WEBVTT - Time Capsule: Shōgun

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<v Speaker 1>Hello, it's me Rosie Night. Last night that Emmy's happened

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<v Speaker 1>in a historic fashion with unbelievable wins for Shogun, including

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<v Speaker 1>historical wins for Hirooki, Sonata, my all time Faith, and

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<v Speaker 1>the incredible Anna So why from Monarch and of course

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<v Speaker 1>who leads Shogun? So we are delaying the release of

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<v Speaker 1>our Netflix animation episode so that we can bring you

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<v Speaker 1>our Shogun Time Capsules special just in time to celebrate

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<v Speaker 1>the eighteen wins that Shogun took home from the Emmys.

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<v Speaker 2>Hello.

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<v Speaker 3>My name is Jasonceps and I'm Rosie Knight, and welcome

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<v Speaker 3>to x Ravision, the podcast where we dive deep into

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<v Speaker 3>your favorite shows, movies, comics and pop culture. Coming to

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<v Speaker 3>you now Heart Radio, where we're bringing you two episodes

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<v Speaker 3>a week every Thursday. Today, jumping into the time Capsule

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<v Speaker 3>to catch up on the incredible, the majestic, the action

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<v Speaker 3>packed Showgun on FX. Here is the recap, folks. Now,

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<v Speaker 3>before we dive into the lightning as lightning as you

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<v Speaker 3>can possibly make a recap of an adaptation of a

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<v Speaker 3>book that was eleven hundred pages long and features a

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<v Speaker 3>lot of characters, just understand that we're we're gonna move

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<v Speaker 3>as fast as we can, but it is complicated. We

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<v Speaker 3>open in sixteen hundred. John Blackthorne, English pilot of a

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<v Speaker 3>Dutch trading vessel, the Erasmus, along with his crew are

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<v Speaker 3>taken prisoner off the coast of Japan. And believe me, folks,

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<v Speaker 3>Blackthorn is going to complain about this for the rest

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<v Speaker 3>of the series. He will not.

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<v Speaker 1>Shot up a crew. And also, can I just say

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<v Speaker 1>they were also saved.

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<v Speaker 3>Get me a back to my crew.

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<v Speaker 1>Like this man, they was death.

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<v Speaker 3>This is going well for the very poor.

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<v Speaker 1>This should be like at least slightly grateful.

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<v Speaker 3>So the issue the landscape in Japan right now, it's

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<v Speaker 3>very fragmented. There is no overall leader, the tycho, the showgun.

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<v Speaker 3>Not there. There is a boy heir to the throne,

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<v Speaker 3>who is being steered by five high lords, five regents.

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<v Speaker 3>This is called the Regency Council. Meanwhile, Portuguese Catholic traders

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<v Speaker 3>are all over the country attempting to exploiting. They are

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<v Speaker 3>everywhere trying to exploit the country's isolation and it's disunity

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<v Speaker 3>in order to enrich themselves. And Blackthorn is a problem

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<v Speaker 3>for them because the Japanese don't really have all the

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<v Speaker 3>information about what's going on in the wider world and

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<v Speaker 3>the kind of goals that the Portuguese have. Blackthorne knows

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<v Speaker 3>about it, so they would like him dead. Blackthorn is

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<v Speaker 3>taken to Osaka Castle, where he meets Lord Taranaga, who

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<v Speaker 3>is our primary protagonist and his vassal and translator, Lady Marico.

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<v Speaker 3>Toronaga is one of those five aforementioned regents chosen to

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<v Speaker 3>rule in place of the Air and Future Tycho because

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<v Speaker 3>he's just a kid stone.

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<v Speaker 1>And we got to say, as we'll find out, Toronaga

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<v Speaker 1>actually turned down the chance to be the sole regent.

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<v Speaker 1>He was like, I don't want it. I don't want

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<v Speaker 1>a wall. We've got to protect your son, We've got

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<v Speaker 1>to protect the future, you know, Ruler. So he's a

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<v Speaker 1>very interesting figure played by legendary Japanese actor.

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<v Speaker 3>Harry one of the most handsome men of all time,

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<v Speaker 3>all the time his life, yes, throughout his life. And

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<v Speaker 3>by the way, one more thing about Tornanga. Very smart,

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<v Speaker 3>very wily, very strategically brilliant man who turned down the

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<v Speaker 3>big chair because he knew it would make him the

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<v Speaker 3>big target. So he's a very very smart guy. Now,

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<v Speaker 3>the other four regents led by Lord Ashido. They all

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<v Speaker 3>want Tornaga out of the way because he's very very smart,

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<v Speaker 3>very very dangerous, and very very popular. Tornaga is a

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<v Speaker 3>captive at Osaka Castle and all but name, and he

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<v Speaker 3>sees Blackthorne as kind of like a useful lever to

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<v Speaker 3>separate his enemies because they all have their own competing interest.

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<v Speaker 3>Ishido wants to be the guy. He wants to be

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<v Speaker 3>the emperor, the tycho, wants all the power in his hands.

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<v Speaker 3>Sad Naga recently converted to Christianity for the purposes of

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<v Speaker 3>getting rich baby, getting them money baby. Sugiyama just kind

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<v Speaker 3>of like doesn't like Tornaga and is basically supportive of

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<v Speaker 3>any efforts that would bring him down. And then there's Haronobu,

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<v Speaker 3>who is a leper and he seems he's also a

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<v Speaker 3>Christian and it seems more sincerely dedicated to Christianity and

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<v Speaker 3>certainly in increasing its influence throughout the country. Yeah, Ishido

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<v Speaker 3>initiates a vote to throw Tornaga out of the regents,

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<v Speaker 3>after which they can do whatever they want to. But

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<v Speaker 3>as Tornoga planned get used to hearing that phrase, the

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<v Speaker 3>Christian regions are so focused on getting Blackthorn out of

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<v Speaker 3>the way that they say, we're not voting until you

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<v Speaker 3>kill the pilot. Tornaga saves Blackthorn from being assassinated by

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<v Speaker 3>Ninja's incredible seed, yeah.

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<v Speaker 1>Which is ironic because Blackthorne sees it as a way

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<v Speaker 1>to get in Toronaga's good books, so he saves Toronaga.

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<v Speaker 1>But Toronaga is also saving Blackthorn because the assassins were

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<v Speaker 1>really there for Blackthorn and not that's our Naga. And

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<v Speaker 1>it's just worth mentioning here, like the action in this

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<v Speaker 1>show is so unbelievable when it happens. We're talking about

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<v Speaker 1>the political machinations because this is a show about historical

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<v Speaker 1>fiction about political machinations in Japan, but it's also appressed

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<v Speaker 1>these TV show with incredible action, stunning costume design, and

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<v Speaker 1>unbelievable production design, and it's so immersive and it is just, yeah,

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<v Speaker 1>just what a show.

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<v Speaker 3>The cinematography is as good as anything you'll see. They do.

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<v Speaker 3>They use different lenses for these different foregrounding effects where

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<v Speaker 3>stuff in the background has kind of blurred out. They

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<v Speaker 3>use they put in this like vignette effect, so it

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<v Speaker 3>looks like you're looking at like an old photograph. It's

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<v Speaker 3>just wonderful. So Tornaga sends Blackthorn to the village of

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<v Speaker 3>a Duro, which he controls along with his wife Kiri,

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<v Speaker 3>in order that he will be safe. But again, Lord

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<v Speaker 3>Tornaga very crafty. He switches places secretly with his wife

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<v Speaker 3>and they all manage to escape by Osaka by ship,

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<v Speaker 3>although it's a little dicey at times. Tornaga tries to

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<v Speaker 3>leave Blackthorn behind for the Portuguese as kind of like

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<v Speaker 3>his the price offering escaping the blockade, but Blackthorn is

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<v Speaker 3>very stubborn. He refuses to just go away. He takes

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<v Speaker 3>the ship that he's been loaded on and erases it

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<v Speaker 3>through the blockade and catches up to Tornaga, who's like, okay,

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<v Speaker 3>you're my new you're my new military consultant, basically a hatamoto.

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<v Speaker 3>You can you can have swords and stuff, and you

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<v Speaker 3>can be a military man.

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<v Speaker 1>And he wants them to teach him the ways of

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<v Speaker 1>the English and Portuguese and European military. But hilariously, Blackthorn

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<v Speaker 1>doesn't know shit about that because he's just been He's

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<v Speaker 1>just a sailor, like he has to blag it. And

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<v Speaker 1>and the pair of them are kind of this wily

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<v Speaker 1>little duo who are abusing each other for their own games,

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<v Speaker 1>but kind of become this unexpected power pairing. And at

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<v Speaker 1>the same time we have Anna Sauai, who I just

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<v Speaker 1>love from Monarch, as as Marico Lady Rico, who has

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<v Speaker 1>this incredibly powerful role in the story because she is

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<v Speaker 1>the translator. So there's been lots of really fantastic meanings

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<v Speaker 1>about how you know, John Blackthorn, he'll be like doing

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<v Speaker 1>some long.

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<v Speaker 4>I tost you down, I shit on your face, I

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<v Speaker 4>piss on you, I piss on your leg, I piss

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<v Speaker 4>on your entire root and branch.

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<v Speaker 3>Is like.

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<v Speaker 1>He says, yes, he'll do it, like she is just

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<v Speaker 1>getting like he's always getting destroyed, like people have been

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<v Speaker 1>doing really good ones where he's like, you know, you

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<v Speaker 1>just don't understand, Like I had to walk.

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<v Speaker 3>All the way here, I came a long way.

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<v Speaker 1>I worked all my life to get to this place.

