WEBVTT - TechStuff Classic: The HBO Story- Part Two

0:00:04.400 --> 0:00:07.800
<v Speaker 1>Welcome to Tech Stuff, a production from I Heart Radio.

0:00:12.000 --> 0:00:14.560
<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host

0:00:14.640 --> 0:00:17.200
<v Speaker 1>job on Strickland. I'm an executive producer with iHeart Radio

0:00:17.239 --> 0:00:21.160
<v Speaker 1>and I love all things tech. And it is time

0:00:21.200 --> 0:00:23.520
<v Speaker 1>front of a classic episode and it's actually gonna be

0:00:23.560 --> 0:00:28.920
<v Speaker 1>a continuation of our previous classic episode. So this episode

0:00:29.200 --> 0:00:33.000
<v Speaker 1>the HBO Story Part two, originally published on May seven,

0:00:35.120 --> 0:00:37.640
<v Speaker 1>and um, we are just going to jump right in,

0:00:38.040 --> 0:00:41.839
<v Speaker 1>get back into the story. Let's go. HBO as an entity,

0:00:42.200 --> 0:00:46.720
<v Speaker 1>has heavily influenced what cable television is and what entertainment

0:00:46.760 --> 0:00:50.159
<v Speaker 1>delivery services are in general. If it hadn't been for HBO,

0:00:50.680 --> 0:00:55.480
<v Speaker 1>our landscape would be dramatically different today. So that's why

0:00:55.520 --> 0:00:57.760
<v Speaker 1>we're doing it. In fact, think about it. Without HBO,

0:00:58.720 --> 0:01:03.480
<v Speaker 1>you don't have cable companies, cable system operators pushing cable

0:01:03.680 --> 0:01:07.520
<v Speaker 1>copper cable into cities anywhere near as quickly. Right, you

0:01:07.600 --> 0:01:09.520
<v Speaker 1>might not have ever seen it happen, or it might

0:01:09.560 --> 0:01:12.160
<v Speaker 1>have taken a decade longer, which means you would not

0:01:12.240 --> 0:01:16.000
<v Speaker 1>even have the infrastructure that the Internet relies on today.

0:01:16.040 --> 0:01:20.119
<v Speaker 1>For high speed internet, we'd be using telephone lines. Still, yeah,

0:01:20.200 --> 0:01:23.600
<v Speaker 1>you might Furthermore, not have had people adopt as quickly

0:01:23.680 --> 0:01:29.000
<v Speaker 1>the idea of using satellites to beam information, uh television

0:01:29.040 --> 0:01:34.200
<v Speaker 1>information out to many far spread networks. Exactly So, like

0:01:34.240 --> 0:01:37.479
<v Speaker 1>we said, landscape very different without HBO. Whether you love

0:01:37.520 --> 0:01:40.559
<v Speaker 1>it or hate it, it's a large part of why

0:01:40.600 --> 0:01:43.160
<v Speaker 1>the world is as far as the cable world and

0:01:43.319 --> 0:01:46.160
<v Speaker 1>entertainment worlds, why things are the way they are so

0:01:46.160 --> 0:01:49.880
<v Speaker 1>so um. A little tiny bit of backstory, very tiny.

0:01:50.560 --> 0:01:55.160
<v Speaker 1>HBO owned by Time, Yes, Time Incorporated, not not Time,

0:01:55.280 --> 0:01:59.680
<v Speaker 1>the the physical entity like the actual not Father Time,

0:02:00.080 --> 0:02:04.640
<v Speaker 1>the progression of changes throughout not the fourth dimension that

0:02:04.760 --> 0:02:07.240
<v Speaker 1>we know of, Time Incorporated, the company that owned Time

0:02:07.280 --> 0:02:12.320
<v Speaker 1>magazine or still does Time Magazine, Fortune Magazine, Sports Illustrated, etcetera, etcetera. Correct. So,

0:02:12.360 --> 0:02:16.040
<v Speaker 1>in Time launched a second pay TV channel called Cinemax,

0:02:16.480 --> 0:02:20.560
<v Speaker 1>primarily as a competitor to the less expensive Showtime. Yes, so,

0:02:22.000 --> 0:02:24.440
<v Speaker 1>there were a couple of different ways to compete against Showtime.

0:02:24.440 --> 0:02:27.320
<v Speaker 1>One was let's try and grab as much exclusive content

0:02:27.360 --> 0:02:30.239
<v Speaker 1>as we possibly can that Showtime can't have. And thus

0:02:30.280 --> 0:02:32.760
<v Speaker 1>people will say, hey, we want HBO because they have

0:02:32.880 --> 0:02:37.280
<v Speaker 1>these movies and Showtime doesn't. However, that's really expensive Another

0:02:37.320 --> 0:02:40.920
<v Speaker 1>approach was to create a second paid television network, Cinemax,

0:02:41.280 --> 0:02:43.920
<v Speaker 1>and to run a lot of the same programming that

0:02:44.080 --> 0:02:47.760
<v Speaker 1>HBO itself already had, and maybe concentrate on some genres

0:02:48.120 --> 0:02:53.560
<v Speaker 1>that didn't necessarily fit into HBO's corporate appearances, like they're there,

0:02:53.280 --> 0:02:56.600
<v Speaker 1>their their culture, and furthermore, that happened to be a

0:02:56.639 --> 0:02:59.520
<v Speaker 1>lot less expensive to purchase. Like I like cult films

0:02:59.600 --> 0:03:02.799
<v Speaker 1>and kind of obscure noir stuff. One of my favorite

0:03:02.800 --> 0:03:05.960
<v Speaker 1>cult films of all time I first saw on Cinemax.

0:03:06.040 --> 0:03:08.200
<v Speaker 1>I had heard about it, but I've never seen it.

0:03:08.560 --> 0:03:12.440
<v Speaker 1>And that film, of course, is the brilliant movie Shock Treatment.

0:03:12.919 --> 0:03:15.919
<v Speaker 1>The not a sequel, not a prequel, but an equal

0:03:16.080 --> 0:03:18.520
<v Speaker 1>to the Rocky Horror Picture Show. And that's how I

0:03:18.560 --> 0:03:20.920
<v Speaker 1>saw it the first time I ever experienced it. It

0:03:21.000 --> 0:03:24.160
<v Speaker 1>was shown on Cinemax because it fit into that realm

0:03:24.280 --> 0:03:27.080
<v Speaker 1>of the Cinemax movie where it were there were some

0:03:27.120 --> 0:03:29.880
<v Speaker 1>of these kind of cult classic, schlocky, sort of cheap

0:03:30.000 --> 0:03:34.160
<v Speaker 1>movies to license, but they still had their audience. So

0:03:35.120 --> 0:03:39.960
<v Speaker 1>this approach did not come without criticism, specifically from Viacom,

0:03:40.000 --> 0:03:42.960
<v Speaker 1>which was the parent company of Showtime. They said that

0:03:43.000 --> 0:03:46.040
<v Speaker 1>Cinemax was being offered at below cost. In other words,

0:03:46.160 --> 0:03:49.160
<v Speaker 1>HBO was suffering a loss to run Cinemax just so

0:03:49.200 --> 0:03:53.560
<v Speaker 1>that they could undercut Showtime. Uh now, if you remember

0:03:54.200 --> 0:03:57.200
<v Speaker 1>Showtime kind of Viacom also did this thing in the

0:03:57.280 --> 0:03:59.520
<v Speaker 1>last episode we talked about, where it showed Viacom end

0:03:59.600 --> 0:04:04.640
<v Speaker 1>up by aggressively undercut HBO. They essentially muscled HBO out

0:04:04.680 --> 0:04:08.240
<v Speaker 1>of entire markets because they made this exclusive agreement with

0:04:08.320 --> 0:04:11.640
<v Speaker 1>the largest cable provider in the United States at that time.

0:04:12.000 --> 0:04:14.560
<v Speaker 1>So there's a little bit of a war going on. Yeah,

0:04:14.640 --> 0:04:17.760
<v Speaker 1>a little bit of a oh yeah, so yeah, that's

0:04:17.760 --> 0:04:20.159
<v Speaker 1>that's kind of the technical term. But Cinemax, you know,

0:04:20.360 --> 0:04:23.760
<v Speaker 1>starts doing pretty well. And also in nineteen HBO has

0:04:23.800 --> 0:04:27.480
<v Speaker 1>an affiliate in every single state in the United States. Now,

0:04:27.640 --> 0:04:29.640
<v Speaker 1>if you listen to our last episode, you realize that's

0:04:29.640 --> 0:04:32.240
<v Speaker 1>a big deal. This is the first time that any

0:04:32.320 --> 0:04:34.680
<v Speaker 1>channel has been able to do that, and it is

0:04:34.760 --> 0:04:38.320
<v Speaker 1>because they're using this satellite delivery system where the various

0:04:38.360 --> 0:04:42.839
<v Speaker 1>cable operators across the United States have the receiver dishes

0:04:42.960 --> 0:04:45.080
<v Speaker 1>that bring in the signal and then they can distribute

0:04:45.120 --> 0:04:47.560
<v Speaker 1>it to their customers. So now there's an affiliate in

0:04:47.600 --> 0:04:51.160
<v Speaker 1>every state. Remember, It started off justin Wilkes Bar, Pennsylvania.

0:04:51.640 --> 0:04:54.480
<v Speaker 1>Then it's spread through most of Pennsylvania, then to New York,

0:04:54.600 --> 0:04:56.880
<v Speaker 1>and then finally started to creep out into the rest

0:04:56.920 --> 0:05:00.520
<v Speaker 1>of the United States. So big moment for HBO. All

0:05:00.560 --> 0:05:03.160
<v Speaker 1>of this is allowing them to have a pretty incredible

0:05:03.240 --> 0:05:06.680
<v Speaker 1>profit considering that they only hit profitability a year or

0:05:06.680 --> 0:05:12.880
<v Speaker 1>two previously. Um. They their profits have grown from which

0:05:12.920 --> 0:05:17.000
<v Speaker 1>again understandable because now they're they're available in way more markets.

