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Speaker 1: So Kathy Kenny, who was meeh Uh? She tossed me

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Speaker 1: to the shovel, says, start digging. I don't know what

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Speaker 1: I'm supposed to be digging or for, yes, I but

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Speaker 1: I just make a nice hole. Finish it. She shoots

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Speaker 1: me with a gud.

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Speaker 2: Oh my, and did she what did she think that

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Speaker 2: was gonna do?

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Speaker 1: I to this day have no idea. But what happened? Uh?

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Speaker 1: It sort of I did a spin. Of course, there's

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Speaker 1: a bullet coming at you. But the wind of it,

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Speaker 1: it was made it so windy, and I was so

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Speaker 1: surprised that I did fall into the hole. And then

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Speaker 1: I go to sleep. I wake up. I'm so dirty.

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Speaker 1: There's dirt all over me, heavy dirt from the wind,

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Speaker 1: just blew it back in. I guess nobody knows. I

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Speaker 1: haven't spoken to Kathy at this point. I've seen her

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Speaker 1: from my car and I yell out to her, trying

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Speaker 1: to get her attention, but she didn't look. She was

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Speaker 1: listening to Yeah something I don't know. I didn't hear it,

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Speaker 1: so I don't know what it was. But anyway, so

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Speaker 1: I'm underground, and so I made friends with the family

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Speaker 1: of worms, and they created kind of a straw for

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Speaker 1: me to breathe. Yeah, and speak to the people walking

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Speaker 1: by the way. Yeah, the the over the overlords is

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Speaker 1: what is what we call them.

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Speaker 2: When you live in the ground, you call humans who

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Speaker 2: walk on the surface of the earth the overlords.

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Speaker 1: And then one of the dig you out, Hey, welcome

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Speaker 1: to Hollywood Handbook and Insiders. Guy, your kicking button dropping

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Speaker 1: names in the red carpet line back hollways of this

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Speaker 1: industry we call show bazin. It's nice to be back.

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Speaker 1: I'm back from You're back, and I'm back.

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Speaker 2: And you were and you were in another part of

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Speaker 2: the country and I was in a different country entirely,

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Speaker 2: and we didn't want to scare people, so we didn't

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Speaker 2: necessarily say, hey, this is where we are, uh, but

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Speaker 2: now we're here and we made it safe. M h.

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Speaker 1: I did say where it was. I said a bunch

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Speaker 1: of time.

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Speaker 2: Where you were, like, and I said yes, And I

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Speaker 2: didn't say and I'd like to keep it a secret

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Speaker 2: because I don't want to scare everyone. It looks like

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Speaker 2: you're getting a phone call and it's a three one. Oh,

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Speaker 2: that's like a Beverly Hills area. Yeah, maybe that's an agency.

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Speaker 1: Yeah, you should recognize it mm hmm, and that seems

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Speaker 1: like it's an agency. So that is cool that you

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Speaker 1: got that call.

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Speaker 2: But even cooler is that we're both here and we're

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Speaker 2: in the studio and we're having this fun time talking

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Speaker 2: and seeing you again and I haven't seen you and

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Speaker 2: I missed your.

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Speaker 1: Face, Bobby, because your face it's so nice, off engineer

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Speaker 1: Cody to so we wouldn't feel uncomfortable and think that

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Speaker 1: anything has changed somehow. And the time we were a

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Speaker 1: white to be to be covered in.

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Speaker 2: Poison ouk, Yes, it was uh what what just happened?

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Speaker 1: As a kindness? Yeah, the other engineer came in to

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Speaker 1: get the camera. That's an engineer. I've never seen that

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Speaker 1: man in my life. He's a new one, a new engineer,

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Speaker 1: a new white male engineer. Get out of here.

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Speaker 2: You guys hired another white male engineer Caucasian.

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Speaker 1: Way to stand up to the pressure.

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Speaker 2: Yes, I feel like people have been really really pushing

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Speaker 2: for you to get someone who's even a quarter Hawaiian

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Speaker 2: spoiler we're going to talk about the movie Aloha. But

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Speaker 2: anything different at all, and just a white female would

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Speaker 2: have been interesting. But you guys are standing and I

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Speaker 2: admire the strength.

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Speaker 1: Even someone with blonde or black hair would have been

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Speaker 1: something that, you know, that would have been considered some

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Speaker 1: kind of genetic differentiation.

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Speaker 2: From somebody with a club foot.

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Speaker 1: From the mousey brown thing that you guys are always

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Speaker 1: bringing to the table. So what you're trying to differentiate

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Speaker 1: yourself and be the poison oak engineer? Now? Yeah, No,

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Speaker 1: I really hit my life right now. Guys got it

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Speaker 1: all over my body, just oiled up. What did you

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Speaker 1: think was gonna happen?

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Speaker 2: I when you chose to tumble through the poison oak patch?

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Speaker 2: What did you think was gonna happen?

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Speaker 3: I don't know that it was my choice so much

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Speaker 3: as I may have been pushed m.

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Speaker 2: Well, you know what Freud says about getting pushed. There

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Speaker 2: are no pushes mm hm.

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Speaker 1: So anyway, as much as we are being happy today,

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Speaker 1: we're also being very pissed. I hope I'm speaking loud

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Speaker 1: enough that people outside can hear me and maybe do

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Speaker 1: something about it, because it's people who work in this

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Speaker 1: very office that I'm being pissed at today. Last week

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Speaker 1: we officially took over the Rotten Tomatoes podcast and annextaed

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Speaker 1: and it's now our podcast.

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Speaker 2: And now belongs to Wolf cool and Sean and Hayes

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Speaker 2: are the beloved hosts, have said podcast.

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Speaker 1: Now we find out that the old house. Who are

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Speaker 1: the guys who are doing it? Before? I'm sorry, I

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Speaker 1: was writing an email just now. Why do you do this?

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Speaker 2: Why do you wake me? I wouldn't have had to

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Speaker 2: know that. You could have hidden it. You don't have

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Speaker 2: to put Vice News in my ear feed. You don't

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Speaker 2: have to tell me you're writing an email. All of

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Speaker 2: this you could do surreptitiously. Mister Cody, Why bad engineer?

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Speaker 1: Now?

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Speaker 2: Who is it? Bingo and Bongo? Who are these two freakin'

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Speaker 2: frack mother frickers who hosts this Rotten Tomatoes podcast. I

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Speaker 2: don't know who they are, but they've made me so pissed.

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Speaker 1: Because they It turns out that they have continued to

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Speaker 1: do the show.

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Speaker 2: Imagine my surprise when I see a show with the

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Speaker 2: same name as my show, Rotten Tomatoes, come out new

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Speaker 2: episode this week, even though I already told him it's

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Speaker 2: mine and it's talking about movies too.

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Speaker 1: So in order to really just make it absolutely crystal

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Speaker 1: clear that this is our podcast, now we do it.

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Speaker 1: We're gonna do two episodes, which is more than they

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Speaker 1: did yeah, and so.

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Speaker 2: Here's one episode and it's called Aloha, and I gave

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Speaker 2: you a little hint we might talk about it earlier.

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Speaker 2: Now this movie, Hayes, tell me what you think.

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Speaker 1: I didn't see this movie, but neither did any of

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Speaker 1: the people who are looking for reviews of it. So

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Speaker 1: they are talking to a guy that can trust. This

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Speaker 1: is someone that can relate because I'm like them. But

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Speaker 1: I love island all island stuff.

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Speaker 2: I'm on island time, I mean relax, I'm on island time.

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Speaker 1: I love being at Hawaii. I love the guys there.

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Speaker 1: They and people get sort of when you call them

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Speaker 1: upa lumpas people that don't know the culture get very weird.

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Speaker 1: But that is actually what they're called. They're not the

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Speaker 1: same as the cartoon ones, but that is based on

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Speaker 1: those guys.

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Speaker 2: It's from Yes, it's inspired by It's It's like when

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Speaker 2: you see a drawing of a bird and it's that's

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Speaker 2: based on a real bird, normally duffy duck. That's a

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Speaker 2: real duck that is based on it. There is a

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Speaker 2: duck somewhere that's the real one.

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Speaker 1: I love the shimmy that they do up the tree

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Speaker 1: when you make them get the coconuts one at a time,

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Speaker 1: and when all the coconuts are gone.

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Speaker 2: Coconut water, I mean, is it coconut the perfect nourishment.

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Speaker 1: It's better than regular water because it's got a banana

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Speaker 1: mixed up in it as well for potassium.

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Speaker 2: Yes, that is the best part of coconut water. Is

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Speaker 2: a lot of people don't know how they make it,

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Speaker 2: and they do smish up a banana, which is how

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Speaker 2: it gets so healthy. And so those aspects are great

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Speaker 2: and so and too often, too often, when you go

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Speaker 2: for you for a movie, you are talking to someone

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Speaker 2: you can't relate to, some elitist who's seen the movie

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Speaker 2: and is lording that over you. Now, Hayes was kind

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Speaker 2: enough to not see it at all. I couldn't resist

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Speaker 2: seeing some pieces of this movie, and I am sorry.

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Speaker 2: So if you don't want to get talked down to,

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Speaker 2: Aloha to you, and that means goodbye. And if you

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Speaker 2: do want to hear about it, Aloha to you, and

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Speaker 2: that means hello. A fun word. Now Krasinski crackles and

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Speaker 2: stone stunts in Cameron Crow's epic winning film Now. I

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Speaker 2: couldn't get enough of the stuff that happened in the movie.

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Speaker 2: Coop was on cruise control, and I mean it in

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Speaker 2: the best possible way, like speed too. He is at

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Speaker 2: the height of his star power and was able to

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Speaker 2: just sort of hang out in a film with fun

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Speaker 2: people written and directed by the guy who brought you Elizabethtown.

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Speaker 2: And I don't mean maybe baby. This movie had so

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Speaker 2: many layers to it. Hawaiian mysticism, the sky, privatized military operations,

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Speaker 2: a romance between a man and a woman twenty years

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Speaker 2: his junior who's so clearly one hundred percent white, who

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Speaker 2: was playing a quarter Chinese at a quarter Hawaiian and

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Speaker 2: had to talk about that. Uh did I mention that

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Speaker 2: Krasinsky crackles? I mean it was so good.

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Speaker 1: And Rachel McAdams in a very likable, relatable.

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Speaker 2: Character who I don't want to spoil too much, but

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Speaker 2: has chosen to hide an important piece of information from two,

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Speaker 2: uh well three people very close in her life for

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Speaker 2: thirteen years.

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Speaker 1: So I think, what is it?

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Speaker 2: Okay, Well, spoil people are afraid of spoilers. Take off

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Speaker 2: your headphones. She has a daughter in the movie who

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Speaker 2: is Cooper's daughter, but Krasinsky's been raising her for thirteen

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Speaker 2: years and she hasn't told either of them or her daughter.

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Speaker 1: That wow, put them back in, put the head down here,

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Speaker 1: put the headphones in.

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Speaker 2: And anyone who's sick of Bill Murray doing jokes, we

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Speaker 2: got good news for you. He also is kind of

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Speaker 2: just hanging out in this film. And if you want

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Speaker 2: to understand what's going on, get out of here, because

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Speaker 2: the dialogue kind of pops in this cool, fun, frenetic

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Speaker 2: way where you don't totally get what's going on for

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Speaker 2: a lot of it, and you don't really understand Bradley

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Speaker 2: Cooper's job, and neither does he. So if you get

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Speaker 2: a chance to see Aloha, say Aloha to your thirteen

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Speaker 2: dollars up at the ticket counter, and then say aloha

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Speaker 2: to a fine film with island stylings, and that means

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Speaker 2: hello to it. So all that said, thanks for tuning

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Speaker 2: in to Rotten Tomatoes. We give this movie tomatoes.

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Speaker 1: Okay, I give tomatoes. I give it one green, splat

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Speaker 1: one flat. And we also want to talk about San Andreas.

