WEBVTT - The Science of Frankenstein's Monster

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey're welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb. I'm Julie Douglas. Julie your

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<v Speaker 1>Halloween costume that you're wearing for this podcast. Um, I

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<v Speaker 1>noticed that your hair is really tall and you have

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<v Speaker 1>a really impressive white stream coming down the side. Yes,

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<v Speaker 1>are you the bride of Frankenstein's Monster? No, I'm Marge

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<v Speaker 1>Simpson in her later years. Oh well, well sorry, but

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<v Speaker 1>it looks like the bride of Frankenstein. What are you saying? See,

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<v Speaker 1>I never get my costumes right. But what about you?

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<v Speaker 1>What's what's going on over there? Well, as you can

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<v Speaker 1>tell by my by the burns on my body as

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<v Speaker 1>well as the reek of burnt urine that surrounds me.

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<v Speaker 1>Who's going to say something about that? Yeah? I am,

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<v Speaker 1>of course an alchemist, busy applying my trade in my laboratory,

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<v Speaker 1>trying to discover the secrets of life to turn to

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<v Speaker 1>transmute nettles into gold and uh, and turn one type

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<v Speaker 1>of animal into another and you'urn into gold. Of course,

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<v Speaker 1>I'm totally about the gold, and urine is kind of

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<v Speaker 1>gold looking, So there's gotta be a way to turn

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<v Speaker 1>into go. Yeah, you know, I appreciate your commitment to

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<v Speaker 1>the illusion. By the way, Uh, podcast room is really

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<v Speaker 1>small and enclosed. Well, you know, I'm hungent right now.

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<v Speaker 1>I'm committed to the idea I go all the way,

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<v Speaker 1>been burning here and all night. So both of these

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<v Speaker 1>play into what we're gonna talk about today, which is,

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<v Speaker 1>of course Frankenstein's Monster or Frank's monsters as you like

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<v Speaker 1>to call yeah, yeah, or some people just call the

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<v Speaker 1>monster Frankenstein. And and that's technically incorrect, but it's it's

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<v Speaker 1>been used to such an extent it's it's almost to

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<v Speaker 1>the point where it's okay to call the Frankenstein's Monster Frankenstein. Uh. Well,

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<v Speaker 1>and I think it's actually quite reasonable given that it

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<v Speaker 1>was this, this creature and made in Frankenstein's image sort

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<v Speaker 1>of burned man's image. Yeah yeah, and he never actually

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<v Speaker 1>names it. I mean it's uh, you know, the demon,

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<v Speaker 1>the creature and occasionally some more wordy to descriptions that

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<v Speaker 1>because it's a it's a rather poetic novel. The original

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<v Speaker 1>the original book Frankenstein or the Modern Prometheus by Mary

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<v Speaker 1>Shelley eighteen. It's never been out of print, and uh,

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<v Speaker 1>if you haven't read it. If you have not read

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<v Speaker 1>this book, I I highly recommend you giving it a read.

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<v Speaker 1>It can be a little wordy at times, but it's

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<v Speaker 1>it's just really great. Uh that like Frankenstein, the Man

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<v Speaker 1>is uh, you know, it's very philosophical about everything, and

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<v Speaker 1>he's putting a lot of thought into this in the

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<v Speaker 1>in the monster is very intelligent as well, and it

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<v Speaker 1>engages in a lot of a lot of deep ponderings

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<v Speaker 1>about his own life and his purpose and what has

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<v Speaker 1>happened to him and all this misery that has has

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<v Speaker 1>befallen him in the state of mankind. I mean, it's

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<v Speaker 1>a it's an intelligent novel. Well the ways that the

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<v Speaker 1>movies really rarely are able to capture. Well, the movies

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<v Speaker 1>are more like fire fire scared, right, and and this

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<v Speaker 1>is more like, hey, let me tell you about my

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<v Speaker 1>existincial angst as a creature that was abandoned. Yeah, was

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<v Speaker 1>created by a man and by an imperfect man, and

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<v Speaker 1>abandoned on an imperfect world. And over the past month

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<v Speaker 1>I was asked by How Stuff Works to write an

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<v Speaker 1>article how Frankenstein's Monster works. And I set out to

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<v Speaker 1>write it, and uh, you know, I could have just

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<v Speaker 1>written a whole regigitation of the normal. Hey, there was

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<v Speaker 1>this lady Mary Shelley and she got scared in a

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<v Speaker 1>lightning storm and was in a story writing contest, and

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<v Speaker 1>then she wrote this, and then these people played Frankenstein

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<v Speaker 1>in the movie. And that's all well and good. All

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<v Speaker 1>the I mean, the the story of the novel and

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<v Speaker 1>the and the the pop culture significance of the of

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<v Speaker 1>the book and the idea is really cool and uh

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<v Speaker 1>and I can read it all day, and there are

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<v Speaker 1>plenty places on the internet already to read about it

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<v Speaker 1>all day. But I was really more interested in the

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<v Speaker 1>idea of Frankenstein's monster in our culture is this idea

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<v Speaker 1>that we can create life, that we can we can

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<v Speaker 1>take and not just create life in the way that

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<v Speaker 1>humans create life every day through approcreation, but the idea

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<v Speaker 1>that I can use my wisdom and my intelligence and

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<v Speaker 1>with one hand sort of flip off God and with

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<v Speaker 1>the other one make a little man that will walk

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<v Speaker 1>around and do what I tell it to. Well, in

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<v Speaker 1>this idea, too, that we perhaps just haven't discovered the

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<v Speaker 1>right element or the right thing, or the right piece

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<v Speaker 1>of knowledge to transcend our own humanness right into to

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<v Speaker 1>make a better version of ourselves. Yeah. And this the

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<v Speaker 1>idea too, has been around forever. I mean it. I

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<v Speaker 1>mean it goes back to just our basic like cognitive abilities. Uh,

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<v Speaker 1>to look at an object and imagine it alive. The

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<v Speaker 1>idea to anthropomorphize things and to and to personify even

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<v Speaker 1>like aspects of nature. You know, you have like the

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<v Speaker 1>Greek myth of Pygmalion, the sculpture that is awakened by

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<v Speaker 1>the god Venus and turned into an actual lady and uh.

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<v Speaker 1>And you also have one of my favorite ideas, the

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<v Speaker 1>golem or and I found this interesting that you can

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<v Speaker 1>also since this is a Jewish idea, it can be

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<v Speaker 1>pronounced golm um, which is, I guess more in keeping

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<v Speaker 1>with the Hebrew. And the most famous version of this

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<v Speaker 1>was the Golem of of Prague, which is it is

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<v Speaker 1>a medieval myth and it eventually found its way into

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<v Speaker 1>new life in the ninet novel Drek Golem. In this

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<v Speaker 1>particular story, you have this guy, Rabbi Judah Low bin Besabel,

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<v Speaker 1>and he's an expert in the use of the magical

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<v Speaker 1>use of letters to create various magical effects. And these

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<v Speaker 1>are almost like incantations, right, I mean you could say

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<v Speaker 1>there are prayers, yeah, and then it gets into the

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<v Speaker 1>soul like there's a whole lot of stuff in in

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<v Speaker 1>Judaism and incamalo, the importance of the importance of names,

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<v Speaker 1>the importance of letters, and the importance of the name

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<v Speaker 1>of God, right and uh and so I mean you

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<v Speaker 1>have things like the Sefer Yasarrah. The Book of Creation,

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<v Speaker 1>which is often referred to as a guide to magical

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<v Speaker 1>usage by some Western European Jews in the Middle Ages

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<v Speaker 1>and in some of the involved various directions for creating

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<v Speaker 1>a goal, on some of which it involved taking the

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<v Speaker 1>name of God and rearranging the letters and putting them

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<v Speaker 1>on things and and bringing them to life. But in

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<v Speaker 1>the most of the tellings of this particular story of

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<v Speaker 1>the Golm of Prague, Besabel creates this clay humanoid because

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<v Speaker 1>gold basically means clot of earth, and he activates it

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<v Speaker 1>by placing um. He writes the word a meth meaning

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<v Speaker 1>that's a m E t h meaning truth and reality

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<v Speaker 1>on a shim tablet, and he places that under the

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<v Speaker 1>thing's tongue. Then it comes to life. Then he starts

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<v Speaker 1>using this golm to ring the bell at the synagogue.

