1 00:00:01,160 --> 00:00:03,560 Speaker 1: Coming up at about four minutes after the our. It's 2 00:00:03,600 --> 00:00:07,000 Speaker 1: my strawberry letter for today, and the subject is it's 3 00:00:07,120 --> 00:00:10,240 Speaker 1: drawers were under the driver's seat. We'll get into that 4 00:00:10,280 --> 00:00:11,720 Speaker 1: in just a little bit, because. 5 00:00:11,440 --> 00:00:13,280 Speaker 2: Where you supposed to be. 6 00:00:15,800 --> 00:00:18,239 Speaker 1: I was wondering what you guys are gonna say. Yeah, 7 00:00:18,800 --> 00:00:21,639 Speaker 1: you need to wear them here wearing them That's what. 8 00:00:21,760 --> 00:00:24,840 Speaker 2: I have had my drawled all up around the break before. 9 00:00:24,920 --> 00:00:26,239 Speaker 2: I know. 10 00:00:27,600 --> 00:00:28,240 Speaker 3: You can't get. 11 00:00:28,400 --> 00:00:29,440 Speaker 2: Up on this a little bit. 12 00:00:32,000 --> 00:00:35,440 Speaker 1: Right now it is time for the crazy nephew. Uh 13 00:00:35,479 --> 00:00:36,760 Speaker 1: and today's prank phone call. 14 00:00:36,800 --> 00:00:37,479 Speaker 3: What you got for it? 15 00:00:37,640 --> 00:00:41,920 Speaker 2: Now? This right here, Shirley is bump and grind, Bump 16 00:00:42,159 --> 00:00:47,479 Speaker 2: and grind. Yeah, let's go care do I'm bumping grind? 17 00:00:47,800 --> 00:00:52,720 Speaker 2: I don't see eating nothing around show? You can't. 18 00:00:54,840 --> 00:01:00,240 Speaker 4: Hello Hello Marcus, Marcus, Yeah, this is I. Can you 19 00:01:00,240 --> 00:01:00,520 Speaker 4: hear me? 20 00:01:00,600 --> 00:01:01,080 Speaker 5: Can you hear me? 21 00:01:01,120 --> 00:01:02,760 Speaker 4: Pretty good? Yeah? I can he you? 22 00:01:02,800 --> 00:01:06,360 Speaker 5: Man, Hey, hey listen, he let me turn the radio 23 00:01:06,440 --> 00:01:09,959 Speaker 5: down for say, hey listen, I live in and I 24 00:01:10,000 --> 00:01:12,360 Speaker 5: live in the apartment building that you just moved into. 25 00:01:13,080 --> 00:01:15,720 Speaker 5: I live in twenty one A and you live above 26 00:01:15,760 --> 00:01:16,920 Speaker 5: me in twenty two A. 27 00:01:17,640 --> 00:01:18,319 Speaker 4: Uh huh. 28 00:01:18,360 --> 00:01:20,640 Speaker 3: I actually got your number from the leasing office. I 29 00:01:20,640 --> 00:01:23,080 Speaker 3: told him I wanted to welcome you to the apartment building, man, 30 00:01:23,120 --> 00:01:25,679 Speaker 3: but I don't want to really raise no oyebrows. But 31 00:01:25,720 --> 00:01:28,120 Speaker 3: I was really calling about you know. 32 00:01:28,319 --> 00:01:29,759 Speaker 4: You know, first of all, let me go ahead and. 33 00:01:29,680 --> 00:01:31,960 Speaker 3: Say welcome to the building. Man. I hope that you 34 00:01:32,080 --> 00:01:34,120 Speaker 3: and your your uh is that your wife. 35 00:01:33,840 --> 00:01:34,440 Speaker 2: That lives with you. 36 00:01:35,040 --> 00:01:37,440 Speaker 6: First of add, thank you, brother, I appreciate it. 37 00:01:37,800 --> 00:01:39,360 Speaker 7: But why would you need. 38 00:01:39,240 --> 00:01:40,240 Speaker 4: To have my number to do that? 39 00:01:40,280 --> 00:01:42,319 Speaker 5: You could just came knocked on my door man, boy. 40 00:01:42,480 --> 00:01:45,000 Speaker 3: Yeah, yeah, yeah, well see whatever. The reason why I 41 00:01:45,000 --> 00:01:47,400 Speaker 3: mean I really called and got the number was kind 42 00:01:47,400 --> 00:01:49,040 Speaker 3: of reach out to you. Man. I don't be wanting 43 00:01:49,080 --> 00:01:50,840 Speaker 3: to start no trouble with nobody or nothing like that. 44 00:01:50,880 --> 00:01:53,320 Speaker 3: I'd be wanting to you know, I want my neighbors 45 00:01:53,320 --> 00:01:54,520 Speaker 3: to be cool with me, and I want to be 46 00:01:54,560 --> 00:01:56,040 Speaker 3: cool with my neighbors. You know what I'm saying. 