WEBVTT - Passover, Plagues, and Coronavirus

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<v Speaker 1>Pushkin from Pushkin Industries. This is Deep Background, the show

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<v Speaker 1>where we explore the stories behind the stories in the news.

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<v Speaker 1>I'm Noah Feldman. For those of you who have been

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<v Speaker 1>listening in recent weeks, you know that we have been

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<v Speaker 1>very deep inside Corona. In fact, sometimes I think we

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<v Speaker 1>don't talk about anything else, and from an ethical perspective,

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<v Speaker 1>maybe that's correct. This is a pressing problem. People are

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<v Speaker 1>dying and we need to take that all extremely seriously.

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<v Speaker 1>Yet it's also true that a little while ago, when

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<v Speaker 1>I spoke to doctor Laurie Santos of Yale University, she

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<v Speaker 1>advised me that maintaining routine and tradition is a powerful

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<v Speaker 1>way of managing ourselves under these circumstances. Well, for a

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<v Speaker 1>lot of us, the maintenance of routine includes the schedule

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<v Speaker 1>of holidays, and with Passover and Easter coming, we have

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<v Speaker 1>to make a decision of whether to ignore those holidays

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<v Speaker 1>altogether or to celebrate them as appropriately as we can

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<v Speaker 1>under our current straightened circumstances. Here a Deep Background. We

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<v Speaker 1>don't celebrate holidays as a podcast, but we do try

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<v Speaker 1>to maintain some sense of continuity, and so we thought

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<v Speaker 1>it was appropriate to have an episode that did talk

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<v Speaker 1>about Passover, but pass Over with a little bit of

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<v Speaker 1>a Corona twist. And what better way to think about

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<v Speaker 1>Passover and Corona than to talk about the biblical plague's

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<v Speaker 1>associate with the Exodus story. For those of you who

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<v Speaker 1>need a little bit of a refresher on what exactly

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<v Speaker 1>those plagues are. The traditional count starts with blood, frogs,

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<v Speaker 1>lice and goes on in a list until it culminates

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<v Speaker 1>with pale darkness and the killing of the firstborn. If

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<v Speaker 1>that rings a bell for you, you might enjoy the

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<v Speaker 1>rest of this episode. I'm joined by doctor i Don Dershowitz.

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<v Speaker 1>He's a junior fellow at Harvard University's Society of Fellows.

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<v Speaker 1>His academ mcwork has appeared in JBL, VT ZAW. Those

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<v Speaker 1>are big journals in the Bible world. I promise you

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<v Speaker 1>not to mention The New York Times. His forthcoming book

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<v Speaker 1>on the Redaction of the Herbival will be published by

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<v Speaker 1>more Seabeck, and he's currently studying the composition history of

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<v Speaker 1>the Book of Deuteronomy. Dan is one of the most

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<v Speaker 1>creative scholars thinking about the Bible today, and he's also

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<v Speaker 1>very engaging at talking about it. Dan, thank you for

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<v Speaker 1>joining me. I wanted to start by asking you about

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<v Speaker 1>the biblical story of the plagues. Well, usually start by

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<v Speaker 1>saying there are ten plagues, but you think that that

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<v Speaker 1>might be a misnomer. Yeah, So the idea of ten

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<v Speaker 1>plagues appears first in Rabbinic literature, and they count ten

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<v Speaker 1>events that are described in the biblical text in the

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<v Speaker 1>Book of Exodus. However, the decision to count those specific

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<v Speaker 1>ten events is a matter of interprets and does not

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<v Speaker 1>at all derive directly from the text. But it's not

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<v Speaker 1>even clear that the correct classification is plagues at all,

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<v Speaker 1>as opposed to say miracles, signs, wonders, and so on. Well,

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<v Speaker 1>then where would you start if you wanted to tell

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<v Speaker 1>the story of the signs or wonders? Because I take

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<v Speaker 1>it that signs and wonders are words that the biblical

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<v Speaker 1>story uses repeatedly, rather than the word plague. So where

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<v Speaker 1>would you start your list? And we now know they

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<v Speaker 1>don't have to be ten in your list? But where

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<v Speaker 1>would you start with signs and wonders in the Accodus story?

