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Speaker 1: I've been in sessions with guys that we throwing were

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Speaker 1: the greatest, make me coming. All their friends are acting

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Speaker 1: like it's incredible with the straight.

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Speaker 2: I call it the producer bounce.

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Speaker 3: They're trying to convince you that the ship hot in

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Speaker 3: the head, like yo, nigga, and I'm like.

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Speaker 2: A nigga that she ain't working on me.

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Speaker 4: Cuz.

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Speaker 2: Yeah, yeah, what up y'alltist is Joe Crack the Dawn.

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Speaker 2: You know who it is?

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Speaker 5: Your boy Jada to Joe and Joe, it's the Joe

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Speaker 5: and Jada show.

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Speaker 2: Every show, legendary, every show.

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Speaker 1: Meaning we busting your asses the other, Yo, Dream, you

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Speaker 1: ain't from New York.

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Speaker 2: Don't just let these people.

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Speaker 1: Hold on, hold on, don't let this man take your

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Speaker 1: hold on, hold on, don't let this man take you

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Speaker 1: to no other pockets. Shout out to my brother EP.

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Speaker 2: Don't take him to the wax ship right now. He

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Speaker 2: got the.

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Speaker 1: Look e P how long you been knowing me? Now,

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Speaker 1: my Dream, you look like a star right now. Don't

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Speaker 1: go to them bootlegs. That ship there is not I'm sorry,

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Speaker 1: kiss none of them niggas Like Yo, this shit is

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Speaker 1: over for the niggas. The niggas is you know what

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Speaker 1: I call them, mother fucking podcast right now, them sister

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Speaker 1: is like the hospice. They ready to die, nigga, they

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Speaker 1: ready to die. They floating right now. They all life support.

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Speaker 1: They look flabby and sick. Gang kiss can't kiss. Yeah up,

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Speaker 1: they gave him the.

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Speaker 3: Today came out with that thing.

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Speaker 6: When you're thinking Today's guests, we're not talking about just

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Speaker 6: another name in the credits. We're talking about architect behind

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Speaker 6: the anthems that raised the whole generation Shiny. You think

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Speaker 6: nine Grammys, nawh, fucking heart it is to get nine grand.

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Speaker 2: Nine ain't got one man.

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Speaker 1: At this point, I'm begging nine grand hangs out one.

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Speaker 6: We're talking about diamond plaques. Hook so strongly turned RMB,

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Speaker 6: pop and hip hop into one conversation. Huh you think umbrella,

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Speaker 6: Huh single ladies, Huh?

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Speaker 2: All of the.

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Speaker 6: Lights pends so sharp, it been the culture in real time.

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Speaker 2: When you think of Today's guests, shit he's talking.

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Speaker 6: You think of the quiet mastermind turned love, heartbreak, and

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Speaker 6: temptation into scriptures for the clubs the Cause in the

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Speaker 6: late nights. You think a two decades run, still hitting

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Speaker 6: new gears coming back with Love Hate Part two, just

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Speaker 6: to remind everybody with real songwriting feels like when you

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Speaker 6: think of today's guests, you think legend, you think visionary,

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Speaker 6: you think one of one. That's right, Ladies and gentlemen,

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Speaker 6: welcome to dream that Joe and Jaya.

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Speaker 2: My brother crazy man.

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Speaker 1: Ain't y'all dream You got that boat taking scoff that

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Speaker 1: lovely shit on right now?

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Speaker 2: I had.

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Speaker 1: Weapon looking like the dream right now, motherfucker looking like dream.

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Speaker 2: You know I had to get right. I know y'all

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Speaker 2: was up here.

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Speaker 1: You know what happened to me, dream man is and

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Speaker 1: then we're gonna go. I know what happens to me is.

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Speaker 1: I want people who are fans of Fat Joe wherever

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Speaker 1: they see me, I want to float by.

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Speaker 2: I want them to say, damn that fat Joe. They

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Speaker 2: look in the restaurant, he flies smelling good. They look,

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Speaker 2: dan that's Fat Joe.

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Speaker 1: They want to see me pulling off with some drop

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Speaker 1: tops ship some ship.

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Speaker 2: Y'all, fat Joe.

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Speaker 1: Sometimes you're fan of somebody and when you see him

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Speaker 1: in person, they don't look like what they advertise.

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Speaker 2: The dream looked like the fucking dream.

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Speaker 1: Right now he looks like the dream. Your dream Man,

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Speaker 1: I appreciate it. You're giving me that experience. Man, I

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Speaker 1: appreciate it. Bro, I think that all right, thank you, brother.

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Speaker 1: I appreciate your flags. You know, I want to throw

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Speaker 1: the in case I got.

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Speaker 2: I just started getting trying to do.

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Speaker 3: Got my flags over here, they got the first one

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Speaker 3: kind of matching you over.

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Speaker 2: Here your dream.

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Speaker 1: Let me ask you a question, right, so when you

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Speaker 1: see what I'm just skipping all the way and say,

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Speaker 1: when you do a show or tour, do you ever

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Speaker 1: do a segment about the songs you wrote for other people?

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Speaker 3: Man, that's so crazy that you say that, because that

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Speaker 3: was the That's that's the idea going into this next

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Speaker 3: phase of my whole ship is breaking it down like

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Speaker 3: how and even on stage, like I don't think these

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Speaker 3: songs that I've been doing, Man, I do them so

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Speaker 3: fast that I just became accustomed to not I was

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Speaker 3: just talking about that. With the camera, it's kind of

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Speaker 3: the same thing. I'm like, I didn't get pictures the

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Speaker 3: first time around. I wasn't taking pictures. I was just

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Speaker 3: trying to go in the studio like all right, see

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Speaker 3: y'all later, versus Hey, man, it's I think Lenney as

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Speaker 3: the reason why he came up is we're working in

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Speaker 3: the mercer on no Church and yeah yeah, and so

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Speaker 3: he has this picture of the Yay's made bought minds

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Speaker 3: and like all three like on the street, and I

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Speaker 3: had to ask him for the picture. I could have

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Speaker 3: stook the picture myself, but I have to ask Lenny.

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Speaker 3: And I got like two billion dollars worth of pictures

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Speaker 3: over there by the way.

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Speaker 2: I got no pictures with Biggie Smalls. Oh and that

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Speaker 2: was my man. See that's what I mean.

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Speaker 1: I got a blurry one somebody cheated and shot off

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Speaker 1: of balcony and we're like fucking greeny. I don't have

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Speaker 1: no clear picture with Biggie. I got one with me

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Speaker 1: him puff Kim and uh bone thugs. I got like

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Speaker 1: three and you was with him every day. You want

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Speaker 1: fucking smashes the Benjamin's all that shit.

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Speaker 2: We know.

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Speaker 6: At one time it wasn't about pictures. I only got

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Speaker 6: like three or four pictures with Big I don't got.

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Speaker 2: To like a lot. That's crazy, that's nuts. Right, It

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Speaker 2: wasn't taking pictures like, it wasn't taking picture it was

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Speaker 2: the other one. Oh yeah, right, that's right. Motherfucker ran out,

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Speaker 2: You say, Yo, let me take a picture. They had

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Speaker 2: a whole fucking orchestra with them.

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Speaker 1: They look like Andred three thousand. At the mech Galla,

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Speaker 1: they can pull out the bazooka camera.

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Speaker 2: Yo.

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Speaker 1: It was so rare for someone to have an actual

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Speaker 1: camera back in the day because it wasn't on the phone.

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Speaker 1: It was like you had to have a composable supposed

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Speaker 1: to had them.

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Speaker 2: Man, joint you going to graduation in mind seeing.

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Speaker 3: The little Kodak joint and drop them off at the

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Speaker 3: at the pharmacy.

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Speaker 2: Your dream, your special.

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Speaker 1: You're very unique and extremely your genius. You're talented.

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Speaker 2: Thank you man.

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Speaker 1: I love when you collaborate with pushing, not just clips,

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Speaker 1: not just when you on pushing.

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Speaker 2: Yo. Let me tell you that's one of them.

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Speaker 1: I'll be looking for right any I don't care if

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Speaker 1: it's a smash.

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Speaker 2: It's not a smash. For some reason, he brings out that.

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Speaker 1: You be on that ship when you on there with

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Speaker 1: push it like you don't turn I love you you, but.

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Speaker 3: This guy so I feel you know, it's like one

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Speaker 3: of those things where you're like, yo, that energy. Because

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Speaker 3: I'm from the block, Like regardless of what it looks like,

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Speaker 3: I'm from that that space, but I do a different thing.

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Speaker 3: But whenever that energy is around, I'm like, you get

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Speaker 3: right in that change what I'm like, yo, waiting, like

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Speaker 3: let's let's go.

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Speaker 2: Let me get one of those.

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Speaker 4: Yeah.

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Speaker 3: I like even if we're just talking on text and

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Speaker 3: just lyrically going back and forth.

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Speaker 2: I like the sparring even in that case.

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Speaker 6: When did you realize your voice your voices? Everybody voice

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Speaker 6: is an instrument, but your voice is a different ship

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Speaker 6: is incredible, and you the way you're able to go,

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Speaker 6: you know, different ranges and hit different notes and take it.

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Speaker 6: When did you really know I got one of these

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Speaker 6: fucking most incredible voices of all time.

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Speaker 2: Craziest thing. I used it more as a utility.

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Speaker 3: I never really thought that much of my voice in

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Speaker 3: that way because I felt like everybody just had a

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Speaker 3: unique thing that they did. I didn't even understand something

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Speaker 3: that you just said was the range of a thing

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Speaker 3: to go into a falsetto that type of way out

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Speaker 3: of a tenor, and how I was doing it.

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Speaker 2: A lot of that came with band or I had

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Speaker 2: been in.

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Speaker 3: I started playing trumpet in the third grade, so because

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Speaker 3: band happened and I was just talking about like festival

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Speaker 3: music and stuff not too long ago you're going into,

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Speaker 3: like festival music is this thing that happens right around

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Speaker 3: Thanksgiving and Christmas.

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Speaker 2: Like it.