0:05:17.160 --> 0:05:21.120
<v Speaker 1>So the company is experiencing astronomical growth at this point

0:05:21.320 --> 0:05:24.320
<v Speaker 1>because because once the cable operators decide yes we will

0:05:24.360 --> 0:05:28.960
<v Speaker 1>carry HBO, that gives HBO the chance to target new

0:05:29.000 --> 0:05:31.719
<v Speaker 1>customer bases that they had no access to before. Oh sure,

0:05:31.880 --> 0:05:34.960
<v Speaker 1>um and there as a result able to offer their

0:05:34.960 --> 0:05:38.120
<v Speaker 1>employees some pretty ridiculous benefits. Um It kind of the

0:05:38.400 --> 0:05:40.400
<v Speaker 1>stories that I've read about it at the time remind

0:05:40.480 --> 0:05:43.360
<v Speaker 1>me a little bit of what happened after the Facebook boom,

0:05:43.839 --> 0:05:47.920
<v Speaker 1>um and and just that that tiny, free, free wheeling

0:05:48.000 --> 0:05:53.080
<v Speaker 1>startup culture that turned into this very large, very freewheeling

0:05:53.160 --> 0:05:56.560
<v Speaker 1>startup culture. It reminds me a lot of what Google

0:05:56.600 --> 0:06:00.400
<v Speaker 1>attempts to continue to push at the Google Plex and

0:06:00.440 --> 0:06:02.680
<v Speaker 1>of course, anyone who's worked in one of the satellite

0:06:02.720 --> 0:06:05.919
<v Speaker 1>offices of Google probably is very familiar with what things,

0:06:06.080 --> 0:06:08.760
<v Speaker 1>what what's available at the Googleplex versus what's available in

0:06:08.800 --> 0:06:12.760
<v Speaker 1>some of those satellite offices. So there was also some

0:06:12.880 --> 0:06:16.719
<v Speaker 1>tension between say HBO and the folks over at Time.

0:06:16.960 --> 0:06:19.560
<v Speaker 1>Keep in mind that at this point they're still all

0:06:19.600 --> 0:06:22.719
<v Speaker 1>working in the same building. They're working in Time Incorporate

0:06:22.760 --> 0:06:25.920
<v Speaker 1>its headquarters, and so you had sort of these freewheeling

0:06:26.000 --> 0:06:30.440
<v Speaker 1>young guys who are running HBO, who are having parties

0:06:30.480 --> 0:06:32.880
<v Speaker 1>all the time. They said that essentially, the the motto

0:06:32.920 --> 0:06:36.200
<v Speaker 1>at HBO is work, work, work, party, party, party and uh.

0:06:36.320 --> 0:06:39.359
<v Speaker 1>And so you know, any excuse to get together and

0:06:39.400 --> 0:06:41.880
<v Speaker 1>have a big dinner, and you know, they're still getting

0:06:41.880 --> 0:06:44.360
<v Speaker 1>stuff done. But they also took a lot of time

0:06:44.400 --> 0:06:48.239
<v Speaker 1>and developed this camaraderie. There's still some tension actually within

0:06:48.279 --> 0:06:52.640
<v Speaker 1>the company itself because a very different culture existed between

0:06:52.680 --> 0:06:57.680
<v Speaker 1>Time and Coorporated employees and HBO. Now in one Showtime

0:06:57.720 --> 0:07:00.000
<v Speaker 1>makes a big move, which you could argue at the time,

0:07:00.000 --> 0:07:03.719
<v Speaker 1>Time was mostly posturing. Uh. They decided to go to

0:07:03.960 --> 0:07:07.279
<v Speaker 1>a full twenty four hour schedule, right because if you

0:07:07.279 --> 0:07:09.760
<v Speaker 1>remember from our last episode. Again, at the time, these

0:07:09.760 --> 0:07:12.640
<v Speaker 1>cable stations would sign off at a certain point every night. Yeah,

0:07:12.680 --> 0:07:15.560
<v Speaker 1>like after midnight they'd say, all right, time, time to

0:07:15.560 --> 0:07:16.960
<v Speaker 1>go to bed, because we don't have anything else we

0:07:17.000 --> 0:07:19.760
<v Speaker 1>can show you. So showtime goes to twenty four hours,

0:07:20.160 --> 0:07:23.720
<v Speaker 1>not necessarily being able to support that with enough content

0:07:23.800 --> 0:07:27.280
<v Speaker 1>so that they're not incredibly repetitive, but HBO, not to

0:07:27.280 --> 0:07:31.200
<v Speaker 1>be outdone, follow suit. So later on in they also

0:07:31.280 --> 0:07:34.960
<v Speaker 1>become twenty four hour. Uh. And so you with anytime

0:07:35.000 --> 0:07:36.600
<v Speaker 1>you wanted to turn on HBO it was three in

0:07:36.600 --> 0:07:39.400
<v Speaker 1>the morning, you can turn on HBO and something would

0:07:39.480 --> 0:07:43.400
<v Speaker 1>be playing. Uh. And then they end up also hitting

0:07:43.400 --> 0:07:46.040
<v Speaker 1>the big time on one of those pre buy movies

0:07:46.080 --> 0:07:48.120
<v Speaker 1>we talked about. Now, this is where HBO puts in

0:07:48.200 --> 0:07:51.720
<v Speaker 1>money in the pre production phase for a movie and

0:07:51.760 --> 0:07:54.960
<v Speaker 1>in return, they get exclusive rights to show that movie

0:07:54.960 --> 0:07:57.840
<v Speaker 1>on HBO for a certain length of time. And in

0:07:57.840 --> 0:08:01.080
<v Speaker 1>this case, they hit the jackpot. Now, it's not a

0:08:01.120 --> 0:08:03.760
<v Speaker 1>movie that I think a lot of people are going

0:08:03.800 --> 0:08:06.760
<v Speaker 1>to be rip roar and excited about, but it was

0:08:07.240 --> 0:08:10.720
<v Speaker 1>a critically acclaimed success. It was on Golden Pond. Yeah,

0:08:10.760 --> 0:08:15.200
<v Speaker 1>it won multiple Academy Awards. YEP. So this exclusivity was

0:08:15.240 --> 0:08:17.840
<v Speaker 1>a big deal. It was a movie that people had

0:08:17.880 --> 0:08:20.360
<v Speaker 1>heard about, they knew that it was award winning, and

0:08:20.520 --> 0:08:23.000
<v Speaker 1>HBO was the only place you could see it outside

0:08:23.000 --> 0:08:25.080
<v Speaker 1>of the theater. Keep in mind, this is before the

0:08:25.120 --> 0:08:29.160
<v Speaker 1>home video craze starts, like, this is really before the

0:08:29.280 --> 0:08:33.320
<v Speaker 1>VCR has taken off, So HBO exclusivity in this case

0:08:33.480 --> 0:08:37.560
<v Speaker 1>was really important. Now they started moving to these output deals,

0:08:37.559 --> 0:08:39.720
<v Speaker 1>which is when a pay TV service agrees to take

0:08:39.760 --> 0:08:42.200
<v Speaker 1>on all the movies made by a certain studio over

0:08:42.280 --> 0:08:45.320
<v Speaker 1>a certain time span. Again, tends to be kind of

0:08:45.320 --> 0:08:48.160
<v Speaker 1>a grab bag situation. You might get a few big hits,

0:08:48.280 --> 0:08:50.440
<v Speaker 1>you might have some mediocre films in there that you know,

0:08:50.480 --> 0:08:52.560
<v Speaker 1>some people care about but most people don't. And you

0:08:52.559 --> 0:08:55.199
<v Speaker 1>could have some outright flops. So a little bit of

0:08:55.240 --> 0:08:58.200
<v Speaker 1>a risky situation. There's also this idea of a multi

0:08:58.320 --> 0:09:00.600
<v Speaker 1>year agreement which HBO would have agreed to pick up

0:09:00.640 --> 0:09:03.079
<v Speaker 1>a certain number of films the studio would produce over

0:09:03.120 --> 0:09:05.040
<v Speaker 1>a given period of time, but have a little bit

0:09:05.040 --> 0:09:09.440
<v Speaker 1>more safe which one like you made. We want twenty

0:09:09.440 --> 0:09:10.959
<v Speaker 1>movies that you guys are going to make over the

0:09:11.000 --> 0:09:14.640
<v Speaker 1>course of the next five years. Yeah, so once the

0:09:14.960 --> 0:09:17.920
<v Speaker 1>five year period starts coming up. You're like, well, now

0:09:18.840 --> 0:09:21.480
<v Speaker 1>we're stuck. Yeah, but but we got to be choosy

0:09:21.480 --> 0:09:25.400
<v Speaker 1>at the beginning. Either way, these exclusivity deals were really

0:09:25.440 --> 0:09:29.200
<v Speaker 1>really expensive, and it meant that it was tough to

0:09:30.200 --> 0:09:32.800
<v Speaker 1>to make a profit unless you continuously grow. Now, at

0:09:32.840 --> 0:09:36.400
<v Speaker 1>this time that wasn't a problem because cable was still

0:09:36.520 --> 0:09:39.680
<v Speaker 1>entering in lots more markets, which meant you had access

0:09:39.720 --> 0:09:42.439
<v Speaker 1>to brand new customers. So in the early days kind

0:09:42.440 --> 0:09:45.400
<v Speaker 1>of automatically growing. Yeah. Yeah, you didn't have to worry

0:09:45.440 --> 0:09:48.480
<v Speaker 1>about about boosting your your customer base so much because

0:09:48.480 --> 0:09:51.160
<v Speaker 1>people were still eager to join. It wasn't until a

0:09:51.200 --> 0:09:53.000
<v Speaker 1>couple of years later that things got a little tougher,

0:09:53.000 --> 0:09:56.080
<v Speaker 1>but we'll get there. So companies were paying these big

0:09:56.080 --> 0:09:58.080
<v Speaker 1>bucks for exclusive rights to movies for just a couple

0:09:58.120 --> 0:10:02.680
<v Speaker 1>of years. Eventually those exclusivity rights would expire and those

0:10:02.720 --> 0:10:06.240
<v Speaker 1>movies could be carried on other pay television stations like

0:10:06.240 --> 0:10:09.480
<v Speaker 1>Showtime could pick it up. So in the long run,

0:10:09.920 --> 0:10:14.000
<v Speaker 1>you would have a bank of movies that was essentially

0:10:14.040 --> 0:10:16.680
<v Speaker 1>identical to your competitors. So for a couple of years

0:10:16.679 --> 0:10:19.400
<v Speaker 1>you'd have exclusivity, but it wasn't a long term You

0:10:19.400 --> 0:10:21.760
<v Speaker 1>would wind up evening out. Yeah. So yeah, one of

0:10:21.760 --> 0:10:24.320
<v Speaker 1>those things that that you know, they really had to

0:10:24.320 --> 0:10:27.200
<v Speaker 1>look at a little bit later because it was just

0:10:27.320 --> 0:10:30.120
<v Speaker 1>it was not the best way to continuously grow your revenue.