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<v Speaker 1>And she's gonna be like, uh, the engine said that

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<v Speaker 1>he made his way here easily, Like she's always.

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<v Speaker 3>Just playing him and like limiting well.

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<v Speaker 1>His true messages, which honestly she is saving his life

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<v Speaker 1>by doing that.

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<v Speaker 3>That's what I was about to say. It's increasingly protective

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<v Speaker 3>as kind of against both of their better judgments. A

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<v Speaker 3>warmth grows between them, because, as we will see, Marico

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<v Speaker 3>is as much an outsider in this political faction, almost

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<v Speaker 3>as Blackthorn is in a gyro.

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<v Speaker 4>Guess what Blackthorn wants to get back to his ship?

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<v Speaker 4>My crew, my ship, and my crew sent me back

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<v Speaker 4>to them.

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<v Speaker 3>No luck there, but he does get a handsome wage.

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<v Speaker 3>He gets a beautiful apartment and a consort. Usami the

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<v Speaker 3>granddaughter of Hiramatsu, who is Tornaga's most dedicated and most

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<v Speaker 3>hard line general. He's older than Tornaga, has known him

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<v Speaker 3>since he was a little kid. Usami is a deeply, deeply,

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<v Speaker 3>deeply tragic figure. Her her husband spoke up at an

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<v Speaker 3>earlier Council of Regents meeting, spoke out of turn. That

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<v Speaker 3>was very shameful for him. The only way he could

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<v Speaker 3>expunge that shame was by committing ritual suicide and also

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<v Speaker 3>uh killing his own infant son. So Uhuzami has lost

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<v Speaker 3>her husband, lost her son, and is now bears the

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<v Speaker 3>burden of this shame. Meanwhile, Yabashiga Tornaga's death obsessed constantly

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<v Speaker 3>scheming but unfortunately not very smart, general keeps wondering when,

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<v Speaker 3>how or if at all he can turn all of

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<v Speaker 3>this political tumult to his advantage.

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<v Speaker 1>Yeah, and that's Tadanobusano, who's like another icon Itchi ta Kila.

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<v Speaker 1>He's Hogan from Thor's he was a punk rocker in

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<v Speaker 1>Japan years ago. He's had such an unlook.

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<v Speaker 3>Yeah. True, he's had such.

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<v Speaker 1>An unbelievable career. He's now doing a lot of art

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<v Speaker 1>and I love that Yabashige essentially becomes like the fan

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<v Speaker 1>fave of char in this show because he's so self serving.

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<v Speaker 1>He's like this warlord who has bigger dreams and he

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<v Speaker 1>will turn on a dime, and he's always doing a

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<v Speaker 1>heel turn and betraying people. But Tadanobu brings this warmth

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<v Speaker 1>and this charm and this sort of irreverence to him because.

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<v Speaker 3>He's a lateness.

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<v Speaker 1>He wants he does want the power. He does want

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<v Speaker 1>to know how things can turn in his kind of favor.

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<v Speaker 1>But he's also seen so much that he sort of

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<v Speaker 1>laughs at the inner workings and the war games of

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<v Speaker 1>the shogun wannabes, like he just feels like it's all ridiculous.

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<v Speaker 1>He's kind of a nihilist in that way, but he

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<v Speaker 1>has this this warmth and comedy to him. That makes

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<v Speaker 1>him so appealing.

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<v Speaker 3>I completely agree. Ishidoh. Lord Ashido, through a messenger, tells

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<v Speaker 3>Yabashiga to return to Osaka for a big meeting in

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<v Speaker 3>which he will swear his continuing allegiance to the Regency

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<v Speaker 3>Council and to the Air. But Yeahbashiga knows, like Tommy

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<v Speaker 3>and Goodfellas, he will be killed if he goes back

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<v Speaker 3>to Kasaka. It'll be the end instead. Uh Nagakado Tornaga's

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<v Speaker 3>boneheaded but dedicated sons. Yeah, like he's stupid, He's try

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<v Speaker 3>something really hard. Yeah, he loves his dad, he wants

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<v Speaker 3>to impress him, but he's not as smart as his father.

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<v Speaker 3>To be fair, no one is. Yeah, murders the Shidos

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<v Speaker 3>messengers during display of Lord Tarnaga's cannons, and this makes

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<v Speaker 3>Dad really really unhappy.

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<v Speaker 1>And it's really just this is the scene where I

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<v Speaker 1>feel like they knew people were gonna be like, Okay,

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<v Speaker 1>so this is the new Game of Thrones, vibe, this

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<v Speaker 1>is the new Prestige TV. Where's the gore? And they

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<v Speaker 1>were like, well, we're gonna take We're gonna take the

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<v Speaker 1>cannons off the Erasmus and we're gonna take them, and

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<v Speaker 1>you know, Black Phone's gonna teach them how to use

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<v Speaker 1>the cannons, and then we're gonna have this huge moment

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<v Speaker 1>where Shido's men show up and these are like high lords,

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<v Speaker 1>like he doesn't send nobody's you know, and uh and

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<v Speaker 1>Toronaga's son decides, well, we're going to shoot them with

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<v Speaker 1>these cannons to kind of show what happens.

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<v Speaker 5>And they blowing off arms, exploding bodies and courses and

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<v Speaker 5>they were laying on the ground and he's saying, this

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<v Speaker 5>isn't how a samurai fights, and he's like, you know,

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<v Speaker 5>arms hanging off. That was such a gruesome ending to

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<v Speaker 5>episode four, but I feel like it was really well utilized.

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<v Speaker 5>Like when they use horrific violence in this show, it's

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<v Speaker 5>very impactful. And this is a great moment too, because

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<v Speaker 5>it kind of shows that impact that Western weaponry had

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<v Speaker 5>and this on this totally different landscape and uh yeah,

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<v Speaker 5>Taranaga smart Tornaga decides he's going to pretend that this

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<v Speaker 5>was always the past as always.

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<v Speaker 3>Meanwhile, Marico and Blackthorn have begun pillowing sleeping. This gets

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<v Speaker 3>complicated when her fierce and everybody. A lot of people

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<v Speaker 3>are very sad in the show, It's sad time. One

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<v Speaker 3>of them is her husband, Bintaro, who is eaten from

0:14:28.080 --> 0:14:32.680
<v Speaker 3>the inside out by sadness and anger. He gets super

0:14:32.760 --> 0:14:36.960
<v Speaker 3>drunk and we get some of Marico's backstory. We're learned

0:14:36.960 --> 0:14:40.120
<v Speaker 3>that she is the lone survivor of a family that

0:14:41.280 --> 0:14:46.280
<v Speaker 3>turned on the previous ruler and then to expunge that shame,

0:14:46.400 --> 0:14:49.800
<v Speaker 3>the leader of that family, her father had to basically

0:14:49.960 --> 0:14:53.200
<v Speaker 3>kill at his hand everyone in the family and then

0:14:53.200 --> 0:14:56.960
<v Speaker 3>commit ritual suicide. And she is the only survivor and

0:14:57.000 --> 0:14:59.920
<v Speaker 3>she's been married to Bintaro to atone for that.

0:15:00.320 --> 0:15:03.200
<v Speaker 1>And the only reason that she was not killed is

0:15:03.240 --> 0:15:05.400
<v Speaker 1>because she was going to be married to Bintara and

0:15:05.480 --> 0:15:07.840
<v Speaker 1>she or she was Bintara's wife. And he just like

0:15:08.080 --> 0:15:10.960
<v Speaker 1>hates life. He's quite horrible to her. Hate he's mean

0:15:11.040 --> 0:15:13.720
<v Speaker 1>to that kid, like he's just not a viby guy.

0:15:13.760 --> 0:15:16.960
<v Speaker 1>But you do, you do learn as it goes on

0:15:17.040 --> 0:15:19.320
<v Speaker 1>that he is on his own journey and he loves

0:15:19.360 --> 0:15:22.640
<v Speaker 1>her so much, he just doesn't really know how to

0:15:22.720 --> 0:15:23.160
<v Speaker 1>show it.

0:15:23.880 --> 0:15:30.480
<v Speaker 3>Meanwhile, Blackthorn is up to letting animals rot.

0:15:29.160 --> 0:15:33.920
<v Speaker 2>He's like, oh, I'm going to I'm going to show

0:15:33.960 --> 0:15:36.360
<v Speaker 2>you the one that was of English stew He's got

0:15:36.360 --> 0:15:39.400
<v Speaker 2>this squirrel here and I'm going to let it ratful

0:15:39.840 --> 0:15:42.440
<v Speaker 2>nigh on three weeks and with the insides have turned

0:15:42.480 --> 0:15:45.600
<v Speaker 2>to a liquid, wonderful and juicy to cook.

0:15:45.720 --> 0:15:50.080
<v Speaker 3>And his his servants and the people around him are

0:15:50.640 --> 0:15:53.280
<v Speaker 3>disgusted at this, and also of course black live.

0:15:53.320 --> 0:15:54.880
<v Speaker 4>I need to get back to my ship, my crew,

0:15:54.960 --> 0:15:57.080
<v Speaker 4>where are they? He needs to get back to his ship.

0:15:57.400 --> 0:16:00.800
<v Speaker 3>In Osaka, word a Hido's plan are getting even more

0:16:00.840 --> 0:16:03.760
<v Speaker 3>tangled when Ochiba, the mother of the air and a

0:16:03.800 --> 0:16:06.920
<v Speaker 3>power player in her own right, arrives and says, okay,

0:16:07.000 --> 0:16:09.400
<v Speaker 3>Regency Council, guess what now, you're gonna listen to me

0:16:09.440 --> 0:16:12.360
<v Speaker 3>because everything's going sideways. It's all getting fucked up. You're

0:16:12.400 --> 0:16:15.800
<v Speaker 3>fucking it up, and I will now have a voice

0:16:15.800 --> 0:16:17.400
<v Speaker 3>in these affairs.

