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Speaker 1: Cool Zone Media.

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Speaker 2: Book Club, book Club, book Club Club, Frog Rock Dog, Hello,

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Speaker 2: and welcome to Dog Frog Dog, the braw Dog podcast

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Speaker 2: that you've been waiting for. It is not actually about

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Speaker 2: hot dogs. Don't worry. The raw Dog isn't a reference

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Speaker 2: to that. And that's a Jamie loftist joke. Oh, I

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Speaker 2: only wish. This is the tabletop role playing takeover the

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Speaker 2: path Finder Takeover of cools On Media book Club, and

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Speaker 2: I'm your host, Margaret Kiljoy, but I'm not really your host.

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Speaker 2: I'm just the one who does the introductions because the

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Speaker 2: actual host, our game master, is Jason Hi.

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Speaker 3: Jason, Hello, everybody. Welcome to session four of our Pathfinder

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Speaker 3: game night, Dawn of the Frogs. So we're a little

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Speaker 3: bit over halfway done with our story here today. I'm

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Speaker 3: excited to get into part four, so I'm gonna leap

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Speaker 3: right into it.

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Speaker 2: Leap like a frog, leap frog.

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Speaker 3: Yeah that's right aha.

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Speaker 4: Rabbit Et.

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Speaker 3: Starting off contentions. All right, When we last left our

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Speaker 3: intrepid band of adventurers, four heroes found themselves in bog Bottom,

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Speaker 3: a small swamp community on the north side of the

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Speaker 3: Isle of Quartos. There, you have been tasked with helping

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Speaker 3: a poor village beset on all sides by the waters

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Speaker 3: of the dun Meyer Swamp. This village has seen its

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Speaker 3: fair amount of hardship. Over the past several days, many

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Speaker 3: villagers went missing. You went and found some, recovering them

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Speaker 3: from an old windmill deep in the swamp. On returning

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Speaker 3: them to the town after defeating the boggards that had

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Speaker 3: them captured these evil frogmen, you brought them back to

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Speaker 3: the community of bottom And only to find out that

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Speaker 3: when they woke up, they had no memory of who

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Speaker 3: they were, of the town itself, and only wanted to

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Speaker 3: go be with the boggards. In fact, they had to

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Speaker 3: be convinced to stay. The town's healer, Laedrusa, convinced the

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Speaker 3: four of you with the promise of another reward, to

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Speaker 3: venture out into the swamp and find three ingredients that

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Speaker 3: Ledrusa needs to concoct an antidote to the poison that

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Speaker 3: she believes they are suffering from that is making them

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Speaker 3: lose their memories and went to go hang out with

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Speaker 3: the frogs. In particular, she needs ripe lantern berries, pale

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Speaker 3: waiting mushrooms, and the petals of a tombflower. In our

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Speaker 3: last session, you ventured out to a mushroom covered log.

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Speaker 3: There you dealt with a fungus lushy and can convinced

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Speaker 3: it to let you take some of the pale waning mushrooms.

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Speaker 3: You also made your way to the top of a hilltop.

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Speaker 3: There you fought a pair of deadly giant swamp flies

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Speaker 3: that nearly killed the squash and did some pretty heinous

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Speaker 3: wounds to spite as well. But you managed to defeat

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Speaker 3: them as well and get the ripe lantern baries. At

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Speaker 3: the end of our previous session, the four of you

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Speaker 3: had made your way back down to the raft, and

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Speaker 3: we're about to pull out to attempt to find the

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Speaker 3: tomb flowers. But before we pick up right where we

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Speaker 3: left off, I'm going to toss it around the horn

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Speaker 3: for everybody to introduce themselves and their characters. So we're

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Speaker 3: going to start with Robert, who you plan.

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Speaker 1: I'm tran, widely considered to be the best whatever you

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Speaker 1: call someone who's piloting whatever kind of boat this is

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Speaker 1: in this swamp, got a lot of experience minutes long.

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Speaker 1: I also make bombs.

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Speaker 3: I owe, who are you planning?

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Speaker 5: Aye?

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Speaker 4: I'm playing the doug and mister Squash. You can just

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Speaker 4: call him Squash if you want to. He's a nasty

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Speaker 4: freak and he's three feet tall and full sass.

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Speaker 3: Baby Hazel, who are you playing?

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Speaker 5: Sister murder gon a bow at your service, half worc, Cleric, Soup.

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Speaker 3: Nun fantastic, and Margaret bring us on.

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Speaker 2: I am playing Spite. I was named after one of

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Speaker 2: the virtues, and I am a human champion of Milani Perfect.

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Speaker 3: So when we last left the story, the four of

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Speaker 3: you were coming down from this hill where you had

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Speaker 3: recovered the lantern berries, and we're about to head out

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Speaker 3: into the swamp. There is something out there in the swamp.

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Speaker 4: You heard a.

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Speaker 3: Story of some vicious creature known as two Tusk. You've

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Speaker 3: been trying to keep an eye out for it, and

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Speaker 3: you've seen signs that something is watching you from the

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Speaker 3: deep swamp, but you haven't seen any actual predator on

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Speaker 3: your tail. Just strange feeling that you're being watched. As

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Speaker 3: you order onto the raft to make your way to

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Speaker 3: the final location, the Soggy Cemetery located in the distant

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Speaker 3: corner of the swamp. You all have a little bit

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Speaker 3: of time if you wanted to heal up. I know

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Speaker 3: some of you are kind of wounded and perhaps would

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Speaker 3: want to spend some time regaining focus spells, perhaps doing

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Speaker 3: some healing.

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Speaker 1: Yeah, used two of my grenades last term of my

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Speaker 1: five a day. Can I replace those with two of

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Speaker 1: the versatile flasks or how does that work?

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Speaker 3: So you can't replace those immediately with versatile flasks. You

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Speaker 3: can use the versatile flasks and then get the versatile

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Speaker 3: flask back, but you didn't use Jenny, so you use

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Speaker 3: the regular ones, so you're gonna have to wait on that.

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Speaker 1: Then I got nothing at it.

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Speaker 2: I think I would maybe be the out of combat

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Speaker 2: healer because I can heal and get my focus points back,

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Speaker 2: whereas merder you have to you're better at point healing.

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Speaker 2: But I think that if I take some time, I'm

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Speaker 2: gonna heal myself back up with one lay on hands

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Speaker 2: and then also heal squash back with another landhands. But

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Speaker 2: then it involves twenty minutes if someone else has to

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Speaker 2: pull the barge while I light the candles on my

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Speaker 2: helmet and think about the necessity of revolution and the

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Speaker 2: complexity of all the moral questions involved.

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Speaker 1: Don't worry, boss, I've been piling in boats like this

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Speaker 1: my whole life. Pretty much basically I hand squashed the pole.

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Speaker 4: And I'm splayed out and I just have like one

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Speaker 4: hand where I'm like doing it.

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Speaker 2: I hand Trent the pole after all, because murder you're navigating. Yeah,

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Speaker 2: all right, Trance has the pole.

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Speaker 4: Somebody I don't even notice who takes the pole for me,

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Speaker 4: And I'm like, oh, man, I hate this stinky bug

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Speaker 4: pu Well, let's gonna be brigands or something. This job suck.

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Speaker 4: Do those remember when we were like terrorists? That would

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Speaker 4: be so fun. What am I doing in this swamp man?

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Speaker 2: It takes a lot of money to get the supplies

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Speaker 2: necessary to blow up entire jails.

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Speaker 4: I know, but we were scamming guys left and right,

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Speaker 4: and these people got no money to scam out of them.

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Speaker 4: I tried my ass off, and they don't have any money.

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Speaker 3: It's true. The people bunk bottom or it's not exactly

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Speaker 3: a prosperous community. It is a very small swamp village.

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Speaker 4: Try and make me feel good about that. You won't succeed.

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Speaker 4: You'll get close, but you won't.

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Speaker 1: You know, I've heard it said that one man's terrorist

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Speaker 1: is another man's freedom fighter, and I've never understood that

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Speaker 1: because I'm one hundred percent a terrorist.

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Speaker 4: I'm one hundred percent a terrorist. This guy knows what

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Speaker 4: I'm talking about, right, I'm like recovering from being dead

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Speaker 4: and also secretly getting drunk on ever clear last episode.

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Speaker 4: Tune in, folks, and I absolutely agree. I love doing

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Speaker 4: terrorism and I hate doing freedom fighting.

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Speaker 2: I think I'm more of a freedom fighter, but I

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Speaker 2: understand that it's a complex dichotomy and maybe shouldn't even

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Speaker 2: be painted as a dichotomy at all. But if I

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Speaker 2: really had to pick, I'm sure I'd be a freedom fighter.

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Speaker 4: It's true. We are the original odd couple, all of us.

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Speaker 5: Murty is stirring soup and says more doing things, less thinking.

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Speaker 1: Look, I'm not against freedom fighting. Like, if I see

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Speaker 1: any freedom in the swamp, I'm gonna beat the fuck

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Speaker 1: out of it. I'll light that siting.

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Speaker 4: And I love freedom and exactly trandess.

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Speaker 3: So you begin pulling through the swamp, Murdy, you're navigating,

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Speaker 3: So why don't you go ahead and give me a

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Speaker 3: survival check? Sure? Can you read the map given to

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Speaker 3: you by l DRUSA?

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Speaker 5: No, that was my third twenty of the night on

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Speaker 5: the dice, So I got twenty.

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Speaker 3: Seven twenty seven. Yeah, your dice have been hot. Going

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Speaker 3: all the way back to the previous episode twenty seven

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Speaker 3: is amazing. Yeah, you're easily navigating to the next site,

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Speaker 3: which is good because I'm wagering. Trent mostly pulls you

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Speaker 3: in a circle for at least the first twenty minutes.

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Speaker 2: Once twenty minutes are up, I am back to the pole.

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Speaker 2: So does it get foggy? And then I light the

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Speaker 2: candles on my helmet because that'd be a good image,

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Speaker 2: slowly moving through a bog with candles on a helmet.

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Speaker 3: I will say this. Yeah, as you make your way

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Speaker 3: to this part of the swamp, it is getting a

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Speaker 3: little later in the day, and as it does so,

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Speaker 3: the kind of fog begins to settle over the swamp.

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Speaker 3: It's not dark yet, but it is starting to get

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Speaker 3: kind of The shadows are growing long.

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Speaker 4: All you perverts who do fan art, take note.

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Speaker 3: A thin fog settles over the swamp as the barge

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Speaker 3: approaches the crooked and rusted gates of an old cemetery.

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Speaker 3: Lejusa said this place used to be Bockbottom's burial ground

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Speaker 3: before it mostly sank into the swamp a few years ago. Now,

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Speaker 3: the barge quietly glides between blackened headstones which protrude from

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Speaker 3: the water like crooked teeth. Up ahead is the only

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Speaker 3: hill in this eerie place, still above the water, and

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Speaker 3: on its crown looms a crumbling mausoleum covered in vines

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Speaker 3: wearing bone white flowers.

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Speaker 2: Oh I bet those are the flowers we need I reckon.

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Speaker 3: So it's a pretty creepy scene. Is your barge kind

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Speaker 3: of paths? You kind of slowly pull your barge up

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Speaker 3: between these crooked and rusted gates that are just sticking

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Speaker 3: up out of the water, past headstones that are covered

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Speaker 3: in kind of a black mold and film, and slowly

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Speaker 3: make your way up towards this island, Happy Halloween.

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Speaker 2: Is it dark enough that we need extra light? Is

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Speaker 2: it still twilight?

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Speaker 3: Not yet? It's dim out, but I wouldn't say it's

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Speaker 3: so dark that those of you without dark vision can't see.

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Speaker 3: It's just getting kind of gloomy out. But you can

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Speaker 3: still see.

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Speaker 4: The flowers are right there. And why should I be

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Speaker 4: afraid I'm squatish after all?

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Speaker 2: Just okay, yep, great, what you guys?

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Speaker 5: Oh?

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Speaker 2: I just I remember that not very long ago a

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Speaker 2: fly ripped your neck out.

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Speaker 4: That fly was playing dirty as flies are wont to.

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Speaker 3: Do that fly nearly decapitated you.

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Speaker 4: My neck is still like extremely red and raw, almost

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Speaker 4: like yeah, yeah, he.

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Speaker 3: Leads back too far like blood bubbles for yeah.

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Speaker 4: What you think I ain't got in me or something?

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Speaker 2: You do have all your hit points back, by the way, though,

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Speaker 2: I did hear you while we were on the raft.

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Speaker 5: Yeah yeah, I am wrapping like gauze around this to

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Speaker 5: keep it.

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Speaker 4: That's mighty kind of you. And ever since I've died,

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Speaker 4: there's a little bit of a dark midnight of a

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Speaker 4: soult in Squash where it's just like, maybe I should

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Speaker 4: take the advice of this sourpuss who I love so much.

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Speaker 2: And I have my shield and morning start out and

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Speaker 2: I'm walking in front.

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Speaker 3: Are you implying that, like Squash had visions of the

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Speaker 3: other side.

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Speaker 2: Were dying too. That's half to yes.

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Speaker 4: We zoom into Squash's mind and there's like a cow

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Speaker 4: playing a banjo and like a chicken playing a washboard,

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Speaker 4: and I'm like walking into a gate and they're just

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Speaker 4: like no, no, not yet, and Murdy is the one

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Speaker 4: ushering me back and just like has a ladle out

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00:12:18,800 --> 00:12:23,199
Speaker 4: with soup and I like float like a hobo on.

220
00:12:23,040 --> 00:12:27,160
Speaker 2: The cartoon wave of scent.

221
00:12:27,320 --> 00:12:30,560
Speaker 4: Yeah, the cartoon waves of the soup scent. I'm like

222
00:12:30,640 --> 00:12:32,840
Speaker 4: floating upon and I come back to life.

223
00:12:33,280 --> 00:12:36,160
Speaker 3: As it turns out, the shoney afterlife is some sort

224
00:12:36,200 --> 00:12:38,040
Speaker 3: of barnyard jug band.

225
00:12:39,160 --> 00:12:42,600
Speaker 4: Can you imagine a better after life? I ask all

226
00:12:42,640 --> 00:12:46,480
Speaker 4: of you. Oh, I think so, we'll talk about it later.

227
00:12:47,600 --> 00:12:51,120
Speaker 2: Anyway, I walk forward, assume and everyone will also come

228
00:12:51,440 --> 00:12:54,600
Speaker 2: with a shield and morning star. Every time we go

229
00:12:54,640 --> 00:12:57,000
Speaker 2: one of these places, bad stuff happens, so it's best

230
00:12:57,000 --> 00:13:00,280
Speaker 2: to be prepared. That's what my sister Malevolence is always

231
00:13:00,320 --> 00:13:00,640
Speaker 2: told me.

232
00:13:03,840 --> 00:13:06,800
Speaker 3: Oh, yes, I forgot. You were all named after the roeshues.

233
00:13:07,559 --> 00:13:12,000
Speaker 3: That's right. Yes. As the raft kind of drifts up

234
00:13:12,040 --> 00:13:16,640
Speaker 3: to the shore and you all disembark, you're looking out

235
00:13:16,720 --> 00:13:20,040
Speaker 3: at what appears to be just a small slice of

236
00:13:20,080 --> 00:13:22,559
Speaker 3: this cemetery. It's the only part that's still above water.

237
00:13:23,160 --> 00:13:25,520
Speaker 3: And directly up ahead of you, about thirty feet away,

238
00:13:25,600 --> 00:13:28,280
Speaker 3: is this kind of crumbling mausoleum. It's not a large place,

239
00:13:28,559 --> 00:13:31,520
Speaker 3: you know, maybe fifteen feet by ten feet. It's not

240
00:13:31,840 --> 00:13:35,400
Speaker 3: a gigantic massoleum by any means, but it is adorned

241
00:13:35,480 --> 00:13:39,600
Speaker 3: with these vines bearing these bone white flowers. But no.

242
00:13:39,760 --> 00:13:44,479
Speaker 3: Sooner do you step foot on shore, does the soggy,

243
00:13:44,600 --> 00:13:49,760
Speaker 3: sodden earth around you suddenly stir and crawling up out

244
00:13:49,760 --> 00:13:54,720
Speaker 3: of the ground. All a bunch of skeletons.

245
00:13:55,400 --> 00:13:59,560
Speaker 5: Let's fucking go. I took so much shit around none

246
00:13:59,600 --> 00:14:00,559
Speaker 5: dead cool?

247
00:14:00,760 --> 00:14:02,480
Speaker 2: Fuck yeah.

248
00:14:02,600 --> 00:14:07,800
Speaker 3: So four skeletons come crawling up out of the ground.

249
00:14:09,240 --> 00:14:14,320
Speaker 3: They are all armed. They have rusty old swords, they

250
00:14:14,360 --> 00:14:18,160
Speaker 3: have crooked bows on their back, and they just have

251
00:14:18,240 --> 00:14:22,880
Speaker 3: their rather long, bony hands. They all come crawling up,

252
00:14:22,920 --> 00:14:25,960
Speaker 3: giving you all ample time to drop your weapons. And

253
00:14:26,680 --> 00:14:31,520
Speaker 3: at that I'm going to need everybody to roll initiative.

254
00:14:32,640 --> 00:14:35,720
Speaker 1: Nap twenty baby nice plus what five?