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Speaker 3: So the band, if you're young and you're able to

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Speaker 3: actually go through this thing that I went through, which

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Speaker 3: was great. You have clarinets, flu, you have all these

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Speaker 3: sections coming together to do a particular thing. So in

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Speaker 3: my mind, when I was young, I could hear Even

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Speaker 3: now I can't even hear a note without hearing the

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Speaker 3: other parts happening. So my voice transitioned just into that.

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Speaker 2: What do you mean by that? What do you What

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Speaker 2: do you mean?

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Speaker 1: Because I really want to understand that you can't hear

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Speaker 1: an instrument without hearing the other instrument.

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Speaker 2: What do you mean?

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Speaker 1: Nothing could be like singled out to you like you

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Speaker 1: hear it all.

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Speaker 2: I hear it all.

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Speaker 3: Even if that vocal, if the lead vocal stays with

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Speaker 3: the lead, I still hear all of the harmony notes

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Speaker 3: that go with it.

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Speaker 2: I know exactly when they should happen.

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Speaker 3: I could feel the build up in the momentum those

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Speaker 3: are and in bandness, it's written on your sheet music

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Speaker 3: that I would that you were reading in fest of

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Speaker 3: all time, like I was to read music and to say, oh,

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Speaker 3: crescendo is coming, like everybody knew that was a swell coming.

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Speaker 3: Like all of that stuff I put into everything that

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Speaker 3: I'm doing here on this side. But it's just, you know,

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Speaker 3: in the beginning, I never talked about as much as

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Speaker 3: I just started kind of open up and talk about

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Speaker 3: like how that impacted me a lot as a kid,

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Speaker 3: and now trying to make sure that the kids got

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Speaker 3: that again, because they just took the shit out of school,

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Speaker 3: you know, like when I got I think in high school,

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Speaker 3: they're just like, nah, in the programs, look like you

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Speaker 3: keeping everybody from selling dope, Like we need to keep

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Speaker 3: doing this, So they pulled it out of school. And

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Speaker 3: kind of, yeah, I'm still a little heartbroken about that.

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Speaker 1: You already know when it's a real moment, you need

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Speaker 1: a real bottle.

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Speaker 2: That's why we rock with eighteen hundred tequila. Y'all heard me.

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Speaker 1: These people been making tequila for eleven generations. That's right, eleven.

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Speaker 1: That's a legacy. That's OG's status.

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Speaker 2: Oh J. They were the first to introduce in nir Hoole.

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Speaker 1: Set the standard before most of these brands even existed, and.

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Speaker 6: You could taste the difference for real. The eighteen hundred

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Speaker 6: Crystallino in Reprisado was what we've been on ladies. Move clean, elevate,

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Speaker 6: no burn, no rough edges, just a premium pour that

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Speaker 6: speaks for itself. You know, when it's something that is

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Speaker 6: just built right, that's what this is.

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Speaker 2: Real talk, That's just what it is.

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Speaker 1: It's always around for the best nights, the wins, the celebrations,

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Speaker 1: to remember that night's story.

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Speaker 6: You're keeping it low key with the crew, or you're

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Speaker 6: pulling up to a big event. Eighteen hundred fits every second.

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Speaker 6: It ain't trying too hard.

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Speaker 2: It's just that.

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Speaker 6: Eighteen hundred tequila, real legacy, real smooth.

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Speaker 1: That's the move, true, true, true. What some of the

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Speaker 1: artists you looked up to growing up? And then and

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Speaker 1: then two, what's your class of the atl when you

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Speaker 1: came out?

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Speaker 2: Who else was popping at that same time?

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Speaker 1: Who else you was looking at like, all right, I

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Speaker 1: got I gotta step my shit up, or I'm happy

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Speaker 1: for them.

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Speaker 2: I've seen them at all the talent shows.

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Speaker 1: And who are some artists you looked up to previously

241
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Speaker 1: before your time and when you came out came out

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Speaker 1: around the same time that.

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Speaker 2: It would be Sam Cook.

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Speaker 3: Oh it's ready, of course, and man, oh it's just

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Speaker 3: just another.

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Speaker 2: Machine of course, y'all.

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Speaker 3: Michael Prince I got later, Like I feel like Michael

248
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Speaker 3: was the person that you got when you're young, you're

249
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Speaker 3: trying to do all the dances and shit.

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Speaker 2: Prince was saying shit that you probably didn't know what.

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Speaker 3: He was, Like, I don't know what he's saying. You

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Speaker 3: got to be like sixteen for you, Like, that's what

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Speaker 3: he meant. That's what you meant by Nikki, Now I

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Speaker 3: know exactly. And so to grow into those four four

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Speaker 3: guys like at that cornerstone, man. For me, that's that's

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Speaker 3: why I honed. I always tried to the best way

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Speaker 3: to even put songwriting was trying to write the tenth

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Speaker 3: record on thriller mm hmm.

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Speaker 2: Every time I write, trying.

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Speaker 3: To make whatever the tenth record would be, Can I

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Speaker 3: make that album? And so that's how I just went

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Speaker 3: into my whole career on this side. And when I

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Speaker 3: was coming up, me and Tip went. Me and Tip

264
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Speaker 3: went to the same elementary school, like we're from the

265
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Speaker 3: same block. I didn't know what this nigga since I

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Speaker 3: was riding, you.

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Speaker 1: Know, when he was the flat in the basketball And

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Speaker 1: that's what you said, Center Hill. He said they wouldn't

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Speaker 1: at him. Sure he starts savving it. That said, yeah,

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Speaker 1: that was that was it. Yeah, there you go that.

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Speaker 3: And so watching his rise and being happy, like, yo,

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Speaker 3: from my block, this is crazy and just Atlanta in general,

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Speaker 3: y'all understands for us. For you guys, y'all had the

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Speaker 3: business of it already put together how it worked here, and.

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Speaker 1: We just knew how to get jerk for our money

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Speaker 1: before y'all. Look, I'm just getting before y'all. We yo,

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Speaker 1: were just sacrificial lambs up here getting raped and pillage

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Speaker 1: by these niggas over first it looked like we do

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Speaker 1: business and then robbed us first.

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Speaker 2: Then they went down.

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Speaker 3: There the true So with that being said, you know,

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Speaker 3: the South was like based on that Bible belt man,

283
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Speaker 3: like it's based in like that church thing. We didn't

284
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Speaker 3: even think had an idea of you can make bread

285
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Speaker 3: from doing that thing.

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Speaker 2: It was just we were just doing it. Even with

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Speaker 2: Rappid just battling because we saw the ship. We weren't

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Speaker 2: thinking like, oh, you can make a living.

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Speaker 3: We was already setting up in our minds our living

290
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Speaker 3: was gonna be a certain type of way, especially if

291
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Speaker 3: you had grandparents around everybody church you went to church,

292
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Speaker 3: you had to get the band. I mean you had

293
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Speaker 3: to get in the course. I don't care if you

294
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Speaker 3: could sing or not. You in the court, you gone up,

295
00:15:17,280 --> 00:15:19,320
Speaker 3: gone up in there singing that same thing you sung

296
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Speaker 3: at your aunty house last night, going up there a ninga.

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Speaker 2: That's how I grew up in that, in that space.

298
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Speaker 3: And then once we got the business part of it,

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Speaker 3: I remember the first thing that clicked to me. I

300
00:15:30,720 --> 00:15:36,960
Speaker 3: saw Dallas Austin Atlytics and that that nigga had shout

301
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Speaker 3: out to Dallas that nigga had a fucking I think

302
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Speaker 3: a four point thirty had a ferrari something.

303
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Speaker 2: I saw that ship. I was like, wait, he don't say,

304
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Speaker 2: I know, you don't sell dope. What you getting? He's

305
00:15:49,680 --> 00:15:53,240
Speaker 2: like ship. Somebody told me like, oh that nigga right, I.

306
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Speaker 3: Said, I'm sorry what CLC. He said he write music?

307
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Speaker 3: I said, nigga, you get that write music?

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Speaker 2: Nigga.

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00:16:01,760 --> 00:16:03,720
Speaker 3: That changed my whole ship. I was like, oh, nigga,

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Speaker 3: I've been wanting that this whole time.

311
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Speaker 2: I never one of the few.

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Speaker 1: Da are a star on your own when you drop

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Speaker 1: your own music and able to write hits for others. Unfortunately,

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Speaker 1: sometimes when people write hits for other artists, you mongus

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00:16:22,320 --> 00:16:25,280
Speaker 1: hits they can't do. They want to be an artist themselves,

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Speaker 1: and it don't never happen. It never pop off. And

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Speaker 1: I personally, I think one of the great minds of music.

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Speaker 1: I'm not lying to you, right, I really honestly believe

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Speaker 1: that if I told my family that, I'd be like, yo,

320
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Speaker 1: I think you know I know this music shit. Like

321
00:16:41,720 --> 00:16:44,240
Speaker 1: I'm arguing with Remy right now. I changed the drums

322
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Speaker 1: on her new song and she don't like them.

323
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Speaker 2: I know they hit.

324
00:16:48,080 --> 00:16:50,680
Speaker 1: Don't play with me now, I don't like it. I said, no,

325
00:16:50,800 --> 00:16:53,720
Speaker 1: I know the hit. I threw the shorty swing mind wait,

326
00:16:54,520 --> 00:16:57,720
Speaker 1: now you out of here. But some drums shorty swing

327
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Speaker 1: my way, like I'm trying to You're gonna make.

328
00:16:59,760 --> 00:17:05,399
Speaker 2: A girl no more. I couldn't wait for that. I

329
00:17:05,480 --> 00:17:11,160
Speaker 2: can't wait. I've just seen some hips going. Just look

330
00:17:11,160 --> 00:17:12,200
Speaker 2: over here for a minute.

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Speaker 1: I'm just trying to say, I know music. And so

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00:17:17,000 --> 00:17:20,119
Speaker 1: when I see brothers and sisters that wright hits for

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00:17:20,240 --> 00:17:22,720
Speaker 1: other artists, but it don't happen for.

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Speaker 2: Them, I couldn't figure that one out yet I don't know.

