WEBVTT - Brad Garrett can't be canceled

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<v Speaker 1>If I could like walk into a house in the

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<v Speaker 1>Midwest unannounced and just just sitting down with regular people. Yeah, no,

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<v Speaker 1>here's here's a nine foot insecured you coming to your

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<v Speaker 1>home and you just knock on the door. What's that smell?

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<v Speaker 1>You could be that boy, I smell meat loafing aim.

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<v Speaker 1>You have to be like Allen, you know? Can I

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<v Speaker 1>come in?

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<v Speaker 2>I love talking to comedians because I feel like to

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<v Speaker 2>be a really good comedian you have to be really

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<v Speaker 2>self aware. And I think my least favorite people to

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<v Speaker 2>talk to are people who can't see what everybody else sees,

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<v Speaker 2>like do you know yourself at all? And comedians know thyselves.

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<v Speaker 2>There are no pretenses or veneers. And my next guest

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<v Speaker 2>is so funny but also so thoughtful and lovely. You

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<v Speaker 2>know him from Everybody Loves Raymond, the Emmy nominated film Gleason,

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<v Speaker 2>where he played Jackie Gleason till Death the Night at

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<v Speaker 2>the Museum Movies. He performs regularly at his own comedy

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<v Speaker 2>club at the MGM Grand because he's a baller who

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<v Speaker 2>has their own comedy club. It's Brad Garrett. Welcome to

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<v Speaker 2>off the cup. Brad. How are you good? I'm better now?

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<v Speaker 2>That you're here.

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<v Speaker 1>Great to be here. I feel a little self aware.

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<v Speaker 1>Is it okay?

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<v Speaker 2>Your hair looks great?

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<v Speaker 1>Thank you. Part of it's mine and part of it

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<v Speaker 1>was donated to me.

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<v Speaker 2>It was a gift.

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<v Speaker 1>Actually, I took the hair off my dog before I

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<v Speaker 1>ate it. So it's Alicia. It was time. It was

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<v Speaker 1>time for him. He was ready, had a shelte. Good

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<v Speaker 1>to see you, honey, Good to see you.

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<v Speaker 2>I'm so happy to talk to you because we've been

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<v Speaker 2>like Twitter or Instagram friends for a few years now.

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<v Speaker 1>Have you been getting my dms and everything? You're okay

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<v Speaker 1>with the pictures?

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<v Speaker 2>Nothing untoward was sent. Just want everyone to know.

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<v Speaker 1>Good.

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<v Speaker 2>There's so much I want to get into with you.

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<v Speaker 2>I want to start. I want to start with your childhood.

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<v Speaker 2>Were you funny as a kid?

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<v Speaker 1>You know? I think, yeah, I was? I was. I

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<v Speaker 1>think I you know. I was raised by uh, loving

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<v Speaker 1>parents that really struggled mentally, okay, and my mom suffered

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<v Speaker 1>from extreme depression. My father was a wonderful man and

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<v Speaker 1>really really my hero growing up, but he was bipolar

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<v Speaker 1>and we didn't know that until much later in life.

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<v Speaker 1>We just thought he was eccentric and yeah, fun and

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<v Speaker 1>you know, wanted his son to be his wingman and

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<v Speaker 1>all great things when I was growing up. But I

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<v Speaker 1>think when you're raised with parents that struggle no matter

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<v Speaker 1>what it is, I think we feel like it's our

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<v Speaker 1>job to entertain.

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<v Speaker 2>Them or make them happy, make them laugh.

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<v Speaker 1>Them happy, fix the problem.

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<v Speaker 2>There's a lot of pressure.

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<v Speaker 1>Yeah, it is. It is. And you know, my mom

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<v Speaker 1>was very critical, and it was like she didn't even

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<v Speaker 1>want me in the home movies, which every time she

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<v Speaker 1>would think she always said, you know what, good audition,

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<v Speaker 1>We're going another way. And she would try to cast

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<v Speaker 1>other children in my room growing up, which she heardened

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<v Speaker 1>me made this armor. No, but I think you know,

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<v Speaker 1>my father was incredibly funny and I got a lot

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<v Speaker 1>of that from him. But I was bullied a lot

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<v Speaker 1>growing up because I was like six feet to twelve.

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<v Speaker 1>I had no athletic ability. I looked and this is

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<v Speaker 1>a compliment, I looked like Liza Minelli as I was

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<v Speaker 1>growing up. No, I really did. I'll send you some

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<v Speaker 1>picture they're touching them please. But I had, you know,

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<v Speaker 1>I had eyes that looked like I was crying off

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<v Speaker 1>my mascarra every time I went to school. I just

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<v Speaker 1>I had that looked like when I look at the pictures,

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<v Speaker 1>there's only three pictures of me from my childhood. One

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<v Speaker 1>was in court. I look like I have three jobs.

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<v Speaker 1>I looked like I could be making iPhones in China.

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<v Speaker 1>When I look at the small, small pictures of me,

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<v Speaker 1>I look at I go what was I going through?

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<v Speaker 1>But it was a lot of people really trying hard

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<v Speaker 1>to do their best. Yeah, and you know there was

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<v Speaker 1>there was a lot of you know, dysfunction.

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<v Speaker 2>But did you have siblings?

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<v Speaker 1>I had two older brothers, quite a bit older than

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<v Speaker 1>I'm the youngest of three, and my oldest brother was

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<v Speaker 1>nine years older and then the middle was six years older.

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<v Speaker 1>We have the same mom, different dads, okay, and we

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<v Speaker 1>were as close as we could be. You know. The

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<v Speaker 1>key was to get out as soon as we could

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<v Speaker 1>of the house and kind of do our own, our

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<v Speaker 1>own thing and it. You know, it's so difficult when

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<v Speaker 1>people you love and you're closed with struggle and the

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<v Speaker 1>refuse help.

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<v Speaker 2>Oh, is that what happened? They didn't want to get

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<v Speaker 2>They really didn't want the help. That's of a generation,

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<v Speaker 2>I think it is.

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<v Speaker 1>That's why I love talking about this stuff, you know,

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<v Speaker 1>because of people like yourself and you know it's now important,

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<v Speaker 1>you know, and that it's okay, you know, to not

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<v Speaker 1>be okay as they say, I know that's so clich Yeah,

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<v Speaker 1>it's true, and it's good to know that people do,

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<v Speaker 1>you know, face a lot of challenges, and I think

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<v Speaker 1>more so than ever because of this crazy world word

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<v Speaker 1>I guess.

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<v Speaker 2>And I want to talk about mental health a lot

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<v Speaker 2>with you because that's the point of this. But so

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<v Speaker 2>you you go to college but you drop out right

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<v Speaker 2>to do comedy.

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<v Speaker 1>Yes, well I was. I was also encouraged to leave. Yeah,

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<v Speaker 1>the school was like, you're you're not cut out for this,

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<v Speaker 1>and I you know, I busted my behind to be

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<v Speaker 1>like a strong B student. And growing up I really

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<v Speaker 1>didn't have friends, you know, a lot of them. Some

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<v Speaker 1>I paid and they were right by the house and hunk.

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<v Speaker 1>But my teachers were kind of like my See. I

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<v Speaker 1>knew early on that if you if you make the

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<v Speaker 1>teachers laugh when you're the class clown, they have something.

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<v Speaker 1>It's easy to make the other kids laugh, especially in

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<v Speaker 1>public school because you know, so I think when I

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<v Speaker 1>made my teachers laugh, I knew that there was really

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<v Speaker 1>something there. And early on my teachers really went like

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<v Speaker 1>you got to get in the theater. I mean I

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<v Speaker 1>was doing stand up at like sixteen, I was doing

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<v Speaker 1>bar Mitzvah's and it was really you know, it's horrific.

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<v Speaker 1>I don't know if you've ever tried to make rabbis laugh,

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<v Speaker 1>but it's it was hell.

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<v Speaker 2>You had encouragement and people recognize that you were talented young.

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<v Speaker 1>I had encouraged it. My parents were incredibly encouraging. You know.

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<v Speaker 1>My dad really got it. And I think my mom

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<v Speaker 1>was hoping that, you know, if if I got famous,

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<v Speaker 1>that maybe she could get a job. You know, I

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<v Speaker 1>think it was kind of her thing. You know. It's

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<v Speaker 1>like when I started opening for different acts in Vegas,

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<v Speaker 1>I would have my parents, you know, would I would

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<v Speaker 1>have my mom and her third husband, my stepdad. I

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<v Speaker 1>would have him in the audience. I was opening for

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<v Speaker 1>Sinatra for a while and last part of his life,

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<v Speaker 1>you know, when he was God bless him, I mean,

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<v Speaker 1>the greatest, but he was like does summer Win does

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<v Speaker 1>a tray up? Bob Bob? So now, yeah, I was

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<v Speaker 1>just so happy for the gig. And I grew up

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<v Speaker 1>on that music, so that was like it was incredible,

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<v Speaker 1>But less Frank, he had bigger things to remember, and

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<v Speaker 1>he called me Greg Barrett for two years while opening

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<v Speaker 1>for him, you know. And Frank isn't the guy you

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<v Speaker 1>stick down and correct.

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<v Speaker 2>You don't correct Frank, you don't.

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<v Speaker 1>You know. And I went to his buddy Julie and

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<v Speaker 1>I went, you know, we've been on the road five months.

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<v Speaker 1>Maybe you can tell Frank that I'm Brad, you know.

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<v Speaker 1>And he's like, you want the gig or not? You

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<v Speaker 1>don't like working with Frank. And it became that. So

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<v Speaker 1>I was Greg, and my mom from the audience was like,

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<v Speaker 1>his name is Brad?

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<v Speaker 3>His name?

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<v Speaker 1>This happened in Vegas, okay? And I would take her

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<v Speaker 1>and I would talk about my mom and my aunt.

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<v Speaker 1>She would say that isn't true. His mother I never

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<v Speaker 1>you know. So there was eventually a restraining order at

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<v Speaker 1>the Desert Inn to keep my mom from and then

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<v Speaker 1>she hit on Steve Lawrence when I opened for Steve

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<v Speaker 1>and Edie.

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<v Speaker 2>And she's like a character.

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<v Speaker 1>Oh, she was wonderful. She told Sammy Davis that not every.

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<v Speaker 3>Night is bad Duke my god.

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<v Speaker 1>Yeah it was, I gotta tell you, but but I

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<v Speaker 1>felt better if I did an invite her. Yeah, was

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<v Speaker 1>a wonderfully complicated woman.

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<v Speaker 2>So at twenty three, you go on Carson, one of

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<v Speaker 2>the youngest comedians ever to go on that show. What

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<v Speaker 2>how did you take all of that in?

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<v Speaker 1>Well, you know, it was, you know, it's it's kind

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<v Speaker 1>of hard to explain. I mean it was you know,

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<v Speaker 1>you're behind that curtain you grow up watching, and you

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<v Speaker 1>know it was, you know, my stand up until I

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<v Speaker 1>really found myself. It was very you know, pedestrian and

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<v Speaker 1>really kind of hackey and just nothing really where you're going,

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<v Speaker 1>wow this, you know, and uh, it was okay. But

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<v Speaker 1>I had one Star search and Ed McMahon hosted that

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<v Speaker 1>winning star search, and you know I would always get

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<v Speaker 1>ice for Ed and sneak it into his trailer and

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<v Speaker 1>I would open up the salve and he would tell

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<v Speaker 1>me stories. And so he helped, I think, get me

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<v Speaker 1>on the Tonight Show. And I did a handful of him,

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<v Speaker 1>and you know, it really really helped because in those days,

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<v Speaker 1>you know, there were five channels and if you did

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<v Speaker 1>decent would you know, I think my key was timing

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<v Speaker 1>in cadence over material.

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<v Speaker 3>Suit.

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<v Speaker 1>Yeah, and then I just like when I was opening

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<v Speaker 1>for the big acts and they never want to see

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<v Speaker 1>the opening act. I left my material and I just

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<v Speaker 1>started to roast the crowd.

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<v Speaker 2>Yeah, yeah, a lot of.

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<v Speaker 1>You know, rejection anger. And then Frank's audience, you know,

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<v Speaker 1>you take went to the melon if you roast the

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<v Speaker 1>wrong guy. John Gotti in the front row in Atlantic City.

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<v Speaker 1>I didn't know who John Gotty was. This was ninety one.

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<v Speaker 1>He was in the front row in a top hat,

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<v Speaker 1>dark glasses and like a white shirt and tails. And

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<v Speaker 1>I went, oh, my god, it's mister peanut, you know,

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<v Speaker 1>just joking around. So I go backstage and.

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<v Speaker 2>You said that to his face.