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<v Speaker 1>I think a good place to start would probably be

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<v Speaker 1>the story of a competition between Aaron, brother of Moses,

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<v Speaker 1>and the Egyptian magicians, where Aaron takes his staff and

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<v Speaker 1>casts it upon the ground and it becomes a Tannin

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<v Speaker 1>is the Hebrew word which may be a crocodile. Some

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<v Speaker 1>people think that it's that it's a reference to a snake,

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<v Speaker 1>but it turns magically into a living creature. And then

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<v Speaker 1>there's a bit of a battle between the magical creature

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<v Speaker 1>created by Erin's staff and a magical creature created by

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<v Speaker 1>the magicians. But that seems to be the beginning of

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<v Speaker 1>a series of miracle competitions between Moses and Aaron and

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<v Speaker 1>the Egyptians, And so that continues in the exactly the

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<v Speaker 1>same form with the miracle of blood in the Nile

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<v Speaker 1>and in other bodies of water, the miracle of what

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<v Speaker 1>we call the plague of frogs. All of those are

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<v Speaker 1>told in exactly the same sort of language and literary

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<v Speaker 1>structure as that story of Aaron's Staff. You then talked

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<v Speaker 1>about how the Egyptian magicians also perform others of these miracles,

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<v Speaker 1>and there's a kind of face off, as it were,

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<v Speaker 1>between Moses and Aaron and what they're doing, and then

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<v Speaker 1>what the Egyptian experts are doing it their magicians are

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<v Speaker 1>doing can I ask you seen in the light of

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<v Speaker 1>sort of ancient Near Eastern practice or imagination or ideology,

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<v Speaker 1>is there a reason to think that there would be

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<v Speaker 1>some fame associated with the idea of egypt magicians. That's

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<v Speaker 1>a good question. I mean, they're definitely was a very

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<v Speaker 1>robust tradition of magic in Egypt, and we also know

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<v Speaker 1>that there were interactions between magicians from different cultures. So

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<v Speaker 1>sometimes we find spells that are actually transliterated from in

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<v Speaker 1>antiquity from one language to another. So we do know

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<v Speaker 1>that Egypt had a robust tradition of magicians, and we

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<v Speaker 1>do know that there was contact between those magicians and

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<v Speaker 1>magicians elsewhere in the ancient Near East. What you're describing,

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<v Speaker 1>by the way it sounds to me, is like the

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<v Speaker 1>practice of what I like to call ancient plagiarism, Right

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<v Speaker 1>that if I had a good hymn or poem or

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<v Speaker 1>story in my civilization, and you came for another civilization

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<v Speaker 1>and you heard it, you would just copy that story

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<v Speaker 1>or translate that story into your own civilization and maybe

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<v Speaker 1>swap out some of the proper nouns of the gods

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<v Speaker 1>or the kings or the heroes, and then boom, you'd

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<v Speaker 1>have a fresh story of your own. The most famous

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<v Speaker 1>example of this of where stories make their way through

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<v Speaker 1>different ancient civilizations is the flood story, which occurs not

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<v Speaker 1>only in the Bible, but in older sources, ancient Ear

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<v Speaker 1>Eastern Mesopotamian sources as well. Do you happen to know

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<v Speaker 1>off the top of your head whether there are plague

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<v Speaker 1>stories in other ancient Near Eastern traditions or is the

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<v Speaker 1>Biblical story sort of a one off. You definitely do

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<v Speaker 1>have stories of plagues in the ancient Near East. In

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<v Speaker 1>fact that there's also traditions of plagues having occurred in

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<v Speaker 1>each We have ancient Egyptian texts describing things like epidemics.

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<v Speaker 1>The Nile turning to red is something that's described in

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<v Speaker 1>some ancient Egyptian texts. You're saying, there is an ancient

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<v Speaker 1>Egyptian text that has the story where the Nile turns

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<v Speaker 1>read Yes, I'm quite sure that there are Egyptian traditions

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<v Speaker 1>that are not entirely dissimilar. So when one hears that

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<v Speaker 1>there are some ancient Egyptian sources that talk about the

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<v Speaker 1>nile turning red, there are two ways to think about that.

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<v Speaker 1>Roughly speaking, one way is the way that a religious

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<v Speaker 1>traditionalist apologist would They would say, aha, you know, here

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<v Speaker 1>we have some independent evidence that these events might have

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<v Speaker 1>actually happened. And then there's the way that a historian

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<v Speaker 1>or a literary scholar would approach it, which is to say, well,

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<v Speaker 1>this is a trope that existed in the ancient world,

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<v Speaker 1>and if you've got a good story, people like to

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<v Speaker 1>tell that story to each other. And it's not so

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<v Speaker 1>surprising that story would have turned up in multiple different

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<v Speaker 1>literary traditions. I suppose that approach might also leave open

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<v Speaker 1>room for the possibility that there was some natural phenomenon

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<v Speaker 1>that sometimes occurred in Egypt that led to the reddening

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<v Speaker 1>of water. But if there isn't any natural exclination for that,

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<v Speaker 1>that's credible. I'm not aware of it, right, And there

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<v Speaker 1>are various different phenomena that can lead to the reddening

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<v Speaker 1>of waters, you know, from algae to declayed deposits and

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<v Speaker 1>all sorts of things like that. But clearly what's described

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<v Speaker 1>in part of the biblical account where it says that

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<v Speaker 1>it was accompanied by the water became undrinkable and all

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<v Speaker 1>the fish died. I mean, that's a sort of very

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<v Speaker 1>dramatic occurrence that doesn't necessarily align with the presence of algae.