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00:17:26,520 --> 00:17:30,280
Speaker 1: I don't really have a real answer for somebody who

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00:17:30,320 --> 00:17:32,959
Speaker 1: writes the biggest ship in the world, then they want

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00:17:33,000 --> 00:17:35,879
Speaker 1: to be an artist and they don't go nowhere. I

338
00:17:35,920 --> 00:17:39,159
Speaker 1: don't have the answer, like, like, you know, I really

339
00:17:39,200 --> 00:17:42,119
Speaker 1: study all this ship, and I just be like and

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00:17:42,160 --> 00:17:45,240
Speaker 1: I be confused, like how they can't blow up as

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00:17:45,280 --> 00:17:48,359
Speaker 1: an artist. But you one of the very few that

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00:17:48,440 --> 00:17:53,199
Speaker 1: could write umbrella but write yourself hits and become a

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Speaker 1: star on your own. That's You're You're double blessed by God,

344
00:17:57,680 --> 00:17:59,760
Speaker 1: is what I'm trying to think. There's some other people that

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00:18:00,000 --> 00:18:03,320
Speaker 1: deserve it too, but it didn't happen for him that

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00:18:04,000 --> 00:18:09,600
Speaker 1: deserve That's actually that's this guy's pretty thinking about.

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00:18:09,680 --> 00:18:13,240
Speaker 6: I try to tell that seriousnesse, you lost your mom's

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Speaker 6: at fifteen, Yes, I did that.

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Speaker 3: Oh man, that's everything. That's everything. Man, that was my

350
00:18:21,280 --> 00:18:26,320
Speaker 3: favorite person to lose my favorite person. Like, that's not

351
00:18:26,920 --> 00:18:29,240
Speaker 3: that won't ever not be a thing. It ain't something

352
00:18:29,280 --> 00:18:32,920
Speaker 3: you even wake up like, all right, cool, damn, I

353
00:18:32,960 --> 00:18:35,679
Speaker 3: don't care if it's twelve pm, three point thirty.

354
00:18:35,720 --> 00:18:37,040
Speaker 2: At some point you're gonna think about it.

355
00:18:37,280 --> 00:18:39,280
Speaker 3: The more success you have, the more you think about

356
00:18:39,280 --> 00:18:41,440
Speaker 3: it because you know that they're not here to even

357
00:18:41,640 --> 00:18:43,720
Speaker 3: basking that thing to talk about.

358
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Speaker 2: Hey man, it's my son.

359
00:18:45,840 --> 00:18:48,199
Speaker 3: That's my you know, and it's a certain What the

360
00:18:48,359 --> 00:18:51,960
Speaker 3: craziest part is the protection you missed of a mom

361
00:18:52,040 --> 00:18:55,280
Speaker 3: looking at across like what you want?

362
00:18:55,320 --> 00:18:59,520
Speaker 2: Girl? No, no, you need? That thing is an un

363
00:19:00,000 --> 00:19:01,920
Speaker 2: We don't even talk about that. It's a different type

364
00:19:01,920 --> 00:19:02,200
Speaker 2: of thing.

365
00:19:02,320 --> 00:19:04,639
Speaker 3: They just step in like you don't know. She had

366
00:19:04,640 --> 00:19:10,200
Speaker 3: a conversation like the cor I used to go to

367
00:19:10,440 --> 00:19:13,240
Speaker 3: war and come home. My mom mayn't know what was

368
00:19:13,280 --> 00:19:15,719
Speaker 3: going on. I throw my legs on and she rubbed

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00:19:15,720 --> 00:19:17,320
Speaker 3: my feet like I'm a baby.

370
00:19:17,440 --> 00:19:20,600
Speaker 2: Wow. And I understood that protection. I was sitting in

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Speaker 2: the couch like and.

372
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Speaker 1: Your mom's always So how do you get over the

373
00:19:26,800 --> 00:19:31,080
Speaker 1: trauma of being fifteen, losing your mom's and just staying

374
00:19:31,320 --> 00:19:33,879
Speaker 1: right Because I got a nephew, my sister passed away.

375
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Speaker 2: He ain't been in the same sense. If I ain't

376
00:19:37,119 --> 00:19:39,720
Speaker 2: have music, man, it'll be a different it'll be a

377
00:19:39,720 --> 00:19:40,399
Speaker 2: different story.

378
00:19:41,720 --> 00:19:44,640
Speaker 3: It's more than my outlet and a lot of those

379
00:19:45,359 --> 00:19:47,639
Speaker 3: That's why I would have that kind of chemistry with

380
00:19:47,760 --> 00:19:51,280
Speaker 3: Ree and b those things, because I'm giving them a

381
00:19:51,320 --> 00:19:53,560
Speaker 3: thing I can't even give my mom, by the way,

382
00:19:54,320 --> 00:19:59,000
Speaker 3: and there's certain things happening on on just even a

383
00:19:59,080 --> 00:20:05,719
Speaker 3: spiritual level in those times where anytime I see a

384
00:20:05,760 --> 00:20:09,520
Speaker 3: woman in that space, that's just that's my mom I'm

385
00:20:09,520 --> 00:20:12,120
Speaker 3: dealing with, like anytime, and.

386
00:20:12,080 --> 00:20:14,520
Speaker 2: So you never get over. You try to.

387
00:20:14,520 --> 00:20:16,080
Speaker 3: You turn it into It's easy to say it to

388
00:20:16,160 --> 00:20:18,399
Speaker 3: done because you know it sounds like something that a

389
00:20:18,480 --> 00:20:20,399
Speaker 3: teacher tell you. Turn it into a positive, you know,

390
00:20:20,440 --> 00:20:22,960
Speaker 3: whatever the thing is. But that's exactly that's exactly what

391
00:20:23,000 --> 00:20:25,080
Speaker 3: I did. A lot of those songs Man, Near and

392
00:20:25,119 --> 00:20:27,800
Speaker 3: Dear that feel a certain type of way. All that

393
00:20:27,800 --> 00:20:29,960
Speaker 3: feeling is still my love for my mom and my

394
00:20:30,040 --> 00:20:33,479
Speaker 3: admiration for her. And that's how I'm able to exist

395
00:20:33,520 --> 00:20:35,480
Speaker 3: on that side and tell it from from that point

396
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Speaker 3: of view.

397
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Speaker 1: I was having this conversation at the barbecue of the day, Lizzie, Nah,

398
00:20:42,280 --> 00:20:47,639
Speaker 1: the Glisy's always the glitt They made some wag Glizzies gone,

399
00:20:48,200 --> 00:20:50,800
Speaker 1: you're gonna make a wag gliz man. That's when I

400
00:20:50,840 --> 00:20:53,920
Speaker 1: knew ship was all. This ship was bad, man, Like

401
00:20:54,560 --> 00:20:55,840
Speaker 1: the Glizzy wasn't hitting.

402
00:20:55,880 --> 00:20:58,000
Speaker 2: I was like, if the Glazy ain't, like, how do

403
00:20:58,080 --> 00:20:59,680
Speaker 2: you fuck up on glisy my.

404
00:20:59,680 --> 00:21:04,080
Speaker 1: Nigga, you bought of Nathan You boy, you listen, how

405
00:21:04,080 --> 00:21:05,040
Speaker 1: do you mess?

406
00:21:07,720 --> 00:21:10,720
Speaker 2: I knew, I knew it wasn't a vibe, man, but listen, I'm.

407
00:21:13,000 --> 00:21:16,639
Speaker 1: The beautiful thing about having a barbecue in the house.

408
00:21:16,840 --> 00:21:17,280
Speaker 2: Shout out.

409
00:21:17,359 --> 00:21:21,080
Speaker 1: DJ Surgery was killing it. It's just you just get

410
00:21:21,080 --> 00:21:25,159
Speaker 1: the playing music. And then we started discussing like movie

411
00:21:25,280 --> 00:21:28,320
Speaker 1: soundtracks and like the eighties and nineties, and then in

412
00:21:28,359 --> 00:21:33,159
Speaker 1: the face they had waiting to excel a boomerang, boomerang

413
00:21:33,760 --> 00:21:39,320
Speaker 1: those soundtracks like back in the day, those soundtracks, soul

414
00:21:39,400 --> 00:21:44,760
Speaker 1: food used to be, like the soundtracks used to be everything.

415
00:21:45,400 --> 00:21:48,840
Speaker 3: I said, I was just talking about this. I was like, man,

416
00:21:48,880 --> 00:21:51,400
Speaker 3: you know what, it's because the culture was so great

417
00:21:51,400 --> 00:21:54,440
Speaker 3: that stuff. We dismissed it so soon and we just

418
00:21:54,440 --> 00:21:57,920
Speaker 3: stopped doing certain shit. There's a testament to how great

419
00:21:57,960 --> 00:22:00,919
Speaker 3: we are. We just get bored. We just try some

420
00:22:00,960 --> 00:22:04,440
Speaker 3: other ship. That ship did never not work. It always worked.

421
00:22:05,400 --> 00:22:06,840
Speaker 2: It always hit straight home.

422
00:22:06,920 --> 00:22:09,000
Speaker 3: He was able artists, was able to graduate on those

423
00:22:09,040 --> 00:22:11,960
Speaker 3: soundtracks out of a space. You have to use your

424
00:22:12,000 --> 00:22:14,600
Speaker 3: own album to say I'm trying to turn the corner here,

425
00:22:14,640 --> 00:22:15,520
Speaker 3: y'all gonna let me turn it.

426
00:22:15,560 --> 00:22:17,080
Speaker 2: They're like, not without that picture.

427
00:22:18,800 --> 00:22:21,520
Speaker 3: I need I need a picture of what that scene,

428
00:22:21,880 --> 00:22:25,240
Speaker 3: whatever that scene is, I need that picture. And so

429
00:22:25,280 --> 00:22:27,960
Speaker 3: we're not able to do that now because those those

430
00:22:28,000 --> 00:22:30,840
Speaker 3: type of films aren't even being generated in that space,

431
00:22:32,040 --> 00:22:35,359
Speaker 3: and we just stopped doing it. That ship was like

432
00:22:35,440 --> 00:22:39,160
Speaker 3: hip hop, wonted like it was like death. Even when

433
00:22:40,040 --> 00:22:45,080
Speaker 3: came from park, always like boss together boyster men like

434
00:22:45,160 --> 00:22:48,080
Speaker 3: they man, they just them soundtracks.

