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Speaker 1: So he's they're talking and he's like, I'm gonna enjoy

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Speaker 1: watching you die, mister Anderson, and you like turn around

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Speaker 1: and like it's Louis Anderson and he.

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Speaker 2: Goes survey says you first, uh kills him, shoots yea

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Speaker 2: in the head.

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Speaker 1: Push and so he's fucking bullet what's the like the yeah, yeah,

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Speaker 1: the bullet gun bullet firing, yes, and then he like

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Speaker 1: falls down the first guy and Louis Anderson sees the

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Speaker 1: entry wound, the little red circle and he goes circle

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Speaker 1: gets the square okay, because I guess it's a circle.

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Speaker 1: It's shaped like a circle, and like the guy is

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Speaker 1: kind of like not like a classic square, but square

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Speaker 1: is that he got Like it's Agent Smith is a square? Yeah,

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Speaker 1: that is that's the idea I certainly compared to like

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Speaker 1: other guys in that.

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Speaker 3: No, he's not he's not hip at all, Like he's

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Speaker 3: very much a part of the establishment.

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Speaker 4: I think it's very called a call.

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Speaker 5: Yeah.

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Speaker 1: So that's as far as I've gotten. I keep as

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Speaker 1: soon as I get to this that point. Every time

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Speaker 1: when I'm working on this, I have like not emails,

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Speaker 1: not even like a no like a little stroke, not

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Speaker 1: even like a mini stroke, like.

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Speaker 2: A tiny, tiny, tiny stroke.

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Speaker 3: But that's how you know you're doing something really impactful.

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Speaker 3: I mean to me, that's a sign to keep going.

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Speaker 1: I am really worried. I was really excited about this. Yeah,

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Speaker 1: it's for you know, they do the in memoriam. It's

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Speaker 1: always just it's it's it's never funny or it's sometimes

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Speaker 1: a little bit funny, but like there's.

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Speaker 5: No there's no fun Yeah funny.

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Speaker 1: Yeah exactly, but like it's always just like a photo

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Speaker 1: of the guy or whatever. There's you never have them

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Speaker 1: like actually doing a bit. And so we were like,

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Speaker 1: what if for each segment we put them in a

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Speaker 1: classic movie yeah, and like insert them digitally, give them

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Speaker 1: lines and stuff like that.

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Speaker 6: And so we have Betty White.

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Speaker 5: Yeah, yeah, yeah, Betty White.

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Speaker 1: Betty White goes she's Morpheus and she goes a matrix

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Speaker 1: that it is it is turning out that way? Yeah.

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Speaker 4: Maybe she goes, do you want to cheat the red

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Speaker 4: or the white pill?

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Speaker 1: No, she goes take the it is that segment. Yeah,

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Speaker 1: she says take the red pule. Oh, like, oh, this

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Speaker 1: is the yellow pill. She has a big hill case

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Speaker 1: because he's like so old.

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Speaker 4: Oh right, that's funny.

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Speaker 5: That's yeah.

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Speaker 1: But then she goes like take the red pill, and

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Speaker 1: you could see how deep the rabbit hole goes if

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Speaker 1: you catch my meaning.

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Speaker 5: Mm hmmm.

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Speaker 1: I mean I don't know. I haven't. I have a

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Speaker 1: much bigger stroke when I when I'm working on that one.

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Speaker 2: So I've got to that one.

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Speaker 4: I'm feeling something. I'm a little bit lightheaded.

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Speaker 2: Oh really wow?

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Speaker 5: Yeah, so incredible stuff. I mean I almost I almost

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Speaker 5: don't want to fully move on. I wouldn't mind bringing up.

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Speaker 2: For a little while. Yeah, I think it's gonna be

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Speaker 2: a rich.

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Speaker 3: Really amazing guests today. We have, of course Carl Tartan

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Speaker 3: Flagrant Ones. That's what he's best known for is the

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Speaker 3: basketball podcast that he does with two.

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Speaker 4: Rather handsome devils, and it's at and it's us.

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Speaker 7: And then we have the inimitable uh, the author, the writer,

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Speaker 7: the producer, the sometime performer, mister Julius Sharp Goldie, the

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Speaker 7: man himself.

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Speaker 1: We got him.

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Speaker 8: I feel like, did a keeps twist your arm to

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Speaker 8: have me on? Did they say you've got to have

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Speaker 8: a fucking bald guy on. It's it's time guys.

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Speaker 3: Yeah, I know they said, Yeah, they said, look, if

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Speaker 3: you want to keep the dough ray me rolling in.

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Speaker 4: Yeah, and let's face it keeps.

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Speaker 1: We're actually a neutrifoil podcast now, we are actually part

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Speaker 1: of the nutrifil family. And so yes, they did say

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Speaker 1: get a bald guy on so people can be like,

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Speaker 1: so you know.

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Speaker 3: And then we have to have you back one year

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Speaker 3: from now, and you do have to have hair as

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Speaker 3: a result of neutrifoil.

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Speaker 5: Yeah.

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Speaker 8: I mean, I'm gonna take whatever you guys give to me.

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Speaker 8: I'm just gonna take it without even looking at it.

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Speaker 1: It's we use what they give us. So I think

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Speaker 1: the normal nutrifoil comes in like pill form, but we

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Speaker 1: get it like like a compound from like a compound pharmacy,

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Speaker 1: you know what I mean, like mortar pestl style like

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Speaker 1: it they.

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Speaker 3: Mix it up in the back like yeah, they they

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Speaker 3: hand it to you and it's like it just feels

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Speaker 3: like it's been handled very recently by a person.

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Speaker 5: So it's fresh. It's fresh mets m it is, yeah, And.

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Speaker 1: You open it up and the dust kind of like like.

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Speaker 2: Puffs out a little bit and you're like, did I

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Speaker 2: just take some?

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Speaker 3: It feels like the kind of thing where it's like

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Speaker 3: the pharmacist goes, oh good, this is more like cooking

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Speaker 3: than baking in.

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Speaker 5: Terms of they don't have to measure.

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Speaker 3: They just kind of pinch and feel around and see,

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Speaker 3: like what, you know, what they think would be a

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Speaker 3: good combination. So, you know, sometimes it's great. Sometimes I

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Speaker 3: get pretty sick.

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Speaker 8: Yeah, I mean, the thing about medication is it's kind

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Speaker 8: of a myth that you need to dose it and

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Speaker 8: take a certain amount of a certain time. What you need

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Speaker 8: is just the right amount over the right amount of time,

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Speaker 8: so you can take as much as you want, as

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Speaker 8: long as you.

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Speaker 2: Take less than next dome.

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Speaker 8: They're guessing, and they're obviously extreme caution, right, Yeah, because

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Speaker 8: you go fifty milligrams, you go, well, what if I

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Speaker 8: take fifty one?

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Speaker 6: Is it?

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Speaker 5: What's the difference?

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Speaker 3: A little a little expiram for people at home, it

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Speaker 3: says take two advil, take three.

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Speaker 6: I drank six alcasosa the other day.

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Speaker 3: Yeah, didn't great example, great example, and what happened.

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Speaker 6: Didn't help, did not help.

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Speaker 5: It didn't help, but it didn't hurt.

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Speaker 6: No, that'sn't hurt.

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Speaker 1: The dosage. The dosage on the bottle is for the

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Speaker 1: average man and woman. The average man and woman doesn't exist.

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Speaker 5: No, sorry, there's no there is no normal.

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Speaker 8: Yes, as this feels like a lot to give Betty

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Speaker 8: White in that in Memoriam segment.

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Speaker 1: But if you know, wow, okay with the pails. We've

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Speaker 1: got the pails out, she.

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Speaker 8: Said, we have we have Betty White. It's the last opportunity.

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Speaker 8: It feels like for an in memorium, people are gonna

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Speaker 8: want to see something new, you know. Okay, it's like

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Speaker 8: it's like we know what they did, right, Like that's

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Speaker 8: why we're honoring them. But it's like, now that they're dead,

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Speaker 8: what is our relationship with him?

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Speaker 2: It's something completely different direction?

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Speaker 8: And so what would that look like, right, which is

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Speaker 8: you know, Louis Anderson is now an action hero?

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Speaker 1: Right yeah?

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Speaker 5: Will has these opinions on drugs.

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Speaker 2: Okay, because I was.

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Speaker 3: Immediately thinking, okay, well we should I mean, we should

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Speaker 3: put Gilbert Godfried in the sort of Joey Pants roll.

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Speaker 3: He's like eating the steak, talking about how he knows

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Speaker 3: it's fake. But and then maybe he's, you know, going

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Speaker 3: to do some gross out joke. But what you're saying now,

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Speaker 3: Goldie is I go, there's no reason that he can't

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Speaker 3: be one of the big electric squids that attacks the ship,

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Speaker 3: right right.

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Speaker 8: Yeah, I mean you you you have. This is something

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Speaker 8: I deal with in everything I do. Is you you

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Speaker 8: book a piece of talent, and how can we just

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Speaker 8: you know, blow it out and make people reevaluate everything

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Speaker 8: they know about the talent.

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Speaker 5: And that's let's maximize.

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Speaker 3: The opportunity and like and take a fucking risk, which,

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Speaker 3: by the way, this town has been afraid to do lately.

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Speaker 8: Right, Gilbert doesn't want to be funny. He's sick of that.

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Speaker 8: That's why. That's one of the reasons he died. He

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Speaker 8: was tired of it, like he'd had enough, so he stopped.

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Speaker 8: So it's like to then have him have it back

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Speaker 8: and now we're doing something. It's like, you know, let's

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Speaker 8: let's see him really use his other his other sides

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Speaker 8: of his personality.

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Speaker 3: By the way, Robert Durst is Trinity. Do we like

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Speaker 3: this idea?

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Speaker 6: Now what film are y'all talking about?

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Speaker 1: Uh? Oh, sorry, So this is so you're familiar with

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Speaker 1: twentieth century Fox. I know that this is a different studio,

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Speaker 1: the different studio entirely. This is a different study called

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Speaker 1: Warner Brothers, and they made a film called The Matrix.

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Speaker 1: He was released in nineteen ninety nine. Yeah, and so

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Speaker 1: that's what I mean.

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Speaker 3: Like.

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Speaker 1: Taking you back to do we have to keep this

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Speaker 1: in mind? I mean, Carl why two K? So I

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Speaker 1: don't know Huh Carl re said it white two K.

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Speaker 1: I mean.

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Speaker 2: Yeah, yeah, So.

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Speaker 1: Like I don't know if we need to we can

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Speaker 1: segue out. I mean, like I can. I'm coming to

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Speaker 1: the fact that the Oscar has already happened anyway, Like

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Speaker 1: I haven't really been letting myself acknowledge that.

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Speaker 5: Yeah.

