1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to stuff you missed in history class, a production 2 00:00:04,400 --> 00:00:13,720 Speaker 1: of I heart radio. Hello and happy Friday. I'm Tracy 3 00:00:13,800 --> 00:00:17,040 Speaker 1: P Wilson and I'm holly FRY. We spent all week 4 00:00:17,160 --> 00:00:21,400 Speaker 1: talking about Eugene Jacques Bullard. I mean that's a pretty 5 00:00:21,440 --> 00:00:24,680 Speaker 1: dreamy way to spend a week. It really was. I 6 00:00:24,720 --> 00:00:28,440 Speaker 1: mean I when people started asking us to do this episode, 7 00:00:28,480 --> 00:00:32,040 Speaker 1: which it might have been before the earliest ones that 8 00:00:32,080 --> 00:00:35,519 Speaker 1: are still in the inboxer from it really was like 9 00:00:35,840 --> 00:00:40,280 Speaker 1: here's a viral facebook post about this black fighter pilot 10 00:00:40,360 --> 00:00:43,919 Speaker 1: from World War One, and at first I was really like, 11 00:00:44,120 --> 00:00:48,199 Speaker 1: that post you gave me is all the information that 12 00:00:48,280 --> 00:00:53,559 Speaker 1: I'm seeing. So it sounds cool, but I don't know 13 00:00:53,640 --> 00:00:56,600 Speaker 1: how that would work. Um. And at that point the 14 00:00:57,280 --> 00:01:00,680 Speaker 1: like the book that I referenced. It was specifically, uh, 15 00:01:00,680 --> 00:01:04,920 Speaker 1: focused mostly on like his jazz age Paris life. That 16 00:01:04,959 --> 00:01:07,920 Speaker 1: book already existed. It just wasn't coming up in the 17 00:01:07,959 --> 00:01:11,000 Speaker 1: places that I was searching for it, and there is. 18 00:01:11,480 --> 00:01:14,760 Speaker 1: There's just way more information available about him now. I 19 00:01:14,840 --> 00:01:20,720 Speaker 1: don't know if his unpublished memoir would ever be published. 20 00:01:22,240 --> 00:01:25,240 Speaker 1: All I have read of it are passages that were 21 00:01:25,319 --> 00:01:28,080 Speaker 1: quoted in other things about him from people who, you know, 22 00:01:28,160 --> 00:01:30,640 Speaker 1: went to the archive where there's a copy of it 23 00:01:30,720 --> 00:01:33,560 Speaker 1: and read it for themselves while working on a biography. 24 00:01:33,760 --> 00:01:37,760 Speaker 1: But I kind of wonder what other bits in there 25 00:01:38,240 --> 00:01:42,480 Speaker 1: besides his relationship with his wife, might be a little, uh, 26 00:01:42,680 --> 00:01:47,160 Speaker 1: not in alignment with what can be verified, which is 27 00:01:47,360 --> 00:01:50,920 Speaker 1: this is not a reflection like this. That happens with 28 00:01:51,160 --> 00:01:55,800 Speaker 1: memoirs almost across the board, like anytime you're reading somebody's memoir, 29 00:01:55,880 --> 00:01:59,720 Speaker 1: there's probably stuff in it that is either they remember 30 00:01:59,760 --> 00:02:03,880 Speaker 1: it differently from how it really happened or they're kind 31 00:02:03,920 --> 00:02:08,000 Speaker 1: of putting the best light they can on something, or 32 00:02:08,080 --> 00:02:11,160 Speaker 1: maybe the worst light they can on something like this. 33 00:02:11,240 --> 00:02:15,440 Speaker 1: Is Not unique to his memoir at all, but man, 34 00:02:15,520 --> 00:02:20,120 Speaker 1: I'm curious about it. I think, I mean I I 35 00:02:20,160 --> 00:02:23,040 Speaker 1: have a history crush on him. It's like everything you 36 00:02:23,080 --> 00:02:25,959 Speaker 1: want in a person. He's interesting, he's resilient, he speaks 37 00:02:25,960 --> 00:02:30,399 Speaker 1: of Kajillion languages, so he's clearly smart and interesting. Um, 38 00:02:30,480 --> 00:02:34,040 Speaker 1: he punches racists and Nazis like this is this is 39 