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Speaker 1: Boom Boom Boulet cav Show special guest a Little Pump

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Speaker 1: Little Pump is here. Welcome man, good to see you,

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Speaker 1: but appreciate man for having me. For people who don't know.

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Speaker 1: The first time I met you, bro, was like it

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Speaker 1: might have been like two or three days before your

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Speaker 1: seventeenth birthday and you were at Trapzilla's house in Pacoima, California.

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Speaker 1: It wasn't even Bocoma's, Panoramic City, California. You and Smoke

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Speaker 1: Purple just sleeping there and it was it was just

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Speaker 1: a random, random era of SoundCloud rap. Yeah, that was

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Speaker 1: when I first came to LA And like I want

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Speaker 1: to say, like that night or the night after it

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Speaker 1: was like your birthday party. You had your birthday party

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Speaker 1: at like a trip truck club. Yeah yeah, yeah, good times. Man.

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Speaker 1: That was like a peak SoundCloud days. Man. Literally, what's

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Speaker 1: been going on though, traveling man? Yeah, freaking working, working

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Speaker 1: on a new album. Okay, do you feel like you're

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Speaker 1: focused on music again? Yeah, I'm back focused on music.

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Speaker 1: There was one point where I was just like this

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Speaker 1: is too much right now. Yeah, and you know we

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Speaker 1: started fucking off and then I'm back on You're back

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Speaker 1: on your shit. I was gonna say, like, shit happened

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Speaker 1: so fast for you, and you were like a literal kid. Yeah,

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Speaker 1: And I think people forget that when they think a

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Speaker 1: little pump like because when I first heard of you

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Speaker 1: was the fuck J Cole shit, which was like pretty early,

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Speaker 1: would you say, yeah, I was like sixteen, Yeah, but

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Speaker 1: it just happened so fast to a kid like people.

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Speaker 1: I don't think people. I think when they talk about

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Speaker 1: you and they criticize you, whether you know you've given

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Speaker 1: them reasons to criticize you or not, they forget that. Like, Bro,

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Speaker 1: you're a fucking kid and I'm still twenty two. You're

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Speaker 1: only twenty two years old, but you also kind of

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Speaker 1: grew up in front of our eyes. Yeah, literally, you

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Speaker 1: know what I'm saying, Like, do you feel like now

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Speaker 1: that you've kind of like seen the highs and lows

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Speaker 1: of this rap shit, like you feel like mentally you're

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Speaker 1: in a good, good space. Yeah, I'm in a way

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Speaker 1: better space now. I understand how like shit goes. And

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Speaker 1: you know, yeah, I was young. I was just moving fast,

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Speaker 1: not thinking about nothing. Right now that I'm older, I

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Speaker 1: see everything now. I was only sixteen, seventeen, you know,

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Speaker 1: crazy man. Now it's crazy. Yeah. Like you said, like

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Speaker 1: I grew fast. It's like, let's say when this year

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Speaker 1: when I turned twenty two, people were like, what the

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Speaker 1: fuck Pump is twenty two. I'm like, yeah, yeah, I'm

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Speaker 1: still a kid. You're still a kid, bro. Yeah, it's

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Speaker 1: pretty wild. Uh. Talk about you first kind of start

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Speaker 1: like I feel like you became like the face of

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Speaker 1: your generation of music for about a year. You were

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Speaker 1: kind of like when we thought of the sound. When

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Speaker 1: I think it SoundCloud era of rap, I think of you.

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Speaker 1: You're the first first name face that pops in my head.

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Speaker 1: Of course, the Cloud era, I think its little Pump.

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Speaker 1: Is that fair? Yeah? SoundCloud era? Yeah, just that whole.

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Speaker 1: I think you're You're like on the fucking mountain, the

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Speaker 1: mountains more of that shit. Yeah, one hundred percent for

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Speaker 1: good or for bad. And I call those years of

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Speaker 1: rap kind of I kind of call him the dark

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Speaker 1: years because it kind of I feel like you're and

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Speaker 1: I I did stick up for you a lot because

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Speaker 1: I actually really liked your records. Appreciate it, Like I

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Speaker 1: really fucked with your joints, Like I was like, yo,

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Speaker 1: but the music is hard as to where some of

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Speaker 1: your counterparts. During that time, it was one hundred percent

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Speaker 1: about the antics on the internet. Well, I feel like

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Speaker 1: you had a lot of stupid shit you were doing

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Speaker 1: on the internet and you were following it up at

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Speaker 1: least with dope records. Yeah, you know what I mean,

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Speaker 1: of course, but then the records kind of started to

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Speaker 1: fall off a little. Do you feel like it was

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Speaker 1: because you were just lost in the sauce and you

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Speaker 1: weren't as focused on music and you were worried about that. Mean,

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Speaker 1: you were fucking you were fucking living life, bro, for real,

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Speaker 1: he was fucking v rod at least I think you

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Speaker 1: were Rodriguez. You was fucking everybody everything. But you were,

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Speaker 1: like you were really living that rap rap. I mean

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Speaker 1: you still are, obviously you just will talk about. But

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Speaker 1: did you ever feel like, you know, there in that time,

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Speaker 1: like you kind of had to compete with the last

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Speaker 1: crazy shit you did to kind of stay on the

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Speaker 1: top of people's minds instead of focusing on the music

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Speaker 1: per se. To me, I didn't really care people think

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Speaker 1: about me, because at the end of the day, they're

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Speaker 1: gonna criticize, they're gonna hate, they're gonna say whatever they're

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Speaker 1: gonna say. As long as they keep my name in

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Speaker 1: their mouth, you know that's fair. And I did everything

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Speaker 1: I wanted to do. I move my mom out of

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Speaker 1: the hood, my whole family out of the HOODE my

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Speaker 1: family straight. That's a worry about I'm set, That is true. Man.

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Speaker 1: Like whatever people gotta say about me, they keep talking.

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Speaker 1: But I'm still here. How many streams is this Gucci

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Speaker 1: Gang at It's like, damn near seven times plant. It's

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Speaker 1: about to go diamond that It's insane. I could have

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Speaker 1: just dropped Gucci Gang and I dropped no more songs

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Speaker 1: and I'm straight for life and you're still eating and

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Speaker 1: I'm still eating. Baby. Not a lot of people are

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Speaker 1: going seven times platinum, and I'm still torn. I just

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Speaker 1: came from Tokyo, Bally, Mongolia, Slovenia, Romania. I went. I

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Speaker 1: was just everywhere it is. How was it over there?

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Speaker 1: That's a pretty wild part of the world. It's different,

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Speaker 1: it's different, very different. They loving you over there, they

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Speaker 1: love me. Yeah, yeah, they show a lot of love.

