WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>History is littered with tragic stories from which we could

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<v Speaker 1>all learn lessons. The spectacular Broadway show that flopped, the

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<v Speaker 1>autopilot that helped crash a plane, the heat wave that

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<v Speaker 1>killed some city residents but not their neighbors. I'm Tim Harford,

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<v Speaker 1>host of Cautionary Tales, the podcast that looks for the

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<v Speaker 1>valuable lessons in the greatest mistakes, disasters, and fiascos of

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<v Speaker 1>the past. Listen to Cautionary Tales on the iHeartRadio app,

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<v Speaker 1>Apple Podcasts, or wherever you get your podcasts. It's the

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<v Speaker 1>Best Bits of the Week with Morgan number two. What

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<v Speaker 1>is up, y'all? Welcome to the Best Bits, Just the Bits.

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<v Speaker 1>Y'all are coming from listening to the conversation I had

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<v Speaker 1>with Mike d this weekend, which was so fun. We

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<v Speaker 1>had a great conversation as always and they always turn

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<v Speaker 1>into some therapy sessions, and Mike and I both had

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<v Speaker 1>some realizations during that podcast. So if you're listening to

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<v Speaker 1>this right now, while you're hearing coming out of my voice,

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<v Speaker 1>this is the Best Bits, just the Bits. I'm going

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<v Speaker 1>to enter all the bits that you can listen to

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<v Speaker 1>and catch up on the show. But if you want

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<v Speaker 1>to hear it just the conversation with Mike the make

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<v Speaker 1>sure you check out part one. We're going to kick

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<v Speaker 1>it off with number seven. This is Restless Road. It

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<v Speaker 1>was their first ever appearance on the show, and they

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<v Speaker 1>shared the connection they have to Kane Brown, how their

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<v Speaker 1>bands started, how it's evolved in just so many cool things,

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<v Speaker 1>plus a really awesome medley performance. If you don't hear

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<v Speaker 1>it here, you can go watch it at Bobby Bones

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<v Speaker 1>dot Com. Number seven on The Bobby Bones Show. Now

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<v Speaker 1>Restless Road. Fella's good to see you, Amy. I would

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<v Speaker 1>like for you to meet Restless Road. Zach say hi

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<v Speaker 1>to Amy. Hey Amy, Helloi? I like this. This is

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<v Speaker 1>like Colton Oh, Garretty, Hey Amy, I'm Garrett. Hello. You

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<v Speaker 1>got it now? So this this body of work here

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<v Speaker 1>is Restless Road. We played the opery together last week

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<v Speaker 1>and Charles Kelley from Lady A came and sang with

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<v Speaker 1>you guys, and it's pretty cool. It was it was

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<v Speaker 1>It was absolutely incredible. I mean because he was a

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<v Speaker 1>co writer on the on the new single, so it

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<v Speaker 1>was an honor kind of to have him come out

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<v Speaker 1>and play it with us. Do you know how I

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<v Speaker 1>knew that he wrote the song? Is because he texts

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<v Speaker 1>me bragging that he wrote the song. Did he sounds

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<v Speaker 1>about right? Yeah? And then I saw about it all

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<v Speaker 1>there you go, there you go. So before we talk

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<v Speaker 1>about kind of you guys and you know who you are,

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<v Speaker 1>I'd like for audience to hear you a little bit.

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<v Speaker 1>I know you guys do this call Medley that I've

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<v Speaker 1>heard you do. Do you think you guys could do

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<v Speaker 1>that here live on the show. Oh we absolutely good?

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<v Speaker 1>All right, here we go. Here's restless road, baby luck

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<v Speaker 1>and over and turn the lights down loop, but some

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<v Speaker 1>music on the song baby we ain't got old? Please

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<v Speaker 1>to go. I hope you want to stay and thinking

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<v Speaker 1>bath so long never feels to feeling quiet maybe strong?

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<v Speaker 1>Actually Familes turns me home just to be old man,

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<v Speaker 1>that I can take a full ride on a big

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<v Speaker 1>green tractor and we can't go slow and Biggie go

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<v Speaker 1>faster down through the woods right to the pasture and

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<v Speaker 1>long the time with you you really don't matter the

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<v Speaker 1>time of being alive and drive if you want to, girl,

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<v Speaker 1>you know you gotta meet on too. We can go

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<v Speaker 1>to town. Maybe if you'd rather take a full ride

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<v Speaker 1>on my big green tractor and both should have been

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<v Speaker 1>a cowboy, shouldn't be right? Weren't mind seeing you right

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<v Speaker 1>in my pony on the chat of drive steal any

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<v Speaker 1>young girl? So just like Jean, go see those can't

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<v Speaker 1>buy songs? Who should have been Terribell? Who should have

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<v Speaker 1>been Chubell? You love me? You won't be my friend?

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<v Speaker 1>Sit will don't be pretty? Take me by you won't.

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<v Speaker 1>I think this is sound goose chack chacks home by

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<v Speaker 1>beaver check soon? No, no, no, that's let's road. Nice

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<v Speaker 1>job fellas. You know. I know what it's like now

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<v Speaker 1>because I've been jaded a bit after being a a

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<v Speaker 1>lot of shows. When someone yells at your hometown, you

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<v Speaker 1>feel excited and you're like, oh, so that I've lost. However,

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<v Speaker 1>I wasn't expecting the rhyme with Bobby Bones and I

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<v Speaker 1>was like, oh, I just worked or something. It was.

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<v Speaker 1>It was a it was a low hanging fruit. We

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<v Speaker 1>had to get it. Um. So let's kind of start

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<v Speaker 1>at the beginning here. I know you guys from knowing

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<v Speaker 1>Kane Brown, right. I think Kane is what interest who

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<v Speaker 1>introduced me to you guys? So Garrett, what's the situation.

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<v Speaker 1>How do you guys know Kine? Well, Colton. Colton can

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<v Speaker 1>probably tell you that. So, um, we know came from

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<v Speaker 1>back in two thousand and thirteen. We were all on

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<v Speaker 1>the TV show The X Factor together and that's kind

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<v Speaker 1>of where Russell's Roads started. And um, we were kind

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<v Speaker 1>of all we all met each other in Los Angeles

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<v Speaker 1>and Hollywood week and um, it was we were kind

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<v Speaker 1>of all pitted against each other, or so we thought,

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<v Speaker 1>and then um, coming to find out, No, they were

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<v Speaker 1>all along trying to set up this for this four

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<v Speaker 1>person group, and Kane was supposed to be in Wrestless Road.

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<v Speaker 1>But then Kane decided he wanted to go on and

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<v Speaker 1>to solo stuff and he became the Kane Brown that

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<v Speaker 1>everybody knew some loves. And we continued. So, Zach, when

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<v Speaker 1>you're from whichaw, Kansas? My family actually lives there now,

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<v Speaker 1>but I was born and raised in Iowa. Then I

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<v Speaker 1>lived in Michigan and Pennsylvania. My dad, he's a choir director,

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<v Speaker 1>so he got a job at Wichita State University. So

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<v Speaker 1>that's why I call home now. Okay, shocker shout out.

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<v Speaker 1>So your home now is Wichita? Well, I just call

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<v Speaker 1>home wherever my family lives from. Hon't you live here?

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<v Speaker 1>That's tough. And then the thing where so you moved

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<v Speaker 1>around a whole lot and your dad was a choir instructor. Yeah,

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<v Speaker 1>he's a choir director. So does was he hard on you? No? Honestly,

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<v Speaker 1>I wouldn't actually ever let him hear me sing. It

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<v Speaker 1>was weird. I don't know what it was like. I

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<v Speaker 1>wanted to prove it on my own or something. I

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<v Speaker 1>would never let him help me sing. And I eventually

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<v Speaker 1>joined choir myself. He wasn't my teacher, but I joined

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<v Speaker 1>because I was moving school so much. I needed to

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<v Speaker 1>do something to kind of make friends and I kind

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<v Speaker 1>of fit in, so I just kept up with it.

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<v Speaker 1>And yeah, it's my dream honestly to do like a

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<v Speaker 1>choir remix to one of our songs and have my

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<v Speaker 1>dad come out and like conduct the choir. So with

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<v Speaker 1>the stick he's got this actually got him a custom

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<v Speaker 1>one for Christmas. There. It's called ah but Tom. I

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<v Speaker 1>don't know, actually don't know, but yeah, the choir guy's son.

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<v Speaker 1>You should know, you're Yeah, you're you're you're a son

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<v Speaker 1>and you I've never been in a choir before. Yeah,

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<v Speaker 1>he's got the stick and everything. So rest the name

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<v Speaker 1>Restless Road what is the what's the genesis of that?

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<v Speaker 1>I wish it had a really cool story. I don't

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<v Speaker 1>know what came first, the name or the meaning let's

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<v Speaker 1>make up. Let's just make up a name that they've

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<v Speaker 1>really told us, you know, on the show, they said, hey,

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<v Speaker 1>we need a name by the end of the day.

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<v Speaker 1>And we were coming up with just everything we could

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<v Speaker 1>and nothing was sticking, and we just said restless road.

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<v Speaker 1>And the guy was like, man, that sounds like some

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<v Speaker 1>and we never looked back, you know, And now now

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<v Speaker 1>I feel like it kind of has taken on its

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<v Speaker 1>own meaning. This whole journey to get to this point

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<v Speaker 1>in life in general, for everybody, it's it's a wrestless road.

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<v Speaker 1>It's it's you never know what you're gonna get. And

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<v Speaker 1>we have this whole catchphrase and it's called keep your

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<v Speaker 1>eyes on the road, and it's just all about staying

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<v Speaker 1>focused on your dream and your goal. And that's kind

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<v Speaker 1>of so it's kind of I feel like developed the meaning.

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<v Speaker 1>I'm gonna give you a meaning. So when you guys met,

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<v Speaker 1>you hit it off, and you all were like on

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<v Speaker 1>ancestry dot com or one of those sites, and you

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<v Speaker 1>realize when you look back into your history that all

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<v Speaker 1>of your grandparents lived on Restless Avenue, but Wrestless Avenue

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<v Speaker 1>didn't sound good, so crazy coincidence that they all live

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<v Speaker 1>in the same place because they were all fighting for

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<v Speaker 1>America in World War One and they lived on Wrestless Avenue.

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<v Speaker 1>And you're like, wow, we can't believe that we're all

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<v Speaker 1>matched together. This has got to be some sign from God.

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<v Speaker 1>And so instead of Wrestless Avenue, you're like, let's just

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<v Speaker 1>say Restless Road because it sounds better. And then now

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<v Speaker 1>representing USA U three Restless Road, that's your new story.

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<v Speaker 1>You can have it free. Well I'm glad you said

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<v Speaker 1>that because my free trial on answertry dot com ran

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<v Speaker 1>out before I got Okay, that's great. You know what's

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<v Speaker 1>really ironic though, that you say that my grandpa after

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<v Speaker 1>we were on the show, he changed the name of

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<v Speaker 1>my home the road that we lived one in our hometown.

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<v Speaker 1>And it's not a total lie, so let's go literally live.

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<v Speaker 1>He really did change it. And then he got really

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<v Speaker 1>mad because my grandpa's like kind of a recluse, so

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<v Speaker 1>he doesn't like people. And so there was two like

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<v Speaker 1>there was people stopping by because when we were rolling

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<v Speaker 1>the show. People were wanting to stop by and see

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<v Speaker 1>where this was. And he went out there and chopped

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<v Speaker 1>the whole sign down and never put it back out.

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<v Speaker 1>So I don't know if it's still legally Wrestless Road,

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<v Speaker 1>but we're gonna we're gonna say it is Wrestless Avenue.

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<v Speaker 1>That whole situation works. So what's the living situation with

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<v Speaker 1>you guys? You guys live together? Me and Zach do.

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<v Speaker 1>We live Overnice, Nashville and Colton. He has a beautiful family,

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<v Speaker 1>he's married, he has two little girls. Why don't you

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<v Speaker 1>move in with them? He's got to have room. Now,

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<v Speaker 1>I don't I don't know. I don't know if he

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<v Speaker 1>I don't know if he can handle two more for

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<v Speaker 1>the phone calls. Dude, So are you guys known as uncle? Oh? Yeah,

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<v Speaker 1>we're Uncle Gee and Uncle Zach. Yeah. And your kids

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<v Speaker 1>are how old? Two and four? I mean you're like sixteen?

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<v Speaker 1>How do you have to get kids? I know, man,

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<v Speaker 1>I've been married for seven years too already. Wow, twenty

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<v Speaker 1>and so? Yeah, and you grew up where West Virginia?

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<v Speaker 1>Now did you ever make the walk to Tennessee? And

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<v Speaker 1>I say that because Eddie did from West Virginia. I

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<v Speaker 1>know a few people that's done it. Um, y'all are

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<v Speaker 1>a different breed of people. Man, I lived I lived

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<v Speaker 1>out there, and I don't think that you couldn't catch

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<v Speaker 1>me walking that far. It's it is a long walk. Colton.

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<v Speaker 1>What what's your hometown? Like? Small? Real small? Um? We

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<v Speaker 1>had uh, we have one one stop sign, one gas station, um,

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<v Speaker 1>and it there's about two. Last time they did a census,

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<v Speaker 1>there was two hundred and seventy two people in the town.

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<v Speaker 1>So everybody knows everyone. Um. But it's it's honestly really

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<v Speaker 1>cool because I feel like, uh, just West Virginia in general,

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<v Speaker 1>they tend to rally around people that are doing stuff

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<v Speaker 1>because not a lot of people get out of West

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<v Speaker 1>Virginia and and do something. So, UM, it's been it's

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<v Speaker 1>been a really awesome experience and being able to go back.

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<v Speaker 1>They actually, I don't know if this is this is

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<v Speaker 1>it's weird, but they put I've seen you have a

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<v Speaker 1>sign in your hometown and they put home of Colton

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<v Speaker 1>pack um in front of mine, which was a really cool,

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<v Speaker 1>really cool moment um. So they're they're definitely proud. It's

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<v Speaker 1>it's it's a really cool a really cool thing and

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<v Speaker 1>I love to get to go back when I can. So,

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<v Speaker 1>so you're from West Virginia and then Zach like where

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<v Speaker 1>it is? I know you see your family in which

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<v Speaker 1>town now? But to you, where's home? As a kid,

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<v Speaker 1>you gotta be you gotta pick a place? Where would

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<v Speaker 1>it be? It's it's really hard. Um. I've always said

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<v Speaker 1>I kind of feel like I don't have a hometown.

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<v Speaker 1>Maybe we'll write a song about it. That's crazy that

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<v Speaker 1>you feel that you feel like you don't have a hometown. Um,

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<v Speaker 1>but in a lot of ways, it's it's something that

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<v Speaker 1>my dad would would apologize for later on and be like,

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<v Speaker 1>I'm really sorry that, you know, we had to move around.

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<v Speaker 1>But I actually really value and appreciate that experience because

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<v Speaker 1>it really forced me to come out of my show

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<v Speaker 1>and uh just adapt the new situations. And I've applied

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<v Speaker 1>that a lot to what we're doing today. Um. But

0:11:57.600 --> 0:12:01.160
<v Speaker 1>I feel sad for him now. I feel sad for

0:12:01.160 --> 0:12:05.079
<v Speaker 1>you being acquired director. You know, military, you expect I

0:12:05.160 --> 0:12:08.240
<v Speaker 1>feel like you have a hometown. Yeah, well I got

0:12:08.320 --> 0:12:09.839
<v Speaker 1>friends in a lot of places. I got you know,

0:12:10.280 --> 0:12:12.559
<v Speaker 1>I loved my Michigan friends. That was kind of where

0:12:12.600 --> 0:12:14.959
<v Speaker 1>I feel like I that's where I started singing. That's

0:12:14.960 --> 0:12:19.000
<v Speaker 1>where I did this time town East Lansing. Okay, there

0:12:19.000 --> 0:12:21.079
<v Speaker 1>it is. There's his hometown. Okay. My question would be

0:12:21.080 --> 0:12:22.880
<v Speaker 1>if like you were playing Monday night football and he's like,

0:12:22.920 --> 0:12:26.240
<v Speaker 1>you know, I'm from home too, Mountain Pine Ark and

0:12:26.280 --> 0:12:29.320
<v Speaker 1>tell Bob. You'd be like, oh, I don't have a hometown.

0:12:29.440 --> 0:12:30.760
<v Speaker 1>Or we'd be like, I gotta change it because I

0:12:30.800 --> 0:12:33.679
<v Speaker 1>feel sad again he watch football now, you know, but

0:12:34.200 --> 0:12:36.320
<v Speaker 1>I like it. I like your attitude about it. Um,

0:12:37.960 --> 0:12:42.640
<v Speaker 1>Whenever you guys started playing together, did you feel like, oh, man,

0:12:42.679 --> 0:12:44.360
<v Speaker 1>I kind of wanted to be solo and now we're together.

0:12:45.160 --> 0:12:47.160
<v Speaker 1>Was that that kind of a process to get through?

0:12:47.280 --> 0:12:48.880
<v Speaker 1>Or we like, man, we actually are a lot better

0:12:49.040 --> 0:12:52.280
<v Speaker 1>together than we were by ourselves. This is way more

0:12:52.360 --> 0:12:54.760
<v Speaker 1>fun being a group. This, yeah, would be. I just think,

0:12:55.240 --> 0:12:57.640
<v Speaker 1>you know, being a group obviously comes with more challenges.

0:12:57.640 --> 0:12:59.760
<v Speaker 1>You're gonna have to make some sacrifices, and I'm sure

0:13:00.160 --> 0:13:01.719
<v Speaker 1>there's things that we don't even know about down the

0:13:01.800 --> 0:13:04.679
<v Speaker 1>road we're gonna have to work together on. But for me,

0:13:04.800 --> 0:13:08.079
<v Speaker 1>it's just so much fun. There's no joke. They're my

0:13:08.160 --> 0:13:10.840
<v Speaker 1>best friends and we and everyone thinks that we're brothers,

0:13:10.920 --> 0:13:14.040
<v Speaker 1>but it feels like it and it's just we we

0:13:14.200 --> 0:13:16.839
<v Speaker 1>love making music together and we just love what we do,

0:13:17.040 --> 0:13:20.640
<v Speaker 1>and um, you still like each other. Yeah, we haven't

0:13:20.679 --> 0:13:22.920
<v Speaker 1>had a we haven't had a blowout yet. You really haven't,

0:13:22.960 --> 0:13:25.840
<v Speaker 1>and we really have it. But we're honestly, I feel

0:13:25.880 --> 0:13:29.000
<v Speaker 1>like we're pretty we're pretty good about like communication skill

0:13:29.080 --> 0:13:32.440
<v Speaker 1>as soon as Yeah, if something's like a problems arising immediately,

0:13:32.440 --> 0:13:34.199
<v Speaker 1>we just we just say how we feel. When we

0:13:34.520 --> 0:13:36.760
<v Speaker 1>work it out, we say, we say it, we get

0:13:36.800 --> 0:13:40.120
<v Speaker 1>past it, and we move on. Is there a voting protocol?

0:13:40.360 --> 0:13:43.559
<v Speaker 1>Like if hey, two one you know wins, how do

0:13:43.600 --> 0:13:45.199
<v Speaker 1>you guys do that? Well? I think I think what's

0:13:45.240 --> 0:13:47.280
<v Speaker 1>cool about us is, you know, over the years that

0:13:47.320 --> 0:13:49.880
<v Speaker 1>we've been together, like we all came from different places.

