1 00:00:07,680 --> 00:00:11,520 Speaker 1: Greetings at b and Viniels, fellow seekers of the dark. 2 00:00:12,039 --> 00:00:16,960 Speaker 1: I'm Danny Threepe. Welcome to nocturnal tales from the shadows. 3 00:00:17,440 --> 00:00:21,680 Speaker 1: By the enchanted frames of this fire, we transcend time 4 00:00:21,760 --> 00:00:25,960 Speaker 1: and space to enter the darkest depths of the Latin 5 00:00:26,000 --> 00:00:31,720 Speaker 1: American imagination, legend and lore, passed down through the years 6 00:00:31,920 --> 00:00:43,280 Speaker 1: and retold with a twists. Tonight we take you into 7 00:00:43,320 --> 00:00:47,280 Speaker 1: the heart of Brooklyn, where old spirits are never as 8 00:00:47,360 --> 00:00:51,720 Speaker 1: far away as you think. A semi a spirit from 9 00:00:51,720 --> 00:00:55,920 Speaker 1: the old Dino world, older than the city, older than 10 00:00:55,960 --> 00:00:59,720 Speaker 1: the stories we tell ourselves, is waking up. And when 11 00:00:59,760 --> 00:01:05,160 Speaker 1: some the ancient stirs, it doesn't care if you're ready 12 00:01:10,680 --> 00:01:14,680 Speaker 1: in the shadows of gentrification and forgotten players who we 13 00:01:14,760 --> 00:01:19,119 Speaker 1: ask what happens when the past calls you back? Will 14 00:01:19,160 --> 00:01:20,319 Speaker 1: you answer. 15 00:01:33,360 --> 00:01:38,959 Speaker 2: When or the on behalf of the Delgado family. I 16 00:01:39,120 --> 00:01:44,679 Speaker 2: welcome each of you, whether you traveled from uptown or. 17 00:01:44,680 --> 00:01:48,640 Speaker 1: From Puerto Rico. I thank you as we gather here 18 00:01:48,680 --> 00:01:49,840 Speaker 1: today to. 19 00:01:49,960 --> 00:01:59,240 Speaker 2: Celebrate the life of Blanca, a pillar of the community. 20 00:02:00,560 --> 00:02:02,160 Speaker 3: We come with heavy hearts. 21 00:02:02,760 --> 00:02:06,240 Speaker 2: We come together in love and in support of one another. 22 00:02:07,880 --> 00:02:12,399 Speaker 2: Let us take a moment of silence to honor our 23 00:02:12,440 --> 00:02:23,640 Speaker 2: beloved Blanca, please. 24 00:02:23,919 --> 00:02:25,079 Speaker 1: Pay your respects. 25 00:02:25,360 --> 00:02:32,440 Speaker 2: The service will begin shortly, I. 26 00:02:32,600 --> 00:02:38,520 Speaker 3: Louise, Yeah, no, I haven't been home in two years. 27 00:02:38,639 --> 00:02:42,440 Speaker 3: I know, I know. I've been studying abroad. You're a 28 00:02:42,440 --> 00:02:44,240 Speaker 3: suspensive to come home for the holidays. 29 00:02:44,280 --> 00:02:46,800 Speaker 4: Well, you're a willa. Blanca missed you so much. 30 00:02:46,880 --> 00:02:47,960 Speaker 5: You're so grown up. 31 00:02:48,000 --> 00:02:52,160 Speaker 6: Now there is Look at our Ivy League guy. 32 00:02:52,480 --> 00:02:53,239 Speaker 1: He builds a building. 33 00:02:53,280 --> 00:02:56,080 Speaker 3: Yet, primo, I don't. I don't build buildings. I'm an 34 00:02:56,200 --> 00:02:58,200 Speaker 3: urban plannet. That sounds very fancy. 35 00:02:58,520 --> 00:03:01,720 Speaker 4: Blanca will be so proud her coming from a small 36 00:03:01,800 --> 00:03:04,640 Speaker 4: village in Puerto Rico, wiped out by a hurricane, to 37 00:03:04,680 --> 00:03:08,960 Speaker 4: see her grandson receive a degree from an Ivy League university. 38 00:03:09,560 --> 00:03:15,160 Speaker 4: It's the American dream, and your parents won't be there here. 39 00:03:16,600 --> 00:03:21,000 Speaker 3: Hey, it's okay, it's okay. I have my deals. I 40 00:03:21,040 --> 00:03:22,880 Speaker 3: don't know what to do without Blanca. 41 00:03:23,120 --> 00:03:25,040 Speaker 7: She was the soul of the community. 42 00:03:25,280 --> 00:03:27,400 Speaker 4: I'm so happy we were able to get a final 43 00:03:27,480 --> 00:03:31,080 Speaker 4: blessing from her. It's gonna be so different with the Botanica. 