47 00:01:56,480 --> 00:01:57,080 Speaker 4: Yeah, that's cool. 48 00:01:57,360 --> 00:02:01,280 Speaker 3: So I was reaching out man, because you know the noise, man, 49 00:02:01,440 --> 00:02:01,720 Speaker 3: I was. 50 00:02:02,400 --> 00:02:04,760 Speaker 7: I'm I work at night. 51 00:02:04,680 --> 00:02:06,040 Speaker 4: And I sleep during the day. 52 00:02:06,080 --> 00:02:08,920 Speaker 3: Man, but it seems like since you guys moved in 53 00:02:09,120 --> 00:02:11,240 Speaker 3: man in the middle of the day, it's you know, 54 00:02:11,600 --> 00:02:13,359 Speaker 3: I mean, I know what it's like to have lady. 55 00:02:13,639 --> 00:02:14,840 Speaker 7: Hold hold on, holda holda. 56 00:02:15,240 --> 00:02:18,600 Speaker 6: You're hearing marriage is coming from my place in the 57 00:02:18,600 --> 00:02:19,040 Speaker 6: middle of the. 58 00:02:19,120 --> 00:02:23,320 Speaker 3: Day, right, I mean I'm here, I'm getting I'm here, 59 00:02:23,320 --> 00:02:24,600 Speaker 3: and you're making luve to your lady. 60 00:02:24,639 --> 00:02:28,280 Speaker 7: Man, I mean no, man, now, you know what it did. 61 00:02:28,720 --> 00:02:31,800 Speaker 7: You might be hearing something from a mother another unit. Man, 62 00:02:31,880 --> 00:02:33,919 Speaker 7: it's definitely not coming from month because I'm at work 63 00:02:34,360 --> 00:02:36,400 Speaker 7: and my you know, my girl is there, but she's 64 00:02:36,520 --> 00:02:38,480 Speaker 7: on a computer. You know, she's looking for a gig 65 00:02:38,600 --> 00:02:39,040 Speaker 7: right now? 66 00:02:39,800 --> 00:02:42,200 Speaker 5: Hellong it, okay, okay, okay, wait a minute. 67 00:02:42,240 --> 00:02:42,400 Speaker 6: Now. 68 00:02:42,919 --> 00:02:47,880 Speaker 3: So you live in apartment twenty two A. Right, yeah, okay, 69 00:02:49,320 --> 00:02:52,519 Speaker 3: see I live in twenty one A. Your your bedroom 70 00:02:53,080 --> 00:02:54,400 Speaker 3: is above my bedroom. 71 00:02:55,160 --> 00:02:56,840 Speaker 4: Well yeah, holda holda. 72 00:02:57,320 --> 00:03:02,399 Speaker 6: He telling me that you're raises to sound like somebody 73 00:03:03,000 --> 00:03:06,359 Speaker 6: they can know coming from my crib at this time 74 00:03:06,440 --> 00:03:09,079 Speaker 6: of day and I'm not there, and an. 75 00:03:09,200 --> 00:03:12,320 Speaker 4: My woman is there. Dude, Man, you know I did it. 76 00:03:12,760 --> 00:03:14,440 Speaker 4: I'm not trying to be ruder any day. 77 00:03:14,440 --> 00:03:15,800 Speaker 6: I appreciate you caring. 78 00:03:15,919 --> 00:03:18,320 Speaker 7: And and you know name right now that any that 79 00:03:18,480 --> 00:03:22,480 Speaker 7: you shake you in right uh yeah, yeah. 80 00:03:22,440 --> 00:03:25,679 Speaker 4: Yeah, man, Look, I mean you clay me all right. 81 00:03:26,000 --> 00:03:28,160 Speaker 4: So let's get to the bottom of this one time 82 00:03:28,440 --> 00:03:30,680 Speaker 4: you seeing you hearing this? What kind of hands are 83 00:03:30,720 --> 00:03:31,160 Speaker 4: you hearing? 84 00:03:31,200 --> 00:03:31,760 Speaker 7: Exactly? 85 00:03:31,880 --> 00:03:32,240 Speaker 6: Tell me? 86 00:03:32,639 --> 00:03:34,800 Speaker 3: Hey, hey, hey, hey, you know what, man, there's probably 87 00:03:34,800 --> 00:03:36,400 Speaker 3: just a big mistake. I mean, maybe she just hanging 88 00:03:36,480 --> 00:03:37,280 Speaker 3: some pictures or something. 