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Speaker 1: Hey, hey, hey, or should I say ho ho ho?

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Speaker 1: It's me Matt Rogers And in the words of another

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Speaker 1: Christmas icon, it's time. I'm back with my new nationwide tour,

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Speaker 1: Matt Rogers Christmas in December.

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Speaker 2: Yes, it's time to remember when Christmas is.

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Speaker 1: I'm hitting the road all of December with Henrykoperski and

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Speaker 1: the whole band performing my album Have You Heard Of Christmas,

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Speaker 1: along with a bunch of other little surprises. So, if

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Speaker 1: you're in La San Francisco, Seattle, Portland, Philadelphia, d C.

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Speaker 1: New York City, Boston, Toronto, Chicago, or yes, Orlando, Florida.

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Speaker 2: I want to see your gorgeous ass.

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Speaker 1: Go to Matt rogersofficial dot com or head to my

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Speaker 1: Instagram at Matt Rogers though and hit the link in

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Speaker 1: my bio. Until then, stream the album, get your look

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Speaker 1: together and get ready to deck the damn halls at

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Speaker 1: a venue near you Christmas in December. You in my

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Speaker 1: heart XO XO Santa Boy, look mare.

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Speaker 2: Oh I see you my own and look over there

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Speaker 2: is that the culture? Yes? Goess wow, Lost Culture ding Dong,

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Speaker 2: Lost Cultusa's calling. Well you have come from an interesting event.

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Speaker 3: Oh that's right, Yeah, I was just with Manan, Sophia, Daniella, Yunch,

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Speaker 3: Megan and Sophia. Already do I repeat some names you

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Speaker 3: might have said, Lara, Lara, of course, I'm like a

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Speaker 3: Laura Roger.

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Speaker 4: You know.

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Speaker 2: If that's the power of Sofia, she gets mentioned, gets mentioned, Fia,

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Speaker 2: You go girl, you go girl. I was with cats Eye,

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Speaker 2: dancing with them.

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Speaker 3: I was not dancing with them, but I was shooting

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Speaker 3: a video that should be out by now, by the

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Speaker 3: time this comes out.

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Speaker 2: But god, those girls are truly incredible. They have a

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Speaker 2: great bounty of talent. Oh, great fortune, they have a

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Speaker 2: great fountion. Anthony Fouchon, what.

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Speaker 4: Are you.

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Speaker 2: Bounty and fortune at the same time is actually really powerful?

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Speaker 2: Well it's actually really culture number sixty. When you say

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Speaker 2: bounty and fortune at the same time, you get fountion. Well,

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Speaker 2: those girls of kats I have a great fountion of beauty.

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Speaker 3: And youth and talent and work ethic and they're so sweet.

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Speaker 3: They're funny as hell. I mean that ep beautiful, chaos excellent.

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Speaker 3: I mean, obviously we're like the last people telling people

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Speaker 3: to stream.

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Speaker 2: They're like machines, as were you, my friend, my dearest friend,

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Speaker 2: mine one of your most famous dancers. Now that's not true.

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Speaker 2: It is true. Don't challenge me.

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Speaker 3: Well, I flopped on this stance, I must say, because

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Speaker 3: the choreo that Katsi does is was it difficult?

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Speaker 2: Incredible?

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Speaker 3: Like you have no ideat We got to talk to

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Speaker 3: our guests about choreo because I want to know what

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Speaker 3: Adam Shankman made this icon do our.

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Speaker 2: Guest has hit the step for decades. Absolutely, it's actually

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Speaker 2: a real culture. Number fifty has hit the step for

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Speaker 2: decades and it was a lot of fun. Check it out.

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Speaker 2: It comes out Halloween. They do fun Halloween stuff.

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Speaker 3: These girls they do yeah, because you're gonna love this

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Speaker 3: Halloween thing.

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Speaker 2: Really special at this point it's out.

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Speaker 3: So they got dogged online because at the VMA's on

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Speaker 3: the brid carpet, a lovely correspondent on from Billboard ask them,

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Speaker 3: we're celebrating Mariah tonight. What is your one by one?

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Speaker 3: Let's go around one by one your favorite Mariah video?

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Speaker 3: And these girls they're young, they don't know they're babies.

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Speaker 3: It's a little bit of.

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Speaker 2: Babies don't necessarily know about Maria. It's actually really coach

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Speaker 2: number fifteen. Babies don't necessarily know about Mariah. So they

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Speaker 2: were stumped.

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Speaker 3: And then of course, like the you know, a certain

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Speaker 3: millennial sect, you know, sect of gay men, especially kind.

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Speaker 3: It was like, oh, these girls, you know, open the schools.

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Speaker 3: These girls don't know. And so for their Halloween thing

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Speaker 3: this year, they are all dressed up as their favorite

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Speaker 3: Mariah video.

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Speaker 2: Look. I love that they paid respects.

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Speaker 3: They pay respects and there's a great broad, sort of

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Speaker 3: gamut of Mariah.

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Speaker 2: Looks that I think will please a lot of people.

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Speaker 1: And I'm sure the millennial gays will now put their

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Speaker 1: weapons down and leave the girls alone.

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Speaker 3: But okay, but like I just talked to the girls

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Speaker 3: and they were like, we love her, we love her

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Speaker 3: so much. We just like we couldn't think of like

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Speaker 3: any videos, and like we watched all of them, and

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Speaker 3: they're so cats.

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Speaker 2: I come on the show, Come on the show. We'll

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Speaker 2: get you're invited, we'll get a gab.

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Speaker 1: All right, Well, speaking of it, if they opened the schools,

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Speaker 1: I believe that our guest is in all the textbooks

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Speaker 1: in the school. She actually is an incredibly part, big

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Speaker 1: part of pop culture.

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Speaker 3: In so many different lanes and ways and verticals.

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Speaker 2: I'll say, I remember when I first saw the guest

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Speaker 2: when on television there was a preview for a new

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Speaker 2: show called American Dreams, and the star of it was

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Speaker 2: this absolutely gorgeous ray of light. And I remember being young,

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Speaker 2: gay and I said, that's a star. That is a

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Speaker 2: superstar whose name we will know. I believe she even

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Speaker 2: got one of those like an introducing Brittany, she got

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Speaker 2: an and introducing she did.

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Speaker 1: She's making a face that would suggest I'm wrong, but

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Speaker 1: in my mind it was American Dreams and intro deducing Britney.

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Speaker 2: Snow, Oh that sounds so right. It hits the ear perfect.

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Speaker 1: She's the star of the cultural phenomenon that is the

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Speaker 1: Hunting Wives, Murder of Murder.

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Speaker 2: Sophie is on Hulu now so much more. I said, Sophie.

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Speaker 2: Sophie was the name of her character, different from Sophia, right,

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Speaker 2: but let's say Sophie twice, just to make it fair. Sophie.

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Speaker 1: Yes, And I guess I could say on most culture

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Speaker 1: recess and now and introducing Brittany, Yes, it is a

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Speaker 1: phenomenon that you're here.

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Speaker 4: No, it's I'm just so delighted and honored. It's not

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Speaker 4: a phenomenon. I was gonna come here regardless but do

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Speaker 4: you want to be here or not?

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Speaker 3: No, for us, we want you here. Yeah, it's a

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Speaker 3: personal phenomenon for us.

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Speaker 4: Oh no, no, it's I mean, this is the most

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Speaker 4: lovely introduction. Though I do not feel like I'm in

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Speaker 4: this category whatsoever.

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Speaker 1: But think was it an introducing Britney Snow? It might

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Speaker 1: have been if.

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Speaker 5: It was for you.

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Speaker 1: I just remember, like that's a huge deal though, like

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Speaker 1: you're you're I guess you've been acting since you were

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Speaker 1: a kid.

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Speaker 5: Kid a kid kid, like a baby, a Tampa kid.

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Speaker 4: Mom put me into those commercials when I was a baby,

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Speaker 4: and so I have known no different.

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Speaker 2: Yeah, it's just.

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Speaker 1: Living the living the life, the hard life of a

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Speaker 1: Tampa child actor.

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Speaker 4: It was hard.

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Speaker 2: What was the hardest part The driving.

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Speaker 4: Lando, Florida, the five ams, Like getting in the back

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Speaker 4: of my mom's van. She gets me one Dunkin donut,

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Speaker 4: one strawberry glate. Come on now and I am in

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Speaker 4: the audition, like eight thirty nine o'clock in the morning,

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Speaker 4: and I have to be on.

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Speaker 5: I've got to be cute.

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Speaker 4: Yeah, pigtails always of course the look well around like

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Speaker 4: six or seven.

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Speaker 2: Yeah, braided pigtail, no.

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Speaker 5: Like to annoying stalking vibes.

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Speaker 3: Yeah, but does part of you like I I wasn't

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Speaker 3: even at all near this like sort of channel between

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Speaker 3: Tampa and Orlando or anywhere in Florida feeding into central Florida.

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Speaker 3: It just felt like such a nineties thing, like this

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Speaker 3: aspirational nineties thing for kids, for people our age, where

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Speaker 3: it was like, oh my god, well you can like

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Speaker 3: get your start in Orland.

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Speaker 2: You could go to Orlando. God.

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Speaker 4: And it was even worse that we were in Tampa.

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Speaker 4: Like I was a Tampa kid. I was born and

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Speaker 4: raised there, so it was almost like required that I

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Speaker 4: was a part of dance and singing and stuff like

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Speaker 4: that because there was pop stars coming out of Florida

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Speaker 4: and everything. It was very nikky related and and so yeah.

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Speaker 5: I had no choice.

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Speaker 2: So you were a Tampa kid who longed to be

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Speaker 2: an Orlando kid.

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Speaker 4: I did, actually, especially because in my teenage years, Orlando

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Speaker 4: had teen clubs, all the groups.

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Speaker 5: The groove was my mecca.

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Speaker 4: I would leave high school and go right from like

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Speaker 4: high school Friday to Orlando, would spend the weekend with

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Speaker 4: my friends in Orlando, and I would be at the

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Speaker 4: teen clubs with like a cowboy hat and like.

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Speaker 2: It sounds heavenly on it. That was exactly what on

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Speaker 2: the island I pictured.

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Speaker 4: It being, Yes, but like no social media, no phones,

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Speaker 4: were just at the teen club, like yeah, what was

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Speaker 4: like that? Big?

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Speaker 5: Isn't it fun?

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Speaker 4: They love and feel so good?

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Speaker 2: Oh wow, what.

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Speaker 3: Are you going?

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Speaker 2: Cowboy out on? It is so wrong? What's so right?

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Speaker 2: So right? But what are you throwing back the die cokes? Yes?

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Speaker 1: Well, this was a time when there was no limits

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Speaker 1: on soda. Now they've banned soda. It's almost like you

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Speaker 1: can't even say the words sprite. You can't even say

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Speaker 1: the words full fat coke. They'll come for you, they'll

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Speaker 1: come for you, they'll come for your kids.

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Speaker 4: It was freedom back then. We really had it made.

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Speaker 1: I just remember being that, being like young and just

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Speaker 1: watching my Nickelodeon and knowing that everyone on my television

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Speaker 1: was at Universal Studios Florida film before a live studio audience,

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Speaker 1: and I would run around in a circle drinking soda

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Speaker 1: until I passed out.

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Speaker 3: I had the energy for it and the ability to

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Speaker 3: consume it. And you just wanted to be at the

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Speaker 3: groove so badly.

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Speaker 1: Well, especially Tampa. You're talking about Tampa. You aspire to Orlando,

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Speaker 1: like Long Island, you aspire to Tampa so that you

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Speaker 1: can even get close to I know, I know, but

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Speaker 1: Florida had a different image then it did.

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Speaker 5: And I think because I've known, I know too much,

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Speaker 5: you know.

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Speaker 4: But here's a weird story is then after I was

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Speaker 4: in the teen clubs in Orlando, I made it to Hollywood.

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Speaker 5: You know, American Dreams is happening.

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Speaker 4: I'm fifteen when I do the pilot, and then it

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Speaker 4: gets really dark because there's teen clubs in La.

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Speaker 2: A different flavor.

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Speaker 5: It's a different flavor, same fruit, juice.

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Speaker 2: And same so there's different stuff in the fruit.

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Speaker 4: But there's different, different people in.

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Speaker 2: Different in the environment.

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Speaker 4: What I mean. Yeah, there was a teen like club

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Speaker 4: that behind a door there was like an a list

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Speaker 4: portion of this club. Oh no, Hollywood and Highland. And

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Speaker 4: basically if you were on like a CW show, but

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Speaker 4: at the time of WB, or if you were on

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Speaker 4: any sort of like show like Lizzie Maguire or something

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Speaker 4: like that, we were all back there in this room,

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Speaker 4: and we were all in this little way smaller than

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Speaker 4: this room together just drinking soda.

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Speaker 2: Soda quote unquote unquote soda.

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Speaker 4: Definitely soda definitely.

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Speaker 5: So you're fifteen, sixteen years.

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Speaker 3: Old, so does that engender kind of like, oh, I

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Speaker 3: get it. There's a hierarchy, there's this, there's a stratu

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Speaker 3: or like that's that's that's so. I mean, I guess

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Speaker 3: that happens everywhere, like in high school.

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Speaker 5: Well, you got to.

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Speaker 4: The head of the teen club line if you were

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Speaker 4: on show, which was already so bizarre, but somehow we

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Speaker 4: just knew that.

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Speaker 5: We go to the front hall.

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Speaker 2: So you're talking about this is like you and Hillary

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Speaker 2: Duff drinking soda in the back.

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Speaker 4: Lindsay, wow, so would all the kids that were ever

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Speaker 4: on Seventh Heaven that yeah.

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Speaker 2: Miss Beale.

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Speaker 5: Miss Beale was never that. It was just it was David.

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Speaker 2: David with me.

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Speaker 3: That's why that That's what I was gonna you know,

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Speaker 3: I'm going to ask you about Kingdom.

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Speaker 2: Pointed because you said I want my video game cred,

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Speaker 2: I don't want the official So I've had the Florida portion.

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Speaker 2: Go ahead, take the Kingdom Hearts portion.

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Speaker 3: This is a first for me. I have nothing specific

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Speaker 3: prepared for you in the way of questioning what would

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Speaker 3: god this this is weird. What would you like to

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Speaker 3: be asked about Kingdom r.

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Speaker 4: Truly anything, because I do not remember doing Remember, I

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Speaker 4: think I was sixteen, and I knew I was doing

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Speaker 4: a video game, and I knew it had to do

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Speaker 4: with DISNEYEP and that's all I knew. Sure, So I

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Speaker 4: I remember the only thing that I remember about that

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Speaker 4: time is that the guy who was like the sound

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Speaker 4: editor was really familiar with Christina Aguilera because he had

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Speaker 4: just done Milan and she sang. And I wanted to

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Speaker 4: know everything about Christina Aguilera, and so I just pumped

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Speaker 4: him for information.

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Speaker 5: But other than that, no clue.

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Speaker 2: Love, that's one. That's how it is in the booth.

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Speaker 4: Hekay.

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Speaker 3: And let's get real about the industry. Sometimes when you go,

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Speaker 3: when you go into the vocal booth for these things,

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Speaker 3: you go, sure, I'm playing a cat named Gary, okay,

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Speaker 3: and I have no memory of it.

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Speaker 2: I was in the vocal booth today, And do you

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Speaker 2: remember anything you did? You just told us. I remember

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Speaker 2: using my voice in all kinds of ways for an

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Speaker 2: animated character. I'll black out. Ask me again in twenty

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Speaker 2: five years.

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Speaker 4: Sure, thank you guys for making me feel better about.

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Speaker 3: That, feel any any way about the Kingdom. Hearts of

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Speaker 3: it all. I'm thank you for being honest about it.

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Speaker 3: But I will let you know how important your character

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Speaker 3: nominate is.

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Speaker 5: That's so great.

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Speaker 2: Should you have played it?

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Speaker 5: No, I don't. I've never played the games. I don't

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Speaker 5: even know what I do.

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Speaker 3: Okay, so you play. So in the world of this game, terrible,

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Speaker 3: not terrible? Oh please not terrible, because this is going

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Speaker 3: to be thrilling. Paint the teacher. Well, first of all,

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Speaker 3: you have a stacked cast. Well I'll get to that later.

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Speaker 3: But in the world of Kingdom Hearts, the crossover game

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Speaker 3: from Disney and Square Enix, famous one of the best

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Speaker 3: video game sort of distributors and companies of all time.

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Speaker 3: Donal Fantasy. It's their sort of mashup and so Hailey

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Speaker 3: Joel Osmond plays Sora, Hayden Paneteer plays Kyrie, and David

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Speaker 3: plays Riku. Anyway, the three of them start off on

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Speaker 3: this island. They get dispersed when the Heartless come and

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Speaker 3: corrupt the soul of their planet. Now, in the process

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Speaker 3: of getting your heart corrupted, you get a vessel of yourself.

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Speaker 3: A copy of yourself comes into the world named a Nobody.

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Speaker 5: Yes, I do remember saying, so.

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Speaker 2: You are Hayen Paneteers Haten Panettiers nobody.

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Speaker 5: I mean, it wasn't the first time.

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Speaker 2: I wanted to save the world, to be the cheerleader.

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Speaker 5: Definitely at that time.

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Speaker 4: Hell yeah, of course. But then some interesting like Hayden

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Speaker 4: Panetier and I have known each other since I was

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Speaker 4: twelve years old.

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Speaker 5: She was played my little sister on a soap opera.

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Speaker 2: Now you were on Guiding Light.

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Speaker 4: Yes, that was my first jobs and she she was

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Speaker 4: my little sister, and we we knew each other very well.

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Speaker 4: We did a lot of scenes together and so and

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Speaker 4: she was like a baby person when we were on

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Speaker 4: Guiding Light. I don't know, the difference between eight and

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Speaker 4: twelve is so vast for some reason.

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Speaker 5: So I just looked so down to her.

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Speaker 4: And then when she was on Heroes, I was like, oh,

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Speaker 4: she's like a human. So when we did Kingdom Hearts,

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Speaker 4: I did feel like, oh, this makes sense, like we're

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Speaker 4: playing connected again, So it makes Yeah. I'm Michelle, I'm nobody.

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Speaker 4: I'm the shell of the person.

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Speaker 3: You are, Kyrie, Kyrie of the person tracks No, no, no,

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Speaker 3: this is this is no. I'm about to give one

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Speaker 3: last day.

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Speaker 2: I won't. I won't dwell too much on this.

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Speaker 3: I just I've always wanted to tell you, like how

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Speaker 3: you watching, because now I feel like I really learned.

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Speaker 3: So Kyrie is so special. So these three kids, a

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Speaker 3: Rico and Kyris are very special. And so Kyrie gets

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Speaker 3: turned into a heartless and so then she turns back

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Speaker 3: to a human. But then Nominate your character enters the world,

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Speaker 3: and because she is Kyrie's nobody, she has the special

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Speaker 3: power to rearrange people's memories. Yes, and you are a

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Speaker 3: Nominated gets recruited by the bad guys to basically like

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Speaker 3: refabricate Sora Haley Joel Osmond's memory.

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Speaker 2: And it's it's a profound thing.

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Speaker 4: This is, I mean kind of ironic that you're speaking

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Speaker 4: of memory because that jolted my memory. Yeah, because I

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Speaker 4: remember having to do a scene about that, about how

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Speaker 4: I got his memory back.

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Speaker 5: Yes, wow, I haven't thought about that.

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Speaker 2: Of course.

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Speaker 3: This is a big part of bon Yang's formative huge

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Speaker 3: Oh no, it's and there's still a very very active

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Speaker 3: community of people who adore that. It's a formative, formative

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Speaker 3: piece of pop culture history and video It's one of

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Speaker 3: the most pop cultural like video game items ever. And

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Speaker 3: so and then Hailey Joe Osmonds nobody is play is Rocks.

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Speaker 3: This is played by Jesse McCartney.

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Speaker 2: It's like it was. It was such it was who

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Speaker 2: of the stars of it. It was kids who were

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Speaker 2: in the A list of the LA clubs.

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Speaker 3: It was.

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Speaker 2: It was all the soda drinkers.

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Speaker 4: Yeah, we were back there drinking soda.

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Speaker 2: Yeah, a lot of these names were drinking the soda. Yeah, absolutely,

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Speaker 2: drinking the soda. Might be title of it, drinking this soda.

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Speaker 2: What was your order, do you remember?

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Speaker 4: I mean I just remember being so excited to go

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Speaker 4: back in this room. Yeah that Like I don't even

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Speaker 4: know if I drank soda. I think I was looking

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Speaker 4: around like I too, could one day be on the

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Speaker 4: WB you know, like that's that was the pinnacle for me.

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Speaker 5: Absolutely when we American Dreams, I know I wanted to

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Speaker 5: do with the frog.

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Speaker 2: Well, oh my goods frog in the top half. But

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Speaker 2: speaking of we were just talking before we started about

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Speaker 2: how like when you're in Florida, and because this was

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Speaker 2: also the time of Mickey Mouse Club, like that was

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Speaker 2: something that you wanted but were just a smidge too young.

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Speaker 5: Yes, that was I aspired to be.

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Speaker 4: That's all I wanted was to be on the Mickey

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Speaker 4: Mouse Club.

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Speaker 5: I would practice.

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Speaker 4: I would tell my mom what I was going to

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Speaker 4: do with my audition, and yeah, I was too young.

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Speaker 4: Just think of where I could have been.

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Speaker 2: But then your book Crust TV. There you go.

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Speaker 5: I mean, not not right away, Oh you mean American Dreams.

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Speaker 2: I think American Dreams.

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Speaker 1: Like, I just remember watching it with my family and

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Speaker 1: it being like so dramatically potent. I would be so

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Speaker 1: curious to go back and watch it. Now, your older

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Speaker 1: brother in that was hot.

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Speaker 4: It's weird to say he was, but this is a memory.

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Speaker 1: I just jugged my own memory of it. I was like,

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Speaker 1: I think he was one of my first like crushes.

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Speaker 1: I think he might have been one of my first

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Speaker 1: things of like hmm, like when like when a dog

381
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Speaker 1: sees like.

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Speaker 2: When a dog realizes it's gay, You know, a dog

383
00:17:38,359 --> 00:17:41,480
Speaker 2: realizes it's gay. Because he's the older brother for American Dreams.

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Speaker 2: That was kind of me. It was very that.

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Speaker 1: It was very One of the best things about that

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Speaker 1: show was one of its features. One of the things

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Speaker 1: that made it serrated was that a different guest star

388
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Speaker 1: would come in and play a guest star from American Bandstand.

389
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Speaker 1: And we were just talking about a couple of Ashanti

390
00:18:00,760 --> 00:18:04,280
Speaker 1: was Deon Warwick, like you know, Kelly Clarkson was Brenda Lee.

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Speaker 1: I think in one of the first episodes what Yes,

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Speaker 1: In like the.

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Speaker 4: Third episode, she played Brendaly. We talk about it every

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Speaker 4: time I go on the show. I'm like, can you

395
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Speaker 4: believe that that was one of your first jobs? I mean,

396
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Speaker 4: she has just won American Idol.

397
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Speaker 2: So do you have any memories of like particular people

398
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Speaker 2: coming through? Do you have a favorite memory of someone,

399
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Speaker 2: because at the time, you're like fully the star of

400
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Speaker 2: the show, but also like a kid who's idle worst.

401
00:18:28,400 --> 00:18:31,159
Speaker 5: I Sure came on and was Marvin Gay and that

402
00:18:31,760 --> 00:18:33,080
Speaker 5: was really cool.

403
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Speaker 4: He was so lovely.

404
00:18:34,840 --> 00:18:35,760
Speaker 2: Yeah, and he like.

405
00:18:35,840 --> 00:18:37,440
Speaker 4: Danced a little bit, and I remember that that was

406
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Speaker 4: really cool. I also everyone was so lovely. There was

407
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Speaker 4: like two people that I won't name. Sure, Yeah, that

408
00:18:44,560 --> 00:18:46,560
Speaker 4: broke my soul because they were sort of mean, and

409
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Speaker 4: I was like, you're getting to play an iconic person,

410
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Speaker 4: Like this is a cool little job.

411
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Speaker 2: Yeah.

412
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Speaker 4: Who wasn't mean?

413
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Speaker 2: Though?

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Speaker 4: Who I just sat behind at the VMA's which is

415
00:18:57,119 --> 00:19:02,719
Speaker 4: a bizarre sentence to say, was rs Hilton played? Uh?

416
00:19:04,200 --> 00:19:08,520
Speaker 4: She was a Barbara Barbara I dream a Genie.

417
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Speaker 2: Oh oh oh oh oh oh you go.

418
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Speaker 4: Yeah.

419
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Speaker 2: I think she just up like a dog there about

420
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Speaker 2: Barbara eating. Oh that's a good one. Yeah. Yeah.

421
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Speaker 5: She was lovely, actually, like really lovely.

422
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Speaker 3: I mean you were getting this like pretty cool glimpse

423
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Speaker 3: like on maybe not a weekly basis or whatever the

424
00:19:29,160 --> 00:19:31,720
Speaker 3: cadence was, but like you get this glimpse into like

425
00:19:31,840 --> 00:19:35,440
Speaker 3: how like different case studies on like how fame works

426
00:19:35,560 --> 00:19:36,960
Speaker 3: or how it affects certain people.