255
00:14:36,720 --> 00:14:40,000
Speaker 3: All right? So trant has a twenty five squash? What

256
00:14:40,040 --> 00:14:40,440
Speaker 3: do you got?

257
00:14:40,920 --> 00:14:43,560
Speaker 4: I rolled a fourteen plus five at twenty one?

258
00:14:44,080 --> 00:14:45,560
Speaker 3: You rolled a fourteen plus five?

259
00:14:45,880 --> 00:14:50,560
Speaker 4: Wait? What are we adding? I thought it was perceptionteen.

260
00:14:49,080 --> 00:14:50,160
Speaker 2: Plus five is nineteen?

261
00:14:50,480 --> 00:14:56,520
Speaker 4: Oh wait, here's the thing. I was raised in a

262
00:14:56,560 --> 00:15:02,080
Speaker 4: dirt shack. You see. Yeah, editor, cut that nobody can

263
00:15:02,120 --> 00:15:02,840
Speaker 4: know I'm stupid.

264
00:15:05,920 --> 00:15:06,440
Speaker 3: Leave it in.

265
00:15:08,280 --> 00:15:11,400
Speaker 4: Leave it in. Everybody needs to know I'm vulnerable. I'm human.

266
00:15:11,920 --> 00:15:15,080
Speaker 4: Fourteen plus five nineteen.

267
00:15:15,240 --> 00:15:18,080
Speaker 3: All right, you got there. In the end, spite. What

268
00:15:18,120 --> 00:15:18,520
Speaker 3: do you got?

269
00:15:18,680 --> 00:15:20,640
Speaker 2: I also have a nineteen to fifteen plus four?

270
00:15:21,160 --> 00:15:22,520
Speaker 3: Murdy, what do you got?

271
00:15:22,920 --> 00:15:25,360
Speaker 5: I got a five plus seven is twelve.

272
00:15:25,760 --> 00:15:27,360
Speaker 2: You're the one who specializes in this.

273
00:15:28,120 --> 00:15:30,440
Speaker 5: I think I actually didn't take as much undead stuff

274
00:15:30,440 --> 00:15:33,160
Speaker 5: as I thought. Jason told me that I should maybe

275
00:15:33,200 --> 00:15:36,560
Speaker 5: prepare for it and then talked me out of taking

276
00:15:36,680 --> 00:15:38,880
Speaker 5: some stuff. So I'm blaming Jason.

277
00:15:38,960 --> 00:15:40,680
Speaker 3: I did no such thing.

278
00:15:43,720 --> 00:15:45,680
Speaker 5: I think. I also was like, I shouldn't mind max

279
00:15:45,760 --> 00:15:47,720
Speaker 5: around this one specific thing that you said.

280
00:15:48,400 --> 00:15:51,120
Speaker 4: We'll soften them all up for Murdy. Yeah, and then

281
00:15:51,360 --> 00:15:54,880
Speaker 4: it'll just be it'll just be a little boy popping off.

282
00:15:55,680 --> 00:15:58,880
Speaker 3: Well top of the order here as these skeletons come

283
00:15:58,920 --> 00:16:01,680
Speaker 3: crawling up out of the ground, trance, you are first

284
00:16:01,720 --> 00:16:02,240
Speaker 3: to act.

285
00:16:02,520 --> 00:16:03,400
Speaker 4: You goddamn right.

286
00:16:03,600 --> 00:16:06,840
Speaker 3: Skeletons, though, are notoriously immune to a lot of stuff.

287
00:16:06,880 --> 00:16:11,520
Speaker 3: They're just bones. Many things do not affect well.

288
00:16:12,480 --> 00:16:14,920
Speaker 1: I know one thing that definitely works on the undead.

289
00:16:15,200 --> 00:16:20,040
Speaker 1: My great grandpappy, Brusifer Campbell, Sure why not? Taught me

290
00:16:20,480 --> 00:16:23,000
Speaker 1: the ideal weapon to use against any kind of skeleton.

291
00:16:23,320 --> 00:16:25,320
Speaker 1: And then I'm gonna pull my shotgun.

292
00:16:25,400 --> 00:16:31,160
Speaker 3: As the shotgun. Yeah, there is all right, you draw

293
00:16:31,240 --> 00:16:35,880
Speaker 3: your weapon, take aim. Yeah, not twenty at the nearest,

294
00:16:37,440 --> 00:16:40,200
Speaker 3: Not twenty at the nearest. Yeah, baby, yeah, that is

295
00:16:40,240 --> 00:16:42,040
Speaker 3: one directly off to your right. It just came crawling

296
00:16:42,120 --> 00:16:44,680
Speaker 3: up out of the ground, and that is going to

297
00:16:44,800 --> 00:16:46,200
Speaker 3: be a critical hit.

298
00:16:47,080 --> 00:16:48,080
Speaker 1: Goddamn right, it is.

299
00:16:48,640 --> 00:16:53,600
Speaker 3: Go ahead and roll damage two. You roll the two.

300
00:16:53,640 --> 00:16:55,520
Speaker 3: That is gonna get doubled to four because it was

301
00:16:55,520 --> 00:16:58,000
Speaker 3: a critical hit. Now the damage type is going to

302
00:16:58,080 --> 00:17:00,040
Speaker 3: kind of depend on what you packed in there. You

303
00:17:00,120 --> 00:17:05,640
Speaker 3: packed a bunch of pieces of titenus fly corpse in there,

304
00:17:06,880 --> 00:17:09,159
Speaker 3: which I'm gonna say does bludgeoning, So that is just

305
00:17:09,200 --> 00:17:12,080
Speaker 3: going to shatter the skeleton right next to you. It

306
00:17:12,200 --> 00:17:15,800
Speaker 3: just entirely comes undone. You blast it right in the chest,

307
00:17:16,160 --> 00:17:19,159
Speaker 3: and its bones fall back down into the earth to

308
00:17:19,280 --> 00:17:20,359
Speaker 3: its final rest.

309
00:17:21,160 --> 00:17:25,200
Speaker 4: All right, And where'd you get that gun from? One

310
00:17:25,200 --> 00:17:27,000
Speaker 4: of our sponsors? I did?

311
00:17:27,320 --> 00:17:37,919
Speaker 1: I actually got it from We're Back. And if you

312
00:17:38,080 --> 00:17:43,119
Speaker 1: use promo code not legally a Bruce Campbell reference, you

313
00:17:43,119 --> 00:17:45,800
Speaker 1: can get a shotgun just like it for ten percent off.

314
00:17:45,880 --> 00:17:47,040
Speaker 3: It'll be groovy boy.

315
00:17:47,960 --> 00:17:51,040
Speaker 2: Two actions left, and you can spend one of them

316
00:17:51,040 --> 00:17:52,040
Speaker 2: in sports gambling.

317
00:17:53,960 --> 00:17:57,200
Speaker 1: I'm just spend one sports gambling and one reloading my shotgun.

318
00:18:00,000 --> 00:18:03,280
Speaker 3: You know what, I'm gonna let that ride. What win.

319
00:18:05,160 --> 00:18:06,840
Speaker 2: You can bet on the next attack.

320
00:18:09,760 --> 00:18:12,320
Speaker 3: There's your future of actual place, right there is just

321
00:18:12,440 --> 00:18:15,360
Speaker 3: being able to bet on the game as it's being placed.

322
00:18:16,040 --> 00:18:18,359
Speaker 4: Jason, you might be absolutely right.

323
00:18:18,800 --> 00:18:21,000
Speaker 1: Yeah, I'm gonna put two gold on no one else

324
00:18:21,000 --> 00:18:22,280
Speaker 1: getting a critical hit this turn.

325
00:18:25,080 --> 00:18:26,960
Speaker 3: All right, that is the end of trans turn. One

326
00:18:27,000 --> 00:18:29,800
Speaker 3: of the skeletons has been shattered and sent back into

327
00:18:29,840 --> 00:18:33,080
Speaker 3: its grave. Squash, we were over to you.

328
00:18:33,080 --> 00:18:35,199
Speaker 4: You took out the skeleton that the one that was

329
00:18:35,240 --> 00:18:35,959
Speaker 4: closest to us.

330
00:18:36,000 --> 00:18:36,879
Speaker 3: Yeah. Great.

331
00:18:37,800 --> 00:18:41,960
Speaker 4: I go up to the one to my left, and

332
00:18:42,119 --> 00:18:46,520
Speaker 4: I'm I'm just blasting like the terminator with my gun

333
00:18:47,800 --> 00:18:50,240
Speaker 4: as I approach them, but I don't go farther than

334
00:18:50,520 --> 00:18:54,320
Speaker 4: like two diagonal squares. I'm trying to get them kind

335
00:18:54,359 --> 00:18:56,720
Speaker 4: of right in front of the mausoleum, because I know

336
00:18:56,800 --> 00:18:58,640
Speaker 4: that Murdy's got some undead spells.

337
00:19:00,200 --> 00:19:02,640
Speaker 3: Kind of steps forward towards the massoleum, attempting to draw

338
00:19:02,640 --> 00:19:05,200
Speaker 3: all the skeletons to you, right in front of the place. Okay,

339
00:19:05,280 --> 00:19:07,440
Speaker 3: the rest of the skeletons are kind of arrayed around

340
00:19:07,480 --> 00:19:09,639
Speaker 3: it in the tombstones that are around the massoleum. They

341
00:19:09,720 --> 00:19:11,920
Speaker 3: burst up from either side, so they kind of got

342
00:19:11,920 --> 00:19:14,160
Speaker 3: you flanked, but they're not quite up on you yet.

343
00:19:14,280 --> 00:19:17,080
Speaker 3: So Swash, you have moved forward and that you are

344
00:19:17,080 --> 00:19:19,400
Speaker 3: going to fire a gun, So go ahead and make

345
00:19:19,400 --> 00:19:19,840
Speaker 3: an attack.

346
00:19:20,680 --> 00:19:24,760
Speaker 4: Yes, that's a total of twenty.

347
00:19:26,480 --> 00:19:29,560
Speaker 3: A total of twenty is going to hit. That's right,

348
00:19:30,240 --> 00:19:31,439
Speaker 3: So go ahead and roll damage.

349
00:19:32,000 --> 00:19:35,280
Speaker 4: Oh it's a four maybe, which is as good as

350
00:19:35,359 --> 00:19:35,920
Speaker 4: I can get.

351
00:19:36,640 --> 00:19:41,040
Speaker 3: All right, So that is like most guns, that one

352
00:19:41,080 --> 00:19:42,160
Speaker 3: does piercing damage.

353
00:19:42,480 --> 00:19:44,560
Speaker 4: Ah, rats, I forgot.

354
00:19:45,040 --> 00:19:48,400
Speaker 3: So the bullet kind of goes straight through the skeleton.

355
00:19:48,480 --> 00:19:50,639
Speaker 3: It doesn't look like I mean, you hit, but it

356
00:19:50,760 --> 00:19:53,679
Speaker 3: just kind of bounces off a ribbone and doesn't appear

357
00:19:53,760 --> 00:19:57,160
Speaker 3: to do any significant damage at all. You're not sure

358
00:19:57,160 --> 00:19:58,760
Speaker 3: that your pistol is going to be able to hurt

359
00:19:58,760 --> 00:19:59,440
Speaker 3: these things.

360
00:19:59,240 --> 00:20:05,480
Speaker 4: At least now that and suck their own dick anyway. Well,

361
00:20:05,920 --> 00:20:07,359
Speaker 4: I still got one.

362
00:20:07,240 --> 00:20:09,600
Speaker 3: Action, Yeah, you do still have one. I mean you can.

363
00:20:09,680 --> 00:20:11,439
Speaker 3: You could reload your gun, or you could draw a

364
00:20:11,440 --> 00:20:13,399
Speaker 3: different weapon, which you're probably gonna need to do.

365
00:20:16,160 --> 00:20:20,960
Speaker 4: Not your rapier, my rape heer, I do God.

366
00:20:20,960 --> 00:20:22,720
Speaker 3: I will say this. If you decide that your gun

367
00:20:22,760 --> 00:20:24,640
Speaker 3: is going to work. You can always attack it with fists.

368
00:20:24,840 --> 00:20:26,639
Speaker 3: You could also, like pick up a rock or a

369
00:20:26,720 --> 00:20:28,679
Speaker 3: chunk of tombstone and try and bash them with it,

370
00:20:28,720 --> 00:20:30,800
Speaker 3: if that's something you want to do, But for right now,

371
00:20:30,800 --> 00:20:31,760
Speaker 3: you can reload your gun.

372
00:20:31,960 --> 00:20:34,560
Speaker 4: I just had an original idea. Is that I pick

373
00:20:34,640 --> 00:20:37,240
Speaker 4: up a chunk of dumb stone that I hit.

374
00:20:39,320 --> 00:20:41,600
Speaker 3: The stroke of genius has hit me. All right?

375
00:20:41,920 --> 00:20:45,120
Speaker 4: Wait hold on, God is speaking to me, and he says,

376
00:20:45,640 --> 00:20:47,919
Speaker 4: hit them with a tombstone. That says, I told you

377
00:20:47,960 --> 00:20:49,320
Speaker 4: I was sick.

378
00:20:49,359 --> 00:20:52,200
Speaker 3: Oh, I don't want that job spiked. It is over

379
00:20:52,320 --> 00:20:52,720
Speaker 3: to you.

380
00:20:53,920 --> 00:20:56,639
Speaker 2: I am going to do the defensive advance where I

381
00:20:56,680 --> 00:21:00,680
Speaker 2: raise shield, stride and strike. Squash has this hand. I'm

382
00:21:00,680 --> 00:21:03,760
Speaker 2: going to the no, I have to go towards the two.

383
00:21:03,800 --> 00:21:07,240
Speaker 2: I can't bring myself too. I go to the closest one.

384
00:21:07,480 --> 00:21:10,800
Speaker 2: I stand right for a squash and I attempt to

385
00:21:10,880 --> 00:21:14,240
Speaker 2: hit it with the morning Star well screaming, I've always

386
00:21:14,240 --> 00:21:20,679
Speaker 2: wanted to do this, but I rolled a mirror seventeen,

387
00:21:20,880 --> 00:21:22,520
Speaker 2: a nine plus eight or seventeen.

388
00:21:22,960 --> 00:21:25,960
Speaker 3: So these skeletons, they're not exactly wearing armor, and although

389
00:21:25,960 --> 00:21:29,320
Speaker 3: they are kind of nimble. Being relieved of all of

390
00:21:29,359 --> 00:21:32,120
Speaker 3: their flesh. They're not that nimble, so that is going.

391
00:21:31,960 --> 00:21:36,720
Speaker 2: To hit great. I got twelve damaged bludgeoning.

392
00:21:36,480 --> 00:21:39,560
Speaker 3: Twelve bludgeoning damage. So as it turns out, skeletons, as

393
00:21:39,600 --> 00:21:41,520
Speaker 3: I've said, they don't take a lot of damage for much. Right,

394
00:21:41,600 --> 00:21:43,520
Speaker 3: you know, they don't have flesh, so you can't really

395
00:21:43,520 --> 00:21:46,280
Speaker 3: cut them very well. The piercing arrows don't really work

396
00:21:46,359 --> 00:21:48,080
Speaker 3: very well on them, but you know it does work

397
00:21:48,200 --> 00:21:51,960
Speaker 3: very well a giant club. So you basically slam your

398
00:21:51,960 --> 00:21:54,760
Speaker 3: morning Star into this thing and just shatter it. It

399
00:21:54,840 --> 00:21:58,159
Speaker 3: falls apart, making the sound like somebody running their fingers

400
00:21:58,200 --> 00:22:03,639
Speaker 3: across the xylophone. It just go into a heap of bones.

401
00:22:04,720 --> 00:22:08,960
Speaker 3: That skeleton has been destroyed. You do have one action left,

402
00:22:08,960 --> 00:22:10,200
Speaker 3: but there's no skeleton with him.

403
00:22:10,440 --> 00:22:11,840
Speaker 2: Can I throw my morning Star?

404
00:22:12,600 --> 00:22:15,919
Speaker 3: Not effectively, I'll be honest, you could, but you're already

405
00:22:15,960 --> 00:22:18,880
Speaker 3: at a penalty and throwing it would make it really bad.

406
00:22:19,000 --> 00:22:22,200
Speaker 3: You would basically need a NAP twenty to hit. It's

407
00:22:22,240 --> 00:22:23,520
Speaker 3: not a very aerodynamic one.

408
00:22:23,560 --> 00:22:27,400
Speaker 2: I'm gonna stamp my foot and say I hate waiting.

409
00:22:27,560 --> 00:22:29,199
Speaker 2: I want to run up to it, but I'm not

410
00:22:29,359 --> 00:22:32,040
Speaker 2: going to, and my shield is already raised and that's

411
00:22:32,080 --> 00:22:33,359
Speaker 2: the end of my turn. I'm just gonna get do

412
00:22:33,359 --> 00:22:34,960
Speaker 2: anything my action, all right.

413
00:22:35,320 --> 00:22:38,119
Speaker 3: So the skeletons are gonna go. The first skeleton is

414
00:22:38,119 --> 00:22:41,400
Speaker 3: going to advance from its grave, and it doesn't make

415
00:22:41,520 --> 00:22:44,040
Speaker 3: any good tactical decisions. So I'm just gonna be randomly

416
00:22:44,040 --> 00:22:46,520
Speaker 3: determine who would attack Spiked or Squashed since the two

417
00:22:46,560 --> 00:22:48,400
Speaker 3: of you are standing next to each other, and it's

418
00:22:48,400 --> 00:22:53,040
Speaker 3: going to attack Squash. No, yes, so here it comes.

