go down for you

0:36:58.160 --> 0:36:58.720
<v Speaker 7>very quickly.

0:36:59.280 --> 0:37:02.920
<v Speaker 6>And so I like to see the ladies making their

0:37:03.239 --> 0:37:07.600
<v Speaker 6>moves and looking at themselves as a viable business and

0:37:07.640 --> 0:37:08.640
<v Speaker 6>putting people to work.

0:37:09.120 --> 0:37:13.560
<v Speaker 4>I think the female dominance in R and B and

0:37:13.680 --> 0:37:19.360
<v Speaker 4>hip hop has been has been very apparent for the

0:37:19.480 --> 0:37:22.800
<v Speaker 4>last five six years. I know, we've been getting not

0:37:23.080 --> 0:37:27.879
<v Speaker 4>ass kicked. Women have just been rocking, and I think

0:37:27.920 --> 0:37:31.319
<v Speaker 4>that you know, they've they've they've been able to do

0:37:31.400 --> 0:37:35.960
<v Speaker 4>something that all of us haven't been able to do,

0:37:36.000 --> 0:37:37.760
<v Speaker 4>and they've been able to do it on the mainstream

0:37:37.880 --> 0:37:42.920
<v Speaker 4>is continue to remain vulnerable and remain emotional, where for

0:37:43.239 --> 0:37:45.239
<v Speaker 4>a lot of us, I mean, I musta still do it,

0:37:45.239 --> 0:37:47.120
<v Speaker 4>but for a lot of us it was kind of

0:37:47.280 --> 0:37:51.200
<v Speaker 4>it started being frowned upon as this whole you know,

0:37:52.360 --> 0:37:56.759
<v Speaker 4>pimp and play age kind of emerged. We don't you know,

0:37:56.920 --> 0:37:59.400
<v Speaker 4>we don't really need women and we have called them

0:37:59.400 --> 0:38:01.719
<v Speaker 4>out their names and all that kind of right as

0:38:01.760 --> 0:38:05.160
<v Speaker 4>that kind of took over, it took us out of

0:38:05.200 --> 0:38:06.480
<v Speaker 4>the R and B space.

0:38:06.800 --> 0:38:09.120
<v Speaker 6>You know what's so funny is I remember I was

0:38:09.400 --> 0:38:23.799
<v Speaker 6>somewhere backstage and that song that Neo had stripper something, Yeah, yeah,

0:38:23.840 --> 0:38:26.399
<v Speaker 6>because I was. I was really upset about it because

0:38:26.440 --> 0:38:32.720
<v Speaker 6>I had learned to trust him with the sexy love

0:38:34.200 --> 0:38:36.560
<v Speaker 6>and you know, he had so many that was just

0:38:36.640 --> 0:38:40.239
<v Speaker 6>so warm and you know, cuddly feelings, and then he

0:38:40.320 --> 0:38:44.759
<v Speaker 6>had stripped something and I was just like and so

0:38:44.880 --> 0:38:45.880
<v Speaker 6>I saw him backstage.

0:38:45.920 --> 0:38:49.799
<v Speaker 7>I was like, Yo, what's up. Yeah, I was like, what's.

0:38:49.560 --> 0:38:57.440
<v Speaker 4>Up, dude? Okay, my question. Yes, he can't like sexy

0:38:57.480 --> 0:39:00.240
<v Speaker 4>love and strippers because.

0:39:00.000 --> 0:39:01.200
<v Speaker 7>He can't like whatever.

0:39:01.640 --> 0:39:04.759
<v Speaker 6>Yeah, I mean he could like whatever he likes, right,

0:39:04.960 --> 0:39:10.759
<v Speaker 6>I just you know, it's I put a lot of

0:39:11.480 --> 0:39:15.560
<v Speaker 6>trust into what it is that I listen to, and

0:39:15.880 --> 0:39:20.520
<v Speaker 6>I'm only going there because I know that that's trustworthy.

0:39:21.320 --> 0:39:23.680
<v Speaker 6>And it just shocked me. But when I asked him,

0:39:23.719 --> 0:39:26.160
<v Speaker 6>he was like, you know what, it's kind of what's happening.

0:39:26.520 --> 0:39:29.560
<v Speaker 6>It wasn't even like he was attached to it like

0:39:29.600 --> 0:39:32.799
<v Speaker 6>I did it, what it was like, I understand where

0:39:32.840 --> 0:39:33.719
<v Speaker 6>you're coming from, Like.

0:39:34.160 --> 0:39:37.919
<v Speaker 4>I do you feel like that as an artist?

0:39:38.080 --> 0:39:41.319
<v Speaker 3>That you know because even when you were when you're

0:39:41.360 --> 0:39:46.040
<v Speaker 3>reading off your hits, they're not all the same.

0:39:46.640 --> 0:39:46.920
<v Speaker 7>M hm.

0:39:47.520 --> 0:39:50.799
<v Speaker 4>Really there's a variety, and as you were saying, you

0:39:50.840 --> 0:39:54.879
<v Speaker 4>were evolving at times. So yeah, sometimes you know it may.

0:39:54.800 --> 0:39:58.240
<v Speaker 7>Go a little further, let's expected.

0:39:59.440 --> 0:40:02.520
<v Speaker 4>Do you feel like as artists should we be held

0:40:02.600 --> 0:40:07.000
<v Speaker 4>to what is? You know, what is maybe.

0:40:09.840 --> 0:40:12.440
<v Speaker 7>Of us a step on the ladder.

0:40:12.160 --> 0:40:18.320
<v Speaker 4>Or a willhouse in a sense. Right, what's your thoughts

0:40:18.320 --> 0:40:18.560
<v Speaker 4>on that?

0:40:19.000 --> 0:40:23.239
<v Speaker 7>I'm going to give you my thoughts on that. I

0:40:23.400 --> 0:40:26.840
<v Speaker 7>was asked somewhere else.

0:40:28.320 --> 0:40:37.320
<v Speaker 6>About just my take on music and all of the

0:40:37.360 --> 0:40:41.560
<v Speaker 6>profanity and all of what exists. I know that when

0:40:41.760 --> 0:40:45.880
<v Speaker 6>I put Kars one, I'm not gonna hear him say

0:40:46.040 --> 0:40:49.640
<v Speaker 6>something that's derogatory towards women.

0:40:50.440 --> 0:40:51.200
<v Speaker 7>Same with Heavy D.

0:40:51.320 --> 0:40:53.080
<v Speaker 6>I'm not going to turn on Heavy D and get

0:40:53.160 --> 0:40:56.480
<v Speaker 6>something about some violence. He was the lover man, and

0:40:56.600 --> 0:41:02.040
<v Speaker 6>there are just some areas where I felt like I

0:41:02.040 --> 0:41:03.319
<v Speaker 6>wanted to say something to him.

0:41:03.440 --> 0:41:04.200
<v Speaker 7>Did I have the right?