427
00:19:36,920 --> 00:19:40,719
Speaker 4: Depending on like who comes in right, definitely, And at

428
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Speaker 4: that time there was no social media, which I think

429
00:19:43,400 --> 00:19:45,280
Speaker 4: was sort of a detriment to the show because I

430
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Speaker 4: think if it was in a different time, people with

431
00:19:48,160 --> 00:19:50,119
Speaker 4: that sort of following would have blown the show up

432
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Speaker 4: because everybody who was coming on the show would have

433
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Speaker 4: wanted to, you know, gramb about it and tweet about

434
00:19:54,600 --> 00:19:57,480
Speaker 4: it whatever. But back then, it was just like, oh,

435
00:19:57,680 --> 00:20:01,399
Speaker 4: coming next Sunday, get the usher being Marvin Gay, you know.

436
00:20:01,880 --> 00:20:04,480
Speaker 4: And so you really got to see who the inner

437
00:20:04,520 --> 00:20:07,000
Speaker 4: workings of their team was and how they conducted themselves

438
00:20:07,040 --> 00:20:08,680
Speaker 4: on set because they were only there was such a

439
00:20:08,760 --> 00:20:11,680
Speaker 4: short period of time that you saw such like a

440
00:20:11,840 --> 00:20:15,159
Speaker 4: glimpse into who they were, and then they left and

441
00:20:15,320 --> 00:20:18,119
Speaker 4: we were always sort of like, Wow, that was a

442
00:20:18,280 --> 00:20:20,359
Speaker 4: surreal thing, and much like what we were doing on

443
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Speaker 4: the show, we were sort of meta in that way

444
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Speaker 4: of being real American bandstand audience members being like, oh

445
00:20:26,720 --> 00:20:28,560
Speaker 4: my god, there's these icons.

446
00:20:28,720 --> 00:20:30,240
Speaker 3: Totally Do you think that grounds you? I feel like,

447
00:20:30,240 --> 00:20:32,800
Speaker 3: because like I think the feature that I sort of

448
00:20:33,520 --> 00:20:35,160
Speaker 3: not the feature. I mean, I don't want to talk

449
00:20:35,160 --> 00:20:36,520
Speaker 3: about you in that term.

450
00:20:36,560 --> 00:20:38,440
Speaker 5: Well talk about me while I'm sitting here, for sure, Okay,

451
00:20:38,480 --> 00:20:39,040
Speaker 5: but sure.

452
00:20:40,119 --> 00:20:42,159
Speaker 3: I'm always so struck by how grounded you are, Like

453
00:20:42,680 --> 00:20:46,560
Speaker 3: there's there's something so really just I don't know, so

454
00:20:47,520 --> 00:20:49,960
Speaker 3: stoic but warm. But you know, I think I think

455
00:20:50,119 --> 00:20:53,200
Speaker 3: that is a pretty remarkable thing. Every time as Old

456
00:20:53,200 --> 00:21:00,720
Speaker 3: the Center, I.

457
00:21:00,800 --> 00:21:03,159
Speaker 1: Have to say, like just to speak about like the

458
00:21:03,440 --> 00:21:06,399
Speaker 1: next like thing that happened was was Hairspray before or

459
00:21:06,520 --> 00:21:07,520
Speaker 1: after Pitch Perfect?

460
00:21:08,080 --> 00:21:10,240
Speaker 2: It was before after John Tucker.

461
00:21:10,480 --> 00:21:14,160
Speaker 4: John Tucker was first John Tucker was to really act

462
00:21:14,200 --> 00:21:18,000
Speaker 4: with I'd really acted with a shan I love Ashanti.

463
00:21:18,160 --> 00:21:22,000
Speaker 4: Her laugh is exactly the same. It's so like perfect,

464
00:21:22,160 --> 00:21:25,159
Speaker 4: like a little cute cackle, and I just adore her

465
00:21:25,480 --> 00:21:27,680
Speaker 4: and she at the time was just starting to date

466
00:21:27,800 --> 00:21:31,840
Speaker 4: Nelly which talk about a cultural phenomenon. We were at

467
00:21:31,880 --> 00:21:34,080
Speaker 4: dinner one time and I could barely keep it together.

468
00:21:34,119 --> 00:21:36,360
Speaker 4: I was just like, but no, it was a really

469
00:21:36,440 --> 00:21:38,520
Speaker 4: it was a really great time. But I think to

470
00:21:38,680 --> 00:21:42,040
Speaker 4: go back to I guess the original question was that

471
00:21:42,320 --> 00:21:45,399
Speaker 4: I went through like a lot of these types of

472
00:21:45,440 --> 00:21:47,960
Speaker 4: movies really early on, but I always was sort of

473
00:21:48,160 --> 00:21:50,920
Speaker 4: like struggling with something at the time, or went really

474
00:21:51,000 --> 00:21:54,120
Speaker 4: up and down and had all these different obstacles going

475
00:21:54,160 --> 00:21:56,159
Speaker 4: on in my personal life that I never really was

476
00:21:56,320 --> 00:21:58,640
Speaker 4: present with what was going on and or like saw

477
00:21:58,720 --> 00:22:01,959
Speaker 4: it for what it really was. And so in hindsight,

478
00:22:02,040 --> 00:22:04,239
Speaker 4: it actually made me really grounded because I couldn't get

479
00:22:04,320 --> 00:22:06,480
Speaker 4: my head up in the clouds or see it from

480
00:22:06,480 --> 00:22:09,119
Speaker 4: another macro view. I was too busy just trying to

481
00:22:09,280 --> 00:22:13,280
Speaker 4: keep my shit together. Yeah, yeah, it doesn't bring it down,

482
00:22:13,320 --> 00:22:14,800
Speaker 4: but I don't at all.

483
00:22:14,800 --> 00:22:17,720
Speaker 1: Especially because like a lot of the things that I think, well,

484
00:22:17,840 --> 00:22:21,080
Speaker 1: for example John Tucker and then Pitch Perfect, you're around

485
00:22:21,359 --> 00:22:23,960
Speaker 1: a lot of you're you're in great ensembles with people

486
00:22:24,040 --> 00:22:26,280
Speaker 1: that are close to your age. So I would imagine

487
00:22:26,320 --> 00:22:28,639
Speaker 1: that that's like kind of cool because you can make

488
00:22:28,720 --> 00:22:31,280
Speaker 1: friends and get in touch with people but you're also

489
00:22:31,400 --> 00:22:32,480
Speaker 1: all kind of have the.

490
00:22:32,480 --> 00:22:35,480
Speaker 2: Same POV on this thing that's happening to us, so

491
00:22:35,560 --> 00:22:36,760
Speaker 2: that has to be like a little.

492
00:22:36,560 --> 00:22:40,200
Speaker 4: Bit like definitely, it's always really helpful. And I think

493
00:22:40,280 --> 00:22:42,800
Speaker 4: something that I've innately had about me since I was

494
00:22:42,880 --> 00:22:46,840
Speaker 4: a kid is that I'm pretty perceptive and self aware,

495
00:22:47,000 --> 00:22:49,040
Speaker 4: almost to a fault sometimes, So I do see like

496
00:22:49,560 --> 00:22:52,120
Speaker 4: what other people are taking in and how they're reacting

497
00:22:52,240 --> 00:22:56,160
Speaker 4: to what the movie's doing or what they're getting from things,

498
00:22:56,240 --> 00:22:58,440
Speaker 4: and I just yeah, and then I sort of like

499
00:22:58,560 --> 00:23:01,040
Speaker 4: go about what I want to do. Yeah, if that

500
00:23:01,160 --> 00:23:05,119
Speaker 4: makes any sense totally. But having that sort of duality

501
00:23:05,200 --> 00:23:06,919
Speaker 4: of knowing that someone else is doing something over here

502
00:23:06,920 --> 00:23:09,160
Speaker 4: and I don't necessarily need to has always been really

503
00:23:09,200 --> 00:23:09,720
Speaker 4: helpful for me.

504
00:23:10,480 --> 00:23:11,720
Speaker 5: You like, we're you just going to let.

505
00:23:11,800 --> 00:23:13,200
Speaker 4: Them go there?

506
00:23:13,840 --> 00:23:17,600
Speaker 3: If you're right, though, it is it is this thing

507
00:23:17,840 --> 00:23:22,560
Speaker 3: that either is discombobulating or really grounding the duality that

508
00:23:22,600 --> 00:23:25,040
Speaker 3: you're talking about, which which is like being an ensembles

509
00:23:25,119 --> 00:23:27,119
Speaker 3: of people close to your age, including up up until now,

510
00:23:27,200 --> 00:23:28,200
Speaker 3: up until adding wives.

511
00:23:28,359 --> 00:23:30,160
Speaker 5: Yeah, you know, it's actually really nice.

512
00:23:30,200 --> 00:23:32,080
Speaker 4: I mean it kind of makes me believe that people

513
00:23:32,160 --> 00:23:34,280
Speaker 4: want me to see like see me in movies that

514
00:23:34,400 --> 00:23:37,200
Speaker 4: have to do with like female friendship or like community,

515
00:23:37,440 --> 00:23:39,479
Speaker 4: or that I'm always in a group of people. I mean,

516
00:23:39,520 --> 00:23:42,080
Speaker 4: it's better than just me playing like I don't know

517
00:23:42,119 --> 00:23:44,200
Speaker 4: a castaway character and just being alone in all my

518
00:23:44,280 --> 00:23:45,760
Speaker 4: movies and people being like I don't really want to

519
00:23:45,760 --> 00:23:47,879
Speaker 4: see her interacting with anybody, you know. I like that

520
00:23:47,960 --> 00:23:50,000
Speaker 4: I'm always around other people and all these movies it

521
00:23:50,560 --> 00:23:52,320
Speaker 4: shows that maybe unfriendly I feel like.

522
00:23:52,560 --> 00:23:54,480
Speaker 1: Well, Also, the thing is, I believe it was like

523
00:23:54,560 --> 00:23:56,520
Speaker 1: Tina Fey who once said, like, you need a really

524
00:23:56,640 --> 00:23:58,639
Speaker 1: nice person to play a really mean person. That's why

525
00:23:58,720 --> 00:24:01,359
Speaker 1: you were such a good Amber von Tussle is because

526
00:24:01,680 --> 00:24:04,320
Speaker 1: it was like you did it so well, but like

527
00:24:04,440 --> 00:24:06,440
Speaker 1: you in the seats weren't snapped out of the movie,

528
00:24:06,680 --> 00:24:09,400
Speaker 1: like it because it wasn't that deep.

529
00:24:09,400 --> 00:24:12,200
Speaker 2: But like you were so And also like she does

530
00:24:12,320 --> 00:24:14,760
Speaker 2: get a little No, she doesn't get redemption in that movie.

531
00:24:14,840 --> 00:24:16,200
Speaker 2: She gets redemption in the Broaday.

532
00:24:16,000 --> 00:24:18,680
Speaker 4: Musical she does get a little bit not redemption, but

533
00:24:18,760 --> 00:24:20,840
Speaker 4: I think she has a change of heart towards the end.

534
00:24:21,119 --> 00:24:24,000
Speaker 5: Yeah, because she sort of without.

535
00:24:23,800 --> 00:24:26,720
Speaker 4: The power struggle of her and her mom, she sort

536
00:24:26,720 --> 00:24:28,720
Speaker 4: of sees it from a new and it's so slight.

537
00:24:28,840 --> 00:24:30,720
Speaker 5: I mean, it's at the very end of the movie's

538
00:24:30,760 --> 00:24:31,639
Speaker 5: like you can't stop to be.

539
00:24:31,760 --> 00:24:34,359
Speaker 4: Like maybe Amber's having a different perspective, and then out

540
00:24:34,359 --> 00:24:34,959
Speaker 4: in the movie's over.

541
00:24:35,760 --> 00:24:37,320
Speaker 2: Because did they cut in the movie?

542
00:24:37,400 --> 00:24:41,240
Speaker 1: Did they cut when you and that when Amber and

543
00:24:41,320 --> 00:24:43,720
Speaker 1: Velma sing in you can't stop the beat?

544
00:24:43,800 --> 00:24:44,840
Speaker 2: Or is it they cut that? Yeat?

545
00:24:44,880 --> 00:24:45,080
Speaker 4: See.

546
00:24:45,200 --> 00:24:46,560
Speaker 2: I knew they cut it because.

547
00:24:46,720 --> 00:24:49,840
Speaker 1: In the musical it's this like moment where the von

548
00:24:49,920 --> 00:24:52,159
Speaker 1: Tussels like kind of fully get brought up on the

549
00:24:52,200 --> 00:24:55,000
Speaker 1: other side. And I remember, truly one of the moments

550
00:24:55,080 --> 00:24:57,879
Speaker 1: in culture for me was seeing that Broadway musical and

551
00:24:58,080 --> 00:24:59,760
Speaker 1: just Laura Bell Bundy on the high.

552
00:24:59,640 --> 00:25:04,320
Speaker 4: Harmony of that psycho right like crazy crazy crazydle.

553
00:25:04,440 --> 00:25:05,080
Speaker 2: Did you see that?

554
00:25:05,520 --> 00:25:09,080
Speaker 4: Yes, I've obviously seen her, but you know Laura talking

555
00:25:09,080 --> 00:25:11,679
Speaker 4: about Guiding Light. Laura played my aunt guiding Light.

556
00:25:11,800 --> 00:25:13,239
Speaker 2: Yes, Laura Bell Bundy, Yes.

557
00:25:13,359 --> 00:25:15,320
Speaker 4: And Laura and I are very dear friends. And so

558
00:25:15,640 --> 00:25:18,840
Speaker 4: getting to take over, you know, or passing the baton

559
00:25:19,119 --> 00:25:20,760
Speaker 4: in a way to meet her to do the movie

560
00:25:20,960 --> 00:25:23,560
Speaker 4: was sort of really really nice and she gave me

561
00:25:23,640 --> 00:25:27,160
Speaker 4: her full blessing, which was huge because I can't sing

562
00:25:27,320 --> 00:25:30,760
Speaker 4: like Laura Bell Bundy like she's unbelievable.

563
00:25:30,200 --> 00:25:31,119
Speaker 2: Or a wonderful singer.

564
00:25:31,480 --> 00:25:34,760
Speaker 4: I'm not, but I but like Clarabel Bundy is like

565
00:25:35,359 --> 00:25:39,560
Speaker 4: a Mariah Carey of Broadway, is she I'll.

566
00:25:39,520 --> 00:25:42,880
Speaker 1: Never forget that sound. Yes, because it was the first

567
00:25:42,920 --> 00:25:45,320
Speaker 1: time I heard like live. I think it might have

568
00:25:45,359 --> 00:25:48,840
Speaker 1: been my first second Broadway show. And just them appsol

569
00:25:49,080 --> 00:25:52,080
Speaker 1: her launching that high harmony, I think like changed something

570
00:25:52,440 --> 00:25:56,480
Speaker 1: my life. But it was like again, it was a

571
00:25:56,520 --> 00:25:57,520
Speaker 1: dog realizing it was gay.

572
00:25:57,800 --> 00:25:59,359
Speaker 2: You know what a dog. Here's Laura Bell Bundy to

573
00:25:59,400 --> 00:26:01,800
Speaker 2: do the high heart realize this it's gay.

574
00:26:02,680 --> 00:26:04,880
Speaker 3: But yeah, that we have to point out something though

575
00:26:05,080 --> 00:26:07,760
Speaker 3: Guiding lighte and just soaps in general. It's like the

576
00:26:08,760 --> 00:26:12,760
Speaker 3: longer I like absorb knowledge about this business, the more

577
00:26:12,800 --> 00:26:16,560
Speaker 3: I'm convinced that that is where like the flames that

578
00:26:16,760 --> 00:26:19,159
Speaker 3: forge these actors is like.

579
00:26:19,240 --> 00:26:21,960
Speaker 2: No other flame in the world. What a weird metaphor.

580
00:26:22,080 --> 00:26:24,040
Speaker 4: But it's like you but it's like catch on fire,

581
00:26:24,160 --> 00:26:25,639
Speaker 4: yeah you hate it.

582
00:26:25,760 --> 00:26:28,560
Speaker 3: And and Laura, but also like you talked, we had

583
00:26:28,600 --> 00:26:31,520
Speaker 3: Lisa Rinna on earlier and she's like obviously a soap queen,

584
00:26:31,560 --> 00:26:34,280
Speaker 3: and like our friend Sarah Sherman was on General Hospital,

585
00:26:34,400 --> 00:26:36,399
Speaker 3: and she's just like, it's that thing where like if

586
00:26:36,440 --> 00:26:38,440
Speaker 3: you ask soap start to cry, They ask which.

587
00:26:38,320 --> 00:26:40,680
Speaker 2: I, yes, you know, it's do you know the which

588
00:26:40,760 --> 00:26:41,080
Speaker 2: I thing?

589
00:26:41,400 --> 00:26:42,760
Speaker 5: I can't do it out of which I? But I

590
00:26:42,800 --> 00:26:43,200
Speaker 5: can cry.

591
00:26:43,600 --> 00:26:47,359
Speaker 3: Of course, every scene in Hunting Wives, we turned our

592
00:26:47,400 --> 00:26:50,359
Speaker 3: house just turns to each other and goes Brittany.

593
00:26:50,160 --> 00:26:54,280
Speaker 1: Mother, No, there's a million things to talk to you about,

594
00:26:54,400 --> 00:26:57,080
Speaker 1: but like, let's just talk about Hunting Wives because it's

595
00:26:58,400 --> 00:26:59,520
Speaker 1: so Also, I have.

596
00:26:59,560 --> 00:27:03,520
Speaker 2: Some bone, okay bones.

597
00:27:03,880 --> 00:27:07,960
Speaker 4: Well, when I listened to the snow Bunnies of Brittany

598
00:27:08,000 --> 00:27:10,720
Speaker 4: snow Bunny, we are hot popic, of which I will

599
00:27:10,760 --> 00:27:14,359
Speaker 4: put on my tombstone. I I did notice that at

600
00:27:14,400 --> 00:27:18,880
Speaker 4: first you you love yeah, you were unsure of the macros.

601
00:27:18,920 --> 00:27:22,240
Speaker 3: And Rebecca and I talked about this during the Emmys,

602
00:27:22,359 --> 00:27:26,240
Speaker 3: because I will say, Rebecca, Katie Lowe is Britney snow

603
00:27:26,320 --> 00:27:29,760
Speaker 3: mon Ackerman Christy Matt's like you. You were the bells

604
00:27:29,800 --> 00:27:32,480
Speaker 3: of the ball and you and I did have a really,

605
00:27:32,560 --> 00:27:35,520
Speaker 3: I thought poignant conversation about how like it was so

606
00:27:36,280 --> 00:27:39,200
Speaker 3: interesting to be at one of those parties from the

607
00:27:39,240 --> 00:27:40,919
Speaker 3: perspective of because you were, like I've been at these

608
00:27:40,960 --> 00:27:43,080
Speaker 3: parties when it is really weird. If like you get

609
00:27:43,119 --> 00:27:44,760
Speaker 3: asked like what are you working on, You're like, I'm

610
00:27:44,800 --> 00:27:47,080
Speaker 3: just kind of yeah, it's weird to be in that space,

611
00:27:47,080 --> 00:27:49,520
Speaker 3: and like that's just like the whole industry ri it's

612
00:27:49,560 --> 00:27:51,720
Speaker 3: small in that space, right, It's like that's like the

613
00:27:51,840 --> 00:27:54,159
Speaker 3: broader scope of like this business. It's like, well, if

614
00:27:54,200 --> 00:27:56,200
Speaker 3: you're in between stuff, it's it's a little weird to

615
00:27:56,320 --> 00:27:58,800
Speaker 3: like communicate that, and you're not sure to feel about this.

616
00:27:58,840 --> 00:28:00,760
Speaker 3: But anyway, Rebecca and I kind of talked it out,

617
00:28:00,800 --> 00:28:02,879
Speaker 3: and I was like, thank you for letting me like

618
00:28:03,480 --> 00:28:06,480
Speaker 3: come to that understanding and that real realization in real

619
00:28:06,560 --> 00:28:08,280
Speaker 3: time for myself on the podcast, because I was like,

620
00:28:08,320 --> 00:28:08,880
Speaker 3: I don't.

621
00:28:08,680 --> 00:28:10,880
Speaker 2: Know what this is, what the show is doing.

622
00:28:11,760 --> 00:28:13,720
Speaker 5: People had that reaction, But I.

623
00:28:13,760 --> 00:28:17,000
Speaker 3: Think the terminus is pretty broadly and generally like, oh

624
00:28:17,040 --> 00:28:23,320
Speaker 3: my god, this show is bonkers camp like it's good

625
00:28:23,440 --> 00:28:24,399
Speaker 3: nutritional value.

626
00:28:24,480 --> 00:28:29,399
Speaker 4: I think, yes, it's nutritional, but but it's definitely and

627
00:28:29,480 --> 00:28:31,600
Speaker 4: you know what's funny is that, and Rebecca will test

628
00:28:31,600 --> 00:28:34,840
Speaker 4: to this. We weren't necessarily trying to do like high

629
00:28:35,040 --> 00:28:35,600
Speaker 4: high camping.

630
00:28:35,680 --> 00:28:36,680
Speaker 2: Sure we were.

631
00:28:37,040 --> 00:28:38,800
Speaker 4: It was sort of somewhere in the middle, and then

632
00:28:38,920 --> 00:28:41,640
Speaker 4: as we were kind of doing the show, I sort

633
00:28:41,680 --> 00:28:43,600
Speaker 4: of like realized it was sort of like when you know,

634
00:28:43,680 --> 00:28:46,080
Speaker 4: like a beautiful mind when things start like coming into view,

635
00:28:46,120 --> 00:28:50,400
Speaker 4: where I was like, oh, we're really making big little lies.

636
00:28:51,200 --> 00:28:53,640
Speaker 2: No, but you know what, you playing it like it was?

637
00:28:53,920 --> 00:28:58,080
Speaker 2: It is why? Yeah, it works because you again hold

638
00:28:58,160 --> 00:28:58,680
Speaker 2: the center.

639
00:28:59,240 --> 00:29:02,600
Speaker 4: You were giving conscious choice and sometimes it didn't work out.

640
00:29:02,760 --> 00:29:04,840
Speaker 4: But I did feel like if I lose, if I

641
00:29:04,920 --> 00:29:07,680
Speaker 4: lose the plot, if I'm sort of over the top

642
00:29:07,760 --> 00:29:11,400
Speaker 4: in a way, then you don't have a groundedness at

643
00:29:11,480 --> 00:29:14,160
Speaker 4: all choice. But sometimes I do wish that I pushed

644
00:29:14,200 --> 00:29:15,840
Speaker 4: it a little bit, But I think that that's what

645
00:29:16,000 --> 00:29:17,680
Speaker 4: next season is for a little bit.

646
00:29:17,840 --> 00:29:19,600
Speaker 2: Is now you're going to crack after what happened to

647
00:29:19,680 --> 00:29:20,120
Speaker 2: the finale.

648
00:29:20,280 --> 00:29:21,480
Speaker 5: Yeah, crazy, she's crazy.

649
00:29:22,280 --> 00:29:25,760
Speaker 4: This is a woman who's you know, almost forty, and

650
00:29:25,920 --> 00:29:29,200
Speaker 4: she's like, I must keep myself caged, and if I don't,

651
00:29:29,320 --> 00:29:33,720
Speaker 4: then everything will unravel. That's yeah, I have the capacity

652
00:29:33,800 --> 00:29:36,040
Speaker 4: to really go off the rails, and so I have

653
00:29:36,240 --> 00:29:38,920
Speaker 4: to keep myself really small, which is why I played

654
00:29:38,960 --> 00:29:41,160
Speaker 4: it pretty like small in general, and then I would

655
00:29:41,160 --> 00:29:43,640
Speaker 4: have these big moments, but then without them, you're kind

656
00:29:43,640 --> 00:29:45,160
Speaker 4: of like she's just sort of small.

657
00:29:46,000 --> 00:29:46,520
Speaker 2: Interesting.

658
00:29:46,560 --> 00:29:49,520
Speaker 1: Honestly though, it kind of makes the voicemail scene jump

659
00:29:49,600 --> 00:29:50,320
Speaker 1: out even more.

660
00:29:50,480 --> 00:29:53,720
Speaker 2: Yeah, that's that's probably excellency, because that's an excellency.

661
00:29:54,240 --> 00:29:57,840
Speaker 5: I loved that because we've all left that voice.

662
00:29:57,960 --> 00:29:59,600
Speaker 2: Yeah, or we wish we did yet.

663
00:29:59,600 --> 00:29:59,840
Speaker 4: Truly.

664
00:30:00,040 --> 00:30:02,360
Speaker 2: I sometimes will record it and send it to a friend.

665
00:30:02,480 --> 00:30:05,480
Speaker 2: I recently yeah, yeah, yeah, I recently had a.

666
00:30:05,880 --> 00:30:08,720
Speaker 1: Gnarly thought I wanted to tell someone, yeah, because I

667
00:30:08,760 --> 00:30:11,840
Speaker 1: found out someone did something, and I recorded the voicemail.

668
00:30:12,320 --> 00:30:14,400
Speaker 1: I recorded a voice memo and sent it to our

669
00:30:14,440 --> 00:30:17,320
Speaker 1: friend Jared, just to try it out. And he was like,

670
00:30:17,600 --> 00:30:20,200
Speaker 1: I didn't know what the context was and thought you

671
00:30:20,240 --> 00:30:21,680
Speaker 1: were talking to me. And I listened to the first

672
00:30:21,720 --> 00:30:23,720
Speaker 1: five seconds and how to lay down. He was like,

673
00:30:23,840 --> 00:30:25,760
Speaker 1: now I understand you cannot send this. I was like,

674
00:30:25,800 --> 00:30:27,520
Speaker 1: oh my god, I'm sorry. You should have read the

675
00:30:27,560 --> 00:30:28,040
Speaker 1: other text.

676
00:30:28,120 --> 00:30:29,400
Speaker 2: I was like, this is not to you.

