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Speaker 1: Podcast starts. Now, there's no other way to say it

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Speaker 1: other than this is the time that it starts. This

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Speaker 1: is the time I have to say, you know, just

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Speaker 1: to set the scene. I am rushing in from the gym.

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Speaker 1: From the gym, I had a little bag with me,

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Speaker 1: and I thought, no one's gonna clock me, no one's

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Speaker 1: gonna say anything. I'm gonna be so under the radar.

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Speaker 1: It was that thing where it's like, you know, you

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Speaker 1: go to the gym, that's sort of doing charity for yourself,

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Speaker 1: and I was like, you know, I like to do

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Speaker 1: it anonymously. I don't want someone to know, you know,

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Speaker 1: Oh he's bragging about that. He's making that his whole identity.

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Speaker 2: I mean, you're the way that you actually do everything anonymously.

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Speaker 2: It is something that I find. So you are, I've

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Speaker 2: said this before, truly one of the most cure in

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Speaker 2: themselves people I know, in a way that is actually

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Speaker 2: so effortless.

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Speaker 1: Huh.

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Speaker 2: One time you were talking about the gym and I,

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Speaker 2: you know, I'm in a constant struggle of like, oh

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Speaker 2: I'm trying to get into it. Then I'm out of

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Speaker 2: it for six months, trying to get into blah blah

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Speaker 2: and then I'm like trying to be like, Okay, well

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Speaker 2: I hate going, so what's the fastest way I can

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Speaker 2: like get a six pack in one weekend? And I

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Speaker 2: was like, so what do you know, what do you

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Speaker 2: eat for to gain muscle? And You're like, it's not

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Speaker 2: about that. It's not about that for me. For me,

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Speaker 2: it's actually about loving myself.

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Speaker 1: It's about having fun. It's about letting loose.

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Speaker 2: You do have a sense of play with everything you do, well,

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Speaker 2: you have to. You're just skipping around the gym, You're like, hey.

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Speaker 1: Literally I ran into someone that I know from the

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Speaker 1: neighborhood and he was like, so, what are you working

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Speaker 1: on today? And I was like, don't ask me that,

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Speaker 1: Like that is so messed up because also like I

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Speaker 1: do know what I don't want to be like so

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Speaker 1: basically I'm working on like shoulders and back. And it's like,

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Speaker 1: because that sounds embarrassing.

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Speaker 2: Yeah, no, you're like, I'm working on my sense of joy.

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Speaker 1: Yeah, I'm working on taking a break and you know,

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Speaker 1: not looking at my phone being the.

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Speaker 2: Woman my mother raised me. What are you working on?

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Speaker 1: Arms? How simple?

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Speaker 2: How wow? Well I hope they get big yah, I

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Speaker 2: hope you take up as much space as you feel

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Speaker 2: that you need to express your inner insecurities outward to

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Speaker 2: the world to make them other people's problem.

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Speaker 1: I have to say something happened to me last night

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Speaker 1: that did shake me to my core, which you know,

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Speaker 1: I wasn't planning on bringing it up on this podcast

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Speaker 1: because you know this is a family friendly program. Of course,

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Speaker 1: last night, I accidentally retweeted porn.

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Speaker 2: Oh that's right, okay, so you then all right, so

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Speaker 2: I did not see this happen. I did see that.

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Speaker 2: After that, you tweeted whoops. Sorry, and so then our

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Speaker 2: friend Max text us. I was like, Sam, what did

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Speaker 2: you do accidentally post a nude? And you were like, no,

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Speaker 2: I actually retweeted porn. I want to know. I want

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Speaker 2: to know how long it was up, if you feel

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Speaker 2: comfortable saying what generally kind of porn it was?

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Speaker 1: Yeah?

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Speaker 2: Yeah, and then and then what your emotional journey was

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Speaker 2: from beginning to end.

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Speaker 1: Well, okay, so it was up for about ten minutes.

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Speaker 1: What somebody you know it was like that. I like,

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Speaker 1: it was like on Twitter, and I was like, thought,

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Speaker 1: I was on my alt account. I was like sure,

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Speaker 1: for sure, whatever, Like, let's save that for later and

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Speaker 1: then like walk to like doing dishes or something, and

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Speaker 1: then I like got a text that was like you

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Speaker 1: might not want to retweet that, And honestly, I thought

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Speaker 1: I had like accidentally tweeted something like very right wing

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Speaker 1: or something and you.

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Speaker 2: Have that alt account where you are just right wing,

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Speaker 2: where I'm like.

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Speaker 1: Save that for later.

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Speaker 2: Yeah, you're like bright part.

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Speaker 3: Okay.

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Speaker 2: They made some point.

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Speaker 1: And I was yeah, and so I was like, oh,

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Speaker 1: what did I possibly like, I I what could I

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Speaker 1: have done? And then it was porn and I was like.

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Speaker 2: Huh but it was right wing porn.

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Speaker 1: Yeah, it was very right wing, and it was just

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Speaker 1: like two bears, fucking.

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Speaker 2: Wow, simple. It was actually so grateful, just two family values.

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Speaker 1: There was no there's no niche the only Yeah, it

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Speaker 1: was Christian. It didn't reveal anything that isn't already public.

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Speaker 2: Right, like everyone knows you're into bears.

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Speaker 1: Yeah, And so I was like, okay, great, that's fine,

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Speaker 1: but it was you know people, And then people were

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Speaker 1: responding and I like unretweeted it, unliked it, and I

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Speaker 1: was like, does that mean people are gonna is it

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Speaker 1: gonna go away? And I was really freaking out. And

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Speaker 1: it took like a good half hour for me to

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Speaker 1: like stop being nervous, and then I was sort of

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Speaker 1: like great, people responding like lol Sam. There was one

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Speaker 1: person that responded like wrong account. No. I was like

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Speaker 1: grateful for two things. One the collapse of twittery never ye,

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Speaker 1: no one saw it. And then the other thing is

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Speaker 1: that I am simply not famous, and the fact that

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Speaker 1: I've never been more grateful to not be famous in

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Speaker 1: my whole entire life. There was a moment, you know,

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Speaker 1: if life had gone differently, this would be front page news.

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Speaker 2: Well, of course, I mean, that's why you can be

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Speaker 2: that's how you can retweet porn, that's why you can

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Speaker 2: be right wing.

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Speaker 1: You can pretty much do whatever you want when you're

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Speaker 1: at our level, which is actually very freeing.

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Speaker 2: Yeah it is. But you know what else is what

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Speaker 2: if in ten yearslier than you've Jennifer Lawrence and then

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Speaker 2: someone does go back into your history and said he

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Speaker 2: wants he wants retweeted right wing porn, right wing bare porn. Oh,

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Speaker 2: you just never know when it's gonna come back.

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Speaker 1: You never know.

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Speaker 2: And that's why cancel culture was a real problem.

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Speaker 1: It was scary. There was a moment I was like, oh,

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Speaker 1: I've been like you have that feeling when you like

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Speaker 1: get caught doing the thing and you're like, I need

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Speaker 1: to like lock it all down, Like I you know,

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Speaker 1: it's so careful, and now I'm not careful at all.

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Speaker 2: You know what it feels like is when you screenshot

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Speaker 2: someone's text and accidentally send it to them, which I

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Speaker 2: have done.

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Speaker 1: Oh no, yeah, I mean it's been a long time

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Speaker 1: since I've done that. But my very I used to

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Speaker 1: shit talk a lot more and I would get caught

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Speaker 1: shit talking constantly. It was horrible. I had to lock

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Speaker 1: it down.

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Speaker 2: I was actually thinking last night I had a drinks

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Speaker 2: with a very good friend of ours, Chris Murphy, and

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Speaker 2: I was thinking this as I was walking home. I

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Speaker 2: was like, when did I become truly word vomit of gossip?

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Speaker 2: Like I was like, you don't have to do anything

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Speaker 2: to Like I just started talking and everything I have

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Speaker 2: heard in the last month comes out about people he

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Speaker 2: doesn't even know. Like I was like, and I don't

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Speaker 2: think I've always been I mean I've been like that

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Speaker 2: with you, but like, I don't consider myself someone who's

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Speaker 2: a real gossip. And I was like, I guess I am. Yeah,

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Speaker 2: it is like I don't know. I think maybe it's

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Speaker 2: that it feels like the safest thing to talk about

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Speaker 2: is interpersonal stuff because everything else seems so frowd yeah

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Speaker 2: and so dark.

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Speaker 1: Yeah.

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Speaker 2: I've barely kept tabs on what I have said in

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Speaker 2: the last month, Like like half the items on page

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Speaker 2: six started from me.

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Speaker 1: Well, there's an element of like liking that danger. There's

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Speaker 1: something about like wanting to get in trouble and like

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Speaker 1: pushing the boundary to be like what can I get

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Speaker 1: away with saying well, it's also.

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Speaker 2: A gift to know something that is secret.

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Speaker 1: Yeah, yeah, yeah, I did have something on gossip. Oh

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Speaker 1: a pet peeve yes is when people are like, so,

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Speaker 1: what what gossip do you have? Oh?

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Speaker 2: I don't like that.

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Speaker 1: I'm like no, no, no, no, no. That's sort of being

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Speaker 1: like like that's like being like, do you want have sex?

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Speaker 2: It's like, exactly, you have. It's like opening with a

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Speaker 2: dick pic.

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Speaker 1: Yeah, it's like, let's warm up into it. Huh yeah,

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Speaker 1: Like where's the charm, where's the where's this sup? It

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Speaker 1: is so upsetting when someone's just like give me gossip,

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Speaker 1: because it's like.

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Speaker 2: People have no attacked anymore. Actually, Oh, and I think

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Speaker 2: it's a I think it's a pejorative. I think it's

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Speaker 2: an emblematic of the Internet. It's like you just think

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Speaker 2: you can log in and immediately say a declarative statement. No,

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Speaker 2: take off a little show your shoulder, first, take off,

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Speaker 2: show your little tank top. First, touch the leg, Touch

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Speaker 2: the leg. That's all I'm asking. Touch the lower back, please,

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Speaker 2: that's better than the gossip you're about to gill. Please.

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Speaker 1: And also it's like if you have to ask that, no,

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Speaker 1: I don't have any yeah. Yeah, Also, what are you

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Speaker 1: a reporter? Is just off the record, so I have

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Speaker 1: to call my lawyer. It's just because I actually thought

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Speaker 1: we were having drinks and I didn't know I was

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Speaker 1: being interrogated. Is that all I am?

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Speaker 3: Too?

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Speaker 2: Oh, I'm getting arrested and I have handcuffs, handcuffs on.

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Speaker 1: Suddenly I'm some just seedy guy in the shadows who

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Speaker 1: just has information.

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Speaker 2: I'm just a whole of knowledge.

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Speaker 1: Yeah, sir, I actually have a whole personality outside of that. Wow,

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Speaker 1: an interests that no one cares about.

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Speaker 2: And speaking of someone with a whole personality, should we

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Speaker 2: bring in our guests.

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Speaker 1: I think that would be an amazing idea.

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Speaker 2: This is a guest that we will get into this,

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Speaker 2: but this is a guest that no joke. We have

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Speaker 2: been trying to get on for approximately four of God's years. Yeah,

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Speaker 2: and I could not be more thrilled that she has

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Speaker 2: finally chosen to join us in the Red Room in

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Speaker 2: Midtown Manhattan. Please give it up for Marie Fausten.

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Speaker 3: Oh my god, so happy to be here. Yay yeah,

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Speaker 3: add applause.

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Speaker 2: Yeah yeah, yeah, you'll applause crying laughter.

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Speaker 1: This is where we paused for thirty seconds so we

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Speaker 1: can put the sound cubes.

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Speaker 3: Okay, let me.

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Speaker 2: Hi, guys, what is up?

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Speaker 3: So I will say, yes, you have been trying to

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Speaker 3: get me on the pod for like four years. Yeah,

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Speaker 3: well you with that, and then I agreed to do

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Speaker 3: it finally, and then they told me the address and

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Speaker 3: I was like, I don't want to do it.

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Speaker 2: Yeah, fifty fifth and that is valid, Like we know that.

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Speaker 1: Well, you missed the air when we were on Zoom.

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Speaker 1: You could have done it from home.

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Speaker 2: Yeah, we did ask you multiple times to do it

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Speaker 2: on Zoom.

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Speaker 3: To be fair, a Zoom podcast. It's not the same.

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Speaker 1: No, it's not.

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Speaker 2: It's not. And so you were waiting intentionally, you were like,

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Speaker 2: let's get lockdown out of the way, and then we

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Speaker 2: can talk.

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Speaker 3: I said, let me wait till everybody in the studio

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Speaker 3: is boosted, yeah, or at least has like a you know,

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Speaker 3: a fake card, and then I'll come into the studio.

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Speaker 2: You know, I will say. There are other people who

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Speaker 2: have like not gotten back to us or been difficult

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Speaker 2: and we sort of give up. But with you, I

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Speaker 2: was like, I know she wants to do it, and

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Speaker 2: it just doesn't like responding to emails like I know this.

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Speaker 3: Girl, yeah, and I would see you in real life.

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Speaker 3: Oh yeah, we would talk about it and I'm like, yes, yeah, you'd.

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Speaker 2: Be like you should email me about that.

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Speaker 3: I'm like, we have, yeah, emailed me, You've called me

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Speaker 3: facetiming daily.

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Speaker 2: Yeah.

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Speaker 1: I was very much sort of the camp of like

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Speaker 1: I think when someone tells you who they are, believe them.

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Speaker 1: Like I'm sort of like, I don't think she wants

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Speaker 1: to be doing you.

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Speaker 2: Know she wants I do.

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Speaker 3: But you know, the way my ADHD is set up,

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Speaker 3: the way my just the way my life is set up,

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Speaker 3: emails are hard to respond to.

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Speaker 2: Do you find because we all have an element of that.

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Speaker 2: Do you find that you feel that you have just

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Speaker 2: reclaimed it, and you're like, this is my personality? Or

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Speaker 2: do you feel everyday a sense of anxiety about it?

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Speaker 3: You know what if I don't want to do something,

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Speaker 3: I just don't do it, and that means responding to

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Speaker 3: that text, respond to that email. I'll read the email

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Speaker 3: and be like, I'm gonna get back to this. Let

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Speaker 3: me leave it unread.

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Speaker 2: And then it's just I always do leave it on six.

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Speaker 3: Hundred unreads and I'm like, I'm gonna get back to

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Speaker 3: these eventually. Do I start from the bottom? Do I

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Speaker 3: start from the top.

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Speaker 2: I know at some point you're like, let's just call

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Speaker 2: the whole thing off and start it over. Yeah, starting

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Speaker 2: my damn replying.

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Speaker 3: Right, Delete all the emails, send them all to spam,

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Speaker 3: and now the first one I'm going to start.

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Speaker 1: I also get this thing where once I start responding

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Speaker 1: to emails, I get addicted to responding to emails and

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Speaker 1: I don't focus on me Like, I don't focus on

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Speaker 1: like the stuff I need to be doing, like to

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Speaker 1: actually be like creative. And I'm just like, okay, so

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Speaker 1: when's that next email coming in, I'm gonna respond to it.

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Speaker 3: I am the opposite. I'll respond to one and be

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Speaker 3: like whoo, and that's it. That's the day.

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Speaker 2: Well, emails do occupy this space between work and not

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Speaker 2: work where you actually never feel good or bad. I mean,

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Speaker 2: I guess you can feel accomplished, YEF responding to an email,

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Speaker 2: but you're still not doing work. You feel you are

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Speaker 2: doing work. Well, some people's whole job is email, that's true.

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Speaker 2: But those people like are disposable.

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Speaker 3: O write that jah?

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Speaker 1: Yeah, who else is disposable?

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Speaker 2: Joe Biden?

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Speaker 3: Oh my god, Joe Biden's ankles are disposable because they

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Speaker 3: are not holding his body at all.

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Speaker 2: Joe Biden. Is he even compostable at this point?

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Speaker 3: I don't know, but they are. They've pulled his face

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Speaker 3: back so tight. He looked like the cat Lady.

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Speaker 2: Now he does look like it looks like human candle.

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Speaker 2: He looks like cat lady.

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Speaker 3: They're trying to like trick us into remembering that he's old.

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Speaker 2: Yes by just like they haven't decided yet what the

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Speaker 2: next move is.

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Speaker 1: He needs a better creative director for his vision, for.

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Speaker 2: Both him and Vice President Kamala Harris. I would say

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Speaker 2: need a different creative director, but for different reasons.

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Speaker 1: Yeah.

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Speaker 3: Yeah, he's forgetting who the VP is it's Kamala Harris

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Speaker 3: and literally laughing at everything.

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Speaker 2: Oh yeah, yeah, well she's a comedy queen.

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Speaker 1: I mean it does seem like a vice president seems

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Speaker 1: like the most chill job.

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Speaker 2: Actually, yeah, well the thing is it should be the

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Speaker 2: most I mean, when Joe Biden was vice president, everyone

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Speaker 2: loved him and everyone was like, oh, he's Obama's best friend.

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Speaker 2: Oh Joe, he could do anything. He could go, you know,

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Speaker 2: go out and endorse. I don't know, probably thinks he

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Speaker 2: actually endorsed.

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Speaker 3: You would just stand behind him, sit behind him during

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Speaker 3: the speeches and give a thumbs up away.

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Speaker 1: Yeah, Joe's cool.

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Speaker 2: I have to say, talk about a double standard. If

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Speaker 2: Joe Biden during the Obama presidency was acting like Kamala

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Speaker 2: Harris is now, he would be like BuzzFeed's favorite politicians.

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Speaker 1: Oh one hundred.

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Speaker 2: I'm actually this is my new cause is let Kamala

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Speaker 2: Harris be goofy.

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Speaker 1: Well, I mean she's gonna be goofy whether we we

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Speaker 1: let her. I think you're saying, celebrate.

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Speaker 2: Her, celebrate her being goofy. I mean politics are another issue.

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Speaker 2: You can disagree with her politics, But if Joe Biden

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Speaker 2: was that goofy, everyone would be like standing.

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Speaker 1: But do you think it's a gender thing or do

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Speaker 1: you think it's you know, we're in a post Trump.

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Speaker 1: Everyone's trying to be serious and nice.

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Speaker 2: Yes, I see. What do you think, Marie?

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Speaker 3: I don't think she's able to be goofy. She's she's

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Speaker 3: the police. Kamala Harris is the like have you ever

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Speaker 3: seen a goofy cop?

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Speaker 2: Well, I've watched Reno nine one one, and.

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Speaker 1: I've seen a million tiktoks for the goofy cop.

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Speaker 2: Maybe Kamala Harris is really inspired by Reno nine one one.

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Speaker 3: Wanted so which character is she? And Reno nine one one?

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Speaker 2: Tom Lennon, I don't know anybody's name. You know the

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Speaker 2: thing with three nine on one. I was actually watching

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Speaker 2: the reason I was thinking like that show is almost

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Speaker 2: made for gay men. They put all the goofy hot

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Speaker 2: like hot goofy guys in police in like sexy police uniforms,

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Speaker 2: and then Nash famously like a like a diva for

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Speaker 2: gay men, and they were like, Okay, now you're all

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Speaker 2: gonna do like nudity as a joke and is going

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Speaker 2: to do like exaggerated like drag acting and don't have that.

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Speaker 3: That's that was my favorite character.

