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Speaker 1: History is littered with tragic stories from which we could

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Speaker 1: all learn lessons. The spectacular Broadway show that flopped, the

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Speaker 1: autopilot that helped crash a plane, the heat wave that

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Speaker 1: killed some city residents but not their neighbors. I'm Tim Harford,

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Speaker 1: host of Cautionary Tales, the podcast that looks for the

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Speaker 1: valuable lessons in the greatest mistakes, disasters, and fiascos of

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Speaker 1: the past. Listen to Cautionary Tales on the iHeartRadio app,

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Speaker 1: Apple Podcasts, or wherever you get your podcasts. It's the

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Speaker 1: Best Bits of the Week with Morgan number two. What

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Speaker 1: is up, y'all? Welcome to the Best Bits, Just the Bits.

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Speaker 1: Y'all are coming from listening to the conversation I had

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Speaker 1: with Mike d this weekend, which was so fun. We

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Speaker 1: had a great conversation as always and they always turn

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Speaker 1: into some therapy sessions, and Mike and I both had

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Speaker 1: some realizations during that podcast. So if you're listening to

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Speaker 1: this right now, while you're hearing coming out of my voice,

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Speaker 1: this is the Best Bits, just the Bits. I'm going

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Speaker 1: to enter all the bits that you can listen to

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Speaker 1: and catch up on the show. But if you want

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Speaker 1: to hear it just the conversation with Mike the make

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Speaker 1: sure you check out part one. We're going to kick

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Speaker 1: it off with number seven. This is Restless Road. It

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Speaker 1: was their first ever appearance on the show, and they

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Speaker 1: shared the connection they have to Kane Brown, how their

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Speaker 1: bands started, how it's evolved in just so many cool things,

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Speaker 1: plus a really awesome medley performance. If you don't hear

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Speaker 1: it here, you can go watch it at Bobby Bones

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Speaker 1: dot Com. Number seven on The Bobby Bones Show. Now

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Speaker 1: Restless Road. Fella's good to see you, Amy. I would

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Speaker 1: like for you to meet Restless Road. Zach say hi

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Speaker 1: to Amy. Hey Amy, Helloi? I like this. This is

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Speaker 1: like Colton Oh, Garretty, Hey Amy, I'm Garrett. Hello. You

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Speaker 1: got it now? So this this body of work here

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Speaker 1: is Restless Road. We played the opery together last week

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Speaker 1: and Charles Kelley from Lady A came and sang with

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Speaker 1: you guys, and it's pretty cool. It was it was

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Speaker 1: It was absolutely incredible. I mean because he was a

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Speaker 1: co writer on the on the new single, so it

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Speaker 1: was an honor kind of to have him come out

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Speaker 1: and play it with us. Do you know how I

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Speaker 1: knew that he wrote the song? Is because he texts

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Speaker 1: me bragging that he wrote the song. Did he sounds

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Speaker 1: about right? Yeah? And then I saw about it all

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Speaker 1: there you go, there you go. So before we talk

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Speaker 1: about kind of you guys and you know who you are,

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Speaker 1: I'd like for audience to hear you a little bit.

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Speaker 1: I know you guys do this call Medley that I've

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Speaker 1: heard you do. Do you think you guys could do

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Speaker 1: that here live on the show. Oh we absolutely good?

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Speaker 1: All right, here we go. Here's restless road, baby luck

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Speaker 1: and over and turn the lights down loop, but some

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Speaker 1: music on the song baby we ain't got old? Please

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Speaker 1: to go. I hope you want to stay and thinking

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Speaker 1: bath so long never feels to feeling quiet maybe strong?

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Speaker 1: Actually Familes turns me home just to be old man,

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Speaker 1: that I can take a full ride on a big

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Speaker 1: green tractor and we can't go slow and Biggie go

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Speaker 1: faster down through the woods right to the pasture and

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Speaker 1: long the time with you you really don't matter the

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Speaker 1: time of being alive and drive if you want to, girl,

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Speaker 1: you know you gotta meet on too. We can go

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Speaker 1: to town. Maybe if you'd rather take a full ride

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Speaker 1: on my big green tractor and both should have been

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Speaker 1: a cowboy, shouldn't be right? Weren't mind seeing you right

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Speaker 1: in my pony on the chat of drive steal any

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Speaker 1: young girl? So just like Jean, go see those can't

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Speaker 1: buy songs? Who should have been Terribell? Who should have

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Speaker 1: been Chubell? You love me? You won't be my friend?

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Speaker 1: Sit will don't be pretty? Take me by you won't.

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Speaker 1: I think this is sound goose chack chacks home by

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Speaker 1: beaver check soon? No, no, no, that's let's road. Nice

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Speaker 1: job fellas. You know. I know what it's like now

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Speaker 1: because I've been jaded a bit after being a a

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Speaker 1: lot of shows. When someone yells at your hometown, you

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Speaker 1: feel excited and you're like, oh, so that I've lost. However,

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Speaker 1: I wasn't expecting the rhyme with Bobby Bones and I

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Speaker 1: was like, oh, I just worked or something. It was.

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Speaker 1: It was a it was a low hanging fruit. We

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Speaker 1: had to get it. Um. So let's kind of start

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Speaker 1: at the beginning here. I know you guys from knowing

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Speaker 1: Kane Brown, right. I think Kane is what interest who

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Speaker 1: introduced me to you guys? So Garrett, what's the situation.

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Speaker 1: How do you guys know Kine? Well, Colton. Colton can

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Speaker 1: probably tell you that. So, um, we know came from

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Speaker 1: back in two thousand and thirteen. We were all on

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Speaker 1: the TV show The X Factor together and that's kind

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Speaker 1: of where Russell's Roads started. And um, we were kind

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Speaker 1: of all we all met each other in Los Angeles

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Speaker 1: and Hollywood week and um, it was we were kind

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Speaker 1: of all pitted against each other, or so we thought,

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Speaker 1: and then um, coming to find out, No, they were

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Speaker 1: all along trying to set up this for this four

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Speaker 1: person group, and Kane was supposed to be in Wrestless Road.

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Speaker 1: But then Kane decided he wanted to go on and

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Speaker 1: to solo stuff and he became the Kane Brown that

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Speaker 1: everybody knew some loves. And we continued. So, Zach, when

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Speaker 1: you're from whichaw, Kansas? My family actually lives there now,

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Speaker 1: but I was born and raised in Iowa. Then I

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Speaker 1: lived in Michigan and Pennsylvania. My dad, he's a choir director,

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Speaker 1: so he got a job at Wichita State University. So

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Speaker 1: that's why I call home now. Okay, shocker shout out.

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Speaker 1: So your home now is Wichita? Well, I just call

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Speaker 1: home wherever my family lives from. Hon't you live here?

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Speaker 1: That's tough. And then the thing where so you moved

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Speaker 1: around a whole lot and your dad was a choir instructor. Yeah,

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Speaker 1: he's a choir director. So does was he hard on you? No? Honestly,

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Speaker 1: I wouldn't actually ever let him hear me sing. It

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Speaker 1: was weird. I don't know what it was like. I

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Speaker 1: wanted to prove it on my own or something. I

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Speaker 1: would never let him help me sing. And I eventually

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Speaker 1: joined choir myself. He wasn't my teacher, but I joined

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Speaker 1: because I was moving school so much. I needed to

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Speaker 1: do something to kind of make friends and I kind

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Speaker 1: of fit in, so I just kept up with it.

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Speaker 1: And yeah, it's my dream honestly to do like a

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Speaker 1: choir remix to one of our songs and have my

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Speaker 1: dad come out and like conduct the choir. So with

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Speaker 1: the stick he's got this actually got him a custom

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Speaker 1: one for Christmas. There. It's called ah but Tom. I

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Speaker 1: don't know, actually don't know, but yeah, the choir guy's son.

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Speaker 1: You should know, you're Yeah, you're you're you're a son

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Speaker 1: and you I've never been in a choir before. Yeah,

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Speaker 1: he's got the stick and everything. So rest the name

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Speaker 1: Restless Road what is the what's the genesis of that?

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Speaker 1: I wish it had a really cool story. I don't

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Speaker 1: know what came first, the name or the meaning let's

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Speaker 1: make up. Let's just make up a name that they've

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Speaker 1: really told us, you know, on the show, they said, hey,

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Speaker 1: we need a name by the end of the day.

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Speaker 1: And we were coming up with just everything we could

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Speaker 1: and nothing was sticking, and we just said restless road.

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Speaker 1: And the guy was like, man, that sounds like some

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Speaker 1: and we never looked back, you know, And now now

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Speaker 1: I feel like it kind of has taken on its

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Speaker 1: own meaning. This whole journey to get to this point

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Speaker 1: in life in general, for everybody, it's it's a wrestless road.

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Speaker 1: It's it's you never know what you're gonna get. And

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Speaker 1: we have this whole catchphrase and it's called keep your

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Speaker 1: eyes on the road, and it's just all about staying

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Speaker 1: focused on your dream and your goal. And that's kind

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Speaker 1: of so it's kind of I feel like developed the meaning.

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Speaker 1: I'm gonna give you a meaning. So when you guys met,

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Speaker 1: you hit it off, and you all were like on

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Speaker 1: ancestry dot com or one of those sites, and you

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Speaker 1: realize when you look back into your history that all

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Speaker 1: of your grandparents lived on Restless Avenue, but Wrestless Avenue

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Speaker 1: didn't sound good, so crazy coincidence that they all live

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Speaker 1: in the same place because they were all fighting for

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Speaker 1: America in World War One and they lived on Wrestless Avenue.

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Speaker 1: And you're like, wow, we can't believe that we're all

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Speaker 1: matched together. This has got to be some sign from God.

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Speaker 1: And so instead of Wrestless Avenue, you're like, let's just

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Speaker 1: say Restless Road because it sounds better. And then now

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Speaker 1: representing USA U three Restless Road, that's your new story.

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Speaker 1: You can have it free. Well I'm glad you said

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Speaker 1: that because my free trial on answertry dot com ran

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Speaker 1: out before I got Okay, that's great. You know what's

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Speaker 1: really ironic though, that you say that my grandpa after

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Speaker 1: we were on the show, he changed the name of

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Speaker 1: my home the road that we lived one in our hometown.

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Speaker 1: And it's not a total lie, so let's go literally live.

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Speaker 1: He really did change it. And then he got really

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Speaker 1: mad because my grandpa's like kind of a recluse, so

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Speaker 1: he doesn't like people. And so there was two like

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Speaker 1: there was people stopping by because when we were rolling

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Speaker 1: the show. People were wanting to stop by and see

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Speaker 1: where this was. And he went out there and chopped

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Speaker 1: the whole sign down and never put it back out.

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Speaker 1: So I don't know if it's still legally Wrestless Road,

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Speaker 1: but we're gonna we're gonna say it is Wrestless Avenue.

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Speaker 1: That whole situation works. So what's the living situation with

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Speaker 1: you guys? You guys live together? Me and Zach do.

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Speaker 1: We live Overnice, Nashville and Colton. He has a beautiful family,

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Speaker 1: he's married, he has two little girls. Why don't you

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Speaker 1: move in with them? He's got to have room. Now,

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Speaker 1: I don't I don't know. I don't know if he

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Speaker 1: I don't know if he can handle two more for

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Speaker 1: the phone calls. Dude, So are you guys known as uncle? Oh? Yeah,

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Speaker 1: we're Uncle Gee and Uncle Zach. Yeah. And your kids

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Speaker 1: are how old? Two and four? I mean you're like sixteen?

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Speaker 1: How do you have to get kids? I know, man,

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Speaker 1: I've been married for seven years too already. Wow, twenty

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Speaker 1: and so? Yeah, and you grew up where West Virginia?

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Speaker 1: Now did you ever make the walk to Tennessee? And

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Speaker 1: I say that because Eddie did from West Virginia. I

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Speaker 1: know a few people that's done it. Um, y'all are

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Speaker 1: a different breed of people. Man, I lived I lived

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Speaker 1: out there, and I don't think that you couldn't catch

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Speaker 1: me walking that far. It's it is a long walk. Colton.

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Speaker 1: What what's your hometown? Like? Small? Real small? Um? We

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Speaker 1: had uh, we have one one stop sign, one gas station, um,

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Speaker 1: and it there's about two. Last time they did a census,

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Speaker 1: there was two hundred and seventy two people in the town.

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Speaker 1: So everybody knows everyone. Um. But it's it's honestly really

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Speaker 1: cool because I feel like, uh, just West Virginia in general,

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Speaker 1: they tend to rally around people that are doing stuff

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Speaker 1: because not a lot of people get out of West

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Speaker 1: Virginia and and do something. So, UM, it's been it's

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Speaker 1: been a really awesome experience and being able to go back.

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Speaker 1: They actually, I don't know if this is this is

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Speaker 1: it's weird, but they put I've seen you have a

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Speaker 1: sign in your hometown and they put home of Colton

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Speaker 1: pack um in front of mine, which was a really cool,

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Speaker 1: really cool moment um. So they're they're definitely proud. It's

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Speaker 1: it's it's a really cool a really cool thing and

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Speaker 1: I love to get to go back when I can. So,

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Speaker 1: so you're from West Virginia and then Zach like where

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Speaker 1: it is? I know you see your family in which

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Speaker 1: town now? But to you, where's home? As a kid,

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Speaker 1: you gotta be you gotta pick a place? Where would

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Speaker 1: it be? It's it's really hard. Um. I've always said

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Speaker 1: I kind of feel like I don't have a hometown.

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Speaker 1: Maybe we'll write a song about it. That's crazy that

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Speaker 1: you feel that you feel like you don't have a hometown. Um,

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Speaker 1: but in a lot of ways, it's it's something that

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Speaker 1: my dad would would apologize for later on and be like,

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Speaker 1: I'm really sorry that, you know, we had to move around.

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Speaker 1: But I actually really value and appreciate that experience because

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Speaker 1: it really forced me to come out of my show

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Speaker 1: and uh just adapt the new situations. And I've applied

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Speaker 1: that a lot to what we're doing today. Um. But

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Speaker 1: I feel sad for him now. I feel sad for

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Speaker 1: you being acquired director. You know, military, you expect I

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Speaker 1: feel like you have a hometown. Yeah, well I got

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Speaker 1: friends in a lot of places. I got you know,

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Speaker 1: I loved my Michigan friends. That was kind of where

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Speaker 1: I feel like I that's where I started singing. That's

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Speaker 1: where I did this time town East Lansing. Okay, there

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Speaker 1: it is. There's his hometown. Okay. My question would be

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Speaker 1: if like you were playing Monday night football and he's like,

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Speaker 1: you know, I'm from home too, Mountain Pine Ark and

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Speaker 1: tell Bob. You'd be like, oh, I don't have a hometown.

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Speaker 1: Or we'd be like, I gotta change it because I

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Speaker 1: feel sad again he watch football now, you know, but

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Speaker 1: I like it. I like your attitude about it. Um,

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Speaker 1: Whenever you guys started playing together, did you feel like, oh, man,

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Speaker 1: I kind of wanted to be solo and now we're together.

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Speaker 1: Was that that kind of a process to get through?

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Speaker 1: Or we like, man, we actually are a lot better

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Speaker 1: together than we were by ourselves. This is way more

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Speaker 1: fun being a group. This, yeah, would be. I just think,

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Speaker 1: you know, being a group obviously comes with more challenges.

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Speaker 1: You're gonna have to make some sacrifices, and I'm sure

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Speaker 1: there's things that we don't even know about down the

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Speaker 1: road we're gonna have to work together on. But for me,

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Speaker 1: it's just so much fun. There's no joke. They're my

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Speaker 1: best friends and we and everyone thinks that we're brothers,

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Speaker 1: but it feels like it and it's just we we

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Speaker 1: love making music together and we just love what we do,

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Speaker 1: and um, you still like each other. Yeah, we haven't

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Speaker 1: had a we haven't had a blowout yet. You really haven't,

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Speaker 1: and we really have it. But we're honestly, I feel

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Speaker 1: like we're pretty we're pretty good about like communication skill

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Speaker 1: as soon as Yeah, if something's like a problems arising immediately,

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Speaker 1: we just we just say how we feel. When we

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Speaker 1: work it out, we say, we say it, we get

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Speaker 1: past it, and we move on. Is there a voting protocol?

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Speaker 1: Like if hey, two one you know wins, how do

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Speaker 1: you guys do that? Well? I think I think what's

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Speaker 1: cool about us is, you know, over the years that

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Speaker 1: we've been together, like we all came from different places.

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Speaker 1: We have very different voices and styles. But I think

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Speaker 1: that's what's cool is we kind of bounce off each other,

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Speaker 1: and you know, it's it's cool to hear their perspective

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Speaker 1: because I might think, you know, something sounds cool, but

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Speaker 1: they'll have a different perspective, and you know, it's it's

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Speaker 1: cool to bounce ideas off each other and then kind

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Speaker 1: of be like, hey, maybe I wasn't right, maybe that

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Speaker 1: was a little cooler. So you're from Tuscaloos, Alabama, I am,

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Speaker 1: how's that working out for you? Well? I always tell

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Speaker 1: people this, um, because you know, people either love or

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Speaker 1: hate that you're from Tuscaloosa. They're like, oh, real tied

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Speaker 1: or they're like, oh dude, no. But when I turned

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Speaker 1: to when I started talking, my parents said, you can

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Speaker 1: either live with us here at home or we're gonna

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Speaker 1: take you to the woods and you can figure it out.

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Speaker 1: You gotta be a real tied fan. I said, okay,

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Speaker 1: so you're forced into it. Yeah. I grew up there.

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Speaker 1: I was there till I was eighteen, moved to Nashville after,

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Speaker 1: so I kind of have to be yah. See, I

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Speaker 1: am not. I feel a bit the opposite. I actually

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Speaker 1: really enjoy going to Tuscaloosa. But I am not an

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Speaker 1: Alabama fan at all. But I'm just jealous that you

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Speaker 1: guys are really good, and so I take that out

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Speaker 1: on you. But my hatred is jealousy. Yeah, I don't know.

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Speaker 1: It's it's been weird, like with all the football success,

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Speaker 1: you know, it's been weird watching sports growing up because

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Speaker 1: when I was a young kid. We didn't have Nick Saban.