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Speaker 1: Yeah for sure. Uh what you obviously you got the

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Speaker 1: new project coming. It's crazy to think that this is

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Speaker 1: this is only your third project? Is third? Yeah, yeah,

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Speaker 1: it's your third one, right, if you had the first tape,

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Speaker 1: then you had the was it har Harper drop out?

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Speaker 1: And then now this that's crazy to think man. Yeah,

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Speaker 1: do you like like talk about the album, man, like,

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Speaker 1: who's on it? How you feeling about it? I'm feeling

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Speaker 1: very good about it. Yeah, I've been holding back on

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Speaker 1: it for a minute, I know, but it's gonna be.

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Speaker 1: It's worth the way I'm telling you, it's different because

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Speaker 1: obviously you have the old pump on there, then I

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Speaker 1: have some new sounds. Well, you kind of feel I

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Speaker 1: feel like you started to kind of expand your ship

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Speaker 1: a little bit, like the record you did with X

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Speaker 1: you know, rest him that was kind of like a

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Speaker 1: real worldly record exactly like with those songs overseas, they

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Speaker 1: they go crazy crazy. Yeah, you're trying to dip into

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Speaker 1: the Latin market a little bit too. Latin market. That's

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Speaker 1: another thing, Like the Latin market is way bigger in

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Speaker 1: this market of course, Like it's huge. Are you you

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Speaker 1: know what I'm saying? Are bilingual? Yeah? There you go.

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Speaker 1: I mean you are from Miami, so there's that. Yeah.

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Speaker 1: How's your relationship with with PERP right now? Good? Good? Yeah?

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Speaker 1: Still my best friend. I love him to death. Yeah,

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Speaker 1: you guys kind of you had you guys had to

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Speaker 1: run man with things like it was really like y'all

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Speaker 1: were the two motherfuckers. You know what I'm saying, Like

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Speaker 1: it's kind of crazy. You know, Uh, take me back, bro,

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Speaker 1: because I feel like, in retrospect what I loved about

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Speaker 1: J Cole. Right, you and him have this sit down,

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Speaker 1: y'all have this conversation, which at the time was so

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Speaker 1: to people unexpected. Yeah, because you had said, fu J Cole,

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Speaker 1: it felt like some of his album was kind of

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Speaker 1: geared towards your generation at least, if not specifically to you.

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Speaker 1: And then you guys have to sit down conversation. Yeah,

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Speaker 1: that caught everybody by surprise. How like, talk about that

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Speaker 1: convo and just like did you actually take anything from

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Speaker 1: it or or do you feel like you're taking things

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Speaker 1: from it now? After where are you from? I'm saying, like,

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Speaker 1: you know, obviously it was a it was an insightful conversation.

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Speaker 1: I feel like JA Cole was trying to give some

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Speaker 1: real game and like you're trying to understand the younger generation. Yeah,

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Speaker 1: he was trying to understand a young generation. He because

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Speaker 1: at that time, you know, like he people didn't understand

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Speaker 1: what was going on right music, But they're just like,

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Speaker 1: there's this new wave coming in, we don't understand it,

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Speaker 1: but where's gonna roll with it? And he's trying to

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Speaker 1: understand what was going on? Do you yeah, I don't

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Speaker 1: have no problems with them. Do you feel like hedicted

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Speaker 1: kind of like what ended up happening with your rap career? Nope, No,

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Speaker 1: I'm still here. I'm not saying that you're I'm not

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Speaker 1: saying that you're not like still fucking rich and successful.

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Speaker 1: I just mean in terms of, like, you know, I

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Speaker 1: feel like there's so many parts of that era of

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Speaker 1: rap where like people got famed so fast, they were

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Speaker 1: so young, you know what I'm saying, Like, and I

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Speaker 1: feel like that was some of the foresight that he

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Speaker 1: was saying, not even necessarily about quote unquote falling off,

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Speaker 1: you know what I mean. They don't think You don't

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Speaker 1: think he predicted anything. I don't think pretty shit. No,

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Speaker 1: that's fair. I'm still here. I mean you're still here

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Speaker 1: one percent. Hey what ip y'all boutlet keV gotta stop

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Speaker 1: fucking face. I don't even know what that means. How

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Speaker 1: Las Vegas. Let's get back to the interview. Um, you

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Speaker 1: know you got a classic with Kanye West, exactly one

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Speaker 1: of the more iconic visuals of our of our last

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Speaker 1: five years or so, exactly most most viewed video in

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Speaker 1: the first week is that is that? Like ever ever,

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Speaker 1: you guys got the big fucking you know, the big

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Speaker 1: shoulder pad joints, And I think, what do you think

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Speaker 1: about what's going on with ya right now? Hey, man,

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Speaker 1: I don't have no say so in that. How did

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Speaker 1: that like initially happen you guys working together? Well, this

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Speaker 1: was on my eighteenth birthday. He had called me sick

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Speaker 1: flex eighteenth birthday present, Kanye cast you. Yeah, it was

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Speaker 1: my eighteenth birthday. I was throwing this huge mansion party

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Speaker 1: and I just get this random phone call yeah, and

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Speaker 1: it's yeah, He's like, yeah, I got some shit for you.

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Speaker 1: I'm like, let's get it. I was shroomed out that day,

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Speaker 1: shrooming balls nice. I was out of it. And then Bro,

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Speaker 1: we just grabbed a studio equipment. It wasn't even though,

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Speaker 1: like you know, like a big studio, big studio. It's

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Speaker 1: not fucking Mike No Sony C hundred. We just grabbed.

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Speaker 1: We literally had a five hundred dollars mic Wow, put

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Speaker 1: in a small room, laid down the verse, send it

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Speaker 1: back to him. Crazy And I was like, same night,

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Speaker 1: while you're shrooming hard while I'm shreming, So you record

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Speaker 1: that while you're fucking shroomed out. Yeah, Wow, that's fucking crazy,

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Speaker 1: screaming balls. Was that your what's the your your best

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Speaker 1: and also worst experience while on mushrooms? Because I dabble

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Speaker 1: in the shrooms a bit myself. I'll tell you what.

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Speaker 1: I've never had a bad one on mushrooms, but on acid.

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Speaker 1: You had a bad acid trip? Yes, what happened? I

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Speaker 1: was in the studio. It was me my boy CB

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Speaker 1: were recording for the Harvard Dropout and I'm taking a

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Speaker 1: piss in a bathroom and then the whole toylet starts

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Speaker 1: turning black, like in a circle, and it just starts closing.

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Speaker 1: I'm like, oh, fuck this ship. I put my pants up.

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Speaker 1: I started running in the studio and I pissed on myself. Wow.