419
00:22:53,080 --> 00:22:57,720
Speaker 3: It's going to swing its scimitar, and I'm going to

420
00:22:57,720 --> 00:23:00,000
Speaker 3: get an armor class of twenty five.

421
00:23:00,840 --> 00:23:02,119
Speaker 4: Jason, that's so many.

422
00:23:03,160 --> 00:23:06,639
Speaker 3: That is really high. I rolled a nineteen. What is

423
00:23:06,680 --> 00:23:07,560
Speaker 3: your armor class?

424
00:23:07,680 --> 00:23:08,600
Speaker 4: It is eighteen.

425
00:23:09,680 --> 00:23:11,879
Speaker 3: Oh okay, well it's not a critical hip, but it

426
00:23:11,920 --> 00:23:14,000
Speaker 3: is definitely going to be a hit. And to top

427
00:23:14,040 --> 00:23:17,040
Speaker 3: it off, I also rolled maximum damage. So take six

428
00:23:17,440 --> 00:23:18,400
Speaker 3: oh sorry eight.

429
00:23:18,560 --> 00:23:21,800
Speaker 2: Or you could take five damage because I'm going to

430
00:23:21,880 --> 00:23:27,120
Speaker 2: use liberating step. I reach out and say not on

431
00:23:27,200 --> 00:23:30,320
Speaker 2: my watch. I hate my character. I mean, I.

432
00:23:32,160 --> 00:23:35,800
Speaker 5: Love fits so funny.

433
00:23:36,600 --> 00:23:40,000
Speaker 1: Immediately after she intervenes, I'm gonna say look out.

434
00:23:42,840 --> 00:23:46,360
Speaker 2: So Squash, you take three less damage. That's mighty kind

435
00:23:46,359 --> 00:23:49,480
Speaker 2: of you, and you can step as a free action.

436
00:23:49,640 --> 00:23:51,640
Speaker 3: You can move to any adjacent square.

437
00:23:52,000 --> 00:23:54,879
Speaker 2: That rules, so, which means that if it takes its

438
00:23:54,960 --> 00:23:57,520
Speaker 2: next attack, it has to attack me, okay, or you

439
00:23:57,520 --> 00:23:59,480
Speaker 2: can me wherever you want, but you probably want to

440
00:23:59,480 --> 00:24:00,639
Speaker 2: move one stone to your west.

441
00:24:01,080 --> 00:24:03,760
Speaker 4: A lot of numbers running fast and free here. How

442
00:24:03,800 --> 00:24:04,840
Speaker 4: many damage do I take?

443
00:24:05,040 --> 00:24:05,320
Speaker 2: Five?

444
00:24:05,840 --> 00:24:09,600
Speaker 4: Shop? I eat five damage for breakfast, and I know

445
00:24:10,920 --> 00:24:13,240
Speaker 4: I'm gonna move to my right. I'm gonna get right

446
00:24:13,320 --> 00:24:14,000
Speaker 4: up on this pool.

447
00:24:14,880 --> 00:24:19,080
Speaker 2: Okay, that's just the way of squash baby, Yeah, fair enough.

448
00:24:19,680 --> 00:24:23,200
Speaker 3: So in this case, it's actually going to attack Spite anyway,

449
00:24:23,800 --> 00:24:27,000
Speaker 3: Oh okay, because it is attacking with a scimitar, which

450
00:24:27,080 --> 00:24:30,760
Speaker 3: does have a benefit if it attacks a different target. Oh,

451
00:24:30,840 --> 00:24:34,280
Speaker 3: interesting attack, okay, because it has sweep, it's good for

452
00:24:34,480 --> 00:24:38,119
Speaker 3: long attacks. So it's going to hit Squash and then

453
00:24:38,160 --> 00:24:41,040
Speaker 3: it's going to continue its blade and attempt to hit you, Spite.

454
00:24:41,800 --> 00:24:46,399
Speaker 3: But I rolled incredibly poorly, so it misses entirely, and

455
00:24:46,400 --> 00:24:48,359
Speaker 3: that is the end of it. Strung all right, the

456
00:24:48,400 --> 00:24:51,240
Speaker 3: other skeleton's going to go and well, like I said,

457
00:24:51,240 --> 00:24:53,919
Speaker 3: they don't exactly work with tactics, so they kind of

458
00:24:54,000 --> 00:24:57,520
Speaker 3: just attack the nearest thing to them, which is Squash.

459
00:24:57,840 --> 00:25:00,480
Speaker 3: So the other skeleton comes marching up out of the

460
00:25:00,520 --> 00:25:03,840
Speaker 3: swamp and goes after Squash. It's going to swing at

461
00:25:03,880 --> 00:25:07,879
Speaker 3: you with its symmetry. Here we go.

462
00:25:08,359 --> 00:25:10,280
Speaker 4: I hate that armor.

463
00:25:10,080 --> 00:25:11,879
Speaker 3: Class at fourteen. Isn't gonna do it, though, So it

464
00:25:11,960 --> 00:25:14,200
Speaker 3: is going to spend its final attack, and it's actually

465
00:25:14,240 --> 00:25:17,359
Speaker 3: gonna attack you with its claw with its final attack

466
00:25:17,359 --> 00:25:19,919
Speaker 3: because that is agile and isn't going to have as

467
00:25:19,960 --> 00:25:22,159
Speaker 3: much of a penalty. So you were gonna try that,

468
00:25:22,280 --> 00:25:24,600
Speaker 3: and I didn't roll well on that at all on eleven.

469
00:25:24,640 --> 00:25:27,320
Speaker 3: It's going to be missed entirely. So both of these

470
00:25:27,320 --> 00:25:32,240
Speaker 3: skeletons have gone. Their hatred for the living shines dimly

471
00:25:32,480 --> 00:25:36,520
Speaker 3: in their empty eye sockets. But their turn is now over. Murdy.

472
00:25:37,119 --> 00:25:41,359
Speaker 3: We are up to you. They're undead in your midst, vile,

473
00:25:41,920 --> 00:25:46,880
Speaker 3: evil creatures, minions of unlife. They have risen up from

474
00:25:46,920 --> 00:25:49,280
Speaker 3: their graves to spit in the face of gods. What

475
00:25:49,440 --> 00:25:55,000
Speaker 3: do you do? Heal them exactly, Buck.

476
00:25:55,480 --> 00:25:59,119
Speaker 5: I'm gonna cast heal at the three action version, which

477
00:25:59,240 --> 00:26:04,080
Speaker 5: does damage to It's gonna heal everybody from one D eight,

478
00:26:04,160 --> 00:26:06,960
Speaker 5: but for undead creatures that like does.

479
00:26:06,800 --> 00:26:10,959
Speaker 3: Damage exactly, So heal when cast as three actions causes

480
00:26:11,000 --> 00:26:16,000
Speaker 3: a burst of healing energy to come surging out of you,

481
00:26:17,840 --> 00:26:19,440
Speaker 3: washing over the skeletons.

482
00:26:20,080 --> 00:26:24,320
Speaker 5: I rolled a four four, so they all take four damage.

483
00:26:24,880 --> 00:26:27,760
Speaker 2: Okay, Squash is healed for right, and squashes.

484
00:26:27,320 --> 00:26:30,920
Speaker 3: Healed for Everyone who is hurt is healed four. The

485
00:26:31,080 --> 00:26:34,280
Speaker 3: undead that get hit by it do get a fortitude save.

486
00:26:35,040 --> 00:26:38,560
Speaker 3: They can possibly reduce this damage. So what is your

487
00:26:39,040 --> 00:26:41,359
Speaker 3: save DC for your spells?

488
00:26:41,720 --> 00:26:44,480
Speaker 5: My spell DC is seventeen seventeen.

489
00:26:44,680 --> 00:26:48,160
Speaker 3: All right, two fortitite saves here they come. Well, surprisingly,

490
00:26:48,240 --> 00:26:50,880
Speaker 3: they both actually made it. They do not have good bonuses,

491
00:26:50,880 --> 00:26:52,600
Speaker 3: but one roll to twenty and the other one rolled

492
00:26:52,600 --> 00:26:55,919
Speaker 3: the seventeen on the die, so they're both going to

493
00:26:55,920 --> 00:26:59,679
Speaker 3: make their saves. Oh my god, the Holy power washes

494
00:27:00,119 --> 00:27:03,240
Speaker 3: of you and the vitality of life hits the skeletons,

495
00:27:03,480 --> 00:27:06,680
Speaker 3: and their bones blacken and crisp. Both of them take

496
00:27:06,760 --> 00:27:07,600
Speaker 3: two damage from this.

497
00:27:08,840 --> 00:27:12,360
Speaker 5: I think that this is microwaves. I'm like heating them up.

498
00:27:13,480 --> 00:27:16,160
Speaker 3: It's not dissimilar. So both of them look like they

499
00:27:16,160 --> 00:27:18,720
Speaker 3: were wounded by that. Their bones are blacken and crispy,

500
00:27:18,760 --> 00:27:21,320
Speaker 3: but it did not destroy either one of them. Top

501
00:27:21,320 --> 00:27:23,000
Speaker 3: of the order, Trent.

502
00:27:23,640 --> 00:27:28,040
Speaker 1: All right, well, it's a complicated situation.

503
00:27:28,720 --> 00:27:28,959
Speaker 3: You know.

504
00:27:29,040 --> 00:27:31,560
Speaker 1: We've got a lot of moving parts here. So I

505
00:27:31,600 --> 00:27:36,000
Speaker 1: think in situations like this, you know, got to act creatively.

506
00:27:36,280 --> 00:27:38,640
Speaker 1: I've got to try new things, things you haven't done before.

507
00:27:38,760 --> 00:27:40,960
Speaker 1: So I'm gonna take a five foot step and shoot

508
00:27:40,960 --> 00:27:41,760
Speaker 1: this guy with a shotgun.

509
00:27:43,280 --> 00:27:45,720
Speaker 3: Yes, absolutely, that's it.

510
00:27:45,960 --> 00:27:48,719
Speaker 1: Seventeen plus five so twenty two.

511
00:27:49,160 --> 00:27:51,320
Speaker 3: All right, Yeah, you load the gun up with what

512
00:27:51,359 --> 00:27:52,280
Speaker 3: did you say, rocks?

513
00:27:52,440 --> 00:27:55,080
Speaker 1: Yeah, yeah, just rocks, just the rocks at my feet.

514
00:27:55,840 --> 00:27:58,200
Speaker 3: All right, so go ahead and roll damage.

515
00:27:59,320 --> 00:27:59,960
Speaker 1: That's another two.

516
00:28:01,000 --> 00:28:03,800
Speaker 3: Another two. The skeleton directly in front of you shatters

517
00:28:03,840 --> 00:28:06,919
Speaker 3: into a million pieces as your rock blast fits it.

518
00:28:07,240 --> 00:28:10,480
Speaker 3: That skeleton shatters and crumbles to the ground thanks to

519
00:28:10,560 --> 00:28:13,680
Speaker 3: the vitality damage it just took from the heel spell

520
00:28:14,080 --> 00:28:16,439
Speaker 3: and the blast that was enough to do it in

521
00:28:17,119 --> 00:28:20,040
Speaker 3: So you have moved and fired. You can reload if

522
00:28:20,040 --> 00:28:20,320
Speaker 3: you want.

523
00:28:20,720 --> 00:28:22,400
Speaker 1: Yeah, this seems to be working pretty well.

524
00:28:24,800 --> 00:28:27,680
Speaker 4: I'm just gonna throw some more rocks in this bad boy.

525
00:28:27,960 --> 00:28:31,520
Speaker 3: Don't mess with an alchemist with a shotgun. All right, Squash,

526
00:28:31,560 --> 00:28:36,000
Speaker 3: we're back to you. There's one skeleton left alive. Surely

527
00:28:36,080 --> 00:28:40,080
Speaker 3: you can take it with something. Absolutely surely the chunk

528
00:28:40,120 --> 00:28:44,200
Speaker 3: of tombstone in your hand. Perhaps you know I.

529
00:28:44,240 --> 00:28:47,560
Speaker 4: Was gonna draw my big fuck off gun sword, but

530
00:28:48,880 --> 00:28:52,080
Speaker 4: I got a beautiful tombstone. I'm gonna try and knock

531
00:28:52,120 --> 00:28:57,640
Speaker 4: its goddamn head off, all right. Is that an improvised weapon?

532
00:28:58,680 --> 00:29:00,720
Speaker 3: So yeah, the way that's gonna work, you're gonna get

533
00:29:00,920 --> 00:29:02,160
Speaker 3: what's your strength modifier.

534
00:29:04,200 --> 00:29:05,960
Speaker 4: Strength modifier is plus two.

535
00:29:06,840 --> 00:29:09,480
Speaker 3: All right, So basically you're gonna be attacking this thing

536
00:29:09,480 --> 00:29:11,760
Speaker 3: with a plus three on the die. If you hit,

537
00:29:12,160 --> 00:29:15,680
Speaker 3: it's gonna do one D three bludgeting plus two for strength.

538
00:29:15,880 --> 00:29:17,880
Speaker 3: So it's pretty straightforward to attack. So go ahead and

539
00:29:17,920 --> 00:29:19,880
Speaker 3: roll the die and you get a bonus of three.

540
00:29:20,280 --> 00:29:26,880
Speaker 4: Great because I roll the twenty.

541
00:29:27,520 --> 00:29:30,080
Speaker 3: So to keep things moving along, simply go ahead and

542
00:29:30,200 --> 00:29:32,160
Speaker 3: roll damage. But your minimum is gonna kill it.

543
00:29:32,680 --> 00:29:35,560
Speaker 4: Yeah, I don't care about this stuff. You just said,

544
00:29:35,640 --> 00:29:37,520
Speaker 4: I kill this skeleton stone dead.

545
00:29:38,560 --> 00:29:42,080
Speaker 3: Yeah, you kind of drop the tombstone atop the skeleton.

546
00:29:42,360 --> 00:29:46,000
Speaker 3: Its skull gets cracked, crushed into powder, and for a

547
00:29:46,040 --> 00:29:48,000
Speaker 3: moment the body is running around with a bit of

548
00:29:48,040 --> 00:29:50,880
Speaker 3: tombstone up there. Then I remember this isn't Looney Tunes,

549
00:29:50,920 --> 00:29:52,360
Speaker 3: so it collapses.

550
00:29:51,920 --> 00:29:55,920
Speaker 4: And I'm laughing. My ass off the whole time. This rocks.

551
00:29:56,000 --> 00:29:58,400
Speaker 4: This is what I got into this business for, baby,

552
00:29:58,560 --> 00:29:59,680
Speaker 4: This is what it's all about.

553
00:30:00,840 --> 00:30:01,960
Speaker 3: Okay, this rack.

554
00:30:03,200 --> 00:30:06,960
Speaker 4: And I looked despite as if like, hey, you like puns, right.

555
00:30:07,160 --> 00:30:12,080
Speaker 2: I give you a big thumbs up, like give you

556
00:30:13,000 --> 00:30:15,520
Speaker 2: and like we like really awkwardly. I don't understand the

557
00:30:15,520 --> 00:30:17,120
Speaker 2: fist pump thing, and so then I'm like.

558
00:30:19,040 --> 00:30:21,120
Speaker 4: I like trying to do it some more and you're

559
00:30:21,240 --> 00:30:22,560
Speaker 4: like awkward.

560
00:30:23,400 --> 00:30:26,480
Speaker 2: And then I got really into it and you win.

561
00:30:27,400 --> 00:30:29,520
Speaker 2: Probably twice as tall.

562
00:30:29,360 --> 00:30:32,200
Speaker 4: As you anyway, Jason what evans.

563
00:30:33,400 --> 00:30:37,600
Speaker 3: So the last of the skeletons falls back down into

564
00:30:37,640 --> 00:30:41,400
Speaker 3: the dirt, slowly sinking back down into the graves from

565
00:30:41,400 --> 00:30:44,280
Speaker 3: which they came, and you now find yourself standing atop

566
00:30:44,720 --> 00:30:50,960
Speaker 3: this soggy cemetery alone. It is quiet, sun is beginning

567
00:30:50,960 --> 00:30:54,720
Speaker 3: to set, and you see the pale tomb flowers there

568
00:30:54,720 --> 00:30:57,880
Speaker 3: before you, easy to pick. Now that the threat has

569
00:30:57,920 --> 00:30:58,920
Speaker 3: been taken care of.

570
00:30:59,640 --> 00:31:01,760
Speaker 2: I'm all going to look in the tomb to see

571
00:31:01,760 --> 00:31:04,120
Speaker 2: if there's anything you could steal. This is really easy

572
00:31:04,160 --> 00:31:07,600
Speaker 2: to justify with my hatred of the rich, because who

573
00:31:07,640 --> 00:31:10,280
Speaker 2: gets to have a thing like that? That mausoleum?

574
00:31:10,640 --> 00:31:11,840
Speaker 3: No, that's absolutely fair.

575
00:31:12,120 --> 00:31:14,040
Speaker 1: I'm going to load up a sack full of bones

576
00:31:14,200 --> 00:31:15,320
Speaker 1: just for future shotgun.