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<v Speaker 1>Well he was in the audience. I didn't know it

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<v Speaker 1>was John Gotti, you know. And I go backstage and

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<v Speaker 1>Jilly was like, you have to hide. So they put me,

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<v Speaker 1>you know, they said, don't come out until we let

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<v Speaker 1>you know. John Gotti went backstage, and I'm sure there

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<v Speaker 1>was gunplay and him Frank played I don't know crazy

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<v Speaker 1>eights or whatever they did. But the point is I

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<v Speaker 1>started busting the balls of Frank's people that were in

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<v Speaker 1>the front row, and they loved it. And you know,

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<v Speaker 1>it's kind of like Rickles on steroids. Yeah, and so

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<v Speaker 1>now in this, you know, and this what I do

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<v Speaker 1>at my club is just you know, mostly crowd work

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<v Speaker 1>and improv, which I love and.

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<v Speaker 2>That's my thing, and that's really come back, Like crowd

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<v Speaker 2>work is so popular now.

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<v Speaker 1>You know, it's all I've really, I mean, I mean

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<v Speaker 1>never done, you know, And yeah, yeah, like Gray, you know,

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<v Speaker 1>Ray and I worked together for a while and he

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<v Speaker 1>would say, why Kurt, you suit down for five minutes

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<v Speaker 1>and right, just right, and I'm like, look you right,

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<v Speaker 1>and I'm great. Now. He's really amazing. I mean, he's

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<v Speaker 1>really funny. He's a great writer. That's never been my thing.

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<v Speaker 1>I'd rather go out without a net and I get

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<v Speaker 1>moored easy. And you know, we spent many many years

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<v Speaker 1>on the road together and having a great time and

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<v Speaker 1>working the casinos together. Yeah, but I think there was

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<v Speaker 1>a time where the casinos were really worried, especially during

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<v Speaker 1>the cancel culture, and I went, you know, this is

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<v Speaker 1>what I do and this is what it is, and

0:13:03.559 --> 0:13:05.840
<v Speaker 1>you know you're not going to change at sixty four

0:13:05.880 --> 0:13:08.120
<v Speaker 1>and I love doing this. And yeah, that it did

0:13:08.160 --> 0:13:11.480
<v Speaker 1>a whole full circle. And now people seem to really

0:13:12.200 --> 0:13:16.520
<v Speaker 1>want the edge because they're so tired of hearing what

0:13:16.559 --> 0:13:19.400
<v Speaker 1>they can laugh at what they can't laugh at. Yeah,

0:13:19.440 --> 0:13:21.480
<v Speaker 1>and you know, you have to have a career to

0:13:21.520 --> 0:13:25.320
<v Speaker 1>get canceled. So thank god I can't get canceled.

0:13:26.280 --> 0:13:27.800
<v Speaker 2>You've had a career. Stop.

0:13:28.679 --> 0:13:31.760
<v Speaker 1>I'm working the food court, Essie. I love to have

0:13:31.840 --> 0:13:34.200
<v Speaker 1>you and the kid come by. We got balloons. He

0:13:34.280 --> 0:13:35.280
<v Speaker 1>can color the menu.

0:13:36.440 --> 0:13:42.200
<v Speaker 2>Okay, So you mentioned Ray is landing a sitcom, especially

0:13:42.280 --> 0:13:46.360
<v Speaker 2>a successful one, the dream for comedians or do you

0:13:46.440 --> 0:13:47.200
<v Speaker 2>prefer stand up?

0:13:48.400 --> 0:13:52.160
<v Speaker 1>Well, you know, I always felt that acting was I mean,

0:13:52.200 --> 0:13:54.920
<v Speaker 1>I was always doing stand up. But to me, acting was,

0:13:55.160 --> 0:13:57.400
<v Speaker 1>you know, the holy grail. That was the brass room

0:13:58.000 --> 0:14:01.160
<v Speaker 1>for me, you know, and get on that show. I

0:14:01.480 --> 0:14:06.120
<v Speaker 1>mean I auditioned and a couple times, and I knew

0:14:06.120 --> 0:14:09.320
<v Speaker 1>how lucky I was, you know, a halfway through the

0:14:09.360 --> 0:14:12.439
<v Speaker 1>first season you go board. The chemistry of the cast

0:14:12.640 --> 0:14:17.160
<v Speaker 1>was so organic, and that's really the key. After you

0:14:17.280 --> 0:14:19.600
<v Speaker 1>have great writers. You got to have the writers. And

0:14:19.640 --> 0:14:23.320
<v Speaker 1>this group was just about, you know, as good as

0:14:23.320 --> 0:14:27.320
<v Speaker 1>they get. And there was that synergy of just everything popping,

0:14:27.400 --> 0:14:30.200
<v Speaker 1>and Ray knew what the show is about, and Phil

0:14:30.280 --> 0:14:32.920
<v Speaker 1>knew how to create it around Ray, and it was

0:14:33.000 --> 0:14:35.480
<v Speaker 1>just one of those things. And I got lucky. You know,

0:14:35.520 --> 0:14:38.160
<v Speaker 1>you got to you gotta be lucky too. You got

0:14:38.160 --> 0:14:41.080
<v Speaker 1>to work hard, but when that audition comes, you got

0:14:41.080 --> 0:14:44.280
<v Speaker 1>to be prepared. I was never some I mean I

0:14:44.320 --> 0:14:46.200
<v Speaker 1>could have done stand up my whole life and been

0:14:46.240 --> 0:14:49.920
<v Speaker 1>happy because I still love it. You know. It wasn't like, well,

0:14:50.240 --> 0:14:52.280
<v Speaker 1>I'm going to try stand up and maybe that'll get

0:14:52.320 --> 0:14:56.200
<v Speaker 1>me a sitcom because you know, like for a while

0:14:56.240 --> 0:14:58.760
<v Speaker 1>they were giving people on TikTok that had two million

0:14:58.920 --> 0:15:03.120
<v Speaker 1>followers a pilot, and yeah, you know what happens with

0:15:03.160 --> 0:15:04.960
<v Speaker 1>that because they don't have a skill set, they just

0:15:05.000 --> 0:15:08.640
<v Speaker 1>have something that went viral. Right, So back in those days,

0:15:08.680 --> 0:15:10.760
<v Speaker 1>you know, we really worked on our craft. I was

0:15:10.800 --> 0:15:13.480
<v Speaker 1>an acting class since I was eighteen, So it was

0:15:13.520 --> 0:15:16.600
<v Speaker 1>something that I always, you know, felt I wanted to do,

0:15:16.720 --> 0:15:19.560
<v Speaker 1>not something that would necessarily crack for me.

0:15:20.280 --> 0:15:24.560
<v Speaker 2>So Raymond Goes ninety six to two thousand and five,

0:15:25.320 --> 0:15:29.400
<v Speaker 2>Seinfeld was eighty nine to ninety eight, Fraser Is ninety

0:15:29.400 --> 0:15:32.320
<v Speaker 2>three to two thousand and four, Friends ninety four to

0:15:32.360 --> 0:15:34.760
<v Speaker 2>two thousand and four, Will and Grace ninety eight to

0:15:34.760 --> 0:15:36.920
<v Speaker 2>two thousand and six. King of Queens ninety eight to

0:15:36.920 --> 0:15:40.000
<v Speaker 2>two thousand and seven. You were airing concurrently with the

0:15:40.040 --> 0:15:45.520
<v Speaker 2>biggest sitcoms on the planet, including yours. Yeah, well, what

0:15:45.680 --> 0:15:47.960
<v Speaker 2>was that? I mean, it's such a high time for sitcoms.

0:15:48.000 --> 0:15:50.680
<v Speaker 2>What was that like? And were there like any rivalries?

0:15:51.360 --> 0:15:54.840
<v Speaker 1>You know, there really weren't rivalries. I mean to be honest.

0:15:54.920 --> 0:15:59.240
<v Speaker 1>You know, Friends and Seinfeld they were the juggernauts. You know,

0:15:59.320 --> 0:16:02.720
<v Speaker 1>we were very different show. Those shows were really pushing

0:16:02.760 --> 0:16:07.040
<v Speaker 1>the envelope and friendship super sexy and really funny and

0:16:07.200 --> 0:16:10.040
<v Speaker 1>yeah and Frasier was you know, that was such a

0:16:10.120 --> 0:16:14.600
<v Speaker 1>high bar. We were doing something really kind of different.

0:16:14.640 --> 0:16:17.480
<v Speaker 1>That kind of went back to, you know, that old

0:16:17.640 --> 0:16:19.680
<v Speaker 1>vibe of what sitcoms were.

0:16:19.840 --> 0:16:20.720
<v Speaker 2>Like all in the family.

0:16:21.320 --> 0:16:23.800
<v Speaker 1>Yeah, well, I mean to me, that's, you know, nothing

0:16:23.840 --> 0:16:26.920
<v Speaker 1>better than that shob right in my opinion, But I

0:16:26.960 --> 0:16:29.840
<v Speaker 1>think that's what, you know, that was what I think

0:16:29.880 --> 0:16:34.080
<v Speaker 1>everyone wanted to strive for that family unit that you know,

0:16:34.200 --> 0:16:37.920
<v Speaker 1>had no choice but to be together and how do

0:16:38.040 --> 0:16:42.440
<v Speaker 1>we navigate that? And you know, Phil ran the show

0:16:42.600 --> 0:16:45.800
<v Speaker 1>where like when he would break a story literally the

0:16:45.840 --> 0:16:49.040
<v Speaker 1>writer's room every Monday, he would go around the table

0:16:49.480 --> 0:16:51.360
<v Speaker 1>to the writers and he would go, you know, what

0:16:51.520 --> 0:16:56.640
<v Speaker 1>happened this weekend? What happened this weekend? And almost all

0:16:56.680 --> 0:16:59.920
<v Speaker 1>the time something would be hatched in that room it's

0:17:00.320 --> 0:17:02.960
<v Speaker 1>it's like the luggage episode. It was a big, a

0:17:02.960 --> 0:17:05.399
<v Speaker 1>big episode for the show where you know, Ray and

0:17:05.440 --> 0:17:07.720
<v Speaker 1>Dever just argued over who's going to put away that

0:17:07.800 --> 0:17:08.880
<v Speaker 1>last piece of luggage?

0:17:09.320 --> 0:17:11.840
<v Speaker 2>Are you referring to the suitcase that you haven't moved

0:17:11.840 --> 0:17:14.040
<v Speaker 2>in three weeks? Is that the suitcase to which.

0:17:13.880 --> 0:17:14.640
<v Speaker 1>You are referring?

0:17:16.800 --> 0:17:22.400
<v Speaker 2>Why couldn't you move it? Why couldn't you move it?

0:17:22.480 --> 0:17:22.800
<v Speaker 1>All right?

0:17:22.840 --> 0:17:25.640
<v Speaker 2>You are not going to the airport with a grocery bag.

0:17:28.080 --> 0:17:32.000
<v Speaker 1>Take the suitcase. You know, that little pettiness of marriage

0:17:32.040 --> 0:17:35.199
<v Speaker 1>and those kind of things. You know, it all happened

0:17:35.200 --> 0:17:38.560
<v Speaker 1>the thing with my my lucky suit you know when

0:17:38.600 --> 0:17:42.040
<v Speaker 1>I went to interview with the FBI. You know, this

0:17:42.080 --> 0:17:45.880
<v Speaker 1>is something that happened to one of the writers fathers,

0:17:46.160 --> 0:17:49.280
<v Speaker 1>you know, and it just it just comes from a

0:17:49.280 --> 0:17:51.960
<v Speaker 1>good place. That being said, you know, we knew who

0:17:52.000 --> 0:17:55.440
<v Speaker 1>the big boys were, you know when we watched Seinfeld

0:17:55.520 --> 0:17:59.119
<v Speaker 1>and Friends the way anybody else did, But there weren't

0:17:59.119 --> 0:18:03.600
<v Speaker 1>the real you know, a real satisfaction of airing during

0:18:03.800 --> 0:18:06.520
<v Speaker 1>that golden era and be able to hold our.

0:18:06.440 --> 0:18:11.960
<v Speaker 2>Own Oh totally yeah, And you very memorable part on

0:18:12.000 --> 0:18:13.200
<v Speaker 2>Seinfeld the mechanic.

0:18:13.520 --> 0:18:15.760
<v Speaker 1>There's really nothing wrong on the inside. Well, the ship

0:18:15.840 --> 0:18:16.919
<v Speaker 1>Nove is loose. You know about that?

0:18:17.640 --> 0:18:18.399
<v Speaker 2>No, I haven't noticed.

0:18:19.000 --> 0:18:20.040
<v Speaker 1>Have you been picking at it?

0:18:21.080 --> 0:18:22.160
<v Speaker 3>Have I been picking at it?

0:18:22.880 --> 0:18:25.960
<v Speaker 1>No? You know, just wear and tear, wearing tear.