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Speaker 1: Curl yea for Halloween of Us should be each of

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Speaker 1: the Curls.

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Speaker 2: Yeah, so I don't know. I don't know which one

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Speaker 2: she was inspired by, but I mean I do, yes.

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Speaker 2: But to answer your question, yes, a cop can be

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Speaker 2: goofy and actually seasons. Okay, wow, I.

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Speaker 3: Asked for one. You gave me a whole show.

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Speaker 2: Yeah.

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Speaker 1: Paul mall cop of course cop, the cop from the Simpsons.

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Speaker 2: Well, I do think Kamala Harris because she's VP, so

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Speaker 2: she doesn't have that much power, is sort of a

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Speaker 2: mall cop. Now she went from being a real rack.

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Speaker 2: That's sort of the female Paul Blart. Is that his name?

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Speaker 1: Yeah?

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Speaker 2: Okay, yeah, the character's name. The character's name, right, Queen

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Speaker 2: his name and my life is King of Queens.

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Speaker 3: Queens.

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Speaker 2: Yeah, huh.

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Speaker 1: Yeah. I just think people are like not down to

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Speaker 1: like BuzzFeed to fire the world.

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Speaker 2: No, it's and which is by the way, a good thing.

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Speaker 2: I'm not I'm you know, obviously we're joking. I don't

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Speaker 2: want Kamala Harris to be popular on BuzzFeed.

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Speaker 3: Is BuzzFeed still popular?

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Speaker 1: Thank you for because the way that BuzzFeed has gone

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Speaker 1: under one million times and yet sometimes I'll see a

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Speaker 1: tweet that's like from BuzzFeed that someone's sharing. I'm like, whohao,

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Speaker 1: is this a relic to be just dig this up?

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Speaker 1: So here's what's scary BuzzFeed. You know, it used to

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Speaker 1: be people would read the written word, often many paragraphs

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Speaker 1: in a row in fact, right, even an essay or

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Speaker 1: an article in print or online. Now that was many

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Speaker 1: decades ago. Then Busty came along and said, you know

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Speaker 1: what would actually disrupt this industry is doing picture books

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Speaker 1: where there is one picture, one sentence, one picture, one sentence,

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Speaker 1: much like an Amelia Badelia. So they said they did that,

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Speaker 1: and then people were like, I love this so much

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Speaker 1: more than article is.

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Speaker 2: It's so funny. And now we've gotten to a point

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Speaker 2: where even that is too smart. Yeah, so now it's

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Speaker 2: just a picture or a video. So BuzzFeed is now

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Speaker 2: what the new review of books was in twenty ten.

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Speaker 1: I mean, there's nothing wrong with this. Yeah, that's really smart. Yeah,

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Speaker 1: I mean what does that make children's books?

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Speaker 2: I mean children's books are basically like infinite jest at

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Speaker 2: this point. I mean most adults can't read them.

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Speaker 3: Yeah. Reading is hard.

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Speaker 2: Yeah, are you a reader? I used to be, well.

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Speaker 3: I used to be, and I have a lot of

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Speaker 3: books in my house, I think, and I don't know.

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Speaker 3: Some guy was at my house the other day and

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Speaker 3: he was like, oh, you really like books, and I

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Speaker 3: was like, nah, nah, they came with the place.

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Speaker 2: Yeah.

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Speaker 1: Yeah, they should though, because whenever you have to move,

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Speaker 1: and you move all the books and it's like all

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Speaker 1: the books you never read and they're the heaviest box,

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Speaker 1: the heaviest box by far.

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Speaker 2: Yeah, and you're like, I could give them away, but

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Speaker 2: then if I read them.

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Speaker 1: If it's like I bought them or something somehow them

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Speaker 1: it's just come with the house.

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Speaker 3: Yeah, yeah, like the fridge.

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Speaker 1: Like the fridge.

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Speaker 2: Oh my god. Okay, wait, should we like do our

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Speaker 2: first segment and then really jump into it. Sure, okay, Marie.

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Speaker 2: Our first segment it's called straight Shooters, And in this segment,

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Speaker 2: we test your familiarity with and complicity in straight culture

404
00:18:04,560 --> 00:18:06,680
Speaker 2: by asking you a series of rapid fire questions or

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Speaker 2: we have to choose this thing or this other thing.

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Speaker 2: And the one rule is you can't ask any follow

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Speaker 2: up questions about how the game works, and if you do,

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Speaker 2: we will yell at you in an aggressive and abrasive way,

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Speaker 2: so that.

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Speaker 3: I can't ask question you.

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Speaker 2: Are already okay, taken away, okay, Marie.

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Speaker 1: A logical fallacy or a topical wrinkle green.

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Speaker 3: Oh, A logical fallacy feels I'm saying what.

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Speaker 1: You can't that's a question, okay.

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00:18:40,640 --> 00:18:45,159
Speaker 2: Having a plan B or bullying gen z M a

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Speaker 2: plan B like the poo Marie, questions are NonStop.

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Speaker 3: I'm sorry, I don't understand I'm saying this or that. Okay,

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Speaker 3: Having a plan be.

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Speaker 1: Okay, Marie. Listening to Chapel Row or losing your Apple phone.

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Speaker 3: I only know what one of those is. So I'm

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Speaker 3: gonna say that Apple phone, yes.

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Speaker 2: Yeah, okay. Then New York Stock Exchange or the New

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00:19:12,240 --> 00:19:13,880
Speaker 2: b York track is strange?

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00:19:15,320 --> 00:19:20,040
Speaker 1: The Stock Exchange, okay. Sliding into the d ms or

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Speaker 1: slipping into the fascisms?

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Speaker 2: What fascism fascis? Yeah, okay, Marie. Amber Waves of Grain

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00:19:31,040 --> 00:19:34,719
Speaker 2: or Amber Girl again, Amber Girl again?

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00:19:35,800 --> 00:19:39,199
Speaker 1: Slim Pickens or Charles Dickens Slim Pickens.

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Speaker 2: Obeying your father's orders or being Madonna's daughter. Lord is.

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Speaker 3: This one's hard? This one's okay?

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Speaker 2: Uh?

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Speaker 3: Lord is oh wow?

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Speaker 2: So we rate each of our guests performance on a

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Speaker 2: scale of zero to one thousand doves.

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Speaker 1: Yeah, I would say that was an eight fifty. I

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Speaker 1: think that was a beautiful performance. I mean, I'm inclined

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Speaker 1: to you know, it might have even been disqualified because

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Speaker 1: mine was so flop.

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Speaker 2: So I do actually think Marie, I think both of us.

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Speaker 2: I think both of us did some of the.

441
00:20:15,359 --> 00:20:17,480
Speaker 1: Worst word streets you've ever done.

442
00:20:17,520 --> 00:20:19,480
Speaker 2: And you are well within your right to be confused.

443
00:20:19,840 --> 00:20:22,520
Speaker 1: I think that was like, we have our floppiest flop

444
00:20:22,640 --> 00:20:24,520
Speaker 1: of all time. I actually think in a way that

445
00:20:24,720 --> 00:20:26,760
Speaker 1: is like a It's like retweeting the porn where I'm like,

446
00:20:26,880 --> 00:20:28,640
Speaker 1: I gotta lock it down. I need to focus again,

447
00:20:28,680 --> 00:20:29,840
Speaker 1: I need to start paying attention.

448
00:20:29,920 --> 00:20:31,760
Speaker 2: And I'm going to revise my rating and say you

449
00:20:31,800 --> 00:20:33,680
Speaker 2: get one thousand doubs and we get zero. We get zero.

450
00:20:33,760 --> 00:20:35,760
Speaker 2: Do for the first time ever, we get zero doves

451
00:20:35,840 --> 00:20:38,679
Speaker 2: and we actually want to apologize on We're drafting a

452
00:20:38,720 --> 00:20:40,639
Speaker 2: notes have apology to you as we speak that we

453
00:20:40,720 --> 00:20:42,880
Speaker 2: will be sending to multip to BuzzFeed News.

454
00:20:43,359 --> 00:20:46,200
Speaker 1: Yeah, you know, it's tough writing them on the train.

455
00:20:46,359 --> 00:20:49,000
Speaker 1: You think you can you can hear it, and then

456
00:20:49,040 --> 00:20:51,639
Speaker 1: you'd say it out loud and you're like no, no, no, sweetheart,

457
00:20:51,720 --> 00:20:52,800
Speaker 1: that is so wrong.

458
00:20:53,119 --> 00:20:53,560
Speaker 3: Yeah.

459
00:20:53,600 --> 00:20:55,320
Speaker 2: Do you ever have that where you say something to

460
00:20:55,320 --> 00:20:57,480
Speaker 2: an audience and in your mind you're like, well, this

461
00:20:57,600 --> 00:20:59,240
Speaker 2: is literally my best stroke of the night and they

462
00:20:59,280 --> 00:20:59,920
Speaker 2: just don't get it.

463
00:21:00,440 --> 00:21:00,600
Speaker 1: Well.

464
00:21:00,640 --> 00:21:02,520
Speaker 3: I like to show up to my shows a little

465
00:21:02,560 --> 00:21:06,040
Speaker 3: bit unprepared, so I'm like, I don't know how the

466
00:21:06,040 --> 00:21:07,639
Speaker 3: show is going to go, and I don't really know

467
00:21:07,680 --> 00:21:09,199
Speaker 3: what I'm going to say. I usually know where I'm

468
00:21:09,240 --> 00:21:11,680
Speaker 3: going to start, yeah, and then I'm like, we'll see how.

469
00:21:11,680 --> 00:21:12,480
Speaker 1: It goes well.

470
00:21:12,560 --> 00:21:15,600
Speaker 2: I feel like one of my favorite Marie moves is

471
00:21:15,640 --> 00:21:18,320
Speaker 2: you'll ask someone something, they'll answer, and then you'll just

472
00:21:18,880 --> 00:21:22,000
Speaker 2: repeat their answer in such a dismissive tone, like you're

473
00:21:22,040 --> 00:21:24,520
Speaker 2: traveling and you're like, to where and they're like Copenhagen.

474
00:21:24,520 --> 00:21:28,680
Speaker 2: You're like Copenhagen, And then.

475
00:21:28,560 --> 00:21:34,200
Speaker 3: They're like, is that bad? That's because I'm unprepared.

476
00:21:35,720 --> 00:21:37,159
Speaker 2: It always works well.

477
00:21:37,200 --> 00:21:38,760
Speaker 3: Anytime you see m ask a question I don't know

478
00:21:38,800 --> 00:21:40,160
Speaker 3: what I'm talking about.

479
00:21:40,240 --> 00:21:41,800
Speaker 1: Yeah, yeah, that's good to know.

480
00:21:42,480 --> 00:21:43,119
Speaker 2: We should do that.

481
00:21:43,200 --> 00:21:45,240
Speaker 1: I should do that. I actually really would love to

482
00:21:45,240 --> 00:21:47,000
Speaker 1: be more unprepared in my stand up.

483
00:21:48,040 --> 00:21:49,960
Speaker 2: But you're good. You thrive on it because I think

484
00:21:50,000 --> 00:21:56,680
Speaker 2: you get Your humor often comes from like it's like dessert,

485
00:21:57,200 --> 00:21:58,160
Speaker 2: and then you bring the water.

486
00:21:58,680 --> 00:22:03,040
Speaker 3: Oh did you hear that? Thank me, sir, I'm the water.

487
00:22:03,280 --> 00:22:04,080
Speaker 2: Yeah, you're the water.

488
00:22:05,000 --> 00:22:08,560
Speaker 3: Yeah. I would ideally like to want to be more prepared,

489
00:22:08,680 --> 00:22:11,600
Speaker 3: but that's just not how I am. No, I'm good

490
00:22:11,640 --> 00:22:15,720
Speaker 3: at not trying that hard, and so I just keep

491
00:22:16,480 --> 00:22:20,160
Speaker 3: I've always been like this, and I think I'm gonna

492
00:22:20,200 --> 00:22:20,600
Speaker 3: die like this.

493
00:22:21,119 --> 00:22:21,359
Speaker 2: Yeah.

494
00:22:21,480 --> 00:22:23,560
Speaker 3: I would like to be like somebody who's at home,

495
00:22:23,680 --> 00:22:28,960
Speaker 3: like Act one, but I just that's not how I

496
00:22:28,960 --> 00:22:29,760
Speaker 3: I'm not built like that.

497
00:22:30,000 --> 00:22:32,200
Speaker 1: Yeah, and it keeps working.

498
00:22:32,240 --> 00:22:34,960
Speaker 3: So I'm going to keep showing up late.

499
00:22:34,960 --> 00:22:38,800
Speaker 2: And unprepared, which actually brings us to our topic.

500
00:22:39,560 --> 00:22:41,280
Speaker 1: Wow, in like the cleanest way.

501
00:22:41,440 --> 00:22:43,480
Speaker 2: I mean. Well, I also want to I want to

502
00:22:43,520 --> 00:22:45,680
Speaker 2: talk to you for like a tiny bit about your show, Yes,

503
00:22:45,800 --> 00:22:48,720
Speaker 2: because I am curious and actually we've done dating shows

504
00:22:48,720 --> 00:22:52,480
Speaker 2: as a topic on the pod and so Washington. Yes.

505
00:22:52,960 --> 00:22:55,000
Speaker 2: So okay, you host a show called why Are You Single?

506
00:22:55,160 --> 00:22:55,400
Speaker 3: Yes?

507
00:22:56,080 --> 00:22:58,040
Speaker 2: Can you tell us the format of it?

508
00:22:58,440 --> 00:23:02,040
Speaker 3: Okay? So three contests. The whole point of the show

509
00:23:02,080 --> 00:23:03,520
Speaker 3: is to figure out who has the least.

510
00:23:03,320 --> 00:23:05,040
Speaker 2: Amount of red flags, Okay, and.

511
00:23:04,960 --> 00:23:08,080
Speaker 3: We test them. We test their like physical and their

512
00:23:08,160 --> 00:23:11,520
Speaker 3: mental and their social media, and then we pick the

513
00:23:11,560 --> 00:23:15,280
Speaker 3: person who should probably not be single, or maybe they

514
00:23:15,280 --> 00:23:17,520
Speaker 3: are all supposed to be single, but this person has

515
00:23:18,240 --> 00:23:19,320
Speaker 3: three less red flag.

516
00:23:19,400 --> 00:23:20,679
Speaker 2: You don't help them find someone.

517
00:23:20,920 --> 00:23:22,159
Speaker 3: No, it's not about that.

518
00:23:23,160 --> 00:23:24,280
Speaker 1: Well, this is a judgment.

519
00:23:24,440 --> 00:23:27,879
Speaker 2: Is interesting. Okay, so you're just shaming people who are alone.

520
00:23:27,960 --> 00:23:29,480
Speaker 3: I'm not shaming them.

521
00:23:29,720 --> 00:23:32,840
Speaker 2: You are. You're saying which of you is the worst?

522
00:23:33,440 --> 00:23:35,840
Speaker 1: Right? Yeah, well that's not shame. You need to look

523
00:23:35,840 --> 00:23:38,400
Speaker 1: in the mirror sometimes, and you know, if you can't

524
00:23:38,400 --> 00:23:39,760
Speaker 1: address what's wrong with you, how are you going to

525
00:23:39,800 --> 00:23:40,159
Speaker 1: fix it?

526
00:23:40,200 --> 00:23:42,440
Speaker 2: Well, I love this idea because it's actually very it's

527
00:23:42,440 --> 00:23:44,800
Speaker 2: actually very original to be like, we're not providing a solution.

528
00:23:45,280 --> 00:23:48,119
Speaker 2: We're just ranking people from best to worse right.

529
00:23:48,000 --> 00:23:50,160
Speaker 3: And now, and everyone in the audience gets a little

530
00:23:50,160 --> 00:23:52,400
Speaker 3: red flag and every time they hear something problematic, they

531
00:23:52,440 --> 00:23:57,320
Speaker 3: just start wait there, wow, it gets this is a

532
00:23:57,320 --> 00:23:58,199
Speaker 3: given colisseum.

533
00:23:58,440 --> 00:24:02,240
Speaker 2: Yeah, this is And you're gonna you're Phoenix. I'm like this,

534
00:24:02,640 --> 00:24:03,719
Speaker 2: you're being wlaquin Phoenix.

535
00:24:03,760 --> 00:24:04,720
Speaker 1: That is terrifying.

536
00:24:05,200 --> 00:24:09,840
Speaker 3: Now it's fun though, Like we people apply by you

537
00:24:09,880 --> 00:24:12,480
Speaker 3: know a link through my Instagram and I have like

538
00:24:12,480 --> 00:24:15,560
Speaker 3: one hundred and sixty something applications, Like people want to

539
00:24:15,600 --> 00:24:15,919
Speaker 3: be on the.

540
00:24:15,920 --> 00:24:18,160
Speaker 2: Show, do they have a sense of humor about themselves

541
00:24:18,320 --> 00:24:19,840
Speaker 2: or are they offended? Sometimes?

542
00:24:20,359 --> 00:24:23,560
Speaker 3: You know, No, I don't think they're offended. I think

543
00:24:23,560 --> 00:24:25,919
Speaker 3: it's just like a funny, good time. Yeah, but we

544
00:24:25,960 --> 00:24:29,440
Speaker 3: also pick people who are fun and toxic and problematic

545
00:24:29,600 --> 00:24:32,480
Speaker 3: and word vomit all over their application. So I'm like,

546
00:24:32,520 --> 00:24:34,880
Speaker 3: these people are gonna want to tell us their business. Yeah,

547
00:24:34,920 --> 00:24:36,120
Speaker 3: I already know most of it.

548
00:24:36,560 --> 00:24:37,560
Speaker 2: Does the winner?

549
00:24:38,440 --> 00:24:38,840
Speaker 1: I guess?

550
00:24:39,160 --> 00:24:43,040
Speaker 2: Okay, there's a sort of uh tension between Obviously you

551
00:24:43,040 --> 00:24:44,760
Speaker 2: want to be the person with the least red flags,

552
00:24:44,880 --> 00:24:47,040
Speaker 2: but then also it's funnier to have the most red flags.

553
00:24:47,040 --> 00:24:49,600
Speaker 2: Like do you find that people are exaggerating their flaws

554
00:24:49,680 --> 00:24:51,280
Speaker 2: or trying to come off as better than they are.

555
00:24:51,880 --> 00:24:53,480
Speaker 3: I think they're trying to come off as better than

556
00:24:53,520 --> 00:24:57,520
Speaker 3: they are. My audience is smart. Yeah, Like, I mean

557
00:24:57,800 --> 00:24:59,480
Speaker 3: people will come on and say something and then try

558
00:24:59,520 --> 00:25:02,080
Speaker 3: to justify that thing and they're in the crowd like no,

559
00:25:02,600 --> 00:25:06,439
Speaker 3: Like yeah, and anything can be a red flag.

560
00:25:06,680 --> 00:25:11,639
Speaker 2: Yeah, what's like, what's like a good red flag to have? No? No,

561
00:25:11,640 --> 00:25:14,359
Speaker 2: Like in one of the shows that has surprised you

562
00:25:14,480 --> 00:25:14,840
Speaker 2: or something.