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Speaker 1: I was like, oh fuck, you put your pants up

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Speaker 1: while you're pissing. Pass the while I'm pissing because the

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Speaker 1: whole toilet started closing on me, like it was a

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Speaker 1: big black hole just closing. I'm like, oh Jesus cruble pants.

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Speaker 1: I started running. I'm like, and I come back to

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Speaker 1: the studio, I'm like, fuck, I just pissed on myself.

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Speaker 1: That was like one of the weirdest. Yeah. The thing

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Speaker 1: about acid, it's like really visual, Like shrooms can be visual,

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Speaker 1: but they're also like they also like just have you deep,

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Speaker 1: deeply stuck in your thoughts? Last time I did it

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Speaker 1: was Sunday Service. The last time the trooms. Yeah, I

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Speaker 1: want to go see yeah Coachella on Sunday Service. So

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Speaker 1: you went to Coachella shroomed out while on acid. On

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Speaker 1: acid was like fucking eight in the morning. Wow, I

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Speaker 1: was just fucking tweaking. I'm like, that was that the

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Speaker 1: only drug you're on? Yeah? Because eight am ship eight

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Speaker 1: am man that she will keep you up. Yeah. Do

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Speaker 1: you feel like because you've obviously been pretty open to it.

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Speaker 1: I mean, you got a fucking song about being addicted

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Speaker 1: to drugs. How's how's the drug use these days? I'm

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Speaker 1: not doing drugs anymore? What I'm not sitting drank? No,

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Speaker 1: what was your breaking point with that? Ship and by

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Speaker 1: the way, shout out to you for that. That's dope

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Speaker 1: for it. Yeah, I don't know, just that just grew up. Yeah,

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Speaker 1: when you look back, do you feel do you ever

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Speaker 1: feel like you golorified that shit a little too much?

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Speaker 1: Not really, I mean everybody was doing it. I mean

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Speaker 1: that that plaque mask off. The whole fucking song, the

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Speaker 1: whole hook is about Molly percocet. You know what I'm

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Speaker 1: saying so exactly. Everybody goes to their phases. You know,

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Speaker 1: that's fair. That's how I feel about it, Like everybody

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Speaker 1: goes to their phase, and now we have a mature

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Speaker 1: low pump exactly. Is that what you're telling me? Yeah, everybody,

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00:13:41,200 --> 00:13:42,480
Speaker 1: I want the old pump back. I'm like, you guys

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00:13:42,520 --> 00:13:45,120
Speaker 1: want the o pump. You don't want the old pump back.

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Speaker 1: We also the old pump was on his way to

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Speaker 1: probably like fucking I don't know, going to or dying

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00:13:50,400 --> 00:13:53,400
Speaker 1: or something dying exactly. Yeah. And now with the whole

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Speaker 1: cancel culture, shit is like you just gotta chill out

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Speaker 1: what you do because remember, like let's say twenty seventeen, Yeah,

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Speaker 1: that was no cancer culture. I mean, it was very light.

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Speaker 1: It was like it was like, but no, but yeah,

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Speaker 1: the ship y'all was posted on like your fucking snapchats

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Speaker 1: and ship was crazy. Yeah, it's like it's it's pretty wild. Yeah.

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Speaker 1: To me, people are just too soft on days, but

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Speaker 1: they definitely are. I definitely agree with you. I think

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Speaker 1: that this guy is the pendulum swung too far the

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Speaker 1: other way as to where like before it was like

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Speaker 1: maybe you could get away with, like maybe some shit

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Speaker 1: you shouldn't getting away with, but now it's like nothing.

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Speaker 1: You can't do nothing. Man, you say one thing, Oh,

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Speaker 1: you're canceled. You this you that. I'm like, yeah, I

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Speaker 1: sometimes it's better to stay quiet and stay out the way.

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Speaker 1: I respect that. Man. You've been staying quiet and staying

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Speaker 1: out the way recently. Uh. Now you did do something

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Speaker 1: that is some old pump ship. You destroyed a Porsche. Yes, yeah,

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Speaker 1: I have a history of porches, man, Like, well, what

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00:14:51,240 --> 00:14:53,760
Speaker 1: was the for the video? What was your big music

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Speaker 1: video where you sucked up a car? Was that it?

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Speaker 1: So the skeedded music video? Yeah, so this is this

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Speaker 1: a big story and I never told nobody this one.

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Speaker 1: So I'm on the car right, this is not the

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Speaker 1: plan was not to break the car. I'm standing on

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00:15:09,160 --> 00:15:12,480
Speaker 1: it performing. Yeah, I cracked the window and then I

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00:15:12,520 --> 00:15:14,920
Speaker 1: looked down. I'm like, fuck, I just broke the back

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Speaker 1: of a race like and then I just look at

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Speaker 1: the fucking producer. I'm like, I'm gonna finish breaking this ship,

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00:15:19,720 --> 00:15:21,920
Speaker 1: like they're already gonna charge me, so might as well.

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00:15:22,040 --> 00:15:25,280
Speaker 1: Might as well. I grabbed the fucking golf the golf thing,

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Speaker 1: start breaking that bitch. And then after the video's done,

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Speaker 1: I get a call like a week later, like, Yo,

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Speaker 1: the owners don't want the car anymore. You gotta buy it.

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00:15:36,800 --> 00:15:40,400
Speaker 1: I'm like, what, Like this shit makes no sense? But

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00:15:40,960 --> 00:15:42,920
Speaker 1: I end up buying a car, and I got two

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Speaker 1: of the same whips and one's just fucked up. One's

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Speaker 1: just fucked up, and I fixed it, painted it. How

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Speaker 1: M sure the cars to get fixed? They were trying

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Speaker 1: to charge me, like forty K. I'm like, you're gonna

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Speaker 1: charge me forty K? Just let me buy the whole car. Wow?

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00:15:59,360 --> 00:16:01,560
Speaker 1: Yeah you got the whip at that point. Yeah, I

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00:16:01,600 --> 00:16:04,120
Speaker 1: was like, just give me the car. Damn. Bro. That

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00:16:04,160 --> 00:16:07,920
Speaker 1: shit's crazy. It's crazy too, because, like when I said earlier,

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Speaker 1: you're kind of like the Mount Rushmore of that era music.

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Speaker 1: The SoundCloud era. I feel like, like, without you, man,

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Speaker 1: a lot of people like uh, I think that, like

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00:16:16,440 --> 00:16:18,080
Speaker 1: a guy like six ' nine, Like, I don't think

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00:16:18,120 --> 00:16:20,760
Speaker 1: he ever could have existed without you first? Does that

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Speaker 1: make sense? Like, I feel like you kind of paved

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Speaker 1: the way for like so many artists that got bags

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00:16:24,880 --> 00:16:27,360
Speaker 1: during that time. I mean, we could go on and on.

