WEBVTT - The Three-Pupiled Eye, Part 1

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb, and I'm Joe McCormick. And

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<v Speaker 1>you know, we recently did a couple of episodes that

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<v Speaker 1>related to Irish mythology. And as we were looking through

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<v Speaker 1>these various accounts of various heroes and monsters and tales

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<v Speaker 1>too often to dan and and so forth, UM, I

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<v Speaker 1>was reminded again of of a motif that I remember

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<v Speaker 1>coming up briefly, at least when we were looking at

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<v Speaker 1>the hero Cocolin, and that is um, Irish heroes that

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<v Speaker 1>are depicted as having either multiple pupils or multiple irises

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<v Speaker 1>within their eyes. That is a strange detail, especially because

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<v Speaker 1>I can picture multiple pupils, I have a harder time

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<v Speaker 1>picturing multiple irises. So, of course, basic anatomical note, the

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<v Speaker 1>pupil is the black dot in the middle of your eye,

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<v Speaker 1>and the iris is the colored ring around that dot.

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<v Speaker 1>So multiple pupils I'm seeing, Okay, multiple dots, multiple irises.

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<v Speaker 1>I don't know that that just what like, how would

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<v Speaker 1>you tell where one iris began or ended? Well, I

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<v Speaker 1>guess you'd have to have like multiple irises and pupils

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<v Speaker 1>in that department, and and is we'll get into. One

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<v Speaker 1>of the things is that some of these accounts will

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<v Speaker 1>say pupils and other versions of that same account will

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<v Speaker 1>say irises. So you know, I'm not I'm not sure

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<v Speaker 1>exactly how uh you know, the term maybe gets confused

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<v Speaker 1>over time or it's lost in translation. Um so, but

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<v Speaker 1>it kind of adds to the mystery of of not

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<v Speaker 1>being exactly sure what we're talking about here when these

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<v Speaker 1>details come up. Well, so, how did these details go?

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<v Speaker 1>Like what's an example? Okay, so, um taking for example,

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<v Speaker 1>Coucolon since we've we've just got to him before. The

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<v Speaker 1>The Irish hero a warrior hero, a demi god uh,

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<v Speaker 1>possessed by the ability to enter the warped spasm during battle.

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<v Speaker 1>Lots of wonderful tales and about this character, and he's

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<v Speaker 1>he's prominently featured in the early Irish epic The Cattle

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<v Speaker 1>Raid of Coolie or the Tane as it goes sometimes called.

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<v Speaker 1>But one of the other you know, interesting facts about

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<v Speaker 1>this hero is that he's sometimes described as having seven irises,

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<v Speaker 1>as translated from the epic by Joseph Dunn's I believe

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<v Speaker 1>the nineteen translation quote seven jewels of the eyes brilliance

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<v Speaker 1>was either of his keenly eyes, seven toes to either

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<v Speaker 1>of his two feet, seven fingers to either of his

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<v Speaker 1>two hands, with the clutch of hawk's claw, with the

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<v Speaker 1>grip of hedgehog's talent in every separate one of them.

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<v Speaker 1>I love how that's all majestic and fierce until you

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<v Speaker 1>get to the hedgehog. I don't know. Hedgehog's talent sounds

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<v Speaker 1>pretty the intense to me, even if I can't quite

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<v Speaker 1>picture what that would be. Maybe I don't have enough

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<v Speaker 1>experience with hedgehogs though. I Also this struck me because

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<v Speaker 1>I love stories where beings have a strange, recurring, specific

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<v Speaker 1>number of body features. It reminds me of visions in

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<v Speaker 1>the Bible, like particularly the visions of the Dragon and

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<v Speaker 1>the Beast in the Book of Revelation. And if you're

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<v Speaker 1>not familiar, the Book of Revelation is is the last

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<v Speaker 1>book in the Christian New Testament. It is mostly describing

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<v Speaker 1>a vision that the author, someone named John says was

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<v Speaker 1>given to him by Christ. And it's a book where

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<v Speaker 1>the number seven has great significance. It's used in a

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<v Speaker 1>number of ways throughout the apocalypse, there are messages sent

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<v Speaker 1>to seven church congregations there and then within the vision,

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<v Speaker 1>seven seals are opened, seven trumpets are sounded, and so forth.

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<v Speaker 1>But they're also these wondrous beings, both great and terrible,

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<v Speaker 1>with seven of something. So, for example, in chapter twelve,

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<v Speaker 1>verse three, it says, and there appeared another wonder in heaven,

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<v Speaker 1>and behold a great red dragon, having seven heads and

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<v Speaker 1>tin horns, and seven crowns upon his heads. Uh. And

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<v Speaker 1>I always wondered if that meant okay, So he's got

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<v Speaker 1>seven heads and then seven crowns on his heads, but

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<v Speaker 1>does that mean seven crowns per head or just one

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<v Speaker 1>crown per head? I'm not sure. One of the seven

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<v Speaker 1>heads is wearing seven crowns, staff and top for each

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<v Speaker 1>other that had a real dick. They fight over the crowns.

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<v Speaker 1>But then later also the beast is said to have

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<v Speaker 1>seven heads and tin horns quote end upon his horns

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<v Speaker 1>tin crowns, and upon his heads the name of blasphemy.

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<v Speaker 1>And so I like these these specific numbers. It's not

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<v Speaker 1>just like, oh, this beast has two heads. It's got

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<v Speaker 1>seven heads. And of course, in Jewish and Christian traditions,

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<v Speaker 1>seven is a very significant number. It's a holy number

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<v Speaker 1>and one that most of the time seems to be

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<v Speaker 1>associated with wholeness or completion or fulfillment. You know, God

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<v Speaker 1>rested on the seventh day in the creation story, after

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<v Speaker 1>creating Earth in six days, rested on the seventh, So

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<v Speaker 1>it's sort of like the finishing of a of a

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<v Speaker 1>good and wholesome cycle of something. Uh. Though, I guess

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<v Speaker 1>in this case it's interesting because this is a sort

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<v Speaker 1>of unholy seven. It's the opposite of God. And there

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<v Speaker 1>are other beings in Jewish literature described with various specific

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<v Speaker 1>numbers of features. For example, there is a vision described

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<v Speaker 1>in the Book of Isaiah where the prophet sees the

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<v Speaker 1>Lord sitting upon a throne and he's surrounded by angels

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<v Speaker 1>called seraphim, which literally means the burning ones. And the

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<v Speaker 1>Seraphim are said to each have six wings, and there's

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<v Speaker 1>a reason given for this. In the vision, the wings

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<v Speaker 1>are each doing something, so Isaiah says that with two

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<v Speaker 1>of the wings he covered his face, with two of

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<v Speaker 1>them he covered his feet, and with the other two

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<v Speaker 1>he did fly. Though I wonder if the number six

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<v Speaker 1>is also showing a different significance in that these beings

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<v Speaker 1>are sort of the second highest beings in the heavenly

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<v Speaker 1>hierarchy without being on the level of God himself. So

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<v Speaker 1>seven is holy perfection and fulfillment. Six is one level

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<v Speaker 1>under that. Oh wow. So first of all, I love

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<v Speaker 1>how this actually is finding way to tie back to

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<v Speaker 1>our recent episodes on the days of the week. Uh,

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<v Speaker 1>you know, the seven day week, and yeah, all these

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<v Speaker 1>there's something about examples like this where we're dealing with

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<v Speaker 1>you know, literary motifs and symbolism and you know, mythic beings.

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<v Speaker 1>But we take these non biological numbers and though they

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<v Speaker 1>sort of bleed through their imagined bodies and and we

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<v Speaker 1>instantly enter this zone of of of just of fantasy

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<v Speaker 1>and in myth um. You know, it's the it's the

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<v Speaker 1>sort of thing that I think, you know, today we

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<v Speaker 1>would we would classify this sort of thing is like

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<v Speaker 1>you know, visionary art or you know, some sort of

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<v Speaker 1>a psychedelic notion um. But but clearly we've you know,

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<v Speaker 1>we've been dreaming of these these things throughout human history.

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<v Speaker 1>Well yeah, yeah, and you're right to note that seven

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<v Speaker 1>is not a very biological number. Yeah, I mean, usually

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<v Speaker 1>in animals with bilateral symmetry, there tend to be even

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<v Speaker 1>numbers of things. There are some interesting exceptions, but that's

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<v Speaker 1>that's most most often the case. We'll get to one

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<v Speaker 1>exception within the human body later on that that I like,

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<v Speaker 1>But yeah, so is so. I don't know exactly why

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<v Speaker 1>you'd get these myths later on of like say, yeah, hero,

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<v Speaker 1>who's got seven irises in his eye or seven pupils

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<v Speaker 1>in his eye? But I would be surprised if it isn't,

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<v Speaker 1>if it isn't part of a tradition, if it isn't

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<v Speaker 1>all downstream from this ancient line of thinking that says, hey,

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<v Speaker 1>you know, this monster doesn't just have two heads. It

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<v Speaker 1>has seven heads. And not only does it have seven heads,

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<v Speaker 1>the fact that it has seven heads means something. This

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<v Speaker 1>is like the ultimate bad monster because there's seven of it.