0:41:04.280 --> 0:41:07.000
<v Speaker 6>He could have told me to go get kick rocks,

0:41:07.120 --> 0:41:12.720
<v Speaker 6>like but I'm a true fan, and I just wanted

0:41:12.800 --> 0:41:16.200
<v Speaker 6>him to know that it's okay to keep doing that thing,

0:41:17.480 --> 0:41:20.040
<v Speaker 6>like don't it's it's a hut to what it is

0:41:20.080 --> 0:41:23.279
<v Speaker 6>that he just you know offered, and that is there

0:41:23.400 --> 0:41:28.920
<v Speaker 6>was this bubble of time where people are you know,

0:41:29.080 --> 0:41:31.320
<v Speaker 6>climbing in to say whatever it is they want to

0:41:31.360 --> 0:41:34.200
<v Speaker 6>say about women, and you know, it just was a

0:41:34.320 --> 0:41:39.279
<v Speaker 6>space where I wanted him to remain what it was

0:41:39.360 --> 0:41:41.600
<v Speaker 6>that he had given to us that felt so good

0:41:41.960 --> 0:41:44.080
<v Speaker 6>because there weren't many people doing it.

0:41:44.320 --> 0:41:49.120
<v Speaker 4>You know, He's been one of the best ever well

0:41:50.080 --> 0:41:51.879
<v Speaker 4>to do that. Yeah, I understand what you're.

0:41:51.760 --> 0:41:54.600
<v Speaker 7>Saying, but yeah, I mean.

0:41:56.360 --> 0:41:59.080
<v Speaker 6>Maybe when I did Roughneck, people wasn't into rough Neck.

0:41:59.200 --> 0:42:01.640
<v Speaker 6>You know, it could have been somebody that was older looking,

0:42:01.680 --> 0:42:05.120
<v Speaker 6>like what is she doing with them? All them crazy

0:42:05.160 --> 0:42:09.280
<v Speaker 6>looking folks in the video, you know, all the rough people.

0:42:10.760 --> 0:42:12.640
<v Speaker 6>But those were the guys that I was growing up

0:42:12.880 --> 0:42:14.040
<v Speaker 6>with around the time.

0:42:14.160 --> 0:42:15.080
<v Speaker 7>You know, those were.

0:42:14.960 --> 0:42:21.240
<v Speaker 6>The roughneck Caribbean from every you know, island in the water,

0:42:22.000 --> 0:42:27.600
<v Speaker 6>from Jamaica to Haiti to Barbados. Those were the guys

0:42:27.600 --> 0:42:29.200
<v Speaker 6>that I was making a tribute.

0:42:28.840 --> 0:42:38.080
<v Speaker 4>To, right, So, yeah, lyricism or entertainment.

0:42:42.360 --> 0:42:44.040
<v Speaker 7>That's such a blanket statement.

0:42:45.520 --> 0:42:46.920
<v Speaker 4>Which one weighs more to you?

0:42:47.600 --> 0:42:52.480
<v Speaker 7>Which one weighs more to me? Lyricism?

0:42:52.520 --> 0:42:54.680
<v Speaker 4>Like, if you're looking for an artist right now? Yeah,

0:42:55.040 --> 0:42:58.440
<v Speaker 4>in twenty twenty four, yeah, twenty twenty five, Yeah, you

0:42:58.520 --> 0:42:59.920
<v Speaker 4>are looking to sign an artist.

0:43:00.040 --> 0:43:00.439
<v Speaker 7>Mm hmm.

0:43:01.120 --> 0:43:04.239
<v Speaker 4>That is heavier on the lyric.

0:43:04.760 --> 0:43:07.880
<v Speaker 6>As opposed to entertainment. Okay, so now you're painting a

0:43:07.880 --> 0:43:10.359
<v Speaker 6>whole picture. Okay, so that's business.

0:43:11.040 --> 0:43:12.680
<v Speaker 7>So entertainment m hmm.

0:43:14.080 --> 0:43:17.920
<v Speaker 6>For my listening ear nothing to do with signing anybody.

0:43:18.840 --> 0:43:23.360
<v Speaker 7>I'm looking for the lyricism. That's what gets me, you know, excited.

0:43:23.640 --> 0:43:25.480
<v Speaker 4>Who's your favorite lyricist right now?

0:43:28.480 --> 0:43:32.120
<v Speaker 2>Zoom?

0:43:32.160 --> 0:43:32.920
<v Speaker 4>You don't have to say me.

0:43:33.840 --> 0:43:36.440
<v Speaker 7>You know who are you know who I enjoy listening to?

0:43:38.080 --> 0:43:38.239
<v Speaker 4>Uh?

0:43:39.560 --> 0:43:42.320
<v Speaker 7>Vic Mensa?

0:43:44.040 --> 0:43:48.240
<v Speaker 4>Yeah, super talented, super talented. Yeah, I like him, super talented,

0:43:49.400 --> 0:43:50.440
<v Speaker 4>super talented.

0:43:53.640 --> 0:43:57.280
<v Speaker 6>There's so many others, but like, how often do people

0:43:57.280 --> 0:43:58.120
<v Speaker 6>say Vic Mensa?

0:43:58.239 --> 0:43:58.440
<v Speaker 4>You know?

0:43:58.440 --> 0:44:01.280
<v Speaker 6>It's like I want to give some shine to him already.

0:44:01.320 --> 0:44:02.600
<v Speaker 7>Know, Kendrick is all you.

0:44:02.560 --> 0:44:10.880
<v Speaker 4>Know, because yeah, he's a serious, serious lyricist.

0:44:11.440 --> 0:44:12.279
<v Speaker 7>That's why I said him.

0:44:12.320 --> 0:44:15.680
<v Speaker 4>Who's your favorite lyricist right now? I mean.

0:44:17.200 --> 0:44:21.279
<v Speaker 3>It's Kendrick for me personally, I mean and and yes,

0:44:21.320 --> 0:44:25.920
<v Speaker 3>I know it's the popular statement, but it's been that

0:44:26.000 --> 0:44:29.719
<v Speaker 3>way for me for a long time where I just

0:44:29.719 --> 0:44:33.480
<v Speaker 3>feel like I get I get a different type of

0:44:34.000 --> 0:44:38.200
<v Speaker 3>feeling and storytelling when I.

0:44:38.160 --> 0:44:42.200
<v Speaker 4>Listen to Kendrick, what is the feeling. The feeling is.

0:44:45.320 --> 0:44:48.279
<v Speaker 3>A bit of an uprising, you know what I mean,

0:44:48.320 --> 0:44:51.080
<v Speaker 3>Like it makes me feel like doing something.

0:44:51.480 --> 0:44:54.359
<v Speaker 4>And it's funny because you talked about gym.

0:44:55.120 --> 0:44:58.040
<v Speaker 3>I work out the Kiddrick, you know what I'm saying,

0:44:58.040 --> 0:45:00.680
<v Speaker 3>Like I work out to King Kuntam, You know what

0:45:00.719 --> 0:45:02.400
<v Speaker 3>I'm saying, Like, you know, we can talk about the

0:45:02.400 --> 0:45:04.160
<v Speaker 3>disc records and that whole thing and that and that

0:45:04.320 --> 0:45:07.759
<v Speaker 3>in that moment of time, but that's not a highlighted

0:45:08.200 --> 0:45:12.839
<v Speaker 3>part of my appreciation of his music, you know what

0:45:12.840 --> 0:45:15.240
<v Speaker 3>I mean. Like I'm I'm really tapped into the damn

0:45:15.280 --> 0:45:17.440
<v Speaker 3>album into you know what I mean, mister Morale album,

0:45:17.520 --> 0:45:21.200
<v Speaker 3>Like I really listened to it and I follow his

0:45:21.320 --> 0:45:24.279
<v Speaker 3>life in it of the life that he's giving me

0:45:24.320 --> 0:45:27.000
<v Speaker 3>in music, you know what I mean. I do know

0:45:27.080 --> 0:45:30.279
<v Speaker 3>him personally as a friend and we see each other

0:45:30.320 --> 0:45:32.759
<v Speaker 3>say what's up, but not like the in depth side.