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Speaker 1: That's the second episode. This one's called san Andreas. I

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Speaker 1: did see this movie, but it was Avatar. I saw Avatar.

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Speaker 1: It was just a wrong disc. No I read it,

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Speaker 1: you know, I read the desk. I knew what it was,

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Speaker 1: but I thought maybe I was hoping that it was

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Speaker 1: mislabeled or something like that. And then once you kind

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Speaker 1: once you dip your toe into Avatar, it's very difficult

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Speaker 1: to extricate yourself from from the world pendulum. There's so

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Speaker 1: much depth, yes, as well. With the glasses, there's literally

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Speaker 1: more depth. And I have the special ones that are

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Speaker 1: sort of fully immersive, where you can really put your

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Speaker 1: face right up against this green and it's like you're inside,

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Speaker 1: you live inside the movie.

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Speaker 2: Now. I saw Sandres and I saw in three D two,

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Speaker 2: so I did get some depth.

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Speaker 1: And one thing I will say is.

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Speaker 2: It's irresponsible to be so scary, and it is too scary.

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Speaker 2: I am in California and they're exploding big piece of

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Speaker 2: California with under the Earth.

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Speaker 1: Did they say what happened to you?

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Speaker 2: Well, it's heavily implied that I have some real problems.

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Speaker 2: Not since an invisible man have I been so scared

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Speaker 2: by something that should have been fun.

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Speaker 1: The idea of being invisible.

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Speaker 2: I thought, I get to see me invisible, sneaking peeking

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Speaker 2: inside some of the ladies' locker rooms. But that's not

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Speaker 2: what happened at all. In that movie, and it's certainly

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Speaker 2: not what happened in this movie.

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Speaker 1: Wait, what was supposed to be fine about this movie?

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Speaker 1: Dwayne rock Johnson.

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Speaker 2: M. Dwayne rock Johnson, Dwayne rock Johnson, Alexander Dario MM,

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Speaker 2: HM cook Regnia M.

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Speaker 1: Just a fun cast.

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Speaker 2: Yes, all my friends and I'm gonna go hang out

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Speaker 2: with them in California, in the state and cities I love.

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Speaker 1: And it's it's a good season for that as well.

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Speaker 1: It's summertime, summertime hot.

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Speaker 2: One could have had a picnic, but instead that's.

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Speaker 1: What you were hoping to get from this movie, Yes,

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Speaker 1: and instead you became scared.

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Speaker 2: Yes, well, San Andreas means Saint Andrea. So I thought

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Speaker 2: maybe we would all go to a church together and then.

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Speaker 1: Have a picnic.

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Speaker 2: Now, religion is a cause of most of the wars

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Speaker 2: in the country and has killed more people in every

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Speaker 2: major disease, and so I wasn't so stoked on the

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Speaker 2: church part. But for all I knew we were gonna

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Speaker 2: splash around in the holy water and kind of say, guys,

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Speaker 2: let's have a laugh, let's take this all so seriously

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Speaker 2: all the time, And that might have been a good

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Speaker 2: message for everyone. Instead, I'm not in it. Those guys are,

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Speaker 2: but they're in trouble, they're getting hurt. So I would

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Speaker 2: have to give this movie based on the cast, one

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Speaker 2: hundred tomatoes, based on how scary it was only maybe

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Speaker 2: two or three tomatoes, and how many splats, oh gosh, sixteen.

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Speaker 1: So hopefully now it's it's become apparent to some people

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Speaker 1: who is doing the podcast of Rotten Tomatoes.

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Speaker 2: And sorry, we do have a guest coming out.

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Speaker 1: We're about to introduce him.

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Speaker 2: But you do have to say how many tomatoes and

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Speaker 2: how many splots you give san Andreas slash Avatar.

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Speaker 1: Oh yes, I give I give San Andreas ninety special

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Speaker 1: glowing blue tomatoes with the little wispy parts that tangle

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Speaker 1: into each other. And now you're bound to the tomato

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Speaker 1: and you can control it. We have a great guest today,

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Speaker 1: Ross Matthews is here coming in to be here on

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Speaker 1: Hollywood Handbook.

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Speaker 2: So at this point, the cork has been pushed all

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Speaker 2: the way into the bottle and I go, great, now

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Speaker 2: it's ruined.

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Speaker 1: But Peekaboo Street.

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Speaker 2: Says, hang on just one second, yeah, yeah, put some over.

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Speaker 1: The boss sucks the cork out in one breath with

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Speaker 1: any wine in any of the not a drop of wine,

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Speaker 1: just the cork spits the cork at a dartboard on

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Speaker 1: the far wall, almost a bull's eye. That's amazing because

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Speaker 1: the dartboard is made of cork as well.

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Speaker 2: And I guess it wanted to go home because it

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Speaker 2: melded to it so seamlessly.

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Speaker 1: Cody, I did notice you yawned just before you started

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Speaker 1: playing the song. You should be excited about the song.

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Speaker 1: The song is one of the fun parts. You should

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Speaker 1: be happy to hear the song, is it? Because you

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Speaker 1: have been doing a lot of benadryl to treat your

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Speaker 1: poison oak? That and I'm just tired. Can I say?

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Speaker 1: We have some guests here today. You should warn them

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Speaker 1: that you're covered in poison oak. I'm covered in poison oak. Guys,

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Speaker 1: did Ross did you touch him?

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Speaker 4: It just shook his hand.

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Speaker 1: I'm sorry, you're The beginning of your sentence was inaudible.

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Speaker 4: Yeah, because my mic wasn't up yet. That's all right,

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Speaker 4: he's you know, he's not one. He's not tip top tonight.

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Speaker 4: That's all right.

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Speaker 1: Well, what you should.

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Speaker 2: Know is this the answer?

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Speaker 1: Yes, yes, you should.

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Speaker 3: Actually that's filled with the goo from the stores.

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Speaker 4: Hey, I can do that cork thing.

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Speaker 1: You can do that too.

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Speaker 4: Wait, I'm not. I've never done it, but I think

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Speaker 4: I could do it.

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Speaker 1: What is the secret to it? You think you got.

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Speaker 4: You got to commit, You got to believe.

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Speaker 1: I think that's my problem is I never believed in

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Speaker 1: my I'm always doing when I try to do it,

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Speaker 1: I'm always doing it sort of half heartedly. You've got

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Speaker 1: to be all in because I'm worried that if I

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Speaker 1: tried too hard that.

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Speaker 4: People you'll do it, you'll succeed. You're afraid of success.

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Speaker 4: And I see that, swallow it.

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Speaker 1: Oh, and that then my esophagus will become corked like

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Speaker 1: and they'll have to use a quarks like I tell

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Speaker 1: you try.

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Speaker 4: Hi, I'm still happy to be here.

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Speaker 1: Thank you so much for yes. And let's go back

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Speaker 1: all the way at the beginning where we say hello

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Speaker 1: and welcome back to Hollywood Handbook and Insider's Guide to

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Speaker 1: Kicking button dropping names in the red carpet line bike

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Speaker 1: howways of this industry we call show bleu up Ross

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Speaker 1: Matthews is here? Hi? What one tea? What happened to

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Speaker 1: that other one?

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Speaker 4: You know it's an ancestor thing. You know they just

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Speaker 4: dropped it, I think so. On the Lewis and Clark Trail,

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Speaker 4: they lost one of the teas. They lost great Grandma too,

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Speaker 4: but they lost one of the teas and we just

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Speaker 4: went with it. So Matthews one tea.

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Speaker 1: M sorry about great Grandma. That's all right.

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Speaker 3: I never matter.

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Speaker 2: You don't need that extra tea dead weight.

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Speaker 4: When you're typing thin. If you think about my whole

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Speaker 4: life added up, how many like seconds I've saved not

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Speaker 4: pushing that extra tea at Matthew's. He added all up?

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Speaker 2: And what you've done with that time? Because I always

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Speaker 2: wondering how do you do so many things? The answer yes,

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Speaker 2: doesn't have to type the tea.

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Speaker 1: You and Sean know each other from I understand you

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Speaker 1: took a class to learn how to make bagels at home.

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Speaker 2: Yeah, well the water out here is no good for it,

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Speaker 2: so we we did take it.

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Speaker 4: Was it's a hard water out here. You need the

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Speaker 4: softer water.

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Speaker 2: Yes, So Larry King flies in his Brooklyn water and

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Speaker 2: he teaches a great workshop over on Beverly and Martel

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Speaker 2: and Ross and I just hit it off right away.

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Speaker 4: Before we have the stations. We have the stations next

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Speaker 4: to each other, and we were both because you can

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Speaker 4: make you could they got the mini bagel, or they

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Speaker 4: can do a thicker bag I like, personally like a

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Speaker 4: thicker bagel. And and we were like, oh my god,

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Speaker 4: your bagel so thick.

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Speaker 1: Yes, yeah, exactly, lashing laughing at all the thin bagel people.

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Speaker 4: I mean, it's not the big difference, but we our

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Speaker 4: bagels were very They looked a lot alike.

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Speaker 1: They looked strong, yeah, hardy, messy station or clean station.

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Speaker 2: And he keeps his clean and I keep mine messy.

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Speaker 2: We're sort of the natural in that way.

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Speaker 4: But I'm clean.

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Speaker 1: Yes. Have you tried the home recipe?

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Speaker 4: Yeah? Oh yeah, Oh my gosh.

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Speaker 1: How's it going.

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Speaker 4: It's good. You make them once a week. You sure

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Speaker 4: to leave the dough in the fridge and put in

359
00:20:06,880 --> 00:20:07,440
Speaker 4: the oven when you.

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Speaker 1: Wake up, mmm, and then you eat them. Or because

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Speaker 1: you don't like eating bagels.

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Speaker 4: Right, No, I don't. I don't eat carbohydrates. But my

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Speaker 4: friends come.

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Speaker 2: Over, people something to offer, and I've had a lot

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Speaker 2: of fun experimenting with recipes and putting sour gummy worms

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Speaker 2: in there or any kind of crazy adornment you might imagine.

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Speaker 4: Yeah, you didn't pass the class, though, but that was

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Speaker 4: one of the most artistic students.

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Speaker 2: I was invited to leave fairly early into the class

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00:20:36,400 --> 00:20:39,800
Speaker 2: and and you were so kind to sort of text

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00:20:39,840 --> 00:20:42,760
Speaker 2: me some of the tips they gave after ye pictures.

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Speaker 4: I remember I would send you here's why.

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Speaker 2: Yes, and it felt like I was there although I

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Speaker 2: was not.

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Speaker 4: Yeah, it was before periscope, I remember.

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Speaker 1: Yeah, yeah, do you It is so different, man, I

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Speaker 1: want to feel old.

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00:20:55,840 --> 00:20:58,960
Speaker 2: Yeah, we used to not use periscope.

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Speaker 1: That's the last thing you scoped ross.

380
00:21:02,720 --> 00:21:05,800
Speaker 4: I was playing trivia at a gay bar and Pump Springs.

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00:21:05,840 --> 00:21:07,880
Speaker 4: I just drove in from Pump Springs just in time

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00:21:07,920 --> 00:21:11,119
Speaker 4: to come here. Yeah, true story. And so I was

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Speaker 4: playing trivia at a gay bar and Pump Springs and

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00:21:13,400 --> 00:21:15,200
Speaker 4: we put the old periscope on and then you know

385
00:21:15,280 --> 00:21:17,680
Speaker 4: what happened. By the end of the periscope, people came

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Speaker 4: in who were watching me and came and found me,

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Speaker 4: and then we all drink together.

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Speaker 1: And that's desirable.

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Speaker 4: You know, I probably won't do that again. Where I

390
00:21:27,240 --> 00:21:30,520
Speaker 4: started to say where I am, but it ended out great.

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Speaker 4: This time. I could see how in the future it

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Speaker 4: could end horribly, but this time been a super duple.