0:16:17.440 --> 0:16:19.920
<v Speaker 1>Such a good that's such a good moment. That she's

0:16:20.000 --> 0:16:23.960
<v Speaker 1>kind of the puppet masta behind Taranaga's full well that

0:16:24.120 --> 0:16:25.720
<v Speaker 1>hoped full of Tara.

0:16:25.480 --> 0:16:27.800
<v Speaker 3>That hoped for fall. And in the flashback we learned

0:16:27.800 --> 0:16:30.800
<v Speaker 3>that Marico in Achiba were childhood friends before all the

0:16:30.840 --> 0:16:35.120
<v Speaker 3>bad shit happened. A Chiba and Ashido now take the

0:16:35.160 --> 0:16:40.040
<v Speaker 3>other regents prisoner, though They go through great prains at

0:16:40.080 --> 0:16:43.240
<v Speaker 3>times to pretend that people aren't prisoners when they actually

0:16:43.320 --> 0:16:49.720
<v Speaker 3>are guests. But you can, but don't go anywhere. Yeah,

0:16:50.000 --> 0:16:54.520
<v Speaker 3>Hiu Matsu, the hardline general escapes. Excuse me, hear Maatsi,

0:16:54.560 --> 0:16:57.800
<v Speaker 3>one of the regions, escapes and tells Tornago what's going on.

0:16:58.560 --> 0:17:06.160
<v Speaker 3>Tornaga rudgingly begins putting his secret war planned Crimson Sky

0:17:06.400 --> 0:17:09.040
<v Speaker 3>into motion. We get a flashback. We were learning that

0:17:09.080 --> 0:17:12.640
<v Speaker 3>when Tarnaga was a kid, he was like Lebron James

0:17:13.119 --> 0:17:15.920
<v Speaker 3>was like, he was like a child prodigy. He won

0:17:16.160 --> 0:17:19.600
<v Speaker 3>like an incredible crushing victory when he was like thirteen

0:17:19.680 --> 0:17:24.040
<v Speaker 3>years old, and Hiramatsu's been with him that whole time.

0:17:24.240 --> 0:17:29.159
<v Speaker 3>In the present, he needs to get stronger. He tries

0:17:29.200 --> 0:17:32.280
<v Speaker 3>to mend fences with his half brother Ssayiki so they

0:17:32.280 --> 0:17:35.240
<v Speaker 3>can unite against Hido. But Seika says, you know what,

0:17:36.680 --> 0:17:41.080
<v Speaker 3>maybe I'd do that, but I've just been offered a

0:17:41.200 --> 0:17:46.240
<v Speaker 3>job on the Regency Council and sorry about it, and

0:17:46.520 --> 0:17:49.119
<v Speaker 3>I'm taking a prisoner, and you have to surrender to

0:17:49.240 --> 0:17:54.040
<v Speaker 3>Lord Ashida. Tornaga says, okay I will surrender his vassals,

0:17:54.320 --> 0:17:59.480
<v Speaker 3>his son, his generals. They are shocked They can't believe

0:17:59.600 --> 0:18:03.240
<v Speaker 3>that that Lord Turnaga would even consider this. It must

0:18:03.240 --> 0:18:05.040
<v Speaker 3>be a trick, right, It's gotta be a trick. No,

0:18:05.200 --> 0:18:08.920
<v Speaker 3>Lord Turtuck is like, I'm doing it. I'm surrendering his son,

0:18:09.400 --> 0:18:15.240
<v Speaker 3>the beautifully thick headed Nagadaka. Nagadaco says well, I'm not

0:18:15.280 --> 0:18:17.959
<v Speaker 3>gonna let that happen, and so he attacks Psyik. He

0:18:18.000 --> 0:18:19.960
<v Speaker 3>tries to kill him, but it said he slips on

0:18:20.000 --> 0:18:22.520
<v Speaker 3>a rock in a pond and he dies.

0:18:22.960 --> 0:18:26.880
<v Speaker 1>Yeah, this was such a brutal, unexpected ad too. It's

0:18:26.880 --> 0:18:29.159
<v Speaker 1>one of those horrible like wow, did that just happen?

0:18:29.800 --> 0:18:32.560
<v Speaker 1>It's like, okay, that's ripizza.

0:18:32.600 --> 0:18:40.200
<v Speaker 3>That son Psyche survives, joins the regency council. Tornaga says, okay,

0:18:40.240 --> 0:18:42.920
<v Speaker 3>I'm still gonna surrender, but after the forty nine day

0:18:42.960 --> 0:18:46.280
<v Speaker 3>morning period for my son, of course, and again his

0:18:46.359 --> 0:18:48.960
<v Speaker 3>generals are like, don't do it. Don't what you can't

0:18:48.960 --> 0:18:52.560
<v Speaker 3>do it. Hiramatsu now is like I'm begging you not

0:18:52.640 --> 0:18:54.800
<v Speaker 3>to do it, and Tornaka is like, well, I'm doing it,

0:18:55.000 --> 0:18:57.280
<v Speaker 3>and then he says, well, I'm gonna kill myself if

0:18:57.280 --> 0:19:00.280
<v Speaker 3>you do it. Ritually cut my belly open. And I

0:19:00.320 --> 0:19:01.560
<v Speaker 3>was like, well, I don't want you to do that,

0:19:01.640 --> 0:19:07.280
<v Speaker 3>but I'm still gonna go surrender, And Hiramatsu doesn't. He

0:19:07.280 --> 0:19:16.159
<v Speaker 3>he kills himself. But shockingly, Lord Tornaga has kind of

0:19:16.240 --> 0:19:18.880
<v Speaker 3>set these pieces in motion, the death of his son,

0:19:19.600 --> 0:19:24.159
<v Speaker 3>the suicide of his most cherished and loyal general, so

0:19:24.400 --> 0:19:28.240
<v Speaker 3>that Lord Ashida's defenses will be all the way down

0:19:28.280 --> 0:19:33.640
<v Speaker 3>because he will believe that I get that Lord here.

0:19:34.520 --> 0:19:35.639
<v Speaker 3>Of course he's gonna do.

0:19:35.720 --> 0:19:35.800
<v Speaker 1>So.

0:19:35.840 --> 0:19:38.879
<v Speaker 3>He sends Marico as Osaka to be his messenger and

0:19:38.920 --> 0:19:42.800
<v Speaker 3>deliver the messages that he wants to deliver to the

0:19:42.800 --> 0:19:45.359
<v Speaker 3>Regency Council, telling them, yeah, I'm gonna surrender, but listen,

0:19:45.840 --> 0:19:48.280
<v Speaker 3>there's some things I have to do for us. First,

0:19:48.720 --> 0:19:53.480
<v Speaker 3>Blackthorne goes with her, still complaining about his fucking dims ship.

0:19:54.560 --> 0:19:55.560
<v Speaker 3>But also, I will.

0:19:55.359 --> 0:19:57.800
<v Speaker 1>Say in Blackthorn's defense in this case, which I would

0:19:57.840 --> 0:20:00.840
<v Speaker 1>rarely say, but he rarely doesn't want Marico to go

0:20:00.880 --> 0:20:04.199
<v Speaker 1>to Osaka. He knows this is a bad idea. He's like,

0:20:04.320 --> 0:20:07.320
<v Speaker 1>just don't go. Like he's like, just like, don't do it, man,

0:20:07.400 --> 0:20:09.480
<v Speaker 1>this is like a bad, bad idea. You do not

0:20:09.600 --> 0:20:11.760
<v Speaker 1>need to go and be the messenger. But Marico is

0:20:12.720 --> 0:20:16.000
<v Speaker 1>She is dedicated. To this plan, and as we kind

0:20:16.040 --> 0:20:19.159
<v Speaker 1>of learned earlier, she is in a similar situation to

0:20:19.200 --> 0:20:22.600
<v Speaker 1>Asami West. She really wants to join her family and death.

0:20:22.680 --> 0:20:24.919
<v Speaker 1>She doesn't have a lot to live for she you know,

0:20:25.000 --> 0:20:28.960
<v Speaker 1>she does love. She has this burgeoning love for black Don.

0:20:29.080 --> 0:20:32.560
<v Speaker 1>She loves her family, but really she wants to join

0:20:32.920 --> 0:20:35.240
<v Speaker 1>those who were killed many years before.

0:20:36.000 --> 0:20:41.560
<v Speaker 3>That's right. Meanwhile, Yebshi tries to switch sides, but he

0:20:41.720 --> 0:20:44.640
<v Speaker 3>is denied. Adding to what you said, Rosie, I think

0:20:44.680 --> 0:20:50.359
<v Speaker 3>another really fun motivation for Yebishiga is he he just

0:20:50.400 --> 0:20:52.960
<v Speaker 3>wants to know what's going on. Yeah, he just wants

0:20:52.960 --> 0:20:55.320
<v Speaker 3>to be He just wants to be a part of it.

0:20:55.440 --> 0:20:57.480
<v Speaker 3>He doesn't really want to make moves.

0:20:57.640 --> 0:20:59.520
<v Speaker 1>No, he wants to be in the room where it happened.

