WEBVTT - The Empty Raft of Alcatraz with JD Pardo

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<v Speaker 1>Welcome to Greatest Escapes, a show bringing you the wildest.

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<v Speaker 2>True escape stories of all time.

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<v Speaker 1>Now today we're going to get into a story of

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<v Speaker 1>three escape artists who broke out of America's most infamous

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<v Speaker 1>supermax prison, Alcatraz.

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<v Speaker 2>I'm Auto Rogastro, and I'm.

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<v Speaker 1>Here with the incredibly charismatic actor and wonderful human being

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<v Speaker 1>and producer and buddy of mine J D.

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<v Speaker 2>Bard.

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<v Speaker 1>WHOA wow, what a great theme song by Ben Chug

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<v Speaker 1>I fucking love it.

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<v Speaker 2>Do you like see oonsns? I see all the time?

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<v Speaker 2>You come here often? Yeah, I've been here for three days.

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<v Speaker 1>Yeah, oh god, oh my goodness.

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<v Speaker 2>Thank you so much for being here. Brother, anything for you?

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<v Speaker 2>Oh thank you? Brother? Are you two buttons down by

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<v Speaker 2>the way, what are you?

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<v Speaker 1>Yeah? Yeah, I mean that's just my regular go to.

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<v Speaker 1>I'm like a naturally hairless person. I know, so I've

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<v Speaker 1>been able to like rock that low.

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<v Speaker 3>I've been thinking about getting like hair implants like on

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<v Speaker 3>my chest.

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<v Speaker 2>You know what. I've always loved.

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<v Speaker 3>I've always loved those moments in films, like especially like

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<v Speaker 3>in the seventies and like in the eighties, where like

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<v Speaker 3>the girl is like laying on his chest and she's

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<v Speaker 3>just like playing around with like his chest hair.

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<v Speaker 2>Oh.

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<v Speaker 1>I was just like, Oh my gosh, I was that guy.

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<v Speaker 1>I wonder if there's like a Mrkan for that. You

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<v Speaker 1>know what I'm saying is that what it's called a

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<v Speaker 1>murcan my overlords producers, the thing that they put for

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<v Speaker 1>pubic hair.

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<v Speaker 2>Pubic hair. Correct. It is a friend time a bitch.

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<v Speaker 2>I'm so good at English. What do you consider to

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<v Speaker 2>be your greatest escape? Yeah, there there was this. Well

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<v Speaker 2>I'll take it.

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<v Speaker 3>I'll take it international since since there's no proof of this,

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<v Speaker 3>and it was really weird, especially with like after I

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<v Speaker 3>saw Hostel and everything like that.

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<v Speaker 2>I was in Milan, yeah, and uh.

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<v Speaker 3>Yeah and well yeah, I actually went to this club

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<v Speaker 3>and I was like three ms after a job that

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<v Speaker 3>I did a modeling gig back in my Zoolander days,

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<v Speaker 3>one of the most Tommy hill Figer weren't you Tommy

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<v Speaker 3>hill Figure campaign?

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<v Speaker 4>Uh?

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<v Speaker 3>And then I did a job for for Gucci in

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<v Speaker 3>Milan and it.

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<v Speaker 2>Was a beautiful to get it. You're Jesus Christ j

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<v Speaker 2>D Yes, I'm hot. I was so hot. So you're Milan?

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<v Speaker 2>I do this thing right?

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<v Speaker 3>And uh, parties there like start like at two am.

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<v Speaker 3>You know, and really late, and I was with a

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<v Speaker 3>couple of guys and we're going back to the apartments

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<v Speaker 3>and this guy just pulled up in a cab. It

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<v Speaker 3>was just like, I'll take you guys back, and we're

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<v Speaker 3>like okay.

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<v Speaker 2>So I'm in the middle. We hop in and we

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<v Speaker 2>start going. Now, did you know these other two guys?

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<v Speaker 2>I knew the other two. I knew him. Uh, and

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<v Speaker 2>we all lived in the same place.

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<v Speaker 3>Okay, now we have been there for a few months now,

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<v Speaker 3>so we know our way around. And we're talking and

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<v Speaker 3>you know, we're kind of wasted, and then all of

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<v Speaker 3>a sudden, one of the guys just.

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<v Speaker 2>Starts freaking out, says, where is he taking us?

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<v Speaker 1>And you're out the windows, just going I just want

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<v Speaker 1>to die the thing what happened?

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<v Speaker 2>Okay, He's like you can sense there's something fucked up?

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<v Speaker 3>Well, yeah, you know, like one of the one of

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<v Speaker 3>the guys like starts screaming like Italians. The guy like

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<v Speaker 3>this is not the way, and then the other guy

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<v Speaker 3>on my side like this is not where we're not

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<v Speaker 3>supposed to go, Like where's he taking us? Where's he

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<v Speaker 3>taking us that way? And the guy's like screaming at him.

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<v Speaker 3>And then the driver starts screaming at us. No, He's like,

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<v Speaker 3>where are you guys taking me?

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<v Speaker 2>Well, you're fucking driving.

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<v Speaker 3>The next thing I know, the guy on my left

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<v Speaker 3>bolts out, jumps out of the car.

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<v Speaker 2>Oho.

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<v Speaker 3>The other guy jumps out. The driver slams on the

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<v Speaker 3>brakes and grabs a bat.

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<v Speaker 2>That's right next he goes out to the left. I immediately,

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<v Speaker 2>without thinking, just just jumped.

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<v Speaker 3>Out of the car to my right and he starts

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<v Speaker 3>screaming at me, and I run down in alley.

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<v Speaker 2>Whoa, And I jumped behind.

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<v Speaker 3>Like this dumpster and like this car, and I just

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<v Speaker 3>kind of like in the fetal position. I had no

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<v Speaker 3>idea what was going on, Like this was. It just

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<v Speaker 3>happened so quick, right where our guy called him out

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<v Speaker 3>for taking us somewhere that we weren't supposed to go,

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<v Speaker 3>and they were dude. It still kind of freaks me

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<v Speaker 3>out to this day because I feel like I had

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<v Speaker 3>someone like looking over me and the guy was walking

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<v Speaker 3>through the alley and I could hear it was like

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<v Speaker 3>a moment, dude, what a horror film fucking moment. And

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<v Speaker 3>I'm just like, just don't breathe, just don't breathe, just

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<v Speaker 3>don't breathe. And then he just turned around and went

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<v Speaker 3>the other way and he just started swearing.

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<v Speaker 1>Got in the car, and you know, wow, Well, I'm glad.

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<v Speaker 2>You survived that. Thank you.

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<v Speaker 1>I want to check in on the taxi driver to

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<v Speaker 1>see his side of the story, because I don't.

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<v Speaker 2>They're like, man, I don't know these guys. Just like, now,

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<v Speaker 2>I got your side of the story.

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<v Speaker 1>Let me hear now, our next guest is actually will

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<v Speaker 1>come here. All right, well listen, let's get ready for

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<v Speaker 1>a big old escape.

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<v Speaker 2>How about that. I'm excited.

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<v Speaker 1>So we're headed to California's infamous island prison, Alcatraz.

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<v Speaker 2>Hollywood has loved this place for years.

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<v Speaker 1>Tons of classics like Berman of Alcatraz, A point Blank,

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<v Speaker 1>The Enforcer, and The Rock, The fucking Rock, such a

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<v Speaker 1>cool movie. And we're gonna talk a little bit about why,

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<v Speaker 1>like the fact that Alcatraz was originally made into a

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<v Speaker 1>federal prison as a pr stunt for the government. The

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<v Speaker 1>reputation of Alcatraz was kind of just the point of it,

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<v Speaker 1>you know, So we'll get into that. But some people

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<v Speaker 1>haven't been fans, starting with the prisoners who were locked

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<v Speaker 1>up on the island. Who was the first person you

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<v Speaker 1>think of when I say prohibition.

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<v Speaker 2>I think of like Tom Hardy, Yeah, playing what al Capone?

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<v Speaker 3>Right?

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<v Speaker 2>Right?

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<v Speaker 1>So in nineteen thirty splashy stories about mobsters like al

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<v Speaker 1>Capone had been super embarrassing for the government, so President

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<v Speaker 1>Hoover decided that he needed to do something to save

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<v Speaker 1>the government's reputation. His answer to these super criminals was

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<v Speaker 1>to create a super prison. So in nineteen thirty three,

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<v Speaker 1>the New Borough decided to create a superprison to hold

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<v Speaker 1>only the worst of the worst. They selected this military

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<v Speaker 1>prison on Alcatraz Island. They wanted it to be, you know,

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<v Speaker 1>a symbol of a government power to mass organized crime.

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<v Speaker 1>I don't know what accent that is, but I figure

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<v Speaker 1>that's what people in power had a.

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<v Speaker 2>Lot in there. So those good you're covering all your bases.