577
00:31:17,720 --> 00:31:20,120
Speaker 3: The hand bones work great for that. There's lots of

578
00:31:20,120 --> 00:31:24,840
Speaker 3: tiny little ones. So you you take a look up

579
00:31:24,880 --> 00:31:28,120
Speaker 3: around the mausoleum. The mauscoleum itself is actually sealed. It's

580
00:31:28,200 --> 00:31:31,120
Speaker 3: not something you can just open. You'd have to like

581
00:31:31,360 --> 00:31:31,920
Speaker 3: break in.

582
00:31:33,160 --> 00:31:35,480
Speaker 2: Eh, I don't really need need to break in.

583
00:31:35,520 --> 00:31:37,680
Speaker 4: I break in. I got some gut powder.

584
00:31:40,120 --> 00:31:41,440
Speaker 5: Oh, I have a thieves kit.

585
00:31:42,120 --> 00:31:45,680
Speaker 4: Yes, everyone seems into us being like fantasy. Call for

586
00:31:45,720 --> 00:31:47,160
Speaker 4: a second. Let's blow up the tomb.

587
00:31:49,760 --> 00:31:53,280
Speaker 3: I'm assuming you collect the flowers before you do anything dangerous.

588
00:31:53,760 --> 00:31:56,000
Speaker 5: Yeah, yeah, there in my pocket.

589
00:31:56,600 --> 00:31:58,960
Speaker 4: I spend enough time in a little Louisiana to hear

590
00:31:59,280 --> 00:32:03,880
Speaker 4: how much people hate Nicholas Cage's eventual tomb in the

591
00:32:03,920 --> 00:32:06,480
Speaker 4: middle of New Orleans. And I'm going to pretend that

592
00:32:06,560 --> 00:32:08,920
Speaker 4: this is that we're blowing up Nick Cage's tunes.

593
00:32:09,040 --> 00:32:11,840
Speaker 3: Sorry, Nick, it sounds like one of you has thievery.

594
00:32:11,880 --> 00:32:13,320
Speaker 3: Do you just want to try and pick the lock first?

595
00:32:13,360 --> 00:32:14,680
Speaker 3: Are we going straight to gunpowder?

596
00:32:14,800 --> 00:32:16,840
Speaker 4: I have plus seven thievery. I will do it.

597
00:32:17,440 --> 00:32:19,520
Speaker 5: I have thieves tools that I can loan you.

598
00:32:20,200 --> 00:32:22,320
Speaker 4: I would appreciate it, go.

599
00:32:22,280 --> 00:32:24,719
Speaker 3: Ahead and give me a thievery check. It is an old,

600
00:32:24,880 --> 00:32:28,280
Speaker 3: rusty lock. It's not really very secure. It's not exactly

601
00:32:28,320 --> 00:32:29,080
Speaker 3: a state of the art.

602
00:32:29,160 --> 00:32:30,240
Speaker 2: Oh, but you can get guidance.

603
00:32:31,120 --> 00:32:32,080
Speaker 5: Yeah, you want guidance.

604
00:32:32,600 --> 00:32:33,720
Speaker 4: I would love guidance.

605
00:32:33,840 --> 00:32:37,280
Speaker 5: Yeah, here's guidance and thieves tools that should be at least

606
00:32:37,280 --> 00:32:37,880
Speaker 5: a plus three.

607
00:32:39,040 --> 00:32:41,680
Speaker 3: Well, the guidance gives you a plus one. The thieves

608
00:32:41,680 --> 00:32:44,560
Speaker 3: tools don't give you any bonus unless they're very expensive

609
00:32:44,560 --> 00:32:46,040
Speaker 3: thieves tools, which I doubt you have.

610
00:32:46,160 --> 00:32:48,240
Speaker 5: You probably I don't have the expensive ones.

611
00:32:49,360 --> 00:32:49,560
Speaker 3: Yeah.

612
00:32:49,560 --> 00:32:51,560
Speaker 4: That just kind of lets you try it. Yeah.

613
00:32:51,640 --> 00:32:53,720
Speaker 3: Yeah, without it, you take big penalties.

614
00:32:53,760 --> 00:32:58,200
Speaker 4: Actually, cool, cool, cool, cool. That's twenty six altogether. I

615
00:32:58,280 --> 00:33:01,040
Speaker 4: was born to grave rob Well.

616
00:33:01,200 --> 00:33:03,760
Speaker 3: I mean, honestly, it didn't require that much effort. It's

617
00:33:03,800 --> 00:33:06,680
Speaker 3: a very simple lock. And yeah, you managed to pick

618
00:33:06,720 --> 00:33:09,160
Speaker 3: it within a few moments. You managed to get the

619
00:33:09,200 --> 00:33:11,480
Speaker 3: old rusty chain off and are able to open up

620
00:33:11,520 --> 00:33:15,360
Speaker 3: the door to the mausoleum. Inside there are a trio

621
00:33:15,920 --> 00:33:21,120
Speaker 3: of coffins, kind of a topstone beers. They're pretty soggy

622
00:33:21,120 --> 00:33:24,320
Speaker 3: and rotten. This whole cemetery having kind of mostly sunk

623
00:33:24,360 --> 00:33:27,960
Speaker 3: into the swamp things in here having exactly fared too well.

624
00:33:28,360 --> 00:33:30,680
Speaker 3: Despite it sounds like you're gonna go check out the coffins.

625
00:33:30,720 --> 00:33:32,160
Speaker 3: Is that is that what you're doing.

626
00:33:32,240 --> 00:33:34,880
Speaker 2: I'm gonna pull I probably have a bandana or something.

627
00:33:34,920 --> 00:33:38,520
Speaker 2: I am covering my face because my uncle Larceny has

628
00:33:38,560 --> 00:33:41,760
Speaker 2: talked to me a lot about grave robbing, and he

629
00:33:41,920 --> 00:33:44,800
Speaker 2: suggests that it is actually always best to cover your

630
00:33:44,800 --> 00:33:48,920
Speaker 2: face because there's all kinds of gross stuff miasma as

631
00:33:48,960 --> 00:33:51,200
Speaker 2: it were, sometimes in the air. And so when you're

632
00:33:51,240 --> 00:33:54,040
Speaker 2: stealing from the dead, which isn't theft because why would

633
00:33:54,320 --> 00:33:56,120
Speaker 2: they need it, And then I'm going to go through

634
00:33:56,160 --> 00:33:57,200
Speaker 2: and start looking around.

635
00:33:57,800 --> 00:33:59,480
Speaker 4: You're explaining this the whole time.

636
00:34:00,040 --> 00:34:04,080
Speaker 3: You probably open the coffins and there's no amazing treasure

637
00:34:04,080 --> 00:34:06,000
Speaker 3: to be found here, although you know most of them

638
00:34:06,040 --> 00:34:09,200
Speaker 3: were buried in relatively simple clothing that has since kind

639
00:34:09,239 --> 00:34:12,520
Speaker 3: of moldered away. These are skeletons. I will say that

640
00:34:12,560 --> 00:34:17,240
Speaker 3: you find a pair of rings, They're probably not magical,

641
00:34:17,239 --> 00:34:20,280
Speaker 3: They're very simple and make one of them is silver

642
00:34:20,360 --> 00:34:21,360
Speaker 3: and one of them is gold.

643
00:34:21,640 --> 00:34:23,680
Speaker 2: All right, I take them.

644
00:34:24,000 --> 00:34:26,200
Speaker 1: I'm gonna drink one of those stone beers while they're

645
00:34:26,200 --> 00:34:26,520
Speaker 1: doing that.

646
00:34:27,239 --> 00:34:28,160
Speaker 4: Yeah, likewise.

647
00:34:28,200 --> 00:34:32,880
Speaker 3: Oh sure, yeah, hang it out having a cold one

648
00:34:32,960 --> 00:34:35,120
Speaker 3: before you head back to town doing the hero stuff.

649
00:34:35,200 --> 00:34:35,920
Speaker 3: Robin a grave.

650
00:34:36,080 --> 00:34:39,000
Speaker 4: Yeah, we cheerish, but you makil us.

651
00:34:40,320 --> 00:34:42,040
Speaker 2: Well, there wasn't all that much in there, but there

652
00:34:42,040 --> 00:34:44,359
Speaker 2: were these two rings. I bet we could sell them

653
00:34:44,400 --> 00:34:47,000
Speaker 2: and spend the money to get explosives to bring revolution

654
00:34:47,160 --> 00:34:49,000
Speaker 2: to the countries of the world.

655
00:34:49,840 --> 00:34:52,440
Speaker 1: Hey, now you're speaking my language.

656
00:34:52,760 --> 00:34:53,760
Speaker 3: There you go common.

657
00:34:56,400 --> 00:34:57,960
Speaker 2: I say the same thing in infernal.

658
00:35:03,360 --> 00:35:05,759
Speaker 3: The people back in town suddenly have a shudder. They

659
00:35:05,760 --> 00:35:07,920
Speaker 3: don't know why, but they suddenly realized, Wait, if we

660
00:35:08,000 --> 00:35:08,760
Speaker 3: hired good.

661
00:35:08,600 --> 00:35:12,839
Speaker 2: Guys by some way of looking at it.

662
00:35:15,360 --> 00:35:19,560
Speaker 5: Anyway, Anyway, there wasn't that much in the graves. But

663
00:35:19,840 --> 00:35:21,680
Speaker 5: you know where there is treasure.

664
00:35:22,360 --> 00:35:23,800
Speaker 2: Is it in the sweet deals?

665
00:35:24,200 --> 00:35:26,239
Speaker 5: It might be Listen find out.

666
00:35:26,440 --> 00:35:28,080
Speaker 1: I thought you were going to say it's friendship, and

667
00:35:28,120 --> 00:35:29,040
Speaker 1: I was gonna get pitched.

668
00:35:29,040 --> 00:35:31,879
Speaker 2: Now we're not sponsored by friendship. We don't care about it.

669
00:35:31,880 --> 00:35:32,879
Speaker 2: Doesn't sponsor us.

670
00:35:33,239 --> 00:35:35,080
Speaker 4: Friendship, please sponsor us.

671
00:35:35,480 --> 00:35:38,640
Speaker 2: However, if we're sponsored by the resurrectionist school, which is

672
00:35:38,640 --> 00:35:42,520
Speaker 2: actually just about getting bodies for medical examination, then maybe

673
00:35:42,520 --> 00:35:43,400
Speaker 2: that's what we're sitting.

674
00:35:43,880 --> 00:35:46,320
Speaker 1: Yeah, corpses r us. We'll take your money.

675
00:35:46,440 --> 00:35:48,480
Speaker 4: I'm never going to ask what you're talking about.

676
00:35:49,280 --> 00:35:50,839
Speaker 2: One day, I'm going to do a cool people did

677
00:35:50,840 --> 00:35:54,920
Speaker 2: cool stuff on resurrectionists just because it's so fascinating to me.

678
00:35:55,680 --> 00:35:57,080
Speaker 4: I can't wait to not listen.

679
00:35:57,160 --> 00:35:59,880
Speaker 5: Yeah, the thing that you've described does not sound cool.

680
00:36:00,400 --> 00:36:04,120
Speaker 2: No, it's probably not. It's actually bad.

681
00:36:04,800 --> 00:36:09,040
Speaker 5: Anyway, we were doing as we're doing, a Midwestern goodbye.

682
00:36:09,120 --> 00:36:11,040
Speaker 5: But for the ads here they are hold on.

683
00:36:11,080 --> 00:36:22,759
Speaker 3: I gotta slap my knees and go welp. Well and

684
00:36:22,840 --> 00:36:23,879
Speaker 3: we're back, and we're back.

685
00:36:23,960 --> 00:36:25,280
Speaker 4: We are great work everyone.

686
00:36:25,560 --> 00:36:27,759
Speaker 3: Yeah, I could feel it. I knew that we were back.

687
00:36:28,719 --> 00:36:29,680
Speaker 2: Yeah, people are listening.

688
00:36:29,760 --> 00:36:33,279
Speaker 3: Well, you've gathered up all three ingredients that you need,

689
00:36:33,360 --> 00:36:36,400
Speaker 3: so you have everything that Ladrusa needs now to create

690
00:36:36,480 --> 00:36:40,080
Speaker 3: the antidote to the vile poison that is making the

691
00:36:40,520 --> 00:36:43,840
Speaker 3: poor villagers forget their friends and family and want to

692
00:36:43,880 --> 00:36:45,560
Speaker 3: go live with the boggard. So all you have to

693
00:36:45,600 --> 00:36:48,080
Speaker 3: do now is make your way back to bog Bottom.

694
00:36:48,120 --> 00:36:50,400
Speaker 3: A simple enough task should be easy.

695
00:36:51,400 --> 00:36:54,399
Speaker 2: I'm going to, for aesthetic value, put torches on each

696
00:36:54,480 --> 00:36:56,480
Speaker 2: corner of the boat so that when we go through

697
00:36:56,520 --> 00:36:59,719
Speaker 2: the fog it looks cool. Great idea and light the

698
00:36:59,800 --> 00:37:01,360
Speaker 2: cam on my helmet.

699
00:37:02,200 --> 00:37:04,520
Speaker 3: Absolutely as it is starting to get dark now, that

700
00:37:04,520 --> 00:37:07,480
Speaker 3: does actually help everyone piles back onto the raft and

701
00:37:07,520 --> 00:37:09,840
Speaker 3: you begin pulling your way back to bog Bottom as

702
00:37:09,920 --> 00:37:11,920
Speaker 3: quick as you can, because again it is starting to

703
00:37:11,920 --> 00:37:16,200
Speaker 3: get a bit dark. Murdy, your roles have been stellar

704
00:37:16,280 --> 00:37:19,719
Speaker 3: thus far. Your survivor roles have been absolutely amazing. I'm

705
00:37:19,800 --> 00:37:22,000
Speaker 3: setting it up here so that if you bounce a one,

706
00:37:22,480 --> 00:37:25,040
Speaker 3: it's really funny. But knowing you, you're just going to

707
00:37:25,120 --> 00:37:27,400
Speaker 3: bounce another twenty, So go ahead and give me a

708
00:37:27,400 --> 00:37:30,399
Speaker 3: survival check to guide everybody back home.

709
00:37:30,880 --> 00:37:33,160
Speaker 5: Jason, when you say it like that, you're going to

710
00:37:33,239 --> 00:37:35,839
Speaker 5: jinx the dice. You can't the dice hear this.

711
00:37:36,280 --> 00:37:37,440
Speaker 3: No, that's why I said it that way.

712
00:37:37,480 --> 00:37:47,520
Speaker 5: It's oh my god, oh my god, oh my gosh.

713
00:37:44,239 --> 00:37:44,880
Speaker 3: Son of them.

714
00:37:46,680 --> 00:37:48,200
Speaker 2: Have you ever done the thing where you take your

715
00:37:48,280 --> 00:37:50,440
Speaker 2: die and you put it in salt water so that

716
00:37:50,480 --> 00:37:53,040
Speaker 2: it's like the perfectly buoyant and floats, and then see

717
00:37:53,040 --> 00:37:55,400
Speaker 2: what number comes up and then you spin it. This

718
00:37:55,480 --> 00:37:56,840
Speaker 2: is how you can find out if your die is

719
00:37:56,880 --> 00:37:58,040
Speaker 2: actually neutral.

720
00:37:58,360 --> 00:37:59,279
Speaker 5: I don't want to do that.

721
00:38:00,840 --> 00:38:02,839
Speaker 3: I'm not doing that that might reveal that my dies.

722
00:38:03,239 --> 00:38:07,040
Speaker 4: Yeah, you have to go to insert whoever pays the

723
00:38:07,080 --> 00:38:10,400
Speaker 4: most money to advertise on this podcast at dice dot

724
00:38:10,440 --> 00:38:13,120
Speaker 4: com and buy their die.

725
00:38:14,200 --> 00:38:16,000
Speaker 3: There are a lot of gamers out there that will

726
00:38:16,040 --> 00:38:18,359
Speaker 3: do like a five hundred roll test on their dice

727
00:38:18,440 --> 00:38:20,480
Speaker 3: just to see what the average is. You know, people

728
00:38:20,560 --> 00:38:21,440
Speaker 3: take this seriously.

729
00:38:21,640 --> 00:38:24,479
Speaker 4: There's a particular guy company that I have like two

730
00:38:24,640 --> 00:38:29,000
Speaker 4: mugs at Margaret's house about and boy I hearp it.

731
00:38:29,360 --> 00:38:34,080
Speaker 4: I hope that they'll give us ten thousand dollars because

732
00:38:34,120 --> 00:38:35,759
Speaker 4: I love them. You have to go get yourself some

733
00:38:35,800 --> 00:38:39,120
Speaker 4: precision dice. It gives you equal access to all the vertices.

734
00:38:38,680 --> 00:38:39,120
Speaker 3: Of your dice.

735
00:38:39,160 --> 00:38:40,040
Speaker 2: Yeah, that's important.

736
00:38:40,160 --> 00:38:41,919
Speaker 3: The famous Luzaki told me that.

737
00:38:42,239 --> 00:38:45,440
Speaker 2: All right, So we have twenty seven on our survival check.

738
00:38:47,640 --> 00:38:50,440
Speaker 2: This is the best swamp guide clone that die.

739
00:38:50,520 --> 00:38:52,080
Speaker 5: I'm joining the maps cult things.