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Speaker 1: There was like the dude with the fake clone. What

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00:16:29,600 --> 00:16:31,840
Speaker 1: was that guy's name? What was the guy who fucking

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Speaker 1: said he was a clone? Terrible music? What the fuck

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Speaker 1: is his name? I don't remember? You know, you know

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00:16:40,960 --> 00:16:44,720
Speaker 1: what I'm talking about. The clone dude, he was terrible. Nonetheless,

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Speaker 1: you had a lot of like mini pumps running around,

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00:16:46,600 --> 00:16:48,360
Speaker 1: that's for damn sure. Hey guys, we got to stop

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00:16:48,360 --> 00:16:50,000
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326
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327
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328
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Speaker 1: work with that hard fucking cock of yours. Your dick

329
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Speaker 1: is gonna be harder than Triggonometry was in high school.

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Speaker 1: Ladies and gentlemen, It's gonna be fucking ah like you know,

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Speaker 1: uh Ryu and street Fighter. He'd be like, ohyk and

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342
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Speaker 1: a little pep in my step, And then it's awkward.

343
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344
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350
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355
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Speaker 1: get back to the interview. Go to blue choo dot

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Speaker 1: com promo Colle bootleg. That's it. Um any features on

357
00:18:40,200 --> 00:18:47,840
Speaker 1: this album? Yes, I got Young Boe on album. I've

358
00:18:48,080 --> 00:18:51,440
Speaker 1: tied all the song on the album. Okay, I gotta

359
00:18:51,480 --> 00:18:55,879
Speaker 1: be surprises. The young boy shit had to be. That's

360
00:18:55,880 --> 00:18:57,440
Speaker 1: gonna be one of the ones. I'm telling you, was

361
00:18:57,480 --> 00:18:59,000
Speaker 1: that one where you guys, because it feels like he's

362
00:18:59,040 --> 00:19:00,840
Speaker 1: just kind of like laid up in house just recording

363
00:19:00,920 --> 00:19:02,639
Speaker 1: versus all fucking day. Did you guys send him the

364
00:19:02,640 --> 00:19:03,920
Speaker 1: beat and he knocked it out or real in the

365
00:19:03,920 --> 00:19:08,359
Speaker 1: studio together, just sent it, just sent it over knocked

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00:19:08,400 --> 00:19:10,960
Speaker 1: it out. What about what about? What tie Ty? I

367
00:19:10,960 --> 00:19:14,080
Speaker 1: had sent it over to Yeah, any any But it's

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00:19:14,160 --> 00:19:17,120
Speaker 1: but those songs are like like different, like a whole

369
00:19:17,119 --> 00:19:19,919
Speaker 1: nother vibe. It's not rapping pump. It's like more of

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00:19:20,760 --> 00:19:22,720
Speaker 1: what's the other R and B? You do an R

371
00:19:22,760 --> 00:19:25,119
Speaker 1: and B? Well the time when it's called some R

372
00:19:25,160 --> 00:19:29,240
Speaker 1: and B ship? Yeah, okay, it's fire on the album

373
00:19:29,440 --> 00:19:32,960
Speaker 1: purpose definitely on the album. Yeah. Shot Shout out to

374
00:19:33,000 --> 00:19:35,320
Speaker 1: perp Man. Shout out to perp Man. Would you guys

375
00:19:35,320 --> 00:19:39,399
Speaker 1: ever do a joint fucking like another little joint thing together? Yeah?

376
00:19:39,640 --> 00:19:45,119
Speaker 1: You think that's coming again? Yeh? Who are you a

377
00:19:45,119 --> 00:19:47,359
Speaker 1: fan of right now? Because you're young, I feel like

378
00:19:47,359 --> 00:19:48,840
Speaker 1: you kind of. I've always kind of been hip to

379
00:19:48,880 --> 00:19:51,880
Speaker 1: the next wave of shit wave. Man. I've been listening

380
00:19:51,880 --> 00:19:54,399
Speaker 1: a lot of Spanish music lately, trying to get your

381
00:19:54,400 --> 00:19:58,280
Speaker 1: Spanish ship up. I love There's a new artist. Her

382
00:19:58,359 --> 00:20:01,600
Speaker 1: name is Tolkeisha. She's so I don't know that is

383
00:20:02,200 --> 00:20:04,480
Speaker 1: she's super hard. I just saw Bad Bunny though, and

384
00:20:04,520 --> 00:20:06,880
Speaker 1: that shit was crazy. Yeah, Bad Bunny at the fucking

385
00:20:06,960 --> 00:20:09,199
Speaker 1: so fid Man. Bad Bunny, That's what I'm saying. The

386
00:20:09,200 --> 00:20:11,360
Speaker 1: Spanish market is just so big. You know, he did

387
00:20:11,760 --> 00:20:14,480
Speaker 1: the fucking football arena like two nights in a row.

388
00:20:14,760 --> 00:20:17,800
Speaker 1: It's insane. Yeah, yeah when you see that shit, like,

389
00:20:17,800 --> 00:20:19,360
Speaker 1: are you like, would you ever do like a full

390
00:20:19,400 --> 00:20:22,600
Speaker 1: Spanish album like some reggaeton shit. I would, Yeah, to

391
00:20:22,640 --> 00:20:27,200
Speaker 1: be honest, I would. Yeah. That market is is insane

392
00:20:27,280 --> 00:20:32,320
Speaker 1: right now. Yeah, like it's killing it. What is for you, man,

393
00:20:32,960 --> 00:20:34,879
Speaker 1: now that you're twenty two, now that you're more mature,

394
00:20:34,960 --> 00:20:36,720
Speaker 1: now that you feel like you're back in your music bag,

395
00:20:38,600 --> 00:20:41,880
Speaker 1: what would you say would be like some advice since

396
00:20:41,920 --> 00:20:44,760
Speaker 1: you've kind of lived through it for everybody, for up

397
00:20:44,800 --> 00:20:47,800
Speaker 1: and coming artists that's maybe eighteen nineteen years old, that's

398
00:20:47,880 --> 00:20:50,800
Speaker 1: you know, about to really have a moment, Like what

399
00:20:50,840 --> 00:20:52,919
Speaker 1: would be the advice you would give them? Maybe the

400
00:20:52,920 --> 00:20:55,040
Speaker 1: mistakes that to not make that you kind of had

401
00:20:55,040 --> 00:20:59,280
Speaker 1: to make for them. I mean, just keep working, yeah,

402
00:20:59,520 --> 00:21:02,399
Speaker 1: be very good assistant and don't give a fun with anybody.