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Speaker 3: Yeah, but I'm just saying, like the other thing is

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Speaker 3: if Carl doesn't know the movie, and this is the

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Speaker 3: whole thing, is that we kind of have been hired

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Speaker 3: to try to help the Academy court this this audience,

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Speaker 3: these young, oh new movie lovers. Col what's the movie

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Speaker 3: you would want to see dead celebrities animated into uh

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Speaker 3: doing sort of like little jokes, possibly not to their

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Speaker 3: career which Hayes was working on, or possibly something totally

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Speaker 3: unfamiliar and kind of against their personal brand. Uh. Is

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Speaker 3: there a movie that you connect to that's more current,

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Speaker 3: more young.

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Speaker 6: Let me think, Let me think Valentine's Day?

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Speaker 9: Oh wow, okay, okay, all right, Valentine, you know what.

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Speaker 9: You know what more Parky is spilled backwards crap room?

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Speaker 6: Is that from the movie Valentine's Day? Yeah?

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Speaker 5: Okay, yeah, ship? I mean Range Hatch.

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Speaker 1: Could say that, what's the context of that? See, just

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Speaker 1: like who are the characters in it?

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Speaker 2: Like, what's what is?

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Speaker 6: Knock your socks?

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Speaker 3: All?

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Speaker 5: This is good?

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Speaker 6: This is going to knock your socks.

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Speaker 9: It was an old man driving with his grandson and

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Speaker 9: he tells his grandson this joke. It's like an inappropriate

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Speaker 9: joke to tell a child.

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Speaker 8: Well, how about he tells it and the grandson could

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Speaker 8: be Norm McDonald.

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Speaker 2: Okay, yeah, uh that could be nice.

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Speaker 5: You could go.

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Speaker 3: This is and and Hayes, I noticed here we are

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Speaker 3: we're cooking, we're getting this stuff. Yeah, and you're are

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Speaker 3: you having a stroke? Are you feeling when coming on?

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Speaker 1: No, that's that's interesting. I wonder why? Uh, well, like

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Speaker 1: what it is about this? Like doing it in like

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Speaker 1: the writer's room space, Like maybe that's what it is.

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Speaker 2: Maybe it's time for me to just get back to TV.

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Speaker 5: Community.

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Speaker 2: TV saved my life so many times. What's one more time?

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Speaker 1: You know what I mean?

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Speaker 5: Yeah?

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Speaker 8: I was raised by freebe mm hmm. It's a really

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Speaker 8: good time to be in TV too.

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Speaker 5: Yeah.

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Speaker 3: No, it's on the upswing. I mean all you know,

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Speaker 3: all the TV companies are doing good.

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Speaker 8: Yeah, so what they want to do is they're doing

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Speaker 8: so well they want to do less of everything because

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Speaker 8: it's like.

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Speaker 5: You know, when you're you know how like when you're.

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Speaker 8: At a party and you've said a lot of funny things,

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Speaker 8: your instinct isn't let me stay and say more fun

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Speaker 8: you go, I'm winning, I'm leaving, and then everyone.

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Speaker 5: Yeah, and I think that's what we'll spoil it.

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Speaker 8: That's what's going on in in a larger sense with

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Speaker 8: all the media companies. They're going like we have everyone laughing,

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Speaker 8: we have everyone clapping, let's get the fuck out of here.

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Speaker 1: M hm. Except for you know, like Netflix sucks. For Netflix.

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Speaker 1: Netflix took a freaking nosedive.

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Speaker 4: Okay, felt through tinsels out.

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Speaker 5: I mean, you know, let's face it, there was a

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Speaker 5: perhaps a.

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Speaker 3: Mite bit of hubris involved.

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Speaker 4: And I just like, you know, obviously for Netflix, I

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Speaker 4: love Netflix.

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Speaker 1: The market share issue, of course, is only going to

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Speaker 1: affect them that like new streaming platforms get like at

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Speaker 1: it all the time, but like it's just only Netflix

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Speaker 1: is the one that is gonna be.

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Speaker 3: It was really thrilling for all of the other companies

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Speaker 3: to hear that to date, the biggest, most successful company

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Speaker 3: lost like two hundred dollars in a day.

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Speaker 4: They said, oh, this is good for us.

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Speaker 3: Which the tracks for me that it's not that the

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Speaker 3: model itself might be ultimately unsustainable, it's just that this

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Speaker 3: one place had screwed up.

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Speaker 8: I felt bad for them, and I I actually because

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Speaker 8: you know, one of the things was they said, too

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Speaker 8: many people are sharing passwords. So I called my mom

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Speaker 8: and I told her, get your own fucking account.

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Speaker 5: Get the fuck up.

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Speaker 8: Yeah, Like, see what, see what we're doing to this company, Mom, Like,

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Speaker 8: I can't, just in good conscience continue to give you

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Speaker 8: my password When they're canceling Megan Markle's cartoons.

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Speaker 3: These people, these are people with jobs.

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Speaker 8: These are Prince Mary and me are trying their They

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Speaker 8: moved here to do TV. They left a good situation

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Speaker 8: to give us, like these great cartoons that they have

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Speaker 8: ideas for.

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Speaker 6: They had made.

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Speaker 3: Imagine if when they were, you know, uh, closing the

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Speaker 3: Detroit auto plants and and you know, thousands upon thousands

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Speaker 3: of Americans were heading to the unemployment lines. It was

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Speaker 3: as simple as literally just calling your mom and being like, yeah,

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Speaker 3: free rides over, motherfucker.

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Speaker 5: Yeah, get your own car.

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Speaker 8: I'm not driving you to your appointments because look at

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Speaker 8: these people.

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Speaker 5: They're suffering.

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Speaker 1: And your mom's just like her bandwidth absorption when she

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Speaker 1: watchest I mean, she she just she watches Netflix so hard.

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Speaker 5: She watches it too hard. She watches it too hard.

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Speaker 1: I can tell when she is. When I'm trying to

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Speaker 1: watch it, it starts to like.

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Speaker 5: Yeah, I suddenly am watching it.

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Speaker 2: Because of her rig. It's that rig, she said.

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Speaker 3: Up. It's way more pixelated because she's sucking up so

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Speaker 3: much of the power from the Netflix mainframe.

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Speaker 8: And when when she does that, you know, when it

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Speaker 8: does pixelate like that, things that I think aren't cakes

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Speaker 8: can start to look like cakes.

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Speaker 1: Yeah.

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Speaker 8: And as I'm trying to stay ahead of the show

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Speaker 8: and guess I'm then guessing wrong. You know, my wife

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Speaker 8: hears it, I look stupid.

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Speaker 3: I'm It's such an enormous disadvantage to begin with, because

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Speaker 3: I don't know, you know, from my life. You know,

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Speaker 3: I have a pretty small inner circle. I don't necessarily

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Speaker 3: expose myself to what cakes or a lot of common

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Speaker 3: household items look like traditionally, so right there, it's like

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Speaker 3: I'm playing from from behind, and then when I don't

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Speaker 3: have the four K resolution when I'm watching it in

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Speaker 3: traditional HD.

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Speaker 5: Yeah, I might as well.

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Speaker 3: Jump off the fucking Empire State build to get explode

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Speaker 3: on the sidewalk if that's what I'm gonna do, you know,

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Speaker 3: I mean, that's basically what I'm working with.

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Speaker 8: So to show it definitely unfairly favors people who know

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Speaker 8: more objects.

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Speaker 5: Oh my god.

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Speaker 1: Yeah, when you're seeing when you're shot, you're seeing a

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Speaker 1: toaster in cake or non cake forum for the first time.

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Speaker 5: Mm hmm, it's like.

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Speaker 3: Okay, well, yeah, all these little nuances that I'm just

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Speaker 3: not going to be able to appreciate. Even when they

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Speaker 3: cut it open, I go like, okay, is it supposed

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Speaker 3: to do that?

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Speaker 9: Well, this is why critical race theory is important. This

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Speaker 9: is why critical race theory is important. This is basically

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Speaker 9: this standardized testing is the same like, this is the

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Speaker 9: standardized testing of cake identification.

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Speaker 6: Yes, you're not. Everybody has seen the same things, but

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Speaker 6: this is.

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Speaker 5: The first time I've understood any of this.

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Speaker 6: Yeah.

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Speaker 3: Yeah, it's completely biased towards this one dominant group of people.

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Speaker 5: Yes, who have all.

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Speaker 3: These objects in their house. It's like, that's not that's

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Speaker 3: not my lived experience. So I'm worthless. I don't get

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Speaker 3: a TV show, right, or I'm a stupid I'm an asshole, right,

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Speaker 3: I fucking suck. I'm a stupid asshole because I thought

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Speaker 3: because I'm.

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Speaker 8: Warm, when they cut it open and ate it, I

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Speaker 8: just thought I didn't know what what cakes looked like.

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Speaker 8: Like they start bringing stuff out and I go, I've

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Speaker 8: only seen cakes look like cakes. So I'm waiting for

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Speaker 8: if that a cake to look like a cake and.

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Speaker 5: It is gonna do what that.

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Speaker 1: Was a food thing?

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Speaker 5: So how am I when they cut it up and

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Speaker 5: started eating it? How am I supposed to go like, Okay,

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Speaker 5: this is a total red flag.

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Speaker 3: This is a cake. It's like, well, you said it

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Speaker 3: was for food, like you.

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Speaker 5: You said that? And the Glee, the Glee.

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Speaker 8: Then they have oh my, oh you you look at

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Speaker 8: him he didn't know.

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Speaker 1: Yeah, yeah, yeah, the smirk on Mike Day's face, Michael Day, Michael.

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Speaker 4: Day, Michael Day, good night, Michael.

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Speaker 6: Day, Michael Day. Damn.

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00:18:47,200 --> 00:18:52,919
Speaker 1: It's that's a great segue. And the other thing, I mean,

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Speaker 1: we're talking about the business, we're talking.

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Speaker 5: About is he Mike, Mike, he's not cake right. Well that's.

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Speaker 2: Mm hmm, you know the good.

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00:19:02,119 --> 00:19:05,840
Speaker 5: On that, right, and the like the whole world's a cake.

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Speaker 3: And by the way, if he's a cake, saved me

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00:19:09,800 --> 00:19:12,800
Speaker 3: a slice, I'll.

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Speaker 5: Think I'll bring my own FOURK.

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Speaker 4: You know, I can figure out what it looks like

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Speaker 4: among it.

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Speaker 3: Just this drawer just nonsense to me, just these random

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Speaker 3: like I didn't know if I'm looking at the right

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Speaker 3: drawer do I write with this?

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Speaker 8: What do I do when you go to bed after

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Speaker 8: you watch it? Like sometimes I don't know what his

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Speaker 8: cake and what isn't you know? So I'm pulling on

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Speaker 8: a blanket and I'm I'm putting in my mouth not

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Speaker 8: not cake right, And then I.