563
00:25:15,440 --> 00:25:17,480
Speaker 3: We had a straight guy on the show. Audience hated

564
00:25:17,560 --> 00:25:20,199
Speaker 3: him immediately just because he was a straight man and

565
00:25:20,240 --> 00:25:22,720
Speaker 3: can't do it. Every time Joe opened his mouth, they

566
00:25:22,760 --> 00:25:26,399
Speaker 3: were like no, like no, yeah, And then we make

567
00:25:26,480 --> 00:25:29,560
Speaker 3: them do like like a physical thing at the end

568
00:25:29,640 --> 00:25:31,800
Speaker 3: to see, you know, we want to see how they

569
00:25:31,840 --> 00:25:32,960
Speaker 3: move in the bedroom.

570
00:25:34,280 --> 00:25:34,560
Speaker 1: Yeah.

571
00:25:34,680 --> 00:25:37,679
Speaker 3: And this guy flipped over a chair and broke the

572
00:25:37,680 --> 00:25:40,840
Speaker 3: stage and the audience was like absolutely not.

573
00:25:41,320 --> 00:25:43,240
Speaker 1: Absolutely broke the stage.

574
00:25:43,400 --> 00:25:45,159
Speaker 3: He like a piece of the front of the stage

575
00:25:45,320 --> 00:25:45,760
Speaker 3: came off.

576
00:25:46,040 --> 00:25:47,960
Speaker 2: Oh, it does not sound like someone I want to

577
00:25:47,960 --> 00:25:48,479
Speaker 2: have sex with.

578
00:25:48,960 --> 00:25:52,600
Speaker 3: That. I'm curious the way my bed frame is said up,

579
00:25:52,760 --> 00:25:55,280
Speaker 3: you can't come here with that energy.

580
00:25:56,040 --> 00:25:58,879
Speaker 1: There's something about like if the bed breaks, even if

581
00:25:58,880 --> 00:26:00,840
Speaker 1: the sex is horrible, you're like, that was crazy that

582
00:26:01,560 --> 00:26:03,680
Speaker 1: last night was a fucking movie.

583
00:26:04,800 --> 00:26:09,399
Speaker 3: Bad in the bed breaks. I'm not saying that.

584
00:26:08,119 --> 00:26:08,960
Speaker 1: That makes one of us.

585
00:26:08,960 --> 00:26:11,320
Speaker 3: I'm like that right now, that.

586
00:26:11,320 --> 00:26:15,680
Speaker 1: Was Crazy's something about the bed breaking where you're like, well,

587
00:26:15,680 --> 00:26:16,280
Speaker 1: I'm in a mood.

588
00:26:16,480 --> 00:26:19,560
Speaker 2: Why literally in like a rom com? I'm in train wreck?

589
00:26:19,640 --> 00:26:21,439
Speaker 1: I mean train wreck, Yes, I get that.

590
00:26:22,880 --> 00:26:24,240
Speaker 2: So do you make them a chair?

591
00:26:25,359 --> 00:26:27,480
Speaker 3: I make them do a lap? Dance on an empty chair.

592
00:26:29,720 --> 00:26:32,320
Speaker 2: Yeah, and this is you have all genders on the show.

593
00:26:32,440 --> 00:26:33,680
Speaker 3: Yeah, everybody.

594
00:26:34,280 --> 00:26:35,959
Speaker 1: I love this. It kind of reminds me of like

595
00:26:36,440 --> 00:26:38,440
Speaker 1: this thing. I feel like in therapy a lot people

596
00:26:38,440 --> 00:26:41,280
Speaker 1: will like realize their trauma and be like, so basically,

597
00:26:41,320 --> 00:26:43,120
Speaker 1: I'm fucked up in this way, and then that's where

598
00:26:43,160 --> 00:26:45,040
Speaker 1: they stop. And I think your show does exactly the

599
00:26:45,080 --> 00:26:47,040
Speaker 1: same thing, and people could save a lot of money

600
00:26:47,040 --> 00:26:47,960
Speaker 1: and just go to your show.

601
00:26:48,600 --> 00:26:50,920
Speaker 3: But I think it's another reason why people like the

602
00:26:50,920 --> 00:26:53,800
Speaker 3: show so much is people in the audience are also

603
00:26:54,640 --> 00:26:57,040
Speaker 3: they we all have red flags. So a lot of

604
00:26:57,080 --> 00:27:00,119
Speaker 3: single people come to the show and they're like, I'm like,

605
00:27:00,200 --> 00:27:02,119
Speaker 3: I'm not the problem. It's the people I date. And

606
00:27:02,160 --> 00:27:04,240
Speaker 3: then you'll hear somebody say something on stage and you're like,

607
00:27:04,280 --> 00:27:06,840
Speaker 3: oh my god, I'll do that too, Yeah, and it's like, girl,

608
00:27:06,880 --> 00:27:07,480
Speaker 3: you are the problem.

609
00:27:07,560 --> 00:27:09,240
Speaker 2: Well, it's like how everyone is always like, I mean,

610
00:27:09,280 --> 00:27:11,400
Speaker 2: someone very close to it was recently saying like god,

611
00:27:11,480 --> 00:27:14,040
Speaker 2: a straight woman, like God, dating in New York is

612
00:27:14,080 --> 00:27:15,520
Speaker 2: so hard, and everyone's dating in York is so hard

613
00:27:15,560 --> 00:27:17,720
Speaker 2: to heart. I'm like, how about you all get together

614
00:27:17,720 --> 00:27:19,639
Speaker 2: and figure it out, because you're all making up the

615
00:27:19,640 --> 00:27:22,119
Speaker 2: population that is dating in New York. So if everyone

616
00:27:22,160 --> 00:27:25,240
Speaker 2: agrees that it's hard, maybe there should be utilization. Yeah,

617
00:27:25,359 --> 00:27:26,040
Speaker 2: we need a treaty.

618
00:27:26,240 --> 00:27:28,320
Speaker 3: I don't know fund dating. I like dating.

619
00:27:28,600 --> 00:27:31,520
Speaker 2: You do like dating. I like you've always since I've

620
00:27:31,560 --> 00:27:34,040
Speaker 2: known you, You've never been one of these people who's

621
00:27:34,040 --> 00:27:35,240
Speaker 2: like depressed about dating.

622
00:27:36,280 --> 00:27:36,880
Speaker 3: I date men.

623
00:27:37,760 --> 00:27:38,000
Speaker 2: Right.

624
00:27:38,080 --> 00:27:39,720
Speaker 3: If I'm not that home and thought about it, I

625
00:27:39,760 --> 00:27:41,280
Speaker 3: would just be sad all the time.

626
00:27:41,840 --> 00:27:43,159
Speaker 2: You're saying, I could go out and have a.

627
00:27:43,160 --> 00:27:45,639
Speaker 3: Good time with somebody that I might see again or

628
00:27:45,720 --> 00:27:47,760
Speaker 3: might not see you to see again. Either way, I'm

629
00:27:47,760 --> 00:27:51,080
Speaker 3: gonna show up. Q. I got fits to wear, I

630
00:27:51,119 --> 00:27:53,560
Speaker 3: got places to discover. I'm going on the date.

631
00:27:53,680 --> 00:27:54,800
Speaker 2: What's like your dream date?

632
00:27:55,560 --> 00:28:00,960
Speaker 3: My dream date? I don't know what's your dream date? Okay, See,

633
00:28:01,000 --> 00:28:01,720
Speaker 3: the pressure is hard.

634
00:28:01,800 --> 00:28:02,600
Speaker 1: The pressure is hard.

635
00:28:03,400 --> 00:28:03,720
Speaker 2: Okay.

636
00:28:03,840 --> 00:28:06,359
Speaker 1: It's also very of course, that's a vulnerable question because

637
00:28:06,480 --> 00:28:08,200
Speaker 1: of course, say what you like. It's one of the

638
00:28:08,240 --> 00:28:09,320
Speaker 1: most embarrassing means you can do.

639
00:28:09,400 --> 00:28:10,240
Speaker 2: No, it's very true.

640
00:28:10,720 --> 00:28:15,719
Speaker 1: Yeah, I feel like I guess I wondered when you

641
00:28:15,760 --> 00:28:18,439
Speaker 1: go on the date, Like when I was like dating dating,

642
00:28:18,920 --> 00:28:20,920
Speaker 1: like I got tired of having the same conversation over

643
00:28:20,960 --> 00:28:23,320
Speaker 1: and over. Does that bother you or are you like whatever?

644
00:28:25,600 --> 00:28:27,560
Speaker 3: I went on a date with this guy recently and

645
00:28:27,800 --> 00:28:29,960
Speaker 3: he wouldn't stop talking, and I was like, that's cool,

646
00:28:30,359 --> 00:28:31,399
Speaker 3: I'm just gonna keep eating.

647
00:28:31,640 --> 00:28:33,840
Speaker 2: Well, what's great about someone talking at you is that

648
00:28:35,080 --> 00:28:37,160
Speaker 2: first of all, you can zone out. Second of all,

649
00:28:37,440 --> 00:28:39,360
Speaker 2: you just come across as a good listener. It's like

650
00:28:39,560 --> 00:28:41,280
Speaker 2: it's truly a and third of all, by the way,

651
00:28:41,400 --> 00:28:42,680
Speaker 2: you don't have to talk, so you don't have the

652
00:28:42,680 --> 00:28:45,240
Speaker 2: pressure is sounding interesting, So it's actually a win win win.

653
00:28:45,200 --> 00:28:48,480
Speaker 3: And I have really good paying attention sound effects.

654
00:28:48,600 --> 00:28:49,360
Speaker 2: Yeah he's talking.

655
00:28:52,880 --> 00:28:54,440
Speaker 1: Wow, that is really good.

656
00:28:54,640 --> 00:28:56,240
Speaker 2: You should make an app where you can press a

657
00:28:56,280 --> 00:28:59,520
Speaker 2: button and it's yours if someone's talking.

658
00:28:59,560 --> 00:29:01,120
Speaker 3: He's like, so you know, I was like, right, right,

659
00:29:01,240 --> 00:29:03,440
Speaker 3: right right before.

660
00:29:06,040 --> 00:29:08,840
Speaker 2: Yeah, no, it's actually I used to be so worried

661
00:29:08,840 --> 00:29:11,200
Speaker 2: about coming across this interesting and it really is so

662
00:29:11,360 --> 00:29:14,320
Speaker 2: liberating that actually anything all people want is for you

663
00:29:14,360 --> 00:29:15,920
Speaker 2: to be silent and for them to talk.

664
00:29:17,040 --> 00:29:20,800
Speaker 3: But also when you want people to like you, I

665
00:29:20,840 --> 00:29:23,600
Speaker 3: think they sense that and it makes them like you

666
00:29:23,720 --> 00:29:27,000
Speaker 3: less when you act. And I think this is why

667
00:29:27,000 --> 00:29:29,080
Speaker 3: people like me so much, because I don't care about

668
00:29:29,240 --> 00:29:32,840
Speaker 3: any of them and so when I show up and

669
00:29:33,000 --> 00:29:37,160
Speaker 3: I am kind of a little bit aloof or disinterested,

670
00:29:37,320 --> 00:29:40,960
Speaker 3: They're like they're trying even more for me like them

671
00:29:41,000 --> 00:29:43,320
Speaker 3: and I'm like, oh, I don't even again, it's like

672
00:29:43,320 --> 00:29:46,280
Speaker 3: me doing comedy. I don't really have to pre care

673
00:29:46,320 --> 00:29:46,560
Speaker 3: for this.

674
00:29:46,640 --> 00:29:48,080
Speaker 2: I just have to be like, Yeah, they're just like,

675
00:29:48,120 --> 00:29:49,480
Speaker 2: I'm from ILLINOI you're like Illinois.

676
00:29:51,160 --> 00:29:54,200
Speaker 3: And now they're trying to exactly Yeah, they're like, oh God,

677
00:29:54,720 --> 00:29:56,080
Speaker 3: like what country is that in?

678
00:29:57,480 --> 00:29:58,840
Speaker 2: I don't know what this is about me, but that

679
00:29:58,920 --> 00:30:01,480
Speaker 2: is a classic yours by. So someone saying that from Illinois.

680
00:30:04,240 --> 00:30:05,680
Speaker 1: I don't know if this says about me. But when

681
00:30:06,000 --> 00:30:08,120
Speaker 1: someone on the on the date is like talking so

682
00:30:08,200 --> 00:30:09,800
Speaker 1: much and I'm just like being kind of quiet, I

683
00:30:09,800 --> 00:30:13,520
Speaker 1: immediately start to be like I'm like getting and I'm like,

684
00:30:13,680 --> 00:30:16,200
Speaker 1: if i don't have something interesting to chew on soon,

685
00:30:16,760 --> 00:30:18,160
Speaker 1: I'm gonna pass out.

686
00:30:18,880 --> 00:30:21,480
Speaker 2: Yeah, that's when you hold up your red flag on

687
00:30:21,560 --> 00:30:21,880
Speaker 2: the date.

688
00:30:22,160 --> 00:30:25,360
Speaker 3: Yeah, I did. I want to say. So we didn't

689
00:30:25,360 --> 00:30:28,320
Speaker 3: answer the dream date question, but a guy sent me

690
00:30:28,320 --> 00:30:31,320
Speaker 3: a text yesterday and hold on, I'll read it to you,

691
00:30:31,480 --> 00:30:32,080
Speaker 3: because I.

692
00:30:32,000 --> 00:30:36,640
Speaker 2: Was like, what, Okay, he said, this is someone you

693
00:30:36,720 --> 00:30:37,560
Speaker 2: have already been.

694
00:30:37,600 --> 00:30:40,040
Speaker 3: I've been on like a couple of dates with this guy.

695
00:30:40,200 --> 00:30:44,320
Speaker 3: Yesterday he said, I want to I want to know

696
00:30:44,360 --> 00:30:47,080
Speaker 3: your thoughts on ice skating. For example, if we had

697
00:30:47,080 --> 00:30:51,120
Speaker 3: the entire Rockefeller Plaza rink to ourselves one night, would

698
00:30:51,160 --> 00:30:52,760
Speaker 3: that be something you'd want to do?

699
00:30:52,880 --> 00:30:55,080
Speaker 1: You're dating Lorden Michaels, But.

700
00:30:55,040 --> 00:30:56,720
Speaker 2: I'm like, you should, you should.

701
00:30:58,200 --> 00:31:00,880
Speaker 3: I'm like, the entire rink. I can't. I've never been

702
00:31:01,000 --> 00:31:05,520
Speaker 3: opinion there. But the entire rink to ourselves.

703
00:31:05,000 --> 00:31:08,000
Speaker 1: Is that romantic or stressful to you?

704
00:31:08,320 --> 00:31:09,560
Speaker 3: How much money do you have?

705
00:31:09,720 --> 00:31:13,480
Speaker 1: Sorry? Yeah, well you should ask for cash, ask for yeah,

706
00:31:13,560 --> 00:31:16,680
Speaker 1: and ask to see a bank statement. Yeah, you should

707
00:31:16,680 --> 00:31:21,720
Speaker 1: say I prefer cash, just like maybe Amazon.

708
00:31:22,800 --> 00:31:25,760
Speaker 2: So this is like, to me, straight dating is like

709
00:31:26,480 --> 00:31:32,720
Speaker 2: people doing outsized gestures and or asking like truly dating

710
00:31:32,800 --> 00:31:35,760
Speaker 2: questions from Cosmo magazine in the nineties, totally like to

711
00:31:35,800 --> 00:31:37,520
Speaker 2: one another until they die.

712
00:31:37,680 --> 00:31:39,239
Speaker 1: Well, there's this thing where it's like, don't forget you're

713
00:31:39,280 --> 00:31:41,520
Speaker 1: both people. This is where it's like dating is so

714
00:31:41,560 --> 00:31:43,239
Speaker 1: hard in New York because everyone's trying to do these

715
00:31:43,240 --> 00:31:45,080
Speaker 1: big gestures on each other and it's like, no, no, no,

716
00:31:45,320 --> 00:31:47,600
Speaker 1: let's think about this. You're a human being. So are

717
00:31:47,600 --> 00:31:50,440
Speaker 1: that I think I was in reflecting on like what's

718
00:31:50,440 --> 00:31:53,160
Speaker 1: the perfect date? I was like, okay, well obviously we

719
00:31:53,240 --> 00:31:56,280
Speaker 1: hook up first, yeah, and then it's like are we does?

720
00:31:56,480 --> 00:31:59,160
Speaker 1: Was that fun? Then we go to round two, which

721
00:31:59,200 --> 00:32:01,000
Speaker 1: is like, let's go get drink and then if that's fine,

722
00:32:01,040 --> 00:32:01,720
Speaker 1: then we go at dinner.

723
00:32:01,800 --> 00:32:03,960
Speaker 3: You hook on you first before you know their name.

724
00:32:04,800 --> 00:32:06,360
Speaker 1: Oh, I'll know their name. They can be like, hi,

725
00:32:06,480 --> 00:32:09,280
Speaker 1: I'm Sean, and then we hook up and I don't.

726
00:32:09,080 --> 00:32:12,200
Speaker 3: Know if it's s h A W or s E A.

727
00:32:12,480 --> 00:32:16,160
Speaker 1: And I just think you want to you both want

728
00:32:16,160 --> 00:32:18,000
Speaker 1: to hook up. Let's hook up and then see where

729
00:32:18,040 --> 00:32:18,360
Speaker 1: it goes.

730
00:32:18,600 --> 00:32:20,680
Speaker 2: Okay, here's my question. So you want to hook up.

731
00:32:21,280 --> 00:32:22,800
Speaker 2: I realize this is gonna make me sound like I'm

732
00:32:22,840 --> 00:32:25,360
Speaker 2: some sort of alcoholic, but you want to hook up

733
00:32:25,400 --> 00:32:26,600
Speaker 2: sober and then have.

734
00:32:26,600 --> 00:32:30,760
Speaker 1: Drinks hundred percent interesting? Interesting? Yeah, because it's like let's

735
00:32:30,760 --> 00:32:33,280
Speaker 1: get out of the way, like yeah, if I'm like

736
00:32:33,720 --> 00:32:36,600
Speaker 1: attracted to you, like I'm gonna be like lying to

737
00:32:36,640 --> 00:32:39,120
Speaker 1: myself the whole time, like if I've if we've already

738
00:32:39,120 --> 00:32:40,840
Speaker 1: hooked up, then I can be honest with you and

739
00:32:40,880 --> 00:32:42,400
Speaker 1: we can be like like you can be like, oh,

740
00:32:42,440 --> 00:32:44,840
Speaker 1: I'm from Illinois, and I'll be like, oh, okay, Like

741
00:32:45,280 --> 00:32:47,280
Speaker 1: whereas if if I haven't hooked up yet, I'll be like,

742
00:32:47,280 --> 00:32:50,360
Speaker 1: Illinois is such a beautiful state, Like the people there

743
00:32:50,440 --> 00:32:51,440
Speaker 1: are so amazing.

744
00:32:51,560 --> 00:32:54,240
Speaker 2: Okay, counterpoint, don't you think like after you have sex,

745
00:32:54,280 --> 00:32:56,080
Speaker 2: you're sort of like time and go home.

746
00:32:56,240 --> 00:32:58,280
Speaker 3: Right, No, now you want to get to know me.

747
00:32:58,520 --> 00:33:00,320
Speaker 3: I'm like, I'm tired even.

748
00:33:00,080 --> 00:33:03,120
Speaker 2: With like someone I know. I like, after I have sex,

749
00:33:03,160 --> 00:33:04,160
Speaker 2: I'm like I'm leaving.

