WEBVTT - #231 - Lil Pump

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<v Speaker 1>Boom Boom Boulet cav Show special guest a Little Pump

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<v Speaker 1>Little Pump is here. Welcome man, good to see you,

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<v Speaker 1>but appreciate man for having me. For people who don't know.

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<v Speaker 1>The first time I met you, bro, was like it

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<v Speaker 1>might have been like two or three days before your

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<v Speaker 1>seventeenth birthday and you were at Trapzilla's house in Pacoima, California.

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<v Speaker 1>It wasn't even Bocoma's, Panoramic City, California. You and Smoke

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<v Speaker 1>Purple just sleeping there and it was it was just

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<v Speaker 1>a random, random era of SoundCloud rap. Yeah, that was

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<v Speaker 1>when I first came to LA And like I want

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<v Speaker 1>to say, like that night or the night after it

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<v Speaker 1>was like your birthday party. You had your birthday party

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<v Speaker 1>at like a trip truck club. Yeah yeah, yeah, good times. Man.

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<v Speaker 1>That was like a peak SoundCloud days. Man. Literally, what's

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<v Speaker 1>been going on though, traveling man? Yeah, freaking working, working

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<v Speaker 1>on a new album. Okay, do you feel like you're

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<v Speaker 1>focused on music again? Yeah, I'm back focused on music.

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<v Speaker 1>There was one point where I was just like this

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<v Speaker 1>is too much right now. Yeah, and you know we

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<v Speaker 1>started fucking off and then I'm back on You're back

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<v Speaker 1>on your shit. I was gonna say, like, shit happened

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<v Speaker 1>so fast for you, and you were like a literal kid. Yeah,

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<v Speaker 1>And I think people forget that when they think a

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<v Speaker 1>little pump like because when I first heard of you

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<v Speaker 1>was the fuck J Cole shit, which was like pretty early,

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<v Speaker 1>would you say, yeah, I was like sixteen, Yeah, but

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<v Speaker 1>it just happened so fast to a kid like people.

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<v Speaker 1>I don't think people. I think when they talk about

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<v Speaker 1>you and they criticize you, whether you know you've given

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<v Speaker 1>them reasons to criticize you or not, they forget that. Like, Bro,

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<v Speaker 1>you're a fucking kid and I'm still twenty two. You're

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<v Speaker 1>only twenty two years old, but you also kind of

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<v Speaker 1>grew up in front of our eyes. Yeah, literally, you

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<v Speaker 1>know what I'm saying, Like, do you feel like now

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<v Speaker 1>that you've kind of like seen the highs and lows

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<v Speaker 1>of this rap shit, like you feel like mentally you're

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<v Speaker 1>in a good, good space. Yeah, I'm in a way

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<v Speaker 1>better space now. I understand how like shit goes. And

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<v Speaker 1>you know, yeah, I was young. I was just moving fast,

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<v Speaker 1>not thinking about nothing. Right now that I'm older, I

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<v Speaker 1>see everything now. I was only sixteen, seventeen, you know,

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<v Speaker 1>crazy man. Now it's crazy. Yeah. Like you said, like

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<v Speaker 1>I grew fast. It's like, let's say when this year

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<v Speaker 1>when I turned twenty two, people were like, what the

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<v Speaker 1>fuck Pump is twenty two. I'm like, yeah, yeah, I'm

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<v Speaker 1>still a kid. You're still a kid, bro. Yeah, it's

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<v Speaker 1>pretty wild. Uh. Talk about you first kind of start

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<v Speaker 1>like I feel like you became like the face of

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<v Speaker 1>your generation of music for about a year. You were

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<v Speaker 1>kind of like when we thought of the sound. When

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<v Speaker 1>I think it SoundCloud era of rap, I think of you.

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<v Speaker 1>You're the first first name face that pops in my head.

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<v Speaker 1>Of course, the Cloud era, I think its little Pump.

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<v Speaker 1>Is that fair? Yeah? SoundCloud era? Yeah, just that whole.

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<v Speaker 1>I think you're You're like on the fucking mountain, the

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<v Speaker 1>mountains more of that shit. Yeah, one hundred percent for

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<v Speaker 1>good or for bad. And I call those years of

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<v Speaker 1>rap kind of I kind of call him the dark

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<v Speaker 1>years because it kind of I feel like you're and

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<v Speaker 1>I I did stick up for you a lot because

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<v Speaker 1>I actually really liked your records. Appreciate it, Like I

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<v Speaker 1>really fucked with your joints, Like I was like, yo,

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<v Speaker 1>but the music is hard as to where some of

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<v Speaker 1>your counterparts. During that time, it was one hundred percent

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<v Speaker 1>about the antics on the internet. Well, I feel like

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<v Speaker 1>you had a lot of stupid shit you were doing

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<v Speaker 1>on the internet and you were following it up at

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<v Speaker 1>least with dope records. Yeah, you know what I mean,

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<v Speaker 1>of course, but then the records kind of started to

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<v Speaker 1>fall off a little. Do you feel like it was

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<v Speaker 1>because you were just lost in the sauce and you

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<v Speaker 1>weren't as focused on music and you were worried about that. Mean,

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<v Speaker 1>you were fucking you were fucking living life, bro, for real,

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<v Speaker 1>he was fucking v rod at least I think you

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<v Speaker 1>were Rodriguez. You was fucking everybody everything. But you were,

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<v Speaker 1>like you were really living that rap rap. I mean

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<v Speaker 1>you still are, obviously you just will talk about. But

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<v Speaker 1>did you ever feel like, you know, there in that time,

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<v Speaker 1>like you kind of had to compete with the last

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<v Speaker 1>crazy shit you did to kind of stay on the

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<v Speaker 1>top of people's minds instead of focusing on the music

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<v Speaker 1>per se. To me, I didn't really care people think

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<v Speaker 1>about me, because at the end of the day, they're

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<v Speaker 1>gonna criticize, they're gonna hate, they're gonna say whatever they're

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<v Speaker 1>gonna say. As long as they keep my name in

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<v Speaker 1>their mouth, you know that's fair. And I did everything

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<v Speaker 1>I wanted to do. I move my mom out of

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<v Speaker 1>the hood, my whole family out of the HOODE my

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<v Speaker 1>family straight. That's a worry about I'm set, That is true. Man.

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<v Speaker 1>Like whatever people gotta say about me, they keep talking.

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<v Speaker 1>But I'm still here. How many streams is this Gucci

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<v Speaker 1>Gang at It's like, damn near seven times plant. It's

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<v Speaker 1>about to go diamond that It's insane. I could have

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<v Speaker 1>just dropped Gucci Gang and I dropped no more songs

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<v Speaker 1>and I'm straight for life and you're still eating and

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<v Speaker 1>I'm still eating. Baby. Not a lot of people are

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<v Speaker 1>going seven times platinum, and I'm still torn. I just

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<v Speaker 1>came from Tokyo, Bally, Mongolia, Slovenia, Romania. I went. I

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<v Speaker 1>was just everywhere it is. How was it over there?

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<v Speaker 1>That's a pretty wild part of the world. It's different,

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<v Speaker 1>it's different, very different. They loving you over there, they

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<v Speaker 1>love me. Yeah, yeah, they show a lot of love.

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<v Speaker 1>Yeah for sure. Uh what you obviously you got the

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<v Speaker 1>new project coming. It's crazy to think that this is

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<v Speaker 1>this is only your third project? Is third? Yeah, yeah,

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<v Speaker 1>it's your third one, right, if you had the first tape,

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<v Speaker 1>then you had the was it har Harper drop out?