740
00:38:52,840 --> 00:38:57,479
Speaker 3: So once again, Murdy has just an incredible skill at

741
00:38:57,520 --> 00:39:00,799
Speaker 3: guiding this raft through the swamp. You begin making your

742
00:39:00,800 --> 00:39:04,400
Speaker 3: way back to the community. The journey is a little

743
00:39:04,440 --> 00:39:07,120
Speaker 3: different now that it's grown dark. Earlier in the day,

744
00:39:07,520 --> 00:39:11,160
Speaker 3: the swamp was a vibrant place full of life, Iridescent

745
00:39:11,239 --> 00:39:18,799
Speaker 3: insects floating lazily on warm swamp air, floating up into

746
00:39:18,840 --> 00:39:21,800
Speaker 3: the fog coming back down, zooming around as you glided

747
00:39:21,840 --> 00:39:28,239
Speaker 3: between thick, green, vibrant vines. But at night takes on

748
00:39:28,280 --> 00:39:34,040
Speaker 3: a decidedly different theme tone feel. It's dark, it's foreboding.

749
00:39:34,040 --> 00:39:37,320
Speaker 3: There's a mist that rises up. Your vision becomes rather limited.

750
00:39:38,080 --> 00:39:44,160
Speaker 3: The insects grow quiet and instead are replaced by night noises, frogs,

751
00:39:44,680 --> 00:39:49,239
Speaker 3: slithering things plopping into the water, small disturbances as your

752
00:39:49,320 --> 00:39:53,640
Speaker 3: raft makes its way back word bulk bottom. The smell

753
00:39:54,239 --> 00:39:58,880
Speaker 3: seems to change too. Instead of being one of fertile life,

754
00:39:58,920 --> 00:40:02,760
Speaker 3: it now smells more of rot and decay. Swamp cooling

755
00:40:03,800 --> 00:40:04,319
Speaker 3: around you.

756
00:40:06,080 --> 00:40:07,359
Speaker 2: Gosh, it's beautiful here.

757
00:40:09,080 --> 00:40:11,680
Speaker 1: Yeah, a lot of people call swamps the deserts of

758
00:40:11,719 --> 00:40:12,120
Speaker 1: the sea.

759
00:40:12,719 --> 00:40:14,279
Speaker 3: So I'm gonna go ahead and put you all on

760
00:40:14,320 --> 00:40:16,160
Speaker 3: the raft here, if you could all move yourselves to

761
00:40:16,160 --> 00:40:18,120
Speaker 3: wherever you want to be. It's a pretty good sized raft,

762
00:40:18,120 --> 00:40:18,840
Speaker 3: as you can see.

763
00:40:18,960 --> 00:40:20,600
Speaker 4: It seems like a normal thing to say.

764
00:40:20,760 --> 00:40:23,960
Speaker 3: It's about, you know, twenty five feet long and you know,

765
00:40:24,120 --> 00:40:26,040
Speaker 3: fifteen feet wide or so, if you can just place

766
00:40:26,120 --> 00:40:28,600
Speaker 3: yourself on the raft wherever you want to be, for

767
00:40:28,680 --> 00:40:31,680
Speaker 3: no particular reason, just kind of curious.

768
00:40:31,520 --> 00:40:34,720
Speaker 2: I assume that you pull from the back of them. I, Margaret,

769
00:40:34,760 --> 00:40:37,520
Speaker 2: don't know shit about a pole barge. Where do I

770
00:40:37,520 --> 00:40:39,160
Speaker 2: pull from front or back?

771
00:40:39,360 --> 00:40:42,040
Speaker 3: So I actually think you, generally speaking, you're gonna have

772
00:40:42,160 --> 00:40:45,200
Speaker 3: Murdy at back because Murdy is navigating with the kind

773
00:40:45,200 --> 00:40:48,840
Speaker 3: of rudder helping to guide the raft in the right direction.

774
00:40:49,320 --> 00:40:52,040
Speaker 3: I think the polling is generally done from the sides right,

775
00:40:52,120 --> 00:40:54,279
Speaker 3: because you want to be able to avoid obstacles and

776
00:40:54,320 --> 00:40:55,200
Speaker 3: push away from them.

777
00:40:55,600 --> 00:40:57,000
Speaker 1: Yeah, that's that's my understanding.

778
00:40:57,000 --> 00:41:03,640
Speaker 3: Okay, from all my barged from Robert's extensive barge life.

779
00:41:04,080 --> 00:41:05,560
Speaker 1: I've done some barging in my time.

780
00:41:05,600 --> 00:41:07,440
Speaker 4: I've done I've done a bit of bargin.

781
00:41:08,000 --> 00:41:09,120
Speaker 1: I've barged a couple.

782
00:41:08,960 --> 00:41:10,840
Speaker 2: Of times based on what I think might happen with

783
00:41:10,920 --> 00:41:12,520
Speaker 2: me by the side of the barge. I just want

784
00:41:12,520 --> 00:41:15,000
Speaker 2: to say, in real life, I have swim and chain mail.

785
00:41:15,360 --> 00:41:17,680
Speaker 2: It is doable. I just want to I want to

786
00:41:17,719 --> 00:41:20,600
Speaker 2: make that clear. That is the thing I have done.

787
00:41:21,640 --> 00:41:24,720
Speaker 3: So the rules of Pathfinder allow for a great many things,

788
00:41:24,719 --> 00:41:25,480
Speaker 3: including swimming.

789
00:41:25,440 --> 00:41:27,920
Speaker 2: Okay, great, I just all right, I just want to

790
00:41:27,920 --> 00:41:28,279
Speaker 2: be clear.

791
00:41:29,000 --> 00:41:33,840
Speaker 4: Anyway, I think this squash is criss cross apple sauce

792
00:41:34,040 --> 00:41:37,719
Speaker 4: in the middle of the barge. Trend to meditate, Trent.

793
00:41:37,840 --> 00:41:38,920
Speaker 3: You want to be on the other side of the

794
00:41:38,920 --> 00:41:41,760
Speaker 3: barge polling as well. There are multiple poles. You generally

795
00:41:41,760 --> 00:41:45,080
Speaker 3: want to have people pulling from others. Since oh sure, okay,

796
00:41:45,560 --> 00:41:48,840
Speaker 3: all right, you're pulling along, it's been about half an

797
00:41:48,840 --> 00:41:53,240
Speaker 3: hour since you last left the cemetery. You're gonna wager

798
00:41:53,320 --> 00:41:57,280
Speaker 3: that bark Bottom can't be far away. But a wave

799
00:41:57,680 --> 00:42:01,719
Speaker 3: of foul smelling swamp water rush over the barge as

800
00:42:01,760 --> 00:42:05,040
Speaker 3: a massive frog like creature leaps from the depths of

801
00:42:05,080 --> 00:42:10,200
Speaker 3: the swamp to land at the stern. It's two massive

802
00:42:10,320 --> 00:42:15,040
Speaker 3: tusks scrape the barge's hole while it's belly coats the

803
00:42:15,120 --> 00:42:18,520
Speaker 3: deck with a slick grease. Well looks like an old

804
00:42:18,640 --> 00:42:22,640
Speaker 3: dagger is embedded in the creature's glistening flank. The monster

805
00:42:22,760 --> 00:42:25,920
Speaker 3: lets out a thunderous croak as it licks its lips

806
00:42:25,920 --> 00:42:30,040
Speaker 3: in anticipation, while the entire barge shakes under the creature's

807
00:42:30,480 --> 00:42:31,920
Speaker 3: massive bulk.

808
00:42:32,600 --> 00:42:36,360
Speaker 5: Some sort of wolf, Jason, This thing is fucking nasty.

809
00:42:37,000 --> 00:42:42,280
Speaker 2: Knock up, you two tusks. You've put the last person

810
00:42:42,360 --> 00:42:44,799
Speaker 2: in the cage of a watery grave that you're ever

811
00:42:44,840 --> 00:42:48,080
Speaker 2: going to get to. Well, that thing's huge.

812
00:42:48,160 --> 00:42:53,080
Speaker 3: Oh fuck what she said? Oh my god, shit, it's

813
00:42:53,120 --> 00:42:55,799
Speaker 3: my favorite part for all of you listening at home.

814
00:42:56,160 --> 00:42:59,719
Speaker 3: Is all that bravado until I moved the miniature on

815
00:43:00,120 --> 00:43:02,880
Speaker 3: the mouth and it is fully four times bigger than

816
00:43:02,880 --> 00:43:05,000
Speaker 3: any of them, and all of a sudden, all of

817
00:43:05,040 --> 00:43:08,320
Speaker 3: their bravano turned into oh no, it's giant frog boster.

818
00:43:09,080 --> 00:43:13,440
Speaker 1: I think we should try diplomacy. Do you speak Elvish?

819
00:43:13,840 --> 00:43:19,040
Speaker 3: I don't, so yeah, I'm gonna need everybody to roll

820
00:43:19,040 --> 00:43:23,560
Speaker 3: initiative this frog thing. And mind you, it's not actually

821
00:43:23,600 --> 00:43:28,080
Speaker 3: a frog. It has tusks that are about two feet

822
00:43:28,120 --> 00:43:29,959
Speaker 3: long sticking out of its mouth.

823
00:43:30,080 --> 00:43:32,439
Speaker 4: Dear listener, this frog looks cool as hell.

824
00:43:32,680 --> 00:43:33,719
Speaker 2: It does look cool as hell.

825
00:43:34,239 --> 00:43:40,120
Speaker 3: It's belly is coated in some sort of slippery grease

826
00:43:40,680 --> 00:43:42,799
Speaker 3: that like when it pulls itself up. It is just

827
00:43:42,920 --> 00:43:46,040
Speaker 3: coating your raft in this slippery.

828
00:43:46,040 --> 00:43:48,600
Speaker 2: Like a reflex same to me, that's not where I'm

829
00:43:48,640 --> 00:43:50,200
Speaker 2: a viking, all.

830
00:43:50,200 --> 00:43:56,080
Speaker 3: Right, So I'm gonna go ahead and collect everybody's initiative. Squash,

831
00:43:56,080 --> 00:43:56,600
Speaker 3: what do you got?

832
00:43:56,760 --> 00:44:02,160
Speaker 4: I rolled a seventeen plus five twenty two.

833
00:44:01,760 --> 00:44:03,879
Speaker 3: Twenty two again, spite, what do you got?

834
00:44:04,000 --> 00:44:05,680
Speaker 2: A five plus four is a nine.

835
00:44:06,600 --> 00:44:10,600
Speaker 5: Murdy, what do you got eighteen plus seven is twenty five?

836
00:44:11,440 --> 00:44:14,280
Speaker 1: Trance, what do you got eight plus five is eighteen?

837
00:44:15,239 --> 00:44:17,080
Speaker 2: Well, one of us is getting swallowed.

838
00:44:18,000 --> 00:44:23,319
Speaker 3: Okay, So the entire raft is now leaning. It is

839
00:44:23,480 --> 00:44:26,360
Speaker 3: at such an angle that for all of you, the

840
00:44:26,480 --> 00:44:30,319
Speaker 3: ground is now all considered difficult terrain. And what that

841
00:44:30,480 --> 00:44:35,280
Speaker 3: means is that your movement is basically halfed. So every

842
00:44:35,719 --> 00:44:38,120
Speaker 3: space you want to move across you ten feet of movement,

843
00:44:38,200 --> 00:44:42,600
Speaker 3: not five feet. So you cannot move very efficiently while

844
00:44:42,640 --> 00:44:46,200
Speaker 3: this thing's on the raft because you might slide right off.

845
00:44:46,239 --> 00:44:48,480
Speaker 3: You have to take everything very carefully. The ground is

846
00:44:48,520 --> 00:44:52,000
Speaker 3: too steep, Murdy, you get to go first. This thing

847
00:44:52,280 --> 00:44:54,840
Speaker 3: is right next to you. It hopped on the back

848
00:44:55,600 --> 00:44:56,720
Speaker 3: of the raft.

849
00:44:59,000 --> 00:45:03,080
Speaker 5: Well, Jason, I would like to cast bless for two actions,

850
00:45:03,239 --> 00:45:05,920
Speaker 5: which is gonna give everybody a plus one status bonus

851
00:45:06,000 --> 00:45:08,480
Speaker 5: two attack rolls, and then I would like to try

852
00:45:08,480 --> 00:45:10,279
Speaker 5: to gouge out at least one of its eyes with

853
00:45:10,360 --> 00:45:11,040
Speaker 5: my soup ladle.

854
00:45:13,800 --> 00:45:16,799
Speaker 3: So Blessed does have a short range until you kind

855
00:45:16,800 --> 00:45:18,000
Speaker 3: of spend some time with it.

856
00:45:18,200 --> 00:45:21,040
Speaker 2: Right, that's fifteen feet if you take one step to

857
00:45:21,120 --> 00:45:23,200
Speaker 2: your oh, but then you would be able to attack.

858
00:45:23,400 --> 00:45:24,840
Speaker 2: If you took one step to your west, you'd be

859
00:45:24,880 --> 00:45:29,000
Speaker 2: within fifteen feet of me and Trent. And then also

860
00:45:29,239 --> 00:45:30,879
Speaker 2: you would be within fifteen feet of meat. So I

861
00:45:30,880 --> 00:45:33,280
Speaker 2: if you got swallowed by a giant frog, I could

862
00:45:33,360 --> 00:45:35,360
Speaker 2: make it so you don't get swallowed by a giant frog.

863
00:45:35,719 --> 00:45:39,240
Speaker 5: That seems worth it. I consider gauging out the eyes

864
00:45:39,400 --> 00:45:41,719
Speaker 5: and decide I want to be close to my comrades,

865
00:45:43,560 --> 00:45:45,799
Speaker 5: so I'm going to attempt to move to the left

866
00:45:45,840 --> 00:45:48,239
Speaker 5: and also cast bless all.

867
00:45:48,200 --> 00:45:52,319
Speaker 3: Right, the giant frog two tusk does not take an

868
00:45:52,400 --> 00:45:54,479
Speaker 3: attack at you or anything like that for you moving

869
00:45:54,520 --> 00:45:58,720
Speaker 3: in front of it. Yeah, you move and cast your spell,

870
00:45:59,239 --> 00:46:03,480
Speaker 3: so somebody's gonna have plus one bonus on their attack. Roles, Squash,

871
00:46:04,760 --> 00:46:08,000
Speaker 3: we are over to you. This thing is just hanging out.

872
00:46:08,400 --> 00:46:12,000
Speaker 3: It's just like it's roaring at us. The first thing

873
00:46:12,000 --> 00:46:15,880
Speaker 3: it did was just unleash a kind of terrifying bellow.

874
00:46:16,719 --> 00:46:20,520
Speaker 4: Hmm. Well, you know they say the Grand Canyon is

875
00:46:20,560 --> 00:46:24,279
Speaker 4: the biggest hole in this world next to this guy's mouth.

876
00:46:24,320 --> 00:46:27,000
Speaker 4: And I throw a big bomb in the air that

877
00:46:27,040 --> 00:46:29,560
Speaker 4: I bought in town. What is it, alchemist fire? I

878
00:46:29,600 --> 00:46:30,480
Speaker 4: throw one of theirs.

879
00:46:30,600 --> 00:46:32,960
Speaker 3: You're gonna throw an alchemist fire. Okay, your bonus on

880
00:46:33,040 --> 00:46:35,920
Speaker 3: this is well, it's gonna be your decks plus three

881
00:46:37,239 --> 00:46:40,080
Speaker 3: plus one more for a blessed no plus one for plus.

882
00:46:40,320 --> 00:46:44,600
Speaker 4: I rolled a seven, and so it'll be a fifteen.

883
00:46:45,440 --> 00:46:48,200
Speaker 3: All right. So you throw the alchemist fire, but it

884
00:46:48,320 --> 00:46:51,399
Speaker 3: lands just short, hitting the deck of the boat, and

885
00:46:51,680 --> 00:46:54,760
Speaker 3: it shatters there and does do one point of damage

886
00:46:55,160 --> 00:46:58,719
Speaker 3: to two. Tusk just kind of singes him lightly, but

887
00:46:58,840 --> 00:47:01,600
Speaker 3: he does not seem to you even have noticed. Your

888
00:47:01,640 --> 00:47:05,240
Speaker 3: attempt probably leaves a bomb throwing to Trent, No kidding.

889
00:47:05,800 --> 00:47:08,600
Speaker 3: So that was your first action. Actually there's probably your

890
00:47:08,600 --> 00:47:10,320
Speaker 3: second action. You had to draw the bomb.

891
00:47:10,440 --> 00:47:10,799
Speaker 4: Draw that.

892
00:47:11,000 --> 00:47:11,480
Speaker 3: Okay.

893
00:47:12,440 --> 00:47:17,000
Speaker 4: You know what, this guy's a swashbuckler, and he's been

894
00:47:17,160 --> 00:47:19,720
Speaker 4: out the game for so long that he's just itching

895
00:47:19,880 --> 00:47:23,480
Speaker 4: for it. He's acting out in town. He's making a

896
00:47:23,520 --> 00:47:25,440
Speaker 4: fool of himself in front of his friends who he's

897
00:47:25,520 --> 00:47:29,040
Speaker 4: like desperate to impress, and he's just like no more.

