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Speaker 1: First of all, you don't know me. Were all about

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Speaker 1: that high school drama, Girl drama, Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride in

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Speaker 1: our comic girl Cheering for the drama Queens Girl Fashion,

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Speaker 1: but you'll tough, girl, You could sit with us Girl Drama,

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Speaker 1: Queens Drama, Queen's Drama, Queen's Drama, drawn MC, Queen's Drama,

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Speaker 1: Queen's You guys, Joy and Sophia just got their lunches,

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Speaker 1: and thank god, because this episode was lacking um in

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Speaker 1: lots of different ways that maybe a sandwich will make

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Speaker 1: up for. Yeah, I'm down. Let's see if that happens

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Speaker 1: all of a sudden. I'm you know, to be fair,

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Speaker 1: actually I did. I did like this episode. There were

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Speaker 1: a lot of things I liked about it, and um, yeah,

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Speaker 1: it was a bit of a bridge episode, as one

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Speaker 1: of those things that just sort of gets us from

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Speaker 1: point A to point B so we can kind of

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Speaker 1: close up some storylines and open up some new ones.

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Speaker 1: And uh so, you know, there were some things, there

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Speaker 1: were some two tree things that I didn't really like,

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Speaker 1: but you know, overall it was fine to the synopsis

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Speaker 1: give it to them all right, Well, you too chew.

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Speaker 1: I'm gonna give it to him. This is season four,

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Speaker 1: episode seven, All these things that I've done that's vague

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Speaker 1: um Air date November two thousand six. The synopsis is

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Speaker 1: Rachel makes the cover of Maxim, causing chaository hill high.

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Speaker 1: Brooke is still dating the teacher, and she learns he

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Speaker 1: may not have good intentions from Rachel, causing her to

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Speaker 1: decide who to believe that was ever in question? Yeah,

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Speaker 1: I mean, come on. Meanwhile, Lucas learns of Nathan's dealings

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Speaker 1: with Dante and ultimately has to choose between Nathan and

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Speaker 1: his love for basketball. Haley takes on babysitting, only to

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Speaker 1: find herself in over her head and Peyton's half brother

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Speaker 1: Derek forces her to confront her deepest fears. There's a

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Speaker 1: lot of learning in that synopsis. It's like Brook learns this,

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Speaker 1: Nathan learns this, Lucas learns this. Like that's a good

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Speaker 1: observation information. Did we learn anything nothing we didn't already know? Honey. Hey,

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Speaker 1: maybe you know those episodes where the fans are like,

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Speaker 1: quit making fun of the show, you guys are beating bitches, Well,

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Speaker 1: there was good stuff. There was good stuff, So let's

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Speaker 1: focus on this Brooks Fashion Show. Yeah, Brooks Fashion Show.

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Speaker 1: We're back in Brooks nineties romcom world. It's my favorite.

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Speaker 1: I'm so happy to see it. Um, I wasn't in

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Speaker 1: love with those clothes, but you know whatever, it's the

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Speaker 1: early odd listen that makes some space. That red dress

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Speaker 1: really had a lot of airtime this episode. Well, it's

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Speaker 1: also funny to me because that red dress is basically

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Speaker 1: a copy of Brooks Season one red party dress. Yes,

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Speaker 1: g G is wearing a red dress, Like, is the

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Speaker 1: only dress up outfit anyone knows of a red halter

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Speaker 1: top dress? Is that? It is that all we got?

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Speaker 1: And why am I having mouth put rhyme stones on

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Speaker 1: this girl? And and why is America's Next Top Model

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Speaker 1: on our show? I mean she's lovely, but like what

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Speaker 1: was happening? Man? That was Charity English and I used

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Speaker 1: to hang out with her at our upfront parties because

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Speaker 1: America's Next Top Model was the biggest show on our network.

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Speaker 1: It was such a big deal, and it was a

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Speaker 1: big deal for us to have one of their winners

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Speaker 1: on our show. She was cut, come on our show

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Speaker 1: and just talk to this boy about being a virgin.

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Speaker 1: That's all I need you to do. Let's just talk

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Speaker 1: to him about over and over and over again about

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Speaker 1: being a virgin. Nick the teacher is a sexual predator.

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Speaker 1: And then they're like, you know, we should really just

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Speaker 1: even it out, So let's make America's top model a predator. Guys, guys,

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Speaker 1: I swear we're not just gonna do this. We did

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Speaker 1: this in the last episode. It's okay, we're gonna talk

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Speaker 1: about other things, but you know, it's just hard to avoid.

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Speaker 1: It's there, it's right there by the way. We have

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Speaker 1: to talk about it because it keeps happening. And again

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Speaker 1: simply evidence that there were a lot of gross, horny

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Speaker 1: year old men in really writing their creepy man fantasies

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Speaker 1: like bro, I'm sorry, America's next top model does not

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Speaker 1: want to bang a high school senior. Stop it, just

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Speaker 1: stop it. It's disgusting. Joy, you said, I actually wrote

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Speaker 1: it down. You said, it's just exhausting. How wrote it

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Speaker 1: down to ste If you're sick of hearing us talk

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Speaker 1: about it, imagine sick talking about it. Imagine how sick

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Speaker 1: we were of having to do it. Okay, let's talk

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Speaker 1: about real life scandal. Did you have real life scandals

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Speaker 1: in your town. He was always in church, wasn't it. Well,

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Speaker 1: we had that too, Yeah, yeah, for sure, for sure.

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Speaker 1: It's always like somebody involved in like, you know, youth choir. Like, oh, yeah,

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Speaker 1: that's right. There was a Yes, there was a youth

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Speaker 1: group leader at my church who got involved with one

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Speaker 1: of the students. Of course. Yeah. I was on a

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Speaker 1: road trip with my dad and he was like, look

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Speaker 1: up my best friend from high school, and I did,

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Speaker 1: and his like old best friends, like a mega church

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Speaker 1: leader back home in Virginia, and the son of this

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Speaker 1: guy was the youth leader and definitely arrested around with

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Speaker 1: like kids. It's it's always always that. It's always that,

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Speaker 1: you know who I loved recently, I don't know if

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Speaker 1: you guys saw this video on TikTok, this amazing woman

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Speaker 1: and joy I was thinking about you because she's in Tennessee.

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Speaker 1: She went to like some city council meeting in Tennessee

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Speaker 1: and went off in that yeah, like in whatever town

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Speaker 1: she lives in, they were trying to pass, you know,

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Speaker 1: a terribly bigoted bill against drag performers. And she in

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Speaker 1: her like deep Southern accent. This woman is my hero.

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Speaker 1: She was like, I have never been assaulted at our

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Speaker 1: drag show. But you know where I have been twice

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Speaker 1: Church and like she just went off on like the

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Speaker 1: whole world. Always in church, it's always I know we

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Speaker 1: had like did you have in high school? She was

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Speaker 1: just great, Yeah, because we well I went to a

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Speaker 1: Christian high school, So there was that still that sort

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Speaker 1: of like that's a double way all the world. For

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Speaker 1: all the good things that I took away from that

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Speaker 1: in a foundation of faith in my life. I mean

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Speaker 1: that was really important and it is incredibly valuable. Um.

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Speaker 1: But you know the problem with any organization as humans, Yes,

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Speaker 1: those are complicated and um inevitably, in an environment where

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Speaker 1: you are trying to where the control of your behavior

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Speaker 1: becomes more important than um, the authenticity of your spiritual experience, UM,

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Speaker 1: you're going to have people freaking out, acting out because

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Speaker 1: they need to. It's not normal for us to have

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Speaker 1: our behavior controlled like that. Well, and then when you

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Speaker 1: layer money and power, you know, the ability to make laws,

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Speaker 1: the ability to be a tax free institution and become

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Speaker 1: one of the largest global landowners on earth, Like, this

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Speaker 1: stuff gets deeply complicated. And there's actually a guy who

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Speaker 1: will joy I know you're off Twitter, but there's a

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Speaker 1: guy who follows us and now I guess just follows

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Speaker 1: me and Hillary, but he responds to a lot of

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Speaker 1: the things we talked about on the podcast. I adore

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Speaker 1: him and he was actually uh, I don't know if

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Speaker 1: he was a theology student or a seminary school kid,

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Speaker 1: but he sent me some stuff recently about how there's

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Speaker 1: like full proof that from Aramaic even you know that

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Speaker 1: the way the Bible has been like mistranslated for power

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Speaker 1: and access that Leviticus in original translations said do not

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Speaker 1: lie with a child, and they can trace when that

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Speaker 1: was changed because the kings who controlled translations, who controlled

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Speaker 1: the book in the first place, made all their money

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Speaker 1: by marrying off their children for land rights. So if

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Speaker 1: you needed to marry your twelve year old daughter to

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Speaker 1: somebody's twenty five year old sons so you could increase

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Speaker 1: your old exactly, you know. But it's it's actually Sofia.

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Speaker 1: It's so interesting. It's almost like our boss wanted to

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Speaker 1: be a king. But there it is. But like but truly,

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Speaker 1: when you look at that, like the way that again

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Speaker 1: you said it, people are the problem. They'll they'll bastardize

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Speaker 1: ideas to accrue power, and money. Yeah, just human nature

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Speaker 1: can't get away from it. So yeah, there's always seems

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Speaker 1: so would be able to get away from it. But

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Speaker 1: I like your point, Joy that like you, you were

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Speaker 1: able to derive um like really important parts of yourself

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Speaker 1: from that experience while acknowledging like, yeah, this other is awful.