403
00:21:02,400 --> 00:21:04,520
Speaker 1: Got to say, like there's no right or wrong in

404
00:21:04,640 --> 00:21:08,760
Speaker 1: music right ever, like I said, Gucci Gang fifty four

405
00:21:08,760 --> 00:21:12,040
Speaker 1: times on a song one seven times platinum, like right

406
00:21:12,119 --> 00:21:14,600
Speaker 1: or wrong? And that yeah good, I don't yet. That's

407
00:21:14,720 --> 00:21:18,520
Speaker 1: it's insane and that that's the shortest. That's the shortest

408
00:21:18,560 --> 00:21:20,760
Speaker 1: song that ever top went on the Billboard charts. It

409
00:21:20,840 --> 00:21:24,080
Speaker 1: was like two minutes. And what's kind of crazy because

410
00:21:24,080 --> 00:21:26,280
Speaker 1: the whole short song thing. I feel like I could

411
00:21:26,320 --> 00:21:30,440
Speaker 1: attribute that to you started that. Yeah, you started that.

412
00:21:30,440 --> 00:21:32,639
Speaker 1: That that was all you. That was all mean Yeah.

413
00:21:32,680 --> 00:21:34,560
Speaker 1: Like I feel like the whole streaming era when people

414
00:21:34,600 --> 00:21:36,879
Speaker 1: are like, yo, we gotta make songs be less than

415
00:21:36,960 --> 00:21:39,800
Speaker 1: two minutes, yeah or whatever that was back then we're

416
00:21:39,800 --> 00:21:42,200
Speaker 1: like four verses. But I'm saying like, once you came

417
00:21:42,240 --> 00:21:45,440
Speaker 1: on the scene and you skyrocketed the way you did,

418
00:21:45,880 --> 00:21:48,080
Speaker 1: everyone was like, oh, this is the new formula because

419
00:21:48,080 --> 00:21:50,480
Speaker 1: everyone's attention span so short. It's so short. That's what

420
00:21:50,560 --> 00:21:52,720
Speaker 1: I'm saying when I when I started dropping those one

421
00:21:52,760 --> 00:21:55,800
Speaker 1: minute two minute songs, that should change the whole game

422
00:21:56,240 --> 00:21:59,040
Speaker 1: for sure. I look at everybody dropping. I could definitely

423
00:21:59,080 --> 00:22:01,440
Speaker 1: tell you, like as from like a being on the

424
00:22:01,480 --> 00:22:03,879
Speaker 1: other side of the industry. Once you did that, everybody

425
00:22:04,000 --> 00:22:08,320
Speaker 1: was like everybody started doing that shit, or they'd be like, yo,

426
00:22:08,400 --> 00:22:10,600
Speaker 1: it's too long. When you'd have like an artist play

427
00:22:10,680 --> 00:22:11,960
Speaker 1: or a record be like, yeah, it's gotta be like

428
00:22:11,960 --> 00:22:14,639
Speaker 1: we're trying to keep everything under two thirty now, and

429
00:22:14,680 --> 00:22:17,840
Speaker 1: that was never a thing. Never was That was the

430
00:22:17,880 --> 00:22:20,640
Speaker 1: first charted song since like because how long was Gucci Gang?

431
00:22:22,000 --> 00:22:25,560
Speaker 1: About like two minutes and something? It was like, but

432
00:22:25,640 --> 00:22:27,680
Speaker 1: like what was Boss? Like a minute and a half?

433
00:22:27,680 --> 00:22:30,320
Speaker 1: A minute and a half? Yeah, like that's so long?

434
00:22:30,960 --> 00:22:33,560
Speaker 1: And was it was it? Because like were you doing

435
00:22:33,560 --> 00:22:36,040
Speaker 1: that shit on purpose or was it just like it

436
00:22:36,080 --> 00:22:38,120
Speaker 1: just came on naturally? Yeah, Like this shit is done,

437
00:22:38,200 --> 00:22:41,040
Speaker 1: And like you said, everybody, everybody's attention span out on

438
00:22:41,119 --> 00:22:44,159
Speaker 1: days is way lower, so nobody wants to hear a

439
00:22:44,200 --> 00:22:46,800
Speaker 1: five minute song, Like I mean, I feel like, yeah,

440
00:22:46,840 --> 00:22:48,159
Speaker 1: it's kind of crazy. You're kind of ahead of your

441
00:22:48,160 --> 00:22:50,719
Speaker 1: time because now everybody's on fucking everyone's making shit for TikTok,

442
00:22:50,760 --> 00:22:54,360
Speaker 1: and TikTok's what a minute long? You know what I'm saying? Yeah,

443
00:22:54,440 --> 00:22:55,600
Speaker 1: do you feel like you're kind of made for the

444
00:22:55,600 --> 00:22:59,240
Speaker 1: TikTok era? Lowkey? Like you kind of get you kind of? Yeah,

445
00:23:00,040 --> 00:23:03,840
Speaker 1: I made for anything, that's fair. Uh, talk about You've

446
00:23:03,880 --> 00:23:06,760
Speaker 1: been on some wild tours, man, obviously, I remember when

447
00:23:06,800 --> 00:23:09,160
Speaker 1: you first kind of had like your big tour where

448
00:23:09,160 --> 00:23:15,000
Speaker 1: you were headlining. What is the craziest like backstage experience

449
00:23:15,000 --> 00:23:20,080
Speaker 1: at a little pump show that you remember happening, mm

450
00:23:20,160 --> 00:23:27,600
Speaker 1: hmm experience. I'll tell you what I remember. Once I

451
00:23:27,680 --> 00:23:32,879
Speaker 1: was overseas. What's city was I in? I told everybody,

452
00:23:33,119 --> 00:23:35,119
Speaker 1: I'm I'm gonna throw my ass in the lake. It

453
00:23:35,160 --> 00:23:39,960
Speaker 1: was in you were in Germany? Throwing yourself in the lake. Yeah,

454
00:23:40,040 --> 00:23:42,159
Speaker 1: there was a lake next to the festival, right. I

455
00:23:42,200 --> 00:23:44,960
Speaker 1: told everybody, fuck this ship, everybody come in here with me,

456
00:23:46,200 --> 00:23:48,960
Speaker 1: took all my ship off, had all my fans literally

457
00:23:49,040 --> 00:23:51,359
Speaker 1: jump jump. It was like literally like three thousand people.

458
00:23:51,400 --> 00:23:54,760
Speaker 1: They all just follow into the lake, cold as fuck.

459
00:23:55,600 --> 00:23:57,439
Speaker 1: I regretted. I was like, oh my god, give me

460
00:23:57,480 --> 00:24:01,479
Speaker 1: out this ship right away. What did I do? Yeah?

