1 00:00:00,000 --> 00:00:02,599 Speaker 1: Welcome to the Bonus Hour. This is the one hundred. 2 00:00:02,600 --> 00:00:05,480 Speaker 1: It's a beautiful day for a bonus hour. I mean, 3 00:00:05,559 --> 00:00:07,480 Speaker 1: what would we be doing if we weren't here doing 4 00:00:07,480 --> 00:00:10,760 Speaker 1: the Bonus Hour. We wouldn't be on a be in 5 00:00:10,800 --> 00:00:15,440 Speaker 1: a roof pop bar, you know, as we'll work. But 6 00:00:15,480 --> 00:00:18,079 Speaker 1: it's nice to see the sunshine plowing through the windows. 7 00:00:18,160 --> 00:00:20,840 Speaker 1: Right what's our official leals? Z one hundred forecasts got 8 00:00:20,960 --> 00:00:24,360 Speaker 1: a sunny clear going up to sixty two today, tonight 9 00:00:24,440 --> 00:00:27,360 Speaker 1: down to forty seven, and then tomorrow sunny again, high 10 00:00:27,440 --> 00:00:32,919 Speaker 1: sixty five. Could see a two on Friday. Damn right now, 11 00:00:32,920 --> 00:00:37,160 Speaker 1: it's it will be interesting. Uh, we were talking about 12 00:00:37,200 --> 00:00:39,120 Speaker 1: during the song a second ago here, you know, behind 13 00:00:39,159 --> 00:00:41,159 Speaker 1: the scenes at ZE one hundred, and I was just 14 00:00:41,200 --> 00:00:44,520 Speaker 1: talking about went to a rooftop bar. We're seeing that 15 00:00:45,080 --> 00:00:48,200 Speaker 1: going out and getting cocktails in public could be happening 16 00:00:48,240 --> 00:00:50,640 Speaker 1: sooner than later. Is this true? We we just saw 17 00:00:50,680 --> 00:00:53,960 Speaker 1: this story roll byte right, it looks like it could be. 18 00:00:54,040 --> 00:00:56,840 Speaker 1: Apparently the New York City of Department UM or the 19 00:00:56,880 --> 00:01:00,480 Speaker 1: New York City Department of Transportation is the thinking about 20 00:01:00,600 --> 00:01:03,200 Speaker 1: taking over parts of the streets and sidewalks so that 21 00:01:03,320 --> 00:01:06,520 Speaker 1: restaurants can then space out and still do social distancing 22 00:01:06,760 --> 00:01:10,200 Speaker 1: serving food and drinks. When can we start that like 23 00:01:10,319 --> 00:01:15,840 Speaker 1: this afternoon? I don't know. Good question, all right, all right, 24 00:01:16,280 --> 00:01:17,840 Speaker 1: just a thought, just a thought. If we just do 25 00:01:17,880 --> 00:01:20,240 Speaker 1: it safely, my my, My problem with that is once 26 00:01:20,280 --> 00:01:22,039 Speaker 1: you have a couple of cocktails and you you forgot, 27 00:01:22,360 --> 00:01:27,200 Speaker 1: you forget what safe is safe? Yes, I don't know anyway, Danielle, 28 00:01:27,440 --> 00:01:29,080 Speaker 1: do you want to make a request to start off 29 00:01:29,120 --> 00:01:33,120 Speaker 1: our bonus ho Yes, I'd like to hear the Glamorous 30 00:01:33,160 --> 00:01:36,559 Speaker 1: Life by Furky? Why is that? Why is that? Because 31 00:01:36,840 --> 00:01:40,200 Speaker 1: so universal? Uh? You know, it's one of my places 32 00:01:40,240 --> 00:01:43,920 Speaker 1: in Florida, Universal Orlando and the city Walk Universal city 33 00:01:43,920 --> 00:01:46,479 Speaker 1: Walk is going to start opening up soon limited things, 34 00:01:46,840 --> 00:01:50,600 Speaker 1: so I'm excited about that. Uh. And every time I 35 00:01:50,720 --> 00:01:55,520 Speaker 1: ride Rip Ride Rocket in Universal Orlando, I pick Fergy 36 00:01:55,600 --> 00:01:58,680 Speaker 1: song Glamorous Life as the song to ride to. And 37 00:01:58,720 --> 00:02:00,200 Speaker 1: that's why I thought we should kick it off put 38 00:02:00,200 --> 00:02:03,280 Speaker 1: that today. Wow, Froggy, what someone you usually choose on 39 00:02:03,320 --> 00:02:05,720 Speaker 1: the Rip Ride Rocket? You know what? I choose the 40 00:02:05,760 --> 00:02:08,120 Speaker 1: same song? I love Fergy Glamorous like when we're on 41 00:02:08,160 --> 00:02:11,400 Speaker 1: that ride, it's my favorite. Yes, But what are the 42 00:02:11,400 --> 00:02:14,399 Speaker 1: other choices? Because I choose, choose something else, like there's 43 00:02:14,400 --> 00:02:18,280 Speaker 1: an Imrowsmith song. You can use emotional. That's what I 44 00:02:18,320 --> 00:02:22,240 Speaker 1: always choose. All right, I'm all right, Well no, maybe 45 00:02:22,240 --> 00:02:27,680 Speaker 1: we should start with smoot sweet emotion then instead. Are 46 00:02:27,720 --> 00:02:30,720 Speaker 1: we gonna be ruled by Elvis? No, not at all. 47 00:02:30,800 --> 00:02:33,520 Speaker 1: This is a perfect for you. This is for you. 48 00:02:33,600 --> 00:02:37,360 Speaker 1: Yeah right, this is for you, Danielle. Welcome to the 49 00:02:37,360 --> 00:03:05,520 Speaker 1: boating tower. No day, Oh are you asty and fast 50 00:03:06,440 --> 00:03:11,560 Speaker 1: popping style of the ship pain living my life in 51 00:03:11,760 --> 00:03:16,200 Speaker 1: the first day. I want to change by the flowers 52 00:03:17,000 --> 00:03:22,799 Speaker 1: or flowers about the course. The flowers stand side the 53 00:03:22,880 --> 00:03:32,360 Speaker 1: clamorous flowers. Flowers the course clowns by the flowers, flow 54 00:03:32,760 --> 00:03:36,840 Speaker 1: flowers of bloating dummy rings are them things? Gonna be 55 00:03:36,880 --> 00:03:39,720 Speaker 1: in the fang shop and runs the lamb saying shop 56 00:03:39,720 --> 00:03:43,040 Speaker 1: and all expensive things I'll be on the movie springs, 57 00:03:43,160 --> 00:03:46,640 Speaker 1: magazines and boges scenes. I'm not clean, I'm not pristine, 58 00:03:46,800 --> 00:03:49,400 Speaker 1: I'm no queen, I'm no shame. Has to go to 59 00:03:49,520 --> 00:03:53,360 Speaker 1: Taco Bell drive through ross Hell. I don't care. I'm 60 00:03:53,360 --> 00:03:56,280 Speaker 1: still around no matter how many records I still after 61 00:03:56,320 --> 00:03:58,360 Speaker 1: the show, after the groom is I like to go 62 00:03:58,480 --> 00:04:01,520 Speaker 1: cool out of the family, excepting reminisced some days when 63 00:04:01,560 --> 00:04:13,080 Speaker 1: I had a Mustang in the style. I want to 64 00:04:13,160 --> 00:04:36,120 Speaker 1: change the costs starts the champaigne, we caviyard creaking beans. 