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Speaker 1: Like in my time, I loved my high school so

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Speaker 1: so so much. I loved it. I'm still friends with

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Speaker 1: all my teachers. I obviously, like still interact with everyone

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Speaker 1: I grew up with. I go home a lot. I

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Speaker 1: love that about you. I'll tell you what though, when

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Speaker 1: I moved to New York and I started telling like

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Speaker 1: my dorm roommates about the ship that would happen between

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Speaker 1: teachers and students, they were horrified. They're like, where are

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Speaker 1: you from? And even though that stuff happened at my

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Speaker 1: high school, Like for real, I'm still scandalized by One

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Speaker 1: Tree Hill. I'm still like they're kissing at the school.

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Speaker 1: Don't they know that you're supposed to meet in a

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Speaker 1: parking lot like down the road at the safe way,

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Speaker 1: Like there are rules to scandal that One Tree All

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Speaker 1: was not adhering to. Oh that's a that's a TV

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Speaker 1: show the rules, rules to scandal, scandal. They just kissed

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Speaker 1: in the classroom, that's regrets. But again, it's like it

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Speaker 1: all comes back fantasy to our wannabe kingmaker, to this fantasy,

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Speaker 1: this fantasy that you could have not one but two

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Speaker 1: like with Brooke and Rachel too hot cheerleaders throw themselves

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Speaker 1: at you when you're the teacher and one of them

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Speaker 1: happens to be on the cover of Maxim And then

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Speaker 1: the cute announcer boy has a model from New York

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Speaker 1: throwing herself at him. Like it's all sakes me off.

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Speaker 1: Like something that I noticed in this episode and it

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Speaker 1: just clicked for the first time, is that Lee's entire

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Speaker 1: storyline for the at least this far into the show,

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Speaker 1: has been him just waiting around for quote unquote hot

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Speaker 1: girls and then being told he's not attractive enough for

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Speaker 1: whatever this quote unquote hot girl this thing is, and

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Speaker 1: so now he's got to settle for some you know,

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Speaker 1: she turns out she's super hot, you know, big surprise,

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Speaker 1: she's all that. But it's like he thinks he's settling

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Speaker 1: and then realizes it's just so confusing to me that again,

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Speaker 1: Lee such a great actor, Why isn't he doing anything

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Speaker 1: more than pining after some He's just chasing girls around,

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Speaker 1: this idea that you have to do the right thing

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Speaker 1: by being with this insanely hot girl instead of this

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Speaker 1: insanely hot girl he won a model in competition. Like

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Speaker 1: what a martyr, you guys, what a martyr? It's just

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Speaker 1: so well And this was said in like so many

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Speaker 1: behind the scenes interviews and stuff. But the character of

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Speaker 1: Mouth was modeled on our boss, and so all the

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Speaker 1: girls kind of teasing Mouth is our boss being like

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Speaker 1: all of you girls are teasing me, and like we

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Speaker 1: have such a deep connect shin and all that grossness.

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Speaker 1: And then of course he casts, you know, a fourteen

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Speaker 1: year old to come in and play the one that

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Speaker 1: wants him, you know, and yeah, the nerdy one who's

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Speaker 1: obsessed because she can't be interesting unless she's what did

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Speaker 1: you say? She's like, I say, she has to be

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Speaker 1: horny or she can't have a personnelity. That's it. That's it.

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Speaker 1: It's like, how's Lucas doing well? He's he's percent at

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Speaker 1: the line, but he's a hud hot. I'm like, why

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Speaker 1: are we making this lovely, little funny girl say these things?

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Speaker 1: It's like it's cute in and of itself, if it

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Speaker 1: were out of the context of everything else we're talking about.

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Speaker 1: It's cute. That's like a cute thing for high school

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Speaker 1: girl to say. Also knowing the knowing the ick factor

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Speaker 1: of all of it. It just throws it in with

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Speaker 1: the whole bathwater. But joy, it would be cute for

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Speaker 1: g to say to us like wow, and we're all like,

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Speaker 1: oh my god, wait what, Like that's funny. Among the

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Speaker 1: girls she is asking mouth out and then drooling over Lucas.

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Speaker 1: It's like, that's weird. What word? I know? You're that's weird.

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Speaker 1: It's all just so weird, and and the hits keep coming.

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Speaker 1: It's not even just at the high school stage. Well

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Speaker 1: I shouldn't say just high school because you know Nick's

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Speaker 1: a teacher. But it runs all the way up the

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Speaker 1: line to Dan Scott going to bail debb out of jail,

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Speaker 1: going look at all these horrors, which ones mine? Oh

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Speaker 1: the old one, like what she's six years old and

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Speaker 1: she's described and why are all the women in the

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Speaker 1: Tree Hill Jail in Lingerie dressed up like again some

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Speaker 1: guy's fantasy of a prostitute? Like what is that? Literally

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Speaker 1: all we exist to be in this show skinny women

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Speaker 1: in lingerie who looked trashy. First of all, the prostitutes

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Speaker 1: I know don't dress like that. And second of all,

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Speaker 1: it's like we've established this as a small sleepy yea.

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Speaker 1: From all of a sudden, we've got we have the

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Speaker 1: night and the mafia. Guys. It's officially shark time where

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Speaker 1: the boat is going over. It's happening, all right, let's

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Speaker 1: talk about Rick Fox. Wait a second, is this just lame?

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Speaker 1: Is like, is our show turning into lames with like

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Speaker 1: all the women working down at the docks, and we've

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Speaker 1: got Jean Valjean, you know, like Nathan stole the loaf

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Speaker 1: of bread. Now he's got to pay for it. That's happening.

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Speaker 1: That would have but that would have been way better.

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Speaker 1: It would have been. I wanted a song and dance routine,

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Speaker 1: that's right. I met Rick Fox only a couple of times. Um,

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Speaker 1: he was always really nice to me. I think he

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Speaker 1: was too nice to work with. Yeah, like so tall,

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Speaker 1: so much taller than anyone who's tall and is Um,

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Speaker 1: he does a nice job. Is this his first acting gig?

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Speaker 1: I want to say, done some other stuff here and

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Speaker 1: there he had I remember he's so handsome. He's so handsome,

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Speaker 1: and he's lovely and and for as much of a

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Speaker 1: leaping over Sharks storyline as this is, he he does

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Speaker 1: have a very calm energy and there's a groundedness to

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Speaker 1: him that makes him spooky. And yeah, I I thought,

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Speaker 1: you know, again, for as silly as it is, I

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Speaker 1: thought he and James did a really beautiful job of

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Speaker 1: this together. You know, you can see in that last scene,

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Speaker 1: like when they win the game, but they've shaved the points,

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Speaker 1: like the way that Nathan's just hanging his head while

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Speaker 1: everyone celebrating around them. You really saw the impact of it,

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Speaker 1: and it was it was cool to see like a

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Speaker 1: whole new storyline for him that was really interesting and

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Speaker 1: about you know, emotional and moral conflict um inside of

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Speaker 1: a silly container. But I thought those guys did a

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Speaker 1: really beautiful job. And you know what I do remember, God,

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Speaker 1: as I'm talking about it, I'm like picturing the scene again.

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Speaker 1: I remember how cute it was to see James and

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Speaker 1: all the basketball boys get so excited when Rick Fox.

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Speaker 1: They were like, oh my god, And it was really

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Speaker 1: sweet to see them all like puppy dogging around asking

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Speaker 1: him questions about the NBA and stuff. It was cute it.

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Speaker 1: I think Conrad the guy who was like, you know,

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Speaker 1: the body man for Rick fox Um, what do say?

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Speaker 1: He and Paul knew each other like there was their friends. Yeah,

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Speaker 1: their pals, I think basketball buddies. Maybe it was cool

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Speaker 1: because Paul had always kind of been like the big

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Speaker 1: guy on set, and so now we have this bigger

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Speaker 1: guy on set and that was fun to watch, like

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Speaker 1: just just bros browing out and kind of just feeling

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Speaker 1: out the bronness of it all. That's always always talking

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Speaker 1: about basketball. Now. Yeah, they they had fun, and I

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Speaker 1: think it was important to your point that Rick played

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Speaker 1: the character super calm, because as unbelievable as the situation is,

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Speaker 1: they made it really believable how easily a naive person

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Speaker 1: could fall into this debt trap. Like it just it's

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Speaker 1: like Nathan slipped and whoops, here we are. Yeah, totally.

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Speaker 1: I think I feel like he loses his scholarship to

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Speaker 1: Duke over this. I could be wrong, but that's what's

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Speaker 1: in my memory. Anyway, he'd love to see I don't remember,

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Speaker 1: but Hayley's going to Duke. He's going to Duke. She

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Speaker 1: can figure out how to take care of a child. Yeah,

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Speaker 1: which the indication is not great considering the two kids

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Speaker 1: that she well, they're kind of were bratty kids. Where'd

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Speaker 1: you find that one of them? One of them was

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Speaker 1: Barbara allen Wood's daughter in real life, Natalie Lynn, who

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Speaker 1: is now starring in Big Sky and a bunch of

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Speaker 1: other great TV shows and movies. She's some wonderful actress

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Speaker 1: and girls are really sweet to see her face or

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Speaker 1: big brown eyes and those freckles. I missed her. She

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Speaker 1: was such a sweetheart. Um, yeah, that was fun. I

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Speaker 1: remember that was a fun day. And you know, I

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Speaker 1: don't really like other people's kids. You said that when

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Speaker 1: we're out of it, said, I was, by the way,

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Speaker 1: that's why I said, when when Hailey goes no, I'll

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Speaker 1: like ours. I said, Look, it's foreshadowing for you exactly. Yeah.