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<v Speaker 1>But the only thing is you have to take the

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<v Speaker 1>tablet out of its mouth and turn it off, because

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<v Speaker 1>all it knows how to do is ring bells, apparently,

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<v Speaker 1>and he forgets to take it out of the creature's mouth,

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<v Speaker 1>and then it just runs wild one night, presumably, ringing

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<v Speaker 1>everything in sight like it's a bell. He's harassing people

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<v Speaker 1>are getting around. Yeah, it's like when the roomba escapes

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<v Speaker 1>from the living room that you want to vacuum and

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<v Speaker 1>you catch it in the bathroom eating the rug. That

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<v Speaker 1>kind of thing. Um. The rabbi has to hunt it down,

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<v Speaker 1>and when he finally gets there, he pulls the little

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<v Speaker 1>tablet out from under its tongue, and the word a

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<v Speaker 1>myth a m e t t h, which means you know,

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<v Speaker 1>life and all uh becomes the word meth m e

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<v Speaker 1>t h which means death and the and the golden

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<v Speaker 1>falls into dust. Um. And then the other tales as well.

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<v Speaker 1>There's this one story of a rabbi and the name

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<v Speaker 1>of JF and Prussia and he um. He has a

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<v Speaker 1>golem like like the candles in the synagogue, but the

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<v Speaker 1>golem can't really tell what's a candle. H. And what

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<v Speaker 1>a non candle is like it it basically thinks everything

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<v Speaker 1>is a candle, so it lights everything inside on fire.

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<v Speaker 1>So it's the programming doesn't work all that well. And

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<v Speaker 1>then there were apparently some stories to where there were

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<v Speaker 1>some ethical debates on the use of golems not only

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<v Speaker 1>for the use of you know, tasks and chores around

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<v Speaker 1>the synagogue, but the use of golems for the purposes

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<v Speaker 1>of of making the required number for the minya, and

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<v Speaker 1>which is the the qorum of a ten Jewish adults

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<v Speaker 1>required for certain religious observations, which indeed, I would feel

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<v Speaker 1>it would be like, all right, you need to tend

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<v Speaker 1>people to make this decision, and you're telling me three

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<v Speaker 1>of them were made out of clay. That yeah, especially

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<v Speaker 1>since we know that the column doesn't really have the

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<v Speaker 1>ability of speech, right right. That's what I thought was

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<v Speaker 1>interesting met this is that the it's predicated on this

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<v Speaker 1>notion that only holy men could create this golem, and

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<v Speaker 1>yet uh, the golm was going to be completely imperfect

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<v Speaker 1>in the shadow of man because the golm was not

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<v Speaker 1>created by God, right, And just there's an aside too.

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<v Speaker 1>I find it interesting that they are taking symbols rearranging

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<v Speaker 1>them to create artificial beings, which has a nice parallel

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<v Speaker 1>with modern programming and uh an artificial intelligence. Oh yeah, yeh.

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<v Speaker 1>We'll get into a little later. I haven't thought about that,

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<v Speaker 1>but this ties in well with the The idea of

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<v Speaker 1>Frankenstein is the modern Prometheus. I mean, that's right up front,

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<v Speaker 1>that's the subtitle for the book. Prometheus, of course, being

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<v Speaker 1>the titan that retrieves the fire. Uh, takes the fire

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<v Speaker 1>from the gods and gives it to humans and is

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<v Speaker 1>then punished by what being lashed to a stone so

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<v Speaker 1>that the birds can come in. Yeah, because the ego

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<v Speaker 1>that comes and eats the liver, and then unfortunately the

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<v Speaker 1>liver grows back. And then this is it's like groundhog Day.

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<v Speaker 1>Every day the same thing happens, just an endless groundhog

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<v Speaker 1>day of the liver doomed to have your liver eating everything.

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<v Speaker 1>But he took something that was the gods, the domain

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<v Speaker 1>of the gods, the fire, and he gave it to man.

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<v Speaker 1>And then now man has the ability to use this

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<v Speaker 1>fire and build up his civilization with it, and with fire,

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<v Speaker 1>of course, achieve great goods such as staying warm at night,

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<v Speaker 1>and great evil like burning cities to the ground, right right.

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<v Speaker 1>And I think it's so interesting to that Greek mythology

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<v Speaker 1>would would focus on this because you really mean, this

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<v Speaker 1>was such the turning point for man, right, the discovery

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<v Speaker 1>of fire and the power that it had and the

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<v Speaker 1>sustenance that it had. Um that you know, they had

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<v Speaker 1>to come up with this uh myth about it that

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<v Speaker 1>that uh celebrated it and then also said, uh, but

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<v Speaker 1>with this comes great responsibility, right right, which is another

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<v Speaker 1>sort of theme that we see in Frankenstein. Yeah. And

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<v Speaker 1>and of course you think of like the way fire

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<v Speaker 1>changed everything and how it powered and destroyed, I mean

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<v Speaker 1>the ability to to murder and create, to uh, to

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<v Speaker 1>steal from ts Eliott Uh and uh and one can't

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<v Speaker 1>help me be reminded of trees and centuries I mean

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<v Speaker 1>thousands of years later. Uh. The importance of electricity as well,

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<v Speaker 1>which is suddenly this Promethean fire that comes to us

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<v Speaker 1>through technological advancement that has all these great abilities. I mean,

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<v Speaker 1>electricity surrounds us today as the it's it's everywhere, it

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<v Speaker 1>is part of our civilization, is it's it's hard first

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<v Speaker 1>to imagine our modern lives without it. Oh, yeah, I

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<v Speaker 1>can't I can't can't see of a life divorced from electricity, right,

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<v Speaker 1>I mean, obviously, so much of the technology that we

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<v Speaker 1>enjoyed today wouldn't even exist. But during Mary Shelley's time,

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<v Speaker 1>electricity had really captured the imagination of people, and yet

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<v Speaker 1>it was quite feared because it wasn't truly understood, right.

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<v Speaker 1>It was a mysterious property. And I remember seeing reading

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<v Speaker 1>accounts to where people were really judgmental about the idea

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<v Speaker 1>of using them for electric chairs, because pretty early on

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<v Speaker 1>people were like, like Edison was like, Hey, this electricity

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<v Speaker 1>is great. Watched me fry this elephant, you know, topsy

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<v Speaker 1>things of that nature, and they were like, we could

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<v Speaker 1>totally fry prisoners with this. And there were some people

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<v Speaker 1>were like, how can you take this holy gift of electricity,

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<v Speaker 1>I mean it's too and use it for something horrible

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<v Speaker 1>like that, you're really debasing this wonderful thing. Well, what's

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<v Speaker 1>interesting about that too, is that Edison was in competition.

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<v Speaker 1>He had a C right, and it was a volta

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<v Speaker 1>that had d C the DC current, and so it

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<v Speaker 1>was Edison who was going around saying, Ah, don't fear

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<v Speaker 1>my a C current. It's not as dangerous as the

0:11:22.679 --> 0:11:24.559
<v Speaker 1>DC and I believe they are using the d C current.