0:20:59.600 --> 0:21:02.919
<v Speaker 3>He yeah, that's it. He's just like, whoever's gonna let

0:21:03.000 --> 0:21:04.840
<v Speaker 3>him do that? Lord Ashido, is it you? Or are

0:21:04.840 --> 0:21:06.560
<v Speaker 3>you gonna tell me what's going on? And he keeps

0:21:06.720 --> 0:21:10.399
<v Speaker 3>He's constantly begging Tornaga tell him what what is? What

0:21:10.520 --> 0:21:13.720
<v Speaker 3>is your plan? Tells you what your plan? What is it?

0:21:15.880 --> 0:21:20.679
<v Speaker 3>Rico eventually tries to leave after fulfilling some of her

0:21:20.720 --> 0:21:23.600
<v Speaker 3>duties there in Osaka, saying my lord, you know, just

0:21:23.600 --> 0:21:25.520
<v Speaker 3>sent me here to deliver some messages, and now he

0:21:25.720 --> 0:21:29.719
<v Speaker 3>requires me that I come back. But Ashido and Ochiba

0:21:29.920 --> 0:21:33.399
<v Speaker 3>are like, no, you are a guest, but actually you

0:21:33.440 --> 0:21:35.560
<v Speaker 3>can't leave. And there's a big fight at the gate

0:21:35.640 --> 0:21:39.400
<v Speaker 3>where her retinue or slaughtered, and she tries to fight,

0:21:40.000 --> 0:21:41.920
<v Speaker 3>but she's absolutely cance.

0:21:41.960 --> 0:21:44.639
<v Speaker 1>But it's such a cool scene. It's amazing, and she

0:21:44.920 --> 0:21:50.199
<v Speaker 1>knows that by doing this she is gonna allah the prisoners.

0:21:50.240 --> 0:21:55.880
<v Speaker 1>She's basically calling his bluff on politeness because she's saying, well,

0:21:55.920 --> 0:21:57.880
<v Speaker 1>you said we can leave at any time, and we're

0:21:57.920 --> 0:22:00.280
<v Speaker 1>not prisoners, so I'm gonna try and leave. And you

0:22:00.280 --> 0:22:03.240
<v Speaker 1>see that they just keep fighting and killing her, because really,

0:22:03.280 --> 0:22:04.960
<v Speaker 1>if she leaves, then everyone else can.

0:22:04.920 --> 0:22:08.200
<v Speaker 3>Leave, right the other notables, the other regions, especially who

0:22:08.240 --> 0:22:13.879
<v Speaker 3>are secretly hostages there. Though again Ishidas, pretending they're not hostages,

0:22:13.960 --> 0:22:18.920
<v Speaker 3>would they would flee, but they because of this now

0:22:19.000 --> 0:22:21.560
<v Speaker 3>kind of realize these other people, these other notable people

0:22:21.720 --> 0:22:23.719
<v Speaker 3>hostage at the castle, are like, wait a second, are

0:22:23.720 --> 0:22:28.040
<v Speaker 3>we prisoners? Also, Marico announces that she will kill herself

0:22:28.400 --> 0:22:30.159
<v Speaker 3>at the end of the day, which is Shido, for

0:22:30.240 --> 0:22:34.000
<v Speaker 3>various political reasons, cannot allow. He can't let that happen, so.

0:22:33.760 --> 0:22:35.480
<v Speaker 1>So he goes and he stops her, and he says,

0:22:35.600 --> 0:22:38.520
<v Speaker 1>he's starter, you don't have to do this. She's to

0:22:38.600 --> 0:22:42.359
<v Speaker 1>kill herself because she couldn't fulfill Toro Naga's you know,

0:22:42.480 --> 0:22:45.359
<v Speaker 1>wishes to leave and as she's his vassal, that's shameful.

0:22:45.600 --> 0:22:47.800
<v Speaker 1>And then he's like, no, I don't leave. Everything's okay,

0:22:47.800 --> 0:22:48.919
<v Speaker 1>you can just leave tomorrow.

0:22:49.000 --> 0:22:51.119
<v Speaker 3>Here's a podon like, yeah, we got you apart. You

0:22:51.200 --> 0:22:51.720
<v Speaker 3>just needed the.

0:22:51.720 --> 0:22:53.960
<v Speaker 1>Papers, you just needed the leaving papers that.

0:22:53.920 --> 0:22:56.000
<v Speaker 3>We miss what I went down to the office. I

0:22:56.040 --> 0:22:58.200
<v Speaker 3>got you the exit papers.

0:22:58.240 --> 0:22:58.560
<v Speaker 1>Boom.

0:22:58.600 --> 0:23:01.320
<v Speaker 3>You can leave in the more. But of course she's

0:23:01.359 --> 0:23:04.000
<v Speaker 3>not gonna let that happen, so he sends in ninja's

0:23:04.000 --> 0:23:08.440
<v Speaker 3>to kidnap her, and in the end, Marico and Blackthorn

0:23:08.560 --> 0:23:11.040
<v Speaker 3>they fight off the ninjas. They end up pulled out

0:23:11.080 --> 0:23:12.960
<v Speaker 3>in like a storage room.

0:23:13.320 --> 0:23:16.720
<v Speaker 1>With her with her ladies in waiting and her retinue.

0:23:17.560 --> 0:23:23.960
<v Speaker 3>The ninja's blow open the door with gunpowder. Marico takes

0:23:24.000 --> 0:23:26.120
<v Speaker 3>the full blast. She stands in front of the door.

0:23:26.119 --> 0:23:28.480
<v Speaker 1>She knows, she knows it's gonna happen. She wants to

0:23:28.480 --> 0:23:31.040
<v Speaker 1>protect the other people and she does. She saves black

0:23:31.080 --> 0:23:34.080
<v Speaker 1>Thorn's life, she saves the other people, and I think

0:23:34.760 --> 0:23:37.800
<v Speaker 1>it's a very interesting moment because obviously we're all rooting

0:23:37.800 --> 0:23:40.280
<v Speaker 1>for Mariko. She becomes like she's one of the main

0:23:40.600 --> 0:23:44.040
<v Speaker 1>core cast in the show. But even in that moment,

0:23:44.119 --> 0:23:48.359
<v Speaker 1>she actually gets to die with agency, like she chooses it,

0:23:48.480 --> 0:23:52.200
<v Speaker 1>She chooses to save these people. She cares about it.

0:23:52.640 --> 0:23:56.000
<v Speaker 1>I remember the end of that episode, like everyone was

0:23:56.080 --> 0:23:57.760
<v Speaker 1>hitting me up, going do you have screeners?

0:23:58.080 --> 0:24:00.440
<v Speaker 3>Is she still alive? Like did she really die?

0:24:00.960 --> 0:24:03.080
<v Speaker 1>And it was like a huge that was just such

0:24:03.119 --> 0:24:05.399
<v Speaker 1>a huge talking point. I think people were really shocked,

0:24:05.400 --> 0:24:08.320
<v Speaker 1>which is funny because the book exists and the other

0:24:08.359 --> 0:24:11.320
<v Speaker 1>TV show exists, so this has already been established. But

0:24:11.359 --> 0:24:13.800
<v Speaker 1>people were so invested in the show that they were

0:24:13.840 --> 0:24:16.320
<v Speaker 1>not getting spoiled even though it had existed for so long,

0:24:16.440 --> 0:24:19.760
<v Speaker 1>except for a certain Jason and who did guess.

0:24:20.400 --> 0:24:22.920
<v Speaker 3>So let's talk about I let's briefly talk about that.

0:24:23.240 --> 0:24:27.400
<v Speaker 3>My mom talking to about the show and texting about

0:24:27.400 --> 0:24:29.760
<v Speaker 3>the show. She was a fan. She didn't like the

0:24:29.880 --> 0:24:32.040
<v Speaker 3>nineteen eighty mini series as much, but she likes this

0:24:32.119 --> 0:24:36.080
<v Speaker 3>one quite a bit. She texted me before I had

0:24:36.119 --> 0:24:41.200
<v Speaker 3>watched this episode. I can't believe she dies. It was

0:24:41.440 --> 0:24:43.119
<v Speaker 3>so fucking mad.

0:24:45.840 --> 0:24:51.320
<v Speaker 1>Legendary. That's like the ultimate mom interaction. I love it.

0:24:51.480 --> 0:24:52.800
<v Speaker 1>But yeah, rip Marico.

0:24:53.480 --> 0:24:57.280
<v Speaker 3>A'm so sad she's free.

0:24:57.560 --> 0:24:59.920
<v Speaker 1>And you know what, Blackthorn and her was never gonna

0:25:00.119 --> 0:25:02.560
<v Speaker 1>work out anyway, and they got to tell each other

0:25:02.600 --> 0:25:05.200
<v Speaker 1>they loved each other. So he must have stunk, like

0:25:05.880 --> 0:25:08.760
<v Speaker 1>he looks stinky as hell, and I I do love

0:25:10.480 --> 0:25:13.000
<v Speaker 1>I love the joke where he goes, he goes, I

0:25:13.000 --> 0:25:16.440
<v Speaker 1>had a bath this week already, and they're like, they're like,

0:25:16.480 --> 0:25:17.960
<v Speaker 1>don't you have another one?

0:25:18.000 --> 0:25:19.160
<v Speaker 3>And he's like no again.

0:25:19.440 --> 0:25:21.960
<v Speaker 1>It's like, no, you're going to have a bath based.

0:25:21.720 --> 0:25:27.639
<v Speaker 3>Last month, I based last Easter again. Okay, So with

0:25:28.400 --> 0:25:33.840
<v Speaker 3>Osaka Castle in chaos, the Council finally declares war on Tornagus.

0:25:34.040 --> 0:25:35.480
<v Speaker 3>Let's just put an And.