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<v Speaker 1>But but back to your your previous question about ancient

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<v Speaker 1>Near Eastern texts talking about plagues. I mean, we have

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<v Speaker 1>that even in the Bible. Moreover, you know, a really

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<v Speaker 1>interesting text in that regard, I would say, is in

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<v Speaker 1>Deuteronomy twenty eight, where we have a whole series of curses,

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<v Speaker 1>and those curses include reference to an Egyptian disease of

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<v Speaker 1>some sort, says meet sign, so may the Lord strike

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<v Speaker 1>you with the Egyptian boils or something like that. And

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<v Speaker 1>that's in fact one of the plagues described an exodus,

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<v Speaker 1>so that it's not only a mention in the Bible

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<v Speaker 1>of a of a plague of some story, but it's

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<v Speaker 1>even associating this particular one with Egypt. And I don't

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<v Speaker 1>think that it needs to be a reference specifically to

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<v Speaker 1>the plagues as told in the narrative. It could just

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<v Speaker 1>be a disease that's associated with Egypt. You know, some

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<v Speaker 1>people call the coronavirus virus. I'm gonna say it's the

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<v Speaker 1>Chinese virus of its era, the Egyptian boils. Yeah, we'll

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<v Speaker 1>be back in just a moment. Let's turn to some

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<v Speaker 1>more of the concrete plagues now and see if we

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<v Speaker 1>can come up with anything interesting about them. So the frogs,

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<v Speaker 1>I've always been fascinated by the frogs. Essentially, all of

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<v Speaker 1>the other plagues or miracles sound to me sort of

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<v Speaker 1>vaguely plausible. You know, large number of locusts eating everything,

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<v Speaker 1>that happens sometimes in the world. You know, pestilence, animals dying,

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<v Speaker 1>that happens, boils definitely disgusting, and that happens even the darkness,

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<v Speaker 1>which maybe doesn't exactly happen in the way that it's

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<v Speaker 1>depicted in the Biblical text. There are eclipses, and you

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<v Speaker 1>can imagine people extending from that. But the inundation of

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<v Speaker 1>an entire country by frogs has always seen to be

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<v Speaker 1>a little weird and outlying. Do you have any insight

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<v Speaker 1>into that? What's but the frogs? Yeah, I mean, I

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<v Speaker 1>agree with you that frogs taking over a whole country

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<v Speaker 1>sounds relatively implausible, even as a once in a millennium

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<v Speaker 1>sort of event. I'm not an expert on ecology or

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<v Speaker 1>on the habitat of frogs, but my understanding is that

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<v Speaker 1>they're amphibians and don't like to be very far from

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<v Speaker 1>the water. At all. So, assuming that all of Egypt

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<v Speaker 1>didn't become marshland, I'm not sure frogs could have survived

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<v Speaker 1>in the city centers. All right, Well, we'll have to

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<v Speaker 1>leave then as a mystery for the moment. What about

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<v Speaker 1>the plague that in the Hebrew is called arov and

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<v Speaker 1>which usually gets translated in most English translations as a

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<v Speaker 1>mixture of wild animals or something to that effect. The

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<v Speaker 1>word literally means a mixture. If you think of the

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<v Speaker 1>children's picture books of the plagues, you sort of imagine

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<v Speaker 1>lions and tigers and other things walking around, which notably

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<v Speaker 1>are never mentioned in the biblical text. What is this

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<v Speaker 1>confusing plague probably meant to have been in the original context. Yeah, so,

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<v Speaker 1>I mean it's worth pointing out with the question of

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<v Speaker 1>what it means literally. So as you say, the root

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<v Speaker 1>iron leigh bet of this word is something that sometimes

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<v Speaker 1>has connotations of mixture, although that same root other times

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<v Speaker 1>has different connotations. It's the root of the word west,

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<v Speaker 1>and relatedly the root associated with evening, and so it

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<v Speaker 1>has various different meanings that root, And in the case

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<v Speaker 1>of this particular plague, some of the ancient translations suggests

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<v Speaker 1>that this was some sort of insect flying, perhaps not

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<v Speaker 1>entirely dissimilar from the plague of what we call lice