0:11:24.600 --> 0:11:26.679
<v Speaker 1>I could have it switched around, but I believe they

0:11:26.679 --> 0:11:29.320
<v Speaker 1>are using a d C current on prisoners. And that

0:11:29.440 --> 0:11:31.560
<v Speaker 1>was sort of a scare tactic on his part to

0:11:31.679 --> 0:11:34.360
<v Speaker 1>be like to say to companies, you should really adopt

0:11:34.480 --> 0:11:38.800
<v Speaker 1>my my electrical currency rather than this other one. Just

0:11:38.840 --> 0:11:40.679
<v Speaker 1>as a side note, but the you know, in the

0:11:40.720 --> 0:11:42.760
<v Speaker 1>previous podcast, we were talking about the way, you know,

0:11:42.800 --> 0:11:46.599
<v Speaker 1>if you're shocked by heaven forbid coming into contact with

0:11:46.640 --> 0:11:49.559
<v Speaker 1>a live wire, you fly away from the outlet or

0:11:49.600 --> 0:11:52.679
<v Speaker 1>the source of electricity because your muscles are spasming. Well,

0:11:52.679 --> 0:11:56.480
<v Speaker 1>this is exactly the response that various scientists at the

0:11:56.559 --> 0:11:58.760
<v Speaker 1>day and Mary Sheelow's day, we're looking into the effects

0:11:58.760 --> 0:12:01.680
<v Speaker 1>of electricity on dead tissue. Yeah, and it actually became

0:12:01.760 --> 0:12:05.040
<v Speaker 1>sort of a sideshow. Really, this frog's dead, but watchford

0:12:05.080 --> 0:12:07.000
<v Speaker 1>happens when I stick alive fire to it? Right right?

0:12:07.160 --> 0:12:10.560
<v Speaker 1>Or this prisoner is dead, Look what happened? The prisoners

0:12:10.600 --> 0:12:13.400
<v Speaker 1>decapitated By the way they were doing this that I

0:12:13.400 --> 0:12:16.400
<v Speaker 1>think they were thinking about like science festivals, showing the

0:12:16.440 --> 0:12:20.520
<v Speaker 1>public this ability to reanimate a corpse. Yeah, it's like, look,

0:12:20.559 --> 0:12:23.520
<v Speaker 1>first we reanimate the frog legs and then they become

0:12:23.559 --> 0:12:26.880
<v Speaker 1>delicious all through electricity, right, right, And so people were

0:12:27.160 --> 0:12:29.880
<v Speaker 1>of course even more frightened, and they started to think

0:12:29.920 --> 0:12:33.199
<v Speaker 1>that electricity had the ability to to reanimate their loved ones,

0:12:33.240 --> 0:12:34.800
<v Speaker 1>and they were totally weirded out because they were like,

0:12:34.920 --> 0:12:41.120
<v Speaker 1>he's right, these frog legs are delicious and they can move. Um.

0:12:41.120 --> 0:12:44.040
<v Speaker 1>So Mary Shelley actually knew all about this, by the way,

0:12:44.080 --> 0:12:48.480
<v Speaker 1>because it's referenced in the book of Victor Frankenstein. I mean,

0:12:48.480 --> 0:12:50.160
<v Speaker 1>it's told like a lot of these older novels. It's

0:12:50.160 --> 0:12:53.400
<v Speaker 1>a one character talking about conversations with others, and Victor

0:12:53.679 --> 0:12:56.760
<v Speaker 1>doesn't share the details of how he creates life because

0:12:56.760 --> 0:12:59.280
<v Speaker 1>it's a horrible secret that destroyed his life and and

0:12:59.400 --> 0:13:01.960
<v Speaker 1>led to the dead of of everyone he holds dear

0:13:02.000 --> 0:13:04.280
<v Speaker 1>in life. So he's not going to burden anyone else

0:13:04.320 --> 0:13:07.560
<v Speaker 1>with the secret recipe. But he does mention in passing

0:13:07.720 --> 0:13:09.800
<v Speaker 1>a few different influences, one of which are these studies

0:13:09.840 --> 0:13:13.520
<v Speaker 1>into electricity. Yeah, and I mean, just everybody knows to

0:13:13.600 --> 0:13:18.040
<v Speaker 1>Marie Shelley's father was actually friends with the leading authorities

0:13:18.320 --> 0:13:22.120
<v Speaker 1>of the day on electrical research. So this was these

0:13:22.120 --> 0:13:25.599
<v Speaker 1>were conversations that she was privy to. And also, I

0:13:25.600 --> 0:13:27.760
<v Speaker 1>mean she's nineteen years old, so amazing that she had

0:13:27.760 --> 0:13:29.800
<v Speaker 1>amassed this amount of knowledge and was able to put

0:13:29.840 --> 0:13:33.040
<v Speaker 1>this together and this pastiche of of a story of

0:13:33.080 --> 0:13:35.160
<v Speaker 1>this monster. But there you go. I mean, there's the

0:13:35.160 --> 0:13:38.720
<v Speaker 1>basis for this idea that we could bring back life.

0:13:39.440 --> 0:13:44.319
<v Speaker 1>And in a moment, we're actually going to talk about homunculous.

0:13:44.400 --> 0:13:47.040
<v Speaker 1>Oh yes, we're gonna get into alchemy, one of my favorites, alchemy,

0:13:47.640 --> 0:13:50.360
<v Speaker 1>making a tiny little person and what it has to

0:13:50.360 --> 0:13:55.560
<v Speaker 1>do with cow guts. Right. Yeah. This podcast is brought

0:13:55.559 --> 0:13:58.920
<v Speaker 1>to you by Intel, the sponsors of Tomorrow and the

0:13:58.960 --> 0:14:03.280
<v Speaker 1>Discovery Channel. At Intel, we believe curiosity is the spark

0:14:03.320 --> 0:14:07.560
<v Speaker 1>which drives innovation. Join us at curiosity dot com and

0:14:07.679 --> 0:14:13.320
<v Speaker 1>explore the answers to life's questions. All right, so we're

0:14:13.320 --> 0:14:17.080
<v Speaker 1>back alchemy. Now this is another we're talking about the

0:14:17.080 --> 0:14:21.000
<v Speaker 1>the influences that Victor Frankenstein cites in the book, and

0:14:21.280 --> 0:14:24.680
<v Speaker 1>he he starts off really into alchemy and and studying

0:14:24.720 --> 0:14:27.520
<v Speaker 1>the writings of various alchemists. Then he gets into the

0:14:27.880 --> 0:14:30.880
<v Speaker 1>modern sciences and sort of goes off in that direction.

0:14:30.880 --> 0:14:34.640
<v Speaker 1>So it's eventual creation of this monster of this artificial

0:14:34.720 --> 0:14:38.440
<v Speaker 1>being is kind of a synthesis of modern science and

0:14:38.680 --> 0:14:45.680
<v Speaker 1>alchemical ideas. Now, alchemy, if you go back through eighteenth centuries,

0:14:45.680 --> 0:14:49.840
<v Speaker 1>this is essentially a mix of early chemistry and occultism,

0:14:49.880 --> 0:14:54.840
<v Speaker 1>So you're crossing empirical research with mystical philosophy. Um. And

0:14:54.880 --> 0:14:56.600
<v Speaker 1>it's kind of Alchemy is kind of a big tent

0:14:56.640 --> 0:14:58.840
<v Speaker 1>when you get when you really start analyzing it, because

0:14:58.840 --> 0:15:02.760
<v Speaker 1>they're on one hand, people interested in transmitting metals um.