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Speaker 1: I think he a huge part of that. But yeah,

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Speaker 1: it was crazy seeing seeing where they were and how

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Speaker 1: they are now. It was just a big change. And

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Speaker 1: you get do three hometown shows whenever you're touring, like

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Speaker 1: all right, we're gonna do Yeah, Well there, I promise you.

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Speaker 1: There's probably no chance we're ever going to my hometown.

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Speaker 1: There's there's not enough people. Yeah, we will think we're

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Speaker 1: going to Yeah, we gotta go back. Hey when we

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Speaker 1: are going to West Virginia. So I kind of take

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Speaker 1: West Virginia as my whole home. I feel the same

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Speaker 1: way about our can saw anywhere I can saw. This's

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Speaker 1: like exactly exactly. You guys are all over. I'm looking

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Speaker 1: at all these dates that you guys are doing. And

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Speaker 1: so when you play a live show and it's you three, like,

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Speaker 1: are you able to cover the whole? I mean musically,

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Speaker 1: you guys have it all right here with you three.

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Speaker 1: I mean, I'm sure you got a drummer, but like, what,

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Speaker 1: what's what do you guys doing there on the set?

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Speaker 1: Tell him about our guitars? Um, Yeah, So it's actually

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Speaker 1: so Garrett plays guitar, Zach plays guitar. I play guitar

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Speaker 1: and piano UM and uh, it's really cool. So I

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Speaker 1: went to UM. Our lead guitar player is actually from

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Speaker 1: my high school. So he moved to Nashville. I used

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Speaker 1: to try to get him to move to Nashville early

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Speaker 1: on because he's just unbelievable at what he does. And

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Speaker 1: he actually moved to Nashville where I did. After all

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Speaker 1: that time, and then when the opportunity arise, I told him.

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Speaker 1: I said, man, we'd love to have you in the band.

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Speaker 1: And he's been playing with us. So it's been really

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Speaker 1: cool to get to see two people from the middle

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Speaker 1: of nowhere, West Virginia on the big stage show. I

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Speaker 1: guess I asked that because you know, you gotta pay people. True,

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Speaker 1: you know, and at one point the Wrestless Road money

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Speaker 1: is gonna be coming in pretty good. I hope. Right

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Speaker 1: now you're trying to figure it out. You know, he

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Speaker 1: got all those mouths to feed it is. That's very true.

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Speaker 1: That's very true. I mean, right now we do have

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Speaker 1: a drummer and in a lead guitar player, but other

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Speaker 1: than that, we kind of that's pretty full sounding. That's

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Speaker 1: pretty awesome, you guys, can I hope you go and

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Speaker 1: see Wrestless Road because they have so many dates. Um

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Speaker 1: and we'll tell you just a second about that. But

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Speaker 1: the thing that interests me to about new artists is

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Speaker 1: when they get asked to do something like The Bachelor,

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Speaker 1: like to perform on that show, because I just feel

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Speaker 1: so awkward because do you have to do it over

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Speaker 1: and over again? Did it any way to dive into this?

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Speaker 1: Oh yeah, because that's that to me, that's always fascinating.

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Speaker 1: And have a few friends that have done it, and

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Speaker 1: it just feels weird. So what who did they bring

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Speaker 1: you in for? And what was the scene? We were

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Speaker 1: episode four on Clayton's season, and all we knew going in.

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Speaker 1: We were huge fans of the show, by the way,

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Speaker 1: so when we found out, we were just so pumped

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Speaker 1: to be there and we're asking you have to say

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Speaker 1: that if you do it, like it's in the contract.

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Speaker 1: Probably for eight or nine years now, we've watched it.

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Speaker 1: Religious Oh oh yeah, we know, we knew all the facts,

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Speaker 1: Like we keep up, we can ask us anything. We won't,

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Speaker 1: but I believe you. Yeah, it's the most dramatic season

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Speaker 1: of the Bachelor coming out coming up. Anyways, where did

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Speaker 1: they send to you just La. We were actually in Houston,

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Speaker 1: so we had finished a show we were opening with Kine.

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Speaker 1: We've finished the show, flew to Houston and it was

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Speaker 1: a date at this like farmhouse. It was a barbecue

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Speaker 1: date that they were on, and so during the daytime

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Speaker 1: portion we were kind of kept secret and we were

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Speaker 1: asking the producers a million questions, how how's the show work?

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Speaker 1: We had like a million questions. And then by the

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Speaker 1: time the eight dinner I'm using air quotes because they

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Speaker 1: don't actually eat the food. They eat dinner at around

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Speaker 1: midnight and then there's this big sliding door and we're

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Speaker 1: on the other side of it and when the producers

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Speaker 1: just like, hey, whenever that door opens, just start and uh.

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Speaker 1: The suspense was just killing us because we had to

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Speaker 1: be totally silent. It was like eight minutes went by.

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Speaker 1: I didn't tell us. They're like, they're like, just watch

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Speaker 1: that door and be ready to play, and whenever it opens,

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Speaker 1: just scowed it. And we're like, I'm like sitting there

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Speaker 1: for I met you forty minutes, just waiting, waiting, waiting,

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Speaker 1: and they're it's dead silent. Everybody's whispering. And then the

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Speaker 1: producers like out her earpiece and she's like, she's crying.

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Speaker 1: The girl's crying, she's and the door finally opened. Yeah,

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Speaker 1: and they walked through and they were mean five feet

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Speaker 1: away from us and just went for the instant makeout

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Speaker 1: and uh, that's really what was What was challenging was

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Speaker 1: was keeping the straight face because you can't you have

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Speaker 1: to look at him. You can't not look at them,

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Speaker 1: but then you feel weird both ways. But it's weird

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Speaker 1: both ways. You don't look at him, You're like, we're

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Speaker 1: performing to them, but then they're like making out, you know,

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Speaker 1: and then then you're just like, my mow for this,

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Speaker 1: you only do it one time, we did it a

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00:19:03,720 --> 00:19:08,040
Speaker 1: few they had to keep kissing. Well, so what was funny? Yeah,

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00:19:09,040 --> 00:19:13,320
Speaker 1: right after Clayton did this big, massive speech and I

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Speaker 1: mean it was like it was perfect. It was the

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Speaker 1: perfect speech, and then the producers go, can you please

386
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Speaker 1: say exactly what you said, just like you said it?

387
00:19:21,960 --> 00:19:23,560
Speaker 1: He said, I like those words you use. I like

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Speaker 1: to use more of those words. So instead of doing

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00:19:26,119 --> 00:19:28,359
Speaker 1: the speech, they were just like, no, we're just gonna

390
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Speaker 1: make outens. So then they continue to do that and

391
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Speaker 1: he kept trying to have to stop them and yeah

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Speaker 1: it was. We got like two or three minutes with

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Speaker 1: him off camera, and they did seem to be like

394
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Speaker 1: all over each other, don't even to the bitter end,

395
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Speaker 1: and she was. It was Rachel, I'm not gonna, you know,

396
00:19:44,480 --> 00:19:47,960
Speaker 1: spoil anything, but Colton wen any finales. Wait, I don't

397
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Speaker 1: even know if this is like it came out like

398
00:19:51,680 --> 00:19:54,560
Speaker 1: what a week like two weeks ago. If you saw it,

399
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Speaker 1: it was the biggest train wreck of a finale. Like

400
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Speaker 1: the guy did probably you know everything, and the girl

401
00:20:01,680 --> 00:20:03,800
Speaker 1: that was a part of our day, she kind of got,

402
00:20:03,960 --> 00:20:05,920
Speaker 1: you know, the short end of the stick, like she

403
00:20:06,160 --> 00:20:08,760
Speaker 1: was her and the she was like second and third

404
00:20:08,840 --> 00:20:10,280
Speaker 1: with the other girl. He just told him both. It

405
00:20:10,320 --> 00:20:13,080
Speaker 1: made her the new bachelorette. Yeah, they gave her, They

406
00:20:13,160 --> 00:20:15,119
Speaker 1: gave her another chance at The funny thing about the

407
00:20:15,160 --> 00:20:17,160
Speaker 1: story is I lost interest after you finish your part.

408
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Speaker 1: I don't care. I mean, I yeah, you guys, we're

409
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Speaker 1: just talking to air after a while. Rachel Susie, I

410
00:20:22,359 --> 00:20:24,359
Speaker 1: don't know what's happening. Yeah, I thought maybe they were

411
00:20:24,400 --> 00:20:28,200
Speaker 1: sharing a story from a year ago. No, no, just yeah, yeah,

412
00:20:28,320 --> 00:20:31,760
Speaker 1: just now, yeah, Rachel and Susie. It's a cool thing. No, idea.

413
00:20:31,840 --> 00:20:35,560
Speaker 1: What's happening here? Yes? No, not no, that's Colton. Colton

414
00:20:35,640 --> 00:20:39,000
Speaker 1: was the other bachelor Clinton. Ye. See, there's just so

415
00:20:39,080 --> 00:20:41,359
Speaker 1: many seasons at this point, too many to keep up with.

416
00:20:41,560 --> 00:20:44,080
Speaker 1: Restless Road is here. You guys have a new single.

417
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Speaker 1: I would like for you to play it. Can you

418
00:20:46,160 --> 00:20:48,960
Speaker 1: play the whole thing? We can? Okay? Good, because sometimes

419
00:20:48,960 --> 00:20:50,159
Speaker 1: people come in and I want to play like a

420
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Speaker 1: third of it. Let's just play the first fifteen seconds. See,

421
00:20:52,760 --> 00:20:54,919
Speaker 1: I knew it. I knew there was something up all right.

422
00:20:54,960 --> 00:20:57,239
Speaker 1: Here is Restless Road and they're gonna do their new

423
00:20:57,320 --> 00:21:12,480
Speaker 1: song growing old with you. All right, boys, girl, you

424
00:21:12,640 --> 00:21:21,480
Speaker 1: stole my heart, change, took all of my planes and rearrange.

425
00:21:24,200 --> 00:21:30,520
Speaker 1: Now I finally know what amazing grace. When I look

426
00:21:30,680 --> 00:21:39,399
Speaker 1: again to your ground, baby, I see my whole life.

427
00:21:40,880 --> 00:21:46,600
Speaker 1: What say we put the stassamers found as fall him,

428
00:21:47,960 --> 00:21:53,520
Speaker 1: travel around world, put some pictures on the shold, hold

429
00:21:53,560 --> 00:21:58,400
Speaker 1: your close and keep the faith raising kids without listening.

430
00:22:00,480 --> 00:22:15,879
Speaker 1: Baby was saved. I feel like a quintle. I feel

431
00:22:15,960 --> 00:22:23,919
Speaker 1: like a quintle. Restless Road, nice job, boys. My favorite

432
00:22:23,920 --> 00:22:25,719
Speaker 1: part of that song is when Zach comes back goes,

433
00:22:27,280 --> 00:22:29,360
Speaker 1: I don't even know what you said now one part. Yes,

434
00:22:29,480 --> 00:22:31,240
Speaker 1: but we're all like we're in the mood. We're dancing

435
00:22:31,280 --> 00:22:33,040
Speaker 1: with theirselfs. We feel like we're on the Bachelor. We're

436
00:22:33,040 --> 00:22:36,880
Speaker 1: doing the Hey, that was good. I like that, Zach.

437
00:22:37,160 --> 00:22:40,000
Speaker 1: Are you known what is that? Are you are your

438
00:22:40,040 --> 00:22:43,679
Speaker 1: baritone or are you a bass? A baritone um? Probably

439
00:22:43,840 --> 00:22:46,040
Speaker 1: more of a baritone, but yeah, I don't know the difference.

440
00:22:46,160 --> 00:22:48,440
Speaker 1: And I wouldn't even tell I don't know. He also

441
00:22:48,480 --> 00:22:50,240
Speaker 1: wanted to tell me the other day. He was like, well, Sue,

442
00:22:50,320 --> 00:22:51,520
Speaker 1: my dad taught me this, and I was like, I

443
00:22:51,560 --> 00:22:53,359
Speaker 1: don't know. I would say, I would say I'm a

444
00:22:53,400 --> 00:22:55,240
Speaker 1: bass singer, but then I'll like, see some video on

445
00:22:55,320 --> 00:22:57,320
Speaker 1: TikTok and see a guy who can sing like way

446
00:22:57,400 --> 00:22:59,879
Speaker 1: lower than me. I'm like, no, he's he's he's the

447
00:23:00,000 --> 00:23:02,239
Speaker 1: real good. But how high can you go? I can

448
00:23:02,320 --> 00:23:06,560
Speaker 1: go so hi? And how low can you go? Oh

449
00:23:10,080 --> 00:23:12,840
Speaker 1: on Bobby bones? Yeah, I think I can do that. Hey,

450
00:23:12,920 --> 00:23:16,960
Speaker 1: So what's that line? No music when you come back in?

451
00:23:17,080 --> 00:23:18,639
Speaker 1: I'm putting on the spot here. When you come back

452
00:23:19,320 --> 00:23:20,920
Speaker 1: let me quite, let me go. Akay, all right and

453
00:23:21,119 --> 00:23:25,120
Speaker 1: go what you say? We put us down some root? Okay,

454
00:23:25,119 --> 00:23:28,320
Speaker 1: that's what I liked. Yeah, you should do that more. Yeah, okay, okay.

455
00:23:28,359 --> 00:23:30,520
Speaker 1: Here's the deal. Restless Road is here. They're launching their

456
00:23:30,520 --> 00:23:33,359
Speaker 1: first ever headlining tour, The Bar Friends Tour starts April

457
00:23:33,440 --> 00:23:36,200
Speaker 1: six in Milwaukee. If you're listening to us in Milwaukee

458
00:23:36,320 --> 00:23:39,000
Speaker 1: or Madison, you can go watch. But they're all over

459
00:23:39,080 --> 00:23:41,399
Speaker 1: the place. Get tickets at restless road dot com. So

460
00:23:41,560 --> 00:23:46,520
Speaker 1: many of the cities that we're in, uh, Grand Rapids, Nashville, Atlanta,

461
00:23:46,640 --> 00:23:48,600
Speaker 1: Saint Louis. I could keep reading it, but you would

462
00:23:48,600 --> 00:23:50,639
Speaker 1: just get annoyed. But go to restless road dot com.

463
00:23:50,760 --> 00:23:52,720
Speaker 1: They're also looking for local openers for their tour, so

464
00:23:52,760 --> 00:23:55,600
Speaker 1: they're picking winners. Uh, we're about to pick winters now.

465
00:23:55,680 --> 00:23:57,600
Speaker 1: So that's pretty cool thing though, trying to find local

466
00:23:58,320 --> 00:24:01,040
Speaker 1: in every city. And they also bring local fans, and

467
00:24:01,359 --> 00:24:03,160
Speaker 1: that's pretty cool too because then you get free people

468
00:24:03,160 --> 00:24:04,480
Speaker 1: come to the show that they're buying tickets. Make them

469
00:24:04,520 --> 00:24:09,080
Speaker 1: buy tickets. Wrestless Road guys appreciate that. Great job. You

470
00:24:09,119 --> 00:24:11,159
Speaker 1: guys can follow them at Restless Road. They have a

471
00:24:11,240 --> 00:24:13,240
Speaker 1: massive TikTok. You guys do a lot of singing on TikTok.

472
00:24:13,280 --> 00:24:14,840
Speaker 1: I like that. Oh yeah, you're just like, all right,

473
00:24:14,840 --> 00:24:16,240
Speaker 1: we'll here for another video. What would you like us

474
00:24:16,280 --> 00:24:18,639
Speaker 1: to do? You're like, well, I guess we'll sing like

475
00:24:18,800 --> 00:24:20,879
Speaker 1: it all right? Restless road. You guys, check out Growing

476
00:24:20,960 --> 00:24:24,600
Speaker 1: Old with you. It's the best bits of the week

477
00:24:25,400 --> 00:24:32,720
Speaker 1: with Morgan. Number two. This one definitely caused some drama controversy,

478
00:24:32,800 --> 00:24:34,919
Speaker 1: however you want to put it in the studio because

479
00:24:35,800 --> 00:24:38,960
Speaker 1: Eddie thought Abby was dragging her feet on doing some

480
00:24:39,160 --> 00:24:42,080
Speaker 1: more as her career as an artist is blowing up

481
00:24:42,119 --> 00:24:45,360
Speaker 1: from doing the national anthem. So Bobby and Eddie said

482
00:24:45,400 --> 00:24:47,720
Speaker 1: they would write her an original song that she can perform.

483
00:24:47,840 --> 00:24:50,440
Speaker 1: And Abby was a little reluctant at first, but you know,

484
00:24:50,560 --> 00:24:53,800
Speaker 1: now it might actually be a smash hit. Who knows.

485
00:24:53,960 --> 00:24:55,439
Speaker 1: We don't know what's going to happen, but you can

486
00:24:55,520 --> 00:24:58,040
Speaker 1: hear how it all went down, or I hear at

487
00:24:58,119 --> 00:25:01,800
Speaker 1: number six. Number six, Eddie thinks that Abby is dragging

488
00:25:01,840 --> 00:25:04,720
Speaker 1: her feet on something that she could really capitalize on it. Which,

489
00:25:04,840 --> 00:25:07,200
Speaker 1: by the way, Abby is our phone screener, so she's

490
00:25:07,240 --> 00:25:09,720
Speaker 1: not on the air a lot, but if you call

491
00:25:09,840 --> 00:25:11,760
Speaker 1: the show, you'll talk to her. The think about Abby

492
00:25:11,920 --> 00:25:14,640
Speaker 1: is she likes to sing. She's been on the show

493
00:25:14,680 --> 00:25:17,879
Speaker 1: singing she sang with us the raging idiots. Yeah. She

494
00:25:18,080 --> 00:25:21,119
Speaker 1: then had a song that charted the national anthem what

495
00:25:21,280 --> 00:25:23,919
Speaker 1: she hit seventy one, number seventy one on the charts. Amazing.

496
00:25:24,000 --> 00:25:25,920
Speaker 1: We gave her a cake. We were so proud of her. Abby.

497
00:25:25,960 --> 00:25:28,520
Speaker 1: Are you still kind of living off that buzz? Yeah?