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<v Speaker 1>And then now this that's crazy to think man. Yeah,

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<v Speaker 1>do you like like talk about the album, man, like,

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<v Speaker 1>who's on it? How you feeling about it? I'm feeling

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<v Speaker 1>very good about it. Yeah, I've been holding back on

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<v Speaker 1>it for a minute, I know, but it's gonna be.

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<v Speaker 1>It's worth the way I'm telling you, it's different because

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<v Speaker 1>obviously you have the old pump on there, then I

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<v Speaker 1>have some new sounds. Well, you kind of feel I

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<v Speaker 1>feel like you started to kind of expand your ship

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<v Speaker 1>a little bit, like the record you did with X

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<v Speaker 1>you know, rest him that was kind of like a

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<v Speaker 1>real worldly record exactly like with those songs overseas, they

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<v Speaker 1>they go crazy crazy. Yeah, you're trying to dip into

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<v Speaker 1>the Latin market a little bit too. Latin market. That's

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<v Speaker 1>another thing, Like the Latin market is way bigger in

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<v Speaker 1>this market of course, Like it's huge. Are you you

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<v Speaker 1>know what I'm saying? Are bilingual? Yeah? There you go.

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<v Speaker 1>I mean you are from Miami, so there's that. Yeah.

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<v Speaker 1>How's your relationship with with PERP right now? Good? Good? Yeah?

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<v Speaker 1>Still my best friend. I love him to death. Yeah,

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<v Speaker 1>you guys kind of you had you guys had to

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<v Speaker 1>run man with things like it was really like y'all

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<v Speaker 1>were the two motherfuckers. You know what I'm saying, Like

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<v Speaker 1>it's kind of crazy. You know, Uh, take me back, bro,

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<v Speaker 1>because I feel like, in retrospect what I loved about

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<v Speaker 1>J Cole. Right, you and him have this sit down,

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<v Speaker 1>y'all have this conversation, which at the time was so

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<v Speaker 1>to people unexpected. Yeah, because you had said, fu J Cole,

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<v Speaker 1>it felt like some of his album was kind of

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<v Speaker 1>geared towards your generation at least, if not specifically to you.

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<v Speaker 1>And then you guys have to sit down conversation. Yeah,

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<v Speaker 1>that caught everybody by surprise. How like, talk about that

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<v Speaker 1>convo and just like did you actually take anything from

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<v Speaker 1>it or or do you feel like you're taking things

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<v Speaker 1>from it now? After where are you from? I'm saying, like,

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<v Speaker 1>you know, obviously it was a it was an insightful conversation.

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<v Speaker 1>I feel like JA Cole was trying to give some

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<v Speaker 1>real game and like you're trying to understand the younger generation. Yeah,

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<v Speaker 1>he was trying to understand a young generation. He because

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<v Speaker 1>at that time, you know, like he people didn't understand

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<v Speaker 1>what was going on right music, But they're just like,

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<v Speaker 1>there's this new wave coming in, we don't understand it,

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<v Speaker 1>but where's gonna roll with it? And he's trying to

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<v Speaker 1>understand what was going on? Do you yeah, I don't

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<v Speaker 1>have no problems with them. Do you feel like hedicted

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<v Speaker 1>kind of like what ended up happening with your rap career? Nope, No,

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<v Speaker 1>I'm still here. I'm not saying that you're I'm not

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<v Speaker 1>saying that you're not like still fucking rich and successful.

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<v Speaker 1>I just mean in terms of, like, you know, I

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<v Speaker 1>feel like there's so many parts of that era of

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<v Speaker 1>rap where like people got famed so fast, they were

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<v Speaker 1>so young, you know what I'm saying, Like, and I

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<v Speaker 1>feel like that was some of the foresight that he

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<v Speaker 1>was saying, not even necessarily about quote unquote falling off,

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<v Speaker 1>you know what I mean. They don't think You don't

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<v Speaker 1>think he predicted anything. I don't think pretty shit. No,

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<v Speaker 1>that's fair. I'm still here. I mean you're still here

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<v Speaker 1>one percent. Hey what ip y'all boutlet keV gotta stop

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<v Speaker 1>Las Vegas. Let's get back to the interview. Um, you

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<v Speaker 1>know you got a classic with Kanye West, exactly one

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<v Speaker 1>of the more iconic visuals of our of our last

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<v Speaker 1>five years or so, exactly most most viewed video in

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<v Speaker 1>the first week is that is that? Like ever ever,

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<v Speaker 1>you guys got the big fucking you know, the big

0:10:17.280 --> 0:10:19.640
<v Speaker 1>shoulder pad joints, And I think, what do you think

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<v Speaker 1>about what's going on with ya right now? Hey, man,

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<v Speaker 1>I don't have no say so in that. How did

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<v Speaker 1>that like initially happen you guys working together? Well, this

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<v Speaker 1>was on my eighteenth birthday. He had called me sick

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<v Speaker 1>flex eighteenth birthday present, Kanye cast you. Yeah, it was

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<v Speaker 1>my eighteenth birthday. I was throwing this huge mansion party

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<v Speaker 1>and I just get this random phone call yeah, and

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<v Speaker 1>it's yeah, He's like, yeah, I got some shit for you.

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<v Speaker 1>I'm like, let's get it. I was shroomed out that day,

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<v Speaker 1>shrooming balls nice. I was out of it. And then Bro,

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<v Speaker 1>we just grabbed a studio equipment. It wasn't even though,

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<v Speaker 1>like you know, like a big studio, big studio. It's

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<v Speaker 1>not fucking Mike No Sony C hundred. We just grabbed.

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<v Speaker 1>We literally had a five hundred dollars mic Wow, put

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<v Speaker 1>in a small room, laid down the verse, send it

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<v Speaker 1>back to him. Crazy And I was like, same night,

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<v Speaker 1>while you're shrooming hard while I'm shreming, So you record

0:11:15.800 --> 0:11:20.920
<v Speaker 1>that while you're fucking shroomed out. Yeah, Wow, that's fucking crazy,

0:11:21.559 --> 0:11:26.120
<v Speaker 1>screaming balls. Was that your what's the your your best

0:11:26.160 --> 0:11:29.760
<v Speaker 1>and also worst experience while on mushrooms? Because I dabble

0:11:29.800 --> 0:11:32.160
<v Speaker 1>in the shrooms a bit myself. I'll tell you what.

0:11:32.840 --> 0:11:36.160
<v Speaker 1>I've never had a bad one on mushrooms, but on acid.

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<v Speaker 1>You had a bad acid trip? Yes, what happened? I

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<v Speaker 1>was in the studio. It was me my boy CB

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<v Speaker 1>were recording for the Harvard Dropout and I'm taking a

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<v Speaker 1>piss in a bathroom and then the whole toylet starts

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<v Speaker 1>turning black, like in a circle, and it just starts closing.

0:11:52.559 --> 0:11:54.680
<v Speaker 1>I'm like, oh, fuck this ship. I put my pants up.

0:11:54.720 --> 0:11:58.000
<v Speaker 1>I started running in the studio and I pissed on myself. Wow.

0:11:58.880 --> 0:12:00.880
<v Speaker 1>I was like, oh fuck, you put your pants up

0:12:00.880 --> 0:12:03.160
<v Speaker 1>while you're pissing. Pass the while I'm pissing because the

0:12:03.160 --> 0:12:05.400
<v Speaker 1>whole toilet started closing on me, like it was a

0:12:05.400 --> 0:12:08.560
<v Speaker 1>big black hole just closing. I'm like, oh Jesus cruble pants.

0:12:08.679 --> 0:12:11.200
<v Speaker 1>I started running. I'm like, and I come back to

0:12:11.200 --> 0:12:14.120
<v Speaker 1>the studio, I'm like, fuck, I just pissed on myself.