677
00:30:29,920 --> 00:30:32,440
Speaker 4: Wait, that's really great hindsight or not hindsight, but like

678
00:30:32,560 --> 00:30:35,360
Speaker 4: foresight to send it to somebody first. I don't have

679
00:30:35,520 --> 00:30:36,000
Speaker 4: that within me.

680
00:30:36,200 --> 00:30:36,800
Speaker 2: Well, I don't know.

681
00:30:36,880 --> 00:30:38,920
Speaker 1: I probably probably was a little bit like too much

682
00:30:38,960 --> 00:30:41,360
Speaker 1: of it just cold. Send it to Jared but honestly

683
00:30:41,520 --> 00:30:45,719
Speaker 1: have me having like play it out there. It did

684
00:30:45,800 --> 00:30:46,240
Speaker 1: something for me.

685
00:30:46,280 --> 00:30:49,160
Speaker 4: Yes, so pro tip that is a therapy tactic. But

686
00:30:49,280 --> 00:30:51,640
Speaker 4: you're supposed to do that where you exercise and you

687
00:30:51,760 --> 00:30:54,400
Speaker 4: get it out. Yeah, but you don't really necessarily send it.

688
00:30:54,480 --> 00:30:56,800
Speaker 4: I don't always subscribe to that, like the writing it down,

689
00:30:56,880 --> 00:30:58,960
Speaker 4: but you don't actually send it to them time. No,

690
00:30:59,120 --> 00:31:01,000
Speaker 4: I want the forcellness that I'm reading.

691
00:31:01,520 --> 00:31:03,440
Speaker 1: I wanted to ask about like hunting Wi I was

692
00:31:03,440 --> 00:31:05,240
Speaker 1: obviously a little bit more, but just because you talk,

693
00:31:05,600 --> 00:31:07,640
Speaker 1: we're talking about this, like I wanted to ask about

694
00:31:07,680 --> 00:31:08,320
Speaker 1: Love is Louder.

695
00:31:08,800 --> 00:31:11,280
Speaker 2: Yeah, so yeah, that's still ongoing.

696
00:31:11,840 --> 00:31:13,560
Speaker 5: I don't work with loves Order anymore.

697
00:31:13,640 --> 00:31:13,680
Speaker 3: No.

698
00:31:13,800 --> 00:31:16,080
Speaker 4: I founded it in twenty ten with a friend of

699
00:31:16,160 --> 00:31:18,840
Speaker 4: mine and then it kind of became a different thing

700
00:31:18,920 --> 00:31:21,520
Speaker 4: in two thousand and in twenty twenty. But I have

701
00:31:21,600 --> 00:31:23,320
Speaker 4: a new charity that I started with a friend of

702
00:31:23,360 --> 00:31:25,680
Speaker 4: mine called September Letters that I started in twenty twenty

703
00:31:26,080 --> 00:31:28,000
Speaker 4: that is sort of in the same way where it's

704
00:31:28,000 --> 00:31:30,400
Speaker 4: like a therapeutic letter writing experience.

705
00:31:29,960 --> 00:31:31,840
Speaker 2: Where speaking of writing it down.

706
00:31:31,800 --> 00:31:32,600
Speaker 5: They're writing it down.

707
00:31:32,800 --> 00:31:34,720
Speaker 4: But we do all sorts of different types of letter writing,

708
00:31:34,760 --> 00:31:37,000
Speaker 4: but it comes from the idea that I actually read

709
00:31:37,000 --> 00:31:38,840
Speaker 4: an article when I was going through a really hard

710
00:31:38,880 --> 00:31:42,160
Speaker 4: time when I was a teenager, and that article gave

711
00:31:42,240 --> 00:31:44,000
Speaker 4: me sort of like the hope that I needed that

712
00:31:44,120 --> 00:31:48,080
Speaker 4: someone else had what I had, because in the nineties,

713
00:31:48,120 --> 00:31:52,440
Speaker 4: when you're a teenager, no one's talking about depression, eating disorders, anxiety,

714
00:31:52,520 --> 00:31:55,160
Speaker 4: anything like that. And in a fitness magazine, this girl

715
00:31:55,280 --> 00:31:56,720
Speaker 4: was talking about it, and so I ripped out that

716
00:31:56,920 --> 00:31:59,520
Speaker 4: article and carried it in my back pocket. It's like a.

717
00:31:59,600 --> 00:32:01,680
Speaker 5: Symbol that I was gonna be okay.

718
00:32:02,200 --> 00:32:04,320
Speaker 4: And then later, when I got a lot of recovery,

719
00:32:04,840 --> 00:32:09,239
Speaker 4: I did a magazine article, and the magazine article had

720
00:32:09,320 --> 00:32:11,320
Speaker 4: come out, and I had talked about how that article

721
00:32:11,440 --> 00:32:14,800
Speaker 4: really infused my recovery, and this girl at a coffee

722
00:32:14,840 --> 00:32:17,840
Speaker 4: shop saw me, and she turned around and just started crying,

723
00:32:17,840 --> 00:32:19,640
Speaker 4: and she was holding my article.

724
00:32:19,360 --> 00:32:20,240
Speaker 5: In her back pocket.

725
00:32:20,800 --> 00:32:23,160
Speaker 4: And so September Letters was worn out of the idea

726
00:32:23,280 --> 00:32:25,720
Speaker 4: that you sharing your story might just be really small

727
00:32:25,760 --> 00:32:27,240
Speaker 4: to you, but it might be the story that someone

728
00:32:27,320 --> 00:32:29,120
Speaker 4: needs to feel like there's hope.

729
00:32:30,040 --> 00:32:33,080
Speaker 2: So that's why you got to write it down well,

730
00:32:33,360 --> 00:32:33,600
Speaker 2: or at.

731
00:32:33,640 --> 00:32:35,760
Speaker 5: Least share it in a way that makes someone else

732
00:32:35,840 --> 00:32:36,360
Speaker 5: feel seen.

733
00:32:36,760 --> 00:32:39,240
Speaker 3: I guess that's so important. But you're just amplifying the

734
00:32:39,280 --> 00:32:42,120
Speaker 3: power of sharing by like within that story, like you

735
00:32:42,200 --> 00:32:45,040
Speaker 3: have like this nesting doll thing where it's like someone

736
00:32:45,080 --> 00:32:47,240
Speaker 3: else shared a story, so I'm going to share mine. Yeah,

737
00:32:47,440 --> 00:32:49,720
Speaker 3: and then and then this girl at the coffee shop

738
00:32:49,760 --> 00:32:52,880
Speaker 3: has your your sort of version of that that is

739
00:32:53,040 --> 00:32:55,960
Speaker 3: like encased in this other person's.

740
00:32:56,240 --> 00:32:59,440
Speaker 4: Yeah, it was a true like pay it forward chain mail,

741
00:33:00,120 --> 00:33:02,560
Speaker 4: the moment where yeah, you think you're doing this one

742
00:33:02,640 --> 00:33:04,600
Speaker 4: little small thing and it turns out to be really

743
00:33:04,640 --> 00:33:06,480
Speaker 4: helpful to somebody that you might not even know down

744
00:33:06,520 --> 00:33:10,600
Speaker 4: the line. So that's that's what I continuously work on

745
00:33:10,680 --> 00:33:12,200
Speaker 4: as well. September Letters, Yeah.

746
00:33:12,000 --> 00:33:16,640
Speaker 3: Beautiful, gosh, chain mail being like being the thing that

747
00:33:16,760 --> 00:33:18,560
Speaker 3: your parents would do over email, Like that was like

748
00:33:18,600 --> 00:33:22,240
Speaker 3: the the online behavior that your parents would partake in

749
00:33:22,320 --> 00:33:24,560
Speaker 3: where you go, oh mom no. But now it's like

750
00:33:24,760 --> 00:33:26,280
Speaker 3: sharing an article about how.

751
00:33:26,320 --> 00:33:28,600
Speaker 5: Like, yeah, you know, we're all doing chain mail.

752
00:33:28,720 --> 00:33:30,480
Speaker 3: Really, we're all doing a version of chain mail that

753
00:33:30,640 --> 00:33:33,840
Speaker 3: is yeah, a little a little fucked. Wait, we're I

754
00:33:34,040 --> 00:33:35,800
Speaker 3: do want to go back to hunting wives. I want

755
00:33:35,800 --> 00:33:37,720
Speaker 3: to open the floor before we ask you more about

756
00:33:37,720 --> 00:33:39,600
Speaker 3: honey wives and the question what was your other bone?

757
00:33:39,640 --> 00:33:41,680
Speaker 3: What are your what are your other bones? And also

758
00:33:42,440 --> 00:33:46,880
Speaker 3: TikTok things that are maybe getting at you. I'm throwing

759
00:33:46,920 --> 00:33:47,320
Speaker 3: a lot at you.

760
00:33:47,520 --> 00:33:51,240
Speaker 4: Yeah, yeah, all the things that are annoying. No, you,

761
00:33:51,560 --> 00:33:55,080
Speaker 4: you were never annoying about hunting wives. I was actually

762
00:33:55,160 --> 00:33:57,320
Speaker 4: in agreement with a lot of a lot of the

763
00:33:57,360 --> 00:33:58,040
Speaker 4: things that you said.

764
00:33:58,320 --> 00:34:02,080
Speaker 2: I'm on board. Ye. So first of all, it's fun.

765
00:34:02,880 --> 00:34:05,240
Speaker 2: That's that's why it's so great, is because it's fun,

766
00:34:05,320 --> 00:34:08,160
Speaker 2: and it's like so committed to like I felt so

767
00:34:08,880 --> 00:34:11,640
Speaker 2: safe in every episode because I'm like, these women are

768
00:34:11,719 --> 00:34:14,399
Speaker 2: tearing it up. I'm telling you, I'm such a fan

769
00:34:14,480 --> 00:34:15,800
Speaker 2: of everyone in particular.

770
00:34:15,880 --> 00:34:18,279
Speaker 1: I want to shout out Katie Lows I know those

771
00:34:18,480 --> 00:34:20,560
Speaker 1: rocks man and I when she came in with that

772
00:34:20,719 --> 00:34:23,600
Speaker 1: hair blown out, like and she was just it's it's

773
00:34:23,760 --> 00:34:26,080
Speaker 1: behind her eyes, like she is in it.

774
00:34:26,760 --> 00:34:29,800
Speaker 2: And for her last line after she shot in the chest,

775
00:34:29,920 --> 00:34:31,200
Speaker 2: to be you once.

776
00:34:31,480 --> 00:34:33,279
Speaker 5: It's like, it's the best way to die.

777
00:34:33,440 --> 00:34:35,040
Speaker 2: Come on. I was like, that's what I was, like,

778
00:34:35,400 --> 00:34:37,520
Speaker 2: this is the best show. It's the bestow like, come on.

779
00:34:37,680 --> 00:34:40,120
Speaker 2: And now I'm just upset because so many of the

780
00:34:40,160 --> 00:34:41,279
Speaker 2: women are dead I.

781
00:34:41,360 --> 00:34:43,840
Speaker 4: Know, and Katie Low's and I got very close and

782
00:34:44,080 --> 00:34:46,200
Speaker 4: I just think she's the most special human. I mean

783
00:34:46,239 --> 00:34:48,680
Speaker 4: all of the women are, but I'm very very upset

784
00:34:48,719 --> 00:34:49,160
Speaker 4: that she's.

785
00:34:49,040 --> 00:34:50,719
Speaker 1: Dead and when she come back, Like, I feel like

786
00:34:50,760 --> 00:34:52,320
Speaker 1: the Hunting Wife is a show where she could have

787
00:34:52,360 --> 00:34:52,640
Speaker 1: a twin.

788
00:34:52,760 --> 00:34:53,520
Speaker 2: She could have a twin.

789
00:34:53,840 --> 00:34:56,239
Speaker 4: We've already talked about that. I don't think that's a possibility,

790
00:34:56,280 --> 00:34:58,440
Speaker 4: but we do. We were like, what would her name be,

791
00:34:58,680 --> 00:35:01,600
Speaker 4: Jill nel je jel.

792
00:35:01,560 --> 00:35:05,680
Speaker 2: Her It's me Jell. That's I want to be in

793
00:35:05,719 --> 00:35:08,720
Speaker 2: the room. I do think that. My pitch for Hunting

794
00:35:08,760 --> 00:35:12,719
Speaker 2: Wives season two is that Jamie Ray Newman's character with

795
00:35:12,840 --> 00:35:16,000
Speaker 2: her new show, comes on Lost Culturistas and we play

796
00:35:16,120 --> 00:35:18,920
Speaker 2: ourselves and she gets us to be right wing.

797
00:35:19,400 --> 00:35:21,719
Speaker 5: Yes wait I just got chills.

798
00:35:22,000 --> 00:35:24,560
Speaker 2: Yeah, and now I kind of like ruined it. But

799
00:35:24,960 --> 00:35:28,240
Speaker 2: literally it's it's it's like you ever see a monster

800
00:35:28,360 --> 00:35:31,800
Speaker 2: the lilent Eric Menendez thing, so you know, the wer

801
00:35:32,320 --> 00:35:34,680
Speaker 2: with Cooper Kotch when he's like doing the thing.

802
00:35:34,920 --> 00:35:37,279
Speaker 1: I think it's that, but it's lost Coach. It's a

803
00:35:37,360 --> 00:35:40,160
Speaker 1: ninety minute episode of Hunting Wives, which is Jamie Ray

804
00:35:40,200 --> 00:35:42,600
Speaker 1: Newman playing her character and us as Matt Rogers and

805
00:35:42,640 --> 00:35:44,640
Speaker 1: Bewen yang Ye and by the end you see how

806
00:35:44,760 --> 00:35:47,640
Speaker 1: powerful she is because she got lost coach to be

807
00:35:47,800 --> 00:35:50,560
Speaker 1: like yeah, for sure, to fully go right.

808
00:35:50,800 --> 00:35:52,360
Speaker 5: I mean I feel like she could do that.

809
00:35:53,000 --> 00:35:54,440
Speaker 2: She's really amazing.

810
00:35:54,680 --> 00:35:56,800
Speaker 4: Yeah, she's a really good No, not only is she

811
00:35:56,880 --> 00:35:59,360
Speaker 4: an amazing actor, but like that character, oh yeah, that.

812
00:35:59,560 --> 00:36:02,080
Speaker 2: Character been in the butt, So don't tell me about

813
00:36:02,080 --> 00:36:05,239
Speaker 2: the show being you know, like like when when I

814
00:36:05,360 --> 00:36:09,080
Speaker 2: heard the the dildo come out of the butt, you

815
00:36:09,160 --> 00:36:10,680
Speaker 2: know what, We wound it fifteen times.

816
00:36:10,719 --> 00:36:13,319
Speaker 5: I remember listening to that you break that down.

817
00:36:13,440 --> 00:36:14,000
Speaker 2: We folly did it.

818
00:36:15,800 --> 00:36:18,000
Speaker 1: And it was the most graphic anal sex either of

819
00:36:18,120 --> 00:36:20,320
Speaker 1: us experienced. And we were in Pete Town when we

820
00:36:20,360 --> 00:36:23,920
Speaker 1: watched it. I'm taking the pr am.

821
00:36:23,960 --> 00:36:27,560
Speaker 2: I taking it out. No, no, let Britney react to that.

822
00:36:28,400 --> 00:36:29,640
Speaker 2: Come on, I believe you.

823
00:36:30,840 --> 00:36:33,160
Speaker 3: At what point did the beautiful mind moment happened for

824
00:36:33,239 --> 00:36:34,759
Speaker 3: you while you were making the show where you were like,

825
00:36:34,840 --> 00:36:35,399
Speaker 3: wait a minute.

826
00:36:35,400 --> 00:36:37,080
Speaker 4: It was pretty early on. I mean it was, it

827
00:36:37,239 --> 00:36:39,759
Speaker 4: was really I mean, once you see Katie Lowe's and

828
00:36:40,440 --> 00:36:43,560
Speaker 4: and everybody's you know, mallin and the way, you know,

829
00:36:43,840 --> 00:36:47,200
Speaker 4: it was sort of immediate. But in rehearsals and stuff,

830
00:36:48,160 --> 00:36:50,400
Speaker 4: not aware, not aware. Once we got on set and

831
00:36:50,640 --> 00:36:54,399
Speaker 4: sort of seeing the shots and the color, I was like, yes, okay,

832
00:36:54,840 --> 00:36:55,719
Speaker 4: I know, I know what we're doing.

833
00:36:56,000 --> 00:36:58,800
Speaker 3: Yes, Why are you someone who watches dailies? Or do

834
00:36:58,840 --> 00:37:01,480
Speaker 3: you do you watch like playback, like like what's on them?

835
00:37:01,640 --> 00:37:02,800
Speaker 3: Like do you watch what's on the monitor?

836
00:37:03,320 --> 00:37:06,920
Speaker 4: Not? Really? I do think I sometimes it's helpful to

837
00:37:07,239 --> 00:37:09,600
Speaker 4: just know at the very beginning. But I'm not a

838
00:37:09,640 --> 00:37:12,239
Speaker 4: person that is micromanaging myself because I'll go and say it,

839
00:37:12,320 --> 00:37:14,279
Speaker 4: of course, and I always think I can do better.

840
00:37:14,400 --> 00:37:15,800
Speaker 4: So there's never a time that I'm gonna be like,

841
00:37:16,719 --> 00:37:21,799
Speaker 4: nailed it, nail Yeah, So I always wanted.

842
00:37:21,520 --> 00:37:22,799
Speaker 2: To go again, of course. Yeah.

843
00:37:23,080 --> 00:37:25,239
Speaker 3: But I do think that's helpful just to get the

844
00:37:26,200 --> 00:37:29,040
Speaker 3: it does inform like the you know, the screen picture

845
00:37:29,080 --> 00:37:31,880
Speaker 3: of it kind of just informs the tone. As an actor,

846
00:37:32,040 --> 00:37:35,000
Speaker 3: you're like, gotcha, I can lock into what this is.

847
00:37:35,440 --> 00:37:37,440
Speaker 4: But I do think from the very beginning there was

848
00:37:37,480 --> 00:37:41,920
Speaker 4: a very clear understanding of the of what we were

849
00:37:41,960 --> 00:37:43,800
Speaker 4: making in terms of like the women that were on

850
00:37:43,880 --> 00:37:45,840
Speaker 4: the show, what kind of women we were going to

851
00:37:45,920 --> 00:37:50,319
Speaker 4: be that we're like not twenty years old and we're

852
00:37:50,360 --> 00:37:53,640
Speaker 4: having these vacccenes, like we're in our late thirties forties

853
00:37:53,719 --> 00:37:55,880
Speaker 4: and we're going to be like powerful and this is

854
00:37:55,960 --> 00:37:58,080
Speaker 4: for the woman gaze. Yeah, and we're going to like

855
00:37:58,239 --> 00:38:00,400
Speaker 4: go for it. That was never a question. We were

856
00:38:00,480 --> 00:38:03,719
Speaker 4: never like shy about. Oh, I wonder if this is

857
00:38:03,800 --> 00:38:04,800
Speaker 4: going to be too much.

858
00:38:04,800 --> 00:38:06,360
Speaker 2: Like I wonder if we, you know, well, back this

859
00:38:06,400 --> 00:38:08,319
Speaker 2: scene when we get to it. I won't raise anything now,

860
00:38:08,400 --> 00:38:10,239
Speaker 2: but I might be a little uncomfortable. No, you guys

861
00:38:10,280 --> 00:38:11,239
Speaker 2: have to be going for We.

862
00:38:11,280 --> 00:38:13,440
Speaker 4: Knew going into it, and we signed up for that,

863
00:38:13,560 --> 00:38:15,520
Speaker 4: and I think that that's something that we're proud of

864
00:38:15,719 --> 00:38:16,040
Speaker 4: that like.

865
00:38:16,000 --> 00:38:17,520
Speaker 2: It would be oh my gosh.

866
00:38:18,600 --> 00:38:21,520
Speaker 4: Hollywood wants to kind of disregard women after the age

867
00:38:21,560 --> 00:38:27,200
Speaker 4: of thirty two her sex scenes, specifically nudity and things

868
00:38:27,239 --> 00:38:29,160
Speaker 4: that are sort of like women coming into their own

869
00:38:29,760 --> 00:38:33,440
Speaker 4: sexual like promiless, and I think that this was just like, no,

870
00:38:33,680 --> 00:38:36,600
Speaker 4: we're going to still have this be very prevalent in

871
00:38:36,680 --> 00:38:39,160
Speaker 4: a in a woman's life, even after she's of a

872
00:38:39,280 --> 00:38:41,480
Speaker 4: Hollywood age of you know.

873
00:38:41,680 --> 00:38:49,319
Speaker 3: Meanwhile, they're the most sensual, sexy sex scenes I've ever seen, Like, y'all, y'all,

874
00:38:49,360 --> 00:38:54,000
Speaker 3: Eating Box is like the craziest most that it's the

875
00:38:54,160 --> 00:38:55,840
Speaker 3: horniest I've ever found.

876
00:38:56,160 --> 00:38:58,920
Speaker 2: I'm so malley when she eats box like ome baby,

877
00:38:59,280 --> 00:39:02,040
Speaker 2: you know what I mean, the way that she maybe

878
00:39:02,960 --> 00:39:05,200
Speaker 2: like the way that she I know, it's it's trust me.

879
00:39:05,320 --> 00:39:06,359
Speaker 4: Wait, that was really hot.

880
00:39:07,360 --> 00:39:09,160
Speaker 2: I'm and that's just the truth.

881
00:39:09,200 --> 00:39:09,680
Speaker 4: Oh my god.

882
00:39:10,440 --> 00:39:13,160
Speaker 1: I have to meet her because I know I'm her.

883
00:39:14,600 --> 00:39:16,680
Speaker 1: I know you one, and you're like, I'm them, so

884
00:39:16,760 --> 00:39:18,400
Speaker 1: I have to meet them for me. It's Mollin and

885
00:39:18,520 --> 00:39:22,040
Speaker 1: Kate Hudson. Yeah, that is a really good con three

886
00:39:22,080 --> 00:39:24,640
Speaker 1: of us need to have the filthiest martiniz that.

887
00:39:24,760 --> 00:39:25,719
Speaker 5: You guys would never leave.

888
00:39:25,920 --> 00:39:28,520
Speaker 4: I feel we would try to be I want to

889
00:39:28,600 --> 00:39:30,560
Speaker 4: be there, but then I feel like I'd leave after

890
00:39:30,640 --> 00:39:30,919
Speaker 4: a while.

891
00:39:32,200 --> 00:39:32,479
Speaker 3: You would.

892
00:39:32,560 --> 00:39:34,800
Speaker 2: You would get tired, and it's just because that conversation

893
00:39:34,840 --> 00:39:36,000
Speaker 2: would come up that you'd be like, I'm not.

894
00:39:36,040 --> 00:39:37,920
Speaker 4: Getting into this with these No, I'd probably get too

895
00:39:37,960 --> 00:39:39,080
Speaker 4: drunk and just want to take a name.

896
00:39:40,280 --> 00:39:42,759
Speaker 2: We're so the same, Brittany and Night are so the same.

897
00:39:43,160 --> 00:39:45,440
Speaker 2: You really are. Boen is the king of Like, I'm.

898
00:39:45,320 --> 00:39:48,760
Speaker 4: Tired, but I'm going to rage until I get tired.

899
00:39:48,840 --> 00:39:49,279
Speaker 2: For sure.

900
00:39:49,920 --> 00:39:52,840
Speaker 4: Absolutely, that was that was my like m O on

901
00:39:52,920 --> 00:39:55,839
Speaker 4: the Pitch Perfect set, It's like, guys, we're young ones,

902
00:39:55,880 --> 00:39:56,479
Speaker 4: we got rage.

903
00:39:57,320 --> 00:39:58,640
Speaker 2: You were the ring leader.

904
00:39:58,680 --> 00:39:59,879
Speaker 5: Oh, I was definitely the ring leader.

905
00:40:00,040 --> 00:40:01,239
Speaker 4: Really, especially in.

906
00:40:01,239 --> 00:40:01,960
Speaker 5: Pitch Perfect one.

907
00:40:02,000 --> 00:40:04,440
Speaker 4: I was like, we're all twenty five, We're doing a

908
00:40:04,480 --> 00:40:07,080
Speaker 4: movie about singing and dancing. Yeah, we're going out.

909
00:40:07,200 --> 00:40:09,719
Speaker 2: We got to. Are guys still in touch?

910
00:40:10,120 --> 00:40:11,160
Speaker 5: Yeah, we're all very close?

911
00:40:11,239 --> 00:40:13,399
Speaker 1: Let me ask is there a pitch Perfect group chat?

912
00:40:13,440 --> 00:40:15,520
Speaker 1: I feel like that's the most like the news question.

913
00:40:15,880 --> 00:40:18,640
Speaker 1: I'm allowed to say that because they're not they don't exist. Oh,

914
00:40:18,880 --> 00:40:21,160
Speaker 1: ri ip, yes, well I love them while they were here.

915
00:40:21,640 --> 00:40:23,439
Speaker 5: Yeah, there is a group chat.

916
00:40:23,680 --> 00:40:23,919
Speaker 3: Yeah.

917
00:40:24,200 --> 00:40:24,960
Speaker 2: How active is it?

918
00:40:25,520 --> 00:40:28,359
Speaker 4: It's pretty it's died off like in the past couple

919
00:40:28,400 --> 00:40:28,880
Speaker 4: of months.

920
00:40:29,000 --> 00:40:31,640
Speaker 2: It's died off since the second sequel. Yeah, no, no,

921
00:40:31,719 --> 00:40:32,640
Speaker 2: in the past couple of months.