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Speaker 3: Go to tryumph I light a handful of frosting. So

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Speaker 3: it's like, what the fuck, what's going on? I don't

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Speaker 3: I just see like it's like I guess it's like

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00:19:57,680 --> 00:20:00,560
Speaker 3: a whatever. It's like a fun, whimsical idea for a show,

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00:20:00,600 --> 00:20:01,600
Speaker 3: but it's hurting people.

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00:20:03,119 --> 00:20:04,640
Speaker 5: Yeah, And I mean this is the type.

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Speaker 8: This is the reason why their stock is crashing, Like

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Speaker 8: no one knows what's happening.

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00:20:09,400 --> 00:20:10,000
Speaker 1: Yeah, it's an.

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00:20:09,920 --> 00:20:13,639
Speaker 3: Assault, it's an assault on typical Americans who aren't like

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00:20:14,160 --> 00:20:17,879
Speaker 3: object obsessed materialistics.

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Speaker 8: I'm sorry, I'm not from a big city, so I

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00:20:20,040 --> 00:20:23,280
Speaker 8: don't I didn't know that wasn't cake because you know,

390
00:20:23,720 --> 00:20:26,320
Speaker 8: my dad like had worked.

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00:20:26,840 --> 00:20:30,520
Speaker 3: Yeah, but fuck me right, I'm a fucking rude. You

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00:20:30,600 --> 00:20:31,240
Speaker 3: know that's good.

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00:20:31,280 --> 00:20:33,119
Speaker 5: You know you got me. You got me.

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00:20:33,880 --> 00:20:37,320
Speaker 3: It's the definition of punching down. Yeah, but we are

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00:20:37,359 --> 00:20:39,639
Speaker 3: talking about the industry. Heyes, you were segueing into something.

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00:20:41,080 --> 00:20:44,480
Speaker 2: I mean, I Goldie, you were mentioning earlier.

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Speaker 1: You're talking about like everything you do in the business,

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00:20:48,200 --> 00:20:52,040
Speaker 1: which is family guy. You like you you're right for

399
00:20:52,160 --> 00:20:57,840
Speaker 1: family guy, Like, that's that's that's what you do. Sure,

400
00:20:57,520 --> 00:21:02,560
Speaker 1: we have Carl here is the world's number one family

401
00:21:02,560 --> 00:21:12,320
Speaker 1: guy expert. Yep, the doctor of this. Knowing this show,

402
00:21:14,000 --> 00:21:15,760
Speaker 1: we have been talking for a long time. It's time

403
00:21:15,800 --> 00:21:19,040
Speaker 1: to like advance this show to the next phase. Like

404
00:21:19,119 --> 00:21:22,200
Speaker 1: it's been spun off in a number of like pretty

405
00:21:22,280 --> 00:21:30,000
Speaker 1: unsuccessful ways. We have been talking to various people at

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00:21:30,040 --> 00:21:36,240
Speaker 1: the network about like how to take this forward in

407
00:21:37,440 --> 00:21:44,600
Speaker 1: an important way, and what we have from our conversations

408
00:21:44,640 --> 00:21:47,800
Speaker 1: with them, what we've kind of settled on is family Girl.

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00:21:49,400 --> 00:21:55,680
Speaker 5: Wow. Let that sink in. Wow, pretty revolutionary call.

410
00:21:55,760 --> 00:21:57,880
Speaker 4: You're a fan of the show. I mean, does that get.

411
00:21:57,680 --> 00:22:01,960
Speaker 9: You honestly helped? Has the doctor of the show. All

412
00:22:02,000 --> 00:22:04,960
Speaker 9: I have to say is scalple.

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00:22:05,640 --> 00:22:06,840
Speaker 1: And I mean, you're gonna cut it.

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00:22:06,920 --> 00:22:08,840
Speaker 9: I'm gonna cut it open and see if his cake

415
00:22:09,400 --> 00:22:12,920
Speaker 9: and I'm an and I'm an with a big old

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00:22:12,960 --> 00:22:14,000
Speaker 9: glass of whole milk.

417
00:22:14,880 --> 00:22:18,080
Speaker 5: Well, I wasn't aware you were a surgeon.

418
00:22:18,119 --> 00:22:18,320
Speaker 3: You know.

419
00:22:18,400 --> 00:22:23,679
Speaker 4: I thought you had a PhD. Peter Paja's degree because

420
00:22:23,720 --> 00:22:24,520
Speaker 4: Peter Griffin.

421
00:22:25,119 --> 00:22:27,560
Speaker 6: Oh yeah, I know, No, of course you do.

422
00:22:27,640 --> 00:22:28,440
Speaker 5: You got the PhD.

423
00:22:28,600 --> 00:22:29,480
Speaker 6: I got the PhD.

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00:22:31,040 --> 00:22:33,800
Speaker 1: So we talked to the network day. They don't want

425
00:22:33,840 --> 00:22:36,880
Speaker 1: to lean into the gender stuff like too hard.

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Speaker 3: No, they want they love the title family Yes, family Gal.

427
00:22:41,520 --> 00:22:44,160
Speaker 3: We got back and forth Family Gal could work family goal.

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00:22:44,240 --> 00:22:47,440
Speaker 1: Oh yeah, we're talking about family girl. Well, like they

429
00:22:47,600 --> 00:22:52,000
Speaker 1: like the idea of uh saying, gal us old fashioned

430
00:22:52,480 --> 00:22:55,639
Speaker 1: galleys instead of values in the theme.

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00:22:57,160 --> 00:23:00,199
Speaker 8: So because galleys is are you saying that's a new

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00:23:00,280 --> 00:23:02,680
Speaker 8: concept but there are still old fashioned ones?

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00:23:05,080 --> 00:23:07,199
Speaker 1: Where is good old fact? I mean it's just changing

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00:23:07,320 --> 00:23:10,520
Speaker 1: values to Galley. I'm not saying anything except like instead

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00:23:10,560 --> 00:23:11,960
Speaker 1: of values that's that's.

436
00:23:11,840 --> 00:23:14,080
Speaker 3: Still on the table, Like we can define that later,

437
00:23:14,240 --> 00:23:16,960
Speaker 3: but we definitely we have the word galues, and it

438
00:23:17,000 --> 00:23:18,760
Speaker 3: seems a shame to just leave it.

439
00:23:19,480 --> 00:23:23,080
Speaker 5: Yeah, and values are our girl values, then they're not

440
00:23:23,760 --> 00:23:25,480
Speaker 5: as distinct from the value.

441
00:23:25,760 --> 00:23:29,800
Speaker 10: Again, I can't necessarily answer like every single question that

442
00:23:29,960 --> 00:23:33,399
Speaker 10: we don't know you right, because yes, what we have

443
00:23:33,560 --> 00:23:36,639
Speaker 10: is the word values, and I hesitate to define it

444
00:23:36,720 --> 00:23:37,520
Speaker 10: before we have.

445
00:23:37,560 --> 00:23:40,080
Speaker 8: Even like it feels like more of a hashtag than

446
00:23:40,119 --> 00:23:43,840
Speaker 8: a word, but I sure, I mean it like, maybe

447
00:23:43,880 --> 00:23:48,040
Speaker 8: should wear those hashtag galues rather than old.

448
00:23:47,760 --> 00:23:51,320
Speaker 1: Fashioned value hashed old hashtag galleues.

449
00:23:52,240 --> 00:23:56,720
Speaker 3: A lot of the a lot of the biggest hashtags

450
00:23:56,720 --> 00:23:59,960
Speaker 3: in history are comprised of words.

451
00:24:00,920 --> 00:24:02,720
Speaker 5: So something to keep in mind.

452
00:24:03,040 --> 00:24:06,919
Speaker 3: You know, let's not limit it, but the hashtag values.

453
00:24:07,040 --> 00:24:08,800
Speaker 3: I I love that.

454
00:24:08,800 --> 00:24:12,720
Speaker 8: That's I mean, I'm still tweeting with your wedding hashtag

455
00:24:13,840 --> 00:24:14,600
Speaker 8: clem Chowder.

456
00:24:16,119 --> 00:24:18,879
Speaker 1: Yeah really, I mean her last name is Chowder.

457
00:24:19,359 --> 00:24:21,440
Speaker 3: Yeah, I mean if it works right there, it felt

458
00:24:21,440 --> 00:24:24,520
Speaker 3: like if we didn't do it, you know, I mean,

459
00:24:24,560 --> 00:24:27,640
Speaker 3: here I am marrying.

460
00:24:29,480 --> 00:24:30,160
Speaker 5: Miss Chowder.

461
00:24:31,720 --> 00:24:34,240
Speaker 8: I mean it's like a Leno joke, you know, He's like, hey,

462
00:24:34,640 --> 00:24:37,880
Speaker 8: look at this, Sean Clemens is marrying Grace Chowder.

463
00:24:38,400 --> 00:24:40,200
Speaker 5: You're gonna have the Clem Chowder wedding.

464
00:24:41,119 --> 00:24:47,679
Speaker 3: M Yeah, through it's exactly like a Lena It's like

465
00:24:47,880 --> 00:24:50,119
Speaker 3: just like a textbooks.

466
00:24:49,560 --> 00:24:52,280
Speaker 5: A perfect Yeah, it's a perfect joke.

467
00:24:53,119 --> 00:24:56,400
Speaker 3: And if it's good enough for Jay, yeah, it's gonna

468
00:24:56,400 --> 00:24:57,879
Speaker 3: be good enough for me at my wedding.

469
00:25:03,520 --> 00:25:05,320
Speaker 1: So we've got gallees and I think it's fun to

470
00:25:05,400 --> 00:25:08,040
Speaker 1: we've got galleus so people can engage with that.

471
00:25:08,920 --> 00:25:09,919
Speaker 5: Yeah, we have that.

472
00:25:10,000 --> 00:25:14,440
Speaker 1: She is a sprinter, competitive sprinter.

473
00:25:14,880 --> 00:25:16,200
Speaker 5: She is the White List.

474
00:25:16,200 --> 00:25:18,480
Speaker 8: So this is the Peter is now being replaced by

475
00:25:18,480 --> 00:25:19,919
Speaker 8: the person you're talking about.

476
00:25:20,400 --> 00:25:22,560
Speaker 5: Or do we not know that yet.

477
00:25:23,000 --> 00:25:26,560
Speaker 1: Peter's role in this, I think is I'd love to

478
00:25:26,600 --> 00:25:28,639
Speaker 1: have him kiss us in and sort of have his

479
00:25:28,760 --> 00:25:31,040
Speaker 1: blessing at least in the pilot.

480
00:25:30,640 --> 00:25:33,520
Speaker 3: Where he can he can make it kind of an

481
00:25:33,560 --> 00:25:37,280
Speaker 3: easy hand off, So Peter would ideally be giving the

482
00:25:37,280 --> 00:25:38,800
Speaker 3: baton to family gal.