0:45:32.760 --> 0:45:34.440
<v Speaker 3>So I feel like the in depth side is a

0:45:34.440 --> 0:45:37.760
<v Speaker 3>little more in his music of what he's what he's sharing,

0:45:38.280 --> 0:45:38.480
<v Speaker 3>you know.

0:45:38.480 --> 0:45:38.919
<v Speaker 4>What I mean.

0:45:40.400 --> 0:45:43.160
<v Speaker 3>So I love the storytelling in it. I love the

0:45:43.200 --> 0:45:45.640
<v Speaker 3>storytelling in it. Like I'm I'm big on you know.

0:45:45.719 --> 0:45:48.480
<v Speaker 3>As as a writer, I want to be able to

0:45:48.480 --> 0:45:51.680
<v Speaker 3>close my eyes and feel like I've been somewhere, you

0:45:51.719 --> 0:45:53.480
<v Speaker 3>know what I mean in the in that song and

0:45:53.560 --> 0:45:55.880
<v Speaker 3>that story, and I feel like he I feel like

0:45:55.920 --> 0:45:58.640
<v Speaker 3>he's a person who paints pictures and I don't.

0:45:58.480 --> 0:46:03.040
<v Speaker 4>Feel like yeah for like all artists pank pictures. Nope,

0:46:03.080 --> 0:46:04.640
<v Speaker 4>I get it, you know what I mean. Which I

0:46:04.640 --> 0:46:07.279
<v Speaker 4>think we should mm hmm, you know what I mean.

0:46:07.719 --> 0:46:09.920
<v Speaker 3>You know, it's it's cool when you you you have

0:46:10.000 --> 0:46:13.439
<v Speaker 3>these situational songs of like you jumped to one part

0:46:13.480 --> 0:46:14.439
<v Speaker 3>of a situation to another.

0:46:14.520 --> 0:46:18.680
<v Speaker 4>No, like I'm looking for like walk me through this

0:46:18.760 --> 0:46:21.279
<v Speaker 4>day and let me have a.

0:46:25.480 --> 0:46:27.120
<v Speaker 1>So your daddy met top one.

0:46:32.400 --> 0:46:33.680
<v Speaker 7>That's crazy to me.

0:46:33.880 --> 0:46:36.160
<v Speaker 4>That is we know, I'm all for that. You really

0:46:36.280 --> 0:46:38.560
<v Speaker 4>have a you really have a gift when you can

0:46:38.600 --> 0:46:41.720
<v Speaker 4>do that. Yeah. And so as a as a lyricist

0:46:41.719 --> 0:46:42.160
<v Speaker 4>for me that.

0:46:42.560 --> 0:46:44.120
<v Speaker 7>I'm all about that storytelling.

0:46:44.160 --> 0:46:49.400
<v Speaker 3>Yeah, I think from a hip hop side, it's Kendrick

0:46:49.480 --> 0:46:51.960
<v Speaker 3>and then from an they try to say she's not

0:46:52.080 --> 0:46:53.400
<v Speaker 3>R and B, but I believe she's R and B

0:46:54.040 --> 0:46:56.640
<v Speaker 3>sis Okay, you know what I mean, Like it's an

0:46:56.600 --> 0:47:00.480
<v Speaker 3>alternative and it's it's alternative R and B and that.

0:47:00.040 --> 0:47:02.760
<v Speaker 4>That girl is singing her heart out R and B songs.

0:47:03.200 --> 0:47:06.080
<v Speaker 3>But like listening to songs like kill Bill and it's

0:47:06.160 --> 0:47:09.960
<v Speaker 3>like right, you know, I told Punch when he was here,

0:47:09.960 --> 0:47:11.680
<v Speaker 3>I was like, yo, scared me.

0:47:13.360 --> 0:47:16.920
<v Speaker 4>Make a girl feel like that, because that's you know

0:47:16.920 --> 0:47:21.120
<v Speaker 4>what I mean. But when songs give you those type

0:47:21.120 --> 0:47:21.880
<v Speaker 4>of emotions.

0:47:22.840 --> 0:47:27.200
<v Speaker 3>You having a song like Georgie Porgie, like I literally

0:47:27.960 --> 0:47:30.800
<v Speaker 3>listened to that as a kid, and I'm listening to it,

0:47:30.920 --> 0:47:34.000
<v Speaker 3>I'm like, oh, man, like this is a real movie.

0:47:35.880 --> 0:47:42.400
<v Speaker 6>Those came from, you know, Carol King and Carol Bear Sega,

0:47:43.200 --> 0:47:47.600
<v Speaker 6>James Taylor and real players and you know, just listening

0:47:47.640 --> 0:47:50.120
<v Speaker 6>to those story to those folk songs.

0:47:51.360 --> 0:47:54.000
<v Speaker 7>Really had me. And it's funny because I think they.

0:47:53.920 --> 0:47:56.960
<v Speaker 6>Had KRS one too, because he'll use a couple of

0:47:57.000 --> 0:47:59.480
<v Speaker 6>like a Dion Warwick you know thing.

0:47:59.320 --> 0:48:00.479
<v Speaker 7>And so would.

0:48:00.480 --> 0:48:03.319
<v Speaker 6>I was like, oh, okay, we see and Daylight Soul.

0:48:03.640 --> 0:48:06.359
<v Speaker 6>You know, you see the artists that have an appreciation

0:48:06.600 --> 0:48:07.560
<v Speaker 6>for storytelling.

0:48:07.760 --> 0:48:11.080
<v Speaker 7>Yeah yeah, but Melly Mel with.

0:48:10.960 --> 0:48:14.080
<v Speaker 6>That message, that was it for me because I had

0:48:14.080 --> 0:48:16.440
<v Speaker 6>never been to the Bronx, so it was like.

0:48:16.800 --> 0:48:18.960
<v Speaker 7>Wow, this is what the Bronx looks like.

0:48:19.600 --> 0:48:23.200
<v Speaker 6>And he painted the picture so well that finally when

0:48:23.200 --> 0:48:25.800
<v Speaker 6>I did see video and I did go to the Bronx,

0:48:25.840 --> 0:48:26.120
<v Speaker 6>I was.

0:48:26.040 --> 0:48:27.279
<v Speaker 7>Like, oh got it.

0:48:27.280 --> 0:48:30.520
<v Speaker 4>It was familiar. Yes, indeed, I think I think n

0:48:30.640 --> 0:48:34.480
<v Speaker 4>w A was that for ice Cube particularly? Oh yeah, absolutely,

0:48:35.000 --> 0:48:37.080
<v Speaker 4>you know what I mean, like painting that picture of

0:48:37.120 --> 0:48:43.960
<v Speaker 4>what LA and Compton coast right right? Like what is

0:48:44.239 --> 0:48:48.879
<v Speaker 4>Compton right right? And where can I get a Raiders coach?

0:48:52.520 --> 0:48:54.200
<v Speaker 1>Because they didn't even have the man and none of

0:48:54.200 --> 0:48:58.160
<v Speaker 1>the stories they had me gone.