0:10:31.000 --> 0:10:35.560
<v Speaker 1>Now three, we get one of my favorite stories. Yeah, yeah, okay,

0:10:35.600 --> 0:10:38.040
<v Speaker 1>this this is a big one. So so twenty century

0:10:38.080 --> 0:10:42.400
<v Speaker 1>Fox negotiated to get Star Wars onto pay TV. Yes,

0:10:43.000 --> 0:10:46.839
<v Speaker 1>so Star Wars big movie in ninety seven. Of course,

0:10:46.880 --> 0:10:48.800
<v Speaker 1>that's when Return of the Jedi came out. So the

0:10:48.840 --> 0:10:51.520
<v Speaker 1>original trilogy, you know, the only one that exists, is

0:10:51.520 --> 0:10:54.560
<v Speaker 1>complete at this time. And Star Wars itself, the movie

0:10:54.600 --> 0:10:58.520
<v Speaker 1>that started it all. Uh, the second big blockbuster following

0:10:58.600 --> 0:11:03.160
<v Speaker 1>Jaws from Live is available to go on to pay TV. However,

0:11:03.559 --> 0:11:05.880
<v Speaker 1>it's not an exclusive deal. This is something they they

0:11:05.920 --> 0:11:09.680
<v Speaker 1>negotiate to put it on every page television station essentially,

0:11:09.760 --> 0:11:12.480
<v Speaker 1>so Showtime's gonna get HBO is gonna get it now. Normally,

0:11:12.920 --> 0:11:16.640
<v Speaker 1>the way these channels like to try and and position

0:11:16.800 --> 0:11:19.920
<v Speaker 1>the big ticket items that they get is to wait

0:11:20.360 --> 0:11:25.360
<v Speaker 1>and put it out on prime time preferably like eight pm. Yeah, Friday, Saturday,

0:11:25.360 --> 0:11:28.480
<v Speaker 1>Sunday night, Sunday night, probably preferably to to really get

0:11:28.520 --> 0:11:30.720
<v Speaker 1>all of the home viewers in right, so you would

0:11:30.840 --> 0:11:33.480
<v Speaker 1>you know when the weekend would come around eight pm.

0:11:33.520 --> 0:11:35.480
<v Speaker 1>That's when you could be guaranteed that that was when

0:11:35.520 --> 0:11:39.840
<v Speaker 1>the biggest movies were going to be uh showcased on

0:11:39.960 --> 0:11:43.160
<v Speaker 1>these pay television stations. However, Star Wars was such a

0:11:43.200 --> 0:11:46.800
<v Speaker 1>big deal, being that summer blockbuster, that both Showtime and

0:11:46.920 --> 0:11:50.920
<v Speaker 1>HBO wanted to make sure they took advantage of it

0:11:50.960 --> 0:11:53.160
<v Speaker 1>and did not allow the other channel to show it

0:11:53.200 --> 0:11:55.800
<v Speaker 1>before they did. So HBO didn't want Showtime to show

0:11:55.800 --> 0:11:58.079
<v Speaker 1>it first. Showtime didn't want HBO to show it first.

0:11:58.240 --> 0:12:01.800
<v Speaker 1>According to the agreement they signed with Fox, neither could

0:12:01.840 --> 0:12:06.120
<v Speaker 1>show it any time before six am on February one,

0:12:06.240 --> 0:12:08.640
<v Speaker 1>So both of them scheduled the first showing of Star

0:12:08.679 --> 0:12:12.280
<v Speaker 1>Wars to be six am, February first, even knowing that

0:12:12.280 --> 0:12:15.240
<v Speaker 1>that's not an ideal time for their customers. They just

0:12:15.240 --> 0:12:16.720
<v Speaker 1>didn't want the other one to get the scoop, and

0:12:16.840 --> 0:12:20.560
<v Speaker 1>HBO went a step further. So remember in that last

0:12:20.600 --> 0:12:22.880
<v Speaker 1>episode where I talked about cable being a cutthroat business

0:12:22.880 --> 0:12:27.640
<v Speaker 1>and nothing is really you know, off limits, that includes bribery.

0:12:27.760 --> 0:12:31.360
<v Speaker 1>That's probably a strong word. HBO didn't bribe twentieth century Fox.

0:12:31.400 --> 0:12:34.440
<v Speaker 1>Well they paid them more money. They paid them more money.

0:12:34.480 --> 0:12:36.520
<v Speaker 1>That's very much like a bribe. Yeah, so that they

0:12:36.559 --> 0:12:39.920
<v Speaker 1>could be allowed to show Star Wars one minute after

0:12:40.040 --> 0:12:44.040
<v Speaker 1>midnight on February one, so six hours before showtime could

0:12:44.120 --> 0:12:46.920
<v Speaker 1>although they weren't allowed to announce it. Yeah, so you

0:12:47.000 --> 0:12:51.319
<v Speaker 1>had to have been watching HBO at one midnight after

0:12:51.400 --> 0:12:54.920
<v Speaker 1>midnight on February one to have noticed that this had happened. However,

0:12:55.640 --> 0:12:59.600
<v Speaker 1>the they were able to say legitimately that they were

0:12:59.640 --> 0:13:03.280
<v Speaker 1>the first to pay television station to carry Star Wars,

0:13:03.360 --> 0:13:05.920
<v Speaker 1>and that actually carried some weight. There were people who said,

0:13:05.960 --> 0:13:08.640
<v Speaker 1>wait a minute, why is HBO showing it before showtime?

0:13:08.679 --> 0:13:10.960
<v Speaker 1>I should have HBO not showtime, despite the fact that

0:13:11.000 --> 0:13:14.080
<v Speaker 1>we're talking about a six hour window when most people

0:13:14.120 --> 0:13:18.920
<v Speaker 1>wouldn't be watching television anyway. Um that that part didn't matter.

0:13:19.080 --> 0:13:23.560
<v Speaker 1>So very interesting that this battle happened. It was another

0:13:23.600 --> 0:13:26.000
<v Speaker 1>expensive battle, but an important one. As we all know,

0:13:26.080 --> 0:13:27.920
<v Speaker 1>Star Wars one of the most important pieces of art

0:13:28.400 --> 0:13:33.400
<v Speaker 1>created in the history. There's like the Mona Lisa Star

0:13:33.480 --> 0:13:37.960
<v Speaker 1>Wars David, that's the order it goes in. So three

0:13:38.160 --> 0:13:42.560
<v Speaker 1>also was there another amazing piece of art premiered on

0:13:42.720 --> 0:13:46.439
<v Speaker 1>HBO and original program aimed at children. Yeah, Jim Henson's

0:13:46.480 --> 0:13:49.599
<v Speaker 1>Fraggle Rock yep down in Fraggle Rock. So I was

0:13:49.679 --> 0:13:53.400
<v Speaker 1>a huge Fraggle Rock fan back in the day. Um.

0:13:53.480 --> 0:13:55.959
<v Speaker 1>They actually came to dragon Con and we covered the

0:13:56.000 --> 0:13:58.640
<v Speaker 1>dragon Con parade. We actually shut this coverage. Me and

0:13:58.640 --> 0:14:01.040
<v Speaker 1>Ben Bowen and Lauren You were there and we did

0:14:01.080 --> 0:14:03.880
<v Speaker 1>it like Macy's Thanksgiving Day Parade style. It never it

0:14:04.000 --> 0:14:06.240
<v Speaker 1>never saw the light of day, probably because there were

0:14:06.280 --> 0:14:09.000
<v Speaker 1>long stretches where nothing was happening. We we we haven't

0:14:09.000 --> 0:14:13.800
<v Speaker 1>had anyone had time to edit the whole thing really long. Yeah,

0:14:13.840 --> 0:14:16.200
<v Speaker 1>but were in it. They were in it. And there

0:14:16.360 --> 0:14:18.360
<v Speaker 1>is a photo gallery that I did. I was running

0:14:18.360 --> 0:14:21.200
<v Speaker 1>a still camera through the parade and so and and

0:14:21.240 --> 0:14:24.160
<v Speaker 1>she she waved at me. Yeah. I got choked up. Yeah,

0:14:24.200 --> 0:14:26.640
<v Speaker 1>I got choked up watching the Fraggles. I mean, I'm

0:14:26.640 --> 0:14:28.800
<v Speaker 1>not I'm not embarrassed to admit it. The Fraggles are

0:14:28.800 --> 0:14:30.280
<v Speaker 1>meant a lot to be I'm getting a little tiory

0:14:30.360 --> 0:14:33.400
<v Speaker 1>right now. In fact, all right, Well that was the

0:14:33.440 --> 0:14:37.080
<v Speaker 1>first segment of HBO Story Part two. We've got more

0:14:37.160 --> 0:14:40.160
<v Speaker 1>chapters here. The Game of Thrones, I think I guess

0:14:40.200 --> 0:14:51.000
<v Speaker 1>we'll find out, but first let's take a quick break. Now,

0:14:51.080 --> 0:14:54.720
<v Speaker 1>Jim Henson had already had a relationship with HBO. HBO

0:14:54.760 --> 0:14:57.680
<v Speaker 1>had produced a couple of years earlier a Christmas special,

0:14:57.680 --> 0:15:01.280
<v Speaker 1>immitt Otter's jug Band Christmas. So now Jim Hinson had

0:15:01.320 --> 0:15:04.720
<v Speaker 1>the the freedom to create this entire children's series, which

0:15:04.800 --> 0:15:09.080
<v Speaker 1>lasted five seasons, and it ended up being a big success.

0:15:09.120 --> 0:15:12.560
<v Speaker 1>It was one of the few breakaway successes of children's

0:15:12.600 --> 0:15:15.920
<v Speaker 1>programming on HBO. A lot of the other programming UH

0:15:16.080 --> 0:15:19.080
<v Speaker 1>people liked the idea of but no one ever bothered

0:15:19.120 --> 0:15:22.480
<v Speaker 1>to watch, so Fraggle Rock was not among that. That

0:15:22.600 --> 0:15:25.840
<v Speaker 1>was an incredibly popular show, in fact, so popular that

0:15:26.160 --> 0:15:30.280
<v Speaker 1>HBO would end up making other versions of Fraggle Rock

0:15:30.480 --> 0:15:33.880
<v Speaker 1>for other countries, and some of them would have their

0:15:33.880 --> 0:15:37.560
<v Speaker 1>own version of Doc and Sprocket that wouldn't necessarily be

0:15:37.600 --> 0:15:39.840
<v Speaker 1>called Doc and Sprocket, and they would be different people,

0:15:39.840 --> 0:15:41.280
<v Speaker 1>like the I think in England it was like a

0:15:41.360 --> 0:15:45.720
<v Speaker 1>lighthouse keeper who was really crabby. But anyway, they would

0:15:45.760 --> 0:15:48.320
<v Speaker 1>also be dubbed into different languages, so everyone had their

0:15:48.320 --> 0:15:50.960
<v Speaker 1>own version of Fraggle Rock, which was kind of cool.