65 00:04:36,279 --> 00:04:40,719 Speaker 1: You deserve nothing but off the finals. Now this whole 66 00:04:40,839 --> 00:04:44,320 Speaker 1: world has no clue work to do. It's got enough 67 00:04:44,560 --> 00:04:47,440 Speaker 1: money in the bank, but the do it. So I 68 00:04:47,440 --> 00:04:50,440 Speaker 1: gotta keep enough lettuce to support it. You that it's 69 00:04:50,520 --> 00:04:54,080 Speaker 1: like style, so rich and famous robbin leto get jealous. 70 00:04:54,200 --> 00:04:57,599 Speaker 1: Half a million butter store taking trip from here to roll. 71 00:04:57,800 --> 00:05:00,400 Speaker 1: So if you ain't got no money, take your broke 72 00:05:00,480 --> 00:05:15,040 Speaker 1: broke broke g heyn all you ge hey, all you 73 00:05:16,040 --> 00:05:22,440 Speaker 1: f this class up in the sky, a chapcain living 74 00:05:22,520 --> 00:05:27,000 Speaker 1: the life and the best line. I want to change 75 00:05:27,080 --> 00:05:30,640 Speaker 1: by the powers to fom the flowers and flowers and 76 00:05:30,960 --> 00:05:36,279 Speaker 1: the colorous, the glowing the stubs, by the glamorous from 77 00:05:36,440 --> 00:05:41,560 Speaker 1: the flowers and flowers, and the cantors. The clowns stuns 78 00:05:41,720 --> 00:05:47,280 Speaker 1: by the glows from the flowers and flowers. Back got problems, 79 00:05:47,279 --> 00:05:49,839 Speaker 1: and to hear, I got people broke in marking and 80 00:05:50,000 --> 00:05:53,520 Speaker 1: telling me these crazy things that I don't want your 81 00:05:53,680 --> 00:05:57,200 Speaker 1: ceremony in the bag. And I really like a bank. 82 00:05:57,320 --> 00:05:59,920 Speaker 1: All my fans are like a bank. And you really 83 00:06:04,240 --> 00:06:29,000 Speaker 1: days along industry. Daddy's dad. It's all sad. It's all sad. 84 00:06:31,640 --> 00:06:34,040 Speaker 1: See you one hunder. There you go, Danielle, here's your glamor. 85 00:06:34,200 --> 00:06:37,760 Speaker 1: Thank you Ergy. And the version with Luda Luda Chris 86 00:06:37,800 --> 00:06:40,480 Speaker 1: is in there. You know, I heard. It's so so polite. 87 00:06:40,520 --> 00:06:43,679 Speaker 1: They gave us two versions, the version with Luda Chris 88 00:06:43,680 --> 00:06:47,360 Speaker 1: and the one without Luda Chris. I'm thinking, who does 89 00:06:47,360 --> 00:06:49,839 Speaker 1: that want to hear the version with who? What doesn't 90 00:06:49,839 --> 00:06:51,800 Speaker 1: want to hear Luda? I mean, that doesn't make sense. 91 00:06:52,839 --> 00:06:56,400 Speaker 1: I don't know. Sometimes I just wonder who runs this place? 92 00:06:56,760 --> 00:07:01,640 Speaker 1: I really do. It is the bonus hour. Looking outside, 93 00:07:01,640 --> 00:07:04,040 Speaker 1: it a beautiful, beautiful day. So yeah, when we were 94 00:07:04,040 --> 00:07:08,240 Speaker 1: talking about a second ago, uh, New York City is 95 00:07:08,279 --> 00:07:11,920 Speaker 1: absolutely thinking about turning over part of these streets and 96 00:07:11,960 --> 00:07:14,680 Speaker 1: sidewalks or restaurants can space out and do social distancing. 97 00:07:15,120 --> 00:07:16,600 Speaker 1: And uh, I don't know when we're gonna get a 98 00:07:16,680 --> 00:07:19,960 Speaker 1: ruling on that. I don't but yeah, you know, here's 99 00:07:19,960 --> 00:07:21,800 Speaker 1: the thing. When we hear more and more stories like 100 00:07:21,880 --> 00:07:25,880 Speaker 1: this come out, it makes you think, okay, good, at 101 00:07:25,960 --> 00:07:28,400 Speaker 1: least people were thinking about it and planning on it, 102 00:07:28,480 --> 00:07:32,880 Speaker 1: and there's a future here. Otherwise, if people just say 103 00:07:33,120 --> 00:07:35,000 Speaker 1: until further notice, do not have fun and do not 104 00:07:35,080 --> 00:07:37,160 Speaker 1: live life, I mean, that's really no way to live. 105 00:07:37,560 --> 00:07:42,080 Speaker 1: To have some sort of Also, Broadway shut down has 106 00:07:42,080 --> 00:07:45,600 Speaker 1: been extended through Labor Day, and I get it. You know, 107 00:07:46,240 --> 00:07:48,120 Speaker 1: you know those theaters. I've always had a problem with 108 00:07:48,160 --> 00:07:51,160 Speaker 1: these Broadway theaters because they the seats are so tiny. 109 00:07:51,840 --> 00:07:53,720 Speaker 1: I feel like I'm going back to like my elementary 110 00:07:53,720 --> 00:07:56,400 Speaker 1: school when I am sitting at the desks when I 111 00:07:56,440 --> 00:07:59,760 Speaker 1: go to your theater in there. So anyway, Yeah, scary, 112 00:07:59,760 --> 00:08:01,880 Speaker 1: what's up? No, I was going to add that New 113 00:08:01,960 --> 00:08:04,800 Speaker 1: Jersey might do the same. Again, none of this is 114 00:08:04,920 --> 00:08:07,960 Speaker 1: law yet, but they're gonna they may use the streets 115 00:08:08,000 --> 00:08:12,200 Speaker 1: themselves as pedestrian plazas that the vehicular track traffic would 116 00:08:12,200 --> 00:08:15,720 Speaker 1: be rerouted, and then then the stores could go right 117 00:08:15,800 --> 00:08:17,200 Speaker 1: up to the curb side, right to the lip of 118 00:08:17,240 --> 00:08:19,720 Speaker 1: the curb with their with their outdoor seating. I would 119 00:08:19,720 --> 00:08:23,960 Speaker 1: love to see that. Yeah, absolutely. So, you know we 120 