922
00:40:32,800 --> 00:40:36,320
Speaker 4: That's yeah, pretty recent Yeah, pretty recently, and not on purpose.

923
00:40:36,400 --> 00:40:38,160
Speaker 4: I think everybody's just busy older.

924
00:40:38,239 --> 00:40:39,719
Speaker 2: Now I'm trying to think what happened a couple of

925
00:40:39,760 --> 00:40:42,640
Speaker 2: months ago? Did anything go down? No, nothing went down.

926
00:40:42,719 --> 00:40:45,759
Speaker 3: Styler had a birthday recently and I loved skyl Oh. Yeah,

927
00:40:45,800 --> 00:40:49,920
Speaker 3: I love I don't know recent Skyler birthday? Anna, Anna,

928
00:40:50,040 --> 00:40:54,319
Speaker 3: I love, I love Anna Camp. Yes, Anna, Anna Camp

929
00:40:54,360 --> 00:40:58,719
Speaker 3: and Anna Kendrick both legends. Yes, we're Ben Platt heads.

930
00:40:58,760 --> 00:41:01,000
Speaker 2: Of course, I mean we're Ben.

931
00:41:02,640 --> 00:41:03,640
Speaker 4: Of course, me too.

932
00:41:05,080 --> 00:41:09,240
Speaker 2: With Rebel. Isn't it romantic.

933
00:41:11,640 --> 00:41:13,080
Speaker 5: With Adam divine too?

934
00:41:13,400 --> 00:41:15,960
Speaker 2: Yes? Oh my god, you are.

935
00:41:16,440 --> 00:41:17,200
Speaker 5: You are a part of us.

936
00:41:17,320 --> 00:41:18,719
Speaker 2: You're a part of the group. Chat.

937
00:41:20,200 --> 00:41:23,640
Speaker 5: That'd be great, maybe give resurgence to like the whole race.

938
00:41:25,200 --> 00:41:25,319
Speaker 4: Here.

939
00:41:25,440 --> 00:41:34,719
Speaker 2: That was here. Oh, I wanted to ask you about

940
00:41:34,719 --> 00:41:37,320
Speaker 2: Adam Shankman too, So I I was on I was

941
00:41:37,400 --> 00:41:39,080
Speaker 2: on set with Adam working on this.

942
00:41:39,200 --> 00:41:41,640
Speaker 1: Thing, and he was like, oh, Brittany's the best that stuff.

943
00:41:41,800 --> 00:41:45,799
Speaker 1: And he told a story about how you auditioned for hairspray.

944
00:41:46,080 --> 00:41:47,840
Speaker 2: Yes, it was a process.

945
00:41:48,719 --> 00:41:51,600
Speaker 4: It was a process. I actually told this on like

946
00:41:52,040 --> 00:41:54,080
Speaker 4: a talk show or something like that. But it was

947
00:41:55,239 --> 00:41:57,560
Speaker 4: the audition for hairspray. This is sort of like in

948
00:41:57,680 --> 00:41:59,560
Speaker 4: very indicative of who I am. But I'm a pretty

949
00:41:59,640 --> 00:42:04,920
Speaker 4: anxiou auditioner. I've had to go to much hypnotherapy about auditioning.

950
00:42:05,080 --> 00:42:07,480
Speaker 2: I want to ask for your hypnotists. I love my hypnosis.

951
00:42:07,480 --> 00:42:09,120
Speaker 4: Okay, I need to she saved my life.

952
00:42:09,160 --> 00:42:10,080
Speaker 2: Okay, we're into that.

953
00:42:10,400 --> 00:42:13,320
Speaker 5: I love her, But but auditioning for me.

954
00:42:13,600 --> 00:42:16,200
Speaker 4: It's not the fact that I am not a bad auditioner,

955
00:42:16,280 --> 00:42:18,400
Speaker 4: and it's not even there's something that happens with the

956
00:42:18,480 --> 00:42:22,120
Speaker 4: pressure bad test taker. I'm just really bad at like

957
00:42:22,600 --> 00:42:25,640
Speaker 4: the battle of my mind. That's like, you have one

958
00:42:25,800 --> 00:42:30,520
Speaker 4: chance to do this if you you know. So that audition,

959
00:42:30,600 --> 00:42:34,280
Speaker 4: I was only like twenty years old. I bombed the audition,

960
00:42:34,480 --> 00:42:36,200
Speaker 4: like I really really did badly. I got in my

961
00:42:36,280 --> 00:42:38,239
Speaker 4: head and I knew I could do it, and I

962
00:42:38,320 --> 00:42:40,040
Speaker 4: knew I was right for the role, and Laura Belle

963
00:42:40,040 --> 00:42:40,680
Speaker 4: already gave me the.

964
00:42:40,680 --> 00:42:41,520
Speaker 5: Stamp of approval.

965
00:42:42,480 --> 00:42:46,959
Speaker 4: And I had gone to a psychic two years before

966
00:42:47,000 --> 00:42:49,640
Speaker 4: when I was filming John Tecker Must Die, and the

967
00:42:49,680 --> 00:42:51,800
Speaker 4: psychic told me that I was going to play the

968
00:42:51,960 --> 00:42:55,320
Speaker 4: daughter of an iconic blonde woman who was very famous,

969
00:42:55,960 --> 00:42:57,919
Speaker 4: and she was like, it's going to be two years

970
00:42:57,960 --> 00:43:00,400
Speaker 4: from now, and I was like, that's so specific.

971
00:43:00,600 --> 00:43:01,160
Speaker 2: Well, they're real.

972
00:43:02,200 --> 00:43:04,840
Speaker 4: I mean, here, I have something to say about psychics

973
00:43:04,840 --> 00:43:06,840
Speaker 4: and a second't but then I put that away. I

974
00:43:06,960 --> 00:43:10,359
Speaker 4: write it down and I put it away, and then

975
00:43:10,719 --> 00:43:14,000
Speaker 4: this audition comes up. Adam calls me because he had

976
00:43:14,040 --> 00:43:18,399
Speaker 4: directed me in Pacifier. The Pacifier, so yeah, we won't

977
00:43:18,400 --> 00:43:21,640
Speaker 4: get into that, and so we were already friends and

978
00:43:21,719 --> 00:43:23,680
Speaker 4: he called me and he was like, you know, that

979
00:43:23,840 --> 00:43:25,480
Speaker 4: just wasn't your best and I was like, I know,

980
00:43:25,600 --> 00:43:27,600
Speaker 4: I'm sorry I let you down, you know, And he

981
00:43:27,680 --> 00:43:29,480
Speaker 4: was like it's okay, Like I still love you, but

982
00:43:29,920 --> 00:43:32,800
Speaker 4: it's really sad because Michelle Pfeiffer just signed on to

983
00:43:32,840 --> 00:43:35,920
Speaker 4: play Velma and she's so iconic and you guys look

984
00:43:36,000 --> 00:43:39,040
Speaker 4: so and I was like iconic and then I was like,

985
00:43:39,080 --> 00:43:40,440
Speaker 4: wait a second, I need to go back to my

986
00:43:40,520 --> 00:43:42,160
Speaker 4: journal and I looked up and by the time that

987
00:43:42,239 --> 00:43:44,200
Speaker 4: Hairspray would have come out, it would have been two years.

988
00:43:44,280 --> 00:43:44,520
Speaker 2: Wow.

989
00:43:44,680 --> 00:43:46,279
Speaker 4: So I called down him back and I said, I

990
00:43:46,360 --> 00:43:48,640
Speaker 4: know this is crazy, but a psychic told me that

991
00:43:48,719 --> 00:43:50,960
Speaker 4: I was going to play the daughter of an iconic,

992
00:43:51,360 --> 00:43:54,800
Speaker 4: legendary blonde woman. And it's too weird for this not

993
00:43:54,960 --> 00:43:55,439
Speaker 4: to be true.

994
00:43:55,520 --> 00:43:57,200
Speaker 2: Can I just audition again one more time?

995
00:43:57,560 --> 00:44:00,759
Speaker 4: And he was like, you're the craziest human being. You've

996
00:44:00,800 --> 00:44:03,000
Speaker 4: either lost your mind or this is gonna be really

997
00:44:03,040 --> 00:44:04,799
Speaker 4: funny story. One day, I'm gonna let you audition again.

998
00:44:05,360 --> 00:44:09,000
Speaker 4: And so he let me audition again and I nailed

999
00:44:09,120 --> 00:44:11,239
Speaker 4: the audition. And you know why I nailed it is

1000
00:44:11,360 --> 00:44:15,319
Speaker 4: because I had that sort of like talking in my head,

1001
00:44:15,360 --> 00:44:17,480
Speaker 4: that voice in my head, psychic or not, that was like,

1002
00:44:18,040 --> 00:44:18,759
Speaker 4: this is meant to be.

1003
00:44:19,239 --> 00:44:20,279
Speaker 5: You already have it.

1004
00:44:20,680 --> 00:44:23,600
Speaker 3: You have that subconscious underpinning where you're like, it's fine,

1005
00:44:23,880 --> 00:44:25,319
Speaker 3: but this is the purpose. This is why I love

1006
00:44:25,360 --> 00:44:27,320
Speaker 3: this story because I did see that interview and it

1007
00:44:27,400 --> 00:44:29,960
Speaker 3: blew my mind. Where you told a story. It's the

1008
00:44:30,040 --> 00:44:34,160
Speaker 3: perfect marriage of like, okay, it's whatever, it's predestined, but

1009
00:44:34,320 --> 00:44:37,759
Speaker 3: also you had to pick up the phone and called

1010
00:44:38,560 --> 00:44:40,320
Speaker 3: you keep that information. You were like, I'm going to

1011
00:44:40,400 --> 00:44:42,160
Speaker 3: take this into my own hands. It's like free will

1012
00:44:42,360 --> 00:44:43,600
Speaker 3: and predeterminism.

1013
00:44:43,640 --> 00:44:45,359
Speaker 4: And that's why, Like when people have heard that story

1014
00:44:45,360 --> 00:44:48,000
Speaker 4: and they're like, I don't believe in psychics, you're promoting

1015
00:44:48,080 --> 00:44:50,040
Speaker 4: you know, And I'm like, whatever, it doesn't matter if

1016
00:44:50,080 --> 00:44:51,080
Speaker 4: you believe in psychics or not.

1017
00:44:51,200 --> 00:44:51,680
Speaker 5: Who cares.

1018
00:44:52,120 --> 00:44:55,120
Speaker 4: What really goes to show is that what really helped

1019
00:44:55,200 --> 00:44:56,759
Speaker 4: me was the fact that I wanted to take a

1020
00:44:56,880 --> 00:44:58,719
Speaker 4: chance on myself. I knew I could do it, and

1021
00:44:58,800 --> 00:45:01,160
Speaker 4: I just needed another opportunity me and I need to

1022
00:45:01,200 --> 00:45:05,120
Speaker 4: be my own like biggest cheerleader and to do it again.

1023
00:45:05,280 --> 00:45:07,759
Speaker 4: And I think that everybody going into something like an

1024
00:45:07,760 --> 00:45:12,880
Speaker 4: audition with the foresight that it's already in your hands.

1025
00:45:12,960 --> 00:45:16,480
Speaker 4: You just have to take it. Is. So that's the

1026
00:45:16,600 --> 00:45:19,320
Speaker 4: recipe for doing well in any sort of pressure situation.

1027
00:45:19,719 --> 00:45:23,120
Speaker 3: If you need us to pretend to be a psychic

1028
00:45:23,400 --> 00:45:24,520
Speaker 3: anytime you're in Dow.

1029
00:45:25,160 --> 00:45:25,719
Speaker 2: I am one.

1030
00:45:26,280 --> 00:45:28,840
Speaker 4: No, really, no, but I do.

1031
00:45:29,080 --> 00:45:31,960
Speaker 2: I do think I have like something, and I bet

1032
00:45:32,000 --> 00:45:34,840
Speaker 2: you do I have something. What do you see? What

1033
00:45:34,880 --> 00:45:36,120
Speaker 2: do you see for Brittany.

1034
00:45:38,360 --> 00:45:38,800
Speaker 5: Greatness?

1035
00:45:39,200 --> 00:45:43,839
Speaker 2: I was gonna say greatness. That's crazy. Wow, I'm telling

1036
00:45:43,880 --> 00:45:46,800
Speaker 2: you there's something here. Literally, if Mollem was here, this

1037
00:45:46,880 --> 00:45:50,040
Speaker 2: would be even more of a turn up, because that's

1038
00:45:50,040 --> 00:45:52,080
Speaker 2: I see greatness and our furut trappers out with her too.

1039
00:45:52,280 --> 00:45:54,759
Speaker 2: Oh absolutely, well yeah, but like this is it's all,

1040
00:45:54,880 --> 00:45:58,240
Speaker 2: it's all cooking. Wait, but tell me your thing about psychics?

1041
00:45:58,440 --> 00:46:00,719
Speaker 2: Like what what? Additionally, like you said you said you

1042
00:46:00,719 --> 00:46:02,360
Speaker 2: want to say something about psychic Oh no, that was

1043
00:46:02,400 --> 00:46:02,640
Speaker 2: my thing.

1044
00:46:02,680 --> 00:46:04,920
Speaker 5: I was going to say, but I do love psychics.

1045
00:46:05,120 --> 00:46:06,000
Speaker 5: I am a psychics.

1046
00:46:06,239 --> 00:46:08,840
Speaker 2: I think I think that it really obviously depends on

1047
00:46:08,920 --> 00:46:11,840
Speaker 2: the one. But okay, I'm going to share this. I

1048
00:46:12,200 --> 00:46:16,200
Speaker 2: saw one that used to be my writing teacher in college,

1049
00:46:16,800 --> 00:46:19,600
Speaker 2: like he was at Tish. He was my dramatic writing teacher.

1050
00:46:19,719 --> 00:46:21,600
Speaker 2: Like he was like a craft of writing teacher. And

1051
00:46:21,719 --> 00:46:24,800
Speaker 2: we knew that he was also like he speaks to spirits,

1052
00:46:25,320 --> 00:46:27,440
Speaker 2: like in some way he's like like a more of

1053
00:46:27,520 --> 00:46:31,560
Speaker 2: a reader. He wouldn't use the words. He's like a medium. Yes. Yeah,

1054
00:46:32,440 --> 00:46:35,759
Speaker 2: So years have passed. It's been I don't know how

1055
00:46:35,840 --> 00:46:38,080
Speaker 2: long since we were in college, like third thirteen years,

1056
00:46:38,239 --> 00:46:41,360
Speaker 2: thirteen years. I finally like, I'm like, I'm going to

1057
00:46:41,440 --> 00:46:43,120
Speaker 2: look him up and I'm going to get a reading

1058
00:46:43,160 --> 00:46:43,440
Speaker 2: with him.

1059
00:46:43,640 --> 00:46:46,600
Speaker 1: I look him up. It's like an eight month waiting list.

1060
00:46:46,760 --> 00:46:48,400
Speaker 1: Oh and I'm like, okay, So I get on the

1061
00:46:48,440 --> 00:46:51,840
Speaker 1: waiting list. Literally eight months later, I've forgotten about it.

1062
00:46:51,880 --> 00:46:53,880
Speaker 2: I get it. When was this? It's time? This is

1063
00:46:53,960 --> 00:46:56,600
Speaker 2: like three months ago. And he goes and I sit

1064
00:46:56,680 --> 00:46:58,000
Speaker 2: down with him, and he goes, where do I know

1065
00:46:58,080 --> 00:47:00,239
Speaker 2: you from? Oh? And I was like, you actually were

1066
00:47:00,280 --> 00:47:02,160
Speaker 2: my teacher in college. I've been waiting years to have

1067
00:47:02,200 --> 00:47:03,839
Speaker 2: a reading with you. He was like, oh my god,

1068
00:47:04,000 --> 00:47:06,480
Speaker 2: I was. He was like, how are you? I was like,

1069
00:47:07,280 --> 00:47:09,120
Speaker 2: I mean, he was like, how is it going. I

1070
00:47:09,200 --> 00:47:10,200
Speaker 2: was like, I mean, I guess I don't want to

1071
00:47:10,239 --> 00:47:12,600
Speaker 2: tell you too much, but.

1072
00:47:13,920 --> 00:47:14,360
Speaker 4: But he was like.

1073
00:47:15,920 --> 00:47:17,319
Speaker 1: So he goes, you're right, You're right, don't say anything.

1074
00:47:17,320 --> 00:47:19,759
Speaker 1: Don't say anything. So he starts going et cetera. He's like,

1075
00:47:19,960 --> 00:47:22,440
Speaker 1: you are successful. He's like, I was like, yeah, I

1076
00:47:22,520 --> 00:47:24,920
Speaker 1: mean like I kind of like am doing it in

1077
00:47:24,920 --> 00:47:27,279
Speaker 1: the entertainment industry, et cetera. I'm proud to tell you that.

1078
00:47:27,360 --> 00:47:29,279
Speaker 1: I kind of got like a little emotional. And so

1079
00:47:29,400 --> 00:47:32,360
Speaker 1: then he was like, you are single, and that's what

1080
00:47:32,480 --> 00:47:34,320
Speaker 1: you're so you want to talk to me about? And

1081
00:47:34,400 --> 00:47:38,600
Speaker 1: I was like yeah, and he goes September. He goes

1082
00:47:38,680 --> 00:47:42,800
Speaker 1: like small blonde, he's coming in September.

1083
00:47:43,239 --> 00:47:45,960
Speaker 2: I don't know this story, but my jaw has dropped

1084
00:47:46,000 --> 00:47:50,000
Speaker 2: because I'm sure I figured that. And he goes and

1085
00:47:50,480 --> 00:47:57,800
Speaker 2: well he was. He's like, he's like, you're thee but

1086
00:47:58,000 --> 00:48:00,239
Speaker 2: that I didn't tell you that, but I have been

1087
00:48:00,280 --> 00:48:03,839
Speaker 2: saying it out loud. It's there. I know I may

1088
00:48:03,840 --> 00:48:05,600
Speaker 2: have even said too much, but like, that's.

1089
00:48:05,640 --> 00:48:09,440
Speaker 1: Really and I've had them before. When you said that,

1090
00:48:09,719 --> 00:48:12,120
Speaker 1: I was like, I want to get into this because

1091
00:48:12,160 --> 00:48:14,360
Speaker 1: I do believe that there are people with extra senses.

1092
00:48:14,400 --> 00:48:15,759
Speaker 1: I mean, we had Tyler Henry on this show.

1093
00:48:15,800 --> 00:48:18,360
Speaker 2: We had Tyler Henry on the show talk about your hypnotist.

1094
00:48:19,280 --> 00:48:20,480
Speaker 5: I do love my hypnotist.

1095
00:48:20,520 --> 00:48:22,200
Speaker 4: I mean, I'm you know, I feel like this is

1096
00:48:22,239 --> 00:48:25,520
Speaker 4: so like woo woo that I that I really do

1097
00:48:25,680 --> 00:48:30,200
Speaker 4: believe in though, especially hypnotism. I think is is the

1098
00:48:30,280 --> 00:48:31,960
Speaker 4: way that she described it to me, which I thought

1099
00:48:32,000 --> 00:48:34,000
Speaker 4: was kind of interesting, is like, because she does it

1100
00:48:34,040 --> 00:48:35,920
Speaker 4: where you listen to it every night as you go

1101
00:48:36,000 --> 00:48:38,120
Speaker 4: to bed, So you're in that sort of like Peter Pan,

1102
00:48:38,280 --> 00:48:41,000
Speaker 4: not asleep, not awake, like dream state, and so when

1103
00:48:41,040 --> 00:48:44,080
Speaker 4: someone you know says something to you, you're more susceptible

1104
00:48:44,160 --> 00:48:46,719
Speaker 4: to what it's saying, so you start believing it because

1105
00:48:46,719 --> 00:48:49,239
Speaker 4: you don't have your conscious voice saying I don't think

1106
00:48:49,280 --> 00:48:51,719
Speaker 4: that's true. So then after a while you start to

1107
00:48:51,840 --> 00:48:53,800
Speaker 4: just take in in this fact, like when you're falling

1108
00:48:53,800 --> 00:48:55,880
Speaker 4: asleep and you're sort of half awake and there's football

1109
00:48:55,920 --> 00:48:57,080
Speaker 4: and the TV, and all of a sudden you're having

1110
00:48:57,080 --> 00:48:59,440
Speaker 4: a dream about football, but you don't know anything about football, right,

1111
00:48:59,680 --> 00:49:03,080
Speaker 4: Like that is sort of this mechanism in your brain

1112
00:49:03,160 --> 00:49:06,640
Speaker 4: that sort of rewires your like you're subconscious, and so

1113
00:49:06,880 --> 00:49:09,359
Speaker 4: after a while, you're you're listening to it as your

1114
00:49:09,520 --> 00:49:12,480
Speaker 4: as you're dreaming, and so your subconscious starts to take

1115
00:49:12,560 --> 00:49:12,880
Speaker 4: it in.

1116
00:49:13,080 --> 00:49:14,759
Speaker 5: And that's what really worked for me.

1117
00:49:15,000 --> 00:49:18,480
Speaker 4: It was like going into places and just not having

1118
00:49:18,800 --> 00:49:22,320
Speaker 4: any sort of like fear about what the outcome was

1119
00:49:22,440 --> 00:49:24,239
Speaker 4: going to be, but just like actually having fun in

1120
00:49:24,280 --> 00:49:24,680
Speaker 4: the moment.

1121
00:49:24,920 --> 00:49:27,360
Speaker 5: Yeah, and that completely rewired my It.

1122
00:49:27,440 --> 00:49:29,800
Speaker 4: Sounds bad to say rewired it, but it made me

1123
00:49:29,960 --> 00:49:32,600
Speaker 4: take a new thought pattern in terms of like what

1124
00:49:33,120 --> 00:49:34,279
Speaker 4: what I thought was going to be true.

1125
00:49:34,400 --> 00:49:35,839
Speaker 2: That's a rewiring for sure.

1126
00:49:36,120 --> 00:49:40,320
Speaker 3: If it is calming you down on like a somatic level,

1127
00:49:40,480 --> 00:49:43,760
Speaker 3: like going into these situations where you would feel amount

1128
00:49:43,760 --> 00:49:45,800
Speaker 3: of an amount of pressure, Yeah, you're not feeling that.

1129
00:49:45,920 --> 00:49:48,680
Speaker 3: That that's that's incredibly that that is something that's happening

1130
00:49:49,160 --> 00:49:50,520
Speaker 3: up here entirely.

1131
00:49:50,960 --> 00:49:51,160
Speaker 2: Yeah.

1132
00:49:51,440 --> 00:49:53,680
Speaker 4: And I do feel like it was whether or not,

1133
00:49:53,840 --> 00:49:57,080
Speaker 4: you know, and maybe it's through osmosis of I don't know,

1134
00:49:57,239 --> 00:49:59,800
Speaker 4: Like it could be nothing over time either way. But

1135
00:50:00,200 --> 00:50:02,920
Speaker 4: does it matter you're doing something like I don't know

1136
00:50:02,960 --> 00:50:05,400
Speaker 4: if it matters necessarily as well as it's like helping

1137
00:50:05,520 --> 00:50:06,520
Speaker 4: you and you feel better.

1138
00:50:07,040 --> 00:50:09,600
Speaker 2: I think also it's just like it's it's what you

1139
00:50:10,120 --> 00:50:12,160
Speaker 2: want to get out of it, Yeah, you know what

1140
00:50:12,200 --> 00:50:15,840
Speaker 2: I mean, Like, like I I think it's did you

1141
00:50:15,880 --> 00:50:19,239
Speaker 2: go for something specific or it was four, So.

1142
00:50:19,920 --> 00:50:22,040
Speaker 4: I mean, god, this is such a downer conversation. But

1143
00:50:22,280 --> 00:50:24,960
Speaker 4: I took a break from acting from twenty three to

1144
00:50:25,280 --> 00:50:28,080
Speaker 4: twenty five. It was in that period, it was and

1145
00:50:28,200 --> 00:50:30,840
Speaker 4: I had to get my shit together. It was like,

1146
00:50:30,960 --> 00:50:32,640
Speaker 4: you know, I'd been a kid actor for so long

1147
00:50:32,760 --> 00:50:35,120
Speaker 4: that I really needed to like rework some stuff in

1148
00:50:35,239 --> 00:50:38,160
Speaker 4: terms of getting better. And then when I was twenty five,

1149
00:50:38,320 --> 00:50:41,240
Speaker 4: I was going back to auditioning again, and the pressure

1150
00:50:41,440 --> 00:50:44,000
Speaker 4: was too much for my brain because I was like,

1151
00:50:44,280 --> 00:50:46,200
Speaker 4: you had your career at twenty three, can you get

1152
00:50:46,200 --> 00:50:46,560
Speaker 4: it back?

1153
00:50:47,440 --> 00:50:48,839
Speaker 5: And I didn't know if I could.

1154
00:50:48,960 --> 00:50:52,759
Speaker 4: And so I developed this really fun anxiety disorder where

1155
00:50:52,800 --> 00:50:55,840
Speaker 4: I couldn't speak in public. And so I would go

1156
00:50:55,960 --> 00:50:58,759
Speaker 4: to speak in auditions and I would actually not be

1157
00:50:58,840 --> 00:51:02,239
Speaker 4: able to like make it would like stop. My body

1158
00:51:02,280 --> 00:51:03,840
Speaker 4: would just like take over and I would be so

1159
00:51:04,040 --> 00:51:06,480
Speaker 4: nervous that I couldn't speak. And so I went for

1160
00:51:06,640 --> 00:51:09,080
Speaker 4: that so I could and now I walk into auditions

1161
00:51:09,200 --> 00:51:11,560
Speaker 4: or I walk into like public speaking or the Emmys

1162
00:51:11,680 --> 00:51:13,920
Speaker 4: presenting at the Emmys, right, I mean when I was

1163
00:51:14,160 --> 00:51:17,200
Speaker 4: twenty five, that would not have been able to happen,

1164
00:51:17,280 --> 00:51:19,080
Speaker 4: you know, And it's it's really due to that.