0:15:03.080 --> 0:15:05.720
<v Speaker 1>Right there there are people who are just prospecting essentially

0:15:05.800 --> 0:15:07.720
<v Speaker 1>from gold. So some people were citing more on the

0:15:07.880 --> 0:15:10.280
<v Speaker 1>get rich quick kind of aspects of alchemy. Some people

0:15:10.280 --> 0:15:13.800
<v Speaker 1>were really more into the occultists or philosophical aspects of it.

0:15:14.000 --> 0:15:16.440
<v Speaker 1>And some people were basically chemist in a day when

0:15:16.480 --> 0:15:18.880
<v Speaker 1>there's not really there's no chemistry yet. So if you

0:15:18.920 --> 0:15:21.840
<v Speaker 1>are interested in chemical properties, alchemy is where you are.

0:15:21.880 --> 0:15:23.760
<v Speaker 1>It's the only game in town for the most part,

0:15:23.840 --> 0:15:27.320
<v Speaker 1>at least in much of the world. Uh And and

0:15:27.400 --> 0:15:30.040
<v Speaker 1>certainly there's some actual scientific achievements that came out of this.

0:15:30.280 --> 0:15:33.840
<v Speaker 1>I mentioned reeking of burning urine, which which some of

0:15:33.880 --> 0:15:37.600
<v Speaker 1>these uh, these alchemists did because there was a great

0:15:37.600 --> 0:15:40.160
<v Speaker 1>deal of interest in urine and in the possibility of

0:15:40.200 --> 0:15:44.520
<v Speaker 1>turning it into gold. And seventeenth century German alchemists Hinnig

0:15:44.520 --> 0:15:48.200
<v Speaker 1>Brount distilled countless buckets of urine uh in attempt to

0:15:48.240 --> 0:15:51.360
<v Speaker 1>turn turn it into gold, and as you might expect,

0:15:51.360 --> 0:15:54.600
<v Speaker 1>the experiment failed to produce results, but it did allow

0:15:54.640 --> 0:15:58.600
<v Speaker 1>them to discover the element phosphorus. So you have situations

0:15:58.640 --> 0:16:02.280
<v Speaker 1>like that where even in alchemy, in this study of chemistry,

0:16:02.280 --> 0:16:05.720
<v Speaker 1>people are actually making real discoveries, and as you point

0:16:05.760 --> 0:16:08.280
<v Speaker 1>out before, without the aid of the scientific method, right,

0:16:08.360 --> 0:16:11.200
<v Speaker 1>so it's you know, which obviously would have farreted out

0:16:11.200 --> 0:16:13.360
<v Speaker 1>a lot of what was wrong with alchemy, but at

0:16:13.360 --> 0:16:15.480
<v Speaker 1>the time it was a great way to try to

0:16:15.520 --> 0:16:18.240
<v Speaker 1>interrogate the physical world around you. Right of course, where

0:16:18.280 --> 0:16:21.320
<v Speaker 1>does this get involved with? Like why alchemy and Victor

0:16:21.320 --> 0:16:24.240
<v Speaker 1>Frankenstein And a lot of this comes down to the

0:16:24.280 --> 0:16:27.640
<v Speaker 1>idea of the homunculous or homunculi and that's the plural.

0:16:27.880 --> 0:16:30.840
<v Speaker 1>And this is an idea that's fascinated me for ages,

0:16:30.920 --> 0:16:33.240
<v Speaker 1>just because on one level, what's so grotesque and steeped

0:16:33.240 --> 0:16:37.120
<v Speaker 1>in medieval um nonsense that you know, I can't help

0:16:37.120 --> 0:16:38.560
<v Speaker 1>but just fall in love with it. So I was

0:16:38.640 --> 0:16:42.840
<v Speaker 1>researching this, researching how to create a homunculous and yes

0:16:43.120 --> 0:16:45.480
<v Speaker 1>for myself. Um and and not just in the old

0:16:45.560 --> 0:16:48.320
<v Speaker 1>fashioned way of just screwing up your compost heap until

0:16:48.360 --> 0:16:51.600
<v Speaker 1>it comes alive. M though that's also involved in this.

0:16:51.920 --> 0:16:55.160
<v Speaker 1>You know, the early idea that when material rots, it

0:16:55.200 --> 0:16:58.240
<v Speaker 1>turns an insect like that's a basic misunderstanding of how

0:16:59.360 --> 0:17:03.080
<v Speaker 1>organic works. And so a lot of these alchemical ideas

0:17:03.160 --> 0:17:06.480
<v Speaker 1>of how to create life stem from misunderstandings of how

0:17:06.520 --> 0:17:09.399
<v Speaker 1>it works. And this idea that that we basically that

0:17:09.480 --> 0:17:12.119
<v Speaker 1>it was within our reach, even in the Middle Ages,

0:17:12.160 --> 0:17:15.399
<v Speaker 1>to understand it and control it. So the idea of

0:17:15.400 --> 0:17:18.280
<v Speaker 1>the homunculus is basically basically comes down to I can

0:17:18.320 --> 0:17:21.240
<v Speaker 1>grow a little person, not just like an animal. I

0:17:21.280 --> 0:17:23.840
<v Speaker 1>can not only make an animal, because they're also alchemical

0:17:24.240 --> 0:17:26.960
<v Speaker 1>um recipes for say, turning a headless cow into a

0:17:26.960 --> 0:17:29.480
<v Speaker 1>swarm of beast, which I think I'm going to share

0:17:29.480 --> 0:17:32.800
<v Speaker 1>that one on the blogs soon. But but I was.

0:17:33.480 --> 0:17:35.520
<v Speaker 1>But but the idea of the monthless is also that

0:17:35.600 --> 0:17:39.000
<v Speaker 1>it is a reasoning creature that you're making. It's not

0:17:39.119 --> 0:17:41.919
<v Speaker 1>it's maybe not quite a human, but it is like

0:17:41.960 --> 0:17:45.440
<v Speaker 1>a little human, like a tesque little humanoid, right, grotesque

0:17:45.440 --> 0:17:48.440
<v Speaker 1>little humor, which I think is fascinating because I can

0:17:48.720 --> 0:17:52.119
<v Speaker 1>kind of inhabit that perspective at that time to think like, okay,

0:17:52.160 --> 0:17:54.280
<v Speaker 1>this would be possible. Maybe I can't make a full

0:17:54.280 --> 0:17:57.439
<v Speaker 1>grown human, but I can make it in miniature, you know,

0:17:57.520 --> 0:17:59.520
<v Speaker 1>sort of like my sea monkeys over here. Yeah. Yeah,

0:17:59.560 --> 0:18:01.560
<v Speaker 1>well you know it's it's lost, you know, in these

0:18:01.600 --> 0:18:04.879
<v Speaker 1>false concepts of spontaneous generation, like we said, magical tomfoolery,

0:18:05.720 --> 0:18:08.639
<v Speaker 1>but they're basically pondering the possibility of creating an artificial

0:18:08.760 --> 0:18:14.240
<v Speaker 1>quote rational animal unquote through uh learned manipulation of organic tissue. Okay,

0:18:14.280 --> 0:18:16.760
<v Speaker 1>so what is that organic tissue? Because that's that's where

0:18:16.760 --> 0:18:20.520
<v Speaker 1>it becomes a little cringe worthy. Okay, Well, I have

0:18:20.640 --> 0:18:23.520
<v Speaker 1>to read part of the recipe because and this comes

0:18:23.560 --> 0:18:26.359
<v Speaker 1>from the Book of the Cow, which is which the

0:18:26.480 --> 0:18:30.280
<v Speaker 1>what I guess this is French is the Liberva I

0:18:30.320 --> 0:18:32.840
<v Speaker 1>think it might be Latin Latin. I'm sorry, yeah, but

0:18:32.920 --> 0:18:35.680
<v Speaker 1>it's the Book of the Cow because the cow factors

0:18:35.720 --> 0:18:39.399
<v Speaker 1>prominently into these, uh these recipes. And so I'm just

0:18:39.440 --> 0:18:43.359
<v Speaker 1>gonna read a little here until Julie stops me. Um.