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Speaker 1: I wonder what that did you babysit growing up? Not really, No,

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Speaker 1: I don't know everyone. It's just it's just it's just

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Speaker 1: some people's kids. Some people I don't know. Like, I'm

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Speaker 1: really nice. I'll take them in small doses, and I

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Speaker 1: love being nice to a kid. Are like five minutes.

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Speaker 1: It's only you know what, Like my my friends who

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Speaker 1: have kids who I do love, or Maria's friends like

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Speaker 1: she's got you know, I'm sure you know to Hill

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Speaker 1: like Gus and George probably have friends in their own

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Speaker 1: spaces that you like, something you love, and some that

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Speaker 1: you're like, God, I don't want that little bull over here.

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Speaker 1: Ever again, I'm the exact opposite. I really I love

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Speaker 1: bad kids, like love them. And if I see like

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Speaker 1: certain mothers that are struggling, I'm like, please bring them

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Speaker 1: to my farm. I will win them over. I will

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Speaker 1: hit The struggling is a whole different thing than just

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Speaker 1: legitimately raising your kids to be apples. I like like,

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Speaker 1: I like, I like the challenge of a bad kid.

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Speaker 1: It's thrilling, too busy. I'm into it. I'm into it.

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Speaker 1: There are a couple of examples that I won't say

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Speaker 1: because I don't want any of my friends to like

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Speaker 1: know that they're the ones with the bad kids. But

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Speaker 1: I I relish a challenge. It's probably so funny. Explains

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Speaker 1: a lot of my dating life too. I'm just like,

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Speaker 1: you just give me the complicated little girl Almot fix

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Speaker 1: them right up? Yeah, hypnotizem. I'm gonna buy you. I

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Speaker 1: love the kids like Maria's got some friends who I

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Speaker 1: really really love, and those kids are like die hard. Like,

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Speaker 1: once you're in my heart, you're in. If anything ever

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Speaker 1: happens to you, I will take your kid for the

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Speaker 1: rest of like, I will do whatever, like whatever. I

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Speaker 1: love your child like my own. Um, but it's a

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Speaker 1: few and far between. Maybe that's a is that like

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Speaker 1: an introvert thing too? Well? Also because you didn't have

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Speaker 1: siblings growing up? I didn't, But I mean no, the

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Speaker 1: thing of like like it's kind of a hard shell.

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Speaker 1: But then once you're in, you're just like sucking you're

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Speaker 1: in forever. Yeah, but it's just hard to get in.

339
00:20:50,560 --> 00:20:54,040
Speaker 1: I have some my friends kids who are like that. Anyway,

340
00:20:54,080 --> 00:20:57,959
Speaker 1: we're really far down the road of optics it all.

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Speaker 1: I mean, if I don't know, So, if you did camp,

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Speaker 1: did you babysit? No? I didn't really babysit. My baby's

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Speaker 1: not a lot, did you he? Yeah? How do you

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Speaker 1: think I made my money in Sterling Park? Baby? That

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00:21:13,760 --> 00:21:15,320
Speaker 1: was the only way I made any money in like

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Speaker 1: junior high. In high school, I watched all the kids

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Speaker 1: in the neighborhood and and you didn't really get a

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Speaker 1: choice because it was usually like like friends of your

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Speaker 1: parents or parents that saw you on the playground and

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Speaker 1: they're like, hey, you look like you can handle chaos.

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Speaker 1: Do you want to come over? Totally. I relate to

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Speaker 1: those parents so much now. There was a kid I

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Speaker 1: babysat for where any time I was over, you know,

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Speaker 1: it's pre cell phone because we're that old, and we

355
00:21:44,040 --> 00:21:46,040
Speaker 1: would get a phone call while I was sitting there

356
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Speaker 1: babies and this kid and it was from the prison.

357
00:21:49,400 --> 00:21:52,680
Speaker 1: It was like, you have a paid phone call from

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Speaker 1: Virginia Correctional Institute and it was their freepy uncle and

359
00:21:57,040 --> 00:21:59,240
Speaker 1: he'd be like, oh, it is so and so there

360
00:21:59,240 --> 00:22:00,800
Speaker 1: and I'd be like, no, not at home right now,

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00:22:01,119 --> 00:22:03,639
Speaker 1: and be like, you're the babysitter. And it was always

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Speaker 1: like a dayline episode. And I continued to babysit for

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00:22:07,480 --> 00:22:11,639
Speaker 1: this family for serious. Yes, I think you need to

364
00:22:11,680 --> 00:22:15,120
Speaker 1: check up on that family home hard pass, no, thank you,

365
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Speaker 1: Like those were the bad kids that groomed me to

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Speaker 1: grow up and have a soft spot for bad kids. Yeah,

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Speaker 1: And they would like those kids were bad. They would

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Speaker 1: do things like they would hide condoms in the house

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Speaker 1: so that their mother thought their dad was cheating on them.

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Speaker 1: Like when I'm talking bad bad. Oh that's terrible. Yeah yeah,

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Speaker 1: and so that that just feels like a little person

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Speaker 1: who wants to watch the world burn. I'm disconcerned. Yeah,

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Speaker 1: so these kids on one Tree Hill seemed harmless, Like

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Speaker 1: what's a spitball? Yeah, yeah, you know exactly. I also

375
00:22:52,040 --> 00:22:56,160
Speaker 1: think like the wads have just wet toilet paper all

376
00:22:56,200 --> 00:22:58,760
Speaker 1: over the walls. I'm like, has anybody ever babysat a kid?

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00:22:58,800 --> 00:23:01,919
Speaker 1: Do you all know what kids do? They don't do this? No,

378
00:23:02,560 --> 00:23:07,240
Speaker 1: I mean they'll clog a toilet. Yeah. Yeah, Well, anyway,

379
00:23:07,280 --> 00:23:11,679
Speaker 1: it seemed like Hayley was having I did like her

380
00:23:11,760 --> 00:23:14,800
Speaker 1: running to Karen though at the basketball game and Karen

381
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Speaker 1: being like, good luck, kid, this is what it is.

382
00:23:18,840 --> 00:23:22,080
Speaker 1: Not helpful. It was also very sweet to see that

383
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Speaker 1: like redemptive moment, you know, after this struggle for Nathan

384
00:23:29,600 --> 00:23:32,119
Speaker 1: taking this money and shaving these points and having this

385
00:23:32,200 --> 00:23:33,880
Speaker 1: guilt at the end of the game, even though they're

386
00:23:33,920 --> 00:23:38,800
Speaker 1: going to stay, that sweet moment where you're watching him

387
00:23:38,800 --> 00:23:42,320
Speaker 1: with those kids. It was such a nice way to

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00:23:42,400 --> 00:23:45,680
Speaker 1: remind the audience what he was doing this for, like

389
00:23:45,800 --> 00:23:49,600
Speaker 1: what he was making the mistake for, And it was

390
00:23:49,760 --> 00:23:53,200
Speaker 1: so so sweet. That was just purely sweet. Did you

391
00:23:53,280 --> 00:23:56,040
Speaker 1: guys remember that night? Do you remember show me that night?

392
00:23:56,119 --> 00:23:59,440
Speaker 1: Because I was there. We did everything at that gym,

393
00:23:59,440 --> 00:24:01,359
Speaker 1: a new hand over high school, all in one night,

394
00:24:01,840 --> 00:24:04,879
Speaker 1: and I remember the three of us hanging back at

395
00:24:04,920 --> 00:24:07,560
Speaker 1: the other side of the gym talking about how hot

396
00:24:07,680 --> 00:24:11,359
Speaker 1: James was with the kids because it was like Barbara's daughters,

397
00:24:11,359 --> 00:24:13,920
Speaker 1: so Barbara was there too. We were all hanging everybody

398
00:24:14,000 --> 00:24:16,879
Speaker 1: was watching, going, oh yeah, that was I think that

399
00:24:16,960 --> 00:24:19,520
Speaker 1: was my first wake up call, like James is hot,

400
00:24:19,920 --> 00:24:24,320
Speaker 1: like clock before, because you guys, this was the moment

401
00:24:24,359 --> 00:24:27,400
Speaker 1: where we all were like, oh, he's not a baby anymore. Yeah, exactly,

402
00:24:27,760 --> 00:24:30,600
Speaker 1: this is very thirteen year old. He's a big boy,

403
00:24:30,960 --> 00:24:34,720
Speaker 1: Like he's he's holding a baby. What's happening? All of

404
00:24:34,760 --> 00:24:38,439
Speaker 1: our all of our wounds just open, our booms start hurting, like,

405
00:24:38,440 --> 00:24:43,879
Speaker 1: what's going on your over ache? I totally remember that.

406
00:24:46,200 --> 00:24:48,760
Speaker 1: It wasn't just us. I even remember Barbara being like,

407
00:24:48,880 --> 00:24:53,200
Speaker 1: I don't I'm uncomfortable. He could be a child. Those

408
00:24:53,240 --> 00:24:57,600
Speaker 1: are my children. What's happening? Yeah, yeah, good for him. Honestly,

409
00:24:58,040 --> 00:25:00,280
Speaker 1: he should just always have a baby on his hip,

410
00:25:00,720 --> 00:25:04,159
Speaker 1: you know that would be cool. James carry this child around.

411
00:25:04,480 --> 00:25:06,960
Speaker 1: We like it. I mean, I guess it's gonna have

412
00:25:06,960 --> 00:25:08,840
Speaker 1: to do that for the next How many seasons did

413
00:25:08,880 --> 00:25:12,320
Speaker 1: this go? Oh yeah, believe me, it's coming, don't you

414
00:25:12,440 --> 00:25:15,680
Speaker 1: worry coming. So what happened with Peyton in this episode?