0:18:26.320 --> 0:18:29.399
<v Speaker 2>I see love it. But I've heard tell me if

0:18:29.400 --> 0:18:32.320
<v Speaker 2>I'm wrong. I've heard that that was a tough set

0:18:32.440 --> 0:18:37.640
<v Speaker 2>because they were so big and coming on for an

0:18:37.680 --> 0:18:40.439
<v Speaker 2>episode or two was tough. How did you find that?

0:18:40.760 --> 0:18:45.000
<v Speaker 1>You know, I found it incredibly easy. Actually, we shot

0:18:45.080 --> 0:18:48.720
<v Speaker 1>on location. I read for Jerry And.

0:18:49.040 --> 0:18:50.160
<v Speaker 2>Did you know Jerry before?

0:18:50.359 --> 0:18:52.840
<v Speaker 1>No, No, no, I didn't. I didn't even know Ray before.

0:18:53.640 --> 0:18:58.040
<v Speaker 1>Oh okay, but no, Ray, yeah, yeah, and we heard

0:18:58.240 --> 0:19:00.760
<v Speaker 1>when I was up for his brother. You know, Ray

0:19:00.920 --> 0:19:05.720
<v Speaker 1>was like, not the guy from Star Search. And you know, honestly,

0:19:06.440 --> 0:19:08.439
<v Speaker 1>you know I get it because you know, I'm on

0:19:08.560 --> 0:19:12.360
<v Speaker 1>Star Search going you know, what if Cosby was a pilot,

0:19:12.920 --> 0:19:16.679
<v Speaker 1>you know, give me this stuff. You know, obviously before

0:19:16.720 --> 0:19:20.000
<v Speaker 1>the yeah right, obviously before he found out he really

0:19:20.040 --> 0:19:23.760
<v Speaker 1>wasn't a pilot. Now, yeah, so I was doing stuff

0:19:23.800 --> 0:19:26.680
<v Speaker 1>like that. You know that scared a lot of comics.

0:19:27.320 --> 0:19:30.200
<v Speaker 1>It scared me, but you know I needed the money.

0:19:30.560 --> 0:19:34.639
<v Speaker 1>So you know, My point is, it's you know, I

0:19:34.680 --> 0:19:38.680
<v Speaker 1>had to find my way physically and really every other way.

0:19:38.840 --> 0:19:44.000
<v Speaker 1>I wasn't the character they were looking for for Ray's brother,

0:19:44.600 --> 0:19:46.919
<v Speaker 1>you know, because Ra's brother, really, you know, was an

0:19:47.040 --> 0:19:50.480
<v Speaker 1>NYPD cop under cover. They kind of wanted like a

0:19:50.600 --> 0:19:58.119
<v Speaker 1>Danny DeVito type of scrappy, smaller guy that wasn't intimidating

0:19:58.200 --> 0:20:01.480
<v Speaker 1>to Ray because the line everybody loves Raymond is what

0:20:01.600 --> 0:20:04.120
<v Speaker 1>his cop brother said in real life to him when

0:20:04.200 --> 0:20:07.200
<v Speaker 1>Ray won the Ace Award. You know, he came home

0:20:07.240 --> 0:20:09.920
<v Speaker 1>and he looked at the award and he said that line.

0:20:10.480 --> 0:20:11.320
<v Speaker 1>When did he get this?

0:20:12.920 --> 0:20:16.320
<v Speaker 2>Oh, that's an award your brother got for his sports column.

0:20:17.000 --> 0:20:24.879
<v Speaker 1>Never ends for Raymond, Robbie, Everybody loves Raymond. I go

0:20:24.960 --> 0:20:28.440
<v Speaker 1>to work, people shoot at me. Why goes to work?

0:20:28.480 --> 0:20:32.119
<v Speaker 1>People do the wave? When he sits down, has a

0:20:32.119 --> 0:20:34.920
<v Speaker 1>hot dog, doodles on a piece of paper, they gimme

0:20:34.920 --> 0:20:39.440
<v Speaker 1>a trophy. So I knew the writing was so great

0:20:39.480 --> 0:20:41.520
<v Speaker 1>when I read the pilot, and I had trouble getting

0:20:41.560 --> 0:20:44.760
<v Speaker 1>in because they didn't see me as and I got that,

0:20:45.280 --> 0:20:46.919
<v Speaker 1>but I said, just let me read. I have a

0:20:46.960 --> 0:20:49.639
<v Speaker 1>different take of this guy, and it was, you know,

0:20:49.840 --> 0:20:54.439
<v Speaker 1>I had to go against my size by not playing

0:20:54.520 --> 0:20:56.959
<v Speaker 1>him too e or I mean like from year one

0:20:57.000 --> 0:20:59.359
<v Speaker 1>a year two. I had to bump it up a

0:20:59.359 --> 0:21:03.359
<v Speaker 1>bit because and you know, pivot a little because it

0:21:03.480 --> 0:21:06.639
<v Speaker 1>was able two beaten where you're two. You know, it

0:21:06.720 --> 0:21:09.040
<v Speaker 1>was like it was like, you know, he's got to

0:21:09.040 --> 0:21:12.600
<v Speaker 1>be a contender. It's he's a contender, you know. Yeah,

0:21:12.640 --> 0:21:15.800
<v Speaker 1>we didn't find him at a carnival, you know, rightful

0:21:15.800 --> 0:21:18.800
<v Speaker 1>way of putting things. So as an actor, I use

0:21:18.840 --> 0:21:22.520
<v Speaker 1>the thing is like in my head, I was raised

0:21:22.520 --> 0:21:26.080
<v Speaker 1>an only child, and they forgot to tell Robert. So

0:21:26.240 --> 0:21:28.119
<v Speaker 1>this is something I tried to carry.

0:21:28.720 --> 0:21:30.800
<v Speaker 2>You know, it's so great. How'd you come up with that?

0:21:31.320 --> 0:21:33.119
<v Speaker 1>It was just, you know, I knew I had to

0:21:33.200 --> 0:21:39.280
<v Speaker 1>find something a fine line of I haven't given up

0:21:39.320 --> 0:21:41.960
<v Speaker 1>in life, I've given up on them.

0:21:42.119 --> 0:21:44.240
<v Speaker 2>Yeah, okay, right, yeah.

0:21:44.400 --> 0:21:47.040
<v Speaker 1>So I was able to celebrate even the small things

0:21:47.040 --> 0:21:49.800
<v Speaker 1>that happened. And then later in the show, I discovered, wait,

0:21:49.880 --> 0:21:52.359
<v Speaker 1>I have something that none of the men in this

0:21:52.520 --> 0:21:56.240
<v Speaker 1>family have. My freedom. That was before I got married

0:21:56.680 --> 0:22:01.159
<v Speaker 1>to the wonderful Monica. So but before for that, I

0:22:01.240 --> 0:22:03.919
<v Speaker 1>had that freedom. And the way the writers wrote it

0:22:04.000 --> 0:22:06.720
<v Speaker 1>is that was something that filled and Ray envied my

0:22:06.880 --> 0:22:10.040
<v Speaker 1>social life, me being able to come home when I want,

0:22:10.119 --> 0:22:13.119
<v Speaker 1>eat dinner when I want. So they found that nugget

0:22:13.359 --> 0:22:14.840
<v Speaker 1>to keep me on life support.

0:22:16.040 --> 0:22:22.240
<v Speaker 2>You know, yeah, I get it. I want to talk

0:22:22.280 --> 0:22:28.560
<v Speaker 2>about a movie. I absolutely adore music and lyrics. Oh

0:22:28.720 --> 0:22:30.000
<v Speaker 2>really love it?

0:22:30.080 --> 0:22:35.080
<v Speaker 1>Do you have cable? Oh no, I had, I had

0:22:35.960 --> 0:22:37.760
<v Speaker 1>a lot of That was a fun movie.

0:22:38.240 --> 0:22:41.639
<v Speaker 2>I mean it's got such great heart. I love the music.

0:22:42.200 --> 0:22:43.080
<v Speaker 1>Yeah, it was a ball.

0:22:43.359 --> 0:22:46.960
<v Speaker 2>It looked fun like first Drew and and Hugh just

0:22:47.000 --> 0:22:51.400
<v Speaker 2>look fun amazing. Yeah, and you play an agent of

0:22:51.440 --> 0:22:56.800
<v Speaker 2>this like aging sort of wham, like the artist just

0:22:56.880 --> 0:23:00.720
<v Speaker 2>like struggling to get him on like county fairs exactly. Well,

0:23:00.800 --> 0:23:05.080
<v Speaker 2>it's just so great. I hope other people have seen it,

0:23:05.119 --> 0:23:07.000
<v Speaker 2>and if they haven't, go see it because it's just

0:23:07.040 --> 0:23:08.960
<v Speaker 2>a great movie. It looked like a lot of fun.

0:23:09.240 --> 0:23:10.879
<v Speaker 1>It was a fun one. When they used to do

0:23:10.960 --> 0:23:11.840
<v Speaker 1>those rom coms.

0:23:11.880 --> 0:23:14.320
<v Speaker 3>I don't know what happened, Yeah, yeah, don't know what.

0:23:14.320 --> 0:23:16.600
<v Speaker 1>Happened to that. You know, I think they can do

0:23:16.640 --> 0:23:19.560
<v Speaker 1>it now, and even you know, they can keep the

0:23:19.680 --> 0:23:22.800
<v Speaker 1>edge that they want to do now. So many of

0:23:22.560 --> 0:23:25.560
<v Speaker 1>the of the feature comedies are just they're not out there,

0:23:25.600 --> 0:23:28.720
<v Speaker 1>which is just too bad. Hopefully that'll come around.

0:23:29.280 --> 0:23:32.639
<v Speaker 2>I agree, there's nothing wrong with a great rom com.

0:23:32.680 --> 0:23:35.359
<v Speaker 2>We all love them, even if we're embarrassed to admit it.

0:23:35.400 --> 0:23:36.920
<v Speaker 2>We all love a great rom com.

0:23:37.119 --> 0:23:38.800
<v Speaker 1>I think so. I think so.

0:23:39.240 --> 0:23:42.840
<v Speaker 2>It's such a great antidote everything else that's going on.

0:23:43.119 --> 0:23:47.119
<v Speaker 1>Yeah it is. Well, are you going to quit the

0:23:47.200 --> 0:23:50.720
<v Speaker 1>news and maybe do maybe a cooking show?

0:23:51.359 --> 0:23:51.639
<v Speaker 3>See?

0:23:52.320 --> 0:23:53.439
<v Speaker 1>Now, have you thought of it?

0:23:53.520 --> 0:23:54.760
<v Speaker 2>I would love to quit the news.

0:23:54.840 --> 0:23:58.119
<v Speaker 1>What a time to be doing what you're doing, and

0:23:58.160 --> 0:23:59.879
<v Speaker 1>you do it so great.

0:24:00.000 --> 0:24:04.719
<v Speaker 2>It's really hard, and as we'll discuss, it's not been

0:24:04.760 --> 0:24:10.040
<v Speaker 2>great for my mental health. Okay, okay, but we'll get

0:24:10.080 --> 0:24:23.240
<v Speaker 2>to that. We'll get to that. Are you big into music?

0:24:23.640 --> 0:24:24.320
<v Speaker 3>You like music?

0:24:24.680 --> 0:24:25.040
<v Speaker 1>I am?

0:24:25.480 --> 0:24:26.280
<v Speaker 3>Yeah.

0:24:26.600 --> 0:24:28.439
<v Speaker 1>You know. My thing is, you know, I love the

0:24:28.480 --> 0:24:31.439
<v Speaker 1>old stuff. I love some of the new stuff. But

0:24:31.520 --> 0:24:34.399
<v Speaker 1>you know, I was raised on R and B, and

0:24:34.480 --> 0:24:38.720
<v Speaker 1>my dad turned me onto soul music and motown. And

0:24:40.200 --> 0:24:42.960
<v Speaker 1>he was a big white guy from the Bronx and

0:24:43.320 --> 0:24:45.960
<v Speaker 1>he just had a great, great taste in music and

0:24:46.000 --> 0:24:49.399
<v Speaker 1>he so, so I kind of like that genre. But

0:24:49.600 --> 0:24:52.720
<v Speaker 1>you know, I went to see Pearl Jam a few

0:24:52.720 --> 0:24:55.200
<v Speaker 1>months ago, and I you know, I love Dave Matthews,

0:24:55.240 --> 0:24:58.639
<v Speaker 1>and and I wish Neil Diamond would come back, and

0:24:58.640 --> 0:25:02.359
<v Speaker 1>and you know, it's I'm all over the place I was.

0:25:02.560 --> 0:25:04.200
<v Speaker 1>You know, I love Tony Bennett.