0:13:49.920 --> 0:13:52.920
<v Speaker 1>We have very different voices and styles. But I think

0:13:52.960 --> 0:13:54.840
<v Speaker 1>that's what's cool is we kind of bounce off each other,

0:13:54.960 --> 0:13:57.360
<v Speaker 1>and you know, it's it's cool to hear their perspective

0:13:57.360 --> 0:13:59.880
<v Speaker 1>because I might think, you know, something sounds cool, but

0:14:00.000 --> 0:14:03.079
<v Speaker 1>they'll have a different perspective, and you know, it's it's

0:14:03.120 --> 0:14:05.600
<v Speaker 1>cool to bounce ideas off each other and then kind

0:14:05.600 --> 0:14:07.280
<v Speaker 1>of be like, hey, maybe I wasn't right, maybe that

0:14:07.400 --> 0:14:10.360
<v Speaker 1>was a little cooler. So you're from Tuscaloos, Alabama, I am,

0:14:10.559 --> 0:14:13.720
<v Speaker 1>how's that working out for you? Well? I always tell

0:14:13.800 --> 0:14:16.520
<v Speaker 1>people this, um, because you know, people either love or

0:14:16.600 --> 0:14:18.720
<v Speaker 1>hate that you're from Tuscaloosa. They're like, oh, real tied

0:14:18.800 --> 0:14:21.560
<v Speaker 1>or they're like, oh dude, no. But when I turned

0:14:21.600 --> 0:14:23.440
<v Speaker 1>to when I started talking, my parents said, you can

0:14:23.480 --> 0:14:25.440
<v Speaker 1>either live with us here at home or we're gonna

0:14:25.480 --> 0:14:27.480
<v Speaker 1>take you to the woods and you can figure it out.

0:14:27.560 --> 0:14:29.360
<v Speaker 1>You gotta be a real tied fan. I said, okay,

0:14:29.440 --> 0:14:31.400
<v Speaker 1>so you're forced into it. Yeah. I grew up there.

0:14:31.480 --> 0:14:33.640
<v Speaker 1>I was there till I was eighteen, moved to Nashville after,

0:14:33.720 --> 0:14:35.560
<v Speaker 1>so I kind of have to be yah. See, I

0:14:35.640 --> 0:14:38.560
<v Speaker 1>am not. I feel a bit the opposite. I actually

0:14:38.640 --> 0:14:40.680
<v Speaker 1>really enjoy going to Tuscaloosa. But I am not an

0:14:40.720 --> 0:14:44.400
<v Speaker 1>Alabama fan at all. But I'm just jealous that you

0:14:44.520 --> 0:14:47.280
<v Speaker 1>guys are really good, and so I take that out

0:14:47.320 --> 0:14:50.840
<v Speaker 1>on you. But my hatred is jealousy. Yeah, I don't know.

0:14:50.960 --> 0:14:53.520
<v Speaker 1>It's it's been weird, like with all the football success,

0:14:53.720 --> 0:14:56.480
<v Speaker 1>you know, it's been weird watching sports growing up because

0:14:56.800 --> 0:14:59.440
<v Speaker 1>when I was a young kid. We didn't have Nick Saban.

0:14:59.480 --> 0:15:01.680
<v Speaker 1>I think he a huge part of that. But yeah,

0:15:01.680 --> 0:15:04.120
<v Speaker 1>it was crazy seeing seeing where they were and how

0:15:04.200 --> 0:15:06.160
<v Speaker 1>they are now. It was just a big change. And

0:15:06.200 --> 0:15:08.360
<v Speaker 1>you get do three hometown shows whenever you're touring, like

0:15:08.400 --> 0:15:11.160
<v Speaker 1>all right, we're gonna do Yeah, Well there, I promise you.

0:15:11.200 --> 0:15:14.520
<v Speaker 1>There's probably no chance we're ever going to my hometown.

0:15:14.560 --> 0:15:17.400
<v Speaker 1>There's there's not enough people. Yeah, we will think we're

0:15:17.400 --> 0:15:19.120
<v Speaker 1>going to Yeah, we gotta go back. Hey when we

0:15:19.200 --> 0:15:21.240
<v Speaker 1>are going to West Virginia. So I kind of take

0:15:21.280 --> 0:15:23.120
<v Speaker 1>West Virginia as my whole home. I feel the same

0:15:23.120 --> 0:15:25.080
<v Speaker 1>way about our can saw anywhere I can saw. This's

0:15:25.080 --> 0:15:27.720
<v Speaker 1>like exactly exactly. You guys are all over. I'm looking

0:15:27.720 --> 0:15:29.160
<v Speaker 1>at all these dates that you guys are doing. And

0:15:29.280 --> 0:15:33.600
<v Speaker 1>so when you play a live show and it's you three, like,

0:15:34.160 --> 0:15:36.360
<v Speaker 1>are you able to cover the whole? I mean musically,

0:15:36.520 --> 0:15:38.200
<v Speaker 1>you guys have it all right here with you three.

0:15:38.560 --> 0:15:40.400
<v Speaker 1>I mean, I'm sure you got a drummer, but like, what,

0:15:40.520 --> 0:15:42.120
<v Speaker 1>what's what do you guys doing there on the set?

0:15:42.360 --> 0:15:45.240
<v Speaker 1>Tell him about our guitars? Um, Yeah, So it's actually

0:15:45.680 --> 0:15:48.640
<v Speaker 1>so Garrett plays guitar, Zach plays guitar. I play guitar

0:15:48.680 --> 0:15:52.120
<v Speaker 1>and piano UM and uh, it's really cool. So I

0:15:52.240 --> 0:15:56.080
<v Speaker 1>went to UM. Our lead guitar player is actually from

0:15:56.120 --> 0:15:58.800
<v Speaker 1>my high school. So he moved to Nashville. I used

0:15:58.840 --> 0:16:01.760
<v Speaker 1>to try to get him to move to Nashville early

0:16:01.840 --> 0:16:05.120
<v Speaker 1>on because he's just unbelievable at what he does. And

0:16:06.160 --> 0:16:08.360
<v Speaker 1>he actually moved to Nashville where I did. After all

0:16:08.400 --> 0:16:13.280
<v Speaker 1>that time, and then when the opportunity arise, I told him.

0:16:13.320 --> 0:16:15.000
<v Speaker 1>I said, man, we'd love to have you in the band.

0:16:15.080 --> 0:16:17.120
<v Speaker 1>And he's been playing with us. So it's been really

0:16:17.160 --> 0:16:19.880
<v Speaker 1>cool to get to see two people from the middle

0:16:19.920 --> 0:16:23.720
<v Speaker 1>of nowhere, West Virginia on the big stage show. I

0:16:23.760 --> 0:16:27.360
<v Speaker 1>guess I asked that because you know, you gotta pay people. True,

0:16:27.560 --> 0:16:30.960
<v Speaker 1>you know, and at one point the Wrestless Road money

0:16:31.040 --> 0:16:33.120
<v Speaker 1>is gonna be coming in pretty good. I hope. Right

0:16:33.160 --> 0:16:35.040
<v Speaker 1>now you're trying to figure it out. You know, he

0:16:35.160 --> 0:16:37.720
<v Speaker 1>got all those mouths to feed it is. That's very true.

0:16:37.880 --> 0:16:39.680
<v Speaker 1>That's very true. I mean, right now we do have

0:16:39.760 --> 0:16:41.960
<v Speaker 1>a drummer and in a lead guitar player, but other

0:16:42.040 --> 0:16:44.240
<v Speaker 1>than that, we kind of that's pretty full sounding. That's

0:16:44.240 --> 0:16:46.440
<v Speaker 1>pretty awesome, you guys, can I hope you go and

0:16:46.520 --> 0:16:49.480
<v Speaker 1>see Wrestless Road because they have so many dates. Um

0:16:49.600 --> 0:16:51.120
<v Speaker 1>and we'll tell you just a second about that. But

0:16:51.360 --> 0:16:53.280
<v Speaker 1>the thing that interests me to about new artists is

0:16:53.280 --> 0:16:54.880
<v Speaker 1>when they get asked to do something like The Bachelor,

0:16:55.000 --> 0:16:56.440
<v Speaker 1>like to perform on that show, because I just feel

0:16:56.480 --> 0:16:58.280
<v Speaker 1>so awkward because do you have to do it over

0:16:58.360 --> 0:17:01.200
<v Speaker 1>and over again? Did it any way to dive into this?

0:17:01.360 --> 0:17:04.240
<v Speaker 1>Oh yeah, because that's that to me, that's always fascinating.

0:17:04.280 --> 0:17:05.639
<v Speaker 1>And have a few friends that have done it, and

0:17:05.640 --> 0:17:08.360
<v Speaker 1>it just feels weird. So what who did they bring

0:17:08.440 --> 0:17:11.320
<v Speaker 1>you in for? And what was the scene? We were

0:17:11.400 --> 0:17:15.280
<v Speaker 1>episode four on Clayton's season, and all we knew going in.

0:17:15.480 --> 0:17:17.239
<v Speaker 1>We were huge fans of the show, by the way,

0:17:17.280 --> 0:17:19.119
<v Speaker 1>so when we found out, we were just so pumped

0:17:19.160 --> 0:17:20.600
<v Speaker 1>to be there and we're asking you have to say

0:17:20.640 --> 0:17:21.879
<v Speaker 1>that if you do it, like it's in the contract.

0:17:23.160 --> 0:17:25.080
<v Speaker 1>Probably for eight or nine years now, we've watched it.

0:17:25.160 --> 0:17:28.200
<v Speaker 1>Religious Oh oh yeah, we know, we knew all the facts,

0:17:28.240 --> 0:17:31.840
<v Speaker 1>Like we keep up, we can ask us anything. We won't,

0:17:31.880 --> 0:17:34.560
<v Speaker 1>but I believe you. Yeah, it's the most dramatic season

0:17:34.640 --> 0:17:38.560
<v Speaker 1>of the Bachelor coming out coming up. Anyways, where did

0:17:38.560 --> 0:17:41.199
<v Speaker 1>they send to you just La. We were actually in Houston,

0:17:41.560 --> 0:17:43.440
<v Speaker 1>so we had finished a show we were opening with Kine.

0:17:43.520 --> 0:17:45.920
<v Speaker 1>We've finished the show, flew to Houston and it was

0:17:45.960 --> 0:17:48.480
<v Speaker 1>a date at this like farmhouse. It was a barbecue

0:17:49.280 --> 0:17:51.760
<v Speaker 1>date that they were on, and so during the daytime

0:17:51.800 --> 0:17:54.159
<v Speaker 1>portion we were kind of kept secret and we were

0:17:54.200 --> 0:17:56.720
<v Speaker 1>asking the producers a million questions, how how's the show work?

0:17:56.760 --> 0:17:59.359
<v Speaker 1>We had like a million questions. And then by the

0:17:59.440 --> 0:18:02.119
<v Speaker 1>time the eight dinner I'm using air quotes because they

0:18:02.160 --> 0:18:05.480
<v Speaker 1>don't actually eat the food. They eat dinner at around

0:18:05.560 --> 0:18:09.440
<v Speaker 1>midnight and then there's this big sliding door and we're

0:18:09.480 --> 0:18:11.280
<v Speaker 1>on the other side of it and when the producers

0:18:11.280 --> 0:18:14.639
<v Speaker 1>just like, hey, whenever that door opens, just start and uh.

0:18:15.000 --> 0:18:17.119
<v Speaker 1>The suspense was just killing us because we had to

0:18:17.160 --> 0:18:19.720
<v Speaker 1>be totally silent. It was like eight minutes went by.

0:18:19.880 --> 0:18:21.520
<v Speaker 1>I didn't tell us. They're like, they're like, just watch

0:18:21.640 --> 0:18:24.240
<v Speaker 1>that door and be ready to play, and whenever it opens,

0:18:24.320 --> 0:18:26.360
<v Speaker 1>just scowed it. And we're like, I'm like sitting there

0:18:26.400 --> 0:18:29.000
<v Speaker 1>for I met you forty minutes, just waiting, waiting, waiting,

0:18:29.040 --> 0:18:31.680
<v Speaker 1>and they're it's dead silent. Everybody's whispering. And then the

0:18:31.720 --> 0:18:34.480
<v Speaker 1>producers like out her earpiece and she's like, she's crying.

0:18:34.600 --> 0:18:40.040
<v Speaker 1>The girl's crying, she's and the door finally opened. Yeah,

0:18:40.040 --> 0:18:42.760
<v Speaker 1>and they walked through and they were mean five feet

0:18:42.800 --> 0:18:45.800
<v Speaker 1>away from us and just went for the instant makeout

0:18:46.119 --> 0:18:49.320
<v Speaker 1>and uh, that's really what was What was challenging was

0:18:49.560 --> 0:18:51.639
<v Speaker 1>was keeping the straight face because you can't you have

0:18:51.760 --> 0:18:53.360
<v Speaker 1>to look at him. You can't not look at them,

0:18:54.000 --> 0:18:55.760
<v Speaker 1>but then you feel weird both ways. But it's weird

0:18:55.840 --> 0:18:57.320
<v Speaker 1>both ways. You don't look at him, You're like, we're

0:18:57.440 --> 0:18:59.520
<v Speaker 1>performing to them, but then they're like making out, you know,

0:18:59.800 --> 0:19:01.879
<v Speaker 1>and then then you're just like, my mow for this,

0:19:01.960 --> 0:19:03.720
<v Speaker 1>you only do it one time, we did it a

0:19:03.720 --> 0:19:08.040
<v Speaker 1>few they had to keep kissing. Well, so what was funny? Yeah,

0:19:09.040 --> 0:19:13.320
<v Speaker 1>right after Clayton did this big, massive speech and I

0:19:13.400 --> 0:19:15.399
<v Speaker 1>mean it was like it was perfect. It was the

0:19:15.480 --> 0:19:19.160
<v Speaker 1>perfect speech, and then the producers go, can you please

0:19:19.200 --> 0:19:21.560
<v Speaker 1>say exactly what you said, just like you said it?

0:19:21.960 --> 0:19:23.560
<v Speaker 1>He said, I like those words you use. I like

0:19:23.640 --> 0:19:26.040
<v Speaker 1>to use more of those words. So instead of doing

0:19:26.119 --> 0:19:28.359
<v Speaker 1>the speech, they were just like, no, we're just gonna

0:19:28.400 --> 0:19:30.480
<v Speaker 1>make outens. So then they continue to do that and

0:19:30.640 --> 0:19:33.640
<v Speaker 1>he kept trying to have to stop them and yeah

0:19:33.720 --> 0:19:35.639
<v Speaker 1>it was. We got like two or three minutes with

0:19:35.720 --> 0:19:37.680
<v Speaker 1>him off camera, and they did seem to be like

0:19:37.760 --> 0:19:42.040
<v Speaker 1>all over each other, don't even to the bitter end,

0:19:42.119 --> 0:19:44.320
<v Speaker 1>and she was. It was Rachel, I'm not gonna, you know,

0:19:44.480 --> 0:19:47.960
<v Speaker 1>spoil anything, but Colton wen any finales. Wait, I don't

0:19:47.960 --> 0:19:51.600
<v Speaker 1>even know if this is like it came out like

0:19:51.680 --> 0:19:54.560
<v Speaker 1>what a week like two weeks ago. If you saw it,

0:19:54.640 --> 0:19:57.200
<v Speaker 1>it was the biggest train wreck of a finale. Like

0:19:57.280 --> 0:20:01.600
<v Speaker 1>the guy did probably you know everything, and the girl

0:20:01.680 --> 0:20:03.800
<v Speaker 1>that was a part of our day, she kind of got,

0:20:03.960 --> 0:20:05.920
<v Speaker 1>you know, the short end of the stick, like she

0:20:06.160 --> 0:20:08.760
<v Speaker 1>was her and the she was like second and third

0:20:08.840 --> 0:20:10.280
<v Speaker 1>with the other girl. He just told him both. It

0:20:10.320 --> 0:20:13.080
<v Speaker 1>made her the new bachelorette. Yeah, they gave her, They

0:20:13.160 --> 0:20:15.119
<v Speaker 1>gave her another chance at The funny thing about the

0:20:15.160 --> 0:20:17.160
<v Speaker 1>story is I lost interest after you finish your part.

0:20:17.760 --> 0:20:19.560
<v Speaker 1>I don't care. I mean, I yeah, you guys, we're

0:20:19.600 --> 0:20:22.320
<v Speaker 1>just talking to air after a while. Rachel Susie, I

0:20:22.359 --> 0:20:24.359
<v Speaker 1>don't know what's happening. Yeah, I thought maybe they were

0:20:24.400 --> 0:20:28.200
<v Speaker 1>sharing a story from a year ago. No, no, just yeah, yeah,

0:20:28.320 --> 0:20:31.760
<v Speaker 1>just now, yeah, Rachel and Susie. It's a cool thing. No, idea.

0:20:31.840 --> 0:20:35.560
<v Speaker 1>What's happening here? Yes? No, not no, that's Colton. Colton

0:20:35.640 --> 0:20:39.000
<v Speaker 1>was the other bachelor Clinton. Ye. See, there's just so

0:20:39.080 --> 0:20:41.359
<v Speaker 1>many seasons at this point, too many to keep up with.

0:20:41.560 --> 0:20:44.080
<v Speaker 1>Restless Road is here. You guys have a new single.

0:20:44.359 --> 0:20:46.119
<v Speaker 1>I would like for you to play it. Can you

0:20:46.160 --> 0:20:48.960
<v Speaker 1>play the whole thing? We can? Okay? Good, because sometimes

0:20:48.960 --> 0:20:50.159
<v Speaker 1>people come in and I want to play like a

0:20:50.240 --> 0:20:52.760
<v Speaker 1>third of it. Let's just play the first fifteen seconds. See,

0:20:52.760 --> 0:20:54.919
<v Speaker 1>I knew it. I knew there was something up all right.

0:20:54.960 --> 0:20:57.239
<v Speaker 1>Here is Restless Road and they're gonna do their new

0:20:57.320 --> 0:21:12.480
<v Speaker 1>song growing old with you. All right, boys, girl, you

0:21:12.640 --> 0:21:21.480
<v Speaker 1>stole my heart, change, took all of my planes and rearrange.

0:21:24.200 --> 0:21:30.520
<v Speaker 1>Now I finally know what amazing grace. When I look

0:21:30.680 --> 0:21:39.399
<v Speaker 1>again to your ground, baby, I see my whole life.

0:21:40.880 --> 0:21:46.600
<v Speaker 1>What say we put the stassamers found as fall him,

0:21:47.960 --> 0:21:53.520
<v Speaker 1>travel around world, put some pictures on the shold, hold

0:21:53.560 --> 0:21:58.400
<v Speaker 1>your close and keep the faith raising kids without listening.

0:22:00.480 --> 0:22:15.879
<v Speaker 1>Baby was saved. I feel like a quintle. I feel

0:22:15.960 --> 0:22:23.919
<v Speaker 1>like a quintle. Restless Road, nice job, boys. My favorite

0:22:23.920 --> 0:22:25.719
<v Speaker 1>part of that song is when Zach comes back goes,

0:22:27.280 --> 0:22:29.360
<v Speaker 1>I don't even know what you said now one part. Yes,

0:22:29.480 --> 0:22:31.240
<v Speaker 1>but we're all like we're in the mood. We're dancing

0:22:31.280 --> 0:22:33.040
<v Speaker 1>with theirselfs. We feel like we're on the Bachelor. We're

0:22:33.040 --> 0:22:36.880
<v Speaker 1>doing the Hey, that was good. I like that, Zach.