415
00:25:15,840 --> 00:25:23,080
Speaker 1: She was still afraid dumb bulldog, mural bulldog. You guys,

416
00:25:23,520 --> 00:25:27,199
Speaker 1: it's not right. If anything, we laughed a lot this episode.

417
00:25:27,640 --> 00:25:30,320
Speaker 1: We did you know what I loved that? You said? Hillary, Guys,

418
00:25:30,359 --> 00:25:32,600
Speaker 1: for all of our friends at home, we're watching the

419
00:25:32,640 --> 00:25:35,560
Speaker 1: episode and that bulldogs on the wall, and Hillary goes,

420
00:25:35,920 --> 00:25:38,960
Speaker 1: nobody in the writer's room has ever been a teenage girl?

421
00:25:41,880 --> 00:25:49,320
Speaker 1: First she went dork door, dork with your dog over

422
00:25:49,400 --> 00:25:53,240
Speaker 1: your bed, the evolution the dog, all the things that

423
00:25:53,280 --> 00:25:56,560
Speaker 1: Peyton would have drawn to protect herself. This girl who

424
00:25:56,640 --> 00:25:59,679
Speaker 1: is like lives in darkness and makes pa angel and

425
00:25:59,720 --> 00:26:04,119
Speaker 1: all of these deeply dark. She walks through cemeteries. She's

426
00:26:04,160 --> 00:26:06,679
Speaker 1: going to draw a picking bulldog on her above her

427
00:26:06,720 --> 00:26:10,760
Speaker 1: bad gray dog. Bulldog doesn't even protect you in a fight,

428
00:26:10,960 --> 00:26:14,720
Speaker 1: you know what I mean? Dog breathe. She would have

429
00:26:14,800 --> 00:26:17,000
Speaker 1: like drawn a spell on her wall or some kind

430
00:26:17,040 --> 00:26:22,200
Speaker 1: of like I don't know, just fat little pub dogs

431
00:26:22,240 --> 00:26:26,000
Speaker 1: who can barely walk. I should have been like bats,

432
00:26:26,560 --> 00:26:29,720
Speaker 1: you know, like that's what I'm saying. That's a rattlesnake.

433
00:26:31,560 --> 00:26:36,400
Speaker 1: How about a wolf? A wolf at the very least, right,

434
00:26:36,560 --> 00:26:39,119
Speaker 1: it's like a little cliche, but okay, I mean a

435
00:26:39,160 --> 00:26:46,320
Speaker 1: bulldog grabbed your pant leg, and it's just like the

436
00:26:46,400 --> 00:26:51,240
Speaker 1: evolution of like the bulldog. And then I'm like sleeping

437
00:26:51,359 --> 00:26:53,359
Speaker 1: under it, and then I'm like still working on it.

438
00:26:53,440 --> 00:26:57,560
Speaker 1: And then I put Derek's name on a heart on

439
00:26:57,600 --> 00:27:03,919
Speaker 1: the name tag burning car or what's really bizarre? Okay,

440
00:27:04,160 --> 00:27:07,760
Speaker 1: do that gircas Derek's her brother. It's real Derek, not

441
00:27:07,880 --> 00:27:12,320
Speaker 1: psycho Derek bho. I did not catch that. Okay, the

442
00:27:12,359 --> 00:27:19,520
Speaker 1: bulldog is dumbish, But I will say I thought you

443
00:27:19,600 --> 00:27:23,119
Speaker 1: did such a beautiful job in this episode. And for

444
00:27:23,240 --> 00:27:27,000
Speaker 1: as much as we've been talking about how at the time,

445
00:27:27,240 --> 00:27:29,960
Speaker 1: you know, in two thousand six we were not doing

446
00:27:29,960 --> 00:27:32,520
Speaker 1: a good job talking about the reality of the effects

447
00:27:32,560 --> 00:27:36,320
Speaker 1: of a traumatic event on a young woman, Peyton having

448
00:27:36,440 --> 00:27:41,520
Speaker 1: panic attacks is finally a real acknowledgement of what she's

449
00:27:41,600 --> 00:27:46,120
Speaker 1: going through. Yes, and we're finally getting to a point

450
00:27:46,200 --> 00:27:48,959
Speaker 1: you know, it's like some dummy. Not only are they

451
00:27:49,040 --> 00:27:53,080
Speaker 1: dummies about dogs, but they're dummies about apparently boys, Like

452
00:27:53,440 --> 00:27:56,200
Speaker 1: some dummy thought that because real Derek is a marine,

453
00:27:56,240 --> 00:27:58,399
Speaker 1: all he's going to do is scream at you, and

454
00:27:58,480 --> 00:28:02,000
Speaker 1: eventually that calms on and he apologizes. Like I feel

455
00:28:02,000 --> 00:28:05,240
Speaker 1: like we're finally getting somewhere, even though the container has

456
00:28:05,240 --> 00:28:10,160
Speaker 1: been a little sloppy, you needing to leave school, showing

457
00:28:10,280 --> 00:28:15,960
Speaker 1: how triggers around a person can re ignite their traumatic event,

458
00:28:16,520 --> 00:28:21,040
Speaker 1: you know, him finally being able to see you and

459
00:28:21,080 --> 00:28:24,240
Speaker 1: saying like tomorrow will be six minutes instead of five.

460
00:28:24,320 --> 00:28:29,080
Speaker 1: Like there's a couple of nuggets of good advice and

461
00:28:29,520 --> 00:28:34,080
Speaker 1: of honest acknowledgment here, and you really you brought those

462
00:28:34,119 --> 00:28:35,560
Speaker 1: things to life in a way that made them feel

463
00:28:35,640 --> 00:28:39,600
Speaker 1: very real. M hm do you guys? I didn't think

464
00:28:39,600 --> 00:28:41,440
Speaker 1: about util We just started talking about it. But like

465
00:28:41,920 --> 00:28:46,320
Speaker 1: Nathan also just did the panic attack storyline right like

466
00:28:46,400 --> 00:28:51,440
Speaker 1: the PTSD I'm freaked out storyline, and they feel different

467
00:28:51,440 --> 00:28:55,320
Speaker 1: though they feel well. I just think the importance of

468
00:28:55,360 --> 00:28:59,720
Speaker 1: writer's rooms and in having variety in your voices in

469
00:28:59,760 --> 00:29:02,160
Speaker 1: a writer's room would have made a big difference here,

470
00:29:02,840 --> 00:29:08,200
Speaker 1: because we're recycling storylines over and over again. It's like

471
00:29:08,320 --> 00:29:10,880
Speaker 1: Rachel hooked up with an older dude, and now Brooke

472
00:29:11,000 --> 00:29:13,600
Speaker 1: is hooking up with an older dude. Nathan's dealing with

473
00:29:13,600 --> 00:29:16,200
Speaker 1: the panic attacks, and now Peyton's dealing with a panic attack,

474
00:29:16,280 --> 00:29:20,040
Speaker 1: and we're not connecting the dots in a way that

475
00:29:20,440 --> 00:29:26,160
Speaker 1: facilitates story, right. It just seems like, Yeah, it's like,

476
00:29:26,200 --> 00:29:30,000
Speaker 1: at what point would Nathan go to Peyton? You know,

477
00:29:30,000 --> 00:29:33,560
Speaker 1: Payton's gone to Nathan a bunch of times and been like, hey,

478
00:29:33,680 --> 00:29:37,720
Speaker 1: you seem to be falling apart. How can I help? Um,

479
00:29:37,760 --> 00:29:40,440
Speaker 1: that's not reciprocated yet. Maybe it happens. I don't know.

480
00:29:41,600 --> 00:29:45,240
Speaker 1: I guess we'll find out. Um, but it's if we're

481
00:29:45,280 --> 00:29:48,959
Speaker 1: gonna repeat things, that has to be for a reason,

482
00:29:49,640 --> 00:29:53,360
Speaker 1: make it makes sense. Um. I do like that Ernest

483
00:29:53,400 --> 00:29:55,720
Speaker 1: calms down, though I didn't like that they made him

484
00:29:55,720 --> 00:30:02,080
Speaker 1: a yeller because yeah, bit a tough marine. Uh weird.

485
00:30:02,160 --> 00:30:03,880
Speaker 1: It's like, why is he yelling at her? Why is

486
00:30:03,960 --> 00:30:06,400
Speaker 1: he always mean that this girl he doesn't even know?