0:48:58.840 --> 0:49:02.960
<v Speaker 4>I knew all of the words from the clean versions

0:49:04.120 --> 0:49:07.120
<v Speaker 4>because church kids, that's all I can only get on

0:49:07.160 --> 0:49:11.360
<v Speaker 4>the box, I knew all of them. They were painting

0:49:11.400 --> 0:49:15.840
<v Speaker 4>a picture so crazy about this place called Comping that

0:49:16.040 --> 0:49:19.600
<v Speaker 4>I wanted to go to really with my rat.

0:49:23.719 --> 0:49:37.920
<v Speaker 3>I got here, he asked if he was going to

0:49:37.960 --> 0:49:38.640
<v Speaker 3>play this thing?

0:49:40.400 --> 0:49:42.239
<v Speaker 6>Did you know how I wrapped on the remix for

0:49:42.920 --> 0:49:44.000
<v Speaker 6>Maybe I Deserve.

0:49:46.480 --> 0:49:46.680
<v Speaker 1>You?

0:49:46.760 --> 0:49:47.399
<v Speaker 4>Sure did?

0:49:49.040 --> 0:49:54.280
<v Speaker 1>I sure do? That's right, but the remix.

0:49:54.640 --> 0:50:05.839
<v Speaker 4>But I talked about you. Sure did. Yeah, I've been

0:50:05.960 --> 0:50:09.200
<v Speaker 4>to like can we find that verse? Absolutely?

0:50:09.600 --> 0:50:11.000
<v Speaker 7>It's online, is it?

0:50:11.160 --> 0:50:14.640
<v Speaker 4>Yeah, I've been rocking with like I gotta she said

0:50:14.680 --> 0:50:17.359
<v Speaker 4>you deserve, I tell you, I got it. I've been

0:50:17.960 --> 0:50:21.640
<v Speaker 4>I've been doing this. Yeah, back then, probably Toxic record Tank.

0:50:21.920 --> 0:50:22.800
<v Speaker 7>Maybe I deserve.

0:50:24.160 --> 0:50:28.120
<v Speaker 6>I think I was telling him what he didn't deserve. No, no, no,

0:50:28.200 --> 0:50:30.160
<v Speaker 6>I think I was saying what you.

0:50:31.800 --> 0:50:35.080
<v Speaker 7>Deserve. I deserve. I can't remember the angle I can.

0:50:35.920 --> 0:50:41.720
<v Speaker 4>Oh, yeah, absolutely, I'm pulling that. Yeah, I remember that.

0:50:41.560 --> 0:50:43.720
<v Speaker 7>Had to be. When did that record come? Two thousand,

0:50:43.960 --> 0:50:45.800
<v Speaker 7>thousand and two thousand remix?

0:50:45.800 --> 0:50:48.640
<v Speaker 4>Probably two to two thousand and one. Yeah, yeah records.

0:50:49.000 --> 0:50:56.319
<v Speaker 4>He makes his first hit, Yeah, my first. That's why

0:50:56.320 --> 0:50:59.279
<v Speaker 4>I would never send a message ask her what she

0:50:59.400 --> 0:51:17.120
<v Speaker 4>wants to do. That's been blessing me. You found it,

0:51:17.200 --> 0:51:29.040
<v Speaker 4>he found it. Distinguished board member, see Light. You are

0:51:29.200 --> 0:51:34.560
<v Speaker 4>part of so many iconic moments, the voice yourself, Lovos.

0:51:39.160 --> 0:51:43.400
<v Speaker 4>We know along the way there's been some tunes, wholesome

0:51:43.480 --> 0:51:49.960
<v Speaker 4>tunes that have blessed your soul. We would like to

0:51:50.000 --> 0:51:55.080
<v Speaker 4>know what those tunes are. Here we call that show

0:51:58.360 --> 0:52:00.359
<v Speaker 4>m hm up.

0:52:04.000 --> 0:52:13.560
<v Speaker 7>Your top five, Yeah, your top.

0:52:13.280 --> 0:52:16.480
<v Speaker 4>Five reason.

0:52:18.520 --> 0:52:24.520
<v Speaker 1>Long, We gotting new be.

0:52:24.800 --> 0:52:27.840
<v Speaker 4>No, you know you Long dude.

0:52:28.280 --> 0:52:29.799
<v Speaker 3>We want you to gay.

0:52:34.160 --> 0:52:46.000
<v Speaker 4>Yes, you.

0:52:59.120 --> 0:53:02.320
<v Speaker 7>Let me tell you it pays to be in church

0:53:03.640 --> 0:53:04.480
<v Speaker 7>in church.

0:53:06.840 --> 0:53:15.960
<v Speaker 4>Bank okay, right, Yes, your top five R and B singers?

0:53:16.360 --> 0:53:17.239
<v Speaker 7>This is groups too?

0:53:18.880 --> 0:53:19.399
<v Speaker 4>Is your list?

0:53:21.960 --> 0:53:22.840
<v Speaker 7>Earth Winding Fire?

0:53:27.520 --> 0:53:33.040
<v Speaker 4>Yeah, brothers. I'm just saying I just saw Ron Ansley,

0:53:33.200 --> 0:53:37.480
<v Speaker 4>did you personally? Just sitting at the bar and in

0:53:37.640 --> 0:53:41.000
<v Speaker 4>Mr Childs in New York. Of course he was looking

0:53:41.200 --> 0:53:48.560
<v Speaker 4>like he owned the place, being mister because he is.

0:53:48.800 --> 0:53:51.960
<v Speaker 4>I need you to write me some records, Tank, No

0:53:52.000 --> 0:53:54.000
<v Speaker 4>problem there. When would you like that?

0:53:55.480 --> 0:53:55.719
<v Speaker 7>Wait?

0:53:55.920 --> 0:54:00.560
<v Speaker 4>Say it again, I need you to write me some records. Tank.

0:53:59.840 --> 0:54:02.400
<v Speaker 4>I don't forget about me?

0:54:03.800 --> 0:54:06.800
<v Speaker 7>How could I? So that's three.

0:54:08.520 --> 0:54:13.239
<v Speaker 6>This is just someone that I go back to every time.

0:54:15.600 --> 0:54:18.399
<v Speaker 6>It's Lionel Richie and Lionel Richie and.

0:54:18.360 --> 0:54:21.080
<v Speaker 7>The Commodore mm hmmm.

0:54:22.880 --> 0:54:29.000
<v Speaker 4>Both yeah, yeah, yeah, yeah yeah. It's two different voices, Yes.

0:54:29.160 --> 0:54:33.919
<v Speaker 7>Different voices, two different types of songs. Yeah, and both of.

0:54:33.840 --> 0:54:35.640
<v Speaker 4>Them are legendary.

0:54:37.400 --> 0:54:41.319
<v Speaker 7>I think that's it. Fine, got too spots, I'm gonna

0:54:41.400 --> 0:54:42.200
<v Speaker 7>keep it back then.

0:54:43.239 --> 0:54:47.480
<v Speaker 4>No one's ever got got spots? Who could get to Spot?

0:54:47.560 --> 0:54:49.000
<v Speaker 4>You know? Who could get to Spike? Jackson.