44 00:03:31,160 --> 00:03:34,320 Speaker 6: Go well, hold on, what's happening to the Botanica? 45 00:03:34,960 --> 00:03:40,440 Speaker 4: Louise, you didn't know someone said a developer wants it 46 00:03:40,440 --> 00:03:41,840 Speaker 4: for lots of money. 47 00:03:42,040 --> 00:03:43,160 Speaker 3: Pat, don't gossip. 48 00:03:43,560 --> 00:03:45,000 Speaker 5: It's a rumor, not gossip. 49 00:03:45,080 --> 00:03:49,080 Speaker 3: He's a well I just died. Well, it was great 50 00:03:49,480 --> 00:03:51,800 Speaker 3: to see you, guys. I'm I'm not gonna pay my 51 00:03:51,840 --> 00:03:53,040 Speaker 3: respects by Louise. 52 00:03:53,640 --> 00:03:55,080 Speaker 4: It was so good to see you. 53 00:03:59,360 --> 00:04:02,080 Speaker 3: Excuse me, sorry, excuse me. 54 00:04:04,320 --> 00:04:07,560 Speaker 6: Oh no, well, I'm I'm sorry to come back sooner. 55 00:04:08,560 --> 00:04:11,680 Speaker 3: I have so much to tell you. I wish I 56 00:04:11,720 --> 00:04:22,040 Speaker 3: could see you. I am yukahoo got a fertility. 57 00:04:22,400 --> 00:04:25,240 Speaker 1: I will strike you down, Lord of the dead. 58 00:04:27,839 --> 00:04:31,440 Speaker 3: The gods are not to be played with. 59 00:04:32,320 --> 00:04:32,960 Speaker 8: Come with me. 60 00:04:33,440 --> 00:04:42,800 Speaker 9: Okay, Well, put the same something altar licito? 61 00:04:44,080 --> 00:04:45,599 Speaker 10: What's all this fruit and bread? 62 00:04:45,880 --> 00:04:49,400 Speaker 9: Oh frase, Now you must give them something since you 63 00:04:49,640 --> 00:04:51,120 Speaker 9: took away the respect. 64 00:04:51,520 --> 00:04:52,800 Speaker 11: But I have nothing to give. 65 00:04:53,320 --> 00:04:54,839 Speaker 9: We all have something. 66 00:04:55,400 --> 00:05:01,120 Speaker 11: Hmmm, well I wanted to cut my bay. 67 00:05:02,640 --> 00:05:02,919 Speaker 5: Care. 68 00:05:03,200 --> 00:05:04,920 Speaker 9: He's a powerful offering. 69 00:05:05,800 --> 00:05:07,039 Speaker 1: Good choice me. 70 00:05:07,520 --> 00:05:08,839 Speaker 5: You want your Mama and Pappy? 71 00:05:09,880 --> 00:05:10,760 Speaker 3: No, I want. 72 00:05:11,440 --> 00:05:14,120 Speaker 9: What you give is between you and the gods. 73 00:05:14,880 --> 00:05:19,799 Speaker 5: Use this here scissors. Okay, then. 74 00:05:22,360 --> 00:05:22,960 Speaker 1: Is this enough? 75 00:05:23,080 --> 00:05:26,200 Speaker 9: It's more than enough. A part of you is the 76 00:05:26,240 --> 00:05:30,240 Speaker 9: most powerful offering you can make. Are you given this 77 00:05:30,520 --> 00:05:32,400 Speaker 9: Relian with the goodness. 78 00:05:31,960 --> 00:05:32,559 Speaker 1: Of your heart? 79 00:05:33,240 --> 00:05:33,800 Speaker 6: Yes? 80 00:05:36,240 --> 00:05:39,600 Speaker 9: Yes, Then place it on the altar. 81 00:05:43,360 --> 00:05:45,080 Speaker 3: I see perfectly. 82 00:05:45,200 --> 00:05:54,679 Speaker 5: Sit, Louise, you've been there a long time. 83 00:05:55,640 --> 00:05:58,400 Speaker 3: I'm sorry the I like a last for a moment. 84 00:05:58,640 --> 00:06:02,120 Speaker 5: It's okay, honey, this must be in love for you. 85 00:06:02,520 --> 00:06:03,800 Speaker 3: Yeah, I'm doing okay. 86 00:06:04,000 --> 00:06:07,720 Speaker 5: Come by for dinner tomorrow night, raise making Benilo. I 87 00:06:07,800 --> 00:06:08,680 Speaker 5: went us favorite. 88 00:06:09,279 --> 00:06:09,560 Speaker 1: Thank you? 89 00:06:09,640 --> 00:06:10,919 Speaker 3: Yeah, I really like that. 90 00:06:11,120 --> 00:06:16,080 Speaker 1: M Hello are you Lewis Delgado? Yeah? 91 00:06:16,200 --> 00:06:17,960 Speaker 12: I wanted to give my condolences. 92 00:06:18,520 --> 00:06:21,000 Speaker 1: Your grandmother was a very sweet woman. 