0:18:43.400 --> 0:18:45.119
<v Speaker 1>But it goes a little something like this, and and

0:18:45.119 --> 0:18:50.600
<v Speaker 1>this is from Mike vander Luke's abdominal mixtures the Libertvaca

0:18:50.840 --> 0:18:54.200
<v Speaker 1>in the Medieval West, or the Dangers and Attractions of

0:18:54.280 --> 0:18:58.400
<v Speaker 1>Natural Magic, he writes, then describing the recipe in the book.

0:18:58.680 --> 0:19:01.840
<v Speaker 1>With the mixture of sperm and sunstone, the magician inseminates

0:19:01.840 --> 0:19:04.240
<v Speaker 1>a cow, or are you. He then carefully plugs up

0:19:04.240 --> 0:19:07.439
<v Speaker 1>its vagina with the sunstone and smears its genitals with

0:19:07.520 --> 0:19:10.240
<v Speaker 1>the blood of the animal that was not chosen for insemination.

0:19:10.560 --> 0:19:12.359
<v Speaker 1>Then the cow that you must be placed in a

0:19:12.440 --> 0:19:14.720
<v Speaker 1>dark house in which the sun never shines. Its food

0:19:14.760 --> 0:19:17.080
<v Speaker 1>must be mixed with the blood of other animals. While

0:19:17.080 --> 0:19:20.000
<v Speaker 1>awaiting the moment of birth, the magician prepares a powder

0:19:20.040 --> 0:19:24.440
<v Speaker 1>made of the ground sunstone, sulfur, magnet, and green tutilla

0:19:24.560 --> 0:19:28.200
<v Speaker 1>stirred with the sap of the white willow. The unformed

0:19:28.200 --> 0:19:30.800
<v Speaker 1>substance to which the you or the cow gives birth

0:19:30.880 --> 0:19:33.600
<v Speaker 1>must be placed in this powder, whereupon it will instantly

0:19:33.640 --> 0:19:36.640
<v Speaker 1>grow a human skin. The newborn homoculous must be kept

0:19:36.640 --> 0:19:39.080
<v Speaker 1>in a large glass or lead vessel for three days

0:19:39.320 --> 0:19:41.359
<v Speaker 1>until it is very hungry. Then it is fed on

0:19:41.400 --> 0:19:44.200
<v Speaker 1>its decapitated mother's blood for seven days until it is

0:19:44.240 --> 0:19:47.520
<v Speaker 1>developed into a complete animal, it can henceforth be used

0:19:47.520 --> 0:19:51.120
<v Speaker 1>to perform certain feats. Um. All right, I'm just gonna

0:19:51.119 --> 0:19:54.560
<v Speaker 1>go and stop a whole another paragraph of just because

0:19:54.560 --> 0:19:56.520
<v Speaker 1>it gets down. Once you've created it, you like put

0:19:56.560 --> 0:19:59.200
<v Speaker 1>it into this this other vat and you grow it

0:19:59.240 --> 0:20:01.880
<v Speaker 1>a little more, and then you can you can kill

0:20:01.880 --> 0:20:03.960
<v Speaker 1>it and like spirits guts on your shoes and you

0:20:04.000 --> 0:20:06.760
<v Speaker 1>can walk on water. But the crazy thing is here

0:20:06.960 --> 0:20:10.760
<v Speaker 1>is aside I think being the original recipe for hagus.

0:20:10.800 --> 0:20:14.800
<v Speaker 1>It completely reminds me of of when we've talked about

0:20:14.880 --> 0:20:21.320
<v Speaker 1>growing tissue before and scaffolding um tissue. I mean that's

0:20:21.359 --> 0:20:23.440
<v Speaker 1>not to say that you know this, this modern day

0:20:23.440 --> 0:20:27.680
<v Speaker 1>technology is based on alchemy, but it's interesting that that

0:20:27.880 --> 0:20:30.679
<v Speaker 1>idea it's very similar to what we are now doing

0:20:30.680 --> 0:20:32.720
<v Speaker 1>because we have the technology, right. Yeah, all of this

0:20:32.920 --> 0:20:34.960
<v Speaker 1>was based in the idea of the humans could mimic

0:20:34.960 --> 0:20:38.719
<v Speaker 1>and manipulate natural reproductive processes. I mean, especially they were

0:20:38.760 --> 0:20:42.000
<v Speaker 1>really confident about insects. They were like, insects, that's easy,

0:20:42.040 --> 0:20:44.640
<v Speaker 1>I can I can make bees all day and uh

0:20:45.080 --> 0:20:47.920
<v Speaker 1>and and and then that the greater idea was that, yeah,

0:20:48.000 --> 0:20:49.960
<v Speaker 1>we we've kind of got this snack. We can make

0:20:50.000 --> 0:20:53.760
<v Speaker 1>some momuncula and then let I'm loose, which you know

0:20:53.920 --> 0:20:56.920
<v Speaker 1>again today, Hey, we can grow an ear from this tissue.

0:20:56.960 --> 0:20:59.760
<v Speaker 1>We have to scaffold it and bake it for a while. Yeah.

0:21:00.160 --> 0:21:03.399
<v Speaker 1>In in reading these just detailed grotesque recipes for how

0:21:03.400 --> 0:21:05.560
<v Speaker 1>to make a monculie too. For some reason, I was

0:21:05.600 --> 0:21:09.640
<v Speaker 1>reminded of various Cypress Hill songs where be Real just

0:21:09.720 --> 0:21:12.680
<v Speaker 1>basically raps about like how to grow like a detailed

0:21:12.960 --> 0:21:17.080
<v Speaker 1>um recipe for growing marijuana or for smoking it. And

0:21:17.119 --> 0:21:18.639
<v Speaker 1>I was I was like, wouldn't it be awesome if

0:21:18.680 --> 0:21:20.920
<v Speaker 1>there is a Cypress Hill song where they're just laying

0:21:20.920 --> 0:21:23.560
<v Speaker 1>out how to make a homunculi? That would be or

0:21:23.600 --> 0:21:27.960
<v Speaker 1>like the Anarchist's Guide to Homunculi. Yeah, that would be awesome.

0:21:28.320 --> 0:21:29.800
<v Speaker 1>But I mean the other side of this, too, is

0:21:29.840 --> 0:21:33.239
<v Speaker 1>that this represents like such a dangerous idea, and this

0:21:33.320 --> 0:21:36.680
<v Speaker 1>was something that like people who were afraid, Like, it's

0:21:36.920 --> 0:21:39.560
<v Speaker 1>very unlikely that too many people wasted their time trying

0:21:39.560 --> 0:21:42.600
<v Speaker 1>to actually do this, but a lot of people probably

0:21:42.640 --> 0:21:45.840
<v Speaker 1>wasted their time, uh freaking out about the idea that

0:21:45.840 --> 0:21:47.639
<v Speaker 1>people were doing this. They were like, oh my goodness,

0:21:47.640 --> 0:21:50.439
<v Speaker 1>they are these alchemists, and they're they're they're doing this

0:21:50.520 --> 0:21:52.879
<v Speaker 1>and they and if this works, they have such power

0:21:52.960 --> 0:21:55.240
<v Speaker 1>they have they have power over nature. They have power

0:21:55.520 --> 0:21:58.119
<v Speaker 1>that rivals that of God, all through their their magic

0:21:58.160 --> 0:22:00.159
<v Speaker 1>and their science and their art. Well, the Book of

0:22:00.240 --> 0:22:02.560
<v Speaker 1>Caw actually probably was the undoing of alchemy if you

0:22:02.560 --> 0:22:04.480
<v Speaker 1>think about it, because it wasn't this the first cohesive

0:22:04.520 --> 0:22:06.520
<v Speaker 1>effort to put all of this sort of science and

0:22:06.520 --> 0:22:09.880
<v Speaker 1>occult these recipes together and try to make sense of it.