0:22:37.160 --> 0:22:40.000
<v Speaker 1>Are you known what is that? Are you are your

0:22:40.040 --> 0:22:43.679
<v Speaker 1>baritone or are you a bass? A baritone um? Probably

0:22:43.840 --> 0:22:46.040
<v Speaker 1>more of a baritone, but yeah, I don't know the difference.

0:22:46.160 --> 0:22:48.440
<v Speaker 1>And I wouldn't even tell I don't know. He also

0:22:48.480 --> 0:22:50.240
<v Speaker 1>wanted to tell me the other day. He was like, well, Sue,

0:22:50.320 --> 0:22:51.520
<v Speaker 1>my dad taught me this, and I was like, I

0:22:51.560 --> 0:22:53.359
<v Speaker 1>don't know. I would say, I would say I'm a

0:22:53.400 --> 0:22:55.240
<v Speaker 1>bass singer, but then I'll like, see some video on

0:22:55.320 --> 0:22:57.320
<v Speaker 1>TikTok and see a guy who can sing like way

0:22:57.400 --> 0:22:59.879
<v Speaker 1>lower than me. I'm like, no, he's he's he's the

0:23:00.000 --> 0:23:02.239
<v Speaker 1>real good. But how high can you go? I can

0:23:02.320 --> 0:23:06.560
<v Speaker 1>go so hi? And how low can you go? Oh

0:23:10.080 --> 0:23:12.840
<v Speaker 1>on Bobby bones? Yeah, I think I can do that. Hey,

0:23:12.920 --> 0:23:16.960
<v Speaker 1>So what's that line? No music when you come back in?

0:23:17.080 --> 0:23:18.639
<v Speaker 1>I'm putting on the spot here. When you come back

0:23:19.320 --> 0:23:20.920
<v Speaker 1>let me quite, let me go. Akay, all right and

0:23:21.119 --> 0:23:25.120
<v Speaker 1>go what you say? We put us down some root? Okay,

0:23:25.119 --> 0:23:28.320
<v Speaker 1>that's what I liked. Yeah, you should do that more. Yeah, okay, okay.

0:23:28.359 --> 0:23:30.520
<v Speaker 1>Here's the deal. Restless Road is here. They're launching their

0:23:30.520 --> 0:23:33.359
<v Speaker 1>first ever headlining tour, The Bar Friends Tour starts April

0:23:33.440 --> 0:23:36.200
<v Speaker 1>six in Milwaukee. If you're listening to us in Milwaukee

0:23:36.320 --> 0:23:39.000
<v Speaker 1>or Madison, you can go watch. But they're all over

0:23:39.080 --> 0:23:41.399
<v Speaker 1>the place. Get tickets at restless road dot com. So

0:23:41.560 --> 0:23:46.520
<v Speaker 1>many of the cities that we're in, uh, Grand Rapids, Nashville, Atlanta,

0:23:46.640 --> 0:23:48.600
<v Speaker 1>Saint Louis. I could keep reading it, but you would

0:23:48.600 --> 0:23:50.639
<v Speaker 1>just get annoyed. But go to restless road dot com.

0:23:50.760 --> 0:23:52.720
<v Speaker 1>They're also looking for local openers for their tour, so

0:23:52.760 --> 0:23:55.600
<v Speaker 1>they're picking winners. Uh, we're about to pick winters now.

0:23:55.680 --> 0:23:57.600
<v Speaker 1>So that's pretty cool thing though, trying to find local

0:23:58.320 --> 0:24:01.040
<v Speaker 1>in every city. And they also bring local fans, and

0:24:01.359 --> 0:24:03.160
<v Speaker 1>that's pretty cool too because then you get free people

0:24:03.160 --> 0:24:04.480
<v Speaker 1>come to the show that they're buying tickets. Make them

0:24:04.520 --> 0:24:09.080
<v Speaker 1>buy tickets. Wrestless Road guys appreciate that. Great job. You

0:24:09.119 --> 0:24:11.159
<v Speaker 1>guys can follow them at Restless Road. They have a

0:24:11.240 --> 0:24:13.240
<v Speaker 1>massive TikTok. You guys do a lot of singing on TikTok.

0:24:13.280 --> 0:24:14.840
<v Speaker 1>I like that. Oh yeah, you're just like, all right,

0:24:14.840 --> 0:24:16.240
<v Speaker 1>we'll here for another video. What would you like us

0:24:16.280 --> 0:24:18.639
<v Speaker 1>to do? You're like, well, I guess we'll sing like

0:24:18.800 --> 0:24:20.879
<v Speaker 1>it all right? Restless road. You guys, check out Growing

0:24:20.960 --> 0:24:24.600
<v Speaker 1>Old with you. It's the best bits of the week

0:24:25.400 --> 0:24:32.720
<v Speaker 1>with Morgan. Number two. This one definitely caused some drama controversy,

0:24:32.800 --> 0:24:34.919
<v Speaker 1>however you want to put it in the studio because

0:24:35.800 --> 0:24:38.960
<v Speaker 1>Eddie thought Abby was dragging her feet on doing some

0:24:39.160 --> 0:24:42.080
<v Speaker 1>more as her career as an artist is blowing up

0:24:42.119 --> 0:24:45.360
<v Speaker 1>from doing the national anthem. So Bobby and Eddie said

0:24:45.400 --> 0:24:47.720
<v Speaker 1>they would write her an original song that she can perform.

0:24:47.840 --> 0:24:50.440
<v Speaker 1>And Abby was a little reluctant at first, but you know,

0:24:50.560 --> 0:24:53.800
<v Speaker 1>now it might actually be a smash hit. Who knows.

0:24:53.960 --> 0:24:55.439
<v Speaker 1>We don't know what's going to happen, but you can

0:24:55.520 --> 0:24:58.040
<v Speaker 1>hear how it all went down, or I hear at

0:24:58.119 --> 0:25:01.800
<v Speaker 1>number six. Number six, Eddie thinks that Abby is dragging

0:25:01.840 --> 0:25:04.720
<v Speaker 1>her feet on something that she could really capitalize on it. Which,

0:25:04.840 --> 0:25:07.200
<v Speaker 1>by the way, Abby is our phone screener, so she's

0:25:07.240 --> 0:25:09.720
<v Speaker 1>not on the air a lot, but if you call

0:25:09.840 --> 0:25:11.760
<v Speaker 1>the show, you'll talk to her. The think about Abby

0:25:11.920 --> 0:25:14.640
<v Speaker 1>is she likes to sing. She's been on the show

0:25:14.680 --> 0:25:17.879
<v Speaker 1>singing she sang with us the raging idiots. Yeah. She

0:25:18.080 --> 0:25:21.119
<v Speaker 1>then had a song that charted the national anthem what

0:25:21.280 --> 0:25:23.919
<v Speaker 1>she hit seventy one, number seventy one on the charts. Amazing.

0:25:24.000 --> 0:25:25.920
<v Speaker 1>We gave her a cake. We were so proud of her. Abby.

0:25:25.960 --> 0:25:28.520
<v Speaker 1>Are you still kind of living off that buzz? Yeah?

0:25:28.680 --> 0:25:32.159
<v Speaker 1>That is so awesome. See, great, great moment for her

0:25:32.200 --> 0:25:35.560
<v Speaker 1>singing career. Eddie. What is she not doing? Guys? She's

0:25:35.600 --> 0:25:37.920
<v Speaker 1>got to take the next step. The iron is hot,

0:25:38.400 --> 0:25:42.040
<v Speaker 1>so write an original song. It's your chance now to

0:25:42.200 --> 0:25:44.680
<v Speaker 1>come up with something good. Bobby will play it on

0:25:44.720 --> 0:25:48.119
<v Speaker 1>the show. Record labels are listening. This is her big shot,

0:25:48.320 --> 0:25:50.680
<v Speaker 1>and she's dragging her feet because the more time she waits,

0:25:51.000 --> 0:25:53.280
<v Speaker 1>I mean, the more people are gonna forget about her. Eddie,

0:25:53.359 --> 0:25:55.359
<v Speaker 1>have you already written something? Yes, dude, I gave her

0:25:55.400 --> 0:25:57.560
<v Speaker 1>a melody. I wrote her something on the guitar and

0:25:57.640 --> 0:26:01.480
<v Speaker 1>I said, look, just do your story. We all follow

0:26:01.480 --> 0:26:04.760
<v Speaker 1>your life story. You're finally have a boyfriend like this

0:26:04.920 --> 0:26:07.880
<v Speaker 1>could be your song, So you need her to write it. Yeah.

0:26:07.920 --> 0:26:10.399
<v Speaker 1>I gave her like a template. And why don't we?

0:26:10.600 --> 0:26:13.240
<v Speaker 1>Why don't you and I? Because like Jason Aldeane doesn't

0:26:13.280 --> 0:26:15.440
<v Speaker 1>really write his own song singer and he sings a

0:26:15.440 --> 0:26:17.520
<v Speaker 1>bunch of hits. Why don't you and I write it

0:26:17.600 --> 0:26:19.600
<v Speaker 1>and she can be aldeane and she can sing the song.

0:26:20.840 --> 0:26:23.960
<v Speaker 1>Oh I would I would like that. Yeah, Okay, it

0:26:24.040 --> 0:26:26.639
<v Speaker 1>makes me nervous. He wants me to write about my relationship,

0:26:26.680 --> 0:26:29.320
<v Speaker 1>and I'm like, it's so new. I don't we're gonna

0:26:29.359 --> 0:26:31.520
<v Speaker 1>write about your relationship. Oh, we're gonna write about you,

0:26:32.480 --> 0:26:35.159
<v Speaker 1>you and your voice, So give us some time. How

0:26:35.200 --> 0:26:37.520
<v Speaker 1>does she record it? Though? She recordings with you? That

0:26:37.600 --> 0:26:39.680
<v Speaker 1>means she knows we figure it out. We know people people,

0:26:40.600 --> 0:26:42.960
<v Speaker 1>so we will. We will write you a song, Abby,

0:26:43.080 --> 0:26:45.119
<v Speaker 1>but you record it and then we'll Okay, we'll put

0:26:45.160 --> 0:26:46.960
<v Speaker 1>it out and see how it does. So Abby has

0:26:47.040 --> 0:26:49.600
<v Speaker 1>no say in it though, right, Like if the songs,

0:26:49.640 --> 0:26:51.760
<v Speaker 1>the song and whatever it is, she's gonna record it.

0:26:51.920 --> 0:26:54.960
<v Speaker 1>You're correct, she has no say, right, ok So we're

0:26:55.000 --> 0:26:58.720
<v Speaker 1>gonna write it, Abby, you're gonna record it? Deal? Okay?

0:26:58.840 --> 0:27:01.639
<v Speaker 1>Is it gonna be like raging idiot style home? Like

0:27:01.760 --> 0:27:05.280
<v Speaker 1>making fun of me? Abby? Would we do that? Abby?

0:27:05.320 --> 0:27:07.720
<v Speaker 1>Where we're going to be serious songwriters and write you something.

0:27:07.800 --> 0:27:09.960
<v Speaker 1>Our goal is to write you something serious that could

0:27:09.960 --> 0:27:12.680
<v Speaker 1>actually be a hit. Correct, Okay, yeah, I trust you,

0:27:12.960 --> 0:27:16.520
<v Speaker 1>Lunchbox your thoughts. Guys, you are doing everything for her.

0:27:16.720 --> 0:27:18.600
<v Speaker 1>You got to let her learn on her own. When

0:27:18.680 --> 0:27:22.080
<v Speaker 1>Jason Aldeen was starting, you didn't have songwriters writing songs

0:27:22.080 --> 0:27:24.680
<v Speaker 1>for him. He had to earn that. She has done nothing.

0:27:24.760 --> 0:27:27.359
<v Speaker 1>You guys are doing this. You got to teach her

0:27:27.400 --> 0:27:29.359
<v Speaker 1>that she has to work for it. If you do

0:27:29.560 --> 0:27:32.760
<v Speaker 1>everything for her, what does that teach her? Like Eddie,

0:27:32.800 --> 0:27:35.920
<v Speaker 1>if you did your kids homework, does that teach him anything? No? No,

0:27:36.200 --> 0:27:39.440
<v Speaker 1>you're right, Like, what are you guys doing what? I

0:27:39.880 --> 0:27:42.320
<v Speaker 1>admitted I'm not a songwriter, but it okay, So don't

0:27:42.400 --> 0:27:45.919
<v Speaker 1>do music. I said, I'm a singer, but there are

0:27:45.920 --> 0:27:48.600
<v Speaker 1>a lot of people who aren't. Okay, So Jason Aldeen's

0:27:48.600 --> 0:27:51.760
<v Speaker 1>first ever number one song is why he didn't write it?

0:27:52.320 --> 0:27:55.720
<v Speaker 1>By Rodney Clawson, Vicki mcgeehey, and big and rich as

0:27:55.760 --> 0:27:57.600
<v Speaker 1>John Rich. Look at that. We're going to be big

0:27:57.640 --> 0:28:01.840
<v Speaker 1>and riches John Rich. Ye, Well, yeah, we're gonna write it. Abby,

0:28:01.880 --> 0:28:03.240
<v Speaker 1>give us some time. We'll write it, we record it,

0:28:03.280 --> 0:28:06.000
<v Speaker 1>we'll debut it around the show. Let's go. I love this.

0:28:06.200 --> 0:28:09.400
<v Speaker 1>I'm excited, Abby Leady Anderson, Right, that's our forming name

0:28:09.520 --> 0:28:11.800
<v Speaker 1>pen to Paper. I'll see you guys tomorrow. I go

0:28:11.880 --> 0:28:14.600
<v Speaker 1>home right now. We just started the show. Prepare your

0:28:14.640 --> 0:28:18.159
<v Speaker 1>boyfriend for this song you just said it was. We

0:28:18.280 --> 0:28:19.960
<v Speaker 1>haven't decide decided. We haven't sent in a room but

0:28:20.000 --> 0:28:23.840
<v Speaker 1>Penda paper yet. Okay, all right Abby, we'll be in touch. Okay, okay,

0:28:23.920 --> 0:28:27.720
<v Speaker 1>all right, good. It's the best bits of the week

0:28:28.520 --> 0:28:33.439
<v Speaker 1>with Morgan. Number two voy does LaunchBox have some crazy

0:28:33.480 --> 0:28:37.960
<v Speaker 1>stuff happening in his neighborhood. He confronted another neighbor. Okay,

0:28:38.000 --> 0:28:39.840
<v Speaker 1>this is not the same one that had the Christmas

0:28:39.920 --> 0:28:43.640
<v Speaker 1>light situation, but he confronted one about a broken down car.

0:28:43.760 --> 0:28:46.720
<v Speaker 1>He went to their door, knocked on it, said some words. Yes,

0:28:46.840 --> 0:28:50.320
<v Speaker 1>that really happened. And this is number five, number five.

0:28:50.640 --> 0:28:54.360
<v Speaker 1>Yesterday we talked about lunchboxes. Neighbor. It's not the Christmas lights. Guy,

0:28:56.120 --> 0:28:58.120
<v Speaker 1>he has a car that's been broken down, sitting in

0:28:58.240 --> 0:29:00.479
<v Speaker 1>front of your house for over two months, easily over

0:29:00.560 --> 0:29:03.200
<v Speaker 1>two months, just sitting there, had mood. I mean, there's dust.

0:29:03.240 --> 0:29:05.040
<v Speaker 1>I mean, I don't even think the door has been open,

0:29:05.240 --> 0:29:07.840
<v Speaker 1>just sitting And if it wasn't right in front of

0:29:07.880 --> 0:29:10.440
<v Speaker 1>your house, would you care? Wouldn't care? Wouldn't care. It's

0:29:10.440 --> 0:29:13.080
<v Speaker 1>street parking though, that's the problem. And so with kids

0:29:13.160 --> 0:29:15.560
<v Speaker 1>it's hard to park across the street. And oh look

0:29:15.600 --> 0:29:18.240
<v Speaker 1>for cars. It's just really a hassle. Okay, I get it,

0:29:18.560 --> 0:29:21.040
<v Speaker 1>do you? Yeah? Sure, I get it. With a broken

0:29:21.120 --> 0:29:22.360
<v Speaker 1>out card to sitting in front of the house all

0:29:22.360 --> 0:29:26.920
<v Speaker 1>the time and they're probably isn't a law that says

0:29:26.960 --> 0:29:29.080
<v Speaker 1>this person gets this spot on the street right right.

0:29:29.160 --> 0:29:30.960
<v Speaker 1>There's no like, oh, this is your spot, this is

0:29:31.000 --> 0:29:33.360
<v Speaker 1>your spot, nothing like that. All right, So we decided

0:29:33.400 --> 0:29:36.000
<v Speaker 1>two verses one Eddie and I decided Lunchbox should go

0:29:36.040 --> 0:29:38.760
<v Speaker 1>and confront the guy and record it for the record.

0:29:38.800 --> 0:29:40.479
<v Speaker 1>I did not want the stabbingcause I don't want any

0:29:40.840 --> 0:29:44.680
<v Speaker 1>He didn't shot. It's all good, good happen to the neighbor.

0:29:44.800 --> 0:29:50.360
<v Speaker 1>Yet I shot the neighbor. It takes time at escalate

0:29:50.960 --> 0:29:54.880
<v Speaker 1>over time. Okay, here is the first clip of Lunchbox

0:29:55.000 --> 0:30:02.520
<v Speaker 1>walking over to the neighbor's house. All right, how's it going? Man? Back,

0:30:02.720 --> 0:30:04.320
<v Speaker 1>you're in your car, But they've been down there for

0:30:04.920 --> 0:30:07.880
<v Speaker 1>well over a month man, And um, is there any

0:30:07.920 --> 0:30:11.200
<v Speaker 1>way we can push it across the street? Oh? First

0:30:11.240 --> 0:30:18.920
<v Speaker 1>of all, for two months turned into one You play again.

0:30:20.360 --> 0:30:22.760
<v Speaker 1>All right, how's it going? Man? Sold back? You're in

0:30:22.800 --> 0:30:24.880
<v Speaker 1>your car, but they've been down there for oh well

0:30:24.920 --> 0:30:27.840
<v Speaker 1>over a month man, And um, is there any way

0:30:27.880 --> 0:30:30.680
<v Speaker 1>we can push it across the street? There's a good plan?

0:30:30.840 --> 0:30:33.600
<v Speaker 1>Week is good plan that? I think that's the angle

0:30:33.680 --> 0:30:36.200
<v Speaker 1>to go. You found a way to not just put

0:30:36.240 --> 0:30:42.520
<v Speaker 1>it on him. That's not how I remember it going scared. No, no,

0:30:42.640 --> 0:30:45.160
<v Speaker 1>no one's scared one scared of tiny. And also he

0:30:45.280 --> 0:30:49.200
<v Speaker 1>didn't let the guy say hello or anything. Man, right

0:30:49.240 --> 0:30:51.640
<v Speaker 1>at it here. Here's the thing. You guys always tell

0:30:51.680 --> 0:30:53.640
<v Speaker 1>me to work on my approach. So I was trying to,

0:30:54.040 --> 0:30:56.760
<v Speaker 1>like say in a calm manner instead of being confrontational.