498
00:25:28,680 --> 00:25:32,159
Speaker 1: That is so awesome. See, great, great moment for her

499
00:25:32,200 --> 00:25:35,560
Speaker 1: singing career. Eddie. What is she not doing? Guys? She's

500
00:25:35,600 --> 00:25:37,920
Speaker 1: got to take the next step. The iron is hot,

501
00:25:38,400 --> 00:25:42,040
Speaker 1: so write an original song. It's your chance now to

502
00:25:42,200 --> 00:25:44,680
Speaker 1: come up with something good. Bobby will play it on

503
00:25:44,720 --> 00:25:48,119
Speaker 1: the show. Record labels are listening. This is her big shot,

504
00:25:48,320 --> 00:25:50,680
Speaker 1: and she's dragging her feet because the more time she waits,

505
00:25:51,000 --> 00:25:53,280
Speaker 1: I mean, the more people are gonna forget about her. Eddie,

506
00:25:53,359 --> 00:25:55,359
Speaker 1: have you already written something? Yes, dude, I gave her

507
00:25:55,400 --> 00:25:57,560
Speaker 1: a melody. I wrote her something on the guitar and

508
00:25:57,640 --> 00:26:01,480
Speaker 1: I said, look, just do your story. We all follow

509
00:26:01,480 --> 00:26:04,760
Speaker 1: your life story. You're finally have a boyfriend like this

510
00:26:04,920 --> 00:26:07,880
Speaker 1: could be your song, So you need her to write it. Yeah.

511
00:26:07,920 --> 00:26:10,399
Speaker 1: I gave her like a template. And why don't we?

512
00:26:10,600 --> 00:26:13,240
Speaker 1: Why don't you and I? Because like Jason Aldeane doesn't

513
00:26:13,280 --> 00:26:15,440
Speaker 1: really write his own song singer and he sings a

514
00:26:15,440 --> 00:26:17,520
Speaker 1: bunch of hits. Why don't you and I write it

515
00:26:17,600 --> 00:26:19,600
Speaker 1: and she can be aldeane and she can sing the song.

516
00:26:20,840 --> 00:26:23,960
Speaker 1: Oh I would I would like that. Yeah, Okay, it

517
00:26:24,040 --> 00:26:26,639
Speaker 1: makes me nervous. He wants me to write about my relationship,

518
00:26:26,680 --> 00:26:29,320
Speaker 1: and I'm like, it's so new. I don't we're gonna

519
00:26:29,359 --> 00:26:31,520
Speaker 1: write about your relationship. Oh, we're gonna write about you,

520
00:26:32,480 --> 00:26:35,159
Speaker 1: you and your voice, So give us some time. How

521
00:26:35,200 --> 00:26:37,520
Speaker 1: does she record it? Though? She recordings with you? That

522
00:26:37,600 --> 00:26:39,680
Speaker 1: means she knows we figure it out. We know people people,

523
00:26:40,600 --> 00:26:42,960
Speaker 1: so we will. We will write you a song, Abby,

524
00:26:43,080 --> 00:26:45,119
Speaker 1: but you record it and then we'll Okay, we'll put

525
00:26:45,160 --> 00:26:46,960
Speaker 1: it out and see how it does. So Abby has

526
00:26:47,040 --> 00:26:49,600
Speaker 1: no say in it though, right, Like if the songs,

527
00:26:49,640 --> 00:26:51,760
Speaker 1: the song and whatever it is, she's gonna record it.

528
00:26:51,920 --> 00:26:54,960
Speaker 1: You're correct, she has no say, right, ok So we're

529
00:26:55,000 --> 00:26:58,720
Speaker 1: gonna write it, Abby, you're gonna record it? Deal? Okay?

530
00:26:58,840 --> 00:27:01,639
Speaker 1: Is it gonna be like raging idiot style home? Like

531
00:27:01,760 --> 00:27:05,280
Speaker 1: making fun of me? Abby? Would we do that? Abby?

532
00:27:05,320 --> 00:27:07,720
Speaker 1: Where we're going to be serious songwriters and write you something.

533
00:27:07,800 --> 00:27:09,960
Speaker 1: Our goal is to write you something serious that could

534
00:27:09,960 --> 00:27:12,680
Speaker 1: actually be a hit. Correct, Okay, yeah, I trust you,

535
00:27:12,960 --> 00:27:16,520
Speaker 1: Lunchbox your thoughts. Guys, you are doing everything for her.

536
00:27:16,720 --> 00:27:18,600
Speaker 1: You got to let her learn on her own. When

537
00:27:18,680 --> 00:27:22,080
Speaker 1: Jason Aldeen was starting, you didn't have songwriters writing songs

538
00:27:22,080 --> 00:27:24,680
Speaker 1: for him. He had to earn that. She has done nothing.

539
00:27:24,760 --> 00:27:27,359
Speaker 1: You guys are doing this. You got to teach her

540
00:27:27,400 --> 00:27:29,359
Speaker 1: that she has to work for it. If you do

541
00:27:29,560 --> 00:27:32,760
Speaker 1: everything for her, what does that teach her? Like Eddie,

542
00:27:32,800 --> 00:27:35,920
Speaker 1: if you did your kids homework, does that teach him anything? No? No,

543
00:27:36,200 --> 00:27:39,440
Speaker 1: you're right, Like, what are you guys doing what? I

544
00:27:39,880 --> 00:27:42,320
Speaker 1: admitted I'm not a songwriter, but it okay, So don't

545
00:27:42,400 --> 00:27:45,919
Speaker 1: do music. I said, I'm a singer, but there are

546
00:27:45,920 --> 00:27:48,600
Speaker 1: a lot of people who aren't. Okay, So Jason Aldeen's

547
00:27:48,600 --> 00:27:51,760
Speaker 1: first ever number one song is why he didn't write it?

548
00:27:52,320 --> 00:27:55,720
Speaker 1: By Rodney Clawson, Vicki mcgeehey, and big and rich as

549
00:27:55,760 --> 00:27:57,600
Speaker 1: John Rich. Look at that. We're going to be big

550
00:27:57,640 --> 00:28:01,840
Speaker 1: and riches John Rich. Ye, Well, yeah, we're gonna write it. Abby,

551
00:28:01,880 --> 00:28:03,240
Speaker 1: give us some time. We'll write it, we record it,

552
00:28:03,280 --> 00:28:06,000
Speaker 1: we'll debut it around the show. Let's go. I love this.

553
00:28:06,200 --> 00:28:09,400
Speaker 1: I'm excited, Abby Leady Anderson, Right, that's our forming name

554
00:28:09,520 --> 00:28:11,800
Speaker 1: pen to Paper. I'll see you guys tomorrow. I go

555
00:28:11,880 --> 00:28:14,600
Speaker 1: home right now. We just started the show. Prepare your

556
00:28:14,640 --> 00:28:18,159
Speaker 1: boyfriend for this song you just said it was. We

557
00:28:18,280 --> 00:28:19,960
Speaker 1: haven't decide decided. We haven't sent in a room but

558
00:28:20,000 --> 00:28:23,840
Speaker 1: Penda paper yet. Okay, all right Abby, we'll be in touch. Okay, okay,

559
00:28:23,920 --> 00:28:27,720
Speaker 1: all right, good. It's the best bits of the week

560
00:28:28,520 --> 00:28:33,439
Speaker 1: with Morgan. Number two voy does LaunchBox have some crazy

561
00:28:33,480 --> 00:28:37,960
Speaker 1: stuff happening in his neighborhood. He confronted another neighbor. Okay,

562
00:28:38,000 --> 00:28:39,840
Speaker 1: this is not the same one that had the Christmas

563
00:28:39,920 --> 00:28:43,640
Speaker 1: light situation, but he confronted one about a broken down car.

564
00:28:43,760 --> 00:28:46,720
Speaker 1: He went to their door, knocked on it, said some words. Yes,

565
00:28:46,840 --> 00:28:50,320
Speaker 1: that really happened. And this is number five, number five.

566
00:28:50,640 --> 00:28:54,360
Speaker 1: Yesterday we talked about lunchboxes. Neighbor. It's not the Christmas lights. Guy,

567
00:28:56,120 --> 00:28:58,120
Speaker 1: he has a car that's been broken down, sitting in

568
00:28:58,240 --> 00:29:00,479
Speaker 1: front of your house for over two months, easily over

569
00:29:00,560 --> 00:29:03,200
Speaker 1: two months, just sitting there, had mood. I mean, there's dust.

570
00:29:03,240 --> 00:29:05,040
Speaker 1: I mean, I don't even think the door has been open,

571
00:29:05,240 --> 00:29:07,840
Speaker 1: just sitting And if it wasn't right in front of

572
00:29:07,880 --> 00:29:10,440
Speaker 1: your house, would you care? Wouldn't care? Wouldn't care. It's

573
00:29:10,440 --> 00:29:13,080
Speaker 1: street parking though, that's the problem. And so with kids

574
00:29:13,160 --> 00:29:15,560
Speaker 1: it's hard to park across the street. And oh look

575
00:29:15,600 --> 00:29:18,240
Speaker 1: for cars. It's just really a hassle. Okay, I get it,

576
00:29:18,560 --> 00:29:21,040
Speaker 1: do you? Yeah? Sure, I get it. With a broken

577
00:29:21,120 --> 00:29:22,360
Speaker 1: out card to sitting in front of the house all

578
00:29:22,360 --> 00:29:26,920
Speaker 1: the time and they're probably isn't a law that says

579
00:29:26,960 --> 00:29:29,080
Speaker 1: this person gets this spot on the street right right.

580
00:29:29,160 --> 00:29:30,960
Speaker 1: There's no like, oh, this is your spot, this is

581
00:29:31,000 --> 00:29:33,360
Speaker 1: your spot, nothing like that. All right, So we decided

582
00:29:33,400 --> 00:29:36,000
Speaker 1: two verses one Eddie and I decided Lunchbox should go

583
00:29:36,040 --> 00:29:38,760
Speaker 1: and confront the guy and record it for the record.

584
00:29:38,800 --> 00:29:40,479
Speaker 1: I did not want the stabbingcause I don't want any

585
00:29:40,840 --> 00:29:44,680
Speaker 1: He didn't shot. It's all good, good happen to the neighbor.

586
00:29:44,800 --> 00:29:50,360
Speaker 1: Yet I shot the neighbor. It takes time at escalate

587
00:29:50,960 --> 00:29:54,880
Speaker 1: over time. Okay, here is the first clip of Lunchbox

588
00:29:55,000 --> 00:30:02,520
Speaker 1: walking over to the neighbor's house. All right, how's it going? Man? Back,

589
00:30:02,720 --> 00:30:04,320
Speaker 1: you're in your car, But they've been down there for

590
00:30:04,920 --> 00:30:07,880
Speaker 1: well over a month man, And um, is there any

591
00:30:07,920 --> 00:30:11,200
Speaker 1: way we can push it across the street? Oh? First

592
00:30:11,240 --> 00:30:18,920
Speaker 1: of all, for two months turned into one You play again.

593
00:30:20,360 --> 00:30:22,760
Speaker 1: All right, how's it going? Man? Sold back? You're in

594
00:30:22,800 --> 00:30:24,880
Speaker 1: your car, but they've been down there for oh well

595
00:30:24,920 --> 00:30:27,840
Speaker 1: over a month man, And um, is there any way

596
00:30:27,880 --> 00:30:30,680
Speaker 1: we can push it across the street? There's a good plan?

597
00:30:30,840 --> 00:30:33,600
Speaker 1: Week is good plan that? I think that's the angle

598
00:30:33,680 --> 00:30:36,200
Speaker 1: to go. You found a way to not just put

599
00:30:36,240 --> 00:30:42,520
Speaker 1: it on him. That's not how I remember it going scared. No, no,

600
00:30:42,640 --> 00:30:45,160
Speaker 1: no one's scared one scared of tiny. And also he

601
00:30:45,280 --> 00:30:49,200
Speaker 1: didn't let the guy say hello or anything. Man, right

602
00:30:49,240 --> 00:30:51,640
Speaker 1: at it here. Here's the thing. You guys always tell

603
00:30:51,680 --> 00:30:53,640
Speaker 1: me to work on my approach. So I was trying to,

604
00:30:54,040 --> 00:30:56,760
Speaker 1: like say in a calm manner instead of being confrontational.

605
00:30:57,160 --> 00:30:58,920
Speaker 1: So maybe that's where the stutter comes in. Like I'm

606
00:30:58,960 --> 00:31:01,200
Speaker 1: trying to be like because I want to be like, yo,

607
00:31:01,400 --> 00:31:02,920
Speaker 1: your car has been but I'm trying to be like,

608
00:31:03,840 --> 00:31:05,680
Speaker 1: how do I say this about him? Getting really mad

609
00:31:05,840 --> 00:31:08,160
Speaker 1: in your head? How did that go? I was like, dude,

610
00:31:08,240 --> 00:31:10,080
Speaker 1: get the car in front of my house, like you're

611
00:31:10,320 --> 00:31:16,120
Speaker 1: killing me? Said, is there any okay? Maybe maybe should

612
00:31:16,200 --> 00:31:19,600
Speaker 1: playing this audio? Okay, here is how it ends. If

613
00:31:19,640 --> 00:31:21,040
Speaker 1: we could just move it there, that means you be

614
00:31:21,120 --> 00:31:23,200
Speaker 1: willing to help me move. Oh absolutely, man, we don't know.

615
00:31:23,480 --> 00:31:25,280
Speaker 1: Sorry about no, no, no no. Like I said, it

616
00:31:25,360 --> 00:31:26,840
Speaker 1: ain't a big deal and I don't need it done

617
00:31:26,840 --> 00:31:29,000
Speaker 1: to night. It's just, you know, with kids, it's just

618
00:31:29,120 --> 00:31:31,480
Speaker 1: hard moving. Like when I park across the street, it's

619
00:31:31,480 --> 00:31:32,840
Speaker 1: just hard with them trying to run out of the

620
00:31:32,880 --> 00:31:35,320
Speaker 1: road and all that. So yeah, I apologize. Hey, like

621
00:31:35,440 --> 00:31:39,440
Speaker 1: I said it. They actually got stolen from right right

622
00:31:39,520 --> 00:31:42,400
Speaker 1: here one point, and so I had to I was

623
00:31:42,480 --> 00:31:44,719
Speaker 1: off my job for a period of time. I had

624
00:31:44,760 --> 00:31:47,040
Speaker 1: to pay to get it back. And I don't want

625
00:31:47,040 --> 00:31:49,920
Speaker 1: any community around in the evening tomorrow. Yeah I'll be

626
00:31:50,000 --> 00:31:53,400
Speaker 1: there man, Okay, Yeah, I'm the one. Yeah, next house, man,

627
00:31:53,680 --> 00:31:59,080
Speaker 1: I'll come knock on. Yeah, no problem. It's like it's

628
00:31:59,160 --> 00:32:02,000
Speaker 1: so nice and oddly so is long. Yeah, they're like

629
00:32:02,040 --> 00:32:04,160
Speaker 1: best buddies. Now I got a friend many Now it's

630
00:32:04,160 --> 00:32:06,080
Speaker 1: thought you're good looking. Oh, it's thought, what you hang up?

631
00:32:07,400 --> 00:32:09,120
Speaker 1: What are you all gonna do tonight? Well, he says,

632
00:32:09,360 --> 00:32:11,040
Speaker 1: come knock on the door, and we're gonna move the car.

633
00:32:11,920 --> 00:32:14,120
Speaker 1: I think as much as we're giving you crap, and

634
00:32:14,160 --> 00:32:16,240
Speaker 1: the only reason we're giving you crap is because you present.

635
00:32:16,320 --> 00:32:18,560
Speaker 1: I'm so macho no, I am, well, hold on, hold on,

636
00:32:18,840 --> 00:32:20,560
Speaker 1: You're like, I'm gonna kick the door down and I'll

637
00:32:20,600 --> 00:32:24,440
Speaker 1: make it happen. What you actually did is the right

638
00:32:24,600 --> 00:32:29,560
Speaker 1: thing in honey, not vinegar. Yeah, you know, I don't

639
00:32:29,560 --> 00:32:32,480
Speaker 1: know more flies to honey than vinegar. You gave him honey.

640
00:32:32,600 --> 00:32:36,320
Speaker 1: You're sweet, you're kind guy, and he was not threatened

641
00:32:36,320 --> 00:32:38,200
Speaker 1: by you at all. He wasn't starting in any way

642
00:32:38,240 --> 00:32:40,600
Speaker 1: by you because you don't. He didn't. You weren't didn't

643
00:32:40,600 --> 00:32:44,239
Speaker 1: sound tough, didn't look tough. So you and him are

644
00:32:44,280 --> 00:32:46,200
Speaker 1: basically the same. Good for you. So yeah, that means

645
00:32:46,280 --> 00:32:48,360
Speaker 1: tonight he's gonna knock on my door and we're gonna

646
00:32:48,360 --> 00:32:52,480
Speaker 1: move that car. Let's do it. Let's move that car. Okay,

647
00:32:53,360 --> 00:32:56,240
Speaker 1: it's all good, it's all good. Oh yeah, yeah, I'm

648
00:32:56,280 --> 00:33:01,560
Speaker 1: sorry your car got up. He's my car. I did

649
00:33:01,680 --> 00:33:03,600
Speaker 1: feel sympathetic because he did say he got his car

650
00:33:03,640 --> 00:33:05,560
Speaker 1: stolen in his office job for a little bit, so

651
00:33:05,640 --> 00:33:07,440
Speaker 1: he hadn't able to pay to get it fixed. Okay,

652
00:33:07,520 --> 00:33:09,680
Speaker 1: I get it. But let's move the car so I

653
00:33:09,720 --> 00:33:12,040
Speaker 1: will see you tonight. Knock on my door and let's

654
00:33:12,080 --> 00:33:14,040
Speaker 1: move the car, all right, big daddy, you tell him? Yeah,

655
00:33:14,280 --> 00:33:16,440
Speaker 1: I will hey, but you're getting it done and that's

656
00:33:16,440 --> 00:33:19,400
Speaker 1: all that matters. Yeah, yeah, nice job. It's a victory

657
00:33:19,480 --> 00:33:25,040
Speaker 1: for lunch Bob. It's the best bits of the week

658
00:33:25,840 --> 00:33:29,960
Speaker 1: with Morgan. Number two. We got number four right here.