93 00:06:21,400 --> 00:06:23,039 Speaker 3: Thank you. How did you know? 94 00:06:23,760 --> 00:06:26,560 Speaker 12: Well, we were just starting to do business together. I 95 00:06:26,640 --> 00:06:29,359 Speaker 12: wanted to chat with you about something real quick, if 96 00:06:29,400 --> 00:06:30,240 Speaker 12: you wouldn't. 97 00:06:29,839 --> 00:06:32,160 Speaker 3: Mind right now, service is about to start. 98 00:06:32,440 --> 00:06:37,440 Speaker 12: I know, I'm sorry, but it's a bit urgent. Okay, Yeah, sure, 99 00:06:46,040 --> 00:06:49,040 Speaker 12: I'm Anthony Dinado again, so sorry for your loss. 100 00:06:49,400 --> 00:06:50,880 Speaker 1: I work with Borough Building Works. 101 00:06:51,120 --> 00:06:53,520 Speaker 3: Yeah, I know them. That's a big firm. 102 00:06:53,600 --> 00:06:56,320 Speaker 12: Yeah, and we've been in talks with your grandmother for 103 00:06:56,360 --> 00:06:59,680 Speaker 12: a while about buying the building her floral stores. 104 00:06:59,360 --> 00:07:02,400 Speaker 3: And wait, she agreed to sell. 105 00:07:02,920 --> 00:07:03,120 Speaker 1: Yes. 106 00:07:03,680 --> 00:07:06,800 Speaker 12: And as you can see from this very unfortunate situation, 107 00:07:07,360 --> 00:07:09,360 Speaker 12: this is don't occur ball into our plans. 108 00:07:09,760 --> 00:07:12,280 Speaker 3: Why are you coming to me because she left the shop. 109 00:07:12,200 --> 00:07:12,720 Speaker 7: Under your name? 110 00:07:13,520 --> 00:07:13,760 Speaker 13: What? 111 00:07:14,520 --> 00:07:17,520 Speaker 12: Yeah, you're the owner of the Botanica congratuations. 112 00:07:25,520 --> 00:07:33,840 Speaker 6: Yeah, look at that Botany Gaulanka Nimpias, VELAs Gonsultas. 113 00:07:34,920 --> 00:07:36,840 Speaker 14: I always told her I was way too far. 114 00:07:37,560 --> 00:07:39,800 Speaker 5: That name was never changing, and this. 115 00:07:39,800 --> 00:07:43,160 Speaker 3: Place hasn't changed a bit. She's still not dusting. 116 00:07:43,640 --> 00:07:45,200 Speaker 5: When was the last time you were here? 117 00:07:45,800 --> 00:07:47,840 Speaker 3: Woof ten years? 118 00:07:48,120 --> 00:07:52,120 Speaker 10: Maybe I haven't been much, just dropped off food now 119 00:07:52,160 --> 00:07:55,480 Speaker 10: and then she stopped letting people in toward the end. 120 00:07:55,680 --> 00:07:57,600 Speaker 3: It just doesn't make sense. Why would she leave it 121 00:07:57,640 --> 00:08:00,440 Speaker 3: to me and not like you. 122 00:08:01,880 --> 00:08:03,360 Speaker 5: Maybe she saw something in you. 123 00:08:03,840 --> 00:08:05,160 Speaker 3: I don't know what to do with all this stuff. 124 00:08:05,240 --> 00:08:07,720 Speaker 3: I mean, is that a heart? 125 00:08:09,640 --> 00:08:10,040 Speaker 5: Oh my? 126 00:08:10,320 --> 00:08:12,360 Speaker 7: What's all this? 127 00:08:12,440 --> 00:08:12,680 Speaker 12: Male? 128 00:08:13,600 --> 00:08:18,080 Speaker 3: Final notices? Utilities rent what? No one knew? 129 00:08:18,360 --> 00:08:21,280 Speaker 5: You know how she was. She wouldn't let us help. 130 00:08:22,040 --> 00:08:23,560 Speaker 5: But if I was looking into it. 131 00:08:23,440 --> 00:08:26,960 Speaker 6: Now, well did she stop charging people? 132 00:08:30,280 --> 00:08:31,040 Speaker 1: Yeah? 133 00:08:31,480 --> 00:08:32,560 Speaker 3: Figures? 134 00:08:33,480 --> 00:08:38,839 Speaker 1: What's this? Oh? 135 00:08:38,880 --> 00:08:40,680 Speaker 7: This is her old spell book? 136 00:08:41,280 --> 00:08:47,000 Speaker 6: Look it's part legend now Maria r egg Limpia too, 137 00:08:47,080 --> 00:08:53,839 Speaker 6: white candles, feather, jose m chicken blood, black pascidian teeth. 138 00:08:55,920 --> 00:08:59,480 Speaker 6: Sammy she she used to talk to me about Sammy's 139 00:08:59,600 --> 00:09:01,000 Speaker 6: what's that there? 