00:08:23,960 --> 00:08:25,880 Speaker 1: were talking, Uncle Jack. You keep with your uncle Johnny 121 00:08:25,880 --> 00:08:28,280 Speaker 1: on the phone straight n I know you don't call 122 00:08:28,360 --> 00:08:30,440 Speaker 1: him on the zoom. That should take a few minutes here. 123 00:08:30,720 --> 00:08:33,920 Speaker 1: You may text him a zoom invitation. Takes him a 124 00:08:34,000 --> 00:08:38,480 Speaker 1: zoom in invitation. Let's see if that works, because he 125 00:08:38,520 --> 00:08:44,439 Speaker 1: called yesterday and I desumes on my ami. Okay, Uncle, 126 00:08:44,720 --> 00:08:51,199 Speaker 1: let's okay, I just sent it to him. Let's see 127 00:08:51,200 --> 00:08:59,360 Speaker 1: if he gets it. Okay, start the timer. Start, we 128 00:08:59,400 --> 00:09:02,160 Speaker 1: have audio and her on. Can we can you put 129 00:09:02,240 --> 00:09:05,280 Speaker 1: him on? Turn his audio on so we'll be ready 130 00:09:05,840 --> 00:09:08,160 Speaker 1: doing Uncle Johnny zooms in, we can have him on. 131 00:09:09,440 --> 00:09:11,320 Speaker 1: I know he's in the apartment. He's not going anywhere, 132 00:09:12,120 --> 00:09:14,280 Speaker 1: but what if he doesn't have his phone nearby? Does 133 00:09:14,320 --> 00:09:18,640 Speaker 1: he check it off? Or he does in his iPad 134 00:09:18,960 --> 00:09:21,360 Speaker 1: and it says red. It says it says red, so 135 00:09:21,400 --> 00:09:31,000 Speaker 1: he has read yeah. Second by another thing to consider it. 136 00:09:31,000 --> 00:09:32,760 Speaker 1: He doesn't have his hair on, so he may not 137 00:09:32,800 --> 00:09:36,680 Speaker 1: want to come on. Why we've all seen him without 138 00:09:36,720 --> 00:09:39,520 Speaker 1: his hair. I know it's like every one while you 139 00:09:39,559 --> 00:09:43,079 Speaker 1: gotta let that squirrel take a nap. Just split it read. 140 00:09:44,320 --> 00:09:46,719 Speaker 1: I do have the computer audio routed and it's live 141 00:09:46,800 --> 00:09:48,400 Speaker 1: on the air. So as soon as he joins, he's 142 00:09:48,400 --> 00:09:52,000 Speaker 1: going to be live. It says red, So he is. 143 00:09:53,480 --> 00:09:59,319 Speaker 1: He's not trying pressing links and just doing who knows 144 00:09:59,360 --> 00:10:01,640 Speaker 1: you can hear it. I bet he ran to put 145 00:10:01,640 --> 00:10:05,640 Speaker 1: his hairpiece on. I bet you do? You think? All right? Okay, 146 00:10:05,800 --> 00:10:08,280 Speaker 1: if we're working on almost two minutes of waiting for 147 00:10:08,360 --> 00:10:12,680 Speaker 1: Uncle Johnny to come on, are you sure he knows 148 00:10:12,800 --> 00:10:17,440 Speaker 1: what he's supposed to like? Daniel says, She says it 149 00:10:17,520 --> 00:10:24,000 Speaker 1: says zoom. He just doesn't know what you mean. You know, 150 00:10:24,080 --> 00:10:29,120 Speaker 1: Uncle Johnny goes into zoom rooms all the time we're 151 00:10:29,160 --> 00:10:34,480 Speaker 1: waiting for Uncle Johnny. He knows how to do it. 152 00:10:35,760 --> 00:10:43,200 Speaker 1: We've seen him do it. Uncle Johnny. Right now, Johnny 153 00:10:43,240 --> 00:10:46,360 Speaker 1: is going to know how to use technology. It comes. 154 00:10:46,640 --> 00:10:53,520 Speaker 1: How long does this music go? Just out of curiosity? Okay? 155 00:10:54,640 --> 00:11:00,840 Speaker 1: A problem is can you call him on the house phone? 156 00:11:01,920 --> 00:11:05,719 Speaker 1: I don't have that number. Every day we try to 157 00:11:05,760 --> 00:11:09,280 Speaker 1: connect with him. He just he he just can't figure 158 00:11:09,280 --> 00:11:13,320 Speaker 1: it out. I love it. It makes me so happy. 159 00:11:13,320 --> 00:11:20,240 Speaker 1: It's so pure bar Corker. And we've had Hayley Steinfeld. 160 00:11:20,240 --> 00:11:22,480 Speaker 1: I know we're gonna have Katie Perry on Friday, and 161 00:11:22,520 --> 00:11:24,840 Speaker 1: we're having all these people in the room rooms, but 162 00:11:24,880 --> 00:11:29,600 Speaker 1: Uncle Johnny out and we got Uncle Johnny. How Johnny, 163 00:11:30,280 --> 00:11:32,439 Speaker 1: we're trying to zoom room? You how come, you're not 164 00:11:32,559 --> 00:11:36,080 Speaker 1: coming on Zoom? I got something on my phone and 165 00:11:36,120 --> 00:11:39,040 Speaker 1: then it says that I could be junk mayo, don't 166 00:11:39,040 --> 00:11:44,480 Speaker 1: not touch And then I went on and I'm I'm 167 00:11:44,520 --> 00:11:46,640 Speaker 1: gonna try to get to figure out out how to 168 00:11:46,679 --> 00:11:51,520 Speaker 1: work this. Somebody count media. You go on zoom every 169 00:11:51,600 --> 00:11:53,719 Speaker 1: day with your friends? How come it's different from us? 170 00:11:54,080 --> 00:11:57,480 Speaker 1: Because they call me and and it connects to my 171 00:11:57,600 --> 00:12:01,200 Speaker 1: iPad and they say press here, and I press it 172 00:12:01,280 --> 00:12:03,520 Speaker 1: and then all of a sudden that comes up just 173 00:12:03,600 --> 00:12:08,080 Speaker 1: what we just did. Yeah, how did you send it 174 00:12:08,120 --> 00:12:12,079 Speaker 1: to him? All right? Who's Alex Carr? Is calling me? Now? 175 00:12:15,000 --> 00:12:20,440 Speaker 1: Every time we're on the phone, Alex, you on? I 176 00:12:20,480 --> 00:12:22,480 Speaker 1: don't know how well what am I doing? All right? 177 00:12:22,520 --> 00:12:30,480 Speaker 1: Hold on, I'll call Alex. Call Alex car? Why Alex car? Alright? 178 00:12:30,880 --> 00:12:35,000 Speaker 1: Let me you received the invitation after the link again? 