659
00:33:30,040 --> 00:33:32,400
Speaker 1: Y'all had lots of things to say about this one

660
00:33:32,520 --> 00:33:36,000
Speaker 1: on our social media, the grocery store situation where I

661
00:33:36,080 --> 00:33:38,960
Speaker 1: am getting some free items, not of any of my doing,

662
00:33:39,080 --> 00:33:43,320
Speaker 1: but potentially because someone likes me, as the show seemed

663
00:33:43,320 --> 00:33:45,400
Speaker 1: to think that's the case. But you can listen and

664
00:33:45,480 --> 00:33:48,200
Speaker 1: decide for yourself. Just know, okay that I am no thief.

665
00:33:48,320 --> 00:33:50,840
Speaker 1: This is nothing that I plan to have happened or

666
00:33:51,240 --> 00:33:53,040
Speaker 1: ever thought would happened to me. But you know what,

667
00:33:53,320 --> 00:33:56,160
Speaker 1: as Mike and I said during the part one, if

668
00:33:56,240 --> 00:33:58,880
Speaker 1: you get free items, like, are you really going to

669
00:33:59,000 --> 00:34:02,000
Speaker 1: turn that down? Like, I mean, listen, we're all we're

670
00:34:02,040 --> 00:34:05,320
Speaker 1: all dealing with some high prices right now. Okay, number four,

671
00:34:05,520 --> 00:34:08,600
Speaker 1: All right, we're gonna help Morgan here. Morgan, what's happening

672
00:34:08,640 --> 00:34:10,360
Speaker 1: at the grocery store? Well, so I go to this

673
00:34:10,480 --> 00:34:14,920
Speaker 1: place like regularly, probably once a week, and this guy

674
00:34:15,000 --> 00:34:17,040
Speaker 1: has picked up on it, I guess, and so every

675
00:34:17,080 --> 00:34:19,160
Speaker 1: time I go in, one of the workers at the

676
00:34:19,200 --> 00:34:22,080
Speaker 1: grocery store gives me a free item. Sometimes it's a

677
00:34:22,120 --> 00:34:25,160
Speaker 1: protein bar, sometimes it's a chocolate cake, othertimes it's candy.

678
00:34:25,280 --> 00:34:27,600
Speaker 1: I've gotten three free items so far from this guy,

679
00:34:27,840 --> 00:34:30,200
Speaker 1: chocolate cakes, not like the rest. No, you got a

680
00:34:30,440 --> 00:34:32,960
Speaker 1: chocolate cake. Yeah, like it was a life is a

681
00:34:33,080 --> 00:34:35,640
Speaker 1: freezer section thing that you pop in the oven or whatever,

682
00:34:35,719 --> 00:34:37,520
Speaker 1: And he's like, this is my favorite, started a whole

683
00:34:37,520 --> 00:34:39,440
Speaker 1: conversation about it, and then made sure he gave it

684
00:34:39,520 --> 00:34:42,239
Speaker 1: to me for free. Is he a manager? No, he's

685
00:34:42,320 --> 00:34:44,719
Speaker 1: Also when I was standing in line to check out,

686
00:34:44,920 --> 00:34:47,800
Speaker 1: he purposely came and switched the other guy out so

687
00:34:48,080 --> 00:34:53,160
Speaker 1: that he would be there. Okay, yeah for sure. Until then.

688
00:34:53,400 --> 00:34:55,640
Speaker 1: Up until then, I was like, maybe he does, Maybe

689
00:34:55,680 --> 00:34:59,640
Speaker 1: he doesn't that he's in love with you. Yeah, I

690
00:34:59,719 --> 00:35:02,560
Speaker 1: mean I feel like, are we Is he gonna lose

691
00:35:02,600 --> 00:35:04,680
Speaker 1: his job? He can't be doing this. I think there's

692
00:35:04,680 --> 00:35:08,320
Speaker 1: an important question. How old is this guy? I don't know.

693
00:35:08,600 --> 00:35:11,600
Speaker 1: He wears hats often so I can't really tell on age,

694
00:35:11,640 --> 00:35:15,280
Speaker 1: but he does look like he's probably in his thirties roughly.

695
00:35:15,560 --> 00:35:19,080
Speaker 1: So he gives you free stuff, which strikes up conversation

696
00:35:19,520 --> 00:35:21,879
Speaker 1: when you're going through the line. He has he ever

697
00:35:22,120 --> 00:35:25,880
Speaker 1: at all flirted or made any sort of move. No,

698
00:35:26,040 --> 00:35:28,680
Speaker 1: he's never like out or done that. He told me

699
00:35:28,719 --> 00:35:31,239
Speaker 1: about his day and the hobby that he's gotten into,

700
00:35:31,400 --> 00:35:34,520
Speaker 1: which was like an extensive conversation with a cashier person. Yeah,

701
00:35:34,560 --> 00:35:37,440
Speaker 1: what was a hobby? Gardening? He was really excited to

702
00:35:37,440 --> 00:35:39,480
Speaker 1: tell me about his gardening that he got into. Yeah,

703
00:35:40,960 --> 00:35:42,719
Speaker 1: but that was unprompted. He was like, how's your day.

704
00:35:42,760 --> 00:35:44,360
Speaker 1: I got into this and just wanted to talk to

705
00:35:44,480 --> 00:35:46,880
Speaker 1: me while this. I have like five items to check out.

706
00:35:47,000 --> 00:35:49,759
Speaker 1: Has he messaged you on Instagram and your general or

707
00:35:49,760 --> 00:35:52,080
Speaker 1: anything not that I'm aware of. No, Okay, he's in

708
00:35:52,160 --> 00:35:54,759
Speaker 1: love with you, right everybody for sure? Yeah? Do you

709
00:35:54,840 --> 00:35:57,839
Speaker 1: still have a boyfriend? Yes? I do? Okay, Okay, has

710
00:35:57,880 --> 00:35:59,880
Speaker 1: he seen him? Yes, he's been in the store with you,

711
00:36:00,160 --> 00:36:02,719
Speaker 1: but like we'll buy things separately, so sometimes you won't

712
00:36:02,719 --> 00:36:04,640
Speaker 1: see us together. And my boyfriend's like, it's fine, you

713
00:36:04,680 --> 00:36:06,799
Speaker 1: can just buy my groceries next time. This is what's

714
00:36:06,840 --> 00:36:08,480
Speaker 1: gonna happen. I like, how I think that'd be the

715
00:36:08,520 --> 00:36:10,280
Speaker 1: same way. I'd be like, hey, just go through by yourself.

716
00:36:10,320 --> 00:36:12,719
Speaker 1: Maybe we got another free cake today. What were you

717
00:36:12,719 --> 00:36:16,320
Speaker 1: gonna say. Okay, So either he's giving the handing it

718
00:36:16,400 --> 00:36:19,279
Speaker 1: out for free and like should it be? Or oh,

719
00:36:19,600 --> 00:36:22,000
Speaker 1: he's super sweet and I mean he's covering the bill

720
00:36:22,080 --> 00:36:23,960
Speaker 1: like he knows he gave away the chocolate cake and

721
00:36:24,040 --> 00:36:26,719
Speaker 1: so he covers Like maybe they have they can do

722
00:36:26,840 --> 00:36:28,879
Speaker 1: that where they pay the five dollars to make sure

723
00:36:28,920 --> 00:36:31,920
Speaker 1: it's paid for it. Yeah, but both are love But

724
00:36:32,000 --> 00:36:33,879
Speaker 1: I'm just saying sure. I just worry about if he's

725
00:36:33,880 --> 00:36:35,839
Speaker 1: doing something shading, he's gonna end up getting fired because

726
00:36:35,880 --> 00:36:37,239
Speaker 1: of Morgan. But we don't even know the guy. We

727
00:36:37,280 --> 00:36:39,319
Speaker 1: don't even know the girl. Why are you worried about him? Yeah?

728
00:36:40,000 --> 00:36:43,000
Speaker 1: Would you date this guy if you didn't have a boyfriend?

729
00:36:43,360 --> 00:36:45,480
Speaker 1: I don't think so. I mean he's cute, but not

730
00:36:45,560 --> 00:36:47,759
Speaker 1: really my type. Okay, so he must not be like

731
00:36:47,800 --> 00:36:50,320
Speaker 1: a creepy stalker type. No, he doesn't act like that

732
00:36:50,400 --> 00:36:55,040
Speaker 1: at all. So final question, if for some reason, you

733
00:36:55,120 --> 00:36:57,080
Speaker 1: and your boyfriend break up, would you then consider the

734
00:36:57,120 --> 00:37:01,320
Speaker 1: grocery store guy. I don't think so sweet though he

735
00:37:01,400 --> 00:37:04,840
Speaker 1: gives you chocolate cake, he you were starting together, Like,

736
00:37:04,880 --> 00:37:06,480
Speaker 1: how long can I let this go on for? Do

737
00:37:06,560 --> 00:37:08,279
Speaker 1: I keep just letting him to give me free stuff.

738
00:37:08,440 --> 00:37:10,600
Speaker 1: That's how what does Morgan say anything? I don't know.

739
00:37:11,160 --> 00:37:13,880
Speaker 1: I don't why would you say something you're getting free stuff?

740
00:37:14,560 --> 00:37:17,879
Speaker 1: Because eventually it's gonna get awkward. Well, eventually he's gonna

741
00:37:17,920 --> 00:37:20,080
Speaker 1: have to make some sort of move yes, and then

742
00:37:20,200 --> 00:37:23,040
Speaker 1: that's when the free stuff stops. Whenever you're like, oh,

743
00:37:23,080 --> 00:37:25,360
Speaker 1: I have a boyfriend, and that's when his heartbreaks and

744
00:37:25,400 --> 00:37:26,880
Speaker 1: he has to goes through depression, that's when all that

745
00:37:26,920 --> 00:37:33,200
Speaker 1: stuff happens and hurt her car. That's gonna help naturally though, right, Um,

746
00:37:33,440 --> 00:37:35,600
Speaker 1: what's gonna happen naturally the whole process. At some point

747
00:37:35,640 --> 00:37:37,480
Speaker 1: he's gonna be like, all right, I'm just gonna do it. Yeah,

748
00:37:37,480 --> 00:37:38,400
Speaker 1: you want to go on a day with me? And

749
00:37:38,440 --> 00:37:41,120
Speaker 1: she's gonna say no. He's obsessing about it every night. Yeah,

750
00:37:41,280 --> 00:37:42,920
Speaker 1: and not like he's gonna stab you kind of way,

751
00:37:42,920 --> 00:37:44,040
Speaker 1: but he's like, oh, I really would. We'll like to

752
00:37:44,040 --> 00:37:45,840
Speaker 1: work up the courage. We don't know that, but he

753
00:37:46,000 --> 00:37:48,040
Speaker 1: probably if I were. He can't find you on Instagram,

754
00:37:48,080 --> 00:37:50,240
Speaker 1: it's well, I guess you don't post your boyfriend on Instagram?

755
00:37:50,320 --> 00:37:53,000
Speaker 1: Really I don't. And I Well, what's crazy though, is

756
00:37:53,040 --> 00:37:55,000
Speaker 1: I also don't go in there like dolled up. I'm

757
00:37:55,040 --> 00:37:57,560
Speaker 1: like going in after I worked out, Like sometimes I

758
00:37:57,600 --> 00:37:59,160
Speaker 1: go in there without makeup. I don't know that this

759
00:37:59,280 --> 00:38:02,440
Speaker 1: man actually knows who or anything about me, because I

760
00:38:02,560 --> 00:38:05,480
Speaker 1: go in there so different every time. Like sometimes I've

761
00:38:05,520 --> 00:38:07,600
Speaker 1: walked in there with full makeup and he's never talked

762
00:38:07,640 --> 00:38:10,720
Speaker 1: to me. So I don't know. My advice keep accepting

763
00:38:10,760 --> 00:38:12,520
Speaker 1: the free stuff, but just no, one day it's gonna

764
00:38:12,520 --> 00:38:14,360
Speaker 1: get awkward and he's like hey, and I would just

765
00:38:14,400 --> 00:38:16,680
Speaker 1: be prepared and be like, oh, I'd have some nice

766
00:38:16,719 --> 00:38:19,360
Speaker 1: answer to let him down easy, Okay. Can I just

767
00:38:19,480 --> 00:38:21,560
Speaker 1: be like, you know, I'm sorry, I have a boyfriend.

768
00:38:21,719 --> 00:38:27,120
Speaker 1: You're super sweet, though, I like, yeah, that's a tough one. Um.

769
00:38:27,280 --> 00:38:29,759
Speaker 1: I would probably say like, hey, buddy, thanks for the

770
00:38:29,760 --> 00:38:31,920
Speaker 1: free stuff, and maybe there's a chance later if you

771
00:38:31,960 --> 00:38:33,480
Speaker 1: can give me a free stuff. Oh wow, but right

772
00:38:33,520 --> 00:38:38,279
Speaker 1: now I have a boyfriend. But yeah, it's good. It's

773
00:38:38,320 --> 00:38:41,359
Speaker 1: gonna get awkward. You can make it awkward earlier by going, hey,

774
00:38:41,440 --> 00:38:43,440
Speaker 1: I can't take that stuff because I have a boyfriend,

775
00:38:43,440 --> 00:38:44,360
Speaker 1: and then he goes, I'll just give it to you

776
00:38:44,360 --> 00:38:47,800
Speaker 1: because it's part of the art sale today. I'm not

777
00:38:47,840 --> 00:38:50,240
Speaker 1: gonna do that. I can't. I'm so bad about being awkward.

778
00:38:50,239 --> 00:38:52,680
Speaker 1: It's but I'm not doing that. Okay, predictions. This is

779
00:38:52,719 --> 00:38:55,080
Speaker 1: how we're gonna wrap this up. A prediction game. The

780
00:38:55,239 --> 00:38:57,439
Speaker 1: next time Morgan goes in, if he gives her something,

781
00:38:57,520 --> 00:39:00,560
Speaker 1: what will it be? Oh, everybody want to Let everyone

782
00:39:00,600 --> 00:39:02,560
Speaker 1: put a dollar in sure and if somebody gets it right.

783
00:39:02,960 --> 00:39:06,000
Speaker 1: We got to be specific though, right, like a specific item. Okay,

784
00:39:06,040 --> 00:39:09,279
Speaker 1: I'll go ahead to let us. Okay, you've lost Hey,

785
00:39:09,360 --> 00:39:13,680
Speaker 1: you don't know amy box of cereal. Oh it's good, Eddie,

786
00:39:14,239 --> 00:39:20,600
Speaker 1: um paper products. Not just with let's go with paper towels. Okay,

787
00:39:20,840 --> 00:39:24,160
Speaker 1: too big lunchbox. It's easy, guys. It's a bell pepper.

788
00:39:24,280 --> 00:39:27,600
Speaker 1: She likes green bell peppers. Guards from his own garden.

789
00:39:29,000 --> 00:39:31,200
Speaker 1: That's so good. Okay, let us know next time you

790
00:39:31,280 --> 00:39:33,879
Speaker 1: go in, hi will and we'll check back up. Well,

791
00:39:33,880 --> 00:39:35,239
Speaker 1: and I'll click my cash when you get the head

792
00:39:35,239 --> 00:39:37,239
Speaker 1: to let us though, let us head to let us.

793
00:39:38,719 --> 00:39:42,480
Speaker 1: It's the best bits of the week with Morgan. Number two.

794
00:39:43,920 --> 00:39:47,000
Speaker 1: Eddie definitely brought something controversial. I mean we're just, you know,

795
00:39:47,280 --> 00:39:49,719
Speaker 1: talking about all the different topics causing some drama on

796
00:39:49,760 --> 00:39:52,799
Speaker 1: the show this week. But Eddie he is telling us

797
00:39:53,120 --> 00:39:55,040
Speaker 1: that he is teaching his kids something when he goes

798
00:39:55,080 --> 00:39:58,840
Speaker 1: to restaurants, and boy, did myself Bobby Amy have a

799
00:39:58,920 --> 00:40:01,080
Speaker 1: lot to say about it. Lunchbox agreed with him. So

800
00:40:01,239 --> 00:40:03,040
Speaker 1: Lunchbox and Eddie were on one team that it was

801
00:40:03,120 --> 00:40:06,440
Speaker 1: Bobby Amy and myself and we are just absolutely baffled

802
00:40:06,480 --> 00:40:08,920
Speaker 1: that this is something that's happened. And you know, maybe

803
00:40:09,120 --> 00:40:11,160
Speaker 1: you do this too, or maybe you don't, or maybe

804
00:40:11,239 --> 00:40:13,840
Speaker 1: you'll never admit it. I don't know, but listen to

805
00:40:13,920 --> 00:40:16,560
Speaker 1: this moment right here. This is Eddie share in something

806
00:40:16,680 --> 00:40:20,960
Speaker 1: he's teaching his kids that majority of us might find controversial.

807
00:40:21,520 --> 00:40:24,279
Speaker 1: Number Three, I'm weird about sending food back if I'm

808
00:40:24,320 --> 00:40:26,759
Speaker 1: in a restaurant. Having worked in a restaurant for years,

809
00:40:27,800 --> 00:40:29,279
Speaker 1: I don't know if they're doing back there. I also

810
00:40:29,280 --> 00:40:31,800
Speaker 1: don't want to insult the cook or the the waiter.

811
00:40:32,560 --> 00:40:34,759
Speaker 1: But we were at a dinner and I ordered my

812
00:40:34,800 --> 00:40:37,239
Speaker 1: steak medium also ordered a one. Man, If you give

813
00:40:37,280 --> 00:40:38,680
Speaker 1: me a one, I don't care how bad the meat is,

814
00:40:38,880 --> 00:40:41,480
Speaker 1: it makes it stay great. Yeah yeah, and it was

815
00:40:42,040 --> 00:40:43,960
Speaker 1: red and I showed Eddie. I was like, hey, am

816
00:40:44,000 --> 00:40:46,920
Speaker 1: I weird? Is this not done? And Eddie backed me up.

817
00:40:46,960 --> 00:40:48,480
Speaker 1: And I sent it back and I hated doing that,

818
00:40:48,680 --> 00:40:50,719
Speaker 1: felt terrible bad, but Eddie was like proud of It's like, yeah,

819
00:40:51,239 --> 00:40:54,480
Speaker 1: that's what you do. One on the board. So not

820
00:40:54,719 --> 00:40:57,040
Speaker 1: my thing, but you're not afraid to do it. Man.