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<v Speaker 1>Seven is kind of like a siren. It means whenever

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<v Speaker 1>there's seven or of something, it's it's incredibly meaningful. It's

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<v Speaker 1>intensely significant. And with with with Collin's it's it's really

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<v Speaker 1>hard for me to to picture it, like I guess

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<v Speaker 1>I end up picturing like this just sort of ring

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<v Speaker 1>of pupils um and then when I try and picture

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<v Speaker 1>seven irises in there. It doesn't really come together for me. Uh.

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<v Speaker 1>Here a couple of other translations. Um Thomas Kinsella Translations

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<v Speaker 1>says seven hard heroic jewels are set in the iris

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<v Speaker 1>of Colan's eye and then done, also translating another section

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<v Speaker 1>of the work. Here from a poem prophecy quote seven

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<v Speaker 1>gyms of champions, brave deck the center of his orbs.

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<v Speaker 1>Naked are the spears he bears, and he hooks a

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<v Speaker 1>red cloak round. And I've seen the Yeah, I've seen

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<v Speaker 1>these described as as pupils as irises, and there's a

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<v Speaker 1>there's one version that reads, quote there were seven pupils

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<v Speaker 1>and k Colin's royal eye and two of these pupils

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<v Speaker 1>were squinting. The pupils were squinting, yes, And um, yeah,

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<v Speaker 1>this this is another area where I haven't found I

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<v Speaker 1>haven't found much to really you know, break down what

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<v Speaker 1>this means. And and that that just makes it more enticing,

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<v Speaker 1>Like what what to imagine looking into this, uh, this

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<v Speaker 1>hero's eyes and then like first of all, they're like

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<v Speaker 1>seven pupils in there, and then and then to make

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<v Speaker 1>things even weirder, to make that moment even weirder, two

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<v Speaker 1>of them are squinting. A two of the pupils are squinting.

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<v Speaker 1>But pupil I mean, so pupils do, of course contract.

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<v Speaker 1>We'll talk about that as we go on. That's one

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<v Speaker 1>of their main anatomical functions. But I don't think that's

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<v Speaker 1>usually what people mean with the words squinting. With squinting,

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<v Speaker 1>I think of squeezing of like the muscles around the

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<v Speaker 1>orbital you know, your face. Yeah, that was We'll discuss um.

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<v Speaker 1>Pupils do weird things. Uh so, so maybe by the

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<v Speaker 1>time we roll through some examples from the the animal world,

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<v Speaker 1>we'll have a better idea of what this could conceivably

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<v Speaker 1>look like. But cal Colin is not the only character

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<v Speaker 1>in Irish tradition who has has mysterious eyes. Uh There's

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<v Speaker 1>also a character by the name of fedom Or. I

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<v Speaker 1>think the modern version of this is Fidelma. And this

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<v Speaker 1>is she. She's a member of the two Offended don

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<v Speaker 1>and she's a prophet, a poet. She's mentioned in the

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<v Speaker 1>Ulster cycle, and I've also read that she Some um

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<v Speaker 1>critics and historians think that she may be connected to

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<v Speaker 1>later traditions of the Banshee um, which again, the Banshee

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<v Speaker 1>one of its whole things is that it is it

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<v Speaker 1>haunts a place, It wales in anticipation of death. So

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<v Speaker 1>it is it is, in its own way, a profit,

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<v Speaker 1>the profit of of one particular thing. She appears in

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<v Speaker 1>the Tane as well. And she has described as having

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<v Speaker 1>three irises in each eye, triple irises. Uh, and she

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<v Speaker 1>this is. This gets really interesting because she's described at length,

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<v Speaker 1>and I'm just going to read a part of it,

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<v Speaker 1>translated by Donne quote weaving lace was she, And in

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<v Speaker 1>her right hand was a bordering rod of silvered bronze,

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<v Speaker 1>with its seven strips of red gold at the sides,

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<v Speaker 1>A mini spotted green man toll around her, a bulging,

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<v Speaker 1>strong headed pin of gold in the mantle over her bosom,

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<v Speaker 1>a hooded tunic with red interweaving about her. A ruddy,

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<v Speaker 1>fair faced countenance. She had narrow below and broad above.

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<v Speaker 1>She had a blue, gray and laughing eye. Each eye

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<v Speaker 1>had three pupils. Dark and black were her eyebrows, The

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<v Speaker 1>soft black lashes threw a shadow to the middle of

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<v Speaker 1>her cheeks. Red and thin were her lips. Shiny and

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<v Speaker 1>pearly were her teeth. Thou wouldst believe they were showers

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<v Speaker 1>of white pearls that had rained into her head. And

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<v Speaker 1>I have to say, I love how I mean, it's

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<v Speaker 1>all beautiful, but the three pupils in the eye just

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<v Speaker 1>gets like this brief description. But then the author is like,

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<v Speaker 1>and let me tell you about her teeth. Right, yeah,

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<v Speaker 1>I had the same reaction. So then again, I'm thinking

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<v Speaker 1>about the historical setting from which this story would have emerged,

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<v Speaker 1>and maybe at that time seeing somebody with really clean

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<v Speaker 1>teeth was even more rare than I with three pupils.

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<v Speaker 1>So um, so okay, So we already have a couple

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<v Speaker 1>of examples here cocullen um and we have we also

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<v Speaker 1>have Fedom here, and Fedom Fedom is very much a

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<v Speaker 1>seer and she has eyes of prophecy. So it's easy

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<v Speaker 1>to to see where one interpretation here is that her

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<v Speaker 1>eyes are unnatural because she has unnatural vision she can

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<v Speaker 1>see into the future. Makes sense right, sure, But as

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<v Speaker 1>as several different commentators have pointed out, this is what

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<v Speaker 1>this is. Another level where it got even more interesting

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<v Speaker 1>is that commentators have pointed out that, um, these are

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<v Speaker 1>also signs of beauty. So think to this passage I

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<v Speaker 1>just read, so, uh you know, yes, again, she is

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<v Speaker 1>a seer, but she's described as as being as not

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<v Speaker 1>being beautiful but possessed with weird eyes. Her triple pupils

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<v Speaker 1>or iris eyes are listed as part of her beauty

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<v Speaker 1>um though you know undeniably this connects to her attributed

0:12:58.600 --> 0:13:03.160
<v Speaker 1>powers as well, so it's listed along other along other

0:13:03.240 --> 0:13:07.720
<v Speaker 1>things like having long, lustrous eyelashes and pearly teeth, things

0:13:07.800 --> 0:13:10.040
<v Speaker 1>that in a lot of other literature would be just

0:13:10.120 --> 0:13:14.360
<v Speaker 1>clear markers that are supposed to mean beauty. And here

0:13:14.520 --> 0:13:17.079
<v Speaker 1>it's also like and three people died. That is one

0:13:17.120 --> 0:13:19.920
<v Speaker 1>of those things, right, we all know that thing. Yeah, yeah,

0:13:19.960 --> 0:13:21.480
<v Speaker 1>And this is this is I think something that makes

0:13:21.480 --> 0:13:25.160
<v Speaker 1>it so fascinating to read as a modern uh reader

0:13:25.200 --> 0:13:28.160
<v Speaker 1>of the text because obviously, if you had, you know,

0:13:28.280 --> 0:13:30.120
<v Speaker 1>a modern work of fiction that was referring to a

0:13:30.200 --> 0:13:32.760
<v Speaker 1>character like this, everything would go in reverse, right, you

0:13:32.760 --> 0:13:34.720
<v Speaker 1>would have all that you would say, oh, she was beautiful,

0:13:34.760 --> 0:13:39.400
<v Speaker 1>and she looked totally human, a beautiful human, except woe

0:13:39.400 --> 0:13:41.720
<v Speaker 1>those eyes, three pupils in each one. It was a

0:13:41.760 --> 0:13:44.920
<v Speaker 1>bit weird. So one of the sources that I was

0:13:45.000 --> 0:13:49.480
<v Speaker 1>looking at about this is Jacqueline Boors the Evil Eye

0:13:49.800 --> 0:13:53.720
<v Speaker 1>in early Irish literature and Law two thousand three published

0:13:53.800 --> 0:13:58.160
<v Speaker 1>in Um Celtica twenty four. It provides a lot of

0:13:58.160 --> 0:14:01.920
<v Speaker 1>of insight into the literary mote of the eye in

0:14:02.000 --> 0:14:05.880
<v Speaker 1>Irish literature. Uh. So she brings up, first of all,

0:14:06.480 --> 0:14:10.079
<v Speaker 1>a different creature with a unique eye, and that is

0:14:10.120 --> 0:14:14.320
<v Speaker 1>the one eyed giant Ngsil Case or eng Sol the Terrible,

0:14:14.840 --> 0:14:18.400
<v Speaker 1>who is described as this great giant, uh something of

0:14:18.440 --> 0:14:22.280
<v Speaker 1>a pirate I think with possible like English origins of

0:14:22.320 --> 0:14:24.040
<v Speaker 1>the time. So you know, into the in this wee

0:14:24.080 --> 0:14:26.040
<v Speaker 1>get like the idea that maybe if there is some

0:14:26.080 --> 0:14:28.440
<v Speaker 1>sort of historical basis for this figure, maybe he was

0:14:28.480 --> 0:14:30.640
<v Speaker 1>just some sort of a pirate rater from that region.