00:02:34,080 --> 00:02:39,800 Speaker 1: the total package. Punching racist was a big part of 40 00:02:39,840 --> 00:02:41,960 Speaker 1: his I didn't write about this in the episode at 41 00:02:41,960 --> 00:02:45,440 Speaker 1: all just because it's totally speculative on my part. We've 42 00:02:45,480 --> 00:02:48,960 Speaker 1: talked so many times on the show about the social 43 00:02:49,000 --> 00:02:55,480 Speaker 1: expectations placed on black people and the measures that black 44 00:02:55,480 --> 00:03:00,000 Speaker 1: people have had to take to try to keep themselves safe. Um. 45 00:03:00,040 --> 00:03:03,560 Speaker 1: And like that came up in our episode on Mamie 46 00:03:03,600 --> 00:03:06,280 Speaker 1: till Mobley and the murder of Emmett till and like 47 00:03:06,360 --> 00:03:08,160 Speaker 1: how she had talked to him about how to behave 48 00:03:08,200 --> 00:03:11,440 Speaker 1: around white people with the hope that he would be safe. 49 00:03:12,160 --> 00:03:17,880 Speaker 1: So I wonder, or imagine that, like his leaving the 50 00:03:17,960 --> 00:03:21,880 Speaker 1: United States for Europe when he did, when he was 51 00:03:21,880 --> 00:03:24,680 Speaker 1: still relatively young. I mean he was into his teens, 52 00:03:24,720 --> 00:03:28,000 Speaker 1: but he was not even he was not an adult yet. Um, 53 00:03:28,080 --> 00:03:32,640 Speaker 1: how that influenced his willingness to just fight back violently 54 00:03:32,680 --> 00:03:38,560 Speaker 1: all the time, because he uh, he had a passage 55 00:03:38,640 --> 00:03:42,560 Speaker 1: that he sort of related a thing that his father 56 00:03:42,680 --> 00:03:45,040 Speaker 1: had had told them in this conversation that his father 57 00:03:45,120 --> 00:03:46,840 Speaker 1: had that was like, if something happens to me, I 58 00:03:46,840 --> 00:03:50,120 Speaker 1: want you to be good, Um. And it was something 59 00:03:50,160 --> 00:03:52,600 Speaker 1: along the lines of don't back down from a fight, 60 00:03:52,720 --> 00:03:56,400 Speaker 1: but don't go looking for one either. Um. And that 61 00:03:56,480 --> 00:04:00,640 Speaker 1: seems to have been something that he deeply into. Ternalized 62 00:04:00,720 --> 00:04:05,680 Speaker 1: your bodied. Yeah, yeah, yes, Um, I bet you like me. 63 00:04:06,120 --> 00:04:09,040 Speaker 1: Would like to use our imaginary time machine to go 64 00:04:09,120 --> 00:04:11,320 Speaker 1: back in time and maybe listen. I'm not a fan 65 00:04:11,360 --> 00:04:14,600 Speaker 1: of violence, but slap around Dr Edmund Gross a little. Yeah, 66 00:04:15,160 --> 00:04:17,960 Speaker 1: like that at least, like feed him a Sneezer, like 67 00:04:18,040 --> 00:04:20,520 Speaker 1: give him, you know, food. I spit him. I don't. Don't. 68 00:04:20,560 --> 00:04:23,640 Speaker 1: Don't spit in people's food. Just that man is deplorable. 69 00:04:23,960 --> 00:04:27,640 Speaker 1: What a meme, natured snake of a weasel. I'm gonna 70 00:04:27,720 --> 00:04:32,839 Speaker 1: combine all kinds of common there. There were other people 71 00:04:32,880 --> 00:04:34,880 Speaker 1: in addition to him that we did not get into 72 00:04:34,920 --> 00:04:39,080 Speaker 1: you at all, who were also part of handling the 73 00:04:39,200 --> 00:04:45,120 Speaker 1: idea of white American troops and their proximity to black 74 00:04:45,160 --> 00:04:49,440 Speaker 1: people in France in World War One and, like a 75 00:04:49,520 --> 00:04:54,279 Speaker 1: lot of people, really concerned about how people were gonna 76 00:04:54,360 --> 00:04:58,560 Speaker 1: Act if suddenly they were deployed next to a black battalion. 