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Speaker 1: I wanted to start with some cool audio upulled from TikTok.

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Speaker 1: Mostly Kelly Clarkson at the beginning of her show sings

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Speaker 1: a cover. How exhausting must that be? Every single show

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Speaker 1: she has to pick a cover to sing. And granted,

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Speaker 1: if I could sing that well, I would sing all

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Speaker 1: the time. But every episode she sings something else. That

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Speaker 1: means the band has to learn a new Maybe that's

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Speaker 1: not that big of a deal.

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Speaker 2: It's probably nothing to her, man, because it's like you said,

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Speaker 2: she loves to sing, and yeah, every bands are easy,

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Speaker 2: like good good bands. They take a song and they're like,

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Speaker 2: just give me the kids in and we'll let it rock.

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Speaker 1: I feel like even dancing before every show, like Ellen did,

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Speaker 1: I'd be like I'm over this. Yeah, where I think, Mike,

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Speaker 1: don't you think you just kind of be over it?

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Speaker 1: Like I have to sing every show.

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Speaker 3: I think it would be harder to keep finding songs

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Speaker 3: that you could do well.

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Speaker 1: Yeah, hundreds of songs or songs you even liked, or

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Speaker 1: songs you even knew. At some point you'd be like, Okay,

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Speaker 1: I get it. Because I think her singing covers at

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Speaker 1: the beginning of the Kelly Clarkson show was something they

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Speaker 1: were doing because it was fun. It was going viral,

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Speaker 1: but now it's become such the thing, like the Ellen dancing,

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Speaker 1: that she has to do it every single show, and

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Speaker 1: every once in a while one goes crazy viral. But

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Speaker 1: this one I saw her doing Harvey Danger Flag Polcita.

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Speaker 1: This is an example, went completely viral. And I also

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Speaker 1: loved this song from like it was the late late

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Speaker 1: nineties I think, and here it is from her show.

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Speaker 1: I feel like that's a song. She was like, I

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Speaker 1: kind of remember that, Like I love that song, and

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Speaker 1: I thought it was cool she was singing it, but

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Speaker 1: they had to be in a meeting and she's like, yeah, yeah,

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Speaker 1: I said, Okay, how does it go? I'm not, oh yeah,

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Speaker 1: I kind of remember that. Okay, it's Wednesday.

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Speaker 2: Why not?

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Speaker 1: I saw her doing Yes, It's Mamas. And then there's

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Speaker 1: one part because the trend was lesbians everywhere go crazy

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Speaker 1: because the line is, you know, I like my girls

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Speaker 1: a little bit older, and then she winks at the

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Speaker 1: camera and it was like all lesbian TikTok was like fainting.

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Speaker 1: It's funny. It's really funny. But she crushed that song too.

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Speaker 1: That's a good one. I just funny, usual love. I

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Speaker 1: have another clip. This is of Lincoln Park's new singer,

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Speaker 1: which I've been very vocal about thinking. Not that she's

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Speaker 1: not good, I just didn't think it was the right

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Speaker 1: fit for Lincoln Park, and I don't think they should

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Speaker 1: have got it Chester replacement, someone that sounds or looks

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Speaker 1: like Chester. I like the idea of them getting a

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Speaker 1: female lead singer because it's different enough, but I feel

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Speaker 1: like her voice was just a little too aggressive and

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Speaker 1: not as melodically sounding as the old songs. Like three

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Speaker 1: times I talked about this. Actually, it's the only time

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Speaker 1: I ever talked about it, because I don't talk about

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Speaker 1: Lincoln Park other than this podcast. Used to like Lincoln

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Speaker 1: Park a lot, never loved, but always liked. But I

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Speaker 1: think she's getting better, Mike.

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Speaker 3: I think so too.

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Speaker 1: As soon as I saw the clip, I said, I'm

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Speaker 1: gonna bring in this clip. I'm gonna nibble on my words,

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Speaker 1: not eating them, but I'm gonna ennibble on my words,

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Speaker 1: and I'm gonna play this Lincoln Park clip with their

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Speaker 1: new lead singer and see if I feel the same way.

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Speaker 1: Go ahead. That sounds Lincoln Park ish enough.

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Speaker 2: That's her?

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Speaker 1: Yeah, whoa Yeah, Emily Armstrong, Yeah, keep it up for

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Speaker 1: a Minutelet's see how far it goes. So I just

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Speaker 1: want to say that to me, feels more like Lincoln

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Speaker 1: Park without it sounding just like Chester has her own voice,

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Speaker 1: own identity, is hardcore. I love it and doesn't sound

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Speaker 1: like it's out of place.

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Speaker 3: Your thoughts, Mike, Yeah, they're coming here late this summer,

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Speaker 3: like I would be down to see that now.

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Speaker 1: You were never with me though on You didn't like it, though,

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Speaker 1: did you? No?

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Speaker 3: I thought she was good. I thought like some of

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Speaker 3: her screams were a little bit off, But I think

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Speaker 3: she's there now.

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Speaker 1: Yeah, maybe that's what it was like. Her screams did

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Speaker 1: not fit. And there's so much Chester screaming in those

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Speaker 1: Lincoln Park songs that go hard. But I watched that

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Speaker 1: video and I nibbled my words a little bit.

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Speaker 3: Yeah, because the great thing about Chester he would but

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Speaker 3: he would scream and key and it would sound perfect.

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Speaker 3: She didn't have that in those early clips that we heard.

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Speaker 3: I thought her voice sounded good, like I felt the

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Speaker 3: emotion in it. But I think now she's there.

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Speaker 1: I can be told, I can be sold. I'm there.

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Speaker 1: I think I'm getting there. Next up, I pulled a

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Speaker 1: couple clips, and I don't want to tell you who

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Speaker 1: this is singing Eddie, but what I'm going to say

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Speaker 1: is this is somebody you will definitely know. Okay, I

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Speaker 1: don't know if I want to give any more hints.

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Speaker 1: This is an actress, and after the first one, I'll

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Speaker 1: give you another hint. But would you play This is

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Speaker 1: her and her husband, her husbands playing guitar behind her.

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Speaker 1: Would you play the first song?

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Speaker 4: Mike twenty five years?

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Speaker 5: I'm LAUGHISSU trying to get up there, creeping you love

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Speaker 5: hole for a destination. I realized quick, cluhen you are

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Speaker 5: should that the world was made of this brotherhood of them,

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Speaker 5: whatever that means.

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Speaker 6: And so I cruise sometimes when I'm lying a bit,

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Speaker 6: and so get it all but s in my I'm

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Speaker 6: feeling and so I was wanting at a step outside

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Speaker 6: and I take it in and I get real high,

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Speaker 6: and I'm straight from the top of my lums.

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Speaker 2: What's going on?

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Speaker 1: So that song is sang by many, and many can

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Speaker 1: do it pretty good, but you can start to hear

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Speaker 1: a little ways in that she actually can sing, especially

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Speaker 1: when it changes from that first verse. Any idea who

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Speaker 1: that is?

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Speaker 2: Gosh? I feel like I've seen this TikTok video, but

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Speaker 2: I don't remember who it was.

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Speaker 1: It's gonna be tough to just nail by the voice.

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Speaker 1: What'd you think of the singing good good? Yeah, like

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Speaker 1: that's that's that's not an easy song to sing. And

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Speaker 1: she did a really really good job. Movie actress and

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Speaker 1: television actress. I would say she's on a television show now,

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Speaker 1: that's pretty popular. But we don't watch We watched her

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Speaker 1: movies for sure. Is her husband famous too, No, not

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Speaker 1: that No, So her husband's in music though, I think so. Yeah, yeah,

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Speaker 1: but no, no, no, no, no, okay, if I have to

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Speaker 1: even ask that question. Not super famous. But she was

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Speaker 1: a massively famous teen actress and like early twenties actress,

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Speaker 1: and she's probably in her forties now, is.

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Speaker 2: It Jennifer Love Hewett is Okay?

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Speaker 1: She had and she had a record deal at one

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Speaker 1: point too. She had a song that I played back

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Speaker 1: when I was a teenager on the radio. So and

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Speaker 1: that that shows good.

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Speaker 2: She's on though, nine on one, that's what it is. Yeah,

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Speaker 2: so you watch it. I've seen it before.

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Speaker 1: She's forty six, okay, And so she sits there and

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Speaker 1: again she had a record deal at one point, and

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Speaker 1: she had a song that was almost a hit, like

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Speaker 1: it got up to the twenties or something, if I'm guessing,

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Speaker 1: because we used to play it all the time when

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Speaker 1: I was doing pop radio. I pulled another one in

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Speaker 1: case you couldn't get it. But it's still really good.

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Speaker 1: This is her doing the bones from Maren Morris.

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Speaker 7: Here you go, Yeah, like show can try to put

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Speaker 7: love through it, but we built this right, so nothing's

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Speaker 7: ever gonna move it. When the bones are good, the

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Speaker 7: rest don't matter.

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Speaker 5: Together, pain appeal, the glass good, shadow.

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Speaker 7: Len away because she and I remain the same when

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Speaker 7: there ain't a crack in the foundation. Baby, I know

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Speaker 7: any storm we're facing blood right oh while we stay,

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Speaker 7: but the house don't fall and the bones are good.

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Speaker 1: So you can tell she could sing yeah, that's awesome.

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Speaker 1: And the camera's just set up, but she's not even

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Speaker 1: in a space. She's just sitting in the living room.

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Speaker 1: I think her song that was so big, or it

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Speaker 1: was pretty big. This is called bear Naked.

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Speaker 4: Yeah, this is.

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Speaker 2: Let's remember this.

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Speaker 4: Do.

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Speaker 1: Let me see if she had another one though, because

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Speaker 1: again it wasn't a hit hit, but.

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Speaker 2: Was the was it under her name.

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Speaker 1: Oh yeah, yeah, she was Jeffer Lovewit. But she was

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Speaker 1: already famous as an actress too.

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Speaker 2: Fast forward.

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Speaker 1: This is the one that I how.

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Speaker 2: Do I know?

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Speaker 1: Yeah, so she could sing? She had a record.

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Speaker 2: That's cool.

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Speaker 1: Uh that's her most stream song, No Ordinary Love. I

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Speaker 1: don't even know that I know this one. I don't

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Speaker 1: know it and I'm not gonna.

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Speaker 2: Sit through that.

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Speaker 1: So but yeah, Jennifer love you had crushed it on

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Speaker 1: TikTok singing.

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Speaker 2: At first, I thought it may have been Sarah Michelle Geller,

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Speaker 2: but then I was like, she's married to Freddy Prince Junr.

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Speaker 2: Not crazy. They're married to each other.

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Speaker 1: The craziest part of all of that is one, they're

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Speaker 1: still married after all those years. And two he was

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Speaker 1: a wrestling writer for a long time. Really, he went

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Speaker 1: to the w and he was a writer. He was like,

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Speaker 1: create a storyline.

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Speaker 2: After his after his success. Yeah, like that's what he did.

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Speaker 1: He wow, ninety nine point nine percent positive he was

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Speaker 1: writing for WWE. Yeah.

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Speaker 3: I've seen some documentary eclips of him talking about some

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Speaker 3: of the storylines. Yeah, where he's like sitting at a

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Speaker 3: table talking about it and they just casually bring up

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Speaker 3: like here's Fredy Frinch junior writer. I'm like, wait a minute, Yeah,

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Speaker 3: you're right, because they don't say Fredy Prince junior actor

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Speaker 3: from Scooby Doo from Let's Go to a Writer, Freddy

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Speaker 3: Prince Junior or Summer Catch or any of those movies

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Speaker 3: he was in.

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Speaker 1: But it's like, yeah, here's Jonathan Filipowski, Sean Misty, and

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Speaker 1: Freddy Prince Junior three rider from w W and you're like,

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Speaker 1: does that guy just have the same name?

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Speaker 3: Sale And they're all going to be in the their

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Speaker 3: remaking I know what you did last summer. I think

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Speaker 3: they're all coming back for it too.

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Speaker 2: Oh that's cool. That's a good one. Did they ever do?

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Speaker 1: I still know what you did?

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Speaker 3: Like ye did the sequel, but now they're rebooting. The

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Speaker 3: first one was I still know what you did last summer?

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Speaker 3: Good for a horror slash your sequel, it's pretty at

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Speaker 3: least the same thing again.

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Speaker 1: I'll like the first one.

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Speaker 3: Yeah, that was great.

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Speaker 1: That was good. And then I pulled this cover because

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Speaker 1: I thought it was so freaking good and I know

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Speaker 1: you're gonna know who it is. But she's doing Fleetwood

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Speaker 1: Mac Go your Own Way. A lot of people cover it,

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Speaker 1: but nobody really like this. I'll let you at the

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Speaker 1: very end say who it is. Okay, you're gonna know it.

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Speaker 1: So it's not even like I.

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Speaker 2: Mean again, I've seen this video. I can't remember who.

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Speaker 1: Okay, then I'll just say who it is. It's a

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Speaker 1: Dolores from the Cranberries. Oh yeah, and she's in a

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Speaker 1: recording studio. She's dead, by the way now, so she's

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Speaker 1: in a recording studio and she's singing it. And by

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Speaker 1: the way, the Cranberrys. If you do not remember and

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Speaker 1: you're not a nerd of the nineties, like we are

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Speaker 1: zombie zombie, Hey, hey that one? And then do you

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Speaker 1: have to let it linger?

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Speaker 3: Do you have to?

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Speaker 4: Do?

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Speaker 1: You have to and more? But that's her. They are

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Speaker 1: Irish and very famous for the here you go ooo

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Speaker 1: take it from you can go, you can go, you can.

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Speaker 2: Go lonely day, not the lonely day.

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Speaker 7: You can go Ya.

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Speaker 5: You can go yr way, tell me why everything.

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Speaker 1: Turned just so distinct perfect a great voice, but also

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Speaker 1: so distinct because of the huh on theyodel whatever that is.