0:54:49.920 --> 0:54:54.160
<v Speaker 3>No, Little Michael and Big Michael. No Mike, no, Mike

0:54:54.280 --> 0:54:56.960
<v Speaker 3>Jackson and Jackson five Jackson.

0:54:58.440 --> 0:55:00.920
<v Speaker 4>Not even one of the He's the greatest kid singer. No, no, no,

0:55:02.680 --> 0:55:08.239
<v Speaker 4>who oh no, you can't fool with Mike. They can't. Nope,

0:55:08.239 --> 0:55:09.960
<v Speaker 4>I ain't going now.

0:55:10.000 --> 0:55:16.759
<v Speaker 3>Stevie is another conversation, Stevie, Stevie.

0:55:16.320 --> 0:55:24.160
<v Speaker 4>I respect Tavin, Tevin was Michael Michael. This is what

0:55:24.239 --> 0:55:29.640
<v Speaker 4>I'm coming from. I'm wrote better than Michael Jackson. Michael Jackson,

0:55:29.960 --> 0:55:31.960
<v Speaker 4>he's the voice, his voice.

0:55:32.120 --> 0:55:35.680
<v Speaker 3>There are only two people's songs that kids have to

0:55:35.760 --> 0:55:36.840
<v Speaker 3>sing when they come sing.

0:55:36.680 --> 0:55:40.160
<v Speaker 4>For you, Michael Jackson and Stevie Wonders. Those are the two.

0:55:40.320 --> 0:55:45.000
<v Speaker 4>It's it's because they were classic songs, of course, sing

0:55:45.000 --> 0:55:52.400
<v Speaker 4>with classic voices. I'm not going to discredit that. But

0:55:49.760 --> 0:56:02.600
<v Speaker 4>Tevin Campbell's amazing. Tevin Campbell on Quincy Jones, Tomorroro, Welp,

0:56:02.920 --> 0:56:06.760
<v Speaker 4>I respect it, I respect it. I respect it.

0:56:07.640 --> 0:56:10.240
<v Speaker 1>Okay, listen, it's it's no wrong answer.

0:56:10.320 --> 0:56:11.360
<v Speaker 4>I respect your answers.

0:56:11.400 --> 0:56:14.520
<v Speaker 3>Well, Michael Jackson could have got two spots, I think,

0:56:14.719 --> 0:56:16.239
<v Speaker 3>I think, and Steve could.

0:56:16.480 --> 0:56:20.480
<v Speaker 4>Do you think? Do you think Lionel Richie and the commodoors.

0:56:20.520 --> 0:56:22.640
<v Speaker 4>Which one is stronger, the com Line Rich and the

0:56:22.640 --> 0:56:27.879
<v Speaker 4>Commodorees or the Jackson five. I'm still the Jackson five.

0:56:28.719 --> 0:56:33.440
<v Speaker 4>Mm hm. Ushered in an error. I'm not arguing with

0:56:33.480 --> 0:56:37.359
<v Speaker 4>you because I was gonna say, Joe to cy and

0:56:37.440 --> 0:56:42.319
<v Speaker 4>Casey and Jojo could get two spots same voice though,

0:56:43.200 --> 0:56:47.120
<v Speaker 4>same voice, because that was the thing that you you know,

0:56:48.880 --> 0:56:52.239
<v Speaker 4>it was like it's literally two different voices for for

0:56:52.400 --> 0:56:55.879
<v Speaker 4>Lino at those times. Yeah, yeah, you know what I mean,

0:56:56.640 --> 0:57:03.200
<v Speaker 4>you know.

0:57:00.080 --> 0:57:05.520
<v Speaker 7>Yeah, that was a grunt.

0:57:06.000 --> 0:57:09.799
<v Speaker 1>Yeah, I've been singing different people. He sang with two

0:57:09.840 --> 0:57:10.440
<v Speaker 1>different people.

0:57:10.760 --> 0:57:13.320
<v Speaker 7>Yeah, one with the seasoning, one without.

0:57:14.600 --> 0:57:16.080
<v Speaker 1>What's that chicken were talking about earlier?

0:57:16.080 --> 0:57:21.600
<v Speaker 4>I don't care your top five R and B songs?

0:57:21.680 --> 0:57:23.600
<v Speaker 7>Yeah yeah, yeah, yeah.

0:57:24.200 --> 0:57:32.360
<v Speaker 6>Well because you all talked about Stevie, he might have

0:57:32.360 --> 0:57:33.680
<v Speaker 6>two spots.

0:57:34.080 --> 0:57:36.520
<v Speaker 4>Yeah, he's got so many.

0:57:36.680 --> 0:57:41.680
<v Speaker 7>Yeah, smash as. I'm gonna say, ass, leave that right there.

0:57:43.520 --> 0:57:45.840
<v Speaker 7>They'll never be.

0:57:49.800 --> 0:57:51.640
<v Speaker 4>Steak that the first two spots.

0:57:51.720 --> 0:57:52.840
<v Speaker 7>Caught up in a rapture.

0:57:53.320 --> 0:57:56.360
<v Speaker 4>Why not? Yeah, why not?

0:57:57.400 --> 0:58:01.840
<v Speaker 7>It's something about that pretty wins really.

0:58:04.160 --> 0:58:05.720
<v Speaker 4>Right. That came on the other day.

0:58:05.840 --> 0:58:08.360
<v Speaker 3>I was just on my one of my playlists. I

0:58:08.440 --> 0:58:11.480
<v Speaker 3>just yeah, yeah, mm hmmm.

0:58:12.000 --> 0:58:14.440
<v Speaker 6>I think it's maybe where I was in my life

0:58:14.440 --> 0:58:15.200
<v Speaker 6>when it came out.

0:58:15.280 --> 0:58:21.600
<v Speaker 7>It's just a very feel moment. How many is that before?

0:58:22.520 --> 0:58:27.560
<v Speaker 4>No? Three, No four? To Stevie's No, I didn't do it.

0:58:27.720 --> 0:58:30.880
<v Speaker 7>I didn't do a second Stevie yet, I just did as.

0:58:30.880 --> 0:58:36.000
<v Speaker 6>Okay, they'll never be switching switch yeah, as just keep

0:58:36.040 --> 0:58:39.640
<v Speaker 6>it as they'll never be around.

0:58:40.120 --> 0:58:43.400
<v Speaker 4>And then pretty pretty. So that is.

0:58:45.040 --> 0:58:46.640
<v Speaker 7>I'm gonna say human nature.

0:58:49.960 --> 0:59:01.600
<v Speaker 4>Yeah, great songwriting, Yeah, I just it's like, but why no, no, no, no,

0:59:02.200 --> 0:59:12.000
<v Speaker 4>it's just some of the greatest musicality, some of the

0:59:12.160 --> 0:59:17.840
<v Speaker 4>greatest lyric some of the greatest vocal that we will

0:59:18.240 --> 0:59:27.920
<v Speaker 4>ever hear. Like those times as you speak on Stevie

0:59:28.000 --> 0:59:37.040
<v Speaker 4>and Michael and the Commodores and Anita Baker Luther, it's like.

0:59:37.960 --> 0:59:43.760
<v Speaker 7>I can't get it back. Fuck yeah, how do we.