0:30:57.160 --> 0:30:58.920
<v Speaker 1>So maybe that's where the stutter comes in. Like I'm

0:30:58.960 --> 0:31:01.200
<v Speaker 1>trying to be like because I want to be like, yo,

0:31:01.400 --> 0:31:02.920
<v Speaker 1>your car has been but I'm trying to be like,

0:31:03.840 --> 0:31:05.680
<v Speaker 1>how do I say this about him? Getting really mad

0:31:05.840 --> 0:31:08.160
<v Speaker 1>in your head? How did that go? I was like, dude,

0:31:08.240 --> 0:31:10.080
<v Speaker 1>get the car in front of my house, like you're

0:31:10.320 --> 0:31:16.120
<v Speaker 1>killing me? Said, is there any okay? Maybe maybe should

0:31:16.200 --> 0:31:19.600
<v Speaker 1>playing this audio? Okay, here is how it ends. If

0:31:19.640 --> 0:31:21.040
<v Speaker 1>we could just move it there, that means you be

0:31:21.120 --> 0:31:23.200
<v Speaker 1>willing to help me move. Oh absolutely, man, we don't know.

0:31:23.480 --> 0:31:25.280
<v Speaker 1>Sorry about no, no, no no. Like I said, it

0:31:25.360 --> 0:31:26.840
<v Speaker 1>ain't a big deal and I don't need it done

0:31:26.840 --> 0:31:29.000
<v Speaker 1>to night. It's just, you know, with kids, it's just

0:31:29.120 --> 0:31:31.480
<v Speaker 1>hard moving. Like when I park across the street, it's

0:31:31.480 --> 0:31:32.840
<v Speaker 1>just hard with them trying to run out of the

0:31:32.880 --> 0:31:35.320
<v Speaker 1>road and all that. So yeah, I apologize. Hey, like

0:31:35.440 --> 0:31:39.440
<v Speaker 1>I said it. They actually got stolen from right right

0:31:39.520 --> 0:31:42.400
<v Speaker 1>here one point, and so I had to I was

0:31:42.480 --> 0:31:44.719
<v Speaker 1>off my job for a period of time. I had

0:31:44.760 --> 0:31:47.040
<v Speaker 1>to pay to get it back. And I don't want

0:31:47.040 --> 0:31:49.920
<v Speaker 1>any community around in the evening tomorrow. Yeah I'll be

0:31:50.000 --> 0:31:53.400
<v Speaker 1>there man, Okay, Yeah, I'm the one. Yeah, next house, man,

0:31:53.680 --> 0:31:59.080
<v Speaker 1>I'll come knock on. Yeah, no problem. It's like it's

0:31:59.160 --> 0:32:02.000
<v Speaker 1>so nice and oddly so is long. Yeah, they're like

0:32:02.040 --> 0:32:04.160
<v Speaker 1>best buddies. Now I got a friend many Now it's

0:32:04.160 --> 0:32:06.080
<v Speaker 1>thought you're good looking. Oh, it's thought, what you hang up?

0:32:07.400 --> 0:32:09.120
<v Speaker 1>What are you all gonna do tonight? Well, he says,

0:32:09.360 --> 0:32:11.040
<v Speaker 1>come knock on the door, and we're gonna move the car.

0:32:11.920 --> 0:32:14.120
<v Speaker 1>I think as much as we're giving you crap, and

0:32:14.160 --> 0:32:16.240
<v Speaker 1>the only reason we're giving you crap is because you present.

0:32:16.320 --> 0:32:18.560
<v Speaker 1>I'm so macho no, I am, well, hold on, hold on,

0:32:18.840 --> 0:32:20.560
<v Speaker 1>You're like, I'm gonna kick the door down and I'll

0:32:20.600 --> 0:32:24.440
<v Speaker 1>make it happen. What you actually did is the right

0:32:24.600 --> 0:32:29.560
<v Speaker 1>thing in honey, not vinegar. Yeah, you know, I don't

0:32:29.560 --> 0:32:32.480
<v Speaker 1>know more flies to honey than vinegar. You gave him honey.

0:32:32.600 --> 0:32:36.320
<v Speaker 1>You're sweet, you're kind guy, and he was not threatened

0:32:36.320 --> 0:32:38.200
<v Speaker 1>by you at all. He wasn't starting in any way

0:32:38.240 --> 0:32:40.600
<v Speaker 1>by you because you don't. He didn't. You weren't didn't

0:32:40.600 --> 0:32:44.239
<v Speaker 1>sound tough, didn't look tough. So you and him are

0:32:44.280 --> 0:32:46.200
<v Speaker 1>basically the same. Good for you. So yeah, that means

0:32:46.280 --> 0:32:48.360
<v Speaker 1>tonight he's gonna knock on my door and we're gonna

0:32:48.360 --> 0:32:52.480
<v Speaker 1>move that car. Let's do it. Let's move that car. Okay,

0:32:53.360 --> 0:32:56.240
<v Speaker 1>it's all good, it's all good. Oh yeah, yeah, I'm

0:32:56.280 --> 0:33:01.560
<v Speaker 1>sorry your car got up. He's my car. I did

0:33:01.680 --> 0:33:03.600
<v Speaker 1>feel sympathetic because he did say he got his car

0:33:03.640 --> 0:33:05.560
<v Speaker 1>stolen in his office job for a little bit, so

0:33:05.640 --> 0:33:07.440
<v Speaker 1>he hadn't able to pay to get it fixed. Okay,

0:33:07.520 --> 0:33:09.680
<v Speaker 1>I get it. But let's move the car so I

0:33:09.720 --> 0:33:12.040
<v Speaker 1>will see you tonight. Knock on my door and let's

0:33:12.080 --> 0:33:14.040
<v Speaker 1>move the car, all right, big daddy, you tell him? Yeah,

0:33:14.280 --> 0:33:16.440
<v Speaker 1>I will hey, but you're getting it done and that's

0:33:16.440 --> 0:33:19.400
<v Speaker 1>all that matters. Yeah, yeah, nice job. It's a victory

0:33:19.480 --> 0:33:25.040
<v Speaker 1>for lunch Bob. It's the best bits of the week

0:33:25.840 --> 0:33:29.960
<v Speaker 1>with Morgan. Number two. We got number four right here.

0:33:30.040 --> 0:33:32.400
<v Speaker 1>Y'all had lots of things to say about this one

0:33:32.520 --> 0:33:36.000
<v Speaker 1>on our social media, the grocery store situation where I

0:33:36.080 --> 0:33:38.960
<v Speaker 1>am getting some free items, not of any of my doing,

0:33:39.080 --> 0:33:43.320
<v Speaker 1>but potentially because someone likes me, as the show seemed

0:33:43.320 --> 0:33:45.400
<v Speaker 1>to think that's the case. But you can listen and

0:33:45.480 --> 0:33:48.200
<v Speaker 1>decide for yourself. Just know, okay that I am no thief.

0:33:48.320 --> 0:33:50.840
<v Speaker 1>This is nothing that I plan to have happened or

0:33:51.240 --> 0:33:53.040
<v Speaker 1>ever thought would happened to me. But you know what,

0:33:53.320 --> 0:33:56.160
<v Speaker 1>as Mike and I said during the part one, if

0:33:56.240 --> 0:33:58.880
<v Speaker 1>you get free items, like, are you really going to

0:33:59.000 --> 0:34:02.000
<v Speaker 1>turn that down? Like, I mean, listen, we're all we're

0:34:02.040 --> 0:34:05.320
<v Speaker 1>all dealing with some high prices right now. Okay, number four,

0:34:05.520 --> 0:34:08.600
<v Speaker 1>All right, we're gonna help Morgan here. Morgan, what's happening

0:34:08.640 --> 0:34:10.360
<v Speaker 1>at the grocery store? Well, so I go to this

0:34:10.480 --> 0:34:14.920
<v Speaker 1>place like regularly, probably once a week, and this guy

0:34:15.000 --> 0:34:17.040
<v Speaker 1>has picked up on it, I guess, and so every

0:34:17.080 --> 0:34:19.160
<v Speaker 1>time I go in, one of the workers at the

0:34:19.200 --> 0:34:22.080
<v Speaker 1>grocery store gives me a free item. Sometimes it's a

0:34:22.120 --> 0:34:25.160
<v Speaker 1>protein bar, sometimes it's a chocolate cake, othertimes it's candy.

0:34:25.280 --> 0:34:27.600
<v Speaker 1>I've gotten three free items so far from this guy,

0:34:27.840 --> 0:34:30.200
<v Speaker 1>chocolate cakes, not like the rest. No, you got a

0:34:30.440 --> 0:34:32.960
<v Speaker 1>chocolate cake. Yeah, like it was a life is a

0:34:33.080 --> 0:34:35.640
<v Speaker 1>freezer section thing that you pop in the oven or whatever,

0:34:35.719 --> 0:34:37.520
<v Speaker 1>And he's like, this is my favorite, started a whole

0:34:37.520 --> 0:34:39.440
<v Speaker 1>conversation about it, and then made sure he gave it

0:34:39.520 --> 0:34:42.239
<v Speaker 1>to me for free. Is he a manager? No, he's

0:34:42.320 --> 0:34:44.719
<v Speaker 1>Also when I was standing in line to check out,

0:34:44.920 --> 0:34:47.800
<v Speaker 1>he purposely came and switched the other guy out so

0:34:48.080 --> 0:34:53.160
<v Speaker 1>that he would be there. Okay, yeah for sure. Until then.

0:34:53.400 --> 0:34:55.640
<v Speaker 1>Up until then, I was like, maybe he does, Maybe

0:34:55.680 --> 0:34:59.640
<v Speaker 1>he doesn't that he's in love with you. Yeah, I

0:34:59.719 --> 0:35:02.560
<v Speaker 1>mean I feel like, are we Is he gonna lose

0:35:02.600 --> 0:35:04.680
<v Speaker 1>his job? He can't be doing this. I think there's

0:35:04.680 --> 0:35:08.320
<v Speaker 1>an important question. How old is this guy? I don't know.

0:35:08.600 --> 0:35:11.600
<v Speaker 1>He wears hats often so I can't really tell on age,

0:35:11.640 --> 0:35:15.280
<v Speaker 1>but he does look like he's probably in his thirties roughly.

0:35:15.560 --> 0:35:19.080
<v Speaker 1>So he gives you free stuff, which strikes up conversation

0:35:19.520 --> 0:35:21.879
<v Speaker 1>when you're going through the line. He has he ever

0:35:22.120 --> 0:35:25.880
<v Speaker 1>at all flirted or made any sort of move. No,

0:35:26.040 --> 0:35:28.680
<v Speaker 1>he's never like out or done that. He told me

0:35:28.719 --> 0:35:31.239
<v Speaker 1>about his day and the hobby that he's gotten into,

0:35:31.400 --> 0:35:34.520
<v Speaker 1>which was like an extensive conversation with a cashier person. Yeah,

0:35:34.560 --> 0:35:37.440
<v Speaker 1>what was a hobby? Gardening? He was really excited to

0:35:37.440 --> 0:35:39.480
<v Speaker 1>tell me about his gardening that he got into. Yeah,

0:35:40.960 --> 0:35:42.719
<v Speaker 1>but that was unprompted. He was like, how's your day.

0:35:42.760 --> 0:35:44.360
<v Speaker 1>I got into this and just wanted to talk to

0:35:44.480 --> 0:35:46.880
<v Speaker 1>me while this. I have like five items to check out.

0:35:47.000 --> 0:35:49.759
<v Speaker 1>Has he messaged you on Instagram and your general or

0:35:49.760 --> 0:35:52.080
<v Speaker 1>anything not that I'm aware of. No, Okay, he's in

0:35:52.160 --> 0:35:54.759
<v Speaker 1>love with you, right everybody for sure? Yeah? Do you

0:35:54.840 --> 0:35:57.839
<v Speaker 1>still have a boyfriend? Yes? I do? Okay, Okay, has

0:35:57.880 --> 0:35:59.880
<v Speaker 1>he seen him? Yes, he's been in the store with you,

0:36:00.160 --> 0:36:02.719
<v Speaker 1>but like we'll buy things separately, so sometimes you won't

0:36:02.719 --> 0:36:04.640
<v Speaker 1>see us together. And my boyfriend's like, it's fine, you

0:36:04.680 --> 0:36:06.799
<v Speaker 1>can just buy my groceries next time. This is what's

0:36:06.840 --> 0:36:08.480
<v Speaker 1>gonna happen. I like, how I think that'd be the

0:36:08.520 --> 0:36:10.280
<v Speaker 1>same way. I'd be like, hey, just go through by yourself.

0:36:10.320 --> 0:36:12.719
<v Speaker 1>Maybe we got another free cake today. What were you

0:36:12.719 --> 0:36:16.320
<v Speaker 1>gonna say. Okay, So either he's giving the handing it

0:36:16.400 --> 0:36:19.279
<v Speaker 1>out for free and like should it be? Or oh,

0:36:19.600 --> 0:36:22.000
<v Speaker 1>he's super sweet and I mean he's covering the bill

0:36:22.080 --> 0:36:23.960
<v Speaker 1>like he knows he gave away the chocolate cake and

0:36:24.040 --> 0:36:26.719
<v Speaker 1>so he covers Like maybe they have they can do

0:36:26.840 --> 0:36:28.879
<v Speaker 1>that where they pay the five dollars to make sure

0:36:28.920 --> 0:36:31.920
<v Speaker 1>it's paid for it. Yeah, but both are love But

0:36:32.000 --> 0:36:33.879
<v Speaker 1>I'm just saying sure. I just worry about if he's

0:36:33.880 --> 0:36:35.839
<v Speaker 1>doing something shading, he's gonna end up getting fired because

0:36:35.880 --> 0:36:37.239
<v Speaker 1>of Morgan. But we don't even know the guy. We

0:36:37.280 --> 0:36:39.319
<v Speaker 1>don't even know the girl. Why are you worried about him? Yeah?

0:36:40.000 --> 0:36:43.000
<v Speaker 1>Would you date this guy if you didn't have a boyfriend?

0:36:43.360 --> 0:36:45.480
<v Speaker 1>I don't think so. I mean he's cute, but not

0:36:45.560 --> 0:36:47.759
<v Speaker 1>really my type. Okay, so he must not be like

0:36:47.800 --> 0:36:50.320
<v Speaker 1>a creepy stalker type. No, he doesn't act like that

0:36:50.400 --> 0:36:55.040
<v Speaker 1>at all. So final question, if for some reason, you

0:36:55.120 --> 0:36:57.080
<v Speaker 1>and your boyfriend break up, would you then consider the

0:36:57.120 --> 0:37:01.320
<v Speaker 1>grocery store guy. I don't think so sweet though he

0:37:01.400 --> 0:37:04.840
<v Speaker 1>gives you chocolate cake, he you were starting together, Like,

0:37:04.880 --> 0:37:06.480
<v Speaker 1>how long can I let this go on for? Do

0:37:06.560 --> 0:37:08.279
<v Speaker 1>I keep just letting him to give me free stuff.

0:37:08.440 --> 0:37:10.600
<v Speaker 1>That's how what does Morgan say anything? I don't know.

0:37:11.160 --> 0:37:13.880
<v Speaker 1>I don't why would you say something you're getting free stuff?

0:37:14.560 --> 0:37:17.879
<v Speaker 1>Because eventually it's gonna get awkward. Well, eventually he's gonna

0:37:17.920 --> 0:37:20.080
<v Speaker 1>have to make some sort of move yes, and then

0:37:20.200 --> 0:37:23.040
<v Speaker 1>that's when the free stuff stops. Whenever you're like, oh,

0:37:23.080 --> 0:37:25.360
<v Speaker 1>I have a boyfriend, and that's when his heartbreaks and

0:37:25.400 --> 0:37:26.880
<v Speaker 1>he has to goes through depression, that's when all that

0:37:26.920 --> 0:37:33.200
<v Speaker 1>stuff happens and hurt her car. That's gonna help naturally though, right, Um,

0:37:33.440 --> 0:37:35.600
<v Speaker 1>what's gonna happen naturally the whole process. At some point

0:37:35.640 --> 0:37:37.480
<v Speaker 1>he's gonna be like, all right, I'm just gonna do it. Yeah,

0:37:37.480 --> 0:37:38.400
<v Speaker 1>you want to go on a day with me? And

0:37:38.440 --> 0:37:41.120
<v Speaker 1>she's gonna say no. He's obsessing about it every night. Yeah,

0:37:41.280 --> 0:37:42.920
<v Speaker 1>and not like he's gonna stab you kind of way,

0:37:42.920 --> 0:37:44.040
<v Speaker 1>but he's like, oh, I really would. We'll like to

0:37:44.040 --> 0:37:45.840
<v Speaker 1>work up the courage. We don't know that, but he

0:37:46.000 --> 0:37:48.040
<v Speaker 1>probably if I were. He can't find you on Instagram,

0:37:48.080 --> 0:37:50.240
<v Speaker 1>it's well, I guess you don't post your boyfriend on Instagram?

0:37:50.320 --> 0:37:53.000
<v Speaker 1>Really I don't. And I Well, what's crazy though, is

0:37:53.040 --> 0:37:55.000
<v Speaker 1>I also don't go in there like dolled up. I'm

0:37:55.040 --> 0:37:57.560
<v Speaker 1>like going in after I worked out, Like sometimes I

0:37:57.600 --> 0:37:59.160
<v Speaker 1>go in there without makeup. I don't know that this

0:37:59.280 --> 0:38:02.440
<v Speaker 1>man actually knows who or anything about me, because I

0:38:02.560 --> 0:38:05.480
<v Speaker 1>go in there so different every time. Like sometimes I've

0:38:05.520 --> 0:38:07.600
<v Speaker 1>walked in there with full makeup and he's never talked

0:38:07.640 --> 0:38:10.720
<v Speaker 1>to me. So I don't know. My advice keep accepting

0:38:10.760 --> 0:38:12.520
<v Speaker 1>the free stuff, but just no, one day it's gonna

0:38:12.520 --> 0:38:14.360
<v Speaker 1>get awkward and he's like hey, and I would just

0:38:14.400 --> 0:38:16.680
<v Speaker 1>be prepared and be like, oh, I'd have some nice

0:38:16.719 --> 0:38:19.360
<v Speaker 1>answer to let him down easy, Okay. Can I just

0:38:19.480 --> 0:38:21.560
<v Speaker 1>be like, you know, I'm sorry, I have a boyfriend.

0:38:21.719 --> 0:38:27.120
<v Speaker 1>You're super sweet, though, I like, yeah, that's a tough one. Um.

0:38:27.280 --> 0:38:29.759
<v Speaker 1>I would probably say like, hey, buddy, thanks for the

0:38:29.760 --> 0:38:31.920
<v Speaker 1>free stuff, and maybe there's a chance later if you

0:38:31.960 --> 0:38:33.480
<v Speaker 1>can give me a free stuff. Oh wow, but right

0:38:33.520 --> 0:38:38.279
<v Speaker 1>now I have a boyfriend. But yeah, it's good. It's

0:38:38.320 --> 0:38:41.359
<v Speaker 1>gonna get awkward. You can make it awkward earlier by going, hey,

0:38:41.440 --> 0:38:43.440
<v Speaker 1>I can't take that stuff because I have a boyfriend,

0:38:43.440 --> 0:38:44.360
<v Speaker 1>and then he goes, I'll just give it to you

0:38:44.360 --> 0:38:47.800
<v Speaker 1>because it's part of the art sale today. I'm not

0:38:47.840 --> 0:38:50.240
<v Speaker 1>gonna do that. I can't. I'm so bad about being awkward.