435
00:22:48,160 --> 00:22:49,399
Speaker 2: Has some ship on that?

436
00:22:49,640 --> 00:22:54,720
Speaker 3: Mama was Yeah, that ship was crazy, but that's that

437
00:22:54,840 --> 00:22:58,720
Speaker 3: was an outlet. That was our thing. I just have

438
00:22:58,800 --> 00:23:01,080
Speaker 3: you ever not heard it? Have you ever not heard

439
00:23:01,080 --> 00:23:03,640
Speaker 3: a song? So think of all the music we consume

440
00:23:03,680 --> 00:23:06,000
Speaker 3: and everything we know. Have you ever been to a

441
00:23:06,040 --> 00:23:08,439
Speaker 3: barbecue and they played like an old school song? You're like,

442
00:23:08,480 --> 00:23:14,520
Speaker 3: what the fuck is that? My nigga, that shit happened

443
00:23:14,560 --> 00:23:14,800
Speaker 3: to me.

444
00:23:14,880 --> 00:23:17,840
Speaker 2: I was stuck. The song was so good. I made

445
00:23:17,880 --> 00:23:19,960
Speaker 2: him play it three times. I'm like, what the fuck

446
00:23:20,080 --> 00:23:20,359
Speaker 2: is that?

447
00:23:21,280 --> 00:23:23,800
Speaker 1: I never heard that. Everybody was like this, My aunt

448
00:23:23,880 --> 00:23:28,720
Speaker 1: knew it. I was so shocked I never heard. I

449
00:23:28,760 --> 00:23:32,320
Speaker 1: got to ask Surge, don't worry. Hopefully he wasn't fried,

450
00:23:33,160 --> 00:23:37,160
Speaker 1: But like I heard it three times.

451
00:23:37,200 --> 00:23:37,960
Speaker 2: I don't know. No.

452
00:23:38,080 --> 00:23:43,880
Speaker 1: I made him play it three times on Yeah, oh yo,

453
00:23:44,000 --> 00:23:45,119
Speaker 1: I never heard it before.

454
00:23:46,680 --> 00:23:49,399
Speaker 2: Every now and then that happens, though, I feel like,

455
00:23:50,359 --> 00:23:52,520
Speaker 2: but it's hard for me, man, I don't want to

456
00:23:52,560 --> 00:23:53,280
Speaker 2: tell you that.

457
00:23:53,400 --> 00:23:58,520
Speaker 1: I'm I'm damned there, Foster, I'm that old and I yeah, listen,

458
00:23:58,640 --> 00:24:02,679
Speaker 1: my mom's passed away. The fuss before she passed away,

459
00:24:04,560 --> 00:24:07,080
Speaker 1: if I called the right now, she was sitting there

460
00:24:07,280 --> 00:24:13,080
Speaker 1: listening to old like my family sol music. I mean,

461
00:24:13,320 --> 00:24:15,639
Speaker 1: twenty four hours a day, my mom's going to sleep

462
00:24:15,680 --> 00:24:18,040
Speaker 1: to the So it's so hard that I don't know

463
00:24:18,119 --> 00:24:20,120
Speaker 1: an old school record and they can play that.

464
00:24:20,000 --> 00:24:22,359
Speaker 2: Shit that so soundic. Wait. I was like, yo, what

465
00:24:22,440 --> 00:24:25,320
Speaker 2: the fuck? What starts to play that shit?

466
00:24:25,480 --> 00:24:25,680
Speaker 7: Back?

467
00:24:25,800 --> 00:24:27,160
Speaker 2: She was talking that shit?

468
00:24:27,320 --> 00:24:30,520
Speaker 1: I was like yo, And then I look, my aunt

469
00:24:30,600 --> 00:24:32,760
Speaker 1: knew it, but I was asking everybody else sure you

470
00:24:32,840 --> 00:24:33,680
Speaker 1: ever heard this shit?

471
00:24:33,760 --> 00:24:35,440
Speaker 2: It was like, nah, I never heard this shit.

472
00:24:35,520 --> 00:24:39,000
Speaker 1: It was like, I've just ever been this song that

473
00:24:39,119 --> 00:24:41,119
Speaker 1: you guys ever heard, Like I got a barbecue and

474
00:24:41,160 --> 00:24:42,800
Speaker 1: he was like, y'all I never heard that before.

475
00:24:43,280 --> 00:24:47,280
Speaker 2: Wow, that's a good one, Joe. I'm sure it has. Yeah,

476
00:24:47,280 --> 00:24:48,919
Speaker 2: I just don't remember when it happened to me.

477
00:24:49,880 --> 00:24:52,199
Speaker 1: That shit happened to me the other day. Bro, that

478
00:24:52,240 --> 00:24:55,760
Speaker 1: shit was crazy. This song is fucking amazing, and y'all

479
00:24:55,840 --> 00:24:58,119
Speaker 1: let me tell you something. Maybe we could save it

480
00:24:58,160 --> 00:25:01,840
Speaker 1: for the next podcast. Your man, This chef at the restaurant,

481
00:25:01,880 --> 00:25:03,919
Speaker 1: I'm trying to save them up, by your way. I

482
00:25:03,960 --> 00:25:07,080
Speaker 1: went to Italian Restaponse, the greatest on the planet Earth.

483
00:25:08,080 --> 00:25:15,399
Speaker 1: This chef called me a hundred times. It's a little joint,

484
00:25:15,440 --> 00:25:17,520
Speaker 1: and I keep telling them. I told the chef like

485
00:25:17,560 --> 00:25:18,760
Speaker 1: twenty times. Your chef.

486
00:25:18,760 --> 00:25:19,520
Speaker 2: He hit me up.

487
00:25:19,960 --> 00:25:22,680
Speaker 1: He was like, yo, say the name, say the name.

488
00:25:22,760 --> 00:25:25,520
Speaker 1: I said, Yo, I don't think you ready for this type.

489
00:25:25,560 --> 00:25:28,720
Speaker 1: We went Johnson's Fried Chicken. They used the mustard. I

490
00:25:28,720 --> 00:25:31,200
Speaker 1: know down south, y'all use them over here is rare,

491
00:25:31,840 --> 00:25:35,199
Speaker 1: but my spot Johnson's Fried Chicken, they got the mustard sauce.

492
00:25:35,880 --> 00:25:38,560
Speaker 1: Guys was selling twenty mustard sauce a week. Now they

493
00:25:38,560 --> 00:25:42,160
Speaker 1: saw eighty five mustard sauce a day because we mentioned

494
00:25:42,240 --> 00:25:45,040
Speaker 1: their restaurant and we did something. I keep trying to

495
00:25:45,080 --> 00:25:51,480
Speaker 1: warn this guy. He keeps saying, geat do the who Well,

496
00:25:51,560 --> 00:25:54,160
Speaker 1: ladies and gentlemen, the name of the restaurant is called

497
00:25:54,640 --> 00:26:00,520
Speaker 1: Padre Pio it's just right over again Padre right like

498
00:26:00,680 --> 00:26:06,080
Speaker 1: father Padre Pio, and it's right over that Cuomo bridge.

499
00:26:06,280 --> 00:26:07,920
Speaker 2: That was another. That was the time. I want to

500
00:26:07,960 --> 00:26:09,680
Speaker 2: call him now though, and let him know, like he

501
00:26:09,840 --> 00:26:11,600
Speaker 2: told me to say it. Yeah, I know, but I

502
00:26:12,359 --> 00:26:12,720
Speaker 2: told him.

503
00:26:13,000 --> 00:26:17,760
Speaker 3: He said, you're not run Pio flood, run it up, hey,

504
00:26:17,760 --> 00:26:19,080
Speaker 3: don't run out of whatever.

505
00:26:19,560 --> 00:26:22,760
Speaker 1: Don't let y'all. Went two times in one week, and

506
00:26:22,800 --> 00:26:25,960
Speaker 1: it's kind of fall. It's like forty five, and I like

507
00:26:26,040 --> 00:26:28,080
Speaker 1: them type of spots. I want to it ain't the

508
00:26:28,119 --> 00:26:30,160
Speaker 1: spot no more. He made me say it. I don't

509
00:26:30,160 --> 00:26:31,560
Speaker 1: think he understands now is now.

510
00:26:31,600 --> 00:26:34,159
Speaker 2: You can't go. You ain't going back get it. You

511
00:26:34,200 --> 00:26:36,800
Speaker 2: ain't to get a fucking stupid at the boss seat.

512
00:26:36,960 --> 00:26:38,760
Speaker 2: They not giving me. She didn't go uber.

513
00:26:38,960 --> 00:26:43,240
Speaker 1: Everything said, you'll never know high Gloss.

514
00:26:44,760 --> 00:26:49,800
Speaker 2: You'll never know high Gloss is the artist. This ship, Well,

515
00:26:49,880 --> 00:27:02,400
Speaker 2: let up that it, y'all. Don't stop now I'm at

516
00:27:02,440 --> 00:27:05,760
Speaker 2: the pool. You definitely honed you.

517
00:27:06,640 --> 00:27:10,280
Speaker 1: Oh no, this ship sounded like like crap.

518
00:27:11,960 --> 00:27:21,560
Speaker 2: Wait till she starts talking that ship first of all.

519
00:27:23,400 --> 00:27:29,120
Speaker 1: Oh yeah, you'll never know how lost you got it there?

520
00:27:30,000 --> 00:27:39,359
Speaker 1: Hold on that ain't it.

521
00:27:39,119 --> 00:27:39,600
Speaker 8: Got you.

522
00:27:43,240 --> 00:27:43,680
Speaker 2: That's all.

523
00:27:44,240 --> 00:27:53,520
Speaker 1: Never mind my soul, ship up that nigga went. That

524
00:27:53,600 --> 00:27:57,600
Speaker 1: nigga went and put on Pat Bennetta and ship your

525
00:27:57,800 --> 00:27:59,080
Speaker 1: nat nigga.

526
00:28:00,080 --> 00:28:02,320
Speaker 2: Now yeah, he was about to hit them sitting then

527
00:28:02,359 --> 00:28:06,840
Speaker 2: win it doing all my man began new was the

528
00:28:06,840 --> 00:28:11,280
Speaker 2: wrong one.