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Speaker 1: Here I am, this is exactly where I am, and

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Speaker 1: I'm here right now and this is what I'm doing.

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Speaker 4: Yeah, there was a mistake in hindsight, but going forward,

396
00:21:43,560 --> 00:21:44,840
Speaker 4: you know, a little safe safer.

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Speaker 2: Yeah, good to learn on one of these ones up

398
00:21:48,160 --> 00:21:48,800
Speaker 2: in Pump Springs.

399
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Speaker 1: And if you're gonna tell people where you are, it's

400
00:21:50,640 --> 00:21:54,040
Speaker 1: good to be near the Salton Sea where all of

401
00:21:54,080 --> 00:21:55,680
Speaker 1: the best fans are.

402
00:21:56,359 --> 00:21:58,600
Speaker 4: Stop. Don't you talk down about my line.

403
00:21:58,600 --> 00:21:59,600
Speaker 1: I said they were good.

404
00:22:00,119 --> 00:22:02,200
Speaker 4: You know, I'm there as often every second I can

405
00:22:02,240 --> 00:22:04,479
Speaker 4: be there. I'm in Palm Springs. I like and I

406
00:22:04,560 --> 00:22:09,200
Speaker 4: like a senior citizen. I like early sensible bedtime.

407
00:22:08,840 --> 00:22:10,000
Speaker 1: And rat pack stuff.

408
00:22:11,280 --> 00:22:12,679
Speaker 4: Now where I go, I mean I go where the

409
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Speaker 4: gays are.

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Speaker 1: You don't like the rat pack, you know, it's.

411
00:22:15,800 --> 00:22:17,800
Speaker 4: Not my thing. My I just sold a house. So

412
00:22:17,880 --> 00:22:20,000
Speaker 4: that was four houses down from the Sinatra State. That's

413
00:22:20,040 --> 00:22:20,600
Speaker 4: true story.

414
00:22:20,680 --> 00:22:22,320
Speaker 2: Wow, I know you can rent it.

415
00:22:22,359 --> 00:22:23,160
Speaker 4: You can rent it.

416
00:22:23,480 --> 00:22:25,120
Speaker 1: Are you eating at Normous when you're there?

417
00:22:25,760 --> 00:22:29,720
Speaker 4: Norma is at the Parker. Yeah, I have the breakfast casadilla. Yeah,

418
00:22:29,760 --> 00:22:30,920
Speaker 4: true story. Do you go there?

419
00:22:31,359 --> 00:22:33,760
Speaker 2: Oh yeah, yeah, I get the shrimp for Tata and

420
00:22:33,920 --> 00:22:34,800
Speaker 2: no doubt about it.

421
00:22:35,080 --> 00:22:36,200
Speaker 1: I think it was a special.

422
00:22:36,560 --> 00:22:39,280
Speaker 4: Yeah that sounds great. I'll get it next time if

423
00:22:39,280 --> 00:22:39,880
Speaker 4: it's on the menu.

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00:22:40,200 --> 00:22:42,680
Speaker 2: Yeah, well tell him, yes, tell him that you sell

425
00:22:42,760 --> 00:22:45,920
Speaker 2: him that I said to oh, make the trimp for Tata,

426
00:22:46,040 --> 00:22:47,359
Speaker 2: and I think they'll really.

427
00:22:47,680 --> 00:22:49,600
Speaker 4: I didn't know I knew people who knew people.

428
00:22:49,840 --> 00:22:52,200
Speaker 2: M Yeah, when you're at Norma's, mention it and then

429
00:22:52,480 --> 00:22:54,320
Speaker 2: I have a few rounds on the Baci court and

430
00:22:54,600 --> 00:22:55,960
Speaker 2: tell him I sent you there as well.

431
00:22:56,240 --> 00:23:00,400
Speaker 1: Okay, thank you, rass. You're so busy these days. Yeah,

432
00:23:00,480 --> 00:23:01,639
Speaker 1: doing podcasts.

433
00:23:01,880 --> 00:23:06,440
Speaker 4: Yeah, I started a podcast thirty weeks ago Wowed. It's

434
00:23:06,440 --> 00:23:10,320
Speaker 4: called straight Talk with Ross and it's really fun and

435
00:23:10,720 --> 00:23:12,320
Speaker 4: it's a straight Talk with Ross dot commer Street Talk

436
00:23:12,359 --> 00:23:15,160
Speaker 4: with Ross. On nineteenes. We have big celebrities come in.

437
00:23:15,720 --> 00:23:21,800
Speaker 4: Chelsea Handler was just on Kelly Osborne, RuPaul, Chloe Kardashian's

438
00:23:21,800 --> 00:23:24,560
Speaker 4: coming on next week, and we talked to them, talk

439
00:23:24,600 --> 00:23:27,320
Speaker 4: about my pov is on things, and then we give

440
00:23:27,359 --> 00:23:28,960
Speaker 4: advice from like the gay best friend you wish you

441
00:23:29,000 --> 00:23:30,640
Speaker 4: had and know you need is the Tack And it's

442
00:23:30,640 --> 00:23:34,399
Speaker 4: like Doctor Laura, but higher pitch and less horrible, you

443
00:23:34,440 --> 00:23:36,000
Speaker 4: know what I mean, Just a little less judge, how

444
00:23:36,040 --> 00:23:41,560
Speaker 4: much less like a hundred, just like just a little judge.

445
00:23:41,560 --> 00:23:44,080
Speaker 4: I don't judge, I just have an opinion.

446
00:23:44,320 --> 00:23:46,040
Speaker 1: Well, she is a for real judge.

447
00:23:46,080 --> 00:23:49,440
Speaker 4: I believe I listened to her. No, that's your judy. Yes,

448
00:23:49,520 --> 00:23:50,840
Speaker 4: you're right, Yeah, I think that's right.

449
00:23:51,000 --> 00:23:51,440
Speaker 1: You're right.

450
00:23:51,640 --> 00:23:54,520
Speaker 4: But I do listen to doctor Laura on the rigs

451
00:23:54,680 --> 00:23:57,040
Speaker 4: because I like people who have an opinion. I don't

452
00:23:57,040 --> 00:23:58,320
Speaker 4: need to agree with you. I just like they have

453
00:23:58,359 --> 00:24:00,320
Speaker 4: an opinion. Yeah, which is why I like you guys.

454
00:24:00,400 --> 00:24:02,040
Speaker 1: Right, Yeah, we definitely haven't.

455
00:24:03,720 --> 00:24:05,679
Speaker 2: Name something and we'll take a big stand.

456
00:24:06,200 --> 00:24:06,680
Speaker 4: Racism.

457
00:24:06,880 --> 00:24:10,160
Speaker 2: Well, we don't want to touch that's not a black

458
00:24:10,200 --> 00:24:13,480
Speaker 2: and white issue. And this is not a joke. On

459
00:24:13,600 --> 00:24:17,400
Speaker 2: the two races that I named. We don't want to ruffle.

460
00:24:18,040 --> 00:24:20,880
Speaker 2: We don't want to take a huge that's a complicated one.

461
00:24:21,440 --> 00:24:24,960
Speaker 4: Homophobia okay, okay, well see the show.

462
00:24:25,200 --> 00:24:26,879
Speaker 2: The show is supposed to be a nice show, a

463
00:24:26,880 --> 00:24:29,200
Speaker 2: fun show, and so we don't really like to touch

464
00:24:29,240 --> 00:24:32,040
Speaker 2: on necessarily.

465
00:24:31,640 --> 00:24:33,080
Speaker 1: Stands like that.

466
00:24:33,760 --> 00:24:37,600
Speaker 2: We do have big opinions, but about small things.

467
00:24:37,720 --> 00:24:40,920
Speaker 4: What about okay, well then people, little little people.

468
00:24:41,080 --> 00:24:45,000
Speaker 1: Oh okay, should they be able to get married? Why not?

469
00:24:45,800 --> 00:24:49,080
Speaker 1: You know, I think that doesn't hurt anyone. Yeah, they

470
00:24:49,200 --> 00:24:50,040
Speaker 1: do in their.

471
00:24:49,800 --> 00:24:52,120
Speaker 2: Bedroom is knock yourself out.

472
00:24:52,320 --> 00:24:54,680
Speaker 1: And that's and what they do in their bedroom is

473
00:24:54,720 --> 00:24:56,880
Speaker 1: their business and occasionally my business.

474
00:24:57,760 --> 00:25:01,560
Speaker 4: I understand every once in a while IDTD.

475
00:25:01,760 --> 00:25:04,720
Speaker 1: I decided to make it my business, all right, because

476
00:25:04,720 --> 00:25:07,080
Speaker 1: you can do that now pariscope.

477
00:25:06,560 --> 00:25:08,240
Speaker 4: What an open minded show?

478
00:25:09,119 --> 00:25:11,840
Speaker 2: Yes, that is something we like to tell people is

479
00:25:11,880 --> 00:25:14,280
Speaker 2: that where our minds are so wide open, and minds

480
00:25:14,320 --> 00:25:16,760
Speaker 2: are like parachutes, they only function went open. And that

481
00:25:16,960 --> 00:25:20,119
Speaker 2: sign on my math class when I was young as always.

482
00:25:19,840 --> 00:25:20,480
Speaker 1: Stuck with me.

483
00:25:21,320 --> 00:25:27,440
Speaker 2: Now we have an intern, oh, yes, and you were

484
00:25:27,480 --> 00:25:28,040
Speaker 2: an intern.

485
00:25:28,280 --> 00:25:30,840
Speaker 4: Yeah. I started in show business as an intern ya

486
00:25:31,040 --> 00:25:32,160
Speaker 4: behind the scenes at Leno.

487
00:25:32,680 --> 00:25:36,719
Speaker 1: Yes, Leo, Yes, Lego, it's j Lego Okay.

488
00:25:36,960 --> 00:25:40,240
Speaker 4: At the tonight show we said Leno, But I understand

489
00:25:40,320 --> 00:25:43,920
Speaker 4: maybe from a different part of the country, and I

490
00:25:44,040 --> 00:25:46,240
Speaker 4: got I started there fourteen years ago and worked my

491
00:25:46,280 --> 00:25:48,679
Speaker 4: way up and intern I have interned pride. So whenever

492
00:25:48,800 --> 00:25:51,000
Speaker 4: you say this is our intern, I get all excited.

493
00:25:51,000 --> 00:25:53,160
Speaker 4: I want to meet them and yeah.

494
00:25:53,320 --> 00:25:59,240
Speaker 1: And then then you're presented with intern Andy, who.

495
00:25:59,160 --> 00:26:02,439
Speaker 4: Was a little late. I was looking forward to meeting Andy.

496
00:26:02,640 --> 00:26:06,200
Speaker 1: That was late. Yes, and what was the opinion? If

497
00:26:06,200 --> 00:26:09,000
Speaker 1: you like these strong opinions what was the opinion on

498
00:26:09,119 --> 00:26:12,000
Speaker 1: lateness when you were working for Ja the j Man?

499
00:26:12,200 --> 00:26:16,000
Speaker 4: Unacceptable? Unacceptable you If you were late, you were out,

500
00:26:16,160 --> 00:26:18,120
Speaker 4: you know, and that's I always show up early.

501
00:26:18,280 --> 00:26:20,600
Speaker 1: Well that's what a great first tip for intern Andy,

502
00:26:20,640 --> 00:26:21,480
Speaker 1: who's here today?

503
00:26:21,600 --> 00:26:21,760
Speaker 5: Hey?

504
00:26:21,840 --> 00:26:25,840
Speaker 1: Andy, not to perform any service, but really just to

505
00:26:26,280 --> 00:26:29,320
Speaker 1: get a lesson on being good intern because Ross now

506
00:26:30,680 --> 00:26:35,400
Speaker 1: judge on drag Race, Yes, bang.

507
00:26:35,680 --> 00:26:37,040
Speaker 4: That could be you.