0:38:50.239 --> 0:38:52.680
<v Speaker 1>It's but I'm not doing that. Okay, predictions. This is

0:38:52.719 --> 0:38:55.080
<v Speaker 1>how we're gonna wrap this up. A prediction game. The

0:38:55.239 --> 0:38:57.439
<v Speaker 1>next time Morgan goes in, if he gives her something,

0:38:57.520 --> 0:39:00.560
<v Speaker 1>what will it be? Oh, everybody want to Let everyone

0:39:00.600 --> 0:39:02.560
<v Speaker 1>put a dollar in sure and if somebody gets it right.

0:39:02.960 --> 0:39:06.000
<v Speaker 1>We got to be specific though, right, like a specific item. Okay,

0:39:06.040 --> 0:39:09.279
<v Speaker 1>I'll go ahead to let us. Okay, you've lost Hey,

0:39:09.360 --> 0:39:13.680
<v Speaker 1>you don't know amy box of cereal. Oh it's good, Eddie,

0:39:14.239 --> 0:39:20.600
<v Speaker 1>um paper products. Not just with let's go with paper towels. Okay,

0:39:20.840 --> 0:39:24.160
<v Speaker 1>too big lunchbox. It's easy, guys. It's a bell pepper.

0:39:24.280 --> 0:39:27.600
<v Speaker 1>She likes green bell peppers. Guards from his own garden.

0:39:29.000 --> 0:39:31.200
<v Speaker 1>That's so good. Okay, let us know next time you

0:39:31.280 --> 0:39:33.879
<v Speaker 1>go in, hi will and we'll check back up. Well,

0:39:33.880 --> 0:39:35.239
<v Speaker 1>and I'll click my cash when you get the head

0:39:35.239 --> 0:39:37.239
<v Speaker 1>to let us though, let us head to let us.

0:39:38.719 --> 0:39:42.480
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

0:39:43.920 --> 0:39:47.000
<v Speaker 1>Eddie definitely brought something controversial. I mean we're just, you know,

0:39:47.280 --> 0:39:49.719
<v Speaker 1>talking about all the different topics causing some drama on

0:39:49.760 --> 0:39:52.799
<v Speaker 1>the show this week. But Eddie he is telling us

0:39:53.120 --> 0:39:55.040
<v Speaker 1>that he is teaching his kids something when he goes

0:39:55.080 --> 0:39:58.840
<v Speaker 1>to restaurants, and boy, did myself Bobby Amy have a

0:39:58.920 --> 0:40:01.080
<v Speaker 1>lot to say about it. Lunchbox agreed with him. So

0:40:01.239 --> 0:40:03.040
<v Speaker 1>Lunchbox and Eddie were on one team that it was

0:40:03.120 --> 0:40:06.440
<v Speaker 1>Bobby Amy and myself and we are just absolutely baffled

0:40:06.480 --> 0:40:08.920
<v Speaker 1>that this is something that's happened. And you know, maybe

0:40:09.120 --> 0:40:11.160
<v Speaker 1>you do this too, or maybe you don't, or maybe

0:40:11.239 --> 0:40:13.840
<v Speaker 1>you'll never admit it. I don't know, but listen to

0:40:13.920 --> 0:40:16.560
<v Speaker 1>this moment right here. This is Eddie share in something

0:40:16.680 --> 0:40:20.960
<v Speaker 1>he's teaching his kids that majority of us might find controversial.

0:40:21.520 --> 0:40:24.279
<v Speaker 1>Number Three, I'm weird about sending food back if I'm

0:40:24.320 --> 0:40:26.759
<v Speaker 1>in a restaurant. Having worked in a restaurant for years,

0:40:27.800 --> 0:40:29.279
<v Speaker 1>I don't know if they're doing back there. I also

0:40:29.280 --> 0:40:31.800
<v Speaker 1>don't want to insult the cook or the the waiter.

0:40:32.560 --> 0:40:34.759
<v Speaker 1>But we were at a dinner and I ordered my

0:40:34.800 --> 0:40:37.239
<v Speaker 1>steak medium also ordered a one. Man, If you give

0:40:37.280 --> 0:40:38.680
<v Speaker 1>me a one, I don't care how bad the meat is,

0:40:38.880 --> 0:40:41.480
<v Speaker 1>it makes it stay great. Yeah yeah, and it was

0:40:42.040 --> 0:40:43.960
<v Speaker 1>red and I showed Eddie. I was like, hey, am

0:40:44.000 --> 0:40:46.920
<v Speaker 1>I weird? Is this not done? And Eddie backed me up.

0:40:46.960 --> 0:40:48.480
<v Speaker 1>And I sent it back and I hated doing that,

0:40:48.680 --> 0:40:50.719
<v Speaker 1>felt terrible bad, but Eddie was like proud of It's like, yeah,

0:40:51.239 --> 0:40:54.480
<v Speaker 1>that's what you do. One on the board. So not

0:40:54.719 --> 0:40:57.040
<v Speaker 1>my thing, but you're not afraid to do it. Man.

0:40:57.120 --> 0:40:59.640
<v Speaker 1>This happened again recently. Yeah, recently. I took my fourteen

0:40:59.680 --> 0:41:02.000
<v Speaker 1>year old son to a restaurant. He orders a shake

0:41:02.360 --> 0:41:04.400
<v Speaker 1>and he and he drinks about half of it, and

0:41:04.520 --> 0:41:06.319
<v Speaker 1>then he goes, I don't know, Dad, I just don't

0:41:06.400 --> 0:41:08.200
<v Speaker 1>like the way this taste. It was a weird shake,

0:41:08.360 --> 0:41:10.520
<v Speaker 1>not like your ordinary chocolate shake or whatever. He says,

0:41:11.200 --> 0:41:13.160
<v Speaker 1>what do I do? I said, Hey, this is this

0:41:13.320 --> 0:41:15.320
<v Speaker 1>is what it's all about. When you're not satisfied with

0:41:15.440 --> 0:41:17.320
<v Speaker 1>something at a restaurant, you tell the waitress or the

0:41:17.360 --> 0:41:19.560
<v Speaker 1>waiter and you say, hey, I didn't like this. Can

0:41:19.600 --> 0:41:21.400
<v Speaker 1>I have a new one? But what do you mean satisfied?

0:41:21.440 --> 0:41:22.880
<v Speaker 1>Like if you don't like how it tastes? Yeah, I say,

0:41:22.920 --> 0:41:24.360
<v Speaker 1>you order French fries and you're like, I don't know,

0:41:24.400 --> 0:41:26.160
<v Speaker 1>I just don't like the French fries. They're not crunchy

0:41:26.280 --> 0:41:28.919
<v Speaker 1>enough for whatever. Take him back and get tater tis well.

0:41:29.680 --> 0:41:31.680
<v Speaker 1>So you're saying at a restaurant and this is what

0:41:31.760 --> 0:41:34.760
<v Speaker 1>you're teaching your kids. Yeah that if you order something

0:41:35.760 --> 0:41:37.719
<v Speaker 1>and not that it's messed up or there's a hair

0:41:37.760 --> 0:41:40.400
<v Speaker 1>in it, right, if you just go I don't. This

0:41:40.440 --> 0:41:43.200
<v Speaker 1>isn't really good for my taste buds. It doesn't fulfill

0:41:43.320 --> 0:41:46.360
<v Speaker 1>then my need for a nice dinner. All that falls

0:41:46.440 --> 0:41:50.839
<v Speaker 1>under the satisfactory category. Do you think that's okay? Yeah?

0:41:51.040 --> 0:41:53.319
<v Speaker 1>I mean he wasn't satisfied with that shake. I don't

0:41:53.360 --> 0:41:55.480
<v Speaker 1>know what he ordered. He ordered that shake, I get it,

0:41:55.560 --> 0:41:58.839
<v Speaker 1>but it wasn't to his satisfactory whatever. He drank half

0:41:58.920 --> 0:42:01.720
<v Speaker 1>of it, he sure did. The only way I would

0:42:01.760 --> 0:42:04.439
<v Speaker 1>consider this being okay is if he had a drink

0:42:04.640 --> 0:42:07.440
<v Speaker 1>or zip and it's like, oh, this is not what

0:42:07.560 --> 0:42:10.480
<v Speaker 1>I thought it was, but not half of it. To

0:42:10.640 --> 0:42:13.200
<v Speaker 1>his defense, he was trying to convince himself to drink

0:42:13.239 --> 0:42:14.799
<v Speaker 1>more and be like, maybe I'll like it the more

0:42:14.800 --> 0:42:16.759
<v Speaker 1>I drink, but then about halfway he's like, no, I

0:42:16.800 --> 0:42:18.200
<v Speaker 1>just can't do it. So the question is, if you

0:42:18.239 --> 0:42:19.680
<v Speaker 1>go to a restaurant and you don't like the food

0:42:19.760 --> 0:42:21.560
<v Speaker 1>you got, can you send it back if you don't

0:42:21.640 --> 0:42:23.719
<v Speaker 1>like it because the flavors are just not your thing

0:42:24.120 --> 0:42:26.640
<v Speaker 1>or whatever you made a mistake in ordering something that

0:42:26.719 --> 0:42:29.359
<v Speaker 1>you don't like right, Like, I can't order. I can't

0:42:29.400 --> 0:42:31.440
<v Speaker 1>be debating between the chicken sandwich and the hamburger. And

0:42:31.480 --> 0:42:33.040
<v Speaker 1>I get the chicken sandwiers, You're like, oh, this just

0:42:33.200 --> 0:42:35.160
<v Speaker 1>is not hitting the spot, and go ask for a

0:42:35.239 --> 0:42:38.880
<v Speaker 1>burger hitting the spots of funny yes, better. Example, you

0:42:38.960 --> 0:42:41.439
<v Speaker 1>get a spicy chicken sandwich, right, and then you start

0:42:41.480 --> 0:42:43.240
<v Speaker 1>eating it, You're like, oh, this is way more spicier

0:42:43.320 --> 0:42:45.240
<v Speaker 1>than I thought. I can't even breathe. This is too spicy.

0:42:45.360 --> 0:42:47.240
<v Speaker 1>I'm gonna change my order. Can I take my sandwich

0:42:47.239 --> 0:42:48.840
<v Speaker 1>back when you get me one that's not so spicy?

0:42:49.080 --> 0:42:55.520
<v Speaker 1>Same thing, I mean, it's too spicy. No, No, you

0:42:55.640 --> 0:42:57.880
<v Speaker 1>can't do that. And he's teaching his kids to do this.

0:42:58.400 --> 0:43:00.520
<v Speaker 1>You're going to grow up thinking that this is okay

0:43:01.160 --> 0:43:03.560
<v Speaker 1>if you know what you're ordering, and then you get

0:43:03.640 --> 0:43:06.360
<v Speaker 1>what you ordered, and you know and you got and

0:43:06.480 --> 0:43:09.920
<v Speaker 1>every expectation has met and it's not undercooked or a

0:43:10.000 --> 0:43:12.920
<v Speaker 1>hair or fingernail, like take all that stuff. If it's

0:43:12.960 --> 0:43:16.160
<v Speaker 1>exactly what you ordered, you pay for it. Wow, Okay,

0:43:16.760 --> 0:43:18.880
<v Speaker 1>that's what I said. I guess I was just raised differently.

0:43:18.960 --> 0:43:21.840
<v Speaker 1>My dad was the king of this alright, he loved

0:43:21.880 --> 0:43:24.759
<v Speaker 1>doing this around the room. I say that is not

0:43:25.719 --> 0:43:29.000
<v Speaker 1>and that is not good. Okay, Amy, not good. I

0:43:29.080 --> 0:43:33.040
<v Speaker 1>am embarrassed. Really, both of you all have secondary embarrassment. Lunchbox.

0:43:33.239 --> 0:43:38.799
<v Speaker 1>I am team Eddie. You are paying for someone. If

0:43:38.800 --> 0:43:41.399
<v Speaker 1>you are not satisfied with that item, you can ask

0:43:41.480 --> 0:43:43.560
<v Speaker 1>for something different. It's like action has to be that

0:43:43.560 --> 0:43:46.239
<v Speaker 1>they didn't do it what they had promised. If they

0:43:46.400 --> 0:43:48.120
<v Speaker 1>give you what they told you they were going to

0:43:48.280 --> 0:43:50.879
<v Speaker 1>give you, you can't be mad at what they gave you. Yeah,

0:43:50.880 --> 0:43:52.440
<v Speaker 1>you can say, you know what, it's not It doesn't

0:43:52.440 --> 0:43:53.880
<v Speaker 1>taste like I thought it was gonna taste it, and

0:43:53.960 --> 0:43:55.839
<v Speaker 1>so it doesn't hit the spot you go to am

0:43:56.480 --> 0:43:58.560
<v Speaker 1>so funny to say for a reason you don't want

0:43:58.560 --> 0:44:01.080
<v Speaker 1>to eat it. You go to a movie and halfway

0:44:01.160 --> 0:44:02.719
<v Speaker 1>through you're like, man, I just don't like this movie.

0:44:02.800 --> 0:44:04.440
<v Speaker 1>You can go back to the box office and say,

0:44:04.440 --> 0:44:06.239
<v Speaker 1>you know what, out of your mind you cannot do that.

0:44:06.400 --> 0:44:09.160
<v Speaker 1>Yes you can if you don't like the movie. Yes,

0:44:09.239 --> 0:44:11.040
<v Speaker 1>and you go and say, man, I don't like that movie.

0:44:11.120 --> 0:44:13.040
<v Speaker 1>I need my money back. And that is exactly what

0:44:13.200 --> 0:44:15.600
<v Speaker 1>Eddie's kid did. And I am team Eddie. You don't

0:44:15.640 --> 0:44:19.520
<v Speaker 1>like it, get something different, Morgan, No, he cannot send

0:44:19.560 --> 0:44:21.759
<v Speaker 1>it back. I've been a server. I've been here before. No,

0:44:22.000 --> 0:44:25.759
<v Speaker 1>what about the movie thing that Lunchbox is talking about. No, No, okay,

0:44:25.800 --> 0:44:28.239
<v Speaker 1>here everybody was dissatisfied of things, and we'd all be

0:44:28.360 --> 0:44:30.879
<v Speaker 1>returning stuff all the time. It's good. Do you buy

0:44:31.040 --> 0:44:32.960
<v Speaker 1>a pair of jeans and you wear them for a

0:44:33.000 --> 0:44:34.759
<v Speaker 1>week and be like, oh, I've been wearing these all

0:44:34.800 --> 0:44:36.719
<v Speaker 1>week and they're just not working out. You can ever

0:44:36.719 --> 0:44:40.640
<v Speaker 1>return them, absolutely if they don't fit. Okay, So here

0:44:40.760 --> 0:44:43.239
<v Speaker 1>is the actual policy. Okay, when you're at the theater,

0:44:43.360 --> 0:44:47.480
<v Speaker 1>a ticket maybe refunded. Boom of the thirty minutes after

0:44:47.640 --> 0:44:50.120
<v Speaker 1>the film as started. That's not half a milkshake. Not half,

0:44:50.120 --> 0:44:52.120
<v Speaker 1>that's half a milksha that's right. It's like a third

0:44:52.960 --> 0:44:55.000
<v Speaker 1>than a third. Yeah, it's like a quarter of the movie.

0:44:55.040 --> 0:44:57.399
<v Speaker 1>Fourth of the milkshake. Okay. You know Lunchox is gonna

0:44:57.400 --> 0:44:58.680
<v Speaker 1>watch the movie that for twenty nine minutes and then

0:44:58.800 --> 0:45:02.319
<v Speaker 1>run out, real quick, run to the box. I don't

0:45:02.360 --> 0:45:05.719
<v Speaker 1>think that's cool. Okay, So it's too late because we

0:45:05.840 --> 0:45:07.640
<v Speaker 1>did it already in this But now you've learned, So

0:45:07.719 --> 0:45:09.600
<v Speaker 1>should I tell him next time. Hey, I've changed my mind.

0:45:10.160 --> 0:45:12.879
<v Speaker 1>Now do you don't want to change your mind? Because

0:45:12.960 --> 0:45:15.480
<v Speaker 1>Bobby and well it's three against two. That's the only

0:45:15.520 --> 0:45:19.719
<v Speaker 1>reason part I don't really want to listen to lunch Box. Yeah,

0:45:19.719 --> 0:45:21.480
<v Speaker 1>but this is how you grew up. It is I

0:45:21.560 --> 0:45:23.239
<v Speaker 1>was raised this way, but that doesn't mean that it

0:45:23.360 --> 0:45:25.399
<v Speaker 1>was the right way. That's correct, So tell your son

0:45:26.200 --> 0:45:28.360
<v Speaker 1>he should send things back if it doesn't meet the

0:45:28.400 --> 0:45:32.840
<v Speaker 1>expectation that he was presented. Got it not just because

0:45:32.880 --> 0:45:38.439
<v Speaker 1>it doesn't hit. It's the best bits of the week

0:45:39.239 --> 0:45:44.960
<v Speaker 1>with Morgan. Number two, the moment everybody has been waiting

0:45:45.080 --> 0:45:49.360
<v Speaker 1>for Amy singing with Ryan Herd, the duet that we

0:45:49.480 --> 0:45:51.880
<v Speaker 1>have been hearing about and building up for weeks. She

0:45:52.080 --> 0:45:54.640
<v Speaker 1>was talking about how she could sing Chasing after You,

0:45:54.800 --> 0:45:57.600
<v Speaker 1>she could do Marin's part on the Ryan Heard Mary

0:45:57.680 --> 0:46:00.760
<v Speaker 1>Moore song, and well, Ryan Heard came in with Maren

0:46:00.880 --> 0:46:03.480
<v Speaker 1>and Hardy and they performed his new song pass It On.

0:46:04.160 --> 0:46:07.919
<v Speaker 1>But more importantly, Amy sang Chasing after You with Ryan

0:46:08.000 --> 0:46:10.279
<v Speaker 1>while Maren sat on her seat and watched the whole

0:46:10.360 --> 0:46:13.200
<v Speaker 1>thing happen. It was just a glorious moment in so

0:46:13.360 --> 0:46:15.879
<v Speaker 1>many ways. In one that you know it was cool

0:46:15.920 --> 0:46:17.360
<v Speaker 1>to be a part of. And there's lots of photos

0:46:17.400 --> 0:46:19.600
<v Speaker 1>and stuff at Bobby Bones dot com or on our

0:46:19.640 --> 0:46:22.120
<v Speaker 1>Instagram at Bobby Bones Show, so make sure you check

0:46:22.200 --> 0:46:27.120
<v Speaker 1>those out. Number two, the Friday Morning Conversation with Brian

0:46:27.239 --> 0:46:30.320
<v Speaker 1>heard Well, it's Ryan and a lot of well friends

0:46:30.360 --> 0:46:32.399
<v Speaker 1>and wife. But Ryan, good to see you, buddy. Hey,

0:46:32.920 --> 0:46:36.200
<v Speaker 1>m so introving. Introduce everyone here on the stage. Obviously,

0:46:36.280 --> 0:46:39.640
<v Speaker 1>this is the my beautiful wife, Marion Morris, who I

0:46:39.719 --> 0:46:42.080
<v Speaker 1>got to work with last year doing Chasing after You

0:46:42.239 --> 0:46:44.000
<v Speaker 1>and was a big part of putting my album out

0:46:44.040 --> 0:46:48.120
<v Speaker 1>and our second single I got to write with Maren

0:46:48.239 --> 0:46:50.520
<v Speaker 1>and our friend Hardy right here. It's called pass it On.