1165
00:51:19,360 --> 00:51:22,400
Speaker 2: I think when you think about, like, what what about

1166
00:51:22,480 --> 00:51:25,000
Speaker 2: it made you nervous? Was it just like the things

1167
00:51:25,120 --> 00:51:27,960
Speaker 2: I say are going to get me are going to

1168
00:51:28,000 --> 00:51:30,279
Speaker 2: be listened to and the or is it just like

1169
00:51:30,360 --> 00:51:32,000
Speaker 2: the idea of being in front of people?

1170
00:51:32,280 --> 00:51:32,759
Speaker 5: Yeah, it was.

1171
00:51:33,160 --> 00:51:34,879
Speaker 4: It was the idea that I was going to mess

1172
00:51:34,920 --> 00:51:36,640
Speaker 4: it up, that I was going to mess up, You're

1173
00:51:36,680 --> 00:51:37,960
Speaker 4: going to mess up, You're gonna mess up, You're going

1174
00:51:38,000 --> 00:51:39,120
Speaker 4: to mess up, You're going to mess up, And then

1175
00:51:39,120 --> 00:51:41,920
Speaker 4: I would. But if I just took that voice away,

1176
00:51:42,200 --> 00:51:44,520
Speaker 4: then I just am present and I'm not thinking that,

1177
00:51:44,800 --> 00:51:47,879
Speaker 4: but I had to. Yeah, it was work twenty five,

1178
00:51:47,960 --> 00:51:49,040
Speaker 4: you know what a time?

1179
00:51:49,400 --> 00:51:49,640
Speaker 2: Why?

1180
00:51:50,760 --> 00:51:53,320
Speaker 3: Yeah, I mean I just I think I think I

1181
00:51:53,440 --> 00:51:56,400
Speaker 3: said it on the pod like you and Mollin. Was

1182
00:51:56,640 --> 00:51:58,439
Speaker 3: was the highlight of the Emmys for sure.

1183
00:51:58,560 --> 00:52:00,239
Speaker 2: And I cannot believe Eve.

1184
00:52:00,680 --> 00:52:03,600
Speaker 3: I was like they found out they were going on

1185
00:52:03,800 --> 00:52:06,560
Speaker 3: stage to present, like in the middle of the show,

1186
00:52:07,040 --> 00:52:08,600
Speaker 3: and they didn't know what their copy was until like

1187
00:52:08,680 --> 00:52:11,360
Speaker 3: ten minutes before they they walked out on stage.

1188
00:52:12,000 --> 00:52:16,000
Speaker 4: We wrote that copy, You wrote that copy. Yes, I

1189
00:52:16,120 --> 00:52:18,920
Speaker 4: am because kills because I couldn't.

1190
00:52:18,640 --> 00:52:19,480
Speaker 5: Walk in my dress.

1191
00:52:19,719 --> 00:52:21,319
Speaker 2: You kept saying that all that You're like, I can't move.

1192
00:52:21,360 --> 00:52:22,840
Speaker 4: I can't move and I couldn't.

1193
00:52:22,960 --> 00:52:24,160
Speaker 2: You were standing out of the red carpet.

1194
00:52:24,200 --> 00:52:26,080
Speaker 5: It couldn't move, and I I was panicking.

1195
00:52:26,160 --> 00:52:29,799
Speaker 2: It was a beautiful day, yes, exactly, gorgeous nic.

1196
00:52:30,000 --> 00:52:32,840
Speaker 4: And I was freaking out because I thought it was

1197
00:52:32,880 --> 00:52:34,960
Speaker 4: going to be fine if I'm just sitting down, you know,

1198
00:52:35,520 --> 00:52:37,359
Speaker 4: I don't have to walk anywhere. But the minute they

1199
00:52:37,360 --> 00:52:40,359
Speaker 4: said we're presenting, I was like, I have to walk

1200
00:52:40,440 --> 00:52:42,360
Speaker 4: in front of all these people and in front of

1201
00:52:42,360 --> 00:52:42,719
Speaker 4: the dress.

1202
00:52:42,880 --> 00:52:43,680
Speaker 5: Yes, in this dress.

1203
00:52:44,160 --> 00:52:46,759
Speaker 4: So we get backstage, we have like thirty minutes till

1204
00:52:46,760 --> 00:52:49,440
Speaker 4: we have to present. There's nothing written. They're giving us,

1205
00:52:49,520 --> 00:52:52,120
Speaker 4: just sort of boring copy. And I said, Tomal and

1206
00:52:52,200 --> 00:52:54,239
Speaker 4: I was like, I can't walk in my dress. We

1207
00:52:54,320 --> 00:52:56,480
Speaker 4: have to make this a bit or else people are

1208
00:52:56,520 --> 00:52:58,120
Speaker 4: gonna be like, why is she walking so weird? And

1209
00:52:58,239 --> 00:53:00,480
Speaker 4: so I said, it's going to take a while to

1210
00:53:00,719 --> 00:53:02,640
Speaker 4: come out. It's gonna take me a while to come out.

1211
00:53:03,400 --> 00:53:06,040
Speaker 4: I'm coming out. I'm coming out. And she was like, okay, okay,

1212
00:53:06,200 --> 00:53:08,080
Speaker 4: I get it, Like maybe I could be excited that

1213
00:53:08,160 --> 00:53:10,160
Speaker 4: you got out, and I'm like, yes, you've been waiting

1214
00:53:10,160 --> 00:53:11,840
Speaker 4: for me to come out and so and then we

1215
00:53:12,000 --> 00:53:13,600
Speaker 4: just were like we got it.

1216
00:53:13,719 --> 00:53:16,680
Speaker 5: And so that was ten minutes before we walked on there.

1217
00:53:16,719 --> 00:53:19,680
Speaker 3: It was such a perfect toander know, this is this

1218
00:53:19,719 --> 00:53:22,279
Speaker 3: is geeky, Like I like watched it back so many

1219
00:53:22,320 --> 00:53:25,520
Speaker 3: times just to study your face, acting, your face journey in.

1220
00:53:25,560 --> 00:53:28,680
Speaker 4: That because it's really funny, like you're like it's.

1221
00:53:28,600 --> 00:53:30,960
Speaker 3: The perfect amount of titillation, like and like Mom's just

1222
00:53:31,080 --> 00:53:33,759
Speaker 3: like being hot, like standing there and like holding it.

1223
00:53:33,960 --> 00:53:35,640
Speaker 5: She can do absolutely nothing and it's hot.

1224
00:53:35,840 --> 00:53:38,520
Speaker 2: No both of you. I'm like, God, they're really good.

1225
00:53:39,160 --> 00:53:41,600
Speaker 2: Like you guys are increased like it truly.

1226
00:53:41,840 --> 00:53:45,520
Speaker 3: I watched it back so many times, Like, Brittany, motherfucking snow,

1227
00:53:45,719 --> 00:53:46,600
Speaker 3: were you already friends?

1228
00:53:47,360 --> 00:53:50,279
Speaker 4: We weren't, but we had known of each other, and

1229
00:53:50,440 --> 00:53:53,359
Speaker 4: she was always somebody that I knew of in terms

1230
00:53:53,400 --> 00:53:55,360
Speaker 4: of like, oh, she's a cool girl that everyone has

1231
00:53:55,400 --> 00:53:57,839
Speaker 4: always talked about that we would get along, like people

1232
00:53:57,920 --> 00:53:59,360
Speaker 4: have said to me, but I've worked with her.

1233
00:54:00,000 --> 00:54:00,480
Speaker 2: I worked with her.

1234
00:54:00,520 --> 00:54:02,200
Speaker 4: They're like, have you met Amala and Ackerman? Like she

1235
00:54:02,560 --> 00:54:03,960
Speaker 4: You guys just seem like you would be on the

1236
00:54:03,960 --> 00:54:04,800
Speaker 4: same page about.

1237
00:54:04,600 --> 00:54:06,239
Speaker 2: A lot of things, like the Swedish thing, it's like

1238
00:54:06,600 --> 00:54:07,120
Speaker 2: that's cool.

1239
00:54:07,320 --> 00:54:10,560
Speaker 4: She's just so cool. In terms of when we were

1240
00:54:10,600 --> 00:54:14,239
Speaker 4: doing naked scenes or any you know, intimate scenes, I'd

1241
00:54:14,280 --> 00:54:16,000
Speaker 4: be like, oh man, I don't know, like this is

1242
00:54:16,400 --> 00:54:18,960
Speaker 4: you know, big, and she was like, honey, you're a babe,

1243
00:54:19,000 --> 00:54:20,680
Speaker 4: like you're beautiful, like let's get it.

1244
00:54:20,840 --> 00:54:23,960
Speaker 5: Like and I was like, okay, you know it was.

1245
00:54:24,160 --> 00:54:24,920
Speaker 5: It was very calming.

1246
00:54:25,160 --> 00:54:26,360
Speaker 2: I love just And.

1247
00:54:26,440 --> 00:54:30,359
Speaker 3: Also I have to say we had a friend who

1248
00:54:30,440 --> 00:54:32,400
Speaker 3: kind of stepped in it with Mollon because he was like,

1249
00:54:32,600 --> 00:54:34,400
Speaker 3: what are you guys gonna do about the wig next season?

1250
00:54:34,440 --> 00:54:36,160
Speaker 2: And she's like she was so graceful.

1251
00:54:36,200 --> 00:54:39,080
Speaker 3: She was like, you know, I had I had like

1252
00:54:39,400 --> 00:54:42,960
Speaker 3: this this this hell issue and you know, my hair

1253
00:54:43,120 --> 00:54:45,319
Speaker 3: was not its best and so we got this wig

1254
00:54:45,400 --> 00:54:46,800
Speaker 3: out and we just kind of ran with it.

1255
00:54:46,880 --> 00:54:49,480
Speaker 2: And I was just like, oh my god, Like Malan

1256
00:54:49,520 --> 00:54:50,279
Speaker 2: Ackerman was be.

1257
00:54:50,280 --> 00:54:52,279
Speaker 3: Making fun of that and it being like an actual thing,

1258
00:54:52,400 --> 00:54:54,440
Speaker 3: an actual thing, and she was like so and and

1259
00:54:54,560 --> 00:54:56,239
Speaker 3: I even texted her like after the fact, I was

1260
00:54:56,239 --> 00:54:58,200
Speaker 3: like hey, and and like they like, thank you so

1261
00:54:58,320 --> 00:54:59,839
Speaker 3: much for being so graceful in that moment.

1262
00:55:00,000 --> 00:55:01,000
Speaker 2: I was like, oh my god, no, what are you

1263
00:55:01,040 --> 00:55:01,480
Speaker 2: talking about?

1264
00:55:01,520 --> 00:55:02,319
Speaker 4: Like she doesn't care.

1265
00:55:02,400 --> 00:55:04,279
Speaker 5: She does not give a buck.

1266
00:55:04,520 --> 00:55:06,880
Speaker 4: I mean that's the cool thing about like all of

1267
00:55:06,960 --> 00:55:09,400
Speaker 4: us on this show is like we really are just

1268
00:55:09,480 --> 00:55:11,680
Speaker 4: having the best time and we just don't care, Like

1269
00:55:11,760 --> 00:55:13,080
Speaker 4: we're just like we're just excited.

1270
00:55:13,160 --> 00:55:15,279
Speaker 5: But people can love it, hate it, read it last.

1271
00:55:15,320 --> 00:55:17,120
Speaker 2: I don't like that they did Christy Mets like that

1272
00:55:18,840 --> 00:55:21,359
Speaker 2: we found her crumpled on the floor. I know, well

1273
00:55:21,440 --> 00:55:27,520
Speaker 2: we found Chrissy and Christy Mets was crumpled on the ground.

1274
00:55:27,640 --> 00:55:30,720
Speaker 2: We didn't even get to see I know, shots fired.

1275
00:55:30,840 --> 00:55:32,680
Speaker 4: I asked her that at the Netflix party, which missed

1276
00:55:32,680 --> 00:55:32,960
Speaker 4: the show.

1277
00:55:33,040 --> 00:55:34,440
Speaker 5: I was like, do you think that they.

1278
00:55:34,440 --> 00:55:36,880
Speaker 4: Could you could come back and we could film the

1279
00:55:36,960 --> 00:55:40,120
Speaker 4: death scene because maybe that could be like in season two. Yeah,

1280
00:55:40,200 --> 00:55:42,400
Speaker 4: I feel like she deserves that scene.

1281
00:55:42,520 --> 00:55:44,520
Speaker 2: I think she deserves a little bit more than what

1282
00:55:44,680 --> 00:55:47,640
Speaker 2: she got. For sure, at least let's see the showdown

1283
00:55:47,840 --> 00:55:49,920
Speaker 2: because the whole time we had been waiting for the show,

1284
00:55:50,680 --> 00:55:53,160
Speaker 2: critiquing the show. But do it that I love.

1285
00:55:53,880 --> 00:55:55,239
Speaker 3: We had a good friend college on the on the

1286
00:55:55,280 --> 00:55:57,360
Speaker 3: show on the pod, and she went out for for

1287
00:55:57,440 --> 00:55:59,600
Speaker 3: that role and we each have a fun line read

1288
00:55:59,680 --> 00:56:03,399
Speaker 3: turn and auditioning the Chrissy Mett's line of I love

1289
00:56:03,480 --> 00:56:06,239
Speaker 3: that y'all better get back out there and find.

1290
00:56:09,680 --> 00:56:15,160
Speaker 2: Y'all better get out there, killed my fucking dough. There's

1291
00:56:15,200 --> 00:56:16,400
Speaker 2: so many ways you can do it. You can be

1292
00:56:16,920 --> 00:56:17,840
Speaker 2: and you can be angry, you.

1293
00:56:17,840 --> 00:56:19,960
Speaker 4: Can be urgent, you could be so the tears will

1294
00:56:20,520 --> 00:56:20,880
Speaker 4: both of you.

1295
00:56:21,800 --> 00:56:26,640
Speaker 2: You better get out there, Finn, my fucking daughter. It's

1296
00:56:26,800 --> 00:56:27,319
Speaker 2: really good.

1297
00:56:27,480 --> 00:56:29,960
Speaker 4: Wait, it's a great line you that part.

1298
00:56:30,080 --> 00:56:32,680
Speaker 2: He's amazing. I'm saying I'm pitching us for the show,

1299
00:56:32,800 --> 00:56:34,759
Speaker 2: but I know, I know because we're definitely cry during

1300
00:56:34,800 --> 00:56:37,640
Speaker 2: the episode. Oh yeah, I feel like Jamie Ray could.

1301
00:56:37,640 --> 00:56:40,279
Speaker 4: Could get us there, She could get anyone there, which

1302
00:56:40,360 --> 00:56:41,239
Speaker 4: I which.

1303
00:56:43,280 --> 00:56:46,279
Speaker 2: Okay, we have to ask you the question. No, don't,

1304
00:56:46,280 --> 00:56:49,640
Speaker 2: don't apologize. We should apologize. We need to ask you.

1305
00:56:49,680 --> 00:56:51,319
Speaker 2: Brittany Snow, what is the culture that made you stay?

1306
00:56:51,320 --> 00:56:52,640
Speaker 2: Culture is for you have a great answer.

1307
00:56:53,440 --> 00:56:57,160
Speaker 4: So, when I was a little girl, I strictly watched

1308
00:56:57,640 --> 00:56:59,960
Speaker 4: Meg Ryan movies on you Loop.

1309
00:57:00,840 --> 00:57:01,840
Speaker 5: They were my favorite.

1310
00:57:01,920 --> 00:57:05,600
Speaker 4: I've seen all of them, and Meg Ryan, specifically, to

1311
00:57:05,760 --> 00:57:09,040
Speaker 4: me as a little girl, was like the pinnacle of

1312
00:57:09,760 --> 00:57:12,040
Speaker 4: an actress that I wanted to be, which was she's

1313
00:57:12,080 --> 00:57:14,960
Speaker 4: inherently cute. She just looks away that she looks so

1314
00:57:15,239 --> 00:57:16,960
Speaker 4: you know, there's nothing that she can do about that,

1315
00:57:17,040 --> 00:57:20,240
Speaker 4: which is adorable. But she never played her roles as

1316
00:57:20,400 --> 00:57:23,600
Speaker 4: like a ditsy blonde with short hair. She always was

1317
00:57:23,640 --> 00:57:25,880
Speaker 4: the smartest person in the room. She always had a

1318
00:57:25,920 --> 00:57:27,960
Speaker 4: point of view. She always was like a really strong

1319
00:57:28,080 --> 00:57:30,480
Speaker 4: presence in all of her movies. And I love that

1320
00:57:31,160 --> 00:57:35,480
Speaker 4: dichotomy of like, you don't have to be a ditsy, cutesy,

1321
00:57:35,840 --> 00:57:38,560
Speaker 4: adorable girl that doesn't know where she's going in the movie.

1322
00:57:38,840 --> 00:57:41,560
Speaker 4: She knew everything in every movie that she was ever in,

1323
00:57:41,760 --> 00:57:45,600
Speaker 4: So I aspired to be that. And I just remember

1324
00:57:46,040 --> 00:57:48,200
Speaker 4: watching as like a you know, eight year old, being like,

1325
00:57:49,280 --> 00:57:50,640
Speaker 4: if I could only be Meg Ryan.

1326
00:57:50,920 --> 00:57:53,320
Speaker 3: Yeah, but this makes so much sense to me that

1327
00:57:53,520 --> 00:57:56,160
Speaker 3: like you would connect with her on that level and

1328
00:57:56,560 --> 00:57:59,320
Speaker 3: that I feel like you have you have sort of

1329
00:57:59,440 --> 00:58:03,080
Speaker 3: like bra that Meg Rian archetype as if you can

1330
00:58:03,200 --> 00:58:05,840
Speaker 3: call it that into like the present, I feel like

1331
00:58:05,960 --> 00:58:09,720
Speaker 3: you you have always really occupied that very like sharp

1332
00:58:10,280 --> 00:58:12,720
Speaker 3: that sharpness in the acting and the technique, but also

1333
00:58:12,800 --> 00:58:15,040
Speaker 3: in that in this like in the look of like

1334
00:58:15,160 --> 00:58:18,160
Speaker 3: a blonde person, a gorgeous blond person that belies this

1335
00:58:18,400 --> 00:58:21,520
Speaker 3: depth like that actually like is has always been there.

1336
00:58:21,560 --> 00:58:23,560
Speaker 3: I feel like that is what you guys share, you know,

1337
00:58:23,920 --> 00:58:27,040
Speaker 3: nice but like you know between God like that we

1338
00:58:27,120 --> 00:58:29,840
Speaker 3: were really eating back then, like between Meg grind and

1339
00:58:29,880 --> 00:58:32,280
Speaker 3: Julia Roberts, like because they made those movies, because they

1340
00:58:32,320 --> 00:58:33,720
Speaker 3: made those movie. But I just remember as a kid

1341
00:58:33,760 --> 00:58:35,439
Speaker 3: watching these movies being like, those are.

1342
00:58:36,920 --> 00:58:41,120
Speaker 4: Smartest Sandra Bullock, Julia Roberts, clar Danes, who I just

1343
00:58:41,240 --> 00:58:44,400
Speaker 4: worked with, I mean just the most elegant.

1344
00:58:44,120 --> 00:58:45,720
Speaker 2: Reese would follow right after Rees.

1345
00:58:46,120 --> 00:58:49,800
Speaker 4: I mean just also like approachable and smart, and you

1346
00:58:49,920 --> 00:58:52,640
Speaker 4: weren't watching them like all over themselves and being like

1347
00:58:52,680 --> 00:58:54,040
Speaker 4: I wonder what's going to happen next?

1348
00:58:54,120 --> 00:58:56,240
Speaker 5: You know, they were taking charge of the movies.

1349
00:58:56,360 --> 00:58:59,160
Speaker 2: Sure, yeah, they were the heroines. I feel like my

1350
00:58:59,240 --> 00:59:00,520
Speaker 2: favorite ian.

1351
00:59:00,400 --> 00:59:02,560
Speaker 5: Is when I am Sally always.

1352
00:59:02,760 --> 00:59:03,400
Speaker 4: It's one of the things.

1353
00:59:03,440 --> 00:59:04,760
Speaker 2: It's one of the best movies ever.

1354
00:59:04,840 --> 00:59:07,400
Speaker 4: Oh I agree. If Letterbox came to me and was

1355
00:59:07,440 --> 00:59:10,240
Speaker 4: like the four, yeah, I was in there for that's.

1356
00:59:10,200 --> 00:59:13,480
Speaker 2: One I have always forgotten about in that context. But yeah,

1357
00:59:13,480 --> 00:59:14,000
Speaker 2: it's up there.

1358
00:59:14,040 --> 00:59:15,680
Speaker 5: It's competitive, it's a perfect movie.

1359
00:59:15,640 --> 00:59:18,400
Speaker 3: And it's being in Wherefron and You've Got Mail. It

1360
00:59:18,560 --> 00:59:21,439
Speaker 3: is kind of the perfect It's such an elegant thing

1361
00:59:21,560 --> 00:59:24,840
Speaker 3: of like, okay, it's new, the new way of sort

1362
00:59:24,880 --> 00:59:27,960
Speaker 3: of like flirting and and sort of the new way

1363
00:59:28,000 --> 00:59:30,920
Speaker 3: of courtship and like the you know, millennium or late nineties,

1364
00:59:31,520 --> 00:59:33,200
Speaker 3: but like paired with like the fact that it's like,

1365
00:59:33,280 --> 00:59:35,800
Speaker 3: oh it's there's a used bookstore and it's like meeting

1366
00:59:35,880 --> 00:59:38,920
Speaker 3: in the park. It's it's like the perfect tension of

1367
00:59:39,040 --> 00:59:42,240
Speaker 3: like old and new in that rom com. It it

1368
00:59:42,360 --> 00:59:44,640
Speaker 3: just feels and like sleeping in Seattle. It's like it's

1369
00:59:44,680 --> 00:59:46,960
Speaker 3: like there's just she was able to do all these

1370
00:59:47,200 --> 00:59:49,800
Speaker 3: very innovative things in rom coms. It's like it wasn't

1371
00:59:49,840 --> 00:59:51,920
Speaker 3: that she like was just thrown into the rom com

1372
00:59:52,120 --> 00:59:54,720
Speaker 3: genre or that she like helped invent it. It's just

1373
00:59:54,920 --> 00:59:57,320
Speaker 3: it's just that she like pushed the boundaries of it

1374
00:59:57,480 --> 00:59:59,920
Speaker 3: in that time when it really blew up as a genre.

1375
01:00:00,560 --> 01:00:02,720
Speaker 4: And I think she also was I think people forget

1376
01:00:02,800 --> 01:00:05,200
Speaker 4: how good she was a physical comedy too. She was

1377
01:00:05,520 --> 01:00:08,400
Speaker 4: she had these mannerisms that I've always I feel like

1378
01:00:08,480 --> 01:00:12,080
Speaker 4: I sort of like emulated on accident. There's like this

1379
01:00:12,280 --> 01:00:14,880
Speaker 4: really kind of sort of okay movie called Addicted to

1380
01:00:15,000 --> 01:00:17,720
Speaker 4: Love with her and Matthew Broderick and she is like

1381
01:00:17,840 --> 01:00:20,520
Speaker 4: this biker chick with like eyeliner, and.

1382
01:00:20,720 --> 01:00:23,360
Speaker 5: That's how you know she's a Rebels because she wears eyeliner.

1383
01:00:23,080 --> 01:00:27,280
Speaker 4: And she just like moves like her body very cool

1384
01:00:27,360 --> 01:00:30,040
Speaker 4: and spastically. And I just think that it's it's something

1385
01:00:30,120 --> 01:00:33,240
Speaker 4: that she just really cornered the market of like adorable

1386
01:00:33,960 --> 01:00:34,640
Speaker 4: all around. Right.

1387
01:00:34,680 --> 01:00:37,360
Speaker 1: I mean, where was the Oscar nomination for when Harry

1388
01:00:37,400 --> 01:00:40,880
Speaker 1: met Sally? Because the orgasm scene, the fake orgasm.

1389
01:00:40,560 --> 01:00:43,840
Speaker 2: Scene' that's the that's the peak physical comedy. It's literally

1390
01:00:44,040 --> 01:00:46,480
Speaker 2: and also just it's so.

1391
01:00:47,960 --> 01:00:50,960
Speaker 1: It's so lived in, like it's like you, but you

1392
01:00:51,080 --> 01:00:53,480
Speaker 1: also believe that because she had established a character that

1393
01:00:53,600 --> 01:00:55,600
Speaker 1: like would do that, right, you know what I mean?

1394
01:00:55,680 --> 01:00:59,040
Speaker 1: Because on the page, like obviously incredible script, but that

1395
01:00:59,240 --> 01:01:00,800
Speaker 1: is a leap on the that it's going to go

1396
01:01:00,960 --> 01:01:03,840
Speaker 1: that far in that way. But you buy it, especially

1397
01:01:03,880 --> 01:01:05,600
Speaker 1: in a movie that's been so ground that it had

1398
01:01:05,640 --> 01:01:08,880
Speaker 1: been so in reality that moment is so kind of

1399
01:01:09,040 --> 01:01:13,000
Speaker 1: wild and crazy, but you do you receive it as

1400
01:01:13,480 --> 01:01:14,720
Speaker 1: fact when when.