487
00:30:07,080 --> 00:30:09,479
Speaker 1: And then also the timeline just got wonky for me

488
00:30:09,560 --> 00:30:15,280
Speaker 1: because he says that my dad left my mom for Ellie,

489
00:30:16,280 --> 00:30:19,360
Speaker 1: but he lived with us until I was a little

490
00:30:19,360 --> 00:30:25,520
Speaker 1: bit younger than you, So like if if our biological

491
00:30:25,600 --> 00:30:29,200
Speaker 1: dad left when he was like twelve, let's say twelve

492
00:30:29,280 --> 00:30:33,760
Speaker 1: or thirteen, is he twelve or thirteen years older than Peyton? Like,

493
00:30:34,680 --> 00:30:38,560
Speaker 1: it doesn't make any sense people. That's the kind of

494
00:30:38,800 --> 00:30:40,640
Speaker 1: that takes me out of a story where I'm like,

495
00:30:40,720 --> 00:30:42,920
Speaker 1: the math is wrong, guys. I think we did a

496
00:30:42,920 --> 00:30:44,480
Speaker 1: lot of that on our show. It was It's the

497
00:30:44,520 --> 00:30:47,320
Speaker 1: same thing as the marine based like Chad rolling up

498
00:30:47,360 --> 00:30:49,640
Speaker 1: in the room the homework. Here's what I'll say that

499
00:30:50,000 --> 00:30:54,680
Speaker 1: I follow Ernest on uh Instagram. He's an artist and

500
00:30:54,800 --> 00:30:56,680
Speaker 1: he just had a baby. We need to get him

501
00:30:56,680 --> 00:30:59,080
Speaker 1: on this show. I know, I know, we do. I

502
00:30:59,120 --> 00:31:02,080
Speaker 1: like him so much. He's got full white hair now,

503
00:31:02,280 --> 00:31:04,960
Speaker 1: so I totally believe that we are brother and sister

504
00:31:05,240 --> 00:31:08,160
Speaker 1: because we are both pretty surely gray and just like

505
00:31:08,440 --> 00:31:13,680
Speaker 1: I'm good with it, like fine life. Yeah, you know,

506
00:31:13,760 --> 00:31:15,600
Speaker 1: I loved him on this show because it was such

507
00:31:15,640 --> 00:31:18,280
Speaker 1: a He was just a refreshing presence. Yeah, he was

508
00:31:18,280 --> 00:31:20,400
Speaker 1: a little yelly at first. They had to calm him down,

509
00:31:20,440 --> 00:31:22,880
Speaker 1: and you know, they had to calm the writing down

510
00:31:22,920 --> 00:31:26,040
Speaker 1: from directing him to do that, I guess, but um,

511
00:31:26,160 --> 00:31:29,080
Speaker 1: but he stuck around for a little while and it's

512
00:31:29,600 --> 00:31:31,680
Speaker 1: it's just so nice to see his face whenever he

513
00:31:31,720 --> 00:31:34,400
Speaker 1: pops up on screen. I mean, he's great to look at,

514
00:31:34,720 --> 00:31:37,320
Speaker 1: and he's a nice actor. But I think just the

515
00:31:38,000 --> 00:31:42,160
Speaker 1: it's just refreshing to get outside of the what we're

516
00:31:42,200 --> 00:31:46,520
Speaker 1: talking about all the same recycled stuff with all the girls,

517
00:31:46,720 --> 00:31:49,920
Speaker 1: and um, you know, Nathan and Haley are kind of

518
00:31:50,240 --> 00:31:53,240
Speaker 1: seems like we're running out of storyline, so you can

519
00:31:54,040 --> 00:31:57,719
Speaker 1: flirty this episode with the like, hey, you're winning all

520
00:31:57,760 --> 00:31:59,560
Speaker 1: these games. That's hot. I'm going to do it. It's

521
00:31:59,600 --> 00:32:03,040
Speaker 1: gonna be like, yeah, that was fun. You're blocking what

522
00:32:03,080 --> 00:32:05,920
Speaker 1: they lacked in the writing for you, you're making up

523
00:32:05,920 --> 00:32:10,720
Speaker 1: for in the blocking. Yeah. Thanks, Yeah, And it's see

524
00:32:11,480 --> 00:32:16,560
Speaker 1: it's nice to see Nathan and Haley flirting and playful.

525
00:32:16,680 --> 00:32:19,840
Speaker 1: It's like you you want to know what they're holding onto,

526
00:32:20,000 --> 00:32:23,560
Speaker 1: what they're fighting here, you know. It's it's lovely that

527
00:32:23,720 --> 00:32:27,720
Speaker 1: in the midst of even financial stress, you see who

528
00:32:27,760 --> 00:32:30,280
Speaker 1: this couple is. That's that's the kind of thing that

529
00:32:30,320 --> 00:32:34,040
Speaker 1: as an audience member, helps you kind of keep the

530
00:32:34,240 --> 00:32:45,440
Speaker 1: faith alive. You know, Yeah, right, who else? Did what

531
00:32:45,480 --> 00:32:51,880
Speaker 1: else do we have in this getting arrested? Okay, so

532
00:32:52,040 --> 00:32:55,600
Speaker 1: one time I stayed in New York City in the

533
00:32:55,680 --> 00:32:59,120
Speaker 1: apartment of it was like a friend's friend and I

534
00:32:59,200 --> 00:33:01,320
Speaker 1: was shooting a pilot in New York and I had

535
00:33:01,360 --> 00:33:03,560
Speaker 1: my daughter and the nanny, and I was like, I

536
00:33:03,680 --> 00:33:06,880
Speaker 1: just they're not gonna put me up, Like, how are

537
00:33:06,880 --> 00:33:08,560
Speaker 1: we gonna do two rooms every So I'm just going

538
00:33:08,600 --> 00:33:11,680
Speaker 1: to get an airbnb. Well, as I'm talking, uh, somebody said,

539
00:33:11,680 --> 00:33:13,440
Speaker 1: I know somebody who's got an apartment, and it was like,

540
00:33:13,480 --> 00:33:16,680
Speaker 1: it's a gorgeous place, um on one fifth Avenue. So

541
00:33:16,720 --> 00:33:18,920
Speaker 1: it was like, really for for anyone who doesn't know,

542
00:33:18,960 --> 00:33:24,120
Speaker 1: that's the building that um Carrie bradshop you lived in

543
00:33:24,120 --> 00:33:26,120
Speaker 1: in the in the Sex and the City book. So

544
00:33:26,320 --> 00:33:30,280
Speaker 1: it's like a big I was like, oh, that's so exciting.

545
00:33:30,360 --> 00:33:32,760
Speaker 1: So I stayed there for we were there for a month.

546
00:33:32,800 --> 00:33:37,040
Speaker 1: It was great. Anyway, the guy whose apartment it was,

547
00:33:37,320 --> 00:33:39,880
Speaker 1: or the husband of the wife's apartment was he's a

548
00:33:39,920 --> 00:33:44,160
Speaker 1: doctor and he had a prescription pad in the um

549
00:33:44,200 --> 00:33:47,520
Speaker 1: in the kitchen, and I didn't know this was like

550
00:33:47,600 --> 00:33:52,240
Speaker 1: I don't know, ten years ago, maybe now probably seven. Anyway,

551
00:33:52,240 --> 00:33:56,120
Speaker 1: I didn't know that you that prescription pads are special.

552
00:33:57,480 --> 00:34:00,880
Speaker 1: You thought it was stationary. I really just thought it

553
00:34:00,920 --> 00:34:03,240
Speaker 1: was like you could just write, so I would use

554
00:34:03,280 --> 00:34:05,680
Speaker 1: it all the time, taking notes down on my phone,

555
00:34:07,560 --> 00:34:09,759
Speaker 1: leaving leaving little notes when I left the house, like

556
00:34:09,880 --> 00:34:11,919
Speaker 1: love you, sweetheart. You know I'll be back at eight

557
00:34:11,960 --> 00:34:17,399
Speaker 1: tonight whatever. Probably twelve fifteen pages of this this prescription pad.

558
00:34:17,920 --> 00:34:21,239
Speaker 1: No idea. Why was it just sitting at home? That's

559
00:34:21,239 --> 00:34:23,840
Speaker 1: so illegal. It was just in a path. It was

560
00:34:23,840 --> 00:34:25,480
Speaker 1: like in a drawer in the kitchen. I just was like,

561
00:34:25,480 --> 00:34:26,880
Speaker 1: I need something to write on. Open to drawer and

562
00:34:26,880 --> 00:34:30,120
Speaker 1: I was like, oh great, here's some papers like doctor

563
00:34:30,239 --> 00:34:33,680
Speaker 1: stationary on it. I was like great, and uh yeah.

564
00:34:33,760 --> 00:34:36,120
Speaker 1: So definitely got a phone call about that after I

565
00:34:36,200 --> 00:34:39,839
Speaker 1: checked out of that house. Yeah, big problem. I mean,

566
00:34:40,040 --> 00:34:42,080
Speaker 1: good thing. I wasn't doing what deb did and like

567
00:34:42,280 --> 00:34:46,600
Speaker 1: trying to actually write fake prescription. Let this be a

568
00:34:46,680 --> 00:34:51,799
Speaker 1: lesson to all of you. Those prescription pads are accounted folks. Yeah. Yeah,

569
00:34:51,840 --> 00:34:54,440
Speaker 1: I mean he he had to the doctor had to

570
00:34:54,520 --> 00:34:59,799
Speaker 1: like literally report damaged pages. Yeah. Probably. Yeah. I had

571
00:34:59,840 --> 00:35:03,200
Speaker 1: no idea because everything people like I'd grew up with

572
00:35:03,480 --> 00:35:08,400
Speaker 1: zero history or information about the medical community at all,

573
00:35:08,600 --> 00:35:10,520
Speaker 1: just was not My family was a creative and a

574
00:35:11,000 --> 00:35:14,160
Speaker 1: teaching family, but had nothing to do with medicine. So

575
00:35:14,520 --> 00:35:16,120
Speaker 1: have you never told me? It feels like we have

576
00:35:16,160 --> 00:35:18,840
Speaker 1: to get domt notarized all the time, like they should

577
00:35:18,880 --> 00:35:20,759
Speaker 1: have to have like a stamp on those things like

578
00:35:20,800 --> 00:35:26,279
Speaker 1: that serious business paperwork. Also, these are the kinds of

579
00:35:26,320 --> 00:35:28,640
Speaker 1: things that in schools should be taught. There's like a

580
00:35:28,680 --> 00:35:31,920
Speaker 1: life skill class missing from every high school in America,

581
00:35:33,040 --> 00:35:35,200
Speaker 1: by the way, the fact that we have no financial

582
00:35:35,320 --> 00:35:39,560
Speaker 1: education and we don't have civics anymore, like they literally

583
00:35:39,600 --> 00:35:43,399
Speaker 1: took civics out of school, so people don't understand how

584
00:35:43,480 --> 00:35:48,000
Speaker 1: the government works or investment or just like how did