0:22:09.880 --> 0:22:12.399
<v Speaker 1>It's like, all right, we're alchemists. These are the things

0:22:12.400 --> 0:22:14.080
<v Speaker 1>that we sort of believed in. And then people were

0:22:14.080 --> 0:22:15.719
<v Speaker 1>like look at it and they're like, wow, we this

0:22:15.800 --> 0:22:18.240
<v Speaker 1>is really what we've been doing. Yeah. Yeah, like taken

0:22:18.280 --> 0:22:20.600
<v Speaker 1>all together, this just really seems like it's not working.

0:22:21.160 --> 0:22:23.360
<v Speaker 1>That being said the most learned of the day. That's

0:22:23.480 --> 0:22:26.160
<v Speaker 1>that was a hot tone to have on your bookshelf right,

0:22:26.200 --> 0:22:30.520
<v Speaker 1>And also it was some people thought it was absolutely

0:22:30.680 --> 0:22:34.720
<v Speaker 1>putrid and abomination against nature to even be talking about

0:22:35.119 --> 0:22:37.679
<v Speaker 1>it was good reading in another way. Yeah, But of

0:22:37.720 --> 0:22:41.200
<v Speaker 1>course alchemy would eventually see its day. Chemistry would rise,

0:22:41.280 --> 0:22:45.920
<v Speaker 1>even though in some critics actually argue that alchemy prevented

0:22:46.000 --> 0:22:48.359
<v Speaker 1>chemistry from really going for a long time because it

0:22:48.440 --> 0:22:50.199
<v Speaker 1>was such a I mean, it was also a kind

0:22:50.240 --> 0:22:53.600
<v Speaker 1>of a taboo area, you know. But eventually alchemy dies off.

0:22:53.960 --> 0:22:57.239
<v Speaker 1>And uh. There's another area where we really see this

0:22:57.320 --> 0:23:00.679
<v Speaker 1>idea of of mimicking the human form, cre eating the

0:23:00.760 --> 0:23:03.920
<v Speaker 1>human body, and that is in the field of robotics,

0:23:03.960 --> 0:23:07.600
<v Speaker 1>specifically in the field of the creation of automatons, which

0:23:07.600 --> 0:23:10.640
<v Speaker 1>of course are like you know, mechanical men. Uh that

0:23:10.920 --> 0:23:13.920
<v Speaker 1>they're not really robots. They don't actually uh take in

0:23:14.040 --> 0:23:17.359
<v Speaker 1>sense data and uh in in in process the sense

0:23:17.480 --> 0:23:20.320
<v Speaker 1>data and then make a decision about what action they're

0:23:20.320 --> 0:23:23.320
<v Speaker 1>gonna take. There's no computation, but they're like wind up men,

0:23:23.440 --> 0:23:26.280
<v Speaker 1>wind up ladies, dolls that dance. But we've discussed the

0:23:26.280 --> 0:23:28.080
<v Speaker 1>pooping duck, of course. But as I say, some of

0:23:28.119 --> 0:23:31.480
<v Speaker 1>them mimic actual human biology. And again here we have

0:23:31.720 --> 0:23:36.240
<v Speaker 1>this idea of trying to clone the human experience, whether

0:23:36.280 --> 0:23:40.560
<v Speaker 1>you know it's artificially or physically um in these and

0:23:40.600 --> 0:23:43.760
<v Speaker 1>we've talked about the pooping duck quite a bit. Yeah,

0:23:43.880 --> 0:23:49.320
<v Speaker 1>Vodka Song is actually the French engineer from the seventeenth

0:23:49.320 --> 0:23:52.639
<v Speaker 1>century eighteenth century dream of these up. Yeah, and he

0:23:52.720 --> 0:23:56.920
<v Speaker 1>was he was fascinated according to some historians, because he

0:23:57.000 --> 0:24:00.560
<v Speaker 1>was fascinated with digestion and defecation, uh the way, because

0:24:00.560 --> 0:24:04.920
<v Speaker 1>he had rather troubled bowels himself. Um. And then automatons

0:24:04.920 --> 0:24:07.040
<v Speaker 1>also date back to the day like Leonardo da Vinci

0:24:07.119 --> 0:24:10.639
<v Speaker 1>or even even further back into the past. Leonardo DaVinci

0:24:10.680 --> 0:24:13.359
<v Speaker 1>was a course fascinated with biomechanics. How does the body move,

0:24:13.400 --> 0:24:17.080
<v Speaker 1>how do muscles work? And so he had plans for

0:24:17.119 --> 0:24:21.760
<v Speaker 1>this and apparently even built this mechanical night that that

0:24:21.920 --> 0:24:23.840
<v Speaker 1>while you know, don't get too excited, it probably was

0:24:23.880 --> 0:24:26.240
<v Speaker 1>not walking around doing chores around the house, but on

0:24:26.240 --> 0:24:29.639
<v Speaker 1>some level mimicked the movements of the human body. You know,

0:24:29.720 --> 0:24:31.920
<v Speaker 1>he was, he was fascinating. It's like, this is how

0:24:31.960 --> 0:24:35.560
<v Speaker 1>the the mechanics of the body work. And I reproduced

0:24:35.560 --> 0:24:39.080
<v Speaker 1>these with wood and string and and hinges. It was

0:24:39.119 --> 0:24:41.400
<v Speaker 1>a vast pulley system. And I believe that he would

0:24:41.440 --> 0:24:44.480
<v Speaker 1>have dinner parties and roll out the robotic nitis. He

0:24:44.560 --> 0:24:48.760
<v Speaker 1>was like, you know, cocktail thing to chat about that

0:24:48.800 --> 0:24:51.320
<v Speaker 1>never survived? Is that correct? Is that? Is that the

0:24:51.359 --> 0:24:55.959
<v Speaker 1>instance in which the church decided that it was abomination

0:24:56.000 --> 0:24:58.400
<v Speaker 1>as well, and the church was a lot of people

0:24:58.440 --> 0:25:01.800
<v Speaker 1>would get kind of freaked out. Autumatono, we destroy them. Yeah,

0:25:01.800 --> 0:25:05.680
<v Speaker 1>Albertus Magnus supposedly had some sort of a they called

0:25:05.720 --> 0:25:07.960
<v Speaker 1>an android in some cases, but you know, some sort

0:25:08.000 --> 0:25:11.560
<v Speaker 1>of artificial man, and and uh, his his own pupil

0:25:11.640 --> 0:25:14.320
<v Speaker 1>freaked out about that and destroyed it, according to again

0:25:14.359 --> 0:25:17.680
<v Speaker 1>according to stories. But yeah, the idea here is that

0:25:17.680 --> 0:25:20.560
<v Speaker 1>that people were looking at humans, looking at them as machines,

0:25:20.600 --> 0:25:23.480
<v Speaker 1>and then trying to replicate a machine. And I have

0:25:23.520 --> 0:25:26.600
<v Speaker 1>this a really interesting idea emerges, a really just one

0:25:26.640 --> 0:25:29.680
<v Speaker 1>of the big you know, existential ponderings and part of

0:25:30.320 --> 0:25:33.560
<v Speaker 1>part of the horror of the Frankenstein story, both in uh,

0:25:33.880 --> 0:25:37.000
<v Speaker 1>in the original novel and in our modern interaction with it,

0:25:37.240 --> 0:25:39.879
<v Speaker 1>and that is, if a machine can mimic the human body,

0:25:39.920 --> 0:25:43.400
<v Speaker 1>then is the human body nothing more than a biochemical machine?