821
00:40:57,120 --> 00:40:59,640
Speaker 1: This happened again recently. Yeah, recently. I took my fourteen

822
00:40:59,680 --> 00:41:02,000
Speaker 1: year old son to a restaurant. He orders a shake

823
00:41:02,360 --> 00:41:04,400
Speaker 1: and he and he drinks about half of it, and

824
00:41:04,520 --> 00:41:06,319
Speaker 1: then he goes, I don't know, Dad, I just don't

825
00:41:06,400 --> 00:41:08,200
Speaker 1: like the way this taste. It was a weird shake,

826
00:41:08,360 --> 00:41:10,520
Speaker 1: not like your ordinary chocolate shake or whatever. He says,

827
00:41:11,200 --> 00:41:13,160
Speaker 1: what do I do? I said, Hey, this is this

828
00:41:13,320 --> 00:41:15,320
Speaker 1: is what it's all about. When you're not satisfied with

829
00:41:15,440 --> 00:41:17,320
Speaker 1: something at a restaurant, you tell the waitress or the

830
00:41:17,360 --> 00:41:19,560
Speaker 1: waiter and you say, hey, I didn't like this. Can

831
00:41:19,600 --> 00:41:21,400
Speaker 1: I have a new one? But what do you mean satisfied?

832
00:41:21,440 --> 00:41:22,880
Speaker 1: Like if you don't like how it tastes? Yeah, I say,

833
00:41:22,920 --> 00:41:24,360
Speaker 1: you order French fries and you're like, I don't know,

834
00:41:24,400 --> 00:41:26,160
Speaker 1: I just don't like the French fries. They're not crunchy

835
00:41:26,280 --> 00:41:28,919
Speaker 1: enough for whatever. Take him back and get tater tis well.

836
00:41:29,680 --> 00:41:31,680
Speaker 1: So you're saying at a restaurant and this is what

837
00:41:31,760 --> 00:41:34,760
Speaker 1: you're teaching your kids. Yeah that if you order something

838
00:41:35,760 --> 00:41:37,719
Speaker 1: and not that it's messed up or there's a hair

839
00:41:37,760 --> 00:41:40,400
Speaker 1: in it, right, if you just go I don't. This

840
00:41:40,440 --> 00:41:43,200
Speaker 1: isn't really good for my taste buds. It doesn't fulfill

841
00:41:43,320 --> 00:41:46,360
Speaker 1: then my need for a nice dinner. All that falls

842
00:41:46,440 --> 00:41:50,839
Speaker 1: under the satisfactory category. Do you think that's okay? Yeah?

843
00:41:51,040 --> 00:41:53,319
Speaker 1: I mean he wasn't satisfied with that shake. I don't

844
00:41:53,360 --> 00:41:55,480
Speaker 1: know what he ordered. He ordered that shake, I get it,

845
00:41:55,560 --> 00:41:58,839
Speaker 1: but it wasn't to his satisfactory whatever. He drank half

846
00:41:58,920 --> 00:42:01,720
Speaker 1: of it, he sure did. The only way I would

847
00:42:01,760 --> 00:42:04,439
Speaker 1: consider this being okay is if he had a drink

848
00:42:04,640 --> 00:42:07,440
Speaker 1: or zip and it's like, oh, this is not what

849
00:42:07,560 --> 00:42:10,480
Speaker 1: I thought it was, but not half of it. To

850
00:42:10,640 --> 00:42:13,200
Speaker 1: his defense, he was trying to convince himself to drink

851
00:42:13,239 --> 00:42:14,799
Speaker 1: more and be like, maybe I'll like it the more

852
00:42:14,800 --> 00:42:16,759
Speaker 1: I drink, but then about halfway he's like, no, I

853
00:42:16,800 --> 00:42:18,200
Speaker 1: just can't do it. So the question is, if you

854
00:42:18,239 --> 00:42:19,680
Speaker 1: go to a restaurant and you don't like the food

855
00:42:19,760 --> 00:42:21,560
Speaker 1: you got, can you send it back if you don't

856
00:42:21,640 --> 00:42:23,719
Speaker 1: like it because the flavors are just not your thing

857
00:42:24,120 --> 00:42:26,640
Speaker 1: or whatever you made a mistake in ordering something that

858
00:42:26,719 --> 00:42:29,359
Speaker 1: you don't like right, Like, I can't order. I can't

859
00:42:29,400 --> 00:42:31,440
Speaker 1: be debating between the chicken sandwich and the hamburger. And

860
00:42:31,480 --> 00:42:33,040
Speaker 1: I get the chicken sandwiers, You're like, oh, this just

861
00:42:33,200 --> 00:42:35,160
Speaker 1: is not hitting the spot, and go ask for a

862
00:42:35,239 --> 00:42:38,880
Speaker 1: burger hitting the spots of funny yes, better. Example, you

863
00:42:38,960 --> 00:42:41,439
Speaker 1: get a spicy chicken sandwich, right, and then you start

864
00:42:41,480 --> 00:42:43,240
Speaker 1: eating it, You're like, oh, this is way more spicier

865
00:42:43,320 --> 00:42:45,240
Speaker 1: than I thought. I can't even breathe. This is too spicy.

866
00:42:45,360 --> 00:42:47,240
Speaker 1: I'm gonna change my order. Can I take my sandwich

867
00:42:47,239 --> 00:42:48,840
Speaker 1: back when you get me one that's not so spicy?

868
00:42:49,080 --> 00:42:55,520
Speaker 1: Same thing, I mean, it's too spicy. No, No, you

869
00:42:55,640 --> 00:42:57,880
Speaker 1: can't do that. And he's teaching his kids to do this.

870
00:42:58,400 --> 00:43:00,520
Speaker 1: You're going to grow up thinking that this is okay

871
00:43:01,160 --> 00:43:03,560
Speaker 1: if you know what you're ordering, and then you get

872
00:43:03,640 --> 00:43:06,360
Speaker 1: what you ordered, and you know and you got and

873
00:43:06,480 --> 00:43:09,920
Speaker 1: every expectation has met and it's not undercooked or a

874
00:43:10,000 --> 00:43:12,920
Speaker 1: hair or fingernail, like take all that stuff. If it's

875
00:43:12,960 --> 00:43:16,160
Speaker 1: exactly what you ordered, you pay for it. Wow, Okay,

876
00:43:16,760 --> 00:43:18,880
Speaker 1: that's what I said. I guess I was just raised differently.

877
00:43:18,960 --> 00:43:21,840
Speaker 1: My dad was the king of this alright, he loved

878
00:43:21,880 --> 00:43:24,759
Speaker 1: doing this around the room. I say that is not

879
00:43:25,719 --> 00:43:29,000
Speaker 1: and that is not good. Okay, Amy, not good. I

880
00:43:29,080 --> 00:43:33,040
Speaker 1: am embarrassed. Really, both of you all have secondary embarrassment. Lunchbox.

881
00:43:33,239 --> 00:43:38,799
Speaker 1: I am team Eddie. You are paying for someone. If

882
00:43:38,800 --> 00:43:41,399
Speaker 1: you are not satisfied with that item, you can ask

883
00:43:41,480 --> 00:43:43,560
Speaker 1: for something different. It's like action has to be that

884
00:43:43,560 --> 00:43:46,239
Speaker 1: they didn't do it what they had promised. If they

885
00:43:46,400 --> 00:43:48,120
Speaker 1: give you what they told you they were going to

886
00:43:48,280 --> 00:43:50,879
Speaker 1: give you, you can't be mad at what they gave you. Yeah,

887
00:43:50,880 --> 00:43:52,440
Speaker 1: you can say, you know what, it's not It doesn't

888
00:43:52,440 --> 00:43:53,880
Speaker 1: taste like I thought it was gonna taste it, and

889
00:43:53,960 --> 00:43:55,839
Speaker 1: so it doesn't hit the spot you go to am

890
00:43:56,480 --> 00:43:58,560
Speaker 1: so funny to say for a reason you don't want

891
00:43:58,560 --> 00:44:01,080
Speaker 1: to eat it. You go to a movie and halfway

892
00:44:01,160 --> 00:44:02,719
Speaker 1: through you're like, man, I just don't like this movie.

893
00:44:02,800 --> 00:44:04,440
Speaker 1: You can go back to the box office and say,

894
00:44:04,440 --> 00:44:06,239
Speaker 1: you know what, out of your mind you cannot do that.

895
00:44:06,400 --> 00:44:09,160
Speaker 1: Yes you can if you don't like the movie. Yes,

896
00:44:09,239 --> 00:44:11,040
Speaker 1: and you go and say, man, I don't like that movie.

897
00:44:11,120 --> 00:44:13,040
Speaker 1: I need my money back. And that is exactly what

898
00:44:13,200 --> 00:44:15,600
Speaker 1: Eddie's kid did. And I am team Eddie. You don't

899
00:44:15,640 --> 00:44:19,520
Speaker 1: like it, get something different, Morgan, No, he cannot send

900
00:44:19,560 --> 00:44:21,759
Speaker 1: it back. I've been a server. I've been here before. No,

901
00:44:22,000 --> 00:44:25,759
Speaker 1: what about the movie thing that Lunchbox is talking about. No, No, okay,

902
00:44:25,800 --> 00:44:28,239
Speaker 1: here everybody was dissatisfied of things, and we'd all be

903
00:44:28,360 --> 00:44:30,879
Speaker 1: returning stuff all the time. It's good. Do you buy

904
00:44:31,040 --> 00:44:32,960
Speaker 1: a pair of jeans and you wear them for a

905
00:44:33,000 --> 00:44:34,759
Speaker 1: week and be like, oh, I've been wearing these all

906
00:44:34,800 --> 00:44:36,719
Speaker 1: week and they're just not working out. You can ever

907
00:44:36,719 --> 00:44:40,640
Speaker 1: return them, absolutely if they don't fit. Okay, So here

908
00:44:40,760 --> 00:44:43,239
Speaker 1: is the actual policy. Okay, when you're at the theater,

909
00:44:43,360 --> 00:44:47,480
Speaker 1: a ticket maybe refunded. Boom of the thirty minutes after

910
00:44:47,640 --> 00:44:50,120
Speaker 1: the film as started. That's not half a milkshake. Not half,

911
00:44:50,120 --> 00:44:52,120
Speaker 1: that's half a milksha that's right. It's like a third

912
00:44:52,960 --> 00:44:55,000
Speaker 1: than a third. Yeah, it's like a quarter of the movie.

913
00:44:55,040 --> 00:44:57,399
Speaker 1: Fourth of the milkshake. Okay. You know Lunchox is gonna

914
00:44:57,400 --> 00:44:58,680
Speaker 1: watch the movie that for twenty nine minutes and then

915
00:44:58,800 --> 00:45:02,319
Speaker 1: run out, real quick, run to the box. I don't

916
00:45:02,360 --> 00:45:05,719
Speaker 1: think that's cool. Okay, So it's too late because we

917
00:45:05,840 --> 00:45:07,640
Speaker 1: did it already in this But now you've learned, So

918
00:45:07,719 --> 00:45:09,600
Speaker 1: should I tell him next time. Hey, I've changed my mind.

919
00:45:10,160 --> 00:45:12,879
Speaker 1: Now do you don't want to change your mind? Because

920
00:45:12,960 --> 00:45:15,480
Speaker 1: Bobby and well it's three against two. That's the only

921
00:45:15,520 --> 00:45:19,719
Speaker 1: reason part I don't really want to listen to lunch Box. Yeah,

922
00:45:19,719 --> 00:45:21,480
Speaker 1: but this is how you grew up. It is I

923
00:45:21,560 --> 00:45:23,239
Speaker 1: was raised this way, but that doesn't mean that it

924
00:45:23,360 --> 00:45:25,399
Speaker 1: was the right way. That's correct, So tell your son

925
00:45:26,200 --> 00:45:28,360
Speaker 1: he should send things back if it doesn't meet the

926
00:45:28,400 --> 00:45:32,840
Speaker 1: expectation that he was presented. Got it not just because

927
00:45:32,880 --> 00:45:38,439
Speaker 1: it doesn't hit. It's the best bits of the week

928
00:45:39,239 --> 00:45:44,960
Speaker 1: with Morgan. Number two, the moment everybody has been waiting

929
00:45:45,080 --> 00:45:49,360
Speaker 1: for Amy singing with Ryan Herd, the duet that we

930
00:45:49,480 --> 00:45:51,880
Speaker 1: have been hearing about and building up for weeks. She

931
00:45:52,080 --> 00:45:54,640
Speaker 1: was talking about how she could sing Chasing after You,

932
00:45:54,800 --> 00:45:57,600
Speaker 1: she could do Marin's part on the Ryan Heard Mary

933
00:45:57,680 --> 00:46:00,760
Speaker 1: Moore song, and well, Ryan Heard came in with Maren

934
00:46:00,880 --> 00:46:03,480
Speaker 1: and Hardy and they performed his new song pass It On.

935
00:46:04,160 --> 00:46:07,919
Speaker 1: But more importantly, Amy sang Chasing after You with Ryan

936
00:46:08,000 --> 00:46:10,279
Speaker 1: while Maren sat on her seat and watched the whole

937
00:46:10,360 --> 00:46:13,200
Speaker 1: thing happen. It was just a glorious moment in so

938
00:46:13,360 --> 00:46:15,879
Speaker 1: many ways. In one that you know it was cool

939
00:46:15,920 --> 00:46:17,360
Speaker 1: to be a part of. And there's lots of photos

940
00:46:17,400 --> 00:46:19,600
Speaker 1: and stuff at Bobby Bones dot com or on our

941
00:46:19,640 --> 00:46:22,120
Speaker 1: Instagram at Bobby Bones Show, so make sure you check

942
00:46:22,200 --> 00:46:27,120
Speaker 1: those out. Number two, the Friday Morning Conversation with Brian

943
00:46:27,239 --> 00:46:30,320
Speaker 1: heard Well, it's Ryan and a lot of well friends

944
00:46:30,360 --> 00:46:32,399
Speaker 1: and wife. But Ryan, good to see you, buddy. Hey,

945
00:46:32,920 --> 00:46:36,200
Speaker 1: m so introving. Introduce everyone here on the stage. Obviously,

946
00:46:36,280 --> 00:46:39,640
Speaker 1: this is the my beautiful wife, Marion Morris, who I

947
00:46:39,719 --> 00:46:42,080
Speaker 1: got to work with last year doing Chasing after You

948
00:46:42,239 --> 00:46:44,000
Speaker 1: and was a big part of putting my album out

949
00:46:44,040 --> 00:46:48,120
Speaker 1: and our second single I got to write with Maren

950
00:46:48,239 --> 00:46:50,520
Speaker 1: and our friend Hardy right here. It's called pass it On.

951
00:46:50,680 --> 00:46:53,560
Speaker 1: So really thrilled to a I don't know, get to

952
00:46:53,600 --> 00:46:55,320
Speaker 1: work with these We've been writing songs together for a

953
00:46:55,400 --> 00:46:57,160
Speaker 1: lot of years, so it's pretty fun to have a

954
00:46:57,239 --> 00:46:59,960
Speaker 1: single on the radio with them. Um So, Ryan, let's

955
00:47:00,000 --> 00:47:01,680
Speaker 1: talk about new music for a second because it's out

956
00:47:02,000 --> 00:47:04,680
Speaker 1: and I assume, since again you have Hardy and Maren here,

957
00:47:04,960 --> 00:47:07,239
Speaker 1: did you guys all write this song together? Yeah, we

958
00:47:07,280 --> 00:47:09,160
Speaker 1: wrote it with our friend Jordan Schmidt, and I think

959
00:47:09,200 --> 00:47:12,200
Speaker 1: originally pass it On was an idea for Maren's album

960
00:47:12,280 --> 00:47:15,520
Speaker 1: which just came out, and then halfway through the writing

961
00:47:15,560 --> 00:47:17,239
Speaker 1: the song, Marion said, I don't think this is a

962
00:47:17,320 --> 00:47:21,400
Speaker 1: song for me to sing, and I've passed it on.

963
00:47:22,920 --> 00:47:25,279
Speaker 1: So then Hardy jumped in the vocal booth and he

964
00:47:25,440 --> 00:47:27,560
Speaker 1: sang a version of it, and then it fell to

965
00:47:27,680 --> 00:47:29,360
Speaker 1: the third artist in the room, which is me, and

966
00:47:29,440 --> 00:47:31,800
Speaker 1: now it's on the radio. So what a story. So

967
00:47:32,000 --> 00:47:33,759
Speaker 1: that happened. So you guys were in a room to

968
00:47:33,800 --> 00:47:36,080
Speaker 1: write for Marin. Was that kind of hearty? I'll ask

969
00:47:36,120 --> 00:47:38,520
Speaker 1: you this was that the goal? At first? I'm not

970
00:47:38,600 --> 00:47:40,560
Speaker 1: really sure. I don't think we went in with any intention.

971
00:47:40,640 --> 00:47:44,319
Speaker 1: I guess, but yeah, I don't know. I mean maybe

972
00:47:44,400 --> 00:47:46,520
Speaker 1: one of you guys could answer that better than me,

973
00:47:46,640 --> 00:47:49,440
Speaker 1: But I think we were honestly just in the room

974
00:47:49,480 --> 00:47:51,840
Speaker 1: to write a great song that day. Yeah, we're always

975
00:47:51,880 --> 00:47:55,200
Speaker 1: sort of playing chicken because the three of us are artists,

976
00:47:55,239 --> 00:47:57,600
Speaker 1: and then Jordan is just there and helping us out.

977
00:47:57,800 --> 00:48:01,040
Speaker 1: We're like, who will this fall to? And I feel

978
00:48:01,040 --> 00:48:03,160
Speaker 1: like it was. It was an idea we brought in

979
00:48:03,280 --> 00:48:05,560
Speaker 1: and we were saving for our rite with Hardy, but

980
00:48:05,680 --> 00:48:08,480
Speaker 1: then he was singing most of the day and I

981
00:48:08,600 --> 00:48:11,080
Speaker 1: was just like, I feel like a guy. I hear

982
00:48:11,160 --> 00:48:14,920
Speaker 1: a guy on this and then um, yeah, Ryan knocked

983
00:48:14,960 --> 00:48:17,040
Speaker 1: it out of the park for this record. Does the

984
00:48:17,120 --> 00:48:19,319
Speaker 1: opposite ever happen? Ryan, We're instead of someone going, hey,

985
00:48:19,360 --> 00:48:21,319
Speaker 1: this is not for me, is every get a room?