0:12:16.320 --> 0:12:19.920
<v Speaker 1>That was like one of the weirdest. Yeah. The thing

0:12:20.000 --> 0:12:22.960
<v Speaker 1>about acid, it's like really visual, Like shrooms can be visual,

0:12:23.000 --> 0:12:25.680
<v Speaker 1>but they're also like they also like just have you deep,

0:12:25.760 --> 0:12:28.600
<v Speaker 1>deeply stuck in your thoughts? Last time I did it

0:12:28.640 --> 0:12:32.800
<v Speaker 1>was Sunday Service. The last time the trooms. Yeah, I

0:12:32.800 --> 0:12:35.960
<v Speaker 1>want to go see yeah Coachella on Sunday Service. So

0:12:36.000 --> 0:12:39.520
<v Speaker 1>you went to Coachella shroomed out while on acid. On

0:12:39.640 --> 0:12:43.640
<v Speaker 1>acid was like fucking eight in the morning. Wow, I

0:12:43.679 --> 0:12:47.880
<v Speaker 1>was just fucking tweaking. I'm like, that was that the

0:12:47.880 --> 0:12:52.240
<v Speaker 1>only drug you're on? Yeah? Because eight am ship eight

0:12:52.240 --> 0:12:55.360
<v Speaker 1>am man that she will keep you up. Yeah. Do

0:12:55.400 --> 0:12:58.120
<v Speaker 1>you feel like because you've obviously been pretty open to it.

0:12:58.200 --> 0:13:00.880
<v Speaker 1>I mean, you got a fucking song about being addicted

0:13:00.920 --> 0:13:04.080
<v Speaker 1>to drugs. How's how's the drug use these days? I'm

0:13:04.080 --> 0:13:07.840
<v Speaker 1>not doing drugs anymore? What I'm not sitting drank? No,

0:13:08.000 --> 0:13:10.000
<v Speaker 1>what was your breaking point with that? Ship and by

0:13:10.000 --> 0:13:11.640
<v Speaker 1>the way, shout out to you for that. That's dope

0:13:11.800 --> 0:13:16.000
<v Speaker 1>for it. Yeah, I don't know, just that just grew up. Yeah,

0:13:16.760 --> 0:13:18.520
<v Speaker 1>when you look back, do you feel do you ever

0:13:18.559 --> 0:13:20.520
<v Speaker 1>feel like you golorified that shit a little too much?

0:13:22.040 --> 0:13:24.679
<v Speaker 1>Not really, I mean everybody was doing it. I mean

0:13:24.720 --> 0:13:27.640
<v Speaker 1>that that plaque mask off. The whole fucking song, the

0:13:27.640 --> 0:13:29.760
<v Speaker 1>whole hook is about Molly percocet. You know what I'm

0:13:29.760 --> 0:13:32.040
<v Speaker 1>saying so exactly. Everybody goes to their phases. You know,

0:13:32.280 --> 0:13:34.160
<v Speaker 1>that's fair. That's how I feel about it, Like everybody

0:13:34.160 --> 0:13:37.840
<v Speaker 1>goes to their phase, and now we have a mature

0:13:37.880 --> 0:13:40.800
<v Speaker 1>low pump exactly. Is that what you're telling me? Yeah, everybody,

0:13:41.200 --> 0:13:42.480
<v Speaker 1>I want the old pump back. I'm like, you guys

0:13:42.520 --> 0:13:45.120
<v Speaker 1>want the o pump. You don't want the old pump back.

0:13:45.280 --> 0:13:46.880
<v Speaker 1>We also the old pump was on his way to

0:13:46.920 --> 0:13:50.280
<v Speaker 1>probably like fucking I don't know, going to or dying

0:13:50.400 --> 0:13:53.400
<v Speaker 1>or something dying exactly. Yeah. And now with the whole

0:13:53.400 --> 0:13:56.920
<v Speaker 1>cancel culture, shit is like you just gotta chill out

0:13:56.960 --> 0:13:59.720
<v Speaker 1>what you do because remember, like let's say twenty seventeen, Yeah,

0:14:00.000 --> 0:14:02.400
<v Speaker 1>that was no cancer culture. I mean, it was very light.

0:14:02.760 --> 0:14:05.440
<v Speaker 1>It was like it was like, but no, but yeah,

0:14:05.640 --> 0:14:07.760
<v Speaker 1>the ship y'all was posted on like your fucking snapchats

0:14:07.760 --> 0:14:16.320
<v Speaker 1>and ship was crazy. Yeah, it's like it's it's pretty wild. Yeah.

0:14:16.400 --> 0:14:18.280
<v Speaker 1>To me, people are just too soft on days, but

0:14:18.559 --> 0:14:20.840
<v Speaker 1>they definitely are. I definitely agree with you. I think

0:14:20.880 --> 0:14:23.000
<v Speaker 1>that this guy is the pendulum swung too far the

0:14:23.080 --> 0:14:25.280
<v Speaker 1>other way as to where like before it was like

0:14:25.320 --> 0:14:27.160
<v Speaker 1>maybe you could get away with, like maybe some shit

0:14:27.160 --> 0:14:29.720
<v Speaker 1>you shouldn't getting away with, but now it's like nothing.

0:14:29.720 --> 0:14:31.600
<v Speaker 1>You can't do nothing. Man, you say one thing, Oh,

0:14:31.640 --> 0:14:35.560
<v Speaker 1>you're canceled. You this you that. I'm like, yeah, I

0:14:35.640 --> 0:14:37.560
<v Speaker 1>sometimes it's better to stay quiet and stay out the way.

0:14:37.680 --> 0:14:39.480
<v Speaker 1>I respect that. Man. You've been staying quiet and staying

0:14:39.520 --> 0:14:43.160
<v Speaker 1>out the way recently. Uh. Now you did do something

0:14:43.200 --> 0:14:48.960
<v Speaker 1>that is some old pump ship. You destroyed a Porsche. Yes, yeah,

0:14:49.000 --> 0:14:51.120
<v Speaker 1>I have a history of porches, man, Like, well, what

0:14:51.240 --> 0:14:53.760
<v Speaker 1>was the for the video? What was your big music

0:14:53.800 --> 0:14:56.080
<v Speaker 1>video where you sucked up a car? Was that it?

0:14:56.400 --> 0:14:59.880
<v Speaker 1>So the skeedded music video? Yeah, so this is this

0:15:00.160 --> 0:15:02.040
<v Speaker 1>a big story and I never told nobody this one.

0:15:02.080 --> 0:15:06.320
<v Speaker 1>So I'm on the car right, this is not the

0:15:06.360 --> 0:15:09.120
<v Speaker 1>plan was not to break the car. I'm standing on

0:15:09.160 --> 0:15:12.480
<v Speaker 1>it performing. Yeah, I cracked the window and then I

0:15:12.520 --> 0:15:14.920
<v Speaker 1>looked down. I'm like, fuck, I just broke the back

0:15:15.000 --> 0:15:17.480
<v Speaker 1>of a race like and then I just look at

0:15:17.480 --> 0:15:19.640
<v Speaker 1>the fucking producer. I'm like, I'm gonna finish breaking this ship,

0:15:19.720 --> 0:15:21.920
<v Speaker 1>like they're already gonna charge me, so might as well.

0:15:22.040 --> 0:15:25.280
<v Speaker 1>Might as well. I grabbed the fucking golf the golf thing,

0:15:25.760 --> 0:15:29.760
<v Speaker 1>start breaking that bitch. And then after the video's done,

0:15:30.800 --> 0:15:32.600
<v Speaker 1>I get a call like a week later, like, Yo,

0:15:34.040 --> 0:15:36.520
<v Speaker 1>the owners don't want the car anymore. You gotta buy it.