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<v Speaker 1>It's for all our listeners everywhere in the world. So

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<v Speaker 1>let me give you a little history on the island

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<v Speaker 1>and kind of prison. So Alcatraz itself was originally named

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<v Speaker 1>by Don Juan Manuel de a Yela, so when the

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<v Speaker 1>Spanish were laying claim to California, he called it like

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<v Speaker 1>Islae Lostrass or Island of the Sea Birds. So the

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<v Speaker 1>island was held by the Spanish until Mexican independence.

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<v Speaker 2>Now the USA took.

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<v Speaker 1>It in eighteen forty seven, and the army built a

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<v Speaker 1>fort there right where cannons were put to watch San

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<v Speaker 1>Francisco Bay during the gold Rush, which I'm sure, I

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<v Speaker 1>like that makes sense, right everybody during the gold Rush,

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<v Speaker 1>being like, I'm sure it led to a lot of

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<v Speaker 1>criminality and anxiety all for sure, did absolutely. Oh man,

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<v Speaker 1>I see goal now I fucking go crazy.

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<v Speaker 2>Yeah.

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<v Speaker 1>And then in the American Civil War, Fort Alcatraz was

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<v Speaker 1>packed with soldiers and guns guarding the harbor. Right since

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<v Speaker 1>it was home to like two hundred soldiers. There are

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<v Speaker 1>plenty of buildings, you know, barracks to ladge troops, separate

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<v Speaker 1>housing for the officers, a bakery, a bowling alley.

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<v Speaker 2>Yeah, baby, I love it.

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<v Speaker 1>I love them, being just like, yeah, so listen, guys,

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<v Speaker 1>we're gonna we're gonna have to have to shoot some people, right,

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<v Speaker 1>But that does not mean that I can't strike a

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<v Speaker 1>fucking perfect ninety eight Okay, you know, oh for sure,

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<v Speaker 1>so listen. So there were also separate warehouses on this

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<v Speaker 1>island where the Union Army stashed all their guns and

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<v Speaker 1>ammunition to keep the equipment away from Confederate sympathizers on

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<v Speaker 1>the mainline.

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<v Speaker 2>Right, So, over the.

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<v Speaker 1>Years, Alcatraz slowly became a military prison. One historian says

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<v Speaker 1>that after the Civil War it became a holding pen

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<v Speaker 1>for quote, assorted misfits and societal problems, which is what

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<v Speaker 1>they would call us actors back in the day. Yeah,

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<v Speaker 1>it sounds like normal. It was just a bunch of actors.

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<v Speaker 1>Really like, these guys problematic.

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<v Speaker 2>Put them in there. So if the army captured someone.

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<v Speaker 1>And didn't want to deal with them, they just dumped

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<v Speaker 1>them on Alcatraz and locked them up in the newly

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<v Speaker 1>constructed jail house on the island.

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<v Speaker 2>Sounds about right.

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<v Speaker 1>That included military deserters, stowaways on American ships, and even

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<v Speaker 1>war protesters during World War One. Now here's a really

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<v Speaker 1>fucked up part. It also included Indigenous men trying to

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<v Speaker 1>keep their children out of US government schools. It's a

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<v Speaker 1>moment worth remembering, and it's actually really important in the

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<v Speaker 1>history of the prison. There's a tribe that's fighting for

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<v Speaker 1>the rights that the island belongs to them, to the state,

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<v Speaker 1>So we hope they went. But how fucked up is

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<v Speaker 1>this bro they like they put you away because you

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<v Speaker 1>don't want your kids being indoctrinated by people that have come.

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<v Speaker 3>To fuck you over. It's very sad, very tragic. I mean, look,

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<v Speaker 3>history is ugly. And I think I told you, I

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<v Speaker 3>think you when we were filming Roadhouse that producing a

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<v Speaker 3>show with FX called Bundito, and it takes place in

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<v Speaker 3>this time in the late eighteen hundreds and early nineteen hundreds.

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<v Speaker 3>And what I was so fascinated to find, and I

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<v Speaker 3>think it did have something to do with Alcatraz, was

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<v Speaker 3>that during the gold Rush, this is where they wanted

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<v Speaker 3>to push out the Indigenous. They wanted to push out

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<v Speaker 3>the Mexican or the dark colored skin, you know, Natives

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<v Speaker 3>who were considered Californio's right because it was separate. But

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<v Speaker 3>during the gold Rush you had you know, people from

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<v Speaker 3>New York, you had Irish, you had Australian, you had

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<v Speaker 3>everybody coming over. And what they ended up doing, if

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<v Speaker 3>I remember correctly, was passing a foreign tax law for gold.

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<v Speaker 2>If you were Indigenous.

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<v Speaker 3>Or Mexican like Native, you were considered a foreigner and

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<v Speaker 3>you had to pay a tax law. And if you

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<v Speaker 3>were caught taking gold without paying your taxes, you were

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<v Speaker 3>thrown in prison. I think it had to do with Alcatraz.

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<v Speaker 3>So the crazy thing to me was like, even then

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<v Speaker 3>there were these laws that they were putting into place, Yeah,

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<v Speaker 3>to man hold people down.

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<v Speaker 1>Yeah, man, this is great, But thank you for that, dude.

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<v Speaker 1>I did not know most of that. So as the

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<v Speaker 1>army added to the number of people locked up in Alcatraz,

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<v Speaker 1>they eventually decided to clear the center of the island

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<v Speaker 1>and build a huge cell house. The cell house was

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<v Speaker 1>built as a massive space. Towers of cells were stacked

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<v Speaker 1>on top of each other in the middle of the room.

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<v Speaker 1>That was a prison that President Hoover wanted to be

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<v Speaker 1>his main showpiece in the nineteen thirties. They planned to

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<v Speaker 1>use Alcatraz to quote segregate degenerate minds.

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<v Speaker 2>These are his words, by the way, from the rest

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<v Speaker 2>of the inmates in federal custody. That's what we want

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<v Speaker 2>to do. He's ounded like this for some reason in

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<v Speaker 2>my head.

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<v Speaker 1>Now, when the Borough of Prisons picked the island to

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<v Speaker 1>be their new federal super prison, they decided it would

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<v Speaker 1>be a prison for escape.

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<v Speaker 2>Peace right.

0:12:03.840 --> 0:12:06.240
<v Speaker 1>Almost half of the men sent there had tried breaking

0:12:06.280 --> 0:12:09.400
<v Speaker 1>out of other prisons, and some had even succeeded Now,

0:12:09.480 --> 0:12:12.480
<v Speaker 1>the guard station there were very aware of that fact, right,

0:12:12.520 --> 0:12:15.160
<v Speaker 1>One senior officer I was quoted by saying.

0:12:15.200 --> 0:12:18.520
<v Speaker 3>The inmates job is to get out and our job

0:12:18.960 --> 0:12:20.040
<v Speaker 3>is to keep them in.

0:12:21.480 --> 0:12:22.000
<v Speaker 2>I love it.

0:12:22.120 --> 0:12:26.120
<v Speaker 1>Yeah, they're like, this is our slogan at Alcatraz. Now,

0:12:26.320 --> 0:12:29.800
<v Speaker 1>the prison was rebuilt to be escape proof, and yeah,

0:12:29.800 --> 0:12:32.160
<v Speaker 1>I mean that's kind of always the fucking idea with prisons,

0:12:32.200 --> 0:12:32.520
<v Speaker 1>isn't it.

0:12:33.080 --> 0:12:35.720
<v Speaker 2>But yeah, I loved that. They were like this one

0:12:35.760 --> 0:12:38.360
<v Speaker 2>you can't escape from damn it. How did he do that?

0:12:39.679 --> 0:12:42.560
<v Speaker 2>But with Alcatraz the stakes were super high, right.

0:12:43.200 --> 0:12:46.640
<v Speaker 1>The cells were built using toolproof steel and you steal

0:12:46.720 --> 0:12:50.120
<v Speaker 1>bar doors and grates that were installed on every opening

0:12:50.120 --> 0:12:53.160
<v Speaker 1>of the prison. The Rock, as its nickname, was selected

0:12:53.200 --> 0:12:55.800
<v Speaker 1>precisely for the kinds of inmates who wouldn't be scared

0:12:55.840 --> 0:12:58.920
<v Speaker 1>off by a high wall or some barbed wire. So

0:12:59.040 --> 0:13:01.080
<v Speaker 1>when it opened in the nineteen thirties, prisoner was like

0:13:01.120 --> 0:13:04.800
<v Speaker 1>al Capone and George Machine Gun Kelly were held in Alcatraz.

0:13:05.040 --> 0:13:07.360
<v Speaker 2>That was before he made a terrible album just kidding.

0:13:08.679 --> 0:13:10.920
<v Speaker 1>It made the prison the most infamous in the country,

0:13:11.280 --> 0:13:14.520
<v Speaker 1>and the first major escape attempt came in nineteen thirty seven.

0:13:15.000 --> 0:13:18.080
<v Speaker 1>Two prisoners secretly cut through the bars blocking a window

0:13:18.080 --> 0:13:20.840
<v Speaker 1>of the building where they worked inside the prison, now

0:13:20.960 --> 0:13:23.240
<v Speaker 1>carrying heavy tools from the model shop.