461
00:24:01,560 --> 00:24:05,719
Speaker 1: But this show is so insane? And another one was

462
00:24:06,760 --> 00:24:10,359
Speaker 1: I'll say Wireless festival in the UK UK It's insane,

463
00:24:10,480 --> 00:24:17,320
Speaker 1: fire insane. Yeah. Uh are you still only fans? Nah?

464
00:24:17,359 --> 00:24:19,520
Speaker 1: But you mean I managed girls are only fans? How's

465
00:24:19,560 --> 00:24:21,480
Speaker 1: that go? Because there's a lot of people who do that.

466
00:24:21,520 --> 00:24:25,680
Speaker 1: Tiger does that. I think Adam's doing that. A lot

467
00:24:25,680 --> 00:24:28,679
Speaker 1: of there's good money in that, huh Is it? Is

468
00:24:28,720 --> 00:24:31,239
Speaker 1: it like when you say you manage them, like, what

469
00:24:31,320 --> 00:24:33,600
Speaker 1: do you bring to the table. You retweet their shit

470
00:24:33,800 --> 00:24:36,399
Speaker 1: like you repost their shit on your page, like we

471
00:24:36,520 --> 00:24:40,199
Speaker 1: double a numbers. So you're like the stimulus package. If

472
00:24:40,200 --> 00:24:42,600
Speaker 1: a girl's got an only Fans account and she's not popping,

473
00:24:42,760 --> 00:24:44,960
Speaker 1: she could sign with you and then you'll bring the

474
00:24:45,040 --> 00:24:51,080
Speaker 1: numbers up. Yes, how many girls are you helping at

475
00:24:51,080 --> 00:24:54,600
Speaker 1: the moment? On the on the of we got a roster,

476
00:24:54,880 --> 00:24:57,320
Speaker 1: You got a roster, We got a roster. Look at

477
00:24:57,359 --> 00:25:00,960
Speaker 1: it from like fifty to eighty. Jeesus Christ, you're like

478
00:25:01,040 --> 00:25:06,119
Speaker 1: fucking bang bros. Bruh, Jesus you ever fuck on the

479
00:25:06,119 --> 00:25:13,480
Speaker 1: only fans Ah? No, yes, sometimes I don't do that shit,

480
00:25:14,320 --> 00:25:17,520
Speaker 1: but you've done it before, of course. Yeah, Okay, fair enough.

481
00:25:18,680 --> 00:25:20,760
Speaker 1: Hey you shout out to OnlyFans, man, it's a good hustle.

482
00:25:21,119 --> 00:25:24,119
Speaker 1: It's definitely a good hustle. Ty, I think I know

483
00:25:24,200 --> 00:25:26,560
Speaker 1: Tiger's guy is like a t roll thing that's booming.

484
00:25:26,680 --> 00:25:30,400
Speaker 1: So yeah, hey, we gotta stop the interview real quick

485
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Speaker 1: and the podcast at the same fucking time. Let's get

503
00:26:33,520 --> 00:26:38,159
Speaker 1: back to the interview. When you were putting this project together,

504
00:26:38,960 --> 00:26:43,800
Speaker 1: was there any like a for you, Like, I'm sure

505
00:26:43,840 --> 00:26:46,840
Speaker 1: you record a lot, so how many songs got left

506
00:26:46,880 --> 00:26:55,280
Speaker 1: off the album? A lot? A lot? Because like how

507
00:26:55,280 --> 00:26:57,200
Speaker 1: many songs did you pull from to put the album together?

508
00:26:57,320 --> 00:27:02,120
Speaker 1: Like I'll say a good twenty two? So how many

509
00:27:02,440 --> 00:27:05,400
Speaker 1: how many? How many songs on the album twenty two?

510
00:27:05,880 --> 00:27:09,440
Speaker 1: No you pulled from twenty two? No, I pulled from

511
00:27:09,440 --> 00:27:12,080
Speaker 1: like damn near six hundred. That's what I'm not saying. Yeah,

512
00:27:12,080 --> 00:27:14,720
Speaker 1: you know, to put on the album, there's twenty twenty album. Yeah,

513
00:27:14,760 --> 00:27:19,240
Speaker 1: but to pull ship six hundred, she'd just be playing, playing, playing,

514
00:27:19,240 --> 00:27:22,640
Speaker 1: playing playing. Do you feel like, uh you have any

515
00:27:23,359 --> 00:27:25,119
Speaker 1: I think back to like when you were like fucking

516
00:27:25,160 --> 00:27:26,639
Speaker 1: with Diablo and those guys, Like, do you feel like

517
00:27:26,640 --> 00:27:28,520
Speaker 1: you got a new producer that you're like locked in

518
00:27:28,520 --> 00:27:30,840
Speaker 1: with that, Like you guys, are you guys got your

519
00:27:30,840 --> 00:27:33,560
Speaker 1: sound down and ship or is it all different producers?

520
00:27:33,680 --> 00:27:37,200
Speaker 1: I'm locked on everybody right now. Yeah, locked on everybody

521
00:27:37,880 --> 00:27:43,000
Speaker 1: my producer right now, CB, CB mixed, CB mixed, shot

522
00:27:43,040 --> 00:27:48,800
Speaker 1: out to CB. Yeah. Wow, any other features? I got

523
00:27:48,800 --> 00:27:54,240
Speaker 1: a couple Kanye who knows, Man who knows, who knows,

524
00:27:54,560 --> 00:27:58,919
Speaker 1: who knows. It's crazy too, because uh, I was just

525
00:27:58,960 --> 00:28:02,680
Speaker 1: with a fat naked pool. Yeah. We were talking about

526
00:28:03,080 --> 00:28:07,679
Speaker 1: kind of like that like Florida era of music that

527
00:28:07,840 --> 00:28:10,240
Speaker 1: is so influential to everything that's going on right now.

528
00:28:10,320 --> 00:28:15,119
Speaker 1: You know, if you think about Danzel Curry, little Pump, Smoke,

529
00:28:15,200 --> 00:28:21,680
Speaker 1: Purp Fat Nick Pooya, fucking who am I forgetting? Oh?