0:25:04.480 --> 0:25:06.280
<v Speaker 2>Are you a fan of Elo?

0:25:08.240 --> 0:25:09.800
<v Speaker 1>You know it's interesting to say that.

0:25:10.280 --> 0:25:11.359
<v Speaker 2>I think you know why I'm asking?

0:25:11.400 --> 0:25:16.800
<v Speaker 1>Are they there? Oh? Okay, you know it's it's funny.

0:25:16.800 --> 0:25:20.080
<v Speaker 1>I didn't it's it was. It was.

0:25:21.160 --> 0:25:23.159
<v Speaker 2>You can say no, but our listeners should know you

0:25:23.200 --> 0:25:25.959
<v Speaker 2>were on an album. You are on the back of

0:25:26.000 --> 0:25:28.920
<v Speaker 2>an Elo album Discovery from nineteen seventy ninety three.

0:25:29.440 --> 0:25:30.760
<v Speaker 1>Isn't that crazy? I was?

0:25:31.720 --> 0:25:34.320
<v Speaker 2>Yeah, yeah, how did that happen? How'd that come to be?

0:25:34.600 --> 0:25:36.879
<v Speaker 1>I'll tell you how it came to be. It was

0:25:37.040 --> 0:25:41.040
<v Speaker 1>nineteen seventy eight and I was doing stand up for

0:25:41.160 --> 0:25:44.840
<v Speaker 1>twenty minutes. This is how different the time. And I

0:25:44.920 --> 0:25:48.800
<v Speaker 1>needed an agent, and like a wacko, I walked up

0:25:48.800 --> 0:25:53.600
<v Speaker 1>and down Sunset with my composite eight by ten. One.

0:25:53.840 --> 0:25:57.520
<v Speaker 1>I'm holding a briefcase because everyone, you know, wants to

0:25:57.560 --> 0:26:05.240
<v Speaker 1>cast a giant Jewish accountant. One. I'm hitch hiking, Oh yeah,

0:26:05.320 --> 0:26:08.000
<v Speaker 1>oh yeah, hitch hiking on the road with my shirt

0:26:08.040 --> 0:26:12.520
<v Speaker 1>open and my book hanging out like I'm like, I'm

0:26:12.560 --> 0:26:16.440
<v Speaker 1>about to break my water. I will send it to you,

0:26:16.440 --> 0:26:19.200
<v Speaker 1>you know. And I'm walking up and down and I'm

0:26:19.440 --> 0:26:23.800
<v Speaker 1>literally going into agencies. There were no security, there were

0:26:23.840 --> 0:26:27.200
<v Speaker 1>no double locked doors. And I walked into the Beverly

0:26:27.240 --> 0:26:32.600
<v Speaker 1>Hecked agency on sunset and I would do stick, you know.

0:26:33.640 --> 0:26:35.960
<v Speaker 1>I would go up to receptionists and I would go,

0:26:36.000 --> 0:26:39.920
<v Speaker 1>what if Cosby was a pilot and she she would

0:26:39.960 --> 0:26:42.960
<v Speaker 1>press the red button under the desk and the police

0:26:42.960 --> 0:26:46.320
<v Speaker 1>would come. But literally I would walk in. You know.

0:26:46.480 --> 0:26:49.680
<v Speaker 1>It's just I was out. I wanted it so bad.

0:26:49.880 --> 0:26:53.040
<v Speaker 1>So I'm in a Beverly h Heck was in those days,

0:26:53.359 --> 0:26:56.119
<v Speaker 1>in the early eighties, late seventies. She was kind of

0:26:56.160 --> 0:26:59.199
<v Speaker 1>in the middle. She had a little boutique agency. And

0:26:59.280 --> 0:27:03.399
<v Speaker 1>I walk in and I'm doing you know, I have

0:27:03.480 --> 0:27:06.880
<v Speaker 1>a voice like fog horn, leghorn, you know, so everywhere,

0:27:07.000 --> 0:27:09.440
<v Speaker 1>so I hear someone yell from a closed door.

0:27:09.600 --> 0:27:12.680
<v Speaker 3>Who the hell is so freaking loud out there?

0:27:12.840 --> 0:27:15.840
<v Speaker 1>And that was Betterly And the receptionist his name was

0:27:15.880 --> 0:27:18.840
<v Speaker 1>Doug Warner, and he became a manager, and he was

0:27:18.880 --> 0:27:21.080
<v Speaker 1>twenty one at the time, and he said, I'm working

0:27:21.080 --> 0:27:23.000
<v Speaker 1>on it. I'm getting him out. And I opened the

0:27:23.040 --> 0:27:27.040
<v Speaker 1>door like a Waco and she's with the graphic artists

0:27:27.080 --> 0:27:31.520
<v Speaker 1>and the label from the Elo new album and they're

0:27:31.560 --> 0:27:34.520
<v Speaker 1>at that table and they were looking. In those days,

0:27:34.920 --> 0:27:39.200
<v Speaker 1>you couldn't say get me a giant Arab. You couldn't

0:27:39.800 --> 0:27:44.840
<v Speaker 1>or Abdul as your friend calls him. So I opened

0:27:44.840 --> 0:27:47.920
<v Speaker 1>the door and they go, who's that? And I went

0:27:48.240 --> 0:27:53.600
<v Speaker 1>to Cosby as a pilot. I'm really beating that to death.

0:27:54.520 --> 0:27:59.080
<v Speaker 1>I'm so sorry, and they said, hey, you know, and

0:27:59.119 --> 0:28:02.159
<v Speaker 1>of course I I was very far from a model,

0:28:02.440 --> 0:28:04.680
<v Speaker 1>but as you could see, the shot is really back

0:28:05.040 --> 0:28:07.879
<v Speaker 1>and they put me into turban like, you know, have

0:28:07.920 --> 0:28:11.440
<v Speaker 1>you ever held the machete? And I was like, of course,

0:28:12.040 --> 0:28:15.120
<v Speaker 1>you know. I mean I was a latch key kid

0:28:15.200 --> 0:28:19.639
<v Speaker 1>in you know, in the suburbs, and believe it or not,

0:28:19.760 --> 0:28:24.040
<v Speaker 1>that is a crazy story and that's that's how it happened.

0:28:24.040 --> 0:28:26.639
<v Speaker 1>And I was on the back of it and there

0:28:26.680 --> 0:28:30.919
<v Speaker 1>was a huge poster on on Sunset and uh, you know,

0:28:31.440 --> 0:28:34.359
<v Speaker 1>I was a giant Arab, you know, holding you know,

0:28:34.440 --> 0:28:36.520
<v Speaker 1>next to a lamp with a genie coming out.

0:28:36.600 --> 0:28:38.520
<v Speaker 2>Oh, I know it. Yeah, I love Elo. I'm getting

0:28:38.520 --> 0:28:41.240
<v Speaker 2>the sense you're not an Eelo fan, not not really

0:28:42.000 --> 0:28:42.480
<v Speaker 2>I nor.

0:28:42.400 --> 0:28:45.920
<v Speaker 1>Did the photo shoot help me with the ladies? It is,

0:28:46.120 --> 0:28:48.560
<v Speaker 1>you know, more and more lonely years and a lot

0:28:48.560 --> 0:28:49.000
<v Speaker 1>of banking.

0:28:52.680 --> 0:28:54.920
<v Speaker 2>Well, I just love that little that little fact about

0:28:54.920 --> 0:28:57.720
<v Speaker 2>you in front of you. Okay, so you will never

0:28:57.800 --> 0:29:02.320
<v Speaker 2>guess where I had my first job. I promise you'll

0:29:02.360 --> 0:29:12.280
<v Speaker 2>never guess Vose art gallery. No, yeah, so tell me

0:29:12.320 --> 0:29:14.120
<v Speaker 2>the story I.

0:29:14.080 --> 0:29:19.800
<v Speaker 1>Should have gone in earlier. When were you there?

0:29:20.840 --> 0:29:25.040
<v Speaker 2>This would have been nineteen ninety seven. I was home

0:29:25.080 --> 0:29:27.080
<v Speaker 2>from college and I wanted I was an art history

0:29:27.120 --> 0:29:31.480
<v Speaker 2>major at Cornell. I wanted a summer job. I worked

0:29:31.480 --> 0:29:34.320
<v Speaker 2>there sort of like cataloging.

0:29:34.640 --> 0:29:37.160
<v Speaker 1>I do believe this, I know.

0:29:37.680 --> 0:29:40.040
<v Speaker 2>I couldn't when I saw this. I couldn't believe it either,

0:29:40.040 --> 0:29:42.880
<v Speaker 2>because I don't know if you know this. That gallery

0:29:43.160 --> 0:29:46.480
<v Speaker 2>is never visited, like it's always empty. We would get

0:29:46.520 --> 0:29:48.000
<v Speaker 2>maybe a visitor a day.

0:29:48.600 --> 0:29:49.600
<v Speaker 1>Ye you know.

0:29:49.680 --> 0:29:54.480
<v Speaker 2>It's the Family Owed Gallery. It's the oldest art gallery

0:29:54.480 --> 0:29:57.040
<v Speaker 2>in the country, but it's very small, precious. It's on

0:29:57.120 --> 0:30:02.720
<v Speaker 2>Newberry Street. It's beautiful, but it's it's not like heavily trafficked. Yeah,

0:30:02.760 --> 0:30:04.400
<v Speaker 2>so how did you meet your wife there?

0:30:04.680 --> 0:30:09.360
<v Speaker 1>Oh? Gosh, it's I love art and I was I

0:30:09.400 --> 0:30:12.520
<v Speaker 1>was on a layover from doing a comedy tour in

0:30:12.560 --> 0:30:16.480
<v Speaker 1>in Boston. And I was on my way to the tents,

0:30:16.520 --> 0:30:20.360
<v Speaker 1>you know, the melody tents right out like in Cohasset, Massachusetts,

0:30:20.400 --> 0:30:23.280
<v Speaker 1>and and I was I was working with Joan Rivers

0:30:23.320 --> 0:30:27.160
<v Speaker 1>that week, one of my heroes. And I was walking

0:30:27.200 --> 0:30:29.960
<v Speaker 1>around and I really like art, and I'm not that

0:30:30.080 --> 0:30:34.600
<v Speaker 1>much into American folk art. I like the ones, you know,

0:30:34.680 --> 0:30:37.600
<v Speaker 1>the big woman eating fruit. That's kind of I think,

0:30:37.680 --> 0:30:42.120
<v Speaker 1>whatever whatever category that would be. And so I walked in,

0:30:42.440 --> 0:30:46.720
<v Speaker 1>and you know, she's quite a bit younger, and I said,

0:30:47.360 --> 0:30:52.920
<v Speaker 1>is your daddy here? And uh? And I started walking in,

0:30:53.240 --> 0:30:55.160
<v Speaker 1>you know, doing my ridiculous stick.

0:30:55.640 --> 0:30:57.360
<v Speaker 2>So she works there, she was.

0:30:57.240 --> 0:31:00.480
<v Speaker 1>She was working there, she was, yes, I'm sorry, okay,

0:31:00.880 --> 0:31:04.160
<v Speaker 1>the facts. And she was working there, and you know,

0:31:04.440 --> 0:31:06.080
<v Speaker 1>I was hacking it up. You know. There was like

0:31:06.120 --> 0:31:10.440
<v Speaker 1>an original a picture, a painting, a portrait of George Washington,

0:31:11.080 --> 0:31:14.960
<v Speaker 1>you know, and I like, I love Barbara Bush, really hacky,

0:31:15.640 --> 0:31:17.720
<v Speaker 1>hacky ship, you know, stuff for she.

0:31:18.440 --> 0:31:20.400
<v Speaker 2>And did she know who you were?

0:31:24.360 --> 0:31:25.480
<v Speaker 3>Oh no, she did not.

0:31:25.920 --> 0:31:27.240
<v Speaker 1>She thought I was Kramer.

0:31:27.960 --> 0:31:29.400
<v Speaker 2>Stop it, are you serious?

0:31:29.560 --> 0:31:29.880
<v Speaker 3>Do you know?

0:31:30.000 --> 0:31:33.080
<v Speaker 2>I want to show you this right now? No, have

0:31:33.240 --> 0:31:35.760
<v Speaker 2>you ever been mistaken for Michael Richards.

0:31:36.920 --> 0:31:39.320
<v Speaker 1>Yesterday? Yes?

0:31:39.400 --> 0:31:41.560
<v Speaker 2>Okay, con continue, continue this.

0:31:41.560 --> 0:31:46.120
<v Speaker 1>This is amazing and uh so uh that So I

0:31:46.160 --> 0:31:48.160
<v Speaker 1>played it. I played it like I was because it

0:31:48.280 --> 0:31:51.920
<v Speaker 1>was a much bigger show. I'm not gonna lie. I'm

0:31:51.920 --> 0:31:57.240
<v Speaker 1>so I'm so lonely, see so lonely, you know, Yes,

0:31:57.600 --> 0:31:59.920
<v Speaker 1>you know, I went.