0:14:30.680 --> 0:14:34.200
<v Speaker 1>But in the mythic connotation he becomes this, this this

0:14:34.360 --> 0:14:37.200
<v Speaker 1>great big giant who not only has just this single

0:14:37.200 --> 0:14:39.720
<v Speaker 1>eye in his head. He's not only a cyclops, but

0:14:39.840 --> 0:14:42.960
<v Speaker 1>it is a solid black eye. And that solid black

0:14:43.000 --> 0:14:46.000
<v Speaker 1>eye has seven pupils within it. Uh though I've also

0:14:46.000 --> 0:14:49.480
<v Speaker 1>read descriptions where he just has three pupils. How would

0:14:49.480 --> 0:14:52.080
<v Speaker 1>it have pupils if it's solid. The pupil is the

0:14:52.080 --> 0:14:56.720
<v Speaker 1>black part of the eye. So that's thoroughly confusing. Yes,

0:14:57.880 --> 0:15:02.080
<v Speaker 1>So he's known for the destruction of Daderga hostel. Uh,

0:15:02.120 --> 0:15:04.880
<v Speaker 1>there's a whole story about this. And so the author

0:15:04.920 --> 0:15:08.040
<v Speaker 1>here is discussing ng Soul's I and she connects it

0:15:08.080 --> 0:15:10.640
<v Speaker 1>not only with Colin, but also with the High King

0:15:10.680 --> 0:15:13.720
<v Speaker 1>of Ireland, Cormac McCart who is also said to have

0:15:13.760 --> 0:15:17.800
<v Speaker 1>had seven pupils in each eye. Um, she's so again,

0:15:17.800 --> 0:15:20.160
<v Speaker 1>it's just driving home that this is a recurring motif.

0:15:20.200 --> 0:15:23.320
<v Speaker 1>It's not like a one time thing that you know it.

0:15:23.080 --> 0:15:27.080
<v Speaker 1>It clearly meant something and was worth repeating in the Cannon.

0:15:27.640 --> 0:15:29.760
<v Speaker 1>But but she points out that, uh, you know, in

0:15:29.760 --> 0:15:33.440
<v Speaker 1>the cases of these two heroes, quote, this is explicitly

0:15:33.520 --> 0:15:37.240
<v Speaker 1>qualified as a sign of beauty. And furthermore, she says

0:15:37.280 --> 0:15:40.400
<v Speaker 1>that the squinting ink Collin's pupils is also seen as

0:15:40.440 --> 0:15:44.000
<v Speaker 1>adornment rather than disfigurement. And then she also comes back

0:15:44.040 --> 0:15:49.200
<v Speaker 1>to Fedom, the female seer of the Tuath, to Donnan

0:15:49.280 --> 0:15:52.440
<v Speaker 1>and says, quote, there is no explanation offered of this

0:15:52.600 --> 0:15:57.080
<v Speaker 1>characteristic the triple I with with fedelm. It could be

0:15:57.120 --> 0:15:58.920
<v Speaker 1>a sign of beauty and it could be a sign

0:15:58.920 --> 0:16:02.560
<v Speaker 1>of her supernatural site. The latter is more probable because

0:16:02.600 --> 0:16:06.239
<v Speaker 1>the characteristic is separated from the description of her looks

0:16:06.280 --> 0:16:09.680
<v Speaker 1>by the mention of the weaver's beam, the weaver's beam

0:16:09.720 --> 0:16:13.400
<v Speaker 1>has been interpreted as a supernatural tool for prophecy. The

0:16:13.440 --> 0:16:16.760
<v Speaker 1>triple pupils could therefore very well be a symbol of

0:16:16.840 --> 0:16:19.520
<v Speaker 1>her clear of lance. And yeah, so I'm not if

0:16:19.520 --> 0:16:21.560
<v Speaker 1>I'm not mistaken here the weaver's beam, this is part

0:16:21.600 --> 0:16:23.960
<v Speaker 1>of a loom. Uh, And so we're getting into the

0:16:24.000 --> 0:16:28.600
<v Speaker 1>idea that like here, this, this piece of technology also

0:16:28.640 --> 0:16:32.280
<v Speaker 1>had mystical connotations for divination. Alright, what about ing Sol though,

0:16:32.320 --> 0:16:35.320
<v Speaker 1>the giant or pirate who has a single eye which

0:16:35.360 --> 0:16:38.360
<v Speaker 1>is entirely black and also has either three or seven

0:16:38.360 --> 0:16:42.320
<v Speaker 1>pupils in it. Well, she she's She says that, Okay,

0:16:42.560 --> 0:16:44.160
<v Speaker 1>we're gonna look at these other examples and try and

0:16:44.160 --> 0:16:45.960
<v Speaker 1>figure out eng Sole will say, first of all, he's

0:16:46.000 --> 0:16:48.520
<v Speaker 1>definitely not beautiful. This is not a sign of his beauty.

0:16:48.560 --> 0:16:51.640
<v Speaker 1>He's a rough and horrible monster. She she know. She

0:16:51.720 --> 0:16:54.320
<v Speaker 1>points out some of the terms that are used to

0:16:54.360 --> 0:16:58.240
<v Speaker 1>describe him. But his sight is described as being sharp.

0:16:58.600 --> 0:17:00.920
<v Speaker 1>He can make out every detail of the hostile at

0:17:00.920 --> 0:17:04.560
<v Speaker 1>a glance. And Boor says that he also might connect

0:17:04.560 --> 0:17:08.199
<v Speaker 1>to the legendary evil eye of Balor the king of

0:17:08.240 --> 0:17:12.119
<v Speaker 1>the Fomorians, whose great eye when opened and when his

0:17:12.200 --> 0:17:15.640
<v Speaker 1>great brow could be raised up in some accounts, two

0:17:15.640 --> 0:17:17.960
<v Speaker 1>warriors have to stand on either side of him. Put

0:17:17.960 --> 0:17:21.280
<v Speaker 1>a woman wouldn't beam beneath his big, saggy brow and

0:17:21.359 --> 0:17:23.960
<v Speaker 1>lift the brow up so that the evil eye can

0:17:23.960 --> 0:17:28.119
<v Speaker 1>see out an unleashed destruction on the battlefield. Um, it

0:17:28.160 --> 0:17:31.159
<v Speaker 1>could be connected to that ballor by the way, is

0:17:31.200 --> 0:17:35.080
<v Speaker 1>eventually killed by his grandson Lug of the Tifata done

0:17:35.119 --> 0:17:37.280
<v Speaker 1>and and there are multiple versions of the battor myth

0:17:37.320 --> 0:17:40.720
<v Speaker 1>as well. Sometimes his destructive eye is described, you know,

0:17:40.760 --> 0:17:43.760
<v Speaker 1>more or less like the single single eye of a cyclops,

0:17:43.760 --> 0:17:46.600
<v Speaker 1>and other times it's depicted as more of a third

0:17:46.640 --> 0:17:51.080
<v Speaker 1>eye in the center of the head alongside two ordinary eyes.

0:17:51.920 --> 0:17:55.679
<v Speaker 1>So there's just a taste of the triple or sevenfold

0:17:55.760 --> 0:18:00.080
<v Speaker 1>eye in uh in in Irish mythology and again and

0:18:00.160 --> 0:18:02.560
<v Speaker 1>having you know, research to the bed and and and

0:18:02.800 --> 0:18:04.439
<v Speaker 1>laid it out in the in the outline here, it's

0:18:04.440 --> 0:18:09.120
<v Speaker 1>still just overwhelmingly mysterious and on inspiring to me. And

0:18:09.280 --> 0:18:12.840
<v Speaker 1>uh we're gonna come back to some other traditions, some

0:18:12.920 --> 0:18:17.480
<v Speaker 1>other ancient writings that refer to mysterious eyes of this nature.

0:18:18.119 --> 0:18:20.080
<v Speaker 1>But at this point we're gonna we're gonna shift into

0:18:20.119 --> 0:18:22.760
<v Speaker 1>the scientific world and and hopefully this will be a

0:18:22.800 --> 0:18:25.880
<v Speaker 1>fun case where the science and the myth will sort

0:18:25.880 --> 0:18:27.879
<v Speaker 1>of play off each other and each one will make

0:18:27.920 --> 0:18:37.600
<v Speaker 1>the other more fabulous than Alright, well, since we're talking

0:18:37.600 --> 0:18:39.639
<v Speaker 1>about eyes, I think we do need to do a

0:18:39.720 --> 0:18:43.919
<v Speaker 1>quick overview of eyeball anatomy. So picture and eyeball, Robert,

0:18:43.960 --> 0:18:45.919
<v Speaker 1>you doing it? Can you can see that eyeball in

0:18:45.920 --> 0:18:49.320
<v Speaker 1>your mind's eye burning like the eye of sorrow. Okay, well,

0:18:49.320 --> 0:18:51.520
<v Speaker 1>that actually connects to something, because the eye of Saron

0:18:51.600 --> 0:18:54.280
<v Speaker 1>you picture that that that's not just floating out in space, right,

0:18:54.440 --> 0:18:57.119
<v Speaker 1>it's sitting in a tower, that's right. And so of

0:18:57.119 --> 0:19:00.600
<v Speaker 1>course our eyeballs needs some some structural scaff holding as well.