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Speaker 1: And I'm sure if I were betting there were many

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Speaker 1: people at the very beginning of her musical career. That

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Speaker 1: was Hey, m hmm, it's not really exactly how people

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Speaker 1: sing like it's a little too different, Like no one's

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Speaker 1: really gonna attach to that. That happens in music a

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Speaker 1: lot where somebody is so different, but what makes them

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Speaker 1: so different is also what makes them wildly famous. But man,

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Speaker 1: she could sing.

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Speaker 2: What I really like about that is no one tried

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Speaker 2: to do that. Again, I don't think they could. No

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Speaker 2: one really try to replicate what the Cranberryes ever did,

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Speaker 2: which is really.

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Speaker 1: Cool because again it's so different, it would be so

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Speaker 1: derivative if you did. Now, maybe there's Irish music and

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Speaker 1: a lot of like traditional Irish music has some of

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Speaker 1: that what we would consider yodeling in it, and she

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Speaker 1: just brought that into like the American pop world, Like

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Speaker 1: that could be something that I could have seen happen

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Speaker 1: where they do sing like that, But she's the one

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Speaker 1: that decided to go and write contemporary music with it,

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Speaker 1: and then it crossed over. Can't say I've listened to

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Speaker 1: a lot of Irish folk music, though I wonder if

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Speaker 1: I typed in Irish folk music, it's all.

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Speaker 2: Like that, it's all zombie comes out.

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Speaker 1: What do you think about that?

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Speaker 3: Theory, Mike, it's pretty you think that's kind of like

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Speaker 3: people trying to sound like Morgan Wallen.

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Speaker 1: Now, well, I think that is let's just chase the

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Speaker 1: sound that's making money right at the second.

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Speaker 3: But even like his vocal style, like the way he sings,

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Speaker 3: I feel like people are trying to emulate that. Now who.

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Speaker 1: So post Malone does the Okay, So I think like

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Speaker 1: even like a Bailey Zimmerman who doesn't try to emulate

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Speaker 1: post Malone in general. But I think some of Bailey's

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Speaker 1: voice when he does that kind of drag, like I

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Speaker 1: think post has done it. So Bailey probably did a

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Speaker 1: little bit. It's like, oh I can also I think

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Speaker 1: there's a lot of things that are derivative. Do you

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Speaker 1: think that about Biley's ever been a time where he

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Speaker 1: has some of that post Malone?

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Speaker 2: Yeah, I think he does that a little bit.

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Speaker 1: Okay. Famous Irish folk songs. Oh, this is called the

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Speaker 1: Parting Glass.

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Speaker 6: I spent.

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Speaker 2: Guys. It kind of is that.

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Speaker 1: Yeah, that's exactly what it is.

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Speaker 4: That's crazy.

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Speaker 1: One that song kind of as a banger, and two

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Speaker 1: like that song is kind of a banger and two

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Speaker 1: I can definitely hear now the Irish folk influence in

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Speaker 1: Dolores and how she sings. After hearing that, we can

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Speaker 1: try another one just for spits and giggles, to see

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Speaker 1: if other ones. Here's a very famous one called dandy Boy.

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Speaker 1: I don't know who's singing.

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Speaker 2: This one life song.

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Speaker 4: From Glen to Glen.

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Speaker 2: To the songs.

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Speaker 1: Some one doesn't sing so much?

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Speaker 2: Do you know that song?

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Speaker 1: I've heard that song about?

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Speaker 2: Yeah, I've heard that. Wonder what you two didn't sing

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Speaker 2: like that?

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Speaker 3: Are they are Irish rock?

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Speaker 1: Ira?

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Speaker 2: Yes, Irish rock?

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Speaker 1: One more in our Irish maybe first of all, No,

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Speaker 1: I just stopped that and tak w I'll be honest. Yeah,

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Speaker 1: that's a good one. So I pulled that clip. I

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Speaker 1: liked all those. Let me make sure that's my nose

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Speaker 1: from TikTok. TikTok's the greatest place.

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Speaker 2: That's funny, I think. Yeah, all those three videos that

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Speaker 2: they came into my algorithm as well.

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Speaker 1: Probably because they know where together.

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Speaker 2: Do Yeah, man, that's they know what we're doing.

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Speaker 1: I saw there bringing back the MTV Unplugged Like the

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Speaker 1: old ones, they've tried to remake it time to change,

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Speaker 1: but they're now putting the MTV Unplugged the classic episodes

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Speaker 1: on Paramount Plus. Over fifty episodes. The live performances have

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Speaker 1: been added to Paramount plus US, some of them which

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Speaker 1: again we're derivative of mtvun Pluged, like VH one, Storyteller's

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Speaker 1: one of my favorites, counting Crows One, Sampty Crossway Roads.

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Speaker 1: They're still making those, but like the John Mayer Keith

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Speaker 1: Urban Wins a good one to watch, and according to

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Speaker 1: press release, many of the episodes haven't been available in

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Speaker 1: twenty plus years. MTV Unplugged includes one of my favorite

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Speaker 1: albums of all time, Like top five favorite albums of

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Speaker 1: all time is an MTV unplugged. It's the Nirvana one

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Speaker 1: that's up there. Nothing on those but a bucket about birds.

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Speaker 1: It's all up there. But don't be scare who needs action? Win?

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Speaker 1: You got words? And even the David Bowie song because

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Speaker 1: this is how I knew who the meat pupps were.

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Speaker 1: And David Bowie, uh, He's like, this is a Bowie song.

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Speaker 1: Hold on, oh.

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Speaker 3: Ah, come on, I'll look it up. Then the world.

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Speaker 1: Yes no no no no no no no no no

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Speaker 1: no no no no no no no no no no

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Speaker 1: no no. It's such a lot because it's an acoustic version.

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Speaker 1: But he killed himself right after that show, like really

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Speaker 1: soon after.

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Speaker 2: Really I didn't realize that.

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Speaker 1: I mean not right after it. I was like, take everybody,

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Speaker 1: and then he killed himself.

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Speaker 2: What was it like within the month or so?

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Speaker 1: My google that for me will ye see. That was

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Speaker 1: like the last one of the last things they did.

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Speaker 2: You know what else I just recently saw was that

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Speaker 2: his daughter married Tony Hawk's son. Yeah, and they have

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Speaker 2: a child together.

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Speaker 1: Their kid's granddad is Tony Hawk and Kurt Cobaine, Yeah,

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Speaker 1: colas mutual grandparents.

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Speaker 2: Ever holy and Tony Hawk posted a picture of his

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Speaker 2: old uh Nirvana ticket that he went and saw him

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Speaker 2: back in ninety one or ninety maybe that's pretty cool.

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Speaker 3: I was less than five months after that.

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Speaker 1: That was like their last big thing they did. And

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Speaker 1: then the Conspiracy Theorist, which I don't believe any of this,

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Speaker 1: Like you can see on Kurt's face right then at

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Speaker 1: the end of the song, he knew he wanted to

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Speaker 1: end it liked No, He's just probably he's probably a

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Speaker 1: good dude who didn't love his life. Right then, I

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Speaker 1: feel like he was a real guy though that did

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Speaker 1: not love the fame of it. I think some people

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Speaker 1: act like they didn't like the fame of it, and

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Speaker 1: I think a lot of times in that nineties alternative era,

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Speaker 1: you had to at least act like you didn't like

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Speaker 1: the fame of it. But still he kind of liked

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Speaker 1: fame of it because the money and the ability to

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Speaker 1: play bigger shows. I feel like he kind of actually

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Speaker 1: hated it.

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Speaker 2: Yeah. I mean, but you know, like Brian Wilson too

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Speaker 2: openly said he did not like the fame in it,

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Speaker 2: didn't like the touring of it, so he didn't tour,

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Speaker 2: so he stayed at home. Yeah, but he did it music.

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Speaker 2: Did not tour because he did not like being famous.

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Speaker 1: But Kirk Cobaine did tour, Yeah, And I think that's

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Speaker 1: why made him hate it. He did toy did do

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Speaker 1: all the television shows. And there are only three people

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Speaker 1: in the band. He could not go yeah, where the

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Speaker 1: Beach Boys had five Yeah, and they all would go

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Speaker 1: and to it. Multiple guys would sing in the Beach Boys,

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Speaker 1: So I think it was easier for him to stay back. Yeah,

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Speaker 1: I he'd stay back in the studio.

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Speaker 2: I'll make the music, you guys record and perform it.

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Speaker 1: Let's take a little break. Can we take a break, Mike?

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Speaker 8: Yeah, hang Ty, The Bobby Cast will be right back. Wow,

381
00:20:00,040 --> 00:20:02,159
Speaker 8: and we're back on the Bobby Cast.

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Speaker 1: I wanted the ten biggest scandals in country music history.

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Speaker 1: This is from Taste of Country, and so some of

384
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Speaker 1: them are going to be weird to talk about because

385
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Speaker 1: we know the people I don't know.

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Speaker 2: It's part of the job, man, part of the job.

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Speaker 1: I agree. So you want to take a run out

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Speaker 1: of micro No, you saw some of this stuff.

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Speaker 3: Let's go for it.

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Speaker 1: Yeah, some of the stuff pretty sensitive to different people,

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Speaker 1: but I think we should go for it for good.

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Speaker 1: Let's go number ten. Vaguely remember this Willie Nelson's IRS

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Speaker 1: bill for sixteen point seven million dollars.

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Speaker 2: This is interesting because what do you remember about it?

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Speaker 6: Well?

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00:20:45,040 --> 00:20:47,439
Speaker 2: I didn't remember much, but I just watched a documentary

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00:20:47,480 --> 00:20:52,040
Speaker 2: on Willie and they cover it very well. They basically,

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Speaker 2: Willy had a manager and this manager didn't file certain

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Speaker 2: tax forms for years. That's what it was. Yeah, and

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Speaker 2: then when Willy found out about it and the IRS

401
00:21:04,160 --> 00:21:08,720
Speaker 2: was like, hey, you owe these taxes, Willy said, well,

402
00:21:08,800 --> 00:21:11,480
Speaker 2: why don't we just make a deal. And so his

403
00:21:11,640 --> 00:21:13,800
Speaker 2: same manager, same manager who made the mistake said, yeah,

404
00:21:13,800 --> 00:21:16,000
Speaker 2: we got a deal. I talked to the IRS. We've

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00:21:16,000 --> 00:21:17,920
Speaker 2: got a deal. All you got to do is buy

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00:21:18,040 --> 00:21:21,560
Speaker 2: a golf course, by a school, by these things, and

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00:21:21,600 --> 00:21:23,399
Speaker 2: we can write them all off and that'll go towards

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Speaker 2: our debt. And then IRS came back said that's not

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Speaker 2: how that works. After he bought all that stuff, so

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Speaker 2: he was in more trouble, which is where he was like,

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Speaker 2: I can't get out of this trouble. This is tough.

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00:21:35,359 --> 00:21:37,840
Speaker 2: So then they negotiated down to a certain amount that

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Speaker 2: he did have to owe, and that's when he recorded

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Speaker 2: an album. He says that, okay, if I record a

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Speaker 2: record called the Willy IRS Tapes, and all the proceeds

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Speaker 2: will go to whatever I owe.

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Speaker 1: Nineteen ninety, the IRS hit him with that almost seventeen

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Speaker 1: million dollar tax bill, one of the largest at the

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Speaker 1: time ever imposed on an individual. They say it stem

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Speaker 1: from bad investments and shady financial advice. His accountants at

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00:21:59,520 --> 00:22:02,720
Speaker 1: Price House had put his money into tax shelters that

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00:22:02,760 --> 00:22:05,919
Speaker 1: were later deemed illegal, leaving him on the hook for millions,

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Speaker 1: and since he didn't have the cash, the IRS seized

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Speaker 1: nearly everything he owned, including.

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Speaker 2: In the guitar that everyone knows his famous guitar, which

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00:22:14,640 --> 00:22:17,639
Speaker 2: one of his guys, I don't know who grabbed it

427
00:22:17,720 --> 00:22:19,920
Speaker 2: and asked, and he begged the IRS agent and like,

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00:22:19,960 --> 00:22:22,000
Speaker 2: can we please just keep this guitar? He said, yeah,

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00:22:22,080 --> 00:22:22,760
Speaker 2: keep it, so.

430
00:22:22,720 --> 00:22:23,359
Speaker 1: They didn't seize that.

431
00:22:23,480 --> 00:22:24,239
Speaker 2: He did not seize it.

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Speaker 1: They seized his ranch, his recording studio properties, and then

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Speaker 1: Willie Nelson put out the IRS tapes. Who'll buy my memories?

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00:22:33,160 --> 00:22:35,520
Speaker 1: That's a funny idea, who will buy my memories?

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00:22:35,840 --> 00:22:38,639
Speaker 2: It was interesting too, because they held auctions, you know,

436
00:22:38,760 --> 00:22:41,640
Speaker 2: to help Willie, like here this is you can buy

437
00:22:41,680 --> 00:22:45,080
Speaker 2: Willie's studio, you can buy Willies whatever. And fans were

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00:22:45,119 --> 00:22:46,959
Speaker 2: just like, whatever, to help Willy, We'll buy it.

439
00:22:47,480 --> 00:22:50,840
Speaker 1: The album consisted of stripped down recordings, was sold through

440
00:22:50,840 --> 00:22:54,840
Speaker 1: television infomercials, and proceeds didn't go to Willie obviously, went

441
00:22:54,920 --> 00:22:57,560
Speaker 1: right to the IRS. Despite losing much of his property,

442
00:22:57,640 --> 00:22:59,879
Speaker 1: Nelson's friends and fans helped him out. Many of US

443
00:23:00,040 --> 00:23:05,200
Speaker 1: sessions were bought at IRS auctions and quietly returned to him. Eventually,

444
00:23:05,240 --> 00:23:08,400
Speaker 1: he settled the debt for around six million dollars. It's

445
00:23:08,440 --> 00:23:10,800
Speaker 1: one of the most famous tax cases in music history

446
00:23:11,320 --> 00:23:13,960
Speaker 1: and Nelson. Ever, the outlaw took it and stride and

447
00:23:14,040 --> 00:23:14,719
Speaker 1: paid his taxes.