508
00:26:37,040 --> 00:26:44,040
Speaker 1: You were on House Hunters Boom, Yeah, Days of Our Lives, Yes,

509
00:26:44,119 --> 00:26:45,480
Speaker 1: I played Chris on Days.

510
00:26:45,240 --> 00:26:47,119
Speaker 4: Of Our Lives bloomy.

511
00:26:48,760 --> 00:26:51,119
Speaker 2: And so I mean, we don't want to keep exploding

512
00:26:51,160 --> 00:26:53,280
Speaker 2: you with all these sounds. But Andy, the guy has

513
00:26:53,320 --> 00:26:56,040
Speaker 2: done a lot, and every time I check in with you,

514
00:26:56,240 --> 00:26:57,480
Speaker 2: it's like, what are you doing?

515
00:26:58,200 --> 00:26:59,439
Speaker 1: And what do you say? Andy?

516
00:27:00,160 --> 00:27:01,919
Speaker 3: Usually just not not a whole lot going on.

517
00:27:02,000 --> 00:27:03,520
Speaker 1: Yeah, not a whole lot going on.

518
00:27:04,760 --> 00:27:07,040
Speaker 4: But you're lucky, Andy, because you know you get to

519
00:27:07,040 --> 00:27:09,960
Speaker 4: show up. You can dress like that. We when we

520
00:27:09,960 --> 00:27:12,080
Speaker 4: were an intern, you know, when I was doing and

521
00:27:12,080 --> 00:27:16,280
Speaker 4: I had to be presentable on time a plight, I

522
00:27:16,280 --> 00:27:20,200
Speaker 4: couldn't wear my hair like that. So this is good

523
00:27:20,240 --> 00:27:22,160
Speaker 4: for you. I think this is a nice place. They

524
00:27:22,160 --> 00:27:28,000
Speaker 4: obviously don't care about your potential or even your future.

525
00:27:28,240 --> 00:27:30,480
Speaker 4: And I think that's great. It frees you up, it

526
00:27:30,560 --> 00:27:31,520
Speaker 4: takes the pressure off.

527
00:27:31,800 --> 00:27:35,240
Speaker 1: I can't wait to learn. I'm really excited. Well, well,

528
00:27:35,280 --> 00:27:37,920
Speaker 1: we had we asked, We asked you to come with

529
00:27:37,960 --> 00:27:41,080
Speaker 1: some good questions, and I see you just feel like

530
00:27:41,160 --> 00:27:45,200
Speaker 1: you have memorized them, because I don't see no piece

531
00:27:45,240 --> 00:27:48,960
Speaker 1: of paper, no, no note taking apparatus whatsoever.

532
00:27:49,160 --> 00:27:50,840
Speaker 4: But that can be a good thing. You know, he worked,

533
00:27:50,920 --> 00:27:52,520
Speaker 4: you worked hard on this at home and prepped and

534
00:27:52,920 --> 00:27:53,680
Speaker 4: memorized it all.

535
00:27:53,840 --> 00:27:55,960
Speaker 3: Yeah, it's all from the heart. It's all you know,

536
00:27:56,359 --> 00:27:57,240
Speaker 3: it's all internal.

537
00:27:57,320 --> 00:27:59,000
Speaker 4: So let's start with questions.

538
00:27:59,119 --> 00:28:03,280
Speaker 1: Was that a joke? I'm sorry, it's all internal. Was

539
00:28:03,359 --> 00:28:06,080
Speaker 1: that a joke? Was that a play on the word?

540
00:28:07,280 --> 00:28:11,480
Speaker 1: Do you think that's funny? Well? I don't, but i'd

541
00:28:11,480 --> 00:28:12,399
Speaker 1: have to check with Hayes.

542
00:28:12,480 --> 00:28:15,560
Speaker 2: I mean, sometimes he gets things that I don't necessarily get.

543
00:28:15,920 --> 00:28:17,680
Speaker 1: I would have to know if it was a joke. First.

544
00:28:17,680 --> 00:28:19,639
Speaker 1: I don't want to say something's funny and then be

545
00:28:19,720 --> 00:28:22,840
Speaker 1: told that it wasn't a joke, that it was something

546
00:28:22,960 --> 00:28:23,680
Speaker 1: very serious.

547
00:28:25,000 --> 00:28:26,760
Speaker 2: Yes, I've laughed at things that were meant to be

548
00:28:26,800 --> 00:28:28,760
Speaker 2: serious before, and it's gotten me in a spot of

549
00:28:28,800 --> 00:28:31,879
Speaker 2: hot water or a time or two. I'd like to

550
00:28:31,920 --> 00:28:36,040
Speaker 2: say something before we get into Andy's formal questions. Now,

551
00:28:36,080 --> 00:28:39,080
Speaker 2: I've heard that at the Jay Lego show, if you

552
00:28:39,160 --> 00:28:43,360
Speaker 2: were to show up with your hair like this or

553
00:28:43,480 --> 00:28:47,400
Speaker 2: dressed like this, it's a pretty strict show. What kind

554
00:28:47,400 --> 00:28:51,800
Speaker 2: of punishments would you be forced to do? And maybe

555
00:28:51,800 --> 00:28:53,960
Speaker 2: that'll give us some ideas for how to discipline Andy.

556
00:28:54,680 --> 00:28:56,920
Speaker 4: Well, yeah, and that's not just at Lenno.

557
00:28:59,080 --> 00:29:01,320
Speaker 2: It seems so to me when you say that, I

558
00:29:01,400 --> 00:29:04,160
Speaker 2: guess it is my access part of the country.

559
00:29:04,160 --> 00:29:05,800
Speaker 1: It must be from different parts of the country.

560
00:29:06,120 --> 00:29:08,200
Speaker 4: But I don't think it's just there. I think it's

561
00:29:08,240 --> 00:29:10,840
Speaker 4: you know, kind of universal that you pretty job right,

562
00:29:11,000 --> 00:29:12,479
Speaker 4: you couldn't show up looking like this.

563
00:29:13,680 --> 00:29:15,560
Speaker 1: Yeah, it's Universal Studios as well.

564
00:29:16,040 --> 00:29:20,760
Speaker 2: Yeah Yeahsally, Yeah, which is where they Yeah, which is

565
00:29:20,760 --> 00:29:21,680
Speaker 2: where the show happened.

566
00:29:21,680 --> 00:29:23,840
Speaker 1: So that seems like kind of the same over it.

567
00:29:23,920 --> 00:29:24,520
Speaker 1: Yeah right.

568
00:29:24,560 --> 00:29:26,440
Speaker 4: Anyway, anyway, Well, I don't know what kind of punishment.

569
00:29:26,440 --> 00:29:28,480
Speaker 4: I never did it. I would never dreams, right, And

570
00:29:28,520 --> 00:29:30,120
Speaker 4: none of the people who were there. I think once

571
00:29:30,160 --> 00:29:33,880
Speaker 4: you earn a spot at that level, you kind of

572
00:29:33,920 --> 00:29:37,240
Speaker 4: know not to make.

573
00:29:36,200 --> 00:29:39,000
Speaker 2: Literally not a single person working there would have ever

574
00:29:39,160 --> 00:29:42,320
Speaker 2: done one of the many things we've listed off as

575
00:29:42,400 --> 00:29:43,760
Speaker 2: things that are wrong with Andy.

576
00:29:44,000 --> 00:29:47,240
Speaker 1: What's interesting to know? That's interesting to know.

577
00:29:48,000 --> 00:29:51,960
Speaker 4: But you know, I think you know you should keep

578
00:29:52,000 --> 00:29:53,040
Speaker 4: trying Andy.

579
00:29:53,200 --> 00:29:56,040
Speaker 1: Well, maybe that's what the questions. Well, maybe somewhere in

580
00:29:56,080 --> 00:29:58,480
Speaker 1: there will be the magic spell.

581
00:29:58,360 --> 00:30:00,280
Speaker 2: Give us one of these memorized questions.

582
00:30:00,440 --> 00:30:02,680
Speaker 3: Well, one thing I was curious about.

583
00:30:02,960 --> 00:30:05,120
Speaker 5: I know that you really like stood out to Jay

584
00:30:05,120 --> 00:30:08,280
Speaker 5: and he really like, you know, he saw you potential

585
00:30:08,320 --> 00:30:08,520
Speaker 5: in you.

586
00:30:08,920 --> 00:30:11,200
Speaker 3: Do you think that will be a problem that.

587
00:30:11,160 --> 00:30:14,680
Speaker 5: I have a lot less energy, and I'm a lot

588
00:30:14,760 --> 00:30:17,800
Speaker 5: less articulate, and you know, I'm just not as like

589
00:30:18,960 --> 00:30:20,160
Speaker 5: good magnetic as you.

590
00:30:20,120 --> 00:30:23,680
Speaker 1: Are good object lesson. Let me say, in case you

591
00:30:23,760 --> 00:30:27,400
Speaker 1: weren't aware of the problem, he describes in the question.

592
00:30:27,480 --> 00:30:30,800
Speaker 1: The way he does it shows you exactly what the problem.

593
00:30:30,920 --> 00:30:33,360
Speaker 4: Which it's great. I knew what you were asking before

594
00:30:33,400 --> 00:30:36,640
Speaker 4: you even said your third word, which I think is

595
00:30:36,800 --> 00:30:39,080
Speaker 4: a skill you know, and you should go with that.

596
00:30:40,080 --> 00:30:46,480
Speaker 5: Okay, great, A next question, please, Okay, what exactly isn't

597
00:30:46,520 --> 00:30:48,560
Speaker 5: wrong with this shirt?

598
00:30:49,320 --> 00:30:51,880
Speaker 4: You know, the shirt itself, there's nothing wrong with you know,

599
00:30:51,880 --> 00:30:53,680
Speaker 4: I'm sure when it was made in the mid eighties.

600
00:30:53,720 --> 00:30:56,800
Speaker 4: It was at the height of fashion, and I think

601
00:30:57,000 --> 00:30:58,720
Speaker 4: if you were to give it a new life with

602
00:30:58,800 --> 00:31:04,120
Speaker 4: an iron and maybe detergent, I think it could be passable.

603
00:31:04,720 --> 00:31:07,120
Speaker 4: And I hope that for you one day. I really do.

604
00:31:07,560 --> 00:31:08,600
Speaker 4: And I think you can do it.

605
00:31:09,240 --> 00:31:09,480
Speaker 1: Great.

606
00:31:09,520 --> 00:31:12,160
Speaker 3: That's it's good to know that someone believes in me.

607
00:31:12,680 --> 00:31:15,000
Speaker 4: Well, I didn't say that I think you can do it.

608
00:31:15,280 --> 00:31:17,400
Speaker 4: I don't know he.

609
00:31:17,440 --> 00:31:19,920
Speaker 2: Knows how easy it would be to do it, and

610
00:31:20,000 --> 00:31:22,760
Speaker 2: seeing you as a human being who moves around, it's

611
00:31:22,840 --> 00:31:25,040
Speaker 2: reasonable to assume that you might be able.

612
00:31:24,840 --> 00:31:27,160
Speaker 4: To Because I'm saying because he has limbs and I

613
00:31:27,160 --> 00:31:29,320
Speaker 4: assume electricity, and I don't know.

614
00:31:29,400 --> 00:31:31,440
Speaker 1: That's a good So I think he can do it.

615
00:31:31,520 --> 00:31:34,200
Speaker 2: Yes, I also think he can do it, Okay, but

616
00:31:34,280 --> 00:31:36,920
Speaker 2: I don't have any confidence in him doing it.

617
00:31:36,960 --> 00:31:38,240
Speaker 4: No, I don't think he can do it.

618
00:31:38,280 --> 00:31:39,360
Speaker 2: I don't think he will.

619
00:31:39,640 --> 00:31:42,720
Speaker 4: Yeah, but I think he could. You know he could

620
00:31:42,800 --> 00:31:43,080
Speaker 4: do it?