0:15:36.800 --> 0:15:40.400
<v Speaker 1>I'm like, what, Like this shit makes no sense? But

0:15:40.960 --> 0:15:42.920
<v Speaker 1>I end up buying a car, and I got two

0:15:42.960 --> 0:15:46.240
<v Speaker 1>of the same whips and one's just fucked up. One's

0:15:46.280 --> 0:15:49.600
<v Speaker 1>just fucked up, and I fixed it, painted it. How

0:15:49.680 --> 0:15:52.240
<v Speaker 1>M sure the cars to get fixed? They were trying

0:15:52.280 --> 0:15:55.400
<v Speaker 1>to charge me, like forty K. I'm like, you're gonna

0:15:55.440 --> 0:15:58.200
<v Speaker 1>charge me forty K? Just let me buy the whole car. Wow?

0:15:59.360 --> 0:16:01.560
<v Speaker 1>Yeah you got the whip at that point. Yeah, I

0:16:01.600 --> 0:16:04.120
<v Speaker 1>was like, just give me the car. Damn. Bro. That

0:16:04.160 --> 0:16:07.920
<v Speaker 1>shit's crazy. It's crazy too, because, like when I said earlier,

0:16:07.960 --> 0:16:10.480
<v Speaker 1>you're kind of like the Mount Rushmore of that era music.

0:16:10.480 --> 0:16:13.760
<v Speaker 1>The SoundCloud era. I feel like, like, without you, man,

0:16:13.960 --> 0:16:16.440
<v Speaker 1>a lot of people like uh, I think that, like

0:16:16.440 --> 0:16:18.080
<v Speaker 1>a guy like six ' nine, Like, I don't think

0:16:18.120 --> 0:16:20.760
<v Speaker 1>he ever could have existed without you first? Does that

0:16:20.800 --> 0:16:22.400
<v Speaker 1>make sense? Like, I feel like you kind of paved

0:16:22.400 --> 0:16:24.800
<v Speaker 1>the way for like so many artists that got bags

0:16:24.880 --> 0:16:27.360
<v Speaker 1>during that time. I mean, we could go on and on.

0:16:27.440 --> 0:16:29.520
<v Speaker 1>There was like the dude with the fake clone. What

0:16:29.600 --> 0:16:31.840
<v Speaker 1>was that guy's name? What was the guy who fucking

0:16:31.880 --> 0:16:36.680
<v Speaker 1>said he was a clone? Terrible music? What the fuck

0:16:36.720 --> 0:16:40.960
<v Speaker 1>is his name? I don't remember? You know, you know

0:16:40.960 --> 0:16:44.720
<v Speaker 1>what I'm talking about. The clone dude, he was terrible. Nonetheless,

0:16:44.800 --> 0:16:46.600
<v Speaker 1>you had a lot of like mini pumps running around,

0:16:46.600 --> 0:16:48.360
<v Speaker 1>that's for damn sure. Hey guys, we got to stop

0:16:48.360 --> 0:16:50.000
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0:16:50.040 --> 0:16:52.760
<v Speaker 1>at blue chew dot com. That's right. Listen, you gotta

0:16:52.800 --> 0:16:56.320
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0:16:56.400 --> 0:16:58.920
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0:16:58.960 --> 0:17:04.000
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0:17:04.240 --> 0:17:09.400
<v Speaker 1>as Viagra and scalis, but in a chewable form. That's right,

0:17:09.920 --> 0:17:12.800
<v Speaker 1>You pop the blue shoe, chew that thing, wash it

0:17:12.840 --> 0:17:15.760
<v Speaker 1>down with your beverage of choice and then get to

0:17:15.920 --> 0:17:19.640
<v Speaker 1>work with that hard fucking cock of yours. Your dick

0:17:19.720 --> 0:17:22.120
<v Speaker 1>is gonna be harder than Triggonometry was in high school.

0:17:22.200 --> 0:17:26.879
<v Speaker 1>Ladies and gentlemen, It's gonna be fucking ah like you know,

0:17:27.119 --> 0:17:30.080
<v Speaker 1>uh Ryu and street Fighter. He'd be like, ohyk and

0:17:30.119 --> 0:17:32.080
<v Speaker 1>he does the motherfucking this is gonna be your dick.

0:17:32.119 --> 0:17:34.280
<v Speaker 1>It's gonna be like Ryu's fucking uppercut. You know what

0:17:34.320 --> 0:17:36.399
<v Speaker 1>I'm saying. God bless whoever's on the receiving end of

0:17:36.400 --> 0:17:39.280
<v Speaker 1>that consensually. Of course, Uh, they're gonna thank you for

0:17:39.320 --> 0:17:41.639
<v Speaker 1>taking the blue Choe. So go to bluehoo dot com

0:17:41.960 --> 0:17:45.840
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<v Speaker 1>doctor's visits, all right, it's all online. You don't have

0:17:52.880 --> 0:17:54.600
<v Speaker 1>to worry about going and sitting in a waiting room

0:17:54.720 --> 0:17:56.840
<v Speaker 1>and be like, hey doc, my dick. I could use

0:17:56.840 --> 0:17:59.000
<v Speaker 1>a little pep in my step, And then it's awkward.

0:17:59.040 --> 0:18:01.320
<v Speaker 1>You gotta look at this old fuck talking about your dick.

0:18:01.359 --> 0:18:03.159
<v Speaker 1>He might ask you to pull it out. Who fucking

0:18:03.200 --> 0:18:05.240
<v Speaker 1>knows what's going on at Blue Choo None of that's

0:18:05.280 --> 0:18:08.000
<v Speaker 1>happening blue choo dot com. And they also got the new,

0:18:08.320 --> 0:18:13.600
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<v Speaker 1>and Stackson, which is a little more potent, a little

0:18:20.520 --> 0:18:22.639
<v Speaker 1>more potent. If you need the extra on top of

0:18:22.680 --> 0:18:26.200
<v Speaker 1>the extra, you know what I mean, get the mint chewable. Yeah,

0:18:26.320 --> 0:18:28.640
<v Speaker 1>your wife will thank you, your girlfriend will thank you,

0:18:28.640 --> 0:18:32.280
<v Speaker 1>your boyfriend will think you. Whatever the fuck you're fucking'll

0:18:32.280 --> 0:18:34.600
<v Speaker 1>thank you. As long as it's legal. All right, let's

0:18:34.600 --> 0:18:36.239
<v Speaker 1>get back to the interview. Go to blue choo dot

0:18:36.280 --> 0:18:40.159
<v Speaker 1>com promo Colle bootleg. That's it. Um any features on

0:18:40.200 --> 0:18:47.840
<v Speaker 1>this album? Yes, I got Young Boe on album. I've

0:18:48.080 --> 0:18:51.440
<v Speaker 1>tied all the song on the album. Okay, I gotta

0:18:51.480 --> 0:18:55.879
<v Speaker 1>be surprises. The young boy shit had to be. That's

0:18:55.880 --> 0:18:57.440
<v Speaker 1>gonna be one of the ones. I'm telling you, was

0:18:57.480 --> 0:18:59.000
<v Speaker 1>that one where you guys, because it feels like he's

0:18:59.040 --> 0:19:00.840
<v Speaker 1>just kind of like laid up in house just recording

0:19:00.920 --> 0:19:02.639
<v Speaker 1>versus all fucking day. Did you guys send him the

0:19:02.640 --> 0:19:03.920
<v Speaker 1>beat and he knocked it out or real in the

0:19:03.920 --> 0:19:08.359
<v Speaker 1>studio together, just sent it, just sent it over knocked

0:19:08.400 --> 0:19:10.960
<v Speaker 1>it out. What about what about? What tie Ty? I

0:19:10.960 --> 0:19:14.080
<v Speaker 1>had sent it over to Yeah, any any But it's

0:19:14.160 --> 0:19:17.120
<v Speaker 1>but those songs are like like different, like a whole

0:19:17.119 --> 0:19:19.919
<v Speaker 1>nother vibe. It's not rapping pump. It's like more of

0:19:20.760 --> 0:19:22.720
<v Speaker 1>what's the other R and B? You do an R

0:19:22.760 --> 0:19:25.119
<v Speaker 1>and B? Well the time when it's called some R

0:19:25.160 --> 0:19:29.240
<v Speaker 1>and B ship? Yeah, okay, it's fire on the album

0:19:29.440 --> 0:19:32.960
<v Speaker 1>purpose definitely on the album. Yeah. Shot Shout out to

0:19:33.000 --> 0:19:35.320
<v Speaker 1>perp Man. Shout out to perp Man. Would you guys

0:19:35.320 --> 0:19:39.399
<v Speaker 1>ever do a joint fucking like another little joint thing together? Yeah?