483
00:25:39,800 --> 00:25:43,199
Speaker 8: Right, is this a back door pilot, a front door pilot,

484
00:25:43,200 --> 00:25:44,159
Speaker 8: a side door pilot?

485
00:25:44,240 --> 00:25:46,440
Speaker 5: We going down the chimney with this, Like, how.

486
00:25:46,160 --> 00:25:49,800
Speaker 1: Are we doing? This is the storm drain?

487
00:25:51,160 --> 00:25:53,840
Speaker 6: Okay, pilot up the septic tank.

488
00:25:54,240 --> 00:25:56,520
Speaker 4: We're tunneling our way in through the sewer system.

489
00:25:56,600 --> 00:26:02,120
Speaker 5: Yes, yeah, okay, I think that's smart. Yeah.

490
00:26:02,520 --> 00:26:05,520
Speaker 3: Uh you know that's and that's where a lot of

491
00:26:05,520 --> 00:26:07,919
Speaker 3: the humor lives, right, I mean, you know, just to

492
00:26:07,960 --> 00:26:10,919
Speaker 3: say it, we're not afraid of toilet humor.

493
00:26:11,480 --> 00:26:16,280
Speaker 8: Although I don't know bodies galues are as you know

494
00:26:16,800 --> 00:26:19,760
Speaker 8: body by toilet humor, I hate.

495
00:26:19,520 --> 00:26:22,560
Speaker 4: To define that. And by the way, I think that galues.

496
00:26:22,119 --> 00:26:28,320
Speaker 3: Could be absolutely disgusting, uh poop and p jokes, like

497
00:26:28,480 --> 00:26:29,560
Speaker 3: there's no reasons.

498
00:26:30,000 --> 00:26:32,720
Speaker 1: Absolutely yes, And I don't want to fixate on the

499
00:26:32,760 --> 00:26:35,520
Speaker 1: galu thing just because that's one of the only things

500
00:26:35,520 --> 00:26:38,960
Speaker 1: that we have, Like I like, I don't think we

501
00:26:39,119 --> 00:26:42,600
Speaker 1: need to even like discuss that any further. Honestly, it

502
00:26:42,680 --> 00:26:44,320
Speaker 1: was just like if.

503
00:26:44,160 --> 00:26:47,520
Speaker 8: She's a sprinter, I just you know it, she's a sprinter.

504
00:26:47,600 --> 00:26:52,879
Speaker 1: Because so when one of the conversations around this, we

505
00:26:52,880 --> 00:26:55,560
Speaker 1: were talking about her being a zoomer, and I think

506
00:26:55,640 --> 00:26:58,679
Speaker 1: Gabey sort of thought that meant that she like zooms

507
00:26:58,720 --> 00:27:03,000
Speaker 1: around really fast. Gabey is of course not at Fox anymore.

508
00:27:03,359 --> 00:27:06,119
Speaker 5: But like that he's at Warner Brothers.

509
00:27:06,160 --> 00:27:10,400
Speaker 1: Really yeah, but like that has kind of stuck with

510
00:27:11,080 --> 00:27:15,000
Speaker 1: the project. I almost forgot that like that was the origin.

511
00:27:15,680 --> 00:27:17,760
Speaker 1: But he started kind of zooming around the room.

512
00:27:18,720 --> 00:27:21,240
Speaker 5: She's got the zoom he's like a consumer.

513
00:27:21,400 --> 00:27:22,600
Speaker 4: And then it was like, you.

514
00:27:22,560 --> 00:27:25,600
Speaker 6: Know, you just mentioned somebody's brother. What was that.

515
00:27:26,560 --> 00:27:30,160
Speaker 3: I'm so sorry, Carl. So the same studio that made

516
00:27:30,800 --> 00:27:35,000
Speaker 3: the Matrix films, which we moved away from the better choice.

517
00:27:35,280 --> 00:27:36,400
Speaker 5: They also.

518
00:27:37,920 --> 00:27:40,800
Speaker 4: They continue to produce content to this day.

519
00:27:41,720 --> 00:27:44,840
Speaker 5: Uh and they and.

520
00:27:44,800 --> 00:27:47,639
Speaker 3: They have this whole lot where they do it and

521
00:27:47,800 --> 00:27:48,800
Speaker 3: the valley.

522
00:27:48,600 --> 00:27:50,080
Speaker 4: And it's and it's called.

523
00:27:51,600 --> 00:27:57,359
Speaker 3: And that's and that's where Gabey works now under Ban

524
00:27:57,560 --> 00:28:01,920
Speaker 3: Shingle and so you know his and which, by the way,

525
00:28:02,640 --> 00:28:04,240
Speaker 3: they're not doing too shabby. I don't think it's a

526
00:28:04,280 --> 00:28:07,200
Speaker 3: bad idea to keep this zoomer idea that they had

527
00:28:07,280 --> 00:28:10,399
Speaker 3: to make her a sprinter. You know, you could do

528
00:28:10,400 --> 00:28:11,040
Speaker 3: a lot worse.

529
00:28:13,080 --> 00:28:14,680
Speaker 1: And so, I mean it's just like kind of the

530
00:28:14,720 --> 00:28:18,000
Speaker 1: memory of that special moment in the you know, when

531
00:28:18,080 --> 00:28:23,560
Speaker 1: like you you pitch something so effective that the executives

532
00:28:23,600 --> 00:28:28,600
Speaker 1: all are like shipping around. Maccos gets up that starts

533
00:28:28,720 --> 00:28:32,560
Speaker 1: chasing Debay. I mean I guess she's, yeah, she gets there.

534
00:28:32,720 --> 00:28:35,120
Speaker 3: No, she's and she's and she's working at Warner brothers

535
00:28:35,160 --> 00:28:35,440
Speaker 3: as well.

536
00:28:36,080 --> 00:28:36,399
Speaker 6: Max.

537
00:28:36,800 --> 00:28:40,120
Speaker 3: So but yeah, she was like, I'm family girl, you know,

538
00:28:40,240 --> 00:28:43,960
Speaker 3: and she's sprinting and she's zooming, and like everyone got

539
00:28:44,040 --> 00:28:46,560
Speaker 3: so into it that it's like when you get a

540
00:28:46,600 --> 00:28:50,000
Speaker 3: group of people that excited, we're a little jaded from

541
00:28:50,200 --> 00:28:53,840
Speaker 3: hearing a lot of ideas, you go, Okay, we're onto

542
00:28:53,840 --> 00:28:55,600
Speaker 3: something and that's going to translate.

543
00:28:56,160 --> 00:28:58,560
Speaker 5: So she runs everywhere.

544
00:28:59,040 --> 00:29:02,000
Speaker 8: The sprinting is a really good entree into our what

545
00:29:02,120 --> 00:29:04,120
Speaker 8: our bread and butter? These poop and p jokes, because

546
00:29:04,280 --> 00:29:06,840
Speaker 8: you know these runners, they poop and pee themselves all

547
00:29:06,880 --> 00:29:07,240
Speaker 8: the time.

548
00:29:07,680 --> 00:29:14,800
Speaker 1: They entree and bread and butter. Yeah, and poop and p.

549
00:29:15,000 --> 00:29:19,040
Speaker 1: I mean it's just like three different parts of the meal,

550
00:29:19,920 --> 00:29:22,000
Speaker 1: you like, ch in terms of food.

551
00:29:22,160 --> 00:29:25,719
Speaker 8: Yeah, And I'm kind of stay thematically in something.

552
00:29:26,160 --> 00:29:27,760
Speaker 5: Is this something? Is this something?

553
00:29:27,840 --> 00:29:31,040
Speaker 3: I don't know what, like restaurant family guy goes to.

554
00:29:31,240 --> 00:29:34,360
Speaker 3: But this got me thinking, Shooter is the entree. The

555
00:29:34,440 --> 00:29:38,959
Speaker 3: giant A meal is so big that if you finish it,

556
00:29:38,960 --> 00:29:40,000
Speaker 3: it's free.

557
00:29:41,320 --> 00:29:43,200
Speaker 6: Right ww eats.

558
00:29:44,760 --> 00:29:45,960
Speaker 5: W w.

559
00:29:52,560 --> 00:29:57,680
Speaker 3: Okay, yeah, yes.

560
00:29:59,760 --> 00:30:02,000
Speaker 1: They Bob's ever Bob's never did that.

561
00:30:03,160 --> 00:30:08,120
Speaker 3: Andre the giant, Yeah, I'd have to check. It's I'm

562
00:30:08,200 --> 00:30:11,440
Speaker 3: due for rewatch anyway. Okay, so it doesn't have to

563
00:30:11,480 --> 00:30:14,360
Speaker 3: be a burg it could be chicken. I don't think

564
00:30:14,400 --> 00:30:16,280
Speaker 3: they do chicken on that show, do they?

565
00:30:16,480 --> 00:30:17,000
Speaker 1: Okay?

566
00:30:17,240 --> 00:30:19,920
Speaker 3: No, but yeah, yeah, So if it was the same wording,

567
00:30:19,920 --> 00:30:21,680
Speaker 3: even if they've done that plan words, but it was

568
00:30:21,680 --> 00:30:23,120
Speaker 3: a burger and we're making it chicken.

569
00:30:23,280 --> 00:30:24,400
Speaker 4: I really think they have.

570
00:30:24,600 --> 00:30:30,920
Speaker 1: We could kind of incorporate both Bob's Burgers, Family Girls Chicken.

571
00:30:32,200 --> 00:30:36,280
Speaker 5: So you're saying he would run att Yeah she could, Yeah,

572
00:30:36,280 --> 00:30:38,760
Speaker 5: she could, and she could really run a restaurant with

573
00:30:38,840 --> 00:30:44,040
Speaker 5: likes she's oh my god, zooming around when she runs

574
00:30:44,040 --> 00:30:44,720
Speaker 5: a restaurant.

575
00:30:44,840 --> 00:30:51,560
Speaker 1: Yes, yes, yes, fine, I mean I thought I ordered

576
00:30:51,600 --> 00:30:53,200
Speaker 1: fast food. I didn't know you were going to be

577
00:30:53,320 --> 00:30:54,240
Speaker 1: running so fast.

578
00:30:54,920 --> 00:30:56,280
Speaker 5: Oh yeah, god, that's that.

579
00:30:56,520 --> 00:30:58,600
Speaker 3: I mean if Connor Welch was here, he'd be standing

580
00:30:58,640 --> 00:30:59,480
Speaker 3: up running around.

581
00:30:59,600 --> 00:31:03,320
Speaker 4: Yeah, I mean yeah, yeah.