0:15:51.000 --> 0:15:53.840
<v Speaker 1>It wasn't just a you know, it wasn't just switching

0:15:53.840 --> 0:15:56.520
<v Speaker 1>out the soundtrack. It was actually Taylor made to These

0:15:56.600 --> 0:15:58.960
<v Speaker 1>Nations and another series that premiered that year, and I

0:15:59.000 --> 0:16:02.600
<v Speaker 1>remember the series too, was not necessarily The News, which

0:16:02.640 --> 0:16:05.240
<v Speaker 1>was kind of a news parody sketch comedy show. It

0:16:05.320 --> 0:16:08.800
<v Speaker 1>was the news thing was kind of the the conceit

0:16:09.520 --> 0:16:12.680
<v Speaker 1>the book ends for these various sketches that may or

0:16:12.680 --> 0:16:15.680
<v Speaker 1>may not be very loosely connected, right, And it was

0:16:15.760 --> 0:16:19.360
<v Speaker 1>kind of Brian's very first television writing gig also uh,

0:16:19.520 --> 0:16:23.200
<v Speaker 1>not consistently very good, but but one of the examples

0:16:23.280 --> 0:16:26.960
<v Speaker 1>of HBO getting into original programming, which is again they

0:16:27.000 --> 0:16:30.880
<v Speaker 1>started looking at how to differentiate themselves from the showtimes

0:16:30.880 --> 0:16:33.920
<v Speaker 1>of the world, and these exclusivity deals, like we said,

0:16:34.080 --> 0:16:38.720
<v Speaker 1>could be really really expensive, so maybe making original programming

0:16:38.800 --> 0:16:41.760
<v Speaker 1>would have been a better approach. Now they learned that

0:16:41.880 --> 0:16:45.120
<v Speaker 1>making good original programming is very tricky. It might not

0:16:45.160 --> 0:16:48.200
<v Speaker 1>be expensive, but it's very hard to do, and getting

0:16:48.200 --> 0:16:52.200
<v Speaker 1>people to pay attention is also sometimes tricky. Right. Yeah,

0:16:52.200 --> 0:16:54.840
<v Speaker 1>Sometimes they would make an amazing show that the critics

0:16:54.920 --> 0:16:57.720
<v Speaker 1>loved in nobody watched. We will talk about several of

0:16:57.760 --> 0:17:01.920
<v Speaker 1>those in our third episode. But meanwhile, twelve years after

0:17:01.960 --> 0:17:05.160
<v Speaker 1>its inception, HBO finally got their own offices. Yeah, they

0:17:05.200 --> 0:17:09.000
<v Speaker 1>moved over into a building on Avenue, and it had

0:17:09.040 --> 0:17:13.160
<v Speaker 1>the nickname the flash Cube. All right, kids years ago,

0:17:13.640 --> 0:17:17.840
<v Speaker 1>like in the eighties, cameras which had film in them,

0:17:18.160 --> 0:17:22.480
<v Speaker 1>none of this digital stuff also had flash you know, flashes,

0:17:22.520 --> 0:17:25.800
<v Speaker 1>like a separate flash unit that you had to attach

0:17:25.840 --> 0:17:28.840
<v Speaker 1>to the top little cube that would flash light so

0:17:28.920 --> 0:17:31.080
<v Speaker 1>you could get some light on that image you're trying

0:17:31.119 --> 0:17:34.000
<v Speaker 1>to capture onto film. That's why it was called the

0:17:34.000 --> 0:17:36.359
<v Speaker 1>flash cube because the building looked like one. So this

0:17:36.480 --> 0:17:39.040
<v Speaker 1>building that looked like something you've never seen looked exactly

0:17:39.080 --> 0:17:43.000
<v Speaker 1>like just just like that thing. So now you had

0:17:43.560 --> 0:17:46.679
<v Speaker 1>a building where the actual departments could all sit together.

0:17:47.160 --> 0:17:50.159
<v Speaker 1>The divisions were no longer divided. They could all be

0:17:50.240 --> 0:17:54.040
<v Speaker 1>in a cohesive unit. So that amazing camaraderie they had

0:17:54.080 --> 0:17:56.280
<v Speaker 1>developed back at Time Incorporated, when they had this kind

0:17:56.280 --> 0:18:00.800
<v Speaker 1>of startup mentality went away. What's completely ruined. Yeah, suddenly

0:18:00.800 --> 0:18:05.360
<v Speaker 1>they were physically closer and yet emotionally so distant. Um.

0:18:05.400 --> 0:18:07.119
<v Speaker 1>It turned out that HBO was starting to become more

0:18:07.119 --> 0:18:10.000
<v Speaker 1>of a business, less of this kind of startup entrepreneur

0:18:10.119 --> 0:18:14.240
<v Speaker 1>approach and I had more of a of a corporate structure. Yeah,

0:18:14.280 --> 0:18:17.680
<v Speaker 1>And it also was when HBO started to notice that

0:18:18.400 --> 0:18:21.320
<v Speaker 1>growing as a business was going to get very difficult,

0:18:21.359 --> 0:18:24.320
<v Speaker 1>they did what was called hitting the wall. The wall

0:18:24.320 --> 0:18:27.920
<v Speaker 1>in this case was saturation. You had a saturation point

0:18:28.000 --> 0:18:31.119
<v Speaker 1>where cable had pretty much entered all the markets that

0:18:31.200 --> 0:18:33.679
<v Speaker 1>was gonna go into. So that meant that you no

0:18:33.720 --> 0:18:37.320
<v Speaker 1>longer could expect to suddenly have access to twenty thousand

0:18:37.320 --> 0:18:41.919
<v Speaker 1>new subscribers potential new subscribers because someone finally built the

0:18:41.920 --> 0:18:44.959
<v Speaker 1>infrastructure out to this one region. Now all the regions

0:18:44.960 --> 0:18:47.159
<v Speaker 1>pretty much had cable, so there were not going to

0:18:47.280 --> 0:18:50.400
<v Speaker 1>be any of these these gift baskets of potential customers

0:18:50.440 --> 0:18:52.640
<v Speaker 1>just arriving at HBO. They were gonna have to work

0:18:52.680 --> 0:18:55.280
<v Speaker 1>for it. And also on top of that, they had

0:18:55.280 --> 0:18:58.680
<v Speaker 1>a churn rate going on, right. So churn rate is

0:18:58.720 --> 0:19:03.000
<v Speaker 1>when you lose a certain number of customers over a

0:19:03.040 --> 0:19:05.639
<v Speaker 1>course of a general amount of time. So there's was

0:19:05.680 --> 0:19:10.280
<v Speaker 1>about two per month back in which means that in

0:19:10.359 --> 0:19:13.240
<v Speaker 1>order to just stay even, you have to grow by

0:19:13.280 --> 0:19:16.320
<v Speaker 1>two percent, right to to just maintain the same number

0:19:16.320 --> 0:19:17.960
<v Speaker 1>of customers from the beginning of the month to the

0:19:18.040 --> 0:19:19.840
<v Speaker 1>end of the month. If you want to grow beyond that,

0:19:19.880 --> 0:19:21.960
<v Speaker 1>then obviously you have to get more than two percent

0:19:22.119 --> 0:19:25.240
<v Speaker 1>new customers to replace the two percent who who left. Now,

0:19:25.320 --> 0:19:27.560
<v Speaker 1>some of the people who left they left because they

0:19:27.560 --> 0:19:30.600
<v Speaker 1>were relocating and eventually maybe they come back, but some

0:19:30.680 --> 0:19:32.359
<v Speaker 1>of them were just saying, oh, I don't want to

0:19:32.480 --> 0:19:35.560
<v Speaker 1>have this expense anymore. So you had to convince them, hey,

0:19:35.840 --> 0:19:38.680
<v Speaker 1>we're worth the money, or you had to convince new people, hey,

0:19:38.680 --> 0:19:40.640
<v Speaker 1>we're worth the money. And now there were fewer new

0:19:40.680 --> 0:19:43.640
<v Speaker 1>people to get access to. So this was a very

0:19:43.680 --> 0:19:48.080
<v Speaker 1>scary time at HBO. You had this young company that

0:19:48.200 --> 0:19:52.120
<v Speaker 1>had been used to this incredible growth suddenly realizing, oh,

0:19:52.240 --> 0:19:54.200
<v Speaker 1>things are not going to be as easy anymore. We're

0:19:54.280 --> 0:19:57.679
<v Speaker 1>not going to have this essentially blank check that we

0:19:57.720 --> 0:20:00.399
<v Speaker 1>can hand out for these exclusivity deals. We're not going

0:20:00.440 --> 0:20:03.360
<v Speaker 1>to have this this endless line of new customers coming

0:20:03.359 --> 0:20:05.280
<v Speaker 1>in through the door. What are we gonna do? And

0:20:05.280 --> 0:20:07.040
<v Speaker 1>in fact, one of the first things they had to

0:20:07.080 --> 0:20:10.600
<v Speaker 1>do was layoff about a hundred and twenty five employees,

0:20:10.640 --> 0:20:13.200
<v Speaker 1>which was the first time in HBO's history that people

0:20:13.240 --> 0:20:16.640
<v Speaker 1>had been let go like that. Also, around the same time,

0:20:16.640 --> 0:20:20.240
<v Speaker 1>the VCR became a thing, and that was a boy

0:20:20.320 --> 0:20:24.520
<v Speaker 1>talk about a big bite out of the business. So

0:20:25.440 --> 0:20:27.719
<v Speaker 1>keep in mind, remember this is the time when HBO

0:20:27.960 --> 0:20:31.960
<v Speaker 1>their main purpose was to create way for people to

0:20:32.000 --> 0:20:35.000
<v Speaker 1>watch these movies that were uncut and uncensored that wouldn't

0:20:35.040 --> 0:20:38.320
<v Speaker 1>be carried on broadcast television. But now, with the birth

0:20:38.359 --> 0:20:41.080
<v Speaker 1>of the VCR and the growth of the home video market,

0:20:41.119 --> 0:20:42.920
<v Speaker 1>where you could go to a rental store and rent

0:20:42.960 --> 0:20:45.600
<v Speaker 1>a movie, you can get access to all sorts of

0:20:45.680 --> 0:20:49.840
<v Speaker 1>movies beyond the what we'll call the playlist that HBO

0:20:49.920 --> 0:20:52.760
<v Speaker 1>had access to. Remember, HBO is paying licensing fees to

0:20:52.760 --> 0:20:55.040
<v Speaker 1>be able to show these movies, so they don't have

0:20:55.119 --> 0:20:57.560
<v Speaker 1>licenses for every movie. They have to pick and choose,

0:20:57.560 --> 0:21:00.600
<v Speaker 1>and sometimes they pick before they even know what the

0:21:00.640 --> 0:21:02.320
<v Speaker 1>movie is going to be like, and sometimes they lose

0:21:02.359 --> 0:21:04.160
<v Speaker 1>out on that. Oh sure, and they can only air

0:21:04.280 --> 0:21:06.200
<v Speaker 1>so many things at a time, They can only pay

0:21:06.280 --> 0:21:07.879
<v Speaker 1>to keep so many things on the air at a

0:21:07.880 --> 0:21:10.719
<v Speaker 1>single time, and whatever they happen to have might not

0:21:10.760 --> 0:21:14.240
<v Speaker 1>be what you feel like watching. Once once stores started

0:21:14.359 --> 0:21:18.920
<v Speaker 1>carrying rentable VHS tapes, it was I mean for for

0:21:19.520 --> 0:21:22.080
<v Speaker 1>younger listeners, I mean, like I have a hard time

0:21:22.119 --> 0:21:25.680
<v Speaker 1>imagining this and I remember VHS tapes. I remember all

0:21:25.680 --> 0:21:28.359
<v Speaker 1>of that very clearly, and it still sounds crazy to

0:21:28.400 --> 0:21:30.280
<v Speaker 1>me that you that there was a time when you

0:21:30.320 --> 0:21:33.080
<v Speaker 1>couldn't just watch whatever you wanted. Yeah. Now, you would

0:21:33.119 --> 0:21:35.120
<v Speaker 1>go into the store and you would hope that that

0:21:35.240 --> 0:21:39.080
<v Speaker 1>one copy of Young Einstein was still available, because you

0:21:39.080 --> 0:21:41.639
<v Speaker 1>know what a breakaway hit that was. Um, hey, that

0:21:41.680 --> 0:21:44.879
<v Speaker 1>was an important film. Hey, yeah, who's serious one of

0:21:44.880 --> 0:21:47.680
<v Speaker 1>my heroes. Okay, I'm not don't take any thing away

0:21:47.720 --> 0:21:50.879
<v Speaker 1>from the series, but yeah, just just the fact that

0:21:50.920 --> 0:21:52.959
<v Speaker 1>you go into the store, you know, and hope that

0:21:53.000 --> 0:21:55.120
<v Speaker 1>the thing is the movie that you want is there.