448
00:23:14,800 --> 00:23:15,320
Speaker 2: Yeah, he did it.

449
00:23:15,320 --> 00:23:18,280
Speaker 1: Because he didn't, he'd have been in jail for sure. Dang,

450
00:23:18,359 --> 00:23:22,200
Speaker 1: that's crazy. Number nine, Dolly Parton was sued for three

451
00:23:22,240 --> 00:23:25,760
Speaker 1: million dollars by her former partner Porter Wagner eight years

452
00:23:25,760 --> 00:23:29,560
Speaker 1: after she left the show. That's when the lawsuit happened.

453
00:23:29,560 --> 00:23:32,920
Speaker 1: So it wasn't even right then, but they eventually reconciled

454
00:23:32,920 --> 00:23:35,359
Speaker 1: and Dolly was at the bedside when Porter passed in

455
00:23:35,400 --> 00:23:36,520
Speaker 1: two thousand and seven.

456
00:23:36,920 --> 00:23:39,200
Speaker 2: What was the lawsuit that she left his show?

457
00:23:40,880 --> 00:23:44,879
Speaker 1: Probably in the middle of a contract. You know, I

458
00:23:44,880 --> 00:23:48,159
Speaker 1: will always love you about him, Yes, but not romantic.

459
00:23:49,200 --> 00:23:54,520
Speaker 1: It's like I got I go. But I there's a

460
00:23:54,560 --> 00:23:56,840
Speaker 1: Porter Wagner suit at the Opry. That's pretty cool.

461
00:23:57,680 --> 00:23:58,840
Speaker 2: Really, I don't think I've ever seen that.

462
00:23:59,359 --> 00:24:01,520
Speaker 1: Yeah, they have it up and it's it's in a

463
00:24:01,640 --> 00:24:04,520
Speaker 1: room in one of the dressing rooms, and it's those

464
00:24:04,520 --> 00:24:06,879
Speaker 1: old school I forget what they're called.

465
00:24:07,840 --> 00:24:10,119
Speaker 2: The kind of like the is it shiny.

466
00:24:09,960 --> 00:24:12,240
Speaker 1: Well, it's got all the low logos and the shiny

467
00:24:12,680 --> 00:24:15,800
Speaker 1: those are so cool. Did you ever watch any of

468
00:24:15,800 --> 00:24:17,760
Speaker 1: the old Dolly Porter black and white stuff?

469
00:24:17,880 --> 00:24:20,800
Speaker 2: Yeah? Just little clips that I've seen. I mean, she's

470
00:24:21,400 --> 00:24:26,199
Speaker 2: she's so just charming and like just bubbly and like

471
00:24:26,240 --> 00:24:27,200
Speaker 2: the life of that show.

472
00:24:28,520 --> 00:24:30,639
Speaker 1: So if I say, can you tell me about Dolly

473
00:24:30,720 --> 00:24:38,600
Speaker 1: Parton getting sued by Porter Wagner, Let's see what chat

474
00:24:38,600 --> 00:24:41,440
Speaker 1: GBT tells me. In nineteen seventy nine, Porter Wagner suit

475
00:24:41,520 --> 00:24:44,239
Speaker 1: Dolly for three million, claiming breach of contract. That's what

476
00:24:44,280 --> 00:24:47,719
Speaker 1: I assumed it would be. Why else. The two had

477
00:24:47,720 --> 00:24:51,160
Speaker 1: been close musical partners. Dolly joined in sixty seven. They

478
00:24:51,200 --> 00:24:54,600
Speaker 1: recorded several hits together, but as Dolly's solo career took

479
00:24:54,640 --> 00:24:56,800
Speaker 1: off in the early seventies, she wanted to leave the show,

480
00:24:56,800 --> 00:24:59,520
Speaker 1: which he did not like. He claimed that Dolly had

481
00:24:59,560 --> 00:25:01,960
Speaker 1: agreed to long term contract and was entitled to a

482
00:25:02,000 --> 00:25:04,360
Speaker 1: cut of her earnings since he had played a major

483
00:25:04,440 --> 00:25:07,240
Speaker 1: role launching her career. She felt she had paid her

484
00:25:07,280 --> 00:25:09,520
Speaker 1: dues and was ready to move on. The lawsuit dragged

485
00:25:09,520 --> 00:25:12,280
Speaker 1: on for years before they settled out of court. Dolly

486
00:25:12,320 --> 00:25:14,600
Speaker 1: paid one million to make it go away. She later

487
00:25:14,640 --> 00:25:17,199
Speaker 1: said it for every penny to get her independence. Despite

488
00:25:17,240 --> 00:25:20,440
Speaker 1: the lawsuit, Dolly and Porter reconciled. She even helped him

489
00:25:20,440 --> 00:25:23,040
Speaker 1: financially in his later years when he struggled and she

490
00:25:23,119 --> 00:25:24,680
Speaker 1: was by his side before he passed away in two

491
00:25:24,720 --> 00:25:27,639
Speaker 1: thousand and seven. Their relationship was complicated, but it was

492
00:25:27,680 --> 00:25:29,480
Speaker 1: clear they still had a deep respect for each other.

493
00:25:31,000 --> 00:25:31,600
Speaker 1: It's a good one.

494
00:25:31,640 --> 00:25:32,560
Speaker 2: I would say that was worth it.

495
00:25:33,160 --> 00:25:35,160
Speaker 1: Remember nine number eight is Garth Brooks and the sexual

496
00:25:35,160 --> 00:25:41,240
Speaker 1: assault allegations he's currently dealing with. That's very recent. Yeah,

497
00:25:41,280 --> 00:25:48,680
Speaker 1: And it's also like I would say, I know or

498
00:25:48,760 --> 00:25:52,680
Speaker 1: kind of know every single party involved in that really yeah.

499
00:25:52,800 --> 00:25:57,320
Speaker 2: Oh wow, Yeah, yeah, I mean I don't know, which makes.

500
00:25:57,119 --> 00:26:01,600
Speaker 1: It weird for me because like I'm familiar with every

501
00:26:01,640 --> 00:26:02,439
Speaker 1: single person in it.

502
00:26:02,560 --> 00:26:02,960
Speaker 2: Wow.

503
00:26:03,920 --> 00:26:10,360
Speaker 1: So anything that I say about it, I feel it's

504
00:26:10,359 --> 00:26:18,119
Speaker 1: coming from a place of bias or only a semi

505
00:26:18,200 --> 00:26:22,560
Speaker 1: understanding based on what I've heard from different people, which

506
00:26:23,040 --> 00:26:29,679
Speaker 1: I think it's unfair for me to talk about. If true,

507
00:26:30,080 --> 00:26:34,560
Speaker 1: terrible and I think i'd have to say that, Like,

508
00:26:36,640 --> 00:26:39,200
Speaker 1: there have just been some instances recently too where things

509
00:26:39,200 --> 00:26:40,760
Speaker 1: have come out and it turns out we jumped all

510
00:26:40,800 --> 00:26:44,680
Speaker 1: over people and then it turns out it wasn't exactly accurate.

511
00:26:44,800 --> 00:26:47,080
Speaker 2: You mean, like generically speaking, like we've done that.

512
00:26:47,440 --> 00:26:52,679
Speaker 1: Yes, there have been times so that's a I was

513
00:26:52,680 --> 00:26:55,040
Speaker 1: shocked to see that when it came out.

514
00:26:55,480 --> 00:26:57,000
Speaker 2: Just because big time.

515
00:26:57,160 --> 00:27:00,360
Speaker 1: Yeah, but I think for me to add any thing

516
00:27:00,840 --> 00:27:03,959
Speaker 1: would be unfair. I hope it's not true. If it

517
00:27:04,040 --> 00:27:11,320
Speaker 1: is true, I hope whomever the responsible parties are are

518
00:27:12,480 --> 00:27:17,440
Speaker 1: served justice because I don't want to be Oh, we'll

519
00:27:17,440 --> 00:27:24,200
Speaker 1: just see what happens. Like that sucks for any man

520
00:27:24,440 --> 00:27:26,800
Speaker 1: to take advantage and to do those type of things

521
00:27:26,840 --> 00:27:31,159
Speaker 1: to any woman. But that comes on the list, and

522
00:27:31,200 --> 00:27:34,880
Speaker 1: I feel like fairly that's all I can say without

523
00:27:34,960 --> 00:27:36,720
Speaker 1: being wildly biased.

524
00:27:37,280 --> 00:27:39,960
Speaker 2: That did. Like when the news came out, it was

525
00:27:40,040 --> 00:27:43,000
Speaker 2: big and we were like, wow, that's crazy and what

526
00:27:43,119 --> 00:27:47,159
Speaker 2: is happening? And then I haven't really seen anything and

527
00:27:47,440 --> 00:27:50,240
Speaker 2: I feel like everything's I don't even know an update.

528
00:27:50,400 --> 00:27:51,560
Speaker 2: Is there an update on.

529
00:27:52,560 --> 00:27:56,080
Speaker 1: No, he did file in a different state, I believe,

530
00:27:56,160 --> 00:27:59,000
Speaker 1: in order to have some more of the details revealed

531
00:27:59,160 --> 00:28:01,560
Speaker 1: because he claims this is not true.

532
00:28:03,480 --> 00:28:04,160
Speaker 4: She was.

533
00:28:05,840 --> 00:28:11,080
Speaker 1: A makeup artist. So that's on the list. That was

534
00:28:11,119 --> 00:28:14,640
Speaker 1: a shocker, Yeah, But it's one of those things where

535
00:28:14,640 --> 00:28:16,760
Speaker 1: I feel like I know too much that if I

536
00:28:16,760 --> 00:28:19,840
Speaker 1: say anything, it's going to be opinion based or hearsay based,

537
00:28:20,320 --> 00:28:22,760
Speaker 1: and I don't want to do that here, but also

538
00:28:22,840 --> 00:28:25,560
Speaker 1: didn't want to not acknowledge that it made this list

539
00:28:25,760 --> 00:28:29,399
Speaker 1: because I think then I wouldn't be being honest. Number seven

540
00:28:29,560 --> 00:28:33,600
Speaker 1: Miranda Lambert and Blake Shelton's shocking divorce. They were once

541
00:28:33,640 --> 00:28:36,000
Speaker 1: the hit couple of country music. For me, this story

542
00:28:36,080 --> 00:28:38,560
Speaker 1: is interesting because I remember what it happened. Everybody's like, oh,

543
00:28:38,640 --> 00:28:41,800
Speaker 1: go ahead, they're divorcing. I remember Blake was on the

544
00:28:41,840 --> 00:28:46,360
Speaker 1: show and I'd asked him something and Blake started talking

545
00:28:46,400 --> 00:28:48,840
Speaker 1: about the divorce and I was like, okay, I'll go

546
00:28:48,840 --> 00:28:51,880
Speaker 1: there with you. I didn't lead him there. I gave

547
00:28:51,960 --> 00:28:54,080
Speaker 1: him the opportunity to go there. And there's a difference.

548
00:28:54,320 --> 00:28:55,840
Speaker 1: And then the whole story ended up getting picked up

549
00:28:55,840 --> 00:28:57,280
Speaker 1: because it was the first time he'd ever talked about it.

550
00:28:57,320 --> 00:28:58,480
Speaker 2: Oh wow, And.

551
00:28:58,400 --> 00:29:00,360
Speaker 1: It was in like all remember that mic, Yeah, like

552
00:29:00,360 --> 00:29:02,440
Speaker 1: all the stuff, and they're like, wow, you got Blake

553
00:29:02,480 --> 00:29:03,880
Speaker 1: to talk about this stuff, and I was like, I

554
00:29:04,400 --> 00:29:08,360
Speaker 1: really didn't like. I handed him a canvas and said,

555
00:29:08,400 --> 00:29:10,200
Speaker 1: paint what you want here, but if you'd like to

556
00:29:10,240 --> 00:29:13,360
Speaker 1: paint that, go ahead, and he did paint that, and

557
00:29:13,640 --> 00:29:15,239
Speaker 1: people were giving me credit, like, man, you know how

558
00:29:15,240 --> 00:29:18,360
Speaker 1: to get stuff out of people I didn't, but I

559
00:29:18,360 --> 00:29:21,880
Speaker 1: think Blake also felt comfortable enough to talk about it

560
00:29:21,920 --> 00:29:24,120
Speaker 1: with me where he knows that I'm not going to

561
00:29:24,160 --> 00:29:28,480
Speaker 1: just start prying hardcore. So I'm not a clickchaser when

562
00:29:28,480 --> 00:29:30,920
Speaker 1: it comes to interviews, but I will definitely give people opportunities.

563
00:29:31,080 --> 00:29:32,840
Speaker 1: I would even compare to the Beatles interview that we did,

564
00:29:32,880 --> 00:29:36,120
Speaker 1: which wasn't a clickchasing, totally different thing. I didn't know

565
00:29:36,120 --> 00:29:38,240
Speaker 1: how much he would or wouldn't want to talk about

566
00:29:38,280 --> 00:29:41,000
Speaker 1: the Beatles with Ringo, but I definitely offered up a

567
00:29:41,000 --> 00:29:42,960
Speaker 1: few places for him to talk about it, and he did,

568
00:29:43,000 --> 00:29:44,680
Speaker 1: which allowed me to go in even more.

569
00:29:44,920 --> 00:29:45,000
Speaker 8: So.

570
00:29:45,040 --> 00:29:47,360
Speaker 1: I want to be respectful but also want to talk

571
00:29:47,360 --> 00:29:49,800
Speaker 1: about what people want to hear. But sometimes it takes

572
00:29:49,880 --> 00:29:52,200
Speaker 1: me a second to get them so warm talking about

573
00:29:52,240 --> 00:29:53,720
Speaker 1: what they want to talk about, which sometimes I don't

574
00:29:53,760 --> 00:29:55,840
Speaker 1: care about, to get them to talk about the stuff

575
00:29:55,880 --> 00:29:58,360
Speaker 1: people want to talk about accurate, Mikey.