585
00:35:48,000 --> 00:35:52,840
Speaker 1: you change the filter on your conditioners when you're in

586
00:35:52,880 --> 00:35:57,680
Speaker 1: you're supposed to you have to like google how long

587
00:35:57,719 --> 00:36:00,480
Speaker 1: are you know, fill in the blank, leftovers good, like

588
00:36:01,440 --> 00:36:05,680
Speaker 1: anything relevant. But but but I I do know that

589
00:36:06,160 --> 00:36:08,520
Speaker 1: you know, we had a civil war. I know that

590
00:36:08,600 --> 00:36:11,400
Speaker 1: we had I know, seventeen seventy six. Boy, that's just

591
00:36:11,440 --> 00:36:14,160
Speaker 1: really driven home. It's like, what are we what are

592
00:36:14,160 --> 00:36:15,840
Speaker 1: we doing? What are we doing? What are we teaching

593
00:36:15,840 --> 00:36:18,680
Speaker 1: these children? Maybe if these kids in tree Hill had

594
00:36:18,719 --> 00:36:22,240
Speaker 1: that class, they wouldn't be like kissing the teachers and

595
00:36:22,640 --> 00:36:25,799
Speaker 1: you know, having babies and all the craziness. Is that

596
00:36:25,840 --> 00:36:27,719
Speaker 1: what Home Mac used to be and then it got

597
00:36:27,719 --> 00:36:32,080
Speaker 1: canceled because it's was supposedly sexist, well know as treasurer

598
00:36:32,160 --> 00:36:36,600
Speaker 1: of Future Homemakers of America, the Sterling Park Um. It

599
00:36:36,719 --> 00:36:40,759
Speaker 1: was about the domestic arts which boys and girls should know,

600
00:36:41,040 --> 00:36:45,720
Speaker 1: but it targeted, like the salesmanship was bad at targeted chicks.

601
00:36:45,840 --> 00:36:47,960
Speaker 1: Although the boys I knew that did Home Mac with

602
00:36:48,000 --> 00:36:51,400
Speaker 1: me had the best time ever and they were like

603
00:36:51,440 --> 00:36:54,799
Speaker 1: the better boyfriends in high school. Look, I think I

604
00:36:54,840 --> 00:36:58,240
Speaker 1: think it's a problem. You know if you look back, Yes,

605
00:36:58,800 --> 00:37:01,440
Speaker 1: it we ab. We should never have had a system

606
00:37:01,480 --> 00:37:03,600
Speaker 1: that was like only the girls are going to learn

607
00:37:03,640 --> 00:37:05,319
Speaker 1: to cook and only the boys are going to learn

608
00:37:05,320 --> 00:37:07,719
Speaker 1: wood shop. So if the answer was not to take

609
00:37:07,800 --> 00:37:11,000
Speaker 1: those classes away, the answer was to make everybody take

610
00:37:11,040 --> 00:37:13,680
Speaker 1: home back and make everybody take fucking wood shop. Do

611
00:37:13,680 --> 00:37:15,400
Speaker 1: you know how bad I wish I could build myself

612
00:37:15,440 --> 00:37:18,000
Speaker 1: an outdoor couch? Do you have any idea how expensive

613
00:37:18,080 --> 00:37:19,759
Speaker 1: those things are? I don't want to pay for one.

614
00:37:19,840 --> 00:37:24,040
Speaker 1: I want to build it. I'm so annoyed. Give me

615
00:37:24,080 --> 00:37:27,040
Speaker 1: a wood shop class. Where's that class on our show?

616
00:37:27,080 --> 00:37:29,640
Speaker 1: I don't know. We should have had a wood shop

617
00:37:29,840 --> 00:37:35,239
Speaker 1: class who shop. Oh and car mechanics. Yes, we called

618
00:37:35,239 --> 00:37:38,840
Speaker 1: it votech We had we had tea and then we

619
00:37:38,880 --> 00:37:43,279
Speaker 1: had votech for vocational technology. Right now there's a big

620
00:37:43,360 --> 00:37:46,560
Speaker 1: votech Um where my husband is from. Yeah, and it's

621
00:37:46,600 --> 00:37:51,080
Speaker 1: awesome fun and they're doing, um interestingly, they're doing a

622
00:37:51,120 --> 00:37:55,520
Speaker 1: lot of like, uh, wind powered. Oh that's crazy. They're

623
00:37:55,600 --> 00:37:58,319
Speaker 1: like engineering for for wind farms and stuff, which is

624
00:37:58,320 --> 00:38:01,000
Speaker 1: pretty cool. I love that. I mean, we just want

625
00:38:01,000 --> 00:38:03,239
Speaker 1: to know how to do anything. Did we ever have

626
00:38:03,480 --> 00:38:09,400
Speaker 1: any class Entree Hill except English class? Like that's definitely

627
00:38:09,480 --> 00:38:13,399
Speaker 1: the only one I ever remember us being in. Yeah,

628
00:38:13,480 --> 00:38:16,680
Speaker 1: I don't know, that's funny. We didn't. We didn't do

629
00:38:16,719 --> 00:38:20,120
Speaker 1: a whole lot of school school, even though the whole

630
00:38:20,120 --> 00:38:25,799
Speaker 1: show took place school. Where's where's like the end of

631
00:38:25,800 --> 00:38:27,880
Speaker 1: the year report? We all have to do with that

632
00:38:28,000 --> 00:38:31,880
Speaker 1: styrofoam board? Where's my traff old board? Yeah? He has

633
00:38:31,960 --> 00:38:35,399
Speaker 1: doing one right now, just to build a model of

634
00:38:35,440 --> 00:38:37,759
Speaker 1: this the building that this murder Mr. She just read

635
00:38:38,000 --> 00:38:43,160
Speaker 1: take place in like dioramas? Why are we making diamas?

636
00:38:43,719 --> 00:38:47,239
Speaker 1: Where was our book? Fair? That was my favorite? When

637
00:38:48,600 --> 00:38:53,440
Speaker 1: it's fair? The best nobody was making like ice and

638
00:38:53,640 --> 00:38:56,279
Speaker 1: yelling at plants and playing classical music for the other one.

639
00:38:56,360 --> 00:38:59,680
Speaker 1: Nobody was doing no nothing volcanoes. Yeah, I loved it.

640
00:38:59,719 --> 00:39:02,640
Speaker 1: They are not going to pay for like a science

641
00:39:02,680 --> 00:39:06,200
Speaker 1: classroom with like beakers. They're like, we can't afford beakers.

642
00:39:06,560 --> 00:39:12,440
Speaker 1: We're paying for another fashion show. We've got rhinestones to buy.

643
00:39:13,520 --> 00:39:16,399
Speaker 1: We have rhinestones to buy and adorned America's next top

644
00:39:16,440 --> 00:39:20,480
Speaker 1: liter are all the things that normal teenagers do. I

645
00:39:20,520 --> 00:39:27,719
Speaker 1: don't know, but I will say I the teen bickering

646
00:39:28,320 --> 00:39:31,880
Speaker 1: again of Brook and Rachel just makes me so happy

647
00:39:32,000 --> 00:39:34,200
Speaker 1: that like the up and down of these two, they're

648
00:39:34,239 --> 00:39:37,160
Speaker 1: on like a hyper speed see saw of love and

649
00:39:37,200 --> 00:39:39,520
Speaker 1: hate with each other, and I have so much fun

650
00:39:39,520 --> 00:39:45,319
Speaker 1: watching them. And the line of all lines in this

651
00:39:45,360 --> 00:39:53,040
Speaker 1: episode do it You're just a slutty, lying liar who lies.

652
00:39:54,800 --> 00:39:56,880
Speaker 1: Put it on my body. Put it on my body.

653
00:39:57,400 --> 00:40:00,239
Speaker 1: Loved it. It's like I wanted on a show, but

654
00:40:00,320 --> 00:40:02,200
Speaker 1: I don't because I don't want to call it girl sluts.

655
00:40:02,239 --> 00:40:04,320
Speaker 1: But god, I need I need, Like I don't know

656
00:40:04,360 --> 00:40:05,920
Speaker 1: if it's a sticker, I don't know what it is,

657
00:40:05,960 --> 00:40:09,439
Speaker 1: but I need something. Yeah. Well this was Adell Limb

658
00:40:09,480 --> 00:40:13,560
Speaker 1: writing this episode. Who I really like? Um crazy rich

659
00:40:13,600 --> 00:40:16,480
Speaker 1: Asians is Adele and then I worked with her on

660
00:40:16,560 --> 00:40:20,719
Speaker 1: Lethal Weapon, which was a nice little She might have

661
00:40:20,719 --> 00:40:22,440
Speaker 1: been on White Collar too. I feel like I've worked

662
00:40:22,480 --> 00:40:24,600
Speaker 1: with Adele on a number of different things. Um, but

663
00:40:24,680 --> 00:40:28,520
Speaker 1: she's so good and so this one was snappy. This episode, Well,

664
00:40:28,719 --> 00:40:31,080
Speaker 1: the thing is, that's it. It's like we get dorky,

665
00:40:31,960 --> 00:40:36,840
Speaker 1: dorky storyline and a good writer. We'll take the dorky

666
00:40:36,880 --> 00:40:41,040
Speaker 1: storyline and like pick it up. And you know she

667
00:40:41,040 --> 00:40:43,000
Speaker 1: she had to look at that white board and be like, Okay,

668
00:40:43,000 --> 00:40:44,879
Speaker 1: well I gotta shut this in and I gotta shut

669
00:40:45,000 --> 00:40:47,399
Speaker 1: this in, and I guess we're gonna fit this in.