179 00:12:35,640 --> 00:12:40,360 Speaker 1: Join the meeting that do that? Okay? Let me call Alex. 180 00:12:41,800 --> 00:12:46,400 Speaker 1: This is always a mess. This is awesome. Hey, you're 181 00:12:46,400 --> 00:12:48,480 Speaker 1: on the air. Hey, why are you calling Johnny? We're 182 00:12:48,480 --> 00:12:50,000 Speaker 1: trying to get him on the air, and now you're 183 00:12:50,160 --> 00:12:53,240 Speaker 1: confusing him. I know that's why I do it. Oh God, 184 00:12:53,320 --> 00:13:00,240 Speaker 1: don't do that. Don't do that. All right, Well, let 185 00:13:00,320 --> 00:13:01,920 Speaker 1: us work with Johnny. We're trying to get him on 186 00:13:01,960 --> 00:13:09,240 Speaker 1: the air, you know, all right, we love you Johnny. 187 00:13:09,280 --> 00:13:11,760 Speaker 1: Where it says that blue link with the underline, press 188 00:13:11,880 --> 00:13:14,360 Speaker 1: that and then you should appear in the room magically. 189 00:13:15,480 --> 00:13:19,800 Speaker 1: Didn't we do this yesterday? Okay? Magically? Here I'll go, Johnny. 190 00:13:19,800 --> 00:13:21,440 Speaker 1: Do you have the zoom app on the phone that 191 00:13:21,440 --> 00:13:25,800 Speaker 1: you're trying to do this on? I got the zoom app. 192 00:13:25,920 --> 00:13:28,360 Speaker 1: Hold on, let me I'll get it back on there again. 193 00:13:32,480 --> 00:13:36,880 Speaker 1: Zopp is there? It says that or joint meeting. Go 194 00:13:37,880 --> 00:13:41,559 Speaker 1: on to go joint meeting, and I'm hitting joy joint 195 00:13:41,600 --> 00:13:46,240 Speaker 1: meeting and it says, uh meeting and it says, uh, 196 00:13:46,840 --> 00:13:49,520 Speaker 1: no number. I have an I need an I D number. 197 00:13:52,120 --> 00:13:57,760 Speaker 1: What's that? That's somebody uh saying that they're hearing me 198 00:13:57,880 --> 00:14:01,720 Speaker 1: on the radio, and I'm hysterical. Well, okay, don't do 199 00:14:01,800 --> 00:14:08,760 Speaker 1: that unintentional hysterically, Johnny. I just texted you. I just 200 00:14:08,840 --> 00:14:11,120 Speaker 1: texted you the meeting number. Maybe you can copy and 201 00:14:11,160 --> 00:14:13,360 Speaker 1: paste that in that alright, let me joint Let me 202 00:14:13,400 --> 00:14:17,080 Speaker 1: see alright, meeting number? So where where did you text 203 00:14:17,120 --> 00:14:20,080 Speaker 1: it to? It went away to the same number that 204 00:14:20,160 --> 00:14:26,960 Speaker 1: I sent you said, no, no, no, no, I should 205 00:14:27,840 --> 00:14:30,840 Speaker 1: that was the passport. I just sang, send it to 206 00:14:30,880 --> 00:14:34,240 Speaker 1: me again. So I got I got picked first numbers. 207 00:14:34,520 --> 00:14:39,000 Speaker 1: A feeling good about z one h you're hearing live 208 00:14:39,040 --> 00:14:41,480 Speaker 1: coverage of us trying to get Uncle Johnny into a zoom. 209 00:14:41,520 --> 00:14:45,000 Speaker 1: All right, now send me that number again. It just 210 00:14:45,160 --> 00:14:51,360 Speaker 1: hit twice. That's the meeting number. Oh it's a different number. Now, 211 00:14:52,160 --> 00:14:58,680 Speaker 1: Oh my god, oh god. You a minute, Uncle Johnny. Yeah, 212 00:14:58,760 --> 00:15:02,040 Speaker 1: you can copy and paste it, Uncle Johnny. How do 213 00:15:02,080 --> 00:15:15,000 Speaker 1: you do that? Night? You got? You got this? Johnny? 214 00:15:15,000 --> 00:15:25,080 Speaker 1: Come on again? Who Alex Carr, Alex stop, Alex card 215 00:15:26,440 --> 00:15:31,600 Speaker 1: it's just called me. No, he's talking, you know, he's 216 00:15:31,640 --> 00:15:35,920 Speaker 1: talking to Cherrie Johnny. Not you are we shocking? Well 217 00:15:35,920 --> 00:15:39,480 Speaker 1: he's ringing my bell? Yeah, all right, so let me shock. 218 00:15:39,920 --> 00:15:42,480 Speaker 1: Uh no, I don't know. Let me write this down, 219 00:15:44,520 --> 00:15:47,880 Speaker 1: Alex Johnny. He's trying to figure this out and you're 220 00:15:47,960 --> 00:15:51,600 Speaker 1: you're you're messing it up. He can't do two things 221 00:15:51,640 --> 00:15:53,720 Speaker 1: at once, well no, no he can't. He can go 222 00:15:53,840 --> 00:15:59,440 Speaker 1: to do one thing at once. So this is all right. 223 00:15:59,480 --> 00:16:04,160 Speaker 1: Let me everybody, don't don't call Uncle johny Okay, goodbye, 224 00:16:04,160 --> 00:16:11,040 Speaker 1: Alec Right one. Seriously, his brain is going to explode. 225 00:16:11,800 --> 00:16:17,240 Speaker 1: A one, Johnny. The number that starts with an eight 226 00:16:17,600 --> 00:16:19,480 Speaker 1: is the meeting number. And the number that starts with 227 00:16:19,560 --> 00:16:23,360 Speaker 1: a seven that's the password. Oh, I will sure. I 228 00:16:23,400 --> 00:16:25,240 Speaker 1: just got off to that. Now I gotta go back again. 229 00:16:25,600 --> 00:16:28,920 Speaker 1: The one with the seven is that's the password. You 230 00:16:28,960 --> 00:16:35,520 Speaker 1: gotta have a meeting number and a password. He started. 231 00:16:35,920 --> 00:16:39,040 Speaker 1: We've been doing this now for seven minutes. No, I 232 00:16:39,080 --> 00:16:45,160 Speaker 1: actually send it, don't don't, alright? Seven three? So then 233 00:16:45,200 --> 00:16:51,160 Speaker 1: I get you're getting close. I feel good. Are you 234 00:16:51,160 --> 00:16:54,160 Speaker 1: sure you're punching numbers into the microwave? This is on 235 00:16:54,200 --> 00:16:59,560 Speaker 1: your phone, right, I said, trying with personal link and John, 236 00:17:00,760 --> 00:17:05,439 Speaker 1: what was that was that noise? Alex, New York? What 237 00:17:05,600 --> 00:17:11,280 Speaker 1: is he doing? Alex? Stop it? Alex. He's always got 238 00:17:11,400 --> 00:17:13,840 Speaker 1: to me the senter of attention. I love him. It's 239 00:17:13,880 --> 00:17:21,119 Speaker 1: like it's like having a twelve year old m My 240 00:17:21,200 --> 00:17:27,399 