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<v Speaker 1>or keynan in Hebrew. Eton let's fast forward to, as

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<v Speaker 1>it were, the granddaddy of them all, the plague of

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<v Speaker 1>the Death of the Firstborn, which is maybe the most

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<v Speaker 1>maybe I don't know if it's the most Corona appropriate,

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<v Speaker 1>but it's certainly the one that involves the warning that

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<v Speaker 1>people not leave their homes until the day, and so

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<v Speaker 1>there's a there's a little bit of self isolation going

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<v Speaker 1>on at the family level. And it's also the one

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<v Speaker 1>of the plagues, it's most embedded in the story of

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<v Speaker 1>actually the children of Visible getting up and leaving. Why

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<v Speaker 1>do you think the firstborn are so much in play here?

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<v Speaker 1>Why not just you know, a plague that kills off

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<v Speaker 1>all of your offspring, or maybe it's about Pharaoh being

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<v Speaker 1>the king. Any thoughts on the firstborn aspect. Yeah, that's

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<v Speaker 1>a really good question. I think that there's you know,

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<v Speaker 1>something even more impressive about killing just the firstborn then

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<v Speaker 1>say killing everyone. And if you're going to kill anyone,

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<v Speaker 1>then killing the firstborn is really devastating. It really is

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<v Speaker 1>appropriate as a climactic plague in terms of the impact.

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<v Speaker 1>I think that it's it at least feels when when

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<v Speaker 1>I read it, like in a particularly traumatic event. Part

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<v Speaker 1>of that might be totally literary, and that it's it's

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<v Speaker 1>a more expensive description than what we have, say for

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<v Speaker 1>for frogs or life. But there is something about both

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<v Speaker 1>afflicting everyone and like proving the power, proving that this

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<v Speaker 1>isn't just you know, a pandemic, but something that can

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<v Speaker 1>only be the hand of God. In the fact that

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<v Speaker 1>it's just the firstborns who are afflicted, that really shows

0:14:15.836 --> 0:14:18.716
<v Speaker 1>who's in charge. A don I wonder if I could

0:14:18.796 --> 0:14:22.156
<v Speaker 1>close by asking you a more personal question, and it's this.

0:14:22.956 --> 0:14:26.596
<v Speaker 1>You know, you maintain a traditional Jewish practice. You know,

0:14:26.676 --> 0:14:28.956
<v Speaker 1>you go to the synagogue, you perform the rituals, you

0:14:29.076 --> 0:14:33.716
<v Speaker 1>keep the Sabbath, and you're also brilliant and path breaking

0:14:33.876 --> 0:14:39.596
<v Speaker 1>Bible scholar who engages with the Biblical narratives as historical artifacts.

0:14:39.956 --> 0:14:42.556
<v Speaker 1>When you think about Passover, do you draw a line.

0:14:42.596 --> 0:14:44.436
<v Speaker 1>Do you think, well, if the Passover state or I'll

0:14:44.436 --> 0:14:47.156
<v Speaker 1>talk like a traditionalist, or do you think no, like

0:14:47.196 --> 0:14:49.116
<v Speaker 1>this is how I tell the story of the pastor

0:14:49.236 --> 0:14:51.596
<v Speaker 1>you know, the rabbi say, whoever says more about the

0:14:51.636 --> 0:14:54.876
<v Speaker 1>telling of the Passover story deserves praise is a your

0:14:54.916 --> 0:14:57.236
<v Speaker 1>review for yourself at least that telling more about the

0:14:57.236 --> 0:15:00.076
<v Speaker 1>Passover story includes the kind of historical analysis that we

0:15:00.076 --> 0:15:04.996
<v Speaker 1>were just doing. For me personally, it does. These are

0:15:05.036 --> 0:15:09.276
<v Speaker 1>the things that I enjoy. I delight in reading the

0:15:09.316 --> 0:15:14.236
<v Speaker 1>texts critically, in thinking about the historical contexts, and you know,

0:15:14.356 --> 0:15:18.316
<v Speaker 1>the actual historical events that may or may not be

0:15:18.596 --> 0:15:23.796
<v Speaker 1>reflected in these texts and traditions. So I grew up

0:15:24.076 --> 0:15:28.996
<v Speaker 1>like my parents and grandparents doing the Passover Sater every year,

0:15:29.036 --> 0:15:33.716
<v Speaker 1>and it's extremely important to me and part of my heritage.

0:15:34.436 --> 0:15:39.676
<v Speaker 1>But I do like to ask questions, and that, you

0:15:39.716 --> 0:15:43.196
<v Speaker 1>know that, famously is one of the points of the

0:15:43.236 --> 0:15:46.956
<v Speaker 1>Passover Sater is to have you know, the children ask questions.