750
00:33:05,240 --> 00:33:08,400
Speaker 3: Yeah, well that was nice, take care, send your mom

751
00:33:08,440 --> 00:33:08,880
Speaker 3: my love.

752
00:33:09,440 --> 00:33:13,840
Speaker 1: Like, no, that's where it gets fun. That's the after sex.

753
00:33:15,240 --> 00:33:15,720
Speaker 2: Of anything.

754
00:33:15,840 --> 00:33:18,160
Speaker 1: Yeah, that's what's fun about it. You can relax.

755
00:33:19,920 --> 00:33:22,440
Speaker 2: Maybe you're being more pure because you're like, yeah, so

756
00:33:22,480 --> 00:33:24,640
Speaker 2: you're you're basically like this is sex part and now

757
00:33:24,680 --> 00:33:25,959
Speaker 2: we're girlfriends gabbing.

758
00:33:26,160 --> 00:33:30,240
Speaker 1: Yeah, okay, interesting and after sex hang there is nothing

759
00:33:30,320 --> 00:33:30,640
Speaker 1: like it.

760
00:33:31,520 --> 00:33:33,680
Speaker 2: This is really what I hang I've never heard what

761
00:33:33,760 --> 00:33:34,520
Speaker 2: if the sex is.

762
00:33:34,480 --> 00:33:37,120
Speaker 1: Bad, then you don't hang out?

763
00:33:37,280 --> 00:33:39,320
Speaker 2: Oh and then so you're cutting your losses because you're like, well,

764
00:33:39,320 --> 00:33:42,480
Speaker 2: so then you never risk hanging out for three hours

765
00:33:42,520 --> 00:33:46,320
Speaker 2: and then having bad sex because you're immediately you're getting

766
00:33:46,360 --> 00:33:47,000
Speaker 2: whether or not.

767
00:33:46,880 --> 00:33:48,680
Speaker 3: But you don't have to hang out for three hours

768
00:33:48,720 --> 00:33:49,840
Speaker 3: and then have six.

769
00:33:49,680 --> 00:33:53,000
Speaker 2: Yeah, it just rent out the skate RNK, just drop

770
00:33:53,440 --> 00:33:54,040
Speaker 2: thirty K.

771
00:33:54,920 --> 00:33:57,440
Speaker 3: Yeah, me and Richie rich at the ring and I

772
00:33:57,480 --> 00:33:59,680
Speaker 3: can't skate, so it's gonna be really embarrassing for me.

773
00:34:00,520 --> 00:34:02,520
Speaker 2: I mean this is like, this is giving like when

774
00:34:02,600 --> 00:34:05,960
Speaker 2: people sort of like are running a company and read

775
00:34:06,040 --> 00:34:08,279
Speaker 2: and go off of what a management book says rather

776
00:34:08,320 --> 00:34:11,160
Speaker 2: than what like their employees are clearly where it's like

777
00:34:11,719 --> 00:34:14,560
Speaker 2: they read in a book that like you should have

778
00:34:14,640 --> 00:34:17,440
Speaker 2: like an on site where you ask everyone their biggest

779
00:34:17,440 --> 00:34:19,719
Speaker 2: fears or something, when in fact it's like, well that

780
00:34:19,760 --> 00:34:23,040
Speaker 2: woman is pregnant and she doesn't have health care. Start there. Yeah.

781
00:34:23,360 --> 00:34:23,720
Speaker 1: Yeah.

782
00:34:23,960 --> 00:34:27,080
Speaker 2: It's like this guy, rather than seeing you for who

783
00:34:27,120 --> 00:34:29,480
Speaker 2: you are, is picking a random activity and it's like

784
00:34:29,480 --> 00:34:29,879
Speaker 2: would you.

785
00:34:29,880 --> 00:34:35,879
Speaker 1: Like that that he learned on like next Yeah, literally.

786
00:34:36,320 --> 00:34:37,160
Speaker 3: I'm gonna go on the date.

787
00:34:37,520 --> 00:34:39,759
Speaker 1: Yeah you should. That sounds that sounds fun.

788
00:34:42,239 --> 00:34:44,120
Speaker 2: And just to see what you're gonna wear to the

789
00:34:44,280 --> 00:34:46,759
Speaker 2: to the ice dream you know.

790
00:34:46,760 --> 00:34:50,680
Speaker 3: The outfit is gonna be given double axle, but the

791
00:34:50,800 --> 00:34:54,200
Speaker 3: actual motion on the ice I'm gonna be I feel

792
00:34:54,200 --> 00:34:55,000
Speaker 3: like they have like a walk.

793
00:34:56,000 --> 00:34:59,279
Speaker 2: Yeah, you're gonna be looking like Michelle Kwan at both

794
00:34:59,280 --> 00:34:59,759
Speaker 2: folks home.

795
00:35:00,640 --> 00:35:03,440
Speaker 3: It's gonna have tennis balls on the bottom. That's the plant.

796
00:35:03,920 --> 00:35:07,160
Speaker 3: But no one's gonna see that except him, because there's

797
00:35:07,160 --> 00:35:08,040
Speaker 3: no one gonna.

798
00:35:07,760 --> 00:35:09,120
Speaker 2: Be there, right, no one's gonna be there.

799
00:35:09,200 --> 00:35:11,160
Speaker 1: Wait, one person has an answer to their dream date,

800
00:35:11,160 --> 00:35:11,840
Speaker 1: and it's George.

801
00:35:13,120 --> 00:35:20,239
Speaker 2: Okay, mmmmm, I mean I really do. Okay, there is

802
00:35:20,280 --> 00:35:22,680
Speaker 2: a part of me that does like a big thing

803
00:35:23,120 --> 00:35:27,480
Speaker 2: of like literally like going to the opera. Yes, so

804
00:35:27,600 --> 00:35:29,520
Speaker 2: there is that part of my brain. I'm not saying

805
00:35:29,520 --> 00:35:31,480
Speaker 2: every date should be that, yeah, but I think in

806
00:35:31,520 --> 00:35:33,440
Speaker 2: terms of just the perfect data, it really is to

807
00:35:33,520 --> 00:35:37,200
Speaker 2: me like getting drinks, getting a martini and slowly becoming

808
00:35:37,239 --> 00:35:40,160
Speaker 2: more and more like loose and attracted to one another.

809
00:35:40,280 --> 00:35:42,319
Speaker 2: And then at the end it's like a nobe because

810
00:35:42,320 --> 00:35:43,960
Speaker 2: you've like worked your way up, and then at the

811
00:35:44,000 --> 00:35:45,839
Speaker 2: end it's such a no brainer that you're going home.

812
00:35:45,840 --> 00:35:47,440
Speaker 2: It's like no one even has to address it.

813
00:35:47,880 --> 00:35:49,520
Speaker 1: M I like that.

814
00:35:50,080 --> 00:35:51,879
Speaker 2: Yeah, so I'm sort of Julia Roberts in that way.

815
00:35:51,960 --> 00:35:52,160
Speaker 1: Yeah.

816
00:35:52,320 --> 00:35:55,440
Speaker 2: Yeah, I think I'm still a romant. I Yeah, I

817
00:35:55,480 --> 00:35:59,000
Speaker 2: think like I also do get like if someone is

818
00:35:59,000 --> 00:36:01,799
Speaker 2: being interesting in being small art that does make me

819
00:36:01,840 --> 00:36:05,239
Speaker 2: more attractive them, And I do struggle with being even

820
00:36:05,280 --> 00:36:07,600
Speaker 2: if someone's extremely attractive not knowing anything about them. I

821
00:36:07,600 --> 00:36:08,520
Speaker 2: struggle with being like, all.

822
00:36:08,520 --> 00:36:11,120
Speaker 3: Right, let's do this because they're attractive.

823
00:36:11,400 --> 00:36:12,719
Speaker 2: No, because I don't know anything about them.

824
00:36:12,920 --> 00:36:15,320
Speaker 3: Oh, what is that? Like sapio sexual?

825
00:36:17,120 --> 00:36:17,640
Speaker 1: Which one is it?

826
00:36:17,760 --> 00:36:21,839
Speaker 2: I'm demisexual it I would never identify as such.

827
00:36:23,000 --> 00:36:24,800
Speaker 3: Your glasses say something different.

828
00:36:26,560 --> 00:36:29,560
Speaker 2: Oh my god, this is not good for my brand

829
00:36:29,600 --> 00:36:33,040
Speaker 2: on this podcast, which is already like really suffering.

830
00:36:33,760 --> 00:36:36,120
Speaker 3: Yeah yeah, yeah, yeah, yeah yeah. So if you go

831
00:36:36,160 --> 00:36:39,040
Speaker 3: home with somebody and they're hot and you know them,

832
00:36:39,400 --> 00:36:41,360
Speaker 3: but they don't have any books, No.

833
00:36:41,200 --> 00:36:43,200
Speaker 2: No, it's not about that. It's not even about intelligence.

834
00:36:43,160 --> 00:36:45,760
Speaker 2: I'm sort of like even just talking, I'm like, okay,

835
00:36:46,400 --> 00:36:49,560
Speaker 2: let's do a quick fifteen minute talk then then you

836
00:36:49,640 --> 00:36:52,000
Speaker 2: know what I mean. Like, I'm like, let's get It's

837
00:36:52,040 --> 00:36:53,760
Speaker 2: almost like a form of four play.

838
00:36:54,040 --> 00:36:56,600
Speaker 1: Sure, for sure, it's the first step.

839
00:36:56,960 --> 00:36:59,640
Speaker 3: Listen, I'm all about the four play. I love that live, love, laugh,

840
00:37:00,040 --> 00:37:01,640
Speaker 3: But I don't know. I feel like I'm kind of

841
00:37:01,640 --> 00:37:04,840
Speaker 3: the opposite of Sam in that, Like now I'm like,

842
00:37:05,480 --> 00:37:08,680
Speaker 3: it's your privilege to have sex with me, Like I

843
00:37:08,719 --> 00:37:11,640
Speaker 3: could I could bang everybody if I wanted to, but like,

844
00:37:12,160 --> 00:37:13,960
Speaker 3: I feel like now I could be more selective about it.

845
00:37:14,000 --> 00:37:16,200
Speaker 3: I'll go on a date with everybody, but bang them.

846
00:37:16,400 --> 00:37:18,000
Speaker 2: Oh, I see what you're saying, you.

847
00:37:17,920 --> 00:37:20,480
Speaker 3: Know what I mean. It's just like I don't know,

848
00:37:20,680 --> 00:37:23,920
Speaker 3: Like I feel like it's it's like a secret club

849
00:37:24,120 --> 00:37:26,000
Speaker 3: of people that can be like, well, I had sex.

850
00:37:25,840 --> 00:37:28,240
Speaker 1: With Marina want right, and it's.

851
00:37:28,120 --> 00:37:29,600
Speaker 3: Like you know, a handshake.

852
00:37:31,440 --> 00:37:33,640
Speaker 1: Yeah, you're like a gated community. I'm sort of like

853
00:37:33,640 --> 00:37:34,759
Speaker 1: a holiday and you know.

854
00:37:38,480 --> 00:37:42,279
Speaker 2: Yeah, and I guess I'm sort of like soho house, yes,

855
00:37:42,360 --> 00:37:44,680
Speaker 2: members only.

856
00:37:45,520 --> 00:37:45,960
Speaker 3: Exactly.

857
00:37:46,800 --> 00:37:49,920
Speaker 2: Okay, so let's get into our topic. I think. Yeah,

858
00:37:49,960 --> 00:37:53,080
Speaker 2: so Marie, tell us what topic you've brought with you today,

859
00:37:53,080 --> 00:37:54,719
Speaker 2: and maybe a little bit about what makes it straight

860
00:37:54,760 --> 00:37:54,960
Speaker 2: to you.

861
00:37:57,200 --> 00:38:01,000
Speaker 3: I am notoriously not good at being on time, but

862
00:38:01,120 --> 00:38:03,640
Speaker 3: my topic is I think being on time.

863
00:38:03,719 --> 00:38:06,480
Speaker 2: Being on time a very straight thing, which, by the way,

864
00:38:06,560 --> 00:38:08,840
Speaker 2: you were today you were here before either.

865
00:38:08,719 --> 00:38:12,080
Speaker 3: Of us, which is wild, okay, and asteroid is about

866
00:38:12,080 --> 00:38:12,640
Speaker 3: to hit the earth.

867
00:38:13,120 --> 00:38:16,400
Speaker 1: I mean I was really like, wait, what now, I've

868
00:38:16,440 --> 00:38:17,640
Speaker 1: seen everything I said that.

869
00:38:17,680 --> 00:38:19,000
Speaker 3: When I got here, they're like, you're the first to

870
00:38:19,000 --> 00:38:21,439
Speaker 3: get here, and I was like, what I was gonna

871
00:38:21,480 --> 00:38:26,080
Speaker 3: go home. I was ready to leave.

872
00:38:26,760 --> 00:38:31,000
Speaker 1: Being on time? Well, yeah, what about it feels straight

873
00:38:31,040 --> 00:38:33,879
Speaker 1: to you.

874
00:38:33,920 --> 00:38:37,280
Speaker 3: Straight people don't know how to make an entrance. Straight

875
00:38:37,320 --> 00:38:40,279
Speaker 3: people will, you know, wear the same outfit from last night,

876
00:38:40,360 --> 00:38:42,480
Speaker 3: so they don't really have to think about what they're

877
00:38:42,480 --> 00:38:47,319
Speaker 3: putting on their bodies. Something about being prompt, something about

878
00:38:47,360 --> 00:38:48,000
Speaker 3: being on time.

879
00:38:48,440 --> 00:38:51,960
Speaker 2: You're being calendar. You know your alarm when you have

880
00:38:52,000 --> 00:38:54,399
Speaker 2: an alarmer reminder five minutes before that tells you don't

881
00:38:54,400 --> 00:38:56,600
Speaker 2: forget to brush your teeth before the big dinner, right,

882
00:38:56,640 --> 00:39:00,319
Speaker 2: and then you show up, it's very like.

883
00:39:01,680 --> 00:39:04,400
Speaker 1: Well, it's pro military, it's pro military, it's.

884
00:39:04,160 --> 00:39:06,400
Speaker 2: Pro you are doing military time. You're like, I'll be

885
00:39:06,440 --> 00:39:07,440
Speaker 2: there at twenty one hundred.

886
00:39:07,560 --> 00:39:12,280
Speaker 3: Yeah, it's very much given that. And you know, I've

887
00:39:12,320 --> 00:39:13,960
Speaker 3: always been a late person. I went on a date

888
00:39:13,960 --> 00:39:15,759
Speaker 3: with to Do once. I was forty five minutes later.

889
00:39:15,800 --> 00:39:17,600
Speaker 2: Oh my god, and what kind of day dinner?

890
00:39:17,680 --> 00:39:18,040
Speaker 3: Crazy?

891
00:39:18,400 --> 00:39:20,880
Speaker 1: Yeah, we were the reservations.

892
00:39:21,920 --> 00:39:24,480
Speaker 3: I was texting him, you know, hasting him running late.

893
00:39:24,840 --> 00:39:26,640
Speaker 3: I was texting him throughout and when I got there,

894
00:39:26,640 --> 00:39:29,080
Speaker 3: he was so relieved. But when I got there and

895
00:39:29,160 --> 00:39:33,239
Speaker 3: he was still sitting there, I was like, yuck, not

896
00:39:33,360 --> 00:39:35,840
Speaker 3: you still sitting here for minutes?

897
00:39:36,400 --> 00:39:36,840
Speaker 1: Respect?

898
00:39:37,120 --> 00:39:39,239
Speaker 3: So said I gotta go.

899
00:39:39,360 --> 00:39:41,759
Speaker 2: I mean he's say yeah. I was like, yeah, but

900
00:39:41,800 --> 00:39:43,040
Speaker 2: did he enter the club?

901
00:39:43,320 --> 00:39:44,200
Speaker 3: He no, he didn't know.

902
00:39:44,239 --> 00:39:45,520
Speaker 2: He did not membership.

903
00:39:45,640 --> 00:39:46,799
Speaker 3: D I membership?

904
00:39:48,560 --> 00:39:51,120
Speaker 1: Wow? I mean that is amazing.

905
00:39:51,560 --> 00:39:53,919
Speaker 2: Well to be like, for you to show for five

906
00:39:53,920 --> 00:39:55,799
Speaker 2: minutes late and then blame the other person for not

907
00:39:55,840 --> 00:39:57,480
Speaker 2: having self the self respect to leave.

908
00:39:57,719 --> 00:40:00,959
Speaker 3: I was like, sir, what are you? Okay, okay, I'm home.

909
00:40:01,360 --> 00:40:03,200
Speaker 3: But when I walked in, he was like, pretty girls

910
00:40:03,200 --> 00:40:05,319
Speaker 3: are never on time. And when he said that, it

911
00:40:05,440 --> 00:40:08,480
Speaker 3: like I just I was like, oh, after this moment,

912
00:40:08,520 --> 00:40:09,799
Speaker 3: I will never be on time.

913
00:40:10,080 --> 00:40:12,520
Speaker 2: Yeah, yeah, god yeah. Then people might think you're ugly.

914
00:40:12,320 --> 00:40:15,080
Speaker 1: Right, I mean that is kind of hot. That's a

915
00:40:15,120 --> 00:40:15,839
Speaker 1: hot thing to say.

916
00:40:16,120 --> 00:40:17,200
Speaker 2: No, it is, that's pretty smooth.

917
00:40:17,239 --> 00:40:19,360
Speaker 3: Pretty girls are never on time, so I'm not surprised.

918
00:40:19,400 --> 00:40:22,320
Speaker 3: I was like, this guy got low self esteem.

919
00:40:25,719 --> 00:40:29,279
Speaker 1: Wow, they're also a person that's on time. You know.

920
00:40:29,600 --> 00:40:33,960
Speaker 1: As LGBTQ plus content creators, you know, we are a

921
00:40:34,000 --> 00:40:36,879
Speaker 1: family of We trust each other, we love each other

922
00:40:36,880 --> 00:40:39,080
Speaker 1: through thick and thin, and I do think there is

923
00:40:39,120 --> 00:40:41,640
Speaker 1: a trust that if you're fifteen, men's late, it won't

924
00:40:41,640 --> 00:40:43,600
Speaker 1: be a big deal, like no one will like scream

925
00:40:43,640 --> 00:40:46,040
Speaker 1: at you. And I actually think with straight people maybe

926
00:40:46,040 --> 00:40:47,520
Speaker 1: there's not that understanding.