0:19:00.680 --> 0:19:03.800
<v Speaker 1>So the eyeball of humans, it's within a bony socket

0:19:03.880 --> 0:19:07.400
<v Speaker 1>called the orbit, and the outer layer of the eyeball

0:19:07.440 --> 0:19:10.680
<v Speaker 1>itself is a tough white tissue made of collagen that's

0:19:10.680 --> 0:19:13.199
<v Speaker 1>called the sclera. This this is the white part of

0:19:13.240 --> 0:19:15.680
<v Speaker 1>the eye that you can see. And then the pupil,

0:19:15.720 --> 0:19:18.040
<v Speaker 1>of course, is the black dot in the middle of

0:19:18.080 --> 0:19:21.160
<v Speaker 1>the eye, covering the pupil on the outside is a

0:19:21.200 --> 0:19:24.639
<v Speaker 1>clear layer of cells known as the cornea, which both

0:19:24.720 --> 0:19:27.840
<v Speaker 1>protects the eye. It protects the the iris and the pupil,

0:19:28.240 --> 0:19:32.439
<v Speaker 1>and it also helps to focus incoming light into the pupil. Actually,

0:19:32.440 --> 0:19:35.280
<v Speaker 1>there are two parts of your eyes that do focusing

0:19:35.320 --> 0:19:37.760
<v Speaker 1>of light rays. The cornea does the majority of it.

0:19:37.840 --> 0:19:39.840
<v Speaker 1>I think it does about two thirds of the focusing.

0:19:39.840 --> 0:19:42.760
<v Speaker 1>And that's the first layer. And actually, if you've listened

0:19:42.760 --> 0:19:44.680
<v Speaker 1>to our episodes on tiers that we did I think

0:19:44.680 --> 0:19:46.600
<v Speaker 1>a couple of months ago, you know there's something even

0:19:46.600 --> 0:19:49.000
<v Speaker 1>to the outside of the cornea, which is that thin

0:19:49.119 --> 0:19:52.240
<v Speaker 1>layer of tier film that covers the eye. It's secreted

0:19:52.280 --> 0:19:56.040
<v Speaker 1>by the lachrymal glands. Actually has multiple parts that the

0:19:56.040 --> 0:19:59.479
<v Speaker 1>the watery part of the tier film is secreted by

0:19:59.480 --> 0:20:01.960
<v Speaker 1>the lacrym mole glands, and then there's an oily part

0:20:01.960 --> 0:20:04.399
<v Speaker 1>of the tier film that comes from the base of

0:20:04.440 --> 0:20:09.000
<v Speaker 1>the eyelids. Now coming to the pupil. While it's tempting

0:20:09.040 --> 0:20:12.560
<v Speaker 1>to think of the pupil as a thing, the interesting

0:20:12.600 --> 0:20:15.640
<v Speaker 1>truth is that the pupil is really an absence. The

0:20:15.680 --> 0:20:20.639
<v Speaker 1>pupil is the whole or the opening through which light passes.

0:20:20.880 --> 0:20:24.600
<v Speaker 1>So light comes through the cornea and then is directed

0:20:24.640 --> 0:20:27.280
<v Speaker 1>through the pupil, and then is focused again a second

0:20:27.280 --> 0:20:30.360
<v Speaker 1>time after the cornea by a clear structure on the

0:20:30.400 --> 0:20:33.240
<v Speaker 1>inside of the eye, the inside of the pupil that's

0:20:33.280 --> 0:20:36.600
<v Speaker 1>called the lens. And then finally, after it is focused

0:20:36.600 --> 0:20:39.359
<v Speaker 1>through the lens, the light is reflected onto the layer

0:20:39.359 --> 0:20:41.960
<v Speaker 1>of sensitive cells on the back of the inside of

0:20:42.000 --> 0:20:45.000
<v Speaker 1>the eye known as the retina, and then the sensing

0:20:45.000 --> 0:20:47.880
<v Speaker 1>cells of the retina transmit the information about the light

0:20:48.000 --> 0:20:50.199
<v Speaker 1>via the optic nerve all the way to the visual

0:20:50.240 --> 0:20:53.040
<v Speaker 1>cortex in the back of the brain, where the information

0:20:53.160 --> 0:20:55.520
<v Speaker 1>is made sense of in a way that we experience

0:20:55.600 --> 0:20:57.240
<v Speaker 1>as sight. So I think what we should say is

0:20:57.240 --> 0:20:59.800
<v Speaker 1>that sight happens in the brain, which is why there

0:20:59.800 --> 0:21:02.760
<v Speaker 1>are so many things that can that can affect what

0:21:02.840 --> 0:21:04.480
<v Speaker 1>we see when we look at the world. You know,

0:21:04.520 --> 0:21:07.880
<v Speaker 1>it's not just like a video camera feed. There's there's

0:21:07.960 --> 0:21:10.720
<v Speaker 1>some post processing that goes on that can be affected

0:21:10.720 --> 0:21:13.919
<v Speaker 1>by all kinds of things from uh, you know, from UH,

0:21:14.440 --> 0:21:17.840
<v Speaker 1>from biases and little little tricks of of how the

0:21:17.840 --> 0:21:21.760
<v Speaker 1>brain works, to drugs and so so. So sight happens

0:21:21.760 --> 0:21:23.520
<v Speaker 1>in the brain, but of course light has to go

0:21:23.560 --> 0:21:26.080
<v Speaker 1>through all these stages within the eye before it is

0:21:26.119 --> 0:21:29.440
<v Speaker 1>turned into the experience of vision in the visual cortex.

0:21:30.359 --> 0:21:31.960
<v Speaker 1>You know. I just think you were talking about how

0:21:32.000 --> 0:21:34.760
<v Speaker 1>about the pupil being an absence and not a thing,

0:21:34.840 --> 0:21:38.320
<v Speaker 1>and I was thinking about, um, you know, the various

0:21:38.640 --> 0:21:41.399
<v Speaker 1>there's of course the Chinese story of the magic paint brush,

0:21:41.440 --> 0:21:43.439
<v Speaker 1>and I think there are different variations on this, but

0:21:43.480 --> 0:21:47.440
<v Speaker 1>there's one in which the paint brush, whatever you paint

0:21:47.520 --> 0:21:50.440
<v Speaker 1>with it comes to life, but only after you have

0:21:50.440 --> 0:21:52.720
<v Speaker 1>have added the eye. So I think perhaps that the

0:21:53.160 --> 0:21:56.639
<v Speaker 1>uh you know, adding the pupil uh slash iris of

0:21:56.720 --> 0:22:00.920
<v Speaker 1>the eye, because depending on the detail of your illustration,

0:22:01.400 --> 0:22:03.360
<v Speaker 1>like the people in the eye are just gonna be one, right,

0:22:03.480 --> 0:22:06.040
<v Speaker 1>Like if you're painting an eye, drawing an eye, you

0:22:06.080 --> 0:22:08.560
<v Speaker 1>create the white and then you put that black dot

0:22:08.640 --> 0:22:11.320
<v Speaker 1>in the middle to complete it, and it kind of

0:22:11.359 --> 0:22:14.080
<v Speaker 1>brings life to something. But on the other hand, I

0:22:14.119 --> 0:22:18.800
<v Speaker 1>think to the world of of miniature painting and off there.

0:22:18.840 --> 0:22:21.119
<v Speaker 1>If if anyone's never seen this, you should look it

0:22:21.200 --> 0:22:25.399
<v Speaker 1>up because it can be hilarious. Um. When people are

0:22:25.440 --> 0:22:28.200
<v Speaker 1>just figuring out what they're doing with miniatures, they'll often

0:22:28.240 --> 0:22:30.280
<v Speaker 1>want to complete like this, you know, we're talking like

0:22:30.320 --> 0:22:34.359
<v Speaker 1>a small scale uh um, you know, soldier or something,

0:22:34.840 --> 0:22:37.640
<v Speaker 1>and they'll want to put eyes on it, so they'll

0:22:37.640 --> 0:22:39.960
<v Speaker 1>create the white dots and then they'll go to throw

0:22:39.960 --> 0:22:42.840
<v Speaker 1>those little black dots in there as well. Often with

0:22:42.960 --> 0:22:46.480
<v Speaker 1>just hilarious results. You'll end up with just the completely

0:22:46.560 --> 0:22:49.560
<v Speaker 1>ridiculous googly eyes that that are you know, look too

0:22:49.600 --> 0:22:52.200
<v Speaker 1>big for the head, and one eyes put looking off

0:22:52.200 --> 0:22:56.000
<v Speaker 1>in one direction and the other in another direction. Um,

0:22:56.040 --> 0:22:58.239
<v Speaker 1>but we have that compulsion. Were like, we it's not

0:22:58.359 --> 0:23:02.199
<v Speaker 1>real until I add you know, the pupil iris. We

0:23:02.240 --> 0:23:04.400
<v Speaker 1>can't just have white there, we can't just have dark there.

0:23:04.440 --> 0:23:06.960
<v Speaker 1>We have to have both. Well, yeah, I think there

0:23:07.040 --> 0:23:11.760
<v Speaker 1>is actually a strong biological reason why why having both

0:23:11.840 --> 0:23:14.040
<v Speaker 1>is very important to us. You know, we've looked at

0:23:14.080 --> 0:23:18.520
<v Speaker 1>research before on how humans are very sensitive to noticing

0:23:19.040 --> 0:23:22.840
<v Speaker 1>gays direction in other humans, to monitoring the movement of

0:23:22.880 --> 0:23:26.080
<v Speaker 1>other people's eyes to understand where they're looking. That is

0:23:26.520 --> 0:23:30.199
<v Speaker 1>very socially relevant information and we keep close tabs on

0:23:30.240 --> 0:23:32.400
<v Speaker 1>it even when you don't notice you're doing it. Yeah.