529
00:28:12,600 --> 00:28:15,359
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566
00:30:01,080 --> 00:30:02,400
Speaker 2: Speaking the heads some shit.

567
00:30:03,360 --> 00:30:07,320
Speaker 6: Nineteen years later you coming back with Loving eight two?

568
00:30:08,160 --> 00:30:09,960
Speaker 2: What was the reason for the time?

569
00:30:10,040 --> 00:30:12,760
Speaker 3: Which is just you know the shit, you know, the

570
00:30:12,760 --> 00:30:14,320
Speaker 3: the same you know we got.

571
00:30:14,600 --> 00:30:18,160
Speaker 2: I feel like, I'm sure, y'all do you got albums

572
00:30:18,280 --> 00:30:18,720
Speaker 2: and things?

573
00:30:18,760 --> 00:30:22,720
Speaker 3: You start on, other things come up and you just hope,

574
00:30:23,040 --> 00:30:24,600
Speaker 3: you hopeful that one get out.

575
00:30:24,480 --> 00:30:26,560
Speaker 2: The bag, you know, does the thing.

576
00:30:26,640 --> 00:30:31,000
Speaker 3: And so my shit was literally Love Hate Too made itself,

577
00:30:31,040 --> 00:30:33,560
Speaker 3: it named itself. It ain't even forced, it ain't doing nothing.

578
00:30:33,600 --> 00:30:36,840
Speaker 3: I got eight other records that I would love make

579
00:30:36,920 --> 00:30:40,480
Speaker 3: their way to prime time, and they literally just chilling

580
00:30:41,200 --> 00:30:43,120
Speaker 3: on the sideline waiting on me to pick them. And

581
00:30:43,120 --> 00:30:45,160
Speaker 3: then I feel like if they actually were people, they'd

582
00:30:45,160 --> 00:30:47,600
Speaker 3: be like, oh, you're gonna pick the new You got

583
00:30:47,600 --> 00:30:49,640
Speaker 3: the new energy out, so you ain't you ain't fucking with.

584
00:30:49,600 --> 00:30:50,360
Speaker 2: Us no more artist.

585
00:30:50,800 --> 00:30:52,880
Speaker 3: And so I got like about eight of them things

586
00:30:52,880 --> 00:30:55,360
Speaker 3: that I actually want to put out this last one.

587
00:30:56,440 --> 00:31:00,320
Speaker 3: This Love Hate Too, it rolled itself man made its

588
00:31:00,320 --> 00:31:02,960
Speaker 3: way into the you know, onto this planet. And so

589
00:31:03,040 --> 00:31:05,120
Speaker 3: I'm happy about that part because at least I know

590
00:31:05,200 --> 00:31:07,680
Speaker 3: that it's organic and it's natural for me.

591
00:31:08,720 --> 00:31:10,680
Speaker 2: Yeah, that is coming out. I don't know what you

592
00:31:10,840 --> 00:31:16,120
Speaker 2: heard already, but it's all right, all right, it's all

593
00:31:16,160 --> 00:31:21,200
Speaker 2: right being modest. I'm just right. Like my man crack, say,

594
00:31:21,280 --> 00:31:23,800
Speaker 2: you hit him out the park always. You got that.

595
00:31:24,160 --> 00:31:27,520
Speaker 6: You got that for music, you got that voice, like

596
00:31:27,560 --> 00:31:31,960
Speaker 6: I said, And sonically you just put every day knock

597
00:31:32,000 --> 00:31:34,720
Speaker 6: out the park. You know what I mean, ship for yourself,

598
00:31:34,760 --> 00:31:36,160
Speaker 6: to ship you right for people.

599
00:31:37,120 --> 00:31:39,600
Speaker 3: I just love I got one one of the singles

600
00:31:39,640 --> 00:31:43,840
Speaker 3: with us, that one called Tampa. Yeah that was really

601
00:31:43,840 --> 00:31:47,640
Speaker 3: that's yeah, that's a good one right there. That's a

602
00:31:47,680 --> 00:31:50,360
Speaker 3: good one. That's going to that that winning the Dream Show.

603
00:31:50,360 --> 00:31:51,800
Speaker 3: As soon as I made it, I was like, oh,

604
00:31:51,840 --> 00:31:54,600
Speaker 3: that's only I don't care what to do. I don't

605
00:31:54,640 --> 00:31:56,600
Speaker 3: care how to perform. Oh that thing you gonna hear that.

606
00:31:57,320 --> 00:31:59,040
Speaker 3: I know you have those certain records on your joint.

607
00:31:59,080 --> 00:32:01,280
Speaker 2: You like, what's going on? I just got it.

608
00:32:01,480 --> 00:32:04,200
Speaker 3: I don't care. This was this was happening. It was

609
00:32:04,200 --> 00:32:05,600
Speaker 3: just and it was just time for me and him.

610
00:32:05,640 --> 00:32:07,640
Speaker 3: Me and me and us just did a lot of

611
00:32:07,640 --> 00:32:10,600
Speaker 3: records for a certain thing that he hasn't put out yet,

612
00:32:10,800 --> 00:32:12,640
Speaker 3: and I'd be I'm one of those guys that have

613
00:32:12,760 --> 00:32:16,240
Speaker 3: stayed on your ad like I'm not. I'm like all

614
00:32:16,320 --> 00:32:19,640
Speaker 3: y'all by the way, all y'all star motherfuckers, ain'ks going.

615
00:32:19,800 --> 00:32:23,600
Speaker 3: None of y'all walk in that same room. No, No,

616
00:32:24,280 --> 00:32:25,080
Speaker 3: that ain't it.

617
00:32:25,400 --> 00:32:27,880
Speaker 2: Fat You can be god, that ain't it and you

618
00:32:28,040 --> 00:32:30,960
Speaker 2: do it. I would you. I would do it to

619
00:32:31,000 --> 00:32:32,239
Speaker 2: the I've done it.

620
00:32:32,480 --> 00:32:37,360
Speaker 1: More of that classic episode where I said, he kept going,

621
00:32:38,000 --> 00:32:41,760
Speaker 1: I can't do it because these are legends. I've been

622
00:32:41,800 --> 00:32:44,480
Speaker 1: in sessions with guys that we thrown were the greatest,

623
00:32:45,040 --> 00:32:45,760
Speaker 1: make me coming.

624
00:32:45,880 --> 00:32:48,400
Speaker 2: All their friends are acting like this incredible with the.

625
00:32:50,200 --> 00:32:53,720
Speaker 3: I call it the producer bounce. They're trying to convince

626
00:32:53,800 --> 00:32:54,560
Speaker 3: you that the.

627
00:32:54,520 --> 00:32:55,160
Speaker 10: Ship how.

628
00:32:56,600 --> 00:32:59,800
Speaker 3: The head like yo, nigga, and I'm like a nigga,

629
00:32:59,800 --> 00:33:00,840
Speaker 3: that's it ain't working on me.

630
00:33:00,920 --> 00:33:03,240
Speaker 1: Cuse you ever been in the studio that the music

631
00:33:03,440 --> 00:33:05,480
Speaker 1: was so loud that you thought it was dope, and

632
00:33:05,480 --> 00:33:06,720
Speaker 1: then when you heard it again.

633
00:33:06,520 --> 00:33:09,040
Speaker 2: You're like, Yo, that ship trash. I don't want it.

634
00:33:09,080 --> 00:33:10,720
Speaker 3: They don't want me to do. I put that ship.

635
00:33:10,880 --> 00:33:13,840
Speaker 3: I bring that ship down to the NS tens. I'm like, no, now, let.

636
00:33:13,840 --> 00:33:19,080
Speaker 2: Me hear this. I'm like, God, put it down here though,

637
00:33:19,840 --> 00:33:21,840
Speaker 2: let me hear that. Let me hear it for real?

638
00:33:22,040 --> 00:33:24,280
Speaker 1: They hate that ship. No, I got that problem though.

639
00:33:24,280 --> 00:33:27,880
Speaker 1: I ain't gonna lie, even if it's one of my songs.

640
00:33:28,240 --> 00:33:30,760
Speaker 1: I'm blasting that no blasted, you know what I'm saying

641
00:33:30,760 --> 00:33:33,800
Speaker 1: the new song. I don't know if I'm jazzing myself

642
00:33:33,840 --> 00:33:36,400
Speaker 1: with the loud music, but I blast that ship.

643
00:33:36,680 --> 00:33:39,960
Speaker 2: I was like, I got to hear it loud.

644
00:33:40,040 --> 00:33:42,640
Speaker 1: I don't hear TV. My TV had a hundred all

645
00:33:42,640 --> 00:33:46,440
Speaker 1: the time. I can't hear nothing. I got a movie theater.

646
00:33:46,560 --> 00:33:49,040
Speaker 1: This ship is the loudest ship you did you hear?

647
00:33:49,280 --> 00:33:52,080
Speaker 1: Can that be false? Down the block? Just fucking the

648
00:33:52,120 --> 00:33:54,320
Speaker 1: whole hell leaves this ship. I don't give a fuck

649
00:33:54,480 --> 00:33:58,880
Speaker 1: like I need loud. I don't receive it the same

650
00:33:58,960 --> 00:34:02,160
Speaker 1: way we got to and release tracks. Oh no, this ship,

651
00:34:02,680 --> 00:34:06,560
Speaker 1: I'm telling you right now before we even hear it,

652
00:34:06,560 --> 00:34:08,080
Speaker 1: it's incredible.

653
00:34:07,480 --> 00:34:09,000
Speaker 2: But let's go. You ready to release?

654
00:34:09,360 --> 00:34:09,520
Speaker 4: Yo?

655
00:34:09,680 --> 00:34:16,600
Speaker 1: Don't play past Bennett, Yo play to Bennett play Tony Bennett.

656
00:34:18,719 --> 00:34:22,600
Speaker 2: Come on, now, let's keep it eighteen hundred. Hold on

657
00:34:22,719 --> 00:34:23,520
Speaker 2: that nigga don't win.