621
00:31:43,160 --> 00:31:45,480
Speaker 1: He could? He could, Yes, he could.

622
00:31:45,680 --> 00:31:47,720
Speaker 4: Yeah, And that's enough. That's something.

623
00:31:47,920 --> 00:31:50,600
Speaker 1: That's what it said when he was first when he

624
00:31:50,640 --> 00:31:54,000
Speaker 1: first sent us as CV, it says limbs on it

625
00:31:54,200 --> 00:31:56,400
Speaker 1: under under special skills.

626
00:31:56,560 --> 00:32:00,160
Speaker 4: Yeah, Well, if he knows it, you know what.

627
00:32:00,240 --> 00:32:02,040
Speaker 1: He is going for he's got it. I mean, it

628
00:32:02,200 --> 00:32:05,120
Speaker 1: wasn't lying half the battle. Knowing what you have. You've

629
00:32:05,120 --> 00:32:06,640
Speaker 1: got a bunch of them, So good for you.

630
00:32:06,720 --> 00:32:09,800
Speaker 4: Andy.

631
00:32:09,840 --> 00:32:12,280
Speaker 1: No, please, ros, what's your next question?

632
00:32:12,440 --> 00:32:14,680
Speaker 5: Well, I've been I've been interning here for about a

633
00:32:15,080 --> 00:32:18,560
Speaker 5: year now, and I haven't actually done any work so far.

634
00:32:18,600 --> 00:32:22,200
Speaker 3: I haven't done anything. Is that normal for interns or

635
00:32:22,280 --> 00:32:23,880
Speaker 3: is should I be doing something?

636
00:32:24,760 --> 00:32:24,920
Speaker 2: Well?

637
00:32:24,960 --> 00:32:28,520
Speaker 4: I was an intern behind the scenes for three months

638
00:32:29,080 --> 00:32:32,040
Speaker 4: and then they put me on television and I got

639
00:32:32,040 --> 00:32:36,760
Speaker 4: to travel the world and interview the biggest stars in

640
00:32:36,800 --> 00:32:41,320
Speaker 4: the country. And I don't know that you're on that

641
00:32:41,560 --> 00:32:45,600
Speaker 4: sort of schedule, but you're on your own schedule at

642
00:32:45,600 --> 00:32:47,400
Speaker 4: your own pace. I don't think you could survive that

643
00:32:47,480 --> 00:32:50,400
Speaker 4: kind of schedule and trajectory. So I think this is

644
00:32:50,440 --> 00:32:51,280
Speaker 4: the best one for you.

645
00:32:52,400 --> 00:32:54,640
Speaker 1: Why don't we do it? Wouldn't it be interesting to

646
00:32:54,960 --> 00:32:58,600
Speaker 1: just put Andy in a position where he could walk

647
00:32:58,680 --> 00:33:01,760
Speaker 1: himself through an interview with the major star, like who

648
00:33:01,840 --> 00:33:02,480
Speaker 1: was the biggest?

649
00:33:02,480 --> 00:33:02,600
Speaker 2: Like?

650
00:33:03,120 --> 00:33:04,760
Speaker 4: Sorry, I thought he was interviewing a big star.

651
00:33:05,360 --> 00:33:09,000
Speaker 2: Yes, the same way, And I think Hayes probably thought

652
00:33:09,000 --> 00:33:11,120
Speaker 2: that too, and has just forgot for a second.

653
00:33:11,160 --> 00:33:15,760
Speaker 1: I was just going along with Ross's trademark humility. I

654
00:33:15,760 --> 00:33:17,800
Speaker 1: know you don't like to be referred to as a.

655
00:33:17,880 --> 00:33:19,600
Speaker 4: It's kind of like calling your mom ugly. You know

656
00:33:19,680 --> 00:33:21,440
Speaker 4: I can do it, but if you call you know

657
00:33:21,480 --> 00:33:25,640
Speaker 4: what I mean? Yes, I'll employ my trademark humility, but

658
00:33:25,760 --> 00:33:26,760
Speaker 4: maybe you shouldn't.

659
00:33:27,320 --> 00:33:31,280
Speaker 1: Well, And Andy's the stupid one here, and so.

660
00:33:31,880 --> 00:33:36,520
Speaker 2: Yes, let's point it all back at him, and if

661
00:33:36,520 --> 00:33:37,640
Speaker 2: some splashes off on.

662
00:33:37,600 --> 00:33:44,040
Speaker 1: The cody, that's okay as well. So who was who

663
00:33:44,120 --> 00:33:46,000
Speaker 1: was the biggest number one?

664
00:33:46,160 --> 00:33:48,400
Speaker 4: I mean they're all I mean, I've interviewed just about

665
00:33:48,400 --> 00:33:52,719
Speaker 4: anyone you could imagine, I mean from royalty to Oscar

666
00:33:52,760 --> 00:33:56,400
Speaker 4: winners and everybody in between. Gwyneth Paltrow was a big one.

667
00:33:57,200 --> 00:34:01,280
Speaker 2: She's Bothy throughout the end and Oscar?

668
00:34:03,720 --> 00:34:06,160
Speaker 1: So how about that? Andy? What? What? What kind of

669
00:34:06,240 --> 00:34:08,319
Speaker 1: questions would you ask Gwenne Paltrow?

670
00:34:08,400 --> 00:34:09,680
Speaker 4: So I'm already high.

671
00:34:10,320 --> 00:34:11,040
Speaker 1: Hi Gwyneth?

672
00:34:11,360 --> 00:34:11,520
Speaker 2: Hi?

673
00:34:13,760 --> 00:34:18,520
Speaker 3: When you won your Oscar for Country Strong?

674
00:34:19,400 --> 00:34:20,400
Speaker 1: Yeah? Really?

675
00:34:20,680 --> 00:34:21,200
Speaker 4: Yeah?

676
00:34:21,400 --> 00:34:22,919
Speaker 1: That did?

677
00:34:23,320 --> 00:34:23,919
Speaker 4: You got that one?

678
00:34:23,960 --> 00:34:24,080
Speaker 1: Right?

679
00:34:24,120 --> 00:34:24,839
Speaker 4: So far, so good?

680
00:34:26,160 --> 00:34:29,560
Speaker 3: What what type of guitargis in that movie?

681
00:34:30,239 --> 00:34:33,799
Speaker 4: Great question. I used an acoustic guitar, and I think

682
00:34:33,880 --> 00:34:35,080
Speaker 4: that's why I won the Oscar.

683
00:34:36,080 --> 00:34:37,640
Speaker 3: Yeah, it's more organic.

684
00:34:37,920 --> 00:34:40,480
Speaker 1: Can I just jump in? What's going to be a

685
00:34:40,520 --> 00:34:43,759
Speaker 1: problem In a lot of interviews of this nature, you

686
00:34:43,800 --> 00:34:47,919
Speaker 1: may have noticed is horniness?

687
00:34:46,320 --> 00:34:52,839
Speaker 4: Yea, because I tend environment and because I'm not even

688
00:34:52,840 --> 00:34:56,040
Speaker 4: Gwn Paltrow and I'm sitting across from and suddenly it

689
00:34:56,239 --> 00:35:00,239
Speaker 4: like shifted. There was a definite sexual.

690
00:35:00,320 --> 00:35:04,239
Speaker 2: Yes, there's a very randy energy that comes out of

691
00:35:04,440 --> 00:35:13,400
Speaker 2: Andy anytime he's presented with the concept of speaking with anyone.

692
00:35:12,040 --> 00:35:16,560
Speaker 4: I wonder if it's just celebrity, like, let's try Morgan Freeman.

693
00:35:16,880 --> 00:35:21,080
Speaker 3: Okay, let's see, Hi Morgan, have you won an Oscar?

694
00:35:21,760 --> 00:35:24,319
Speaker 4: I have won an Oscar for.

695
00:35:28,440 --> 00:35:29,360
Speaker 3: Driving miss Daisy?

696
00:35:30,600 --> 00:35:31,360
Speaker 4: Oh god?

697
00:35:31,640 --> 00:35:36,240
Speaker 3: What did you have a beard in that movie?

698
00:35:37,960 --> 00:35:38,239
Speaker 1: You know?

699
00:35:38,840 --> 00:35:41,200
Speaker 4: I I it went through a lot. It was a

700
00:35:41,400 --> 00:35:44,319
Speaker 4: you know, went through some different decades, and I believe

701
00:35:44,360 --> 00:35:46,319
Speaker 4: at a certain point I might have had some facial hair.

702
00:35:46,640 --> 00:35:50,200
Speaker 2: Ron I have to stop you. I don't know if

703
00:35:50,200 --> 00:35:53,279
Speaker 2: we can air your answer because the question's so obscene

704
00:35:54,080 --> 00:35:57,480
Speaker 2: and it's nothing in the words, try subtext.

705
00:35:57,200 --> 00:36:01,880
Speaker 1: And the just for the listeners that home. The slow

706
00:36:03,000 --> 00:36:07,600
Speaker 1: slipping of your hand under your belt buckle and you

707
00:36:07,640 --> 00:36:11,360
Speaker 1: asked that question. I don't see what what that motion

708
00:36:11,520 --> 00:36:14,759
Speaker 1: has anything to do with the movies or anything like that.

709
00:36:14,920 --> 00:36:18,480
Speaker 4: Rct bit bubbles when I was talking, Yeah, there's a

710
00:36:18,520 --> 00:36:20,600
Speaker 4: weird bubbling drool, and.

711
00:36:20,560 --> 00:36:24,400
Speaker 1: They float, they actually released from his mouth and float

712
00:36:24,480 --> 00:36:25,040
Speaker 1: in the air.

713
00:36:25,280 --> 00:36:28,400
Speaker 2: And I focused on his one freehand for fear that

714
00:36:28,480 --> 00:36:31,000
Speaker 2: I would see where the other one went. And I

715
00:36:31,040 --> 00:36:34,759
Speaker 2: saw the knuckles go stark white as he gripped the

716
00:36:34,800 --> 00:36:39,120
Speaker 2: table so tightly during the question asking that, I just thought,

717
00:36:39,160 --> 00:36:41,040
Speaker 2: what intense thing is happening for this?

718
00:36:41,239 --> 00:36:43,320
Speaker 4: And I can I just point out though my acting,

719
00:36:43,480 --> 00:36:45,759
Speaker 4: that none of that distracted me, that I stayed in

720
00:36:45,880 --> 00:36:48,680
Speaker 4: character throughout that.

721
00:36:48,840 --> 00:36:52,200
Speaker 1: Real you reacted exactly as he would have in that situation,

722
00:36:52,239 --> 00:36:53,839
Speaker 1: which is as a total professional.

723
00:36:54,120 --> 00:36:58,239
Speaker 2: Both Yes, Gwyneth and Morgan were class acts than you,

724
00:36:58,520 --> 00:37:00,400
Speaker 2: and you really brought that through.

725
00:37:00,640 --> 00:37:00,920
Speaker 1: Thank you.

726
00:37:00,960 --> 00:37:02,319
Speaker 4: I'm honored by that.

727
00:37:02,640 --> 00:37:05,960
Speaker 2: Thank you, and well and we're and we're honored to

728
00:37:05,960 --> 00:37:08,160
Speaker 2: be a party to it. And we'd heard, Okay, this

729
00:37:08,239 --> 00:37:10,680
Speaker 2: guy doesn't just do podcasts. This guy wasn't just an

730
00:37:10,719 --> 00:37:15,200
Speaker 2: intern who then interviewed this guy can act. Thank you,

731
00:37:15,280 --> 00:37:16,080
Speaker 2: so what we're seeing.