0:13:23.640 --> 0:13:26.680
<v Speaker 2>This is a shop where they built people like you, JD.

0:13:26.920 --> 0:13:29.439
<v Speaker 2>The model shop. Wow, what a terrible dad joke.

0:13:30.440 --> 0:13:32.920
<v Speaker 1>So they broke through the lock on the gate, clambered

0:13:32.960 --> 0:13:35.440
<v Speaker 1>down the cliffs and hit the water, where they dove

0:13:35.520 --> 0:13:38.840
<v Speaker 1>in and swam towards a mainland. The men disappeared, but

0:13:38.960 --> 0:13:41.520
<v Speaker 1>given the cold, choppy water that day in December and

0:13:41.559 --> 0:13:45.119
<v Speaker 1>the tide running out to the Pacific Ocean, person officials

0:13:45.160 --> 0:13:47.199
<v Speaker 1>assumed that the men died in an attempt to swim.

0:13:47.080 --> 0:13:48.640
<v Speaker 2>To the bay. How far does that swim?

0:13:48.679 --> 0:13:51.760
<v Speaker 1>By the way, I believe it's a mile overlords, the

0:13:51.840 --> 0:13:54.480
<v Speaker 1>closest sland is a mile and a half mile and a.

0:13:54.480 --> 0:13:56.600
<v Speaker 2>Half, Thank you my lord. God.

0:13:56.960 --> 0:13:58.960
<v Speaker 1>Yeah, hey, I'm telling you bright, it's the best fucking

0:13:58.960 --> 0:14:02.320
<v Speaker 1>thing in the work God, yes, my son, see.

0:14:02.160 --> 0:14:04.360
<v Speaker 2>Yeah, Okay.

0:14:04.520 --> 0:14:06.920
<v Speaker 1>So in nineteen forty six there was a super violent

0:14:07.040 --> 0:14:10.439
<v Speaker 1>escape attempt that became known as the Battle of Alcatraz.

0:14:11.000 --> 0:14:14.000
<v Speaker 1>It included a massive shootout between prisoners and marines that

0:14:14.000 --> 0:14:16.600
<v Speaker 1>were called to the island to fight them. After that,

0:14:16.720 --> 0:14:19.040
<v Speaker 1>the prison was no longer seen as a symbol of

0:14:19.080 --> 0:14:22.480
<v Speaker 1>the government's power to win. No, Instead, it became a

0:14:22.520 --> 0:14:27.520
<v Speaker 1>symbol of chaos and violence. Now, this was obviously exactly

0:14:27.560 --> 0:14:29.560
<v Speaker 1>the opposite of what the government wanted. You know, it

0:14:29.760 --> 0:14:33.240
<v Speaker 1>undermined their whole pr project because the Borough of Prisons

0:14:33.280 --> 0:14:36.200
<v Speaker 1>responded by adding so many extra layers of security that

0:14:36.280 --> 0:14:39.640
<v Speaker 1>no escapes were attempted for the next seven years. Eventually, though,

0:14:39.720 --> 0:14:42.640
<v Speaker 1>prisoners would try to escape again. And the jail break

0:14:42.840 --> 0:14:45.880
<v Speaker 1>in nineteen sixty seven is about as different as you

0:14:45.920 --> 0:14:48.800
<v Speaker 1>can get from the battle. That's when three men, Frank

0:14:48.880 --> 0:14:52.680
<v Speaker 1>Morris and John and Clarence Anglin actually made it out.

0:14:52.680 --> 0:15:06.480
<v Speaker 2>Of the Island prison. Let's move on to the escape.

0:15:07.080 --> 0:15:10.840
<v Speaker 1>So Frank, John and Clarence, these three guys weren't mobsters,

0:15:10.880 --> 0:15:13.280
<v Speaker 1>you know, they weren't killers. They were the other kind

0:15:13.320 --> 0:15:15.360
<v Speaker 1>of It made that Alcatraz was built for. They were

0:15:15.360 --> 0:15:19.440
<v Speaker 1>the escape artists right now. Also, why I love that

0:15:19.480 --> 0:15:21.680
<v Speaker 1>they get deemed escape artists.

0:15:21.960 --> 0:15:22.600
<v Speaker 2>I'm an artist.

0:15:23.280 --> 0:15:28.720
<v Speaker 1>It's the best rebranding that escapees have ever done. It's

0:15:28.720 --> 0:15:32.800
<v Speaker 1>better than Mayo turning into aoli that rebranding Chef's kiss.

0:15:33.760 --> 0:15:37.000
<v Speaker 1>So John and Clarence England were farm boys, good farm boys, right.

0:15:37.080 --> 0:15:40.240
<v Speaker 1>Their parents were seasonal farm workers and lived much of

0:15:40.280 --> 0:15:42.080
<v Speaker 1>their lives between farming towns.

0:15:42.440 --> 0:15:42.600
<v Speaker 3>Now.

0:15:42.600 --> 0:15:45.240
<v Speaker 1>One month they'd be picking tomatoes in Florida, and the

0:15:45.280 --> 0:15:48.320
<v Speaker 1>next they'd be picking cherries in Michigan. They also bring

0:15:48.360 --> 0:15:51.640
<v Speaker 1>along their thirteen children as they move from place to place.

0:15:52.240 --> 0:15:54.280
<v Speaker 3>That's tough, man, because I have two and I'm already

0:15:54.320 --> 0:15:56.480
<v Speaker 3>on man on man defense, you know what I mean? Like,

0:15:56.520 --> 0:15:58.440
<v Speaker 3>I feel like one more. I'm heading into the zone

0:15:58.440 --> 0:15:59.920
<v Speaker 3>and some special through the seams.

0:16:00.120 --> 0:16:02.560
<v Speaker 1>Plus the traveling right, like you have to have a

0:16:02.600 --> 0:16:05.560
<v Speaker 1>bus bro Anyway, it was in Lake Michigan that John

0:16:05.600 --> 0:16:07.920
<v Speaker 1>and Clarence learned how to swim, and as the story goes,

0:16:07.960 --> 0:16:10.240
<v Speaker 1>they would even go swimming in the freezing cold when

0:16:10.240 --> 0:16:11.320
<v Speaker 1>the lake was still icy.

0:16:11.400 --> 0:16:14.480
<v Speaker 2>Oh have you ever done a polar plunge? I want to?

0:16:15.160 --> 0:16:18.480
<v Speaker 3>Yeah, I want the fad now. I love cold plunging.

0:16:19.120 --> 0:16:23.760
<v Speaker 2>Dude, It's a thing. Many As these guys grew older,

0:16:23.920 --> 0:16:24.840
<v Speaker 2>they grew wilder.

0:16:24.920 --> 0:16:28.120
<v Speaker 1>Right. They hot wied cars, they stole tractor batteries, they

0:16:28.160 --> 0:16:31.240
<v Speaker 1>broke into stores. Clarence even got locked up in a

0:16:31.280 --> 0:16:33.760
<v Speaker 1>Florida juvenile detention center when he was fourteen.

0:16:34.320 --> 0:16:36.960
<v Speaker 2>No yeah, fourteen rough dud muffin.

0:16:38.080 --> 0:16:40.200
<v Speaker 1>So soon enough two of the brothers had four year

0:16:40.280 --> 0:16:43.720
<v Speaker 1>sentences for breaking and entering. But they also started breaking

0:16:43.760 --> 0:16:46.120
<v Speaker 1>out of the various jails where they were held. What

0:16:46.200 --> 0:16:48.720
<v Speaker 1>account says that they broke out of jails in Fort Myers,

0:16:48.760 --> 0:16:52.240
<v Speaker 1>in West Palm Beach, in Pompano Beach, Perry City, and

0:16:52.320 --> 0:16:53.040
<v Speaker 1>Floral City.

0:16:53.120 --> 0:16:56.960
<v Speaker 4>They sound like resorts, so they got on they're all

0:16:56.960 --> 0:17:01.320
<v Speaker 4>inclusive and timeshare and in Floral City and the escape

0:17:01.320 --> 0:17:04.600
<v Speaker 4>from Floria City, Clarence sawt a hole through a wooden

0:17:04.640 --> 0:17:06.720
<v Speaker 4>floor in the jail and was even shot on the

0:17:06.720 --> 0:17:08.520
<v Speaker 4>shoulder as he jumped the prison fence.

0:17:09.200 --> 0:17:11.919
<v Speaker 1>So the Angland's biggest crime was the robbery of a

0:17:11.920 --> 0:17:15.119
<v Speaker 1>bank in Alabama in nineteen fifty eight. John Clarence and

0:17:15.160 --> 0:17:17.920
<v Speaker 1>another Angling brother all worked together and they used a

0:17:18.000 --> 0:17:20.440
<v Speaker 1>toy gun to hold up the employees and got away

0:17:20.480 --> 0:17:24.640
<v Speaker 1>with nineteen thousand dollars. Pretty good for you know, farm

0:17:24.680 --> 0:17:26.200
<v Speaker 1>boys at the time. I mean, this is a fucking

0:17:26.200 --> 0:17:26.919
<v Speaker 1>ton of money in it.