140 00:09:01,040 --> 00:09:04,840 Speaker 3: There were toys I played with. It just says the 141 00:09:04,920 --> 00:09:06,800 Speaker 3: gods are not to be played with. 142 00:09:15,400 --> 00:09:18,280 Speaker 5: Damn subway is gonna take this whole place down one day? 143 00:09:18,440 --> 00:09:20,280 Speaker 6: Yeah, unless they tear it down first. 144 00:09:24,000 --> 00:09:26,160 Speaker 5: It's your uncle. You gotta take this. 145 00:09:28,080 --> 00:09:28,719 Speaker 6: Going so far? 146 00:09:32,280 --> 00:09:39,440 Speaker 13: Oh help somebody there? 147 00:09:42,640 --> 00:09:46,520 Speaker 3: Oh my god, of course you can't throw out rotting food. 148 00:09:48,000 --> 00:09:58,840 Speaker 3: How long have least been on the old? Look at 149 00:09:58,840 --> 00:09:59,559 Speaker 3: these figurines? 150 00:09:59,600 --> 00:10:04,960 Speaker 6: I remember you, yokahoo got of fertility? 151 00:10:06,120 --> 00:10:14,440 Speaker 3: And why lord of you? You do not look friendly. 152 00:10:20,120 --> 00:10:36,240 Speaker 11: Nope, Hey, Louise, dinner time, let's go dra Luisa coma sama, you've. 153 00:10:36,160 --> 00:10:37,920 Speaker 1: Done yourself and soga. 154 00:10:38,360 --> 00:10:46,160 Speaker 15: Louise Squeno is the You're officially the owner of the Botanica. 155 00:10:46,600 --> 00:10:46,800 Speaker 6: Wait? 156 00:10:47,160 --> 00:10:48,720 Speaker 1: Really just like that? 157 00:10:49,120 --> 00:10:51,400 Speaker 15: Yeah, you just have to sign this and the shop 158 00:10:51,480 --> 00:10:51,920 Speaker 15: is yours. 159 00:10:54,520 --> 00:10:55,360 Speaker 3: Thanks for taking here of this. 160 00:10:56,160 --> 00:10:57,840 Speaker 6: What about the company trying to buy it though? 161 00:10:58,320 --> 00:11:00,880 Speaker 15: Listen, ownership needs to move to you before we can 162 00:11:00,960 --> 00:11:01,719 Speaker 15: move forward with that. 163 00:11:02,960 --> 00:11:05,320 Speaker 5: If you want to move forward with selling. 164 00:11:05,400 --> 00:11:08,480 Speaker 3: Well that's that's probably the best thing to do, right. 165 00:11:08,600 --> 00:11:11,040 Speaker 15: Well, maybe she saw something in you, you. 166 00:11:11,000 --> 00:11:14,280 Speaker 10: Know, why do you guys keep saying that She never 167 00:11:14,320 --> 00:11:16,240 Speaker 10: stopped talking about how proud she was. 168 00:11:17,000 --> 00:11:19,600 Speaker 5: Said you were unnatural, right, unnatural? 169 00:11:19,720 --> 00:11:24,319 Speaker 15: What we don't ask those kinds of questions in this 170 00:11:24,440 --> 00:11:30,160 Speaker 15: familia luis. I mean not unless you're ready for the answers. Listen, 171 00:11:30,480 --> 00:11:33,000 Speaker 15: the company who wants to buy the place is hoping 172 00:11:33,000 --> 00:11:35,440 Speaker 15: to build the whole foods. It's a good chunk of change, 173 00:11:35,880 --> 00:11:39,360 Speaker 15: not enough to cover everything she owed fedal close? 174 00:11:39,600 --> 00:11:40,040 Speaker 1: How much that? 175 00:11:40,080 --> 00:11:40,800 Speaker 3: Are we talking about? 176 00:11:41,679 --> 00:11:45,079 Speaker 5: A lot? Somehow? You're a weella avoided paying. 177 00:11:44,880 --> 00:11:49,000 Speaker 10: Utilities for years, right, right, but the city's finally caught up. 178 00:11:49,240 --> 00:11:52,880 Speaker 10: She always said they wouldn't dare shut her off, that 179 00:11:52,960 --> 00:11:54,319 Speaker 10: the spirit kept the lights on. 180 00:11:54,559 --> 00:11:54,719 Speaker 5: Right. 181 00:11:55,559 --> 00:11:58,080 Speaker 15: The thing is, if we open the shop for a bit, 182 00:11:58,480 --> 00:12:01,679 Speaker 15: even listen, just a couple of months, why make enough 183 00:12:01,720 --> 00:12:03,400 Speaker 15: to square things before the deal goes through? 