576
00:29:58,480 --> 00:29:58,680
Speaker 7: Yeah.

577
00:29:58,680 --> 00:30:01,160
Speaker 3: And then sometimes even if you you do get them

578
00:30:01,160 --> 00:30:02,560
Speaker 3: there and they don't say a whole lot, you don't

579
00:30:02,600 --> 00:30:03,840
Speaker 3: like prim to keep trying to get it out.

580
00:30:03,920 --> 00:30:06,200
Speaker 1: Yeah. No, I don't kick them in the shin to

581
00:30:06,240 --> 00:30:08,479
Speaker 1: keep going, but I know they just touched on it,

582
00:30:08,520 --> 00:30:11,120
Speaker 1: and they'll probably touch on it again, So let me

583
00:30:11,120 --> 00:30:12,600
Speaker 1: talk about some other bull crap I don't care about

584
00:30:12,640 --> 00:30:14,520
Speaker 1: for a minute, and then as soon as I get

585
00:30:14,520 --> 00:30:17,040
Speaker 1: that slight crack, I'm back in it. And then they'll

586
00:30:17,080 --> 00:30:19,960
Speaker 1: usually give a little bit more, and then we'll take

587
00:30:19,960 --> 00:30:21,400
Speaker 1: it and we'll take all the good stuff and edit

588
00:30:21,400 --> 00:30:23,600
Speaker 1: it all together, because we don't ever edit anything to

589
00:30:23,600 --> 00:30:25,440
Speaker 1: make it sound like it's not, but we can move

590
00:30:25,640 --> 00:30:27,640
Speaker 1: segments around and then it sounds like, man, they talked

591
00:30:27,640 --> 00:30:29,520
Speaker 1: a whole lot about this, and it's like, no, you know,

592
00:30:29,600 --> 00:30:32,760
Speaker 1: Mike just used his creative editorial skills to put that

593
00:30:32,840 --> 00:30:34,120
Speaker 1: near the front instead of the back.

594
00:30:34,360 --> 00:30:36,760
Speaker 2: My favorite is when their people tell you, hey, they

595
00:30:36,760 --> 00:30:38,440
Speaker 2: don't want to talk about this, and then they're the

596
00:30:38,440 --> 00:30:39,440
Speaker 2: ones that bring it up.

597
00:30:39,360 --> 00:30:42,640
Speaker 1: Absolutely, Oh yeah, that's good. And we don't do much

598
00:30:42,760 --> 00:30:44,280
Speaker 1: when it comes to they don't want to talk about this.

599
00:30:44,680 --> 00:30:48,880
Speaker 1: We almost almost will not have an interview when someone

600
00:30:48,920 --> 00:30:50,400
Speaker 1: says we don't want to talk about this, and it's

601
00:30:50,440 --> 00:30:52,480
Speaker 1: the main thing I would say ninety seven percent of

602
00:30:52,560 --> 00:30:56,280
Speaker 1: the time, no thank you, because I think my audience

603
00:30:56,480 --> 00:30:58,720
Speaker 1: would go why and you ask about it? And I

604
00:30:58,760 --> 00:30:59,840
Speaker 1: don't want to be the guy that does it. I'd

605
00:30:59,880 --> 00:31:03,440
Speaker 1: knowther not have them than be the guy that isn't

606
00:31:03,440 --> 00:31:06,920
Speaker 1: asking the questions people want to. Hear asked every once

607
00:31:06,920 --> 00:31:09,040
Speaker 1: in a while. Can't even think of example, but yeah,

608
00:31:09,120 --> 00:31:11,000
Speaker 1: that happened recently when they were like they want to

609
00:31:11,000 --> 00:31:12,520
Speaker 1: talk about it, and they just talked about it the

610
00:31:12,520 --> 00:31:14,720
Speaker 1: whole time. I don't remember the interview, but in like

611
00:31:14,760 --> 00:31:15,400
Speaker 1: the last month.

612
00:31:15,240 --> 00:31:15,920
Speaker 2: And if.

613
00:31:17,280 --> 00:31:23,240
Speaker 1: Yes, that's exactly what it was. And so Don Felder

614
00:31:23,680 --> 00:31:26,160
Speaker 1: of the Eagles comes in and they hit us ahead

615
00:31:26,160 --> 00:31:28,520
Speaker 1: of time, not him, his people. He doesn't want to

616
00:31:28,520 --> 00:31:31,440
Speaker 1: talk about the Eagles. He has enough of a life

617
00:31:31,480 --> 00:31:34,040
Speaker 1: story outside of the Eagles that I thought this is

618
00:31:34,080 --> 00:31:35,760
Speaker 1: still going to be good. I read his book. I'm

619
00:31:35,760 --> 00:31:39,920
Speaker 1: a fan because he was brought into the Eagles.

620
00:31:40,280 --> 00:31:42,120
Speaker 2: Yeah, he wasn't an original member, right.

621
00:31:41,960 --> 00:31:44,840
Speaker 1: So I wanted to know cool it comes in. I

622
00:31:44,840 --> 00:31:47,560
Speaker 1: don't know one question and the Eagles man when we went,

623
00:31:47,560 --> 00:31:49,200
Speaker 1: I was with them, and I was like, Oh, he's

624
00:31:49,240 --> 00:31:52,760
Speaker 1: going to go there, didn't go, didn't volley it back

625
00:31:52,800 --> 00:31:54,600
Speaker 1: over the first time with the Eagles, so blah blah

626
00:31:54,640 --> 00:31:57,520
Speaker 1: blah blah. Yeah, and then when the Eagles were all together,

627
00:31:57,560 --> 00:32:01,800
Speaker 1: I was like game on I love talk about the Eagles. Yeah,

628
00:32:01,840 --> 00:32:04,680
Speaker 1: good memory. Yeah that was fun that he did that,

629
00:32:04,800 --> 00:32:06,280
Speaker 1: And I got a real long text from him being

630
00:32:06,320 --> 00:32:09,520
Speaker 1: like that was the greatest interview. I need texting back.

631
00:32:09,400 --> 00:32:11,080
Speaker 2: He's like, I love talking about the Eagles.

632
00:32:11,800 --> 00:32:13,280
Speaker 1: He's like, no one ever wrisked about the Eagles that

633
00:32:13,800 --> 00:32:17,040
Speaker 1: rushing or like, dude, your fullback said, don't I.

634
00:32:17,000 --> 00:32:19,640
Speaker 3: Feel like it's their people protecting them more so than them,

635
00:32:19,680 --> 00:32:21,080
Speaker 3: being like, I don't want to talk about that.

636
00:32:21,280 --> 00:32:23,040
Speaker 1: But I feel like they protect them because they know

637
00:32:23,160 --> 00:32:26,280
Speaker 1: the person and for the most or it could be

638
00:32:26,320 --> 00:32:29,920
Speaker 1: this too, that interviewers sit down Don Felder and now

639
00:32:29,920 --> 00:32:32,040
Speaker 1: obviously wants to talk about some project. Everybody always has

640
00:32:32,080 --> 00:32:33,880
Speaker 1: something they're talking about or they wouldn't be on the

641
00:32:33,920 --> 00:32:36,640
Speaker 1: talking tour and they go the interview goes right to

642
00:32:36,640 --> 00:32:38,520
Speaker 1: the Eagles and only talks to Eagles.

643
00:32:39,040 --> 00:32:41,360
Speaker 2: So I do see that a lot with Sean Lennon,

644
00:32:41,440 --> 00:32:43,400
Speaker 2: you know, I've seen clips where he just roast the

645
00:32:43,440 --> 00:32:45,200
Speaker 2: reporter being like, I don't want to talk about my dad,

646
00:32:45,320 --> 00:32:47,520
Speaker 2: Like I have my own stuff going on, Like I

647
00:32:47,520 --> 00:32:50,200
Speaker 2: don't mind answering a few questions about my dad, but

648
00:32:50,200 --> 00:32:51,840
Speaker 2: I don't want to do the whole interview with my dad.

649
00:32:52,640 --> 00:32:54,920
Speaker 1: Behind the scenes bts at times of how Mike and

650
00:32:54,920 --> 00:32:57,200
Speaker 1: I will do an interview. And I don't even have

651
00:32:57,240 --> 00:32:58,760
Speaker 1: to tell Mike I'm gonna do this anymore. He knows

652
00:32:58,840 --> 00:33:03,280
Speaker 1: me at times better than I do. Let's say Johnny

653
00:33:03,320 --> 00:33:05,920
Speaker 1: Johnson comes in. Don't know who that is. Johnny Johnson's

654
00:33:05,960 --> 00:33:08,280
Speaker 1: very famous for something in the eighties and nineties. But

655
00:33:08,320 --> 00:33:10,960
Speaker 1: Johnny Johnson's got a new project that he's sot his

656
00:33:11,000 --> 00:33:13,280
Speaker 1: most personal project ever. Everybody says that about everything, and

657
00:33:13,320 --> 00:33:14,840
Speaker 1: he wants to talk about it, and he's dying talk

658
00:33:14,880 --> 00:33:18,960
Speaker 1: about it. He says, down, man, talk about his project.

659
00:33:19,440 --> 00:33:20,680
Speaker 1: We'll go on for ten minutes.

660
00:33:22,200 --> 00:33:22,920
Speaker 2: Blah blah blah.

661
00:33:22,960 --> 00:33:24,560
Speaker 1: I was gonna ask you, by the way, you know,

662
00:33:25,200 --> 00:33:27,120
Speaker 1: whenever you used to play with your your favorite band,

663
00:33:27,160 --> 00:33:29,600
Speaker 1: you know, the T bone Heads, and everybody loves the

664
00:33:29,640 --> 00:33:32,920
Speaker 1: T bone Heads, Like, did that influence this record? So

665
00:33:33,000 --> 00:33:34,480
Speaker 1: then I've just gone to the T bone heeads a

666
00:33:34,520 --> 00:33:37,840
Speaker 1: little bit. Yeah, and we're talking about the record, which

667
00:33:38,000 --> 00:33:41,120
Speaker 1: then they've got they've kind of you know, shot their

668
00:33:41,200 --> 00:33:43,640
Speaker 1: nut right then on talking about the new stuff. Then

669
00:33:43,680 --> 00:33:45,240
Speaker 1: it allows me to go into the T bone Heads,

670
00:33:45,760 --> 00:33:47,920
Speaker 1: and so then we talk about and they don't feel

671
00:33:47,960 --> 00:33:49,800
Speaker 1: at all like they've been lured to talk about the

672
00:33:49,800 --> 00:33:51,800
Speaker 1: T bone Heads. And so what we will do at

673
00:33:51,800 --> 00:33:54,280
Speaker 1: the beginning is of this podcast, we do an intro

674
00:33:54,360 --> 00:33:56,600
Speaker 1: to say all the stuff that they want promoted, and

675
00:33:56,640 --> 00:33:59,040
Speaker 1: then we get to it during the interview. So it's like, yeah,

676
00:33:59,080 --> 00:34:01,200
Speaker 1: and Johnny Johnson and T Boneheads got a new record,

677
00:34:01,360 --> 00:34:03,000
Speaker 1: check it out. It's God today. All right, let's go now.

678
00:34:03,160 --> 00:34:05,320
Speaker 1: And the first thing is like, yeah, man, T bone Heads,

679
00:34:05,320 --> 00:34:05,600
Speaker 1: we were.

680
00:34:05,560 --> 00:34:07,600
Speaker 2: Killing it back in the day. That's it.

681
00:34:07,800 --> 00:34:10,480
Speaker 1: We've just kind of shifted it. But we definitely let

682
00:34:10,520 --> 00:34:12,200
Speaker 1: them feel the love of talking about what they want

683
00:34:12,239 --> 00:34:14,640
Speaker 1: to talk about. And it's all in the interview. But

684
00:34:15,920 --> 00:34:18,480
Speaker 1: people will not listen to everything he's saying about his

685
00:34:18,600 --> 00:34:22,520
Speaker 1: new project if they're not entertained and compelled by what

686
00:34:22,560 --> 00:34:24,759
Speaker 1: they came to hear, So they may never actually been

687
00:34:24,760 --> 00:34:27,280
Speaker 1: hear the project if we don't switch the interview around

688
00:34:27,320 --> 00:34:30,520
Speaker 1: just a little bit. Yeah, So it's for everyone's benefit.

689
00:34:31,080 --> 00:34:33,960
Speaker 1: There were times where I early on Michael Long will

690
00:34:34,000 --> 00:34:34,319
Speaker 1: be doing.

691
00:34:34,200 --> 00:34:37,880
Speaker 3: This podcast twenty sixteen almost oh my god.

692
00:34:38,719 --> 00:34:40,480
Speaker 2: Yeah, what number you guys that episode?

693
00:34:40,560 --> 00:34:42,359
Speaker 1: Because I like how you guys keep tracking about five

694
00:34:42,400 --> 00:34:45,480
Speaker 1: hundred once a week basically occasionally more than that, and

695
00:34:45,480 --> 00:34:47,279
Speaker 1: people have done more episodes of shows. But this has

696
00:34:47,320 --> 00:34:48,919
Speaker 1: been long because it's been one week at a time

697
00:34:49,239 --> 00:34:53,000
Speaker 1: and mostly with a person interviewing them and Mike can

698
00:34:53,040 --> 00:34:54,440
Speaker 1: I wos say, like what if we move this? Were

699
00:34:54,480 --> 00:34:58,200
Speaker 1: to move this now? Michael know when it's happening, and

700
00:34:58,480 --> 00:35:01,600
Speaker 1: they'll leave. And because it's an awkward thing too for me,

701
00:35:01,800 --> 00:35:05,319
Speaker 1: I don't like small talk. I'm bad at it. It's

702
00:35:05,360 --> 00:35:06,799
Speaker 1: not time too good for it. I'm bad. I don't

703
00:35:06,800 --> 00:35:09,520
Speaker 1: know what to say. And so Reid, who runs the

704
00:35:09,600 --> 00:35:13,440
Speaker 1: videos in digital, our move Now. They'll come to the house.