0:21:55.400 --> 0:21:57.840
<v Speaker 1>There was an illusion that you had a more choice

0:21:57.960 --> 0:22:01.560
<v Speaker 1>with the home video market. Now, the true was dependent

0:22:01.600 --> 0:22:05.080
<v Speaker 1>upon how many copies of a certain movie the rental

0:22:05.119 --> 0:22:07.320
<v Speaker 1>store had and how big a customer base it had,

0:22:07.359 --> 0:22:09.600
<v Speaker 1>because there might be some movies that, unless you just

0:22:09.680 --> 0:22:13.320
<v Speaker 1>looked out, were constantly being checked out. So so it

0:22:13.359 --> 0:22:17.040
<v Speaker 1>seems even if Blockbuster had thirty copies of whatever it was,

0:22:17.200 --> 0:22:20.520
<v Speaker 1>it might all be gone right. So so hypothetically you

0:22:20.560 --> 0:22:23.760
<v Speaker 1>had a much larger choice, but in practice it may

0:22:23.840 --> 0:22:25.600
<v Speaker 1>or may not have happened. And either way, it was

0:22:25.640 --> 0:22:27.959
<v Speaker 1>probably more than just Beast Master over and over. Yes,

0:22:28.600 --> 0:22:31.400
<v Speaker 1>HBO started getting the There was a joke that HBOS

0:22:31.440 --> 0:22:36.040
<v Speaker 1>actually stood for Hey beast Masters on um. Yeah, that

0:22:36.040 --> 0:22:39.040
<v Speaker 1>that was the That was again a comment about the

0:22:39.080 --> 0:22:42.520
<v Speaker 1>repeats UH and UH, which were the movies that had

0:22:42.560 --> 0:22:46.639
<v Speaker 1>been shown multiple times within a certain licensing period, and returns,

0:22:46.680 --> 0:22:49.320
<v Speaker 1>which were movies that were still under license but had

0:22:49.520 --> 0:22:52.520
<v Speaker 1>been pulled out of the circulation of movies shown on

0:22:52.640 --> 0:22:56.359
<v Speaker 1>HBO and then reinserted later on. So you know, HBO

0:22:56.560 --> 0:22:59.320
<v Speaker 1>licensed out these movies and those licenses were very specific.

0:22:59.359 --> 0:23:02.600
<v Speaker 1>They would say you can show this movie X number

0:23:02.600 --> 0:23:06.920
<v Speaker 1>of times and during these times of day, Like, they

0:23:06.920 --> 0:23:09.399
<v Speaker 1>were very the way you had to program and HBO

0:23:09.720 --> 0:23:13.000
<v Speaker 1>schedule was dependent upon these licenses because some of them

0:23:13.000 --> 0:23:15.560
<v Speaker 1>were like, Okay, we don't want you showing this this

0:23:15.640 --> 0:23:19.280
<v Speaker 1>movie before six pm. Well then they would have to

0:23:19.359 --> 0:23:22.840
<v Speaker 1>plan that out, you know, before six pm and after midnight.

0:23:22.880 --> 0:23:25.320
<v Speaker 1>I'm sure that FCC regulations and stuff like that would

0:23:25.359 --> 0:23:30.480
<v Speaker 1>prevent some content from being shown during HBO specifically police

0:23:30.520 --> 0:23:33.399
<v Speaker 1>themselves and put they would not allow anything that was

0:23:33.880 --> 0:23:36.359
<v Speaker 1>R rated to go on before eight p m. So

0:23:36.400 --> 0:23:39.200
<v Speaker 1>it had to be after eight pm to to go

0:23:39.320 --> 0:23:43.920
<v Speaker 1>onto HBO Uh, there was largely a self imposed rule,

0:23:44.080 --> 0:23:45.640
<v Speaker 1>and it was just an easy one for them to

0:23:45.640 --> 0:23:47.720
<v Speaker 1>to go with because they knew that that would be

0:23:48.080 --> 0:23:52.639
<v Speaker 1>something that would most likely fit their subscribers desires and

0:23:52.640 --> 0:23:55.360
<v Speaker 1>would at least mollify the kind of groups that would

0:23:55.359 --> 0:23:59.600
<v Speaker 1>have had complaints otherwise exactly most of them. Yes. So anyway,

0:23:59.600 --> 0:24:01.960
<v Speaker 1>those life since has put limiting factors on HBO how

0:24:02.000 --> 0:24:04.240
<v Speaker 1>many movies they would have access to it a given time,

0:24:04.280 --> 0:24:06.560
<v Speaker 1>how many, how frequently they could show it. But then

0:24:06.760 --> 0:24:10.600
<v Speaker 1>HBO also had this model, this business model, where the

0:24:10.640 --> 0:24:14.760
<v Speaker 1>idea was, we're going to get this pool of movies.

0:24:15.000 --> 0:24:17.560
<v Speaker 1>We're gonna make a schedule where we're going to show

0:24:17.600 --> 0:24:20.399
<v Speaker 1>these movies at different times on different days, so that

0:24:20.400 --> 0:24:24.040
<v Speaker 1>our customers can look at the schedule and say, oh,

0:24:24.119 --> 0:24:25.760
<v Speaker 1>the movie I want to see is gonna be on

0:24:25.800 --> 0:24:28.679
<v Speaker 1>at six pm on Wednesday. I'll make sure to watch

0:24:28.720 --> 0:24:31.840
<v Speaker 1>it on Wednesday at six pm. But instead, what they

0:24:31.840 --> 0:24:33.960
<v Speaker 1>found that was that people were treating HBO like it

0:24:34.040 --> 0:24:38.240
<v Speaker 1>was a television channel. That's ridiculous. Well, I mean, you know,

0:24:38.440 --> 0:24:41.080
<v Speaker 1>once again, once BCRs entered the picture and they could

0:24:41.119 --> 0:24:43.760
<v Speaker 1>just record something, yeah, it didn't matter so much about

0:24:43.760 --> 0:24:46.440
<v Speaker 1>when it was on, but they and also yeah, someone

0:24:46.440 --> 0:24:48.360
<v Speaker 1>would just turn on the TV and just be like, oh,

0:24:48.400 --> 0:24:52.800
<v Speaker 1>what's on right now? Okay, yeah, oh it's beast Master again. Yeah.

0:24:53.119 --> 0:24:55.360
<v Speaker 1>That was the problem was that people were not treating

0:24:55.359 --> 0:24:58.240
<v Speaker 1>it like the way the company had thought of the

0:24:58.280 --> 0:25:02.200
<v Speaker 1>service and we the movie theater, which yeah, exactly. We've

0:25:02.240 --> 0:25:04.760
<v Speaker 1>seen this happen in other industries, right, We've seen it

0:25:04.800 --> 0:25:09.120
<v Speaker 1>where someone creates a service, let's say Twitter, great example,

0:25:09.440 --> 0:25:11.720
<v Speaker 1>someone creates a service and they have in their mind

0:25:11.920 --> 0:25:13.639
<v Speaker 1>the way the service is going to be used by

0:25:13.640 --> 0:25:16.800
<v Speaker 1>the customers, and customers go, oh, this great thing for

0:25:16.840 --> 0:25:20.440
<v Speaker 1>this entirely different purpose. And so if you're a good company,

0:25:21.000 --> 0:25:23.719
<v Speaker 1>you move with the customers and you don't try and

0:25:23.800 --> 0:25:26.960
<v Speaker 1>force them into a model that they don't want, because

0:25:27.000 --> 0:25:31.160
<v Speaker 1>otherwise your your business suffers. So HBO started seeing, oh,

0:25:31.200 --> 0:25:33.560
<v Speaker 1>we're gonna have to think of some other way to

0:25:33.680 --> 0:25:36.600
<v Speaker 1>change up our programming so that we don't have the

0:25:36.680 --> 0:25:40.240
<v Speaker 1>same you know, list of movies showing so frequently, because

0:25:40.240 --> 0:25:42.440
<v Speaker 1>we're going to end up driving customers away. And we're

0:25:42.480 --> 0:25:44.800
<v Speaker 1>already having to deal with this churn issue and the

0:25:44.840 --> 0:25:48.760
<v Speaker 1>saturation issue. So all of these factors we're going into

0:25:49.440 --> 0:25:52.840
<v Speaker 1>HBO and the executive's minds thinking all right, we gotta

0:25:52.920 --> 0:25:57.040
<v Speaker 1>we gotta think of a new way of approaching content. Meanwhile,

0:25:57.720 --> 0:25:59.640
<v Speaker 1>Michael Folks, who we had talked about in the last

0:25:59.680 --> 0:26:03.600
<v Speaker 1>episod So, who had come over from a talent agency

0:26:03.920 --> 0:26:06.600
<v Speaker 1>and had joined HBO. He becomes the head of HBO.

0:26:06.880 --> 0:26:10.520
<v Speaker 1>He replaced Frank Beyondi, who had pretty much been forced out.