0:17:27.119 --> 0:17:28.560
<v Speaker 2>Nineteen geez, there you go.

0:17:28.800 --> 0:17:31.760
<v Speaker 1>Yeah, So for five days they went from place to place,

0:17:31.800 --> 0:17:34.359
<v Speaker 1>staying with family, but then someone tipped them off to

0:17:34.400 --> 0:17:37.760
<v Speaker 1>the police and they were caught in Hamilton on Hio,

0:17:37.840 --> 0:17:46.760
<v Speaker 1>probably like a judgmental dea, you know, be like, oh no, listen, that's.

0:17:47.400 --> 0:17:49.320
<v Speaker 2>I would get rid it out so quick, broke My

0:17:49.359 --> 0:17:51.639
<v Speaker 2>family'd be like, what the fuck? Grabbed myself shot.

0:17:52.040 --> 0:17:55.680
<v Speaker 3>I'm like, I'm just a very I'm like, I can't lie, dude,

0:17:55.880 --> 0:17:57.479
<v Speaker 3>It hard for me to lie.

0:17:57.840 --> 0:18:00.919
<v Speaker 1>They narrowly ducked the death penalty in Alabama, so instead

0:18:00.960 --> 0:18:04.360
<v Speaker 1>they got twenty five years each. That's that's that's a win, right,

0:18:04.440 --> 0:18:06.160
<v Speaker 1>that's a win with even bigger.

0:18:06.359 --> 0:18:08.919
<v Speaker 2>Yeah, of course I didn't get it. It seems like

0:18:08.920 --> 0:18:12.200
<v Speaker 2>they would. Yeah, like fuck it. I was goodn escape anyway.

0:18:12.680 --> 0:18:16.520
<v Speaker 1>After various unsuccessful attempts from other federal prisons, John arrived

0:18:16.520 --> 0:18:20.920
<v Speaker 1>in Alcatraz in October nineteen sixty and Clarence Anglin followed

0:18:20.960 --> 0:18:24.119
<v Speaker 1>him there in January nineteen sixty one. And once they

0:18:24.160 --> 0:18:26.600
<v Speaker 1>got there together, they struck up a little bromance with

0:18:26.640 --> 0:18:29.000
<v Speaker 1>a man named Frank Morris, and then the three of

0:18:29.040 --> 0:18:31.720
<v Speaker 1>them cooked up a plan that put their jail break

0:18:31.880 --> 0:18:39.040
<v Speaker 1>into the history books. Now thinking that there was no

0:18:39.200 --> 0:18:42.040
<v Speaker 1>risk of them escaping the island, the prison warden put

0:18:42.119 --> 0:18:45.760
<v Speaker 1>John and Clarence inside by side cells. So the cells

0:18:45.760 --> 0:18:49.040
<v Speaker 1>were B block one fifty and B block one fifty two.

0:18:49.760 --> 0:18:52.240
<v Speaker 1>Frank Morris was just a few cells down in one

0:18:52.400 --> 0:18:55.320
<v Speaker 1>three to eight. Now, that wasn't the first time they

0:18:55.320 --> 0:18:58.320
<v Speaker 1>had met Morris, though they had previously made his acquaintance

0:18:58.359 --> 0:19:02.440
<v Speaker 1>at a federal penitentiary and Okay. Throughout his teens, Frank

0:19:02.480 --> 0:19:04.960
<v Speaker 1>committed a series of arm robberies that had him locked

0:19:05.000 --> 0:19:08.520
<v Speaker 1>up many times, but he had escaped custody over and

0:19:08.560 --> 0:19:11.000
<v Speaker 1>over before he was finally shipped to Alcatras.

0:19:11.200 --> 0:19:13.280
<v Speaker 2>The Rock, The Rock, The Rock.

0:19:13.440 --> 0:19:16.960
<v Speaker 1>Now, together with a fourth man, Alan West, Frank and

0:19:17.000 --> 0:19:21.359
<v Speaker 1>the Anglan brothers hatched a plan to break out of Alcatraz. So,

0:19:21.520 --> 0:19:24.080
<v Speaker 1>knowing that you have to escape the island, what are

0:19:24.119 --> 0:19:25.720
<v Speaker 1>some of the things that you would factor in to

0:19:25.880 --> 0:19:26.959
<v Speaker 1>your island escape?

0:19:26.960 --> 0:19:30.000
<v Speaker 2>What do you think you would need? JD. I don't

0:19:30.040 --> 0:19:32.840
<v Speaker 2>even know what I would need, you know? But what's impressive?

0:19:33.320 --> 0:19:36.760
<v Speaker 3>A few of them they were just farmers, right, and

0:19:36.880 --> 0:19:38.400
<v Speaker 3>it's just your imagination.

0:19:38.680 --> 0:19:41.000
<v Speaker 1>It goes to show you that, like, yeah, being assertive

0:19:41.040 --> 0:19:42.920
<v Speaker 1>and being creative is being as certain.

0:19:42.760 --> 0:19:45.680
<v Speaker 3>Being creative, and like looking at the walls around you

0:19:45.800 --> 0:19:49.200
<v Speaker 3>and saying like, no, it's not holding me this.

0:19:49.119 --> 0:19:51.280
<v Speaker 1>Isn't holding me up in that moment of empowerment, looking

0:19:51.280 --> 0:19:54.159
<v Speaker 1>at the walls around you and saying no, no, no,

0:19:54.320 --> 0:19:55.680
<v Speaker 1>you will not catch me here.

0:19:55.680 --> 0:20:00.320
<v Speaker 2>No, I am not going for twenty five years whatever.

0:20:00.359 --> 0:20:03.000
<v Speaker 3>It is, Like, Yeah, that's impressive to me because you

0:20:03.119 --> 0:20:07.400
<v Speaker 3>have to have such imagination about the other side. And

0:20:07.440 --> 0:20:10.840
<v Speaker 3>not only that, like they used each other's minds and

0:20:11.240 --> 0:20:14.040
<v Speaker 3>they read the room and they were aware.

0:20:13.720 --> 0:20:14.760
<v Speaker 2>They read the room.

0:20:15.200 --> 0:20:16.960
<v Speaker 1>Let me tell you how they actually started their escape,

0:20:16.960 --> 0:20:19.840
<v Speaker 1>because it's fucking wild. Okay to me, they started So

0:20:19.920 --> 0:20:22.560
<v Speaker 1>here's the thing, right, get in real close. They started

0:20:22.560 --> 0:20:26.240
<v Speaker 1>their escape with spoons Okay, now almost Yeah, for almost

0:20:26.240 --> 0:20:29.000
<v Speaker 1>a year they used them to scrape the concrete walls

0:20:29.040 --> 0:20:30.400
<v Speaker 1>of their fucking cells.

0:20:30.400 --> 0:20:31.800
<v Speaker 2>Man, why didn't the.

0:20:31.800 --> 0:20:34.119
<v Speaker 1>Vent hole in the back wall until they could get

0:20:34.160 --> 0:20:37.080
<v Speaker 1>in to the utility corridor behind?

0:20:37.240 --> 0:20:39.760
<v Speaker 2>Yep? Okay. The prisoners also had.

0:20:39.640 --> 0:20:42.040
<v Speaker 1>Access to all sorts of tools in the prison shops

0:20:42.040 --> 0:20:45.159
<v Speaker 1>where they worked, right, so they used art supplies and

0:20:45.280 --> 0:20:48.040
<v Speaker 1>putty to build decoy gates that they could put in

0:20:48.080 --> 0:20:51.320
<v Speaker 1>place during the day. So basically they built it to

0:20:51.320 --> 0:20:54.000
<v Speaker 1>make them decoy event cover so that the guards wouldn't

0:20:54.080 --> 0:20:56.720
<v Speaker 1>know that they were actually breaking out. They stole a

0:20:56.800 --> 0:21:00.000
<v Speaker 1>drill bit and a small motor from a broken vacuum.

0:21:00.119 --> 0:21:04.560
<v Speaker 1>The dude and jury rig that shit to help to

0:21:04.600 --> 0:21:06.280
<v Speaker 1>help them drill through the steel boats.

0:21:06.600 --> 0:21:09.399
<v Speaker 2>Like, can you believe I love it? One of them even, yeah,

0:21:09.440 --> 0:21:10.040
<v Speaker 2>one of them.

0:21:09.920 --> 0:21:12.160
<v Speaker 1>Even lifted a flashlight from the pocket of a guard

0:21:12.200 --> 0:21:16.439
<v Speaker 1>so they could work in the dark. Crazy, But listen,

0:21:16.680 --> 0:21:19.040
<v Speaker 1>getting past the walls was only the first thing that

0:21:19.040 --> 0:21:21.960
<v Speaker 1>they needed to do, right, Okay, So they started collecting

0:21:22.080 --> 0:21:24.680
<v Speaker 1>rubber raincoats from all the prisoners.

0:21:24.160 --> 0:21:26.119
<v Speaker 2>In B Block. What do you think they're gonna do

0:21:26.160 --> 0:21:30.000
<v Speaker 2>with raincoats? Build a raft? There you go, there you go.