705
00:35:13,520 --> 00:35:15,080
Speaker 1: Mike will meet them up front because he's the guy

706
00:35:15,080 --> 00:35:17,600
Speaker 1: they've been communicating with. Mike walks them back to the studio.

707
00:35:17,680 --> 00:35:19,520
Speaker 1: I'm still in my house, just standing by the door,

708
00:35:19,560 --> 00:35:22,120
Speaker 1: waiting for him to get set. They get set, Mike

709
00:35:22,160 --> 00:35:25,439
Speaker 1: texts me all clear. I then walk fifteen seconds. They're

710
00:35:25,480 --> 00:35:28,200
Speaker 1: in their place already. I sit down, Mike. We're rolling.

711
00:35:28,400 --> 00:35:30,960
Speaker 1: We start immediately. At the end. When it's over, we

712
00:35:31,040 --> 00:35:32,440
Speaker 1: take a picture and reads like hey, I can help

713
00:35:32,440 --> 00:35:34,640
Speaker 1: you guys, get back out. Read grabs them out. They go.

714
00:35:34,760 --> 00:35:37,600
Speaker 1: We have a system, good system and then not only that,

715
00:35:37,760 --> 00:35:40,320
Speaker 1: I don't have to talk to Mike about the editing anymore. Basically,

716
00:35:40,400 --> 00:35:46,120
Speaker 1: it's this all right, I've heard that because if we

717
00:35:46,280 --> 00:35:48,319
Speaker 1: don't edit it in a certain way. Again, we don't

718
00:35:48,400 --> 00:35:51,279
Speaker 1: edit stuff out, we don't edit stuff in. But if

719
00:35:51,280 --> 00:35:53,000
Speaker 1: we don't edit stuff in a certain way, we feel

720
00:35:53,000 --> 00:35:56,279
Speaker 1: like the artist that's promoting their project will not get

721
00:35:56,280 --> 00:36:02,320
Speaker 1: their voice heard because of how when they're talking about

722
00:36:02,320 --> 00:36:05,760
Speaker 1: it in the interview. So yeah, yeah, yeah, anyway Blake

723
00:36:05,800 --> 00:36:07,399
Speaker 1: talked about him, I got a bunch of credit. Didn't

724
00:36:07,400 --> 00:36:11,680
Speaker 1: deserve it. Shania Twin's husband swap Now listen, that's a

725
00:36:11,680 --> 00:36:13,319
Speaker 1: crazy story. I think we were a little too young

726
00:36:13,520 --> 00:36:17,399
Speaker 1: to be in this world. So Shanaia and Mutt were married, right, Yes,

727
00:36:17,480 --> 00:36:24,000
Speaker 1: mut Lange, very famous producer. They switched Shanaya, So so

728
00:36:24,280 --> 00:36:28,200
Speaker 1: Mutt and her and her had a husband. It was him.

729
00:36:28,760 --> 00:36:31,279
Speaker 1: Shanaya ended up getting with him and Mutt was still

730
00:36:31,280 --> 00:36:34,319
Speaker 1: with her. It was very much like the TJ and

731
00:36:34,400 --> 00:36:38,160
Speaker 1: Amy Robot that remember that when they were on I

732
00:36:38,160 --> 00:36:41,360
Speaker 1: think ABC and their husband and wives are now together.

733
00:36:41,480 --> 00:36:43,840
Speaker 3: Oh yeah, weird.

734
00:36:44,440 --> 00:36:46,480
Speaker 2: Wow, So when was this? What year was this.

735
00:36:48,520 --> 00:36:48,680
Speaker 1: Year?

736
00:36:48,760 --> 00:36:49,440
Speaker 2: You're gonna get me.

737
00:36:49,560 --> 00:36:53,560
Speaker 1: I don't know yours anyway, but it's before us. Let's

738
00:36:53,560 --> 00:36:59,319
Speaker 1: see this, I'll do Shanaia husband swap. Shania Twin's husband

739
00:36:59,320 --> 00:37:01,480
Speaker 1: swap is one of the most dramatic love twists. In

740
00:37:01,520 --> 00:37:04,319
Speaker 1: two thousand and eight, Shani discovered that her husband, then

741
00:37:04,600 --> 00:37:06,560
Speaker 1: Robert mutt Lang, was having an affair with her best

742
00:37:06,560 --> 00:37:11,279
Speaker 1: friend Marianne Thibaud. The betrayal was devastating. While dealing with

743
00:37:11,320 --> 00:37:15,200
Speaker 1: the heartbreak, Shanaia found comfort in an unexpected place, Marianne's

744
00:37:15,239 --> 00:37:18,520
Speaker 1: ex husband now because she was with him, Frederick Diabod

745
00:37:18,520 --> 00:37:21,880
Speaker 1: same last name. The two bonded over their pain and

746
00:37:22,000 --> 00:37:23,680
Speaker 1: fell in love, and then they were married.

747
00:37:23,600 --> 00:37:27,200
Speaker 2: And they're all still together. Is mutt still with her friend?

748
00:37:27,400 --> 00:37:29,640
Speaker 1: I don't know. So in a way it was unintentional,

749
00:37:29,840 --> 00:37:32,040
Speaker 1: but mutt Lang ended up with Marie Anne. Shanaia found

750
00:37:32,040 --> 00:37:35,160
Speaker 1: love in Frederick. Let me see if they're still together.

751
00:37:35,600 --> 00:37:41,200
Speaker 1: Are they all still together? Just because of time, I

752
00:37:41,239 --> 00:37:42,319
Speaker 1: would say no, but.

753
00:37:43,040 --> 00:37:44,360
Speaker 3: I think she's still with Frederick.

754
00:37:45,520 --> 00:37:46,160
Speaker 2: Are they married?

755
00:37:46,160 --> 00:37:48,040
Speaker 1: Shania Twina is still married to Frederick and they seem

756
00:37:48,160 --> 00:37:50,759
Speaker 1: very happy. Mutt Lang and Marie, they ever reportally stayed

757
00:37:50,800 --> 00:37:52,879
Speaker 1: together since their affair was exposed in two thousand and eight. However,

758
00:37:52,880 --> 00:37:53,720
Speaker 1: they lived very private.

759
00:37:54,600 --> 00:37:56,680
Speaker 2: Everyone's still together. It's amazing.

760
00:37:57,360 --> 00:38:00,239
Speaker 1: It's meant to be out of something so bizarre to

761
00:38:00,400 --> 00:38:03,759
Speaker 1: be Kenny Chesney's four month marriage to Renee's ol Wigger.

762
00:38:03,880 --> 00:38:04,440
Speaker 2: That was funny.

763
00:38:04,480 --> 00:38:07,400
Speaker 1: She cited fraud as the reason for a moment, and

764
00:38:07,440 --> 00:38:11,120
Speaker 1: I remember when that came out, and it was like, fraud, Like,

765
00:38:11,239 --> 00:38:15,319
Speaker 1: what did he lie about according to her to steal

766
00:38:15,360 --> 00:38:18,960
Speaker 1: her stuff? It sounds like, yeah, fraud is like did

767
00:38:18,960 --> 00:38:23,080
Speaker 1: he still her identity and get into her banking more

768
00:38:23,120 --> 00:38:25,760
Speaker 1: so than like still her dress or something.

769
00:38:26,360 --> 00:38:27,279
Speaker 2: But yeah, I.

770
00:38:27,239 --> 00:38:29,520
Speaker 1: Remember them getting married, the picture on the beach, and

771
00:38:29,560 --> 00:38:31,840
Speaker 1: then almost the next day four months obviously, it was

772
00:38:31,840 --> 00:38:34,880
Speaker 1: like they're now getting divorced. Fraud was just a weird

773
00:38:34,920 --> 00:38:39,560
Speaker 1: thing to say, because you could have said, uh, amicably

774
00:38:39,680 --> 00:38:42,920
Speaker 1: split differences for any fraud.

775
00:38:44,080 --> 00:38:47,000
Speaker 2: Was it fraud like he I thought he We don't

776
00:38:47,000 --> 00:38:50,759
Speaker 2: think he was someone else, and he wasn't. We don't

777
00:38:50,760 --> 00:38:52,200
Speaker 2: know why. That's amazing.

778
00:38:52,280 --> 00:38:54,279
Speaker 1: I have theories that those aren't theories I'm willing to

779
00:38:54,280 --> 00:38:57,520
Speaker 1: share because I know Kenny a little bit and I'm

780
00:38:57,520 --> 00:38:59,760
Speaker 1: not willing to share those theories. And they're probably wrong,

781
00:39:00,800 --> 00:39:04,240
Speaker 1: but probably not number four. In nineteen ninety four, Trace

782
00:39:04,280 --> 00:39:06,560
Speaker 1: Atkins was shot through the heart by his then wife

783
00:39:06,880 --> 00:39:08,759
Speaker 1: after they got into an argument about drinking. He did

784
00:39:08,760 --> 00:39:10,880
Speaker 1: not press charges shot.

785
00:39:11,719 --> 00:39:15,160
Speaker 2: I will say that if Trace Atkins ever was mad

786
00:39:15,160 --> 00:39:17,520
Speaker 2: at me and came just walking towards me, I'd probably

787
00:39:17,520 --> 00:39:20,360
Speaker 2: shoot him because he's so big and scary looking.

788
00:39:20,600 --> 00:39:22,400
Speaker 1: I would run because he's slow and so big.

789
00:39:23,320 --> 00:39:24,200
Speaker 2: He's a giant.

790
00:39:24,360 --> 00:39:27,400
Speaker 1: I was with Trace It's probably been six months, but

791
00:39:27,480 --> 00:39:30,800
Speaker 1: we were both playing the opera one night. He always

792
00:39:30,800 --> 00:39:32,239
Speaker 1: makes fun of me, it doesn't matter what's up, because

793
00:39:32,239 --> 00:39:34,400
Speaker 1: he finds something on me to make fun of. And

794
00:39:34,480 --> 00:39:37,520
Speaker 1: I think I had on like some Gucci loafers that

795
00:39:37,600 --> 00:39:41,680
Speaker 1: were shoes, and he's like, are those shoes or panties

796
00:39:41,800 --> 00:39:45,800
Speaker 1: or something like that? Right? Like that just being funny.

797
00:39:45,960 --> 00:39:46,799
Speaker 3: Then you shot him?

798
00:39:46,880 --> 00:39:50,440
Speaker 1: Yeah, yeah, And I was like, oh, man, shoes And

799
00:39:50,480 --> 00:39:52,759
Speaker 1: he was in a sling and I was like, what

800
00:39:52,840 --> 00:39:56,720
Speaker 1: happened to you? And he goes, they're roof of my house.

801
00:39:57,000 --> 00:39:59,160
Speaker 1: And I wanted to see from myself, so I got

802
00:39:59,239 --> 00:40:03,400
Speaker 1: up on the scaff Next thing you know, I'm looking

803
00:40:03,480 --> 00:40:06,560
Speaker 1: up and there's three workers over the top of me.

804
00:40:07,600 --> 00:40:11,240
Speaker 1: And I said, what happened? And they said, you fel

805
00:40:12,000 --> 00:40:16,680
Speaker 1: am I dead? You're not. I felt like I was dead.

806
00:40:16,680 --> 00:40:18,960
Speaker 1: And I got into ambulance and we got to the

807
00:40:19,120 --> 00:40:21,279
Speaker 1: and here I and he went out and sang, that's

808
00:40:21,320 --> 00:40:23,080
Speaker 1: how you tell the story of what happened.

809
00:40:22,760 --> 00:40:23,200
Speaker 2: To your arm?

810
00:40:23,320 --> 00:40:24,880
Speaker 1: Yeah, he said a couple of other choice things. I'll

811
00:40:24,880 --> 00:40:26,120
Speaker 1: tell you after we get off the microphone.

812
00:40:26,120 --> 00:40:26,839
Speaker 2: Okay, you got it.

813
00:40:27,520 --> 00:40:32,840
Speaker 8: The Bobby Cast will be right back. Welcome back to

814
00:40:32,960 --> 00:40:34,120
Speaker 8: the Bobby Cast.

815
00:40:34,160 --> 00:40:36,040
Speaker 1: Number three. The time that the Dixie Chick called out

816
00:40:36,080 --> 00:40:37,440
Speaker 1: President George W. Bush.

817
00:40:37,600 --> 00:40:38,839
Speaker 2: Yeah, I remember that. Yeah.

818
00:40:38,840 --> 00:40:41,000
Speaker 1: I was on the radio, not country. I was doing pop.

819
00:40:41,160 --> 00:40:44,400
Speaker 1: That's crazy. They just start burning stuff. They just started.

820
00:40:44,640 --> 00:40:47,759
Speaker 1: I think people wouldn't have been as upset about it

821
00:40:48,280 --> 00:40:49,920
Speaker 1: if they would have said the same thing in America.

822
00:40:50,000 --> 00:40:51,760
Speaker 1: But what it seemed like they went to another country

823
00:40:51,800 --> 00:40:55,279
Speaker 1: to say that, and since they were there, they were like, oh,

824
00:40:55,480 --> 00:40:56,959
Speaker 1: panderin Did.

825
00:40:56,920 --> 00:40:57,800
Speaker 2: They say that on stage?

826
00:40:58,000 --> 00:40:59,520
Speaker 1: Oh? Yeah, that was what it was. Yeah, I was

827
00:40:59,560 --> 00:41:02,799
Speaker 1: on stage to think. I don't remember much else about it.

828
00:41:04,080 --> 00:41:05,640
Speaker 2: I just remember the country turning on them.