0:25:35.440 --> 0:25:37.119
<v Speaker 1>The reason they think they're going to be able to

0:25:37.160 --> 0:25:39.960
<v Speaker 1>do it is because Lady Achiaber is on their side,

0:25:40.040 --> 0:25:44.120
<v Speaker 1>meaning they can fly the banners of the Child Air

0:25:44.480 --> 0:25:47.840
<v Speaker 1>and that gives them a legitimacy. And Ishido's like he's

0:25:47.840 --> 0:25:49.720
<v Speaker 1>on it. He's like, I'm going to war baby. They're

0:25:49.720 --> 0:25:53.280
<v Speaker 1>playing the war drums like he's ready. Everyone's like super

0:25:53.359 --> 0:25:56.680
<v Speaker 1>hyped up, but Burro, it's not going to happen for you.

0:25:57.560 --> 0:26:02.280
<v Speaker 3>So uh, Lord of Shido basically lets Blackthorn go, puts

0:26:02.320 --> 0:26:03.840
<v Speaker 3>him in the hands of the church because this guy's

0:26:03.880 --> 0:26:07.040
<v Speaker 3>been more trouble than he's been worth it fucked up

0:26:07.040 --> 0:26:11.560
<v Speaker 3>all their plans, and the church and lets him go essentially,

0:26:11.560 --> 0:26:12.680
<v Speaker 3>so he goes back to a gyro.

0:26:12.800 --> 0:26:16.399
<v Speaker 1>And that's actually again thanks to Marico, because she was

0:26:16.840 --> 0:26:22.600
<v Speaker 1>she was very close with the one Catholic representative who

0:26:22.600 --> 0:26:27.000
<v Speaker 1>seems to be actually like interested in and not corruption.

0:26:27.160 --> 0:26:30.600
<v Speaker 1>And and and he says to Blackthorn, you know, she

0:26:30.760 --> 0:26:33.199
<v Speaker 1>asked me to let you go, so I'm gonna I'm

0:26:33.240 --> 0:26:34.879
<v Speaker 1>gonna let you go now, I will say by the

0:26:34.960 --> 0:26:36.800
<v Speaker 1>end of the episode, do I believe it was her

0:26:36.840 --> 0:26:40.800
<v Speaker 1>who asked him? No, somebody else's scheme in But in

0:26:40.840 --> 0:26:43.920
<v Speaker 1>that moment we get to see once again, like Marico's

0:26:44.920 --> 0:26:48.120
<v Speaker 1>power in this society where she is undervalued and seen

0:26:48.160 --> 0:26:51.000
<v Speaker 1>his property, she still gets to make these power plays

0:26:51.000 --> 0:26:53.240
<v Speaker 1>that change people's lives and save people's lives, which I

0:26:53.280 --> 0:26:55.760
<v Speaker 1>think is the same with Lady Atchiba. With the Sami.

0:26:56.040 --> 0:27:00.399
<v Speaker 1>There's a very interesting undercurrent hair of the ways that

0:27:00.440 --> 0:27:04.600
<v Speaker 1>women can find power in this space that doesn't give

0:27:04.640 --> 0:27:05.560
<v Speaker 1>it to them willingly.

0:27:07.160 --> 0:27:11.880
<v Speaker 3>Uh in it added Jiro. Blackthorn finds uh sadly, sadly

0:27:12.280 --> 0:27:16.280
<v Speaker 3>that his ship, the Erasmus, has been something. Face.

0:27:16.840 --> 0:27:18.560
<v Speaker 1>It's just my way in to get back to his

0:27:18.600 --> 0:27:22.199
<v Speaker 1>ship this time, sad face, EMERGI, you.

0:27:22.640 --> 0:27:25.040
<v Speaker 3>Piss drinking rats, you vermin.

0:27:27.040 --> 0:27:30.199
<v Speaker 4>I'll rip your cuts out at ile, I'll barbecue them

0:27:30.240 --> 0:27:31.840
<v Speaker 4>on a spin and I'll eat them.

0:27:32.840 --> 0:27:33.119
<v Speaker 2>Uh.

0:27:33.560 --> 0:27:39.199
<v Speaker 3>The engine says that he is displeased, forces his generally

0:27:39.200 --> 0:27:42.399
<v Speaker 3>Abashi gat to commit suicide for betraying him, and we

0:27:42.520 --> 0:27:47.480
<v Speaker 3>discover guess what The Erasmus was sunk by Toronaga because

0:27:47.480 --> 0:27:50.119
<v Speaker 3>he wants to keep you know, like Blackthorn has been

0:27:50.200 --> 0:27:51.000
<v Speaker 3>very useful to him.

0:27:51.240 --> 0:27:53.720
<v Speaker 1>One will stup him around, as he says to Abi.

0:27:53.840 --> 0:27:55.920
<v Speaker 1>Because this is a great moment, we get Tadanobu, we

0:27:55.960 --> 0:27:59.560
<v Speaker 1>get Hiroyuki, and in a change from the book where

0:27:59.800 --> 0:28:02.840
<v Speaker 1>we kind of learn all of this in a like

0:28:02.880 --> 0:28:05.959
<v Speaker 1>a voice over almost like a kind of just a

0:28:05.960 --> 0:28:09.200
<v Speaker 1>first person like, WHOA, I was doing this all along? Instead,

0:28:09.520 --> 0:28:15.280
<v Speaker 1>they have Toronaga confess to Yabashiga, and it's so great

0:28:15.480 --> 0:28:19.000
<v Speaker 1>to see Yabashige finally get let in on what's going on, and.

0:28:18.920 --> 0:28:22.240
<v Speaker 3>He's so happy. He's happy, but he's also like horrified.

0:28:22.320 --> 0:28:27.399
<v Speaker 1>He's like, yeah, this is terrible. He's like what I

0:28:27.720 --> 0:28:31.600
<v Speaker 1>actually interviewed Tadanobu for IGN and he said he feels

0:28:31.640 --> 0:28:34.520
<v Speaker 1>like in that moment, like he's less interested, and I

0:28:34.560 --> 0:28:36.160
<v Speaker 1>think this is kind of what you touched on. He's

0:28:36.200 --> 0:28:39.560
<v Speaker 1>less interested in like the greater plans for Japan or

0:28:39.600 --> 0:28:42.120
<v Speaker 1>the world, or this change is of society. He just

0:28:42.160 --> 0:28:44.840
<v Speaker 1>wants to understand the man in front of him, and

0:28:44.960 --> 0:28:47.560
<v Speaker 1>and in that moment he's kind of disappointed because he

0:28:47.600 --> 0:28:50.440
<v Speaker 1>feels like this was a man who, well, Yabashige is

0:28:50.480 --> 0:28:54.840
<v Speaker 1>like the self serving, like foolish, like kind of rogue.

0:28:55.400 --> 0:28:59.640
<v Speaker 1>He put Toronaga on like a pedestal, as like this

0:28:59.720 --> 0:29:04.000
<v Speaker 1>great man. But as we find out as he does

0:29:04.040 --> 0:29:10.360
<v Speaker 1>this confession, Toronaga has been playing all of them all along, and.

0:29:10.240 --> 0:29:15.040
<v Speaker 3>The final chess move of Lord Tornaga's occurs. In a

0:29:15.160 --> 0:29:18.000
<v Speaker 3>kind of flash forward, we go to the big battle

0:29:18.040 --> 0:29:22.440
<v Speaker 3>where all the regency armies have gathered to crush Toronaga

0:29:22.440 --> 0:29:27.240
<v Speaker 3>and his armies, and on the battlefield, Lady Uchiba's forces

0:29:27.640 --> 0:29:31.720
<v Speaker 3>change sides. They turn on Lord Ashido, who is cast

0:29:31.760 --> 0:29:36.440
<v Speaker 3>down and we should assume is killed and his forces

0:29:36.480 --> 0:29:41.200
<v Speaker 3>put out of power. An amazing an amazing run, A

0:29:41.320 --> 0:29:46.920
<v Speaker 3>very complicated show, just with so much drama and emotion.

0:29:47.240 --> 0:29:50.160
<v Speaker 1>Yeah, and I think like that final reveal that it

0:29:50.200 --> 0:29:52.960
<v Speaker 1>was Tornaga that really took a lot of people by surprise,

0:29:53.000 --> 0:29:56.640
<v Speaker 1>because it's even implied like did he send the ninjas?

0:29:56.760 --> 0:29:59.560
<v Speaker 1>Was he part of that plan? Did he need because

0:29:59.560 --> 0:30:02.040
<v Speaker 1>he needed Riko to die for a Cheeba to turn

0:30:02.040 --> 0:30:05.240
<v Speaker 1>on Ishido because she blamed a Shido from Rico's death

0:30:05.280 --> 0:30:08.040
<v Speaker 1>and they were friends. And I just the whole thing

0:30:08.120 --> 0:30:11.520
<v Speaker 1>is so complex, and I'd seen a lot of kind

0:30:11.560 --> 0:30:15.040
<v Speaker 1>of people being like how cool that Hiroki Hirouki Sinada had.