0:19:39.640 --> 0:19:45.119
<v Speaker 1>You think that's coming again? Yeh? Who are you a

0:19:45.119 --> 0:19:47.359
<v Speaker 1>fan of right now? Because you're young, I feel like

0:19:47.359 --> 0:19:48.840
<v Speaker 1>you kind of. I've always kind of been hip to

0:19:48.880 --> 0:19:51.880
<v Speaker 1>the next wave of shit wave. Man. I've been listening

0:19:51.880 --> 0:19:54.399
<v Speaker 1>a lot of Spanish music lately, trying to get your

0:19:54.400 --> 0:19:58.280
<v Speaker 1>Spanish ship up. I love There's a new artist. Her

0:19:58.359 --> 0:20:01.600
<v Speaker 1>name is Tolkeisha. She's so I don't know that is

0:20:02.200 --> 0:20:04.480
<v Speaker 1>she's super hard. I just saw Bad Bunny though, and

0:20:04.520 --> 0:20:06.880
<v Speaker 1>that shit was crazy. Yeah, Bad Bunny at the fucking

0:20:06.960 --> 0:20:09.199
<v Speaker 1>so fid Man. Bad Bunny, That's what I'm saying. The

0:20:09.200 --> 0:20:11.360
<v Speaker 1>Spanish market is just so big. You know, he did

0:20:11.760 --> 0:20:14.480
<v Speaker 1>the fucking football arena like two nights in a row.

0:20:14.760 --> 0:20:17.800
<v Speaker 1>It's insane. Yeah, yeah when you see that shit, like,

0:20:17.800 --> 0:20:19.360
<v Speaker 1>are you like, would you ever do like a full

0:20:19.400 --> 0:20:22.600
<v Speaker 1>Spanish album like some reggaeton shit. I would, Yeah, to

0:20:22.640 --> 0:20:27.200
<v Speaker 1>be honest, I would. Yeah. That market is is insane

0:20:27.280 --> 0:20:32.320
<v Speaker 1>right now. Yeah, like it's killing it. What is for you, man,

0:20:32.960 --> 0:20:34.879
<v Speaker 1>now that you're twenty two, now that you're more mature,

0:20:34.960 --> 0:20:36.720
<v Speaker 1>now that you feel like you're back in your music bag,

0:20:38.600 --> 0:20:41.880
<v Speaker 1>what would you say would be like some advice since

0:20:41.920 --> 0:20:44.760
<v Speaker 1>you've kind of lived through it for everybody, for up

0:20:44.800 --> 0:20:47.800
<v Speaker 1>and coming artists that's maybe eighteen nineteen years old, that's

0:20:47.880 --> 0:20:50.800
<v Speaker 1>you know, about to really have a moment, Like what

0:20:50.840 --> 0:20:52.919
<v Speaker 1>would be the advice you would give them? Maybe the

0:20:52.920 --> 0:20:55.040
<v Speaker 1>mistakes that to not make that you kind of had

0:20:55.040 --> 0:20:59.280
<v Speaker 1>to make for them. I mean, just keep working, yeah,

0:20:59.520 --> 0:21:02.399
<v Speaker 1>be very good assistant and don't give a fun with anybody.

0:21:02.400 --> 0:21:04.520
<v Speaker 1>Got to say, like there's no right or wrong in

0:21:04.640 --> 0:21:08.760
<v Speaker 1>music right ever, like I said, Gucci Gang fifty four

0:21:08.760 --> 0:21:12.040
<v Speaker 1>times on a song one seven times platinum, like right

0:21:12.119 --> 0:21:14.600
<v Speaker 1>or wrong? And that yeah good, I don't yet. That's

0:21:14.720 --> 0:21:18.520
<v Speaker 1>it's insane and that that's the shortest. That's the shortest

0:21:18.560 --> 0:21:20.760
<v Speaker 1>song that ever top went on the Billboard charts. It

0:21:20.840 --> 0:21:24.080
<v Speaker 1>was like two minutes. And what's kind of crazy because

0:21:24.080 --> 0:21:26.280
<v Speaker 1>the whole short song thing. I feel like I could

0:21:26.320 --> 0:21:30.440
<v Speaker 1>attribute that to you started that. Yeah, you started that.

0:21:30.440 --> 0:21:32.639
<v Speaker 1>That that was all you. That was all mean Yeah.

0:21:32.680 --> 0:21:34.560
<v Speaker 1>Like I feel like the whole streaming era when people

0:21:34.600 --> 0:21:36.879
<v Speaker 1>are like, yo, we gotta make songs be less than

0:21:36.960 --> 0:21:39.800
<v Speaker 1>two minutes, yeah or whatever that was back then we're

0:21:39.800 --> 0:21:42.200
<v Speaker 1>like four verses. But I'm saying like, once you came

0:21:42.240 --> 0:21:45.440
<v Speaker 1>on the scene and you skyrocketed the way you did,

0:21:45.880 --> 0:21:48.080
<v Speaker 1>everyone was like, oh, this is the new formula because

0:21:48.080 --> 0:21:50.480
<v Speaker 1>everyone's attention span so short. It's so short. That's what

0:21:50.560 --> 0:21:52.720
<v Speaker 1>I'm saying when I when I started dropping those one

0:21:52.760 --> 0:21:55.800
<v Speaker 1>minute two minute songs, that should change the whole game

0:21:56.240 --> 0:21:59.040
<v Speaker 1>for sure. I look at everybody dropping. I could definitely

0:21:59.080 --> 0:22:01.440
<v Speaker 1>tell you, like as from like a being on the

0:22:01.480 --> 0:22:03.879
<v Speaker 1>other side of the industry. Once you did that, everybody

0:22:04.000 --> 0:22:08.320
<v Speaker 1>was like everybody started doing that shit, or they'd be like, yo,

0:22:08.400 --> 0:22:10.600
<v Speaker 1>it's too long. When you'd have like an artist play

0:22:10.680 --> 0:22:11.960
<v Speaker 1>or a record be like, yeah, it's gotta be like

0:22:11.960 --> 0:22:14.639
<v Speaker 1>we're trying to keep everything under two thirty now, and

0:22:14.680 --> 0:22:17.840
<v Speaker 1>that was never a thing. Never was That was the

0:22:17.880 --> 0:22:20.640
<v Speaker 1>first charted song since like because how long was Gucci Gang?

0:22:22.000 --> 0:22:25.560
<v Speaker 1>About like two minutes and something? It was like, but

0:22:25.640 --> 0:22:27.680
<v Speaker 1>like what was Boss? Like a minute and a half?

0:22:27.680 --> 0:22:30.320
<v Speaker 1>A minute and a half? Yeah, like that's so long?