732
00:37:16,120 --> 00:37:18,719
Speaker 1: Thank you, Andy, If you'd like to do something so much,

733
00:37:18,760 --> 00:37:20,600
Speaker 1: if you're so desperate to do work, maybe you can

734
00:37:20,640 --> 00:37:24,000
Speaker 1: get the sound cable for me and just reach over

735
00:37:24,080 --> 00:37:27,520
Speaker 1: and pull out the sound cable and then we'll put

736
00:37:27,520 --> 00:37:31,000
Speaker 1: it in the computer. And then Sean's going to prepare

737
00:37:31,040 --> 00:37:34,120
Speaker 1: you Ross for what you're about to to hear.

738
00:37:34,320 --> 00:37:36,840
Speaker 2: So this is a segment, and I hope you're not

739
00:37:36,920 --> 00:37:40,160
Speaker 2: tired of questions because uh who's asking?

740
00:37:40,480 --> 00:37:40,800
Speaker 1: Yeah?

741
00:37:40,840 --> 00:37:45,799
Speaker 2: Well, yeah, okay, great, yeah, no, sure, Andy is shut down.

742
00:37:46,680 --> 00:37:50,920
Speaker 2: Uh So we do a segment and it's got a

743
00:37:50,920 --> 00:37:51,520
Speaker 2: great name.

744
00:37:51,560 --> 00:37:54,239
Speaker 1: And the name is it's called the Popcorn Gallery. And

745
00:37:54,360 --> 00:37:55,120
Speaker 1: what does that mean?

746
00:37:55,560 --> 00:37:59,120
Speaker 2: Well, the peanut Gallery is something where people who had

747
00:37:59,320 --> 00:38:01,759
Speaker 2: bought the cheap seats in the theater were able to

748
00:38:02,200 --> 00:38:05,120
Speaker 2: chime in in certain ways when they were watching a

749
00:38:05,360 --> 00:38:07,399
Speaker 2: piece of work, theatrical work.

750
00:38:08,080 --> 00:38:08,920
Speaker 1: But we talk.

751
00:38:08,800 --> 00:38:11,719
Speaker 2: About movies and movies. You don't eat peanuts, do you?

752
00:38:11,800 --> 00:38:16,040
Speaker 1: What do you eat? Ross? Popcorn? Great? So Popcorn Gallery?

753
00:38:16,200 --> 00:38:20,480
Speaker 2: And so people are asking questions from the gallery, the

754
00:38:20,560 --> 00:38:23,040
Speaker 2: cheap seats, so to speak. Which is the internet for

755
00:38:23,080 --> 00:38:25,799
Speaker 2: this show? And Hayes, do you have more to add

756
00:38:25,880 --> 00:38:26,000
Speaker 2: to this?

757
00:38:26,160 --> 00:38:28,600
Speaker 1: Yeah, there's an issue with the internet connection. So I

758
00:38:28,760 --> 00:38:30,879
Speaker 1: don't believe we are going to be hearing the song,

759
00:38:31,160 --> 00:38:32,680
Speaker 1: but you probably have a good.

760
00:38:32,719 --> 00:38:35,239
Speaker 4: Let me guess who hooked up the internet? Am I right?

761
00:38:35,920 --> 00:38:38,200
Speaker 2: And he pointed at Andy, and he's right.

762
00:38:38,760 --> 00:38:42,400
Speaker 4: I don't mean to point you out, but you know,

763
00:38:42,480 --> 00:38:44,120
Speaker 4: I just assumed it's true.

764
00:38:44,320 --> 00:38:47,400
Speaker 1: Well, well, so we'll get some We got the questions anyway,

765
00:38:47,440 --> 00:38:48,319
Speaker 1: we don't need the song.

766
00:38:48,520 --> 00:38:50,640
Speaker 2: Yeah, if you do, you want to do a quick

767
00:38:50,680 --> 00:38:51,319
Speaker 2: piece of the song.

768
00:38:51,400 --> 00:39:01,720
Speaker 1: And yeah, yeah, the popcorn gallery. It's tough for Sean man.

769
00:39:01,760 --> 00:39:03,719
Speaker 3: Hey, the questions.

770
00:39:03,840 --> 00:39:08,120
Speaker 4: Yeah, that's not called that's good, that's not bad, that's

771
00:39:08,480 --> 00:39:09,120
Speaker 4: that's pretty good.

772
00:39:09,120 --> 00:39:19,320
Speaker 2: Well, the song is so good, the sort of anti charisma.

773
00:39:17,160 --> 00:39:20,000
Speaker 1: The song, it becomes not bad. The quality of the

774
00:39:20,040 --> 00:39:24,120
Speaker 1: song speaks to the song. All right, here, let's reach

775
00:39:24,160 --> 00:39:25,720
Speaker 1: into the popcorn bag and get a question.

776
00:39:25,880 --> 00:39:31,359
Speaker 2: Oh sorry, I'll play the sound drop now. It can

777
00:39:31,360 --> 00:39:38,160
Speaker 2: be a little disconcerting. These sound drops are someone reaching

778
00:39:38,160 --> 00:39:40,920
Speaker 2: into a popcorn back pulling out an object which represents

779
00:39:40,920 --> 00:39:43,600
Speaker 2: the question. Then you hear the question. These are emailed

780
00:39:43,640 --> 00:39:46,279
Speaker 2: to me or mailed to me every week by my

781
00:39:46,360 --> 00:39:48,760
Speaker 2: high school friend Mark, who has a job pushing dumpsters

782
00:39:48,760 --> 00:40:00,400
Speaker 2: into one another in my hometown. It's uh Andy's shirt receipt.

783
00:40:00,840 --> 00:40:06,120
Speaker 1: It was free. Okay, Well, it looks like Okay, here's

784
00:40:06,160 --> 00:40:11,840
Speaker 1: a question from No Horseman. All right, He asks high Ross,

785
00:40:12,160 --> 00:40:14,920
Speaker 1: you were a restaurant patron on Days of Our Lives.

786
00:40:15,239 --> 00:40:17,239
Speaker 1: What was crafty like on that set.

787
00:40:18,080 --> 00:40:21,799
Speaker 4: Oh, that's a good question. I mean, I didn't even

788
00:40:21,800 --> 00:40:25,040
Speaker 4: remember that I was in a restaurant scene. We didn't eat,

789
00:40:25,160 --> 00:40:28,720
Speaker 4: there was no food. But that's the challenge in acting,

790
00:40:29,040 --> 00:40:29,239
Speaker 4: you know.

791
00:40:29,360 --> 00:40:32,239
Speaker 1: It's like because they wanted you to be hungry to

792
00:40:32,280 --> 00:40:33,359
Speaker 1: be the restaurant guy.

793
00:40:33,680 --> 00:40:37,440
Speaker 4: No, I'm talking about not eating food, like looking like

794
00:40:37,440 --> 00:40:39,520
Speaker 4: you're eating when you're not eating. That's like you're acting

795
00:40:39,520 --> 00:40:40,440
Speaker 4: like you're eating.

796
00:40:40,480 --> 00:40:42,799
Speaker 2: Where you move the breadstick behind your head, like to

797
00:40:42,840 --> 00:40:45,279
Speaker 2: the side of your head and as if you're munching it.

798
00:40:45,400 --> 00:40:47,000
Speaker 4: Yeah, but try it without a breadstick.

799
00:40:47,520 --> 00:40:48,400
Speaker 1: Whoa.

800
00:40:48,480 --> 00:40:51,160
Speaker 4: But okay, not everyone can do it. That's why I

801
00:40:51,280 --> 00:40:52,920
Speaker 4: was there. That's why I was doing it. So that

802
00:40:53,040 --> 00:40:58,640
Speaker 4: was cool. And you know it's an NBC was where Lenore, you,

803
00:40:58,680 --> 00:40:59,960
Speaker 4: do you understand what I'm saying.

804
00:41:00,520 --> 00:41:02,560
Speaker 1: When you say, are you trying to say lego?

805
00:41:03,239 --> 00:41:05,600
Speaker 4: I I say, I feel like I'm saying it, but

806
00:41:05,640 --> 00:41:06,200
Speaker 4: you don't hear it.

807
00:41:06,280 --> 00:41:08,359
Speaker 1: I worry that this was like a joke on you

808
00:41:08,480 --> 00:41:10,560
Speaker 1: on the show.

809
00:41:10,640 --> 00:41:13,239
Speaker 2: And then it's been rolling all the way up to

810
00:41:13,280 --> 00:41:14,080
Speaker 2: this very day.

811
00:41:14,360 --> 00:41:16,440
Speaker 4: I don't know. I thought it the whole time anyway.

812
00:41:16,600 --> 00:41:18,799
Speaker 4: So it was next to that studio was next two

813
00:41:18,840 --> 00:41:21,840
Speaker 4: days of our lives, and so the the food was

814
00:41:21,840 --> 00:41:23,840
Speaker 4: really the NBC commissary and I would always get the

815
00:41:23,880 --> 00:41:24,319
Speaker 4: same thing.

816
00:41:26,239 --> 00:41:28,759
Speaker 1: What was was it the thing named after you?

817
00:41:28,880 --> 00:41:32,000
Speaker 4: Yeah? I'd get the ross yeah yeah, and what is

818
00:41:32,040 --> 00:41:35,320
Speaker 4: that many? It's pork used five different ways?

819
00:41:35,800 --> 00:41:36,000
Speaker 2: Ah?

820
00:41:36,080 --> 00:41:38,080
Speaker 1: Yes? And what are those?

821
00:41:39,320 --> 00:41:44,239
Speaker 4: You have the bacon okay, the pork belly, you have,

822
00:41:44,280 --> 00:41:48,239
Speaker 4: the pork shoulder. Yeah, you have the it's like a

823
00:41:48,239 --> 00:41:51,200
Speaker 4: ground hoof, and then the cheat your own it's the skin,

824
00:41:51,360 --> 00:41:53,000
Speaker 4: but they fry it and then that's all in a

825
00:41:53,080 --> 00:41:56,440
Speaker 4: rap and I don't know, it's delicious, so it's healthy.

826
00:41:56,520 --> 00:41:59,879
Speaker 1: It's a wrap. Yeah, yeah, it's not like a sub sam,

827
00:42:00,080 --> 00:42:01,640
Speaker 1: which it's like a healthy No.

828
00:42:01,760 --> 00:42:03,560
Speaker 2: I like to watch I like to watch it, but

829
00:42:03,719 --> 00:42:06,520
Speaker 2: I you know, I yes, when you're having five different

830
00:42:06,560 --> 00:42:08,920
Speaker 2: pieces of pork, you're gonna want to have it in

831
00:42:08,960 --> 00:42:10,880
Speaker 2: some sort of rap. Was it a spinach trap or

832
00:42:10,920 --> 00:42:11,720
Speaker 2: was it straight peta?

833
00:42:12,640 --> 00:42:15,880
Speaker 1: No? It was holy, Oh that's nice.

834
00:42:16,040 --> 00:42:19,480
Speaker 4: Yeah, and then there's just some sprouts and uh like

835
00:42:19,520 --> 00:42:22,360
Speaker 4: a virginies. How do you say it vegan as?

836
00:42:22,400 --> 00:42:23,720
Speaker 1: Oh it's lego.

837
00:42:26,600 --> 00:42:31,840
Speaker 4: I feel like everything I say it's wrong. Now you wrong?

838
00:42:32,360 --> 00:42:34,759
Speaker 2: No, no, we love We always ordered the Ross. Now

839
00:42:34,760 --> 00:42:37,560
Speaker 2: you're looking at your is that an Apple watch?

840
00:42:37,680 --> 00:42:37,879
Speaker 1: Yeah?

841
00:42:38,000 --> 00:42:39,600
Speaker 4: I'm not being rude. I just got a text.

842
00:42:39,680 --> 00:42:41,880
Speaker 1: No, no, no, not rude at all.

843
00:42:41,920 --> 00:42:45,040
Speaker 2: It's just we're such gadget freaks here. We love science

844
00:42:45,160 --> 00:42:49,000
Speaker 2: and we love innovation, and we're kind of nerds to

845
00:42:49,040 --> 00:42:49,480
Speaker 2: be honest.