0:21:30.080 --> 0:21:32.800
<v Speaker 2>You see, I would fucking pick you on my escapee.

0:21:33.040 --> 0:21:36.159
<v Speaker 1>Right, hey man, you got not a stupid model and

0:21:36.320 --> 0:21:40.040
<v Speaker 1>these four walls, I say, no, no, no, no, not

0:21:40.119 --> 0:21:40.720
<v Speaker 1>gonna hold me.

0:21:40.960 --> 0:21:42.280
<v Speaker 2>Okay, So they built a raft.

0:21:42.600 --> 0:21:46.320
<v Speaker 1>Well, they took inspiration from the magazine Popular Mechanics, which

0:21:46.359 --> 0:21:49.520
<v Speaker 1>was a nineteen sixty issue to describe how to use

0:21:49.600 --> 0:21:53.199
<v Speaker 1>resin to seal lampshades. They didn't have resin, but they

0:21:53.200 --> 0:21:56.720
<v Speaker 1>did have liquid plastic from the prison shops. Now, by

0:21:56.760 --> 0:22:01.240
<v Speaker 1>melting the rubber raincoats together and sealing the edges, liquid plastic.

0:22:01.640 --> 0:22:03.880
<v Speaker 1>They were able to make two rafts that they could

0:22:03.960 --> 0:22:05.879
<v Speaker 1>use to float across San Francisco.

0:22:06.119 --> 0:22:07.920
<v Speaker 2>Okay, time out, time out, tomorrow, tomorrow. Yeah.

0:22:08.320 --> 0:22:12.000
<v Speaker 1>Where do they store this raft? Probably in their cells? Man,

0:22:12.119 --> 0:22:16.440
<v Speaker 1>probably underneath their beds. I don't they toss cells? No,

0:22:16.520 --> 0:22:19.560
<v Speaker 1>because okay, here's the thing. Since they've already gotten through

0:22:19.640 --> 0:22:22.320
<v Speaker 1>to the other side and they have fake decoy gate things,

0:22:22.600 --> 0:22:24.080
<v Speaker 1>they probably put him on the other side.

0:22:26.840 --> 0:22:28.720
<v Speaker 2>There you go. That's why you need me.

0:22:28.720 --> 0:22:31.040
<v Speaker 3>The So you're saying they had to go out several

0:22:31.119 --> 0:22:33.000
<v Speaker 3>times and like not that we got out of it

0:22:33.040 --> 0:22:34.760
<v Speaker 3>and like let's take off, but they had to like

0:22:35.160 --> 0:22:37.920
<v Speaker 3>repeatedly set things up outside at leastly their cells.

0:22:38.000 --> 0:22:41.320
<v Speaker 2>Yeah, I like, okay, so is it today? No? Not?

0:22:40.600 --> 0:22:46.320
<v Speaker 2>No raft day? Got it? Okay tomorrow? No, no, not tomorrow.

0:22:46.640 --> 0:22:49.280
<v Speaker 1>So then they use chair legs to make paddles for

0:22:49.320 --> 0:22:53.399
<v Speaker 1>the rafts, and even cobble together a handpump so they

0:22:53.400 --> 0:22:57.480
<v Speaker 1>could use it to inflate their makeshift rubber pontoon. Dude,

0:22:57.520 --> 0:23:00.600
<v Speaker 1>people in this like in this like crafts. I thought

0:23:00.640 --> 0:23:04.600
<v Speaker 1>they were geniuses, you know, like gosh, they're like pecassa.

0:23:05.240 --> 0:23:08.159
<v Speaker 1>Alan West took the lead on assembling the rafts that

0:23:08.240 --> 0:23:10.640
<v Speaker 1>left him behind schedule when it came to cutting open

0:23:10.680 --> 0:23:14.280
<v Speaker 1>his escapehole, but he planned Yep, he planned to finish

0:23:14.400 --> 0:23:17.040
<v Speaker 1>opening his cell on the night of the escape itself.

0:23:17.680 --> 0:23:20.040
<v Speaker 2>Alan, you're cutting it clothes, buddy, dude, that's that.

0:23:20.280 --> 0:23:22.640
<v Speaker 3>That just made me ancient, buddy, Like what, I don't

0:23:22.640 --> 0:23:25.000
<v Speaker 3>even like showing up to the movie theater late. I know,

0:23:25.080 --> 0:23:27.359
<v Speaker 3>I want to see the trailers, I want my popcorn,

0:23:27.359 --> 0:23:28.080
<v Speaker 3>I want everything.

0:23:28.200 --> 0:23:33.440
<v Speaker 1>Like Yeah, Now, Clarence, who worked in the prison barbershops,

0:23:33.440 --> 0:23:35.040
<v Speaker 1>started collecting human hair.

0:23:35.200 --> 0:23:40.560
<v Speaker 2>What do you think this is for human hair? Are

0:23:40.600 --> 0:23:43.479
<v Speaker 2>they creating like a dummy to lay in the bed? Buddy?

0:23:43.560 --> 0:23:45.520
<v Speaker 2>You got this, you got I have my job here

0:23:45.600 --> 0:23:47.399
<v Speaker 2>is done. Like I said, it's never been proven that

0:23:47.440 --> 0:23:49.399
<v Speaker 2>I've escaped, but that's right.

0:23:49.720 --> 0:23:53.040
<v Speaker 1>So using some men dust, toilet paper, and soap, the

0:23:53.119 --> 0:23:55.480
<v Speaker 1>men sculpted full heads for their pillows.

0:23:55.760 --> 0:23:57.560
<v Speaker 2>They cover them with real human hair.

0:23:57.480 --> 0:24:00.200
<v Speaker 1>Uh huh, and painted on the skin tones with pain

0:24:00.280 --> 0:24:01.720
<v Speaker 1>from the prison art kids.

0:24:02.080 --> 0:24:04.840
<v Speaker 3>Can you imagine like be being like, hey, arto, do

0:24:04.880 --> 0:24:06.160
<v Speaker 3>you think this looks like me? No?

0:24:06.200 --> 0:24:09.040
<v Speaker 2>Too light? Too this light? Bro, You're not been in

0:24:09.080 --> 0:24:10.960
<v Speaker 2>the sun. I've been in the sun all day.

0:24:12.880 --> 0:24:17.200
<v Speaker 1>So on June eleventh, nineteen sixty two, just over a

0:24:17.320 --> 0:24:21.400
<v Speaker 1>year after the Anglans arrived at Alcatraz, they were already

0:24:21.440 --> 0:24:25.760
<v Speaker 1>ready for the air escape. So John Clarence Frank climbed

0:24:25.800 --> 0:24:27.600
<v Speaker 1>out of the vent holes in the back of their

0:24:27.640 --> 0:24:31.639
<v Speaker 1>cells scaled the walls of the utility corridor. So you

0:24:31.680 --> 0:24:35.199
<v Speaker 1>see they'd already cut Yeah, that's right, Dune. They had

0:24:35.200 --> 0:24:37.720
<v Speaker 1>already cut the metal boats holding an air vent close.

0:24:38.119 --> 0:24:40.840
<v Speaker 1>They pushed the vent open, and then boom they were

0:24:40.880 --> 0:24:41.840
<v Speaker 1>out on that prison.

0:24:41.960 --> 0:24:44.560
<v Speaker 2>Who were like, okay, was this during the day or

0:24:44.640 --> 0:24:47.760
<v Speaker 2>at night? God? I believe it was a night. God,

0:24:48.680 --> 0:24:50.280
<v Speaker 2>this was at night.

0:24:50.600 --> 0:24:53.920
<v Speaker 1>Oh yes, okay, good because otherwise, like like the guards

0:24:53.920 --> 0:24:55.200
<v Speaker 1>would be just like, what the fuck.

0:24:55.000 --> 0:24:55.600
<v Speaker 2>Are you guys doing?

0:24:56.680 --> 0:24:59.880
<v Speaker 4>The garden was supposed to be today, You're not supposed

0:24:59.880 --> 0:25:04.240
<v Speaker 4>to So when they got there, they realized that Alan West,

0:25:04.680 --> 0:25:08.119
<v Speaker 4>fucking procrastinator, was not with them, so wonder why.

0:25:08.320 --> 0:25:10.840
<v Speaker 1>Yeah, so one by one they climbed back down and

0:25:10.880 --> 0:25:11.720
<v Speaker 1>try to help him out.

0:25:11.760 --> 0:25:13.240
<v Speaker 2>Oh that's nice, that's really nice.

0:25:13.640 --> 0:25:15.399
<v Speaker 1>And he had not he had not been able to

0:25:15.400 --> 0:25:18.720
<v Speaker 1>finish cutting open the vent hole. So he found that

0:25:18.800 --> 0:25:22.000
<v Speaker 1>there was actual steel reinforcing his.

0:25:22.119 --> 0:25:24.720
<v Speaker 2>Vent, just his look of the draw man.

0:25:24.840 --> 0:25:25.159
<v Speaker 3>I know.