0:23:32.760 --> 0:23:35.240
<v Speaker 1>So if you're just see a representation of a human

0:23:35.320 --> 0:23:38.000
<v Speaker 1>and and they like don't have pupils in their eyes,

0:23:38.280 --> 0:23:40.720
<v Speaker 1>this is very disturbing because it's like, well, I can't

0:23:40.720 --> 0:23:43.280
<v Speaker 1>tell where they're looking and that you know that that

0:23:43.320 --> 0:23:45.480
<v Speaker 1>doesn't feel good at all. And this is probably why

0:23:45.600 --> 0:23:48.520
<v Speaker 1>you know it's it's very popular in films and TV shows.

0:23:48.560 --> 0:23:50.960
<v Speaker 1>If you need a character to have a very very

0:23:51.040 --> 0:23:54.360
<v Speaker 1>other worldly air to them, just simply give them completely

0:23:54.400 --> 0:23:57.800
<v Speaker 1>black eyes or completely wide eyes and uh and you

0:23:57.840 --> 0:24:00.600
<v Speaker 1>know they'll have this angelic or dem on a hair

0:24:00.680 --> 0:24:03.159
<v Speaker 1>about them. Oh yeah, absolutely. The one thing I do

0:24:03.240 --> 0:24:04.480
<v Speaker 1>want to come back to when I said that the

0:24:04.920 --> 0:24:07.240
<v Speaker 1>pupils are an absence and I said not a thing.

0:24:07.280 --> 0:24:09.280
<v Speaker 1>I mean, of course, it depends on what you mean

0:24:09.320 --> 0:24:11.560
<v Speaker 1>by thing, but I mean, you know there they are

0:24:11.600 --> 0:24:14.840
<v Speaker 1>the pinhole in a pinhole camera. Without the whole, the

0:24:14.880 --> 0:24:17.680
<v Speaker 1>pinhole camera doesn't work. So they're very important. You've got

0:24:17.720 --> 0:24:21.200
<v Speaker 1>to have them. But what they are is an opening. Yeah,

0:24:21.440 --> 0:24:23.520
<v Speaker 1>there's another weird thing. You ever think about the fact

0:24:23.560 --> 0:24:27.119
<v Speaker 1>that your eye has muscles. I don't know, maybe this

0:24:27.200 --> 0:24:29.879
<v Speaker 1>is one that everybody else is just fully metabolized and

0:24:30.160 --> 0:24:32.800
<v Speaker 1>it's sitting with them just fine. But thinking about my

0:24:32.960 --> 0:24:36.960
<v Speaker 1>eye muscles makes me a little woozy. But obviously it's true.

0:24:37.000 --> 0:24:39.680
<v Speaker 1>I mean, in fact, your eye has multiple levels of muscles,

0:24:40.000 --> 0:24:42.439
<v Speaker 1>and here's we're gonna come back to uh creatures with

0:24:42.520 --> 0:24:45.840
<v Speaker 1>seven of something, So arranged around the back of each

0:24:45.840 --> 0:24:48.920
<v Speaker 1>of your eyes on the attached to the sclera, there

0:24:48.920 --> 0:24:54.639
<v Speaker 1>are seven muscles is the extraocular muscles, and these are

0:24:54.720 --> 0:24:57.879
<v Speaker 1>muscles that move the eyeballs into some degree the eyelids

0:24:57.920 --> 0:25:00.760
<v Speaker 1>as well, certainly the superior eyelids. So when you look

0:25:00.880 --> 0:25:03.320
<v Speaker 1>up down side to side up at an angle, when

0:25:03.359 --> 0:25:07.359
<v Speaker 1>you're trying to remember something, you're flexing these muscles. Do

0:25:07.400 --> 0:25:09.359
<v Speaker 1>you think Colin had seven of days or did he

0:25:09.400 --> 0:25:13.639
<v Speaker 1>have forty nine muscles under balls? Wait? Did he have

0:25:13.680 --> 0:25:16.399
<v Speaker 1>different eyes or I know, I mean I think he

0:25:16.400 --> 0:25:19.840
<v Speaker 1>only had two eyeballs. He just said seven irises or

0:25:19.880 --> 0:25:23.760
<v Speaker 1>eye So these are apportioned according to eyeballs, not pupils

0:25:23.800 --> 0:25:26.760
<v Speaker 1>and irises. Didn't know how how deep into his anatomy

0:25:26.800 --> 0:25:31.040
<v Speaker 1>the numerology went. But to get even weirder, there are

0:25:31.080 --> 0:25:34.960
<v Speaker 1>also muscles within the eye. There are muscles in your

0:25:34.960 --> 0:25:39.000
<v Speaker 1>eyes responsible for changing the diameter of the pupil of

0:25:39.040 --> 0:25:42.520
<v Speaker 1>that opening. So remember the pupil is basically a hole

0:25:42.560 --> 0:25:44.600
<v Speaker 1>in the function of the pupil is to allow light

0:25:44.640 --> 0:25:47.720
<v Speaker 1>to pass through the lens and onto the retina, and

0:25:47.800 --> 0:25:50.399
<v Speaker 1>the eye has to adjust the size of the hole

0:25:50.560 --> 0:25:53.719
<v Speaker 1>to help control light exposure and to focus the image.

0:25:54.119 --> 0:25:58.080
<v Speaker 1>A very easy example to see for yourself. Everybody probably

0:25:58.080 --> 0:25:59.720
<v Speaker 1>did this in elementary school at some point, but if

0:25:59.760 --> 0:26:02.480
<v Speaker 1>you never did, check it out sometime watch your pupils

0:26:02.760 --> 0:26:05.280
<v Speaker 1>in a mirror. When you're turning the lights in the

0:26:05.359 --> 0:26:08.399
<v Speaker 1>room on and off. Your pupil will dilate in a

0:26:08.480 --> 0:26:11.080
<v Speaker 1>dark room to allow more light in, to become more

0:26:11.160 --> 0:26:14.479
<v Speaker 1>sensitive to less data, and when the light comes on,

0:26:14.560 --> 0:26:18.199
<v Speaker 1>the people will contract to allow less light in. Now,

0:26:18.240 --> 0:26:20.960
<v Speaker 1>I was reading about what function the people serves because

0:26:21.000 --> 0:26:23.320
<v Speaker 1>I think the expansion and contraction of the people is

0:26:23.359 --> 0:26:26.320
<v Speaker 1>not only for controlling for the amount of light in

0:26:26.359 --> 0:26:29.239
<v Speaker 1>the environment, and I think it also helps control uh

0:26:29.640 --> 0:26:33.480
<v Speaker 1>focus of the image that you're trying to to turn

0:26:33.520 --> 0:26:36.159
<v Speaker 1>your gaze onto. So I was reading about this in

0:26:36.359 --> 0:26:42.040
<v Speaker 1>a paper by Sebastian Methote called pupil lometry, Psychology, Physiology

0:26:42.080 --> 0:26:46.280
<v Speaker 1>and Function in the Journal of Cognition and Mythote writes quote,

0:26:46.320 --> 0:26:49.639
<v Speaker 1>Although people responses likely serve many functions, not all of

0:26:49.680 --> 0:26:53.639
<v Speaker 1>which are fully understood, one important function is to optimize vision.

0:26:53.760 --> 0:26:58.480
<v Speaker 1>Either for acuity, small pupils see sharper and depth of

0:26:58.640 --> 0:27:02.000
<v Speaker 1>field small pupil will see sharply at a wider range

0:27:02.000 --> 0:27:06.800
<v Speaker 1>of distances. Or for sensitivity, large peopils are better able

0:27:06.840 --> 0:27:10.280
<v Speaker 1>to detect faint stimuli. And then finally says that that is,

0:27:10.359 --> 0:27:15.000
<v Speaker 1>pupils change their size to optimize vision for a particular situation. Uh.

0:27:15.080 --> 0:27:18.000
<v Speaker 1>And probably all of these are familiar to people who

0:27:18.040 --> 0:27:20.600
<v Speaker 1>have ever had to work the aperture of of a

0:27:20.680 --> 0:27:24.960
<v Speaker 1>film camera, because you manipulate the aperture not just to

0:27:24.960 --> 0:27:28.720
<v Speaker 1>respond to different light conditions and to avoid overexposing or

0:27:28.800 --> 0:27:30.879
<v Speaker 1>under exposing, but you also do it in order to

0:27:30.920 --> 0:27:33.600
<v Speaker 1>control things like depth of field, like do you want,

0:27:33.920 --> 0:27:36.680
<v Speaker 1>you know, things that are both close and far away

0:27:36.720 --> 0:27:39.560
<v Speaker 1>in sharp focus, or only what's up close in focus

0:27:39.600 --> 0:27:42.200
<v Speaker 1>and so forth. But to come back to those muscles

0:27:42.200 --> 0:27:45.720
<v Speaker 1>within the eye, what causes the expansion or contraction of

0:27:45.760 --> 0:27:50.360
<v Speaker 1>the pupil is actually the set of muscles within the iris.