986
00:48:21,320 --> 00:48:22,719
Speaker 1: We're writing for somebody else and goes No, I like

987
00:48:22,800 --> 00:48:24,520
Speaker 1: this song so much, I now want it. I do

988
00:48:24,640 --> 00:48:28,680
Speaker 1: that all the time. I'm sure party does too. Yeah,

989
00:48:28,960 --> 00:48:30,719
Speaker 1: it's got to be pretty weird for me to like

990
00:48:31,600 --> 00:48:33,719
Speaker 1: put like grab it right away. Otherwise I like to

991
00:48:33,760 --> 00:48:35,840
Speaker 1: pitch him and see kind of get some reactions. But

992
00:48:36,239 --> 00:48:39,200
Speaker 1: but uh, but yeah, this one was I don't know

993
00:48:39,200 --> 00:48:40,840
Speaker 1: when you're putting an album together, I've only done it

994
00:48:40,920 --> 00:48:43,960
Speaker 1: one time, but you always think about like how do

995
00:48:44,040 --> 00:48:45,480
Speaker 1: you want to set a tone? And I think just

996
00:48:45,600 --> 00:48:48,360
Speaker 1: having something unabashedly positive was a really cool way to

997
00:48:48,480 --> 00:48:51,320
Speaker 1: kick off my album. And then when we had to

998
00:48:51,360 --> 00:48:53,520
Speaker 1: pick a second single, this is the one that our

999
00:48:53,760 --> 00:48:58,239
Speaker 1: record company was really excited about. So I'm really just

1000
00:48:58,360 --> 00:48:59,799
Speaker 1: thrilled that I get to have both of these two

1001
00:48:59,840 --> 00:49:02,800
Speaker 1: and studio. It's such a massive treat for me and

1002
00:49:03,040 --> 00:49:05,560
Speaker 1: for us. Well, let's hear the song Ryan heard, Marion

1003
00:49:05,640 --> 00:49:13,440
Speaker 1: Morris and Hearty Here to Do pass it on. If

1004
00:49:13,520 --> 00:49:16,640
Speaker 1: you got a little smile in your pocket, or maybe

1005
00:49:16,760 --> 00:49:20,480
Speaker 1: just a couple of coins, If you got a little

1006
00:49:20,560 --> 00:49:24,040
Speaker 1: weight in your wall in a right direction to point

1007
00:49:25,360 --> 00:49:31,000
Speaker 1: some good advice or good vibes or a little positivity. Yeah,

1008
00:49:31,040 --> 00:49:33,480
Speaker 1: if you got a full cup and split it on

1009
00:49:33,760 --> 00:49:38,960
Speaker 1: up like somebody dead before me, pass it on, Pass

1010
00:49:39,080 --> 00:49:44,120
Speaker 1: it on, Pass it on to someone else. What good

1011
00:49:44,280 --> 00:49:46,759
Speaker 1: is you dollar or you love or your bottle? If

1012
00:49:46,800 --> 00:49:51,160
Speaker 1: you keep it out to yourself, there's enough to go around.

1013
00:49:51,360 --> 00:49:53,880
Speaker 1: So send it on down because you can't take it

1014
00:49:54,040 --> 00:50:00,239
Speaker 1: with you when you're gone. Pass it on. Pass it on. Oh,

1015
00:50:14,800 --> 00:50:20,000
Speaker 1: come on, a great job. Ryan heard Marion Morris and

1016
00:50:20,120 --> 00:50:22,239
Speaker 1: Hardy all here doing pass it on. I mean, it's

1017
00:50:22,280 --> 00:50:24,000
Speaker 1: a great song. And it's also like a you're right,

1018
00:50:24,040 --> 00:50:26,239
Speaker 1: it's like a good feeling song. I hope, so, man,

1019
00:50:26,280 --> 00:50:29,600
Speaker 1: I mean, there's a lot of a lot of I

1020
00:50:29,680 --> 00:50:32,000
Speaker 1: think it's just a great song for to hear on

1021
00:50:32,080 --> 00:50:33,600
Speaker 1: the radio. Man, we're really proud of it. There's a

1022
00:50:33,600 --> 00:50:35,239
Speaker 1: reason we wanted to start our album with it, and

1023
00:50:35,440 --> 00:50:37,920
Speaker 1: I'm really just again thrilled to have these two in

1024
00:50:38,040 --> 00:50:40,279
Speaker 1: the studio with me supporting, just because you know, it's

1025
00:50:40,320 --> 00:50:42,040
Speaker 1: fun to do this with your friends, do you, Guys

1026
00:50:42,080 --> 00:50:43,640
Speaker 1: and Mary, I'll ask you this, do you feel like

1027
00:50:43,760 --> 00:50:45,920
Speaker 1: since you wrote it, you're more invested and it's easier

1028
00:50:45,960 --> 00:50:48,239
Speaker 1: to sing on it, like it makes more sense. I mean,

1029
00:50:48,280 --> 00:50:51,440
Speaker 1: this is my first Ryan Heard single, come on, So

1030
00:50:52,160 --> 00:50:55,920
Speaker 1: I feel really special marrying things on almost every song

1031
00:50:56,040 --> 00:50:58,120
Speaker 1: that I put out, So it's that's it's easy to

1032
00:50:58,280 --> 00:51:00,840
Speaker 1: and also chasing after you, so it's I don't know,

1033
00:51:01,000 --> 00:51:03,640
Speaker 1: she's my safety blanket, I think. And Marin's record just

1034
00:51:03,719 --> 00:51:05,200
Speaker 1: came out, and your record has been out since the

1035
00:51:05,360 --> 00:51:08,520
Speaker 1: late last year. But and I'm not asking this anytime soon,

1036
00:51:08,640 --> 00:51:12,000
Speaker 1: but back in the day, George and Tammy, back in

1037
00:51:12,080 --> 00:51:13,839
Speaker 1: the you know, it was a thing where you would

1038
00:51:14,160 --> 00:51:16,399
Speaker 1: the couples would do an entire album. Has that ever

1039
00:51:16,600 --> 00:51:20,080
Speaker 1: been talked about in your house like it's a soul album?

1040
00:51:20,520 --> 00:51:23,320
Speaker 1: Maybe yes, maybe just briefly because it's it's fun to

1041
00:51:24,320 --> 00:51:27,560
Speaker 1: even like a five song EP. It's once we get

1042
00:51:27,600 --> 00:51:29,960
Speaker 1: through the Marin record, we can talk more about what

1043
00:51:30,040 --> 00:51:32,360
Speaker 1: we're doing next. But I feel like we're so like

1044
00:51:32,760 --> 00:51:35,120
Speaker 1: just coming out of that tunnel. So, I mean, I

1045
00:51:35,239 --> 00:51:37,440
Speaker 1: love all the duets so like, I think one of

1046
00:51:37,520 --> 00:51:42,000
Speaker 1: my favorite songs is like the Loretta Conway Twitty. You're

1047
00:51:42,040 --> 00:51:44,920
Speaker 1: the reason our kids are ugly like but that is

1048
00:51:44,960 --> 00:51:47,560
Speaker 1: my favorite thing about country music. Couples like our duets

1049
00:51:48,040 --> 00:51:50,080
Speaker 1: and Hardy, who has been on every single duet and

1050
00:51:50,120 --> 00:51:52,400
Speaker 1: country the last five years. Congratulations buddy, even killing it.

1051
00:51:52,800 --> 00:51:54,880
Speaker 1: It's like, if there's a song Hardy's on it. Now.

1052
00:51:55,360 --> 00:51:57,680
Speaker 1: We got to vote for a Hardy Songwriter of the

1053
00:51:57,719 --> 00:51:59,720
Speaker 1: Year at the ACMs this year, so I mean, congrats

1054
00:51:59,719 --> 00:52:01,960
Speaker 1: to you. Let's thank you man. We have the ACM

1055
00:52:02,000 --> 00:52:05,839
Speaker 1: Songwriter of the Year on this song, which is pretty yeah, awesome. Well,

1056
00:52:05,840 --> 00:52:09,799
Speaker 1: we're gonna speaking of wonderful talented people. Amy's gonna got

1057
00:52:09,840 --> 00:52:13,040
Speaker 1: her performance in a second. You're you're, You're, You're up

1058
00:52:13,080 --> 00:52:15,719
Speaker 1: to date right? Oh, yes, I've been following along. Okay,

1059
00:52:15,920 --> 00:52:18,400
Speaker 1: he's totally up to date. I don't know if Marin is,

1060
00:52:18,719 --> 00:52:21,160
Speaker 1: so that makes me nervous. So this is what's happened

1061
00:52:21,560 --> 00:52:23,560
Speaker 1: a long time. I know it's coming, but just helped

1062
00:52:23,560 --> 00:52:25,880
Speaker 1: fill me in a long time ago. Amy said, MAT

1063
00:52:25,960 --> 00:52:27,640
Speaker 1: think I actually sing the Marian part pretty good. And

1064
00:52:27,719 --> 00:52:35,680
Speaker 1: chasing after You, I said, I sing along in my

1065
00:52:35,920 --> 00:52:39,560
Speaker 1: car with Ryan, but I'm not in the marr and

1066
00:52:39,640 --> 00:52:42,440
Speaker 1: we all have no I heard you do it. I

1067
00:52:42,520 --> 00:52:46,080
Speaker 1: mean you saying great, thanks Marin. It's really low. It's

1068
00:52:46,080 --> 00:52:48,279
Speaker 1: a low part of it. Sure, but I've never ever

1069
00:52:48,440 --> 00:52:52,080
Speaker 1: done this with anybody else except Marin. Makes me even

1070
00:52:52,160 --> 00:52:56,040
Speaker 1: now now now, I'm way nervous and I don't especially

1071
00:52:56,080 --> 00:52:59,680
Speaker 1: with Marin here. I need it to people to know

1072
00:52:59,840 --> 00:53:04,600
Speaker 1: I'm not trying. Do you do the like Marion? Uh listen, listen? Yeah? Yeah,

1073
00:53:05,800 --> 00:53:07,839
Speaker 1: what if we what if Marin sat in your seat?

1074
00:53:07,960 --> 00:53:12,319
Speaker 1: I might need a cute nose, Okay, I My goal

1075
00:53:12,360 --> 00:53:14,840
Speaker 1: would be to make Marian prava also to know that,

1076
00:53:15,080 --> 00:53:18,839
Speaker 1: like I am definitely not Marin. This is like just fun.

1077
00:53:18,960 --> 00:53:21,600
Speaker 1: This is like a oh yeah, because you do something. Okay,

1078
00:53:21,600 --> 00:53:23,560
Speaker 1: we're gonna do it next, all right, yes, hold on, Okay,

1079
00:53:23,560 --> 00:53:26,000
Speaker 1: we're rambled. We didn't know at the time when this

1080
00:53:26,160 --> 00:53:28,040
Speaker 1: was suggested by you, Amy, that Marin was going to

1081
00:53:28,080 --> 00:53:30,839
Speaker 1: be here to watch that totally different story now, yeah,

1082
00:53:31,840 --> 00:53:34,360
Speaker 1: but this is all your idea. Yeah yeah, well, I

1083
00:53:34,400 --> 00:53:36,680
Speaker 1: mean I feel like over the years, what like we've

1084
00:53:36,680 --> 00:53:38,960
Speaker 1: been doing this sixteen years or something, I've sang with

1085
00:53:39,560 --> 00:53:42,279
Speaker 1: some like I've had the opportunity to just have fun

1086
00:53:42,360 --> 00:53:44,160
Speaker 1: with it, and this is a song that I just love,

1087
00:53:44,600 --> 00:53:47,040
Speaker 1: big fan of it from the beginning. I enjoy seeing

1088
00:53:47,080 --> 00:53:50,640
Speaker 1: it in my car. So I maybe just mentioned it'd

1089
00:53:50,640 --> 00:53:53,800
Speaker 1: be so fun to see seeing it. I mentioned. So

1090
00:53:54,360 --> 00:53:57,719
Speaker 1: here's what's happening. Amy, you should just really have fun,

1091
00:53:58,040 --> 00:54:00,799
Speaker 1: I am because if what she does eyes once she's

1092
00:54:00,880 --> 00:54:02,560
Speaker 1: not on, which it is hard for us to be

1093
00:54:02,600 --> 00:54:05,000
Speaker 1: on or don't have your skill set no so one.

1094
00:54:05,160 --> 00:54:07,719
Speaker 1: Then she starts to goop around and do like funny runs.

1095
00:54:07,840 --> 00:54:14,000
Speaker 1: We told her commit to being serious, right, yes, yes, okay, committed? Okay, Amy,

1096
00:54:14,080 --> 00:54:17,239
Speaker 1: your thoughts before we hit this song. I've got it,

1097
00:54:17,360 --> 00:54:19,920
Speaker 1: nailed it, Ryan, your thoughts before we hit this song.

1098
00:54:20,120 --> 00:54:22,520
Speaker 1: I've just been following the saga online for a while,

1099
00:54:22,600 --> 00:54:24,520
Speaker 1: so I'm really excited to do it. I've been I've

1100
00:54:24,520 --> 00:54:29,239
Speaker 1: been thrilled that you've wanted to. That's very cool. Hey, Teddy,

1101
00:54:29,280 --> 00:54:31,640
Speaker 1: would you mind playing the intro before we actually go

1102
00:54:31,800 --> 00:54:33,919
Speaker 1: through it? I want to show and we'll show Amy

1103
00:54:33,920 --> 00:54:36,320
Speaker 1: worse to come in. Will you just play up to

1104
00:54:36,400 --> 00:54:38,120
Speaker 1: the part where no no no no no no no

1105
00:54:38,160 --> 00:54:41,880
Speaker 1: no no where that part? Yeah, just the intro? What

1106
00:54:42,120 --> 00:54:44,640
Speaker 1: what are we practicing? Which part when you come in

1107
00:54:44,760 --> 00:54:46,480
Speaker 1: with the listen right, because you'll finish the chorus. We

1108
00:54:46,560 --> 00:54:48,400
Speaker 1: do the chorus beause he does it first. You do

1109
00:54:48,480 --> 00:54:51,000
Speaker 1: the chorus, and then it goes back into that second verse,

1110
00:54:51,600 --> 00:54:53,880
Speaker 1: right if I may, there's no leg we just say, oh,

1111
00:54:53,920 --> 00:54:57,600
Speaker 1: it just goes right into it, and you may. That's

1112
00:54:57,640 --> 00:55:02,120
Speaker 1: it on the one. On the one, I'll give you

1113
00:55:02,200 --> 00:55:05,000
Speaker 1: a big old no, you know, Amy, and and then

1114
00:55:05,040 --> 00:55:10,360
Speaker 1: I follow you. Yeah, okay, here we go. Ryan heard

1115
00:55:10,800 --> 00:55:12,800
Speaker 1: a name, Marion? Can you give me a mimimi like

1116
00:55:12,880 --> 00:55:19,120
Speaker 1: a dough like I want? What I wish? I don't know,

1117
00:55:20,520 --> 00:55:23,719
Speaker 1: can I whenever Ryan's doing his first first? Do you

1118
00:55:23,920 --> 00:55:27,520
Speaker 1: ever like because sometimes Marion will just kind of like

1119
00:55:27,640 --> 00:55:30,360
Speaker 1: in the back, like if like when Ryan goes like

1120
00:55:30,640 --> 00:55:32,719
Speaker 1: then I wake up with you on my chest? Do

1121
00:55:32,840 --> 00:55:35,279
Speaker 1: I ever just be like on my chest? No? Not

1122
00:55:35,400 --> 00:55:41,719
Speaker 1: this time? Are you serious? Okay? I am? Here we go?

1123
00:55:42,200 --> 00:55:45,160
Speaker 1: Are you staying there? I am? I saying where would

1124
00:55:45,160 --> 00:55:49,839
Speaker 1: you feel most you could take my seat? Yeah? That's

1125
00:55:49,880 --> 00:55:52,160
Speaker 1: a good point, Hardy. Why do you say is in

1126
00:55:52,280 --> 00:55:55,160
Speaker 1: between like sit in your seat? Yeah? And you should?

1127
00:55:55,440 --> 00:55:57,000
Speaker 1: Why I suggest that I told me I was an idiot?

1128
00:55:57,080 --> 00:56:04,680
Speaker 1: All right, it's a great hilarious We're gonna put it

1129
00:56:04,719 --> 00:56:06,720
Speaker 1: to the test. You should. If I can find a harmony,

1130
00:56:06,920 --> 00:56:10,680
Speaker 1: I'll Hearty's gonna harmonize with me? Okay, I'm just still

1131
00:56:10,719 --> 00:56:12,879
Speaker 1: gonna have to close my eyes. But also, it feel

1132
00:56:12,880 --> 00:56:16,520
Speaker 1: like you're looking to Amy over here. Yeah, we get that.

1133
00:56:16,680 --> 00:56:19,920
Speaker 1: We look like all the time. See Marin said it. Okay, Ryan,

1134
00:56:20,440 --> 00:56:38,680
Speaker 1: definitely Amy. Let's go. Teddy will follow you. Okay, you

1135
00:56:38,840 --> 00:56:43,120
Speaker 1: can move when your winds all done. Always catch me

1136
00:56:43,200 --> 00:56:46,719
Speaker 1: when I'm not that strong, and then you wind up

1137
00:56:46,840 --> 00:56:53,680
Speaker 1: staying on night long. Ain't nothing new. Then I'll wag

1138
00:56:53,760 --> 00:56:57,359
Speaker 1: good with you on my chin. You got a way

1139
00:56:57,400 --> 00:57:01,560
Speaker 1: of making me forget the girl with you. The answer

1140
00:57:01,680 --> 00:57:07,560
Speaker 1: is always yea every time call. But I know y'all

1141
00:57:07,719 --> 00:57:11,080
Speaker 1: know it isn't matter of time til you walk, until

1142
00:57:11,120 --> 00:57:14,920
Speaker 1: you walk out of my life. Let me standing your

1143
00:57:15,000 --> 00:57:23,280
Speaker 1: lonely feeling like fool every time. Every time you say

1144
00:57:23,480 --> 00:57:26,920
Speaker 1: we're done, you come back to the love you around

1145
00:57:26,960 --> 00:57:29,640
Speaker 1: it from. I don't know why. I don't know why

1146
00:57:29,920 --> 00:57:34,560
Speaker 1: I let you, but I do because I love Jason.