530
00:28:21,680 --> 00:28:24,760
Speaker 1: They hit the camera. It's all good. I we know

531
00:28:24,800 --> 00:28:28,960
Speaker 1: you could afford to fix it. I'm so sorry. He's

532
00:28:29,000 --> 00:28:34,480
Speaker 1: got to think of throw obviously, Kodak, Black Influence and everybody,

533
00:28:35,680 --> 00:28:37,280
Speaker 1: you know, do you feel like Florida's finally because I

534
00:28:37,280 --> 00:28:38,960
Speaker 1: feel like when you were coming up, people weren't really

535
00:28:39,040 --> 00:28:43,320
Speaker 1: like necessarily giving South Florida their respect And also like

536
00:28:43,360 --> 00:28:44,760
Speaker 1: a lot of this ship was kind of looked at

537
00:28:44,760 --> 00:28:46,800
Speaker 1: as underground. You know what I'm saying, Like, do you

538
00:28:46,880 --> 00:28:49,240
Speaker 1: feel like finally, like Southern Florida's getting it? It's like

539
00:28:49,280 --> 00:28:53,680
Speaker 1: love nationally, Like of course, now now everybody sees what

540
00:28:53,760 --> 00:28:57,880
Speaker 1: Florida did. Yeah, like X two resting piece of Eggs.

541
00:28:57,920 --> 00:28:59,360
Speaker 1: He was a big He was a big influence in

542
00:28:59,400 --> 00:29:01,680
Speaker 1: it too. What was your guys' relationship like, because that

543
00:29:01,720 --> 00:29:03,840
Speaker 1: record you guys put out ended up coming out after

544
00:29:04,160 --> 00:29:07,520
Speaker 1: he had passed. Yeah, we were cool. He was a

545
00:29:07,600 --> 00:29:11,800
Speaker 1: very genuine guy. I've known excellence. I was probably sixteen.

546
00:29:12,240 --> 00:29:18,920
Speaker 1: Yeah that's crazy, but very genuine guy. Fair enough man.

547
00:29:19,080 --> 00:29:22,120
Speaker 1: Soon anything else going on with a Little Pump besides

548
00:29:22,160 --> 00:29:29,000
Speaker 1: the album? Shit a lot any movies, any any entrepreneurial

549
00:29:29,680 --> 00:29:31,920
Speaker 1: shit going on. You've getting your money, like like I

550
00:29:31,960 --> 00:29:38,200
Speaker 1: obviously got only fans booming, OnlyFans real estate, and I'm

551
00:29:38,360 --> 00:29:41,680
Speaker 1: keep buying jury. What's the latest piece of jewelry about?

552
00:29:42,760 --> 00:29:46,400
Speaker 1: Spike chain came from Elliott? How much is something like

553
00:29:46,440 --> 00:29:49,760
Speaker 1: that hit hitting for two fifty? You spend two hundred

554
00:29:49,760 --> 00:29:55,360
Speaker 1: and fifty thousand dollars on that? Jesus Christ, you ever

555
00:29:55,440 --> 00:29:57,800
Speaker 1: regret spending that much money on shit after you buy it?

556
00:29:57,840 --> 00:29:59,600
Speaker 1: Like you know, when you buy something and then almost

557
00:29:59,600 --> 00:30:01,960
Speaker 1: like ride way, like your stomach hurts because you're like,

558
00:30:02,040 --> 00:30:07,080
Speaker 1: fuck never, at least you're buying real estate. Yeah, you're

559
00:30:07,120 --> 00:30:10,920
Speaker 1: not like totally just fucking off all your money, right, Nah?

560
00:30:11,400 --> 00:30:15,160
Speaker 1: Real estate? Maybe? How many properties do you got? Two

561
00:30:15,200 --> 00:30:17,160
Speaker 1: of them? You renting any of them out? Are you

562
00:30:17,280 --> 00:30:21,120
Speaker 1: just living on in them? Both both of them are

563
00:30:21,120 --> 00:30:26,600
Speaker 1: getting rented out? Who other crib? Are you still in Miami? Yeah? Yeah,

564
00:30:26,680 --> 00:30:28,280
Speaker 1: shout out to Miami. There's a way of going on

565
00:30:28,320 --> 00:30:31,160
Speaker 1: out there. I can't I can't stay away from the crib.

566
00:30:31,240 --> 00:30:33,440
Speaker 1: I love Miami. Did you get any this fucking crypto

567
00:30:33,480 --> 00:30:36,280
Speaker 1: money going on out there? All the crypto millionaires in

568
00:30:36,280 --> 00:30:39,239
Speaker 1: Miami convinced you to fucking buy any NFTs or any

569
00:30:39,240 --> 00:30:44,840
Speaker 1: of that bullshit. Yeah, that's done with. It's a wrap.

570
00:30:45,000 --> 00:30:48,160
Speaker 1: The NFT shit is like I saw you saw a

571
00:30:48,200 --> 00:30:51,960
Speaker 1: logan Paul bought Uh, he bought a fucking he bought

572
00:30:52,000 --> 00:30:54,000
Speaker 1: an NFT I think for six hundred and fifty thousand

573
00:30:54,000 --> 00:30:59,640
Speaker 1: dollars and it's worth ten dollars right now. That shit's insane. Yeah. No,

574
00:30:59,760 --> 00:31:05,360
Speaker 1: but for off the NFTs, I'm sure he did. Yeah.

575
00:31:05,440 --> 00:31:08,360
Speaker 1: Did you get out in time or did it crash?

576
00:31:08,960 --> 00:31:11,200
Speaker 1: I got out of time? You got out in time? Yeah?

577
00:31:11,960 --> 00:31:14,160
Speaker 1: Too long? Yeah, I was just like what you didn't

578
00:31:14,200 --> 00:31:15,960
Speaker 1: need too much shit? What up, y'all? We gotta stop

579
00:31:16,000 --> 00:31:17,600
Speaker 1: the interview real quick. Tell you about our good friends

580
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581
00:31:20,200 --> 00:31:22,920
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582
00:31:24,080 --> 00:31:26,640
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583
00:31:26,720 --> 00:31:30,120
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584
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585
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586
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596
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598
00:32:17,960 --> 00:32:20,720
Speaker 1: get back to the interview. What's been your for you? Man? Like,

599
00:32:21,200 --> 00:32:23,719
Speaker 1: you know, who's some of the outside of you? You You

600
00:32:23,840 --> 00:32:25,840
Speaker 1: mentioned the Spanish ship earlier, but like, what's the music

601
00:32:25,840 --> 00:32:28,280
Speaker 1: you're listening to on the hip hop side nowadays? Like,

602
00:32:28,320 --> 00:32:34,440
Speaker 1: what's the last album you fucked with? Last with a

603
00:32:34,520 --> 00:32:39,960
Speaker 1: Whole Lot of Red? Really that was like two years ago? Yeah,

604
00:32:40,280 --> 00:32:43,000
Speaker 1: that was the last time. Huh. Yeah. I think that

605
00:32:43,040 --> 00:32:46,280
Speaker 1: ship is. I think that Ship is one of the

606
00:32:46,280 --> 00:32:48,120
Speaker 1: worst bodies of work I've ever heard in my life.