0:30:15.400 --> 0:30:18.239
<v Speaker 1>You know, this has been a passion project for him

0:30:18.240 --> 0:30:20.440
<v Speaker 1>for twelve years and he cast himself in this role

0:30:20.440 --> 0:30:22.320
<v Speaker 1>where you think he's the main character but then actually

0:30:22.360 --> 0:30:25.600
<v Speaker 1>he's a side character. But really the funny thing to

0:30:25.600 --> 0:30:27.160
<v Speaker 1>see people talk about that and then you get to

0:30:27.200 --> 0:30:29.040
<v Speaker 1>the final episode and you're like, oh no, this he

0:30:29.120 --> 0:30:31.200
<v Speaker 1>is going to be the shogun. There's this great line

0:30:31.760 --> 0:30:35.120
<v Speaker 1>where he says to he says to Yabashiga, he says,

0:30:35.160 --> 0:30:38.040
<v Speaker 1>remember what the anjin said when we first met, and

0:30:38.080 --> 0:30:41.240
<v Speaker 1>he said, you know, it's impossible, and then he says,

0:30:41.400 --> 0:30:45.719
<v Speaker 1>unless I win, and then anything is possible. And Yabashiga

0:30:45.760 --> 0:30:48.800
<v Speaker 1>looks up at him and he says, even shogun, And

0:30:48.840 --> 0:30:51.760
<v Speaker 1>he has that realization that Toronaga has always wanted to

0:30:51.760 --> 0:30:55.400
<v Speaker 1>be shogun, and in fact, all his humility, all his

0:30:55.560 --> 0:30:58.440
<v Speaker 1>plans were leading to this moment where he could become

0:30:58.520 --> 0:31:01.960
<v Speaker 1>the true leader of of Japan. And you mentioned something

0:31:01.960 --> 0:31:04.720
<v Speaker 1>really interesting here about the flash forward. I think I

0:31:04.840 --> 0:31:07.840
<v Speaker 1>read some I didn't agree with them, but I read

0:31:07.880 --> 0:31:11.640
<v Speaker 1>some really interesting, well written thoughts about how a lot

0:31:11.680 --> 0:31:14.400
<v Speaker 1>of people were kind of shocked by the finale because

0:31:14.720 --> 0:31:18.320
<v Speaker 1>it promised this great battle, but it doesn't have one.

0:31:19.000 --> 0:31:22.160
<v Speaker 3>It proms two huge battles that happened off screen.

0:31:22.320 --> 0:31:25.200
<v Speaker 1>And I love that because I think that's like very

0:31:25.320 --> 0:31:30.000
<v Speaker 1>much in line with the intellectual wars that kind of

0:31:30.000 --> 0:31:32.520
<v Speaker 1>fuel the show. But I understand how if we're used

0:31:32.560 --> 0:31:35.160
<v Speaker 1>to like a Battle of the Bastards esque episode to

0:31:35.240 --> 0:31:38.080
<v Speaker 1>a lot of people that were expecting that final violent moment.

0:31:38.560 --> 0:31:41.160
<v Speaker 1>But I mean, what a show, and it's so fantastic,

0:31:41.160 --> 0:31:43.520
<v Speaker 1>and the thing that blows my mind that's so great

0:31:43.600 --> 0:31:46.200
<v Speaker 1>about it is like this book is like a eleven

0:31:46.280 --> 0:31:50.120
<v Speaker 1>hundred and five pages long or something. Yeah, and that

0:31:50.880 --> 0:31:53.960
<v Speaker 1>it's huge and in the world of the MCU and

0:31:54.000 --> 0:31:56.760
<v Speaker 1>the kind of shared universes and all that kind of storytelling.

0:31:57.040 --> 0:31:59.520
<v Speaker 1>There is a version of this where they just adapt

0:31:59.560 --> 0:32:02.720
<v Speaker 1>it for like five seasons. But I love that they

0:32:02.840 --> 0:32:06.920
<v Speaker 1>streamlined it and they changed the perspective. They were like,

0:32:07.120 --> 0:32:09.479
<v Speaker 1>what is this like if you actually live in Japan

0:32:09.520 --> 0:32:12.480
<v Speaker 1>and it's focused on the Japanese cast and Black THRM

0:32:12.720 --> 0:32:15.880
<v Speaker 1>is essentially a distraction, which they have a lot of

0:32:15.920 --> 0:32:19.160
<v Speaker 1>fun at the end with Toronaga basically saying that he's like,

0:32:19.200 --> 0:32:22.840
<v Speaker 1>he distracts the Portuguese and he makes me laugh, So

0:32:22.920 --> 0:32:25.320
<v Speaker 1>that's why he's here, you know. And I think that

0:32:25.840 --> 0:32:29.800
<v Speaker 1>it's incredibly brave in a way and savvy to just

0:32:30.320 --> 0:32:33.320
<v Speaker 1>adapt it in ten episodes when you could have longed

0:32:33.320 --> 0:32:35.840
<v Speaker 1>it out and tried to do multiple seasons. But now

0:32:35.880 --> 0:32:40.000
<v Speaker 1>we have a fully complete season of television that I

0:32:40.040 --> 0:32:42.560
<v Speaker 1>think it probably stands up there with the best one

0:32:42.680 --> 0:32:45.479
<v Speaker 1>season series.

0:32:45.000 --> 0:32:49.080
<v Speaker 3>For sure, for sure. Next up, we go to the

0:32:49.160 --> 0:33:07.720
<v Speaker 3>end of US. Yeah, welcome to another continuing chapter in

0:33:07.760 --> 0:33:11.200
<v Speaker 3>the Omnibus, where law, analysis and understanding come together. This week,

0:33:12.080 --> 0:33:16.560
<v Speaker 3>talking about the life of the author of Shogun, James Clavel.

0:33:17.040 --> 0:33:20.320
<v Speaker 3>James Colvell, born in nineteen twenty four and Ciney, Australia,

0:33:20.400 --> 0:33:25.760
<v Speaker 3>lived a incredibly fascinating and interesting life. Clavel's father and

0:33:25.840 --> 0:33:29.560
<v Speaker 3>grandfather were both in the Royal Navy, but like Blackthorn,

0:33:30.000 --> 0:33:34.360
<v Speaker 3>Clovel's fate would largely be decided on land. He joined

0:33:34.400 --> 0:33:38.360
<v Speaker 3>Her Majesty's Royal Artillery in nineteen forty was sent to

0:33:38.400 --> 0:33:41.640
<v Speaker 3>Malaysia the Second World War broke out. He was shot

0:33:41.680 --> 0:33:45.960
<v Speaker 3>in the face, eventually taken prisoner by the Japanese and

0:33:45.960 --> 0:33:49.640
<v Speaker 3>he spent three and a half years in two prison camps,

0:33:49.640 --> 0:33:52.640
<v Speaker 3>the second of which Changi in Singapore, was noted for

0:33:52.720 --> 0:33:56.680
<v Speaker 3>its brutality and starvation conditions. You see a lot of

0:33:56.680 --> 0:34:00.760
<v Speaker 3>competing numbers for the amount of people died in this

0:34:00.800 --> 0:34:03.080
<v Speaker 3>prison camp. But whatever the case may be, it's clear

0:34:03.120 --> 0:34:08.799
<v Speaker 3>that Clavell needed some luck to survive that. He did

0:34:08.800 --> 0:34:12.719
<v Speaker 3>not talk about those experiences, and by nineteen fifty three

0:34:12.719 --> 0:34:14.600
<v Speaker 3>he was in la trying to make a go as

0:34:14.640 --> 0:34:19.799
<v Speaker 3>a screenwriter. His first paid screenwriting gig was adapting a

0:34:19.840 --> 0:34:23.200
<v Speaker 3>short story which appeared in the pages of Playboy magazine,

0:34:23.200 --> 0:34:25.439
<v Speaker 3>which also started in nineteen fifty three, by the way,

0:34:25.880 --> 0:34:28.719
<v Speaker 3>written by George Langlan, the story was called The Fly,

0:34:29.440 --> 0:34:32.200
<v Speaker 3>about a scientist who accidentally merges his DNA with that

0:34:32.280 --> 0:34:36.239
<v Speaker 3>of a fly. And guess what. The movie The Fly

0:34:36.320 --> 0:34:39.960
<v Speaker 3>would go on to become an absolute bonafide horror classic.

0:34:40.360 --> 0:34:42.920
<v Speaker 3>That even the type of movie where, even if you

0:34:42.960 --> 0:34:45.759
<v Speaker 3>haven't seen the original, you've seen references to it.

0:34:46.040 --> 0:34:47.480
<v Speaker 1>Yes, and you've seen the remake.

0:34:48.080 --> 0:34:51.680
<v Speaker 3>Yes, Clavel that went maiden stream. You know, The Fly

0:34:51.800 --> 0:34:55.360
<v Speaker 3>was kind of a B movie, despite its current modern

0:34:55.400 --> 0:34:58.480
<v Speaker 3>status as a landmark horror film. He then went mainstream

0:34:58.520 --> 0:35:01.560
<v Speaker 3>with nineteen sixty threes Air Force action film six point

0:35:01.560 --> 0:35:05.920
<v Speaker 3>thirty three Squadron, and then nineteen sixty six epic Second

0:35:05.920 --> 0:35:09.080
<v Speaker 3>World War drama The Great Escape, which he co wrote,

0:35:09.160 --> 0:35:12.640
<v Speaker 3>starred Steve McQueen and a bunch of other notable legendary

0:35:12.640 --> 0:35:17.200
<v Speaker 3>film Clavel then transitioned to directing, both on screen and

0:35:17.239 --> 0:35:21.440
<v Speaker 3>for television. His most notable film is an adaptation of

0:35:22.040 --> 0:35:26.560
<v Speaker 3>To Stir with Love, the biography autobiography of the Guyanese

0:35:26.600 --> 0:35:32.760
<v Speaker 3>author Er Braithwait, starring Sidney Poitier. Braithwait was not really

0:35:32.840 --> 0:35:34.880
<v Speaker 3>that much of a fan of the adaptation, but it

0:35:34.960 --> 0:35:39.680
<v Speaker 3>was a landmark film and a big cultural hit. Clavel

0:35:39.800 --> 0:35:44.800
<v Speaker 3>also wrote the script, and then Hollywood screenwriters and actors