1401
01:01:14,600 --> 01:01:15,120
Speaker 2: She's doing it.

1402
01:01:15,640 --> 01:01:18,480
Speaker 4: And I think that surprising element of all her characters

1403
01:01:18,520 --> 01:01:21,120
Speaker 4: is something that I really love too, is that she

1404
01:01:21,200 --> 01:01:24,480
Speaker 4: can play someone really really grounded, but also the element

1405
01:01:24,560 --> 01:01:27,400
Speaker 4: of surprise is always there. She can always do something

1406
01:01:27,480 --> 01:01:28,960
Speaker 4: like that that's sort of just like out of the

1407
01:01:29,040 --> 01:01:31,360
Speaker 4: box and you're just you feel for her, you like her,

1408
01:01:32,920 --> 01:01:34,520
Speaker 4: and yeah.

1409
01:01:34,520 --> 01:01:36,960
Speaker 2: I like that. What was the standard loop?

1410
01:01:37,080 --> 01:01:37,120
Speaker 3: Like?

1411
01:01:37,320 --> 01:01:39,240
Speaker 2: Was there were were like what was the rotation?

1412
01:01:39,360 --> 01:01:39,560
Speaker 4: Yet?

1413
01:01:40,040 --> 01:01:40,840
Speaker 2: How did it work?

1414
01:01:41,040 --> 01:01:42,919
Speaker 4: Did you guys know about this movie called french Kiss

1415
01:01:43,080 --> 01:01:44,400
Speaker 4: that she did with Kevin Klein?

1416
01:01:44,640 --> 01:01:46,640
Speaker 2: I heard about french Kiss? Were you like, was it

1417
01:01:46,720 --> 01:01:48,200
Speaker 2: Joe versus the Volcano? Too?

1418
01:01:48,920 --> 01:01:52,600
Speaker 4: Versus the Volcano? But french Kiss was really my like

1419
01:01:53,480 --> 01:01:56,560
Speaker 4: in rotation addicted to love was in there. I mean

1420
01:01:56,680 --> 01:01:57,640
Speaker 4: top Gun she's in.

1421
01:01:58,120 --> 01:02:00,680
Speaker 1: Yeah, I was so mad when that and bring her Back.

1422
01:02:00,720 --> 01:02:04,880
Speaker 1: That was so disrespectful. I know she's disrespectful, I know.

1423
01:02:06,120 --> 01:02:08,920
Speaker 4: But this movie called french Kiss, it's sort of like

1424
01:02:10,000 --> 01:02:11,840
Speaker 4: there's this part where she's on the train, she's eating

1425
01:02:11,840 --> 01:02:14,560
Speaker 4: a bunch of cheese and she realizes that she's lacked

1426
01:02:14,600 --> 01:02:17,800
Speaker 4: hose and dollars. It's one of those like oreasm moments,

1427
01:02:18,440 --> 01:02:21,760
Speaker 4: super big, but it's sort of adorable and she's sort

1428
01:02:21,800 --> 01:02:24,640
Speaker 4: of like dressed like Diane Keaton. The whole movie. It's

1429
01:02:24,640 --> 01:02:28,400
Speaker 4: sort of that like androgynous wardrobe. That's so great, and

1430
01:02:28,600 --> 01:02:30,720
Speaker 4: I just I ate that shit up. When I was

1431
01:02:30,760 --> 01:02:32,040
Speaker 4: a kid, I loved it.

1432
01:02:32,240 --> 01:02:36,480
Speaker 2: She also took some cool risks. At the end of that,

1433
01:02:36,920 --> 01:02:38,560
Speaker 2: you could tell that she probably got like a little

1434
01:02:38,640 --> 01:02:40,720
Speaker 2: tired of what was happening with her in the romantic

1435
01:02:40,760 --> 01:02:43,400
Speaker 2: comedy sphere because she maybe a little type cast. In

1436
01:02:43,520 --> 01:02:47,200
Speaker 2: the cut is a full Jane Campion movie, Like she's

1437
01:02:47,480 --> 01:02:51,520
Speaker 2: just bad as giving it to you in that right. See,

1438
01:02:51,920 --> 01:02:53,520
Speaker 2: it's so funny that I've seen it in the cut,

1439
01:02:53,560 --> 01:02:55,160
Speaker 2: and you know, it's a blind spot of mine. This

1440
01:02:55,320 --> 01:02:58,640
Speaker 2: is crazy sleepless in Seattle. It's unacceptable, you know what

1441
01:02:59,080 --> 01:02:59,600
Speaker 2: it might not.

1442
01:03:02,560 --> 01:03:04,640
Speaker 4: It's just because I feel like I'm I'm older, so

1443
01:03:04,800 --> 01:03:07,160
Speaker 4: it just makes me feel like that was such a

1444
01:03:07,200 --> 01:03:09,440
Speaker 4: part of my zegeist of like it was even it

1445
01:03:09,560 --> 01:03:12,600
Speaker 4: was even old for me, like I was too young

1446
01:03:12,760 --> 01:03:12,960
Speaker 4: for it.

1447
01:03:13,080 --> 01:03:14,439
Speaker 3: It was it was a little it was a little

1448
01:03:14,520 --> 01:03:17,640
Speaker 3: before our times slightly, And it's hard. It's a hard

1449
01:03:17,840 --> 01:03:20,000
Speaker 3: cell now just because like the leads are never in

1450
01:03:20,080 --> 01:03:20,720
Speaker 3: the same scene.

1451
01:03:21,200 --> 01:03:22,840
Speaker 4: So I don't know if you guys have noticed this

1452
01:03:22,880 --> 01:03:26,200
Speaker 4: about nineties movies, but there's a lot of commonality or

1453
01:03:26,280 --> 01:03:30,080
Speaker 4: like a common theme is like stalking right, Like there's

1454
01:03:30,160 --> 01:03:32,160
Speaker 4: all all these people who are like it's so romantic

1455
01:03:32,240 --> 01:03:34,160
Speaker 4: that they show up say anything.

1456
01:03:34,200 --> 01:03:36,200
Speaker 2: It's like get out of there. Yeah, yeah, yeah yeah.

1457
01:03:36,560 --> 01:03:40,440
Speaker 4: Basically stalking this was like oh my gosh, you love me.

1458
01:03:40,720 --> 01:03:44,200
Speaker 2: Yeah, and it's like you're in trouble. Yes, we call

1459
01:03:44,240 --> 01:03:44,880
Speaker 2: that love bombing.

1460
01:03:45,320 --> 01:03:48,200
Speaker 5: Love bombing. There was a lot of in nineties movies

1461
01:03:48,240 --> 01:03:48,800
Speaker 5: for sure, No.

1462
01:03:48,920 --> 01:03:52,720
Speaker 3: Totally, but I mean you put it, you put it all,

1463
01:03:52,800 --> 01:03:54,880
Speaker 3: you put the film gloss on it, and it's great.

1464
01:03:54,960 --> 01:03:58,360
Speaker 1: You know what the movie you're only beginning of the

1465
01:03:58,400 --> 01:04:00,800
Speaker 1: love bombing, which is so good, you know what I mean.

1466
01:04:00,880 --> 01:04:03,240
Speaker 1: So in a in a movie where it ends with

1467
01:04:03,320 --> 01:04:06,480
Speaker 1: them kissing, they're just manic and you don't see the

1468
01:04:06,640 --> 01:04:09,440
Speaker 1: next movie, which is like a full crash. But we

1469
01:04:09,520 --> 01:04:10,720
Speaker 1: don't want to see the crash.

1470
01:04:10,800 --> 01:04:14,920
Speaker 4: No, no, no, it's we know, we know where it's going.

1471
01:04:15,040 --> 01:04:16,760
Speaker 4: But also like nineties movies, I didn't care.

1472
01:04:16,880 --> 01:04:18,800
Speaker 2: Yeah, they didn't care at all, Like How to Lose

1473
01:04:18,840 --> 01:04:21,240
Speaker 2: a Guy in Ten Days, the fact that they kiss

1474
01:04:21,280 --> 01:04:23,439
Speaker 2: at the end of that and it's like euphoric. I'm like, wow,

1475
01:04:23,640 --> 01:04:28,840
Speaker 2: you guys are going to be the worst, and like impatient,

1476
01:04:29,160 --> 01:04:32,240
Speaker 2: like you you're both had it like it's you both

1477
01:04:32,480 --> 01:04:33,680
Speaker 2: nuts in a straight jacket.

1478
01:04:33,760 --> 01:04:34,560
Speaker 4: Yeah, definitely.

1479
01:04:35,920 --> 01:04:38,040
Speaker 2: Cat Leopold too was like I think the last thing

1480
01:04:38,920 --> 01:04:40,880
Speaker 2: that's like one of the births of Hugh Jackman.

1481
01:04:41,000 --> 01:04:42,880
Speaker 3: Yes, yeah, Hugh Jackman's first roles, but it was just

1482
01:04:43,000 --> 01:04:46,640
Speaker 3: like another like innovation, like well, and then that trend

1483
01:04:46,720 --> 01:04:46,960
Speaker 3: kind of.

1484
01:04:46,960 --> 01:04:49,720
Speaker 4: Caught on those types of movies about like, wasn't he

1485
01:04:50,000 --> 01:04:52,280
Speaker 4: just coming back from isn't he like in the past.

1486
01:04:52,320 --> 01:04:55,400
Speaker 2: In the past some sort of colonial Yes, no, no,

1487
01:04:55,520 --> 01:04:57,320
Speaker 2: he's a prince, a prince.

1488
01:04:58,200 --> 01:05:02,320
Speaker 4: It was colonial colonial. She's old old times.

1489
01:05:02,880 --> 01:05:06,080
Speaker 3: But I love a time traveling thing because lake House

1490
01:05:06,120 --> 01:05:07,440
Speaker 3: also did that with Sandra Bullock.

1491
01:05:07,520 --> 01:05:09,440
Speaker 2: I loved, I loved, I.

1492
01:05:09,480 --> 01:05:12,400
Speaker 5: Loved everything Sandra Bullock was into. She she's queens and.

1493
01:05:12,560 --> 01:05:15,840
Speaker 2: She was her like slightly more sarcastic cousin.

1494
01:05:16,200 --> 01:05:18,840
Speaker 4: That's right, yeah, a little darker. Do you guys ever

1495
01:05:18,920 --> 01:05:21,120
Speaker 4: seen that movie with Ben Affleck and Sandra Bullock. It

1496
01:05:21,240 --> 01:05:23,800
Speaker 4: was called like Forces of Nature Forces of Nature, And

1497
01:05:23,880 --> 01:05:24,960
Speaker 4: she's so hot in that.

1498
01:05:25,080 --> 01:05:27,600
Speaker 2: She's incredibly hot. I mean when she comes out in

1499
01:05:27,680 --> 01:05:32,560
Speaker 2: Miss Congeniality after she's through the like was whatever, the like,

1500
01:05:33,200 --> 01:05:38,200
Speaker 2: it just is so good. She looks unbelievables.

1501
01:05:38,640 --> 01:05:41,760
Speaker 4: Yeah, and like it's it's the dressed like yeah, it's

1502
01:05:41,800 --> 01:05:46,280
Speaker 4: like sort of like a blue sort of that stretching

1503
01:05:46,360 --> 01:05:50,439
Speaker 4: material that is not used for clothes, right Yeah, yeah, yeah,

1504
01:05:50,680 --> 01:05:52,240
Speaker 4: Like dog toys have that sand material.

1505
01:05:53,400 --> 01:05:57,280
Speaker 2: Preaky bad, bo break it bad.

1506
01:05:57,880 --> 01:06:00,040
Speaker 5: There's there's a dog that's strung.

1507
01:06:01,400 --> 01:06:02,080
Speaker 2: Per Oh.

1508
01:06:02,760 --> 01:06:03,520
Speaker 4: I love my dog.

1509
01:06:03,640 --> 01:06:04,600
Speaker 5: Is my everything.

1510
01:06:04,800 --> 01:06:09,520
Speaker 4: Describe the dog very cute, ugly, like more. Yeah, it's

1511
01:06:09,560 --> 01:06:12,720
Speaker 4: like she's sort of has eyes that go different directions

1512
01:06:12,920 --> 01:06:15,400
Speaker 4: and so that makes her really cute. But her personality

1513
01:06:15,560 --> 01:06:18,360
Speaker 4: is just the best. She's a rescue. She's five pounds.

1514
01:06:18,880 --> 01:06:20,200
Speaker 2: She's five pounds.

1515
01:06:20,240 --> 01:06:22,720
Speaker 4: She would sit right here and she'd sit the whole time.

1516
01:06:23,760 --> 01:06:26,320
Speaker 4: She's just the most chill. We balance each other out.

1517
01:06:26,440 --> 01:06:28,760
Speaker 2: Is it just the one dog, just the one dog. Yeah,

1518
01:06:29,200 --> 01:06:30,920
Speaker 2: you can't really have like another dog when the one

1519
01:06:31,000 --> 01:06:31,840
Speaker 2: dog is that small.

1520
01:06:31,960 --> 01:06:34,080
Speaker 4: She takes she goes everywhere. She's a set dog. She

1521
01:06:34,240 --> 01:06:36,360
Speaker 4: was the mascot of the Hunting Wives. She was with

1522
01:06:36,560 --> 01:06:39,760
Speaker 4: us all the time, every day on set. There was

1523
01:06:39,800 --> 01:06:42,400
Speaker 4: even a scene at the Jed's mansion where she was

1524
01:06:42,480 --> 01:06:44,040
Speaker 4: like going to be in the background and then she

1525
01:06:44,200 --> 01:06:47,440
Speaker 4: heard me yelling at one point, and then she started barking,

1526
01:06:47,480 --> 01:06:48,800
Speaker 4: so we had to throw out of the scene.

1527
01:06:49,160 --> 01:06:53,280
Speaker 2: Wait, what's her name? Charlie, Charlie it's spelt like Charlie

1528
01:06:53,360 --> 01:06:54,640
Speaker 2: XCX our regular.

1529
01:06:54,640 --> 01:06:57,440
Speaker 4: No, Charlie with a E. Yeah, unfortunately, I know we

1530
01:06:57,480 --> 01:07:01,600
Speaker 4: can't always doesn't have a hot girl summer or like

1531
01:07:01,680 --> 01:07:02,960
Speaker 4: anything related.

1532
01:07:03,160 --> 01:07:06,919
Speaker 2: No, it's fine, it's it's okay. She's she's chilling a dog. Yeah, dog,

1533
01:07:07,240 --> 01:07:09,320
Speaker 2: it's fine. Is Megrien doing it?

1534
01:07:09,560 --> 01:07:09,600
Speaker 4: Like?

1535
01:07:09,960 --> 01:07:12,560
Speaker 2: Is she? Because I remember there was a comeback rumor

1536
01:07:12,680 --> 01:07:18,040
Speaker 2: or something? Is directing directed? She's done some roles, I think. Yeah,

1537
01:07:18,200 --> 01:07:22,080
Speaker 2: we're friends with Jack Jack her son, Yes, of course,

1538
01:07:22,160 --> 01:07:26,520
Speaker 2: who has all the star quality of his parents combined.

1539
01:07:26,720 --> 01:07:30,080
Speaker 5: Yeah, so effortless, really truly great.

1540
01:07:30,120 --> 01:07:31,080
Speaker 4: Do you know him? I don't.

1541
01:07:31,160 --> 01:07:33,280
Speaker 2: Actually you should. You should do something together.

1542
01:07:33,760 --> 01:07:35,040
Speaker 4: Yeah, you get on that. We'll get on that.

1543
01:07:36,080 --> 01:07:39,680
Speaker 2: Yeah, we'll produce. We're going to be producers. We're gonna

1544
01:07:39,680 --> 01:07:41,880
Speaker 2: be producers. We're gonna we're gonna produce our way into

1545
01:07:41,960 --> 01:07:42,920
Speaker 2: Hunting my season two.

1546
01:07:43,200 --> 01:07:44,440
Speaker 5: You already did, and I love it.

1547
01:07:45,200 --> 01:07:46,200
Speaker 2: I think it's a good idea.

1548
01:07:46,880 --> 01:07:49,760
Speaker 1: But now that now that I don't know what, I

1549
01:07:49,880 --> 01:07:51,960
Speaker 1: kind of did the whole episode in my mind already

1550
01:07:52,240 --> 01:07:53,439
Speaker 1: that was my anxious thought.

1551
01:07:53,600 --> 01:07:54,960
Speaker 2: I thought of it and then finished it.

1552
01:07:55,560 --> 01:07:57,160
Speaker 5: What is Sophie doing during this time?

1553
01:07:57,360 --> 01:08:00,560
Speaker 2: I think she's not in that one. No, we need

1554
01:08:00,680 --> 01:08:04,440
Speaker 2: a Sophie scene. You can direct that episode. Do you

1555
01:08:04,480 --> 01:08:05,520
Speaker 2: have any interest in directing?

1556
01:08:05,920 --> 01:08:07,400
Speaker 5: I directed a movie a couple of years ago.

1557
01:08:08,200 --> 01:08:11,240
Speaker 2: What we're so sorry that we just you guys.

1558
01:08:11,120 --> 01:08:13,160
Speaker 5: Have done enough on the Britney snow world.

1559
01:08:14,280 --> 01:08:16,080
Speaker 3: No, I mean, like, we're not real snow buddies if

1560
01:08:16,080 --> 01:08:17,280
Speaker 3: we don't know about your directorial tap.

1561
01:08:17,439 --> 01:08:18,880
Speaker 2: I went to Gather High school.

1562
01:08:19,800 --> 01:08:20,559
Speaker 4: That's crazy.

1563
01:08:21,320 --> 01:08:23,479
Speaker 2: The Wikipedia, that's true.

1564
01:08:23,840 --> 01:08:25,400
Speaker 5: There's a lot on Wikipedia that's not true.

1565
01:08:25,520 --> 01:08:28,799
Speaker 2: Well, like me, I am a picy Do you identify

1566
01:08:28,960 --> 01:08:31,600
Speaker 2: he's a scorpio? Scorpio? This is very good, This is

1567
01:08:31,640 --> 01:08:33,640
Speaker 2: a very good day. Oh you just leered at me.

1568
01:08:33,760 --> 01:08:34,160
Speaker 2: You don't know.

1569
01:08:34,439 --> 01:08:36,480
Speaker 5: I love we love, I love scorpios.

1570
01:08:36,680 --> 01:08:39,040
Speaker 4: Yeah good, I just didn't realize that you were a

1571
01:08:39,080 --> 01:08:40,479
Speaker 4: scorpion scorpio.

1572
01:08:40,720 --> 01:08:41,719
Speaker 2: He doesn't suffer fools.

1573
01:08:42,160 --> 01:08:44,360
Speaker 3: It's not that you know what I identify most now

1574
01:08:44,760 --> 01:08:47,960
Speaker 3: recently as a scorpio. And this is gonna sound so

1575
01:08:48,160 --> 01:08:50,240
Speaker 3: like iye roll because it's like it's about what people

1576
01:08:50,320 --> 01:08:54,920
Speaker 3: do to me. But it's a lot of people project

1577
01:08:55,000 --> 01:09:00,880
Speaker 3: stuff on the scorpios, or they think they project things

1578
01:09:01,000 --> 01:09:06,280
Speaker 3: about me, like the right they do those they'll assume

1579
01:09:06,400 --> 01:09:09,080
Speaker 3: things about me that are just just obviously informed by

1580
01:09:09,200 --> 01:09:10,920
Speaker 3: like what what what the person is thinking?

1581
01:09:10,960 --> 01:09:13,080
Speaker 4: Whatever, We don't have to well, that's what people do

1582
01:09:13,240 --> 01:09:16,000
Speaker 4: for pisces too. They just assume that I'm sensitive and

1583
01:09:16,040 --> 01:09:17,040
Speaker 4: emotional about to cry.

1584
01:09:17,439 --> 01:09:21,759
Speaker 2: They're right, literally, March fifth is my birth.

1585
01:09:21,760 --> 01:09:24,280
Speaker 5: March ninth, do you have a birthday party?

1586
01:09:24,280 --> 01:09:24,599
Speaker 3: When year?

1587
01:09:24,640 --> 01:09:25,160
Speaker 2: Maybe we should?

1588
01:09:25,240 --> 01:09:29,679
Speaker 1: March seventh huge day for us. Yeah, two days after yours.

1589
01:09:30,360 --> 01:09:33,120
Speaker 1: Just saying, you know who's blowing me up right now

1590
01:09:33,160 --> 01:09:35,400
Speaker 1: and I don't know why. Jared Frieder you know Jared?

1591
01:09:35,439 --> 01:09:39,280
Speaker 4: Oh yeah, and that's how Wait because of Liz. Jared

1592
01:09:39,439 --> 01:09:42,200
Speaker 4: lives are so close. And that was the Muna concert

1593
01:09:43,479 --> 01:09:46,360
Speaker 4: Someone Great. I was in Someone Great, which is another classic.

1594
01:09:46,439 --> 01:09:48,200
Speaker 4: And that's how I met you is because of Jen

1595
01:09:48,439 --> 01:09:49,880
Speaker 4: is because of Jen Jen.

1596
01:09:49,920 --> 01:09:52,400
Speaker 2: King Robinson and then Liz Everley went to my high school. Yeah,

1597
01:09:52,400 --> 01:09:55,200
Speaker 2: they went to high school together and was best friends

1598
01:09:55,240 --> 01:09:58,200
Speaker 2: with his sister Yang. Yeah, isn't that weird?

1599
01:09:58,320 --> 01:09:59,120
Speaker 5: Wait, that's crazy.

1600
01:09:59,240 --> 01:09:59,640
Speaker 2: I didn't know.

1601
01:09:59,760 --> 01:10:01,519
Speaker 5: I didn't know how that all came to be with

1602
01:10:01,600 --> 01:10:02,080
Speaker 5: That makes sense.

1603
01:10:02,200 --> 01:10:08,280
Speaker 1: No, yeah, so you're a moonafaan of course, that's kind

1604
01:10:08,320 --> 01:10:10,800
Speaker 1: of that kind of it's kind of lesbian of you

1605
01:10:10,920 --> 01:10:13,719
Speaker 1: to being Hunting wives and be a mooning things onto

1606
01:10:13,800 --> 01:10:14,600
Speaker 1: us the pisces.

1607
01:10:15,000 --> 01:10:16,160
Speaker 4: Yeah, we're used to it.

1608
01:10:16,360 --> 01:10:19,680
Speaker 2: Yeah, and they're always right, yeah, they are. Now I

1609
01:10:19,880 --> 01:10:20,599
Speaker 2: am going to cry.

1610
01:10:21,160 --> 01:10:21,920
Speaker 5: I'm crying right now.

1611
01:10:23,000 --> 01:10:26,400
Speaker 2: I almost did during much perform you did? You did?

1612
01:10:26,800 --> 01:10:29,000
Speaker 2: I saw that and you see he went more to anger.

1613
01:10:29,520 --> 01:10:29,920
Speaker 2: Of course.

1614
01:10:31,840 --> 01:10:33,519
Speaker 4: Of course I love that.

1615
01:10:33,880 --> 01:10:35,360
Speaker 2: It's just kind of it's it's where we go.

1616
01:10:37,600 --> 01:10:41,479
Speaker 3: No nothing, I'm sighing because speaking of just I'm thinking

1617
01:10:41,479 --> 01:10:44,160
Speaker 3: Brittany snow crying and and and that makes you cry.

1618
01:10:45,080 --> 01:10:47,360
Speaker 2: It makes you so good. It makes me I'm filled

1619
01:10:47,400 --> 01:10:47,720
Speaker 2: with awe.

1620
01:10:47,760 --> 01:10:51,200
Speaker 3: Because in the previously Unhunting Wives clips, they would always

1621
01:10:51,320 --> 01:10:54,800
Speaker 3: constantly play the clip of Stovie going like it's we

1622
01:10:54,920 --> 01:10:56,920
Speaker 3: actually the devist were doing.

1623
01:10:57,120 --> 01:10:59,719
Speaker 2: We were doing a contest about who could do the best.

1624
01:11:00,880 --> 01:11:01,280
Speaker 2: She died.

1625
01:11:03,040 --> 01:11:06,320
Speaker 5: No stopmich what what is that from?

1626
01:11:06,520 --> 01:11:09,679
Speaker 2: Its from I'll say the story of the first accident,

1627
01:11:09,920 --> 01:11:10,960
Speaker 2: of the accident.

1628
01:11:11,320 --> 01:11:13,680
Speaker 4: Oh my god, when I'm in the green dress and

1629
01:11:13,880 --> 01:11:15,200
Speaker 4: I oh my.

1630
01:11:15,240 --> 01:11:19,280
Speaker 2: God, when you're at the law other women about the

1631
01:11:19,360 --> 01:11:24,559
Speaker 2: accident I'm literally like it was just the reason why,

1632
01:11:24,880 --> 01:11:26,439
Speaker 2: the reason why we were doing it is because they

1633
01:11:26,479 --> 01:11:28,120
Speaker 2: were showing it in the previously a lot.

1634
01:11:28,680 --> 01:11:30,600
Speaker 5: Also, I'm not proud of that performance.

1635
01:11:31,760 --> 01:11:32,519
Speaker 2: Was so good.

1636
01:11:33,680 --> 01:11:37,320
Speaker 4: Sorry, it's just it's just because I at that moment,

1637
01:11:37,560 --> 01:11:41,280
Speaker 4: I didn't realize that. It cuts to Katie and she's like,

1638
01:11:41,360 --> 01:11:42,720
Speaker 4: oh my god. You know, like I could have like

1639
01:11:42,880 --> 01:11:44,559
Speaker 4: done so many different things, but you're right.