184 00:12:03,880 --> 00:12:05,480 Speaker 5: So you're off for the summer? Right? 185 00:12:05,760 --> 00:12:09,360 Speaker 10: Yeah, technically people remember the shop, they'll come back. 186 00:12:10,040 --> 00:12:15,640 Speaker 6: But I'm not a neither was she until she was okay, 187 00:12:16,679 --> 00:12:17,439 Speaker 6: I don't think about it. 188 00:12:32,280 --> 00:12:33,880 Speaker 16: Whoa god this place is? 189 00:12:33,920 --> 00:12:34,480 Speaker 13: To hear it out? 190 00:12:51,520 --> 00:12:51,559 Speaker 16: What? 191 00:12:53,360 --> 00:12:55,439 Speaker 3: How did how did the rhyme. 192 00:12:55,360 --> 00:13:00,480 Speaker 1: Pole get back on here? Oh my god, this gotta go. 193 00:13:06,840 --> 00:13:08,280 Speaker 3: I swear I loved the place. 194 00:13:26,080 --> 00:13:35,640 Speaker 5: Okay, that's so, my god? 195 00:13:38,200 --> 00:13:42,960 Speaker 6: I can Hey, the storm is getting crazy outside. 196 00:13:43,400 --> 00:13:45,319 Speaker 3: Do y'all have like tarot cards? 197 00:13:45,440 --> 00:13:45,640 Speaker 1: Yeah? 198 00:13:45,720 --> 00:13:48,160 Speaker 7: Like, we've been seeing all these tiktoks and we want 199 00:13:48,160 --> 00:13:49,880 Speaker 7: to start doing readings for our friends. 200 00:13:49,920 --> 00:13:51,120 Speaker 1: I think we could go viral. 201 00:13:51,400 --> 00:13:52,760 Speaker 16: Yeah, sure. 202 00:13:54,280 --> 00:13:55,600 Speaker 9: You What is that? 203 00:13:56,080 --> 00:14:01,719 Speaker 3: Just some old food over here? Okay? 204 00:14:05,120 --> 00:14:08,960 Speaker 1: These are kind of intense terra ports. 205 00:14:10,600 --> 00:14:15,120 Speaker 6: You know what's a Ternainos are the indigenous people of 206 00:14:15,120 --> 00:14:15,800 Speaker 6: Puerto Rico. 207 00:14:16,240 --> 00:14:17,800 Speaker 3: These cards have different Thino gouts. 208 00:14:17,840 --> 00:14:21,840 Speaker 5: One okay, good bond sets. 209 00:14:23,320 --> 00:14:24,760 Speaker 4: The hard is terrifying. 210 00:14:25,920 --> 00:14:28,800 Speaker 1: Do you have one with like cute animals or something. 211 00:14:29,560 --> 00:14:32,240 Speaker 5: No, my god, let's get out of here. This place 212 00:14:32,320 --> 00:14:42,239 Speaker 5: is giving really bad vibes by rude? 213 00:14:44,880 --> 00:14:45,920 Speaker 3: What's going on with this story? 214 00:14:50,800 --> 00:14:51,040 Speaker 1: God? 215 00:14:51,560 --> 00:14:53,440 Speaker 3: What I'm locked in? 216 00:14:54,440 --> 00:14:57,000 Speaker 6: When I am, I can see you right now, I would. 217 00:14:57,120 --> 00:15:02,320 Speaker 3: See you give. 218 00:15:02,120 --> 00:15:04,600 Speaker 7: You can't believe you? 219 00:15:05,800 --> 00:15:07,160 Speaker 1: What if I tell you listen? 220 00:15:07,320 --> 00:15:09,880 Speaker 9: Don't don't play with the same as me. 221 00:15:10,640 --> 00:15:12,640 Speaker 7: I was just checking in my hair. 222 00:15:12,720 --> 00:15:16,640 Speaker 9: I believe it has kept the gods respected and nourished me. 223 00:15:17,280 --> 00:15:20,960 Speaker 9: You cannot take what has been given without giving something 224 00:15:21,000 --> 00:15:21,640 Speaker 9: in return. 225 00:15:22,680 --> 00:15:27,000 Speaker 3: M and a single thing? 226 00:15:28,960 --> 00:15:40,520 Speaker 7: Rush, oh. 227 00:15:45,520 --> 00:15:59,760 Speaker 8: Chi, one of the what come with? 228 00:16:05,800 --> 00:16:11,920 Speaker 3: But that's really you? How did we get here? What 229 00:16:11,920 --> 00:16:13,040 Speaker 3: are we on this mountain? 230 00:16:13,160 --> 00:16:13,360 Speaker 8: Round? 231 00:16:13,760 --> 00:16:15,920 Speaker 9: Our past are present? 232 00:16:16,800 --> 00:16:17,880 Speaker 16: Your futures? 233 00:16:22,360 --> 00:16:25,240 Speaker 1: Who are those people champing our ancestors. 