0:35:44.840 --> 0:35:47.480
<v Speaker 3>went on strike together at the same time for the

0:35:47.560 --> 0:35:53.040
<v Speaker 3>first time. The issues at that time were residuals coming

0:35:53.040 --> 0:35:56.480
<v Speaker 3>from reruns and also with the studio's fund healthcare and

0:35:56.560 --> 0:36:02.800
<v Speaker 3>pensions for actors and writers. So no work right, Clovell

0:36:03.000 --> 0:36:08.160
<v Speaker 3>pivots to novels. He expungent your minds all this trauma

0:36:08.200 --> 0:36:11.120
<v Speaker 3>that he had from his experiences at Chaney to write

0:36:11.239 --> 0:36:14.880
<v Speaker 3>King Rat, which was published in nineteen sixty two, and

0:36:14.960 --> 0:36:19.880
<v Speaker 3>the book immediately established Clavel as a brand unto himself,

0:36:20.520 --> 0:36:24.200
<v Speaker 3>and the covel brand was as follows. He would write

0:36:24.440 --> 0:36:30.920
<v Speaker 3>long books featuring numerous characters, usually set in the East

0:36:31.760 --> 0:36:37.040
<v Speaker 3>and richly researched, and the book was a best selling smash,

0:36:37.080 --> 0:36:41.160
<v Speaker 3>and then he would continue writing novels, eventually pivoting away

0:36:41.200 --> 0:36:45.440
<v Speaker 3>from directing, which all his kind of like Hollywood friends

0:36:45.480 --> 0:36:47.399
<v Speaker 3>would be like, why do you you've got a good

0:36:47.440 --> 0:36:51.200
<v Speaker 3>thing going here. You're a writer director, multi hyphen it

0:36:51.239 --> 0:36:53.480
<v Speaker 3>when that doesn't mean we don't even have that phrase yet.

0:36:53.520 --> 0:36:56.480
<v Speaker 3>For fifty sixteen years, keep doing that, He's like, no,

0:36:56.520 --> 0:36:58.440
<v Speaker 3>you know what, I'm gonna keep writing books. I think

0:36:58.440 --> 0:37:00.839
<v Speaker 3>I like this better because I have full control. His

0:37:00.880 --> 0:37:04.160
<v Speaker 3>next book, Taipan in nineteen sixty six, tells the story

0:37:04.160 --> 0:37:06.960
<v Speaker 3>of Western traders working out of nineteenth century Hong Kong.

0:37:07.000 --> 0:37:10.480
<v Speaker 3>And then in nineteen seventy five, now a full fledged

0:37:11.280 --> 0:37:15.720
<v Speaker 3>just an author, came Shogun. The novel, as Rosie said,

0:37:15.800 --> 0:37:20.400
<v Speaker 3>ran over eleven hundred pages, sold six million copies worldwide,

0:37:20.840 --> 0:37:26.440
<v Speaker 3>and established Cavell as a major, major literary star. It

0:37:26.480 --> 0:37:29.480
<v Speaker 3>made me, Clavell once said, I became a brand name

0:37:29.640 --> 0:37:35.480
<v Speaker 3>like Heinz Baked Beans. In nineteen eighty, NBC aired its

0:37:35.560 --> 0:37:40.440
<v Speaker 3>adaptation of Shogun on five consecutive nights in September. This

0:37:40.600 --> 0:37:44.960
<v Speaker 3>was part of a of a trend towards mini series

0:37:45.000 --> 0:37:47.759
<v Speaker 3>which began in the seventies and we continue through the

0:37:47.800 --> 0:37:53.080
<v Speaker 3>mid eighties, starring Richard Chamberlin as Blackthorn, the legendary Tishira

0:37:53.160 --> 0:37:57.960
<v Speaker 3>Mufuni as Tornaga, and Yoka shimades Marico. Shogun was a

0:37:58.280 --> 0:38:02.520
<v Speaker 3>gigantic hit, huge television hit had a Nielsen rating of

0:38:02.520 --> 0:38:05.080
<v Speaker 3>twenty six point three, which means twenty six point three

0:38:05.200 --> 0:38:10.560
<v Speaker 3>million viewers per episode. That was the largest in NBC's history,

0:38:11.080 --> 0:38:13.600
<v Speaker 3>and honestly, it's like up there with like stuff like

0:38:13.640 --> 0:38:16.600
<v Speaker 3>super Bowls. Like it's basically like super Bowls happening every

0:38:16.640 --> 0:38:20.239
<v Speaker 3>single night of the week. The show is credited with

0:38:20.320 --> 0:38:23.640
<v Speaker 3>kicking off a general interest in Japanese culture that continued

0:38:23.680 --> 0:38:25.920
<v Speaker 3>through the throughout the nineteen eighties, and you see it

0:38:25.920 --> 0:38:28.760
<v Speaker 3>a lot in pop culture, although the context was usually

0:38:29.440 --> 0:38:34.680
<v Speaker 3>pretty negative. Some interesting notes about the nineteen eighty Showgun

0:38:35.160 --> 0:38:38.680
<v Speaker 3>and Well, in particular, like the FX adaptation, most of

0:38:38.719 --> 0:38:41.360
<v Speaker 3>the dialogue of the nineteen eighty Showgun was in Japanese. However,

0:38:41.440 --> 0:38:45.600
<v Speaker 3>Blackthorne was most decidedly the protagonist. It was all through

0:38:45.680 --> 0:38:49.319
<v Speaker 3>his eyes and there was a lot more sex and

0:38:49.440 --> 0:38:55.920
<v Speaker 3>romance with Marico and NBC therefore, since Richard Chamberlain as Blackthorn,

0:38:56.000 --> 0:38:58.239
<v Speaker 3>is gonna be the star, they made the decision, a

0:38:58.280 --> 0:39:01.719
<v Speaker 3>baffling decision in retrospect, to just not have any subtitles.

0:39:01.800 --> 0:39:06.080
<v Speaker 3>You just know what seventy five percent of the actors

0:39:06.080 --> 0:39:09.400
<v Speaker 3>you're saying at any given time. The thinking was since

0:39:09.440 --> 0:39:12.560
<v Speaker 3>Blackthorne was confused about what was being said around him,

0:39:12.560 --> 0:39:16.440
<v Speaker 3>and he is the avatar for the audience, Therefore their

0:39:16.800 --> 0:39:22.160
<v Speaker 3>confusion would help the story, okay whatever. Showgun, the nineteen

0:39:22.200 --> 0:39:26.680
<v Speaker 3>eighty Showgun was the first show to have a character

0:39:26.840 --> 0:39:30.520
<v Speaker 3>say the word piss and to show a character pissing,

0:39:31.680 --> 0:39:35.840
<v Speaker 3>you know, when Blackthorn is pissed on after his capture

0:39:36.440 --> 0:39:39.719
<v Speaker 3>by the Japanese. The mini series, as I mentioned, was

0:39:39.760 --> 0:39:42.560
<v Speaker 3>part of a wave of successful television events that began

0:39:42.680 --> 0:39:46.239
<v Speaker 3>with ABC's adaptation of Alex Haley's Roots, which was the

0:39:46.280 --> 0:39:50.280
<v Speaker 3>biggest television event to that time, and the European Smashed

0:39:50.400 --> 0:39:57.560
<v Speaker 3>Jesus of Nazareth. Clavel himself was an ardent right wing psychopath.

0:39:58.600 --> 0:40:02.080
<v Speaker 3>His nineteen eighty one book eight nineteen eighty one book,

0:40:02.160 --> 0:40:06.319
<v Speaker 3>The Children's Story, a novella, is eighty five pages of

0:40:06.800 --> 0:40:13.960
<v Speaker 3>hysterical dystopian paranoia, set in a future where kids have

0:40:14.160 --> 0:40:17.000
<v Speaker 3>lost their connection to the meaning of the Pledge of Allegiance.

0:40:17.120 --> 0:40:22.040
<v Speaker 3>That's literally what the story is about. And therefore he

0:40:22.120 --> 0:40:25.640
<v Speaker 3>was like very close with the Reagan administry. Loved Reagan,

0:40:26.000 --> 0:40:28.919
<v Speaker 3>He's very close with him. Was invited to a White

0:40:28.960 --> 0:40:34.279
<v Speaker 3>House event honoring Japan. He was, he said of The

0:40:34.360 --> 0:40:37.359
<v Speaker 3>Children's Story Clevell in a nineteen eighty one New York

0:40:37.360 --> 0:40:40.800
<v Speaker 3>Times magazine story quote the Wonderful thing about the book

0:40:41.120 --> 0:40:43.520
<v Speaker 3>is that it's just a It's just at the right

0:40:43.560 --> 0:40:46.360
<v Speaker 3>time with Reagan, the right wing approach America first, the

0:40:46.400 --> 0:40:50.239
<v Speaker 3>awareness of an enemy called communism. We are in a

0:40:50.440 --> 0:40:53.120
<v Speaker 3>sweep away from the left wing attitudes that have been

0:40:53.160 --> 0:40:57.200
<v Speaker 3>creeping in against our constitution. He's Australian.

0:40:57.560 --> 0:40:59.520
<v Speaker 4>This is democracy, isn't it.

0:40:59.520 --> 0:41:04.239
<v Speaker 3>It's not a socialist state end quote. James Killel. Javits.

0:41:04.280 --> 0:41:08.480
<v Speaker 3>Critics reacted to the nineteen eighty eighty Minui series with

0:41:08.600 --> 0:41:11.960
<v Speaker 3>kind of like bemusement. They they it would be too

0:41:12.000 --> 0:41:14.400
<v Speaker 3>strong to say they were disappointed. They have, of course

0:41:14.440 --> 0:41:16.919
<v Speaker 3>their own historical dramas, so what do they need this one?