0:59:43.720 --> 0:59:52.240
<v Speaker 4>Get back to that m Every every piece was important,

0:59:53.560 --> 0:59:59.080
<v Speaker 4>every piece, every person in that room. We just we

0:59:59.480 --> 1:00:04.200
<v Speaker 4>continue to make the music. Quincy said, Quincy go through

1:00:04.280 --> 1:00:05.920
<v Speaker 4>eight bass players.

1:00:06.320 --> 1:00:08.840
<v Speaker 7>Right right until send people home.

1:00:09.160 --> 1:00:14.680
<v Speaker 4>Until it's not someone else. It's not it's not hidden.

1:00:16.000 --> 1:00:19.880
<v Speaker 3>Like really listen to those Isley brother records.

1:00:19.680 --> 1:00:24.720
<v Speaker 4>It's a movie. It's the reason we have to keep

1:00:25.000 --> 1:00:25.960
<v Speaker 4>earth win in fire.

1:00:26.720 --> 1:00:31.760
<v Speaker 6>It's why we have to keep sampling it.

1:00:31.760 --> 1:00:34.640
<v Speaker 4>It's why we have to keep running it back, because

1:00:34.680 --> 1:00:39.000
<v Speaker 4>you can't recreate it. Yeah, what are we missing?

1:00:39.640 --> 1:00:40.000
<v Speaker 7>Mm hmm.

1:00:42.840 --> 1:00:45.440
<v Speaker 4>I'm saying that as a creative, it is an ultimate creative.

1:00:45.480 --> 1:00:50.200
<v Speaker 4>What are we missing? Because that is fucking different?

1:00:52.440 --> 1:00:57.280
<v Speaker 3>It is, But nobody was saying that's good enough. It

1:00:57.320 --> 1:01:00.760
<v Speaker 3>was do it again, m hmm, until it was oh

1:01:00.800 --> 1:01:05.520
<v Speaker 3>that's perfect. I feel like, and you may you may

1:01:05.640 --> 1:01:08.520
<v Speaker 3>see it different, but I feel like the more I

1:01:08.560 --> 1:01:14.440
<v Speaker 3>go to studios when I'm in sessions and sometimes I'm

1:01:14.440 --> 1:01:16.360
<v Speaker 3>a fly on the wall where I'm just there. I

1:01:16.440 --> 1:01:18.360
<v Speaker 3>went to go see somebody, say what's up?

1:01:18.680 --> 1:01:21.240
<v Speaker 4>And I'm sit in the back and I listened to.

1:01:21.200 --> 1:01:26.040
<v Speaker 3>The producer and whoever the vocalist is, and they're like, oh, yeah, we'll.

1:01:25.880 --> 1:01:29.960
<v Speaker 4>Get we'll clean that up. Oh that did not exist.

1:01:30.000 --> 1:01:32.040
<v Speaker 4>We'll clean that up. Did not exist?

1:01:32.240 --> 1:01:34.000
<v Speaker 7>Yeah, not exist.

1:01:34.360 --> 1:01:37.240
<v Speaker 4>There was no cleaning up. No, it's sing it again

1:01:38.120 --> 1:01:42.120
<v Speaker 4>and again. And we've been singing this song for four days,

1:01:43.360 --> 1:01:44.040
<v Speaker 4>is what it is.

1:01:44.760 --> 1:01:46.720
<v Speaker 3>But now you have artists like man I could have

1:01:46.760 --> 1:01:50.800
<v Speaker 3>wrote the whole album, and that album may not stand

1:01:50.840 --> 1:01:53.720
<v Speaker 3>the testa time, because I guarantee you, thriller was not

1:01:53.800 --> 1:01:54.840
<v Speaker 3>made in four days.

1:01:55.120 --> 1:01:59.360
<v Speaker 4>Promise you, thriller wasn't made for all. Promised you wasn't

1:01:59.400 --> 1:02:00.240
<v Speaker 4>made all.

1:02:02.320 --> 1:02:03.160
<v Speaker 7>I'm in agreement.

1:02:03.280 --> 1:02:05.840
<v Speaker 4>And we're still to this day.

1:02:07.760 --> 1:02:14.520
<v Speaker 3>Talking about these songs, these albums, those vocals, those mixes.

1:02:14.800 --> 1:02:19.400
<v Speaker 4>The instrumentation, Like, we're still talking about that. And to me,

1:02:19.480 --> 1:02:20.760
<v Speaker 4>I think that.

1:02:23.240 --> 1:02:32.360
<v Speaker 3>Era now, you know, relying so heavily on technology, the engineer,

1:02:32.960 --> 1:02:33.280
<v Speaker 3>or just.

1:02:33.240 --> 1:02:35.000
<v Speaker 4>A crediting laziness to a vibe.

1:02:37.040 --> 1:02:45.200
<v Speaker 7>Oh ouch, you know that reminds me.

1:02:47.400 --> 1:02:50.280
<v Speaker 6>You know, we've heard several stories from other people on

1:02:50.440 --> 1:02:54.880
<v Speaker 6>how Jay doesn't write lyrics. Jay doesn't have to write lyrics.

1:02:55.200 --> 1:02:59.720
<v Speaker 6>Some of you others need to write lyrics. You need

1:02:59.760 --> 1:03:02.360
<v Speaker 6>to see what it is that you're saying.

1:03:03.280 --> 1:03:05.440
<v Speaker 3>Yeah, and he but he has a he has a

1:03:05.480 --> 1:03:09.360
<v Speaker 3>different gift one. Yes, but I guarantee you he's wrapped

1:03:09.360 --> 1:03:12.640
<v Speaker 3>that over and over in his head. Now, I'm you know,

1:03:14.840 --> 1:03:17.800
<v Speaker 3>I don't think that it's oh, I'm just blurting out anything.

1:03:18.240 --> 1:03:22.880
<v Speaker 3>He's not a blurt out anything, extremely calculated. So he's

1:03:23.000 --> 1:03:25.640
<v Speaker 3>walking around reciting.

1:03:25.240 --> 1:03:28.400
<v Speaker 4>Formulating, and then when it's time to get to work, boom.

1:03:28.560 --> 1:03:36.320
<v Speaker 3>I'm rehearsed right, rehearsal getting right when somebody tell you like, okay,

1:03:36.320 --> 1:03:39.080
<v Speaker 3>these are the this, this, this, this is the lines

1:03:39.320 --> 1:03:40.560
<v Speaker 3>are you're going.

1:03:40.360 --> 1:03:41.240
<v Speaker 7>Through them right?

1:03:42.440 --> 1:03:45.800
<v Speaker 6>You know with Milk back in the early days, they

1:03:45.840 --> 1:03:48.160
<v Speaker 6>would you know, I would say the rhyme and then

1:03:48.480 --> 1:03:49.760
<v Speaker 6>you know, I would want to be done.

1:03:49.880 --> 1:03:52.320
<v Speaker 7>I'm done. They'd be like, uh, you know what I

1:03:52.320 --> 1:03:53.480
<v Speaker 7>think you need to come in and do it. I

1:03:53.520 --> 1:03:54.760
<v Speaker 7>was like, okay, what do I need to do?

1:03:55.440 --> 1:03:59.320
<v Speaker 6>And then he'd have to find the words that I

1:03:59.360 --> 1:04:01.920
<v Speaker 6>could actually understand to be able to go in and

1:04:01.960 --> 1:04:04.000
<v Speaker 6>give him what it was that he was asking for.