846
00:42:49,480 --> 00:42:51,319
Speaker 4: Oh, show me yours that that let's can we do

847
00:42:51,360 --> 00:42:52,160
Speaker 4: that thing where.

848
00:42:51,920 --> 00:42:55,080
Speaker 1: We This is the thing that I've been playing like this.

849
00:42:55,160 --> 00:42:57,040
Speaker 1: I have the big one, the extra big one that

850
00:42:57,080 --> 00:42:59,080
Speaker 1: I've been and.

851
00:42:58,960 --> 00:43:02,520
Speaker 2: I have the medium sized one of course, so uhh

852
00:43:02,800 --> 00:43:06,240
Speaker 2: we so yes, And it's the strap on mine is busted.

853
00:43:06,280 --> 00:43:08,320
Speaker 2: I think from the size of it, the sheer size

854
00:43:08,320 --> 00:43:08,520
Speaker 2: of it.

855
00:43:08,800 --> 00:43:10,160
Speaker 4: Hold you can hold yours up to your face. I

856
00:43:10,160 --> 00:43:11,120
Speaker 4: don't think I can do that with.

857
00:43:11,000 --> 00:43:13,719
Speaker 1: My Yeah, no, thiss Yours can't open or close. It

858
00:43:13,920 --> 00:43:15,000
Speaker 1: just has to be the same.

859
00:43:15,360 --> 00:43:17,799
Speaker 4: Sorry, it was tapping my wrist to tell me things.

860
00:43:17,840 --> 00:43:20,120
Speaker 4: You guys, is you yours can do that too?

861
00:43:20,120 --> 00:43:24,440
Speaker 2: I'm assuming yes, yes, I think I turned that function

862
00:43:24,480 --> 00:43:27,000
Speaker 2: on mine is portable for sure, for at least a

863
00:43:27,000 --> 00:43:27,560
Speaker 2: little while.

864
00:43:28,680 --> 00:43:29,600
Speaker 4: Any more questions.

865
00:43:29,680 --> 00:43:36,240
Speaker 1: Yes, let's reach into the bag and get another question. Oh,

866
00:43:36,320 --> 00:43:37,839
Speaker 1: it's uh the.

867
00:43:37,680 --> 00:43:42,520
Speaker 2: Tip Andy gave for his last haircut, so fucking pine

868
00:43:42,560 --> 00:43:45,480
Speaker 2: cone Andy?

869
00:43:46,600 --> 00:43:49,040
Speaker 1: Is this true what Mark's telling us at these sounddrops.

870
00:43:49,280 --> 00:43:53,920
Speaker 1: I didn't have the cash that day. I ran out. Okay,

871
00:43:54,360 --> 00:43:57,800
Speaker 1: this question is from Houston or Houston. I was actually

872
00:43:57,840 --> 00:43:59,960
Speaker 1: just in New York and that's one of the things

873
00:44:00,239 --> 00:44:05,560
Speaker 1: there roll that street though? Do you know about it?

874
00:44:05,680 --> 00:44:07,600
Speaker 4: Yeah?

875
00:44:07,640 --> 00:44:09,440
Speaker 2: Which street?

876
00:44:09,719 --> 00:44:10,640
Speaker 4: What is the question?

877
00:44:12,000 --> 00:44:15,680
Speaker 1: The question is if the Emperor's New Clothes was retold

878
00:44:15,719 --> 00:44:19,120
Speaker 1: in modern day hollyweird, who would you cast as the emperor? Now?

879
00:44:19,160 --> 00:44:24,240
Speaker 1: Do you know this ancient story? Of course, it's about

880
00:44:25,360 --> 00:44:32,680
Speaker 1: famous king. He said, he knew it is okay.

881
00:44:33,200 --> 00:44:35,879
Speaker 2: You he Hayes loves he's a bit of a recontour

882
00:44:36,000 --> 00:44:38,480
Speaker 2: and he loves any opportunity.

883
00:44:38,000 --> 00:44:40,960
Speaker 1: I like to spend tales. But if you know it.

884
00:44:40,840 --> 00:44:43,080
Speaker 4: Well and doesn't know, so it's okay.

885
00:44:43,239 --> 00:44:45,840
Speaker 1: And he does it though. Yes, it's about a famous

886
00:44:45,920 --> 00:44:48,440
Speaker 1: king who has a fancy gown.

887
00:44:50,719 --> 00:44:55,080
Speaker 2: Yeah, no, go no, continue Ross please, that's crazy. We're

888
00:44:55,120 --> 00:44:57,400
Speaker 2: not sure we understand it's crazy. So you can spoil it.

889
00:44:57,400 --> 00:44:58,040
Speaker 2: It's crazy.

890
00:44:58,200 --> 00:45:01,360
Speaker 4: There's this gown and the King's I don't want, and

891
00:45:01,400 --> 00:45:04,520
Speaker 4: then they gets a new one and everyone's.

892
00:45:04,040 --> 00:45:04,879
Speaker 1: Like brand new.

893
00:45:04,960 --> 00:45:09,920
Speaker 2: Yeah, yeah, you've changed the fit extraordinary.

894
00:45:11,560 --> 00:45:17,160
Speaker 1: Oh okay, as the Emperor a super talent yep. Imagine

895
00:45:17,800 --> 00:45:20,920
Speaker 1: imagine him wearing those new clothes while he was hunting

896
00:45:20,960 --> 00:45:21,560
Speaker 1: that mouse.

897
00:45:22,280 --> 00:45:25,120
Speaker 4: That's the best. That's the best scene in the whole musical.

898
00:45:25,760 --> 00:45:28,120
Speaker 1: I have a suggestion, which is, if somebody is getting

899
00:45:28,120 --> 00:45:30,640
Speaker 1: new clothes, I think we should probably cast as Andy

900
00:45:32,560 --> 00:45:34,759
Speaker 1: if that's If that's what happens in this story, it

901
00:45:34,760 --> 00:45:37,640
Speaker 1: seems like Andy could get some nice, new, fancy clothes.

902
00:45:38,480 --> 00:45:40,319
Speaker 4: I don't know that you should. I don't know that

903
00:45:40,400 --> 00:45:41,439
Speaker 4: in your position.

904
00:45:41,120 --> 00:45:43,840
Speaker 1: You should be. I feel like I haven't earned it.

905
00:45:43,800 --> 00:45:46,200
Speaker 4: Talking about him that way.

906
00:45:46,360 --> 00:45:49,160
Speaker 1: No, but it's impossible for me to screw up because

907
00:45:51,239 --> 00:45:54,279
Speaker 1: because Andy's the guy who's bad, and we've said that

908
00:45:54,360 --> 00:45:58,480
Speaker 1: already and everything. If he's the one who's bad, then

909
00:45:58,560 --> 00:46:01,279
Speaker 1: that must be me who's being good. Right.

910
00:46:02,440 --> 00:46:06,440
Speaker 4: Oh, I didn't even think about it like that. I'm sorry,

911
00:46:06,480 --> 00:46:07,160
Speaker 4: and that's on me.

912
00:46:07,560 --> 00:46:11,880
Speaker 2: No, it's fun, it can be confusing. Andy throws everyone

913
00:46:11,880 --> 00:46:12,880
Speaker 2: off a little bit.

914
00:46:12,800 --> 00:46:14,480
Speaker 1: And I have a feeling that what part of the

915
00:46:14,560 --> 00:46:21,360
Speaker 1: energy is you have brought a woman with you into

916
00:46:21,400 --> 00:46:24,719
Speaker 1: the room not knowing, and this is if you want

917
00:46:24,719 --> 00:46:27,080
Speaker 1: to just introduce her, just to explain some of the

918
00:46:27,080 --> 00:46:28,680
Speaker 1: weird energy that Andy's bringing.

919
00:46:28,920 --> 00:46:31,080
Speaker 4: Well, my girlfriend's here, yes.

920
00:46:32,680 --> 00:46:34,879
Speaker 1: And if we could just hear it, if you could

921
00:46:34,920 --> 00:46:39,240
Speaker 1: cover your ears, because so you don't hear your female voice.

922
00:46:39,320 --> 00:46:43,240
Speaker 4: My girlfriend is she doesn't like to talk. Typical typical

923
00:46:43,280 --> 00:46:44,839
Speaker 4: model like only.

924
00:46:44,880 --> 00:46:45,319
Speaker 2: You know what I mean?

925
00:46:45,480 --> 00:46:46,319
Speaker 4: Isn't something they want.

926
00:46:46,400 --> 00:46:48,759
Speaker 2: They're so used to being in photographs that the sound

927
00:46:48,840 --> 00:46:52,000
Speaker 2: of their own voice frightens, though they only want their

928
00:46:52,000 --> 00:46:53,000
Speaker 2: image presented.

929
00:46:53,239 --> 00:46:57,400
Speaker 1: Yeah, so anyway, so, yes, you had no way of

930
00:46:57,520 --> 00:47:02,319
Speaker 1: knowing what that would do and I didn't. No, I

931
00:47:02,400 --> 00:47:03,640
Speaker 1: did it. No. Yeah.

932
00:47:03,680 --> 00:47:09,560
Speaker 4: And it's awkward. Yeah, it's awkward. And she's uncomfortable. Are

933
00:47:09,600 --> 00:47:13,320
Speaker 4: you uncomfortable? No, she's fine, she's fine.

934
00:47:13,440 --> 00:47:15,800
Speaker 1: Okay, great, And it's Cindy Crawford.

935
00:47:15,920 --> 00:47:19,680
Speaker 4: So that's the most she said since I've met her. Well,

936
00:47:19,760 --> 00:47:24,000
Speaker 4: the sex is unbelievable. Yes, that sex with models.

937
00:47:24,000 --> 00:47:26,040
Speaker 2: I love it because I love the way they look

938
00:47:26,120 --> 00:47:27,719
Speaker 2: and it makes me turned on.

939
00:47:27,960 --> 00:47:29,920
Speaker 4: Two perfect bodies coming together.

940
00:47:30,400 --> 00:47:32,799
Speaker 2: And that yes, and that's something nice too, is to

941
00:47:32,880 --> 00:47:34,319
Speaker 2: enjoy myself during that act.

942
00:47:34,600 --> 00:47:39,399
Speaker 1: Yeah, one more in the bag, Okay, let's get in there.

943
00:47:43,480 --> 00:47:47,120
Speaker 2: It's popcorn kerdels. Okay, so that was kind of a

944
00:47:47,160 --> 00:47:49,600
Speaker 2: boring one. All he found in the bag of popcorn kernels.

945
00:47:50,040 --> 00:47:51,680
Speaker 2: I thought he was going to find something else related

946
00:47:51,719 --> 00:47:54,160
Speaker 2: to Andy or you never know.

947
00:47:54,600 --> 00:47:57,840
Speaker 1: Now I have a question from Jacob cy that could

948
00:47:57,840 --> 00:47:59,360
Speaker 1: be a little disrespectful.

949
00:47:59,520 --> 00:47:59,959
Speaker 4: That's fine.

950
00:48:00,080 --> 00:48:03,279
Speaker 1: So this is from Jacob C. He says, Ross, what

951
00:48:03,400 --> 00:48:05,800
Speaker 1: kind of whacker did you use to get that sheen

952
00:48:06,120 --> 00:48:09,120
Speaker 1: on Jay Lego's chin? And was it the same kind

953
00:48:09,120 --> 00:48:13,880
Speaker 1: of whacker you used on his cars and butt? God?

954
00:48:15,760 --> 00:48:16,560
Speaker 1: We got to think it.

955
00:48:17,120 --> 00:48:21,640
Speaker 4: I think it was just plain old turtle wax. I

956
00:48:21,680 --> 00:48:25,759
Speaker 4: think for all three No, how dare just the car?

957
00:48:26,040 --> 00:48:30,480
Speaker 4: I never touched the man. Honestly, you think you don't

958
00:48:30,480 --> 00:48:34,000
Speaker 4: get success like this by sleeping your way to the top, Andy,

959
00:48:34,239 --> 00:48:34,880
Speaker 4: So stop it.