77 00:04:58,720 --> 00:05:04,880 Speaker 1: And Oh, it was nauseating to read a lot of it. So, yeah, 78 00:05:04,920 --> 00:05:07,800 Speaker 1: that's uh, a lot of the things that I read 79 00:05:07,839 --> 00:05:10,279 Speaker 1: that were about gross and what gross did and that 80 00:05:10,440 --> 00:05:13,400 Speaker 1: gross is. I'm assuming that's how he pronounced its name. 81 00:05:13,440 --> 00:05:16,120 Speaker 1: It was spelled G R O S and I I'm 82 00:05:16,120 --> 00:05:18,360 Speaker 1: guessing it was pronounced like Gross, which makes it kind 83 00:05:18,360 --> 00:05:21,720 Speaker 1: of a suitable name for somebody who just took such 84 00:05:21,760 --> 00:05:27,679 Speaker 1: pains accuracy. But I kept finding people being like yeah, 85 00:05:27,720 --> 00:05:31,760 Speaker 1: it's it's not totally confirmed that he was the person 86 00:05:31,800 --> 00:05:34,080 Speaker 1: who did this, but it does seem like he was 87 00:05:34,120 --> 00:05:36,560 Speaker 1: the person who did this, and I'm like, are you 88 00:05:37,800 --> 00:05:41,720 Speaker 1: just trying to cushion that possibility or what? Because there 89 00:05:41,720 --> 00:05:45,440 Speaker 1: were just so many things that bullard was denied or 90 00:05:45,920 --> 00:05:48,839 Speaker 1: kept out of or whatever, and that guy just kept 91 00:05:48,839 --> 00:05:55,520 Speaker 1: showing up over and over M it's like every time 92 00:05:55,640 --> 00:05:57,400 Speaker 1: we would I had read through it, but then every 93 00:05:57,400 --> 00:05:59,560 Speaker 1: time we would get to his name or I would 94 00:05:59,600 --> 00:06:02,800 Speaker 1: see it coming up as we were recording, it's like 95 00:06:02,839 --> 00:06:09,600 Speaker 1: I had a fresh, like visceral yuck response, like you know, 96 00:06:10,920 --> 00:06:14,960 Speaker 1: and it stinks that he kept recurring in Jean's life, 97 00:06:15,040 --> 00:06:17,000 Speaker 1: like I have moved on to other things. Oh, here 98 00:06:17,040 --> 00:06:20,159 Speaker 1: he is again, here he is again to maybe start 99 00:06:20,160 --> 00:06:23,560 Speaker 1: another ambulance corps, which I mean was an important thing 100 00:06:23,600 --> 00:06:27,560 Speaker 1: to do, but still, uh. This episode also made me 101 00:06:27,640 --> 00:06:29,719 Speaker 1: wish somehow I had a time machine so that I 102 00:06:29,720 --> 00:06:31,880 Speaker 1: could have researched it before we took our trip to 103 00:06:32,000 --> 00:06:35,680 Speaker 1: Paris back in twenty nine. Team was that when we 104 00:06:35,720 --> 00:06:39,880 Speaker 1: did that Um, because we spent a lot of time 105 00:06:40,160 --> 00:06:44,680 Speaker 1: walking around Mamarch. He did indeed, and that, you know, 106 00:06:44,880 --> 00:06:47,599 Speaker 1: might have been nice to do with that additional bit 107 00:06:47,640 --> 00:06:52,520 Speaker 1: of context. I mean, the good news is Mal Matra 108 00:06:52,600 --> 00:06:54,719 Speaker 1: is still there. We can still at some point and 109 00:06:54,800 --> 00:06:59,359 Speaker 1: do it all over again, look for at least the 110 00:06:59,440 --> 00:07:02,840 Speaker 1: space is where where he could have been, even though, 111 00:07:03,000 --> 00:07:07,360 Speaker 1: like his building burned down and went not so yeah, yeah, 112 00:07:07,520 --> 00:07:09,600 Speaker 1: I mean, any excuse to go to Paris. Yeah, let's 113 00:07:09,600 --> 00:07:11,760 Speaker 1: do it. Yeah, as soon as I got to the 114 00:07:11,840 --> 00:07:14,920 Speaker 1: part where the minute he got to Paris, he was like, 115 00:07:14,960 --> 00:07:16,520 Speaker 1: this is where I want to be, I was like, 116 00:07:16,640 --> 00:07:21,720 Speaker 1: he and holly are kindred spirits. I was just like, yes, 117 00:07:21,880 --> 00:07:25,559 Speaker 1: this is the history person of my dreams. Yeah, yeah, 118 00:07:25,920 --> 00:07:27,720 Speaker 1: I would love to hang with him. Are you kidding? 