0:25:25.840 --> 0:25:28.840
<v Speaker 1>Eventually Frank and the Anglins left him behind. They carrying

0:25:28.880 --> 0:25:32.160
<v Speaker 1>their Yeah, I mean you have to write, carrying their raft.

0:25:32.240 --> 0:25:34.679
<v Speaker 1>They slid down a smokestack to the ground.

0:25:35.400 --> 0:25:36.680
<v Speaker 2>Wow, this is crazy.

0:25:36.920 --> 0:25:39.000
<v Speaker 1>They jumped the prison fans and made their way to

0:25:39.040 --> 0:25:42.520
<v Speaker 1>the water, but they did leave behind one raft in

0:25:42.520 --> 0:25:44.320
<v Speaker 1>case Allen was able to cut his way out.

0:25:44.800 --> 0:25:48.520
<v Speaker 3>Hey, in case you get through the steel, I'm gonna leave.

0:25:48.400 --> 0:25:50.800
<v Speaker 2>A raft for you. It's gonna be here, don't worry

0:25:50.880 --> 0:25:51.360
<v Speaker 2>about it.

0:25:51.920 --> 0:25:54.560
<v Speaker 1>And then they floated out off the northeast side of

0:25:54.600 --> 0:25:58.400
<v Speaker 1>the island into the night. Yeah, okay, which I wonder

0:25:58.520 --> 0:26:01.040
<v Speaker 1>if the I wonder if these rafts are made to

0:26:01.119 --> 0:26:04.040
<v Speaker 1>just hold to a piece, you know, and like taking

0:26:04.080 --> 0:26:08.760
<v Speaker 1>a third one was yeah, or for the weight purposes?

0:26:08.880 --> 0:26:12.159
<v Speaker 3>Oh yeah, Like they're going down like chompy water, you know,

0:26:12.240 --> 0:26:13.200
<v Speaker 3>water getting in there.

0:26:13.480 --> 0:26:15.040
<v Speaker 2>Yeah yeah. Yeah.

0:26:15.080 --> 0:26:18.760
<v Speaker 1>So on June twelfth, nineteen sixty two, guards discovered the

0:26:18.800 --> 0:26:20.960
<v Speaker 1>empty cells and the dummy heads. They sent up the

0:26:21.040 --> 0:26:34.280
<v Speaker 1>alarm and began the search. Okay, guess what JD. These

0:26:34.320 --> 0:26:39.200
<v Speaker 1>men were never found. What they were never found? They

0:26:39.200 --> 0:26:41.679
<v Speaker 1>were never found. Prison officials declared that the men had

0:26:41.760 --> 0:26:44.600
<v Speaker 1>drowned in the San Francisco Bay. The emphasized that the

0:26:44.600 --> 0:26:49.080
<v Speaker 1>prison was very definitely inescapable, and that maybe.

0:26:48.960 --> 0:26:50.439
<v Speaker 2>That's why they wanted to come out and say no,

0:26:50.520 --> 0:26:52.560
<v Speaker 2>they drowned and the med not.

0:26:52.560 --> 0:26:54.760
<v Speaker 1>Have escaped, because this is I love, I love that

0:26:54.800 --> 0:26:55.480
<v Speaker 1>press conference.

0:26:55.480 --> 0:26:58.480
<v Speaker 2>Guys, they did not escape. This inescapable. We will not

0:26:58.560 --> 0:26:59.920
<v Speaker 2>be taking any questions at this time.

0:27:00.040 --> 0:27:02.000
<v Speaker 3>Even if you get past the prison, you got to

0:27:02.000 --> 0:27:03.560
<v Speaker 3>get past the water, and that's where they died.

0:27:04.119 --> 0:27:06.359
<v Speaker 2>Guys. You know, water kills people. So let's move on.

0:27:06.920 --> 0:27:09.359
<v Speaker 1>That was the kind of circular logic meant to defend

0:27:09.400 --> 0:27:10.440
<v Speaker 1>the prison's reputation.

0:27:10.600 --> 0:27:11.920
<v Speaker 2>Right, that's trippy man.

0:27:12.080 --> 0:27:14.639
<v Speaker 1>Now, As for the potential getaway, Alan West said the

0:27:14.720 --> 0:27:17.359
<v Speaker 1>three men were planning to break into a clothing store

0:27:17.359 --> 0:27:19.880
<v Speaker 1>in marin so they could change out of their prison clothes,

0:27:19.960 --> 0:27:23.399
<v Speaker 1>but no robbery like that was ever reported. It was

0:27:23.440 --> 0:27:25.960
<v Speaker 1>clear that at the very least the men had escaped

0:27:25.960 --> 0:27:29.040
<v Speaker 1>the prison and gotten out into the bay. When police

0:27:29.080 --> 0:27:31.679
<v Speaker 1>interviewed the England's mother in Florida, she said that at

0:27:31.760 --> 0:27:34.440
<v Speaker 1>least ten of her children turned out to be good.

0:27:35.080 --> 0:27:39.600
<v Speaker 2>I love that number, eleven, twelve, and thirteen. Hey, no, damn.

0:27:41.359 --> 0:27:43.560
<v Speaker 1>She stopped counting after attend to that I don't know,

0:27:44.000 --> 0:27:45.000
<v Speaker 1>I don't even know them very well.

0:27:45.040 --> 0:27:48.800
<v Speaker 3>That they were too good tales good, three's good hours, Okay,

0:27:48.840 --> 0:27:49.440
<v Speaker 3>five's good.

0:27:49.560 --> 0:27:52.840
<v Speaker 2>Raise your hand, you're shitty. Yeah. As for John and Clarence,

0:27:52.920 --> 0:27:56.320
<v Speaker 2>she told police that she hoped they got caught. Ooh,

0:27:56.400 --> 0:28:02.560
<v Speaker 2>that's cold, mom. The story made national headlines.

0:28:02.640 --> 0:28:05.439
<v Speaker 1>You know, No matter what the prison officials said, the

0:28:05.520 --> 0:28:10.840
<v Speaker 1>inescapable Alcatraz home to violence and chaos, had been breached. Then,

0:28:11.080 --> 0:28:13.399
<v Speaker 1>later that same year, another man broke out of the

0:28:13.400 --> 0:28:15.800
<v Speaker 1>prison and swam the bay. Y.

0:28:16.000 --> 0:28:18.880
<v Speaker 2>Yeah, the guy fucking swam. I fucking swam. I don't

0:28:18.920 --> 0:28:22.080
<v Speaker 2>need a raft sun. Yeah, that's right. So he reached

0:28:22.080 --> 0:28:23.840
<v Speaker 2>the shore and was immediately caught.

0:28:24.080 --> 0:28:26.159
<v Speaker 1>And if you can believe this ship man, he swam

0:28:26.480 --> 0:28:29.840
<v Speaker 1>naked in December. So this proved that the prison officials

0:28:29.840 --> 0:28:32.760
<v Speaker 1>were wrong. It was definitely possible to get out and

0:28:32.880 --> 0:28:36.200
<v Speaker 1>cross the water. The prison shut down in nineteen sixty three.

0:28:36.400 --> 0:28:38.800
<v Speaker 1>A plan had already been under way since nineteen sixty

0:28:38.800 --> 0:28:41.880
<v Speaker 1>one to close Alcatraz. It just needed extensive repairs, and

0:28:41.920 --> 0:28:45.520
<v Speaker 1>it was already like a public relations disaster. But the

0:28:45.640 --> 0:28:48.480
<v Speaker 1>escape of Morris and the Englands was a final nail

0:28:48.680 --> 0:28:51.800
<v Speaker 1>in the atta'oud, which is spanished for coffin.

0:29:00.080 --> 0:29:03.040
<v Speaker 2>The mystery stayed alive because the story leaves us with

0:29:03.080 --> 0:29:06.520
<v Speaker 2>a question did the escape he survive? And how can

0:29:06.560 --> 0:29:07.360
<v Speaker 2>we know if they did?

0:29:07.480 --> 0:29:07.600
<v Speaker 4>Right?

0:29:08.160 --> 0:29:11.360
<v Speaker 1>So that inspired the Escape from Alcatraz movie in the

0:29:11.480 --> 0:29:14.080
<v Speaker 1>nineteen seventies and it's been an open question ever since.

0:29:14.720 --> 0:29:18.080
<v Speaker 1>In two thousand and three, Here we Go, the show

0:29:18.120 --> 0:29:23.080
<v Speaker 1>MythBusters recreated the escape attempt, even making a rubber raincoat raft.

0:29:23.520 --> 0:29:26.080
<v Speaker 1>They were able to land on the marine headlands and

0:29:26.200 --> 0:29:28.520
<v Speaker 1>judge that the escape was possible.

0:29:30.880 --> 0:29:34.080
<v Speaker 2>Hey, over lords, I need my own er.

0:29:35.600 --> 0:29:39.120
<v Speaker 1>In twenty eleven, a supervising deputy of the US marshal

0:29:39.120 --> 0:29:41.720
<v Speaker 1>who said that he thought that the three men had survived.