960
00:48:36,040 --> 00:48:38,400
Speaker 2: Sorry, But Ross, you must have this with some of

961
00:48:38,440 --> 00:48:40,920
Speaker 2: your listeners where you can't be held responsible for all

962
00:48:40,920 --> 00:48:43,279
Speaker 2: the crazy stuff they say. I mean, some of these

963
00:48:43,360 --> 00:48:46,320
Speaker 2: questions we get anybody in your audience, So when.

964
00:48:46,160 --> 00:48:48,480
Speaker 4: You're at my level, you don't really have to deal with.

965
00:48:48,440 --> 00:48:50,680
Speaker 2: This, right You get the good, the good ones.

966
00:48:50,800 --> 00:48:53,960
Speaker 1: Yeah, do you have do you have an intern?

967
00:48:54,040 --> 00:48:54,239
Speaker 5: Now?

968
00:48:54,840 --> 00:48:58,719
Speaker 1: Uh? No, I have employees that you pay.

969
00:48:59,200 --> 00:49:05,640
Speaker 2: Yeah, we'll let that sink in.

970
00:49:06,600 --> 00:49:14,759
Speaker 1: We can't let Andy know about money. Yes, money, yes.

971
00:49:14,840 --> 00:49:17,520
Speaker 4: Hold on, hold on, go back, just rewind like just

972
00:49:17,520 --> 00:49:21,719
Speaker 4: just he didn't hear it. I pay my employees with

973
00:49:22,040 --> 00:49:27,399
Speaker 4: the gift of my presence and a chair, yes, and

974
00:49:27,640 --> 00:49:34,680
Speaker 4: pine cones, and when they're good, I give them pine cones.

975
00:49:35,560 --> 00:49:40,080
Speaker 3: So Andy, yeah, it sounds pretty standard to me.

976
00:49:42,239 --> 00:49:44,759
Speaker 1: Well, Ross, thank you so much for coming in and

977
00:49:44,800 --> 00:49:48,040
Speaker 1: talking to us and teaching the little man here.

978
00:49:48,320 --> 00:49:50,560
Speaker 4: Listen. I think what you're doing for him is great,

979
00:49:50,800 --> 00:49:53,440
Speaker 4: and I think that if it weren't I'm going to

980
00:49:53,480 --> 00:49:55,600
Speaker 4: get emotional. But if it weren't for what you guys do,

981
00:49:55,800 --> 00:49:56,840
Speaker 4: where would Andy be?

982
00:49:57,760 --> 00:49:58,040
Speaker 1: Yes?

983
00:49:58,520 --> 00:50:01,600
Speaker 2: And that makes me emotional to it makes me very angry.

984
00:50:02,239 --> 00:50:05,440
Speaker 2: That's an emotion. Yes, I think, why you man wasting

985
00:50:05,480 --> 00:50:08,920
Speaker 2: my time with this jerk and he doesn't know anything

986
00:50:08,960 --> 00:50:13,160
Speaker 2: and he's never gonna learn. But also sometimes that anger

987
00:50:13,160 --> 00:50:16,799
Speaker 2: can be useful and it will propel me to get

988
00:50:16,800 --> 00:50:18,279
Speaker 2: home faster to Steffie.

989
00:50:17,960 --> 00:50:21,080
Speaker 4: And the kids, you know, Stephie and the kids.

990
00:50:21,760 --> 00:50:26,399
Speaker 1: Yes, that's great Steffie gra have you did you meet?

991
00:50:27,120 --> 00:50:30,680
Speaker 1: Was it a couple's class? She was not in the

992
00:50:30,680 --> 00:50:31,320
Speaker 1: bagel class.

993
00:50:31,440 --> 00:50:35,960
Speaker 4: No, but Stephie knows my girlfriend which we didn't know

994
00:50:36,040 --> 00:50:38,239
Speaker 4: in the bagel class and tell afterwards. And that's just

995
00:50:38,280 --> 00:50:40,200
Speaker 4: one of those crazy things life throws your way.

996
00:50:40,320 --> 00:50:43,000
Speaker 2: Well, it feels like a big city, but when you

997
00:50:43,040 --> 00:50:44,120
Speaker 2: get down to it, it's.

998
00:50:43,920 --> 00:50:45,800
Speaker 4: A small It's so small.

999
00:50:45,840 --> 00:50:46,839
Speaker 1: It's a small town.

1000
00:50:47,239 --> 00:50:49,359
Speaker 4: Is a small world, you know?

1001
00:50:49,520 --> 00:50:51,960
Speaker 2: Oh yeah, yes, I think so.

1002
00:50:52,440 --> 00:50:54,000
Speaker 4: Yeah.

1003
00:50:54,200 --> 00:50:57,000
Speaker 1: Please rate us on iTunes and you be on the

1004
00:50:57,080 --> 00:50:59,040
Speaker 1: forums and.

1005
00:50:59,080 --> 00:51:03,600
Speaker 4: Great and can you tell can you tell them to Hey, Andy,

1006
00:51:03,719 --> 00:51:06,799
Speaker 4: why don't you do it? Why don't you tell them?

1007
00:51:06,920 --> 00:51:08,680
Speaker 4: And you're gonna do You're gonna do a good job

1008
00:51:08,719 --> 00:51:13,040
Speaker 4: to tell this is it? I want you to impress me. Okay, Okay,

1009
00:51:13,640 --> 00:51:15,960
Speaker 4: I've taught you a lot today and I want you

1010
00:51:16,000 --> 00:51:18,359
Speaker 4: to use what I taught you to nail this.

1011
00:51:18,719 --> 00:51:19,040
Speaker 1: Okay.

1012
00:51:19,239 --> 00:51:21,759
Speaker 4: Tell the people about my podcast and how they can

1013
00:51:21,800 --> 00:51:22,239
Speaker 4: find it.

1014
00:51:22,680 --> 00:51:28,240
Speaker 5: Go all right, everybody check out Talking Straight with Ross Matthews,

1015
00:51:29,520 --> 00:51:35,040
Speaker 5: talking dot com and on iTunes. Are you serious and

1016
00:51:35,400 --> 00:51:39,080
Speaker 5: make sure to give it five stars and a good review.

1017
00:51:39,200 --> 00:51:42,680
Speaker 3: Hitting me with this thanks for listening.

1018
00:51:43,560 --> 00:51:46,440
Speaker 4: And the title of my podcast. Reference is a Dolly

1019
00:51:46,440 --> 00:51:50,560
Speaker 4: Parton movie. Okay, straight Talk, straight Talk with Ross, straight

1020
00:51:50,600 --> 00:51:53,680
Speaker 4: Talk with Ross dot com, straight Talk with Ross on iTunes.

1021
00:51:53,680 --> 00:51:57,000
Speaker 4: It's free. I said that when we go and I

1022
00:51:57,040 --> 00:51:57,560
Speaker 4: got in here.

1023
00:51:57,600 --> 00:51:59,479
Speaker 1: You're supposed to talk about how it's free. It doesn't

1024
00:51:59,520 --> 00:52:00,400
Speaker 1: cause any hindkom.

1025
00:52:00,560 --> 00:52:04,400
Speaker 4: It's like, it's like, who is it? Like doctor Laura? Right?

1026
00:52:04,520 --> 00:52:12,439
Speaker 4: But what doctor Laura? But okay, jesus, my girlfriend is here.

1027
00:52:13,120 --> 00:52:16,759
Speaker 1: My girlfriends in front of you. You've been swabbering all

1028
00:52:16,840 --> 00:52:19,720
Speaker 1: over did you walk in the door, jesus?

1029
00:52:19,840 --> 00:52:24,279
Speaker 4: And it's it's less judgmental, right, you think about this,

1030
00:52:24,320 --> 00:52:28,920
Speaker 4: He's a reflection of you. No, I leave.

1031
00:52:28,800 --> 00:52:30,880
Speaker 1: Here, don't joke.

1032
00:52:31,200 --> 00:52:35,719
Speaker 2: Okay, it's like one of those inverse reflections, like a

1033
00:52:35,760 --> 00:52:37,920
Speaker 2: mirror where it makes you look like you're a black guy.

1034
00:52:38,840 --> 00:52:39,160
Speaker 1: Nice.

1035
00:52:39,440 --> 00:52:39,759
Speaker 4: You know what.

1036
00:52:39,880 --> 00:52:42,640
Speaker 1: The headphones are off, they're not going back on it.

1037
00:52:42,719 --> 00:52:45,799
Speaker 2: I't bet And this is what you give me and

1038
00:52:45,840 --> 00:52:48,839
Speaker 2: we want and we also wanted to be nice where

1039
00:52:48,880 --> 00:52:51,960
Speaker 2: it's actually a very nice show and we're actually very smart, funny, nice,

1040
00:52:51,960 --> 00:52:54,200
Speaker 2: cool guys and people always think that.

1041
00:52:54,800 --> 00:52:57,880
Speaker 1: And it's just andy that we were so close to

1042
00:52:57,920 --> 00:53:01,680
Speaker 1: being out. I was I was three quarters of the way.

1043
00:53:01,920 --> 00:53:03,320
Speaker 1: It was the home run stretch.

1044
00:53:03,960 --> 00:53:04,880
Speaker 4: Do you guys validate?

1045
00:53:06,640 --> 00:53:16,040
Speaker 1: Oh, you're gonna hate this answer. Steve h got the

1046
00:53:16,080 --> 00:53:20,040
Speaker 1: pro version? Uh? And what's his prize?

1047
00:53:20,800 --> 00:53:23,200
Speaker 2: Oh?

1048
00:53:24,640 --> 00:53:27,279
Speaker 1: A new intern? Uh?

1049
00:53:27,920 --> 00:53:30,920
Speaker 2: You know what Steve h Uh? Do we know anything

1050
00:53:30,920 --> 00:53:34,120
Speaker 2: about him? Because maybe Ross could give a good piece

1051
00:53:34,160 --> 00:53:36,239
Speaker 2: of advice like he does for all the people on.

1052
00:53:36,239 --> 00:53:37,840
Speaker 1: He's got a kid, Yeah, he's got a kid. Do

1053
00:53:37,880 --> 00:53:38,400
Speaker 1: you have any.

1054
00:53:39,920 --> 00:53:47,399
Speaker 4: Yah, I've like yes. Uh, you know, don't reward bad

1055
00:53:47,440 --> 00:53:51,440
Speaker 4: behavior when they're having a hissy fitch. Let him scream

1056
00:53:51,480 --> 00:53:54,560
Speaker 4: it out. It will get better.

1057
00:53:55,960 --> 00:53:57,560
Speaker 2: What are you saying, Cody, We're supposed to do these

1058
00:53:57,560 --> 00:53:58,560
Speaker 2: donor shout outs, right, just.

1059
00:53:58,560 --> 00:54:01,399
Speaker 3: Trying to remind you to not forget to do that.

1060
00:54:01,680 --> 00:54:03,040
Speaker 1: Do we have donor shout outs?

1061
00:54:03,160 --> 00:54:05,719
Speaker 2: Let's go back and do it, and yeah, we'll do

1062
00:54:05,760 --> 00:54:07,800
Speaker 2: it in the ad space, can't we in the middle?

1063
00:54:08,040 --> 00:54:15,480
Speaker 1: Okay? Yeah? Bye.

1064
00:54:19,640 --> 00:54:22,600
Speaker 6: This has been an Earwolf Media production Executive producers Jeff

1065
00:54:22,640 --> 00:54:35,200
Speaker 6: Ulrick and Scott Ackerman. For more information, visit Earwolf dot com.

1066
00:54:30,360 --> 00:54:33,120
Speaker 1: Ear warf Radio, Boom dot

1067
00:54:33,160 --> 00:54:41,120
Speaker 4: Com, The Worf Dead