0:46:50.680 --> 0:46:53.560
<v Speaker 1>So really thrilled to a I don't know, get to

0:46:53.600 --> 0:46:55.320
<v Speaker 1>work with these We've been writing songs together for a

0:46:55.400 --> 0:46:57.160
<v Speaker 1>lot of years, so it's pretty fun to have a

0:46:57.239 --> 0:46:59.960
<v Speaker 1>single on the radio with them. Um So, Ryan, let's

0:47:00.000 --> 0:47:01.680
<v Speaker 1>talk about new music for a second because it's out

0:47:02.000 --> 0:47:04.680
<v Speaker 1>and I assume, since again you have Hardy and Maren here,

0:47:04.960 --> 0:47:07.239
<v Speaker 1>did you guys all write this song together? Yeah, we

0:47:07.280 --> 0:47:09.160
<v Speaker 1>wrote it with our friend Jordan Schmidt, and I think

0:47:09.200 --> 0:47:12.200
<v Speaker 1>originally pass it On was an idea for Maren's album

0:47:12.280 --> 0:47:15.520
<v Speaker 1>which just came out, and then halfway through the writing

0:47:15.560 --> 0:47:17.239
<v Speaker 1>the song, Marion said, I don't think this is a

0:47:17.320 --> 0:47:21.400
<v Speaker 1>song for me to sing, and I've passed it on.

0:47:22.920 --> 0:47:25.279
<v Speaker 1>So then Hardy jumped in the vocal booth and he

0:47:25.440 --> 0:47:27.560
<v Speaker 1>sang a version of it, and then it fell to

0:47:27.680 --> 0:47:29.360
<v Speaker 1>the third artist in the room, which is me, and

0:47:29.440 --> 0:47:31.800
<v Speaker 1>now it's on the radio. So what a story. So

0:47:32.000 --> 0:47:33.759
<v Speaker 1>that happened. So you guys were in a room to

0:47:33.800 --> 0:47:36.080
<v Speaker 1>write for Marin. Was that kind of hearty? I'll ask

0:47:36.120 --> 0:47:38.520
<v Speaker 1>you this was that the goal? At first? I'm not

0:47:38.600 --> 0:47:40.560
<v Speaker 1>really sure. I don't think we went in with any intention.

0:47:40.640 --> 0:47:44.319
<v Speaker 1>I guess, but yeah, I don't know. I mean maybe

0:47:44.400 --> 0:47:46.520
<v Speaker 1>one of you guys could answer that better than me,

0:47:46.640 --> 0:47:49.440
<v Speaker 1>But I think we were honestly just in the room

0:47:49.480 --> 0:47:51.840
<v Speaker 1>to write a great song that day. Yeah, we're always

0:47:51.880 --> 0:47:55.200
<v Speaker 1>sort of playing chicken because the three of us are artists,

0:47:55.239 --> 0:47:57.600
<v Speaker 1>and then Jordan is just there and helping us out.

0:47:57.800 --> 0:48:01.040
<v Speaker 1>We're like, who will this fall to? And I feel

0:48:01.040 --> 0:48:03.160
<v Speaker 1>like it was. It was an idea we brought in

0:48:03.280 --> 0:48:05.560
<v Speaker 1>and we were saving for our rite with Hardy, but

0:48:05.680 --> 0:48:08.480
<v Speaker 1>then he was singing most of the day and I

0:48:08.600 --> 0:48:11.080
<v Speaker 1>was just like, I feel like a guy. I hear

0:48:11.160 --> 0:48:14.920
<v Speaker 1>a guy on this and then um, yeah, Ryan knocked

0:48:14.960 --> 0:48:17.040
<v Speaker 1>it out of the park for this record. Does the

0:48:17.120 --> 0:48:19.319
<v Speaker 1>opposite ever happen? Ryan, We're instead of someone going, hey,

0:48:19.360 --> 0:48:21.319
<v Speaker 1>this is not for me, is every get a room?

0:48:21.320 --> 0:48:22.719
<v Speaker 1>We're writing for somebody else and goes No, I like

0:48:22.800 --> 0:48:24.520
<v Speaker 1>this song so much, I now want it. I do

0:48:24.640 --> 0:48:28.680
<v Speaker 1>that all the time. I'm sure party does too. Yeah,

0:48:28.960 --> 0:48:30.719
<v Speaker 1>it's got to be pretty weird for me to like

0:48:31.600 --> 0:48:33.719
<v Speaker 1>put like grab it right away. Otherwise I like to

0:48:33.760 --> 0:48:35.840
<v Speaker 1>pitch him and see kind of get some reactions. But

0:48:36.239 --> 0:48:39.200
<v Speaker 1>but uh, but yeah, this one was I don't know

0:48:39.200 --> 0:48:40.840
<v Speaker 1>when you're putting an album together, I've only done it

0:48:40.920 --> 0:48:43.960
<v Speaker 1>one time, but you always think about like how do

0:48:44.040 --> 0:48:45.480
<v Speaker 1>you want to set a tone? And I think just

0:48:45.600 --> 0:48:48.360
<v Speaker 1>having something unabashedly positive was a really cool way to

0:48:48.480 --> 0:48:51.320
<v Speaker 1>kick off my album. And then when we had to

0:48:51.360 --> 0:48:53.520
<v Speaker 1>pick a second single, this is the one that our

0:48:53.760 --> 0:48:58.239
<v Speaker 1>record company was really excited about. So I'm really just

0:48:58.360 --> 0:48:59.799
<v Speaker 1>thrilled that I get to have both of these two

0:48:59.840 --> 0:49:02.800
<v Speaker 1>and studio. It's such a massive treat for me and

0:49:03.040 --> 0:49:05.560
<v Speaker 1>for us. Well, let's hear the song Ryan heard, Marion

0:49:05.640 --> 0:49:13.440
<v Speaker 1>Morris and Hearty Here to Do pass it on. If

0:49:13.520 --> 0:49:16.640
<v Speaker 1>you got a little smile in your pocket, or maybe

0:49:16.760 --> 0:49:20.480
<v Speaker 1>just a couple of coins, If you got a little

0:49:20.560 --> 0:49:24.040
<v Speaker 1>weight in your wall in a right direction to point

0:49:25.360 --> 0:49:31.000
<v Speaker 1>some good advice or good vibes or a little positivity. Yeah,

0:49:31.040 --> 0:49:33.480
<v Speaker 1>if you got a full cup and split it on

0:49:33.760 --> 0:49:38.960
<v Speaker 1>up like somebody dead before me, pass it on, Pass

0:49:39.080 --> 0:49:44.120
<v Speaker 1>it on, Pass it on to someone else. What good

0:49:44.280 --> 0:49:46.759
<v Speaker 1>is you dollar or you love or your bottle? If

0:49:46.800 --> 0:49:51.160
<v Speaker 1>you keep it out to yourself, there's enough to go around.

0:49:51.360 --> 0:49:53.880
<v Speaker 1>So send it on down because you can't take it

0:49:54.040 --> 0:50:00.239
<v Speaker 1>with you when you're gone. Pass it on. Pass it on. Oh,

0:50:14.800 --> 0:50:20.000
<v Speaker 1>come on, a great job. Ryan heard Marion Morris and

0:50:20.120 --> 0:50:22.239
<v Speaker 1>Hardy all here doing pass it on. I mean, it's

0:50:22.280 --> 0:50:24.000
<v Speaker 1>a great song. And it's also like a you're right,

0:50:24.040 --> 0:50:26.239
<v Speaker 1>it's like a good feeling song. I hope, so, man,

0:50:26.280 --> 0:50:29.600
<v Speaker 1>I mean, there's a lot of a lot of I

0:50:29.680 --> 0:50:32.000
<v Speaker 1>think it's just a great song for to hear on

0:50:32.080 --> 0:50:33.600
<v Speaker 1>the radio. Man, we're really proud of it. There's a

0:50:33.600 --> 0:50:35.239
<v Speaker 1>reason we wanted to start our album with it, and

0:50:35.440 --> 0:50:37.920
<v Speaker 1>I'm really just again thrilled to have these two in

0:50:38.040 --> 0:50:40.279
<v Speaker 1>the studio with me supporting, just because you know, it's

0:50:40.320 --> 0:50:42.040
<v Speaker 1>fun to do this with your friends, do you, Guys

0:50:42.080 --> 0:50:43.640
<v Speaker 1>and Mary, I'll ask you this, do you feel like

0:50:43.760 --> 0:50:45.920
<v Speaker 1>since you wrote it, you're more invested and it's easier

0:50:45.960 --> 0:50:48.239
<v Speaker 1>to sing on it, like it makes more sense. I mean,

0:50:48.280 --> 0:50:51.440
<v Speaker 1>this is my first Ryan Heard single, come on, So

0:50:52.160 --> 0:50:55.920
<v Speaker 1>I feel really special marrying things on almost every song

0:50:56.040 --> 0:50:58.120
<v Speaker 1>that I put out, So it's that's it's easy to

0:50:58.280 --> 0:51:00.840
<v Speaker 1>and also chasing after you, so it's I don't know,

0:51:01.000 --> 0:51:03.640
<v Speaker 1>she's my safety blanket, I think. And Marin's record just

0:51:03.719 --> 0:51:05.200
<v Speaker 1>came out, and your record has been out since the

0:51:05.360 --> 0:51:08.520
<v Speaker 1>late last year. But and I'm not asking this anytime soon,

0:51:08.640 --> 0:51:12.000
<v Speaker 1>but back in the day, George and Tammy, back in

0:51:12.080 --> 0:51:13.839
<v Speaker 1>the you know, it was a thing where you would

0:51:14.160 --> 0:51:16.399
<v Speaker 1>the couples would do an entire album. Has that ever

0:51:16.600 --> 0:51:20.080
<v Speaker 1>been talked about in your house like it's a soul album?

0:51:20.520 --> 0:51:23.320
<v Speaker 1>Maybe yes, maybe just briefly because it's it's fun to

0:51:24.320 --> 0:51:27.560
<v Speaker 1>even like a five song EP. It's once we get

0:51:27.600 --> 0:51:29.960
<v Speaker 1>through the Marin record, we can talk more about what

0:51:30.040 --> 0:51:32.360
<v Speaker 1>we're doing next. But I feel like we're so like

0:51:32.760 --> 0:51:35.120
<v Speaker 1>just coming out of that tunnel. So, I mean, I

0:51:35.239 --> 0:51:37.440
<v Speaker 1>love all the duets so like, I think one of

0:51:37.520 --> 0:51:42.000
<v Speaker 1>my favorite songs is like the Loretta Conway Twitty. You're

0:51:42.040 --> 0:51:44.920
<v Speaker 1>the reason our kids are ugly like but that is

0:51:44.960 --> 0:51:47.560
<v Speaker 1>my favorite thing about country music. Couples like our duets

0:51:48.040 --> 0:51:50.080
<v Speaker 1>and Hardy, who has been on every single duet and

0:51:50.120 --> 0:51:52.400
<v Speaker 1>country the last five years. Congratulations buddy, even killing it.

0:51:52.800 --> 0:51:54.880
<v Speaker 1>It's like, if there's a song Hardy's on it. Now.

0:51:55.360 --> 0:51:57.680
<v Speaker 1>We got to vote for a Hardy Songwriter of the

0:51:57.719 --> 0:51:59.720
<v Speaker 1>Year at the ACMs this year, so I mean, congrats

0:51:59.719 --> 0:52:01.960
<v Speaker 1>to you. Let's thank you man. We have the ACM

0:52:02.000 --> 0:52:05.839
<v Speaker 1>Songwriter of the Year on this song, which is pretty yeah, awesome. Well,

0:52:05.840 --> 0:52:09.799
<v Speaker 1>we're gonna speaking of wonderful talented people. Amy's gonna got

0:52:09.840 --> 0:52:13.040
<v Speaker 1>her performance in a second. You're you're, You're, You're up

0:52:13.080 --> 0:52:15.719
<v Speaker 1>to date right? Oh, yes, I've been following along. Okay,

0:52:15.920 --> 0:52:18.400
<v Speaker 1>he's totally up to date. I don't know if Marin is,

0:52:18.719 --> 0:52:21.160
<v Speaker 1>so that makes me nervous. So this is what's happened

0:52:21.560 --> 0:52:23.560
<v Speaker 1>a long time. I know it's coming, but just helped

0:52:23.560 --> 0:52:25.880
<v Speaker 1>fill me in a long time ago. Amy said, MAT

0:52:25.960 --> 0:52:27.640
<v Speaker 1>think I actually sing the Marian part pretty good. And

0:52:27.719 --> 0:52:35.680
<v Speaker 1>chasing after You, I said, I sing along in my

0:52:35.920 --> 0:52:39.560
<v Speaker 1>car with Ryan, but I'm not in the marr and

0:52:39.640 --> 0:52:42.440
<v Speaker 1>we all have no I heard you do it. I

0:52:42.520 --> 0:52:46.080
<v Speaker 1>mean you saying great, thanks Marin. It's really low. It's

0:52:46.080 --> 0:52:48.279
<v Speaker 1>a low part of it. Sure, but I've never ever

0:52:48.440 --> 0:52:52.080
<v Speaker 1>done this with anybody else except Marin. Makes me even

0:52:52.160 --> 0:52:56.040
<v Speaker 1>now now now, I'm way nervous and I don't especially

0:52:56.080 --> 0:52:59.680
<v Speaker 1>with Marin here. I need it to people to know

0:52:59.840 --> 0:53:04.600
<v Speaker 1>I'm not trying. Do you do the like Marion? Uh listen, listen? Yeah? Yeah,

0:53:05.800 --> 0:53:07.839
<v Speaker 1>what if we what if Marin sat in your seat?

0:53:07.960 --> 0:53:12.319
<v Speaker 1>I might need a cute nose, Okay, I My goal

0:53:12.360 --> 0:53:14.840
<v Speaker 1>would be to make Marian prava also to know that,

0:53:15.080 --> 0:53:18.839
<v Speaker 1>like I am definitely not Marin. This is like just fun.

0:53:18.960 --> 0:53:21.600
<v Speaker 1>This is like a oh yeah, because you do something. Okay,

0:53:21.600 --> 0:53:23.560
<v Speaker 1>we're gonna do it next, all right, yes, hold on, Okay,

0:53:23.560 --> 0:53:26.000
<v Speaker 1>we're rambled. We didn't know at the time when this

0:53:26.160 --> 0:53:28.040
<v Speaker 1>was suggested by you, Amy, that Marin was going to

0:53:28.080 --> 0:53:30.839
<v Speaker 1>be here to watch that totally different story now, yeah,

0:53:31.840 --> 0:53:34.360
<v Speaker 1>but this is all your idea. Yeah yeah, well, I

0:53:34.400 --> 0:53:36.680
<v Speaker 1>mean I feel like over the years, what like we've

0:53:36.680 --> 0:53:38.960
<v Speaker 1>been doing this sixteen years or something, I've sang with

0:53:39.560 --> 0:53:42.279
<v Speaker 1>some like I've had the opportunity to just have fun

0:53:42.360 --> 0:53:44.160
<v Speaker 1>with it, and this is a song that I just love,

0:53:44.600 --> 0:53:47.040
<v Speaker 1>big fan of it from the beginning. I enjoy seeing

0:53:47.080 --> 0:53:50.640
<v Speaker 1>it in my car. So I maybe just mentioned it'd

0:53:50.640 --> 0:53:53.800
<v Speaker 1>be so fun to see seeing it. I mentioned. So

0:53:54.360 --> 0:53:57.719
<v Speaker 1>here's what's happening. Amy, you should just really have fun,

0:53:58.040 --> 0:54:00.799
<v Speaker 1>I am because if what she does eyes once she's

0:54:00.880 --> 0:54:02.560
<v Speaker 1>not on, which it is hard for us to be

0:54:02.600 --> 0:54:05.000
<v Speaker 1>on or don't have your skill set no so one.

0:54:05.160 --> 0:54:07.719
<v Speaker 1>Then she starts to goop around and do like funny runs.

0:54:07.840 --> 0:54:14.000
<v Speaker 1>We told her commit to being serious, right, yes, yes, okay, committed? Okay, Amy,

0:54:14.080 --> 0:54:17.239
<v Speaker 1>your thoughts before we hit this song. I've got it,

0:54:17.360 --> 0:54:19.920
<v Speaker 1>nailed it, Ryan, your thoughts before we hit this song.

0:54:20.120 --> 0:54:22.520
<v Speaker 1>I've just been following the saga online for a while,

0:54:22.600 --> 0:54:24.520
<v Speaker 1>so I'm really excited to do it. I've been I've

0:54:24.520 --> 0:54:29.239
<v Speaker 1>been thrilled that you've wanted to. That's very cool. Hey, Teddy,

0:54:29.280 --> 0:54:31.640
<v Speaker 1>would you mind playing the intro before we actually go

0:54:31.800 --> 0:54:33.919
<v Speaker 1>through it? I want to show and we'll show Amy

0:54:33.920 --> 0:54:36.320
<v Speaker 1>worse to come in. Will you just play up to

0:54:36.400 --> 0:54:38.120
<v Speaker 1>the part where no no no no no no no

0:54:38.160 --> 0:54:41.880
<v Speaker 1>no no where that part? Yeah, just the intro? What

0:54:42.120 --> 0:54:44.640
<v Speaker 1>what are we practicing? Which part when you come in

0:54:44.760 --> 0:54:46.480
<v Speaker 1>with the listen right, because you'll finish the chorus. We

0:54:46.560 --> 0:54:48.400
<v Speaker 1>do the chorus beause he does it first. You do

0:54:48.480 --> 0:54:51.000
<v Speaker 1>the chorus, and then it goes back into that second verse,

0:54:51.600 --> 0:54:53.880
<v Speaker 1>right if I may, there's no leg we just say, oh,

0:54:53.920 --> 0:54:57.600
<v Speaker 1>it just goes right into it, and you may. That's

0:54:57.640 --> 0:55:02.120
<v Speaker 1>it on the one. On the one, I'll give you

0:55:02.200 --> 0:55:05.000
<v Speaker 1>a big old no, you know, Amy, and and then

0:55:05.040 --> 0:55:10.360
<v Speaker 1>I follow you. Yeah, okay, here we go. Ryan heard

0:55:10.800 --> 0:55:12.800
<v Speaker 1>a name, Marion? Can you give me a mimimi like

0:55:12.880 --> 0:55:19.120
<v Speaker 1>a dough like I want? What I wish? I don't know,

0:55:20.520 --> 0:55:23.719
<v Speaker 1>can I whenever Ryan's doing his first first? Do you

0:55:23.920 --> 0:55:27.520
<v Speaker 1>ever like because sometimes Marion will just kind of like

0:55:27.640 --> 0:55:30.360
<v Speaker 1>in the back, like if like when Ryan goes like

0:55:30.640 --> 0:55:32.719
<v Speaker 1>then I wake up with you on my chest? Do

0:55:32.840 --> 0:55:35.279
<v Speaker 1>I ever just be like on my chest? No? Not

0:55:35.400 --> 0:55:41.719
<v Speaker 1>this time? Are you serious? Okay? I am? Here we go?