927
00:40:47,840 --> 00:40:50,319
Speaker 2: Well, I read, you know, New York Magazine did this

928
00:40:50,880 --> 00:40:53,920
Speaker 2: issue a while back about like the new rules of etiquette,

929
00:40:54,080 --> 00:40:57,080
Speaker 2: and one of them was like, so there used to

930
00:40:57,160 --> 00:41:00,120
Speaker 2: be an old etiquette rules or whatever. It was like

931
00:41:00,200 --> 00:41:02,239
Speaker 2: seven minutes is the maximum you can be late without

932
00:41:02,280 --> 00:41:04,120
Speaker 2: it being an issue, Like you don't have to apologize,

933
00:41:04,120 --> 00:41:06,719
Speaker 2: it's just like seven minutes. And this one, I think,

934
00:41:06,760 --> 00:41:09,200
Speaker 2: said like the amount of time you can be late

935
00:41:09,280 --> 00:41:12,319
Speaker 2: remains at seven minutes, regardless of whether we can nowt

936
00:41:12,320 --> 00:41:14,799
Speaker 2: text one another and whatever. And I think I sort

937
00:41:14,800 --> 00:41:18,200
Speaker 2: of think that fifteen minutes is the gay seven minutes. Yeah,

938
00:41:18,480 --> 00:41:21,520
Speaker 2: I like fifteen is the gay seven. And I think

939
00:41:21,520 --> 00:41:24,080
Speaker 2: there's also a sort of beautiful tradition of being on

940
00:41:24,120 --> 00:41:27,600
Speaker 2: your way somewhere texting the person running fifteen minutes late,

941
00:41:27,640 --> 00:41:30,399
Speaker 2: and then the person texts you back obviously same. That

942
00:41:30,640 --> 00:41:33,200
Speaker 2: is really and that is community, that's friendship.

943
00:41:33,320 --> 00:41:37,440
Speaker 1: Yeah, yeah, yeah, I actually find it insulting when someone

944
00:41:37,480 --> 00:41:40,000
Speaker 1: texts me running late when they're only five minutes late. Yeah,

945
00:41:40,040 --> 00:41:41,680
Speaker 1: and like you don't need to be that on top

946
00:41:41,719 --> 00:41:44,400
Speaker 1: of it, just be five minutes late and trust that

947
00:41:44,480 --> 00:41:46,000
Speaker 1: I will be forgiving.

948
00:41:45,640 --> 00:41:47,640
Speaker 3: Five minutes late. You're still in the window of on time.

949
00:41:47,719 --> 00:41:48,480
Speaker 1: Yeah, that's on time.

950
00:41:48,560 --> 00:41:49,839
Speaker 2: No, five minutes later is on time?

951
00:41:49,880 --> 00:41:51,920
Speaker 1: When Yeah. It reminds me of like when people venmo

952
00:41:52,040 --> 00:41:55,680
Speaker 1: you for like a drink, and it's like, no, don't venmo, Like,

953
00:41:55,760 --> 00:41:58,600
Speaker 1: don't pay me for that. That was that's like for fun,

954
00:41:58,640 --> 00:42:01,759
Speaker 1: that's to be friends. Yeah, get the next one, Get

955
00:42:01,800 --> 00:42:02,560
Speaker 1: the next one.

956
00:42:03,040 --> 00:42:07,840
Speaker 2: Also, it in fact rejects the intimacy that you're supposed

957
00:42:07,880 --> 00:42:09,600
Speaker 2: to feel, like to text someone running five minutes late.

958
00:42:09,640 --> 00:42:10,680
Speaker 2: It's like, oh, so I didn't know we were having

959
00:42:10,719 --> 00:42:12,719
Speaker 2: a business lunch. Yeah, and that this is actually a

960
00:42:12,760 --> 00:42:15,400
Speaker 2: general meeting with Viacom, because I actually thought I was

961
00:42:15,400 --> 00:42:18,279
Speaker 2: having dinner with a friend that I've known since childhood. Right,

962
00:42:18,400 --> 00:42:19,960
Speaker 2: And similarly, if someone ven moves you for a drink,

963
00:42:19,960 --> 00:42:22,280
Speaker 2: it's like, okay, are we expensing this to the business account.

964
00:42:24,200 --> 00:42:25,960
Speaker 2: It's hurtful. It's not right hurtful.

965
00:42:26,280 --> 00:42:28,759
Speaker 3: It's like yeah, yeah, but my friends though I'm not

966
00:42:28,800 --> 00:42:31,680
Speaker 3: good with time, so we're I'm like, I'm running late.

967
00:42:31,680 --> 00:42:33,120
Speaker 3: They're like, yes, we know.

968
00:42:33,239 --> 00:42:34,440
Speaker 2: Yeah, no, they brought a book.

969
00:42:34,640 --> 00:42:37,160
Speaker 3: Yeah, they're like that I told you an earlier time,

970
00:42:37,360 --> 00:42:39,200
Speaker 3: knowing you were still going to be late. Yeah, and

971
00:42:39,239 --> 00:42:40,680
Speaker 3: it's like and now we're walking in together.

972
00:42:40,800 --> 00:42:41,239
Speaker 2: M hmm.

973
00:42:41,480 --> 00:42:45,560
Speaker 3: That's what friends, George.

974
00:42:45,760 --> 00:42:48,920
Speaker 1: You don't run very late, do you? I know?

975
00:42:49,040 --> 00:42:52,560
Speaker 2: I don't. I don't. I mean, you know the subway,

976
00:42:52,719 --> 00:42:56,239
Speaker 2: Oh don't. No, But I think both of us are

977
00:42:56,280 --> 00:42:57,160
Speaker 2: generally good about that.

978
00:42:57,280 --> 00:43:00,000
Speaker 1: Yeah, we're similarly on time. We're in the five minute window.

979
00:43:00,440 --> 00:43:02,600
Speaker 2: There is one of the most assorienting things in this

980
00:43:02,680 --> 00:43:05,719
Speaker 2: life is sometimes you are accidentally early and then you

981
00:43:05,760 --> 00:43:07,600
Speaker 2: truly don't know what to do with yourself. I actually

982
00:43:07,600 --> 00:43:09,399
Speaker 2: was early last night when I was having drinks with Chris,

983
00:43:09,400 --> 00:43:12,279
Speaker 2: and I was like, so, now I'm sitting at the

984
00:43:12,280 --> 00:43:15,080
Speaker 2: bar and saving him a seat. I feel awkward about

985
00:43:15,080 --> 00:43:17,960
Speaker 2: saving a seat and not ordering yet I don't know

986
00:43:17,960 --> 00:43:19,960
Speaker 2: what to do with myself. I feel like everyone all

987
00:43:20,000 --> 00:43:22,839
Speaker 2: eyes on me. Yeah, everyone's looking at you, everyone's looking

988
00:43:22,880 --> 00:43:25,880
Speaker 2: at me, like who's ring just like a circus, who's

989
00:43:25,880 --> 00:43:28,279
Speaker 2: that pervert at the bar alone? Literally? Yeah, and I

990
00:43:28,280 --> 00:43:30,600
Speaker 2: also eat. I do seem like a pervert because I

991
00:43:30,680 --> 00:43:33,600
Speaker 2: seem like because I'm not there casually reading a book

992
00:43:33,760 --> 00:43:37,440
Speaker 2: like some sort of you know, like Owen Wilson in

993
00:43:37,440 --> 00:43:41,640
Speaker 2: that Woody Allen movie. I am when is it? I

994
00:43:41,719 --> 00:43:43,560
Speaker 2: never saw that one, You know what I mean? Paris,

995
00:43:44,000 --> 00:43:51,640
Speaker 2: Paris is burning midnight in Paris. Okay, no, but I

996
00:43:51,760 --> 00:43:54,120
Speaker 2: just look I sort of look predatory, honestly, because I'm

997
00:43:54,160 --> 00:43:56,760
Speaker 2: looking at my phone nervously and looking around and constantly

998
00:43:56,760 --> 00:43:59,960
Speaker 2: accidentally making eyes at or like making the most beautiful

999
00:44:00,239 --> 00:44:01,919
Speaker 2: at the most beautiful at the bar and saying pretty

1000
00:44:01,920 --> 00:44:02,720
Speaker 2: girls are never.

1001
00:44:05,160 --> 00:44:07,839
Speaker 1: You keep saying what's a pretty girl? Like you? Like?

1002
00:44:07,880 --> 00:44:10,320
Speaker 2: I actually think it's worse to be five minutes earlier

1003
00:44:10,360 --> 00:44:13,680
Speaker 2: than it is to be ten minutes last.

1004
00:44:13,880 --> 00:44:16,279
Speaker 3: Being early. I hate being early. I hate waiting for people,

1005
00:44:16,280 --> 00:44:19,000
Speaker 3: which is so crazy because people are always waiting for me.

1006
00:44:19,520 --> 00:44:23,759
Speaker 3: I hate being early. That that's like, ugh, it makes me. Yeah,

1007
00:44:23,840 --> 00:44:25,160
Speaker 3: I don't know what to do with myself.

1008
00:44:25,239 --> 00:44:27,360
Speaker 2: Yeah, well, here's what it is being early. It actually

1009
00:44:27,400 --> 00:44:30,040
Speaker 2: interrupts the forward motion of life because you are like,

1010
00:44:30,200 --> 00:44:31,960
Speaker 2: it's this and then this and then this. I'm going there,

1011
00:44:31,960 --> 00:44:33,719
Speaker 2: I'm meeting a friend, then we're getting dessert and we're

1012
00:44:33,719 --> 00:44:36,160
Speaker 2: getting the check. When you go there, but you're like, oh,

1013
00:44:36,360 --> 00:44:39,200
Speaker 2: the next the next chapter of this is not starting it,

1014
00:44:39,880 --> 00:44:42,680
Speaker 2: So I guess this is an intermission in my life.

1015
00:44:43,080 --> 00:44:45,120
Speaker 1: Well it's also like, okay, so I'm waiting for five minutes.

1016
00:44:45,160 --> 00:44:46,880
Speaker 1: I guess I could have been doing whatever I was

1017
00:44:46,920 --> 00:44:47,719
Speaker 1: doing for five minutes.

1018
00:44:47,719 --> 00:44:49,200
Speaker 2: I pilot.

1019
00:44:51,239 --> 00:44:52,839
Speaker 3: Exactly straight to series.

1020
00:44:52,880 --> 00:44:55,960
Speaker 2: Straight to Produce by John Appatow.

1021
00:44:56,160 --> 00:45:02,120
Speaker 1: Yeah. Yeah, that always gets me. It's like that five

1022
00:45:02,160 --> 00:45:04,759
Speaker 1: minutes really would have helped back where I was.

1023
00:45:04,920 --> 00:45:06,319
Speaker 2: Or it's like, oh, I should have brought my book.

1024
00:45:06,320 --> 00:45:08,000
Speaker 2: I could have read three more chapters in that five

1025
00:45:08,120 --> 00:45:08,840
Speaker 2: I can't even.

1026
00:45:08,680 --> 00:45:11,240
Speaker 3: Bring a you bringing the book out at nighttime.

1027
00:45:12,560 --> 00:45:16,200
Speaker 2: Well, not if I'm going out right dancing, but if

1028
00:45:16,200 --> 00:45:19,000
Speaker 2: I'm having a very casual drinks with someone, like a

1029
00:45:19,040 --> 00:45:20,640
Speaker 2: happy hour thing, and I all, you know.

1030
00:45:20,680 --> 00:45:22,799
Speaker 3: Have Okay, so five o'clock the book is in the bag.

1031
00:45:23,560 --> 00:45:26,279
Speaker 1: Yeah yeah, Actually this is when does the book stop

1032
00:45:26,360 --> 00:45:27,000
Speaker 1: being in the bag?

1033
00:45:27,160 --> 00:45:27,359
Speaker 3: Right?

1034
00:45:27,520 --> 00:45:31,520
Speaker 2: Seven thirty six, You're right?

1035
00:45:31,520 --> 00:45:31,719
Speaker 1: Six.

1036
00:45:31,840 --> 00:45:34,600
Speaker 3: I just because I have a friend and she reads

1037
00:45:34,640 --> 00:45:40,000
Speaker 3: these big thick ass like Vampire Hunger Gamey, like these

1038
00:45:40,040 --> 00:45:42,600
Speaker 3: thick ass like you know what I'm talking about, like

1039
00:45:42,680 --> 00:45:43,760
Speaker 3: mythical ass books.

1040
00:45:43,880 --> 00:45:48,359
Speaker 2: Okay, she loves You're like it's a twelve year old girl.

1041
00:45:48,680 --> 00:45:49,560
Speaker 2: We met on Tumblr.

1042
00:45:50,520 --> 00:45:52,640
Speaker 3: She is a woman of a particular age and she

1043
00:45:52,840 --> 00:45:55,120
Speaker 3: likes a tiny purse. Yeah, but you'll bring this big

1044
00:45:55,120 --> 00:45:59,000
Speaker 3: ass book. And it's like, girl, we're doing shots and stuff,

1045
00:45:59,040 --> 00:45:59,959
Speaker 3: like why do you have.

1046
00:45:59,880 --> 00:46:01,960
Speaker 2: This book at an audible account?

1047
00:46:02,360 --> 00:46:03,399
Speaker 1: Yeah, She's like, I.

1048
00:46:03,320 --> 00:46:05,000
Speaker 3: Like reading on the train. I'm like, then bring a

1049
00:46:05,040 --> 00:46:08,120
Speaker 3: bigger bag. Yeah, stop bringing a tell far and this

1050
00:46:08,320 --> 00:46:10,759
Speaker 3: book is size.

1051
00:46:10,880 --> 00:46:13,800
Speaker 2: She's dancing. It's smacking people on the face on the dance.

1052
00:46:14,360 --> 00:46:17,040
Speaker 3: At the SNL after party, and Devin was so in back.

1053
00:46:17,120 --> 00:46:19,879
Speaker 3: He was like he like the book.

1054
00:46:20,120 --> 00:46:22,680
Speaker 1: Well, you don't bring the book to the no, you

1055
00:46:22,800 --> 00:46:25,360
Speaker 1: know you're not going to be reading at them after.

1056
00:46:25,840 --> 00:46:27,600
Speaker 3: But she was reading on the train to the party

1057
00:46:27,640 --> 00:46:28,040
Speaker 3: and it's.

1058
00:46:27,880 --> 00:46:30,840
Speaker 1: Like, oh my god, the party starts at the kindle

1059
00:46:31,239 --> 00:46:32,280
Speaker 1: plap on your phone.

1060
00:46:32,320 --> 00:46:35,040
Speaker 3: Then girl turn the music up and put the back.

1061
00:46:35,160 --> 00:46:37,680
Speaker 2: She being precocious glasses girl.

1062
00:46:37,880 --> 00:46:41,239
Speaker 1: Yeah, yeah, she's being precocious classes girl. I have a

1063
00:46:41,360 --> 00:46:42,400
Speaker 1: very embarrassing tale.

1064
00:46:42,440 --> 00:46:42,960
Speaker 2: What is it?

1065
00:46:43,280 --> 00:46:46,439
Speaker 1: I went to a party at a three dollars bill

1066
00:46:46,920 --> 00:46:50,319
Speaker 1: a few weeks ago and friends were like, we're gonna

1067
00:46:50,360 --> 00:46:52,839
Speaker 1: get there on the earlier side, like around like ten

1068
00:46:52,960 --> 00:46:56,040
Speaker 1: thirty ish, and I was like, okay, I got there

1069
00:46:56,080 --> 00:47:00,360
Speaker 1: at eleven to be safe, and I was one of

1070
00:47:00,400 --> 00:47:04,000
Speaker 1: the first three people in the venue. They the door

1071
00:47:04,040 --> 00:47:05,759
Speaker 1: person was like, oh, I don't even know if you're

1072
00:47:05,760 --> 00:47:09,399
Speaker 1: allowed to come in yet, and I had to sit

1073
00:47:09,600 --> 00:47:12,279
Speaker 1: in the empty, empty bar and sort of be like

1074
00:47:13,840 --> 00:47:17,000
Speaker 1: I'm cool, like I'm part of the staff. I guess no.

1075
00:47:17,320 --> 00:47:20,000
Speaker 1: It was so shameful, and then by the time I

1076
00:47:20,000 --> 00:47:22,040
Speaker 1: actually got crowded, I was like, well, time to go.

1077
00:47:22,520 --> 00:47:25,279
Speaker 2: This is actually your pointing to something interesting, which is like,

1078
00:47:26,360 --> 00:47:29,200
Speaker 2: you know, you're not an early type, but but you

1079
00:47:29,239 --> 00:47:30,799
Speaker 2: find yourself in the position sometimes you have like an

1080
00:47:30,840 --> 00:47:32,399
Speaker 2: hour to kill it's not enough time to go home

1081
00:47:32,440 --> 00:47:34,000
Speaker 2: and then go to the next thing. So sometimes you're

1082
00:47:34,000 --> 00:47:36,080
Speaker 2: trying yourself in the position of being an early person,

1083
00:47:36,160 --> 00:47:38,799
Speaker 2: and then you have to overcompensate by being like, oh,

1084
00:47:38,840 --> 00:47:46,440
Speaker 2: don't worry, I'm blackout drunk. Oh don't worry, Like, yeah,

1085
00:47:46,480 --> 00:47:49,680
Speaker 2: this isn't a working met for this isn't work I'm crazy. Yeah, yeah,

1086
00:47:49,680 --> 00:47:52,160
Speaker 2: look i'm burning books. Actually, but the day that you.

1087
00:47:52,120 --> 00:47:54,360
Speaker 3: Got there early, what was the weather doing. Could you

1088
00:47:54,360 --> 00:47:56,000
Speaker 3: have taken a walk around the black.

1089
00:47:55,840 --> 00:47:59,040
Speaker 1: It was raining? Okay, well, thank you, And actually that's

1090
00:47:59,040 --> 00:47:59,800
Speaker 1: such an app.

1091
00:47:59,640 --> 00:48:00,719
Speaker 2: That's really good point.

1092
00:48:00,920 --> 00:48:02,399
Speaker 1: It was raining, But when it's.

1093
00:48:02,360 --> 00:48:05,120
Speaker 3: Raining, you're allowed to be even later because it's raining.

1094
00:48:05,480 --> 00:48:07,080
Speaker 3: Why would you be early if it's raining.

1095
00:48:07,800 --> 00:48:10,480
Speaker 2: Okay, so it's raining. He had like not an awkward

1096
00:48:10,520 --> 00:48:12,319
Speaker 2: amount of time to kill. You can't go home in

1097
00:48:12,360 --> 00:48:13,919
Speaker 2: the rain. Oh I always went home.

1098
00:48:14,040 --> 00:48:17,680
Speaker 3: I always, even if, even if I even if I

1099
00:48:17,719 --> 00:48:19,759
Speaker 3: have twenty minutes sitting in my house with my shoes off,

1100
00:48:19,800 --> 00:48:21,640
Speaker 3: I'm going home and then I'm coming back out.

1101
00:48:21,880 --> 00:48:22,160
Speaker 2: Yeah.

1102
00:48:22,200 --> 00:48:24,200
Speaker 1: Wow, Yeah, that is impressive.

1103
00:48:24,239 --> 00:48:24,879
Speaker 3: I always go home.

1104
00:48:24,920 --> 00:48:26,719
Speaker 1: And I have to tell you, guys another detail, because

1105
00:48:26,760 --> 00:48:29,239
Speaker 1: you're really being giving me a generous read. I was

1106
00:48:29,239 --> 00:48:29,840
Speaker 1: coming from.

1107
00:48:29,680 --> 00:48:33,120
Speaker 3: Home, so you left the house and you see what

1108
00:48:33,400 --> 00:48:35,720
Speaker 3: in the rain? In the rain, and you were still early,

1109
00:48:35,840 --> 00:48:37,280
Speaker 3: and then you have to sit there.

1110
00:48:37,600 --> 00:48:40,800
Speaker 1: Yeah. Yeah, embarrassing, but I appreciate you guys giving me

1111
00:48:40,880 --> 00:48:42,719
Speaker 1: such a generous, generous read.