234 00:16:25,960 --> 00:16:35,760 Speaker 3: What are they doing with that? Most you know this us? 235 00:16:36,120 --> 00:16:39,800 Speaker 6: Oh Jesus Christy, you killed it. 236 00:17:02,640 --> 00:17:06,320 Speaker 3: They do not forget that, Uila. 237 00:17:13,240 --> 00:17:13,800 Speaker 1: Mm hmm. 238 00:17:16,680 --> 00:17:18,320 Speaker 3: Okay, what the hell happened? 239 00:17:18,680 --> 00:17:19,160 Speaker 16: Oh? 240 00:17:19,160 --> 00:17:19,480 Speaker 7: Ship? 241 00:17:19,560 --> 00:17:20,160 Speaker 14: The ball. 242 00:17:21,560 --> 00:17:21,919 Speaker 1: Outs? 243 00:17:23,800 --> 00:17:24,719 Speaker 3: God damn it. 244 00:17:25,560 --> 00:17:29,040 Speaker 6: I'm going crazy that that that mountain side that wasn't real? You, 245 00:17:29,200 --> 00:17:33,520 Speaker 6: Aila is not talking to you from the dead a second. 246 00:17:34,920 --> 00:17:38,760 Speaker 3: You this disfiguring. You're on the altar with you go 247 00:17:39,000 --> 00:17:39,800 Speaker 3: in Guaya. 248 00:17:43,960 --> 00:17:44,359 Speaker 7: Looking there. 249 00:17:44,400 --> 00:17:46,120 Speaker 3: There has to be something about you in our letter. 250 00:17:46,880 --> 00:17:55,240 Speaker 3: Let me see, okay, okay, uh hm, let me see 251 00:17:55,800 --> 00:17:59,040 Speaker 3: what kind of semi you are here? Yokahoo? 252 00:18:00,040 --> 00:18:06,920 Speaker 6: Agriculture wayah, god of the underworld and the yellow rain? 253 00:18:08,880 --> 00:18:10,120 Speaker 3: W what sex there? 254 00:18:10,160 --> 00:18:10,440 Speaker 5: You are? 255 00:18:11,320 --> 00:18:14,119 Speaker 7: Chaos and destruction hurricanes. 256 00:18:15,119 --> 00:18:16,800 Speaker 3: That's what the villagers were chanting. 257 00:18:16,520 --> 00:18:16,720 Speaker 2: In my. 258 00:18:23,680 --> 00:18:24,240 Speaker 5: When you don't do. 259 00:18:26,480 --> 00:18:28,080 Speaker 3: This place, I'm out of here. 260 00:18:41,040 --> 00:18:44,320 Speaker 1: Hey Luis, Hey Anthony. 261 00:18:44,080 --> 00:18:45,560 Speaker 3: Good to see you, Great to see you. 262 00:18:45,920 --> 00:18:49,159 Speaker 1: How you been good? Yeah? Great, I hear that. 263 00:18:49,280 --> 00:18:49,800 Speaker 12: I hear that. 264 00:18:49,880 --> 00:18:54,119 Speaker 3: Well, please have a seat. Like damn, this rain is 265 00:18:54,320 --> 00:18:55,240 Speaker 3: really coming down. 266 00:18:55,520 --> 00:18:56,920 Speaker 1: They're saying it's going to be a hurricane. 267 00:18:57,200 --> 00:18:59,240 Speaker 3: New York doesn't get hurricanes. Sandy was a fluke. 268 00:19:00,000 --> 00:19:01,280 Speaker 1: It could be the storm of the century. 269 00:19:01,760 --> 00:19:03,919 Speaker 12: Yeah, anyway, what would you like to talk to me 270 00:19:03,920 --> 00:19:05,640 Speaker 12: about whole foods? 271 00:19:06,160 --> 00:19:07,359 Speaker 3: It'll raise property values? 272 00:19:07,440 --> 00:19:12,040 Speaker 6: Right, sure, more foot traffic jobs. I'm just saying the 273 00:19:12,160 --> 00:19:13,640 Speaker 6: number you're offering seems. 274 00:19:13,359 --> 00:19:16,960 Speaker 12: Low, right, but we already made the deal with your grandmother. 275 00:19:17,880 --> 00:19:19,000 Speaker 3: It doesn't seem like you did. 276 00:19:20,880 --> 00:19:22,600 Speaker 1: I like you. What are you asking for? 277 00:19:23,480 --> 00:19:26,560 Speaker 6: I'm asking for cash upfront, and you could have it immediately. 278 00:19:27,000 --> 00:19:28,760 Speaker 1: I know it's the last lot on the block you need. 279 00:19:30,480 --> 00:19:31,800 Speaker 1: I'm not making any promises. 280 00:19:32,160 --> 00:19:34,439 Speaker 12: I'll have to talk to the developer, but we may 281 00:19:34,480 --> 00:19:35,560 Speaker 12: be able to come to an agreement. 282 00:19:36,119 --> 00:19:38,280 Speaker 3: I'd like to get this done quickly, if it's possible. 