582
00:31:03,560 --> 00:31:07,360
Speaker 8: You know, in our in our deck, we could when

583
00:31:07,480 --> 00:31:10,800
Speaker 8: when we said that sentence, we could click over to

584
00:31:10,880 --> 00:31:16,719
Speaker 8: a photo of Usain Bold. Wow, right, I mean just

585
00:31:17,040 --> 00:31:20,560
Speaker 8: running in there right, just to bring it to life.

586
00:31:20,760 --> 00:31:23,800
Speaker 8: That energy that that's I mean, that's going to permeate

587
00:31:23,840 --> 00:31:27,480
Speaker 8: the show. The show is a sprint to humor.

588
00:31:27,920 --> 00:31:30,240
Speaker 5: It's a comedy sprint. It's a comedy sprint, you know,

589
00:31:30,280 --> 00:31:31,719
Speaker 5: it's not It's not slow.

590
00:31:32,120 --> 00:31:34,200
Speaker 3: That's That's part of what I love about what you

591
00:31:34,240 --> 00:31:35,880
Speaker 3: guys do and what I do think we want to

592
00:31:35,880 --> 00:31:38,760
Speaker 3: maintain is you do jokes.

593
00:31:38,840 --> 00:31:39,680
Speaker 4: You tell jokes.

594
00:31:39,720 --> 00:31:43,640
Speaker 8: It's not these long scenes like well, too often in

595
00:31:43,680 --> 00:31:46,680
Speaker 8: life you take the time to enjoy things when in

596
00:31:46,760 --> 00:31:49,600
Speaker 8: reality you should just be sprinting through them.

597
00:31:49,680 --> 00:31:52,959
Speaker 5: Yes, it's not worth it most of the time. Just

598
00:31:53,000 --> 00:31:55,720
Speaker 5: sprint through it. Get to what's next? What's next, what's next?

599
00:31:55,840 --> 00:31:56,520
Speaker 5: What's hot?

600
00:31:56,920 --> 00:31:57,120
Speaker 1: Right?

601
00:31:57,200 --> 00:31:59,440
Speaker 5: What's what's the Give me more TikTok?

602
00:31:59,600 --> 00:32:04,080
Speaker 1: I mean more more More's Family Guy is different, always

603
00:32:04,160 --> 00:32:08,000
Speaker 1: asking the franchise is always asking the question what is hot?

604
00:32:08,800 --> 00:32:13,760
Speaker 1: When I wrote a parody of Iron Chef in twenty fourteen,

605
00:32:15,240 --> 00:32:17,520
Speaker 1: we were so ahead of the curve. I was scared

606
00:32:17,600 --> 00:32:20,200
Speaker 1: at the time when I was working on the show.

607
00:32:20,240 --> 00:32:21,320
Speaker 5: Anyone gonna get this?

608
00:32:22,840 --> 00:32:26,120
Speaker 3: Well you see what happened? Yeah, they get it now,

609
00:32:26,920 --> 00:32:28,640
Speaker 3: And every time they turn on Iron.

610
00:32:28,480 --> 00:32:30,160
Speaker 4: Chef they go, Family Guy.

611
00:32:30,080 --> 00:32:31,080
Speaker 5: Taught me about this show.

612
00:32:31,360 --> 00:32:33,240
Speaker 1: Thanks you Wow? Too bad?

613
00:32:33,320 --> 00:32:34,080
Speaker 5: That show's long?

614
00:32:34,280 --> 00:32:37,800
Speaker 1: Gong? Was there a gong on the show? You better hope?

615
00:32:37,880 --> 00:32:40,480
Speaker 1: So I think there was all right, I'm just saying,

616
00:32:40,560 --> 00:32:41,520
Speaker 1: you better hope there was.

617
00:32:42,080 --> 00:32:42,800
Speaker 5: I mean if not.

618
00:32:43,440 --> 00:32:46,760
Speaker 8: If if not, I'll just pack my things.

619
00:32:48,480 --> 00:32:51,920
Speaker 1: Carl, what do you want to see and turn as

620
00:32:52,000 --> 00:32:57,280
Speaker 1: a fan of the franchise? You want to see what?

621
00:32:58,160 --> 00:32:59,960
Speaker 6: No, I'm just saying I have as the doctor.

622
00:33:00,880 --> 00:33:05,479
Speaker 1: You're saying, Okay, what do you want to see about

623
00:33:06,400 --> 00:33:08,200
Speaker 1: the show? What do you want to see her doing?

624
00:33:08,640 --> 00:33:11,160
Speaker 1: What like traditions do you want to see continue? What

625
00:33:11,240 --> 00:33:15,240
Speaker 1: do you want to see held over from the old series?

626
00:33:15,840 --> 00:33:17,240
Speaker 1: What do you want to see replaced?

627
00:33:17,800 --> 00:33:18,880
Speaker 5: What's Stewie's role?

628
00:33:19,440 --> 00:33:23,840
Speaker 1: Mm hmmm, So we don't like with Stuwie.

629
00:33:24,320 --> 00:33:29,720
Speaker 9: Stewie's here, he's an adult now, okay, wow, and he's working.

630
00:33:30,440 --> 00:33:34,280
Speaker 6: What I want to continue is the brewery.

631
00:33:35,400 --> 00:33:37,000
Speaker 1: Okay, you can change that.

632
00:33:37,400 --> 00:33:40,280
Speaker 9: We can change the name of the brewery. Okay, let's

633
00:33:40,360 --> 00:33:46,480
Speaker 9: change the name. Oh oh, that's the restaurant too, that's

634
00:33:46,520 --> 00:33:46,920
Speaker 9: the brewery.

635
00:33:50,080 --> 00:33:51,600
Speaker 4: I've seen him sit at a table in there.

636
00:33:52,040 --> 00:33:55,680
Speaker 6: Okay, so w W Stuwie is work works here in

637
00:33:55,800 --> 00:33:56,400
Speaker 6: the call center.

638
00:33:56,480 --> 00:33:59,280
Speaker 1: I don't think they have ever sat at the table. No,

639
00:34:00,280 --> 00:34:02,800
Speaker 1: there may be a desk, yeah, I think, yeah, there's

640
00:34:02,840 --> 00:34:04,480
Speaker 1: the best. That's the table, sit.

641
00:34:04,440 --> 00:34:05,040
Speaker 5: Around a desk.

642
00:34:05,160 --> 00:34:09,879
Speaker 9: Yeah, yes, Stewie works at stee, works at the call center,

643
00:34:10,320 --> 00:34:12,080
Speaker 9: selling selling.

644
00:34:11,840 --> 00:34:14,920
Speaker 1: Beer, selling individual beers, yes, like.

645
00:34:15,000 --> 00:34:21,439
Speaker 6: The office, okay, Yeah, And we don't know if he's gay.

646
00:34:22,520 --> 00:34:26,800
Speaker 2: Still wow, we're still we're still working that.

647
00:34:27,560 --> 00:34:29,200
Speaker 1: I know, we kind of got away from that.

648
00:34:30,520 --> 00:34:33,520
Speaker 6: He might know, he might know. At this point, we

649
00:34:33,680 --> 00:34:34,000
Speaker 6: don't know.

650
00:34:34,560 --> 00:34:37,439
Speaker 1: Okay, we just don't.

651
00:34:37,520 --> 00:34:40,200
Speaker 8: So the family girl are they is the family girl

652
00:34:40,480 --> 00:34:41,440
Speaker 8: related to Stewie?

653
00:34:41,480 --> 00:34:42,080
Speaker 5: Are they a fan?

654
00:34:42,200 --> 00:34:45,200
Speaker 9: Absolutely not? Absolutely not. Wow, Okay, I don't think that's

655
00:34:45,440 --> 00:34:48,960
Speaker 9: We've done that. We've seen that, we've seen family, we've

656
00:34:49,000 --> 00:34:52,719
Speaker 9: seen related. Yeah, and family girl, I don't want to

657
00:34:52,760 --> 00:34:54,280
Speaker 9: see I don't wan see nobody related.

658
00:34:54,560 --> 00:34:59,480
Speaker 5: Everybody's they're building the fan. Well, they're building the fan's

659
00:34:59,480 --> 00:35:02,360
Speaker 5: success fully kill Lois in this imagined future.

660
00:35:04,160 --> 00:35:04,440
Speaker 1: Now that.

661
00:35:06,760 --> 00:35:08,360
Speaker 6: I think we need to put a poll up on

662
00:35:08,440 --> 00:35:11,240
Speaker 6: Twitter or something like that to see if.

663
00:35:11,440 --> 00:35:13,640
Speaker 3: Maybe live during one of the episodes we have like

664
00:35:13,719 --> 00:35:16,320
Speaker 3: a two part episode. Yeah, we let people kind of

665
00:35:16,360 --> 00:35:18,799
Speaker 3: call it in vote American Idle style.

666
00:35:18,760 --> 00:35:22,920
Speaker 9: Yes, yes, calling vote American Idol style. And then at

667
00:35:22,960 --> 00:35:25,880
Speaker 9: the end of that, we still don't know if Stewie

668
00:35:25,960 --> 00:35:26,440
Speaker 9: is gay or not.

669
00:35:27,320 --> 00:35:31,360
Speaker 8: We can multiverse the whole thing where she's dead and alive,

670
00:35:31,480 --> 00:35:32,600
Speaker 8: he's gay and not gay.

671
00:35:33,120 --> 00:35:36,080
Speaker 3: People love the multiverse. I mean that is like, that's

672
00:35:36,160 --> 00:35:37,839
Speaker 3: getting people back out to the lead.

673
00:35:38,280 --> 00:35:39,759
Speaker 5: Like that stuff is right.

674
00:35:40,200 --> 00:35:45,480
Speaker 3: Suit, that's red hot right now, that's a powerful idea. Uh,

675
00:35:47,000 --> 00:35:50,600
Speaker 3: let's play in that a little more. So, if we're

676
00:35:50,840 --> 00:35:53,440
Speaker 3: doing the multiverse, is there any reason not to have

677
00:35:53,840 --> 00:35:58,600
Speaker 3: some portion of the show just be the old traditional

678
00:35:58,719 --> 00:36:02,560
Speaker 3: family guy that we all like, with the same made characters.

679
00:36:02,680 --> 00:36:08,000
Speaker 3: It's set and just kind of stet it for you know,

680
00:36:08,200 --> 00:36:10,040
Speaker 3: for at least part of it, or maybe even half

681
00:36:10,080 --> 00:36:10,719
Speaker 3: the episodes.

682
00:36:11,840 --> 00:36:17,000
Speaker 8: So you're just taking regular episodes then and say like

683
00:36:17,239 --> 00:36:23,000
Speaker 8: remixing them into the new framework of a Family Gal multiverse.