0:32:00.040 --> 0:32:02.400
<v Speaker 2>I went right into it the door.

0:32:04.560 --> 0:32:07.320
<v Speaker 1>And so, you know, we talked a little bit, and

0:32:07.400 --> 0:32:13.280
<v Speaker 1>you know, it all felt and sounded cliche because you know,

0:32:13.320 --> 0:32:16.600
<v Speaker 1>I'm the older guy and she's young and lovely and

0:32:16.640 --> 0:32:19.440
<v Speaker 1>there's a brain. And I was like, I have no shot,

0:32:19.920 --> 0:32:24.040
<v Speaker 1>and she went, you're absolutely right, you know. So I left.

0:32:24.240 --> 0:32:26.680
<v Speaker 1>I took a brochure and I said, maybe I'll buy

0:32:26.720 --> 0:32:30.360
<v Speaker 1>the milk can next to the lavender. And I went

0:32:30.440 --> 0:32:32.960
<v Speaker 1>up the street. And I was going through a little

0:32:33.000 --> 0:32:37.320
<v Speaker 1>bit of a of a head case at the time

0:32:37.360 --> 0:32:41.560
<v Speaker 1>in my life with relationships and you know, just got

0:32:41.560 --> 0:32:46.120
<v Speaker 1>out of a divorce and really struggling emotionally. You know,

0:32:46.360 --> 0:32:50.120
<v Speaker 1>never wanted to repeat how I grew up and and

0:32:50.200 --> 0:32:52.240
<v Speaker 1>I you know, I fell into it. That's okay. So

0:32:52.280 --> 0:32:54.520
<v Speaker 1>I was going. So I went up the street and

0:32:54.600 --> 0:32:59.160
<v Speaker 1>I bought this other big portrait that is really when

0:32:59.160 --> 0:33:02.480
<v Speaker 1>I look at it now, it's really oddly depressing. It's

0:33:02.520 --> 0:33:07.520
<v Speaker 1>a woman lying in bed, not naked but covered and

0:33:08.240 --> 0:33:11.719
<v Speaker 1>her she's it's not a great position where you know

0:33:12.040 --> 0:33:17.560
<v Speaker 1>she's either blissfully aware or she's odeed.

0:33:18.040 --> 0:33:19.480
<v Speaker 2>Okay, I can't.

0:33:20.040 --> 0:33:23.320
<v Speaker 1>Because the eyes, you know, one eye is a little

0:33:23.320 --> 0:33:27.160
<v Speaker 1>it's a little sammy, you know, it's a little like that.

0:33:27.440 --> 0:33:30.320
<v Speaker 1>And she's holding a communion wafer.

0:33:30.960 --> 0:33:31.160
<v Speaker 2>Oh.

0:33:31.480 --> 0:33:31.920
<v Speaker 3>Interesting.

0:33:32.920 --> 0:33:35.760
<v Speaker 1>Then there's a glass of wine next to her. So

0:33:36.120 --> 0:33:38.760
<v Speaker 1>it's all the things that put my issue with women,

0:33:40.120 --> 0:33:44.280
<v Speaker 1>how I don't believe, I don't like religion, and how

0:33:44.760 --> 0:33:49.200
<v Speaker 1>I've stopped drinking. It was all in one picture. So

0:33:49.240 --> 0:33:52.720
<v Speaker 1>instead of buying you know, the Confederate flag with a

0:33:52.800 --> 0:33:56.280
<v Speaker 1>guy with no teeth holding it at vose, I buy

0:33:56.400 --> 0:34:00.960
<v Speaker 1>the uh, you know, my demise, and and it hung

0:34:01.000 --> 0:34:03.520
<v Speaker 1>in the in the club forever, and you know people

0:34:03.560 --> 0:34:06.440
<v Speaker 1>would go, God, what, that's such a donner, and he's like,

0:34:06.680 --> 0:34:09.560
<v Speaker 1>he bought that the day we met. Yeah, yeah, that's

0:34:09.560 --> 0:34:11.200
<v Speaker 1>what I got to put in a time out and

0:34:11.239 --> 0:34:15.960
<v Speaker 1>back in the ball pit. But we met, and you know,

0:34:16.000 --> 0:34:18.399
<v Speaker 1>we were both kind of you know, in a relationship

0:34:18.440 --> 0:34:22.560
<v Speaker 1>at the time, and you know, we we just kind

0:34:22.560 --> 0:34:27.239
<v Speaker 1>of we we were texting. It wasn't right, but it

0:34:27.320 --> 0:34:31.239
<v Speaker 1>had to be. And here we are, almost sixteen and

0:34:31.320 --> 0:34:32.200
<v Speaker 1>a half years later.

0:34:32.719 --> 0:34:33.360
<v Speaker 3>Believe or not.

0:34:33.480 --> 0:34:39.120
<v Speaker 1>She just got her driver's license. But she's forty, you know,

0:34:39.320 --> 0:34:43.080
<v Speaker 1>but I'm sixty four. So it's you know, it's but

0:34:43.200 --> 0:34:45.960
<v Speaker 1>it works. I mean, it's what I you know, I

0:34:45.960 --> 0:34:48.280
<v Speaker 1>had ten minutes of material about it in the beginning,

0:34:48.320 --> 0:34:52.399
<v Speaker 1>which was my way of dealing with my uncomfortableness about it.

0:34:52.480 --> 0:34:56.839
<v Speaker 1>But she's got an incredible sense of humor, and I've

0:34:56.920 --> 0:35:03.839
<v Speaker 1>never felt more comfortable in my life. You know, if

0:35:03.880 --> 0:35:06.520
<v Speaker 1>it was ten years earlier, she would have put up

0:35:06.520 --> 0:35:09.680
<v Speaker 1>with my shit for five minutes. And there was still

0:35:09.719 --> 0:35:14.239
<v Speaker 1>stuff that she helped me get through and deal with,

0:35:14.760 --> 0:35:19.600
<v Speaker 1>not by holding up a mirror, but by you know,

0:35:19.920 --> 0:35:21.160
<v Speaker 1>holding my hand through some of it.

0:35:21.680 --> 0:35:21.919
<v Speaker 2>Yeah.

0:35:22.160 --> 0:35:24.280
<v Speaker 1>I went through a lot of loss when I started

0:35:24.360 --> 0:35:26.840
<v Speaker 1>dating her. I lost my brother, my best friend, and

0:35:26.880 --> 0:35:32.440
<v Speaker 1>my father within like a two year period, just out

0:35:32.480 --> 0:35:34.680
<v Speaker 1>of the blue. And then I lost my other brother,

0:35:34.880 --> 0:35:40.520
<v Speaker 1>and then my best friend's wife passed ironically, And I

0:35:40.560 --> 0:35:44.719
<v Speaker 1>have seven incredible god children in my life that live

0:35:44.800 --> 0:35:47.279
<v Speaker 1>in Vegas and helped me at the club and work

0:35:47.320 --> 0:35:49.600
<v Speaker 1>at the club. So it's been a full circle. But

0:35:49.680 --> 0:35:52.759
<v Speaker 1>it was just a real ship storm, you know when

0:35:52.800 --> 0:35:55.720
<v Speaker 1>I had met her, and it was one that wasn't

0:35:55.880 --> 0:35:58.680
<v Speaker 1>created by my doing like it was in the past.

0:35:59.120 --> 0:36:01.560
<v Speaker 3>Yeah, that I was just like, wow.

0:36:01.280 --> 0:36:03.960
<v Speaker 1>You know, this is tough stuff to get through. Luckily,

0:36:04.640 --> 0:36:08.399
<v Speaker 1>I'm not using because so many people need me and

0:36:08.520 --> 0:36:13.719
<v Speaker 1>I need me, and you know we're very different and

0:36:14.160 --> 0:36:16.480
<v Speaker 1>scary similar as well.

0:36:16.960 --> 0:36:19.200
<v Speaker 3>Yeah, but I got very lucky.

0:36:19.239 --> 0:36:22.480
<v Speaker 1>It's definitely, you know, I'm way way out of my league.

0:36:22.200 --> 0:36:24.960
<v Speaker 1>And I told her, I say, I tell her all

0:36:25.000 --> 0:36:28.520
<v Speaker 1>the time, and this is comforting. I say, when I

0:36:28.600 --> 0:36:31.879
<v Speaker 1>pass on and I go to the big casino in the.

0:36:31.840 --> 0:36:34.040
<v Speaker 3>Sky, because that's how I think is up there.

0:36:34.280 --> 0:36:36.480
<v Speaker 1>I always say, you'll have your whole life ahead of you,

0:36:37.280 --> 0:36:40.640
<v Speaker 1>which is great. You'll be able to, you know, find

0:36:40.680 --> 0:36:44.440
<v Speaker 1>some when you really want, and you'll have a little money.

0:36:44.920 --> 0:36:49.360
<v Speaker 2>So I've also interviewed for this podcast Kelly Rizzo Okay.

0:36:49.960 --> 0:36:54.360
<v Speaker 2>She was she is the widow of Bob Saggatt okay,

0:36:54.719 --> 0:37:01.000
<v Speaker 2>and they were several decades apart. Yeah, and it was

0:37:01.040 --> 0:37:03.560
<v Speaker 2>something apparently he talked to her a lot about like

0:37:03.640 --> 0:37:06.600
<v Speaker 2>I'm gonna you know, you're going to be single at

0:37:06.600 --> 0:37:08.920
<v Speaker 2>some point, Yeah, because I'm so much older.

0:37:09.160 --> 0:37:09.839
<v Speaker 3>Yeah, I want you.

0:37:09.800 --> 0:37:12.160
<v Speaker 2>To prepare for that. She didn't realize she'd have to

0:37:12.160 --> 0:37:15.400
<v Speaker 2>prepare for that, like's years into her marriage.

0:37:15.600 --> 0:37:19.560
<v Speaker 1>Yeah, such a wonderful guy. Yeah, And I talk about

0:37:19.560 --> 0:37:21.920
<v Speaker 1>it a little too much, and I think it's a

0:37:21.960 --> 0:37:25.319
<v Speaker 1>downer for her. You know, I said, I'm not going

0:37:25.360 --> 0:37:29.520
<v Speaker 1>to be here forever, and then she leaves the room.

0:37:30.080 --> 0:37:32.480
<v Speaker 1>I check out where she is on my phone. She's

0:37:32.520 --> 0:37:36.879
<v Speaker 1>at party City. So I think a lot. I think

0:37:36.920 --> 0:37:39.320
<v Speaker 1>a lot of it is really is really perception.

0:37:39.600 --> 0:37:40.200
<v Speaker 2>She's planning.

0:37:40.640 --> 0:37:42.920
<v Speaker 1>Yeah. Yeah, but it's like, you know, it's like I

0:37:42.960 --> 0:37:45.359
<v Speaker 1>want to talk about it. You know, it's weird. It's

0:37:45.360 --> 0:37:48.840
<v Speaker 1>like when you find someone that you love so much

0:37:49.200 --> 0:37:52.960
<v Speaker 1>that you've never been that that you know, having that.

0:37:54.200 --> 0:37:55.719
<v Speaker 1>I don't know what it is, and I don't want

0:37:55.719 --> 0:37:58.319
<v Speaker 1>to overanalyze it, but it's like you always you know,

0:37:58.360 --> 0:38:02.799
<v Speaker 1>it's like your children, you want them, Okay, that's all. Yeah,

0:38:03.080 --> 0:38:04.400
<v Speaker 1>that's all you care about.

0:38:04.719 --> 0:38:07.920
<v Speaker 3>Yeah, And you know, I talked.

0:38:07.640 --> 0:38:09.760
<v Speaker 1>About it a lot, you know, before we got married.

0:38:09.800 --> 0:38:12.480
<v Speaker 1>I'm like, you know, you have to understand, you know,

0:38:12.520 --> 0:38:15.920
<v Speaker 1>you're going to have to reintroduce yourself to me every

0:38:16.000 --> 0:38:21.200
<v Speaker 1>week eventually, you know, because it's it's not pretty, you know,

0:38:21.280 --> 0:38:24.720
<v Speaker 1>it is it and I'm you know, and I'm.

0:38:24.560 --> 0:38:26.239
<v Speaker 2>Well, I love the story of how you met. I

0:38:26.280 --> 0:38:26.560
<v Speaker 2>love it.

0:38:26.880 --> 0:38:28.720
<v Speaker 1>She will not believe this about VOS.

0:38:29.440 --> 0:38:32.160
<v Speaker 2>I couldn't believe it. I've never met anyone who even

0:38:32.200 --> 0:38:32.960
<v Speaker 2>knows that place.