119 00:07:27,760 --> 00:07:31,520 Speaker 1: Like the fact that he is Um, he was such 120 00:07:31,520 --> 00:07:34,320 Speaker 1: a chameleon in terms of like being able to turn 121 00:07:34,400 --> 00:07:37,880 Speaker 1: his efforts to so many different vocations and do pretty 122 00:07:37,920 --> 00:07:40,080 Speaker 1: well in all of them. Like I like that he 123 00:07:40,120 --> 00:07:42,560 Speaker 1: became a jazz drummer, and not only was he like, Oh, yeah, 124 00:07:42,560 --> 00:07:44,760 Speaker 1: I can get booked because people need a drummer so bad, 125 00:07:45,240 --> 00:07:47,520 Speaker 1: but Zelli is also like I also need you to 126 00:07:47,720 --> 00:07:52,520 Speaker 1: like run this business for me and he's like Oh, okay, yeah, 127 00:07:52,680 --> 00:07:56,920 Speaker 1: he was. He was also characterized as like good, but 128 00:07:57,040 --> 00:07:59,800 Speaker 1: not great at most of the things that he tried. 129 00:07:59,840 --> 00:08:01,600 Speaker 1: So he was like a good pilot but not a 130 00:08:01,600 --> 00:08:03,680 Speaker 1: great one, and a good drummer but not a great one. 131 00:08:03,720 --> 00:08:05,720 Speaker 1: I was like you keep saying that, just just like 132 00:08:05,800 --> 00:08:09,960 Speaker 1: I've the number of things that he tried to do professionally. 133 00:08:10,720 --> 00:08:13,160 Speaker 1: I don't think it's reasonable to expect that he would 134 00:08:13,200 --> 00:08:15,800 Speaker 1: have been great at all of them. I love a 135 00:08:15,880 --> 00:08:18,000 Speaker 1: Jack of all trade story. I love it. He's a 136 00:08:18,040 --> 00:08:20,920 Speaker 1: renaissance man. Yeah, I think probably of all the things 137 00:08:21,000 --> 00:08:24,000 Speaker 1: that he tried, the thing he was probably the best 138 00:08:24,040 --> 00:08:27,600 Speaker 1: at was like running that nightclub like that. Like that, 139 00:08:27,600 --> 00:08:29,960 Speaker 1: that aspect of it seems to be where he had 140 00:08:30,000 --> 00:08:34,640 Speaker 1: the most standout success, versus being a boxer or a 141 00:08:34,679 --> 00:08:37,120 Speaker 1: combat pilot or whatever, where it was more like he 142 00:08:37,280 --> 00:08:42,479 Speaker 1: was he was pretty good, and a spy, and a spy, 143 00:08:42,760 --> 00:08:47,880 Speaker 1: holy Moses, what a life like? That's the kind of 144 00:08:47,920 --> 00:08:49,720 Speaker 1: life that, if it were fiction, you'd be like this 145 00:08:49,800 --> 00:08:52,240 Speaker 1: is kind of a lot. You could let's edit out 146 00:08:52,320 --> 00:08:59,679 Speaker 1: part one of these jobs please. So, yeah, you cain 147 00:08:59,760 --> 00:09:05,920 Speaker 1: pull he's great. I really enjoyed doing this episode. Once again, 148 00:09:05,960 --> 00:09:08,840 Speaker 1: happy Friday. Whatever is coming up for your weekend, I 149 00:09:08,840 --> 00:09:12,120 Speaker 1: hope it's great. If it's not great, I hope there's 150 00:09:12,120 --> 00:09:14,640 Speaker 1: at least like a moment of rest and peace for you. 151 00:09:15,800 --> 00:09:20,000 Speaker 1: We'll have a brand new episode on Monday, Saturday, classic tomorrow, 152 00:09:20,000 --> 00:09:24,000 Speaker 1: which is Saturday, and you can subscribe to our show 153 00:09:24,040 --> 00:09:25,960 Speaker 1: on the I heart radio APP, wherever else you like 154 00:09:26,000 --> 00:09:33,360 Speaker 1: to get podcasts. Stuff you missed in history class is 155 00:09:33,360 --> 00:09:36,559 Speaker 1: a production of I heart radio. 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