1147
00:57:34,880 --> 00:57:45,600
Speaker 1: After you listen, wish I could quit you, but it

1148
00:57:45,760 --> 00:57:49,240
Speaker 1: feels too good. If I could turn it off, you

1149
00:57:49,400 --> 00:57:53,280
Speaker 1: know I would, But something about you makes me think

1150
00:57:53,440 --> 00:57:58,880
Speaker 1: we could make it after all. But I know, yeah,

1151
00:57:58,880 --> 00:58:02,120
Speaker 1: I know, it's a matter of time till you walk,

1152
00:58:02,280 --> 00:58:06,920
Speaker 1: till you walk back out of my lifely be standing here, lonely,

1153
00:58:07,360 --> 00:58:14,640
Speaker 1: feeling like a fool. Every time, every time you stay

1154
00:58:14,880 --> 00:58:17,920
Speaker 1: we're done, you come back to the love you were

1155
00:58:18,040 --> 00:58:21,000
Speaker 1: running from. I don't know why, I don't know why

1156
00:58:21,280 --> 00:58:26,200
Speaker 1: I let you, but I do guess I love chasing it?

1157
00:58:27,480 --> 00:58:46,600
Speaker 1: Do you? You can mold and your wines all gone?

1158
00:58:47,640 --> 00:58:51,440
Speaker 1: Always catch me when I'm not that strong. Then you

1159
00:58:51,600 --> 00:58:57,720
Speaker 1: wind up staying all night long. Ain't nothing. But I know,

1160
00:58:58,160 --> 00:59:01,600
Speaker 1: y'all know, it's a matter up time to you walk,

1161
00:59:01,720 --> 00:59:05,440
Speaker 1: to you walk back out of my Lifely be standing

1162
00:59:05,640 --> 00:59:13,200
Speaker 1: your lonely feeling like a food. Yes, time, every time

1163
00:59:13,440 --> 00:59:18,120
Speaker 1: you say it, you come back to love you running from.

1164
00:59:18,600 --> 00:59:21,480
Speaker 1: I don't know why, I don't know why I let you,

1165
00:59:22,120 --> 00:59:29,360
Speaker 1: but I do. Yes, I love Jesu. Du Yeah, I

1166
00:59:29,520 --> 00:59:40,120
Speaker 1: love jes That's a good. Wow. You did a great jobs.

1167
00:59:41,480 --> 00:59:46,040
Speaker 1: Wow let's go to the okay, so Amy, Yes, marrings up.

1168
00:59:46,080 --> 00:59:48,959
Speaker 1: I feel like Ryan Um the Voice or American Idol

1169
00:59:49,040 --> 00:59:53,560
Speaker 1: or something going to Hollywood. Thank you, Thank you Ryan,

1170
00:59:53,640 --> 00:59:56,480
Speaker 1: what you think about You did great? Yeah, you made

1171
00:59:56,520 --> 00:59:59,440
Speaker 1: it to listen. Well, what's difficult is I mean, I

1172
00:59:59,480 --> 01:00:01,240
Speaker 1: know y'all do us all the time, but like I'm

1173
01:00:01,320 --> 01:00:04,000
Speaker 1: not hearing you don't hear I mean I don't so

1174
01:00:04,160 --> 01:00:07,800
Speaker 1: I'm just like, oh, I didn't say a sentence. Yeah,

1175
01:00:08,160 --> 01:00:10,600
Speaker 1: I just I don't know how they just performed without

1176
01:00:10,800 --> 01:00:16,240
Speaker 1: hearing themselves us. Here party your thoughts on Amy's performance.

1177
01:00:16,440 --> 01:00:19,080
Speaker 1: I thought you did great. Yeah, you know it. Confidence

1178
01:00:19,600 --> 01:00:22,440
Speaker 1: and do you feel that adrenaline rush right now? Yes,

1179
01:00:22,640 --> 01:00:24,800
Speaker 1: that's the best feeling about performing. Right Like in the

1180
01:00:24,880 --> 01:00:27,320
Speaker 1: fifth grade, I was in a talent show and sing

1181
01:00:27,880 --> 01:00:31,240
Speaker 1: Amy Grant, and I felt in the fifth grade though

1182
01:00:31,320 --> 01:00:33,880
Speaker 1: like I didn't now I recognize I can't sing. In

1183
01:00:33,960 --> 01:00:37,040
Speaker 1: the fifth grade, I thought I still had a chance. Marion,

1184
01:00:37,120 --> 01:00:39,200
Speaker 1: you actually posted an old video clip of like you

1185
01:00:39,320 --> 01:00:40,800
Speaker 1: as a kid talking about your why I don't know

1186
01:00:40,840 --> 01:00:42,360
Speaker 1: how day or you weren't fifth grade. You're talking about

1187
01:00:42,360 --> 01:00:44,000
Speaker 1: how your album came out and go get it, And

1188
01:00:44,080 --> 01:00:45,760
Speaker 1: I was like that was me, Like I wanted to sing,

1189
01:00:45,840 --> 01:00:48,680
Speaker 1: I sing at church, did all the things. So this

1190
01:00:48,960 --> 01:00:50,880
Speaker 1: is just something fun for me. I know, I can't

1191
01:00:51,000 --> 01:00:53,760
Speaker 1: say all right, all right, all right, let's let's put

1192
01:00:53,840 --> 01:00:55,919
Speaker 1: Marion back in the big kit chair. Okay, yeah, yeah,

1193
01:00:56,520 --> 01:01:00,000
Speaker 1: all right, right, let me say a couple of days.

1194
01:01:00,480 --> 01:01:03,640
Speaker 1: First of all, Ryan trying to walk off the set here. Ryan,

1195
01:01:03,720 --> 01:01:06,360
Speaker 1: congratulations on the new song. It's awesome. I love it.

1196
01:01:06,560 --> 01:01:08,960
Speaker 1: Passing on amazing Marion. I know your record came out

1197
01:01:09,040 --> 01:01:13,000
Speaker 1: last week. It's fantastic. Great job, Teddy as always. I

1198
01:01:13,040 --> 01:01:14,320
Speaker 1: guess we'll see in a couple of days. I don't

1199
01:01:14,320 --> 01:01:16,360
Speaker 1: know who you'll be in here with, but it's constant

1200
01:01:16,720 --> 01:01:19,080
Speaker 1: and Hardy just a massive fan of everything you do,

1201
01:01:19,520 --> 01:01:22,480
Speaker 1: um writing wise, your style. Just I'm just a big fan.

1202
01:01:22,640 --> 01:01:24,280
Speaker 1: Thank you and so appreciate you coming up here. Here

1203
01:01:24,320 --> 01:01:27,280
Speaker 1: it is thanks Hardy. All right, and there is a

1204
01:01:27,480 --> 01:01:31,440
Speaker 1: cake entering the room because it is Happy birthday, My

1205
01:01:31,760 --> 01:01:37,120
Speaker 1: happy birthday too. It's your birthday. Who you know? It's

1206
01:01:37,280 --> 01:01:40,680
Speaker 1: my birthday? Oh? Cut that cut? That cut that cut? Oh,

1207
01:01:40,880 --> 01:01:44,120
Speaker 1: this is recorded on my birthday? What okay? Oh? And

1208
01:01:44,600 --> 01:01:47,280
Speaker 1: oh it's my name, Happy birthday. You know what. Here's

1209
01:01:47,520 --> 01:01:50,040
Speaker 1: here's the inside joke. Everybody. We recorded this before my

1210
01:01:50,160 --> 01:01:53,640
Speaker 1: birthday and I was confused cake was coming in studio.

1211
01:01:55,200 --> 01:01:57,800
Speaker 1: I was like, wait, this is the earliest surprise party ever.

1212
01:01:58,520 --> 01:02:03,760
Speaker 1: Thank you, for the cake. We were all easually confused. Yes, Ryan, great, Marion,

1213
01:02:04,080 --> 01:02:08,040
Speaker 1: Teddy Hardy, great show and that's awesome, all right, We

1214
01:02:08,120 --> 01:02:11,880
Speaker 1: good guys. Oh Amy did great, Thank you Amy. We'll

1215
01:02:11,920 --> 01:02:14,440
Speaker 1: have weeks to talk about this and relive it. Okay,

1216
01:02:14,480 --> 01:02:18,640
Speaker 1: there they are the crude Thank you guys. It's the

1217
01:02:18,800 --> 01:02:23,280
Speaker 1: best bits of the week with Morgan number two and

1218
01:02:23,560 --> 01:02:26,760
Speaker 1: coming in hauntingly. Is that even a word. I don't

1219
01:02:26,760 --> 01:02:28,320
Speaker 1: know if that's a word, but you know what, it's

1220
01:02:28,360 --> 01:02:30,600
Speaker 1: going to be a word right now, hauntingly At number one,

1221
01:02:31,280 --> 01:02:36,280
Speaker 1: the haunted crying boy doll drama. Listen, somebody was supposed

1222
01:02:36,280 --> 01:02:38,080
Speaker 1: to take it home for a week, live with it.

1223
01:02:38,240 --> 01:02:40,280
Speaker 1: See what happens, and you know they did not want to,

1224
01:02:40,400 --> 01:02:42,160
Speaker 1: so they paid someone else on the show to do it.

1225
01:02:42,280 --> 01:02:44,840
Speaker 1: And you know, when money gets involved, somebody on the

1226
01:02:44,880 --> 01:02:46,800
Speaker 1: show is going to get in on the action. And

1227
01:02:46,920 --> 01:02:49,919
Speaker 1: that is definitely what happened. So make sure you catch

1228
01:02:50,040 --> 01:02:54,240
Speaker 1: up on this whole situation with the haunted doll, because

1229
01:02:54,840 --> 01:02:56,560
Speaker 1: I have a feeling we're going to be having some

1230
01:02:56,840 --> 01:03:00,160
Speaker 1: stories over the next week about this whole situation. So

1231
01:03:00,680 --> 01:03:04,120
Speaker 1: here it is right now. Number one. Yesterday we were

1232
01:03:04,120 --> 01:03:07,800
Speaker 1: talking about a ventroloquist doll, and this doll supposedly haunted.

1233
01:03:08,480 --> 01:03:11,440
Speaker 1: And I said, who believes that a doll could be haunted?

1234
01:03:12,080 --> 01:03:13,840
Speaker 1: And both Amy and Eddie said, I don't think a

1235
01:03:13,920 --> 01:03:15,680
Speaker 1: thing can be haunted. I said, great, I'm glad you

1236
01:03:15,760 --> 01:03:18,400
Speaker 1: said that, because what we have purchased is the Crying

1237
01:03:18,520 --> 01:03:21,800
Speaker 1: Boy doll that they claim is haunted. The Crying Boy

1238
01:03:21,920 --> 01:03:23,840
Speaker 1: was part of the collection of dolls. The owner of

1239
01:03:23,880 --> 01:03:26,960
Speaker 1: the doll said she swore she always felt strange and

1240
01:03:27,040 --> 01:03:29,880
Speaker 1: sad around him, like it brought I don't have time

1241
01:03:29,920 --> 01:03:33,520
Speaker 1: for that energy, she said. Sometimes his shoes would be

1242
01:03:33,640 --> 01:03:37,400
Speaker 1: off and she would never touch the doll's feet. Okay,

1243
01:03:37,680 --> 01:03:40,400
Speaker 1: so since you don't believe things are haunted, we're gonna

1244
01:03:40,400 --> 01:03:42,120
Speaker 1: play a game loser takes a doll home with them

1245
01:03:42,120 --> 01:03:44,919
Speaker 1: for a week. Cool. We actually will get the doll

1246
01:03:45,120 --> 01:03:48,560
Speaker 1: on Friday, like in hopefully, and then all next week

1247
01:03:48,600 --> 01:03:50,040
Speaker 1: you have the doll at home with you. My god.

1248
01:03:50,360 --> 01:03:53,600
Speaker 1: So we're gonna play twenty one questions and the loser

1249
01:03:54,040 --> 01:03:57,680
Speaker 1: takes the haunted doll home for a week. Okay, So

1250
01:03:57,840 --> 01:03:59,600
Speaker 1: what'll happen is I have a celebrity. I've shared it

1251
01:03:59,640 --> 01:04:02,280
Speaker 1: with Mike. He'll also service fact checker. You can ask

1252
01:04:02,480 --> 01:04:07,120
Speaker 1: yes or no questions, and if you decide that you

1253
01:04:07,240 --> 01:04:10,520
Speaker 1: want to guess the celebrity, buzz in with your name

1254
01:04:10,560 --> 01:04:12,360
Speaker 1: at any time. But once you guess and you miss it,

1255
01:04:12,440 --> 01:04:15,640
Speaker 1: you're gone. You lose. Okay, So you get it anytime

1256
01:04:15,760 --> 01:04:17,720
Speaker 1: buzz in and say I want to guess the celebrity

1257
01:04:17,760 --> 01:04:20,439
Speaker 1: for the win. Say your name as the buzzer. It's wrong,

1258
01:04:20,840 --> 01:04:24,760
Speaker 1: gets wrong, you lose. Yeah, so ready to go, Amy,

1259
01:04:24,800 --> 01:04:26,520
Speaker 1: You will go first a yes or no question. Have

1260
01:04:26,560 --> 01:04:29,840
Speaker 1: a celebrity in my head? Twenty one questions? Go? Is

1261
01:04:29,880 --> 01:04:34,640
Speaker 1: it a male? No, it's a woman, Eddie? Is this

1262
01:04:34,880 --> 01:04:41,080
Speaker 1: woman dead? Oh? Here we go? No is the dramatic pauses.

1263
01:04:41,560 --> 01:04:48,160
Speaker 1: I'm thinking, no, the woman's not dead. Okay. Is she married? Mike?

1264
01:04:50,160 --> 01:04:52,880
Speaker 1: I think so, but Mike is serving as the fact checker,

1265
01:04:53,280 --> 01:04:54,920
Speaker 1: and he will tell me if she's married or not.

1266
01:04:56,000 --> 01:04:58,840
Speaker 1: She is married. Yes, we get twenty questions each. Right, No,

1267
01:04:58,960 --> 01:05:00,760
Speaker 1: we go until someone loses. It's just a game. It

1268
01:05:00,840 --> 01:05:06,400
Speaker 1: could be a hundred questions. Go ahead, Eddie, h married? Okay, Um,

1269
01:05:06,600 --> 01:05:10,760
Speaker 1: let's see is this person famous? Yeah? Obviously? No, not obviously.

1270
01:05:10,880 --> 01:05:14,560
Speaker 1: It could be like my cousin. It's never obvious. Does

1271
01:05:14,640 --> 01:05:23,240
Speaker 1: she have kids? No? No, no kids? Married, no kids?

1272
01:05:23,520 --> 01:05:29,560
Speaker 1: Is this a woman who's alive? Is she American? Here's

1273
01:05:31,480 --> 01:05:35,400
Speaker 1: trying to think, Yes, Yes she's American. I'm looking at

1274
01:05:35,440 --> 01:05:40,080
Speaker 1: Mike if I'm confused. Yes, she's American, American woman. Is

1275
01:05:40,160 --> 01:05:50,880
Speaker 1: she a singer? No? Female? Famous, not a singer? American? Married? Yeah? Married?

1276
01:05:50,920 --> 01:05:57,440
Speaker 1: No kids? Um? Is she an actress? No, Mike, we're

1277
01:05:57,480 --> 01:06:00,880
Speaker 1: gonna go with no, right, No, we'll say no. Not

1278
01:06:00,960 --> 01:06:03,120
Speaker 1: a singer, not an actresses, doesn't sing or act? And

1279
01:06:03,200 --> 01:06:09,400
Speaker 1: she's famous? She an influencer? TikToker? Never? No, not a TikToker?

1280
01:06:09,920 --> 01:06:13,919
Speaker 1: What does she knew? Bobby? Is she Caucasian? She is? Yeah?

1281
01:06:17,200 --> 01:06:23,280
Speaker 1: Is she in politics? No? Is she a comedian? Yes?

1282
01:06:23,640 --> 01:06:28,040
Speaker 1: Oh oh this is a tough I have a question.

1283
01:06:28,080 --> 01:06:30,280
Speaker 1: I don't want to ask it. She said no kids.

1284
01:06:33,480 --> 01:06:37,000
Speaker 1: Is it my turn? Yeah? You said no kids, no kids? Married?

1285
01:06:37,560 --> 01:06:40,560
Speaker 1: She's a comedian. Now you guys start to think you

1286
01:06:40,600 --> 01:06:42,080
Speaker 1: know who it is. I'm scared to know who it is.

1287
01:06:42,120 --> 01:06:44,680
Speaker 1: But I'm scared. Okay, is she a comedian that has

1288
01:06:44,720 --> 01:06:50,720
Speaker 1: also started movies? Let me ask Mike because I don't

1289
01:06:50,920 --> 01:06:57,280
Speaker 1: think so. But gosh, so, Mike, she's been in moot?

1290
01:06:57,360 --> 01:07:00,640
Speaker 1: What not known as an actress? But she's in in movies?

1291
01:07:03,520 --> 01:07:06,120
Speaker 1: Is it my turn? This is tough because I feel

1292
01:07:06,120 --> 01:07:07,720
Speaker 1: like I know who it is, but and I have

1293
01:07:07,880 --> 01:07:09,560
Speaker 1: one more question, but I don't want to ask it

1294
01:07:09,640 --> 01:07:14,400
Speaker 1: because I think that'll give amy the answer and follow

1295
01:07:14,480 --> 01:07:16,240
Speaker 1: a question with immediately yelling your name. You have to

1296
01:07:16,280 --> 01:07:18,840
Speaker 1: pause for at least three seconds. Okay, so you don't

1297
01:07:18,880 --> 01:07:20,320
Speaker 1: just go get the answer and yell your name. Okay,

1298
01:07:20,320 --> 01:07:22,840
Speaker 1: I have a question, but she can jump in, can't

1299
01:07:23,120 --> 01:07:30,360
Speaker 1: it is she? Can she be a raunchy comedian. That's

1300
01:07:30,400 --> 01:07:34,080
Speaker 1: not gonna help me? Yes? No? No? Oh, well that

1301
01:07:34,600 --> 01:07:36,200
Speaker 1: kind of goes me off. I wish Eddie would have

1302
01:07:36,240 --> 01:07:42,800
Speaker 1: guessed and missed it. That would been hilarious. Okay, Okay?