0:38:33.280 --> 0:38:36.520
<v Speaker 1>That's so amazing. It makes it even more special. Were

0:38:36.560 --> 0:38:39.319
<v Speaker 1>you fired for stealing or what?

0:38:39.560 --> 0:38:39.840
<v Speaker 3>No?

0:38:39.840 --> 0:38:41.480
<v Speaker 2>No, I went back to school. I grew up in

0:38:41.560 --> 0:38:44.799
<v Speaker 2>andover Massachusetts. I grew up dancing at Boston Bala, so

0:38:45.040 --> 0:38:47.719
<v Speaker 2>I was in the city all the time, and I

0:38:47.800 --> 0:38:50.239
<v Speaker 2>thought that's where I'll just get my summer job. And

0:38:50.239 --> 0:38:53.400
<v Speaker 2>then I went back and I was just back at VOS.

0:38:54.600 --> 0:38:56.480
<v Speaker 2>I had a birthday in February, and I brought my

0:38:56.600 --> 0:39:01.160
<v Speaker 2>husband and my two best friends my son Gunkles to

0:39:01.320 --> 0:39:04.440
<v Speaker 2>Vose just to show them, like, really these were.

0:39:04.239 --> 0:39:06.880
<v Speaker 1>It's a cool little street and a cool little building.

0:39:07.520 --> 0:39:08.080
<v Speaker 3>It is.

0:39:08.360 --> 0:39:14.520
<v Speaker 2>I love that story.

0:39:23.680 --> 0:39:24.359
<v Speaker 1>How were you?

0:39:24.880 --> 0:39:28.440
<v Speaker 2>Yeah, let's get into it. Let's get into mental health.

0:39:30.120 --> 0:39:32.640
<v Speaker 2>I'm better. I had a break down, a nervous breakdown

0:39:32.640 --> 0:39:37.319
<v Speaker 2>in twenty twenty one, and did not know I had

0:39:37.360 --> 0:39:42.680
<v Speaker 2>been living with severe anxiety, okay, for about twenty years,

0:39:43.600 --> 0:39:47.759
<v Speaker 2>compounded by the news, compounded by my job and politics.

0:39:47.800 --> 0:39:51.279
<v Speaker 2>But really, I mean I had always been very anxious,

0:39:51.360 --> 0:39:54.840
<v Speaker 2>and then when I had my son, it went to

0:39:55.040 --> 0:39:57.839
<v Speaker 2>eleven and I didn't know that I was doing this,

0:39:57.920 --> 0:40:03.120
<v Speaker 2>but I was catastrophizing on a loop all day long

0:40:03.920 --> 0:40:06.160
<v Speaker 2>about the worst thing that's going to happen. It's going

0:40:06.239 --> 0:40:09.000
<v Speaker 2>to happen, and I would vividly see it in my head,

0:40:09.000 --> 0:40:11.840
<v Speaker 2>and it would always involve my son, something awful happening

0:40:11.880 --> 0:40:14.120
<v Speaker 2>to my son. And it got to the point where

0:40:14.120 --> 0:40:17.680
<v Speaker 2>I felt like, if I do it, that will prevent it.

0:40:18.239 --> 0:40:21.200
<v Speaker 2>If I don't do this ritual, it's going to happen.

0:40:21.680 --> 0:40:26.160
<v Speaker 2>So my anxiety was keeping me safe, I thought, but

0:40:26.360 --> 0:40:28.680
<v Speaker 2>obviously it wasn't and it wasn't rational, and it was

0:40:28.719 --> 0:40:33.520
<v Speaker 2>actually really really unhealthy. So when I had this breakdown,

0:40:33.520 --> 0:40:37.000
<v Speaker 2>it was like my body said, stop doing this to me,

0:40:37.239 --> 0:40:40.800
<v Speaker 2>stop doing this to us. And then I got therapy

0:40:40.840 --> 0:40:43.600
<v Speaker 2>and I went on medication, and so I've only been

0:40:44.400 --> 0:40:49.000
<v Speaker 2>learning about what I was doing for about four years,

0:40:50.160 --> 0:40:54.040
<v Speaker 2>and I am better, but I still struggle. I'm always

0:40:54.120 --> 0:40:57.279
<v Speaker 2>going to struggle with anxiety. And sometimes when I think

0:40:57.360 --> 0:41:00.880
<v Speaker 2>I'm great, it'll come back and be like, Hi, you

0:41:00.920 --> 0:41:05.000
<v Speaker 2>haven't beaten me. You can't beat me. So it's hard.

0:41:05.360 --> 0:41:10.120
<v Speaker 2>It's hard, and the news doesn't help. Yeah, yeah, because

0:41:10.120 --> 0:41:13.440
<v Speaker 2>this is the other thing someone would tell me, you know,

0:41:13.480 --> 0:41:18.160
<v Speaker 2>the odds of like something awful happening in this way

0:41:18.280 --> 0:41:20.360
<v Speaker 2>are really low, and I'd say, really, I just covered

0:41:20.400 --> 0:41:24.000
<v Speaker 2>four of them, like sure, you know, so I had

0:41:24.040 --> 0:41:28.440
<v Speaker 2>this other effect of thinking there were only bad things

0:41:28.480 --> 0:41:29.200
<v Speaker 2>because that's all I.

0:41:29.160 --> 0:41:33.279
<v Speaker 1>Cover, Yeah, exactly, which is.

0:41:33.239 --> 0:41:36.120
<v Speaker 2>So messed up. And you know, obviously had had a

0:41:36.160 --> 0:41:38.880
<v Speaker 2>big effect on my brain, and my brain feels a

0:41:38.920 --> 0:41:42.399
<v Speaker 2>little broken now. But this is why I talk about

0:41:42.440 --> 0:41:45.560
<v Speaker 2>it because I wish, I wish I knew what I

0:41:45.560 --> 0:41:48.640
<v Speaker 2>had been doing, and I wish someone had given it

0:41:48.719 --> 0:41:55.040
<v Speaker 2>language that would have alerted me to get help earlier,

0:41:55.120 --> 0:41:57.799
<v Speaker 2>because twenty years in it's really hard to unlearn some

0:41:57.880 --> 0:41:58.600
<v Speaker 2>of these habits.

0:41:59.320 --> 0:42:03.759
<v Speaker 1>Now, did you you know I never heard that turn catastrophizing. Yeah,

0:42:04.000 --> 0:42:07.280
<v Speaker 1>so God, that like rang a bell for me, because

0:42:07.360 --> 0:42:12.759
<v Speaker 1>I've done a ton of that, and my anxiety, you know,

0:42:13.000 --> 0:42:16.719
<v Speaker 1>quadrupled when I became a father, and that's all I

0:42:16.800 --> 0:42:21.720
<v Speaker 1>really ever wanted, And boy, I could, I mean it's.

0:42:21.560 --> 0:42:24.239
<v Speaker 2>Just I can you know you know what I'm talking

0:42:24.239 --> 0:42:25.000
<v Speaker 2>about you for?

0:42:25.560 --> 0:42:27.480
<v Speaker 1>Did you have a lot of that? You must have

0:42:27.560 --> 0:42:30.440
<v Speaker 1>had it as a kid, right, I did. Were you

0:42:30.480 --> 0:42:31.240
<v Speaker 1>with the ballet?

0:42:32.640 --> 0:42:35.360
<v Speaker 2>Yeah, I was at Boston Ballet. Ballet was tough because

0:42:35.360 --> 0:42:37.200
<v Speaker 2>it wasn't like the fun dancing where you wear the

0:42:37.239 --> 0:42:40.279
<v Speaker 2>costumes and like. It was really really tough. But I

0:42:40.320 --> 0:42:43.319
<v Speaker 2>also moved a lot, and I was constantly waiting for

0:42:43.360 --> 0:42:46.919
<v Speaker 2>a change. What's going to happen to disrupt the stability

0:42:46.960 --> 0:42:50.000
<v Speaker 2>of my life in the moment? Yea, my parents have

0:42:50.080 --> 0:42:53.840
<v Speaker 2>gotten divorced remarried. I moved like eight or nine times

0:42:53.880 --> 0:42:57.920
<v Speaker 2>as a kid, so I was always the new kid, introducing, auditioning,

0:42:58.360 --> 0:43:00.440
<v Speaker 2>becoming whoever they needed me to be. But I was

0:43:00.480 --> 0:43:05.400
<v Speaker 2>also on tenderhooks all the time. What's coming next?

0:43:06.480 --> 0:43:07.839
<v Speaker 1>Oh my honey? Wow?

0:43:08.120 --> 0:43:08.400
<v Speaker 2>Yeah.

0:43:08.480 --> 0:43:09.560
<v Speaker 1>So, but.

0:43:11.520 --> 0:43:14.960
<v Speaker 2>I thought all of this was normal, Like imagining some

0:43:15.160 --> 0:43:20.080
<v Speaker 2>driving my car, right, and I'm driving next to train

0:43:20.160 --> 0:43:22.480
<v Speaker 2>tracks and I'm thinking, Okay, if a train comes and

0:43:22.520 --> 0:43:26.640
<v Speaker 2>derails and comes into the road, what would I do?

0:43:26.719 --> 0:43:30.319
<v Speaker 2>These are absurd things to think about. But if my

0:43:30.440 --> 0:43:34.360
<v Speaker 2>brain isn't doing that, I would think I'm gonna be

0:43:34.440 --> 0:43:38.480
<v Speaker 2>surprised by something awful, and at least I can avoid

0:43:38.520 --> 0:43:39.759
<v Speaker 2>the surprise part of it.

0:43:39.920 --> 0:43:41.520
<v Speaker 1>So you can't win.

0:43:42.960 --> 0:43:48.040
<v Speaker 2>You can win where exactly constant. It was constant at

0:43:48.080 --> 0:43:52.400
<v Speaker 2>its worst, it was twenty four seven. I'd go to

0:43:52.440 --> 0:43:56.120
<v Speaker 2>bed doing it and wake up doing it, and then

0:43:56.160 --> 0:43:58.359
<v Speaker 2>I would do these rituals, like where I'd have to

0:43:58.360 --> 0:44:00.839
<v Speaker 2>to be able to send my kid to school, which

0:44:00.880 --> 0:44:04.000
<v Speaker 2>is down the street he walks. Yeah, I'd have to

0:44:04.000 --> 0:44:05.640
<v Speaker 2>look him in the eyes. I'd have to make sure

0:44:05.680 --> 0:44:07.600
<v Speaker 2>we had eye contact. I'd have to say I love

0:44:07.640 --> 0:44:10.560
<v Speaker 2>you to him. He'd have to look right, like good

0:44:10.640 --> 0:44:13.479
<v Speaker 2>enough for me to feel okay. If something was off,

0:44:13.480 --> 0:44:14.480
<v Speaker 2>I'd have to do it again.

0:44:15.120 --> 0:44:15.600
<v Speaker 1>Okay.

0:44:16.320 --> 0:44:19.680
<v Speaker 2>So there's some like compulsions that were created out of

0:44:19.680 --> 0:44:20.840
<v Speaker 2>this anxiety as well.

0:44:21.680 --> 0:44:25.479
<v Speaker 1>Yeah, a little bit, a little bit. Yeah, yeah, boy,

0:44:25.600 --> 0:44:28.719
<v Speaker 1>that's tough. Does any of that stem from not ever

0:44:28.760 --> 0:44:32.480
<v Speaker 1>feeling good enough or the anxiety that you were You know,

0:44:32.600 --> 0:44:36.520
<v Speaker 1>sometimes the dysfunction we're raised with is our comfort zone.

0:44:36.800 --> 0:44:40.200
<v Speaker 2>Yes, and that's all we know. And my therapist, I

0:44:40.200 --> 0:44:42.640
<v Speaker 2>have great parents, but my therapist is like, just because

0:44:42.719 --> 0:44:45.880
<v Speaker 2>we're talking about some of the traumas of your childhood

0:44:45.920 --> 0:44:47.879
<v Speaker 2>doesn't make them bad parents, like because that was hard

0:44:47.920 --> 0:44:50.960
<v Speaker 2>for me exactly. I didn't want to think of them

0:44:51.000 --> 0:44:53.560
<v Speaker 2>that way. But listen, they weren't perfect and I went

0:44:53.600 --> 0:44:56.759
<v Speaker 2>through some stuff. Yeah, of course, and it's important to

0:44:56.800 --> 0:44:58.839
<v Speaker 2>look back at that. That's why therapy is so great

0:44:58.880 --> 0:45:01.239
<v Speaker 2>because I never would have told told you that I

0:45:01.280 --> 0:45:05.919
<v Speaker 2>was doing anything based on my childhood. And of course

0:45:05.960 --> 0:45:06.279
<v Speaker 2>I am.