Speaker 1: personal link name doesn't matter. Just join I want to 241 00:17:27,480 --> 00:17:31,720 Speaker 1: join meeting. I d personal link name and I don't 242 00:17:31,720 --> 00:17:35,760 Speaker 1: know what it is. We'll just say, John, John, I 243 00:17:35,760 --> 00:17:42,520 Speaker 1: don't know. I've never I've never seen this. Ali Gold. 244 00:17:42,880 --> 00:17:45,439 Speaker 1: Ali Gold actually said she tried to help you yesterday 245 00:17:45,440 --> 00:17:48,879 Speaker 1: do you remember hearing from Ali I got something, but 246 00:17:49,000 --> 00:18:03,399 Speaker 1: we never went through. Just wait a minute, Johnny, the 247 00:18:03,480 --> 00:18:09,800 Speaker 1: quarantine's almost over. We will interface seven by time, Uncle 248 00:18:09,880 --> 00:18:15,240 Speaker 1: Johnny on a whole new virus. By then it's gonna 249 00:18:15,280 --> 00:18:21,840 Speaker 1: be great. Okay, we're going on on ten minutes, ten 250 00:18:21,880 --> 00:18:27,840 Speaker 1: minutes trying to get Uncle Johnny on this. I think 251 00:18:27,840 --> 00:18:36,359 Speaker 1: they don a vaccine, Johnny, I don't know, I don't know. 252 00:18:36,400 --> 00:18:43,639 Speaker 1: I what is that beat? Don't answer the alex phone. 253 00:18:44,000 --> 00:18:48,159 Speaker 1: Just tell us all. Let me let me try my iPad. 254 00:18:49,240 --> 00:18:52,000 Speaker 1: Try to try that, because if that worked before, that 255 00:18:52,000 --> 00:18:54,639 Speaker 1: would be better to use that. If it worked there before, 256 00:18:55,280 --> 00:18:56,880 Speaker 1: I'll try the iPad to get you in the zoom 257 00:18:56,920 --> 00:18:58,880 Speaker 1: you want me to. Can you get that same link 258 00:18:58,920 --> 00:19:00,439 Speaker 1: I texted you on your I pad or do I 259 00:19:00,440 --> 00:19:03,880 Speaker 1: need to retext it? No? I got the one. It's 260 00:19:03,920 --> 00:19:11,360 Speaker 1: on my iPhone. Okay, is it? Is it on your iPad? 261 00:19:12,440 --> 00:19:15,600 Speaker 1: If it's on your right now, Johnny. If it's on 262 00:19:15,640 --> 00:19:17,480 Speaker 1: the iPad, you could probably just push the link and 263 00:19:17,520 --> 00:19:21,879 Speaker 1: you'll go on right. I just say I had to 264 00:19:21,920 --> 00:19:30,240 Speaker 1: get up upon to get on this. Are you kidding? 265 00:19:31,480 --> 00:19:39,640 Speaker 1: I'm kidding you. You're not tell us what you see 266 00:19:39,680 --> 00:19:47,600 Speaker 1: Johnny eight five? It's a minute, all right? Okay? Well 267 00:19:47,680 --> 00:19:50,600 Speaker 1: were you listening to uncle Johnny trying to get onto 268 00:19:51,800 --> 00:19:58,879 Speaker 1: zoom with us? It's not a meeting, buying at something? Okay, 269 00:19:59,160 --> 00:20:01,560 Speaker 1: where is it? You don't want to start a meeting. 270 00:20:02,840 --> 00:20:09,080 Speaker 1: Don't start a meeting that could think, dame, how do you? 271 00:20:09,520 --> 00:20:12,040 Speaker 1: How do you do this with your friends? I don't understand. 272 00:20:13,920 --> 00:20:16,440 Speaker 1: I do not connect with audience? Should I put those 273 00:20:16,480 --> 00:20:20,399 Speaker 1: things on? Turn off my video? Video? Do you want 274 00:20:20,440 --> 00:20:26,440 Speaker 1: to connect with audio? Video on? Connect with audio? I 275 00:20:26,520 --> 00:20:29,159 Speaker 1: think he's getting I feel like we're close, but we're not. 276 00:20:32,440 --> 00:20:36,040 Speaker 1: Why I gotta turn him to the right, connect the audience, 277 00:20:36,960 --> 00:20:41,199 Speaker 1: Connect check the box, connect audio. Yeah, we gotta hear 278 00:20:41,240 --> 00:20:45,000 Speaker 1: your audio. Oh so I leave it like off. I 279 00:20:45,000 --> 00:20:52,680 Speaker 1: don't turn it on then and turn audio on? All right, 280 00:20:53,720 --> 00:21:01,600 Speaker 1: but I just turned it on and said, college, you're 281 00:21:01,640 --> 00:21:06,520 Speaker 1: being an asshole. Stop it. We're shu. They're so close. 282 00:21:07,520 --> 00:21:12,320 Speaker 1: Really not, guys, guys, we're not close. We're eleven minutes, 283 00:21:13,560 --> 00:21:19,080 Speaker 1: eleven minutes into this getting on someone else's zoom. What's 284 00:21:19,119 --> 00:21:26,240 Speaker 1: your question, dandy? That's that again? I can't hear you. 285 00:21:26,440 --> 00:21:29,600 Speaker 1: Does he live alone? I don't know. I don't know 286 00:21:31,400 --> 00:21:36,360 Speaker 1: Alex again, Alex, you know what? Why is he doing that? 287 00:21:36,960 --> 00:21:39,960 Speaker 1: Do we all agree? Alex music in the answer, No, 288 00:21:40,080 --> 00:21:42,760 Speaker 1: I love it, Johnny, what do you see? Tell us 289 00:21:42,760 --> 00:21:48,199 Speaker 1: what you see? I k it says that meeting and 290 00:21:48,240 --> 00:21:51,359 Speaker 1: I have all the little brown sting. No, no no, no, no, 291 00:21:51,400 --> 00:21:52,760 Speaker 1: you don't. You don't want to start to meet. You 292 00:21:52,760 --> 00:21:55,560 Speaker 1: want to join one. And we want to join a meeting. 