0:27:50.400 --> 0:27:54.320
<v Speaker 1>This is what your iris is for. And so here's

0:27:54.359 --> 0:27:57.879
<v Speaker 1>a wonderful anatomy fact that everyone should know. When you

0:27:57.920 --> 0:28:00.920
<v Speaker 1>hear a good love song or a poem about eye color,

0:28:00.960 --> 0:28:03.439
<v Speaker 1>you know, my love, how how I long to gaze

0:28:03.480 --> 0:28:07.080
<v Speaker 1>into your big brown eyes. The singer is technically longing

0:28:07.119 --> 0:28:10.560
<v Speaker 1>to gaze into two sphincters. What certainly makes you rethink

0:28:10.800 --> 0:28:14.680
<v Speaker 1>Van Morrison's Brown Eyed Girl, that right? Yes? Uh, speaking

0:28:14.720 --> 0:28:19.200
<v Speaker 1>of which Irish singer, why why not? Why brown eyes?

0:28:19.240 --> 0:28:24.400
<v Speaker 1>Instead of triple or seven pupil dies missed opportunity? Brown

0:28:24.480 --> 0:28:27.480
<v Speaker 1>Eyed Girl is a song all about the appreciation of beautiful,

0:28:27.840 --> 0:28:32.119
<v Speaker 1>glassy sphincters glinting in the sun. Okay, So the iris

0:28:32.200 --> 0:28:35.000
<v Speaker 1>is composed of two types of muscle. Uh, You've got

0:28:35.000 --> 0:28:38.640
<v Speaker 1>the dilator muscles, and these are long muscle fibers. Uh,

0:28:38.720 --> 0:28:40.920
<v Speaker 1>you know, relatively long within the eye. At least that

0:28:41.320 --> 0:28:44.680
<v Speaker 1>caused the people to expand when they contract, So you

0:28:44.680 --> 0:28:47.320
<v Speaker 1>can kind of think of muscles like pulling and opening

0:28:47.360 --> 0:28:50.480
<v Speaker 1>wider by by pulling at its edges. And then the

0:28:50.520 --> 0:28:53.440
<v Speaker 1>second type within the iris is the sphincter muscle. This

0:28:53.520 --> 0:28:56.520
<v Speaker 1>is a ring of muscle tissue around the inner edge

0:28:56.520 --> 0:29:00.160
<v Speaker 1>of the iris that shrinks the pupil when it contracts.

0:29:00.560 --> 0:29:03.480
<v Speaker 1>And so the term sphincter is of course most famous

0:29:03.480 --> 0:29:06.280
<v Speaker 1>for referring to the muscle that controls the anus, but

0:29:06.400 --> 0:29:09.480
<v Speaker 1>it actually just means any ring of muscle that works

0:29:09.480 --> 0:29:12.520
<v Speaker 1>to open and close a tube in in an animal body.

0:29:12.640 --> 0:29:15.880
<v Speaker 1>So you actually have multiple sphincters throughout your body, not

0:29:15.960 --> 0:29:18.000
<v Speaker 1>just in the anus, not just in the anus and

0:29:18.040 --> 0:29:22.360
<v Speaker 1>the irises, but also internally controlling the openings of the stomach.

0:29:22.800 --> 0:29:25.160
<v Speaker 1>By the way, we do have what at least a

0:29:25.200 --> 0:29:27.600
<v Speaker 1>couple of episodes about the evolution of the anus that

0:29:27.640 --> 0:29:30.760
<v Speaker 1>we did a few years back. So if anyone is

0:29:30.800 --> 0:29:35.040
<v Speaker 1>interested in more information on that, uh, then I send

0:29:35.080 --> 0:29:38.720
<v Speaker 1>you to the vault to seek those episodes out. Oh yeah,

0:29:38.720 --> 0:29:41.040
<v Speaker 1>I recall that being great fun. But but but I

0:29:41.040 --> 0:29:43.040
<v Speaker 1>wanted to say, believe it or not, this tidbit about

0:29:43.040 --> 0:29:46.640
<v Speaker 1>sphincters is, uh, the sphincters of the eyes is not

0:29:46.840 --> 0:29:50.040
<v Speaker 1>just an amusing digression. This will actually play into what

0:29:50.080 --> 0:29:53.120
<v Speaker 1>I'm about to talk about, which is an extremely rare

0:29:53.160 --> 0:29:58.200
<v Speaker 1>medical condition in which human beings do sometimes have multiple

0:29:58.280 --> 0:30:01.800
<v Speaker 1>pupils in the same and this is a condition known

0:30:01.880 --> 0:30:06.240
<v Speaker 1>as polychoria. So it's very very rare, but multiple pupils

0:30:06.240 --> 0:30:08.920
<v Speaker 1>per ide does exist in the real world. And so

0:30:08.960 --> 0:30:11.320
<v Speaker 1>as a source on this, I was looking at a

0:30:11.360 --> 0:30:15.400
<v Speaker 1>book called The Handbook of Pediatric neuro Ophthalmology published by

0:30:15.440 --> 0:30:19.640
<v Speaker 1>Springer in two thousand six by Kenneth W. Wright, Peter A. H. Spiegel,

0:30:19.720 --> 0:30:23.480
<v Speaker 1>and Lisa S. Thompson. According to the authors here, there

0:30:23.520 --> 0:30:27.120
<v Speaker 1>are actually two different conditions known as polychoria, though both

0:30:27.200 --> 0:30:30.520
<v Speaker 1>are referring to conditions where there is more than one

0:30:30.760 --> 0:30:34.680
<v Speaker 1>opening in the iris. They say these additional openings tend

0:30:34.680 --> 0:30:37.560
<v Speaker 1>to be due to what they call local hypoplasia of

0:30:37.600 --> 0:30:41.960
<v Speaker 1>the iris stroma and the pigment epithelium. So these are

0:30:42.000 --> 0:30:45.880
<v Speaker 1>the layers of tissue within the iris. Uh the iris

0:30:45.920 --> 0:30:49.760
<v Speaker 1>stroma is the bigger middle layer and the pigment epithelium

0:30:49.880 --> 0:30:53.120
<v Speaker 1>is a layer that is what gives eyes their color,

0:30:53.240 --> 0:30:56.280
<v Speaker 1>the pigment on the back of the irises and so

0:30:56.560 --> 0:31:01.440
<v Speaker 1>hypoplasia within those tissues would mean a lack of cells

0:31:01.560 --> 0:31:05.760
<v Speaker 1>or an incomplete formation of the cells within those tissues. Now,

0:31:05.800 --> 0:31:09.480
<v Speaker 1>regarding the two varieties of this condition, there is true polychoria,

0:31:09.600 --> 0:31:12.480
<v Speaker 1>in which there is more than one pupil and they

0:31:12.640 --> 0:31:16.800
<v Speaker 1>each have their own iris sphincter muscle with the ability

0:31:16.920 --> 0:31:21.720
<v Speaker 1>to contract. Then there is false polychoria or pseudo polychoria,

0:31:21.760 --> 0:31:24.560
<v Speaker 1>in which there are multiple openings in the iris, but

0:31:24.680 --> 0:31:28.960
<v Speaker 1>only one has the sphincter muscle so the sphincter muscle

0:31:29.280 --> 0:31:32.920
<v Speaker 1>is what makes the difference. The having the sphincters around

0:31:32.920 --> 0:31:36.640
<v Speaker 1>your extra pupils is what makes it true polychoria. Both

0:31:36.680 --> 0:31:40.080
<v Speaker 1>conditions are rare, but true polychoria is much more rare.

0:31:40.120 --> 0:31:43.280
<v Speaker 1>They write that in almost all clinical situations the correct

0:31:43.360 --> 0:31:48.960
<v Speaker 1>diagnosis is pseudo polychoria, and given how rare polychoria is,

0:31:49.000 --> 0:31:51.440
<v Speaker 1>there doesn't seem to be a ton of accessible medical

0:31:51.520 --> 0:31:53.960
<v Speaker 1>literature on it. Most of what I did find was

0:31:54.000 --> 0:31:58.560
<v Speaker 1>pretty old. I found one report from recent years, and

0:31:58.640 --> 0:32:03.920
<v Speaker 1>this was an article publish in Jamma Optimology from by

0:32:04.160 --> 0:32:09.880
<v Speaker 1>Antoine Safie and Shalenburg and Aki Kawasaki called poly Choria

0:32:09.960 --> 0:32:12.640
<v Speaker 1>and a Young Girl. This was a case report of

0:32:12.680 --> 0:32:14.920
<v Speaker 1>a nine year old girl in good health who was

0:32:15.040 --> 0:32:17.320
<v Speaker 1>in for a regular check up with her doctor when

0:32:17.400 --> 0:32:20.600
<v Speaker 1>the doctor noticed that she had two pupils in her

0:32:20.680 --> 0:32:23.800
<v Speaker 1>left eye, one regular sized pupil in the middle and

0:32:23.840 --> 0:32:27.160
<v Speaker 1>then another much smaller hole in the iris just the

0:32:27.240 --> 0:32:30.680
<v Speaker 1>side of the primary robb. I've attached a picture for

0:32:30.720 --> 0:32:33.920
<v Speaker 1>you to look at here, but this case was one

0:32:33.920 --> 0:32:38.680
<v Speaker 1>of the extremely rare documented cases of true polychoria, because

0:32:38.800 --> 0:32:43.400
<v Speaker 1>both pupils in the same eye would contract simultaneously when