0:45:06.400 --> 0:45:08.960
<v Speaker 1>We all are, well, well, we all are. But you know,

0:45:09.040 --> 0:45:11.759
<v Speaker 1>it's always that thing. Is that nature or nurture? You know?

0:45:11.920 --> 0:45:16.080
<v Speaker 1>How much is chemical? How much of it is my wiring? Yes,

0:45:16.600 --> 0:45:20.880
<v Speaker 1>and it's I think sometimes it's both or one is

0:45:21.680 --> 0:45:23.960
<v Speaker 1>greater than the other. I mean, you know, I had

0:45:24.000 --> 0:45:31.480
<v Speaker 1>a lot of love from parents that despised themselves.

0:45:32.080 --> 0:45:32.520
<v Speaker 2>Yeah.

0:45:32.680 --> 0:45:37.840
<v Speaker 1>Yeah, so what kind of love is it? You know?

0:45:38.080 --> 0:45:40.160
<v Speaker 2>Yeah, but it's.

0:45:39.600 --> 0:45:42.560
<v Speaker 1>Far greater than a lot of people, I know, you know,

0:45:42.880 --> 0:45:45.080
<v Speaker 1>and not near the trauma that you hear about her

0:45:45.520 --> 0:45:48.560
<v Speaker 1>or anything like that. But it's different when you're taught

0:45:48.760 --> 0:45:53.600
<v Speaker 1>how to love by people that don't love themselves, because

0:45:53.600 --> 0:45:58.200
<v Speaker 1>it's very superficial. It's given, you know, in ways that

0:45:59.440 --> 0:46:03.600
<v Speaker 1>may not be the healthiest because they're not in that spot,

0:46:04.560 --> 0:46:07.680
<v Speaker 1>you know. But once I became a parent, and you

0:46:07.719 --> 0:46:11.120
<v Speaker 1>know I was a helicopter parent trying to make up

0:46:11.320 --> 0:46:15.560
<v Speaker 1>for all the stuff that I felt, you know, wasn't

0:46:15.600 --> 0:46:20.440
<v Speaker 1>done correctly. And I you know a lot of my

0:46:20.600 --> 0:46:25.080
<v Speaker 1>parenting was grounded in fear, you know, and I so

0:46:25.280 --> 0:46:26.080
<v Speaker 1>relate to that.

0:46:26.680 --> 0:46:30.480
<v Speaker 2>And so what do you do? What do you do

0:46:30.680 --> 0:46:32.280
<v Speaker 2>about about your anxiety?

0:46:33.960 --> 0:46:37.640
<v Speaker 1>Well, you know a lot of my anxiety is depression fueled.

0:46:38.120 --> 0:46:38.239
<v Speaker 3>OK.

0:46:39.280 --> 0:46:41.880
<v Speaker 1>So I'm on meds for depression that I've been on

0:46:41.960 --> 0:46:45.279
<v Speaker 1>for a long long time that have helped immensely. That

0:46:45.400 --> 0:46:48.520
<v Speaker 1>I didn't get on until after I had stopped using,

0:46:48.719 --> 0:46:51.919
<v Speaker 1>which is twenty seven years. And it wouldn't have worked

0:46:51.920 --> 0:46:55.040
<v Speaker 1>anyway if I was using and on the meds that

0:46:55.239 --> 0:46:58.160
<v Speaker 1>doesn't work even though people think it does, it doesn't

0:46:58.520 --> 0:47:03.520
<v Speaker 1>as well as it could. And I know it sounds corny,

0:47:03.560 --> 0:47:07.520
<v Speaker 1>but I had to get to a place of trust

0:47:07.880 --> 0:47:12.240
<v Speaker 1>within our little village. You know. It's like I can't

0:47:12.280 --> 0:47:15.400
<v Speaker 1>explain the world to my kids. I know you can't.

0:47:15.440 --> 0:47:19.439
<v Speaker 1>There's no explanation. It's so out of control. But I

0:47:19.520 --> 0:47:25.040
<v Speaker 1>know my anxiety will just hinder them from dealing with

0:47:25.120 --> 0:47:28.839
<v Speaker 1>it better than I am, right, and I'm honest about it,

0:47:28.920 --> 0:47:32.040
<v Speaker 1>and I'm really out about my emotions, you know, and

0:47:32.080 --> 0:47:35.840
<v Speaker 1>I was my whole time with my kids. I think

0:47:36.200 --> 0:47:39.240
<v Speaker 1>the honesty of when I was struggling or I wish

0:47:39.239 --> 0:47:42.279
<v Speaker 1>I could do better, or it's important they see a

0:47:42.360 --> 0:47:47.359
<v Speaker 1>parent fail. Yes, they see a parent have to start over.

0:47:47.520 --> 0:47:51.160
<v Speaker 1>It's like what I always say. I always wish that

0:47:51.360 --> 0:47:54.760
<v Speaker 1>my kids could have seen me in the days where

0:47:54.840 --> 0:48:00.560
<v Speaker 1>I struggled artistically or career wise, wherever I saw, you know,

0:48:00.719 --> 0:48:05.480
<v Speaker 1>I was I. You know, I didn't always have this house.

0:48:05.560 --> 0:48:10.640
<v Speaker 1>I didn't know things. I started out in apartments much

0:48:10.680 --> 0:48:14.120
<v Speaker 1>smaller than yours. And I wish they could have seen that,

0:48:15.000 --> 0:48:17.360
<v Speaker 1>just to get a better idea of what life is

0:48:17.400 --> 0:48:25.000
<v Speaker 1>really about. So you know, anxiety runs through this family. Yeah,

0:48:25.040 --> 0:48:28.799
<v Speaker 1>a lot of it is I really believe wiring and

0:48:28.920 --> 0:48:35.360
<v Speaker 1>chemical and hereditary and uh you know they were raised

0:48:35.400 --> 0:48:39.680
<v Speaker 1>by two parents that that both had anxiety too. There

0:48:39.719 --> 0:48:43.080
<v Speaker 1>was a little cleanup I think where that's where that's concerned.

0:48:43.120 --> 0:48:47.160
<v Speaker 1>And and I try to you know, try to be

0:48:47.520 --> 0:48:50.000
<v Speaker 1>you know better at it's it's it's funny how a

0:48:50.120 --> 0:48:53.320
<v Speaker 1>lease in my case and I can tell in your case,

0:48:54.040 --> 0:48:57.080
<v Speaker 1>how children and when you love being that parent and

0:48:57.080 --> 0:48:59.840
<v Speaker 1>not everyone's wired for it, you know, I have buddies

0:48:59.840 --> 0:49:01.880
<v Speaker 1>that I talked to them about parenting. They look at

0:49:01.920 --> 0:49:04.799
<v Speaker 1>me like, you know, I'm from another planet, because not

0:49:04.880 --> 0:49:08.880
<v Speaker 1>everyone's wired that way. Yeah, this is really what you want.

0:49:08.920 --> 0:49:13.920
<v Speaker 1>But look how it's made us really deal with our

0:49:13.960 --> 0:49:17.239
<v Speaker 1>own crap that we've had for so long because we

0:49:17.400 --> 0:49:19.560
<v Speaker 1>don't want to pass it on because they.

0:49:19.480 --> 0:49:22.800
<v Speaker 3>Don't totally, you know, and it's it's still a stroke totally.

0:49:22.960 --> 0:49:25.320
<v Speaker 2>It's why I'm doing the work.

0:49:24.360 --> 0:49:26.880
<v Speaker 1>So clud of that you can do this because you know,

0:49:26.920 --> 0:49:30.239
<v Speaker 1>you're so admired, you're so looked up to. You're such

0:49:30.280 --> 0:49:32.960
<v Speaker 1>a force in journalism, and a lot of it is

0:49:33.400 --> 0:49:36.400
<v Speaker 1>what you bring to it. I love that you that

0:49:36.840 --> 0:49:40.560
<v Speaker 1>you you're really your own voice in what you have

0:49:40.640 --> 0:49:42.320
<v Speaker 1>to say, and there are things you have been said

0:49:42.600 --> 0:49:45.759
<v Speaker 1>that you have said, what I've watched you. That's that's

0:49:45.800 --> 0:49:48.239
<v Speaker 1>made me go wow, okay, yeah, and you know I

0:49:48.239 --> 0:49:51.160
<v Speaker 1>didn't look at that before, and I really just in

0:49:51.239 --> 0:49:51.839
<v Speaker 1>what you do.

0:49:51.960 --> 0:49:53.239
<v Speaker 3>So thank you.

0:49:53.600 --> 0:49:55.640
<v Speaker 1>Just you know, I admire that and we need people

0:49:55.680 --> 0:49:58.839
<v Speaker 1>like you talking about stuff like this. Thank you because

0:49:58.880 --> 0:49:59.920
<v Speaker 1>we always feel alone.

0:50:00.760 --> 0:50:04.120
<v Speaker 2>I know, and I did too, because I'd always looked

0:50:04.160 --> 0:50:07.440
<v Speaker 2>at my colleagues at the news and thought how are

0:50:07.480 --> 0:50:10.200
<v Speaker 2>they doing that? How are they so healthy? And I

0:50:10.239 --> 0:50:14.520
<v Speaker 2>thought maybe they're not. They're I don't know what they're right.

0:50:14.800 --> 0:50:16.880
<v Speaker 1>Yeah, and I'm going to tell you who's really sick

0:50:17.200 --> 0:50:21.160
<v Speaker 1>over coming? No, no, but I mean, I mean yeah, yeah, yeah.

0:50:21.320 --> 0:50:24.759
<v Speaker 1>But that's what anxiety and depression does. It wants us

0:50:24.800 --> 0:50:25.799
<v Speaker 1>to fill alone. Yeah.

0:50:25.800 --> 0:50:27.040
<v Speaker 2>It's a liar and it lies to you.

0:50:27.400 --> 0:50:31.960
<v Speaker 1>Yeah, it's like I would beg my parents. Let's try help,

0:50:32.520 --> 0:50:34.680
<v Speaker 1>Let's try this. If you don't like it, you don't

0:50:34.719 --> 0:50:38.160
<v Speaker 1>have to do it. But when the depression and the

0:50:38.200 --> 0:50:43.120
<v Speaker 1>bipolarity and the shame and the guilt, the more infesters,

0:50:44.120 --> 0:50:48.640
<v Speaker 1>it makes your decisions for you. You have no voice,

0:50:48.640 --> 0:50:52.720
<v Speaker 1>and depression is like sleep another forty hours, you'll be fine.

0:50:53.320 --> 0:50:55.439
<v Speaker 1>You now pick up that drink or that thing.

0:50:55.560 --> 0:50:56.240
<v Speaker 3>What's the big?

0:50:56.480 --> 0:50:59.000
<v Speaker 1>What is there to be clear about? You don't need clarity,

0:50:59.280 --> 0:51:02.920
<v Speaker 1>so it's right. The longer you wait, the more it

0:51:03.160 --> 0:51:06.279
<v Speaker 1>just becomes your being, you know, it's that alien thing.

0:51:06.480 --> 0:51:10.120
<v Speaker 2>Totally. Well, I'm really I'm glad we had this talk

0:51:10.200 --> 0:51:14.719
<v Speaker 2>and me too. Yeah, I really did really enjoyed this.

0:51:14.840 --> 0:51:18.880
<v Speaker 2>I have a quick lightning round to end on a

0:51:19.239 --> 0:51:19.880
<v Speaker 2>lighter note.

0:51:20.040 --> 0:51:21.560
<v Speaker 1>Okay, it's not math is it.

0:51:21.800 --> 0:51:22.399
<v Speaker 2>There's no math.

0:51:22.719 --> 0:51:23.879
<v Speaker 3>Okay, there's no math.

0:51:29.840 --> 0:51:34.280
<v Speaker 1>Who are people at the Bible? Okay? I should probably

0:51:34.280 --> 0:51:35.080
<v Speaker 1>wait for the question.

0:51:36.360 --> 0:51:38.319
<v Speaker 2>Well, first was have you ever been compared to or

0:51:38.360 --> 0:51:41.239
<v Speaker 2>mistaken for Michael Richards? And you answered that yes?

0:51:41.640 --> 0:51:43.239
<v Speaker 1>Yes.

0:51:43.600 --> 0:51:47.160
<v Speaker 2>The second is Matt Rife or Nate BARGHETSI.

0:51:47.719 --> 0:51:50.200
<v Speaker 1>Boy, this is tough because I hate to ever that

0:51:50.600 --> 0:51:52.600
<v Speaker 1>I'm not that familiar with Matt.

0:51:53.200 --> 0:51:57.560
<v Speaker 2>Okay, he's not for you, he's for like young women.