293 00:21:56,880 --> 00:22:03,040 Speaker 1: You join or join meeting and join and and then 294 00:22:03,640 --> 00:22:06,959 Speaker 1: joined meeting on the bottom in the blue box. So 295 00:22:07,040 --> 00:22:09,159 Speaker 1: I hit blue box and then it comes up, it 296 00:22:09,240 --> 00:22:12,119 Speaker 1: goes meeting. I d do I put the meeting? I 297 00:22:12,240 --> 00:22:16,360 Speaker 1: d e. Yeah, that's the eight number. That's the eight 298 00:22:16,440 --> 00:22:19,919 Speaker 1: number number. Oh that's why I was the wrong number, 299 00:22:20,440 --> 00:22:25,840 Speaker 1: all right, Yeah, the seven numbers the password, all right, 300 00:22:26,760 --> 00:22:29,320 Speaker 1: because it'll ask you that one next, So do that 301 00:22:29,359 --> 00:22:32,000 Speaker 1: one first. Or you could have clicked on the link 302 00:22:32,040 --> 00:22:36,800 Speaker 1: I sent you don't come click on the link. Get 303 00:22:36,840 --> 00:22:42,960 Speaker 1: you there faster. It doesn't. Yeah, and in person went 304 00:22:43,359 --> 00:22:46,720 Speaker 1: they joined with the personal link. Okay, hit the link. 305 00:22:47,760 --> 00:22:50,880 Speaker 1: I just that was the link. I put it right, 306 00:22:51,520 --> 00:22:56,439 Speaker 1: It just went off. Let me put it in. I 307 00:22:56,440 --> 00:22:59,639 Speaker 1: think we're really really late. We gotta take a break. 308 00:23:01,320 --> 00:23:04,080 Speaker 1: The next commercial break the next next. I feel as 309 00:23:04,080 --> 00:23:05,760 Speaker 1: soon as we take a break, it's gonna work, and 310 00:23:05,800 --> 00:23:07,360 Speaker 1: it's not gonna be on the radio. We're gonna lose 311 00:23:07,359 --> 00:23:12,080 Speaker 1: it all exactly what's gonna happen? What do you see? 312 00:23:13,320 --> 00:23:17,560 Speaker 1: All right? Said? Join with join with meeting? ID? I 313 00:23:17,680 --> 00:23:23,159 Speaker 1: just put that in? What the hell happened? Yea? I 314 00:23:23,160 --> 00:23:28,199 Speaker 1: should ask you for a password? Eight four eight four 315 00:23:28,359 --> 00:23:30,800 Speaker 1: nine is the meeting number. It's got a bunch of 316 00:23:30,800 --> 00:23:38,200 Speaker 1: other numbers after three is the password? All these different 317 00:23:38,240 --> 00:23:41,639 Speaker 1: meeting numbers from other people. They called me on their phone, 318 00:23:42,720 --> 00:23:46,720 Speaker 1: So why wouldn't never well let me? How did you 319 00:23:46,760 --> 00:23:48,679 Speaker 1: get into them? How did you talk to them? You 320 00:23:48,680 --> 00:23:50,760 Speaker 1: can't talk to us? What's what's different about it? I 321 00:23:50,800 --> 00:23:54,320 Speaker 1: don't understand, all right, Uncle John, Uncle John Johnny. If 322 00:23:54,320 --> 00:23:56,159 Speaker 1: I want to send you something to your iPad? Is that? 323 00:23:56,480 --> 00:23:58,280 Speaker 1: Is there an email address that's better to send the 324 00:23:58,280 --> 00:24:08,399 Speaker 1: link to? Scary? I think we gotta take a break, 325 00:24:08,880 --> 00:24:11,480 Speaker 1: Uncle Johnny. We gotta take a break. You just but 326 00:24:11,600 --> 00:24:15,320 Speaker 1: stay with us here. We're gonna try to get you on, 327 00:24:16,640 --> 00:24:21,480 Speaker 1: all right. Don't give up. Don't don't give up in 328 00:24:21,480 --> 00:24:24,000 Speaker 1: the don't don't give up home. I'm doing all right, 329 00:24:24,280 --> 00:24:27,960 Speaker 1: m trying. Okay, let's take a break. More of this 330 00:24:28,240 --> 00:24:37,119 Speaker 1: coming up next on zero one hundred. Here's the latest 331 00:24:37,119 --> 00:24:40,480 Speaker 1: New York coronavirus update from the seven ten Wire news room. 332 00:24:40,640 --> 00:24:44,240 Speaker 1: Governor Quota Grid. You're listening to a bonus hour of 333 00:24:44,320 --> 00:24:48,080 Speaker 1: Elvis Duran and the one hundred Morning Show. Here's Elvis 334 00:24:48,720 --> 00:24:51,399 Speaker 1: Z one hundred is the bonus hour. Still trying to 335 00:24:51,440 --> 00:24:57,560 Speaker 1: get Uncle Johnny on on our zoom but you know, Johnny, Johnny, 336 00:24:57,560 --> 00:24:59,359 Speaker 1: I'll tell you what. Let's just come back tomorrow and 337 00:24:59,400 --> 00:25:02,119 Speaker 1: try again so you can just get some sleep. I 338 00:25:02,160 --> 00:25:08,720 Speaker 1: know this has warn you out. No, I'm not. I 339 00:25:11,400 --> 00:25:14,480 Speaker 1: don't stand where you can get in. You're rebooting, okay, 340 00:25:14,480 --> 00:25:16,720 Speaker 1: your reboot. But we're gonna do the Danielle Report and 341 00:25:16,720 --> 00:25:19,119 Speaker 1: we're fine. But I just everyone's dying to see you 342 00:25:19,160 --> 00:25:25,360 Speaker 1: in the zoom room. Okay. Later on we're doing an 343 00:25:25,359 --> 00:25:31,119 Speaker 1: interview with Katie Perry. I know you love her, but 344 00:25:31,160 --> 00:25:38,360 Speaker 1: I don't. I don't want you popping on during the Yeah, 345 00:25:38,359 --> 00:25:40,040 Speaker 1: I know you love Katie Perry. I'll tell you what 346 00:25:41,440 --> 00:25:44,120 Speaker 1: you can I know if if you if you can 347 00:25:44,160 --> 00:25:47,080 Speaker 1: pop on during the Katie Perry interview, You'll have to 348 00:25:47,119 --> 00:25:49,440 Speaker 1: guess when we're doing it. We'll let you guys. You 349 00:25:49,480 --> 00:25:55,840 Speaker 1: a question, all right, Johnny, we gotta let you go, Okay, Johnny, 350 00:25:56,320 --> 00:26:02,560 Speaker 1: I love you, Okay, goodbye. He's a mess, all all right? 351 00:26:02,600 --> 00:26:05,879 Speaker 1: Well speaking okay. So, speaking of Katie Ferry, her new 352 00:26:05,960 --> 00:26:09,119 Speaker 1: single Daisies comes out on Friday, and people are wondering 353 00:26:09,160 --> 00:26:12,080 Speaker 1: if Taylor Swift will be on the song with her 354 00:26:12,320 --> 00:26:16,159 Speaker 1: since in an Instagram post, uh she was wearing a 355 00:26:16,240 --> 00:26:19,440 Speaker 1: shirt with Daisies on it, so people are like, Taylor's 356 00:26:19,440 --> 00:26:22,520 Speaker 1: giving a hint they're working together. Katie won't deny, she 357 00:26:22,560 --> 00:26:26,280 Speaker 1: won't confirm, so we will see what she says and 358 00:26:26,560 --> 00:26:29,560 Speaker 1: what we hear on Friday. Jona's brothers will also be 359 00:26:29,600 --> 00:26:31,480 Speaker 1: on with us on Friday. They have two new