1112
00:48:43,000 --> 00:48:44,160
Speaker 3: What time did your friends get there?

1113
00:48:44,400 --> 00:48:46,880
Speaker 1: They got there like eleven thirty. It wasn't horrible, but

1114
00:48:46,960 --> 00:48:47,839
Speaker 1: I mean a half hour.

1115
00:48:47,960 --> 00:48:50,960
Speaker 3: A half hour and you were there with the staff. Yeah,

1116
00:48:51,000 --> 00:48:52,239
Speaker 3: you were cutting limes in the back.

1117
00:48:55,920 --> 00:48:58,040
Speaker 1: It was wild. It was so early. I was sort

1118
00:48:58,040 --> 00:48:59,880
Speaker 1: of like, I don't have to pay for a drink. Right, Like,

1119
00:49:00,080 --> 00:49:01,440
Speaker 1: I just get it for working here.

1120
00:49:01,560 --> 00:49:02,960
Speaker 3: Yeah, you were there for a family meal.

1121
00:49:03,160 --> 00:49:03,640
Speaker 1: Yeah.

1122
00:49:03,719 --> 00:49:06,240
Speaker 2: Well there is that element also being really where suddenly

1123
00:49:06,280 --> 00:49:08,760
Speaker 2: your chosen family is a staff rather than the patrons.

1124
00:49:08,800 --> 00:49:09,360
Speaker 1: Yeah.

1125
00:49:09,400 --> 00:49:12,080
Speaker 2: Like because you're making small talk with a bartender, you're

1126
00:49:12,280 --> 00:49:15,319
Speaker 2: sort of like being like, oh he's three blocks away,

1127
00:49:15,360 --> 00:49:18,120
Speaker 2: I promise, yeah, blah blah, and then your friend comes

1128
00:49:18,120 --> 00:49:22,759
Speaker 2: and suddenly there's this incredible class betrayal where you go

1129
00:49:22,800 --> 00:49:24,720
Speaker 2: from being on staff to being a patron.

1130
00:49:26,000 --> 00:49:28,560
Speaker 1: Wow. Yeah, and you're like, I'll never forget the staff

1131
00:49:28,560 --> 00:49:29,440
Speaker 1: how we've had together.

1132
00:49:29,640 --> 00:49:32,640
Speaker 2: Like you're like, I might be an upwardly mobile now

1133
00:49:32,640 --> 00:49:35,960
Speaker 2: I'm upper middle class, but I was you yeah or

1134
00:49:36,040 --> 00:49:36,600
Speaker 2: minutes ago.

1135
00:49:38,760 --> 00:49:40,640
Speaker 3: But then you stop talking to them immediately.

1136
00:49:40,960 --> 00:49:42,960
Speaker 2: Yeah yeah, and you're like I said with a twist.

1137
00:49:42,760 --> 00:49:49,040
Speaker 3: Yeah literally literally, But I also don't know what it

1138
00:49:49,040 --> 00:49:50,799
Speaker 3: feels like to be that early. I don't move that way.

1139
00:49:51,160 --> 00:49:55,200
Speaker 1: Yeah, it's not fun. I do find myself, you know,

1140
00:49:55,239 --> 00:49:58,000
Speaker 1: it's harder as the parties stay late, but you get older.

1141
00:49:58,120 --> 00:50:00,320
Speaker 1: I'm sort of like, do we have have to be

1142
00:50:00,360 --> 00:50:02,279
Speaker 1: going out and at midnight? Yeah?

1143
00:50:03,000 --> 00:50:05,080
Speaker 3: Yes, do leave the house at midnight.

1144
00:50:05,160 --> 00:50:07,080
Speaker 2: It's actually a good I mean, I agree, with you

1145
00:50:07,280 --> 00:50:09,080
Speaker 2: day to day. But then when I zoom out, I'm like, no,

1146
00:50:09,160 --> 00:50:11,040
Speaker 2: that is how you know you're alive. You actually have

1147
00:50:11,120 --> 00:50:13,080
Speaker 2: to force yourself to go out of midnight. Yeah, but

1148
00:50:13,440 --> 00:50:18,560
Speaker 2: you can't become one of those people that's like, you know,

1149
00:50:18,719 --> 00:50:21,479
Speaker 2: why aren't there more queer spaces that start a two pm?

1150
00:50:21,560 --> 00:50:23,439
Speaker 1: George, I would never be like that. First.

1151
00:50:23,840 --> 00:50:24,800
Speaker 2: I know, of course not.

1152
00:50:27,360 --> 00:50:31,239
Speaker 1: But what do you do between dinner and midnight? Well?

1153
00:50:31,280 --> 00:50:32,840
Speaker 2: You know my answer is you have a late.

1154
00:50:32,719 --> 00:50:35,880
Speaker 3: Dinner, right, Well, but how dinner babe?

1155
00:50:36,320 --> 00:50:40,359
Speaker 2: Well, Sam famously is like I love seven people dinner.

1156
00:50:40,760 --> 00:50:42,800
Speaker 3: Okay, So you're done with dinner at.

1157
00:50:42,880 --> 00:50:44,240
Speaker 1: A thirty eight?

1158
00:50:44,480 --> 00:50:46,160
Speaker 3: Oh yeah, you got to have another dinner.

1159
00:50:47,400 --> 00:50:49,160
Speaker 1: And then it's like okay, so like I've had a

1160
00:50:49,200 --> 00:50:51,480
Speaker 1: cocktail and then it's like now what.

1161
00:50:52,200 --> 00:50:56,359
Speaker 2: Well, then you start your date with the sex, right,

1162
00:50:56,440 --> 00:50:58,400
Speaker 2: and then if it goes well, then you take the

1163
00:50:58,440 --> 00:51:00,000
Speaker 2: person out and then it's midnight.

1164
00:51:00,560 --> 00:51:00,840
Speaker 1: Right?

1165
00:51:02,560 --> 00:51:06,120
Speaker 3: So are you eating three meals a day? Two and

1166
00:51:06,120 --> 00:51:08,800
Speaker 3: a half and the first meal you eat at what time?

1167
00:51:09,400 --> 00:51:10,200
Speaker 1: Maybe like ten?

1168
00:51:10,400 --> 00:51:12,319
Speaker 3: Okay? See that's you. You messing it up from the

1169
00:51:12,320 --> 00:51:17,239
Speaker 3: beginning your house so early on.

1170
00:51:19,120 --> 00:51:22,279
Speaker 1: At ten o'clock, see George, says this too. George, at

1171
00:51:22,280 --> 00:51:24,080
Speaker 1: like eleven thirty will be like, so, do you want

1172
00:51:24,120 --> 00:51:27,319
Speaker 1: to get breakfast? And I'm like, breakfast, darling, it's almost noon.

1173
00:51:27,400 --> 00:51:28,680
Speaker 1: It's time for lung. It's like it's time for my

1174
00:51:28,680 --> 00:51:32,759
Speaker 1: ciesta as soon as noon. I'm like, this is lunchtime. Yeah,

1175
00:51:33,760 --> 00:51:34,600
Speaker 1: that's wow.

1176
00:51:35,440 --> 00:51:37,760
Speaker 3: Yeah, no whatever, I eat first this breakfast and usually

1177
00:51:37,760 --> 00:51:39,560
Speaker 3: it's at like it's around lunchtime.

1178
00:51:40,160 --> 00:51:40,440
Speaker 1: Wow.

1179
00:51:42,440 --> 00:51:46,960
Speaker 2: Okay. Do we think one of the reasons being on

1180
00:51:47,040 --> 00:51:48,719
Speaker 2: time is straight is sort of because the world is

1181
00:51:48,760 --> 00:51:52,040
Speaker 2: built for on time? People like that is the that's true?

1182
00:51:52,080 --> 00:51:56,520
Speaker 2: Like the hegemony, like that is the ruling class on time? Yeah,

1183
00:51:56,719 --> 00:52:00,560
Speaker 2: Joe Biden is on time? Yeah, he might look like

1184
00:52:01,200 --> 00:52:02,440
Speaker 2: he just got resurrected.

1185
00:52:02,880 --> 00:52:04,000
Speaker 3: It's getting late.

1186
00:52:04,440 --> 00:52:06,240
Speaker 2: Space is getting late.

1187
00:52:07,120 --> 00:52:13,200
Speaker 3: The body is also late. You've been holding. Yeah, I

1188
00:52:13,200 --> 00:52:16,319
Speaker 3: don't know. I think is the ruling class. You said

1189
00:52:16,320 --> 00:52:18,560
Speaker 3: the ruling class is built for being on time?

1190
00:52:18,880 --> 00:52:22,000
Speaker 2: But you know what the the but also the other

1191
00:52:22,040 --> 00:52:24,000
Speaker 2: side of that is, of course, like the actual ruling

1192
00:52:24,000 --> 00:52:28,239
Speaker 2: class doesn't go by any rules, you know what I mean.

1193
00:52:28,560 --> 00:52:31,120
Speaker 2: It's like upper You're a meeting with the CEO, and

1194
00:52:31,160 --> 00:52:32,640
Speaker 2: the CEO can be three hours later and.

1195
00:52:32,600 --> 00:52:35,800
Speaker 3: That's when whenever the helicopter lands is when it lands.

1196
00:52:35,920 --> 00:52:39,520
Speaker 2: So I guess on time. The reason it's okay, it's

1197
00:52:39,520 --> 00:52:42,440
Speaker 2: middle management on time is the bourgeoisie.

1198
00:52:44,680 --> 00:52:47,000
Speaker 3: I don't know. I feel I got to SA pre

1199
00:52:47,080 --> 00:52:49,799
Speaker 3: check this year, and I was always somebody that was

1200
00:52:49,840 --> 00:52:53,440
Speaker 3: like sprinting the airport with my suitcase. And now I

1201
00:52:53,520 --> 00:52:57,320
Speaker 3: get to the airport eight minutes before my flight leaves

1202
00:52:57,360 --> 00:53:00,120
Speaker 3: and I'm cruising through that TSA.

1203
00:53:00,360 --> 00:53:02,160
Speaker 2: This isn't the airport.

1204
00:53:02,239 --> 00:53:03,560
Speaker 1: This is traumatic to bring up the.

1205
00:53:03,560 --> 00:53:06,120
Speaker 2: Airport right now. I mean, you might as well be

1206
00:53:06,160 --> 00:53:09,279
Speaker 2: at war. Oh, it is crazy. What is happening post

1207
00:53:09,560 --> 00:53:12,880
Speaker 2: or like mid pandemic post pandemic or whatever whatever I'm

1208
00:53:12,920 --> 00:53:16,600
Speaker 2: supposed to sign on this climbing, you know, but but

1209
00:53:16,719 --> 00:53:20,080
Speaker 2: it is truly like a five hour lines and Sam

1210
00:53:20,080 --> 00:53:23,359
Speaker 2: and I somehow keep putting off getting.

1211
00:53:23,080 --> 00:53:24,040
Speaker 3: You guys don't have preaching.

1212
00:53:24,120 --> 00:53:24,719
Speaker 2: You don't have preach.

1213
00:53:24,960 --> 00:53:26,960
Speaker 1: It's actually us, every single every.

1214
00:53:26,800 --> 00:53:28,200
Speaker 2: Single time, we're like tomorrow, we're getting it.

1215
00:53:28,320 --> 00:53:31,560
Speaker 3: Cool white men in America. You guys don't have TSA because.

1216
00:53:31,360 --> 00:53:32,880
Speaker 2: Of our privilege. We're like, well they let us in.

1217
00:53:32,960 --> 00:53:36,240
Speaker 3: Yeah, you're cut, you're you're in the back, Like I'm cutting.

1218
00:53:36,440 --> 00:53:38,160
Speaker 2: Excuse me, I'm cutting like a mother of three.

1219
00:53:38,239 --> 00:53:40,480
Speaker 1: No, we're trying to create an oppressed narrative for ourselves.

1220
00:53:40,600 --> 00:53:42,279
Speaker 1: So we're like, well, the lines are so long, we

1221
00:53:42,320 --> 00:53:43,040
Speaker 1: could apply.

1222
00:53:43,600 --> 00:53:44,880
Speaker 3: So what time do you have to be at the

1223
00:53:44,880 --> 00:53:46,200
Speaker 3: airport for your flight school?

1224
00:53:46,200 --> 00:53:47,120
Speaker 1: Two and a half hours early.

1225
00:53:47,239 --> 00:53:49,800
Speaker 2: We both are actually, I mean talk about so I

1226
00:53:50,200 --> 00:53:52,000
Speaker 2: might be you know, I might be fifteen minutes late,

1227
00:53:52,000 --> 00:53:54,040
Speaker 2: ten minutes late to like a drink state. But when

1228
00:53:54,120 --> 00:53:58,040
Speaker 2: we're talking airport, I was raised to be three hours early.

1229
00:53:58,480 --> 00:54:02,080
Speaker 1: Yes, wild, Yeah, I'm really really earlier. And it actually

1230
00:54:02,120 --> 00:54:04,080
Speaker 1: feels so great to get there early and be like

1231
00:54:04,200 --> 00:54:05,239
Speaker 1: now I can just sort of chill.

1232
00:54:05,560 --> 00:54:08,000
Speaker 3: Yeah, I don't want to chill out the airport. Are

1233
00:54:08,040 --> 00:54:10,000
Speaker 3: you in the sky lounge? Like? What do you want

1234
00:54:10,040 --> 00:54:10,279
Speaker 3: to be that?

1235
00:54:10,440 --> 00:54:13,319
Speaker 2: Don't get to start on the skyline. One time we

1236
00:54:13,360 --> 00:54:16,040
Speaker 2: had the opportunity and our entire careers we had one

1237
00:54:16,040 --> 00:54:18,239
Speaker 2: time the privilege of being the skyline, and the way

1238
00:54:18,239 --> 00:54:20,960
Speaker 2: that we immediately were like, well, I guess I'm voting

1239
00:54:21,080 --> 00:54:22,480
Speaker 2: for Ron de Santa.

1240
00:54:23,920 --> 00:54:27,040
Speaker 1: Yeah. It was insane. It changed our entire lives. Yeah,

1241
00:54:27,280 --> 00:54:28,640
Speaker 1: and we haven't been in since.

1242
00:54:28,680 --> 00:54:30,400
Speaker 2: No, I don't think we ever will we barely have

1243
00:54:30,440 --> 00:54:32,239
Speaker 2: pre check, and by barely, I mean we don't have

1244
00:54:32,320 --> 00:54:33,680
Speaker 2: pre check, and you know.

1245
00:54:33,760 --> 00:54:37,200
Speaker 3: My credit card pays for the pre check, so it's

1246
00:54:37,239 --> 00:54:38,520
Speaker 3: I don't even know how much it it's like one

1247
00:54:38,560 --> 00:54:42,319
Speaker 3: hundred dollars or seventy five dollars for five years or something. Dad, Yeah, no,

1248
00:54:42,560 --> 00:54:45,719
Speaker 3: it doesn't even We're just you guys got this all this.

1249
00:54:45,920 --> 00:54:48,600
Speaker 3: iHeart radio money, and y'all don't have pre check.

1250
00:54:48,719 --> 00:54:50,359
Speaker 2: So like, okay, so if pre check is that easy

1251
00:54:50,400 --> 00:54:53,600
Speaker 2: and everyone does it, then like why can't everyone just

1252
00:54:53,600 --> 00:54:56,680
Speaker 2: have like where we're gone full circles? It's morally I

1253
00:54:56,719 --> 00:54:58,399
Speaker 2: don't agree with pre check exactly what it is because

1254
00:54:58,400 --> 00:55:00,480
Speaker 2: I'm also like, okay, so they do my prechecking background

1255
00:55:00,520 --> 00:55:03,480
Speaker 2: check on you think about all the biases inherent in

1256
00:55:03,520 --> 00:55:06,480
Speaker 2: that background check. So we are basically like taking advantage

1257
00:55:06,480 --> 00:55:07,399
Speaker 2: of being white men.

1258
00:55:08,120 --> 00:55:12,160
Speaker 1: Well I also feel like okay, so like it's it's

1259
00:55:12,200 --> 00:55:14,520
Speaker 1: like capitalism and it's worst where it's like now we

1260
00:55:14,560 --> 00:55:16,920
Speaker 1: have to create a new system to make being in

1261
00:55:17,000 --> 00:55:19,040
Speaker 1: normal line bad. So you have to pay a little

1262
00:55:19,040 --> 00:55:22,120
Speaker 1: more and like just make normal line good and then

1263
00:55:22,280 --> 00:55:23,839
Speaker 1: we can all take the fly.

1264
00:55:24,120 --> 00:55:26,319
Speaker 3: Normal line got the people with the babies and the

1265
00:55:26,360 --> 00:55:30,239
Speaker 3: strollers and I gotta take my shoes off. Yes, but

1266
00:55:30,320 --> 00:55:31,880
Speaker 3: pre check I don't have to take my shoes off.

1267
00:55:31,920 --> 00:55:33,480
Speaker 3: I'm like, I can leave my hat on. They're not

1268
00:55:33,640 --> 00:55:36,279
Speaker 3: checking my hair for bombs. They don't even touch me.

1269
00:55:36,840 --> 00:55:40,960
Speaker 3: I love that for me. But the regular like everyone's

1270
00:55:41,040 --> 00:55:44,480
Speaker 3: slow and it's their first time flying, and that's the normal.

1271
00:55:44,239 --> 00:55:46,239
Speaker 2: Line for some of the people the first time leaving

1272
00:55:46,280 --> 00:55:50,200
Speaker 2: the house, right, Yeah.

1273
00:55:48,960 --> 00:55:51,600
Speaker 3: The TSA dude is yelling at them. The pre check

1274
00:55:51,680 --> 00:55:54,080
Speaker 3: dude is like, you know, he's he's giving hugs.

1275
00:55:54,280 --> 00:55:58,600
Speaker 2: Okay, so okay. Our producer is saying clear, which is

1276
00:55:58,640 --> 00:56:00,319
Speaker 2: the thing that they and actually think, thank you for

1277
00:56:00,320 --> 00:56:02,160
Speaker 2: pointing that out. So clear is the thing that they

1278
00:56:02,200 --> 00:56:03,920
Speaker 2: advertise when you're at the airport and you're like you

1279
00:56:03,960 --> 00:56:06,920
Speaker 2: can do this now. Yeah, but what's the like that

1280
00:56:07,080 --> 00:56:08,160
Speaker 2: to me is neoliberal.

1281
00:56:08,280 --> 00:56:11,279
Speaker 3: It feels like too many things.

1282
00:56:11,120 --> 00:56:12,719
Speaker 2: It's like a privatized thing.

1283
00:56:13,120 --> 00:56:14,200
Speaker 1: Oh, it's what I'm complaining.

1284
00:56:14,280 --> 00:56:17,960
Speaker 2: It's exactly. Yes, pre check is government funded and therefore

1285
00:56:18,000 --> 00:56:23,480
Speaker 2: socialists clear privatized. It's also it's very much like I'm sorry,

1286
00:56:23,520 --> 00:56:25,759
Speaker 2: but I can smell a scam. Like I'm like, you're

1287
00:56:25,760 --> 00:56:27,000
Speaker 2: telling me all I have to do right now is

1288
00:56:27,040 --> 00:56:29,200
Speaker 2: sign something on an iPad and then I pass. I

1289
00:56:29,239 --> 00:56:31,400
Speaker 2: know I'm going to be charged one thousand dollars in

1290
00:56:31,440 --> 00:56:33,719
Speaker 2: two years and not notice it until like two months later.