0:22:30.960 --> 0:22:33.560
<v Speaker 1>And was it was it? Because like were you doing

0:22:33.560 --> 0:22:36.040
<v Speaker 1>that shit on purpose or was it just like it

0:22:36.080 --> 0:22:38.120
<v Speaker 1>just came on naturally? Yeah, Like this shit is done,

0:22:38.200 --> 0:22:41.040
<v Speaker 1>And like you said, everybody, everybody's attention span out on

0:22:41.119 --> 0:22:44.159
<v Speaker 1>days is way lower, so nobody wants to hear a

0:22:44.200 --> 0:22:46.800
<v Speaker 1>five minute song, Like I mean, I feel like, yeah,

0:22:46.840 --> 0:22:48.159
<v Speaker 1>it's kind of crazy. You're kind of ahead of your

0:22:48.160 --> 0:22:50.719
<v Speaker 1>time because now everybody's on fucking everyone's making shit for TikTok,

0:22:50.760 --> 0:22:54.360
<v Speaker 1>and TikTok's what a minute long? You know what I'm saying? Yeah,

0:22:54.440 --> 0:22:55.600
<v Speaker 1>do you feel like you're kind of made for the

0:22:55.600 --> 0:22:59.240
<v Speaker 1>TikTok era? Lowkey? Like you kind of get you kind of? Yeah,

0:23:00.040 --> 0:23:03.840
<v Speaker 1>I made for anything, that's fair. Uh, talk about You've

0:23:03.880 --> 0:23:06.760
<v Speaker 1>been on some wild tours, man, obviously, I remember when

0:23:06.800 --> 0:23:09.160
<v Speaker 1>you first kind of had like your big tour where

0:23:09.160 --> 0:23:15.000
<v Speaker 1>you were headlining. What is the craziest like backstage experience

0:23:15.000 --> 0:23:20.080
<v Speaker 1>at a little pump show that you remember happening, mm

0:23:20.160 --> 0:23:27.600
<v Speaker 1>hmm experience. I'll tell you what I remember. Once I

0:23:27.680 --> 0:23:32.879
<v Speaker 1>was overseas. What's city was I in? I told everybody,

0:23:33.119 --> 0:23:35.119
<v Speaker 1>I'm I'm gonna throw my ass in the lake. It

0:23:35.160 --> 0:23:39.960
<v Speaker 1>was in you were in Germany? Throwing yourself in the lake. Yeah,

0:23:40.040 --> 0:23:42.159
<v Speaker 1>there was a lake next to the festival, right. I

0:23:42.200 --> 0:23:44.960
<v Speaker 1>told everybody, fuck this ship, everybody come in here with me,

0:23:46.200 --> 0:23:48.960
<v Speaker 1>took all my ship off, had all my fans literally

0:23:49.040 --> 0:23:51.359
<v Speaker 1>jump jump. It was like literally like three thousand people.

0:23:51.400 --> 0:23:54.760
<v Speaker 1>They all just follow into the lake, cold as fuck.

0:23:55.600 --> 0:23:57.439
<v Speaker 1>I regretted. I was like, oh my god, give me

0:23:57.480 --> 0:24:01.479
<v Speaker 1>out this ship right away. What did I do? Yeah?

0:24:01.560 --> 0:24:05.719
<v Speaker 1>But this show is so insane? And another one was

0:24:06.760 --> 0:24:10.359
<v Speaker 1>I'll say Wireless festival in the UK UK It's insane,

0:24:10.480 --> 0:24:17.320
<v Speaker 1>fire insane. Yeah. Uh are you still only fans? Nah?

0:24:17.359 --> 0:24:19.520
<v Speaker 1>But you mean I managed girls are only fans? How's

0:24:19.560 --> 0:24:21.480
<v Speaker 1>that go? Because there's a lot of people who do that.

0:24:21.520 --> 0:24:25.680
<v Speaker 1>Tiger does that. I think Adam's doing that. A lot

0:24:25.680 --> 0:24:28.679
<v Speaker 1>of there's good money in that, huh Is it? Is

0:24:28.720 --> 0:24:31.239
<v Speaker 1>it like when you say you manage them, like, what

0:24:31.320 --> 0:24:33.600
<v Speaker 1>do you bring to the table. You retweet their shit

0:24:33.800 --> 0:24:36.399
<v Speaker 1>like you repost their shit on your page, like we

0:24:36.520 --> 0:24:40.199
<v Speaker 1>double a numbers. So you're like the stimulus package. If

0:24:40.200 --> 0:24:42.600
<v Speaker 1>a girl's got an only Fans account and she's not popping,

0:24:42.760 --> 0:24:44.960
<v Speaker 1>she could sign with you and then you'll bring the

0:24:45.040 --> 0:24:51.080
<v Speaker 1>numbers up. Yes, how many girls are you helping at

0:24:51.080 --> 0:24:54.600
<v Speaker 1>the moment? On the on the of we got a roster,

0:24:54.880 --> 0:24:57.320
<v Speaker 1>You got a roster, We got a roster. Look at

0:24:57.359 --> 0:25:00.960
<v Speaker 1>it from like fifty to eighty. Jeesus Christ, you're like

0:25:01.040 --> 0:25:06.119
<v Speaker 1>fucking bang bros. Bruh, Jesus you ever fuck on the

0:25:06.119 --> 0:25:13.480
<v Speaker 1>only fans Ah? No, yes, sometimes I don't do that shit,

0:25:14.320 --> 0:25:17.520
<v Speaker 1>but you've done it before, of course. Yeah, Okay, fair enough.

0:25:18.680 --> 0:25:20.760
<v Speaker 1>Hey you shout out to OnlyFans, man, it's a good hustle.

0:25:21.119 --> 0:25:24.119
<v Speaker 1>It's definitely a good hustle. Ty, I think I know

0:25:24.200 --> 0:25:26.560
<v Speaker 1>Tiger's guy is like a t roll thing that's booming.

0:25:26.680 --> 0:25:30.400
<v Speaker 1>So yeah, hey, we gotta stop the interview real quick

0:25:30.440 --> 0:25:33.000
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<v Speaker 1>and the podcast at the same fucking time. Let's get

0:26:33.520 --> 0:26:38.159
<v Speaker 1>back to the interview. When you were putting this project together,

0:26:38.960 --> 0:26:43.800
<v Speaker 1>was there any like a for you, Like, I'm sure

0:26:43.840 --> 0:26:46.840
<v Speaker 1>you record a lot, so how many songs got left

0:26:46.880 --> 0:26:55.280
<v Speaker 1>off the album? A lot? A lot? Because like how

0:26:55.280 --> 0:26:57.200
<v Speaker 1>many songs did you pull from to put the album together?

0:26:57.320 --> 0:27:02.120
<v Speaker 1>Like I'll say a good twenty two? So how many

0:27:02.440 --> 0:27:05.400
<v Speaker 1>how many? How many songs on the album twenty two?

0:27:05.880 --> 0:27:09.440
<v Speaker 1>No you pulled from twenty two? No, I pulled from

0:27:09.440 --> 0:27:12.080
<v Speaker 1>like damn near six hundred. That's what I'm not saying. Yeah,

0:27:12.080 --> 0:27:14.720
<v Speaker 1>you know, to put on the album, there's twenty twenty album. Yeah,

0:27:14.760 --> 0:27:19.240
<v Speaker 1>but to pull ship six hundred, she'd just be playing, playing, playing,

0:27:19.240 --> 0:27:22.640
<v Speaker 1>playing playing. Do you feel like, uh you have any

0:27:23.359 --> 0:27:25.119
<v Speaker 1>I think back to like when you were like fucking

0:27:25.160 --> 0:27:26.639
<v Speaker 1>with Diablo and those guys, Like, do you feel like

0:27:26.640 --> 0:27:28.520
<v Speaker 1>you got a new producer that you're like locked in

0:27:28.520 --> 0:27:30.840
<v Speaker 1>with that, Like you guys, are you guys got your

0:27:30.840 --> 0:27:33.560
<v Speaker 1>sound down and ship or is it all different producers?