283 00:19:38,520 --> 00:19:42,120 Speaker 12: Oh, I'll be in touch, don't you worry. 284 00:19:43,200 --> 00:19:45,919 Speaker 3: Thank you for your time, Anthony. I'll start backing the boot. Donego, 285 00:19:46,119 --> 00:19:54,960 Speaker 3: I got your number, all right? Thank you? 286 00:19:56,200 --> 00:19:57,399 Speaker 16: Hey kid, what are you doing? 287 00:19:57,880 --> 00:19:58,959 Speaker 6: You can't leave your trust here. 288 00:19:59,000 --> 00:20:06,000 Speaker 7: It's private property. 289 00:20:02,840 --> 00:20:08,960 Speaker 1: This isn't trash. What what is this? 290 00:20:18,119 --> 00:20:32,040 Speaker 7: Oh m hmm god? 291 00:20:32,480 --> 00:20:35,879 Speaker 3: Why did this kid leave this trash out front? Banana 292 00:20:35,960 --> 00:20:39,120 Speaker 3: leaves in a bloody egg? What does this mean? 293 00:20:41,560 --> 00:20:44,760 Speaker 6: A bloody egg can be used as an offering to 294 00:20:44,840 --> 00:20:47,240 Speaker 6: appease a hungry god. 295 00:20:47,600 --> 00:20:49,880 Speaker 7: Let the gods hungry. 296 00:20:51,880 --> 00:20:53,000 Speaker 1: This can't be real. 297 00:20:53,320 --> 00:20:54,600 Speaker 3: That is very real. 298 00:20:54,880 --> 00:21:01,479 Speaker 14: Real Willa, Okay, Willa, I'll try it. 299 00:21:06,080 --> 00:21:09,119 Speaker 16: Okay, uh. 300 00:21:10,880 --> 00:21:11,560 Speaker 3: Qualm sex. 301 00:21:11,960 --> 00:21:16,240 Speaker 14: I give you this offering freely and with the goodness 302 00:21:16,280 --> 00:21:27,320 Speaker 14: of my heart. Take it, release this place. 303 00:21:29,920 --> 00:21:32,600 Speaker 6: Well what why why did you throw the egg? 304 00:21:32,640 --> 00:21:52,160 Speaker 7: I followed all the instructions. Not for a supposantic bloodline. 305 00:21:58,760 --> 00:22:00,720 Speaker 6: All right, alright here you want blood? 306 00:22:01,920 --> 00:22:15,040 Speaker 7: Think what? Please just stop Louise? Luisitola me? 307 00:22:16,560 --> 00:22:17,439 Speaker 8: Not like that. 308 00:22:18,600 --> 00:22:19,520 Speaker 3: You don't bake. 309 00:22:19,400 --> 00:22:21,800 Speaker 9: The storm, you guide it. 310 00:22:25,800 --> 00:22:27,680 Speaker 3: One says is Fury. 311 00:22:28,080 --> 00:22:33,040 Speaker 9: Yes, but she is memoried to She remembers the ones 312 00:22:33,080 --> 00:22:37,280 Speaker 9: who show respect, the ones who feed the family. 313 00:22:40,800 --> 00:22:42,040 Speaker 3: How do I stop this, Aula? 314 00:22:42,760 --> 00:22:47,040 Speaker 9: This isn't about stopping her. It's about remembering who she 315 00:22:47,200 --> 00:22:53,200 Speaker 9: is and who you are. You are not just her grandson. 316 00:22:54,000 --> 00:22:55,760 Speaker 9: You are the altar. 317 00:22:55,920 --> 00:22:58,919 Speaker 3: Now I know what to do, like like when I 318 00:22:58,960 --> 00:23:01,080 Speaker 3: was young. Right, use a users that I used to use. 319 00:23:01,640 --> 00:23:07,440 Speaker 3: Get the hair right, say it with me? So wait 320 00:23:07,560 --> 00:23:09,720 Speaker 3: to see what you know the words? 321 00:23:10,920 --> 00:23:23,240 Speaker 13: Right plane alasslard in a land adrast. 322 00:23:28,280 --> 00:23:39,400 Speaker 7: We are I'm so proud, will it? Don't com you now? 323 00:23:39,520 --> 00:23:41,040 Speaker 7: Protect people from. 324 00:23:40,840 --> 00:23:41,760 Speaker 8: The start. 325 00:23:45,920 --> 00:24:06,119 Speaker 13: Seem Hey, how are you Anthony Louise. 