1291
00:56:33,840 --> 00:56:36,600
Speaker 3: Yeah. Yeah, you're literally signing away your firstborn child. But

1292
00:56:37,200 --> 00:56:39,840
Speaker 3: Clear is not in all the airports. TSA is in

1293
00:56:39,880 --> 00:56:43,879
Speaker 3: all the airports in the United States. So why would

1294
00:56:43,920 --> 00:56:44,399
Speaker 3: I get CLEAR?

1295
00:56:45,280 --> 00:56:45,480
Speaker 2: Right?

1296
00:56:45,560 --> 00:56:45,680
Speaker 3: Well?

1297
00:56:45,680 --> 00:56:47,480
Speaker 2: I think the thing with clear is that it's faster.

1298
00:56:47,840 --> 00:56:49,560
Speaker 2: Oh God, people are gonna write it and I'm gonna

1299
00:56:49,560 --> 00:56:51,600
Speaker 2: be wrong. Oh, but you can do clear like on

1300
00:56:51,640 --> 00:56:54,080
Speaker 2: the spot. Is the thing like pre check, you like

1301
00:56:54,200 --> 00:56:57,040
Speaker 2: apply online? Clear is like you're there, you're running late,

1302
00:56:57,040 --> 00:56:58,440
Speaker 2: They'll take a photo of you, put you in an

1303
00:56:58,480 --> 00:57:00,719
Speaker 2: iPad and you're good to go. You're in bank. Baby.

1304
00:57:00,880 --> 00:57:02,400
Speaker 3: How do we feel about global entry?

1305
00:57:02,960 --> 00:57:05,319
Speaker 2: Well, so that is to me, that is the one

1306
00:57:05,320 --> 00:57:06,080
Speaker 2: to get right.

1307
00:57:06,840 --> 00:57:10,479
Speaker 3: What's how different that I should have got that because

1308
00:57:10,719 --> 00:57:11,319
Speaker 3: that was both.

1309
00:57:11,400 --> 00:57:14,480
Speaker 2: It's it's both to me global entry. I mean at

1310
00:57:14,480 --> 00:57:18,200
Speaker 2: that point, you are a global ambassador for Praduct and

1311
00:57:18,240 --> 00:57:19,640
Speaker 2: you are going to Florence.

1312
00:57:19,720 --> 00:57:22,840
Speaker 3: When I hear global entry, I think Angelina Joli, Yes,

1313
00:57:23,160 --> 00:57:24,000
Speaker 3: I'm an ambassador.

1314
00:57:24,080 --> 00:57:26,480
Speaker 2: If you are doing global entry, you're doing humanitarian work

1315
00:57:26,480 --> 00:57:29,600
Speaker 2: for UNICEF daily, right, and multiple people's lives have been

1316
00:57:29,640 --> 00:57:30,960
Speaker 2: saved because of your work.

1317
00:57:31,040 --> 00:57:34,760
Speaker 3: Global entry means I'm adopting a child from every continent.

1318
00:57:34,680 --> 00:57:36,240
Speaker 1: Yeah, and visiting them further.

1319
00:57:36,680 --> 00:57:39,280
Speaker 2: You're not bringing them home, No, you're just visiting.

1320
00:57:38,800 --> 00:57:41,840
Speaker 1: They can't meet each other.

1321
00:57:42,520 --> 00:57:47,280
Speaker 3: Cell Us my Cambodian son, that's your French daughter.

1322
00:57:49,000 --> 00:57:55,520
Speaker 2: Yeah, you're like it's like yeah, wow, okay, So global

1323
00:57:55,640 --> 00:57:57,600
Speaker 2: entry is if you're a humanitarian t SA. Pre check

1324
00:57:57,680 --> 00:57:59,439
Speaker 2: is if you're sort of like an upper upper middle

1325
00:57:59,440 --> 00:58:05,720
Speaker 2: class comedia. Yes, and clear is and clear as if

1326
00:58:05,760 --> 00:58:12,680
Speaker 2: you are hmmmm to me, clear is you would join

1327
00:58:12,720 --> 00:58:13,280
Speaker 2: an MLM?

1328
00:58:13,360 --> 00:58:15,240
Speaker 1: What if it's clear as like you're twenty three and

1329
00:58:15,360 --> 00:58:17,480
Speaker 1: work in finance and make three hundred thousand dollars.

1330
00:58:17,320 --> 00:58:19,120
Speaker 2: A year and so it doesn't matter. Yeah, and you're

1331
00:58:19,120 --> 00:58:21,120
Speaker 2: just like whatever, and you're actually like two, you would

1332
00:58:21,160 --> 00:58:23,040
Speaker 2: never like go through the motions of actually applying for

1333
00:58:23,080 --> 00:58:24,680
Speaker 2: pre check where you're like whatever, I'll pay.

1334
00:58:24,760 --> 00:58:26,880
Speaker 1: Yeah, and you're like going to a bachelor party in

1335
00:58:27,000 --> 00:58:30,600
Speaker 1: Arizona when you sign up. Yeah, yeah, clear, that's clear.

1336
00:58:31,040 --> 00:58:31,280
Speaker 3: Clear.

1337
00:58:32,440 --> 00:58:34,160
Speaker 1: A lot of people will sign up because of that. Yeah,

1338
00:58:34,160 --> 00:58:37,320
Speaker 1: there should be a little whale on it, a little

1339
00:58:37,320 --> 00:58:39,000
Speaker 1: embroidered whale on your clear card.

1340
00:58:39,120 --> 00:58:40,680
Speaker 3: Yes, yes, is there a card?

1341
00:58:40,960 --> 00:58:44,360
Speaker 1: There should be is a card. I mean, if they

1342
00:58:44,360 --> 00:58:47,680
Speaker 1: want to start branding, it's time. Maybe a clear belt.

1343
00:58:48,120 --> 00:58:49,880
Speaker 2: Oh, a clear belt, yeah, I would love that.

1344
00:58:50,080 --> 00:58:52,600
Speaker 3: It's a clear neck pillow, a clear neck note. It's

1345
00:58:52,600 --> 00:58:57,080
Speaker 3: a yeah, which is also a scam oh oh one.

1346
00:58:57,640 --> 00:59:00,560
Speaker 2: Also dirty, dirty, dirty. When I see people walking around

1347
00:59:00,720 --> 00:59:03,400
Speaker 2: carrying neck pillows and they're just like bumping, they're at

1348
00:59:03,400 --> 00:59:05,280
Speaker 2: the urinal, they're bumping around the bathroom and then they

1349
00:59:05,280 --> 00:59:05,840
Speaker 2: go to the bath.

1350
00:59:06,360 --> 00:59:09,320
Speaker 3: People who bring their pillow on the flight, what is this?

1351
00:59:10,320 --> 00:59:12,640
Speaker 2: They do not have pre check. I'll tell you that. Yeah,

1352
00:59:12,680 --> 00:59:16,120
Speaker 2: they are putting the pillow through the TSA to check machine.

1353
00:59:15,840 --> 00:59:19,240
Speaker 3: They got bed bugs. That's how the French bedbugs got here.

1354
00:59:19,720 --> 00:59:21,040
Speaker 2: Yeah, that's pillow people.

1355
00:59:21,840 --> 00:59:24,320
Speaker 1: That's dirty pillow people.

1356
00:59:26,120 --> 00:59:29,120
Speaker 2: Yeah. The way people treat planes as their bedrooms. Like

1357
00:59:29,160 --> 00:59:32,560
Speaker 2: you see people in full on pajamas, yes, and like slippers.

1358
00:59:32,680 --> 00:59:33,000
Speaker 1: Yes.

1359
00:59:34,240 --> 00:59:38,280
Speaker 3: A plane is just a train in the sky, and

1360
00:59:38,320 --> 00:59:39,320
Speaker 3: a train is dirty.

1361
00:59:40,200 --> 00:59:40,439
Speaker 2: Yeah.

1362
00:59:40,800 --> 00:59:44,160
Speaker 1: Well the train is just a bus on rails, and

1363
00:59:44,200 --> 00:59:45,400
Speaker 1: a bus is dirty.

1364
00:59:45,120 --> 00:59:47,400
Speaker 3: And a bus is dirty. Well, a bus is the dirtiest. Well,

1365
00:59:48,120 --> 00:59:50,200
Speaker 3: I don't know. If I'm ranking them, I'm gonna say train,

1366
00:59:50,320 --> 00:59:55,440
Speaker 3: bus plane. In terms of dirtiness, train is the dirtiest.

1367
00:59:55,360 --> 00:59:57,439
Speaker 1: You know what, speaking of being on timers is being late.

1368
00:59:57,560 --> 00:59:57,800
Speaker 2: Yeah.

1369
00:59:57,920 --> 01:00:00,640
Speaker 1: I love a train because and a bust because you

1370
01:00:00,680 --> 01:00:02,480
Speaker 1: can be a little late and it's like, who cares.

1371
01:00:02,680 --> 01:00:04,800
Speaker 2: I actually hate a bus because you never know what's traffic.

1372
01:00:05,320 --> 01:00:06,920
Speaker 1: Well, of course I hate that element.

1373
01:00:06,960 --> 01:00:10,200
Speaker 2: But on time a train is magic.

1374
01:00:10,520 --> 01:00:12,600
Speaker 3: Oh of course, yeah, magic school train.

1375
01:00:12,480 --> 01:00:14,920
Speaker 2: Magic school train. The famous book, the famous that's what

1376
01:00:14,960 --> 01:00:17,400
Speaker 2: your friend was reading at the club the other day. Yeah,

1377
01:00:17,400 --> 01:00:19,000
Speaker 2: I loves a fantasy sci fi novel.

1378
01:00:19,160 --> 01:00:23,600
Speaker 3: Yeah, yeah, I don't know. I used to hate the bus.

1379
01:00:23,640 --> 01:00:25,160
Speaker 3: I used to make fun of it. During the pandemic,

1380
01:00:25,240 --> 01:00:27,680
Speaker 3: I didn't take the train for a whole year, and

1381
01:00:27,880 --> 01:00:30,200
Speaker 3: the bus became my friend. They got Wi Fi on

1382
01:00:30,240 --> 01:00:31,080
Speaker 3: the trains, I mean on.

1383
01:00:31,040 --> 01:00:32,520
Speaker 1: The bus they do.

1384
01:00:32,920 --> 01:00:36,120
Speaker 3: Yeah, they're doing really well on those big big window

1385
01:00:36,200 --> 01:00:40,640
Speaker 3: bus you could charge your phone. You know, we're one

1386
01:00:40,640 --> 01:00:43,280
Speaker 3: step away from getting the OX on the bus. Damn,

1387
01:00:44,040 --> 01:00:46,800
Speaker 3: we're one degree away from can I play this?

1388
01:00:47,240 --> 01:00:47,560
Speaker 2: Wait?

1389
01:00:47,680 --> 01:00:49,600
Speaker 1: Why did you write off trains? But we're down to

1390
01:00:49,640 --> 01:00:50,600
Speaker 1: go on the bus.

1391
01:00:50,440 --> 01:00:53,880
Speaker 3: Because I live where my apartment is there's like three

1392
01:00:54,080 --> 01:00:58,080
Speaker 3: bus stops like directly like close to me and the train.

1393
01:00:58,120 --> 01:00:59,840
Speaker 3: I just was like, you know, the rats down here,

1394
01:01:00,080 --> 01:01:01,320
Speaker 3: you know, I don't want to get you.

1395
01:01:01,560 --> 01:01:03,400
Speaker 2: That is true that with the train you're going underground

1396
01:01:03,480 --> 01:01:04,520
Speaker 2: and that can be difficult.

1397
01:01:04,600 --> 01:01:07,200
Speaker 3: It just felt like COVID was born down.

1398
01:01:06,960 --> 01:01:09,640
Speaker 2: Here, yeah, whereas no one above ground had it.

1399
01:01:09,760 --> 01:01:11,720
Speaker 1: Now it's an underground people.

1400
01:01:11,480 --> 01:01:16,640
Speaker 2: Problem or around people problem. It's like parasite exactly exactly.

1401
01:01:16,760 --> 01:01:19,720
Speaker 3: So I was on the bus like like I was,

1402
01:01:19,720 --> 01:01:21,520
Speaker 3: I felt like I was in a in a rom com.

1403
01:01:21,640 --> 01:01:24,600
Speaker 2: Well, I love rebranding the bus as elite.

1404
01:01:25,040 --> 01:01:26,880
Speaker 1: Yeah, I mean honestly, you're selling it in the way

1405
01:01:26,880 --> 01:01:29,000
Speaker 1: that I did not know what's possible. You are a

1406
01:01:29,040 --> 01:01:32,880
Speaker 1: bus brand ambassador, you.

1407
01:01:32,840 --> 01:01:34,040
Speaker 2: Have global entry for buses.

1408
01:01:34,240 --> 01:01:37,880
Speaker 3: Yeah yeah, and you just tap your phone.

1409
01:01:38,120 --> 01:01:38,520
Speaker 1: Wow.

1410
01:01:38,560 --> 01:01:43,240
Speaker 2: Wow, Well Marie, any final thoughts on being on time

1411
01:01:43,360 --> 01:01:44,320
Speaker 2: as a straight topic.

1412
01:01:46,560 --> 01:01:48,440
Speaker 3: As a straight topic, do what happen? I really thought

1413
01:01:48,480 --> 01:01:52,200
Speaker 3: about this on the train when I was on time. No,

1414
01:01:52,320 --> 01:01:55,080
Speaker 3: I don't know. It's it's straight, but it's also like

1415
01:01:55,240 --> 01:01:56,920
Speaker 3: male versus female, you know, like.

1416
01:01:57,080 --> 01:01:59,880
Speaker 2: You think on time is more to me, it's more

1417
01:02:00,160 --> 01:02:00,920
Speaker 2: female coded.

1418
01:02:01,120 --> 01:02:03,520
Speaker 1: Oh really, I think it's the absolutely.

1419
01:02:03,600 --> 01:02:03,800
Speaker 3: Yeah.

1420
01:02:03,920 --> 01:02:04,920
Speaker 1: Yeah. Yeah.

1421
01:02:05,080 --> 01:02:09,440
Speaker 2: To me, it's like blazer woman. She's rad lean in

1422
01:02:10,120 --> 01:02:13,280
Speaker 2: and she's like, you got to show up your full

1423
01:02:13,280 --> 01:02:14,520
Speaker 2: authentic self on time.

1424
01:02:16,040 --> 01:02:17,480
Speaker 1: No, I don't see it.

1425
01:02:17,520 --> 01:02:19,040
Speaker 2: You don't think Cheryl Sandberg is on time.

1426
01:02:19,760 --> 01:02:20,480
Speaker 1: I don't see it.

1427
01:02:20,600 --> 01:02:24,000
Speaker 3: Okay, yeah, because well because my dad was the one

1428
01:02:24,000 --> 01:02:26,400
Speaker 3: that was always on time. Yeah, he's the one wearing

1429
01:02:26,400 --> 01:02:28,440
Speaker 3: the blazer. He's the one that's ironing his shirt. He's

1430
01:02:28,480 --> 01:02:30,440
Speaker 3: showing up a little bit before.

1431
01:02:30,560 --> 01:02:31,560
Speaker 1: Yeah, my mom.

1432
01:02:31,840 --> 01:02:34,800
Speaker 3: All the clocks in my house ten minutes fast. My

1433
01:02:34,880 --> 01:02:36,600
Speaker 3: mom is showing up twenty minutes late.

1434
01:02:36,840 --> 01:02:39,880
Speaker 1: Yeah. The trope is like the man waiting downstairs being

1435
01:02:39,920 --> 01:02:40,520
Speaker 1: like when.

1436
01:02:41,480 --> 01:02:44,080
Speaker 3: That's a good yeah okay, yeah yeah right, and we're

1437
01:02:44,120 --> 01:02:46,280
Speaker 3: running out like remember, I don't know if you guys

1438
01:02:46,360 --> 01:02:50,000
Speaker 3: had like school concerts as kids, were like your family

1439
01:02:50,000 --> 01:02:52,840
Speaker 3: would come and you'd be playing your instrument or whatever. Yes,

1440
01:02:53,240 --> 01:02:56,080
Speaker 3: uh yeah, me and my clarinet. If my mom was

1441
01:02:56,120 --> 01:03:00,040
Speaker 3: taking me, we were laid every single concept. If my

1442
01:03:00,120 --> 01:03:02,040
Speaker 3: dad was taking me, I was there the day before.

1443
01:03:02,240 --> 01:03:04,520
Speaker 1: As a child. Were you chill about that like I was?

1444
01:03:04,640 --> 01:03:06,680
Speaker 1: I would freak out when we're running late to something

1445
01:03:06,840 --> 01:03:07,440
Speaker 1: as a child.

1446
01:03:08,000 --> 01:03:09,360
Speaker 3: I knew if I was going to be with my mom,

1447
01:03:09,400 --> 01:03:11,120
Speaker 3: I was going to be late. So that just is

1448
01:03:11,160 --> 01:03:12,880
Speaker 3: what it was. And if I was going to be

1449
01:03:12,880 --> 01:03:14,360
Speaker 3: with my dad, I was going to be early, and

1450
01:03:14,560 --> 01:03:16,000
Speaker 3: I hated that.

1451
01:03:16,080 --> 01:03:19,240
Speaker 2: Okay, okay, so here comes the systemic critique and get ready,

1452
01:03:19,320 --> 01:03:24,240
Speaker 2: oh thank god. Women are forced to spend more time

1453
01:03:24,240 --> 01:03:26,200
Speaker 2: on their appearance or forced.

1454
01:03:26,600 --> 01:03:29,520
Speaker 3: You can show up ugly if you want, but.

1455
01:03:29,520 --> 01:03:31,800
Speaker 2: Then you will be punished by society.

1456
01:03:31,920 --> 01:03:33,760
Speaker 3: Well do you want a free drink or not? I

1457
01:03:33,760 --> 01:03:35,560
Speaker 3: am saying, do you want the good table or not?

1458
01:03:35,760 --> 01:03:36,320
Speaker 1: In order for.

1459
01:03:36,280 --> 01:03:38,920
Speaker 2: Women to just be to just be able to be

1460
01:03:39,040 --> 01:03:41,040
Speaker 2: seen as a normal woman by the May Treaty, they

1461
01:03:41,040 --> 01:03:43,600
Speaker 2: have to spend approximately fourteen hours on their appearance. Men

1462
01:03:43,680 --> 01:03:46,040
Speaker 2: don't have to do that. But then being on time

1463
01:03:46,120 --> 01:03:48,600
Speaker 2: is privileged over being late. So women are being set

1464
01:03:48,680 --> 01:03:50,600
Speaker 2: up for failure. They have to be late in order

1465
01:03:50,640 --> 01:03:54,880
Speaker 2: to be seen as human by the government federally, and

1466
01:03:55,360 --> 01:03:57,960
Speaker 2: men are rewarded for putting in less effort. Do you

1467
01:03:58,040 --> 01:03:58,520
Speaker 2: know what I mean?

1468
01:03:58,600 --> 01:03:59,080
Speaker 1: Of course?

1469
01:03:59,360 --> 01:04:01,600
Speaker 3: Yeah, journey, a journey you took us on.