1640
01:11:44,600 --> 01:11:48,559
Speaker 5: I was like, no, no, but you're right.

1641
01:11:49,120 --> 01:11:51,560
Speaker 2: I feel like you can't watch play that.

1642
01:11:52,000 --> 01:11:52,639
Speaker 5: No, I can't.

1643
01:11:52,960 --> 01:11:55,240
Speaker 4: But also like I get what you're saying.

1644
01:11:56,479 --> 01:11:59,000
Speaker 5: It was like a strange. It was like a strange

1645
01:11:59,040 --> 01:12:00,360
Speaker 5: thing to have constant like go.

1646
01:12:00,640 --> 01:12:03,240
Speaker 1: Back and we don't remember what I loved the previous.

1647
01:12:04,320 --> 01:12:06,759
Speaker 1: Previously is one of my favorite parts of a whole episode.

1648
01:12:06,920 --> 01:12:09,080
Speaker 4: Yeah, sometimes when I when I think to when I

1649
01:12:09,200 --> 01:12:11,240
Speaker 4: wasn't working and I was thinking to myself, like one

1650
01:12:11,320 --> 01:12:13,200
Speaker 4: day I'll be on a TV show, and I would

1651
01:12:13,240 --> 01:12:15,360
Speaker 4: say to myself like previously, yeah.

1652
01:12:15,439 --> 01:12:17,960
Speaker 5: You know, it's like so cool to say did you

1653
01:12:18,040 --> 01:12:18,400
Speaker 5: have to do it?

1654
01:12:18,600 --> 01:12:22,599
Speaker 4: Yeah? Yes, you're like, wow, I'm really on a TV show.

1655
01:12:22,680 --> 01:12:25,280
Speaker 2: Now it's been on a thing that has a preview. Now.

1656
01:12:25,320 --> 01:12:28,960
Speaker 2: I've never said previously previous you will you can.

1657
01:12:29,200 --> 01:12:31,839
Speaker 3: I did get to say in a secret deodoran commercial

1658
01:12:32,479 --> 01:12:34,320
Speaker 3: Wicked for Good in theaters, remember twenty first?

1659
01:12:34,560 --> 01:12:35,280
Speaker 2: That felt cool?

1660
01:12:35,400 --> 01:12:37,320
Speaker 3: Yeah, I'm sorry, that's that just sounds like a brag.

1661
01:12:37,360 --> 01:12:41,000
Speaker 3: I'm sorry, no, but Wicked for It is in theater

1662
01:12:41,840 --> 01:12:42,920
Speaker 3: is in theaters twenty first.

1663
01:12:43,000 --> 01:12:43,680
Speaker 5: Oh don't you know?

1664
01:12:43,840 --> 01:12:44,760
Speaker 2: I know it? Yes?

1665
01:12:45,479 --> 01:12:48,040
Speaker 3: Wait, I need to ask because you alluded to this earlier.

1666
01:12:48,720 --> 01:12:50,680
Speaker 3: So you you think you could have done this, she

1667
01:12:50,840 --> 01:12:54,280
Speaker 3: died seen better, but you you had other moments you said,

1668
01:12:54,320 --> 01:12:56,880
Speaker 3: there were other moments throughout the season where you were like,

1669
01:12:56,920 --> 01:12:58,880
Speaker 3: I could have done that better. Would you like to

1670
01:12:58,920 --> 01:12:59,640
Speaker 3: put those out there now?

1671
01:12:59,680 --> 01:13:01,280
Speaker 5: I think I always think I can do better.

1672
01:13:01,400 --> 01:13:04,280
Speaker 4: It really it bothers me because I'm pretty hard on myself,

1673
01:13:04,320 --> 01:13:07,000
Speaker 4: and I always watch when I watch things back, I'm like,

1674
01:13:07,960 --> 01:13:10,840
Speaker 4: I could have done better, or you're like, I did.

1675
01:13:10,720 --> 01:13:15,000
Speaker 2: It better and that wasn't the take. Literally always always,

1676
01:13:15,080 --> 01:13:16,519
Speaker 2: And that's why I don't use that one.

1677
01:13:16,840 --> 01:13:19,000
Speaker 1: I know I always think that, but then but then

1678
01:13:19,040 --> 01:13:21,599
Speaker 1: I just keep reminding myself like it's because it was better.

1679
01:13:21,680 --> 01:13:24,639
Speaker 2: Holistically, I have to trust the experts here. Also, maybe

1680
01:13:24,720 --> 01:13:27,040
Speaker 2: the one I'm thinking wasn't the one maybe it would

1681
01:13:27,040 --> 01:13:29,559
Speaker 2: have looked odd after her line, you know what I'm saying,

1682
01:13:29,680 --> 01:13:31,760
Speaker 2: Like it's but I have the same thing where I'm

1683
01:13:31,800 --> 01:13:32,639
Speaker 2: on the track.

1684
01:13:33,320 --> 01:13:36,280
Speaker 4: Well, to go back to the fact that I have

1685
01:13:36,600 --> 01:13:38,960
Speaker 4: directed before, I directed my own movie that I wrote,

1686
01:13:39,080 --> 01:13:41,000
Speaker 4: and I have been on that side where I had

1687
01:13:41,040 --> 01:13:42,880
Speaker 4: to edit, and I was in the editing room for

1688
01:13:43,160 --> 01:13:46,840
Speaker 4: four months, and I do know that that thought which

1689
01:13:46,880 --> 01:13:48,800
Speaker 4: does come into play when I watch myself of like

1690
01:13:48,960 --> 01:13:51,599
Speaker 4: I've been on the other side where the best take

1691
01:13:51,760 --> 01:13:53,360
Speaker 4: isn't always the one you're going to be able to

1692
01:13:53,479 --> 01:13:56,000
Speaker 4: use because her hair was on the wrong side. There

1693
01:13:56,120 --> 01:13:57,920
Speaker 4: was something that we couldn't get out of the frame

1694
01:13:58,040 --> 01:13:59,920
Speaker 4: or whatever it is, you know, a lighting thing or

1695
01:14:00,520 --> 01:14:00,840
Speaker 4: or just.

1696
01:14:01,080 --> 01:14:03,280
Speaker 5: Little minute things that you're not thinking of. And so

1697
01:14:03,520 --> 01:14:05,760
Speaker 5: I do take that into consideration, although it does.

1698
01:14:05,720 --> 01:14:08,840
Speaker 1: Sound yeah, of course, yeah, whenever you up, is that

1699
01:14:08,920 --> 01:14:10,640
Speaker 1: a pisces thing we're not really controlling.

1700
01:14:12,600 --> 01:14:16,160
Speaker 2: But that's not even a control thing. Ye, I want

1701
01:14:16,200 --> 01:14:18,280
Speaker 2: people to think I did this scene really good.

1702
01:14:18,720 --> 01:14:21,320
Speaker 4: Yeah, And maybe that's the controlling of it, is that

1703
01:14:21,479 --> 01:14:23,679
Speaker 4: I know that I can do better, and so there's

1704
01:14:23,800 --> 01:14:28,320
Speaker 4: this sort of like sensitivity to to I guess that's controlling.

1705
01:14:28,479 --> 01:14:30,599
Speaker 2: Yeah no, it's it's a sensitivity to to just emotion.

1706
01:14:30,880 --> 01:14:33,120
Speaker 4: Yeah yeah, you can.

1707
01:14:33,200 --> 01:14:35,400
Speaker 3: You can like you're getting a read on like these

1708
01:14:35,640 --> 01:14:39,040
Speaker 3: micro moments or sensitivity based.

1709
01:14:38,840 --> 01:14:50,360
Speaker 2: On emotional portrayal. Lots of ices there. Creative. You know

1710
01:14:50,439 --> 01:14:51,840
Speaker 2: what's creative and we are.

1711
01:14:51,760 --> 01:14:56,200
Speaker 1: In control of I don't think so, honeys. So this

1712
01:14:56,600 --> 01:14:59,280
Speaker 1: is our sixty second second where we take just exactly

1713
01:14:59,360 --> 01:15:02,000
Speaker 1: that amount of time. You guys have been think rip

1714
01:15:02,280 --> 01:15:03,320
Speaker 1: something in culture apart.

1715
01:15:03,360 --> 01:15:05,599
Speaker 2: You have been thinking about it. So we heard your two.

1716
01:15:05,760 --> 01:15:08,240
Speaker 2: We told you, we weighed in. We said we think

1717
01:15:08,320 --> 01:15:10,360
Speaker 2: one is the one. We're gonna go first, and you

1718
01:15:10,439 --> 01:15:13,840
Speaker 2: can ruminate on it. Okay, I have one. I've been

1719
01:15:14,360 --> 01:15:20,280
Speaker 2: moving apartments in LA and I have one. Okay, this

1720
01:15:20,600 --> 01:15:22,080
Speaker 2: is Matt Rogers. I don't think so many of his

1721
01:15:22,160 --> 01:15:23,120
Speaker 2: time starts now, I.

1722
01:15:23,120 --> 01:15:26,080
Speaker 1: Don't think so, honey, dust. I just found out you're

1723
01:15:26,120 --> 01:15:29,599
Speaker 1: mostly my own skin. I don't think so, honey. Almost

1724
01:15:29,720 --> 01:15:32,679
Speaker 1: fifty percent of all that in the corner, bitch, that's

1725
01:15:32,720 --> 01:15:36,120
Speaker 1: your own skin. Those are your dead cells. I'll say

1726
01:15:36,160 --> 01:15:39,720
Speaker 1: it again, dead cells all up in the dust. When

1727
01:15:39,760 --> 01:15:43,160
Speaker 1: you go to a corner, it's horrible. Any room you're in, right,

1728
01:15:43,200 --> 01:15:44,000
Speaker 1: now go to the corner.

1729
01:15:44,040 --> 01:15:47,200
Speaker 2: It's terrible. I'm telling you you need to call the cleaner.

1730
01:15:48,000 --> 01:15:49,800
Speaker 2: Please let this be. Let this be not just that.

1731
01:15:49,840 --> 01:15:50,639
Speaker 2: I don't think so, honey.

1732
01:15:50,840 --> 01:15:54,719
Speaker 1: It's a reminder you need to clean or call the cleaner,

1733
01:15:54,840 --> 01:15:57,759
Speaker 1: get someone or you yourself, get the supplies.

1734
01:15:58,000 --> 01:16:01,000
Speaker 2: The dust is you you are about. It's like soilent

1735
01:16:01,080 --> 01:16:03,960
Speaker 2: green up in here. I'm telling you it's really bad.

1736
01:16:04,040 --> 01:16:06,479
Speaker 2: And bitch, I have to tell you about your air filter.

1737
01:16:07,040 --> 01:16:10,000
Speaker 2: It's so bad, so bad. Get the dust out of there.

1738
01:16:10,000 --> 01:16:12,120
Speaker 2: You're gonna die. If you suck in this dust. You're

1739
01:16:12,160 --> 01:16:15,000
Speaker 2: gonna die, I'm telling you. Then talk about dust mites.

1740
01:16:15,160 --> 01:16:16,920
Speaker 2: Don't try to give it a cute name, you bitch.

1741
01:16:16,960 --> 01:16:17,800
Speaker 2: I don't think so honey.

1742
01:16:17,880 --> 01:16:17,920
Speaker 4: This.

1743
01:16:18,160 --> 01:16:20,240
Speaker 1: You are not gonna call it a dust mite, a

1744
01:16:20,360 --> 01:16:23,840
Speaker 1: dust bunny. It's an insult to bunnies. I don't think so, honey.

1745
01:16:24,040 --> 01:16:26,240
Speaker 1: It's my own skin. It's not a bunny which I

1746
01:16:26,280 --> 01:16:28,080
Speaker 1: want to pet. It's my skin, which I either want

1747
01:16:28,120 --> 01:16:30,320
Speaker 1: to keep or never see again. I don't think so hard.

1748
01:16:30,400 --> 01:16:34,879
Speaker 2: And that's one minute. The only bunnies we want, No bunnies.

1749
01:16:36,960 --> 01:16:38,080
Speaker 5: I am terrified.

1750
01:16:38,800 --> 01:16:40,200
Speaker 2: Why because that was so great?

1751
01:16:40,560 --> 01:16:44,080
Speaker 4: Yes, and also you like, I'm going home to immediately

1752
01:16:44,080 --> 01:16:44,599
Speaker 4: start dusting.

1753
01:16:44,760 --> 01:16:46,000
Speaker 2: You got it, you got I'm telling your half.

1754
01:16:46,120 --> 01:16:48,719
Speaker 4: No, but I bought an old house and it's really dusty,

1755
01:16:48,960 --> 01:16:49,280
Speaker 4: I know.

1756
01:16:49,439 --> 01:16:52,240
Speaker 2: Especially, And that's also the thing about the unfortunate drawback

1757
01:16:52,320 --> 01:16:54,320
Speaker 2: to like, oh, this house gets great light, it's gonna

1758
01:16:54,320 --> 01:16:57,320
Speaker 2: get amazing dust. Get two air purifiers.

1759
01:16:57,680 --> 01:17:00,280
Speaker 5: Yeah, oh no, I've got to one upstairs down to.

1760
01:17:01,760 --> 01:17:01,920
Speaker 2: Yes.

1761
01:17:02,280 --> 01:17:04,880
Speaker 4: The dust bunnies are, you know, not a part of

1762
01:17:04,920 --> 01:17:08,080
Speaker 4: the club. And they're everywhere everywhere.

1763
01:17:08,200 --> 01:17:10,240
Speaker 1: And I'm telling you the one great thing. I'm so

1764
01:17:10,360 --> 01:17:12,120
Speaker 1: happy to be leaving my apartment in LA and going

1765
01:17:12,200 --> 01:17:15,599
Speaker 1: somewhere else. It got so much dust like two days after.

1766
01:17:15,960 --> 01:17:20,640
Speaker 1: I don't know, it's something about it, but it's horible

1767
01:17:21,520 --> 01:17:24,200
Speaker 1: and like I I found it, a lot of it

1768
01:17:24,320 --> 01:17:26,360
Speaker 1: hiding in one place, and I just couldn't believe how

1769
01:17:26,400 --> 01:17:27,160
Speaker 1: big the ball was.

1770
01:17:27,280 --> 01:17:29,799
Speaker 2: This is really nice. Well, can you take a picture.

1771
01:17:30,080 --> 01:17:32,840
Speaker 2: I didn't. I didn't because Melissa was freaking out. She

1772
01:17:33,040 --> 01:17:36,720
Speaker 2: was like, stop dodging that. We were like kind of

1773
01:17:36,760 --> 01:17:38,919
Speaker 2: playing with the dust. We were high. It's the dryness.

1774
01:17:39,120 --> 01:17:41,960
Speaker 2: It's the dryness. Yeah, it was. It was not good.

1775
01:17:42,240 --> 01:17:46,640
Speaker 2: But anyways, we're happy moving to Studio City. Whoa to

1776
01:17:46,680 --> 01:17:49,679
Speaker 2: be closer to Jared? Actually my bestie?

1777
01:17:50,320 --> 01:17:51,439
Speaker 5: Oh my god, I didn't know that.

1778
01:17:51,720 --> 01:17:56,040
Speaker 2: Oh yeah, we dated for a year. Hot, very cute

1779
01:17:56,080 --> 01:17:57,040
Speaker 2: at the time, very much.

1780
01:17:57,080 --> 01:17:57,120
Speaker 4: So.

1781
01:17:57,439 --> 01:17:59,040
Speaker 2: Yeah, better as friends.

1782
01:17:58,800 --> 01:17:59,760
Speaker 4: Though, I get that.

1783
01:18:00,120 --> 01:18:02,439
Speaker 5: Yeah, not because of him, just because, like I've been

1784
01:18:02,439 --> 01:18:03,040
Speaker 5: in that situation.

1785
01:18:03,520 --> 01:18:06,760
Speaker 2: Yeah, sometimes you're just better as friends. All right, what

1786
01:18:06,840 --> 01:18:09,479
Speaker 2: do you think I have something?

1787
01:18:09,600 --> 01:18:12,040
Speaker 3: Okay, it's also and it's also another like house thing,

1788
01:18:12,280 --> 01:18:14,840
Speaker 3: but I think it's really important work.

1789
01:18:14,960 --> 01:18:17,599
Speaker 2: Okay, So this is Bowen Yang's I don't think so, honey.

1790
01:18:17,760 --> 01:18:18,840
Speaker 2: His time starts now.

1791
01:18:18,920 --> 01:18:22,120
Speaker 3: I don't think so, honey. Light switches you have to press.

1792
01:18:23,200 --> 01:18:27,920
Speaker 3: Give me an actual rocking mechanism. I don't care if

1793
01:18:27,960 --> 01:18:29,960
Speaker 3: it's the little nub, I don't care if it's.

1794
01:18:29,920 --> 01:18:31,160
Speaker 2: The full want to flick.

1795
01:18:31,479 --> 01:18:34,960
Speaker 3: I want to flick because guess what these dimmers do.

1796
01:18:36,040 --> 01:18:40,360
Speaker 3: They go slow, They take their time, and sometimes I

1797
01:18:40,479 --> 01:18:43,919
Speaker 3: need it to be lights out like that. And sometime

1798
01:18:43,960 --> 01:18:46,599
Speaker 3: and most of the time, with these pressed light switches,

1799
01:18:46,920 --> 01:18:47,679
Speaker 3: you go to a hotel.

1800
01:18:47,760 --> 01:18:48,920
Speaker 2: Oh it is in this night.

1801
01:18:49,600 --> 01:18:56,240
Speaker 3: Wait a minute, the light switches are nonsensical. I'm pressing

1802
01:18:56,320 --> 01:18:58,840
Speaker 3: a button and I gotta, I gotta, I gotta count

1803
01:18:59,439 --> 01:19:04,519
Speaker 3: ten walk ticks for this to fully go black fifteen seconds.

1804
01:19:04,640 --> 01:19:06,360
Speaker 2: I'm I'm trying to go to bed.

1805
01:19:06,960 --> 01:19:10,479
Speaker 3: Meanwhile, I'm standing at the threshold between the closet and

1806
01:19:10,560 --> 01:19:14,720
Speaker 3: the bathroom waiting for the light to go down seconds.

1807
01:19:14,400 --> 01:19:16,800
Speaker 2: So that I before I can tuck myself in. Honey,

1808
01:19:16,880 --> 01:19:19,000
Speaker 2: there's no time. I'm busy.

1809
01:19:19,479 --> 01:19:22,160
Speaker 1: That's one minute, you know, I've done one very similar

1810
01:19:22,280 --> 01:19:24,360
Speaker 1: about when you go to a hotel, Like if you

1811
01:19:24,400 --> 01:19:26,559
Speaker 1: ever spring on like a nice hotel, you can't use

1812
01:19:26,640 --> 01:19:28,479
Speaker 1: one thing it's impossible to use.

1813
01:19:28,479 --> 01:19:30,400
Speaker 2: You want to turn on the TV, you can't. You can't.

1814
01:19:30,439 --> 01:19:33,439
Speaker 1: You can't because the remotes something from out of space.

1815
01:19:33,800 --> 01:19:34,800
Speaker 1: You want to do You want to turn on the

1816
01:19:34,880 --> 01:19:36,080
Speaker 1: light in your bathroom, you can't.

1817
01:19:36,479 --> 01:19:39,960
Speaker 3: And my classic thing hotel trash cans. That chance, that chance.

1818
01:19:40,160 --> 01:19:43,880
Speaker 3: It's tiny, it's a little canister. They're getting worse soon.

1819
01:19:43,920 --> 01:19:45,920
Speaker 1: It's gonna be a button all the way over there

1820
01:19:46,080 --> 01:19:48,559
Speaker 1: to open the trash can over here. Don't even talk

1821
01:19:48,600 --> 01:19:51,960
Speaker 1: to me about a button that says all go there.

1822
01:19:53,040 --> 01:19:55,080
Speaker 4: I hate that. Why don't you like? I press all

1823
01:19:55,160 --> 01:19:57,200
Speaker 4: and everything goes black. I can never find the button again.

1824
01:19:57,320 --> 01:19:59,320
Speaker 2: Everything You have to run to the bed. You have

1825
01:19:59,400 --> 01:20:03,599
Speaker 2: to run, definitely going to You'll be killed.

1826
01:20:04,080 --> 01:20:07,479
Speaker 4: Definitely. I have killed by all like you will, I'm

1827
01:20:07,520 --> 01:20:07,800
Speaker 4: telling you.

1828
01:20:08,080 --> 01:20:10,559
Speaker 2: But they make it so difficult. Like my parents are

1829
01:20:10,640 --> 01:20:12,040
Speaker 2: in Greece right now. Oh my god.

1830
01:20:12,400 --> 01:20:14,599
Speaker 1: Now that they're in Greece, it's their second time ever

1831
01:20:14,720 --> 01:20:17,559
Speaker 1: leaving the country, and I was like, I wanted them

1832
01:20:17,600 --> 01:20:19,240
Speaker 1: to go into like have a nice trip and go

1833
01:20:19,320 --> 01:20:21,680
Speaker 1: in nice hotels. And then after I sent them, I

1834
01:20:21,760 --> 01:20:23,280
Speaker 1: was like, oh, no, are they gonna know how to

1835
01:20:23,360 --> 01:20:27,479
Speaker 1: like turn on the coffee thing because it's fucking rubikscue, like.

1836
01:20:28,240 --> 01:20:30,200
Speaker 2: It is crazy to turn on the light.

1837
01:20:30,439 --> 01:20:34,080
Speaker 1: Toilets, you know, they have those fancy bidets, like in

1838
01:20:34,160 --> 01:20:36,639
Speaker 1: the toilet You'll be there for forty five minutes.

1839
01:20:36,400 --> 01:20:38,320
Speaker 2: Trying to figure it out, and then when you do,

1840
01:20:38,400 --> 01:20:41,280
Speaker 2: you'll never leave. But sometimes I get to them some

1841
01:20:41,320 --> 01:20:44,280
Speaker 2: of those days and I'm like, I'm not leaving. Oh no, no, no,

1842
01:20:44,920 --> 01:20:54,760
Speaker 2: I'm getting a blood clot. I'm staying. Oh my Britney. Okay, okay,

1843
01:20:54,920 --> 01:20:55,360
Speaker 2: are you ready?

1844
01:20:55,840 --> 01:20:56,200
Speaker 5: I think so?

1845
01:20:57,080 --> 01:21:00,240
Speaker 2: This is what a sentence. Oh my god, thank you

1846
01:21:00,320 --> 01:21:01,040
Speaker 2: so much for coming.

1847
01:21:01,360 --> 01:21:02,519
Speaker 5: I am having the best time.

1848
01:21:02,680 --> 01:21:03,040
Speaker 2: Me too.

1849
01:21:03,240 --> 01:21:05,720
Speaker 4: I don't want to Okay, this is.

1850
01:21:08,040 --> 01:21:10,960
Speaker 2: With the other blonde. Oh this is Britney snows. I

1851
01:21:10,960 --> 01:21:12,680
Speaker 2: don't think so. Money and her time starts.

1852
01:21:12,520 --> 01:21:14,840
Speaker 4: Now, I don't think so, honey.

1853
01:21:15,120 --> 01:21:18,719
Speaker 5: Okay, hospital shows. Let me tell you something.

1854
01:21:19,000 --> 01:21:21,439
Speaker 4: People. I know some people that it is their comfort

1855
01:21:21,600 --> 01:21:24,960
Speaker 4: to after long day. You're working traffic, you're a person

1856
01:21:25,080 --> 01:21:27,240
Speaker 4: that's got kids, you're taking care of old people, and

1857
01:21:27,280 --> 01:21:28,599
Speaker 4: then you go home at the end of the night

1858
01:21:28,840 --> 01:21:30,799
Speaker 4: and you want to curl up with a nice glass

1859
01:21:30,840 --> 01:21:33,240
Speaker 4: of tea and a blanket, and you're going to put

1860
01:21:33,280 --> 01:21:37,040
Speaker 4: on the most high stakes drama of people dying. You

1861
01:21:37,280 --> 01:21:40,120
Speaker 4: actually really die in real life. These are real stories

1862
01:21:40,120 --> 01:21:43,799
Speaker 4: that happen. And then now your comfort show, Gray's Anatomy

1863
01:21:45,240 --> 01:21:48,280
Speaker 4: the Pit. Also Norm Wiley call me, I will do

1864
01:21:48,400 --> 01:21:51,000
Speaker 4: season three You Love Him? Also No Wiley's side note

1865
01:21:51,280 --> 01:21:53,080
Speaker 4: is a doctor. If I was on a plane and

1866
01:21:53,200 --> 01:21:55,080
Speaker 4: there was somebody that if I was going down and

1867
01:21:55,120 --> 01:21:56,639
Speaker 4: there was like is there a doctor in the plane,

1868
01:21:56,680 --> 01:21:58,439
Speaker 4: and there was another doctor and then there was no Wiley,

1869
01:21:58,439 --> 01:21:59,240
Speaker 4: I would pick a little.

1870
01:22:00,160 --> 01:22:00,759
Speaker 5: He knows everything.

1871
01:22:01,120 --> 01:22:02,800
Speaker 4: But that's not the point. The point is I don't

1872
01:22:02,800 --> 01:22:04,960
Speaker 4: think that these shows are good things to watch because

1873
01:22:04,960 --> 01:22:06,560
Speaker 4: they don't give anybody comfort. I don't want to go

1874
01:22:06,600 --> 01:22:08,680
Speaker 4: to hospital. Does anybody like going to the hospital? Why

1875
01:22:08,680 --> 01:22:10,400
Speaker 4: am I willingly going to the hospital?