0:27:33.680 --> 0:27:37.200
<v Speaker 1>I'm locked on everybody right now. Yeah, locked on everybody

0:27:37.880 --> 0:27:43.000
<v Speaker 1>my producer right now, CB, CB mixed, CB mixed, shot

0:27:43.040 --> 0:27:48.800
<v Speaker 1>out to CB. Yeah. Wow, any other features? I got

0:27:48.800 --> 0:27:54.240
<v Speaker 1>a couple Kanye who knows, Man who knows, who knows,

0:27:54.560 --> 0:27:58.919
<v Speaker 1>who knows. It's crazy too, because uh, I was just

0:27:58.960 --> 0:28:02.680
<v Speaker 1>with a fat naked pool. Yeah. We were talking about

0:28:03.080 --> 0:28:07.679
<v Speaker 1>kind of like that like Florida era of music that

0:28:07.840 --> 0:28:10.240
<v Speaker 1>is so influential to everything that's going on right now.

0:28:10.320 --> 0:28:15.119
<v Speaker 1>You know, if you think about Danzel Curry, little Pump, Smoke,

0:28:15.200 --> 0:28:21.680
<v Speaker 1>Purp Fat Nick Pooya, fucking who am I forgetting? Oh?

0:28:21.680 --> 0:28:24.760
<v Speaker 1>They hit the camera. It's all good. I we know

0:28:24.800 --> 0:28:28.960
<v Speaker 1>you could afford to fix it. I'm so sorry. He's

0:28:29.000 --> 0:28:34.480
<v Speaker 1>got to think of throw obviously, Kodak, Black Influence and everybody,

0:28:35.680 --> 0:28:37.280
<v Speaker 1>you know, do you feel like Florida's finally because I

0:28:37.280 --> 0:28:38.960
<v Speaker 1>feel like when you were coming up, people weren't really

0:28:39.040 --> 0:28:43.320
<v Speaker 1>like necessarily giving South Florida their respect And also like

0:28:43.360 --> 0:28:44.760
<v Speaker 1>a lot of this ship was kind of looked at

0:28:44.760 --> 0:28:46.800
<v Speaker 1>as underground. You know what I'm saying, Like, do you

0:28:46.880 --> 0:28:49.240
<v Speaker 1>feel like finally, like Southern Florida's getting it? It's like

0:28:49.280 --> 0:28:53.680
<v Speaker 1>love nationally, Like of course, now now everybody sees what

0:28:53.760 --> 0:28:57.880
<v Speaker 1>Florida did. Yeah, like X two resting piece of Eggs.

0:28:57.920 --> 0:28:59.360
<v Speaker 1>He was a big He was a big influence in

0:28:59.400 --> 0:29:01.680
<v Speaker 1>it too. What was your guys' relationship like, because that

0:29:01.720 --> 0:29:03.840
<v Speaker 1>record you guys put out ended up coming out after

0:29:04.160 --> 0:29:07.520
<v Speaker 1>he had passed. Yeah, we were cool. He was a

0:29:07.600 --> 0:29:11.800
<v Speaker 1>very genuine guy. I've known excellence. I was probably sixteen.

0:29:12.240 --> 0:29:18.920
<v Speaker 1>Yeah that's crazy, but very genuine guy. Fair enough man.

0:29:19.080 --> 0:29:22.120
<v Speaker 1>Soon anything else going on with a Little Pump besides

0:29:22.160 --> 0:29:29.000
<v Speaker 1>the album? Shit a lot any movies, any any entrepreneurial

0:29:29.680 --> 0:29:31.920
<v Speaker 1>shit going on. You've getting your money, like like I

0:29:31.960 --> 0:29:38.200
<v Speaker 1>obviously got only fans booming, OnlyFans real estate, and I'm

0:29:38.360 --> 0:29:41.680
<v Speaker 1>keep buying jury. What's the latest piece of jewelry about?

0:29:42.760 --> 0:29:46.400
<v Speaker 1>Spike chain came from Elliott? How much is something like

0:29:46.440 --> 0:29:49.760
<v Speaker 1>that hit hitting for two fifty? You spend two hundred

0:29:49.760 --> 0:29:55.360
<v Speaker 1>and fifty thousand dollars on that? Jesus Christ, you ever

0:29:55.440 --> 0:29:57.800
<v Speaker 1>regret spending that much money on shit after you buy it?

0:29:57.840 --> 0:29:59.600
<v Speaker 1>Like you know, when you buy something and then almost

0:29:59.600 --> 0:30:01.960
<v Speaker 1>like ride way, like your stomach hurts because you're like,

0:30:02.040 --> 0:30:07.080
<v Speaker 1>fuck never, at least you're buying real estate. Yeah, you're

0:30:07.120 --> 0:30:10.920
<v Speaker 1>not like totally just fucking off all your money, right, Nah?

0:30:11.400 --> 0:30:15.160
<v Speaker 1>Real estate? Maybe? How many properties do you got? Two

0:30:15.200 --> 0:30:17.160
<v Speaker 1>of them? You renting any of them out? Are you

0:30:17.280 --> 0:30:21.120
<v Speaker 1>just living on in them? Both both of them are

0:30:21.120 --> 0:30:26.600
<v Speaker 1>getting rented out? Who other crib? Are you still in Miami? Yeah? Yeah,

0:30:26.680 --> 0:30:28.280
<v Speaker 1>shout out to Miami. There's a way of going on

0:30:28.320 --> 0:30:31.160
<v Speaker 1>out there. I can't I can't stay away from the crib.

0:30:31.240 --> 0:30:33.440
<v Speaker 1>I love Miami. Did you get any this fucking crypto

0:30:33.480 --> 0:30:36.280
<v Speaker 1>money going on out there? All the crypto millionaires in

0:30:36.280 --> 0:30:39.239
<v Speaker 1>Miami convinced you to fucking buy any NFTs or any

0:30:39.240 --> 0:30:44.840
<v Speaker 1>of that bullshit. Yeah, that's done with. It's a wrap.

0:30:45.000 --> 0:30:48.160
<v Speaker 1>The NFT shit is like I saw you saw a

0:30:48.200 --> 0:30:51.960
<v Speaker 1>logan Paul bought Uh, he bought a fucking he bought

0:30:52.000 --> 0:30:54.000
<v Speaker 1>an NFT I think for six hundred and fifty thousand

0:30:54.000 --> 0:30:59.640
<v Speaker 1>dollars and it's worth ten dollars right now. That shit's insane. Yeah. No,

0:30:59.760 --> 0:31:05.360
<v Speaker 1>but for off the NFTs, I'm sure he did. Yeah.

0:31:05.440 --> 0:31:08.360
<v Speaker 1>Did you get out in time or did it crash?

0:31:08.960 --> 0:31:11.200
<v Speaker 1>I got out of time? You got out in time? Yeah?