0:25:44.000 --> 0:25:47.080
<v Speaker 1>If I can make it, then what does that say

0:25:47.560 --> 0:25:50.439
<v Speaker 1>about me? Like? If I'm if Frankenstein makes this monster,

0:25:50.720 --> 0:25:53.439
<v Speaker 1>this human monster, why is it a monster? Does you know?

0:25:53.520 --> 0:25:55.639
<v Speaker 1>Does it have a soul? Is it? Am I equal

0:25:55.680 --> 0:25:59.560
<v Speaker 1>to it? If it is something special? Then am I less?

0:25:59.560 --> 0:26:02.000
<v Speaker 1>The problem of consciousness? Right? Yeah, you get into like, uh,

0:26:02.560 --> 0:26:06.080
<v Speaker 1>you know, I think therefore I am French philosopher Reneatic

0:26:06.160 --> 0:26:09.240
<v Speaker 1>Carts of you nature is primarily mechanical, but he avoided

0:26:09.280 --> 0:26:13.560
<v Speaker 1>the messier existential complimications by describing the human soul as

0:26:13.600 --> 0:26:17.240
<v Speaker 1>an independent force. The Carts critic Gilbert Ryle would the

0:26:17.359 --> 0:26:20.040
<v Speaker 1>later described as the ghost in the machine, the idea that, yeah,

0:26:20.080 --> 0:26:22.720
<v Speaker 1>our bodies are machines, but our our soul, that's something different,

0:26:22.760 --> 0:26:25.520
<v Speaker 1>that's something separate, and that ties right into the cognitive

0:26:25.560 --> 0:26:28.120
<v Speaker 1>blindness that we all have. The brain cannot perceive itself.

0:26:28.200 --> 0:26:30.960
<v Speaker 1>We exist in our own blind spot right well, and

0:26:30.960 --> 0:26:34.600
<v Speaker 1>and still we are trying to find that blind spot,

0:26:34.640 --> 0:26:37.080
<v Speaker 1>you know. So scoot forward to today when we have

0:26:37.200 --> 0:26:39.679
<v Speaker 1>the Blue Brain Project, and we've talked about this before,

0:26:40.280 --> 0:26:43.199
<v Speaker 1>but that's the attempt to reverse engineer the brain by

0:26:43.200 --> 0:26:46.280
<v Speaker 1>building a detailed, realistic computer model of the human brain.

0:26:46.359 --> 0:26:51.600
<v Speaker 1>And it's one hundred trillion synapses, more specifically modeling components

0:26:51.640 --> 0:26:55.680
<v Speaker 1>of the mammalion brain in precise cellular detail and simulating

0:26:56.040 --> 0:26:59.720
<v Speaker 1>neuronal activity in three D. So the person that is

0:26:59.760 --> 0:27:03.520
<v Speaker 1>doing in this is is actually sort of wondering if

0:27:03.600 --> 0:27:07.879
<v Speaker 1>once he's able to successfully reverse engineer the human brain,

0:27:08.160 --> 0:27:10.760
<v Speaker 1>if we'll be able to see that that seat of consciousness,

0:27:10.800 --> 0:27:14.000
<v Speaker 1>this bubble, this of perception that we see everything through.

0:27:14.400 --> 0:27:17.200
<v Speaker 1>Could we map it, could be point to it? Um

0:27:17.280 --> 0:27:21.240
<v Speaker 1>does that change our understanding of our humanness? But to

0:27:21.320 --> 0:27:24.000
<v Speaker 1>me it also brings into question that the same question

0:27:24.000 --> 0:27:28.480
<v Speaker 1>that Mary Shelley was um exploring, is what happens when

0:27:28.480 --> 0:27:32.320
<v Speaker 1>you do create this version of yourself that assuming you know,

0:27:32.359 --> 0:27:35.160
<v Speaker 1>you can reverse engineer your own brain and then you

0:27:35.520 --> 0:27:40.560
<v Speaker 1>um could map it to uh computer program has uh

0:27:40.880 --> 0:27:44.520
<v Speaker 1>say an emotional database, your own an emotional database. Uh

0:27:44.640 --> 0:27:48.320
<v Speaker 1>that sort of corresponds with it, let's say with questionnaires

0:27:48.359 --> 0:27:51.520
<v Speaker 1>that you've filled out. Okay, so now this brain could

0:27:51.520 --> 0:27:56.280
<v Speaker 1>operate on its own and essentially be you just you know,

0:27:56.359 --> 0:27:58.960
<v Speaker 1>in this database. What what happens with that? What's what

0:27:59.040 --> 0:28:01.919
<v Speaker 1>sort of responsibility we have for creating a version of

0:28:01.920 --> 0:28:05.760
<v Speaker 1>ourselves that might actually have a seat of consciousness? Yeah?

0:28:05.800 --> 0:28:08.159
<v Speaker 1>Does it happen? We don't know, But yeah, does it

0:28:08.160 --> 0:28:09.760
<v Speaker 1>have rights? Does it get to be a citizen? I

0:28:09.760 --> 0:28:11.159
<v Speaker 1>mean you get into all this weird day which is

0:28:11.200 --> 0:28:14.720
<v Speaker 1>something else encounter with the with the contemplation of ais. Yes,

0:28:14.960 --> 0:28:18.719
<v Speaker 1>at what point does I mean is an artificial intelligence

0:28:18.760 --> 0:28:21.520
<v Speaker 1>on par with human intelligence? I mean you get into

0:28:21.520 --> 0:28:24.399
<v Speaker 1>the whole idea of the technological singularity and the idea

0:28:24.480 --> 0:28:28.240
<v Speaker 1>that that a computer intelligence would even supersede the human

0:28:28.280 --> 0:28:32.560
<v Speaker 1>intelligence and the and and exceed our our capabilities. And

0:28:32.600 --> 0:28:34.920
<v Speaker 1>this isn't too crazy of a conversation considering that we've

0:28:34.920 --> 0:28:37.080
<v Speaker 1>talked to, you know, Dr Ronald ark And over at

0:28:37.080 --> 0:28:41.320
<v Speaker 1>Georgia Tech about the the ability to try to create

0:28:41.480 --> 0:28:44.040
<v Speaker 1>nuanced emotions in a machine, which is what they're trying

0:28:44.080 --> 0:28:46.440
<v Speaker 1>to teach. It's very rudimentary right now, but that doesn't

0:28:46.480 --> 0:28:49.840
<v Speaker 1>mean that, uh, you know, a computer model or a

0:28:49.880 --> 0:28:53.080
<v Speaker 1>machine might begin to react in the ways that we do.