0:55:42.200 --> 0:55:45.160
<v Speaker 1>Are you staying there? I am? I saying where would

0:55:45.160 --> 0:55:49.839
<v Speaker 1>you feel most you could take my seat? Yeah? That's

0:55:49.880 --> 0:55:52.160
<v Speaker 1>a good point, Hardy. Why do you say is in

0:55:52.280 --> 0:55:55.160
<v Speaker 1>between like sit in your seat? Yeah? And you should?

0:55:55.440 --> 0:55:57.000
<v Speaker 1>Why I suggest that I told me I was an idiot?

0:55:57.080 --> 0:56:04.680
<v Speaker 1>All right, it's a great hilarious We're gonna put it

0:56:04.719 --> 0:56:06.720
<v Speaker 1>to the test. You should. If I can find a harmony,

0:56:06.920 --> 0:56:10.680
<v Speaker 1>I'll Hearty's gonna harmonize with me? Okay, I'm just still

0:56:10.719 --> 0:56:12.879
<v Speaker 1>gonna have to close my eyes. But also, it feel

0:56:12.880 --> 0:56:16.520
<v Speaker 1>like you're looking to Amy over here. Yeah, we get that.

0:56:16.680 --> 0:56:19.920
<v Speaker 1>We look like all the time. See Marin said it. Okay, Ryan,

0:56:20.440 --> 0:56:38.680
<v Speaker 1>definitely Amy. Let's go. Teddy will follow you. Okay, you

0:56:38.840 --> 0:56:43.120
<v Speaker 1>can move when your winds all done. Always catch me

0:56:43.200 --> 0:56:46.719
<v Speaker 1>when I'm not that strong, and then you wind up

0:56:46.840 --> 0:56:53.680
<v Speaker 1>staying on night long. Ain't nothing new. Then I'll wag

0:56:53.760 --> 0:56:57.359
<v Speaker 1>good with you on my chin. You got a way

0:56:57.400 --> 0:57:01.560
<v Speaker 1>of making me forget the girl with you. The answer

0:57:01.680 --> 0:57:07.560
<v Speaker 1>is always yea every time call. But I know y'all

0:57:07.719 --> 0:57:11.080
<v Speaker 1>know it isn't matter of time til you walk, until

0:57:11.120 --> 0:57:14.920
<v Speaker 1>you walk out of my life. Let me standing your

0:57:15.000 --> 0:57:23.280
<v Speaker 1>lonely feeling like fool every time. Every time you say

0:57:23.480 --> 0:57:26.920
<v Speaker 1>we're done, you come back to the love you around

0:57:26.960 --> 0:57:29.640
<v Speaker 1>it from. I don't know why. I don't know why

0:57:29.920 --> 0:57:34.560
<v Speaker 1>I let you, but I do because I love Jason.

0:57:34.880 --> 0:57:45.600
<v Speaker 1>After you listen, wish I could quit you, but it

0:57:45.760 --> 0:57:49.240
<v Speaker 1>feels too good. If I could turn it off, you

0:57:49.400 --> 0:57:53.280
<v Speaker 1>know I would, But something about you makes me think

0:57:53.440 --> 0:57:58.880
<v Speaker 1>we could make it after all. But I know, yeah,

0:57:58.880 --> 0:58:02.120
<v Speaker 1>I know, it's a matter of time till you walk,

0:58:02.280 --> 0:58:06.920
<v Speaker 1>till you walk back out of my lifely be standing here, lonely,

0:58:07.360 --> 0:58:14.640
<v Speaker 1>feeling like a fool. Every time, every time you stay

0:58:14.880 --> 0:58:17.920
<v Speaker 1>we're done, you come back to the love you were

0:58:18.040 --> 0:58:21.000
<v Speaker 1>running from. I don't know why, I don't know why

0:58:21.280 --> 0:58:26.200
<v Speaker 1>I let you, but I do guess I love chasing it?

0:58:27.480 --> 0:58:46.600
<v Speaker 1>Do you? You can mold and your wines all gone?

0:58:47.640 --> 0:58:51.440
<v Speaker 1>Always catch me when I'm not that strong. Then you

0:58:51.600 --> 0:58:57.720
<v Speaker 1>wind up staying all night long. Ain't nothing. But I know,

0:58:58.160 --> 0:59:01.600
<v Speaker 1>y'all know, it's a matter up time to you walk,

0:59:01.720 --> 0:59:05.440
<v Speaker 1>to you walk back out of my Lifely be standing

0:59:05.640 --> 0:59:13.200
<v Speaker 1>your lonely feeling like a food. Yes, time, every time

0:59:13.440 --> 0:59:18.120
<v Speaker 1>you say it, you come back to love you running from.

0:59:18.600 --> 0:59:21.480
<v Speaker 1>I don't know why, I don't know why I let you,

0:59:22.120 --> 0:59:29.360
<v Speaker 1>but I do. Yes, I love Jesu. Du Yeah, I

0:59:29.520 --> 0:59:40.120
<v Speaker 1>love jes That's a good. Wow. You did a great jobs.

0:59:41.480 --> 0:59:46.040
<v Speaker 1>Wow let's go to the okay, so Amy, Yes, marrings up.

0:59:46.080 --> 0:59:48.959
<v Speaker 1>I feel like Ryan Um the Voice or American Idol

0:59:49.040 --> 0:59:53.560
<v Speaker 1>or something going to Hollywood. Thank you, Thank you Ryan,

0:59:53.640 --> 0:59:56.480
<v Speaker 1>what you think about You did great? Yeah, you made

0:59:56.520 --> 0:59:59.440
<v Speaker 1>it to listen. Well, what's difficult is I mean, I

0:59:59.480 --> 1:00:01.240
<v Speaker 1>know y'all do us all the time, but like I'm

1:00:01.320 --> 1:00:04.000
<v Speaker 1>not hearing you don't hear I mean I don't so

1:00:04.160 --> 1:00:07.800
<v Speaker 1>I'm just like, oh, I didn't say a sentence. Yeah,

1:00:08.160 --> 1:00:10.600
<v Speaker 1>I just I don't know how they just performed without

1:00:10.800 --> 1:00:16.240
<v Speaker 1>hearing themselves us. Here party your thoughts on Amy's performance.

1:00:16.440 --> 1:00:19.080
<v Speaker 1>I thought you did great. Yeah, you know it. Confidence

1:00:19.600 --> 1:00:22.440
<v Speaker 1>and do you feel that adrenaline rush right now? Yes,

1:00:22.640 --> 1:00:24.800
<v Speaker 1>that's the best feeling about performing. Right Like in the

1:00:24.880 --> 1:00:27.320
<v Speaker 1>fifth grade, I was in a talent show and sing

1:00:27.880 --> 1:00:31.240
<v Speaker 1>Amy Grant, and I felt in the fifth grade though

1:00:31.320 --> 1:00:33.880
<v Speaker 1>like I didn't now I recognize I can't sing. In

1:00:33.960 --> 1:00:37.040
<v Speaker 1>the fifth grade, I thought I still had a chance. Marion,

1:00:37.120 --> 1:00:39.200
<v Speaker 1>you actually posted an old video clip of like you

1:00:39.320 --> 1:00:40.800
<v Speaker 1>as a kid talking about your why I don't know

1:00:40.840 --> 1:00:42.360
<v Speaker 1>how day or you weren't fifth grade. You're talking about

1:00:42.360 --> 1:00:44.000
<v Speaker 1>how your album came out and go get it, And

1:00:44.080 --> 1:00:45.760
<v Speaker 1>I was like that was me, Like I wanted to sing,

1:00:45.840 --> 1:00:48.680
<v Speaker 1>I sing at church, did all the things. So this

1:00:48.960 --> 1:00:50.880
<v Speaker 1>is just something fun for me. I know, I can't

1:00:51.000 --> 1:00:53.760
<v Speaker 1>say all right, all right, all right, let's let's put

1:00:53.840 --> 1:00:55.919
<v Speaker 1>Marion back in the big kit chair. Okay, yeah, yeah,

1:00:56.520 --> 1:01:00.000
<v Speaker 1>all right, right, let me say a couple of days.

1:01:00.480 --> 1:01:03.640
<v Speaker 1>First of all, Ryan trying to walk off the set here. Ryan,

1:01:03.720 --> 1:01:06.360
<v Speaker 1>congratulations on the new song. It's awesome. I love it.

1:01:06.560 --> 1:01:08.960
<v Speaker 1>Passing on amazing Marion. I know your record came out

1:01:09.040 --> 1:01:13.000
<v Speaker 1>last week. It's fantastic. Great job, Teddy as always. I

1:01:13.040 --> 1:01:14.320
<v Speaker 1>guess we'll see in a couple of days. I don't

1:01:14.320 --> 1:01:16.360
<v Speaker 1>know who you'll be in here with, but it's constant

1:01:16.720 --> 1:01:19.080
<v Speaker 1>and Hardy just a massive fan of everything you do,

1:01:19.520 --> 1:01:22.480
<v Speaker 1>um writing wise, your style. Just I'm just a big fan.

1:01:22.640 --> 1:01:24.280
<v Speaker 1>Thank you and so appreciate you coming up here. Here

1:01:24.320 --> 1:01:27.280
<v Speaker 1>it is thanks Hardy. All right, and there is a

1:01:27.480 --> 1:01:31.440
<v Speaker 1>cake entering the room because it is Happy birthday, My

1:01:31.760 --> 1:01:37.120
<v Speaker 1>happy birthday too. It's your birthday. Who you know? It's

1:01:37.280 --> 1:01:40.680
<v Speaker 1>my birthday? Oh? Cut that cut? That cut that cut? Oh,

1:01:40.880 --> 1:01:44.120
<v Speaker 1>this is recorded on my birthday? What okay? Oh? And

1:01:44.600 --> 1:01:47.280
<v Speaker 1>oh it's my name, Happy birthday. You know what. Here's

1:01:47.520 --> 1:01:50.040
<v Speaker 1>here's the inside joke. Everybody. We recorded this before my

1:01:50.160 --> 1:01:53.640
<v Speaker 1>birthday and I was confused cake was coming in studio.

1:01:55.200 --> 1:01:57.800
<v Speaker 1>I was like, wait, this is the earliest surprise party ever.

1:01:58.520 --> 1:02:03.760
<v Speaker 1>Thank you, for the cake. We were all easually confused. Yes, Ryan, great, Marion,

1:02:04.080 --> 1:02:08.040
<v Speaker 1>Teddy Hardy, great show and that's awesome, all right, We

1:02:08.120 --> 1:02:11.880
<v Speaker 1>good guys. Oh Amy did great, Thank you Amy. We'll

1:02:11.920 --> 1:02:14.440
<v Speaker 1>have weeks to talk about this and relive it. Okay,

1:02:14.480 --> 1:02:18.640
<v Speaker 1>there they are the crude Thank you guys. It's the

1:02:18.800 --> 1:02:23.280
<v Speaker 1>best bits of the week with Morgan number two and

1:02:23.560 --> 1:02:26.760
<v Speaker 1>coming in hauntingly. Is that even a word. I don't

1:02:26.760 --> 1:02:28.320
<v Speaker 1>know if that's a word, but you know what, it's

1:02:28.360 --> 1:02:30.600
<v Speaker 1>going to be a word right now, hauntingly At number one,

1:02:31.280 --> 1:02:36.280
<v Speaker 1>the haunted crying boy doll drama. Listen, somebody was supposed

1:02:36.280 --> 1:02:38.080
<v Speaker 1>to take it home for a week, live with it.

1:02:38.240 --> 1:02:40.280
<v Speaker 1>See what happens, and you know they did not want to,

1:02:40.400 --> 1:02:42.160
<v Speaker 1>so they paid someone else on the show to do it.

1:02:42.280 --> 1:02:44.840
<v Speaker 1>And you know, when money gets involved, somebody on the

1:02:44.880 --> 1:02:46.800
<v Speaker 1>show is going to get in on the action. And

1:02:46.920 --> 1:02:49.919
<v Speaker 1>that is definitely what happened. So make sure you catch

1:02:50.040 --> 1:02:54.240
<v Speaker 1>up on this whole situation with the haunted doll, because

1:02:54.840 --> 1:02:56.560
<v Speaker 1>I have a feeling we're going to be having some

1:02:56.840 --> 1:03:00.160
<v Speaker 1>stories over the next week about this whole situation. So

1:03:00.680 --> 1:03:04.120
<v Speaker 1>here it is right now. Number one. Yesterday we were

1:03:04.120 --> 1:03:07.800
<v Speaker 1>talking about a ventroloquist doll, and this doll supposedly haunted.

1:03:08.480 --> 1:03:11.440
<v Speaker 1>And I said, who believes that a doll could be haunted?

1:03:12.080 --> 1:03:13.840
<v Speaker 1>And both Amy and Eddie said, I don't think a

1:03:13.920 --> 1:03:15.680
<v Speaker 1>thing can be haunted. I said, great, I'm glad you

1:03:15.760 --> 1:03:18.400
<v Speaker 1>said that, because what we have purchased is the Crying

1:03:18.520 --> 1:03:21.800
<v Speaker 1>Boy doll that they claim is haunted. The Crying Boy

1:03:21.920 --> 1:03:23.840
<v Speaker 1>was part of the collection of dolls. The owner of

1:03:23.880 --> 1:03:26.960
<v Speaker 1>the doll said she swore she always felt strange and

1:03:27.040 --> 1:03:29.880
<v Speaker 1>sad around him, like it brought I don't have time

1:03:29.920 --> 1:03:33.520
<v Speaker 1>for that energy, she said. Sometimes his shoes would be

1:03:33.640 --> 1:03:37.400
<v Speaker 1>off and she would never touch the doll's feet. Okay,

1:03:37.680 --> 1:03:40.400
<v Speaker 1>so since you don't believe things are haunted, we're gonna

1:03:40.400 --> 1:03:42.120
<v Speaker 1>play a game loser takes a doll home with them

1:03:42.120 --> 1:03:44.919
<v Speaker 1>for a week. Cool. We actually will get the doll

1:03:45.120 --> 1:03:48.560
<v Speaker 1>on Friday, like in hopefully, and then all next week

1:03:48.600 --> 1:03:50.040
<v Speaker 1>you have the doll at home with you. My god.

1:03:50.360 --> 1:03:53.600
<v Speaker 1>So we're gonna play twenty one questions and the loser

1:03:54.040 --> 1:03:57.680
<v Speaker 1>takes the haunted doll home for a week. Okay, So

1:03:57.840 --> 1:03:59.600
<v Speaker 1>what'll happen is I have a celebrity. I've shared it

1:03:59.640 --> 1:04:02.280
<v Speaker 1>with Mike. He'll also service fact checker. You can ask

1:04:02.480 --> 1:04:07.120
<v Speaker 1>yes or no questions, and if you decide that you

1:04:07.240 --> 1:04:10.520
<v Speaker 1>want to guess the celebrity, buzz in with your name

1:04:10.560 --> 1:04:12.360
<v Speaker 1>at any time. But once you guess and you miss it,

1:04:12.440 --> 1:04:15.640
<v Speaker 1>you're gone. You lose. Okay, So you get it anytime

1:04:15.760 --> 1:04:17.720
<v Speaker 1>buzz in and say I want to guess the celebrity

1:04:17.760 --> 1:04:20.439
<v Speaker 1>for the win. Say your name as the buzzer. It's wrong,

1:04:20.840 --> 1:04:24.760
<v Speaker 1>gets wrong, you lose. Yeah, so ready to go, Amy,

1:04:24.800 --> 1:04:26.520
<v Speaker 1>You will go first a yes or no question. Have

1:04:26.560 --> 1:04:29.840
<v Speaker 1>a celebrity in my head? Twenty one questions? Go? Is

1:04:29.880 --> 1:04:34.640
<v Speaker 1>it a male? No, it's a woman, Eddie? Is this

1:04:34.880 --> 1:04:41.080
<v Speaker 1>woman dead? Oh? Here we go? No is the dramatic pauses.

1:04:41.560 --> 1:04:48.160
<v Speaker 1>I'm thinking, no, the woman's not dead. Okay. Is she married? Mike?

1:04:50.160 --> 1:04:52.880
<v Speaker 1>I think so, but Mike is serving as the fact checker,

1:04:53.280 --> 1:04:54.920
<v Speaker 1>and he will tell me if she's married or not.

1:04:56.000 --> 1:04:58.840
<v Speaker 1>She is married. Yes, we get twenty questions each. Right, No,

1:04:58.960 --> 1:05:00.760
<v Speaker 1>we go until someone loses. It's just a game. It

1:05:00.840 --> 1:05:06.400
<v Speaker 1>could be a hundred questions. Go ahead, Eddie, h married? Okay, Um,

1:05:06.600 --> 1:05:10.760
<v Speaker 1>let's see is this person famous? Yeah? Obviously? No, not obviously.

1:05:10.880 --> 1:05:14.560
<v Speaker 1>It could be like my cousin. It's never obvious. Does

1:05:14.640 --> 1:05:23.240
<v Speaker 1>she have kids? No? No, no kids? Married, no kids?

1:05:23.520 --> 1:05:29.560
<v Speaker 1>Is this a woman who's alive? Is she American? Here's

1:05:31.480 --> 1:05:35.400
<v Speaker 1>trying to think, Yes, Yes she's American. I'm looking at

1:05:35.440 --> 1:05:40.080
<v Speaker 1>Mike if I'm confused. Yes, she's American, American woman. Is

1:05:40.160 --> 1:05:50.880
<v Speaker 1>she a singer? No? Female? Famous, not a singer? American? Married? Yeah? Married?

1:05:50.920 --> 1:05:57.440
<v Speaker 1>No kids? Um? Is she an actress? No, Mike, we're

1:05:57.480 --> 1:06:00.880
<v Speaker 1>gonna go with no, right, No, we'll say no. Not

1:06:00.960 --> 1:06:03.120
<v Speaker 1>a singer, not an actresses, doesn't sing or act? And

1:06:03.200 --> 1:06:09.400
<v Speaker 1>she's famous? She an influencer? TikToker? Never? No, not a TikToker?

1:06:09.920 --> 1:06:13.919
<v Speaker 1>What does she knew? Bobby? Is she Caucasian? She is? Yeah?

1:06:17.200 --> 1:06:23.280
<v Speaker 1>Is she in politics? No? Is she a comedian? Yes?

1:06:23.640 --> 1:06:28.040
<v Speaker 1>Oh oh this is a tough I have a question.

1:06:28.080 --> 1:06:30.280
<v Speaker 1>I don't want to ask it. She said no kids.

1:06:33.480 --> 1:06:37.000
<v Speaker 1>Is it my turn? Yeah? You said no kids, no kids? Married?

1:06:37.560 --> 1:06:40.560
<v Speaker 1>She's a comedian. Now you guys start to think you

1:06:40.600 --> 1:06:42.080
<v Speaker 1>know who it is. I'm scared to know who it is.