songs 360 00:26:31,520 --> 00:26:33,879 Speaker 1: coming out, one you've already heard at the Grammys but 361 00:26:33,880 --> 00:26:36,439 Speaker 1: as officially being released five more minutes. And then they 362 00:26:36,480 --> 00:26:39,240 Speaker 1: have a new song with Colombian singer Carol g that's 363 00:26:39,240 --> 00:26:42,160 Speaker 1: coming out as well on Friday. So Dak Shephard went 364 00:26:42,240 --> 00:26:46,640 Speaker 1: off roading with his UH friends right before quarantine started 365 00:26:46,880 --> 00:26:49,760 Speaker 1: and he basically smashed all the bones in his hand 366 00:26:50,160 --> 00:26:52,520 Speaker 1: and he was afraid to tell his wife, Kristen Bell 367 00:26:52,800 --> 00:26:56,119 Speaker 1: and I know a lot of people who your wife 368 00:26:56,119 --> 00:26:59,440 Speaker 1: tells you you can go, but don't break anything, because 369 00:26:59,480 --> 00:27:03,600 Speaker 1: I'm telling you know it happens all the time. So 370 00:27:03,760 --> 00:27:06,479 Speaker 1: he said that he drove home with one hand, and 371 00:27:06,520 --> 00:27:09,600 Speaker 1: he was petrified because he knew when he walked in 372 00:27:09,680 --> 00:27:12,960 Speaker 1: that door what his wife was gonna say. What most 373 00:27:13,000 --> 00:27:15,600 Speaker 1: people say, is that, Uncle Johnny, where do I see 374 00:27:15,640 --> 00:27:24,000 Speaker 1: Uncle Johnny's hold on in the zoom room, he's connecting, 375 00:27:25,359 --> 00:27:31,600 Speaker 1: Uncle Johnny. Yeah, Johnny, Oh, I say, turn your eyes 376 00:27:31,680 --> 00:27:37,400 Speaker 1: and the other way. Can you turn it sideways facing 377 00:27:37,440 --> 00:27:47,920 Speaker 1: the ceiling. There we go. You got your camera, don Yes, Johnny, 378 00:27:48,080 --> 00:27:54,280 Speaker 1: we're here. We're on the left, and I got Alex 379 00:27:54,359 --> 00:27:57,120 Speaker 1: on my right. You know you have us right here 380 00:27:57,119 --> 00:28:03,160 Speaker 1: on your iPad. Look at the iPad. Where's your hands on? 381 00:28:04,400 --> 00:28:11,480 Speaker 1: Right here here? It's on your right, Uncle Johnny. You're right, 382 00:28:12,560 --> 00:28:15,240 Speaker 1: You're right, Johnny, Johnny, Johnny, move your hand, but look 383 00:28:15,280 --> 00:28:24,520 Speaker 1: down behind your hand. Right, you're right there. It only 384 00:28:24,560 --> 00:28:30,560 Speaker 1: take us twenty seven minutes, Johnny up, listen, it's very bad. 385 00:28:31,760 --> 00:28:38,000 Speaker 1: That's seven minutes. It's in bad. We have to take 386 00:28:38,040 --> 00:28:41,760 Speaker 1: it right now. So we went to all that. We 387 00:28:41,800 --> 00:28:46,360 Speaker 1: have to take a break unfortunately a break. I keep 388 00:28:46,400 --> 00:28:51,680 Speaker 1: putting my finger over. Okay, we'll be back. Okay, whoop, 389 00:28:51,680 --> 00:28:56,440 Speaker 1: You're right back. But Uncle Johnny, don't hang up. You're 390 00:28:56,520 --> 00:28:59,160 Speaker 1: listening to a bonus hour of Elvis Duran in the 391 00:28:59,240 --> 00:29:03,840 Speaker 1: See One d Morning Show. Here's Elvis See one. Uh, 392 00:29:03,840 --> 00:29:06,440 Speaker 1: it's true. We've got Uncle Johnny in our zoom room. Now. 393 00:29:06,520 --> 00:29:09,479 Speaker 1: He poured a cup of coffee and then added at 394 00:29:09,560 --> 00:29:17,800 Speaker 1: least three cups of zambuca. Every day. That's the drink 395 00:29:17,800 --> 00:29:20,360 Speaker 1: of the day today. Now that's got every day. We 396 00:29:20,440 --> 00:29:26,400 Speaker 1: have different cocktails for different days. What tomorrow's cocktail? Tomorrows 397 00:29:26,520 --> 00:29:29,640 Speaker 1: with well, doing a little with the what do we 398 00:29:29,680 --> 00:29:39,320 Speaker 1: got here? Expresso? Yes, expresso bo espresso. Well, you know, Johnny, 399 00:29:40,360 --> 00:29:44,080 Speaker 1: we have Katie Perry. We're recording an interview with her 400 00:29:44,800 --> 00:29:48,040 Speaker 1: in like fifteen minutes and right here in the zoom room. 401 00:29:48,080 --> 00:29:49,680 Speaker 1: And I think I think it'd be great for you 402 00:29:49,720 --> 00:29:54,800 Speaker 1: to be in the zoom room. Perry. Why not in 403 00:29:54,840 --> 00:30:09,840 Speaker 1: the zoom room? I don't technology. It's because like a technology. Okay, 404 00:30:10,320 --> 00:30:12,640 Speaker 1: I just posted a picture of Johnny in our zoom 405 00:30:12,720 --> 00:30:14,560 Speaker 1: room on my face, not in my face, butok on 406 00:30:14,600 --> 00:30:18,880 Speaker 1: my Instagram at Elvis duran without hair. You. I think 407 00:30:18,880 --> 00:30:23,280 Speaker 1: you look better without the hair, Johnny. Well, you know 408 00:30:23,320 --> 00:30:25,120 Speaker 1: if I stand on my head, I look pretty good. 409 00:30:26,720 --> 00:30:32,600 Speaker 1: Let's see that everything jokes out. You got any jokes, Johnny, Johnny, 410 00:30:32,600 --> 00:30:37,480 Speaker 1: do you have any jokes prepared for us? No? Not 411 00:30:37,560 --> 00:30:41,760 Speaker 1: that one again. You don't want to do that one. 412 00:30:42,360 --> 00:30:44,280 Speaker 1: Why we finally got you, and I'm afraid if we 413 00:30:44,360 --> 00:30:46,560 Speaker 1: let you leave the zoom room, we'll never see you 414 00:30:46,600 --> 00:30:52,120 Speaker 1: back at No. No, no, you can't know you mean, well, 415 00:30:52,120 --> 00:30:54,000 Speaker 1: it took a twenty seven minutes. I don't know how long. 416 00:30:54,560 --> 00:30:55,800 Speaker 1: I don't know how long we're gonna have to do 417 00:30:55,840 --> 00:30:57,880 Speaker 1: what we need to do. And we don't have twenty 418 00:30:57,960 --> 00:31:00,600 Speaker 1: seven more minutes for you