1303
01:07:43,840 --> 01:07:47,720
Speaker 1: Has mail comedian married? No kids? She's been in some movies?

1304
01:07:47,880 --> 01:07:57,760
Speaker 1: What about TV? Has she done TV shows? Yes? Okay, okay,

1305
01:07:58,680 --> 01:08:02,680
Speaker 1: what are you thinking about now? The thing that's confusing

1306
01:08:02,720 --> 01:08:05,080
Speaker 1: when you ask if somebody's something it's not what they're

1307
01:08:05,120 --> 01:08:07,520
Speaker 1: known most for, but they've probably done it. What was

1308
01:08:07,560 --> 01:08:10,080
Speaker 1: their springboard? Like? Maybe they've done other things, but what

1309
01:08:10,160 --> 01:08:13,080
Speaker 1: did it start with? Like your media? You wouldn't say

1310
01:08:13,080 --> 01:08:16,840
Speaker 1: I'm an author. But I've written a couple but right

1311
01:08:16,920 --> 01:08:19,840
Speaker 1: same here. But you said yes to comedian though, yes,

1312
01:08:19,960 --> 01:08:22,880
Speaker 1: and yes to she's TV show show. Okay, so it

1313
01:08:23,080 --> 01:08:26,320
Speaker 1: started with comedy Eddie, it's over to you. It's me okay,

1314
01:08:26,640 --> 01:08:29,680
Speaker 1: um man? Was she was? She a part of the

1315
01:08:29,720 --> 01:08:33,960
Speaker 1: oscars this year? I didn't watch. All I know is

1316
01:08:34,000 --> 01:08:37,639
Speaker 1: somebody slap somebody. Yeah, but you know who wasn't? Okay? Good?

1317
01:08:39,560 --> 01:08:44,240
Speaker 1: Not good? I meant it doesn't have kids. Every comedian

1318
01:08:44,439 --> 01:08:46,960
Speaker 1: I'm thinking of has a child. It must not be

1319
01:08:47,040 --> 01:08:50,320
Speaker 1: that one of the comedians you're thinking. We're playing twenty

1320
01:08:50,360 --> 01:08:53,000
Speaker 1: one questions. They're trying to identify the celebrity. Does you

1321
01:08:53,040 --> 01:08:59,280
Speaker 1: have vlonde hair? Yes, big Amy, that's big blonde hair.

1322
01:08:59,360 --> 01:09:03,439
Speaker 1: But she told it really is blonde hair, female babies,

1323
01:09:04,640 --> 01:09:13,040
Speaker 1: American comedian, american has done TV? Okay? Is she is?

1324
01:09:13,120 --> 01:09:17,639
Speaker 1: She over forty years of age? Any time? Come on, Amy,

1325
01:09:17,760 --> 01:09:21,719
Speaker 1: go ahead? Shall you look up? She is over forty?

1326
01:09:21,960 --> 01:09:25,519
Speaker 1: She is over forty? Amy, ask it? She's over Well, no,

1327
01:09:25,720 --> 01:09:28,360
Speaker 1: this person can't be over forty unless she's forty one.

1328
01:09:31,080 --> 01:09:41,559
Speaker 1: Turn he just AMusA a god hair married comedian? No kids?

1329
01:09:41,720 --> 01:09:45,040
Speaker 1: Has she had any plastic surgery? I don't know. That's yes.

1330
01:09:45,200 --> 01:09:47,400
Speaker 1: Some of them have been vocal about it lately. That's

1331
01:09:47,439 --> 01:09:49,400
Speaker 1: why I don't I don't know. I don't know that

1332
01:09:49,760 --> 01:09:52,400
Speaker 1: it's been in magazines. I don't know. That's a question though, right,

1333
01:09:52,400 --> 01:09:54,400
Speaker 1: and they said they wanted to be real about it. Yeah,

1334
01:09:54,400 --> 01:09:56,560
Speaker 1: I don't know that that's the answer. I don't know

1335
01:09:56,640 --> 01:10:00,800
Speaker 1: that answer. Okay, does she have her own TV show?

1336
01:10:01,560 --> 01:10:07,240
Speaker 1: M does she? Or hash she ever? Oo oo oo,

1337
01:10:08,479 --> 01:10:11,200
Speaker 1: let's go with hash she ever? What's Mike? I believe

1338
01:10:11,240 --> 01:10:13,519
Speaker 1: she's had her own TV show? Yes, Okay, keep a

1339
01:10:13,600 --> 01:10:17,280
Speaker 1: bunch of actors like you, guys, acting show or talk show?

1340
01:10:18,040 --> 01:10:20,080
Speaker 1: He just had TV show? I know. Now I'm asking.

1341
01:10:20,439 --> 01:10:22,479
Speaker 1: You have to ask yes or no talk show? Yes

1342
01:10:22,640 --> 01:10:29,439
Speaker 1: or no talk show? Yes? That helps kind of. I

1343
01:10:29,520 --> 01:10:31,160
Speaker 1: can't do it, guys. You have to buzz in with

1344
01:10:31,200 --> 01:10:33,040
Speaker 1: you'rn have a big question here and I can't ask it.

1345
01:10:33,120 --> 01:10:34,160
Speaker 1: You have to buzz in with your name if you

1346
01:10:34,200 --> 01:10:35,360
Speaker 1: want to know the answer. But we're getting down the

1347
01:10:35,400 --> 01:10:37,559
Speaker 1: nitty gritty, and you know, you can ask a question

1348
01:10:37,600 --> 01:10:39,240
Speaker 1: and then once he answers, you have three seconds to

1349
01:10:39,320 --> 01:10:41,880
Speaker 1: yell your name to answer. You have to wait three seconds. Yeah,

1350
01:10:42,920 --> 01:10:46,479
Speaker 1: so you don't have to wait. You can jump in immediately. Yes, okay,

1351
01:10:48,880 --> 01:10:52,880
Speaker 1: has she ever done any voice work? That's interesting? Yeah?

1352
01:10:53,080 --> 01:10:57,160
Speaker 1: Voice work? Voice work? Oh god, Yeah, you shouldn't have

1353
01:10:57,160 --> 01:11:06,439
Speaker 1: asked it. You can't give me own, correct, Amy, get

1354
01:11:06,520 --> 01:11:09,240
Speaker 1: ready to have a briefe crime boy in your house

1355
01:11:09,320 --> 01:11:13,800
Speaker 1: for one week? Why did you you knew he was

1356
01:11:13,800 --> 01:11:15,519
Speaker 1: going to jump in? I know, but I was If

1357
01:11:15,560 --> 01:11:18,839
Speaker 1: I guessed Ellen and I was wrong, the same risks

1358
01:11:18,920 --> 01:11:22,200
Speaker 1: the same with him, Amy, You had three you had

1359
01:11:22,280 --> 01:11:26,160
Speaker 1: no seconds. You could have jumped right in. Wow, Now

1360
01:11:26,280 --> 01:11:30,160
Speaker 1: she takes the crime boy home? If what like, what

1361
01:11:30,280 --> 01:11:32,519
Speaker 1: if I don't get sleep that week? You might not.

1362
01:11:32,760 --> 01:11:34,439
Speaker 1: That's going to be because you've done it to yourself.

1363
01:11:34,560 --> 01:11:36,639
Speaker 1: You might not believe that things are haunted. I don't

1364
01:11:36,640 --> 01:11:39,320
Speaker 1: think it's haunted. You believe. I don't want the even

1365
01:11:39,439 --> 01:11:43,400
Speaker 1: the potential of hauntedness. But what's the worst, just the shoes?

1366
01:11:43,840 --> 01:11:47,800
Speaker 1: What's the worst? That this crime baby an easy and sad?

1367
01:11:47,960 --> 01:11:51,439
Speaker 1: Yet Amy will take a haunted doll home with her

1368
01:11:51,520 --> 01:11:53,600
Speaker 1: for a week. It must be in the confines of

1369
01:11:53,720 --> 01:11:57,479
Speaker 1: your house. No garage, children, Yeah, but you don't believe

1370
01:11:57,520 --> 01:12:01,519
Speaker 1: in it? Okay, it can be in my garage. No

1371
01:12:01,960 --> 01:12:04,040
Speaker 1: not your garage in the house. Amy comes in wearing

1372
01:12:04,040 --> 01:12:08,320
Speaker 1: all black. Next week, she cries every segment similar to

1373
01:12:08,520 --> 01:12:12,680
Speaker 1: the other seasons of the sad seasons. That's it, not

1374
01:12:12,800 --> 01:12:19,640
Speaker 1: always different seasons of live. Do not bring it in

1375
01:12:19,720 --> 01:12:24,600
Speaker 1: the studio. Don't bring it with you? Why because I

1376
01:12:24,880 --> 01:12:28,840
Speaker 1: don't want that. Okay, Amy will take home the Crying

1377
01:12:28,880 --> 01:12:31,960
Speaker 1: Boy doll U and have it for next week. You lost,

1378
01:12:33,120 --> 01:12:34,880
Speaker 1: Amy has to take a haunted doll home with her.

1379
01:12:35,439 --> 01:12:38,280
Speaker 1: She lost a game. For a week, it's supposed to

1380
01:12:38,280 --> 01:12:40,600
Speaker 1: live at her house. She reached out to her past or.

1381
01:12:40,640 --> 01:12:44,400
Speaker 1: The pastor's like, hey, we believe in Jesus Christ, and

1382
01:12:44,400 --> 01:12:45,920
Speaker 1: this is not bigger than Jesus Christ, he said, but

1383
01:12:45,960 --> 01:12:47,240
Speaker 1: you do have kids and I can freak him out,

1384
01:12:48,280 --> 01:12:52,240
Speaker 1: which tore Amy a little bit. Yeah. Then Lunchbox said,

1385
01:12:52,240 --> 01:12:53,800
Speaker 1: I'll take the doll home, and he held up a number.

1386
01:12:54,360 --> 01:12:57,880
Speaker 1: So if Amy pays him this number, which hurts, by

1387
01:12:57,920 --> 01:12:59,479
Speaker 1: the way, like I don't want to pay this money,

1388
01:13:00,000 --> 01:13:03,920
Speaker 1: he'll take the doll home. So I do need your

1389
01:13:04,000 --> 01:13:07,920
Speaker 1: decision right now, right now. Hit me with it. Okay, Ay,

1390
01:13:08,680 --> 01:13:11,320
Speaker 1: there is the haunted doll. It is called the Crying Boy.

1391
01:13:12,240 --> 01:13:15,400
Speaker 1: Are you taking the doll home for a week or

1392
01:13:15,479 --> 01:13:19,120
Speaker 1: are you? I like that drum roll? That's yeah, it's

1393
01:13:19,120 --> 01:13:21,160
Speaker 1: a constant one. I mean. The thing is like I'm

1394
01:13:21,840 --> 01:13:24,640
Speaker 1: here like as my job, like I get paid to

1395
01:13:24,760 --> 01:13:27,120
Speaker 1: be here, like I'm getting paid right now, and then

1396
01:13:27,160 --> 01:13:29,680
Speaker 1: I'm about to pay the money that I'm making. You

1397
01:13:29,760 --> 01:13:33,000
Speaker 1: are you? Wow? Is that the announcement you are paying

1398
01:13:33,000 --> 01:13:35,160
Speaker 1: the money? It just feels weird, like who else at

1399
01:13:35,200 --> 01:13:37,840
Speaker 1: their job has to like make money and then spend it, right,

1400
01:13:38,200 --> 01:13:40,920
Speaker 1: to spend all the time for listeners for games? I know,

1401
01:13:41,800 --> 01:13:44,519
Speaker 1: I know this is just as a being trying Its

1402
01:13:44,560 --> 01:13:47,080
Speaker 1: like trying to be a responsible parent. There is I

1403
01:13:47,280 --> 01:13:50,000
Speaker 1: cannot bring the haunted doll into my home, and I

1404
01:13:50,080 --> 01:13:53,400
Speaker 1: guess why I Am going to be paying Lunchbox a

1405
01:13:53,600 --> 01:13:57,280
Speaker 1: stupid amount of money to avoid it. WHOA, I don't

1406
01:13:57,320 --> 01:14:01,920
Speaker 1: want the doll, but I want money. I need to

1407
01:14:01,960 --> 01:14:05,800
Speaker 1: see a handshake, because once the hand shake is now outligated,

1408
01:14:07,160 --> 01:14:10,640
Speaker 1: always spit in his hand. I didn't, okay, handshake is

1409
01:14:10,680 --> 01:14:16,840
Speaker 1: on breaking news, like honestly, I have no more breaking

1410
01:14:16,920 --> 01:14:20,439
Speaker 1: new breaking box. That's now his doll the dolls here today?

1411
01:14:21,080 --> 01:14:24,120
Speaker 1: Oh no stars now, Oh I'm so glad this deal

1412
01:14:24,160 --> 01:14:27,519
Speaker 1: got done today because I can't. I just could potentially

1413
01:14:27,640 --> 01:14:29,240
Speaker 1: I could hide it from my son, but if you

1414
01:14:29,320 --> 01:14:31,720
Speaker 1: were to find out, it could just cause issues. Well

1415
01:14:31,800 --> 01:14:34,080
Speaker 1: we're moving from you to lunchbox now, okay, good, but

1416
01:14:34,200 --> 01:14:37,560
Speaker 1: well the lunchbox? Oh the dollar is here? Where is

1417
01:14:37,600 --> 01:14:40,479
Speaker 1: it right now? Mike? It's outside. We're not bringing in

1418
01:14:40,479 --> 01:14:42,840
Speaker 1: the building. I'm not gonna tell my wife. That's not

1419
01:14:42,960 --> 01:14:48,040
Speaker 1: our problem. That's a good point in n op's not

1420
01:14:48,160 --> 01:14:51,960
Speaker 1: our problem. That's a good one. Saying that people, we're

1421
01:14:52,040 --> 01:14:54,519
Speaker 1: going to make the handoff. Do you want to do

1422
01:14:54,600 --> 01:14:56,360
Speaker 1: the next segment? But outside, we'll get him on the phone.

1423
01:14:56,479 --> 01:14:58,680
Speaker 1: We'll go and put it in your car. Oh my

1424
01:14:58,800 --> 01:15:02,280
Speaker 1: car is already haunted. No, it's dirty with dead animals.

1425
01:15:02,320 --> 01:15:06,479
Speaker 1: And yeah, it's just you did that. Oh boy, we'll

1426
01:15:06,520 --> 01:15:08,840
Speaker 1: pass over the door in the next segment. I don't

1427
01:15:08,880 --> 01:15:11,880
Speaker 1: like it, But is that what I was gonna say?

1428
01:15:12,680 --> 01:15:14,400
Speaker 1: Do you want me too? Oh? Yeah? What else you

1429
01:15:14,439 --> 01:15:16,960
Speaker 1: gonna do that's gonna happen? Can I do a payment plan?

1430
01:15:17,720 --> 01:15:19,560
Speaker 1: Just venmo him that way? He has to do it.

1431
01:15:21,600 --> 01:15:25,320
Speaker 1: It's the best bits of the week with Morgan number two.

1432
01:15:26,760 --> 01:15:28,519
Speaker 1: Thanks so much, y'all. I hope you got caught up

1433
01:15:28,640 --> 01:15:30,920
Speaker 1: on everything that happened during the show this week, make

1434
01:15:30,960 --> 01:15:33,479
Speaker 1: sure you check out at Bobby Bones Show social media

1435
01:15:33,560 --> 01:15:35,800
Speaker 1: as well as at Bobby Bones dot com because that's

1436
01:15:35,840 --> 01:15:38,280
Speaker 1: all the content. You gotta be all the way updated

1437
01:15:38,320 --> 01:15:40,519
Speaker 1: on everything that happened, because next week we're gonna be

1438
01:15:40,600 --> 01:15:42,439
Speaker 1: coming in hot with new content and maybe even some

1439
01:15:42,600 --> 01:15:46,040
Speaker 1: updates from this. So don't miss anything. And this is

1440
01:15:46,360 --> 01:15:48,320
Speaker 1: the whole point of the best Bits and so y'all

1441
01:15:48,439 --> 01:15:50,240
Speaker 1: don't miss a thing, and I hope you love it.

1442
01:15:50,760 --> 01:15:53,479
Speaker 1: Please hit me up on social media, tag me if

1443
01:15:53,520 --> 01:15:55,320
Speaker 1: you're listening to it. I love seeing him and I'll

1444
01:15:55,360 --> 01:15:58,599
Speaker 1: always repost if I do see him, So please hit

1445
01:15:58,640 --> 01:16:01,200
Speaker 1: me up in let me know what you're thinking of

1446
01:16:01,280 --> 01:16:04,720
Speaker 1: the two separate pieces of the podcast. I think most

1447
01:16:04,760 --> 01:16:06,439
Speaker 1: of y'all are loving it, but I hope you guys

1448
01:16:06,479 --> 01:16:08,800
Speaker 1: have a fantastic weekend. Thanks for hanging out with me.

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01:16:15,600 --> 01:16:19,000
Speaker 1: History is littered with tragic stories from which we could

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Speaker 1: all learn lessons. The spectacular Broadway show that flopped, the

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Speaker 1: autopilot that helped crash a plane, the heat wave that

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Speaker 1: killed some city residents but not their neighbors. I'm Tim Harford,

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Speaker 1: host of Cautionary Tales, the podcast that looks for the

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Speaker 1: valuable lessons in the greatest mistakes, disasters, and fiascos of

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Speaker 1: the past. Listen to Cautionary Tales on the iHeartRadio app,

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Speaker 1: Apple Podcasts, or wherever you get your podcasts.