829
00:41:05,680 --> 00:41:07,200
Speaker 1: Yeah, they burned their cities. They never played them. They

830
00:41:07,160 --> 00:41:07,719
Speaker 1: didn't play him.

831
00:41:08,960 --> 00:41:11,520
Speaker 2: Yeah, like it like it was one of those where

832
00:41:11,520 --> 00:41:12,360
Speaker 2: like Oh, yeah.

833
00:41:12,200 --> 00:41:14,520
Speaker 1: No, it's like we're not proud. I don't know, man,

834
00:41:14,719 --> 00:41:19,520
Speaker 1: that is so long ago, and I don't remember really

835
00:41:19,520 --> 00:41:20,680
Speaker 1: the context of it.

836
00:41:20,960 --> 00:41:22,640
Speaker 3: I think I found a clip. I want to hear it.

837
00:41:22,719 --> 00:41:32,520
Speaker 1: Yeah, play for me. What did she say there?

838
00:41:32,640 --> 00:41:35,640
Speaker 3: We're shaming the president of the United States is from Texas.

839
00:41:36,000 --> 00:41:36,280
Speaker 2: Hmm.

840
00:41:37,400 --> 00:41:39,440
Speaker 1: I think if someone were to say that now, and

841
00:41:40,280 --> 00:41:42,680
Speaker 1: because we're so politically divided, I don't think people would

842
00:41:42,680 --> 00:41:43,000
Speaker 1: have cared.

843
00:41:43,200 --> 00:41:44,680
Speaker 3: I think it was related to the war.

844
00:41:45,239 --> 00:41:49,640
Speaker 1: Yeah, yes, it was the invasion, in the Iraq invasion,

845
00:41:49,680 --> 00:41:52,319
Speaker 1: I'm sure right or that time. Let me look it

846
00:41:52,360 --> 00:41:54,560
Speaker 1: up here. The controversies are on the Dixie Chicks now.

847
00:41:54,560 --> 00:41:57,000
Speaker 1: The Chicks and George W. Bush started on March ten,

848
00:41:57,040 --> 00:41:59,000
Speaker 1: two thousand and three, just days before the US invasion

849
00:41:59,040 --> 00:42:01,799
Speaker 1: of Iraq. While forming in London, lead singer Natalie Mainz

850
00:42:01,800 --> 00:42:03,719
Speaker 1: told the audience, just so you know, we're on the

851
00:42:03,719 --> 00:42:05,319
Speaker 1: good side of the all. We don't want this war,

852
00:42:05,440 --> 00:42:07,480
Speaker 1: this violence. We're shamed of the president is from the

853
00:42:07,600 --> 00:42:09,960
Speaker 1: United States. Since they were a country band, the fan

854
00:42:10,040 --> 00:42:13,880
Speaker 1: base that largely lean conservative, this comment sparked massive backlash

855
00:42:13,880 --> 00:42:16,359
Speaker 1: in the United States, especially in the South Country. Radio

856
00:42:16,400 --> 00:42:19,600
Speaker 1: station banned their music. So hmm, if this was about

857
00:42:19,640 --> 00:42:23,719
Speaker 1: the invasion and this was about if I'm thinking of

858
00:42:23,760 --> 00:42:28,360
Speaker 1: the same war here weapons of mass destruction which never existed,

859
00:42:28,480 --> 00:42:30,720
Speaker 1: which we then found out we were totally lied to about.

860
00:42:30,960 --> 00:42:33,920
Speaker 1: There were never weapons of mass destruction, and I need

861
00:42:33,920 --> 00:42:37,520
Speaker 1: to make sure this is the same thing. Is this

862
00:42:37,840 --> 00:42:43,839
Speaker 1: the weapons of mass destruction war?

863
00:42:45,920 --> 00:42:46,160
Speaker 3: Yes?

864
00:42:46,239 --> 00:42:49,040
Speaker 1: The Iraq War was largely justified by the government's claim

865
00:42:49,080 --> 00:42:53,560
Speaker 1: that Tadamu Sam possessed weapons of mass destruction. No stockpiles

866
00:42:53,600 --> 00:42:57,200
Speaker 1: of wnds were ever found. Tons of criticism because they

867
00:42:57,280 --> 00:43:02,520
Speaker 1: misled us with intelligence. Wow, So looking back, looking back,

868
00:43:04,400 --> 00:43:08,880
Speaker 1: were they right? And because we didn't have the information?

869
00:43:08,960 --> 00:43:11,080
Speaker 1: But knowing then if you would have known, then we

870
00:43:11,080 --> 00:43:13,600
Speaker 1: were invading Iraq and we were invading under false pretense.

871
00:43:13,600 --> 00:43:16,000
Speaker 1: We'd being lied to by our politicians and they made

872
00:43:16,080 --> 00:43:17,960
Speaker 1: up the fact there are weapons of mass destruction there.

873
00:43:18,040 --> 00:43:19,640
Speaker 1: And someone gets on stage he goes, we don't want

874
00:43:19,640 --> 00:43:22,400
Speaker 1: this to happen. Is all lies? Would that have been

875
00:43:22,400 --> 00:43:23,839
Speaker 1: treated the same? I don't think it would have been

876
00:43:23,840 --> 00:43:28,760
Speaker 1: treated the same. Now. They never they never really bounced

877
00:43:28,760 --> 00:43:30,360
Speaker 1: back because it took forever for them to admit it,

878
00:43:30,360 --> 00:43:34,600
Speaker 1: and then people were just already like anti ye, if

879
00:43:34,640 --> 00:43:37,960
Speaker 1: they lied to us, maybe the Dixie Chicks are actual spies.

880
00:43:38,000 --> 00:43:40,640
Speaker 1: They knew all along. They were like, we don't agree

881
00:43:40,680 --> 00:43:42,640
Speaker 1: because we know there are no weapons of mass destruction.

882
00:43:42,680 --> 00:43:44,120
Speaker 3: They were hiding messages in their songs.

883
00:43:44,200 --> 00:43:46,360
Speaker 1: Yeah, that kind of sucks for the Dixie Chick It

884
00:43:46,400 --> 00:43:50,560
Speaker 1: really does, because if they're like, we're not proud of it,

885
00:43:51,880 --> 00:43:53,799
Speaker 1: and they weren't proud of it because they felt like

886
00:43:53,840 --> 00:43:57,680
Speaker 1: it was all for an unjustifiable reason. Never really thought

887
00:43:57,680 --> 00:44:00,279
Speaker 1: about it like this. But also then you know, you know,

888
00:44:00,320 --> 00:44:02,000
Speaker 1: you just don't want to be outrarly against your country.

889
00:44:02,200 --> 00:44:06,040
Speaker 1: But in Vietnam, I think all of music was doing

890
00:44:06,040 --> 00:44:08,920
Speaker 1: it all and you know what they were right, Yeah,

891
00:44:09,000 --> 00:44:11,920
Speaker 1: we didn't win that war. That was a war we

892
00:44:12,000 --> 00:44:14,400
Speaker 1: kind of got tricked into being into anyway, and we

893
00:44:14,440 --> 00:44:15,200
Speaker 1: didn't win that war.

894
00:44:16,320 --> 00:44:20,280
Speaker 2: Yeah, and the country didn't turn on Creeden's clear Water Revival.

895
00:44:20,360 --> 00:44:23,839
Speaker 1: They turned on the government. A part turned on the government, Yeah,

896
00:44:23,880 --> 00:44:26,319
Speaker 1: that's true, and then a part turned on did turn

897
00:44:26,400 --> 00:44:29,759
Speaker 1: on the mute, but it wasn't as divisive because it

898
00:44:29,800 --> 00:44:31,360
Speaker 1: wasn't really a format.

899
00:44:31,760 --> 00:44:35,040
Speaker 2: And there was kind of a movement of bands at

900
00:44:35,040 --> 00:44:36,839
Speaker 2: that point and just being like yes, we are going

901
00:44:36,880 --> 00:44:39,719
Speaker 2: to speak against this. It wasn't just one band like this, and.

902
00:44:39,640 --> 00:44:42,640
Speaker 1: They were in the format that would turn the hardest that. Okay,

903
00:44:42,640 --> 00:44:44,719
Speaker 1: this is what it gets down to. Yeah, they were

904
00:44:45,040 --> 00:44:48,879
Speaker 1: the biggest thing in a conservative format. Had they said

905
00:44:48,880 --> 00:44:51,440
Speaker 1: the same thing at the same time and they were

906
00:44:51,480 --> 00:44:53,080
Speaker 1: a pop act or a rock act, it would not

907
00:44:53,120 --> 00:44:53,800
Speaker 1: have been the same.

908
00:44:53,640 --> 00:44:55,520
Speaker 3: Because if you look at country music during that time,

909
00:44:55,560 --> 00:44:58,520
Speaker 3: it was like Toby Keith, Red white and Blue, very patriotic, yeah,

910
00:44:58,520 --> 00:45:01,200
Speaker 3: which was obviously in a post night world. So then

911
00:45:01,239 --> 00:45:02,719
Speaker 3: you have the complete opposite here.

912
00:45:04,280 --> 00:45:06,200
Speaker 1: I watched the clip of Toby Keith before he died

913
00:45:06,800 --> 00:45:10,200
Speaker 1: and he was like, I'm not a Republican, and I

914
00:45:10,239 --> 00:45:12,560
Speaker 1: was like, how about that. I can't believe he said that.

915
00:45:13,239 --> 00:45:16,279
Speaker 1: He was like, he said, I'm not a Democrat, and

916
00:45:16,320 --> 00:45:18,520
Speaker 1: he was doing the thing where we did. But he

917
00:45:18,560 --> 00:45:21,080
Speaker 1: was like, I'm not a Republican, which I thought it

918
00:45:21,080 --> 00:45:23,200
Speaker 1: was wild for him even to say that, because usually

919
00:45:23,239 --> 00:45:25,920
Speaker 1: you just say nothing, especially in that space. He goes,

920
00:45:25,960 --> 00:45:29,520
Speaker 1: just because I write American songs and like, I am

921
00:45:29,520 --> 00:45:32,160
Speaker 1: patriotic and I love this country, he said, but I'm

922
00:45:32,160 --> 00:45:36,239
Speaker 1: not a Republican. I was like, huh, I thought he

923
00:45:36,320 --> 00:45:41,319
Speaker 1: ran on that ticket. I loved Toby number two. When

924
00:45:41,320 --> 00:45:44,399
Speaker 1: Morgan Wallen almost maimed two police officers with a bar chair,

925
00:45:44,920 --> 00:45:46,520
Speaker 1: I would not put this at too if we're going

926
00:45:46,560 --> 00:45:49,360
Speaker 1: Morgan Wallen. If I'm being honest with you, this is

927
00:45:49,440 --> 00:45:52,960
Speaker 1: not This is not the biggest Morgan Wallen scandal.

928
00:45:54,440 --> 00:45:56,000
Speaker 3: They got a slap on the wrist for this.

929
00:45:56,080 --> 00:45:59,160
Speaker 1: The biggest Morgan Wallen scandal was him being drunk outside

930
00:45:59,160 --> 00:46:03,640
Speaker 1: of his house saying the N word and then everybody

931
00:46:03,640 --> 00:46:07,160
Speaker 1: being like, oh, and which, You're white dude, you can't

932
00:46:07,200 --> 00:46:10,680
Speaker 1: say that word. And I remember coming on the air

933
00:46:10,680 --> 00:46:13,680
Speaker 1: the next day and man, I was just I was

934
00:46:13,840 --> 00:46:17,759
Speaker 1: crushed for days. Now I'll say I was absolutely right

935
00:46:18,160 --> 00:46:21,239
Speaker 1: because I came on the air and I said, Hey, no,

936
00:46:21,760 --> 00:46:24,319
Speaker 1: you're a white person. You cannot say that word, and

937
00:46:24,600 --> 00:46:27,040
Speaker 1: there is no way you cannot do it. But I

938
00:46:27,080 --> 00:46:29,560
Speaker 1: do not think you should be canceled. I think people

939
00:46:29,600 --> 00:46:33,040
Speaker 1: are canceling people before they have People get canceled before

940
00:46:33,080 --> 00:46:36,280
Speaker 1: they have the opportunity to learn and grow. I said,

941
00:46:36,440 --> 00:46:40,440
Speaker 1: so should he whatever go away for a while. Yeah,

942
00:46:40,520 --> 00:46:45,160
Speaker 1: so he can understand why this isn't allowed and he

943
00:46:45,200 --> 00:46:48,319
Speaker 1: can come back and make positive of it. Should he

944
00:46:48,360 --> 00:46:52,120
Speaker 1: be canceled. No, unequivocally I said no. But should he

945
00:46:52,200 --> 00:46:54,400
Speaker 1: be able to just hang out and chill into a

946
00:46:54,440 --> 00:46:56,600
Speaker 1: show today in the studio? No, I said no, But

947
00:46:57,080 --> 00:47:01,160
Speaker 1: there's nuanced believe it or not, nuance exist. And I

948
00:47:01,200 --> 00:47:05,520
Speaker 1: did this and the morning after and I got crushed

949
00:47:05,560 --> 00:47:10,720
Speaker 1: by both sides. I had no allies because I said

950
00:47:11,000 --> 00:47:13,719
Speaker 1: Morgan should go away for a bit and figure out

951
00:47:13,719 --> 00:47:16,480
Speaker 1: what his next move is because obviously he's drunk, and

952
00:47:16,520 --> 00:47:18,879
Speaker 1: he had, you know, he'd been known to go pretty hard,

953
00:47:19,000 --> 00:47:21,080
Speaker 1: and you can't say the N word, and do we

954
00:47:21,080 --> 00:47:24,720
Speaker 1: need to learn why? Maybe he didn't know, but he's drunk.