898
00:47:29,120 --> 00:47:31,279
Speaker 4: He does a big front flip and he tries to

899
00:47:31,280 --> 00:47:35,279
Speaker 4: get on to the fucking head of this frog. I'm

900
00:47:35,280 --> 00:47:37,520
Speaker 4: gonna go ahead and call that a grapple check. You're

901
00:47:37,560 --> 00:47:40,719
Speaker 4: trying to grapple the frog. Yeah, but I got so

902
00:47:40,719 --> 00:47:44,040
Speaker 4: many swashbuckler stats. Good luck getting me to fall off

903
00:47:44,080 --> 00:47:50,120
Speaker 4: of this frog. I dare you, in fact, so.

904
00:47:50,320 --> 00:47:56,680
Speaker 3: You're gonna be attempting a athletics check to grapple the frog.

905
00:47:56,880 --> 00:48:00,520
Speaker 4: You sure it's not acrobatics? Okay, athletics, let's go. And

906
00:48:00,560 --> 00:48:06,600
Speaker 4: that's a fourteen plus five. So we got a nineteen there, Jason.

907
00:48:07,360 --> 00:48:11,680
Speaker 3: Nineteen against my fortitude save. So here's the thing. You

908
00:48:11,719 --> 00:48:13,879
Speaker 3: do get a bonus for blessed, so that is going

909
00:48:13,960 --> 00:48:17,359
Speaker 3: to make it dead on. So you flip up there

910
00:48:18,080 --> 00:48:19,560
Speaker 3: and grab this thing, which I.

911
00:48:19,520 --> 00:48:22,840
Speaker 4: Believe gives you panache, gives me panash.

912
00:48:23,160 --> 00:48:27,280
Speaker 3: Congrats, you're a swashbuckler who has panash.

913
00:48:28,520 --> 00:48:29,480
Speaker 4: Everybody loves me.

914
00:48:29,600 --> 00:48:33,720
Speaker 3: Now here's hoping you don't die before you can use it. Okay,

915
00:48:34,560 --> 00:48:37,120
Speaker 3: I'm holding on to the tusks. That is the end

916
00:48:37,120 --> 00:48:44,080
Speaker 3: of Squash's turn. Two Tusks goes Oh. So the first

917
00:48:44,080 --> 00:48:47,080
Speaker 3: thing that two tests does is it spends its entire

918
00:48:47,239 --> 00:48:51,160
Speaker 3: action coating the back half of the raft in belly grease.

919
00:48:53,920 --> 00:48:55,799
Speaker 3: So it spends all of its actions doing this, and

920
00:48:55,800 --> 00:48:59,880
Speaker 3: it just kind of squirts and splatters this belly grease

921
00:49:00,080 --> 00:49:01,320
Speaker 3: all over the back of the raft.

922
00:49:01,800 --> 00:49:02,319
Speaker 4: Am I like.

923
00:49:02,320 --> 00:49:05,600
Speaker 5: Taking damage for this because it's moving into me.

924
00:49:06,360 --> 00:49:11,000
Speaker 3: No. But now, anybody other than two tusks on the

925
00:49:11,040 --> 00:49:15,480
Speaker 3: back of the raft, if they get hit by an

926
00:49:15,480 --> 00:49:19,040
Speaker 3: attack or fail a saving throw, they have to make

927
00:49:19,120 --> 00:49:24,359
Speaker 3: a balance check which is an acrobatics check, or get

928
00:49:24,440 --> 00:49:28,600
Speaker 3: knocked prone because the ground is now super slippery.

929
00:49:29,040 --> 00:49:31,640
Speaker 4: This is on the back of the raft and on

930
00:49:31,680 --> 00:49:33,080
Speaker 4: the back of two tusk.

931
00:49:34,400 --> 00:49:35,360
Speaker 3: Yes, okay.

932
00:49:36,280 --> 00:49:43,160
Speaker 4: And so someone who ignores difficult terrain, specifically from bogs

933
00:49:43,880 --> 00:49:48,880
Speaker 4: or an enemy within it, am I still affected by that?

934
00:49:49,280 --> 00:49:51,600
Speaker 4: This is not difficult terrain. This is something different.

935
00:49:52,560 --> 00:49:55,359
Speaker 3: This is uneven ground. You are definitely still affected by this.

936
00:49:55,760 --> 00:49:59,800
Speaker 4: Rats crumbs, Yeah.

937
00:49:58,719 --> 00:50:02,399
Speaker 3: Okay, that was two to us entire urn. That's all

938
00:50:02,400 --> 00:50:04,799
Speaker 3: you did, tramps, we are over to you.

939
00:50:05,640 --> 00:50:08,560
Speaker 1: Okay, this is a complicated situation. Can I do in

940
00:50:08,680 --> 00:50:10,960
Speaker 1: arcana to see what this guy might be more vulnerable

941
00:50:11,000 --> 00:50:12,680
Speaker 1: to of my gismos?

942
00:50:13,800 --> 00:50:16,160
Speaker 3: Yeah, if you want, I mean, the ideal skilled to

943
00:50:16,239 --> 00:50:18,160
Speaker 3: use here would probably be nature, because it is a

944
00:50:18,480 --> 00:50:20,680
Speaker 3: nature You're a nature preacher. If you have nature, If

945
00:50:20,680 --> 00:50:21,520
Speaker 3: that would be.

946
00:50:21,560 --> 00:50:24,520
Speaker 1: Idea, I do, I have plus two to that. So

947
00:50:26,640 --> 00:50:28,839
Speaker 1: basically okay, so that's a total of twenty I got

948
00:50:28,840 --> 00:50:32,920
Speaker 1: an eighteen, and my choices are I've got the glue

949
00:50:33,160 --> 00:50:36,359
Speaker 1: alchemist flask, I've got frost, I've got lightning, and I've

950
00:50:36,360 --> 00:50:36,799
Speaker 1: got fire.

951
00:50:37,280 --> 00:50:40,120
Speaker 3: Okay, so honestly, looking at this frog, you don't think

952
00:50:40,120 --> 00:50:42,840
Speaker 3: it's particularly immune to anything. It's just big and probably

953
00:50:42,840 --> 00:50:45,400
Speaker 3: has a lot of hit points, so kind of use

954
00:50:45,440 --> 00:50:46,359
Speaker 3: whatever you want, all right.

955
00:50:46,400 --> 00:50:49,279
Speaker 1: Well, in that case, fire in the hole, and I'm

956
00:50:49,280 --> 00:50:54,040
Speaker 1: throwing me an alchemist fire. All right, that's a total

957
00:50:54,080 --> 00:50:54,600
Speaker 1: of sixteen.

958
00:50:55,640 --> 00:50:57,320
Speaker 3: So you said as sixteen.

959
00:50:57,440 --> 00:50:59,439
Speaker 1: I also get a N plus one for a plus

960
00:50:59,520 --> 00:51:00,520
Speaker 1: plus one.

961
00:51:00,719 --> 00:51:04,279
Speaker 3: Plus one, so that's a total of seventeen. Exactly what

962
00:51:04,320 --> 00:51:10,359
Speaker 3: you needed to hit did save the day. So go

963
00:51:10,400 --> 00:51:12,839
Speaker 3: ahead and roll damage as your bomb hits the.

964
00:51:13,320 --> 00:51:18,239
Speaker 1: Enjoy being on fire, you thing, And that's an eight

965
00:51:18,400 --> 00:51:20,360
Speaker 1: I guess plus one, so nine total.

966
00:51:20,680 --> 00:51:23,640
Speaker 3: It is a DA plus one because the splash damage

967
00:51:24,120 --> 00:51:26,960
Speaker 3: affects the target. So in this case it's going to

968
00:51:27,000 --> 00:51:28,520
Speaker 3: take nine points of damage.

969
00:51:28,800 --> 00:51:29,640
Speaker 1: Yeah, that'll learn you.

970
00:51:30,560 --> 00:51:34,960
Speaker 3: It roars out in pain. The giant two tusk is

971
00:51:35,080 --> 00:51:37,480
Speaker 3: very angry at that everyone.

972
00:51:37,560 --> 00:51:39,200
Speaker 1: It's weakness is being exploded.

973
00:51:41,840 --> 00:51:44,480
Speaker 3: That was your first action because you're a bomber, so

974
00:51:44,560 --> 00:51:46,480
Speaker 3: you get to throw bombs pretty quick. You do have

975
00:51:46,520 --> 00:51:47,560
Speaker 3: two more actions.

976
00:51:47,840 --> 00:51:50,000
Speaker 1: I'm throwing another bomb, all right.

977
00:51:50,680 --> 00:51:51,960
Speaker 3: This one will be at a bit of a.

978
00:51:51,920 --> 00:51:53,800
Speaker 2: Penalty, Isn't it grappled?

979
00:51:55,120 --> 00:51:57,759
Speaker 3: So it is. That does give it a penalty to

980
00:51:57,800 --> 00:52:01,080
Speaker 3: its ac Normally, all of you you would take splash damage,

981
00:52:01,080 --> 00:52:03,960
Speaker 3: but Trant is a bomber alchemist, so he can decide

982
00:52:04,000 --> 00:52:07,000
Speaker 3: not to deal splash damage to anybody but the primary target,

983
00:52:07,040 --> 00:52:08,640
Speaker 3: which I'm assuming he's doing in this case.

984
00:52:08,719 --> 00:52:10,560
Speaker 1: Yeah, I'm choosing that. I'm being good.

985
00:52:11,200 --> 00:52:13,319
Speaker 4: That's how it works in real life for anyone being

986
00:52:13,440 --> 00:52:15,480
Speaker 4: quartered by the CIA, you know.

987
00:52:15,960 --> 00:52:18,279
Speaker 1: Yeah, think about it, and that's why you need to

988
00:52:18,280 --> 00:52:19,839
Speaker 1: take your mad bombing levels.

989
00:52:20,400 --> 00:52:21,720
Speaker 3: That's right, all right, I'm.

990
00:52:21,600 --> 00:52:25,000
Speaker 1: Rolling another alchemist fire, all right, and that's ope even higher.

991
00:52:25,000 --> 00:52:29,760
Speaker 1: So that's a fourteen plus six, so twenty minus five,

992
00:52:30,080 --> 00:52:31,680
Speaker 1: so fifteen total, I guess.

993
00:52:32,239 --> 00:52:36,359
Speaker 3: So, because it's grappled, that's going to hit.

994
00:52:38,040 --> 00:52:41,600
Speaker 1: Oh this is my best day ever. Two grenades in

995
00:52:41,640 --> 00:52:44,919
Speaker 1: a row. Yeah, I just do two damage.

996
00:52:44,600 --> 00:52:46,880
Speaker 3: Though, all right, but that one does minimum. You've just

997
00:52:46,960 --> 00:52:49,040
Speaker 3: managed to send it a bit with that one. You

998
00:52:49,080 --> 00:52:51,120
Speaker 3: do technically still have one action left, but if you

999
00:52:51,120 --> 00:52:52,800
Speaker 3: throw this one, it's at a huge penalty.

1000
00:52:52,920 --> 00:52:55,520
Speaker 1: No, Can I just prep one of my versatile flasps

1001
00:52:55,560 --> 00:52:57,279
Speaker 1: to be an alchemist's fire?

1002
00:52:57,520 --> 00:52:59,160
Speaker 3: Yeah, you can prep one to do that. You will

1003
00:52:59,160 --> 00:53:00,239
Speaker 3: have to use it by the end of you're an

1004
00:53:00,239 --> 00:53:03,080
Speaker 3: extern otherwise. Is well, wait, I think I don't think that'll.

1005
00:53:02,800 --> 00:53:07,520
Speaker 2: Be all right, SPIKEE Okay, So I'm going to use

1006
00:53:07,920 --> 00:53:10,479
Speaker 2: one of my actions to move carefully to the next

1007
00:53:10,520 --> 00:53:12,920
Speaker 2: space to my lower rate, and then I'm going to

1008
00:53:13,000 --> 00:53:15,840
Speaker 2: go into my defensive advance and I'm going to step

1009
00:53:15,880 --> 00:53:19,960
Speaker 2: forward and I'm gonna this time, I'm going to scream

1010
00:53:20,080 --> 00:53:24,640
Speaker 2: an infernal get back in the water, you filthy abomination,

1011
00:53:27,920 --> 00:53:29,520
Speaker 2: and try and hit this thing.

1012
00:53:30,000 --> 00:53:32,200
Speaker 3: Which infernal doesn't sound pleasant to listen to.

1013
00:53:33,719 --> 00:53:36,879
Speaker 1: No, I hate it, and I'm going to cancel her

1014
00:53:37,040 --> 00:53:39,839
Speaker 1: ont finder Twitter for using what I assume is an

1015
00:53:39,840 --> 00:53:40,520
Speaker 1: infernal slur.

1016
00:53:40,640 --> 00:53:44,200
Speaker 2: It was absolutely abomination. Is not a polite thing to say.

1017
00:53:44,239 --> 00:53:46,759
Speaker 2: You know what's impressive is that I still got a

1018
00:53:47,000 --> 00:53:50,400
Speaker 2: ten even though what I rolled as a one.

1019
00:53:51,640 --> 00:53:52,480
Speaker 4: That is impressive.

1020
00:53:53,160 --> 00:53:57,480
Speaker 3: So you you carefully line up and charge across the boat.

1021
00:53:57,520 --> 00:53:59,440
Speaker 3: It's not very far, but because the boats at such

1022
00:53:59,440 --> 00:54:01,120
Speaker 3: an angle you they had to take some time to

1023
00:54:01,120 --> 00:54:04,319
Speaker 3: get there. You run up to the tuscan swing your

1024
00:54:04,400 --> 00:54:06,800
Speaker 3: blade and miss completely.

1025
00:54:06,960 --> 00:54:10,120
Speaker 2: I hit the gooey surface of the boat.

1026
00:54:09,840 --> 00:54:15,800
Speaker 3: And you in fact nearly hit squash Yeah maybe no, yeah,

1027
00:54:16,000 --> 00:54:17,840
Speaker 3: yeah almost almost.

1028
00:54:17,960 --> 00:54:19,520
Speaker 5: Did you take the one from Blessed? Yeah?

1029
00:54:19,560 --> 00:54:22,240
Speaker 2: Yeah, that's how I got to a t When you roll.

1030
00:54:22,239 --> 00:54:24,759
Speaker 3: One, it's kind of like the opposite of a critical hit.

1031
00:54:25,040 --> 00:54:26,839
Speaker 3: Even if you did roll a hit, it would still

1032
00:54:26,840 --> 00:54:28,399
Speaker 3: get downgraded once I.

1033
00:54:28,440 --> 00:54:30,120
Speaker 2: Have to credit. I have to have like a plus

1034
00:54:30,160 --> 00:54:32,440
Speaker 2: twenty seven in order to yeah, okay.

1035
00:54:32,840 --> 00:54:34,960
Speaker 3: Yeah, yeah, you would have to get a critical hit

1036
00:54:35,000 --> 00:54:36,839
Speaker 3: to turn it into a hit. That's that's the only

1037
00:54:36,880 --> 00:54:37,800
Speaker 3: way that makes sense.

1038
00:54:38,200 --> 00:54:38,799
Speaker 2: That's my turn.

1039
00:54:39,120 --> 00:54:41,279
Speaker 3: It's our rule that prevents you from sending a mob

1040
00:54:41,320 --> 00:54:43,719
Speaker 3: of peasants after a dragon because they will not be

1041
00:54:43,800 --> 00:54:44,719
Speaker 3: able to hurt it at all.

1042
00:54:45,239 --> 00:54:46,040
Speaker 2: That makes sense.

1043
00:54:46,520 --> 00:54:48,799
Speaker 3: Murdy, We're back to the top of the order. You

1044
00:54:48,880 --> 00:54:50,680
Speaker 3: know this thing is going to go soon, and you

1045
00:54:50,719 --> 00:54:53,760
Speaker 3: can't imagine it's going to be squirting belly grease all day. Murdy,

1046
00:54:53,800 --> 00:54:54,359
Speaker 3: what do you got?

1047
00:54:54,800 --> 00:54:58,720
Speaker 5: Hazel is deeply upset by that turn of phreeze.

1048
00:54:59,280 --> 00:55:01,360
Speaker 3: Yeah, the belly green is coming for you. You're already

1049
00:55:01,360 --> 00:55:02,200
Speaker 3: coated in it, aren't you.

1050
00:55:02,360 --> 00:55:05,440
Speaker 5: Yeah, yeah, I sure, I am also coated in it.

1051
00:55:05,680 --> 00:55:08,240
Speaker 5: I'd like to take one of my actions to sustain

1052
00:55:08,600 --> 00:55:11,440
Speaker 5: the blest spell, so everybody keeps that plus one for

1053
00:55:11,520 --> 00:55:12,320
Speaker 5: the next round.

1054
00:55:13,040 --> 00:55:15,440
Speaker 3: That also increases the radius by ten feet, so now

1055
00:55:15,520 --> 00:55:17,160
Speaker 3: it covers the entire raft no matter.

1056
00:55:17,000 --> 00:55:20,799
Speaker 5: Where you are. Oh hell yeah, can I whack this

1057
00:55:20,960 --> 00:55:21,839
Speaker 5: and then back up?

1058
00:55:22,440 --> 00:55:23,080
Speaker 3: Yeah?

1059
00:55:23,120 --> 00:55:26,359
Speaker 5: Sure, I'm gonna whack this thing again loosely. I'm sort

1060
00:55:26,360 --> 00:55:29,800
Speaker 5: of going for the eyes because they, you know, learned

1061
00:55:29,840 --> 00:55:31,960
Speaker 5: that in stew Scouts. Did you go for the eyes?