89 00:03:37,280 --> 00:03:39,960 Speaker 5: Bro, you know my life. 90 00:03:42,240 --> 00:03:42,720 Speaker 2: Pictures? 91 00:03:42,720 --> 00:03:44,360 Speaker 4: Man, we ain't even. 92 00:03:44,200 --> 00:03:46,440 Speaker 7: Pictures your I mean you claying me like you hear 93 00:03:47,000 --> 00:03:50,960 Speaker 7: not caning after my credit you're talking about? Man, Hey, 94 00:03:50,960 --> 00:03:54,680 Speaker 7: hey man, listen Marcus I podcast. 95 00:03:55,480 --> 00:03:56,840 Speaker 3: I'm I'm you know. 96 00:03:56,800 --> 00:03:59,960 Speaker 4: I'm no my mind. You telling me I'm here? 97 00:04:00,080 --> 00:04:01,080 Speaker 3: You know say what I'm saying. 98 00:04:01,360 --> 00:04:03,560 Speaker 4: I don't know what you are, but I'm an ard. No, 99 00:04:03,840 --> 00:04:07,040 Speaker 4: I'm not gonna understand that mean you calling me telling 100 00:04:07,080 --> 00:04:10,000 Speaker 4: me you hear the REGs coming from I could and 101 00:04:10,160 --> 00:04:13,280 Speaker 4: should like somebody. And now you're telling me that what 102 00:04:13,360 --> 00:04:15,440 Speaker 4: everybody you know? Hey man, all. 103 00:04:15,360 --> 00:04:17,760 Speaker 3: I'm saying is maybe it's just a legitimate mistake. I 104 00:04:17,800 --> 00:04:19,520 Speaker 3: don't say, may she hanging the pictures that moves the 105 00:04:19,560 --> 00:04:20,520 Speaker 3: burnie or something like that. 106 00:04:21,400 --> 00:04:24,160 Speaker 4: I just may I keep telling you that, you know picture. 107 00:04:24,640 --> 00:04:27,760 Speaker 4: Ain't nobody hearing this? It shouldn't do you know it's 108 00:04:27,760 --> 00:04:28,520 Speaker 4: coming from. 109 00:04:28,279 --> 00:04:32,360 Speaker 7: I could, man, I ain't trying to I ain't trying 110 00:04:32,400 --> 00:04:33,520 Speaker 7: to start no trouble. 111 00:04:33,240 --> 00:04:35,719 Speaker 4: Man, and you're not start just what you tell me 112 00:04:35,760 --> 00:04:36,479 Speaker 4: that all I was. 113 00:04:36,640 --> 00:04:39,480 Speaker 3: Going about was trying to get a decent, decent rests. 114 00:04:39,560 --> 00:04:39,720 Speaker 2: Man. 115 00:04:39,760 --> 00:04:42,240 Speaker 3: I work at night brought us all I'm talking about. Man, 116 00:04:42,240 --> 00:04:45,279 Speaker 3: I'm not trying to you don't get the great guys ship. 117 00:04:45,360 --> 00:04:46,039 Speaker 4: I don't kill it. 118 00:04:46,240 --> 00:04:46,880 Speaker 2: You calling me. 119 00:04:47,000 --> 00:04:47,440 Speaker 5: Telling me. 120 00:04:48,920 --> 00:04:53,159 Speaker 4: That's just been good for you, leg any man like that. 121 00:04:53,320 --> 00:04:55,719 Speaker 4: That ain't the leason. You got the right address. 122 00:04:55,839 --> 00:04:56,560 Speaker 7: What do you live at? 123 00:04:56,560 --> 00:04:56,760 Speaker 4: Man? 124 00:04:57,080 --> 00:05:01,520 Speaker 3: You live at yes Man in Apartment twenty one A, 125 00:05:01,720 --> 00:05:03,200 Speaker 3: and your place is above mine. 126 00:05:03,240 --> 00:05:06,000 Speaker 7: Man, Man, hold on, Man, hold on, we pulling tuck 127 00:05:06,000 --> 00:05:10,120 Speaker 7: over old on what second? Man? Because you're talking fall. 128 00:05:09,960 --> 00:05:12,479 Speaker 3: To hey, man, Look, I'm not I'm not trying to 129 00:05:12,520 --> 00:05:13,560 Speaker 3: have no trouble. Man. 130 00:05:13,640 --> 00:05:16,160 Speaker 4: I'm not trying to have no trouble. I do come 131 00:05:16,200 --> 00:05:19,479 Speaker 4: to working there, dam I just think the hollars a 132 00:05:19,480 --> 00:05:21,200 Speaker 4: week while I was there like this. 133 00:05:21,600 --> 00:05:24,200 Speaker 3: Okay, okay, So I'm not all I'm saying is man, 134 00:05:24,279 --> 00:05:26,920 Speaker 3: I thought I thought you was making love to your 135 00:05:27,160 --> 00:05:28,480 Speaker 3: your woman. Man, That's what I thought. 