0:26:10.760 --> 0:26:15.480
<v Speaker 1>He had made a really expensive licensing agreement with Columbia Pictures. Uh,

0:26:15.600 --> 0:26:18.440
<v Speaker 1>there's a little movie called Ghostbusters that nearly broke the

0:26:18.480 --> 0:26:21.800
<v Speaker 1>bank for HBO. We're talking like millions of dollars, like

0:26:21.840 --> 0:26:24.639
<v Speaker 1>forty million dollars just to have this one movie because

0:26:24.680 --> 0:26:27.919
<v Speaker 1>they had agreed beforehand, before knowing what this was going

0:26:27.960 --> 0:26:29.960
<v Speaker 1>to be, and there was no cap on how much

0:26:30.000 --> 0:26:32.760
<v Speaker 1>they could spend. So that deal pretty much melt the

0:26:32.840 --> 0:26:34.879
<v Speaker 1>in for Beyondi. Yeah, well that that was. That was

0:26:34.920 --> 0:26:37.960
<v Speaker 1>the first place that I saw Ghostbusters. So wow, I

0:26:37.960 --> 0:26:41.719
<v Speaker 1>saw it in the theater opening day. The librarians, what

0:26:41.760 --> 0:26:46.359
<v Speaker 1>are we? I was two. We've got more to say

0:26:46.440 --> 0:26:49.640
<v Speaker 1>about this chapter in HBO's history, but before we get

0:26:49.640 --> 0:27:00.840
<v Speaker 1>to that, let's take another quick break. All Right, We're

0:27:00.960 --> 0:27:05.080
<v Speaker 1>up to nineteen five and that's what HBO decided to

0:27:05.119 --> 0:27:09.280
<v Speaker 1>launch a big summer advertising campaign. Now. They they saw

0:27:09.400 --> 0:27:11.679
<v Speaker 1>that the wall had hit, They saw this saturation in

0:27:11.760 --> 0:27:15.400
<v Speaker 1>churn issue, they saw the exclusivity issue, and they thought,

0:27:15.400 --> 0:27:17.800
<v Speaker 1>how can we attract more customers so that we can

0:27:17.840 --> 0:27:20.720
<v Speaker 1>continue to grow, And they decided that they would really

0:27:20.760 --> 0:27:24.080
<v Speaker 1>concentrate in an advertising campaign that spanned the summer of

0:27:24.160 --> 0:27:26.360
<v Speaker 1>n and they would repeat this a couple of times.

0:27:26.400 --> 0:27:28.719
<v Speaker 1>Oh yeah, yeah, and why the summer, you ask. Summer

0:27:28.840 --> 0:27:31.280
<v Speaker 1>is a when kids are out of school and parents

0:27:31.400 --> 0:27:35.800
<v Speaker 1>need something to do with these suddenly free tiny humans. Yeah,

0:27:35.840 --> 0:27:38.520
<v Speaker 1>most of us have to continue to work in the

0:27:38.520 --> 0:27:41.080
<v Speaker 1>summer months, and so how do you keep the tiny

0:27:41.160 --> 0:27:44.000
<v Speaker 1>humans from rising up against their masters and enslaving us

0:27:44.000 --> 0:27:48.359
<v Speaker 1>all good HBO. Furthermore, as most of us know, summer

0:27:48.480 --> 0:27:51.760
<v Speaker 1>is when many television shows are in reruns. All of

0:27:51.800 --> 0:27:54.520
<v Speaker 1>the all of the really big primary prime time sort

0:27:54.560 --> 0:27:58.159
<v Speaker 1>of things are broken for the summer. Yeah, broadcast television

0:27:58.280 --> 0:28:02.600
<v Speaker 1>is tends to be pretty pretty barren over the summer,

0:28:02.640 --> 0:28:05.520
<v Speaker 1>like you're either watching reruns or especially just don't care

0:28:05.520 --> 0:28:07.720
<v Speaker 1>about especially back in those days. These days, it's changing

0:28:07.720 --> 0:28:09.200
<v Speaker 1>a little. It's a little bit. It's a little bit

0:28:09.200 --> 0:28:13.640
<v Speaker 1>now where you can get interesting programming. Yeah, especially now

0:28:13.680 --> 0:28:16.199
<v Speaker 1>that you have shows that are dividing their seasons up

0:28:16.200 --> 0:28:22.480
<v Speaker 1>into season breaking bad, you don't don't perpetuate the breaking

0:28:22.520 --> 0:28:25.719
<v Speaker 1>bad problem. I mean, breaking bad great show, but you know,

0:28:26.440 --> 0:28:30.879
<v Speaker 1>splitting up your seasons, oh bad, breaking bad bad? All right.

0:28:31.119 --> 0:28:34.600
<v Speaker 1>But anyway, Yeah, HBO decided, hey, we we can take

0:28:34.640 --> 0:28:38.160
<v Speaker 1>this opportunity to really grab this this audience that doesn't

0:28:38.280 --> 0:28:40.720
<v Speaker 1>yet subscribe to HBO. So what they did was they

0:28:40.760 --> 0:28:44.200
<v Speaker 1>sent ads through direct mail and they also did telemarketing.

0:28:44.200 --> 0:28:47.680
<v Speaker 1>They called people, cold calling people to convince them to

0:28:48.480 --> 0:28:53.120
<v Speaker 1>sign up, and as irritating as it was, it was worked. Yeah.

0:28:53.280 --> 0:28:58.200
<v Speaker 1>They sent six hundred forty million ads to folks between

0:28:59.040 --> 0:29:03.840
<v Speaker 1>six billion, twice the population of the United States. They

0:29:04.200 --> 0:29:08.280
<v Speaker 1>also did start investing more in original programming. Yes, um,

0:29:08.360 --> 0:29:10.440
<v Speaker 1>and and you know, sports was something that they had

0:29:10.440 --> 0:29:12.440
<v Speaker 1>been doing since the beginning. Yeah, that was one of

0:29:12.440 --> 0:29:14.920
<v Speaker 1>the you remember the two things you could watch an

0:29:15.000 --> 0:29:18.560
<v Speaker 1>HBO when it premiered was a movie, uh that that

0:29:18.840 --> 0:29:22.320
<v Speaker 1>was about logging and a hockey game. So sports had

0:29:22.440 --> 0:29:25.720
<v Speaker 1>always been part of HBO. Also, stand up comedy specials

0:29:25.720 --> 0:29:27.680
<v Speaker 1>had been a part of HBO since the early days.

0:29:27.720 --> 0:29:30.360
<v Speaker 1>Oh yeah, yeah, those really great old rap and Williams

0:29:30.400 --> 0:29:33.320
<v Speaker 1>or Richard pryor special. Steve Martin had a good one too. Yeah.

0:29:33.360 --> 0:29:35.719
<v Speaker 1>You had a bunch of people who were the the

0:29:35.800 --> 0:29:39.600
<v Speaker 1>kind of the loudest voices of comedy in the seventies

0:29:39.600 --> 0:29:43.320
<v Speaker 1>and eighties. George Carlin another one. Some amazing comedians who

0:29:43.320 --> 0:29:45.440
<v Speaker 1>would get their HBO special And even to this day

0:29:45.720 --> 0:29:49.080
<v Speaker 1>you'll hear comedians talk about, you know, feeling like they

0:29:49.120 --> 0:29:51.520
<v Speaker 1>made it when they got an HBO special like that.

0:29:51.520 --> 0:29:53.800
<v Speaker 1>That was like a mark of success. You know, that's

0:29:53.840 --> 0:29:56.959
<v Speaker 1>when you know you've you've arrived. They continued to do that,

0:29:57.080 --> 0:30:00.360
<v Speaker 1>so stand up comedy also big. They also ended up

0:30:00.360 --> 0:30:04.200
<v Speaker 1>backing several documentary series. They ended up creating several series,

0:30:04.360 --> 0:30:08.160
<v Speaker 1>including a brand called America Undercover. There are several documentaries

0:30:08.160 --> 0:30:12.000
<v Speaker 1>in that series, and that helped to differentiate them again

0:30:12.080 --> 0:30:14.400
<v Speaker 1>more from the showtimes in the world. Now, keep in

0:30:14.440 --> 0:30:18.000
<v Speaker 1>mind Showtime at this point not really getting into original

0:30:18.040 --> 0:30:21.440
<v Speaker 1>programming that much. They were still very much dependent upon

0:30:21.480 --> 0:30:25.600
<v Speaker 1>the uncut, uncensored versions of movies. HBO was trying to

0:30:25.680 --> 0:30:28.240
<v Speaker 1>kind of break away from that a little bit while

0:30:28.240 --> 0:30:31.800
<v Speaker 1>still having movies on the channel, but trying to differentiate

0:30:31.880 --> 0:30:35.120
<v Speaker 1>themselves by adding variety that you could not get anywhere else.

0:30:35.160 --> 0:30:37.240
<v Speaker 1>A right, right, it's a little bit, if you remember

0:30:37.360 --> 0:30:41.920
<v Speaker 1>from our cable provider and streaming media discussion, or I mean,

0:30:41.960 --> 0:30:44.560
<v Speaker 1>if you pay attention to the Internet these days, a

0:30:44.880 --> 0:30:47.440
<v Speaker 1>little bit of what what Netflix is doing to kind

0:30:47.480 --> 0:30:50.800
<v Speaker 1>of try to move itself forward in front of channels

0:30:50.800 --> 0:30:53.280
<v Speaker 1>like HBO. In fact, if HBO had not done this,

0:30:53.400 --> 0:30:56.560
<v Speaker 1>we would not have a Netflix, and we certainly wouldn't

0:30:56.560 --> 0:30:58.840
<v Speaker 1>have a Netflix that's making its own content. Same thing

0:30:58.880 --> 0:31:01.600
<v Speaker 1>with Hulu, same thing with am is on. The reason

0:31:01.640 --> 0:31:04.520
<v Speaker 1>why they're able to make their own content, why that's

0:31:04.560 --> 0:31:07.360
<v Speaker 1>a viable choice is because HBO tried it and made

0:31:07.400 --> 0:31:10.520
<v Speaker 1>it work. Now, not everything HBO did with the independent

0:31:11.040 --> 0:31:13.240
<v Speaker 1>stuff that they did, the original programming stuff worked and

0:31:13.280 --> 0:31:16.080
<v Speaker 1>we'll talk a lot about some of both the successes

0:31:16.120 --> 0:31:20.360
<v Speaker 1>and the failures. Um, not everything caught on. However, they

0:31:20.400 --> 0:31:23.360
<v Speaker 1>also partnered at that time with a company called Thorne

0:31:23.480 --> 0:31:26.440
<v Speaker 1>E m I, which was an independent film producer and

0:31:26.560 --> 0:31:30.640
<v Speaker 1>video distributor. So their main business model was to partner

0:31:30.680 --> 0:31:33.000
<v Speaker 1>with other movie studios that did not have a home

0:31:33.160 --> 0:31:36.880
<v Speaker 1>video distribution market. So some of the big ones did

0:31:37.440 --> 0:31:39.600
<v Speaker 1>they They had They had it all in place where

0:31:39.840 --> 0:31:43.320
<v Speaker 1>either they had their own production company or distribution company

0:31:43.440 --> 0:31:46.280
<v Speaker 1>or they partnered with someone already. Thorny and I would

0:31:46.360 --> 0:31:49.440
<v Speaker 1>would partner with lots of smaller, smaller distribution companies. So

0:31:49.440 --> 0:31:52.160
<v Speaker 1>they ended up getting a lot of um we all

0:31:52.240 --> 0:31:55.600
<v Speaker 1>those cheap action movies, you know, the ones that started Internet, Darling,

0:31:55.800 --> 0:31:58.959
<v Speaker 1>Chuck Norris, those were big ones. But uh. The following

0:31:59.040 --> 0:32:04.080
<v Speaker 1>year six, Cannon Pictures bought out thorn em I's interest,

0:32:04.200 --> 0:32:07.880
<v Speaker 1>so HBO and thorny em I had um HBO and

0:32:07.920 --> 0:32:11.200
<v Speaker 1>thorny Emi had partnered together. Cannon Pictures comes in buys

0:32:11.240 --> 0:32:13.720
<v Speaker 1>out thorn em I, but still partners with HBO and

0:32:13.720 --> 0:32:17.560
<v Speaker 1>it becomes HBO Slash Cannon Video and again most of

0:32:17.600 --> 0:32:22.280
<v Speaker 1>the movies low budget action films, awesome movies, not taking

0:32:22.280 --> 0:32:26.959
<v Speaker 1>anything away from him. By seven, HBO Cannon ends up

0:32:27.000 --> 0:32:30.400
<v Speaker 1>being renamed HBO Video. Short time later, it changes names

0:32:30.440 --> 0:32:36.120
<v Speaker 1>again to HBO Entertainment and they had a few successes,

0:32:36.160 --> 0:32:39.240
<v Speaker 1>but really it was touch and go for a while.