0:51:58.680 --> 0:52:04.359
<v Speaker 1>Oh you don't mean to like live with I thought

0:52:04.360 --> 0:52:08.799
<v Speaker 1>we were. Boy, this is tough. I have to say

0:52:08.800 --> 0:52:11.040
<v Speaker 1>I'm not that familiar with with Matt, though I know

0:52:11.200 --> 0:52:12.879
<v Speaker 1>the kid's on fire, and I know.

0:52:12.840 --> 0:52:14.120
<v Speaker 2>He's he does crowd work.

0:52:14.120 --> 0:52:15.080
<v Speaker 3>That's his things, A.

0:52:14.960 --> 0:52:18.960
<v Speaker 1>Lot of crowd work. Yeah, more sit ups than me

0:52:19.600 --> 0:52:20.080
<v Speaker 1>for sure.

0:52:20.400 --> 0:52:20.520
<v Speaker 3>Ye.

0:52:21.360 --> 0:52:25.960
<v Speaker 1>Cute, but uh, you know, I mean I don't know

0:52:26.560 --> 0:52:29.480
<v Speaker 1>Nate's You know, Nate's a very very special talent.

0:52:30.239 --> 0:52:33.160
<v Speaker 2>He is, right, I really like his his stuff.

0:52:33.680 --> 0:52:36.160
<v Speaker 3>Yeah, yeah, it's just is he nice?

0:52:37.120 --> 0:52:39.920
<v Speaker 1>I've only met him once? Okay, And the only thing

0:52:39.960 --> 0:52:42.720
<v Speaker 1>he said, ish could you please pull my car around?

0:52:43.880 --> 0:52:47.839
<v Speaker 1>I was I wasn't dressed great. I only met him once,

0:52:47.960 --> 0:52:51.480
<v Speaker 1>super kind, super nice and everyone seems to like you.

0:52:51.600 --> 0:52:54.000
<v Speaker 1>I'm happy and I'm happy for Matt and these. You know,

0:52:54.040 --> 0:52:55.279
<v Speaker 1>I know how tough it is.

0:52:55.600 --> 0:52:56.759
<v Speaker 2>Yeah, yeah, you know.

0:52:56.719 --> 0:53:00.560
<v Speaker 1>So anyone that's doing it, I uh, you know, kudos.

0:53:00.880 --> 0:53:04.160
<v Speaker 2>Yeah, Albert Brooks or Billy Crystal.

0:53:04.800 --> 0:53:06.160
<v Speaker 1>Oh boy, that's brutal.

0:53:06.520 --> 0:53:07.880
<v Speaker 2>I know, I know it is.

0:53:08.080 --> 0:53:10.879
<v Speaker 1>I love the boy. These are tough. Quick go back

0:53:10.920 --> 0:53:17.440
<v Speaker 1>to rife. Boy, Well, I would say, Billy God, I

0:53:17.440 --> 0:53:19.520
<v Speaker 1>don't know. They both had such an influence on me.

0:53:19.880 --> 0:53:22.000
<v Speaker 1>You know, these are guys that coming up I would

0:53:22.000 --> 0:53:24.200
<v Speaker 1>see and I you know, I'd want to put my

0:53:24.239 --> 0:53:24.919
<v Speaker 1>head in the oven.

0:53:25.600 --> 0:53:27.760
<v Speaker 3>Yeah, you know, because they're just like, well.

0:53:27.560 --> 0:53:30.760
<v Speaker 1>Why am I doing this? Boy? Can I say a tie?

0:53:31.440 --> 0:53:34.120
<v Speaker 2>You can't. It's intentionally hard. I love them both too.

0:53:34.680 --> 0:53:37.919
<v Speaker 2>I'm a big Albert Brooks fan, but but Billy too.

0:53:38.280 --> 0:53:42.480
<v Speaker 1>Yeah, no question. His documentary of Brooks wasn't that great?

0:53:42.600 --> 0:53:47.879
<v Speaker 2>Defending My Life? Oh my god? Oh so good? Yeah,

0:53:48.080 --> 0:53:52.399
<v Speaker 2>and so rich with little details and the rhiners and.

0:53:52.360 --> 0:53:54.520
<v Speaker 3>Oh my god, so good, so amazing.

0:53:54.800 --> 0:53:57.520
<v Speaker 2>Everyone should go, that's a tie for me, I get it.

0:53:59.040 --> 0:54:01.600
<v Speaker 2>Roast or stand up special.

0:54:03.880 --> 0:54:07.960
<v Speaker 1>Boy, You're you're really hitting my insecurity. I love that,

0:54:08.280 --> 0:54:16.279
<v Speaker 1>uh for me or for other things for you for you, well,

0:54:16.880 --> 0:54:19.640
<v Speaker 1>I don't. I don't think I should do either. No,

0:54:19.880 --> 0:54:23.680
<v Speaker 1>nor should I be involved in either. You're a yeah,

0:54:23.719 --> 0:54:25.960
<v Speaker 1>I know, you know my you know, my thing was

0:54:26.040 --> 0:54:28.480
<v Speaker 1>just to have a talk show and just sit down

0:54:28.480 --> 0:54:32.279
<v Speaker 1>with people and kidd its and into it and just

0:54:32.440 --> 0:54:35.239
<v Speaker 1>you know, like like like a hundred years ago, I

0:54:36.200 --> 0:54:39.120
<v Speaker 1>stood in for Rick Dy's I don't know that that

0:54:39.200 --> 0:54:42.000
<v Speaker 1>had a little in the nineties, a little talk show

0:54:42.600 --> 0:54:44.520
<v Speaker 1>and uh and it took a week off and I

0:54:44.960 --> 0:54:47.279
<v Speaker 1>went in and I was you know, I pushed a lot,

0:54:47.360 --> 0:54:50.520
<v Speaker 1>and I was much too, you know, because I was

0:54:50.719 --> 0:54:54.760
<v Speaker 1>so desperate to land that that would have done it differently.

0:54:54.800 --> 0:54:57.560
<v Speaker 1>But my thing is just to get out with real people.

0:54:57.600 --> 0:54:59.880
<v Speaker 1>And so I guess I guess the roast and then

0:55:00.040 --> 0:55:02.520
<v Speaker 1>I was on one of the roasts. But I you know,

0:55:02.560 --> 0:55:04.840
<v Speaker 1>I didn't love what I did and it wasn't that great.

0:55:05.480 --> 0:55:08.319
<v Speaker 1>But and a special you know, it's got to be

0:55:08.480 --> 0:55:11.440
<v Speaker 1>I mean, it's it's got to be really I think

0:55:11.520 --> 0:55:15.799
<v Speaker 1>material driven more than that. That's up my strength. You know.

0:55:16.120 --> 0:55:18.040
<v Speaker 1>If I could like walk into a house in the

0:55:18.080 --> 0:55:23.799
<v Speaker 1>Midwest unannounced and just at the like, like my thing

0:55:24.000 --> 0:55:27.600
<v Speaker 1>was having dinner with America. Yeah, just sitting down with

0:55:27.719 --> 0:55:28.560
<v Speaker 1>regular people.

0:55:28.880 --> 0:55:31.759
<v Speaker 3>Yeah, you know, and go and you know, letting that

0:55:31.960 --> 0:55:32.799
<v Speaker 3>would show.

0:55:33.239 --> 0:55:35.239
<v Speaker 1>Yeah, I just wanted to do it. You know, here's

0:55:35.280 --> 0:55:39.200
<v Speaker 1>a here's a nine foot insecured you coming to your.

0:55:39.080 --> 0:55:40.520
<v Speaker 2>Home, what do you announced?

0:55:40.880 --> 0:55:42.680
<v Speaker 1>What do you make? And you just knock on the

0:55:42.719 --> 0:55:47.359
<v Speaker 1>door and you know, you hope they don't hurt you show. Yeah,

0:55:47.480 --> 0:55:49.560
<v Speaker 1>I've always wanted to do something like Yeah, I just

0:55:49.600 --> 0:55:52.120
<v Speaker 1>thought it would be good just to just and I

0:55:52.160 --> 0:55:56.799
<v Speaker 1>mean literally put me, you know in the mix. That's

0:55:57.320 --> 0:56:00.480
<v Speaker 1>that's where I that's where I thrive. You know, I've

0:56:00.560 --> 0:56:03.640
<v Speaker 1>never been a Hollywood person. I've never been the yick guy.

0:56:04.080 --> 0:56:06.799
<v Speaker 1>You know. I've always worked so so hard and loved

0:56:06.840 --> 0:56:09.880
<v Speaker 1>what I do, but always knew my territory and and

0:56:09.920 --> 0:56:12.919
<v Speaker 1>that to me, I mean, if I could just unscripted,

0:56:13.160 --> 0:56:17.320
<v Speaker 1>you know, that's that's my round. You know, roast battles,

0:56:17.360 --> 0:56:21.000
<v Speaker 1>all that stuff. That's that's all great, but it's not this.

0:56:21.960 --> 0:56:24.279
<v Speaker 2>Yeah, you know, I think we need to make this

0:56:24.320 --> 0:56:28.040
<v Speaker 2>show happen. Okay, Brad, Brad Garrett's coming for dinner?

0:56:28.600 --> 0:56:29.880
<v Speaker 1>How about breaking Brad?

0:56:30.280 --> 0:56:33.360
<v Speaker 2>Love? It even better? Even better with Brad?

0:56:35.239 --> 0:56:39.440
<v Speaker 1>What's that smell? It could it could be like, boy,

0:56:39.520 --> 0:56:45.000
<v Speaker 1>I smell you know, I smell meat loathing and sim

0:56:45.480 --> 0:56:53.120
<v Speaker 1>you know, to be allan. You know, can I come in?

0:56:53.880 --> 0:57:00.239
<v Speaker 2>You know, we need to make this show happen. Okay,

0:57:00.280 --> 0:57:03.800
<v Speaker 2>last question, This question is a very important to me culturally.

0:57:04.960 --> 0:57:06.840
<v Speaker 2>When is iced coffee season?

0:57:08.520 --> 0:57:09.480
<v Speaker 1>Iced coffee season?

0:57:09.760 --> 0:57:10.200
<v Speaker 2>Yeah?

0:57:10.480 --> 0:57:12.200
<v Speaker 1>Fucked twenty four seven for me?

0:57:12.280 --> 0:57:15.000
<v Speaker 2>Yes, correct answer? Congratulations? Oh yeah, correct answer.

0:57:15.080 --> 0:57:19.320
<v Speaker 1>Coffee is my last advice And you know, I just

0:57:19.440 --> 0:57:21.440
<v Speaker 1>I just love it perfectly.

0:57:22.280 --> 0:57:27.840
<v Speaker 2>Yeah, anyway, I liked you. Brad Garrett's coming up in

0:57:27.880 --> 0:57:32.040
<v Speaker 2>a new Pixar movie called Elio saying that right, Elliot.

0:57:31.840 --> 0:57:33.080
<v Speaker 1>You said it exactly right.

0:57:33.400 --> 0:57:36.320
<v Speaker 2>He's in the new Jason Rightman SNL film Saturday Night.

0:57:36.400 --> 0:57:38.240
<v Speaker 2>I can't wait to see that. Thank you so much

0:57:38.280 --> 0:57:40.520
<v Speaker 2>for coming on. This was really I loved this.

0:57:41.000 --> 0:57:42.360
<v Speaker 1>Thank you meant a lot to me.

0:57:45.000 --> 0:57:48.280
<v Speaker 2>Next week on Off the Cop, Kelly Rizzo, this guy

0:57:48.920 --> 0:57:51.680
<v Speaker 2>messaged me and was like, hey, Bob Sagat's.

0:57:51.160 --> 0:57:54.280
<v Speaker 4>Gonna send you a DM and I was like, oh why.

0:57:55.000 --> 0:57:57.680
<v Speaker 4>I was just not interested at first, like it was

0:57:57.720 --> 0:58:00.280
<v Speaker 4>not my type, too old, but I was It's like,

0:58:00.360 --> 0:58:01.240
<v Speaker 4>that's just weird.

0:58:03.680 --> 0:58:05.920
<v Speaker 2>Off the Cup is a production of iHeart podcasts as

0:58:05.960 --> 0:58:09.000
<v Speaker 2>part of the Reasoned Choice Network. I'm your host, Si Cupp.

0:58:09.400 --> 0:58:12.560
<v Speaker 2>Editing and sound designed by Derek Clements. Our executive producers

0:58:12.560 --> 0:58:16.040
<v Speaker 2>are me Si Cupp, Lauren Hanson, and Lindsay Hoffman. If

0:58:16.080 --> 0:58:18.560
<v Speaker 2>you like Off the Cup, please rate and review wherever

0:58:18.600 --> 0:58:21.680
<v Speaker 2>you get your podcasts, follow, or subscribe for new episodes

0:58:21.720 --> 0:58:28.440
<v Speaker 2>every Wednesday