136 00:05:28,520 --> 00:05:30,000 Speaker 4: That's why I called you to ask her to keep 137 00:05:30,080 --> 00:05:33,920 Speaker 4: the noise down the of my wife. I ain't hear 138 00:05:34,080 --> 00:05:40,360 Speaker 4: my ring up there that you got with it twenty 139 00:05:40,400 --> 00:05:42,720 Speaker 4: what a that's from the Rocky Hill clid you do 140 00:05:42,839 --> 00:05:44,760 Speaker 4: with it? You ain't hear it from rest cliff. 141 00:05:44,920 --> 00:05:46,880 Speaker 3: No, no, hold on, hold no, helld on, dude, you're 142 00:05:46,920 --> 00:05:49,000 Speaker 3: not coming to my apartment to hear nothing. 143 00:05:49,040 --> 00:05:50,240 Speaker 2: Man, I ain't got nothing to do with this. 144 00:05:50,839 --> 00:05:54,839 Speaker 4: Man, I's. 145 00:05:55,200 --> 00:05:57,800 Speaker 3: I ain't letting you in my house. Man, By no minute, 146 00:05:57,880 --> 00:06:01,279 Speaker 3: you got going on upstairs? You gotta I told ya woman, Man. 147 00:06:01,120 --> 00:06:02,359 Speaker 4: It ain't got nothing to do with me. 148 00:06:03,360 --> 00:06:03,839 Speaker 2: I told me. 149 00:06:03,880 --> 00:06:09,080 Speaker 4: Woman, wasn't even know. I know, I know you. 150 00:06:09,200 --> 00:06:11,200 Speaker 3: I know it on there weighing it out for the 151 00:06:11,279 --> 00:06:13,279 Speaker 3: last two weeks between twelve and two. 152 00:06:13,560 --> 00:06:18,920 Speaker 4: I know that got you talking to James. Man, I'm 153 00:06:18,960 --> 00:06:21,800 Speaker 4: coming to your health. You ain't coming to my apartment, man, 154 00:06:21,839 --> 00:06:23,000 Speaker 4: I'm not it ain't man. 155 00:06:23,160 --> 00:06:25,760 Speaker 3: Listen, No, I ain't got nothing to do with it. 156 00:06:26,080 --> 00:06:29,480 Speaker 3: I'm telling you, troubles many. 157 00:06:29,520 --> 00:06:31,600 Speaker 4: I got one more thing I need to say you man, 158 00:06:31,600 --> 00:06:35,039 Speaker 4: as you listen for my cris. Oh, I got one. 159 00:06:34,839 --> 00:06:36,920 Speaker 3: More thing I need to say. All right, all right, 160 00:06:36,960 --> 00:06:39,000 Speaker 3: you better do let's say, better be telling me open 161 00:06:39,120 --> 00:06:40,920 Speaker 3: the dope? Are you lessen? 162 00:06:41,200 --> 00:06:44,200 Speaker 4: Yeah, I'm listen this is nephew till me. 163 00:06:44,160 --> 00:06:47,480 Speaker 3: From the Steve Harvey Morning Show. You just got praised 164 00:06:47,600 --> 00:06:48,600 Speaker 3: by your own boy. 165 00:06:49,760 --> 00:06:50,520 Speaker 2: Wait a minute? 166 00:06:50,520 --> 00:06:51,760 Speaker 7: Oh what them. 167 00:06:54,279 --> 00:06:54,760 Speaker 2: Between one? 168 00:06:54,839 --> 00:06:57,880 Speaker 3: Ain't then step away from twenty one to a please 169 00:06:58,400 --> 00:07:01,200 Speaker 3: listen leptew timing from this all me morning till your 170 00:07:01,200 --> 00:07:02,760 Speaker 3: boys got me to break you? 171 00:07:02,920 --> 00:07:04,160 Speaker 5: Man? 172 00:07:04,200 --> 00:07:12,160 Speaker 7: Oh oh damn are you a twenty one eight? 