955
00:47:24,920 --> 00:47:27,000
Speaker 1: And also he didn't say it. And I'm not saying

956
00:47:27,440 --> 00:47:29,960
Speaker 1: this is not any sort of justification, but he wasn't

957
00:47:30,000 --> 00:47:33,359
Speaker 1: talking about somebody that wasn't white. He was using it

958
00:47:33,360 --> 00:47:35,680
Speaker 1: in the contest of like contexts, like one of his boys,

959
00:47:35,719 --> 00:47:45,360
Speaker 1: which still can't do, but slight difference, then calling somebody

960
00:47:45,440 --> 00:47:53,600
Speaker 1: that because of generations and generations of from slaves and

961
00:47:53,760 --> 00:47:55,759
Speaker 1: what black people have had to deal with coming all

962
00:47:55,760 --> 00:47:59,440
Speaker 1: the way to today, and then saying it because you're

963
00:47:59,560 --> 00:48:01,200
Speaker 1: stupid just saying it to one of your boys, because

964
00:48:01,239 --> 00:48:04,799
Speaker 1: your boys all say that like, there nuance. This is

965
00:48:04,840 --> 00:48:07,279
Speaker 1: not a popular word. But yeah, you cannot, for any

966
00:48:07,320 --> 00:48:10,200
Speaker 1: reason say that word. But also, let's look at the intention.

967
00:48:10,239 --> 00:48:12,680
Speaker 1: I think we can look at intent as well. I

968
00:48:12,719 --> 00:48:14,600
Speaker 1: was like, he needs to go away. Figure it out,

969
00:48:14,840 --> 00:48:17,080
Speaker 1: figured out why you can't do this, why it's so bad,

970
00:48:17,120 --> 00:48:20,719
Speaker 1: why people are so hurt by this word. And then

971
00:48:20,760 --> 00:48:23,600
Speaker 1: I said, but we don't. Let's not cancel him whatever

972
00:48:23,640 --> 00:48:26,000
Speaker 1: that is, don't do it because I think people need

973
00:48:26,040 --> 00:48:28,400
Speaker 1: the opportunity to grow and learn and become. And I

974
00:48:28,480 --> 00:48:32,279
Speaker 1: say all this. Conservatives crushed me because I said it

975
00:48:32,280 --> 00:48:35,399
Speaker 1: needs to go away for a bit, freaking The woke

976
00:48:35,600 --> 00:48:41,240
Speaker 1: army was like, you're not canceling him. I had no allies,

977
00:48:42,480 --> 00:48:45,920
Speaker 1: still don't. Actually that's all right though, that's okay, okay,

978
00:48:46,320 --> 00:48:47,920
Speaker 1: but that's a rough one.

979
00:48:48,120 --> 00:48:48,520
Speaker 2: It sucks.

980
00:48:48,560 --> 00:48:50,960
Speaker 3: There's just no nuance. You're either all one way all

981
00:48:51,000 --> 00:48:53,040
Speaker 3: this way and you can't find a medium ground that

982
00:48:53,080 --> 00:48:54,640
Speaker 3: you tried to find. It's like, nope, you gither bed

983
00:48:54,680 --> 00:48:56,840
Speaker 3: to be one or the other or we're gonna crucify you.

984
00:48:56,960 --> 00:48:59,640
Speaker 1: Yeah, and I feel like whatever. I wasn't even like

985
00:48:59,680 --> 00:49:02,400
Speaker 1: search for ground. I was just doing the human the

986
00:49:02,600 --> 00:49:06,400
Speaker 1: understanding that this is a human being that comes from somewhere.

987
00:49:07,280 --> 00:49:11,759
Speaker 1: Possibly did not understand the significance of why that is

988
00:49:11,800 --> 00:49:14,520
Speaker 1: so hurtful to so many people to say that, and

989
00:49:14,560 --> 00:49:17,440
Speaker 1: why you can't say that. But also if there's a

990
00:49:17,520 --> 00:49:21,319
Speaker 1: lack of understanding, it's different than if there's a full

991
00:49:21,400 --> 00:49:24,920
Speaker 1: understanding and you're still doing it. So that was a

992
00:49:24,960 --> 00:49:27,520
Speaker 1: brutal time for me. God dang.

993
00:49:27,600 --> 00:49:28,879
Speaker 2: And that was before the chair.

994
00:49:28,920 --> 00:49:31,640
Speaker 1: Oh yeah, the chair. Chair is nothing. The chair is nothing.

995
00:49:31,960 --> 00:49:33,440
Speaker 1: We came on the next day of the chair were like,

996
00:49:33,480 --> 00:49:39,239
Speaker 1: what the crap just happened? Drinking number one? Oh, do

997
00:49:39,280 --> 00:49:41,080
Speaker 1: you know what it is? Have you seen the list?

998
00:49:41,200 --> 00:49:43,359
Speaker 2: No, I've not seen the list. I think what number

999
00:49:43,360 --> 00:49:43,719
Speaker 2: one would be.

1000
00:49:43,840 --> 00:49:46,440
Speaker 1: It's somebody that's still current in music. It's somebody that's

1001
00:49:46,440 --> 00:49:52,680
Speaker 1: been in the studio seven or eight times.

1002
00:49:50,320 --> 00:49:53,120
Speaker 2: Seven or eight times? Could that be?

1003
00:49:54,239 --> 00:49:59,239
Speaker 1: It's somebody that I actually like, like when I see them,

1004
00:50:00,080 --> 00:50:02,480
Speaker 1: we talk like. It's not even like I don't hang

1005
00:50:02,520 --> 00:50:05,520
Speaker 1: out with them purposefully, like we don't pursue Hey, let's

1006
00:50:05,560 --> 00:50:08,160
Speaker 1: hang out. But if we've ended up at the same

1007
00:50:08,200 --> 00:50:12,440
Speaker 1: place at times in person, delightful?

1008
00:50:13,960 --> 00:50:16,600
Speaker 2: Why do I feel like Billy Ray Cyrus could be?

1009
00:50:16,760 --> 00:50:17,719
Speaker 2: But like what did he do?

1010
00:50:17,880 --> 00:50:19,480
Speaker 1: I would say, this person's had number one hits in

1011
00:50:19,760 --> 00:50:22,040
Speaker 1: multiple in the past couple of years. Not only that,

1012
00:50:22,680 --> 00:50:25,360
Speaker 1: but the scandal happened before we came to Nashville.

1013
00:50:25,520 --> 00:50:28,040
Speaker 2: Oh okay, that's probably why I'm not coming straight to me.

1014
00:50:29,360 --> 00:50:31,280
Speaker 1: But you know it, I needmore.

1015
00:50:31,320 --> 00:50:35,120
Speaker 2: Give me something, just a little little one more nugget.

1016
00:50:34,360 --> 00:50:35,759
Speaker 1: Has something to do with the reality show.

1017
00:50:38,360 --> 00:50:43,440
Speaker 2: Okay, okay, okay, Oh yeah, I got you, I got

1018
00:50:43,520 --> 00:50:44,920
Speaker 2: you go, Jason ld.

1019
00:50:44,880 --> 00:50:48,000
Speaker 1: That's exactly what it is. Now. We kind of missed

1020
00:50:49,480 --> 00:50:52,719
Speaker 1: whatever explosion this was because we were I was on

1021
00:50:53,040 --> 00:50:55,560
Speaker 1: CHR like pop radio. But Jason Alding got caught cheating

1022
00:50:55,560 --> 00:50:56,960
Speaker 1: on his high school sweetheart and the mother of his

1023
00:50:56,960 --> 00:50:59,960
Speaker 1: two children with American Idol contestant Brittany Kerr.

1024
00:51:00,120 --> 00:51:04,239
Speaker 2: Remember the pictures the TMZ pictures them at a LA

1025
00:51:04,320 --> 00:51:07,240
Speaker 2: club making a yeah bar but bar.

1026
00:51:07,280 --> 00:51:10,160
Speaker 1: Yeah, I'm like gosh. And also I was like, I

1027
00:51:10,200 --> 00:51:10,640
Speaker 1: don't care.

1028
00:51:10,719 --> 00:51:12,080
Speaker 2: Are you sure we weren't here already?

1029
00:51:12,080 --> 00:51:15,719
Speaker 1: I'm positive. Oh yeah, I'm positive. I don't know what

1030
00:51:15,760 --> 00:51:18,319
Speaker 1: you hear that was. But okay, Mike, we weren't here right,

1031
00:51:18,480 --> 00:51:22,800
Speaker 1: let me check. I would bet any money in my wallet,

1032
00:51:22,800 --> 00:51:23,759
Speaker 1: which I don't keep much cat.

1033
00:51:23,800 --> 00:51:26,600
Speaker 2: I feel like I would have never really seen those

1034
00:51:26,640 --> 00:51:28,560
Speaker 2: pictures right before US twenty twelve.

1035
00:51:28,719 --> 00:51:30,080
Speaker 1: Yeah, we didn't come to til twenty thirteen.

1036
00:51:30,160 --> 00:51:33,800
Speaker 2: Oh wow, so right before Yeah, so those are your.

1037
00:51:34,320 --> 00:51:35,880
Speaker 1: Top ten scandals.

1038
00:51:36,520 --> 00:51:39,200
Speaker 2: I don't feel good about this whole segment that it

1039
00:51:39,200 --> 00:51:42,040
Speaker 2: makes you feel good warming not no warm and fuzzies

1040
00:51:42,560 --> 00:51:45,480
Speaker 2: playing happiness. H oh no, Let's take one more break.

1041
00:51:46,280 --> 00:51:48,920
Speaker 8: Let's take a quick pause for a message from our sponsor.

1042
00:51:50,760 --> 00:51:52,480
Speaker 2: This is the Bobby Cast.

1043
00:51:52,760 --> 00:51:55,799
Speaker 1: I do want to do a couple and I guess

1044
00:51:55,800 --> 00:51:57,279
Speaker 1: we have one, two three. We got more than a

1045
00:51:57,320 --> 00:51:59,080
Speaker 1: couple of songs that are public domain that now we

1046
00:51:59,120 --> 00:52:01,319
Speaker 1: can play for free, which means we can play these

1047
00:52:01,320 --> 00:52:02,040
Speaker 1: on the podcast. Mike.

1048
00:52:02,120 --> 00:52:03,080
Speaker 3: Yeah.

1049
00:52:03,160 --> 00:52:05,800
Speaker 1: So public domain means they've been around for one hundred

1050
00:52:05,840 --> 00:52:09,400
Speaker 1: years or so and now they're anybody's. And the problem

1051
00:52:09,480 --> 00:52:10,880
Speaker 1: is you're like, wow, now there are anybody, but there

1052
00:52:10,880 --> 00:52:12,759
Speaker 1: were a hundred years ago, so they're nothing current. They're

1053
00:52:12,800 --> 00:52:18,000
Speaker 1: like almost unusable. The technology is bad. Singing in the rain,

1054
00:52:18,360 --> 00:52:22,239
Speaker 1: Gene Kelly, this is public domain, hidy, Mikey.

1055
00:52:22,880 --> 00:52:24,960
Speaker 2: Sing in the rain.

1056
00:52:25,120 --> 00:52:29,759
Speaker 7: It's a good one though, in the rain, what a

1057
00:52:29,880 --> 00:52:34,920
Speaker 7: glororious feed and I'm again.

1058
00:52:35,200 --> 00:52:37,000
Speaker 2: I watch a lot of old movies. I've never seen

1059
00:52:37,040 --> 00:52:37,319
Speaker 2: that one.

1060
00:52:38,480 --> 00:52:40,759
Speaker 1: I've never seen any old movie, and I haven't seen

1061
00:52:40,760 --> 00:52:42,759
Speaker 1: that one, but I know it like I've seen like

1062
00:52:42,800 --> 00:52:45,080
Speaker 1: a clip, like YouTube clips of this performance.

1063
00:52:45,120 --> 00:52:49,799
Speaker 2: I've never I've never seen what's the other the music?

1064
00:52:49,840 --> 00:52:51,200
Speaker 2: Sound of music? I never seen that one either.

1065
00:52:51,360 --> 00:52:53,759
Speaker 1: Yeah, me, are there? I know the songs? Yeah right,

1066
00:52:54,440 --> 00:52:58,600
Speaker 1: Ain't Misbehaving by Fats Waller, No One too Long with.

1067
00:52:59,080 --> 00:53:05,480
Speaker 6: Ben'm be on the Shell, Famous Spy Aven Sam and

1068
00:53:05,640 --> 00:53:07,080
Speaker 6: My Love Volume.

1069
00:53:07,400 --> 00:53:10,239
Speaker 1: It's from the musical Hot Chocolates. These are all free now,

1070
00:53:10,280 --> 00:53:11,839
Speaker 1: so you can do whatever you want to do, all right?

1071
00:53:12,440 --> 00:53:15,440
Speaker 1: An American, you'll know this? The instrumental here an American

1072
00:53:15,440 --> 00:53:23,520
Speaker 1: in Paris, George Gershwin, do you know this?

1073
00:53:23,600 --> 00:53:24,560
Speaker 2: I've seen the movie.

1074
00:53:24,680 --> 00:53:27,759
Speaker 1: Okay, I've seen the movie. Did you make us watch

1075
00:53:27,800 --> 00:53:28,120
Speaker 1: the movie?

1076
00:53:28,200 --> 00:53:31,200
Speaker 2: Noh, I didn't make you watch this one. The one

1077
00:53:31,239 --> 00:53:33,640
Speaker 2: I made you watch was Roman Holiday. I think carry

1078
00:53:33,640 --> 00:53:36,120
Speaker 2: Grants in that one too, So that makes sense.

1079
00:53:36,719 --> 00:53:41,160
Speaker 1: Yeah, maybe I'm getting confused. And where hebern Audrey, hebern Adrew,

1080
00:53:41,160 --> 00:53:42,839
Speaker 1: hebbern Is, Katherin Hebber her daughter.

1081
00:53:43,000 --> 00:53:46,480
Speaker 2: No, they're not related. Catherine was American and then Audrey

1082
00:53:46,520 --> 00:53:47,040
Speaker 2: was British.