1:04:05.480 --> 1:04:11.640
<v Speaker 6>And now it's systematic, like when I'm writing, there's a

1:04:11.640 --> 1:04:13.840
<v Speaker 6>better way to say that, there's a better way to

1:04:13.880 --> 1:04:16.760
<v Speaker 6>say this. We're not gonna rhyme that just because it's

1:04:16.760 --> 1:04:21.320
<v Speaker 6>shock value. I'm over shock value. Let's make it have purpose.

1:04:22.600 --> 1:04:24.880
<v Speaker 6>And that takes time. And that's what they were doing

1:04:25.160 --> 1:04:28.840
<v Speaker 6>in that day. It wasn't a rush. They enjoyed the

1:04:28.920 --> 1:04:32.440
<v Speaker 6>process of being in the studio. If it took, you know,

1:04:32.560 --> 1:04:37.280
<v Speaker 6>eight days to get through one song or singers that

1:04:37.360 --> 1:04:39.320
<v Speaker 6>were there with the intention of we're gonna get this,

1:04:39.360 --> 1:04:42.240
<v Speaker 6>so you're gonna say it as many times now, it's like,

1:04:42.360 --> 1:04:44.120
<v Speaker 6>say it three times and I'm gonna catch the best

1:04:44.120 --> 1:04:46.280
<v Speaker 6>parts of it and kind of clink it up together.

1:04:47.240 --> 1:04:48.560
<v Speaker 7>I think you hit something with that.

1:04:49.480 --> 1:04:55.120
<v Speaker 4>They've also made us calculate the expense of taking our time,

1:04:56.840 --> 1:04:59.800
<v Speaker 4>but the sessions are cheaper. I it's a milik because

1:05:00.000 --> 1:05:03.920
<v Speaker 4>everyone has home studios now now. But that's now what

1:05:04.040 --> 1:05:05.520
<v Speaker 4>got us out of it though.

1:05:05.480 --> 1:05:08.240
<v Speaker 3>Right, was the expense of being in a fifteen hundred

1:05:08.280 --> 1:05:10.640
<v Speaker 3>dollars two thousand dollars a day studio.

1:05:11.120 --> 1:05:14.800
<v Speaker 4>Especially if making R and B, because we needed the works.

1:05:15.080 --> 1:05:17.120
<v Speaker 4>I can only imagine what the thriller sessions, cause.

1:05:22.000 --> 1:05:23.720
<v Speaker 7>That's level I mean.

1:05:23.760 --> 1:05:26.400
<v Speaker 4>But it also is the grading selling album.

1:05:26.280 --> 1:05:29.920
<v Speaker 6>And the size if you're going for something of those studios.

1:05:30.000 --> 1:05:34.160
<v Speaker 4>Yeah, like just knowing just hearing the stories of Michael

1:05:34.200 --> 1:05:36.800
<v Speaker 4>and how he moved and recorded in all the rooms

1:05:36.800 --> 1:05:40.480
<v Speaker 4>that he didn't use and would show up and then

1:05:40.600 --> 1:05:46.920
<v Speaker 4>be missing for two months, and are you kidding me? Yeah, okay,

1:05:47.280 --> 1:05:49.760
<v Speaker 4>I'm sorry. Just when you started naming those songs, it

1:05:49.880 --> 1:05:55.320
<v Speaker 4>just it just struck something like that music is. It's

1:05:55.320 --> 1:05:59.360
<v Speaker 4>still shaping my life every time I hear those songs.

1:05:59.360 --> 1:06:00.440
<v Speaker 4>When we hear those hows the do.

1:06:00.840 --> 1:06:04.680
<v Speaker 6>It's like, yeah, if I ever make it back, I'll

1:06:04.680 --> 1:06:05.920
<v Speaker 6>give my favorite new.

1:06:07.640 --> 1:06:08.720
<v Speaker 4>Well you don't have to.

1:06:08.920 --> 1:06:14.880
<v Speaker 7>That's okay, because I gotta think about it, all right.

1:06:18.440 --> 1:06:24.120
<v Speaker 4>H I ain't saying no names. I ain't saying no names.

1:06:24.440 --> 1:06:27.760
<v Speaker 4>I ain't saying no names. Ain't saying no names. Was

1:06:28.640 --> 1:06:46.840
<v Speaker 4>we's weird what you did? Don't say ship saying name? Yeah?

1:06:47.320 --> 1:06:48.120
<v Speaker 7>He looked like, go.

1:06:49.680 --> 1:06:51.840
<v Speaker 4>We here we here we at that were at that

1:06:51.880 --> 1:06:55.520
<v Speaker 4>part of the show. Will you tell us the story? Yeah?

1:06:55.960 --> 1:07:01.280
<v Speaker 3>Funny and fucked up funny? Oh, the only rude to

1:07:01.320 --> 1:07:04.200
<v Speaker 3>the game. You can't say no names.

1:07:05.040 --> 1:07:13.280
<v Speaker 7>I can't say no names. Mmm. I you know. I

1:07:13.320 --> 1:07:18.959
<v Speaker 7>remember going out with this guy and.

1:07:18.840 --> 1:07:23.760
<v Speaker 6>We were in my car and I was driving, but

1:07:23.840 --> 1:07:25.200
<v Speaker 6>I had to go do something.

1:07:26.920 --> 1:07:33.400
<v Speaker 7>I had to interview Salt and Pepper for Word Up magazine, and.

1:07:35.640 --> 1:07:37.440
<v Speaker 6>I was dropping him off so that I could go

1:07:37.520 --> 1:07:39.600
<v Speaker 6>do that, and then I was gonna come back and get.

1:07:39.560 --> 1:07:45.160
<v Speaker 7>Him, and he took my hand and put it in

1:07:45.200 --> 1:07:47.760
<v Speaker 7>his mouth and bit.

1:07:49.120 --> 1:07:54.840
<v Speaker 6>The I had to pull my hand out of his mouth,

1:07:57.160 --> 1:08:00.200
<v Speaker 6>and I was like, what is And then he took

1:08:00.240 --> 1:08:05.919
<v Speaker 6>the key out of my ignition And at that point,

1:08:05.960 --> 1:08:08.960
<v Speaker 6>I'm just I already know I'm not coming back to

1:08:08.960 --> 1:08:09.360
<v Speaker 6>get him.

1:08:09.360 --> 1:08:10.400
<v Speaker 7>Once I hit him out.

1:08:10.240 --> 1:08:14.240
<v Speaker 6>Of my car, he said, so what you're gonna do.

1:08:14.280 --> 1:08:18.840
<v Speaker 7>You're gonna call your daddy. And I was like, oh,

1:08:18.920 --> 1:08:23.360
<v Speaker 7>this Nigga's crazy. No, just stop playing. Let me get

1:08:23.400 --> 1:08:24.519
<v Speaker 7>the key. I'll be back.

1:08:25.680 --> 1:08:27.679
<v Speaker 6>So you're coming back. Yeah, just give me the key,

1:08:28.600 --> 1:08:33.120
<v Speaker 6>all right? And I never saw him again to this day.

1:08:35.360 --> 1:08:37.360
<v Speaker 4>That's what you know. Maybe he was a rough neck.

1:08:37.920 --> 1:08:41.000
<v Speaker 6>Never, No, that was more than a rough nck. That

1:08:41.160 --> 1:08:46.639
<v Speaker 6>was accountable. He tried to eat my hand right.