0:41:16.960 --> 0:41:20.480
<v Speaker 3>For The New York Time. That same nineteen eighty one

0:41:20.480 --> 0:41:24.720
<v Speaker 3>New York Times story quotes Asahi Television's New York bureau

0:41:24.800 --> 0:41:30.760
<v Speaker 3>chief Yasushi Miyakawa as saying, quote, it had some funny points,

0:41:30.760 --> 0:41:35.120
<v Speaker 3>some curious points, some inadequate points. Showgun was of course

0:41:35.680 --> 0:41:38.719
<v Speaker 3>a huge hit, both in novel and television forms. So

0:41:38.760 --> 0:41:43.000
<v Speaker 3>there's like a lot of wild, possibly apocryphal like propaganda

0:41:43.080 --> 0:41:44.640
<v Speaker 3>about like what a big hit it was. Like one

0:41:44.719 --> 0:41:48.200
<v Speaker 3>of the stories you will read that's impossible to verify

0:41:48.320 --> 0:41:52.400
<v Speaker 3>is that like restaurants noticed a dip in people going

0:41:52.600 --> 0:41:55.040
<v Speaker 3>out to eat because they couldn't miss Showgun, of course,

0:41:55.040 --> 0:41:58.760
<v Speaker 3>this being the era before VCRs were really popular. Another

0:41:58.840 --> 0:42:02.120
<v Speaker 3>one that is really fun and jibs with Clovell's right

0:42:02.160 --> 0:42:06.879
<v Speaker 3>wing tendencies that I can't find proof for is a

0:42:07.000 --> 0:42:11.680
<v Speaker 3>story reported in The New York Times that was supposedly

0:42:11.719 --> 0:42:16.719
<v Speaker 3>relayed by Shogun's publisher that said that Henry Kissinger, Nixon's

0:42:16.880 --> 0:42:20.120
<v Speaker 3>former Secretary of State, was such a Showgun fan that

0:42:20.200 --> 0:42:26.160
<v Speaker 3>he referred to his wife as woman like various characters

0:42:26.239 --> 0:42:30.600
<v Speaker 3>and Showgun do anyway, did Shogun spark a general interest

0:42:30.640 --> 0:42:33.880
<v Speaker 3>in amri in Japanese cuisine, most notably sushi. This another

0:42:34.000 --> 0:42:39.960
<v Speaker 3>possibly apocryphal story about the popularity of Shogun we don't know,

0:42:40.840 --> 0:42:45.319
<v Speaker 3>but clearly an incredibly influential work. James Clovell would pass

0:42:45.360 --> 0:42:48.719
<v Speaker 3>away in nineteen ninety four, was working up until his death,

0:42:48.760 --> 0:42:51.360
<v Speaker 3>only a year after the sixth and final book in

0:42:51.360 --> 0:42:57.120
<v Speaker 3>his Asian saga Guy Jin was published. James Clavell super weirdo.

0:43:03.600 --> 0:43:05.799
<v Speaker 1>Every episode we like to end the show with a

0:43:05.800 --> 0:43:08.719
<v Speaker 1>fast moving segment. This time we're doing like that. Watch

0:43:08.800 --> 0:43:14.280
<v Speaker 1>this with our favorite samurai movies inspired by Shogun. I

0:43:14.320 --> 0:43:19.880
<v Speaker 1>love samurai movies. I'm a Shakira kurrasur fat and I

0:43:19.920 --> 0:43:24.319
<v Speaker 1>think like one of the coolest things about Shogun and

0:43:24.360 --> 0:43:27.000
<v Speaker 1>this version of Shogun kind of that you touch on

0:43:27.040 --> 0:43:30.160
<v Speaker 1>this in the omnibus about Clavel's right wing leanings and

0:43:30.200 --> 0:43:33.080
<v Speaker 1>the way that he positioned himself in the world. So

0:43:33.160 --> 0:43:35.200
<v Speaker 1>as you can imagine, the book is very much of that,

0:43:35.320 --> 0:43:38.479
<v Speaker 1>like a white savior who goes there, who understands things better,

0:43:38.520 --> 0:43:40.960
<v Speaker 1>who can do things better, who kind of has to

0:43:41.239 --> 0:43:44.799
<v Speaker 1>navigate this landscape. Obviously, the FX version of Shogun, the

0:43:44.880 --> 0:43:50.880
<v Speaker 1>creative team crafted something entirely different that totally repositions the

0:43:51.080 --> 0:43:54.480
<v Speaker 1>story and the importance of Blackthorn, and I think like

0:43:54.680 --> 0:43:59.080
<v Speaker 1>going back to classic Japanese samurai movies, you get to

0:43:59.160 --> 0:44:01.200
<v Speaker 1>be in a situation cuation where you get to see

0:44:01.239 --> 0:44:04.120
<v Speaker 1>the films that inspired this stuff. I would say if

0:44:04.160 --> 0:44:09.840
<v Speaker 1>you loved this my basically, any Currosaur movie is like

0:44:09.920 --> 0:44:17.200
<v Speaker 1>a dream place to begin your exploration. Curricur is like

0:44:17.200 --> 0:44:20.640
<v Speaker 1>a legend. My favorite Curaca movie is The Hidden Fortress,

0:44:20.680 --> 0:44:25.400
<v Speaker 1>but that is that's if you watch Star Wars, so

0:44:25.440 --> 0:44:27.879
<v Speaker 1>that's more of a comedic twist I'm going to say

0:44:27.880 --> 0:44:30.160
<v Speaker 1>for this one because of how much I loved the

0:44:30.320 --> 0:44:33.799
<v Speaker 1>women in this film, I'm gonna I'm actually gonna go

0:44:33.840 --> 0:44:38.919
<v Speaker 1>away from Kurosawa and I'm gonna say Lady Snowblood. Yeah.

0:44:39.000 --> 0:44:43.279
<v Speaker 1>T Shoya Fujita directed it, and it is if you

0:44:43.360 --> 0:44:46.399
<v Speaker 1>are so good, Yeah, because it was recently they did

0:44:46.440 --> 0:44:48.880
<v Speaker 1>a Lady Snowbug collection for Criterion. A lot of the

0:44:48.920 --> 0:44:52.640
<v Speaker 1>Criterion stuff is on Max and it stars Mako Kaje

0:44:52.680 --> 0:44:55.520
<v Speaker 1>as like a woman seeking revenge on the people who

0:44:55.840 --> 0:45:00.200
<v Speaker 1>murdered her family. Huge influence of on Kill Bill. It's

0:45:00.200 --> 0:45:04.520
<v Speaker 1>this totally nonlinear narrative that makes it feel super modern

0:45:04.560 --> 0:45:09.719
<v Speaker 1>and contemporary. It's just such a joyous film. It's so beautiful,

0:45:09.719 --> 0:45:12.200
<v Speaker 1>like joyous if you love bloody Revenge, but like it

0:45:12.320 --> 0:45:14.640
<v Speaker 1>makes me feel so happy every time I see it

0:45:14.680 --> 0:45:21.440
<v Speaker 1>because it's so beautiful. There's so many fantastic shots and spaces,

0:45:21.480 --> 0:45:23.640
<v Speaker 1>and I think it very much is in that space

0:45:24.000 --> 0:45:27.920
<v Speaker 1>of Shogun. So yeah, that's that's that's my pick. If

0:45:27.960 --> 0:45:29.720
<v Speaker 1>you loved Shogun.

0:45:29.760 --> 0:45:34.839
<v Speaker 3>My pick is Akua Kosauer's nineteen five classic Throne of Bloody,

0:45:35.600 --> 0:45:44.080
<v Speaker 3>his take on Macbeth starting to Shiro Mufude it's awesome betrayal, madness,

0:45:45.400 --> 0:45:48.440
<v Speaker 3>the hunger for power, and how it's corrosive and of

0:45:48.480 --> 0:45:55.359
<v Speaker 3>course just like beautiful, unbelievably beautiful in camera effects and visuals,

0:45:55.760 --> 0:46:03.080
<v Speaker 3>ending with an iconic action scene involving so many arrows

0:46:03.160 --> 0:46:04.960
<v Speaker 3>that even to this I mean, to this day, it

0:46:05.000 --> 0:46:07.000
<v Speaker 3>holds up incredible throne of blood.

0:46:07.600 --> 0:46:11.080
<v Speaker 1>So good. And that's it for the episode. So I'll

0:46:11.120 --> 0:46:12.000
<v Speaker 1>see you next time.

0:46:12.080 --> 0:46:14.600
<v Speaker 3>Jason, see you, next time, I see you next time.

0:46:15.520 --> 0:46:24.880
<v Speaker 3>Check x ray Vision is hosted by Jason Kisepsion and

0:46:25.040 --> 0:46:29.160
<v Speaker 3>Rosie Knight and is a production of iHeart Podcasts. Our

0:46:29.200 --> 0:46:33.440
<v Speaker 3>executive producers are Joelle Smith and Aaron Kaufman. Our supervising

0:46:33.480 --> 0:46:38.160
<v Speaker 3>producer is a Boo Zafar. Our producers are Carmen Laurent

0:46:38.960 --> 0:46:42.600
<v Speaker 3>and Mia Taylor. Our theme song is by Brian Basquez.

0:46:43.080 --> 0:46:47.360
<v Speaker 1>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:46:47.719 --> 0:46:49.759
<v Speaker 1>and Heidi our discoord moderator.