670
00:40:47,960 --> 00:40:51,000
Speaker 1: Put that bulldog in there. It would be great. It

671
00:40:51,080 --> 00:40:56,160
Speaker 1: keeps the monsters at pay. You guys that she made

672
00:40:56,160 --> 00:41:01,719
Speaker 1: it make sense? Um, what about Okay, we have to

673
00:41:01,760 --> 00:41:05,360
Speaker 1: talk about the Dan and Karen and the truth of

674
00:41:05,480 --> 00:41:10,040
Speaker 1: it all, because Dan's with this new haircut. Is new

675
00:41:10,120 --> 00:41:14,440
Speaker 1: Dan who's making sense here and there, like not giving

676
00:41:14,560 --> 00:41:20,880
Speaker 1: Nathan money and not you know, not being a total

677
00:41:21,400 --> 00:41:25,440
Speaker 1: old to Karen and saying like no, dev is incapacitated,

678
00:41:25,480 --> 00:41:27,799
Speaker 1: Like you need to take this business otherwise it's gonna

679
00:41:27,800 --> 00:41:30,960
Speaker 1: fall apart. It's so complicated. When Dan does the right

680
00:41:31,000 --> 00:41:34,279
Speaker 1: thing because you think it's it sort of feels like

681
00:41:34,280 --> 00:41:38,759
Speaker 1: he's handing you a grenade, you know. But what was

682
00:41:38,840 --> 00:41:40,759
Speaker 1: so interesting to me was when we were watching the

683
00:41:40,800 --> 00:41:43,600
Speaker 1: scene and he was saying to Karen, look, you've got

684
00:41:43,600 --> 00:41:45,400
Speaker 1: to do this, regardless of how you feel about me.

685
00:41:45,520 --> 00:41:48,560
Speaker 1: Deb's a mess. All three of us said, well, I mean,

686
00:41:48,600 --> 00:41:51,720
Speaker 1: he's right, and then literally thirty seconds later, he goes Karen,

687
00:41:52,080 --> 00:41:54,120
Speaker 1: regardless of your feelings about me, you know I'm right,

688
00:41:54,200 --> 00:41:58,040
Speaker 1: And I was like, well tell me, I'm all right. Okay,

689
00:41:58,239 --> 00:41:59,880
Speaker 1: if you just hadn't have said it, it it could have

690
00:42:00,000 --> 00:42:05,280
Speaker 1: and charming, but he had to announce, hey there, little woman.

691
00:42:05,719 --> 00:42:08,480
Speaker 1: Was this this season that Paul got bumped to recurring

692
00:42:09,840 --> 00:42:12,279
Speaker 1: because he's not showing up as much, but he was

693
00:42:12,360 --> 00:42:17,320
Speaker 1: directing a ton I think that was the trade because

694
00:42:17,360 --> 00:42:20,800
Speaker 1: he directed the Cabin, He directed the last episode, the

695
00:42:20,880 --> 00:42:23,680
Speaker 1: last episode, so he was in post during this episode.

696
00:42:23,760 --> 00:42:25,560
Speaker 1: Oh right, that's why they didn't write him a lot.

697
00:42:25,880 --> 00:42:29,680
Speaker 1: They were suddenly like, not in it very much after

698
00:42:29,760 --> 00:42:33,040
Speaker 1: being so heavy, and then he's going to direct our

699
00:42:33,080 --> 00:42:36,520
Speaker 1: fight episode coming up soon too, Like he was directing

700
00:42:36,560 --> 00:42:40,439
Speaker 1: like every third episode. What episode the one where crack

701
00:42:40,480 --> 00:42:43,800
Speaker 1: Sofia skull with my head. Oh you guys have a

702
00:42:44,120 --> 00:42:49,399
Speaker 1: my elbow. It was like an accident, an accident. Well, yeah,

703
00:42:49,400 --> 00:42:53,920
Speaker 1: we just we were choreographing in on one when we

704
00:42:53,920 --> 00:42:56,080
Speaker 1: were supposed to you know, we were supposed to go left,

705
00:42:57,120 --> 00:42:59,920
Speaker 1: left and right. We just kind it was bad. They

706
00:43:00,040 --> 00:43:02,760
Speaker 1: was bad, and I was like, we're done. We're done. Anyway,

707
00:43:02,840 --> 00:43:07,359
Speaker 1: we'll get there. But Paul was directing lots of big episodes.

708
00:43:07,600 --> 00:43:10,080
Speaker 1: I think it made sense to have someone in house

709
00:43:10,880 --> 00:43:14,120
Speaker 1: that there was a shorthand with, you know, who could

710
00:43:14,160 --> 00:43:18,600
Speaker 1: handle the big stuff. Yeah, okay, what else did we miss?

711
00:43:18,640 --> 00:43:21,120
Speaker 1: I mean, the creepy teacher is out of the picture.

712
00:43:21,160 --> 00:43:24,640
Speaker 1: Now are we done? Now? I don't know, Please I

713
00:43:24,680 --> 00:43:27,799
Speaker 1: get fired. What happens? I don't remember. Guys, he's got

714
00:43:27,800 --> 00:43:29,839
Speaker 1: to go away, you know, because he's going to win

715
00:43:29,880 --> 00:43:31,680
Speaker 1: the next episode. Because even when he kissed you at

716
00:43:31,680 --> 00:43:33,120
Speaker 1: the end, you had this look on your face like

717
00:43:33,239 --> 00:43:39,919
Speaker 1: mmmmmm bottle. When the red dress, oh right, that's right,

718
00:43:39,960 --> 00:43:42,399
Speaker 1: that happened in the middle and then the model yeah yeah, yeah.

719
00:43:42,480 --> 00:43:44,400
Speaker 1: It was the best part of the episode because it

720
00:43:44,480 --> 00:43:47,879
Speaker 1: was the double slap, that double slap, that's right back

721
00:43:48,440 --> 00:43:52,160
Speaker 1: this way and then I hit him this way. I mean,

722
00:43:52,200 --> 00:43:56,520
Speaker 1: he deserved it. Double slap. Oh God, it made me

723
00:43:56,680 --> 00:44:08,560
Speaker 1: so happy. Okay, we have a fan question. This is

724
00:44:08,600 --> 00:44:12,760
Speaker 1: from Tara. She says, my fan question comes from scenes

725
00:44:12,800 --> 00:44:18,160
Speaker 1: where fights or other violent actions take place perfect exactly.

726
00:44:18,239 --> 00:44:21,680
Speaker 1: For example, when Hayley slaps Rachel Or Brooke and Peyton fight,

727
00:44:22,520 --> 00:44:25,360
Speaker 1: do you have to channel some sort of anger or

728
00:44:25,400 --> 00:44:28,200
Speaker 1: anything to get through that? And even more important, what

729
00:44:28,280 --> 00:44:30,880
Speaker 1: happens when you hear cut? Do you instantly start laughing?

730
00:44:30,880 --> 00:44:33,279
Speaker 1: Does it take a second to snap out of it? Well?

731
00:44:33,320 --> 00:44:36,960
Speaker 1: I I feel like our immediate reaction is good, You're good. Okay,

732
00:44:37,000 --> 00:44:41,640
Speaker 1: You're good. You know, like there's a check in that happens. Um.

733
00:44:41,680 --> 00:44:43,959
Speaker 1: We talked about it and like the Derek attacks scene

734
00:44:43,960 --> 00:44:47,600
Speaker 1: about how Matt bar was really concerned with like everybody

735
00:44:47,600 --> 00:44:51,920
Speaker 1: else in the room. Yeah, but I think mostly people

736
00:44:51,960 --> 00:44:55,840
Speaker 1: are just concerned about the choreography of it. If nobody's

737
00:44:55,920 --> 00:44:58,319
Speaker 1: like you don't, I mean, that's another level to be

738
00:44:58,400 --> 00:45:02,640
Speaker 1: able to have the anger emotions but control them enough

739
00:45:02,680 --> 00:45:06,759
Speaker 1: to be able to maintain your choreography. I don't. I

740
00:45:06,760 --> 00:45:10,520
Speaker 1: don't know that I've ever had to do that. It's hard,

741
00:45:11,840 --> 00:45:15,160
Speaker 1: it is, it's tricky. I mean, look, you your job

742
00:45:15,360 --> 00:45:22,319
Speaker 1: is to personalize what is true for your character. Um, yeah,

743
00:45:22,360 --> 00:45:26,319
Speaker 1: but in moments when it's so fast. But what I

744
00:45:26,360 --> 00:45:29,560
Speaker 1: was going to say is sometimes it's easier to do

745
00:45:29,680 --> 00:45:34,120
Speaker 1: with your friends, and sometimes it's even harder. And yeah,

746
00:45:34,160 --> 00:45:37,960
Speaker 1: I think the thing that can be helpful, like you've

747
00:45:37,960 --> 00:45:40,040
Speaker 1: got to get in the feelings. But then yes, you

748
00:45:40,080 --> 00:45:43,640
Speaker 1: have to be conscious enough in the action to make

749
00:45:43,680 --> 00:45:48,120
Speaker 1: sure you're safe and that that requires a sort of

750
00:45:48,239 --> 00:45:51,759
Speaker 1: merger of like the art, the emotion and the technical.