1083
00:53:47,160 --> 00:53:50,439
Speaker 1: Okay, what did I do to be So Black and Blue?

1084
00:53:50,440 --> 00:53:51,360
Speaker 1: By Louis Armstrong?

1085
00:53:51,840 --> 00:53:56,880
Speaker 2: Oh my love, I've been so black and blue?

1086
00:53:57,880 --> 00:54:00,839
Speaker 1: That's super cool. You just wish it was new enough

1087
00:54:00,840 --> 00:54:04,960
Speaker 1: to not have the old fuzz well fuzz. It's fun

1088
00:54:05,000 --> 00:54:07,560
Speaker 1: to listen to it, but you can't really use it.

1089
00:54:07,640 --> 00:54:09,080
Speaker 1: I like it because it's data and it makes you

1090
00:54:09,120 --> 00:54:11,080
Speaker 1: feel the date, but like, if you're gonna use like

1091
00:54:11,120 --> 00:54:12,440
Speaker 1: on the show or play it in a clip or

1092
00:54:12,440 --> 00:54:13,880
Speaker 1: a movie, it's.

1093
00:54:14,400 --> 00:54:14,880
Speaker 2: I don't want that.

1094
00:54:14,920 --> 00:54:15,759
Speaker 3: It's our new theme song.

1095
00:54:15,960 --> 00:54:25,480
Speaker 1: Yeah, uh Tiptoe through the Tulips from Nick Lucas Tiptoe

1096
00:54:26,000 --> 00:54:29,959
Speaker 1: to the Window. So I know this from Tiny Tim

1097
00:54:29,960 --> 00:54:31,640
Speaker 1: doing it. I think you did the sixties, So that

1098
00:54:31,800 --> 00:54:35,239
Speaker 1: is not the Tiny Tim version is not public domain now,

1099
00:54:35,440 --> 00:54:39,560
Speaker 1: but this is that song, but originally by Nick Lucas.

1100
00:54:41,080 --> 00:54:41,919
Speaker 2: The Tulips.

1101
00:54:42,000 --> 00:54:43,960
Speaker 3: They use this in a horror movie called Insidious, where

1102
00:54:44,000 --> 00:54:45,919
Speaker 3: anytime the demon would appear, you would hear this song.

1103
00:54:46,000 --> 00:54:47,759
Speaker 3: So I have a bad association with this song.

1104
00:54:47,840 --> 00:54:49,520
Speaker 1: Man the old version for free.

1105
00:54:49,280 --> 00:54:51,200
Speaker 3: Yeah, well it was before so they probably had to

1106
00:54:51,239 --> 00:54:51,719
Speaker 3: pay for it.

1107
00:54:52,120 --> 00:54:53,719
Speaker 1: How about that you pay for like eight days before?

1108
00:54:54,600 --> 00:54:54,799
Speaker 2: Wait?

1109
00:54:55,520 --> 00:54:58,000
Speaker 1: Happy Days Are Here again Ben Selvin and the Crooners.

1110
00:55:05,960 --> 00:55:08,920
Speaker 2: That's how Baller saw that Barbershop Orte.

1111
00:55:08,960 --> 00:55:13,760
Speaker 1: Probably Happy Days Are Here rock again. This was originally

1112
00:55:13,960 --> 00:55:17,200
Speaker 1: franklind Roosevelt's presidential campaign nineteen thirty two songs.

1113
00:55:17,239 --> 00:55:19,480
Speaker 2: How do you know all these songs? I don't know,

1114
00:55:19,920 --> 00:55:20,959
Speaker 2: like you know these songs?

1115
00:55:21,000 --> 00:55:21,640
Speaker 1: You know this song?

1116
00:55:21,760 --> 00:55:22,680
Speaker 2: I've never heard this one.

1117
00:55:22,800 --> 00:55:25,359
Speaker 1: No? Oh yeah, I know almost all of them.

1118
00:55:25,400 --> 00:55:30,120
Speaker 2: That's so funny. Happy Days Are Here regat.

1119
00:55:31,160 --> 00:55:34,120
Speaker 1: A notable recordings from nineteen twenty four entering the public domain.

1120
00:55:35,239 --> 00:55:53,720
Speaker 1: Nobody knows the trouble. I've seen Marian Anderson and boy,

1121
00:55:54,840 --> 00:55:55,440
Speaker 1: that's static.

1122
00:55:55,800 --> 00:55:58,440
Speaker 2: That's major static. It feels like she's.

1123
00:55:58,280 --> 00:56:00,360
Speaker 1: In the rain, like get out of the Rain, singing

1124
00:56:00,440 --> 00:56:04,600
Speaker 1: the thunderstorm around here, Rap City in Blue George Gershwin

1125
00:56:04,960 --> 00:56:12,160
Speaker 1: or instrumental. I know this one. It's using a bunch

1126
00:56:12,160 --> 00:56:12,799
Speaker 1: of commercials.

1127
00:56:15,080 --> 00:56:17,279
Speaker 2: I feel like Mickey Mouse is dancing black and white.

1128
00:56:18,719 --> 00:56:21,320
Speaker 1: The first part is used in like like a medical commercial.

1129
00:56:21,360 --> 00:56:22,359
Speaker 1: Play again from the top again.

1130
00:56:27,560 --> 00:56:28,600
Speaker 2: Yeah, that's crazy?

1131
00:56:31,520 --> 00:56:34,600
Speaker 1: Or is this was there? Somebody named This guy's name

1132
00:56:34,640 --> 00:56:35,880
Speaker 1: is Jelly Roll Morton.

1133
00:56:36,120 --> 00:56:38,400
Speaker 2: Yeah, Jelly I have a story about him. Play this though,

1134
00:56:38,440 --> 00:56:50,160
Speaker 2: Shreveport Stomp. What's your story now? I'm thinking of lead

1135
00:56:50,160 --> 00:56:50,759
Speaker 2: Belly forgot.

1136
00:56:51,640 --> 00:56:54,080
Speaker 1: Everybody loves my baby, but my baby don't love me

1137
00:56:54,480 --> 00:57:00,720
Speaker 1: recorded about Louis Armstrong. Everybody love my baby, my baby

1138
00:57:00,760 --> 00:57:04,799
Speaker 1: don't love nobody. That's cool. One. That's sound too staticky.

1139
00:57:04,880 --> 00:57:05,960
Speaker 2: They cleaned it up a little bit.

1140
00:57:06,000 --> 00:57:09,960
Speaker 1: That's fine. Let's do one more here. It had to

1141
00:57:10,040 --> 00:57:14,960
Speaker 1: be You by Marion Harris. You know the song, right,

1142
00:57:16,240 --> 00:57:19,920
Speaker 1: no way had to be How do you know this song?

1143
00:57:20,320 --> 00:57:21,880
Speaker 1: How do you know this is a famous song?

1144
00:57:21,960 --> 00:57:23,120
Speaker 3: Mike, you know the song?

1145
00:57:23,200 --> 00:57:23,680
Speaker 1: Okay?

1146
00:57:23,800 --> 00:57:25,480
Speaker 3: A lot of these are used in movies. I've been

1147
00:57:25,480 --> 00:57:26,600
Speaker 3: exposed to it sometimes.

1148
00:57:28,080 --> 00:57:33,520
Speaker 1: Okay, what about California? Here, I come call, You're right.

1149
00:57:35,240 --> 00:57:35,800
Speaker 2: Right back?

1150
00:57:37,840 --> 00:57:48,520
Speaker 1: California, California from yeah? Uh? Notable characters Popeye? Now all Popeye?

1151
00:57:48,920 --> 00:57:51,000
Speaker 1: Or is there like a very very early version that's

1152
00:57:51,040 --> 00:57:52,320
Speaker 1: like Mickey Mouse's early version.

1153
00:57:52,640 --> 00:57:54,360
Speaker 3: It's like the very first version of them.

1154
00:57:54,400 --> 00:57:55,880
Speaker 2: And I don't know how true this is, but I

1155
00:57:55,920 --> 00:57:59,200
Speaker 2: saw TikTok where who Popeye was?

1156
00:57:59,240 --> 00:57:59,320
Speaker 8: Like?

1157
00:57:59,560 --> 00:58:01,880
Speaker 2: First, I guess there's a real guy. There's a real

1158
00:58:01,920 --> 00:58:04,400
Speaker 2: sailor that he was the inspiration for Popeye.

1159
00:58:04,560 --> 00:58:07,400
Speaker 1: Looks just like Popeye that's fine.

1160
00:58:07,480 --> 00:58:10,160
Speaker 2: Yeah, I mean he had the whole, like the cheek,

1161
00:58:10,240 --> 00:58:12,200
Speaker 2: you know with then he had a corn A corn

1162
00:58:12,240 --> 00:58:12,680
Speaker 2: pipe is.

1163
00:58:12,680 --> 00:58:15,160
Speaker 1: A hilarious spinach make him strong.

1164
00:58:15,000 --> 00:58:16,560
Speaker 2: That No, I don't think that was brute?

1165
00:58:16,680 --> 00:58:17,120
Speaker 3: Is there?

1166
00:58:17,640 --> 00:58:22,640
Speaker 1: Oh? Popeye? Olive Oil? And then twelve more Mickey Mouse cartoons,

1167
00:58:22,680 --> 00:58:26,320
Speaker 1: including Mickey's first talking appearance in the Carnival Kid Make

1168
00:58:26,400 --> 00:58:29,320
Speaker 1: You Many first entered this year. Nothing there right.

1169
00:58:29,560 --> 00:58:32,600
Speaker 3: N still waiting on like the real Legiti Mickey to

1170
00:58:32,600 --> 00:58:33,800
Speaker 3: go public domain.

1171
00:58:34,000 --> 00:58:38,000
Speaker 1: We'll be dead probably. That's from CBS News. So there

1172
00:58:38,120 --> 00:58:40,600
Speaker 1: you have it. Let me check if there's anything else.

1173
00:58:40,840 --> 00:58:43,480
Speaker 2: I think you love old music. You might like old movies.

1174
00:58:44,080 --> 00:58:46,480
Speaker 2: I do not. Then you just don't know.

1175
00:58:46,440 --> 00:58:50,720
Speaker 1: It like old movies. I do want to talk about

1176
00:58:50,840 --> 00:58:54,240
Speaker 1: maybe the next episode or two. Here's the challenge I

1177
00:58:54,240 --> 00:58:58,960
Speaker 1: want to give you. Who doesn't get credit in music

1178
00:58:59,040 --> 00:59:03,480
Speaker 1: for being freaking awesome but they're low key like amazing.

1179
00:59:04,760 --> 00:59:06,640
Speaker 1: I have somebody I don't want to waste it right.

1180
00:59:06,560 --> 00:59:11,440
Speaker 2: Here, okay, and you whoever you have, Everyone knows this person,

1181
00:59:11,480 --> 00:59:13,040
Speaker 2: they're just not known for what they do.

1182
00:59:14,440 --> 00:59:17,200
Speaker 1: I won't say everyone. I don't want to give you

1183
00:59:17,200 --> 00:59:20,760
Speaker 1: too much of a look into what I have. I

1184
00:59:20,760 --> 00:59:24,840
Speaker 1: don't think this person gets near the respect that they deserve.

1185
00:59:27,640 --> 00:59:31,080
Speaker 1: Transcendent in a way, but not in the same part.

1186
00:59:31,280 --> 00:59:34,640
Speaker 1: But yes, famous, okay, but I think people don't. I

1187
00:59:34,680 --> 00:59:38,480
Speaker 1: would compare it to Prince is a guitar player.

1188
00:59:38,800 --> 00:59:39,280
Speaker 2: That's good.

1189
00:59:39,800 --> 00:59:43,800
Speaker 1: Prince one of the greatest guitar players ever. I'm talking about.

1190
00:59:43,880 --> 00:59:46,120
Speaker 1: You can list five or six, you can go buddy guy,

1191
00:59:46,840 --> 00:59:49,000
Speaker 1: I could go down the list. Prince is there. But

1192
00:59:49,160 --> 00:59:54,000
Speaker 1: because he had massive songs, was purple, was all the

1193
00:59:54,040 --> 00:59:56,880
Speaker 1: things that Prince was as an artist. You really didn't

1194
00:59:56,920 --> 00:59:59,560
Speaker 1: pay attention to the guitar playing unless you knew guitar.

1195
01:00:00,920 --> 01:00:03,120
Speaker 1: But he was one of the greatest guitar players ever.

1196
01:00:04,080 --> 01:00:07,800
Speaker 1: So it would be something similar to that. So think

1197
01:00:07,840 --> 01:00:08,880
Speaker 1: about that the next time.

1198
01:00:08,760 --> 01:00:09,120
Speaker 4: We do this.

1199
01:00:09,680 --> 01:00:12,400
Speaker 1: I have somebody now I'd love to, but right out

1200
01:00:12,440 --> 01:00:15,400
Speaker 1: of time to do that. Okay, cool, Mike, you're good.

1201
01:00:15,320 --> 01:00:15,800
Speaker 2: We're good.

1202
01:00:15,840 --> 01:00:17,440
Speaker 1: All right, Thank you, guys. Please share this on your

1203
01:00:17,440 --> 01:00:19,920
Speaker 1: social media if you don't mind, that would be amazing.

1204
01:00:21,240 --> 01:00:23,280
Speaker 1: If there's a part that you really liked when you

1205
01:00:23,280 --> 01:00:24,920
Speaker 1: posted in a story, be like, you should listen to

1206
01:00:24,960 --> 01:00:29,560
Speaker 1: them talk about Dolly Parton and Porter Wagner didn't know

1207
01:00:29,600 --> 01:00:32,400
Speaker 1: that that would help us tremendously. We'd love it, we'd

1208
01:00:32,440 --> 01:00:34,520
Speaker 1: appreciate it. We hope you have a great day and

1209
01:00:34,560 --> 01:00:35,240
Speaker 1: thanks for listening.

1210
01:00:35,800 --> 01:00:37,840
Speaker 8: This has been a Bobby Cast production.