0:29:42.280 --> 0:29:45.440
<v Speaker 1>I think probably the brothers lived. There's nobody recovered. I

0:29:45.480 --> 0:29:48.160
<v Speaker 1>can't close the case, he said. This man also spoke

0:29:48.320 --> 0:29:51.040
<v Speaker 1>like Colombo in my head.

0:29:52.760 --> 0:29:52.920
<v Speaker 2>Now.

0:29:52.920 --> 0:29:55.920
<v Speaker 1>In twenty twelve, the fiftieth anniversary of the escape, the

0:29:55.960 --> 0:29:58.760
<v Speaker 1>England sister Marie said she never doubted that the two

0:29:58.760 --> 0:30:02.160
<v Speaker 1>men had survived the escape. Also, we have to remember

0:30:02.160 --> 0:30:05.440
<v Speaker 1>these guys are fucking incredible swimmers, right and reused to

0:30:05.440 --> 0:30:08.520
<v Speaker 1>swimming in cold ass water right. The same year, the

0:30:08.600 --> 0:30:11.760
<v Speaker 1>US Marshals revealed that an FBI report told them that

0:30:11.840 --> 0:30:16.000
<v Speaker 1>the escapeece empty raft was found on Angel Island. It

0:30:16.040 --> 0:30:18.280
<v Speaker 1>was a likely spot for the tides to deposit junk

0:30:18.320 --> 0:30:21.479
<v Speaker 1>that was washing into the bay from merid Headlands. They

0:30:21.520 --> 0:30:24.840
<v Speaker 1>also found a waterproof pack of photos on Angel Island.

0:30:25.120 --> 0:30:28.840
<v Speaker 1>It held pictures of the Anglands and their loved ones now.

0:30:28.880 --> 0:30:31.640
<v Speaker 1>Their report also included news that a blue Chevy had

0:30:31.680 --> 0:30:32.640
<v Speaker 1>been stolen.

0:30:32.360 --> 0:30:33.640
<v Speaker 2>In Marin that night.

0:30:34.320 --> 0:30:37.680
<v Speaker 1>Alongside that, uh huh, a police reporting in later that

0:30:37.760 --> 0:30:41.080
<v Speaker 1>night from Stockton, California, eighty miles inland. It was a

0:30:41.120 --> 0:30:43.520
<v Speaker 1>sighting of a blue Chevy carrying three men on the

0:30:43.600 --> 0:30:49.080
<v Speaker 1>road that were driving at reckless speed. Who guys more interesting.

0:30:49.080 --> 0:30:51.480
<v Speaker 1>In twenty thirteen, the San Francisco Police got a letter

0:30:51.520 --> 0:30:54.800
<v Speaker 1>claiming to be John and offering to turn himself in

0:30:55.200 --> 0:30:57.240
<v Speaker 1>if he would do less than a year in jail.

0:30:57.360 --> 0:30:59.320
<v Speaker 1>Give me twenty fourteen. Oh, give me twenty fourteen. I

0:30:59.360 --> 0:31:02.000
<v Speaker 1>had it said that the other two men were dead. Right,

0:31:02.480 --> 0:31:04.800
<v Speaker 1>So the FBI couldn't tell if the letter was authentic

0:31:04.920 --> 0:31:07.480
<v Speaker 1>or not, but they also couldn't rule it out. Like

0:31:07.520 --> 0:31:09.840
<v Speaker 1>the investigation of the original escape the best they could

0:31:09.840 --> 0:31:10.280
<v Speaker 1>come up.

0:31:10.160 --> 0:31:13.440
<v Speaker 2>With was that it was inconclusive. Now, in twenty.

0:31:13.200 --> 0:31:16.440
<v Speaker 1>Fifteen, a photo circulated the tabloids with a report that

0:31:16.480 --> 0:31:19.520
<v Speaker 1>it was taken in Brazil in nineteen seventy five. The

0:31:19.600 --> 0:31:21.880
<v Speaker 1>two men in the pictures are matched to Clarence and

0:31:22.000 --> 0:31:28.680
<v Speaker 1>John Angling. Buddy, Yeah, everybody, Pashomo.

0:31:27.720 --> 0:31:30.760
<v Speaker 2>Get you, get you, get you get together, at least

0:31:30.800 --> 0:31:32.719
<v Speaker 2>by everyone who wants to believe that they escaped.

0:31:32.880 --> 0:31:36.240
<v Speaker 1>And by face recognition AI used to scan the photo

0:31:36.280 --> 0:31:39.719
<v Speaker 1>in twenty twenty, it states that was Clarence and John Angling,

0:31:39.800 --> 0:31:41.760
<v Speaker 1>and I love that they That's how they spent there.

0:31:42.200 --> 0:31:45.080
<v Speaker 2>You know, they're just like can read agen Arab love life?

0:31:45.280 --> 0:31:46.040
<v Speaker 2>Oh for sure.

0:31:46.280 --> 0:31:48.360
<v Speaker 1>The US Marshals has still been working on the case,

0:31:48.440 --> 0:31:51.120
<v Speaker 1>and in June twenty twenty two, they created a new

0:31:51.280 --> 0:31:55.000
<v Speaker 1>age process image of all three men, Frank, Clarence and John.

0:31:55.400 --> 0:31:57.160
<v Speaker 2>They would be in their nineties today. Just fucking let

0:31:57.200 --> 0:32:00.880
<v Speaker 2>them die, guys. Bro At this point, man, they're still.

0:32:00.680 --> 0:32:03.080
<v Speaker 1>Asking for anybody with information about the men to call

0:32:03.120 --> 0:32:05.680
<v Speaker 1>the San Francisco office. But it's like you're getting a

0:32:05.720 --> 0:32:07.840
<v Speaker 1>little cleaner to you, guys, You're getting you're looking a

0:32:07.880 --> 0:32:12.560
<v Speaker 1>little thirsty, thirsty, today Alcatraz is a tourist attraction like

0:32:12.600 --> 0:32:15.800
<v Speaker 1>we spoke about, and a bird sanctuary, so like is

0:32:16.080 --> 0:32:17.479
<v Speaker 1>Los catrass.

0:32:17.000 --> 0:32:20.880
<v Speaker 2>Is once again an isla bird prison. That's right.

0:32:21.440 --> 0:32:23.960
<v Speaker 1>In some ways, this pr campaign by the Bureau of

0:32:23.960 --> 0:32:27.560
<v Speaker 1>Prisons did work. Right, So the legend of Alcatraz became

0:32:27.600 --> 0:32:30.360
<v Speaker 1>so strong that even after the government abandoned the prison

0:32:30.440 --> 0:32:33.400
<v Speaker 1>because it didn't fucking work, we kept making movies about

0:32:33.400 --> 0:32:34.600
<v Speaker 1>it as if it did.

0:32:34.680 --> 0:32:34.840
<v Speaker 4>Right.

0:32:35.080 --> 0:32:35.320
<v Speaker 3>Yep.

0:32:35.600 --> 0:32:37.760
<v Speaker 1>In fact, great point one of those key moments in

0:32:37.800 --> 0:32:41.600
<v Speaker 1>Alcatraz's history actually came after the prison closed in nineteen

0:32:41.640 --> 0:32:45.120
<v Speaker 1>sixty four, Indigenous activists took over the island. They were

0:32:45.160 --> 0:32:47.160
<v Speaker 1>pointing out that under one of the treaties signed by

0:32:47.160 --> 0:32:49.800
<v Speaker 1>the United States government, this is what I was talking about,

0:32:50.200 --> 0:32:52.480
<v Speaker 1>all abandoned federal land was to be returned to the

0:32:52.480 --> 0:32:56.360
<v Speaker 1>indigenous nation. Definitely a story what checking out it was

0:32:56.400 --> 0:32:58.120
<v Speaker 1>a reminder of the way that the prison had been

0:32:58.200 --> 0:33:00.600
<v Speaker 1>used in its earlier days and how power full symbol

0:33:00.560 --> 0:33:07.720
<v Speaker 1>of the prison had become. Okay, JD, We're getting to

0:33:07.760 --> 0:33:09.840
<v Speaker 1>the end of the story, and I want to ask you, Okay,

0:33:10.160 --> 0:33:13.160
<v Speaker 1>after you heard all that, do you think that these

0:33:13.160 --> 0:33:13.920
<v Speaker 1>guys survived?

0:33:14.000 --> 0:33:16.600
<v Speaker 2>I think they made it. Okay, I think they made it.

0:33:16.640 --> 0:33:19.360
<v Speaker 3>But also because I speak in movie terms, you know

0:33:19.360 --> 0:33:21.360
<v Speaker 3>what I mean, Like, I just I love the I

0:33:21.400 --> 0:33:25.360
<v Speaker 3>love the idea that they escaped, that they were in Brazil.

0:33:25.560 --> 0:33:27.479
<v Speaker 2>You know that they were just like, you know, traveling

0:33:27.520 --> 0:33:28.760
<v Speaker 2>around doing this show.