1876
01:22:11,840 --> 01:22:14,040
Speaker 2: I'm sorry, keep going, but do you like going to

1877
01:22:14,080 --> 01:22:14,519
Speaker 2: the hospital.

1878
01:22:14,720 --> 01:22:16,360
Speaker 4: I'm visiting people in the hospital. I want to get

1879
01:22:16,360 --> 01:22:18,080
Speaker 4: the fuck out of there. And then now we are

1880
01:22:18,240 --> 01:22:21,919
Speaker 4: willingly putting ourselves into the hospital and it's like dramatic.

1881
01:22:22,040 --> 01:22:22,880
Speaker 5: I don't think so, honey.

1882
01:22:23,000 --> 01:22:27,479
Speaker 2: That's a minute that was perfect, Oh my god, really good.

1883
01:22:27,640 --> 01:22:30,000
Speaker 1: And also this is speaking to something in the culture

1884
01:22:30,040 --> 01:22:32,880
Speaker 1: that needs to be addressed, which is why do we

1885
01:22:33,400 --> 01:22:37,080
Speaker 1: like these things? It's just it's literal pain, blood and more.

1886
01:22:37,600 --> 01:22:43,439
Speaker 1: And I will say something, what what is the thing

1887
01:22:44,240 --> 01:22:47,800
Speaker 1: with like people being like, wow, now I really know

1888
01:22:47,920 --> 01:22:49,000
Speaker 1: what that experience is like.

1889
01:22:49,200 --> 01:22:52,439
Speaker 2: It's like, it's like, why did anyone need to know

1890
01:22:52,600 --> 01:22:55,760
Speaker 2: what they go through? I get it personally for me,

1891
01:22:55,920 --> 01:22:58,880
Speaker 2: I get it being in a hospital, working in like

1892
01:22:58,960 --> 01:23:01,040
Speaker 2: an emergency room. It sounds awful.

1893
01:23:01,439 --> 01:23:04,559
Speaker 4: Not for entertainment, but let me just say, to play

1894
01:23:04,640 --> 01:23:07,000
Speaker 4: the Devil's Advocate to my own I don't think so, honey.

1895
01:23:07,120 --> 01:23:09,559
Speaker 4: I do think that it's highlighting people in those roles

1896
01:23:09,800 --> 01:23:13,200
Speaker 4: that have the most horrible art. Absolutely, I don't give

1897
01:23:13,400 --> 01:23:15,240
Speaker 4: one fuck about actors who are like Oh my god,

1898
01:23:15,280 --> 01:23:16,280
Speaker 4: I'm so tired.

1899
01:23:16,360 --> 01:23:17,000
Speaker 5: I hate my job.

1900
01:23:17,080 --> 01:23:19,160
Speaker 4: It's like, no, you go to a hospital and those

1901
01:23:19,240 --> 01:23:21,360
Speaker 4: people are allowed to complain about being hired because they're

1902
01:23:21,439 --> 01:23:25,200
Speaker 4: saving lives. But then also, yes, we're highlighting those jobs.

1903
01:23:25,280 --> 01:23:27,760
Speaker 4: But at the same time, I don't want to have

1904
01:23:27,960 --> 01:23:32,160
Speaker 4: any enjoyment in that or comfort in the fact that

1905
01:23:32,240 --> 01:23:34,639
Speaker 4: you just saved a child from like their arm getting

1906
01:23:34,640 --> 01:23:37,240
Speaker 4: cut off or whatever like that to me is not

1907
01:23:37,479 --> 01:23:40,320
Speaker 4: something that I find to make me like ready for

1908
01:23:40,439 --> 01:23:40,800
Speaker 4: bed now.

1909
01:23:40,920 --> 01:23:43,360
Speaker 2: Ye right. I love the pit and we are loaded.

1910
01:23:43,439 --> 01:23:45,960
Speaker 1: Craze anatomy stands, but I don't even know if I

1911
01:23:45,960 --> 01:23:48,439
Speaker 1: could rewatch it because now as an adult, I'm super

1912
01:23:48,520 --> 01:23:49,759
Speaker 1: sensitive to pain.

1913
01:23:49,760 --> 01:23:52,040
Speaker 2: To pain like humanity. Did you ever do? Did you

1914
01:23:52,080 --> 01:23:53,080
Speaker 2: ever do a hospital show?

1915
01:23:53,240 --> 01:23:55,479
Speaker 5: No one has ever thought that I could play a doctor,

1916
01:23:55,840 --> 01:23:56,040
Speaker 5: do you.

1917
01:23:57,840 --> 01:23:57,880
Speaker 3: No?

1918
01:23:58,920 --> 01:24:01,120
Speaker 2: Why am I creating that you were like a patient

1919
01:24:01,160 --> 01:24:01,840
Speaker 2: on anime?

1920
01:24:02,080 --> 01:24:07,000
Speaker 4: I was a bipolar girl who killed someone.

1921
01:24:06,880 --> 01:24:09,160
Speaker 2: On SVU That's why? Yeah?

1922
01:24:09,720 --> 01:24:12,760
Speaker 3: Pretty that which which which is the exchange rate? Is

1923
01:24:13,120 --> 01:24:15,000
Speaker 3: you were you were a doctor and grace on a

1924
01:24:15,080 --> 01:24:16,200
Speaker 3: hospital procedural? Yeah?

1925
01:24:16,240 --> 01:24:18,880
Speaker 5: No, I can't do those The language like the worrying

1926
01:24:19,040 --> 01:24:19,400
Speaker 5: of No.

1927
01:24:20,479 --> 01:24:24,360
Speaker 1: I actually wrote a Gray's anatomy specscript in college and

1928
01:24:24,880 --> 01:24:28,640
Speaker 1: I it's just all the hospital jargon. I was just

1929
01:24:28,720 --> 01:24:30,640
Speaker 1: going to put in the dialogue like in parentheses, like

1930
01:24:30,680 --> 01:24:33,479
Speaker 1: hospital jargon. Here's the doctor was like I know, but

1931
01:24:33,840 --> 01:24:35,519
Speaker 1: my teacher was like, no, just write it. And it's like,

1932
01:24:35,600 --> 01:24:37,240
Speaker 1: I tenC is a penicillin.

1933
01:24:37,520 --> 01:24:38,479
Speaker 2: It's like, what's that?

1934
01:24:38,680 --> 01:24:40,479
Speaker 3: But the writer, the actual writers on Grays just go

1935
01:24:41,040 --> 01:24:44,040
Speaker 3: just go medical medical, medical, medical, medical.

1936
01:24:44,560 --> 01:24:47,920
Speaker 5: So legally act that is my nightmare.

1937
01:24:48,520 --> 01:24:50,560
Speaker 4: Like the reccurring nightmare that I have is that I

1938
01:24:50,640 --> 01:24:52,720
Speaker 4: show up to do Gray's anatomy or whatever and they're like,

1939
01:24:52,760 --> 01:24:55,120
Speaker 4: you got the medical jargon right, they know it just

1940
01:24:55,160 --> 01:24:57,200
Speaker 4: came in last night, and You're like, what medical jargon?

1941
01:24:57,240 --> 01:24:59,160
Speaker 4: And they're like the paragraph of medical jargon that you

1942
01:24:59,240 --> 01:25:01,760
Speaker 4: don't know is an actual nightmare that I have on.

1943
01:25:01,840 --> 01:25:08,320
Speaker 2: The regular amazing specific actors specific so specific to just actors,

1944
01:25:08,479 --> 01:25:10,200
Speaker 2: is like what if I show up to graze anatomy

1945
01:25:10,240 --> 01:25:13,640
Speaker 2: and I don't know the medical jargon humiliate, amiliating, then

1946
01:25:13,680 --> 01:25:14,240
Speaker 2: I'm nude.

1947
01:25:14,800 --> 01:25:18,120
Speaker 3: I'm agreeing with everything you're saying, Brittany, when you asked

1948
01:25:18,200 --> 01:25:20,600
Speaker 3: who likes going to the hospital, this is, this is,

1949
01:25:20,760 --> 01:25:23,760
Speaker 3: this is I'm going to say a Canadian thing, which

1950
01:25:23,800 --> 01:25:27,880
Speaker 3: is when you have socialized medicine, especially if you're a

1951
01:25:27,920 --> 01:25:30,000
Speaker 3: kid growing up in Canada like like like like I was,

1952
01:25:31,160 --> 01:25:33,240
Speaker 3: I broke my arm twice growing up in Montreal.

1953
01:25:33,600 --> 01:25:35,760
Speaker 2: Going to the children's hospital was the funnest time because

1954
01:25:35,760 --> 01:25:36,599
Speaker 2: he broke his arm twice.

1955
01:25:37,160 --> 01:25:39,920
Speaker 5: Talking about a different Yeah, medical systems.

1956
01:25:39,640 --> 01:25:42,280
Speaker 3: But like the children's hospital Montreal was a happy place,

1957
01:25:42,479 --> 01:25:45,519
Speaker 3: happy place. The walls were colorful, but there's play places.

1958
01:25:45,600 --> 01:25:47,519
Speaker 5: But they were fixing your arms.

1959
01:25:47,400 --> 01:25:48,840
Speaker 3: And they were fixing the arm and the doctors were

1960
01:25:48,960 --> 01:25:54,920
Speaker 3: so nice and so happy. There there was a Nois pediatrician.

1961
01:25:55,040 --> 01:25:57,360
Speaker 3: I mean, come on, I think I think the I

1962
01:25:57,400 --> 01:25:59,479
Speaker 3: think the the appeal of the Pit is you're watching

1963
01:25:59,560 --> 01:26:01,599
Speaker 3: Noahiley maybe no a while and there's nothing better.

1964
01:26:01,640 --> 01:26:02,120
Speaker 2: Oh my god.

1965
01:26:02,200 --> 01:26:05,000
Speaker 3: And he just I mean, did you see him at

1966
01:26:05,040 --> 01:26:07,400
Speaker 3: the party during the Emmys. He and his wife the

1967
01:26:07,439 --> 01:26:12,080
Speaker 3: mis quorterous couples, and I love that. For this, it

1968
01:26:12,160 --> 01:26:13,360
Speaker 3: was the Pit and hunting.

1969
01:26:13,200 --> 01:26:16,040
Speaker 5: Wives, two vastly different because.

1970
01:26:19,200 --> 01:26:21,599
Speaker 4: Cross like five hundred c cs.

1971
01:26:24,160 --> 01:26:25,960
Speaker 2: Maybe let me get that scalpel.

1972
01:26:28,040 --> 01:26:31,280
Speaker 4: Do that. I don't know, something happens, Wait, this is

1973
01:26:31,360 --> 01:26:31,559
Speaker 4: this is.

1974
01:26:31,600 --> 01:26:34,639
Speaker 2: This is my Moulin. Ready offer me a tampon.

1975
01:26:35,360 --> 01:26:35,680
Speaker 4: I don't know.

1976
01:26:35,760 --> 01:26:37,479
Speaker 5: I I think I have a tampon.

1977
01:26:38,200 --> 01:26:43,040
Speaker 2: Oh I can't use that. Oh I can't use.

1978
01:26:45,439 --> 01:26:49,240
Speaker 4: Wait, Okay, before we go, you guys both told me

1979
01:26:49,320 --> 01:26:51,920
Speaker 4: that you had like questions about the show because you

1980
01:26:52,000 --> 01:26:53,960
Speaker 4: were like if this person does that, and that person

1981
01:26:54,080 --> 01:26:54,960
Speaker 4: is that, and that guy?

1982
01:26:55,520 --> 01:26:57,440
Speaker 5: It was, yeah, what are the questions?

1983
01:26:57,520 --> 01:27:02,320
Speaker 2: Okay? My question is, how is Sophie wrecking with what

1984
01:27:02,439 --> 01:27:04,439
Speaker 2: she's done? How will she get out of this one?

1985
01:27:05,040 --> 01:27:08,040
Speaker 4: I have theories that are completely not based in any facts,

1986
01:27:08,120 --> 01:27:09,000
Speaker 4: But let's hear him.

1987
01:27:11,439 --> 01:27:12,400
Speaker 5: Because I don't know.

1988
01:27:12,640 --> 01:27:14,479
Speaker 4: I don't know this to be true at all. But

1989
01:27:14,600 --> 01:27:16,479
Speaker 4: I do think that this puts them on an even

1990
01:27:16,600 --> 01:27:19,519
Speaker 4: playing field. And I do think that she's smarter than

1991
01:27:19,560 --> 01:27:22,880
Speaker 4: people think she is. And I would like to see

1992
01:27:22,920 --> 01:27:26,480
Speaker 4: her having done stuff already to like lay the groundwork

1993
01:27:26,600 --> 01:27:28,960
Speaker 4: for Like she's got some shit on Margo that she

1994
01:27:29,040 --> 01:27:31,240
Speaker 4: could drop, you know, at the drop of a hat

1995
01:27:31,880 --> 01:27:35,680
Speaker 4: and turn everything around if Margot figures out that she

1996
01:27:35,840 --> 01:27:38,519
Speaker 4: killed Kyle. But I think no one's going to figure

1997
01:27:38,560 --> 01:27:40,840
Speaker 4: out about Kyle for a long time. Wow, I think

1998
01:27:40,960 --> 01:27:43,800
Speaker 4: she took that phone for a reason. I think she

1999
01:27:43,880 --> 01:27:44,840
Speaker 4: took the phone for a reason.

2000
01:27:45,520 --> 01:27:47,160
Speaker 2: You don't think that Molly knew it was her on

2001
01:27:47,360 --> 01:27:50,960
Speaker 2: at the end. I don't think so.

2002
01:27:51,560 --> 01:27:55,400
Speaker 4: I'm not sure. Okay, we've played it both ways. It's

2003
01:27:55,400 --> 01:27:57,559
Speaker 4: funny how when in the show. But they did tell

2004
01:27:57,640 --> 01:27:59,040
Speaker 4: me to take the phone for a reason.

2005
01:27:59,280 --> 01:28:03,360
Speaker 2: Yeah, there are so many ways to interpret the show.

2006
01:28:03,880 --> 01:28:08,400
Speaker 2: Absolutely as as I'm an example of, I'm telling you

2007
01:28:08,840 --> 01:28:09,200
Speaker 2: like it.

2008
01:28:09,720 --> 01:28:13,320
Speaker 1: We we were in pee Town, like ostensibly a lot

2009
01:28:13,360 --> 01:28:15,800
Speaker 1: of fun things to do there, No, all we wanted

2010
01:28:15,800 --> 01:28:17,760
Speaker 1: to do was be in the house watching the show.

2011
01:28:18,000 --> 01:28:19,800
Speaker 1: It was the highlight of every moment of the trip

2012
01:28:20,000 --> 01:28:23,760
Speaker 1: was watching the show. And the Dude Store was good, good,

2013
01:28:23,800 --> 01:28:25,080
Speaker 1: but we didn't really go out.

2014
01:28:25,200 --> 01:28:27,240
Speaker 2: I liked that one. I liked the Red End too,

2015
01:28:28,160 --> 01:28:30,720
Speaker 2: cocktails there, But other than that, it was the Hunting Wives. You.

2016
01:28:31,439 --> 01:28:34,960
Speaker 5: I am just so honored by that, truly.

2017
01:28:35,680 --> 01:28:37,479
Speaker 2: Thank you for that was my one week off the

2018
01:28:37,640 --> 01:28:40,080
Speaker 2: entire summer. Thank you for really, no, thank you.

2019
01:28:41,479 --> 01:28:44,519
Speaker 5: I'm glad I spent we did all together.

2020
01:28:44,880 --> 01:28:47,240
Speaker 2: Yes, we scaped and you have two shows coming up.

2021
01:28:47,760 --> 01:28:49,280
Speaker 5: I do two shows.

2022
01:28:49,880 --> 01:28:52,839
Speaker 4: One on Hulu that's called Murdoch Death in the Family,

2023
01:28:53,120 --> 01:28:56,240
Speaker 4: and I play Mandy Mattney, who is the real reporter

2024
01:28:56,960 --> 01:29:01,920
Speaker 4: that the podcast Murdoch murders her character. She she's the

2025
01:29:01,960 --> 01:29:04,519
Speaker 4: person that sort of like spearheaded the whole fight to

2026
01:29:04,640 --> 01:29:08,320
Speaker 4: get this guy Alec Murdoch behind bars and figure out

2027
01:29:08,360 --> 01:29:09,400
Speaker 4: what was happening with that story.

2028
01:29:09,520 --> 01:29:11,320
Speaker 5: So she is about us.

2029
01:29:11,479 --> 01:29:13,040
Speaker 2: So she comes in and is like, we have to

2030
01:29:13,120 --> 01:29:14,479
Speaker 2: get the truth. We have to get the truth.

2031
01:29:14,640 --> 01:29:17,400
Speaker 4: Yeah, And she was the first person to actually kind

2032
01:29:17,439 --> 01:29:19,320
Speaker 4: of sense that this was a bigger story at play,

2033
01:29:19,360 --> 01:29:21,720
Speaker 4: that it wasn't just this guy who was up to

2034
01:29:21,800 --> 01:29:23,920
Speaker 4: no good. There was something that was way, way more

2035
01:29:24,000 --> 01:29:27,559
Speaker 4: insidious with the story. And she just followed that lead,

2036
01:29:27,680 --> 01:29:30,599
Speaker 4: and nobody took it seriously. And so as it was happening,

2037
01:29:30,680 --> 01:29:33,040
Speaker 4: she was the one that was sort of the person

2038
01:29:33,120 --> 01:29:36,160
Speaker 4: that knew before anyone else and was really sort of

2039
01:29:36,200 --> 01:29:38,920
Speaker 4: this gnat in their family in terms of like making

2040
01:29:39,000 --> 01:29:41,040
Speaker 4: sure that the story is broke, that somebody was always

2041
01:29:41,040 --> 01:29:43,160
Speaker 4: watching them, that the story was actually getting told.

2042
01:29:43,680 --> 01:29:45,600
Speaker 5: And so yeah, I was up to her that this

2043
01:29:46,120 --> 01:29:46,799
Speaker 5: all happened.

2044
01:29:47,600 --> 01:29:50,719
Speaker 2: And hospital shows are too gruesome for you. Yeah, I meanwhile,

2045
01:29:50,720 --> 01:29:52,320
Speaker 2: you're out here with all this murder. Well, I know,

2046
01:29:52,800 --> 01:29:54,719
Speaker 2: the murder is so much murder in all your shows.

2047
01:29:54,920 --> 01:29:58,720
Speaker 5: I know, I've been really murdering. I'm sorry you.

2048
01:30:00,120 --> 01:30:03,600
Speaker 2: The kids love you. There every murder show on television.

2049
01:30:03,280 --> 01:30:04,000
Speaker 4: I will be more.

2050
01:30:04,240 --> 01:30:07,479
Speaker 2: Also, well, here that kid, that's the second show. A

2051
01:30:07,560 --> 01:30:09,600
Speaker 2: murder show. It is there you go.

2052
01:30:10,720 --> 01:30:11,760
Speaker 4: It's called the Beast in Me.

2053
01:30:11,920 --> 01:30:15,280
Speaker 2: It's called the Beast in Me. You have kids, the

2054
01:30:16,280 --> 01:30:16,880
Speaker 2: kids out there.

2055
01:30:19,960 --> 01:30:21,599
Speaker 4: Not everything I do is for the children.

2056
01:30:22,280 --> 01:30:24,759
Speaker 2: Most in the children.

2057
01:30:26,160 --> 01:30:29,439
Speaker 4: Yes, gay guys, gay guys speak, thank you.

2058
01:30:29,840 --> 01:30:32,080
Speaker 2: Yeah, it's really good when you feed the children. That's good.

2059
01:30:32,120 --> 01:30:35,800
Speaker 2: I figured Beast in Me.

2060
01:30:36,080 --> 01:30:39,479
Speaker 4: Beast in Me is there are no children in the

2061
01:30:39,840 --> 01:30:42,240
Speaker 4: Beast in Me But it is about also murder. My

2062
01:30:42,479 --> 01:30:48,680
Speaker 4: my husband is being murdered. No, no, he might have.

2063
01:30:48,840 --> 01:30:52,519
Speaker 5: Murdered his ex wife and I am the new wife.

2064
01:30:52,600 --> 01:30:54,519
Speaker 4: But it's sort of like the Jinx in the way

2065
01:30:54,560 --> 01:30:57,720
Speaker 4: of like he's sort of this tycoon and billionaire and

2066
01:30:57,840 --> 01:30:59,600
Speaker 4: you don't really know what's going on in terms of

2067
01:30:59,680 --> 01:31:02,840
Speaker 4: his or her past because he's he might not have

2068
01:31:02,960 --> 01:31:04,960
Speaker 4: murdered her at all. Not everyone in the show is

2069
01:31:05,000 --> 01:31:09,160
Speaker 4: as they seem. Because Claire Danes, she plays this writer

2070
01:31:09,320 --> 01:31:11,519
Speaker 4: that's doing a book on Matthew Reese my husband.

2071
01:31:11,600 --> 01:31:14,800
Speaker 2: I know. Oh wait, Matthew Reese and Claire Danes so

2072
01:31:14,920 --> 01:31:16,040
Speaker 2: it's going to be a phenomenon.

2073
01:31:16,720 --> 01:31:18,320
Speaker 5: It is the same people who did Homeland.

2074
01:31:18,439 --> 01:31:20,960
Speaker 2: Oh, so it is, We're familiar. Claire Danes is going

2075
01:31:21,000 --> 01:31:21,960
Speaker 2: back with Homeland people.

2076
01:31:22,200 --> 01:31:23,920
Speaker 4: Yeah, oh this is too much and I'm there too.

2077
01:31:24,720 --> 01:31:27,439
Speaker 4: They I know, who would have thought this is crazed.

2078
01:31:28,080 --> 01:31:29,000
Speaker 4: It's going to be very cool.

2079
01:31:29,080 --> 01:31:32,080
Speaker 3: We met her at SNL fifty. She is, she said,

2080
01:31:32,120 --> 01:31:34,920
Speaker 3: she listens to the pod somehow, I don't. That's that

2081
01:31:35,040 --> 01:31:35,479
Speaker 3: was too much.

2082
01:31:35,560 --> 01:31:38,639
Speaker 2: It was too much. She's so fucking she is the coolest,

2083
01:31:38,720 --> 01:31:39,439
Speaker 2: best actor ever.

2084
01:31:39,640 --> 01:31:41,880
Speaker 4: She's the best actor, She's the best person. Her and

2085
01:31:41,960 --> 01:31:45,600
Speaker 4: Matthew Reese are truly. I mean, I loved working on

2086
01:31:45,640 --> 01:31:47,599
Speaker 4: that show every day because of how they conducted themselves

2087
01:31:47,640 --> 01:31:49,479
Speaker 4: on set, and then we all became friends and I

2088
01:31:49,600 --> 01:31:51,800
Speaker 4: was just like, I love when people are that good

2089
01:31:51,800 --> 01:31:53,720
Speaker 4: at what they do and they're also that good in

2090
01:31:53,840 --> 01:31:56,680
Speaker 4: real life as people. Claire just wanted to hang out.

2091
01:31:56,840 --> 01:31:57,640
Speaker 4: She just wanted to know.

2092
01:31:57,720 --> 01:31:59,240
Speaker 5: Things about me, and she really listens.

2093
01:31:59,800 --> 01:32:02,760
Speaker 4: She just rat that's the best rat.

2094
01:32:02,960 --> 01:32:06,600
Speaker 2: This was so fun. We love you, love you have

2095
01:32:06,680 --> 01:32:08,880
Speaker 2: to hang out with you. When when when they said

2096
01:32:08,920 --> 01:32:10,759
Speaker 2: that they spend so much time with you at the Emmys,

2097
01:32:10,800 --> 01:32:12,479
Speaker 2: like you and all my friends. I was just like,

2098
01:32:12,720 --> 01:32:14,400
Speaker 2: I have to be there. But now we're going to

2099
01:32:14,479 --> 01:32:14,840
Speaker 2: do something.

2100
01:32:15,600 --> 01:32:18,040
Speaker 5: We're doing it. We're gonna hang out. We're gonna be

2101
01:32:18,160 --> 01:32:19,200
Speaker 5: like real, real friends.

2102
01:32:19,880 --> 01:32:20,640
Speaker 2: Catch us in the.

2103
01:32:20,680 --> 01:32:24,840
Speaker 3: Streets, in the streets, all right, okay, ready, yeah, we

2104
01:32:24,920 --> 01:32:25,960
Speaker 3: have every episode but the song.

2105
01:32:26,000 --> 01:32:28,400
Speaker 2: I'm trying to think, what's the song? The New Girl

2106
01:32:28,479 --> 01:32:34,080
Speaker 2: in Town? I wish I knew the words I can hear.

2107
01:32:43,000 --> 01:32:45,760
Speaker 2: If you want to hear that and more, listen to

2108
01:32:45,840 --> 01:33:00,519
Speaker 2: the Hairspray original past Southey Last.

2109
01:33:00,520 --> 01:33:02,880
Speaker 3: Culturastis is the production by Will Ferreld's Big Money Players

2110
01:33:02,880 --> 01:33:04,640
Speaker 3: In and iHeartRadio podcasts.

2111
01:33:04,400 --> 01:33:07,720
Speaker 1: Created and hosted by Matt Rodgers and Bowen Yet executive

2112
01:33:07,760 --> 01:33:09,880
Speaker 1: produced by Anajas Bier and produced by.

2113
01:33:09,880 --> 01:33:12,640
Speaker 2: Becker Ramos, edited a mixed by Doug Bain and our

2114
01:33:12,760 --> 01:33:14,240
Speaker 2: music is by Henry Komerski