173 00:07:13,160 --> 00:07:17,080 Speaker 3: I'm right outside my apartment, man, I'm man, floor ahead, 174 00:07:17,800 --> 00:07:20,440 Speaker 3: Hang up, man, you. 175 00:07:20,520 --> 00:07:23,160 Speaker 4: Tell me still tell me, man, how you doing? Brother? 176 00:07:23,280 --> 00:07:24,119 Speaker 7: Tom Man? 177 00:07:24,320 --> 00:07:25,160 Speaker 4: Man, Tommy? 178 00:07:25,320 --> 00:07:28,560 Speaker 7: You had me going, man, I was coming up. 179 00:07:28,680 --> 00:07:33,080 Speaker 3: Man, I'm serious, Man, I got one more thing I 180 00:07:33,080 --> 00:07:33,640 Speaker 3: gotta asked up. 181 00:07:33,680 --> 00:07:35,800 Speaker 4: I let you go, man? What is what is the 182 00:07:35,880 --> 00:07:37,400 Speaker 4: maddest radio show. 183 00:07:37,200 --> 00:07:37,840 Speaker 5: In the land? 184 00:07:37,920 --> 00:07:38,160 Speaker 2: Man? 185 00:07:38,760 --> 00:07:38,960 Speaker 5: Man? 186 00:07:39,040 --> 00:07:41,480 Speaker 7: It's the Steve Horvey Morning Show without a doubt? 187 00:07:41,720 --> 00:07:44,960 Speaker 3: Hey man, step away from twenty one A step up? 188 00:07:47,800 --> 00:07:50,880 Speaker 2: What y'all think Greg getting up stupid on a Monday morning? 189 00:07:50,920 --> 00:07:54,200 Speaker 2: I like that. That's the Greg getting up stupid. Nos Nate, 190 00:07:54,320 --> 00:08:00,000 Speaker 2: So you went to sleep like that? And your wife y'all, y'all, 191 00:08:00,080 --> 00:08:04,600 Speaker 2: she getting it in while you gonna so wrong? She 192 00:08:04,760 --> 00:08:10,600 Speaker 2: getting it in. Boy, all this noise, yall, we're gonna 193 00:08:10,600 --> 00:08:15,920 Speaker 2: make some noise Saturday Night, Baby, Singing Theater, New Orleans, Louisiana. 194 00:08:16,080 --> 00:08:18,000 Speaker 2: That's right. You got to kill Junior Boy's space. You 195 00:08:18,080 --> 00:08:23,480 Speaker 2: got Tony Robberts. Oh, you got Dominique hosted by yours truly, 196 00:08:23,640 --> 00:08:26,480 Speaker 2: and then you got the legend herself Monikas in the building. 197 00:08:26,560 --> 00:08:29,000 Speaker 2: So New Orleans. Baby, I'm gonna tell you right now, baby, 198 00:08:29,080 --> 00:08:32,080 Speaker 2: we're coming down there to act a good right here. 199 00:08:32,280 --> 00:08:34,199 Speaker 2: What that man said back in that good trouble, This 200 00:08:34,360 --> 00:08:36,520 Speaker 2: right here is good trouble, good truble. It's good. It 201 00:08:36,640 --> 00:08:41,080 Speaker 2: is a good trumples. We're gonna get you some some 202 00:08:41,120 --> 00:08:43,040 Speaker 2: real uses. Woman, get down there till you got to 203 00:08:43,040 --> 00:08:47,240 Speaker 2: get some of that. We're gonna do an alligator tour. 204 00:08:47,280 --> 00:08:48,559 Speaker 2: We're gonna get on one of them, one of them 205 00:08:48,559 --> 00:08:51,480 Speaker 2: both with that fan on the bab I'm going out 206 00:08:51,520 --> 00:08:53,480 Speaker 2: there with them boys. If you shooting them the alligator, 207 00:08:53,480 --> 00:08:55,920 Speaker 2: I'm going out there with them. I'm not doing small people. 208 00:08:56,760 --> 00:09:01,800 Speaker 2: Thank you, nephew. Look at the time. What's next? 209 00:09:01,840 --> 00:09:06,040 Speaker 1: So we gotta go coming up next Strawberry letter subject 210 00:09:06,360 --> 00:09:08,320 Speaker 1: his drawers were under the driver's seat. 211 00:09:08,320 --> 00:09:09,880 Speaker 2: We'll get into that right after this. 212 00:09:10,200 --> 00:09:10,719 Speaker 6: Along with you. 213 00:09:13,080 --> 00:09:15,800 Speaker 1: You're listening to The Hardy Morning Show