607
00:32:49,080 --> 00:32:51,040
Speaker 1: I still like it. When I listened to Playboard CARDI

608
00:32:51,160 --> 00:32:54,760
Speaker 1: I in my head, I'm like, fuck, he's the one

609
00:32:54,840 --> 00:32:57,880
Speaker 1: artist like when I listen to your ship, I got it.

610
00:32:57,920 --> 00:33:01,960
Speaker 1: I was like, this ship is hard to play Cardi, shit, bruh,

611
00:33:02,040 --> 00:33:04,680
Speaker 1: I'm out. It's not for me. I like it. I'm

612
00:33:04,680 --> 00:33:07,760
Speaker 1: an old head. Whatever it is, that shit they could

613
00:33:07,840 --> 00:33:10,080
Speaker 1: keep it. I saw him performing their roll aloud. That

614
00:33:10,120 --> 00:33:13,600
Speaker 1: shit was terrible. He sounded like he was fucking seanceing

615
00:33:13,640 --> 00:33:16,440
Speaker 1: demons on stage. It was. It was wild. Brou to me,

616
00:33:16,560 --> 00:33:20,440
Speaker 1: bro got a good stage performance, like yeah, I mean sure,

617
00:33:20,880 --> 00:33:25,200
Speaker 1: like if you just like someone screaming yeah, I don't know, man,

618
00:33:25,320 --> 00:33:27,720
Speaker 1: maybe I'm tripping. But he shout out to Cardi. So

619
00:33:27,720 --> 00:33:29,560
Speaker 1: that's your last That's that was like two years ago.

620
00:33:29,600 --> 00:33:31,280
Speaker 1: So there's been nothing else that's dropped in the last

621
00:33:31,280 --> 00:33:35,400
Speaker 1: two years. Huh. Uzzi has dropped the tape too. USI

622
00:33:36,400 --> 00:33:39,920
Speaker 1: also on the SoundCloud mount rushmore, who else is up

623
00:33:39,920 --> 00:33:42,840
Speaker 1: there with you? It's you and Uzi and then filling

624
00:33:42,880 --> 00:33:46,360
Speaker 1: the rest X who do you think is on there?

625
00:33:47,040 --> 00:33:50,480
Speaker 1: Who else do you put on there? Use the X? Probably?

626
00:33:53,320 --> 00:33:57,640
Speaker 1: I don't know, man. There was like trying to think

627
00:33:57,720 --> 00:34:04,400
Speaker 1: twenty seventeen, twenty eighteen, what do you think? Hmm, I'll

628
00:34:04,400 --> 00:34:10,080
Speaker 1: definitely put Yak up there. Kodak, you think soundclad I see,

629
00:34:10,120 --> 00:34:11,839
Speaker 1: I was living in Tampa when he started a pop

630
00:34:11,880 --> 00:34:13,320
Speaker 1: so I kind of saw him from like a street

631
00:34:13,680 --> 00:34:18,400
Speaker 1: level like Kodak. Kodak is definitely I think so the

632
00:34:18,440 --> 00:34:21,120
Speaker 1: sound cloud no sound Claire. But he's on the Mount

633
00:34:21,200 --> 00:34:23,719
Speaker 1: Rushmore like, Oh, he's on the Mount Rushmore the last

634
00:34:23,760 --> 00:34:26,719
Speaker 1: like fucking five years for sure. Yeah, that's fair. Who

635
00:34:26,880 --> 00:34:34,640
Speaker 1: was the album dropping? Album dropping on? January? January? January? Nice?

636
00:34:35,120 --> 00:34:37,319
Speaker 1: Any OG's on the on the album? You had Rick

637
00:34:37,400 --> 00:34:42,560
Speaker 1: Ross on the first one? Had Rick Ross? Yes, I

638
00:34:42,680 --> 00:34:49,200
Speaker 1: got I got one og. It's trick trick daddy. Oh shit,

639
00:34:49,480 --> 00:34:56,040
Speaker 1: that's fire. Everything good over there, boys, Just make sure

640
00:34:56,040 --> 00:34:58,680
Speaker 1: we're good. You've got your guys over here with like whispering.

641
00:34:58,760 --> 00:35:02,879
Speaker 1: Make sure we're right over there. Oh okay, okay, yeah,

642
00:35:02,880 --> 00:35:05,560
Speaker 1: shit's booming. Hey you fuck with uh? You know the

643
00:35:05,680 --> 00:35:08,040
Speaker 1: shout out to Dooney. He signed a little Sito Kid.

644
00:35:08,520 --> 00:35:12,640
Speaker 1: Have you been able to lead up with him? A

645
00:35:12,680 --> 00:35:15,000
Speaker 1: little seto? The little White Little White Kid. It's I've

646
00:35:15,000 --> 00:35:18,520
Speaker 1: been working with the lights global dudes. Have you heard

647
00:35:18,520 --> 00:35:21,360
Speaker 1: of him? He's sixteen? I mean he's he's like the

648
00:35:21,400 --> 00:35:23,720
Speaker 1: Little White Dude who had the freestyle this thisler freestyle,

649
00:35:24,080 --> 00:35:27,560
Speaker 1: you're not hip. That's fair. If you had to do

650
00:35:27,640 --> 00:35:31,080
Speaker 1: a joint album with anybody right now, Pump, who would

651
00:35:31,120 --> 00:35:37,279
Speaker 1: it be. You don't pick anybody, perp. I mean that,

652
00:35:37,480 --> 00:35:41,680
Speaker 1: that's easy. Yeah. I just love making music with him.

653
00:35:41,719 --> 00:35:44,440
Speaker 1: There it is, man, Well listen, I appreciate you pulling up.

654
00:35:44,560 --> 00:35:49,319
Speaker 1: Appreciate that. I'm coming out in January. January, Little Pump

655
00:35:49,320 --> 00:35:52,880
Speaker 1: two's on the way. Ooh uh. You're fucking up cars

656
00:35:52,880 --> 00:35:56,799
Speaker 1: out here, still sucking up cars, doing whatever you want

657
00:35:56,880 --> 00:35:59,759
Speaker 1: to do and living life. Yeah, man, listen, just don't

658
00:35:59,800 --> 00:36:03,400
Speaker 1: get back into that crazy internet antics shit. Deliver with

659
00:36:03,440 --> 00:36:05,719
Speaker 1: the music. So I'm gonna tell you we need the

660
00:36:05,719 --> 00:36:08,800
Speaker 1: records back because you can't do the antics without the records,

661
00:36:09,239 --> 00:36:12,880
Speaker 1: not anymore. There was a time when you could do that.

662
00:36:13,719 --> 00:36:18,719
Speaker 1: But yeah, low Pump man, I appreciate you. Bro Boom,

663
00:36:18,760 --> 00:36:19,200
Speaker 1: there it is,