0:32:43.400 --> 0:32:47.480
<v Speaker 1>exposed to light, meaning they both had functional sphincter muscles

0:32:47.480 --> 0:32:51.440
<v Speaker 1>surrounding them. And one of the proposed causes of true

0:32:51.480 --> 0:32:55.440
<v Speaker 1>polychoria is what the authors call quote a sneering or

0:32:55.560 --> 0:33:00.240
<v Speaker 1>pinching off from the margin of another pupil, and that

0:33:00.280 --> 0:33:02.239
<v Speaker 1>would seem to make sense of why there would be

0:33:02.440 --> 0:33:05.640
<v Speaker 1>a sphincter muscles surrounding it. So if you picture the

0:33:05.680 --> 0:33:09.000
<v Speaker 1>pupil surrounded by this ring of sphincter muscle, and then

0:33:09.000 --> 0:33:13.160
<v Speaker 1>you picture part of that pupil by just uh, some

0:33:13.240 --> 0:33:15.560
<v Speaker 1>kind of quirk of how the cells are growing, part

0:33:15.560 --> 0:33:18.520
<v Speaker 1>of the people getting pinched off and separated from the

0:33:18.560 --> 0:33:21.719
<v Speaker 1>other one, like the irish cells around it kind of

0:33:21.760 --> 0:33:24.120
<v Speaker 1>just come together and grow together and pinch off part

0:33:24.160 --> 0:33:26.760
<v Speaker 1>of it that would still it would still be surrounded

0:33:26.760 --> 0:33:30.240
<v Speaker 1>by those sphincter muscle cells. By the way, and a

0:33:30.280 --> 0:33:32.560
<v Speaker 1>lot of times we'll say, definitely go do an image

0:33:32.560 --> 0:33:34.360
<v Speaker 1>search so you can see what we're talking about here.

0:33:34.360 --> 0:33:37.280
<v Speaker 1>I have to advise if you're doing a search for polychoria,

0:33:37.640 --> 0:33:41.840
<v Speaker 1>you will invariably turn up some actual images, but also

0:33:41.920 --> 0:33:46.200
<v Speaker 1>a lot of doctored images and like clickbait images. Uh

0:33:46.280 --> 0:33:50.320
<v Speaker 1>that that that don't represent anything that's actually happening, uh

0:33:50.360 --> 0:33:53.719
<v Speaker 1>in in the in real biological world. If you definitely

0:33:53.760 --> 0:33:55.320
<v Speaker 1>want to see a real photo, you can look up

0:33:55.360 --> 0:33:57.280
<v Speaker 1>the article I just mentioned again that was in jam

0:33:57.280 --> 0:34:00.600
<v Speaker 1>optomology called polychoria in a young Girl. It just as

0:34:00.640 --> 0:34:02.400
<v Speaker 1>close ups of the pupils and you can see them

0:34:02.520 --> 0:34:05.600
<v Speaker 1>right there. Yeah, these images are quite impressive, though, of

0:34:05.600 --> 0:34:07.840
<v Speaker 1>course I have to say that anytime you have a

0:34:07.840 --> 0:34:11.600
<v Speaker 1>close up image of the inner workings of an eyeball um,

0:34:11.920 --> 0:34:15.400
<v Speaker 1>you're getting into weird territory because he quickly becomes this

0:34:15.560 --> 0:34:25.000
<v Speaker 1>strange alien world than now you might be tempted to wonder,

0:34:25.000 --> 0:34:29.320
<v Speaker 1>whoa if somebody has two pupils in the same eye,

0:34:29.719 --> 0:34:32.320
<v Speaker 1>how does that affect vision? Like do they see two

0:34:32.400 --> 0:34:35.520
<v Speaker 1>images out of that eye or something? And the answer

0:34:35.560 --> 0:34:39.279
<v Speaker 1>to that is no, because what's what's creating the what's

0:34:39.280 --> 0:34:42.960
<v Speaker 1>sending the light data back to your visual cortex is

0:34:43.000 --> 0:34:48.239
<v Speaker 1>the retina. So what tends to result from polychoria is

0:34:48.320 --> 0:34:52.480
<v Speaker 1>usually just some impairment of vision in that eye. But

0:34:53.000 --> 0:34:55.600
<v Speaker 1>it doesn't tend to, at least as far as I've read,

0:34:56.000 --> 0:34:59.839
<v Speaker 1>create any extravagant unusual effects. More likely, if it has

0:34:59.840 --> 0:35:03.160
<v Speaker 1>a vacs on vision. It's probably just some uh, some

0:35:03.200 --> 0:35:05.800
<v Speaker 1>reduction in the function of the eye or impairment of vision.

0:35:06.280 --> 0:35:07.480
<v Speaker 1>I mean you kind of come back to the same

0:35:07.480 --> 0:35:09.560
<v Speaker 1>place where we've we've been here before, where you you

0:35:09.800 --> 0:35:12.319
<v Speaker 1>you talk about site uh, and it's something that we

0:35:12.600 --> 0:35:14.719
<v Speaker 1>know most of us take for granted. But then when

0:35:14.800 --> 0:35:17.279
<v Speaker 1>you start thinking about what's actually happening, you know that

0:35:17.320 --> 0:35:21.000
<v Speaker 1>you have these not one, but two different eyeballs functioning

0:35:21.120 --> 0:35:23.960
<v Speaker 1>and uh and then this data is then um, you know,

0:35:24.280 --> 0:35:28.360
<v Speaker 1>reassembled and created into this uh, stitched together into this

0:35:28.440 --> 0:35:31.919
<v Speaker 1>the simulated model of the world inside our heads. Uh.

0:35:31.920 --> 0:35:35.239
<v Speaker 1>It's it's pretty crazy. Well yeah, and especially because as

0:35:35.239 --> 0:35:37.800
<v Speaker 1>we said earlier, you know, vision happens in the brain.

0:35:38.000 --> 0:35:41.120
<v Speaker 1>It just makes use of data gathered with the eyes,

0:35:41.320 --> 0:35:44.560
<v Speaker 1>so the brain can actually do a lot of compensating, adapting,

0:35:44.560 --> 0:35:47.160
<v Speaker 1>and adjusting based on what's going on in the first

0:35:47.200 --> 0:35:50.239
<v Speaker 1>part of the process. Right. It also reminds me of

0:35:51.160 --> 0:35:53.200
<v Speaker 1>talking to David Eagleman. You know, one of the things

0:35:53.280 --> 0:35:57.400
<v Speaker 1>he points out is that we're basically Mr potato Heads

0:35:57.440 --> 0:36:00.640
<v Speaker 1>and the more sensory tools that you plug into the brain,

0:36:01.160 --> 0:36:03.480
<v Speaker 1>like it's just going to be integrated into the model

0:36:04.320 --> 0:36:07.399
<v Speaker 1>so you know, it's like one eyeball, two eyeballs. Um,

0:36:07.440 --> 0:36:09.719
<v Speaker 1>if you if you were to add additional eyeballs or

0:36:09.920 --> 0:36:13.960
<v Speaker 1>additional things, that's that that fed in additional data like

0:36:14.080 --> 0:36:18.000
<v Speaker 1>that would be consolidated into the whole. Yeah, he's pretty

0:36:18.160 --> 0:36:21.399
<v Speaker 1>from what I understand, he's pretty bullish on plasticity, right,

0:36:21.719 --> 0:36:24.400
<v Speaker 1>And I guess there are differences of opinion among experts

0:36:24.440 --> 0:36:27.319
<v Speaker 1>on this, like how adaptable is the adult brain, how

0:36:27.360 --> 0:36:31.359
<v Speaker 1>many types of new sensory information could a brain make

0:36:31.520 --> 0:36:33.520
<v Speaker 1>use of? But yeah, I think he's more on the

0:36:33.640 --> 0:36:35.879
<v Speaker 1>end of like we we would be shocked how much

0:36:35.920 --> 0:36:38.840
<v Speaker 1>the brain can adapt to, right. Yeah. But then again,

0:36:38.880 --> 0:36:40.680
<v Speaker 1>just coming back to the idea that, yeah, your vision

0:36:41.160 --> 0:36:43.000
<v Speaker 1>is not the thing your eye does. Your vision is

0:36:43.040 --> 0:36:47.239
<v Speaker 1>the thing your brain does using the eyes, right. All right,

0:36:47.320 --> 0:36:49.520
<v Speaker 1>So we're gonna be back in the next episode. We're

0:36:49.520 --> 0:36:54.799
<v Speaker 1>gonna have more ancient ideas about multi lobed eyes. We're

0:36:54.800 --> 0:36:57.960
<v Speaker 1>gonna have We're gonna we have some more science at

0:36:58.040 --> 0:36:59.880
<v Speaker 1>this time from the animal world and some of this

0:37:00.040 --> 0:37:04.399
<v Speaker 1>strange pupils going on out there. Um. I did want

0:37:04.400 --> 0:37:07.800
<v Speaker 1>to mention though, briefly, that yeah, you do have some

0:37:07.800 --> 0:37:11.840
<v Speaker 1>some pretty neat pop culture examples of multi pupil, multi

0:37:11.960 --> 0:37:15.399
<v Speaker 1>irist eyes. Um, I was trying to think of think

0:37:15.440 --> 0:37:17.080
<v Speaker 1>of them. I feel like the ones that came to