to get reconnected. Well, I 419 00:31:01,000 --> 00:31:03,520 Speaker 1: could do the jokes on Friday morning, if you'd like, 420 00:31:04,720 --> 00:31:08,080 Speaker 1: have Brodie send them to me. It's Brodie on home. 421 00:31:08,200 --> 00:31:16,360 Speaker 1: He sure is four hours to get together. Yeah, good morning, Brodie, 422 00:31:17,480 --> 00:31:25,240 Speaker 1: Good morning Brodie. Can we get some jokes Friday? No Friday, Yes, 423 00:31:27,160 --> 00:31:32,920 Speaker 1: that's why not. Yeah, Johnny wants to make sure they're funny, 424 00:31:32,920 --> 00:31:37,000 Speaker 1: though now they were always funny to read them. No, 425 00:31:37,240 --> 00:31:48,240 Speaker 1: he got them right, I got your intimidate you. He 426 00:31:48,240 --> 00:31:55,640 Speaker 1: he's getting Uncle John A hold on there, Brodie, thank 427 00:31:55,680 --> 00:31:58,080 Speaker 1: you again for today. All right, Uncle John, we're gonna 428 00:31:58,240 --> 00:32:00,440 Speaker 1: take a break because you know it's time for us 429 00:32:00,440 --> 00:32:02,640 Speaker 1: to end this show. What what I'm gonna play, Sonny? 430 00:32:02,640 --> 00:32:04,360 Speaker 1: Why don't you slow down on that coffee? There he's 431 00:32:04,360 --> 00:32:12,520 Speaker 1: slamming and he's slamming it back show. We're gonna go record, uh, 432 00:32:12,560 --> 00:32:15,240 Speaker 1: an interview with Katie Perry. Hopefully Uncle Johnny will stay 433 00:32:15,280 --> 00:32:17,560 Speaker 1: in the zoom room with us. That could be very interesting. 434 00:32:18,480 --> 00:32:20,360 Speaker 1: Do song coming up Friday and it will play this 435 00:32:20,400 --> 00:32:23,880 Speaker 1: interview back on Friday. All right, now, well this if 436 00:32:23,880 --> 00:32:26,920 Speaker 1: I leave this on, we'll stay on. Do they does 437 00:32:26,960 --> 00:32:29,239 Speaker 1: it go off in so many minutes? No, that's all 438 00:32:29,280 --> 00:32:33,520 Speaker 1: it says? Yeah, okay, because what happens with the other 439 00:32:33,600 --> 00:32:36,080 Speaker 1: people when I talked to them when they called me? 440 00:32:36,560 --> 00:32:39,040 Speaker 1: Then uh, that alway has seven minutes and then it 441 00:32:39,080 --> 00:32:44,080 Speaker 1: closed off. Listens connecting. You're good. Just don't get naked, 442 00:32:44,160 --> 00:32:50,520 Speaker 1: you cross the cameras live, okay the cameras, Yes, hold on, 443 00:32:50,640 --> 00:32:52,560 Speaker 1: we have to play a song here. We're gonna get 444 00:32:52,560 --> 00:32:55,120 Speaker 1: out of here. Turn the reins over to Ryan Seacrist, 445 00:32:55,120 --> 00:32:58,240 Speaker 1: who's next one staying now? Ryan? And I said hi 446 00:32:59,280 --> 00:33:02,600 Speaker 1: me will he's he's re recorded to he hasn't done 447 00:33:02,600 --> 00:33:04,880 Speaker 1: a live show in years now. Hold on, I got 448 00:33:05,040 --> 00:33:08,360 Speaker 1: Ryan Coo. I met Ryan. I know you did my 449 00:33:08,400 --> 00:33:10,480 Speaker 1: whole Mom. I'm gonna interview Katie Perry with you in 450 00:33:10,560 --> 00:33:15,040 Speaker 1: a few minutes. If you stay there, okay, okay, all right. 451 00:33:15,520 --> 00:33:19,720 Speaker 1: I put on hair. If you want to put on 452 00:33:19,800 --> 00:33:21,480 Speaker 1: your hair, you can put on your hair for Katie Perry. 453 00:33:23,200 --> 00:33:26,880 Speaker 1: You gotta get much one, so let's do. Let's play 454 00:33:28,920 --> 00:33:32,640 Speaker 1: hair black Parade, my chemical romance to get us out 455 00:33:32,680 --> 00:33:35,000 Speaker 1: of here. We'll see you tomorrow. Do you want. He's 456 00:33:35,000 --> 00:33:44,240 Speaker 1: got everybody, everybody. My father took me into the city 457 00:33:45,320 --> 00:33:52,440 Speaker 1: to see um marching band. He said, son, you grow up. 458 00:33:53,320 --> 00:34:00,240 Speaker 1: Would you be the sken the beating and that dum? 459 00:34:02,560 --> 00:34:08,360 Speaker 1: He said, will you defeat them, your demons and other 460 00:34:08,960 --> 00:34:16,719 Speaker 1: nonbelievers the plans that they have made, because one day 461 00:34:17,320 --> 00:34:22,120 Speaker 1: I leave you a phantom to lead you in the 462 00:34:22,320 --> 00:35:23,120 Speaker 1: summer to join the black parade. Ye, so, says I 463 00:35:23,320 --> 00:35:28,560 Speaker 1: kept the feeling. She's fort had no fund and about sounds, 464 00:35:28,600 --> 00:35:33,319 Speaker 1: I feel like I should tell went through it now 465 00:35:33,600 --> 00:35:36,600 Speaker 1: to what that fall to buy this in the streets, 466 00:35:36,760 --> 00:35:40,000 Speaker 1: and when you've gone with what you want to know. 467 00:35:43,920 --> 00:36:00,840 Speaker 1: Chad said, Cha cha cha, and H say that this 468 00:36:01,040 --> 00:36:05,080 Speaker 1: way I won't sense your free limp from to some 469 00:36:05,400 --> 00:36:09,640 Speaker 1: maiden dreams and miss free ye hate whill chall loves 470 00:36:09,680 --> 00:36:18,480 Speaker 1: all yea back, love shine loud as to find and 471 00:36:18,640 --> 00:36:43,880 Speaker 1: we have a child. Jack Chack cha cha cha rises 472 00:36:44,320 --> 00:36:59,839 Speaker 1: here that faces how your firs time can never make life. 473 00:37:00,040 --> 00:37:02,919 Speaker 1: Let me try A world will never take my heart 474 00:37:03,000 --> 00:37:07,120 Speaker 1: at the time, will never right right by now my 475 00:37:07,400 --> 00:37:12,520 Speaker 1: pru's worst night. The same says the shot, and I'm 476 00:37:12,560 --> 00:37:16,919 Speaker 1: gonna show my start to the show b chat listen, 477 00:37:22,160 --> 00:37:49,600 Speaker 1: just listen, show sid shot yeah sh sho chat. Jack 478 00:37:57,640 --> 00:37:57,879 Speaker 1: got