0:28:53.240 --> 0:28:56.800
<v Speaker 1>And if that's the case, uh, I don't know. Is

0:28:56.840 --> 0:28:58.560
<v Speaker 1>it weird? Do you have this version of yourself out

0:28:58.600 --> 0:29:00.840
<v Speaker 1>there that you abandon that you just get tired of

0:29:01.000 --> 0:29:04.000
<v Speaker 1>looking at your own brain that you've created. Yeah, I mean,

0:29:04.040 --> 0:29:05.960
<v Speaker 1>and elsewhere in the science is too. I mean, we're

0:29:05.960 --> 0:29:09.880
<v Speaker 1>creating synthetic bacteria in the lab where we continue to

0:29:09.880 --> 0:29:12.840
<v Speaker 1>break apart DNA and map map the genomes of various

0:29:12.960 --> 0:29:16.000
<v Speaker 1>species we um. I mean. And then as far as

0:29:16.000 --> 0:29:18.200
<v Speaker 1>physics go, I mean, we're colliding particles. We're trying to

0:29:18.240 --> 0:29:21.840
<v Speaker 1>unlock the mystery of the universe. Itself, like gravity exists,

0:29:21.880 --> 0:29:23.840
<v Speaker 1>and yeah, there's a there's a lot of potential in

0:29:23.880 --> 0:29:27.320
<v Speaker 1>these two if not create an actual Frankenstein's monster, but

0:29:27.440 --> 0:29:30.200
<v Speaker 1>to create the Frankenstein's monster as the I mean, the

0:29:30.240 --> 0:29:33.360
<v Speaker 1>idea of the Frankensteience monster creates something that really forces

0:29:33.400 --> 0:29:37.000
<v Speaker 1>us to reevaluate who and what we are and what's

0:29:37.040 --> 0:29:39.480
<v Speaker 1>and where we have, where we have risen to with science,

0:29:39.520 --> 0:29:44.200
<v Speaker 1>and then how how they they change in scientific illumination, um,

0:29:44.240 --> 0:29:47.160
<v Speaker 1>you know, how it changes our own our understanding of ourselves. Yeah,

0:29:47.160 --> 0:29:48.680
<v Speaker 1>and that's why I think it's so interesting that Dr

0:29:48.760 --> 0:29:53.760
<v Speaker 1>Arkin focuses on ethics so much, um, in terms of

0:29:53.920 --> 0:29:57.240
<v Speaker 1>robotics and what means fifty years from now, hundred years

0:29:57.240 --> 0:29:59.440
<v Speaker 1>from now, back to just the idea of the like

0:29:59.480 --> 0:30:03.000
<v Speaker 1>the hormon idea of the monster itself. What's what's your

0:30:03.000 --> 0:30:07.800
<v Speaker 1>favorite film adaptation of Frankenstein. Well, I really like the

0:30:07.800 --> 0:30:10.600
<v Speaker 1>one with Robert de Niro in it, simply because, well,

0:30:10.640 --> 0:30:13.520
<v Speaker 1>for two reasons, one good and one bad. Uh. The

0:30:13.720 --> 0:30:17.360
<v Speaker 1>good reason is that I think that it's pretty faithful

0:30:17.520 --> 0:30:20.479
<v Speaker 1>to the actual text and that you know, you've got

0:30:20.520 --> 0:30:26.080
<v Speaker 1>a Frankenstein monster that is very intelligent, um, has very

0:30:26.080 --> 0:30:28.480
<v Speaker 1>deep thoughts and is trying to express those. On the

0:30:28.480 --> 0:30:32.719
<v Speaker 1>other hand, you've got Robert de Niro, a fine actor, wonderful,

0:30:33.320 --> 0:30:36.120
<v Speaker 1>but I don't know about de Niro as Frankenstein because

0:30:36.120 --> 0:30:38.320
<v Speaker 1>he's got a little bit of a New York accent

0:30:39.320 --> 0:30:43.960
<v Speaker 1>trying to say, well, did this happen to me? And

0:30:43.960 --> 0:30:45.760
<v Speaker 1>there's no way they could have been using New York

0:30:45.800 --> 0:30:49.360
<v Speaker 1>parts because they're having to import most of that exactly. Yeah,

0:30:49.440 --> 0:30:52.120
<v Speaker 1>it would be made out of like cockney parts. Yes,

0:30:52.200 --> 0:30:55.840
<v Speaker 1>I'm conflicted about that. Yeah, and I'm not I'm not

0:30:56.040 --> 0:30:58.200
<v Speaker 1>saying that de Niro isn't a wonderful actor. He is,

0:30:58.480 --> 0:31:00.720
<v Speaker 1>but just not has been. I don't of he is anymore.

0:31:01.840 --> 0:31:04.880
<v Speaker 1>I'm just saying Frankenstein probably wasn't is a greatest role

0:31:04.920 --> 0:31:08.160
<v Speaker 1>of his life. You you, I actually have a roof.

0:31:08.200 --> 0:31:09.840
<v Speaker 1>I haven't seen this one in years, but I remember

0:31:09.880 --> 0:31:14.040
<v Speaker 1>there was a TV movie where he had Patrick Bergen

0:31:14.160 --> 0:31:17.360
<v Speaker 1>I believe is his name, as as as Victor and

0:31:17.360 --> 0:31:20.880
<v Speaker 1>then Randy Quaid played the monster. Yeah, and it was

0:31:21.280 --> 0:31:23.760
<v Speaker 1>Is it a comedy? No, No, Randy was playing it straight.

0:31:23.800 --> 0:31:28.120
<v Speaker 1>I mean Randy was slapp is a very talented actor. Um,

0:31:28.120 --> 0:31:30.479
<v Speaker 1>it was just mainly remembered for his stuff, his more

0:31:30.560 --> 0:31:34.920
<v Speaker 1>comedic roles. But but yeah, I remember him as being

0:31:34.960 --> 0:31:37.560
<v Speaker 1>really good as the monster. It was a pretty like

0:31:37.560 --> 0:31:40.800
<v Speaker 1>like the version you're talking about with Kenneth Brawna. It was.

0:31:40.960 --> 0:31:43.120
<v Speaker 1>It was pretty accurate. I mean, it was pretty faithful

0:31:43.160 --> 0:31:45.880
<v Speaker 1>to the text. You know, began and ended in the Arctic,

0:31:46.280 --> 0:31:48.800
<v Speaker 1>and I remember just being really captivated by it when

0:31:48.800 --> 0:31:50.640
<v Speaker 1>I watched it as a kid, Right, I would I

0:31:50.680 --> 0:31:56.160
<v Speaker 1>would be very interested to know what your favorite adaptation is. Yeah, yeah,

0:31:56.920 --> 0:31:59.840
<v Speaker 1>like Karloff the fire Fire one, because I mean there's

0:31:59.840 --> 0:32:01.800
<v Speaker 1>my It's what that one too? Yeah? Or you're more

0:32:01.840 --> 0:32:04.080
<v Speaker 1>of a hammerman. Do you prefer to the like the

0:32:04.400 --> 0:32:06.760
<v Speaker 1>monster from Frankenstein and the Monster from Hell which looks

0:32:06.760 --> 0:32:09.720
<v Speaker 1>like the big like Harry gorilla man with stitches on

0:32:09.760 --> 0:32:12.240
<v Speaker 1>its head. I mean, there's just so many cool, cool

0:32:12.320 --> 0:32:15.640
<v Speaker 1>variations that have popped up over the years. All right, well, um,

0:32:15.720 --> 0:32:17.600
<v Speaker 1>Matt is telling us we have to stop. I had

0:32:17.640 --> 0:32:19.800
<v Speaker 1>more to share. I had so much more to tell

0:32:19.840 --> 0:32:23.480
<v Speaker 1>you about the alchemy. But but when that's being shut down,

0:32:24.760 --> 0:32:27.400
<v Speaker 1>you'll have to write in and complain about it. If

0:32:27.400 --> 0:32:29.720
<v Speaker 1>you want to share non complaints with us, you can

0:32:29.720 --> 0:32:31.640
<v Speaker 1>find us on Facebook and Twitter. We are Below the

0:32:31.640 --> 0:32:33.840
<v Speaker 1>Mind on both of those, and you can always find

0:32:33.880 --> 0:32:41.360
<v Speaker 1>us at Blow the Mind at how stuffourth stot com.

0:32:41.480 --> 0:32:44.040
<v Speaker 1>Be sure to check out our new video podcast, Stuff

0:32:44.080 --> 0:32:46.720
<v Speaker 1>from the Future. Join how Stuff Work staff as we

0:32:46.760 --> 0:32:50.320
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