0:32:39.320 --> 0:32:43.160
<v Speaker 1>It wouldn't be until HBO original programming really took off

0:32:43.520 --> 0:32:47.320
<v Speaker 1>in the nineties when HBO Entertainment had it made. Because

0:32:47.400 --> 0:32:51.760
<v Speaker 1>now they became the distribution for HBO originals that everybody

0:32:51.800 --> 0:32:53.560
<v Speaker 1>wanted to have, all right, but at the time it

0:32:53.640 --> 0:32:57.480
<v Speaker 1>was really just scraping by. Moving on to Night six,

0:32:57.560 --> 0:33:01.480
<v Speaker 1>that's when HBO established HBO Showcase, which was an actual

0:33:01.520 --> 0:33:04.600
<v Speaker 1>production company. So they had already moved into distribution, and

0:33:04.600 --> 0:33:07.520
<v Speaker 1>they had a production company over on the West Coast

0:33:07.520 --> 0:33:10.800
<v Speaker 1>in Los Angeles called HBO Pictures, but now they wanted

0:33:10.840 --> 0:33:13.400
<v Speaker 1>to create another production company on the East Coast, so

0:33:13.440 --> 0:33:15.920
<v Speaker 1>this one was based in New York. And the idea

0:33:16.000 --> 0:33:19.600
<v Speaker 1>was to make grittier, more you know, kind of realistic

0:33:19.960 --> 0:33:24.640
<v Speaker 1>or hard hitting movies than HBO Pictures was known for.

0:33:24.840 --> 0:33:28.160
<v Speaker 1>So their first picture was about a KGB agent who

0:33:28.200 --> 0:33:30.520
<v Speaker 1>was involved in a big CIA operation. This was actually

0:33:30.520 --> 0:33:35.200
<v Speaker 1>a true story about Uri Nasinko. So they they were

0:33:35.360 --> 0:33:38.680
<v Speaker 1>going kind of this this hard, gritty route, and in

0:33:38.720 --> 0:33:42.280
<v Speaker 1>general people said it felt more like HBO, whereas the

0:33:42.280 --> 0:33:46.240
<v Speaker 1>stuff from HBO Pictures a little more you know, glossy

0:33:46.360 --> 0:33:50.640
<v Speaker 1>and glitzy. Certainly had bigger budgets, had access to bigger names,

0:33:50.720 --> 0:33:56.080
<v Speaker 1>so you saw more movie stars in HBO Pictures productions,

0:33:56.080 --> 0:33:58.760
<v Speaker 1>but the HBO Showcase would be the kind of more

0:33:58.840 --> 0:34:02.520
<v Speaker 1>down to earth stuff. So both of these would eventually

0:34:02.800 --> 0:34:07.560
<v Speaker 1>merge together and become HBO Films, and Colin Callender, who

0:34:07.600 --> 0:34:10.359
<v Speaker 1>had been the head of HBO Showcase, became the head

0:34:10.400 --> 0:34:13.680
<v Speaker 1>of this whole department. I'm sure there were some grumblings

0:34:13.680 --> 0:34:17.400
<v Speaker 1>on both sides. I'm sure the the the Showcase folks

0:34:17.440 --> 0:34:20.440
<v Speaker 1>were thinking, you know, they get all the money and

0:34:20.480 --> 0:34:23.040
<v Speaker 1>they get they get access to all that talent, whereas

0:34:23.040 --> 0:34:26.480
<v Speaker 1>the pictures folks were probably thinking, they have this crazy reputation,

0:34:26.520 --> 0:34:29.040
<v Speaker 1>which we should have because look at what we're doing.

0:34:29.080 --> 0:34:32.000
<v Speaker 1>So so everyone get together and play nice. Yeah. Uh.

0:34:32.160 --> 0:34:35.280
<v Speaker 1>Fortunately they were separated by the rest of the United States,

0:34:35.360 --> 0:34:37.040
<v Speaker 1>with one being in l a and the other being

0:34:37.040 --> 0:34:39.080
<v Speaker 1>in New York, so I think they could. They were

0:34:39.120 --> 0:34:41.560
<v Speaker 1>insulated enough where it wasn't too much of a problem.

0:34:41.680 --> 0:34:46.360
<v Speaker 1>Also in now, this is another big moment in HBO

0:34:46.480 --> 0:34:51.280
<v Speaker 1>history because it established a practice that ended up becoming

0:34:51.320 --> 0:34:54.759
<v Speaker 1>an industry wide standard. It's another reason why we really

0:34:54.760 --> 0:34:58.160
<v Speaker 1>wanted to talk about HBO at length, because so many

0:34:58.160 --> 0:35:01.560
<v Speaker 1>of the things they did influen inst multiple industries. In

0:35:01.560 --> 0:35:06.400
<v Speaker 1>this case, they began to scramble or encode signals full

0:35:06.480 --> 0:35:09.560
<v Speaker 1>time for those satellite signals. Now, if you listen to

0:35:09.600 --> 0:35:12.920
<v Speaker 1>the first episode you learned about HBO using up links

0:35:12.960 --> 0:35:15.759
<v Speaker 1>to send a signal up to a satellite, which used

0:35:15.760 --> 0:35:19.239
<v Speaker 1>transponders leased by HBO to amplify the signal send it

0:35:19.280 --> 0:35:22.400
<v Speaker 1>back down to down links across the nation to cable providers,

0:35:22.520 --> 0:35:25.080
<v Speaker 1>because it spread out over the entirety of North America,

0:35:25.440 --> 0:35:28.640
<v Speaker 1>and at this point, the cost of purchasing a satellite

0:35:28.640 --> 0:35:30.959
<v Speaker 1>dish for yourself head lowered to the point where where

0:35:31.440 --> 0:35:33.719
<v Speaker 1>common families could purchase one if they wanted yea, if

0:35:33.719 --> 0:35:35.960
<v Speaker 1>they if they saved up. I mean, even back when

0:35:35.960 --> 0:35:38.040
<v Speaker 1>it was still tens of thousands of dollars. You had

0:35:38.040 --> 0:35:40.879
<v Speaker 1>a few crazy people with lots of money buying these

0:35:40.920 --> 0:35:44.200
<v Speaker 1>things because the signals weren't scrambled, the signals were clear.

0:35:44.840 --> 0:35:46.959
<v Speaker 1>So so once you bought in what i mean for

0:35:46.960 --> 0:35:49.200
<v Speaker 1>for the purchase price of that satellite dish, you could

0:35:49.400 --> 0:35:52.919
<v Speaker 1>watch whatever you wanted to absolutely free. And so pay

0:35:52.960 --> 0:35:55.480
<v Speaker 1>TV stations didn't like this because you didn't have to

0:35:55.520 --> 0:35:58.400
<v Speaker 1>subscribe to cable at all. Cable companies didn't like it

0:35:58.400 --> 0:36:00.399
<v Speaker 1>because you didn't have to subscribe to cable at all.

0:36:00.719 --> 0:36:04.279
<v Speaker 1>You just had this dish, which at the time was enormous. Uh.

0:36:04.360 --> 0:36:07.799
<v Speaker 1>This was before they had developed the the dishes that

0:36:07.960 --> 0:36:10.239
<v Speaker 1>are more common these days. This is when if you

0:36:10.280 --> 0:36:12.719
<v Speaker 1>remember back in the eighties, the enormous satellite dishes that

0:36:12.800 --> 0:36:14.320
<v Speaker 1>might be out in front of someone's yard or in

0:36:14.360 --> 0:36:16.400
<v Speaker 1>the backyard. That's what I'm talking about, the big like

0:36:16.480 --> 0:36:20.200
<v Speaker 1>nine footers. So you're able to get these signals clear.

0:36:20.320 --> 0:36:23.319
<v Speaker 1>And not only that, broadcast television hated it. And you

0:36:23.400 --> 0:36:25.560
<v Speaker 1>might think, well, why did broadcast television hate it? You

0:36:25.600 --> 0:36:29.200
<v Speaker 1>could get those shows for free using an antenna. Well,

0:36:29.280 --> 0:36:31.839
<v Speaker 1>it's because those shows aren't really free. The reason why

0:36:31.880 --> 0:36:36.080
<v Speaker 1>those shows are are possible at almost because their ads supported, right,

0:36:36.600 --> 0:36:41.400
<v Speaker 1>advertisers by advertising time on those shows, and that money

0:36:41.480 --> 0:36:45.160
<v Speaker 1>goes to the production companies. They are more steps in here,

0:36:45.200 --> 0:36:47.880
<v Speaker 1>but in general, the production companies are able to make

0:36:47.920 --> 0:36:51.040
<v Speaker 1>shows because the money made through advertising. Well, if you're

0:36:51.080 --> 0:36:53.560
<v Speaker 1>using a satellite to pull down the raw feed, you're

0:36:53.560 --> 0:36:55.799
<v Speaker 1>getting the raw feed, you're getting what's called the back

0:36:55.880 --> 0:36:58.800
<v Speaker 1>hall feed, which is before they put any commercials into

0:36:58.800 --> 0:37:02.520
<v Speaker 1>the content. So you were getting commercial free content from

0:37:02.560 --> 0:37:06.640
<v Speaker 1>all the different providers, something that broadcast and cable stations

0:37:06.680 --> 0:37:09.799
<v Speaker 1>and cable providers all hated. So how do you fix

0:37:09.800 --> 0:37:12.359
<v Speaker 1>this problem? Well, what HBO decided to do was to