0:31:11.960 --> 0:31:14.160
<v Speaker 1>Too long? Yeah, I was just like what you didn't

0:31:14.200 --> 0:31:15.960
<v Speaker 1>need too much shit? What up, y'all? We gotta stop

0:31:16.000 --> 0:31:17.600
<v Speaker 1>the interview real quick. Tell you about our good friends

0:31:17.600 --> 0:31:20.160
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0:31:20.200 --> 0:31:22.920
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0:31:24.080 --> 0:31:26.640
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0:31:26.720 --> 0:31:30.120
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0:31:30.160 --> 0:31:32.280
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0:31:32.680 --> 0:31:36.160
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0:31:36.200 --> 0:31:38.600
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0:31:58.800 --> 0:32:02.360
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0:32:17.960 --> 0:32:20.720
<v Speaker 1>get back to the interview. What's been your for you? Man? Like,

0:32:21.200 --> 0:32:23.719
<v Speaker 1>you know, who's some of the outside of you? You You

0:32:23.840 --> 0:32:25.840
<v Speaker 1>mentioned the Spanish ship earlier, but like, what's the music

0:32:25.840 --> 0:32:28.280
<v Speaker 1>you're listening to on the hip hop side nowadays? Like,

0:32:28.320 --> 0:32:34.440
<v Speaker 1>what's the last album you fucked with? Last with a

0:32:34.520 --> 0:32:39.960
<v Speaker 1>Whole Lot of Red? Really that was like two years ago? Yeah,

0:32:40.280 --> 0:32:43.000
<v Speaker 1>that was the last time. Huh. Yeah. I think that

0:32:43.040 --> 0:32:46.280
<v Speaker 1>ship is. I think that Ship is one of the

0:32:46.280 --> 0:32:48.120
<v Speaker 1>worst bodies of work I've ever heard in my life.

0:32:49.080 --> 0:32:51.040
<v Speaker 1>I still like it. When I listened to Playboard CARDI

0:32:51.160 --> 0:32:54.760
<v Speaker 1>I in my head, I'm like, fuck, he's the one

0:32:54.840 --> 0:32:57.880
<v Speaker 1>artist like when I listen to your ship, I got it.

0:32:57.920 --> 0:33:01.960
<v Speaker 1>I was like, this ship is hard to play Cardi, shit, bruh,

0:33:02.040 --> 0:33:04.680
<v Speaker 1>I'm out. It's not for me. I like it. I'm

0:33:04.680 --> 0:33:07.760
<v Speaker 1>an old head. Whatever it is, that shit they could

0:33:07.840 --> 0:33:10.080
<v Speaker 1>keep it. I saw him performing their roll aloud. That

0:33:10.120 --> 0:33:13.600
<v Speaker 1>shit was terrible. He sounded like he was fucking seanceing

0:33:13.640 --> 0:33:16.440
<v Speaker 1>demons on stage. It was. It was wild. Brou to me,

0:33:16.560 --> 0:33:20.440
<v Speaker 1>bro got a good stage performance, like yeah, I mean sure,

0:33:20.880 --> 0:33:25.200
<v Speaker 1>like if you just like someone screaming yeah, I don't know, man,

0:33:25.320 --> 0:33:27.720
<v Speaker 1>maybe I'm tripping. But he shout out to Cardi. So

0:33:27.720 --> 0:33:29.560
<v Speaker 1>that's your last That's that was like two years ago.

0:33:29.600 --> 0:33:31.280
<v Speaker 1>So there's been nothing else that's dropped in the last

0:33:31.280 --> 0:33:35.400
<v Speaker 1>two years. Huh. Uzzi has dropped the tape too. USI

0:33:36.400 --> 0:33:39.920
<v Speaker 1>also on the SoundCloud mount rushmore, who else is up

0:33:39.920 --> 0:33:42.840
<v Speaker 1>there with you? It's you and Uzi and then filling

0:33:42.880 --> 0:33:46.360
<v Speaker 1>the rest X who do you think is on there?

0:33:47.040 --> 0:33:50.480
<v Speaker 1>Who else do you put on there? Use the X? Probably?

0:33:53.320 --> 0:33:57.640
<v Speaker 1>I don't know, man. There was like trying to think

0:33:57.720 --> 0:34:04.400
<v Speaker 1>twenty seventeen, twenty eighteen, what do you think? Hmm, I'll

0:34:04.400 --> 0:34:10.080
<v Speaker 1>definitely put Yak up there. Kodak, you think soundclad I see,

0:34:10.120 --> 0:34:11.839
<v Speaker 1>I was living in Tampa when he started a pop

0:34:11.880 --> 0:34:13.320
<v Speaker 1>so I kind of saw him from like a street

0:34:13.680 --> 0:34:18.400
<v Speaker 1>level like Kodak. Kodak is definitely I think so the

0:34:18.440 --> 0:34:21.120
<v Speaker 1>sound cloud no sound Claire. But he's on the Mount

0:34:21.200 --> 0:34:23.719
<v Speaker 1>Rushmore like, Oh, he's on the Mount Rushmore the last

0:34:23.760 --> 0:34:26.719
<v Speaker 1>like fucking five years for sure. Yeah, that's fair. Who

0:34:26.880 --> 0:34:34.640
<v Speaker 1>was the album dropping? Album dropping on? January? January? January? Nice?

0:34:35.120 --> 0:34:37.319
<v Speaker 1>Any OG's on the on the album? You had Rick

0:34:37.400 --> 0:34:42.560
<v Speaker 1>Ross on the first one? Had Rick Ross? Yes, I

0:34:42.680 --> 0:34:49.200
<v Speaker 1>got I got one og. It's trick trick daddy. Oh shit,

0:34:49.480 --> 0:34:56.040
<v Speaker 1>that's fire. Everything good over there, boys, Just make sure

0:34:56.040 --> 0:34:58.680
<v Speaker 1>we're good. You've got your guys over here with like whispering.

0:34:58.760 --> 0:35:02.879
<v Speaker 1>Make sure we're right over there. Oh okay, okay, yeah,

0:35:02.880 --> 0:35:05.560
<v Speaker 1>shit's booming. Hey you fuck with uh? You know the

0:35:05.680 --> 0:35:08.040
<v Speaker 1>shout out to Dooney. He signed a little Sito Kid.

0:35:08.520 --> 0:35:12.640
<v Speaker 1>Have you been able to lead up with him? A

0:35:12.680 --> 0:35:15.000
<v Speaker 1>little seto? The little White Little White Kid. It's I've

0:35:15.000 --> 0:35:18.520
<v Speaker 1>been working with the lights global dudes. Have you heard

0:35:18.520 --> 0:35:21.360
<v Speaker 1>of him? He's sixteen? I mean he's he's like the

0:35:21.400 --> 0:35:23.720
<v Speaker 1>Little White Dude who had the freestyle this thisler freestyle,

0:35:24.080 --> 0:35:27.560
<v Speaker 1>you're not hip. That's fair. If you had to do

0:35:27.640 --> 0:35:31.080
<v Speaker 1>a joint album with anybody right now, Pump, who would

0:35:31.120 --> 0:35:37.279
<v Speaker 1>it be. You don't pick anybody, perp. I mean that,

0:35:37.480 --> 0:35:41.680
<v Speaker 1>that's easy. Yeah. I just love making music with him.

0:35:41.719 --> 0:35:44.440
<v Speaker 1>There it is, man, Well listen, I appreciate you pulling up.

0:35:44.560 --> 0:35:49.319
<v Speaker 1>Appreciate that. I'm coming out in January. January, Little Pump

0:35:49.320 --> 0:35:52.880
<v Speaker 1>two's on the way. Ooh uh. You're fucking up cars

0:35:52.880 --> 0:35:56.799
<v Speaker 1>out here, still sucking up cars, doing whatever you want

0:35:56.880 --> 0:35:59.759
<v Speaker 1>to do and living life. Yeah, man, listen, just don't

0:35:59.800 --> 0:36:03.400
<v Speaker 1>get back into that crazy internet antics shit. Deliver with

0:36:03.440 --> 0:36:05.719
<v Speaker 1>the music. So I'm gonna tell you we need the

0:36:05.719 --> 0:36:08.800
<v Speaker 1>records back because you can't do the antics without the records,

0:36:09.239 --> 0:36:12.880
<v Speaker 1>not anymore. There was a time when you could do that.

0:36:13.719 --> 0:36:18.719
<v Speaker 1>But yeah, low Pump man, I appreciate you. Bro Boom,

0:36:18.760 --> 0:36:19.200
<v Speaker 1>there it is,