751
00:45:52,880 --> 00:45:58,919
Speaker 1: And it's yes, it's intense. Yeah, it's hard. I've never

752
00:45:58,960 --> 00:46:02,319
Speaker 1: had to fight somebody that I didn't like, Like, I

753
00:46:02,320 --> 00:46:04,200
Speaker 1: don't know how I would do that because then you

754
00:46:04,440 --> 00:46:08,520
Speaker 1: then you like overcompensate and like like I don't want

755
00:46:08,560 --> 00:46:10,480
Speaker 1: to go too hard because I don't know if you

756
00:46:10,560 --> 00:46:14,080
Speaker 1: can hate them, you know, trying to think of it

757
00:46:14,320 --> 00:46:18,160
Speaker 1: how to fight somebody at the day. Yeah, what a

758
00:46:18,239 --> 00:46:21,839
Speaker 1: weird thing to have to do, just like I hate you,

759
00:46:22,000 --> 00:46:28,359
Speaker 1: just kidding, but yeah, it sucks. Yeah, I think it's

760
00:46:28,440 --> 00:46:31,120
Speaker 1: it's interesting, isn't it to think about that now and go, oh, yeah,

761
00:46:31,160 --> 00:46:33,440
Speaker 1: we all I only really had to do that with

762
00:46:33,480 --> 00:46:36,080
Speaker 1: each other, and we had relationships. It would be weird

763
00:46:36,120 --> 00:46:38,239
Speaker 1: to show up on your you know, your first day

764
00:46:38,280 --> 00:46:40,920
Speaker 1: at work and have to fight somebody Like I had

765
00:46:40,960 --> 00:46:43,680
Speaker 1: to do a lot more of that working in Chicago.

766
00:46:44,440 --> 00:46:46,279
Speaker 1: I would meet people and be like, hey, what's up,

767
00:46:46,360 --> 00:46:53,960
Speaker 1: So I'm gonna break your notes? So tremendously awkward. Um,

768
00:46:54,000 --> 00:46:57,239
Speaker 1: but no, you're right. I've never I have never had

769
00:46:57,280 --> 00:47:01,000
Speaker 1: to have a physical fight with another person who in

770
00:47:01,080 --> 00:47:03,440
Speaker 1: life I did not like. I have had to kiss

771
00:47:03,600 --> 00:47:09,279
Speaker 1: multiple people. Really grossed me out, And I don't know

772
00:47:09,360 --> 00:47:13,520
Speaker 1: what is worse. I honestly, I think the kissing is worse.

773
00:47:13,800 --> 00:47:20,400
Speaker 1: Worse for sure. I can't make up my mind. I

774
00:47:20,480 --> 00:47:24,200
Speaker 1: can't decide. Sometimes, like the people that you hate the most,

775
00:47:24,280 --> 00:47:27,520
Speaker 1: you end up like those kisses look the best, Like

776
00:47:28,160 --> 00:47:32,080
Speaker 1: oh that's true, I mean it's yeah, yeah, that's always

777
00:47:32,080 --> 00:47:33,920
Speaker 1: the best. When people are like god, they have great

778
00:47:34,040 --> 00:47:37,200
Speaker 1: chemistry and you're like, oh, that's not chemistry, that's pure

779
00:47:37,280 --> 00:47:44,719
Speaker 1: white hot rageing doubt write it. Yeah, fine, kiss me,

780
00:47:44,800 --> 00:47:48,640
Speaker 1: hidden love it. I love those I love doing stunt stuff.

781
00:47:48,880 --> 00:47:51,000
Speaker 1: I had to do a lethal weapon where I had

782
00:47:51,040 --> 00:47:55,319
Speaker 1: to there's like huge fans that like will hold your

783
00:47:55,320 --> 00:47:58,480
Speaker 1: body up like your skydiving and Clin Crawford and I

784
00:47:58,520 --> 00:48:00,279
Speaker 1: had to pretend like we were jumping out of a

785
00:48:00,480 --> 00:48:04,520
Speaker 1: building that exploded or something crazy, and you just you

786
00:48:04,560 --> 00:48:07,240
Speaker 1: have to run at full speed and then they flip

787
00:48:07,320 --> 00:48:09,399
Speaker 1: this thing on and it shoots your body up into

788
00:48:09,440 --> 00:48:11,600
Speaker 1: the air and you just have to trust it. Man.

789
00:48:12,680 --> 00:48:15,960
Speaker 1: That was crazy. Yeah, it was. I was a little

790
00:48:16,000 --> 00:48:22,520
Speaker 1: like this seemed like fun and theory, I'm gonna go

791
00:48:22,560 --> 00:48:26,200
Speaker 1: back to kissing and crying. Yeah, I remember being I

792
00:48:26,239 --> 00:48:27,520
Speaker 1: got to a point where I was like, maybe I

793
00:48:27,520 --> 00:48:29,200
Speaker 1: don't like stunts as much as I think I do.

794
00:48:29,360 --> 00:48:32,400
Speaker 1: When like I got really hurt, had to go to

795
00:48:32,440 --> 00:48:35,120
Speaker 1: the hospital and like get a cat scan and an

796
00:48:35,239 --> 00:48:36,759
Speaker 1: m R. I to make sure. I didn't like me

797
00:48:36,960 --> 00:48:40,880
Speaker 1: to be hospitalized. And then they were like, well they're clear,

798
00:48:40,960 --> 00:48:42,920
Speaker 1: so you've got to come back to work and finish

799
00:48:42,960 --> 00:48:48,400
Speaker 1: the day. And I was like, I'm I can't walk, um, yeah, okay,

800
00:48:48,600 --> 00:48:50,680
Speaker 1: And I just went back to work and I was like,

801
00:48:50,719 --> 00:48:54,400
Speaker 1: I don't know about this anymore. Maybe I need to

802
00:48:54,440 --> 00:48:56,960
Speaker 1: do things a little differently. I want a job like

803
00:48:57,000 --> 00:48:58,920
Speaker 1: the boys get when they get old, where they just

804
00:48:58,960 --> 00:49:01,640
Speaker 1: play angry cop and they sit around and they grunt.

805
00:49:02,080 --> 00:49:06,840
Speaker 1: And then they were these for it, bratchy cowboys. I

806
00:49:06,840 --> 00:49:08,560
Speaker 1: could sit on the back of a horse all day

807
00:49:08,600 --> 00:49:12,239
Speaker 1: and make faces. That's what I'm saying. I know you

808
00:49:12,280 --> 00:49:19,720
Speaker 1: don't want to spend a wheel. Let's do it, alright, kids,

809
00:49:19,840 --> 00:49:27,400
Speaker 1: Who is most likely to do TikTok dances with you? Guys?

810
00:49:27,440 --> 00:49:33,520
Speaker 1: I'm not, I'm not not. I mean, I guess Brooke

811
00:49:33,719 --> 00:49:36,200
Speaker 1: at the time. If TikTok had been out, Brook probably

812
00:49:36,239 --> 00:49:40,600
Speaker 1: would have been doing bok and Rachel would have crushed TikTok. Yeah,

813
00:49:40,800 --> 00:49:43,239
Speaker 1: with those like hippie dances those girls do when they

814
00:49:43,280 --> 00:49:45,319
Speaker 1: make their hips looks like they're made out of like

815
00:49:45,480 --> 00:49:53,960
Speaker 1: ocean water. They're so they're just so water. Yeah. But

816
00:49:54,080 --> 00:49:57,560
Speaker 1: like in real life, who's doing them? You know what?

817
00:49:58,520 --> 00:50:03,000
Speaker 1: Barbara's daughters are going to say it? Yes, and I

818
00:50:03,040 --> 00:50:07,960
Speaker 1: feel like Barbara's into Barbara Good at social media. Yeah,

819
00:50:08,200 --> 00:50:12,279
Speaker 1: those girls, they are always on cool trips, hanging out

820
00:50:12,320 --> 00:50:16,080
Speaker 1: with their tribe of like loved ones, having the time

821
00:50:16,160 --> 00:50:20,800
Speaker 1: of their lives, looking gorgeous. Yeah, and it all started

822
00:50:20,840 --> 00:50:24,960
Speaker 1: being the Brady kids that Hayley baby said, he I

823
00:50:25,040 --> 00:50:29,440
Speaker 1: love it. Congratulations to our young ladies, Well thanks for

824
00:50:29,520 --> 00:50:34,800
Speaker 1: joining us. Wait what happens next episode? I really don't know, guys.

825
00:50:34,880 --> 00:50:39,200
Speaker 1: Next episode, Season four, episode eight, Nothing left to say,

826
00:50:39,280 --> 00:50:43,560
Speaker 1: but goodbye. They're always so dramatic. Hopefully it's goodbye to

827
00:50:43,800 --> 00:50:51,719
Speaker 1: creepy teacher next Yeah you alright, guys, alright, signing all.

828
00:50:52,040 --> 00:50:55,080
Speaker 1: See you next time. Hey, thanks for listening. Don't forget

829
00:50:55,080 --> 00:50:57,359
Speaker 1: to leave us a review. You can also follow us

830
00:50:57,360 --> 00:51:01,280
Speaker 1: on Instagram at Drama Queen's O t A or email

831
00:51:01,400 --> 00:51:04,440
Speaker 1: us at Drama Queens at I heart radio dot com.

832
00:51:04,920 --> 00:51:08,799
Speaker 1: See you next time. We are all about that high

833
00:51:08,800 --> 00:51:12,840
Speaker 1: school drama. Girl Drama Girl, all about them high school queens.

834
00:51:13,080 --> 00:51:15,320
Speaker 1: We'll take you for a ride in our comic Girl

835
00:51:16,040 --> 00:51:19,359
Speaker 1: Cheering for the Right Tea. Drama Queens draws my girl

836
00:51:19,520 --> 00:51:22,000
Speaker 1: up girl fashion, but your tough girl, you can sit

837
00:51:22,040 --> 00:51:25,840
Speaker 1: with us. Girl Drama Queens, Drama Queens, Drama, Queen's Drama,

838
00:51:25,920 --> 00:51:28,200
Speaker 1: Drama Queen's Drama Queens