0:37:12.440 --> 0:37:17.680
<v Speaker 1>invest in this encoding and scrambling technology. They ended up

0:37:17.760 --> 0:37:21.040
<v Speaker 1>going with General Instruments Video cipher to to encrypt the

0:37:21.080 --> 0:37:24.400
<v Speaker 1>audio and video signals. Once they've done that, you'd have

0:37:24.480 --> 0:37:27.400
<v Speaker 1>to have a decryption box on the private end in

0:37:27.480 --> 0:37:31.439
<v Speaker 1>order to decrypt the signals. Right, So cable companies had

0:37:31.480 --> 0:37:34.040
<v Speaker 1>these D scramblers, Right, they can just descramble it, and

0:37:34.040 --> 0:37:37.440
<v Speaker 1>they had an agreement with HBO. Originally it was just HBO,

0:37:37.520 --> 0:37:41.160
<v Speaker 1>but other other channels would follow suit. So HBO ended up,

0:37:41.160 --> 0:37:44.880
<v Speaker 1>like I said, creating this industry standard approach. So the

0:37:44.920 --> 0:37:47.560
<v Speaker 1>cable providers would all have these D scramblers. And as

0:37:47.560 --> 0:37:50.719
<v Speaker 1>a private citizen, you could get a D scrambler, but uh,

0:37:50.840 --> 0:37:54.400
<v Speaker 1>it wouldn't necessarily work. You'd have to pay HBO to

0:37:54.400 --> 0:37:57.520
<v Speaker 1>have access. You could actually go out and buy chips

0:37:57.560 --> 0:38:00.920
<v Speaker 1>that would decrypt things for you, but often these chips

0:38:00.920 --> 0:38:03.200
<v Speaker 1>would only be good for about a month, and what

0:38:03.239 --> 0:38:05.719
<v Speaker 1>would happen is that the provider on the other end

0:38:05.719 --> 0:38:09.919
<v Speaker 1>would see that someone usually it's some fake address that's

0:38:09.920 --> 0:38:14.839
<v Speaker 1>been made out to a customer has not paid their bill,

0:38:15.320 --> 0:38:16.960
<v Speaker 1>and so they cut off the service. So for a

0:38:17.000 --> 0:38:19.560
<v Speaker 1>month you have service and then suddenly you don't. So

0:38:19.840 --> 0:38:21.960
<v Speaker 1>people kept trying to find ways to get around this,

0:38:22.440 --> 0:38:25.000
<v Speaker 1>but it meant that for the most part, it was

0:38:25.239 --> 0:38:28.160
<v Speaker 1>much harder to pirate a signal. Now this made satellite

0:38:28.160 --> 0:38:32.480
<v Speaker 1>dish owners very, very angry. They felt entitled to the

0:38:32.480 --> 0:38:35.120
<v Speaker 1>stuff they were stealing because, in their minds they had

0:38:35.120 --> 0:38:38.279
<v Speaker 1>paid thousands of dollars for a Sally dish, therefore they

0:38:38.320 --> 0:38:40.960
<v Speaker 1>should have access to all this content, despite the fact

0:38:41.000 --> 0:38:43.680
<v Speaker 1>that all the content providers are saying, yeah, see, the

0:38:43.680 --> 0:38:46.920
<v Speaker 1>money you spent didn't go to help pay for the

0:38:46.960 --> 0:38:50.720
<v Speaker 1>actual content, and unless we get paid for the content

0:38:50.760 --> 0:38:54.760
<v Speaker 1>we make, we can't make it. So you're actually talking

0:38:54.760 --> 0:38:58.760
<v Speaker 1>about a behavior that ultimately will completely destroy the business

0:38:58.960 --> 0:39:01.920
<v Speaker 1>that you want to to enjoy. You want this content,

0:39:02.040 --> 0:39:04.600
<v Speaker 1>you want to be able to watch stuff, but if

0:39:04.640 --> 0:39:06.800
<v Speaker 1>we're not getting money for it, we can't make the

0:39:06.840 --> 0:39:09.800
<v Speaker 1>stuff you want to watch. But the satellite provide satellite

0:39:09.840 --> 0:39:15.040
<v Speaker 1>owners said, I want my free HBO. So Jonathan has

0:39:15.080 --> 0:39:18.040
<v Speaker 1>some opinions. I don't side with the pirates on this one.

0:39:18.520 --> 0:39:22.760
<v Speaker 1>To be honest, I understand. I understand the other arguments,

0:39:22.800 --> 0:39:25.880
<v Speaker 1>which we'll get into when we talk about streaming. I'll

0:39:25.920 --> 0:39:28.239
<v Speaker 1>you know, it's not that I don't feel empathy for

0:39:28.280 --> 0:39:30.920
<v Speaker 1>folks who want to have access to content. It's just

0:39:31.000 --> 0:39:34.160
<v Speaker 1>that if you had the choice of either spending thousands

0:39:34.200 --> 0:39:36.400
<v Speaker 1>of dollars for a satellite dish and then stealing everything

0:39:36.560 --> 0:39:40.399
<v Speaker 1>or just that that is a different issue. And it's

0:39:40.400 --> 0:39:43.320
<v Speaker 1>a little bit on the silly end um. But meanwhile,

0:39:43.400 --> 0:39:48.480
<v Speaker 1>also in six uh, Jeff Bukes became HBO's chief financial officer.

0:39:48.680 --> 0:39:51.640
<v Speaker 1>He wouldn't be finished rising the ranks because if you

0:39:51.719 --> 0:39:54.200
<v Speaker 1>listen to our last episode, we kind of gave it away.

0:39:54.960 --> 0:39:58.279
<v Speaker 1>HBO launches Festival. This is gonna sound like it's a

0:39:59.000 --> 0:40:02.000
<v Speaker 1>like it's a Dejah all over again. All right, right?

0:40:02.040 --> 0:40:05.040
<v Speaker 1>Remember take two? Yeah, that was the idea of creating

0:40:05.160 --> 0:40:09.040
<v Speaker 1>a kid friendly network that was lower priced, so people

0:40:09.080 --> 0:40:12.239
<v Speaker 1>who weren't either willing to pay the full subscription price

0:40:12.239 --> 0:40:15.400
<v Speaker 1>for HBO or objected to the content would have an alternative.

0:40:16.200 --> 0:40:18.799
<v Speaker 1>It also did not work. Yeah, apparently they didn't learn

0:40:18.840 --> 0:40:21.520
<v Speaker 1>anything from Take two because Festival to me sounds like

0:40:21.520 --> 0:40:24.279
<v Speaker 1>it was the same thing, exactly the same thing. Yeah,

0:40:24.320 --> 0:40:27.520
<v Speaker 1>it would it would find up getting canceled entirely than

0:40:27.560 --> 0:40:30.360
<v Speaker 1>a year. Yeah, the problem was that they were trying

0:40:30.400 --> 0:40:34.000
<v Speaker 1>to target two different populations. They wanted to target the

0:40:34.480 --> 0:40:37.560
<v Speaker 1>conservative older people who didn't want all that filth on

0:40:37.600 --> 0:40:40.799
<v Speaker 1>their TV, and they wanted to target families with young

0:40:40.880 --> 0:40:43.880
<v Speaker 1>children who wanted to have kid friendly programming. But the

0:40:43.880 --> 0:40:46.640
<v Speaker 1>problem was all the older conservatives said, why do you

0:40:46.640 --> 0:40:49.680
<v Speaker 1>have all this children programming on my station? I don't

0:40:49.719 --> 0:40:51.759
<v Speaker 1>want any of this. This is not interesting to me.

0:40:52.120 --> 0:40:54.840
<v Speaker 1>And all the families were saying, I got this channel

0:40:54.840 --> 0:40:56.919
<v Speaker 1>so that I could watch stuff and my kids could

0:40:56.920 --> 0:40:58.680
<v Speaker 1>watch stuff. But when my kids have gone to bed,

0:40:58.719 --> 0:41:00.960
<v Speaker 1>the only stuff you have on is on Golden Pond

0:41:01.480 --> 0:41:04.719
<v Speaker 1>times in a row. I don't care about that. So

0:41:05.160 --> 0:41:10.040
<v Speaker 1>neither target audience was satisfied. So it's the lesson here

0:41:10.520 --> 0:41:13.440
<v Speaker 1>is if you want to target two very different audiences,

0:41:13.719 --> 0:41:19.000
<v Speaker 1>splitting the difference hardly ever works. Yes. Um the next

0:41:19.080 --> 0:41:22.520
<v Speaker 1>year though in Something with Kids did work out. Yes.

0:41:22.840 --> 0:41:25.800
<v Speaker 1>The Kids in the Hall in fact, premiered on HBO

0:41:25.960 --> 0:41:30.000
<v Speaker 1>Canadian sketch comedy Troupe Brilliant, one of my favorites seen

0:41:30.040 --> 0:41:33.320
<v Speaker 1>him live, Good stuff. And that wraps up the HBO

0:41:33.400 --> 0:41:36.520
<v Speaker 1>story Part two. Next week we will have the part

0:41:36.640 --> 0:41:40.000
<v Speaker 1>three of the story, and again Like I said, a

0:41:40.000 --> 0:41:43.640
<v Speaker 1>lot has happened in the years since, so I'll probably

0:41:43.640 --> 0:41:46.520
<v Speaker 1>have to do an update to this at some point

0:41:46.719 --> 0:41:51.000
<v Speaker 1>and talk really about how HBO and Warner Brothers have

0:41:51.120 --> 0:41:57.000
<v Speaker 1>really transformed the entertainment space, particularly in a world that

0:41:57.040 --> 0:42:00.279
<v Speaker 1>went through a pandemic that really shook things up in

0:42:00.320 --> 0:42:03.839
<v Speaker 1>a big, big way. But that'll have to wait in

0:42:03.880 --> 0:42:06.440
<v Speaker 1>the meantime. If you have any suggestions for topics I

0:42:06.440 --> 0:42:09.040
<v Speaker 1>should cover in future episodes of tech Stuff or ones

0:42:09.120 --> 0:42:12.200
<v Speaker 1>that require an update, let me know. The best way

0:42:12.200 --> 0:42:14.160
<v Speaker 1>to do that is to reach out on Twitter and

0:42:14.200 --> 0:42:17.279
<v Speaker 1>the handle I use is text Stuff hs W. Next

0:42:17.280 --> 0:42:20.319
<v Speaker 1>week we're gonna have part three of this, so stay

0:42:20.360 --> 0:42:23.080
<v Speaker 1>tuned for that and I'll talk to you again really soon.

0:42:28.239 --> 0:42:31.279
<v Speaker 1>Text Stuff is an I Heart Radio production. For more

0:42:31.360 --> 0:42:34.720
<v Speaker 1>podcasts from my Heart Radio, visit the i Heart Radio app,

0:42:34.880 --> 0:42:38.040
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.