326 00:24:06,359 --> 00:24:07,240 Speaker 5: Great to see you. 327 00:24:07,840 --> 00:24:09,360 Speaker 1: A number of times you've shown up at the firm. 328 00:24:09,400 --> 00:24:13,280 Speaker 12: We may have to hire you as a lawyer. Please 329 00:24:13,400 --> 00:24:18,680 Speaker 12: sit out, Thank you. I have great news. The buyers 330 00:24:19,040 --> 00:24:22,119 Speaker 12: are ready to close. They're even bumping up the offer 331 00:24:22,200 --> 00:24:22,960 Speaker 12: by quite a bit. 332 00:24:25,080 --> 00:24:30,240 Speaker 6: Anthony, tell them the Woldanica is a historical landmark, now 333 00:24:30,680 --> 00:24:32,399 Speaker 6: community preservation initiative. 334 00:24:32,840 --> 00:24:33,840 Speaker 3: They'll never break around. 335 00:24:38,040 --> 00:24:38,760 Speaker 5: Are you serious? 336 00:24:39,480 --> 00:24:40,400 Speaker 3: Yeah? 337 00:24:40,760 --> 00:24:45,840 Speaker 6: Our gods are still here and they feed our spirits 338 00:24:45,840 --> 00:24:47,360 Speaker 6: something the whole foods can never do. 339 00:24:47,960 --> 00:25:04,960 Speaker 1: W And so our traveler finds himself not in a 340 00:25:05,040 --> 00:25:09,639 Speaker 1: foreign land, but in the heart of his birthright, a 341 00:25:09,840 --> 00:25:15,440 Speaker 1: shop filled with secrets, a legacy, soap and spirits and sacrifice. 342 00:25:15,960 --> 00:25:20,480 Speaker 1: The gods, it seems, do not forget. And when they 343 00:25:20,480 --> 00:25:26,399 Speaker 1: are offered blood, hair hard they remember. Be careful what 344 00:25:26,560 --> 00:25:30,879 Speaker 1: you inherit, your listener, Some gifts are not meant to 345 00:25:30,920 --> 00:25:37,160 Speaker 1: be unwrapped until next time. Keep your offerings pure and 346 00:25:37,240 --> 00:25:38,359 Speaker 1: the altar. 347 00:25:38,160 --> 00:25:53,000 Speaker 16: Lit Nocturno Tables from the Shadows was produced by Sonoro 348 00:25:53,080 --> 00:25:57,239 Speaker 16: in partnership with Iheartsmichael through the Podcast Network. Produced and 349 00:25:57,280 --> 00:26:02,160 Speaker 16: directed by Luisa Ludo Castillio, developed and produced by Bettina 350 00:26:02,200 --> 00:26:07,240 Speaker 16: Lopez Executive produced by Royal Pearson, Arlene Santana and Leo 351 00:26:07,320 --> 00:26:12,080 Speaker 16: Gomez for Ihart and Camilla Victoriano and Jojo Weinstein fort Sonato. 352 00:26:12,840 --> 00:26:18,159 Speaker 16: This episode was written by Plaine Morris. Performances in this 353 00:26:18,280 --> 00:26:25,920 Speaker 16: episode by Dani Drejo, Adam Barreda, Jose Dorane, Sila, Sheila Corci, 354 00:26:26,440 --> 00:26:33,040 Speaker 16: adrian A Savedo, Lovett, Amare Tavares May as Well, Marimon Sanabrie, 355 00:26:33,520 --> 00:26:39,640 Speaker 16: Raymond Neil Hernandez Aaron Ledrick, Eileen Clark, j D. Garfield, 356 00:26:40,200 --> 00:26:47,560 Speaker 16: Kuwaititan and Natalia Vije Guez our supervising producers. Cadenza Chidis. 357 00:26:48,160 --> 00:26:52,560 Speaker 16: Recording engineering and sound design by Cassandra Tina Hero and 358 00:26:52,560 --> 00:26:58,640 Speaker 16: Andres Baena. Casting a coordination by Nick Milanes and Alex Gonzalez. 359 00:26:59,480 --> 00:27:03,520 Speaker 16: Voices recorded at the Invisible Studios dg IS Studios, an 360 00:27:03,520 --> 00:27:07,240 Speaker 16: Outloud Audio in Los Angeles, the Relic Room in New York, 361 00:27:07,560 --> 00:27:11,840 Speaker 16: Panoramic Audio, Miei sab Boom Bank Studios in Houston, and 362 00:27:11,960 --> 00:27:16,560 Speaker 16: cab It Sound in Santa Fe, with engineering by Charles Carroll, 363 00:27:17,119 --> 00:27:23,639 Speaker 16: Sharon Carney, Stephen George David Lukerelli, Gary Forbes, Jody Abbott, 364 00:27:24,000 --> 00:27:30,520 Speaker 16: Ivan Coreas Ethan Grafton, Robert Thayer, Brett Tuban, j K. Huradi, 365 00:27:30,960 --> 00:27:39,960 Speaker 16: Alfredo Funtez and Colin Angerwater. If you're enjoying Octuronal Tales 366 00:27:40,000 --> 00:27:43,520 Speaker 16: from the Shadows, please subscribe, read and review our show 367 00:27:43,560 --> 00:27:44,680 Speaker 16: wherever you're listening.