0:33:28.800 --> 0:33:31.120
<v Speaker 1>What I've realized is that that when they fucking escape,

0:33:31.160 --> 0:33:32.600
<v Speaker 1>instead of being like, all right, I'm gonna go lay

0:33:32.600 --> 0:33:35.040
<v Speaker 1>low somewhere, they just commit stupid shit and they're just

0:33:35.040 --> 0:33:37.400
<v Speaker 1>like kind of flashy about it. These guys sound like

0:33:37.480 --> 0:33:39.320
<v Speaker 1>the type that would be like, fuck it, we made

0:33:39.320 --> 0:33:41.000
<v Speaker 1>it through. We're getting the fuck out of here, and

0:33:41.080 --> 0:33:43.200
<v Speaker 1>we're never speaking of this again. And it would make

0:33:43.280 --> 0:33:45.360
<v Speaker 1>sense that as an old man, he would be like

0:33:45.400 --> 0:33:46.640
<v Speaker 1>I got to get this off my chest.

0:33:46.760 --> 0:33:49.440
<v Speaker 2>Just it was me. Just please don't put me in prison,

0:33:49.560 --> 0:33:51.880
<v Speaker 2>and then I'll tell you everything. And you know what

0:33:51.920 --> 0:33:55.280
<v Speaker 2>I'm saying. They just seemed like more even keeled guys.

0:33:55.520 --> 0:33:56.760
<v Speaker 2>But I don't fucking know them.

0:33:57.000 --> 0:33:59.720
<v Speaker 3>I'm asking myself now, I do believe that they escaped.

0:34:00.080 --> 0:34:03.680
<v Speaker 3>I'm putting myself in those shoes and just wondering if

0:34:03.720 --> 0:34:05.719
<v Speaker 3>I was going to die. What I want people to

0:34:05.880 --> 0:34:09.759
<v Speaker 3>know that I did that I'm legendary. What you know

0:34:09.760 --> 0:34:11.520
<v Speaker 3>what I mean, I don't know.

0:34:12.960 --> 0:34:14.600
<v Speaker 2>You're about to die, You're about to.

0:34:16.560 --> 0:34:18.080
<v Speaker 3>Night. Well I'm probably going to live to like one

0:34:18.120 --> 0:34:19.439
<v Speaker 3>hundred and ten, but I.

0:34:19.320 --> 0:34:21.680
<v Speaker 2>Still have to get scenarios right in this area.

0:34:21.719 --> 0:34:23.759
<v Speaker 1>You're about to die, and you wouldn't tell people to

0:34:23.800 --> 0:34:25.600
<v Speaker 1>the course, I can't forget about it, forget about like

0:34:26.000 --> 0:34:29.000
<v Speaker 1>about to die yet dead.

0:34:29.200 --> 0:34:29.759
<v Speaker 2>So I'm dead.

0:34:30.239 --> 0:34:32.400
<v Speaker 3>I'm with God, and I'm like, just send me, just

0:34:32.440 --> 0:34:34.600
<v Speaker 3>send me back down, so I could just let everybody know.

0:34:35.239 --> 0:34:37.200
<v Speaker 1>What's your what's your takeaway from the story. Do you

0:34:37.239 --> 0:34:39.480
<v Speaker 1>have a takeaway with one part that really stood out

0:34:39.520 --> 0:34:39.680
<v Speaker 1>to you.

0:34:40.320 --> 0:34:43.160
<v Speaker 2>I just love the creativity.

0:34:43.680 --> 0:34:46.880
<v Speaker 3>Yeah, it's almost controversial to say these days that you

0:34:46.920 --> 0:34:49.640
<v Speaker 3>have a choice, but I believe in the power of choice,

0:34:50.200 --> 0:34:52.960
<v Speaker 3>you know. And I was raised that way with my

0:34:53.080 --> 0:34:55.680
<v Speaker 3>parents who were immigrants, you know, and came to this country.

0:34:55.760 --> 0:34:59.440
<v Speaker 3>Like they didn't care what was in front of me,

0:34:59.480 --> 0:35:02.479
<v Speaker 3>they didn't care what rules were around me. They didn't

0:35:02.520 --> 0:35:05.440
<v Speaker 3>care that nobody hadn't done it before. Like that's the

0:35:05.480 --> 0:35:08.080
<v Speaker 3>mindset that I had, right, you know, like there was

0:35:08.120 --> 0:35:11.239
<v Speaker 3>always a possibility, there is a way. And what I

0:35:11.320 --> 0:35:17.839
<v Speaker 3>love is that these men had the creativity, and like

0:35:17.920 --> 0:35:20.840
<v Speaker 3>the information was all around them, whether it was popular

0:35:20.920 --> 0:35:24.000
<v Speaker 3>mechanics or you know, whether it was trusting yourself to

0:35:24.040 --> 0:35:27.160
<v Speaker 3>another human being and spitballing with them a little bit,

0:35:27.239 --> 0:35:31.239
<v Speaker 3>you know, like but their mindset was like, eh, I'm

0:35:31.280 --> 0:35:31.640
<v Speaker 3>not going.

0:35:31.560 --> 0:35:32.359
<v Speaker 2>To be here that long.

0:35:32.680 --> 0:35:36.439
<v Speaker 1>Well, to your point, what strikes me is the potential lost.

0:35:36.600 --> 0:35:39.239
<v Speaker 1>You know, if these guys they're so creative, they didn't

0:35:39.320 --> 0:35:42.000
<v Speaker 1>let it bring them down. They read the room, like

0:35:42.040 --> 0:35:44.840
<v Speaker 1>you said, and fuck you. You just like wish that people

0:35:44.880 --> 0:35:48.040
<v Speaker 1>like this could have like had the opportunity to become

0:35:48.160 --> 0:35:51.520
<v Speaker 1>something amazing as opposed to like their biggest feed being escaping.

0:35:51.239 --> 0:35:51.760
<v Speaker 2>From a prison.

0:35:51.840 --> 0:35:52.000
<v Speaker 3>Right.

0:35:52.400 --> 0:35:55.480
<v Speaker 1>I know, brother, I love fucking talking to you, and

0:35:55.560 --> 0:35:57.360
<v Speaker 1>I just want to ask you if if you have

0:35:57.440 --> 0:35:59.000
<v Speaker 1>anything that we should look out for.

0:35:59.440 --> 0:36:03.880
<v Speaker 3>I'm home now from from Roadhouse Mayans season five.

0:36:04.080 --> 0:36:06.840
<v Speaker 1>People should binge watch the show if they haven't. You

0:36:07.000 --> 0:36:10.480
<v Speaker 1>are incredible in Mayan's It's such a cool exploration of character.

0:36:11.080 --> 0:36:14.239
<v Speaker 1>And also because you're a wonderful human being, dude, And

0:36:14.280 --> 0:36:16.400
<v Speaker 1>it's been a fucking pleasure talking to you anyway.

0:36:16.440 --> 0:36:19.359
<v Speaker 2>For the Model Shops. For the Model Shop, my name

0:36:19.400 --> 0:36:19.920
<v Speaker 2>is Arturo.

0:36:20.080 --> 0:36:20.600
<v Speaker 1>This is j D.

0:36:20.920 --> 0:36:26.359
<v Speaker 2>Yeah bye, guys, Love you guys, Thank you so much.

0:36:32.680 --> 0:36:35.239
<v Speaker 1>Radi's Escapes is a production of iHeartRadio and Film Nation

0:36:35.440 --> 0:36:39.399
<v Speaker 1>Entertainment in association with Gilded Audio. Our executive producers from

0:36:39.400 --> 0:36:42.279
<v Speaker 1>me or Turo Castro, Alyssa Martino and Milan Popelka from

0:36:42.280 --> 0:36:46.080
<v Speaker 1>Film Nation Entertainment, Andrew Chug and Winning Donaldson from Gilded Audio,

0:36:46.239 --> 0:36:49.400
<v Speaker 1>and Dylan Fagan from iHeartRadio. The show was produced and

0:36:49.480 --> 0:36:52.520
<v Speaker 1>edited by Carl Nellis and Ben Chubb, who are also, respectively,

0:36:52.600 --> 0:36:56.000
<v Speaker 1>our research overlord and music overlord. Our associate producer is

0:36:56.040 --> 0:36:59.000
<v Speaker 1>Tory Smith, who's our other overlord. Nick Dooley is our

0:36:59.040 --> 0:37:02.840
<v Speaker 1>technical director. Additional editing by Whitney Donaldson. Special thanks to

0:37:02.880 --> 0:37:06.880
<v Speaker 1>Alison Cohen, Dan Welsh, Ben Riizek, Sarah Joyner, Nikki Stein,

0:37:06.960 --> 0:37:22.640
<v Speaker 1>Olivia Canny and Kelsey Albright. Hey, thank you so much

0:37:22.640 --> 0:37:24.880
<v Speaker 1>for listening, and if you're enjoying the show, please drop

0:37:24.880 --> 0:37:27.160
<v Speaker 1>a rating or review. My mom will call you each

0:37:27.200 --> 0:37:30.200
<v Speaker 1>personally and thank you, and we'll see you all next week.