0:15:46.996 --> 0:15:51.996
<v Speaker 1>And I haven't grown out of that, and and so

0:15:52.116 --> 0:15:55.276
<v Speaker 1>every year I do like to think about the problems

0:15:55.356 --> 0:16:00.436
<v Speaker 1>and the complications and the evolution of the different traditions

0:16:00.476 --> 0:16:04.556
<v Speaker 1>and the multiplicity of traditions. In fact, you know, a

0:16:04.596 --> 0:16:07.876
<v Speaker 1>wonderful thing is that you know, one of the elements,

0:16:07.876 --> 0:16:11.516
<v Speaker 1>one of the central elements of the Passover Sater is

0:16:12.316 --> 0:16:18.676
<v Speaker 1>you know, this sort of codified question asking. And so

0:16:20.676 --> 0:16:24.716
<v Speaker 1>to me, these you know there are layers upon layers

0:16:24.756 --> 0:16:28.196
<v Speaker 1>of questions. You know, the Passover Stater is designed to

0:16:28.276 --> 0:16:33.316
<v Speaker 1>inspire questions, and even the questions that are being asked

0:16:33.756 --> 0:16:36.476
<v Speaker 1>have questions that can be asked about them, and that's

0:16:36.556 --> 0:16:39.956
<v Speaker 1>my favorite part of the Passoversader. Well, I appreciate it,

0:16:39.996 --> 0:16:42.036
<v Speaker 1>Don that you're giving us a version of the Passover

0:16:42.076 --> 0:16:46.516
<v Speaker 1>Sader where it is the origin of your engagement with

0:16:46.516 --> 0:16:49.796
<v Speaker 1>the Biblical criticism. So I appreciate that very much. I'm

0:16:49.876 --> 0:16:52.716
<v Speaker 1>very grateful to Dan for joining me for our special

0:16:52.836 --> 0:16:56.756
<v Speaker 1>Passover episode. I know you're working on some very big things,

0:16:57.196 --> 0:16:59.876
<v Speaker 1>and with any luck, when those are published, we'll have

0:16:59.956 --> 0:17:02.836
<v Speaker 1>you back to report on those other projects too. Thank

0:17:02.876 --> 0:17:06.276
<v Speaker 1>you very much for joining me. Thank you. Talking to

0:17:06.476 --> 0:17:09.956
<v Speaker 1>Dan made me feel ready to try, in a limited

0:17:09.996 --> 0:17:12.676
<v Speaker 1>sort of way, to re engage some of that tradition

0:17:12.716 --> 0:17:14.636
<v Speaker 1>and some of that ritual in the form of a

0:17:14.676 --> 0:17:17.276
<v Speaker 1>Passover Sader. I hope it had that effect for you,

0:17:17.516 --> 0:17:21.796
<v Speaker 1>whether you're celebrating Passover, Easter or none of the above.

0:17:22.516 --> 0:17:24.956
<v Speaker 1>Until the next time I talk to you, be careful,

0:17:25.356 --> 0:17:29.796
<v Speaker 1>be safe, be well, and enjoy whatever holidays work for you.

0:17:32.036 --> 0:17:34.996
<v Speaker 1>Deep Background is brought to you by Pushkin Industries. Our

0:17:35.036 --> 0:17:38.996
<v Speaker 1>producer is Lydia gene Coott, with research help from zooe Wynn.

0:17:39.476 --> 0:17:43.116
<v Speaker 1>Mastering is by Jason Gambrell and Martin Gonzalez. Our showrunner

0:17:43.196 --> 0:17:46.436
<v Speaker 1>is Sophie mckibbon. Our theme music is composed by Luis Guerra.

0:17:46.956 --> 0:17:50.596
<v Speaker 1>Special thanks to the Pushkin Brass, Malcolm Gladwell, Jacob Weisberg,

0:17:50.636 --> 0:17:53.876
<v Speaker 1>and Mia Lobel. I'm Noah Feldman. I also write a

0:17:53.876 --> 0:17:56.516
<v Speaker 1>regular column for Bloomberg Opinion, which you can find at

0:17:56.556 --> 0:18:00.876
<v Speaker 1>bloomberg dot com Slash Feldman. To discover Bloomberg's original slate

0:18:00.916 --> 0:18:05.196
<v Speaker 1>of podcasts, go to Bloomberg dot com slash Podcasts. You

0:18:05.196 --> 0:18:08.436
<v Speaker 1>can follow me on Twitter at Noah R. Feldman. This

0:18:08.756 --> 0:18:09.636
<v Speaker 1>is deep ban