684
00:36:23,200 --> 00:36:25,719
Speaker 3: Yeah. Maybe if Family Gal's point of view, you know,

685
00:36:26,239 --> 00:36:28,759
Speaker 3: once in a while you hear go and she sort

686
00:36:28,840 --> 00:36:32,160
Speaker 3: of nods she's witnessing this episode, then we all kind

687
00:36:32,200 --> 00:36:34,200
Speaker 3: of I've already agreed is pretty funny.

688
00:36:35,120 --> 00:36:35,919
Speaker 1: Right well.

689
00:36:35,960 --> 00:36:38,000
Speaker 5: I mean the thing that that does is it gets

690
00:36:38,320 --> 00:36:39,440
Speaker 5: the fan base in there.

691
00:36:39,480 --> 00:36:41,799
Speaker 8: It's an entree for them because they you know, they

692
00:36:41,920 --> 00:36:45,239
Speaker 8: might they could look at this project and just say

693
00:36:45,280 --> 00:36:48,200
Speaker 8: it feels derivative. It feels like you're trying to take

694
00:36:48,239 --> 00:36:54,560
Speaker 8: advantage of care and you know, not give me, you know,

695
00:36:54,680 --> 00:36:58,160
Speaker 8: under the auspices of selling me what I formerly like,

696
00:36:58,239 --> 00:37:00,200
Speaker 8: give me something new, but you're actually giving you what

697
00:37:00,280 --> 00:37:01,200
Speaker 8: I formerly liked.

698
00:37:01,520 --> 00:37:06,680
Speaker 1: Yeah, So that they love just eating, They love just

699
00:37:08,160 --> 00:37:11,359
Speaker 1: waddling up to the trough and just like slorping up

700
00:37:12,719 --> 00:37:13,280
Speaker 1: their ship.

701
00:37:13,719 --> 00:37:15,800
Speaker 4: That is something to keep it mind obviously.

702
00:37:16,080 --> 00:37:19,360
Speaker 3: Is yeah, that our our target audience, the consumer, you know,

703
00:37:19,920 --> 00:37:22,439
Speaker 3: is going to eat what we feed them, and they'll

704
00:37:22,480 --> 00:37:26,960
Speaker 3: do well like it, right, you know, they'll they'll slorp

705
00:37:27,080 --> 00:37:31,160
Speaker 3: on absolute slop until their belly aches.

706
00:37:31,360 --> 00:37:36,279
Speaker 8: And because with is this the type of person who

707
00:37:36,320 --> 00:37:40,400
Speaker 8: would say, want to strap on a metaverse headset, become

708
00:37:40,520 --> 00:37:42,960
Speaker 8: the family gal and all of a sudden you go

709
00:37:43,120 --> 00:37:43,959
Speaker 8: for couch.

710
00:37:44,520 --> 00:37:45,000
Speaker 1: We did that.

711
00:37:45,440 --> 00:37:45,920
Speaker 5: We did that.

712
00:37:47,200 --> 00:37:53,200
Speaker 1: Okay, I'm so sorry. We actually did that about a

713
00:37:53,360 --> 00:37:54,359
Speaker 1: year and a half ago.

714
00:37:55,800 --> 00:37:59,040
Speaker 5: Yeah, I'm sorry, all right, No, no, don't be sorry.

715
00:37:59,280 --> 00:38:00,520
Speaker 5: Most people miss it was.

716
00:38:02,000 --> 00:38:04,920
Speaker 4: You know, I think it was a little ahead of

717
00:38:04,960 --> 00:38:06,080
Speaker 4: its time, honestly.

718
00:38:06,560 --> 00:38:09,680
Speaker 8: Uh god, Now I feel like I should send you

719
00:38:09,840 --> 00:38:14,359
Speaker 8: some cupcakes, and that's to say sorry Goldie on them,

720
00:38:14,480 --> 00:38:17,359
Speaker 8: you know, like a note for me, just some sprinkles.

721
00:38:17,560 --> 00:38:19,439
Speaker 5: I don't know, there's there's four of you guys.

722
00:38:19,480 --> 00:38:23,480
Speaker 8: Maybe I'll send twenty four cupcakes to your office on

723
00:38:23,560 --> 00:38:24,040
Speaker 8: a day.

724
00:38:23,920 --> 00:38:25,239
Speaker 5: When half of you will be there.

725
00:38:25,320 --> 00:38:29,640
Speaker 1: I kind of prefer the delicious cookies, those really really

726
00:38:29,800 --> 00:38:30,600
Speaker 1: soft cookies.

727
00:38:30,920 --> 00:38:34,080
Speaker 5: Oh my god, they're so periods, and send you on

728
00:38:34,200 --> 00:38:37,120
Speaker 5: your birthday the first day.

729
00:38:37,160 --> 00:38:43,080
Speaker 4: They're so good. They're fine the first day, got me.

730
00:38:43,200 --> 00:38:44,800
Speaker 8: I hope you if you try to have one the

731
00:38:44,880 --> 00:38:47,960
Speaker 8: next day, it's just I, you know, I feel bad,

732
00:38:48,080 --> 00:38:50,640
Speaker 8: and I feel bad about the gong thing too, so

733
00:38:50,760 --> 00:38:54,240
Speaker 8: I feel like I should send I don't know, Kevin.

734
00:38:54,080 --> 00:38:55,880
Speaker 1: Did we ever? Did we get a result on that?

735
00:38:57,200 --> 00:38:57,319
Speaker 3: Uh?

736
00:38:57,560 --> 00:38:59,480
Speaker 11: No, I'm trying to put in the lunch orders. Does

737
00:38:59,520 --> 00:39:01,920
Speaker 11: everyone want corn again? Or do we want to do

738
00:39:02,000 --> 00:39:03,080
Speaker 11: family style today?

739
00:39:03,960 --> 00:39:07,480
Speaker 6: As long as it's not Mendo, Mendo is out, I've

740
00:39:07,520 --> 00:39:10,880
Speaker 6: told them your notes, Carl, Fuck no, fuck Mendo.

741
00:39:11,320 --> 00:39:15,960
Speaker 3: We can't go to Mendo. Man Mendo mondays I used

742
00:39:16,000 --> 00:39:18,600
Speaker 3: to look forward to, but now it's like I had

743
00:39:18,640 --> 00:39:21,279
Speaker 3: to get creative with the menu, and at the time

744
00:39:21,360 --> 00:39:24,719
Speaker 3: that I'm designing a whole new dish with their ingredients,

745
00:39:24,800 --> 00:39:27,000
Speaker 3: it's like, let's just go somewhere else.

746
00:39:27,440 --> 00:39:29,920
Speaker 1: I would say Jones on ThReD, but I feel like there.

747
00:39:30,280 --> 00:39:34,279
Speaker 1: Something is different with the corn there. They're just doing

748
00:39:34,440 --> 00:39:36,239
Speaker 1: something weird with the corn now.

749
00:39:36,239 --> 00:39:37,960
Speaker 4: Well, and I need to be there to see what

750
00:39:38,080 --> 00:39:40,759
Speaker 4: they have. Yeah, for the kind of little cold bar.

751
00:39:43,160 --> 00:39:44,319
Speaker 4: We're gonna go where we're gonna go.

752
00:39:44,280 --> 00:39:44,920
Speaker 1: Where we're gonna go.

753
00:39:45,600 --> 00:39:49,080
Speaker 5: I'm just gonna eat one a handful of almonds.

754
00:39:49,560 --> 00:39:57,040
Speaker 11: Almends, Whole Foods, Trader Joe's Homemade.

755
00:39:57,960 --> 00:40:01,440
Speaker 4: Kevin, stop pitching homemade. We' gonna do homemade with you.

756
00:40:02,120 --> 00:40:03,400
Speaker 1: I got homemade popcorn.

757
00:40:04,200 --> 00:40:07,040
Speaker 2: We can watch a movie after work, you guys.

758
00:40:08,280 --> 00:40:10,120
Speaker 9: I once saw a lady take a chicken wing out

759
00:40:10,120 --> 00:40:12,680
Speaker 9: of the out of the vat with her hand and

760
00:40:12,760 --> 00:40:13,960
Speaker 9: Whole Foods and the hot bar.

761
00:40:14,960 --> 00:40:18,160
Speaker 1: Mmm, instead of the tongs.

762
00:40:17,920 --> 00:40:18,720
Speaker 6: Instead of the tongue.

763
00:40:19,200 --> 00:40:20,880
Speaker 5: That's okay, I'll try this.

764
00:40:21,400 --> 00:40:22,760
Speaker 1: It's that's okay.

765
00:40:24,280 --> 00:40:26,080
Speaker 5: He's not putting it back in after.

766
00:40:26,640 --> 00:40:28,920
Speaker 6: No, she kept it. She wrapped the bone up in

767
00:40:29,000 --> 00:40:31,640
Speaker 6: a in a paper towel, threw it away.

768
00:40:31,960 --> 00:40:35,120
Speaker 1: It's already I mean, you're so you're eating a hand

769
00:40:35,280 --> 00:40:38,080
Speaker 1: like the thing is already basically a hand that you're eating.

770
00:40:39,800 --> 00:40:44,640
Speaker 1: It is the chickens, you know, that's that's not weird.

771
00:40:44,760 --> 00:40:49,239
Speaker 1: But but she she reaches it with her and touches it.

772
00:40:49,400 --> 00:40:50,000
Speaker 1: That's crazy.

773
00:40:50,120 --> 00:40:53,319
Speaker 5: Now, she stooped out the tortilla soup with her hand

774
00:40:53,400 --> 00:40:56,239
Speaker 5: and no glove. I'd say it's a little unusual to

775
00:40:56,320 --> 00:40:59,960
Speaker 5: me that you should use the lake.

776
00:41:00,480 --> 00:41:04,000
Speaker 1: And it's hard to it's hard to do the pizza

777
00:41:04,080 --> 00:41:07,480
Speaker 1: with the tongs. And sometimes the pizza doesn't come off

778
00:41:07,520 --> 00:41:09,719
Speaker 1: of a slice next to it. And yes, you have

779
00:41:09,880 --> 00:41:13,400
Speaker 1: to reach down touch the slice somehow. You gotta keep

780
00:41:13,440 --> 00:41:15,560
Speaker 1: them separated and.

781
00:41:18,320 --> 00:41:18,480
Speaker 3: Right.

782
00:41:19,400 --> 00:41:21,600
Speaker 1: And so you do have to touch the one on

783
00:41:21,680 --> 00:41:24,040
Speaker 1: that side and on the other side, because the one

784
00:41:24,080 --> 00:41:25,960
Speaker 1: that you want is in the middle, and.

785
00:41:26,040 --> 00:41:28,960
Speaker 3: You're doing that person a favor. You're protecting their cheese.

786
00:41:29,280 --> 00:41:33,320
Speaker 3: M yes, you, I mean, just go ahead and yanke it.

787
00:41:33,520 --> 00:41:34,479
Speaker 5: Just touch it my side.