1:08:46.479 --> 1:08:48.720
<v Speaker 4>Now, just because you had somewhere to go.

1:08:49.640 --> 1:08:52.360
<v Speaker 7>I don't I think it was his way of playing.

1:08:53.080 --> 1:08:55.400
<v Speaker 4>I was about to say, I think he was flirting.

1:08:55.600 --> 1:09:00.000
<v Speaker 6>He was flirting and he was testing the waters. Yeah, yeah,

1:09:00.040 --> 1:09:00.880
<v Speaker 6>he comes back.

1:09:01.000 --> 1:09:02.320
<v Speaker 4>Oh I'm really good.

1:09:03.479 --> 1:09:08.280
<v Speaker 7>Whatever for ladies, the red flag I made.

1:09:10.120 --> 1:09:13.360
<v Speaker 1>Girl, he's so crazy.

1:09:17.680 --> 1:09:20.400
<v Speaker 6>Good for me, I knew better. And I've never seen

1:09:20.439 --> 1:09:24.040
<v Speaker 6>him since. I mean I've seen him, but not we

1:09:24.280 --> 1:09:29.439
<v Speaker 6>have never seen one another. And he is an R

1:09:29.560 --> 1:09:34.720
<v Speaker 6>and B singer, all right, Yeah, that's not what we all.

1:09:36.200 --> 1:09:42.840
<v Speaker 4>We don't do that. As as as a distinguished member.

1:09:50.479 --> 1:09:58.360
<v Speaker 1>Nigga, stop biking. Hopefully she can't go where she can't

1:09:58.920 --> 1:09:59.439
<v Speaker 1>don't bite.

1:09:59.320 --> 1:10:02.840
<v Speaker 7>Her and take her can stuck take a car key.

1:10:02.880 --> 1:10:08.240
<v Speaker 4>They're gonna put the kids to bed. I should be

1:10:08.240 --> 1:10:12.960
<v Speaker 4>in a bait my way. Uh wow? And and you were.

1:10:13.640 --> 1:10:17.280
<v Speaker 6>You were like, yes, absolutely, I was on my way

1:10:17.520 --> 1:10:21.120
<v Speaker 6>to interview. Matter of fact there someone sent it to

1:10:21.160 --> 1:10:24.680
<v Speaker 6>me maybe about two weeks ago through a d M

1:10:24.720 --> 1:10:27.640
<v Speaker 6>the cover of the Word Up magazine where I interviewed

1:10:27.760 --> 1:10:28.880
<v Speaker 6>Salt and Pepper.

1:10:29.760 --> 1:10:32.040
<v Speaker 7>It was like celebrities interviewing celebrities.

1:10:33.200 --> 1:10:35.360
<v Speaker 4>You guy have some balls.

1:10:36.720 --> 1:10:37.040
<v Speaker 2>Or not?

1:10:37.600 --> 1:10:39.840
<v Speaker 7>I wonder does he even remember that he did it?

1:10:39.960 --> 1:10:44.800
<v Speaker 7>Though I was a failed attempt, He probably forgot it

1:10:44.840 --> 1:10:53.599
<v Speaker 7>was like or somebody else got bit and they're like, oh,

1:10:53.720 --> 1:10:54.640
<v Speaker 7>I know who that was.

1:10:59.080 --> 1:11:03.640
<v Speaker 4>Already know what the they about to be looking r

1:11:03.600 --> 1:11:09.480
<v Speaker 4>r rm Bier. I'm so sorry you went through that.

1:11:08.840 --> 1:11:14.160
<v Speaker 4>Yeah you made it out. Thank you, We we love you.

1:11:14.840 --> 1:11:16.080
<v Speaker 7>Thank you so much for this.

1:11:16.680 --> 1:11:19.080
<v Speaker 4>Absolutely, thank you.

1:11:19.640 --> 1:11:20.439
<v Speaker 7>I appreciate you.

1:11:20.479 --> 1:11:27.320
<v Speaker 4>And I think I think that a collaboration of you

1:11:27.439 --> 1:11:30.200
<v Speaker 4>and Jay on a hair care product.

1:11:32.720 --> 1:11:32.800
<v Speaker 2>Is.

1:11:34.640 --> 1:11:35.160
<v Speaker 7>That right?

1:11:36.479 --> 1:11:40.160
<v Speaker 4>Look, I'm the whole time, for real, the whole time,

1:11:40.200 --> 1:11:47.840
<v Speaker 4>I'm like, these motherfuckers is wave keep my being I'm

1:11:47.880 --> 1:11:53.240
<v Speaker 4>not making the cut. I did not know that's what

1:11:53.280 --> 1:12:00.559
<v Speaker 4>your hair is always always waving. I'm glad to be

1:12:00.600 --> 1:12:01.320
<v Speaker 4>putting it.

1:12:02.320 --> 1:12:03.960
<v Speaker 7>Listen. It was a rough morning.

1:12:04.080 --> 1:12:05.519
<v Speaker 4>I was like, I can't tell.

1:12:05.640 --> 1:12:07.160
<v Speaker 7>Let me try to get this together.

1:12:07.400 --> 1:12:12.280
<v Speaker 4>Hey, we hold you in high regard and thank you.

1:12:12.400 --> 1:12:15.080
<v Speaker 4>We support you, We appreciate you. Anything you ever need

1:12:15.120 --> 1:12:20.559
<v Speaker 4>from us, We are direct phone calls away album One

1:12:20.560 --> 1:12:20.920
<v Speaker 4>of One.

1:12:21.280 --> 1:12:24.000
<v Speaker 6>The One of One album is out. Now Make a

1:12:24.040 --> 1:12:26.240
<v Speaker 6>Living is the latest single.

1:12:26.400 --> 1:12:27.800
<v Speaker 7>Yeah, check it on out.

1:12:28.000 --> 1:12:35.240
<v Speaker 4>Please, awesome, awesome, thank you. As Killer Mike saying she's

1:12:35.280 --> 1:12:39.120
<v Speaker 4>wrapping her ass off, yeah, he was wrapping her ass off.

1:12:39.960 --> 1:12:42.200
<v Speaker 4>Thank you, Thank you, ladies and gentlemen. My name is

1:12:42.240 --> 1:12:45.640
<v Speaker 4>Tank and this is the Army Money podcast, the authority

1:12:45.960 --> 1:12:49.760
<v Speaker 4>on all things R and B R and B.

1:12:50.560 --> 1:13:02.160
<v Speaker 1>This has been a heavy episode.

1:13:02.439 --> 1:13:04.240
<v Speaker 3>R and B Money is a production of the Black

1:13:04.240 --> 1:13:09.040
<v Speaker 3>Effect podcast Network. For more podcasts from iHeartRadio, visit the

1:13:09.160 --> 1:13:12.960
<v Speaker 3>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:13:13.000 --> 1:13:16.880
<v Speaker 3>favorite shows. Don't forget to subscribe to and rate our show,

1:13:17.200 --> 1:13:19.800
<v Speaker 3>and you can connect with us on social media at

1:13:19.880 --> 1:13:24.160
<v Speaker 3>j Valentine and at the Real Tank. For the extended episode,

1:13:24.240 --> 1:13:28.439
<v Speaker 3>subscribe to YouTube dot com or slash R and B

1:13:28.560 --> 1:13:28.880
<v Speaker 3>Money