658
00:34:23,600 --> 00:34:27,080
Speaker 1: It stunk the joy of this, Okay? How you let

659
00:34:27,160 --> 00:34:30,800
Speaker 1: your man play that ship? That nigga threw We wished

660
00:34:30,840 --> 00:34:35,680
Speaker 1: you marry christ Day? Whish marry Chris. That's when the

661
00:34:35,680 --> 00:34:37,239
Speaker 1: two found in row one. I know you for the

662
00:34:37,280 --> 00:34:41,520
Speaker 1: wrong reason, yo, that nigget throwing we wished your merry Christmas.

663
00:34:41,560 --> 00:34:47,239
Speaker 2: I'm like, yo, my man, come on, May fucked up.

664
00:34:47,280 --> 00:34:55,880
Speaker 2: The vile miss is the sick. I'm how you playing?

665
00:34:56,000 --> 00:34:58,320
Speaker 2: That ain't a good example? Lovely hate?

666
00:34:58,880 --> 00:34:59,400
Speaker 4: That's a hit?

667
00:34:59,640 --> 00:35:02,040
Speaker 2: Yeah, us you marry Christmas is times.

668
00:35:02,120 --> 00:35:05,319
Speaker 1: Yeah, but I'm not saying have a niggauan fucking lies

669
00:35:05,360 --> 00:35:09,480
Speaker 1: of Manelli. You know Tony Bellett the tribute Belly, Tony

670
00:35:09,560 --> 00:35:12,880
Speaker 1: Bennett the tribute. They said he was still on our

671
00:35:13,120 --> 00:35:16,279
Speaker 1: ty you restaurant talk. Keep it eighteen hundreds, man, right,

672
00:35:16,360 --> 00:35:21,319
Speaker 1: let's go look too, who unreleased joints. Make sure you'll

673
00:35:21,360 --> 00:35:25,040
Speaker 1: get that. You're gonna put He's just gonna take a break.

674
00:35:25,080 --> 00:35:26,600
Speaker 1: And here's some smokers right quick.

675
00:35:28,280 --> 00:35:30,360
Speaker 2: No, the biggest in the game. You know what I'm saying,

676
00:35:31,640 --> 00:35:32,640
Speaker 2: y'all do me a favor.

677
00:35:33,040 --> 00:35:35,680
Speaker 1: Don't ever take him to the mother spots. I'm trying

678
00:35:35,680 --> 00:35:38,279
Speaker 1: to say. It ain't no fluid on.

679
00:35:38,480 --> 00:35:40,759
Speaker 6: The show off for telling them, don't take him to

680
00:35:40,840 --> 00:35:43,399
Speaker 6: nowhere else. Don't take him nowhere else.

681
00:35:43,400 --> 00:35:47,759
Speaker 1: Stay up here all day, you gottamon, you gotta promote

682
00:35:48,360 --> 00:35:49,680
Speaker 1: wasting your time?

683
00:35:50,000 --> 00:35:50,160
Speaker 4: Here?

684
00:35:50,239 --> 00:35:50,520
Speaker 2: Is it?

685
00:35:50,640 --> 00:35:54,080
Speaker 1: The screaming going over there? They want to talk that ship?

686
00:35:54,120 --> 00:35:56,439
Speaker 1: You really don't want to talk about who's your ex?

687
00:35:56,560 --> 00:35:56,840
Speaker 8: Girl?

688
00:35:59,000 --> 00:36:01,239
Speaker 2: That's what I stopped going do nothing?

689
00:36:01,400 --> 00:36:01,840
Speaker 4: That on me?

690
00:36:03,000 --> 00:36:05,359
Speaker 2: Is the fluid come over here?

691
00:36:05,400 --> 00:36:06,000
Speaker 1: They's sick?

692
00:36:06,200 --> 00:36:08,160
Speaker 2: Why they's sick? Because all we do is talk to

693
00:36:08,280 --> 00:36:11,720
Speaker 2: truth coaches. Talk to this. Don't make me. These guys

694
00:36:11,719 --> 00:36:12,799
Speaker 2: are flabby and sick.

695
00:36:13,080 --> 00:36:15,399
Speaker 1: I see him get into girls ship there over there, Yo,

696
00:36:15,520 --> 00:36:18,839
Speaker 1: this podcast and said this about this this, Shut the

697
00:36:18,920 --> 00:36:22,040
Speaker 1: fuck up and talk about something we give a fuck about.

698
00:36:22,840 --> 00:36:24,799
Speaker 6: I know we gotta be doing good now because they

699
00:36:24,880 --> 00:36:28,839
Speaker 6: got niggas saying incredible guys say you, they let see

700
00:36:28,880 --> 00:36:31,760
Speaker 6: you play a song about due, They let Miss Miami

701
00:36:31,840 --> 00:36:32,359
Speaker 6: say this.

702
00:36:32,600 --> 00:36:36,239
Speaker 2: Oh yeah, oh yeah, no, that's you know what's hip hop?

703
00:36:36,320 --> 00:36:37,320
Speaker 2: Hey you waiting?

704
00:36:38,239 --> 00:36:38,399
Speaker 8: Yo?

705
00:36:38,520 --> 00:36:41,320
Speaker 1: And it's sad because the guy looked like he's a

706
00:36:41,440 --> 00:36:42,480
Speaker 1: nice guy, like.

707
00:36:42,440 --> 00:36:44,200
Speaker 2: A text me I ain't. In fact, I said, you're

708
00:36:44,280 --> 00:36:45,000
Speaker 2: my brother.

709
00:36:44,800 --> 00:36:48,359
Speaker 6: In an asshole we hip hop said, he's an ass

710
00:36:48,520 --> 00:36:49,920
Speaker 6: hip hop objack dive.

711
00:36:50,120 --> 00:36:52,919
Speaker 1: I'm like, yo, what's up with your Miami? She got

712
00:36:52,920 --> 00:36:55,560
Speaker 1: the hottest song in the game. We broke that record here.

713
00:36:55,600 --> 00:36:57,680
Speaker 1: By the way, we broke that that was not the

714
00:36:57,719 --> 00:36:59,360
Speaker 1: same woman plaque.

715
00:36:58,719 --> 00:37:01,680
Speaker 2: He's yeah, he's here.

716
00:37:02,920 --> 00:37:06,080
Speaker 1: He said, we broke that ship here and that ship

717
00:37:06,200 --> 00:37:07,640
Speaker 1: went to the moon after that.

718
00:37:07,640 --> 00:37:10,600
Speaker 2: That's what it's all about. Yes, we're breaking records on

719
00:37:10,600 --> 00:37:11,919
Speaker 2: this fucking show. That's crazy.

720
00:37:11,960 --> 00:37:13,919
Speaker 1: They looked at us because you know this guy's top

721
00:37:14,080 --> 00:37:15,200
Speaker 1: five thata're orlive.

722
00:37:15,400 --> 00:37:17,719
Speaker 2: That's that Joe. They said, why a y'all lying to

723
00:37:17,800 --> 00:37:18,320
Speaker 2: that girl.

724
00:37:18,360 --> 00:37:21,960
Speaker 1: We said, no, that ship hip They said, yeah, that

725
00:37:21,960 --> 00:37:22,759
Speaker 1: girl listen, you.

726
00:37:22,719 --> 00:37:24,759
Speaker 2: Know, staying that ship.

727
00:37:24,960 --> 00:37:30,480
Speaker 1: Niggas just doing the y'all see yo stand Mexican job at.

728
00:37:30,360 --> 00:37:32,719
Speaker 2: The jong Cot he had to dance.

729
00:37:32,760 --> 00:37:36,120
Speaker 1: He start doing the jumping up, saying this ass there

730
00:37:36,200 --> 00:37:40,080
Speaker 1: I see yeah. Yeah, they got the taco stand. She

731
00:37:40,239 --> 00:37:43,560
Speaker 1: touched that New York saw you that electric that third rail.

732
00:37:43,640 --> 00:37:45,080
Speaker 2: I got the kite from Miami.

733
00:37:45,160 --> 00:37:47,560
Speaker 1: They was like, yo, we love how you threw that

734
00:37:47,680 --> 00:37:50,600
Speaker 1: Dave County up on that on that float in that

735
00:37:50,719 --> 00:37:52,880
Speaker 1: New York that that New York Nick Parade.

736
00:37:52,920 --> 00:37:53,600
Speaker 2: You know that was a.

737
00:37:53,600 --> 00:37:58,160
Speaker 1: Different kind of like she solidified. She could woo tang

738
00:37:58,280 --> 00:38:03,400
Speaker 1: balk deep the locks that know fucking she is in

739
00:38:04,000 --> 00:38:12,440
Speaker 1: how no no, no, no, no, no, no no no. Your

740
00:38:12,520 --> 00:38:15,520
Speaker 1: production got yoa you guys got nervous on us. Y'all

741
00:38:15,520 --> 00:38:21,319
Speaker 1: never do this nice ones and twos, Yeah, just just

742
00:38:21,360 --> 00:38:23,400
Speaker 1: the ones we ready.

743
00:38:23,440 --> 00:38:25,600
Speaker 2: Now, what's the name of this joint right here dreaming?

744
00:38:26,080 --> 00:38:27,680
Speaker 2: I don't know what. I don't know what. They might

745
00:38:27,680 --> 00:38:33,920
Speaker 2: play Tampa. It's called Tampa, Tampa. What's so big about Tampa?

746
00:38:34,080 --> 00:38:34,160
Speaker 8: Now?

747
00:38:34,239 --> 00:38:37,239
Speaker 1: I want to hear this my DJ from Tampa, all

748
00:38:37,280 --> 00:38:38,400
Speaker 1: my people from Tampa.

749
00:38:38,520 --> 00:38:40,480
Speaker 2: Why Tampa Tampa?

750
00:38:40,880 --> 00:38:45,840
Speaker 3: Gosh, this story just came from an evolution of person

751
00:38:47,080 --> 00:38:48,240
Speaker 3: from from Tampa.

752
00:38:49,800 --> 00:38:54,840
Speaker 2: And it's featuring an usher and it's featuring usher. Yes, smoker,

753
00:38:55,120 --> 00:39:01,040
Speaker 2: so you so I'm with that. Let's go, let's get it.