788
00:41:34,840 --> 00:41:39,360
Speaker 3: You ain't gonna like what's left for you the same discount.

789
00:41:40,320 --> 00:41:42,440
Speaker 8: They do have the best pizza at Whole Foods though

790
00:41:43,160 --> 00:41:46,359
Speaker 8: in town. Hm, like, that's the most authentic New York

791
00:41:46,400 --> 00:41:47,479
Speaker 8: pizza that's gonna find.

792
00:41:48,880 --> 00:41:52,399
Speaker 4: Knock me over with a feather the first bite every time.

793
00:41:52,480 --> 00:41:55,120
Speaker 5: I forget. I think it's something with the water at

794
00:41:55,120 --> 00:41:55,720
Speaker 5: Whole Foods.

795
00:41:56,840 --> 00:41:59,800
Speaker 3: Yeah, I think they Yeah, I guess they like import like,

796
00:42:01,160 --> 00:42:02,440
Speaker 3: I don't know if the water is supposed to be

797
00:42:02,560 --> 00:42:08,879
Speaker 3: hard or soft. Thanks me hard. I mean, we'll say

798
00:42:08,960 --> 00:42:09,440
Speaker 3: that pizza.

799
00:42:11,800 --> 00:42:15,040
Speaker 9: One time we went to Whole Foods with Sean. He

800
00:42:15,480 --> 00:42:21,040
Speaker 9: ain't a minded a pizza and looked at me and said, yeah,

801
00:42:21,080 --> 00:42:21,919
Speaker 9: boy's own rock.

802
00:42:25,880 --> 00:42:30,440
Speaker 3: I very uh theatrically took took out a large bottle

803
00:42:30,480 --> 00:42:36,000
Speaker 3: of viagra, rattled it around, threw it over my shoulder,

804
00:42:36,040 --> 00:42:39,040
Speaker 3: and in the trash cam behind me there was.

805
00:42:39,040 --> 00:42:42,760
Speaker 1: A big trash camp just in the middle of Whole Foods.

806
00:42:43,080 --> 00:42:43,880
Speaker 5: When I when I.

807
00:42:44,000 --> 00:42:46,279
Speaker 3: Tea Carl the whole I say, do you mind if

808
00:42:46,280 --> 00:42:47,839
Speaker 3: we eat next to the trash cam?

809
00:42:51,440 --> 00:42:52,360
Speaker 5: I got an idea?

810
00:42:53,760 --> 00:42:54,040
Speaker 3: All right?

811
00:42:54,080 --> 00:42:56,040
Speaker 4: I got back by the way.

812
00:42:56,239 --> 00:42:58,440
Speaker 5: Sorry, you gotta get why are we doing that?

813
00:42:58,600 --> 00:43:00,680
Speaker 4: Let's put that in the books now, can we get?

814
00:43:01,120 --> 00:43:02,080
Speaker 4: Can we get that on?

815
00:43:03,000 --> 00:43:03,480
Speaker 1: Are you free?

816
00:43:03,680 --> 00:43:04,839
Speaker 3: I mean, what's your schedule right now?

817
00:43:04,840 --> 00:43:08,479
Speaker 5: Are you free for a Whole Foods like late lunch,

818
00:43:08,680 --> 00:43:12,400
Speaker 5: like four thirty five? As long all foods? Do you

819
00:43:12,480 --> 00:43:13,520
Speaker 5: now need a reservation?

820
00:43:14,000 --> 00:43:14,239
Speaker 6: Yeah?

821
00:43:15,560 --> 00:43:17,719
Speaker 8: Mm hmmm, it's going to be hard to get a

822
00:43:17,760 --> 00:43:22,439
Speaker 8: reservation for five Yeah, that's like a month out.

823
00:43:23,680 --> 00:43:26,200
Speaker 4: Yeah no, I was thinking more like tomorrow or the

824
00:43:26,280 --> 00:43:26,759
Speaker 4: next day.

825
00:43:28,160 --> 00:43:31,040
Speaker 5: Well, I mean, but if you don't mind. You know,

826
00:43:31,120 --> 00:43:32,879
Speaker 5: they do have if you don't mind needing at the bar.

827
00:43:35,239 --> 00:43:38,080
Speaker 5: I mean, we could go to the downtown one. I

828
00:43:38,160 --> 00:43:41,080
Speaker 5: think they're usually you know, especially after two.

829
00:43:41,880 --> 00:43:45,560
Speaker 3: Yeah, they're not as slam. There's just no parking, so

830
00:43:45,680 --> 00:43:47,839
Speaker 3: I don't mind going. But there's no parking. I mean,

831
00:43:47,920 --> 00:43:50,040
Speaker 3: do you want a carpool or do you want to like.

832
00:43:51,520 --> 00:43:52,400
Speaker 5: Well, I don't share a car.

833
00:43:52,760 --> 00:43:53,000
Speaker 3: Share.

834
00:43:53,320 --> 00:43:54,320
Speaker 5: We talked about that.

835
00:43:55,440 --> 00:43:59,880
Speaker 8: I'll probably walk from where I'm at, but if we

836
00:44:00,120 --> 00:44:02,000
Speaker 8: I know what the reservation is, I could start out

837
00:44:02,320 --> 00:44:04,640
Speaker 8: really early and meet you guys.

838
00:44:04,440 --> 00:44:07,160
Speaker 1: There, could leave twelve thirty.

839
00:44:08,080 --> 00:44:09,040
Speaker 4: Yeah, it was kind of a.

840
00:44:10,760 --> 00:44:13,880
Speaker 5: Carl Fin but oh that's cool if you're there.

841
00:44:13,880 --> 00:44:15,920
Speaker 8: Sorry, I just thought you might get hard. I kind

842
00:44:15,960 --> 00:44:18,280
Speaker 8: of wanted to be there for that and the trash

843
00:44:18,360 --> 00:44:20,040
Speaker 8: can and the whole thing.

844
00:44:21,160 --> 00:44:23,200
Speaker 5: That's really sweet.

845
00:44:25,160 --> 00:44:26,640
Speaker 1: Do you want to just sort of run back sort

846
00:44:26,680 --> 00:44:27,200
Speaker 1: of what we have?

847
00:44:27,880 --> 00:44:31,719
Speaker 11: Yeah, just like for the show, okay, family gal is

848
00:44:32,080 --> 00:44:34,480
Speaker 11: she's a runner, she's a track star, and she's running

849
00:44:34,520 --> 00:44:35,200
Speaker 11: a restaurant.

850
00:44:36,000 --> 00:44:38,520
Speaker 4: I don't think anyone ever said track star. We said sprinter.

851
00:44:39,000 --> 00:44:39,480
Speaker 6: Keep it here.

852
00:44:41,560 --> 00:44:42,879
Speaker 5: Well, she should be good at her job.

853
00:44:44,040 --> 00:44:47,000
Speaker 8: Yes, if she's a runner, she should be a track star,

854
00:44:47,120 --> 00:44:49,480
Speaker 8: because I'm not going to sign on to one of

855
00:44:49,560 --> 00:44:52,920
Speaker 8: these shows where we're just making jokes about like, oh,

856
00:44:53,000 --> 00:44:53,520
Speaker 8: she's a runner.

857
00:44:53,560 --> 00:44:56,160
Speaker 1: But she dripped fellow.

858
00:44:58,120 --> 00:45:00,160
Speaker 5: Like yeah, the gun went off and she was It's

859
00:45:00,200 --> 00:45:02,680
Speaker 5: like ah, you know, like that's I don't.

860
00:45:02,520 --> 00:45:07,160
Speaker 3: Want to do shoes and it's like, okay, yes you do. Like,

861
00:45:07,239 --> 00:45:10,239
Speaker 3: let's make her competent. It's actually not just gonna be

862
00:45:10,480 --> 00:45:14,080
Speaker 3: very funny to see someone excel in their field like.

863
00:45:14,120 --> 00:45:16,080
Speaker 5: That, right, it's hilarious.

864
00:45:16,560 --> 00:45:17,200
Speaker 1: I like her.

865
00:45:17,280 --> 00:45:18,880
Speaker 5: The better she is, the funnier it's gonna be.

866
00:45:19,040 --> 00:45:22,960
Speaker 8: If she takes off so fast that her clotheser like

867
00:45:23,160 --> 00:45:24,920
Speaker 8: flying in the air, she's left.

868
00:45:24,800 --> 00:45:27,960
Speaker 5: Them behind, goes all the way around the world. I mean,

869
00:45:27,960 --> 00:45:31,080
Speaker 5: I'm dying at that point. That's that's making me lose it. Kevin,

870
00:45:31,120 --> 00:45:32,479
Speaker 5: I'm sorry I jumped down your throat.

871
00:45:32,840 --> 00:45:34,040
Speaker 2: Let's get her a win.

872
00:45:35,080 --> 00:45:40,320
Speaker 5: Let's make her a track star. Yeah, and and let's

873
00:45:40,480 --> 00:45:42,160
Speaker 5: really drive that home.

874
00:45:45,800 --> 00:45:49,839
Speaker 8: Someone someone like we know weighing in like Peter saying

875
00:45:49,880 --> 00:45:52,920
Speaker 8: early on, like wow, I've seen a lot of fash

876
00:45:53,080 --> 00:45:56,240
Speaker 8: ladies and you are fast, my friend.

877
00:45:58,320 --> 00:46:02,440
Speaker 3: Now, I'm like, here's the remote, take the batteries out,

878
00:46:02,560 --> 00:46:05,440
Speaker 3: don't need these fuck that they watch this for the

879
00:46:05,520 --> 00:46:06,160
Speaker 3: rest of the day.

880
00:46:06,440 --> 00:46:08,560
Speaker 1: I like that we I like that we didn't do

881
00:46:08,680 --> 00:46:09,560
Speaker 1: a cutaway there.

882
00:46:10,239 --> 00:46:12,359
Speaker 3: Yeah, because he says I've seen a lot of fast running.

883
00:46:12,560 --> 00:46:15,120
Speaker 5: He doesn't go like, you're the fastest runner I've seen since.

884
00:46:16,040 --> 00:46:18,200
Speaker 1: No, we're just gonna close that out. I'd like to

885
00:46:18,440 --> 00:46:21,200
Speaker 1: actually I like her. I want to see more of her.

886
00:46:21,719 --> 00:46:24,280
Speaker 1: I don't need to like go see a different fast lady.

887
00:46:26,120 --> 00:46:28,520
Speaker 3: She's not like some launching pad to get me into

888
00:46:28,600 --> 00:46:31,359
Speaker 3: some other thing where you know, obviously you could say, wow,

889
00:46:31,440 --> 00:46:34,360
Speaker 3: you're you know, you're the fastest sprinter I've ever seen,

890
00:46:34,680 --> 00:46:35,840
Speaker 3: other than since.