1:06:42.120 --> 1:06:44.680
<v Speaker 1>But I'm scared. Okay, is she a comedian that has

1:06:44.720 --> 1:06:50.720
<v Speaker 1>also started movies? Let me ask Mike because I don't

1:06:50.920 --> 1:06:57.280
<v Speaker 1>think so. But gosh, so, Mike, she's been in moot?

1:06:57.360 --> 1:07:00.640
<v Speaker 1>What not known as an actress? But she's in in movies?

1:07:03.520 --> 1:07:06.120
<v Speaker 1>Is it my turn? This is tough because I feel

1:07:06.120 --> 1:07:07.720
<v Speaker 1>like I know who it is, but and I have

1:07:07.880 --> 1:07:09.560
<v Speaker 1>one more question, but I don't want to ask it

1:07:09.640 --> 1:07:14.400
<v Speaker 1>because I think that'll give amy the answer and follow

1:07:14.480 --> 1:07:16.240
<v Speaker 1>a question with immediately yelling your name. You have to

1:07:16.280 --> 1:07:18.840
<v Speaker 1>pause for at least three seconds. Okay, so you don't

1:07:18.880 --> 1:07:20.320
<v Speaker 1>just go get the answer and yell your name. Okay,

1:07:20.320 --> 1:07:22.840
<v Speaker 1>I have a question, but she can jump in, can't

1:07:23.120 --> 1:07:30.360
<v Speaker 1>it is she? Can she be a raunchy comedian. That's

1:07:30.400 --> 1:07:34.080
<v Speaker 1>not gonna help me? Yes? No? No? Oh, well that

1:07:34.600 --> 1:07:36.200
<v Speaker 1>kind of goes me off. I wish Eddie would have

1:07:36.240 --> 1:07:42.800
<v Speaker 1>guessed and missed it. That would been hilarious. Okay, Okay?

1:07:43.840 --> 1:07:47.720
<v Speaker 1>Has mail comedian married? No kids? She's been in some movies?

1:07:47.880 --> 1:07:57.760
<v Speaker 1>What about TV? Has she done TV shows? Yes? Okay, okay,

1:07:58.680 --> 1:08:02.680
<v Speaker 1>what are you thinking about now? The thing that's confusing

1:08:02.720 --> 1:08:05.080
<v Speaker 1>when you ask if somebody's something it's not what they're

1:08:05.120 --> 1:08:07.520
<v Speaker 1>known most for, but they've probably done it. What was

1:08:07.560 --> 1:08:10.080
<v Speaker 1>their springboard? Like? Maybe they've done other things, but what

1:08:10.160 --> 1:08:13.080
<v Speaker 1>did it start with? Like your media? You wouldn't say

1:08:13.080 --> 1:08:16.840
<v Speaker 1>I'm an author. But I've written a couple but right

1:08:16.920 --> 1:08:19.840
<v Speaker 1>same here. But you said yes to comedian though, yes,

1:08:19.960 --> 1:08:22.880
<v Speaker 1>and yes to she's TV show show. Okay, so it

1:08:23.080 --> 1:08:26.320
<v Speaker 1>started with comedy Eddie, it's over to you. It's me okay,

1:08:26.640 --> 1:08:29.680
<v Speaker 1>um man? Was she was? She a part of the

1:08:29.720 --> 1:08:33.960
<v Speaker 1>oscars this year? I didn't watch. All I know is

1:08:34.000 --> 1:08:37.639
<v Speaker 1>somebody slap somebody. Yeah, but you know who wasn't? Okay? Good?

1:08:39.560 --> 1:08:44.240
<v Speaker 1>Not good? I meant it doesn't have kids. Every comedian

1:08:44.439 --> 1:08:46.960
<v Speaker 1>I'm thinking of has a child. It must not be

1:08:47.040 --> 1:08:50.320
<v Speaker 1>that one of the comedians you're thinking. We're playing twenty

1:08:50.360 --> 1:08:53.000
<v Speaker 1>one questions. They're trying to identify the celebrity. Does you

1:08:53.040 --> 1:08:59.280
<v Speaker 1>have vlonde hair? Yes, big Amy, that's big blonde hair.

1:08:59.360 --> 1:09:03.439
<v Speaker 1>But she told it really is blonde hair, female babies,

1:09:04.640 --> 1:09:13.040
<v Speaker 1>American comedian, american has done TV? Okay? Is she is?

1:09:13.120 --> 1:09:17.639
<v Speaker 1>She over forty years of age? Any time? Come on, Amy,

1:09:17.760 --> 1:09:21.719
<v Speaker 1>go ahead? Shall you look up? She is over forty?

1:09:21.960 --> 1:09:25.519
<v Speaker 1>She is over forty? Amy, ask it? She's over Well, no,

1:09:25.720 --> 1:09:28.360
<v Speaker 1>this person can't be over forty unless she's forty one.

1:09:31.080 --> 1:09:41.559
<v Speaker 1>Turn he just AMusA a god hair married comedian? No kids?

1:09:41.720 --> 1:09:45.040
<v Speaker 1>Has she had any plastic surgery? I don't know. That's yes.

1:09:45.200 --> 1:09:47.400
<v Speaker 1>Some of them have been vocal about it lately. That's

1:09:47.439 --> 1:09:49.400
<v Speaker 1>why I don't I don't know. I don't know that

1:09:49.760 --> 1:09:52.400
<v Speaker 1>it's been in magazines. I don't know. That's a question though, right,

1:09:52.400 --> 1:09:54.400
<v Speaker 1>and they said they wanted to be real about it. Yeah,

1:09:54.400 --> 1:09:56.560
<v Speaker 1>I don't know that that's the answer. I don't know

1:09:56.640 --> 1:10:00.800
<v Speaker 1>that answer. Okay, does she have her own TV show?

1:10:01.560 --> 1:10:07.240
<v Speaker 1>M does she? Or hash she ever? Oo oo oo,

1:10:08.479 --> 1:10:11.200
<v Speaker 1>let's go with hash she ever? What's Mike? I believe

1:10:11.240 --> 1:10:13.519
<v Speaker 1>she's had her own TV show? Yes, Okay, keep a

1:10:13.600 --> 1:10:17.280
<v Speaker 1>bunch of actors like you, guys, acting show or talk show?

1:10:18.040 --> 1:10:20.080
<v Speaker 1>He just had TV show? I know. Now I'm asking.

1:10:20.439 --> 1:10:22.479
<v Speaker 1>You have to ask yes or no talk show? Yes

1:10:22.640 --> 1:10:29.439
<v Speaker 1>or no talk show? Yes? That helps kind of. I

1:10:29.520 --> 1:10:31.160
<v Speaker 1>can't do it, guys. You have to buzz in with

1:10:31.200 --> 1:10:33.040
<v Speaker 1>you'rn have a big question here and I can't ask it.

1:10:33.120 --> 1:10:34.160
<v Speaker 1>You have to buzz in with your name if you

1:10:34.200 --> 1:10:35.360
<v Speaker 1>want to know the answer. But we're getting down the

1:10:35.400 --> 1:10:37.559
<v Speaker 1>nitty gritty, and you know, you can ask a question

1:10:37.600 --> 1:10:39.240
<v Speaker 1>and then once he answers, you have three seconds to

1:10:39.320 --> 1:10:41.880
<v Speaker 1>yell your name to answer. You have to wait three seconds. Yeah,

1:10:42.920 --> 1:10:46.479
<v Speaker 1>so you don't have to wait. You can jump in immediately. Yes, okay,

1:10:48.880 --> 1:10:52.880
<v Speaker 1>has she ever done any voice work? That's interesting? Yeah?

1:10:53.080 --> 1:10:57.160
<v Speaker 1>Voice work? Voice work? Oh god, Yeah, you shouldn't have

1:10:57.160 --> 1:11:06.439
<v Speaker 1>asked it. You can't give me own, correct, Amy, get

1:11:06.520 --> 1:11:09.240
<v Speaker 1>ready to have a briefe crime boy in your house

1:11:09.320 --> 1:11:13.800
<v Speaker 1>for one week? Why did you you knew he was

1:11:13.800 --> 1:11:15.519
<v Speaker 1>going to jump in? I know, but I was If

1:11:15.560 --> 1:11:18.839
<v Speaker 1>I guessed Ellen and I was wrong, the same risks

1:11:18.920 --> 1:11:22.200
<v Speaker 1>the same with him, Amy, You had three you had

1:11:22.280 --> 1:11:26.160
<v Speaker 1>no seconds. You could have jumped right in. Wow, Now

1:11:26.280 --> 1:11:30.160
<v Speaker 1>she takes the crime boy home? If what like, what

1:11:30.280 --> 1:11:32.519
<v Speaker 1>if I don't get sleep that week? You might not.

1:11:32.760 --> 1:11:34.439
<v Speaker 1>That's going to be because you've done it to yourself.

1:11:34.560 --> 1:11:36.639
<v Speaker 1>You might not believe that things are haunted. I don't

1:11:36.640 --> 1:11:39.320
<v Speaker 1>think it's haunted. You believe. I don't want the even

1:11:39.439 --> 1:11:43.400
<v Speaker 1>the potential of hauntedness. But what's the worst, just the shoes?

1:11:43.840 --> 1:11:47.800
<v Speaker 1>What's the worst? That this crime baby an easy and sad?

1:11:47.960 --> 1:11:51.439
<v Speaker 1>Yet Amy will take a haunted doll home with her

1:11:51.520 --> 1:11:53.600
<v Speaker 1>for a week. It must be in the confines of

1:11:53.720 --> 1:11:57.479
<v Speaker 1>your house. No garage, children, Yeah, but you don't believe

1:11:57.520 --> 1:12:01.519
<v Speaker 1>in it? Okay, it can be in my garage. No

1:12:01.960 --> 1:12:04.040
<v Speaker 1>not your garage in the house. Amy comes in wearing

1:12:04.040 --> 1:12:08.320
<v Speaker 1>all black. Next week, she cries every segment similar to

1:12:08.520 --> 1:12:12.680
<v Speaker 1>the other seasons of the sad seasons. That's it, not

1:12:12.800 --> 1:12:19.640
<v Speaker 1>always different seasons of live. Do not bring it in

1:12:19.720 --> 1:12:24.600
<v Speaker 1>the studio. Don't bring it with you? Why because I

1:12:24.880 --> 1:12:28.840
<v Speaker 1>don't want that. Okay, Amy will take home the Crying

1:12:28.880 --> 1:12:31.960
<v Speaker 1>Boy doll U and have it for next week. You lost,

1:12:33.120 --> 1:12:34.880
<v Speaker 1>Amy has to take a haunted doll home with her.

1:12:35.439 --> 1:12:38.280
<v Speaker 1>She lost a game. For a week, it's supposed to

1:12:38.280 --> 1:12:40.600
<v Speaker 1>live at her house. She reached out to her past or.

1:12:40.640 --> 1:12:44.400
<v Speaker 1>The pastor's like, hey, we believe in Jesus Christ, and

1:12:44.400 --> 1:12:45.920
<v Speaker 1>this is not bigger than Jesus Christ, he said, but

1:12:45.960 --> 1:12:47.240
<v Speaker 1>you do have kids and I can freak him out,

1:12:48.280 --> 1:12:52.240
<v Speaker 1>which tore Amy a little bit. Yeah. Then Lunchbox said,

1:12:52.240 --> 1:12:53.800
<v Speaker 1>I'll take the doll home, and he held up a number.

1:12:54.360 --> 1:12:57.880
<v Speaker 1>So if Amy pays him this number, which hurts, by

1:12:57.920 --> 1:12:59.479
<v Speaker 1>the way, like I don't want to pay this money,

1:13:00.000 --> 1:13:03.920
<v Speaker 1>he'll take the doll home. So I do need your

1:13:04.000 --> 1:13:07.920
<v Speaker 1>decision right now, right now. Hit me with it. Okay, Ay,

1:13:08.680 --> 1:13:11.320
<v Speaker 1>there is the haunted doll. It is called the Crying Boy.

1:13:12.240 --> 1:13:15.400
<v Speaker 1>Are you taking the doll home for a week or

1:13:15.479 --> 1:13:19.120
<v Speaker 1>are you? I like that drum roll? That's yeah, it's

1:13:19.120 --> 1:13:21.160
<v Speaker 1>a constant one. I mean. The thing is like I'm

1:13:21.840 --> 1:13:24.640
<v Speaker 1>here like as my job, like I get paid to

1:13:24.760 --> 1:13:27.120
<v Speaker 1>be here, like I'm getting paid right now, and then

1:13:27.160 --> 1:13:29.680
<v Speaker 1>I'm about to pay the money that I'm making. You

1:13:29.760 --> 1:13:33.000
<v Speaker 1>are you? Wow? Is that the announcement you are paying

1:13:33.000 --> 1:13:35.160
<v Speaker 1>the money? It just feels weird, like who else at

1:13:35.200 --> 1:13:37.840
<v Speaker 1>their job has to like make money and then spend it, right,

1:13:38.200 --> 1:13:40.920
<v Speaker 1>to spend all the time for listeners for games? I know,

1:13:41.800 --> 1:13:44.519
<v Speaker 1>I know this is just as a being trying Its

1:13:44.560 --> 1:13:47.080
<v Speaker 1>like trying to be a responsible parent. There is I

1:13:47.280 --> 1:13:50.000
<v Speaker 1>cannot bring the haunted doll into my home, and I

1:13:50.080 --> 1:13:53.400
<v Speaker 1>guess why I Am going to be paying Lunchbox a

1:13:53.600 --> 1:13:57.280
<v Speaker 1>stupid amount of money to avoid it. WHOA, I don't

1:13:57.320 --> 1:14:01.920
<v Speaker 1>want the doll, but I want money. I need to

1:14:01.960 --> 1:14:05.800
<v Speaker 1>see a handshake, because once the hand shake is now outligated,

1:14:07.160 --> 1:14:10.640
<v Speaker 1>always spit in his hand. I didn't, okay, handshake is

1:14:10.680 --> 1:14:16.840
<v Speaker 1>on breaking news, like honestly, I have no more breaking

1:14:16.920 --> 1:14:20.439
<v Speaker 1>new breaking box. That's now his doll the dolls here today?

1:14:21.080 --> 1:14:24.120
<v Speaker 1>Oh no stars now, Oh I'm so glad this deal

1:14:24.160 --> 1:14:27.519
<v Speaker 1>got done today because I can't. I just could potentially

1:14:27.640 --> 1:14:29.240
<v Speaker 1>I could hide it from my son, but if you

1:14:29.320 --> 1:14:31.720
<v Speaker 1>were to find out, it could just cause issues. Well

1:14:31.800 --> 1:14:34.080
<v Speaker 1>we're moving from you to lunchbox now, okay, good, but

1:14:34.200 --> 1:14:37.560
<v Speaker 1>well the lunchbox? Oh the dollar is here? Where is

1:14:37.600 --> 1:14:40.479
<v Speaker 1>it right now? Mike? It's outside. We're not bringing in

1:14:40.479 --> 1:14:42.840
<v Speaker 1>the building. I'm not gonna tell my wife. That's not

1:14:42.960 --> 1:14:48.040
<v Speaker 1>our problem. That's a good point in n op's not

1:14:48.160 --> 1:14:51.960
<v Speaker 1>our problem. That's a good one. Saying that people, we're

1:14:52.040 --> 1:14:54.519
<v Speaker 1>going to make the handoff. Do you want to do

1:14:54.600 --> 1:14:56.360
<v Speaker 1>the next segment? But outside, we'll get him on the phone.

1:14:56.479 --> 1:14:58.680
<v Speaker 1>We'll go and put it in your car. Oh my

1:14:58.800 --> 1:15:02.280
<v Speaker 1>car is already haunted. No, it's dirty with dead animals.

1:15:02.320 --> 1:15:06.479
<v Speaker 1>And yeah, it's just you did that. Oh boy, we'll

1:15:06.520 --> 1:15:08.840
<v Speaker 1>pass over the door in the next segment. I don't

1:15:08.880 --> 1:15:11.880
<v Speaker 1>like it, But is that what I was gonna say?

1:15:12.680 --> 1:15:14.400
<v Speaker 1>Do you want me too? Oh? Yeah? What else you

1:15:14.439 --> 1:15:16.960
<v Speaker 1>gonna do that's gonna happen? Can I do a payment plan?

1:15:17.720 --> 1:15:19.560
<v Speaker 1>Just venmo him that way? He has to do it.

1:15:21.600 --> 1:15:25.320
<v Speaker 1>It's the best bits of the week with Morgan number two.

1:15:26.760 --> 1:15:28.519
<v Speaker 1>Thanks so much, y'all. I hope you got caught up

1:15:28.640 --> 1:15:30.920
<v Speaker 1>on everything that happened during the show this week, make

1:15:30.960 --> 1:15:33.479
<v Speaker 1>sure you check out at Bobby Bones Show social media

1:15:33.560 --> 1:15:35.800
<v Speaker 1>as well as at Bobby Bones dot com because that's

1:15:35.840 --> 1:15:38.280
<v Speaker 1>all the content. You gotta be all the way updated

1:15:38.320 --> 1:15:40.519
<v Speaker 1>on everything that happened, because next week we're gonna be

1:15:40.600 --> 1:15:42.439
<v Speaker 1>coming in hot with new content and maybe even some

1:15:42.600 --> 1:15:46.040
<v Speaker 1>updates from this. So don't miss anything. And this is

1:15:46.360 --> 1:15:48.320
<v Speaker 1>the whole point of the best Bits and so y'all

1:15:48.439 --> 1:15:50.240
<v Speaker 1>don't miss a thing, and I hope you love it.

1:15:50.760 --> 1:15:53.479
<v Speaker 1>Please hit me up on social media, tag me if

1:15:53.520 --> 1:15:55.320
<v Speaker 1>you're listening to it. I love seeing him and I'll

1:15:55.360 --> 1:15:58.599
<v Speaker 1>always repost if I do see him, So please hit

1:15:58.640 --> 1:16:01.200
<v Speaker 1>me up in let me know what you're thinking of

1:16:01.280 --> 1:16:04.720
<v Speaker 1>the two separate pieces of the podcast. I think most

1:16:04.760 --> 1:16:06.439
<v Speaker 1>of y'all are loving it, but I hope you guys

1:16:06.479 --> 1:16:08.800
<v Speaker 1>have a fantastic weekend. Thanks for hanging out with me.

1:16:15.600 --> 1:16:19.000
<v Speaker 1>History is littered with tragic stories from which we could

1:16:19.080 --> 1:16:23.360
<v Speaker 1>all learn lessons. The spectacular Broadway show that flopped, the

1:16:23.520 --> 1:16:26.640
<v Speaker 1>autopilot that helped crash a plane, the heat wave that

1:16:26.800 --> 1:16:30.879
<v Speaker 1>killed some city residents but not their neighbors. I'm Tim Harford,

1:16:31.040 --> 1:16:34.320
<v Speaker 1>host of Cautionary Tales, the podcast that looks for the

1:16:34.479 --> 1:16:38.680
<v Speaker 1>valuable lessons in the greatest mistakes, disasters, and fiascos of

1:16:38.760 --> 1:16:42.320
<v Speaker 1>the past. Listen to Cautionary Tales on the iHeartRadio app,

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<v Speaker 1>Apple Podcasts, or wherever you get your podcasts.