1062
00:55:32,400 --> 00:55:33,839
Speaker 3: Yeah, yeah, that's all right.

1063
00:55:33,920 --> 00:55:38,920
Speaker 5: Well I was sixteen on the die plus four is twenty.

1064
00:55:39,080 --> 00:55:42,759
Speaker 3: All right, so you managed to clip it, hit two

1065
00:55:42,840 --> 00:55:45,360
Speaker 3: tusk with your ladel, Go ahead and roll damage. I

1066
00:55:45,440 --> 00:55:49,960
Speaker 3: rolled a five five damage. Yeah, you hit it in

1067
00:55:49,960 --> 00:55:53,000
Speaker 3: the eye. It's not one of those like nictitating membrane things,

1068
00:55:53,000 --> 00:55:55,280
Speaker 3: so it kind of closes. You didn't blind it or anything,

1069
00:55:55,320 --> 00:55:57,480
Speaker 3: but definitely hurt. It looks like it didn't like that.

1070
00:55:57,800 --> 00:55:58,920
Speaker 3: And then you want to back up.

1071
00:55:59,040 --> 00:56:01,880
Speaker 5: Yeah, I would love to. Yeah, just back up there.

1072
00:56:01,880 --> 00:56:04,560
Speaker 3: All right, So you delicately and carefully get yourself out

1073
00:56:04,600 --> 00:56:07,080
Speaker 3: of all the belly grease that's all over the place,

1074
00:56:07,440 --> 00:56:10,120
Speaker 3: and that is the end of your turn. Squash. We

1075
00:56:10,120 --> 00:56:12,480
Speaker 3: are over to you. Now, squash one thing. You are

1076
00:56:12,480 --> 00:56:14,560
Speaker 3: grappling this thing, so you have to spend at least

1077
00:56:14,560 --> 00:56:16,880
Speaker 3: one action to attempt to maintain the grapple, otherwise the

1078
00:56:16,920 --> 00:56:17,799
Speaker 3: grapple will end.

1079
00:56:17,880 --> 00:56:23,479
Speaker 4: All right, that's the first one can be. Well, I'll

1080
00:56:23,520 --> 00:56:25,040
Speaker 4: take it because it's a nineteen.

1081
00:56:26,560 --> 00:56:28,160
Speaker 3: Do I add an nineteen on the die?

1082
00:56:28,320 --> 00:56:31,160
Speaker 4: Yes? Nineteen on the die? Do I need to add anything?

1083
00:56:31,640 --> 00:56:34,959
Speaker 3: Will you tell your athletics? So what dog? That's good?

1084
00:56:35,320 --> 00:56:38,200
Speaker 4: Yeah, it's at twenty four for a grapple.

1085
00:56:38,600 --> 00:56:41,040
Speaker 3: That will be enough. So you maintain the grapple on

1086
00:56:41,120 --> 00:56:42,960
Speaker 3: this thing now on its turn it and try and

1087
00:56:43,000 --> 00:56:45,040
Speaker 3: break the grapple, but you have at least maintained it.

1088
00:56:45,120 --> 00:56:46,240
Speaker 4: Fat chance two tusk.

1089
00:56:46,880 --> 00:56:49,080
Speaker 3: Now you basically need to use at least one hand

1090
00:56:49,080 --> 00:56:51,000
Speaker 3: to maintain the grapple, so you're kind of hold onto

1091
00:56:51,080 --> 00:56:53,600
Speaker 3: it with your other hand. You can attack it if

1092
00:56:53,640 --> 00:56:55,720
Speaker 3: you want to draw a weapon or do something.

1093
00:56:55,920 --> 00:56:59,520
Speaker 4: Yeah, I guess I do have to draw my weapon.

1094
00:57:00,160 --> 00:57:04,799
Speaker 4: I'll drum my magi grip here, okay, and I'm gonna

1095
00:57:04,800 --> 00:57:08,200
Speaker 4: try and stab it right into this guy's goddamn brain.

1096
00:57:09,120 --> 00:57:13,280
Speaker 3: Okay, So you are attacking, you have panash which means

1097
00:57:13,520 --> 00:57:16,160
Speaker 3: your attack is going to do an additional two points

1098
00:57:16,200 --> 00:57:18,919
Speaker 3: of damage while you have panash. Now I will note

1099
00:57:18,920 --> 00:57:23,160
Speaker 3: that you do also have confident finisher, which is something

1100
00:57:23,200 --> 00:57:25,360
Speaker 3: you can declare you are doing. You get to make

1101
00:57:25,400 --> 00:57:29,560
Speaker 3: an attack role. You will even deal damage if you miss,

1102
00:57:30,200 --> 00:57:33,440
Speaker 3: and instead of dealing an additional two damage, you will

1103
00:57:33,480 --> 00:57:37,240
Speaker 3: deal an additional two D six damage, but you will

1104
00:57:37,240 --> 00:57:38,200
Speaker 3: lose panash.

1105
00:57:39,240 --> 00:57:45,320
Speaker 4: That's fine, that's actually dynamite. So while you were talking,

1106
00:57:45,440 --> 00:57:49,400
Speaker 4: I rolled a fifteen. I am gonna try and do

1107
00:57:49,440 --> 00:57:52,800
Speaker 4: a confident finisher, and I'm up there and I try

1108
00:57:52,840 --> 00:57:58,160
Speaker 4: and stab into this guy's goddamn brain with my beautifulness.

1109
00:57:58,840 --> 00:58:01,560
Speaker 3: So you attempt to drive your rapier deep into it.

1110
00:58:01,720 --> 00:58:04,200
Speaker 3: You roll the fifteen. You have a bonus of what seven? Yes,

1111
00:58:04,600 --> 00:58:10,800
Speaker 3: plus twenty two twenty three. It's flat footed, so that

1112
00:58:11,200 --> 00:58:13,640
Speaker 3: is going to hit. It's not a critical hit, but

1113
00:58:13,680 --> 00:58:18,280
Speaker 3: it is a hit. So go ahead and roll. Well,

1114
00:58:18,360 --> 00:58:20,360
Speaker 3: the rapier normally does a D six, so in this

1115
00:58:20,400 --> 00:58:22,680
Speaker 3: case roll three D six.

1116
00:58:23,880 --> 00:58:33,480
Speaker 4: Bit ha ha, that's four. That's five two, So that's

1117
00:58:33,520 --> 00:58:35,040
Speaker 4: eleven points of damage.

1118
00:58:35,080 --> 00:58:37,520
Speaker 3: Please, what's your strength?

1119
00:58:38,120 --> 00:58:39,120
Speaker 4: Strength is plus one?

1120
00:58:39,800 --> 00:58:42,040
Speaker 3: You do a lot of damage to two tusk he

1121
00:58:42,120 --> 00:58:46,320
Speaker 3: is very mad. He is also very badly hurt between

1122
00:58:46,360 --> 00:58:49,720
Speaker 3: the bombs and the stabbing. Two tusk is very hurt,

1123
00:58:49,800 --> 00:58:51,520
Speaker 3: and he would normally try and escape, but you have

1124
00:58:51,560 --> 00:58:54,200
Speaker 3: him grappled, so he's not going to try and escape.

1125
00:58:54,200 --> 00:58:56,600
Speaker 3: He's instead going to try and kill you. That's what

1126
00:58:56,640 --> 00:58:57,240
Speaker 3: he's gonna do.

1127
00:58:58,120 --> 00:59:00,840
Speaker 4: Chance, So here it comes better fraud. I have tried.

1128
00:59:01,840 --> 00:59:04,160
Speaker 3: Boy, let's see how that goes.

1129
00:59:04,600 --> 00:59:05,960
Speaker 4: We'll see if I'm telling the truth.

1130
00:59:06,080 --> 00:59:08,360
Speaker 3: Two tescos and he's going to attempt to hit you

1131
00:59:08,440 --> 00:59:10,920
Speaker 3: surprisingly with his tusks.

1132
00:59:11,400 --> 00:59:13,400
Speaker 2: Oh that's bad.

1133
00:59:13,480 --> 00:59:16,840
Speaker 3: So I rolled the thirteen, which comes out to an

1134
00:59:16,920 --> 00:59:18,840
Speaker 3: armor class of twenty four.

1135
00:59:19,040 --> 00:59:21,640
Speaker 4: Okay, so the thing is I don't like.

1136
00:59:27,200 --> 00:59:30,280
Speaker 3: Yeah, I know you don't, but that's gonna hit. I

1137
00:59:30,320 --> 00:59:32,800
Speaker 3: also rolled max damage, so take twelve.

1138
00:59:33,000 --> 00:59:36,160
Speaker 1: Oh well, all right, thanks for tanking.

1139
00:59:36,440 --> 00:59:37,120
Speaker 4: I suppose.

1140
00:59:37,640 --> 00:59:41,880
Speaker 2: I suppose I'm going to use my reaction liberating step

1141
00:59:42,040 --> 00:59:44,040
Speaker 2: to reduce that by three damage.

1142
00:59:44,520 --> 00:59:45,240
Speaker 4: Oh good.

1143
00:59:45,320 --> 00:59:47,800
Speaker 2: You can move if you want to, but you probably

1144
00:59:47,800 --> 00:59:50,320
Speaker 2: don't want to because you're grappling this thing.

1145
00:59:50,800 --> 00:59:52,560
Speaker 4: No, I'm good, I'm great.

1146
00:59:53,440 --> 00:59:57,160
Speaker 3: All right. So with the liberating step, you've taken nine

1147
00:59:57,200 --> 01:00:00,200
Speaker 3: points of damage. You're still at eight. All right, So

1148
01:00:00,240 --> 01:00:02,640
Speaker 3: two things happen. First, we can either resolve this one

1149
01:00:02,680 --> 01:00:04,840
Speaker 3: or two ways. Are you going to let go because

1150
01:00:04,880 --> 01:00:05,920
Speaker 3: of the liberatings?

1151
01:00:05,960 --> 01:00:06,440
Speaker 4: No way.

1152
01:00:06,640 --> 01:00:10,480
Speaker 3: Okay, give me an acrobatics check to keep your feet

1153
01:00:11,280 --> 01:00:13,080
Speaker 3: because if you fall prone, that will be bad.

1154
01:00:13,880 --> 01:00:18,680
Speaker 4: I rolled in eighteen plus seven, so good luck, baby.

1155
01:00:18,600 --> 01:00:22,640
Speaker 3: You're far too nimble for that. Okay, so you're still up.

1156
01:00:22,760 --> 01:00:24,800
Speaker 3: You're still grabbing it, which means I'm going to take

1157
01:00:24,840 --> 01:00:27,800
Speaker 3: my second action to hit you with my tusks again.

1158
01:00:28,240 --> 01:00:29,040
Speaker 3: Mm hm.

1159
01:00:29,080 --> 01:00:31,200
Speaker 2: At least it doesn't swallow. I saw this thing and

1160
01:00:31,320 --> 01:00:32,880
Speaker 2: was like, this thing swallows whole.

1161
01:00:33,680 --> 01:00:34,440
Speaker 4: I was hoping.

1162
01:00:34,760 --> 01:00:38,560
Speaker 3: Oh, so the second attack is a complete miss. It's

1163
01:00:38,640 --> 01:00:41,200
Speaker 3: third attack is a nineteen.

1164
01:00:41,640 --> 01:00:44,760
Speaker 4: A nineteen you say, well, it sounds like I'm gonna

1165
01:00:44,880 --> 01:00:46,760
Speaker 4: use my flashy dodge.

1166
01:00:48,240 --> 01:00:51,800
Speaker 3: Flashy dodge you slashbucklosh, you're too slippery.

1167
01:00:52,160 --> 01:00:55,280
Speaker 4: Who slippery is what they always say.

1168
01:00:55,400 --> 01:00:58,080
Speaker 3: That gives you a plus two bonus to your ACU,

1169
01:00:58,240 --> 01:01:01,160
Speaker 3: which means I am gonna miss, and it gives you

1170
01:01:01,240 --> 01:01:03,280
Speaker 3: panash back till the end of your next turn. That's

1171
01:01:03,720 --> 01:01:06,920
Speaker 3: terrible for me because now you have panash again. All right,

1172
01:01:07,560 --> 01:01:10,560
Speaker 3: that is the end of two tusks. Turn, he is

1173
01:01:10,760 --> 01:01:13,560
Speaker 3: very badly hurt. Trent.

1174
01:01:14,560 --> 01:01:16,640
Speaker 1: I'm trying to think of a joke that incorporates the

1175
01:01:16,720 --> 01:01:19,640
Speaker 1: lyrics of the Fleetwood Max song Tusk. But telling this

1176
01:01:19,640 --> 01:01:21,760
Speaker 1: thing don't say that you love me, it doesn't really work.

1177
01:01:22,000 --> 01:01:25,080
Speaker 1: So you can say it an infernal sure, I don't

1178
01:01:25,120 --> 01:01:30,520
Speaker 1: speak it, but try not to be in the way.

1179
01:01:30,760 --> 01:01:33,560
Speaker 1: And then I throw a grenade directly over Margaret's head.

1180
01:01:36,320 --> 01:01:37,040
Speaker 3: Sounds accurate.

1181
01:01:37,600 --> 01:01:41,040
Speaker 1: Oh and I got twenty two total twenty two is

1182
01:01:41,080 --> 01:01:41,760
Speaker 1: a clean hit.

1183
01:01:41,800 --> 01:01:43,959
Speaker 2: It lights the candles as it goes over.

1184
01:01:44,200 --> 01:01:48,800
Speaker 1: Yeah, it ignites off the candles, all right, big number,

1185
01:01:48,840 --> 01:01:53,000
Speaker 1: big number, big number. That's a seven total eight damage.

1186
01:01:53,120 --> 01:01:57,520
Speaker 4: Damn real savage like so squash.

1187
01:01:57,920 --> 01:01:59,520
Speaker 3: You end up having to let go of this thing

1188
01:01:59,560 --> 01:02:03,520
Speaker 3: as the body of two tusks bursts into flame once

1189
01:02:03,600 --> 01:02:09,360
Speaker 3: again and begins sliding off the back of the raft,

1190
01:02:09,680 --> 01:02:14,440
Speaker 3: its tusks dragging across as its massive bulk pulls it

1191
01:02:14,560 --> 01:02:18,680
Speaker 3: back down into the depths of the swamp.

1192
01:02:18,760 --> 01:02:21,960
Speaker 2: Can I, like athletics, try and grab it and prevent

1193
01:02:22,000 --> 01:02:24,080
Speaker 2: it from falling so I can get the dagger out.

1194
01:02:24,440 --> 01:02:26,440
Speaker 3: You cannot grab it, but I will give you a

1195
01:02:26,520 --> 01:02:29,760
Speaker 3: role to try and grab the dagger. Just one though. Okay,

1196
01:02:30,160 --> 01:02:31,800
Speaker 3: give me an athletics check.

1197
01:02:33,640 --> 01:02:36,360
Speaker 2: Nott twenty Where was that so twenty seven?

1198
01:02:36,520 --> 01:02:37,160
Speaker 4: Oh wow?

1199
01:02:37,840 --> 01:02:40,680
Speaker 3: Almost as if drawing it from a sheath, you reach forward,

1200
01:02:40,760 --> 01:02:42,960
Speaker 3: grab the dagger, and just hold on to it as

1201
01:02:43,040 --> 01:02:45,520
Speaker 3: the giant body of the slurk, which is what two

1202
01:02:45,560 --> 01:02:49,040
Speaker 3: tusks is, slides off and down into.

1203
01:02:48,800 --> 01:02:51,560
Speaker 4: The also sounds like a slur yah a Carino.

1204
01:02:52,680 --> 01:02:55,280
Speaker 3: Slurks are a very old pathfinder monster. They're one of

1205
01:02:55,280 --> 01:02:57,200
Speaker 3: the first monsters we ever created.

1206
01:02:58,280 --> 01:03:02,640
Speaker 2: Giants, it's a good monster. I'm annoyed I did and

1207
01:03:02,720 --> 01:03:04,240
Speaker 2: get to hit it whatever.

1208
01:03:05,000 --> 01:03:06,000
Speaker 4: I got to hit it a lot.

1209
01:03:06,120 --> 01:03:10,040
Speaker 2: Yeah, I know the world shit initiative and shit to hit.

1210
01:03:10,480 --> 01:03:11,560
Speaker 4: You're not missing anything.

1211
01:03:12,320 --> 01:03:15,000
Speaker 2: I look down at the super cool dagger in my hands.

1212
01:03:15,280 --> 01:03:17,440
Speaker 3: You can tell that if this thing's been embedded in

1213
01:03:17,480 --> 01:03:19,600
Speaker 3: the height of a frog for over a year, it

1214
01:03:19,600 --> 01:03:22,960
Speaker 3: seems in remarkably good condition, which usually indicates its magic

1215
01:03:23,000 --> 01:03:25,160
Speaker 3: and nature in some way, shape or form. Hell yeah,

1216
01:03:25,240 --> 01:03:26,760
Speaker 3: go ahead and write down that you now have a

1217
01:03:26,800 --> 01:03:28,040
Speaker 3: plus one dagger as well.

1218
01:03:28,120 --> 01:03:31,880
Speaker 2: Yeah all right, get over that guy, may right, so

1219
01:03:32,040 --> 01:03:34,439
Speaker 2: everyone can have a plus one weapon moment, Get done

1220
01:03:34,440 --> 01:03:34,720
Speaker 2: with us.