1470
01:04:02,720 --> 01:04:05,800
Speaker 1: I mean, I have nothing to say but co sign.

1471
01:04:06,320 --> 01:04:08,160
Speaker 2: All right, Well we reached a bipartisan deal.

1472
01:04:08,440 --> 01:04:10,720
Speaker 3: All I'm gonna say is pretty girls are never on time,

1473
01:04:10,920 --> 01:04:12,440
Speaker 3: so you know, and there you.

1474
01:04:12,440 --> 01:04:13,280
Speaker 2: Go and there you go.

1475
01:04:13,440 --> 01:04:16,160
Speaker 1: I mean that really will change a lot.

1476
01:04:17,120 --> 01:04:19,640
Speaker 3: Never on time is big because I know it's somebody

1477
01:04:19,680 --> 01:04:22,000
Speaker 3: listening to this right now. That's like I'm always on time?

1478
01:04:22,120 --> 01:04:25,280
Speaker 3: Am I ugly? And you know you got to look within?

1479
01:04:25,480 --> 01:04:30,760
Speaker 2: You certainly don't or without. Maybe you've been doing a

1480
01:04:30,840 --> 01:04:33,280
Speaker 2: little too much looking within and you need to apply

1481
01:04:33,400 --> 01:04:34,880
Speaker 2: some some lip liner.

1482
01:04:35,200 --> 01:04:45,880
Speaker 1: Right yeah. Being late also and not apologizing what a sleigh? Yeah?

1483
01:04:46,040 --> 01:04:48,360
Speaker 3: Or you come in being late and walking in with

1484
01:04:48,400 --> 01:04:53,080
Speaker 3: the sorry like you're like you're like your is behind you,

1485
01:04:53,400 --> 01:04:54,240
Speaker 3: there's a breaze.

1486
01:04:54,440 --> 01:04:57,080
Speaker 2: You're like literally like accidentally slapping the matredation.

1487
01:04:57,880 --> 01:05:01,400
Speaker 3: I feel like Vanessa Williams in Ugly Betty Yeah, or

1488
01:05:02,600 --> 01:05:04,680
Speaker 3: Meryl Streep Devil Wars Product when you can come in

1489
01:05:04,680 --> 01:05:07,000
Speaker 3: and drunk a bag. Yeah, that's how I feel when

1490
01:05:07,000 --> 01:05:07,400
Speaker 3: I'm late.

1491
01:05:07,680 --> 01:05:08,640
Speaker 2: Wow, I'm not even.

1492
01:05:08,520 --> 01:05:12,640
Speaker 3: A sorry trains yeah, plane.

1493
01:05:12,880 --> 01:05:14,680
Speaker 1: I mean that is glamorous. I'm all in.

1494
01:05:15,240 --> 01:05:16,959
Speaker 2: Yeah. The maitre d is like, so are you looking

1495
01:05:16,960 --> 01:05:19,880
Speaker 2: for your Like, shut the fuck up, I know where

1496
01:05:19,880 --> 01:05:20,200
Speaker 2: they are.

1497
01:05:20,400 --> 01:05:22,600
Speaker 3: Yeah. But the thing about me and being late is

1498
01:05:22,760 --> 01:05:27,480
Speaker 3: if I'm running late sometimes I'm like, Wow, this outfit

1499
01:05:27,680 --> 01:05:30,120
Speaker 3: is not good enough for me to be running late.

1500
01:05:30,240 --> 01:05:32,680
Speaker 3: So now I have to change into a Marie better

1501
01:05:32,840 --> 01:05:36,480
Speaker 3: fit so that when I get there, people are like, oh,

1502
01:05:36,560 --> 01:05:38,360
Speaker 3: oh that's why, well you look great.

1503
01:05:38,440 --> 01:05:40,040
Speaker 2: Well it's like walking in with a coffee to a

1504
01:05:40,080 --> 01:05:40,600
Speaker 2: work meeting or.

1505
01:05:40,720 --> 01:05:44,280
Speaker 1: Oh my god, right, you do have to Yeah, it's like,

1506
01:05:44,320 --> 01:05:45,920
Speaker 1: if you're going to be late, you have to serve,

1507
01:05:46,200 --> 01:05:47,880
Speaker 1: you have to really be presenting.

1508
01:05:48,160 --> 01:05:51,160
Speaker 3: So now I'm later because I changed my clothes. So

1509
01:05:51,400 --> 01:05:53,520
Speaker 3: it's like what came first, but chicken or the late

1510
01:05:53,640 --> 01:05:54,160
Speaker 3: black beach.

1511
01:05:54,560 --> 01:05:58,440
Speaker 2: But it's but at some point you get if you're

1512
01:05:58,480 --> 01:06:00,520
Speaker 2: twenty five minutes late, well you might have forty five

1513
01:06:00,560 --> 01:06:01,000
Speaker 2: minutes late.

1514
01:06:01,200 --> 01:06:04,320
Speaker 3: I mean sometimes that's how I feel like. I'm like,

1515
01:06:04,320 --> 01:06:08,360
Speaker 3: it's twenty five, what's another thirty? I could be ten

1516
01:06:08,400 --> 01:06:11,080
Speaker 3: more minutes late? But now I gotta look great, So

1517
01:06:11,120 --> 01:06:13,760
Speaker 3: I'm like I'm stressed.

1518
01:06:13,960 --> 01:06:14,280
Speaker 2: Yeah.

1519
01:06:14,360 --> 01:06:18,360
Speaker 1: Yeah, that is a tough little algorithm you have to

1520
01:06:18,360 --> 01:06:18,840
Speaker 1: figure out.

1521
01:06:18,920 --> 01:06:22,200
Speaker 2: Well, you're basically a mathematician at that point of course. Engineering.

1522
01:06:22,280 --> 01:06:27,200
Speaker 3: I got I have a pin with it, and I'm like, well,

1523
01:06:27,240 --> 01:06:29,640
Speaker 3: if I wear this with this, my turny's got to

1524
01:06:29,640 --> 01:06:30,600
Speaker 3: look like this for me.

1525
01:06:30,600 --> 01:06:33,400
Speaker 2: To be this like, yeah, and it's ten forty five.

1526
01:06:33,920 --> 01:06:36,840
Speaker 3: And now and now Sam's been there.

1527
01:06:36,280 --> 01:06:37,240
Speaker 2: Free Dinners already.

1528
01:06:46,080 --> 01:06:48,800
Speaker 1: Well, should we do our final segment? I think we must, Okay,

1529
01:06:48,800 --> 01:06:50,480
Speaker 1: if I have what I'm trying to do, Marie. Our

1530
01:06:50,520 --> 01:06:52,920
Speaker 1: final segment is called shout Outs, and in this segment

1531
01:06:52,960 --> 01:06:55,560
Speaker 1: we pay homage to the grand straight oral tradition of

1532
01:06:55,600 --> 01:06:57,800
Speaker 1: the radio shout out and give a shout out to

1533
01:06:57,880 --> 01:07:01,240
Speaker 1: anything that we enjoy. So imagine, you know, it's TRL

1534
01:07:01,320 --> 01:07:02,720
Speaker 1: in two thousand and one. You're shouting out to your

1535
01:07:02,720 --> 01:07:06,160
Speaker 1: squad back home, but about anything that you like, and

1536
01:07:06,400 --> 01:07:08,760
Speaker 1: we are anything at all. It can just be anything

1537
01:07:08,800 --> 01:07:11,520
Speaker 1: you like, and we make it up on the spot.

1538
01:07:11,920 --> 01:07:13,760
Speaker 2: Yeah, we always, we always think of it.

1539
01:07:13,680 --> 01:07:15,240
Speaker 1: On George, Do you have one?

1540
01:07:15,440 --> 01:07:18,880
Speaker 2: I can do one? It's I can do it. Okay, Okay,

1541
01:07:20,440 --> 01:07:24,800
Speaker 2: all right, okay, what's up everyone out there in both

1542
01:07:24,840 --> 01:07:28,600
Speaker 2: the urban, suburban and rural world of the United these

1543
01:07:28,720 --> 01:07:30,800
Speaker 2: United States of America. I want to give a shout

1544
01:07:30,800 --> 01:07:35,080
Speaker 2: out to this TV series Fraser. I have resisted getting

1545
01:07:35,080 --> 01:07:39,080
Speaker 2: into Fraser for my entire life because it seemed honestly Republican.

1546
01:07:39,160 --> 01:07:41,600
Speaker 2: And that's only because Kelsey Grammer is a Republican of course.

1547
01:07:41,640 --> 01:07:43,640
Speaker 2: Come to find out, it is a show written by

1548
01:07:43,680 --> 01:07:46,920
Speaker 2: literally all gay men, and it is about gay people,

1549
01:07:47,000 --> 01:07:49,800
Speaker 2: both men and women. In fact, Fraser is gay, Niles

1550
01:07:49,920 --> 01:07:51,520
Speaker 2: is gay, the dad is gay in real life. Look

1551
01:07:51,560 --> 01:07:55,480
Speaker 2: it up. Roz is actually like a lesbian who is

1552
01:07:55,520 --> 01:07:57,320
Speaker 2: so insecure about being a lesbian that she is a

1553
01:07:57,320 --> 01:08:00,760
Speaker 2: promiscuous straight woman and that is really interesting and difficult.

1554
01:08:01,240 --> 01:08:03,800
Speaker 2: And then the other woman is British, so you never know,

1555
01:08:04,160 --> 01:08:07,440
Speaker 2: and so I and and it is the most soothing,

1556
01:08:08,000 --> 01:08:11,040
Speaker 2: I mean truly the most soothing show you can watch.

1557
01:08:11,120 --> 01:08:13,360
Speaker 2: I have. I could watch fourteen episodes in a row.

1558
01:08:13,680 --> 01:08:15,560
Speaker 2: It is some of the best comedic g acting I've

1559
01:08:15,600 --> 01:08:19,080
Speaker 2: ever seen. I think I think David Hydepiers should have

1560
01:08:19,080 --> 01:08:23,160
Speaker 2: an egot. I have no idea what how the reboot is,

1561
01:08:23,200 --> 01:08:27,960
Speaker 2: but you know, you're probably not good. And so yeah,

1562
01:08:28,040 --> 01:08:30,679
Speaker 2: I really really encourage everyone out there to go out

1563
01:08:30,760 --> 01:08:35,200
Speaker 2: and find Frasier on Hulu dot com. Leisure is gay,

1564
01:08:35,760 --> 01:08:39,439
Speaker 2: Well they're not, actually no, none of them are openly gay.

1565
01:08:39,520 --> 01:08:42,400
Speaker 2: Every single person is gay coded in an insane way

1566
01:08:42,439 --> 01:08:45,400
Speaker 2: where you're like, so this is clearly intentional.

1567
01:08:45,720 --> 01:08:47,960
Speaker 1: Well, it does seem like not to be this is

1568
01:08:47,960 --> 01:08:50,040
Speaker 1: not meant to be a ready but it feels like

1569
01:08:50,040 --> 01:08:51,880
Speaker 1: on the nose for you, Like it's like, I know,

1570
01:08:51,920 --> 01:08:54,800
Speaker 1: they're like pretentious people that are also gay and like

1571
01:08:54,920 --> 01:08:57,639
Speaker 1: being like try the try the line.

1572
01:08:58,240 --> 01:09:02,080
Speaker 2: Maybe that's maybe that's me. Maybe that's why.

1573
01:09:02,200 --> 01:09:03,200
Speaker 1: Yeah, maybe that's why.

1574
01:09:03,040 --> 01:09:04,519
Speaker 2: I resisted it my whole life.

1575
01:09:04,680 --> 01:09:07,439
Speaker 3: H yeah, yeah, I see it. I see you watching

1576
01:09:07,439 --> 01:09:09,519
Speaker 3: Fraser like if you had been like Suits, I'd be

1577
01:09:09,600 --> 01:09:10,280
Speaker 3: like suits.

1578
01:09:10,439 --> 01:09:13,600
Speaker 2: Yeah yeah, but Fraser, Well, you know, my shadow is

1579
01:09:13,600 --> 01:09:15,320
Speaker 2: actually gonna be Reno nine on one, but we already

1580
01:09:15,320 --> 01:09:17,599
Speaker 2: mentioned it because I recently rediscovered Rena nine on one

1581
01:09:17,600 --> 01:09:19,639
Speaker 2: and I am laughing my butt. I'll tell you that.

1582
01:09:21,560 --> 01:09:26,679
Speaker 1: Okay, what's up everyone around the globe, from the East

1583
01:09:26,720 --> 01:09:29,559
Speaker 1: coast to the West coast and everywhere in between. I

1584
01:09:29,680 --> 01:09:32,240
Speaker 1: want to give a huge shout out to I mentioned

1585
01:09:32,280 --> 01:09:36,200
Speaker 1: her earlier Chapel roone. You know, gay guys are obsessed

1586
01:09:36,240 --> 01:09:38,120
Speaker 1: with this girl, and I was sort of like, okay,

1587
01:09:38,360 --> 01:09:40,679
Speaker 1: new pop girl. I don't know if I have the time.

1588
01:09:41,120 --> 01:09:44,800
Speaker 1: I'm a busy, busy man. And then I said, why

1589
01:09:44,800 --> 01:09:48,639
Speaker 1: are you being why are you turning to stone? Keep

1590
01:09:48,640 --> 01:09:51,439
Speaker 1: yourself open to new experiences. And I listened to this

1591
01:09:51,560 --> 01:09:55,080
Speaker 1: chica and I am loving it. I said, there is

1592
01:09:55,120 --> 01:09:59,240
Speaker 1: something to it. When gay guys stand something, you don't

1593
01:09:59,240 --> 01:10:01,920
Speaker 1: have to be defensive instantly. Sometimes you can just also

1594
01:10:02,000 --> 01:10:04,360
Speaker 1: stand it because you are also a gay guy. That

1595
01:10:04,400 --> 01:10:07,600
Speaker 1: can be so powerful to not be so unique and

1596
01:10:07,640 --> 01:10:10,639
Speaker 1: in fact be one of the masses. I find her

1597
01:10:10,680 --> 01:10:16,280
Speaker 1: to be funny, interesting, witty even, and it's a combination

1598
01:10:16,360 --> 01:10:19,800
Speaker 1: of things that feels very new. I'm addicted to her

1599
01:10:20,160 --> 01:10:25,799
Speaker 1: and stream her album everywhere. I forget what it's called, something.

1600
01:10:25,560 --> 01:10:28,240
Speaker 2: About Midwest rides and follow the Midwest Princess.

1601
01:10:28,560 --> 01:10:30,799
Speaker 1: Yes, and it's good. Xoxo.

1602
01:10:31,000 --> 01:10:34,040
Speaker 2: Sam. You know I'll tell you this chapelerone to me

1603
01:10:34,320 --> 01:10:36,640
Speaker 2: from the beginning I first started seeing people talking about her,

1604
01:10:36,640 --> 01:10:39,720
Speaker 2: I said, I'm gonna skip this one. It's it's sort

1605
01:10:39,760 --> 01:10:41,200
Speaker 2: of how I felt about Yellow Jackets.

1606
01:10:41,320 --> 01:10:43,599
Speaker 1: I know what you mean. But I really think when

1607
01:10:43,640 --> 01:10:46,439
Speaker 1: you take the plunge, which you inevitably will, you will

1608
01:10:46,520 --> 01:10:50,120
Speaker 1: enjoy it. And that can be hard. Yeah, that can

1609
01:10:50,160 --> 01:10:52,120
Speaker 1: be hard. That can be hard to tell someone, but

1610
01:10:52,640 --> 01:10:54,719
Speaker 1: I think that you will do it and you will

1611
01:10:54,800 --> 01:10:55,080
Speaker 1: like it.

1612
01:10:55,560 --> 01:10:59,120
Speaker 2: Well. Stay tuned, everybody, Wow Marie, whenever you're ready.

1613
01:11:00,160 --> 01:11:04,400
Speaker 3: What's up? Everybody in the world, I know this is interna.

1614
01:11:05,280 --> 01:11:08,080
Speaker 3: I want to give a quick shout out to gossip. Okay,

1615
01:11:08,120 --> 01:11:12,080
Speaker 3: gossip has been a thing since the beginning of things period,

1616
01:11:12,280 --> 01:11:15,519
Speaker 3: and fully, there's no better business than somebody else's business.

1617
01:11:16,360 --> 01:11:19,080
Speaker 3: I love hearing other people's business. I like going to

1618
01:11:19,120 --> 01:11:21,080
Speaker 3: people's houses, sitting where they live. I like put in

1619
01:11:21,080 --> 01:11:22,920
Speaker 3: the address in street easy to see how much they paid,

1620
01:11:22,960 --> 01:11:25,760
Speaker 3: and then telling people what I saw. I just I

1621
01:11:25,840 --> 01:11:29,040
Speaker 3: just love listening to people's Like you were talking about

1622
01:11:29,040 --> 01:11:32,240
Speaker 3: this before, I like, I like it. I'm here for it,

1623
01:11:32,960 --> 01:11:34,800
Speaker 3: and it doesn't have to be like nasty or mean,

1624
01:11:34,880 --> 01:11:37,960
Speaker 3: but sometimes it's fun when it's nasty in me, I'm

1625
01:11:38,000 --> 01:11:41,759
Speaker 3: not like tweeting it, but you know you're friends post

1626
01:11:41,960 --> 01:11:45,000
Speaker 3: I'm sipping the hot ta beach, I'm like. And then

1627
01:11:45,040 --> 01:11:48,759
Speaker 3: he left her like, I love listening to other people's mess,

1628
01:11:48,800 --> 01:11:51,040
Speaker 3: and so gossip, keep doing your thing.

1629
01:11:50,960 --> 01:11:58,760
Speaker 1: Girl, Wow, beautiful gossip. Well, Maria, this has been an

1630
01:11:58,760 --> 01:12:00,360
Speaker 1: absolute like, thank so much for doing it.

1631
01:12:00,280 --> 01:12:02,400
Speaker 2: It took me four years and another five years.

1632
01:12:03,080 --> 01:12:04,360
Speaker 3: It took four years, but we did it.

1633
01:12:04,360 --> 01:12:04,840
Speaker 2: We did it.

1634
01:12:05,360 --> 01:12:07,880
Speaker 1: Next time I'll have a different president maybe.

1635
01:12:07,760 --> 01:12:11,240
Speaker 2: Well hopefully yeah, but also not that one, you know.

1636
01:12:11,640 --> 01:12:13,000
Speaker 1: Yeah, it's complicated.

1637
01:12:13,040 --> 01:12:16,680
Speaker 2: Complicated, it's complicated to say. Our thoughts go out to

1638
01:12:16,720 --> 01:12:22,640
Speaker 2: Kamala Harris Yeah please vote. Bye Bye bye podcast and

1639
01:12:22,840 --> 01:12:26,840
Speaker 2: now want more. Subscribe to our Patreon for two extra

1640
01:12:26,920 --> 01:12:30,400
Speaker 2: episodes a month, discord access and more by heading to

1641
01:12:30,439 --> 01:12:33,240
Speaker 2: patreon dot com. Slash Stradio Lab.

1642
01:12:33,280 --> 01:12:35,880
Speaker 1: And for all our visual learners, free full length video

1643
01:12:35,920 --> 01:12:37,759
Speaker 1: episodes are available on our YouTube.

1644
01:12:38,000 --> 01:12:44,760
Speaker 2: Now get back to work.