0:37:17.160 --> 0:37:19.960
<v Speaker 1>mind or are all kind of loosely connected to each other,

0:37:20.080 --> 0:37:21.680
<v Speaker 1>or they all feel like they're very much within the

0:37:21.760 --> 0:37:25.960
<v Speaker 1>same sort of genre of sort of weird horror themed

0:37:27.000 --> 0:37:30.120
<v Speaker 1>visionary art. I was like, Rob, is it going to

0:37:30.200 --> 0:37:33.000
<v Speaker 1>be Tool? Yeah, well it has to be Tool, right,

0:37:33.320 --> 0:37:36.000
<v Speaker 1>So like and because I guess these were probably my

0:37:36.040 --> 0:37:38.560
<v Speaker 1>first exposures to this kind of of imagery, even though

0:37:38.600 --> 0:37:40.640
<v Speaker 1>again it's it's you know, it's clearly been around with

0:37:40.719 --> 0:37:45.120
<v Speaker 1>us for a very long time. But there's the Adam

0:37:45.200 --> 0:37:49.760
<v Speaker 1>Jones of Tool. His art for the The ep Opiate

0:37:50.120 --> 0:37:53.880
<v Speaker 1>features something like, you know, eyes with multiple pupils and

0:37:54.080 --> 0:37:58.480
<v Speaker 1>or eyes undergoing mitosis or their figure eight pupils. It's

0:37:58.560 --> 0:38:00.319
<v Speaker 1>you know, hard to figure out exactly what's happening in

0:38:00.440 --> 0:38:04.560
<v Speaker 1>a stationary image. There's also the cam de Leon album

0:38:04.719 --> 0:38:09.720
<v Speaker 1>art Ocular Orifice for Tool album Onema, featuring an eye

0:38:09.760 --> 0:38:13.960
<v Speaker 1>with two or more irises and pupils, And that's one

0:38:14.000 --> 0:38:16.080
<v Speaker 1>that I believe is is animated as well, so it

0:38:16.120 --> 0:38:18.360
<v Speaker 1>gets this, you get this idea of the eye turning.

0:38:18.800 --> 0:38:20.600
<v Speaker 1>Was that an album that had some release where you'd

0:38:20.600 --> 0:38:23.560
<v Speaker 1>like turn it in the light and it would move. Yeah, yeah,

0:38:23.600 --> 0:38:26.040
<v Speaker 1>you can. Yeah, some of the images could be placed

0:38:26.040 --> 0:38:28.000
<v Speaker 1>so that they're you know, they're looking out the front

0:38:28.000 --> 0:38:31.360
<v Speaker 1>of the CD case and it creates this this this movement,

0:38:31.600 --> 0:38:34.919
<v Speaker 1>uh really masters of the physical release, the horror movie

0:38:34.960 --> 0:38:37.359
<v Speaker 1>you talked about with the VHS box with the light

0:38:37.440 --> 0:38:40.719
<v Speaker 1>up eyes. Yeah, yeah, they're very very much And and

0:38:40.760 --> 0:38:42.759
<v Speaker 1>then I mean they're still putting out albums with that

0:38:42.800 --> 0:38:46.120
<v Speaker 1>kind of gimmick rick, which which I love. Um. Now,

0:38:46.640 --> 0:38:49.960
<v Speaker 1>a film that comes to mind, there's John Carpenter's in

0:38:49.960 --> 0:38:52.080
<v Speaker 1>the Mouth of Madness, which I know you you saw

0:38:52.080 --> 0:38:54.880
<v Speaker 1>in the last few years. Anyway, there's a scene in

0:38:54.880 --> 0:38:58.239
<v Speaker 1>which a deranged killer, uh like you know, crashes through

0:38:58.280 --> 0:39:01.719
<v Speaker 1>the the store for unt this cafe front with an

0:39:01.719 --> 0:39:03.279
<v Speaker 1>axe and then you get a close up of his

0:39:03.360 --> 0:39:07.440
<v Speaker 1>eyes and he seems to have they're either like conjoined

0:39:07.480 --> 0:39:11.200
<v Speaker 1>irises or perhaps irises that are undergoing mitosis, that are

0:39:11.239 --> 0:39:15.200
<v Speaker 1>coming together or splitting apart, or something is going on there,

0:39:15.239 --> 0:39:17.640
<v Speaker 1>and it's like a super creepy moment. And then he

0:39:17.640 --> 0:39:21.439
<v Speaker 1>starts talking about Cutter Kane um and then of course course,

0:39:21.520 --> 0:39:24.040
<v Speaker 1>you know that's a film that's often talked about in

0:39:24.160 --> 0:39:27.320
<v Speaker 1>terms of the lovecrafty and influences. There's a great madness

0:39:27.360 --> 0:39:30.400
<v Speaker 1>line at the end of HP Lovecraft's story The Haunter

0:39:30.480 --> 0:39:33.560
<v Speaker 1>of the Dark that reads, I see it coming here,

0:39:33.719 --> 0:39:38.080
<v Speaker 1>hell Win, Titan Blur, black wings, yog So thought save me,

0:39:38.400 --> 0:39:41.719
<v Speaker 1>the three lobed burning I I mean, frankly, after all

0:39:41.760 --> 0:39:44.239
<v Speaker 1>this talk of seven lobed burning eyes, I feel like

0:39:44.239 --> 0:39:46.759
<v Speaker 1>that's what the same is not that impressive. I can

0:39:46.800 --> 0:39:51.120
<v Speaker 1>easily imagine the three lobe burning, seven lobed Yeah, that's

0:39:51.120 --> 0:39:54.320
<v Speaker 1>too mad to even right about. Yog So thought arrives

0:39:54.320 --> 0:39:56.600
<v Speaker 1>on Earth after millions of years is like I have

0:39:56.719 --> 0:40:01.160
<v Speaker 1>come to conquer runs into Kucullen colins, like I have

0:40:01.239 --> 0:40:03.879
<v Speaker 1>so many more irises than you. And that's right, Yeah,

0:40:03.880 --> 0:40:07.799
<v Speaker 1>I have a cocolin could could totally WHIPIOK, sotha, no, no,

0:40:07.800 --> 0:40:10.440
<v Speaker 1>no question about it. All right, Well, we're gonna go

0:40:10.440 --> 0:40:12.440
<v Speaker 1>and close it out there, but we will be back Thursday.

0:40:12.520 --> 0:40:17.280
<v Speaker 1>There'll be more um I related wonder, more I related science,

0:40:17.680 --> 0:40:20.160
<v Speaker 1>So tune in. Uh. In the meantime, we'd love to

0:40:20.200 --> 0:40:22.640
<v Speaker 1>hear from everyone, though. If you have thoughts about this episode,

0:40:22.680 --> 0:40:26.200
<v Speaker 1>if you have thoughts about Irish mythology, um, other tales

0:40:26.280 --> 0:40:31.080
<v Speaker 1>and involve um multiple pupils or multiple irises in the

0:40:31.120 --> 0:40:32.960
<v Speaker 1>same eye. Like I said, we're gonna mention some in

0:40:33.000 --> 0:40:35.880
<v Speaker 1>the next episode, but it's very likely. I mean, it's it's,

0:40:36.480 --> 0:40:39.040
<v Speaker 1>it's it's I'm definitely missing something. There's there's some sort

0:40:39.040 --> 0:40:43.520
<v Speaker 1>of detail from some other folklore, mythology or certainly pop culture,

0:40:43.920 --> 0:40:45.880
<v Speaker 1>and we would love to hear about any of those examples.

0:40:45.880 --> 0:40:49.120
<v Speaker 1>So right in and let us know. Um those episodes.

0:40:49.160 --> 0:40:50.879
<v Speaker 1>Of course, core episodes of Stuff to Blow Your Mind

0:40:50.880 --> 0:40:53.800
<v Speaker 1>come out on Tuesdays and Thursdays. On Wednesday we do

0:40:53.840 --> 0:40:56.600
<v Speaker 1>a short form artifact or monster fact. On Monday we

0:40:56.680 --> 0:40:59.640
<v Speaker 1>do listener mail, and on Friday we do Weird How Cinema.

0:40:59.680 --> 0:41:02.200
<v Speaker 1>That's our time to set aside most serious matters and

0:41:02.239 --> 0:41:05.200
<v Speaker 1>just discuss a strange film. Huge thanks as always to

0:41:05.239 --> 0:41:08.759
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you would

0:41:08.800 --> 0:41:10.839
<v Speaker 1>like to get in touch with us with feedback on

0:41:10.880 --> 0:41:13.120
<v Speaker 1>this episode or any other, to suggest a topic for

0:41:13.160 --> 0:41:15.440
<v Speaker 1>the future, or just to say hello, you can email

0:41:15.520 --> 0:41:26.160
<v Speaker 1>us at contact at Stuff to Blow your Mind dot com.

0:41:26.200 --> 0:41:28.680
<v Speaker 1>Stuff to Blow Your Mind is production of I heart Radio.

0:41:29.040 --> 0:41:31.160
<v Speaker 1>For more podcasts for My heart Radio, visit the i

0:41:31.200 --> 0:41:34.040
<v Speaker 1>heart Radio app, Apple podcasts, or wherever you're listening to

0:41:34.080 --> 0:41:43.560
<v Speaker 1>your favorite shows.