1221
01:03:34,840 --> 01:03:38,480
Speaker 1: Yeah yeah, if you don't mind I'm going to use

1222
01:03:38,520 --> 01:03:39,520
Speaker 1: that on my guitar.

1223
01:03:40,360 --> 01:03:42,480
Speaker 2: I hand you the dagger, and I hand the scimitar

1224
01:03:42,560 --> 01:03:43,440
Speaker 2: to to Murdy.

1225
01:03:43,920 --> 01:03:45,400
Speaker 3: For those of you listening at home, there is an

1226
01:03:45,400 --> 01:03:47,600
Speaker 3: activity you can do between adventures. It takes about a

1227
01:03:47,680 --> 01:03:50,080
Speaker 3: day to do, and they had some downtime between adventures

1228
01:03:50,120 --> 01:03:53,000
Speaker 3: where you can transfer the magical runs from one weapon

1229
01:03:53,040 --> 01:03:53,480
Speaker 3: to another.

1230
01:03:53,640 --> 01:03:57,160
Speaker 1: Anyway, I'm going to put a hand on shoulder and say, look,

1231
01:03:57,160 --> 01:03:59,280
Speaker 1: I know you feel bad about missing with that grenade

1232
01:03:59,320 --> 01:04:01,080
Speaker 1: back there, but I'm going to tell you something my

1233
01:04:01,120 --> 01:04:03,920
Speaker 1: Grandpapy told me about grenades, which is that the beauty

1234
01:04:03,920 --> 01:04:06,000
Speaker 1: of grenades is even if you don't hit what you're

1235
01:04:06,000 --> 01:04:10,720
Speaker 1: trying to hit, you hit something sometimes that's good enough.

1236
01:04:11,600 --> 01:04:15,560
Speaker 4: Squash has like a tear in his eye. That's beautiful.

1237
01:04:17,600 --> 01:04:23,640
Speaker 3: The battered barge finally arrives back in bog Bottom, where

1238
01:04:23,720 --> 01:04:27,560
Speaker 3: Ladrusa stands on the pier eagerly waiting. Although the journey

1239
01:04:27,600 --> 01:04:30,080
Speaker 3: was exhausting, there's still one more task to be done,

1240
01:04:30,280 --> 01:04:33,400
Speaker 3: carrying the villagers of whatever foul malady the Boggards have

1241
01:04:33,480 --> 01:04:38,720
Speaker 3: set upon them. Ladrusa, however, looks hopeful. I'm so glad

1242
01:04:38,760 --> 01:04:40,840
Speaker 3: to see that you've returned. And none too worse for wear.

1243
01:04:41,000 --> 01:04:45,440
Speaker 3: Although the squash has large must holes in him. Everybody's

1244
01:04:45,480 --> 01:04:46,840
Speaker 3: got like bloody necks.

1245
01:04:48,640 --> 01:04:50,000
Speaker 5: I'm awful hit points, y'all.

1246
01:04:51,000 --> 01:04:53,320
Speaker 1: Yeah, I'm shockingly not burnt or stabbed.

1247
01:04:53,360 --> 01:04:58,000
Speaker 2: I lay on hands one on squash fair. But while

1248
01:04:58,000 --> 01:04:58,800
Speaker 2: we're on our way.

1249
01:04:58,600 --> 01:05:02,439
Speaker 3: Back, were you able to find the ingredients, I'm certain

1250
01:05:02,480 --> 01:05:04,040
Speaker 3: we'll be able to cure the villagers if you have

1251
01:05:04,120 --> 01:05:04,680
Speaker 3: what we need.

1252
01:05:06,080 --> 01:05:09,600
Speaker 2: Yeah. There's one thing though, as I hand the pale

1253
01:05:09,760 --> 01:05:13,960
Speaker 2: moonlight mushrooms, huh, I'm afraid that you all have not

1254
01:05:14,080 --> 01:05:17,600
Speaker 2: really talked with leather Cap and the next time you

1255
01:05:17,640 --> 01:05:20,320
Speaker 2: go to harvest these mushrooms you really should talk to

1256
01:05:20,360 --> 01:05:22,040
Speaker 2: them and get their permission first.

1257
01:05:22,920 --> 01:05:25,600
Speaker 3: Oh why heaven, we had no idea that there was

1258
01:05:25,640 --> 01:05:27,760
Speaker 3: even un lesser out there. We will, of course treat

1259
01:05:27,800 --> 01:05:30,720
Speaker 3: them with respect and dignity. We would never intrude on

1260
01:05:30,760 --> 01:05:31,680
Speaker 3: them in such a way that.

1261
01:05:31,840 --> 01:05:32,000
Speaker 4: Oh.

1262
01:05:32,040 --> 01:05:34,320
Speaker 3: Great, I'm glad that you brought this to our attention.

1263
01:05:34,480 --> 01:05:37,280
Speaker 2: Great. I'm not rolling any kind of any kind of

1264
01:05:37,280 --> 01:05:39,640
Speaker 2: perception to figure out their line. I'm just like this

1265
01:05:39,680 --> 01:05:40,840
Speaker 2: person's telling the truth.

1266
01:05:41,640 --> 01:05:44,160
Speaker 3: I mean, honestly, Ladrussa does look kind of okay.

1267
01:05:44,160 --> 01:05:46,320
Speaker 2: Shock so it's just two earnest people being like.

1268
01:05:46,440 --> 01:05:51,920
Speaker 4: Yeah, moral compromised, completely, like completely ruined.

1269
01:05:51,960 --> 01:05:54,880
Speaker 1: I'm just I'm gonna tell her, Look, you really want

1270
01:05:54,920 --> 01:05:56,600
Speaker 1: to make sure that you're as good as your word

1271
01:05:56,600 --> 01:05:58,800
Speaker 1: with this thing, because an elephant never forgets.

1272
01:06:03,400 --> 01:06:05,720
Speaker 3: I'm glad to see that joke coming back and paying off.

1273
01:06:08,120 --> 01:06:09,800
Speaker 3: The Drusa leads you all to the house of Rest,

1274
01:06:09,800 --> 01:06:13,920
Speaker 3: where the two villagers are sleeping fitfully. They are in

1275
01:06:13,960 --> 01:06:17,960
Speaker 3: a fevered state, thrashing in their beds and mumbling about boggards,

1276
01:06:18,240 --> 01:06:23,960
Speaker 3: and they keep saying their great works. You don't know

1277
01:06:23,960 --> 01:06:27,560
Speaker 3: what that means. The Drusa begins to prepare the elixir,

1278
01:06:27,600 --> 01:06:29,640
Speaker 3: which takes about an hour for her to kind of

1279
01:06:29,680 --> 01:06:33,120
Speaker 3: fully concoct, But after that period of time she returns

1280
01:06:33,120 --> 01:06:37,280
Speaker 3: with this shimmering golden liquid and carefully administers it to

1281
01:06:37,360 --> 01:06:42,480
Speaker 3: both afflicted villagers at once. Their fevered dreams begin to fade,

1282
01:06:42,920 --> 01:06:46,200
Speaker 3: and within a few minutes they're sleeping peacefully. The Drusa

1283
01:06:46,200 --> 01:06:49,520
Speaker 3: places a hand upon their brows, nodding approvingly. She thinks

1284
01:06:49,520 --> 01:06:51,880
Speaker 3: it may have worked, but only time will tell. The

1285
01:06:52,840 --> 01:06:54,640
Speaker 3: rest of you are free to return to town, where

1286
01:06:54,680 --> 01:06:58,600
Speaker 3: once again the people of Bottom are more than happy

1287
01:06:58,640 --> 01:07:03,560
Speaker 3: to hear of your success. At the moss Pig, the

1288
01:07:03,600 --> 01:07:06,520
Speaker 3: owner is throwing yet another feast in your honor. You

1289
01:07:06,520 --> 01:07:10,240
Speaker 3: were all rewarded with more coin in your pocket. Indeed,

1290
01:07:10,360 --> 01:07:13,200
Speaker 3: you now all have another ten gold to spend if

1291
01:07:13,200 --> 01:07:15,440
Speaker 3: you like, or you can start pocketing it for your

1292
01:07:15,480 --> 01:07:16,320
Speaker 3: future revolution.

1293
01:07:16,600 --> 01:07:19,200
Speaker 2: So I would like to go back to the muddy

1294
01:07:19,760 --> 01:07:23,440
Speaker 2: dead Fly and very politely ask if I could return

1295
01:07:23,480 --> 01:07:24,240
Speaker 2: the bug bombs.

1296
01:07:28,440 --> 01:07:30,760
Speaker 3: The frog is like, are you sure you might need him?

1297
01:07:30,800 --> 01:07:30,960
Speaker 4: Then?

1298
01:07:31,160 --> 01:07:34,600
Speaker 2: I know, And actually everything that you sold me did

1299
01:07:34,640 --> 01:07:37,520
Speaker 2: come in handy, well will eventually come in handy. Although

1300
01:07:37,720 --> 01:07:40,160
Speaker 2: I realized that if I use the butterfly nets and

1301
01:07:40,200 --> 01:07:44,080
Speaker 2: catch dragonflies, I'm actually putting the dragonflies in jail. I'm

1302
01:07:44,120 --> 01:07:47,240
Speaker 2: basically hoping to talk so kind of annoyingly earnestly that

1303
01:07:47,280 --> 01:07:48,720
Speaker 2: he just gives me my money to leave.

1304
01:07:49,280 --> 01:07:51,960
Speaker 3: He looks at you noddingly, approvingly. At one point in time,

1305
01:07:52,000 --> 01:07:54,040
Speaker 3: his tongue darts out to rub one of his eyes

1306
01:07:54,080 --> 01:07:56,080
Speaker 3: and go back into his mouth. Yeah, And then he

1307
01:07:56,120 --> 01:08:00,120
Speaker 3: looks at you and goes, Yep, no worry funds and closes.

1308
01:07:59,760 --> 01:08:04,400
Speaker 2: The I'm trying to figure out whether my character would

1309
01:08:04,440 --> 01:08:06,440
Speaker 2: go back and sneak in at night and steal or not,

1310
01:08:06,760 --> 01:08:10,000
Speaker 2: probably not anyway, I go back to the party.

1311
01:08:12,240 --> 01:08:14,680
Speaker 4: Yep, I think it was a squash would try and

1312
01:08:15,440 --> 01:08:16,840
Speaker 4: convince you to do that.

1313
01:08:17,520 --> 01:08:20,360
Speaker 2: But that's a side Yeah, that's a side adventure. Yeah,

1314
01:08:20,400 --> 01:08:22,719
Speaker 2: later one more level ten come.

1315
01:08:22,560 --> 01:08:25,839
Speaker 5: Back, Murdy would Murdy would go steal your coinbag.

1316
01:08:25,960 --> 01:08:28,040
Speaker 1: All we gotta do is burn the place down, and

1317
01:08:28,080 --> 01:08:30,559
Speaker 1: then while he's putting out the fire, we can just

1318
01:08:30,600 --> 01:08:31,680
Speaker 1: put the bug bombs back.

1319
01:08:31,720 --> 01:08:34,120
Speaker 2: Hey, your mind, change the way that people see us

1320
01:08:34,160 --> 01:08:37,200
Speaker 2: in town, because right now we're doing a really good

1321
01:08:37,280 --> 01:08:40,200
Speaker 2: job of finding people to be in solidarity with our revolution.

1322
01:08:40,520 --> 01:08:42,880
Speaker 2: Because once we're the heroes of this town, we can

1323
01:08:43,040 --> 01:08:46,280
Speaker 2: use them as foots. I mean, we can enlist them.

1324
01:08:47,800 --> 01:08:51,360
Speaker 4: We need to make a popular front that's right by that.

1325
01:08:51,439 --> 01:08:54,840
Speaker 4: What we need is more listeners to our podcast. Tell

1326
01:08:54,840 --> 01:08:56,440
Speaker 4: your friends, baby.

1327
01:08:57,280 --> 01:08:59,800
Speaker 3: So I'm assuming you're all having these discussions at the

1328
01:08:59,800 --> 01:09:02,000
Speaker 3: mall pig as the town celebrates your victorim.

1329
01:09:02,000 --> 01:09:04,840
Speaker 1: Oh yeah, we're pounding a couple of pints, taking some

1330
01:09:04,920 --> 01:09:06,400
Speaker 1: of the mushrooms.

1331
01:09:06,200 --> 01:09:08,800
Speaker 2: And we're telling the story about two tusks and using

1332
01:09:08,840 --> 01:09:10,280
Speaker 2: the dagger as proof.

1333
01:09:10,200 --> 01:09:13,320
Speaker 3: That has everyone in rapt attention. You all get free

1334
01:09:13,360 --> 01:09:15,360
Speaker 3: drinks all night and are able to tie on a

1335
01:09:15,439 --> 01:09:19,240
Speaker 3: nice one and have a pleasant evening. The next morning,

1336
01:09:19,720 --> 01:09:22,720
Speaker 3: Leadrusa once again leaves a note for you to come

1337
01:09:22,840 --> 01:09:24,720
Speaker 3: meet her at the House of Rest immediately.

1338
01:09:25,560 --> 01:09:30,120
Speaker 4: Immediately. Holy smokes all right.

1339
01:09:30,640 --> 01:09:34,200
Speaker 3: Within the House of Rest, le Drusa speaks with the villagers,

1340
01:09:34,360 --> 01:09:39,320
Speaker 3: getting a recount of their captivity. Oh good, you're here,

1341
01:09:39,400 --> 01:09:44,120
Speaker 3: she proclaims. Halpern and Perinea, we're just telling me about

1342
01:09:44,120 --> 01:09:46,840
Speaker 3: their time with the buckerds. I think you better sit down.

1343
01:09:47,960 --> 01:09:48,720
Speaker 3: You need to hear this.

1344
01:09:50,320 --> 01:09:55,400
Speaker 4: I'm wearing big sunglasses and like drinking a mimosa and

1345
01:09:55,439 --> 01:09:56,240
Speaker 4: moving slowly.

1346
01:09:58,640 --> 01:10:01,720
Speaker 3: You're all definitely feeling it. The bog bottom stout does

1347
01:10:01,760 --> 01:10:03,840
Speaker 3: not play around after you've had five or six of them.

1348
01:10:03,960 --> 01:10:05,759
Speaker 4: I highly recommend bog bottom stout.

1349
01:10:06,640 --> 01:10:09,000
Speaker 5: I'm handing squash a jar that has like a raw

1350
01:10:09,160 --> 01:10:13,040
Speaker 5: egg and some bitters and like other nasty hangover things.

1351
01:10:18,520 --> 01:10:22,679
Speaker 3: At once, a harrowing story spills out from the two

1352
01:10:22,720 --> 01:10:26,240
Speaker 3: recovered villagers, how they were captured by boguards out fishing,

1353
01:10:26,640 --> 01:10:29,439
Speaker 3: then forced to eat a foul smelling mush that muddled

1354
01:10:29,479 --> 01:10:32,800
Speaker 3: their thoughts. They weren't harmed during their time with the Boggards.

1355
01:10:32,840 --> 01:10:35,400
Speaker 3: In fact, the Bockards took care to make sure the

1356
01:10:35,520 --> 01:10:39,439
Speaker 3: villagers were well fed because quote, in a few days,

1357
01:10:39,880 --> 01:10:44,639
Speaker 3: you'll join your friends in the great work. This information

1358
01:10:44,720 --> 01:10:48,280
Speaker 3: intrigues Lydrusa, who now suspects more Boggards are building something

1359
01:10:48,360 --> 01:10:52,960
Speaker 3: deeper in the swamp. She looks about with worry on

1360
01:10:53,000 --> 01:10:56,320
Speaker 3: her face. Seems to me that the town might need

1361
01:10:56,360 --> 01:11:01,800
Speaker 3: you for one last adventure, and that is We're going

1362
01:11:01,840 --> 01:11:05,360
Speaker 3: to wrap up this session of Dawn of the Frogs. Everybody.

1363
01:11:05,360 --> 01:11:07,400
Speaker 3: That is the end of the second night of play. Yeah,

1364
01:11:07,479 --> 01:11:09,800
Speaker 3: we're done here with session four. We got two more

1365
01:11:09,840 --> 01:11:16,120
Speaker 3: to goo Dona frog.

1366
01:11:16,680 --> 01:11:20,360
Speaker 1: Everyone have a lovely night. Come back next week to

1367
01:11:20,400 --> 01:11:23,880
Speaker 1: hear the next episode. And until next time, Remember there's

1368
01:11:24,040 --> 01:11:26,440
Speaker 1: no downside to the use of high explosives.

1369
01:11:27,600 --> 01:11:32,160
Speaker 2: Hi everyone, nice, look bye.

1370
01:11:33,120 --> 01:11:35,479
Speaker 6: It could happen here as a production fool Zone Media.

1371
01:11:35,680 --> 01:11:38,320
Speaker 6: For more podcasts or cool Zone Media, visit our website

1372
01:11:38,400 --> 01:11:40,640
Speaker 6: cool zonemedia dot com or check us out on the

1373
01:11:40,680 --> 01:11:44,280
Speaker 6: iHeart Radio, Apple Podcasts, or wherever you listen to podcasts.

1374
01:11:44,680 --> 01:11:46,759
Speaker 6: You can find sources for It could Happen here, updated

1375
01:11:46,840 --> 01:11:50,880
Speaker 6: monthly at cool zonemedia dot com slash sources. Thanks for listening,