754
00:39:04,360 --> 00:39:08,640
Speaker 4: Be kill up. You are.

755
00:39:10,360 --> 00:39:14,880
Speaker 11: Kill her American dream, kill up?

756
00:39:17,360 --> 00:39:17,680
Speaker 8: Ready?

757
00:39:19,360 --> 00:39:24,440
Speaker 3: This is by your massoud'st worried about me?

758
00:39:27,360 --> 00:39:33,480
Speaker 10: The swim mass should be said, or bow me.

759
00:39:34,560 --> 00:39:35,560
Speaker 2: I'm sucking this ship.

760
00:39:36,760 --> 00:39:40,560
Speaker 10: She's flying there bright not taking off her ship right now.

761
00:39:40,680 --> 00:39:43,680
Speaker 12: She just pulled up. It's going to go down one.

762
00:39:43,320 --> 00:39:46,120
Speaker 2: Day by now. I think I got fifty rooms in

763
00:39:46,160 --> 00:39:47,600
Speaker 2: the south Nobby.

764
00:39:47,719 --> 00:39:49,719
Speaker 10: She found to be up and Nicklas we say in

765
00:39:49,760 --> 00:39:53,680
Speaker 10: the canopy down down she don't want to be alone,

766
00:39:53,719 --> 00:39:55,800
Speaker 10: and that she don't want to be at home, and

767
00:39:55,920 --> 00:39:59,640
Speaker 10: the all out to my phone, my too fucking fuck,

768
00:40:00,360 --> 00:40:02,760
Speaker 10: trying not to chastify, shout.

769
00:40:02,719 --> 00:40:03,680
Speaker 2: Trying to be wrong.

770
00:40:03,920 --> 00:40:06,320
Speaker 4: Now you gotta feel head wrong and now.

771
00:40:06,640 --> 00:40:09,880
Speaker 2: It's like you and she's in the man it she

772
00:40:10,160 --> 00:40:10,720
Speaker 2: ain't fair.

773
00:40:10,920 --> 00:40:14,080
Speaker 10: I wasn't see how the boy kind of falling up

774
00:40:14,160 --> 00:40:18,160
Speaker 10: the pause that ship right there, the rose cood a

775
00:40:18,400 --> 00:40:23,600
Speaker 10: nice turn around baby, display on possessions down down. That's

776
00:40:23,680 --> 00:40:27,239
Speaker 10: just where your miss instead of.

777
00:40:27,400 --> 00:40:29,480
Speaker 2: Work about me all.

778
00:40:29,480 --> 00:40:30,600
Speaker 8: Right about.

779
00:40:31,800 --> 00:40:36,480
Speaker 2: See you man should be said or about.

780
00:40:36,360 --> 00:40:43,640
Speaker 4: Me bumping were crying from the study assignment. She oh

781
00:40:44,160 --> 00:40:47,640
Speaker 4: like falling spotty all over these times you open the

782
00:40:48,320 --> 00:40:51,160
Speaker 4: way your with that you double log because we have

783
00:40:51,320 --> 00:40:54,680
Speaker 4: been there. You can my combing talking, knocking or nothing.

784
00:40:55,560 --> 00:40:56,560
Speaker 10: She from Tampa.

785
00:40:57,520 --> 00:41:00,680
Speaker 2: She broke candles, not manners.

786
00:41:01,040 --> 00:41:03,040
Speaker 4: Came ice went back home and she's trying to make

787
00:41:03,120 --> 00:41:03,480
Speaker 4: damn mo.

788
00:41:03,880 --> 00:41:06,440
Speaker 2: And nana she banana.

789
00:41:07,120 --> 00:41:08,560
Speaker 4: She said this is random.

790
00:41:09,360 --> 00:41:10,480
Speaker 2: But what's the panom?

791
00:41:11,840 --> 00:41:15,200
Speaker 4: What won't you got it? Let's get the party started.

792
00:41:15,840 --> 00:41:18,719
Speaker 2: She never had anil like this, She never heard for

793
00:41:18,840 --> 00:41:19,320
Speaker 2: real like this.

794
00:41:20,280 --> 00:41:22,960
Speaker 4: She don't want to be alone, She don't want to

795
00:41:23,000 --> 00:41:27,560
Speaker 4: be at home over my phone looking.

796
00:41:29,080 --> 00:41:31,800
Speaker 2: To justify. I shot of trying to be thrown and

797
00:41:32,160 --> 00:41:33,640
Speaker 2: you gotta feeling wrong.

798
00:41:34,640 --> 00:41:38,319
Speaker 4: It's like benches in the el. Boy, this shit ain't

799
00:41:38,400 --> 00:41:40,600
Speaker 4: fell Lizzie out of boy.

800
00:41:40,680 --> 00:41:44,600
Speaker 2: I gotta floating through the air. How's that ship right now?

801
00:41:44,920 --> 00:41:45,960
Speaker 2: Do we thirteen?

802
00:41:46,160 --> 00:41:50,080
Speaker 11: No iceating around Babden persons that ship?

803
00:41:50,400 --> 00:41:50,440
Speaker 8: No?

804
00:41:50,840 --> 00:41:53,960
Speaker 12: No, this is one missus.

805
00:41:53,560 --> 00:41:58,360
Speaker 2: Worrying about me? Still a worry about me?

806
00:41:59,360 --> 00:42:03,680
Speaker 4: This is worry.

807
00:42:03,880 --> 00:42:09,680
Speaker 10: Tell me, it's just where your men should This is

808
00:42:09,719 --> 00:42:17,400
Speaker 10: where you didn't worry about me, whim man should be.

809
00:42:19,080 --> 00:42:26,239
Speaker 4: Don't bound me? Better caller to find me on the

810
00:42:26,680 --> 00:42:28,640
Speaker 4: look o she'll call up.

811
00:42:29,120 --> 00:42:30,600
Speaker 8: We know what she does.

812
00:42:35,200 --> 00:42:36,800
Speaker 2: You know you can save all that running ship for

813
00:42:36,840 --> 00:42:47,160
Speaker 2: your own album right now? Mm hmm yeah.

814
00:42:47,239 --> 00:42:50,360
Speaker 1: But that's like that's sortomatic, you know what I'm saying.

815
00:42:50,480 --> 00:42:54,440
Speaker 1: That's like when that's like me driving on that on No.

816
00:42:54,800 --> 00:43:00,680
Speaker 1: Five and it's just total concentrate and that ship.

817
00:43:00,800 --> 00:43:07,480
Speaker 2: Come on about me, man, Hey, you should be here

818
00:43:07,520 --> 00:43:09,440
Speaker 2: with you when I'm at it. You're supposed to be

819
00:43:09,600 --> 00:43:13,560
Speaker 2: right hey about me? That type of activity, I don't

820
00:43:13,560 --> 00:43:16,080
Speaker 2: know where that comes from. It ain't playing. I don't

821
00:43:16,080 --> 00:43:19,440
Speaker 2: know where it comes from. It at the ain't playing.

822
00:43:20,160 --> 00:43:23,680
Speaker 5: Joe and Jadas Show dot time. We got new merch

823
00:43:24,200 --> 00:43:28,000
Speaker 5: fresh off the presents. Go get it big out of

824
00:43:28,160 --> 00:43:31,879
Speaker 5: Big Joe and Jaden's show dot time.

825
00:43:32,000 --> 00:43:34,879
Speaker 2: You can get the little cot for a T shirt.

826
00:43:34,960 --> 00:43:36,760
Speaker 2: WI the hoodie, it's my favorite.

827
00:43:36,840 --> 00:43:40,200
Speaker 1: Right there, I need an extra large showing jadashow dot com.

828
00:43:40,400 --> 00:43:47,400
Speaker 2: Go there and get it, y'all. Let's go to the

829
00:43:47,480 --> 00:43:51,640
Speaker 2: next joint. What's the next joint? Powder coat? Howder coat?

830
00:43:57,200 --> 00:43:58,040
Speaker 4: Youever?

831
00:43:59,320 --> 00:43:59,480
Speaker 8: Right?

832
00:44:00,080 --> 00:44:00,800
Speaker 4: Can be together?

833
00:44:02,000 --> 00:44:02,600
Speaker 2: God damn it.

834
00:44:03,080 --> 00:44:05,600
Speaker 7: I don't lie, No, I just buy holes.

835
00:44:05,880 --> 00:44:06,600
Speaker 2: Not gonna cry.

836
00:44:06,680 --> 00:44:10,960
Speaker 7: Yo wrist on Hydro, calls on Pyro, py Rex, Tyboa,

837
00:44:11,440 --> 00:44:15,359
Speaker 7: Richard meal On, Loo, Typo, Prime Time, Bowl of your

838
00:44:15,440 --> 00:44:19,200
Speaker 7: Door in shy Low. As I blow past all my rivals,

839
00:44:19,480 --> 00:44:23,240
Speaker 7: I just sit back, watch them spiral, dreaming, king push.

840
00:44:23,520 --> 00:44:24,440
Speaker 2: We just tramming.

841
00:44:24,520 --> 00:44:25,680
Speaker 4: Be around the stars.

842
00:44:26,040 --> 00:44:31,520
Speaker 11: The fancy tights, Cali trees, flashing lights, caddy are you

843
00:44:31,640 --> 00:44:33,800
Speaker 11: can't decide double life.

844
00:44:36,680 --> 00:44:39,680
Speaker 4: Shit's Chifontos thays.

845
00:44:42,239 --> 00:44:58,600
Speaker 13: That few sir, flavel back, pray, dangers, sleep, go on, Paradi.

846
00:45:03,040 --> 00:45:14,920
Speaker 4: Look alike, run a lot of times. So you're falling enough.

847
00:45:14,920 --> 00:45:38,000
Speaker 12: Fun yeast, she'll sayrifice So side.

848
00:45:36,760 --> 00:45:46,160
Speaker 11: Side love, scas, merdercyes, boys and dreams, fake queens, fross kings,

849
00:45:46,680 --> 00:45:53,520
Speaker 11: ron stones, triple beans, pawn shops, dope, feats, hopelessness.

850
00:45:53,960 --> 00:45:56,960
Speaker 4: Things lost their origon field of things.