891
00:46:35,880 --> 00:46:39,640
Speaker 1: Flow Joe versus the Volcano or something like, yeah, I'm

892
00:46:39,719 --> 00:46:43,560
Speaker 1: sure you've done that, but like, no, I'd like to

893
00:46:43,600 --> 00:46:45,719
Speaker 1: actually see the characters. I've done that.

894
00:46:45,840 --> 00:46:48,520
Speaker 5: We've done that, We've done that. Is there anything with

895
00:46:48,680 --> 00:46:51,399
Speaker 5: the Is there anything with the sprinter fan?

896
00:46:52,840 --> 00:46:55,239
Speaker 3: I just feel like we have It's like sitting there,

897
00:46:55,640 --> 00:46:58,640
Speaker 3: it's in a way it's too obvious, but also is

898
00:46:58,680 --> 00:47:01,920
Speaker 3: the audience going to be expecting it so much that

899
00:47:02,000 --> 00:47:05,200
Speaker 3: they'll be disappointed if we don't deliver on Like, you know,

900
00:47:05,360 --> 00:47:07,279
Speaker 3: look at that sprinter, all.

901
00:47:07,239 --> 00:47:13,279
Speaker 8: Right, So are you saying Geese hashtag van life mm hmmm, because.

902
00:47:13,400 --> 00:47:14,040
Speaker 1: I love that.

903
00:47:14,560 --> 00:47:17,719
Speaker 8: We love our second hashtag because like so if we're

904
00:47:17,800 --> 00:47:20,239
Speaker 8: just doing the pitch right, like I'm gonna walk in

905
00:47:20,440 --> 00:47:24,120
Speaker 8: and say all of America needs an escape right now,

906
00:47:24,160 --> 00:47:26,080
Speaker 8: I'm not even talking about family guy, right like I

907
00:47:26,120 --> 00:47:26,640
Speaker 8: walk in, I don't.

908
00:47:26,640 --> 00:47:27,480
Speaker 5: I don't talk about.

909
00:47:27,239 --> 00:47:29,120
Speaker 4: Family fuck family guy. This is about people.

910
00:47:29,320 --> 00:47:30,680
Speaker 5: This is this is me to use.

911
00:47:31,239 --> 00:47:33,600
Speaker 8: Like I mean, first of all, we walk in the

912
00:47:33,680 --> 00:47:38,120
Speaker 8: room together. Everyone's excited, like, everyone's like, this is exactly

913
00:47:38,160 --> 00:47:38,960
Speaker 8: what both.

914
00:47:38,760 --> 00:47:40,920
Speaker 1: Of them are here. Yeah, like.

915
00:47:43,960 --> 00:47:48,920
Speaker 5: They both showed up and I say, don't you just

916
00:47:49,000 --> 00:47:49,960
Speaker 5: want to escape?

917
00:47:50,920 --> 00:47:51,080
Speaker 10: Oh?

918
00:47:51,200 --> 00:47:51,520
Speaker 5: Don't you?

919
00:47:52,760 --> 00:47:53,000
Speaker 1: Yeah?

920
00:47:53,640 --> 00:47:58,160
Speaker 5: Everyone hates their life. Everyone's fucking miserable.

921
00:47:58,360 --> 00:48:02,239
Speaker 8: Everyone just wants to die and leave where they're at,

922
00:48:03,600 --> 00:48:05,879
Speaker 8: which is why hashtag van.

923
00:48:05,840 --> 00:48:06,800
Speaker 5: Life is so popular.

924
00:48:07,120 --> 00:48:10,600
Speaker 3: Oh my god, because it's you're just driving. I guess

925
00:48:10,640 --> 00:48:11,200
Speaker 3: you're asleep.

926
00:48:12,840 --> 00:48:13,080
Speaker 1: Yeah.

927
00:48:13,239 --> 00:48:18,759
Speaker 8: So family Gal takes family Guy and puts it into

928
00:48:19,160 --> 00:48:20,759
Speaker 8: hashtag van life.

929
00:48:21,120 --> 00:48:26,680
Speaker 1: Well, we already have print printer. Is she is she

930
00:48:26,880 --> 00:48:27,239
Speaker 1: a van?

931
00:48:28,600 --> 00:48:31,200
Speaker 5: M Is she a vans?

932
00:48:32,160 --> 00:48:35,320
Speaker 1: Scalp okay, scalpful? Okay?

933
00:48:35,480 --> 00:48:38,000
Speaker 6: The doctor is scrubbing in listening.

934
00:48:39,760 --> 00:48:45,480
Speaker 5: So she's a van and she is family oriented. Right,

935
00:48:45,640 --> 00:48:47,239
Speaker 5: it's a van. It fits a lot of people, the

936
00:48:47,280 --> 00:48:51,239
Speaker 5: whole family, maybe the family the ultimate family car.

937
00:48:52,040 --> 00:48:52,200
Speaker 6: Right?

938
00:48:52,600 --> 00:48:55,120
Speaker 4: Wait is it just called family car?

939
00:48:58,239 --> 00:49:00,920
Speaker 5: Well? Gender? I mean that does my field now? Like,

940
00:49:01,040 --> 00:49:02,839
Speaker 5: why why do we need to jump in? Why don't

941
00:49:02,880 --> 00:49:04,640
Speaker 5: we why don't we just call it family car?

942
00:49:04,760 --> 00:49:05,440
Speaker 1: Family car?

943
00:49:05,960 --> 00:49:09,560
Speaker 3: Right? To just stay away from the whole gender. It's

944
00:49:09,600 --> 00:49:11,520
Speaker 3: so funny we come and we go, Hey, all we've

945
00:49:11,560 --> 00:49:14,000
Speaker 3: got right now is family girl. That becomes family gall

946
00:49:14,120 --> 00:49:14,520
Speaker 3: within an hour.

947
00:49:14,560 --> 00:49:17,239
Speaker 4: It's family car. And this is why we need you

948
00:49:17,520 --> 00:49:17,960
Speaker 4: goal the.

949
00:49:18,560 --> 00:49:21,920
Speaker 5: Right, because you understand this world, this landscape.

950
00:49:22,960 --> 00:49:25,880
Speaker 9: I know we're talking about cars right now, and I

951
00:49:26,000 --> 00:49:28,920
Speaker 9: don't want to throw a wrench into the plane. Please,

952
00:49:29,120 --> 00:49:32,319
Speaker 9: even though you do need a wrench a car, I.

953
00:49:32,400 --> 00:49:33,440
Speaker 4: Need a second opinion.

954
00:49:33,560 --> 00:49:37,520
Speaker 9: Yeah, here we go by by taking the gallon and

955
00:49:37,840 --> 00:49:45,360
Speaker 9: out of it? Are we silencing women? Tap the scalfalt

956
00:49:45,360 --> 00:49:46,400
Speaker 9: to your temp before a second?

957
00:49:46,560 --> 00:49:50,560
Speaker 8: I mean you just asking the question that that's extinct,

958
00:49:50,840 --> 00:49:55,040
Speaker 8: and the instinctual answer I want to say is no way, okay, yes, no,

959
00:49:55,200 --> 00:49:55,880
Speaker 8: And I don't even.

960
00:49:55,800 --> 00:49:57,920
Speaker 5: Want to think about it, and just tie you asked.

961
00:49:57,960 --> 00:50:01,440
Speaker 1: I think I think that's we said that we.

962
00:50:01,680 --> 00:50:02,480
Speaker 5: Thought about it.

963
00:50:03,000 --> 00:50:08,759
Speaker 3: It's so empowering for that entire group that it's like,

964
00:50:10,160 --> 00:50:12,160
Speaker 3: you know, it's and I would say this.

965
00:50:14,200 --> 00:50:17,200
Speaker 4: Maybe a tagline it's her turn to drive?

966
00:50:18,080 --> 00:50:19,719
Speaker 6: Oh hey, I got one.

967
00:50:20,280 --> 00:50:23,640
Speaker 5: Are generally feminized, right, aren't clear?

968
00:50:24,440 --> 00:50:26,600
Speaker 1: She's wait, cars defibriating?

969
00:50:28,960 --> 00:50:32,440
Speaker 6: Clear? That's what I got to say about that.

970
00:50:33,680 --> 00:50:35,840
Speaker 1: Oh okay, And and what.

971
00:50:35,960 --> 00:50:39,800
Speaker 8: We know about portrayals of cars like this flips Christine

972
00:50:39,840 --> 00:50:44,120
Speaker 8: on its head. M hm, oh yeah, because he's instead

973
00:50:44,120 --> 00:50:46,120
Speaker 8: of killing, she's giving birth.

974
00:50:47,239 --> 00:50:47,479
Speaker 1: Yeah.

975
00:50:47,960 --> 00:50:51,120
Speaker 3: Have they done a you're wrong about about Christine?

976
00:50:51,160 --> 00:50:51,359
Speaker 8: Yet?

977
00:50:52,040 --> 00:50:52,640
Speaker 5: I'm not sure.

978
00:50:53,200 --> 00:50:58,000
Speaker 3: It feels like it feels like it's time, I think, Uh,

979
00:50:59,120 --> 00:51:01,600
Speaker 3: but you know, I don't want to beat around the

980
00:51:01,640 --> 00:51:05,279
Speaker 3: bush too much. Like really, we we've done so much

981
00:51:05,360 --> 00:51:08,600
Speaker 3: great work and before we kind of like get too

982
00:51:08,680 --> 00:51:12,080
Speaker 3: deep in what we did really really want to talk about,

983
00:51:12,120 --> 00:51:14,200
Speaker 3: Goldie was do you have sets email or anything?

984
00:51:14,320 --> 00:51:15,279
Speaker 5: Can we talk to him?

985
00:51:17,400 --> 00:51:17,560
Speaker 6: Oh?

986
00:51:17,760 --> 00:51:18,040
Speaker 5: That's what?

987
00:51:18,840 --> 00:51:18,960
Speaker 11: Uh?

988
00:51:21,400 --> 00:51:21,640
Speaker 5: I mean?

989
00:51:21,680 --> 00:51:25,799
Speaker 8: I have an email, and I don't know if it's

990
00:51:25,880 --> 00:51:29,000
Speaker 8: the current one because I've never in I've had different

991
00:51:29,040 --> 00:51:31,760
Speaker 8: emails for him, and I've never actually gotten a direct

992
00:51:31,800 --> 00:51:33,560
Speaker 8: response to my emails.

993
00:51:34,080 --> 00:51:40,400
Speaker 5: Well, send Kevin what you got, Okay, but you're not

994
00:51:40,600 --> 00:51:43,319
Speaker 5: gonna just take this and cut me out, Are you.

995
00:51:45,080 --> 00:51:46,959
Speaker 6: Scampal? Bye?

996
00:51:47,560 --> 00:51:49,480
Speaker 1: Right him,