851
00:45:58,600 --> 00:45:59,640
Speaker 2: It's a great.

852
00:46:00,280 --> 00:46:01,880
Speaker 4: Lost it all and didn't.

853
00:46:01,680 --> 00:46:05,320
Speaker 12: Yelling birds.

854
00:46:09,520 --> 00:46:15,320
Speaker 4: From prencesslo.

855
00:46:14,560 --> 00:46:23,800
Speaker 2: She wrongs you voice. I don't think they are religiously.

856
00:46:30,320 --> 00:46:31,400
Speaker 8: Of glass.

857
00:46:35,760 --> 00:46:41,919
Speaker 4: Run nutter. So she found things enough?

858
00:46:46,160 --> 00:46:56,920
Speaker 8: Yeah, everything of the space, she.

859
00:46:57,200 --> 00:47:14,360
Speaker 11: Said, Around the stars, the fancy Titans, Canty dreams, flashing knife, Cathy.

860
00:47:15,080 --> 00:47:19,000
Speaker 4: You can't decide that, the double life, the Verdi.

861
00:47:23,960 --> 00:47:24,560
Speaker 8: She want to be.

862
00:47:24,719 --> 00:47:29,520
Speaker 4: You want to be, You want to be be Veradi.

863
00:47:34,920 --> 00:47:37,320
Speaker 4: She want to be around the stars and the stars

864
00:47:37,400 --> 00:47:38,400
Speaker 4: and stars.

865
00:47:38,480 --> 00:47:40,880
Speaker 2: Dreaming, King Push. We just cycled.

866
00:47:49,400 --> 00:47:52,160
Speaker 1: It's a whole fucking movie right there. That's what I'm

867
00:47:52,239 --> 00:47:54,759
Speaker 1: talking about. I got one of those. I call it

868
00:47:54,880 --> 00:47:59,279
Speaker 1: cocaine cocaine music. Yes, I got one of those.

869
00:47:59,360 --> 00:47:59,920
Speaker 2: You know what I'm saying.

870
00:48:01,000 --> 00:48:03,600
Speaker 1: YEA ship, that ship like you know, you feel like

871
00:48:03,719 --> 00:48:06,200
Speaker 1: Michael McDonald coming out, what's the nigga?

872
00:48:06,360 --> 00:48:10,239
Speaker 3: Almost exact words from your brother. Oh, when you heard it,

873
00:48:10,440 --> 00:48:17,439
Speaker 3: that's what he said. Cocaine, that's cocaine music. Miami vice,

874
00:48:17,600 --> 00:48:20,560
Speaker 3: my nigga, Like I got one of those. I said, Yo,

875
00:48:21,239 --> 00:48:22,080
Speaker 3: that's what I call it.

876
00:48:22,440 --> 00:48:29,160
Speaker 6: Back it said, Oh, that's the Beezer music. Now that's

877
00:48:29,280 --> 00:48:32,360
Speaker 6: that too, cocaine any beza.

878
00:48:32,560 --> 00:48:37,000
Speaker 1: Oh no, that's that Thusty Thusty Bee.

879
00:48:39,600 --> 00:48:44,879
Speaker 2: That's why they said we're talking drugs for kiss.

880
00:48:45,520 --> 00:48:48,879
Speaker 3: I've seen the look at his eye. He just wrote

881
00:48:48,880 --> 00:48:51,000
Speaker 3: the whole ship right there. Now, that ship was incredible,

882
00:48:51,200 --> 00:48:54,040
Speaker 3: opened up twelve kiss. And you know what's crazy is

883
00:48:54,440 --> 00:48:56,880
Speaker 3: usually if I heard the joint like that would push.

884
00:48:57,880 --> 00:49:00,640
Speaker 3: I would be like a you know, I inspector here

885
00:49:01,160 --> 00:49:04,839
Speaker 3: pushing more some some more dirtier ship beat.

886
00:49:05,440 --> 00:49:08,239
Speaker 6: He gave push the he switched the beginning and then

887
00:49:08,400 --> 00:49:13,160
Speaker 6: and then it goes into the fucking cocaine.

888
00:49:13,560 --> 00:49:17,960
Speaker 5: He goes, yeah, that ship is hard, he's he's doing it.

889
00:49:18,160 --> 00:49:20,000
Speaker 5: Then it switched it fucking.

890
00:49:21,760 --> 00:49:23,520
Speaker 2: Dery nah. Yes, for.

891
00:49:25,080 --> 00:49:31,080
Speaker 1: You see with der dog that jo blow Joe dream

892
00:49:31,239 --> 00:49:32,440
Speaker 1: that that ship has broken.

893
00:49:32,480 --> 00:49:35,280
Speaker 2: Ship all the way down. I'm gonna show you something.

894
00:49:36,080 --> 00:49:40,000
Speaker 1: But what I was gonna say, he's seeing Push in

895
00:49:40,120 --> 00:49:44,719
Speaker 1: this run with his brother in the fucking Louis Mansin

896
00:49:44,920 --> 00:49:48,640
Speaker 1: and all that big shot they've been doing a fish

897
00:49:49,440 --> 00:49:50,920
Speaker 1: perfect tiding to me.

898
00:49:51,040 --> 00:49:53,719
Speaker 2: I'm like, all right, he's there right now.

899
00:49:53,880 --> 00:49:56,959
Speaker 1: Like I know, Push Dream might have did this ship

900
00:49:57,040 --> 00:50:00,160
Speaker 1: in fucking the shots else somewhere and fucking say at

901
00:50:00,160 --> 00:50:06,080
Speaker 1: your pay, pushed hand and be there, Miami beautiful, damn cocaine.

902
00:50:06,200 --> 00:50:12,960
Speaker 2: When is the album com seventy perfect timing? You know

903
00:50:13,000 --> 00:50:15,960
Speaker 2: what I mean? You come here the platform of all platforms.

904
00:50:16,800 --> 00:50:17,319
Speaker 2: You know what I mean?

905
00:50:17,520 --> 00:50:22,000
Speaker 6: Love hate to talk your ship love hate too, man, Love.

906
00:50:22,000 --> 00:50:24,120
Speaker 6: You's got a number of nuclear missiles on it.

907
00:50:25,920 --> 00:50:28,760
Speaker 1: No Dreams, no way you could go wrong. It's it's

908
00:50:28,800 --> 00:50:33,239
Speaker 1: a it's a couple of artists like you miss no no,

909
00:50:33,440 --> 00:50:35,960
Speaker 1: how about he's missed out.

910
00:50:35,960 --> 00:50:39,319
Speaker 2: I said this. I said this to uh, the dude,

911
00:50:39,400 --> 00:50:41,000
Speaker 2: the kid, the young boy, the Sway lead.

912
00:50:42,440 --> 00:50:45,960
Speaker 1: If I was the president of your record company, I

913
00:50:46,000 --> 00:50:48,600
Speaker 1: would lose every dollar because every time I hear you sing,

914
00:50:48,680 --> 00:50:50,000
Speaker 1: I would think it's a hit record.

915
00:50:50,719 --> 00:50:52,320
Speaker 2: Yeah, you got me so confused.

916
00:50:52,400 --> 00:50:55,200
Speaker 1: The minute I hear the Dreams voice, I'm like oh no,

917
00:50:55,360 --> 00:51:00,360
Speaker 1: this ship don't spend just should have say hit this

918
00:51:00,680 --> 00:51:03,239
Speaker 1: like I can't. There's only a few artists like that.

919
00:51:03,400 --> 00:51:05,440
Speaker 1: Sway lea kid is like that too. When I hear

920
00:51:05,560 --> 00:51:07,360
Speaker 1: them on the track.

921
00:51:07,239 --> 00:51:11,000
Speaker 6: I'm like, he has a magical different kind of voice

922
00:51:12,480 --> 00:51:15,640
Speaker 6: especial note and yours ain't like it.

923
00:51:16,160 --> 00:51:19,600
Speaker 2: But it's specially when you hear it. It's like an

924
00:51:19,640 --> 00:51:27,040
Speaker 2: Ebisco commu. You hear it, it is just crazy dreaming.

925
00:51:27,160 --> 00:51:29,160
Speaker 2: Thank you for all your talents, all the hits you

926
00:51:29,280 --> 00:51:31,000
Speaker 2: did for all of us. I thank you all for

927
00:51:31,120 --> 00:51:34,839
Speaker 2: the time. Yeah, that you back working, maybe I can

928
00:51:34,920 --> 00:51:38,960
Speaker 2: get enough. Of course you can't. What you mean another

929
00:51:39,040 --> 00:51:40,759
Speaker 2: way I'm looking at I'm looking at that.

930
00:51:41,800 --> 00:51:45,480
Speaker 6: I got left, I got That's like, come on, baby,

931
00:51:46,040 --> 00:51:46,560
Speaker 6: you had.

932
00:51:47,320 --> 00:51:54,319
Speaker 1: Let me tell you something all myself, all my single ladies, right, yes, man.

933
00:51:54,680 --> 00:51:57,520
Speaker 2: One just one, that's just one. No, no, no, all

934
00:51:57,600 --> 00:52:00,879
Speaker 2: of the lights, all of the lights. That's another one.

935
00:52:02,040 --> 00:52:05,480
Speaker 2: This is a building rippers, though no ship is knocking

936
00:52:05,600 --> 00:52:12,040
Speaker 2: down the building breakers. This ain't that. That ain't this.

937
00:52:13,200 --> 00:52:17,040
Speaker 2: It's cracking kiss makes some noise for my brother to drake.

938
00:52:22,480 --> 00:52:26,759
Speaker 6: I'msorbing love it because it's gonna be nothing else like that.

939
00:52:26,800 --> 00:52:30,560
Speaker 1: I'm talking in that universe, I'm playing that ship as

940
00:52:30,600 --> 00:52:31,480
Speaker 1: soon as it come out.

941
00:52:31,520 --> 00:52:34,200
Speaker 2: That's ship going. That's gonna make the barbecue.

942
00:52:34,280 --> 00:52:36,920
Speaker 1: That right there, that's gonna make that's gonna make the

943
00:52:37,000 --> 00:52:38,840
Speaker 1: bar that's gonna make the barbecue.