WEBVTT - Release Your Job (feat. Nori Reed)

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<v Speaker 1>I could do a whole series on boarders books card.

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<v Speaker 1>That's where I spent my child. Same. It's also where

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<v Speaker 1>I used to find guys to hook up with when

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<v Speaker 1>I was a teenager. Same. Yeah. Really, it's just like

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<v Speaker 1>being prey for pedipiles. It is, and that is why

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<v Speaker 1>Borders did close. Fran, very happy to see you wearing

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<v Speaker 1>I think your most expensive and stylish piece of clothing,

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<v Speaker 1>which is a tied eye shirt with a marijuana leaf

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<v Speaker 1>on it that I bought you on the first trip

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<v Speaker 1>we ever talked together to Palm Springs Manories all alone

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<v Speaker 1>in Yes, I'm really glad you're wearing, you know, an expensive,

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<v Speaker 1>designer curated piece of clothing. Because today we were talking

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<v Speaker 1>all about fashion through the lens of iconic two thousand

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<v Speaker 1>six film The Devil Worse Product. And here to help

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<v Speaker 1>us do that is nor Read, incredible comedian and TV writer.

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<v Speaker 1>We're going to dive in all things fashion, rom com

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<v Speaker 1>Meryl Streep and Hathaway because this is like a virgin

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<v Speaker 1>the show we give yesterday's pop culture today's takes. I'm

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<v Speaker 1>ros damn you and I'm Fran Toronto. Fran. What you

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<v Speaker 1>don't know is that that sweater is not just blue.

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<v Speaker 1>It's not turquoise, it's not lapis, it's actually cerulean. Are

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<v Speaker 1>you wearing the Am I wearing the Tide High Weed

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<v Speaker 1>Dollar Bine shirt that you gave me? Yes? I am.

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<v Speaker 1>Let me tell you so. Drake dropped a surprise album

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<v Speaker 1>called Honestly never Mind, which is such like a kind

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<v Speaker 1>of like funck Boy TikTok kind of album title, and

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<v Speaker 1>it was kind of immediately deemed the Academine album because

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<v Speaker 1>it just has a kind of trancy house feel. And

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<v Speaker 1>I would say that the beats there there are more

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<v Speaker 1>than there is rapping, Like some of the songs have

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<v Speaker 1>a very minimal amount of wrapping, and it's all just

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<v Speaker 1>kind of like dance music. It's good. I'm not gonna

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<v Speaker 1>lie it's I mean, it's it's some of it as

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<v Speaker 1>really background music, but it's like it really shook me. Um.

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<v Speaker 1>It found me at a very specific place during my

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<v Speaker 1>week where I came home from a function very late

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<v Speaker 1>at night. I had a photo shoot the next morning,

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<v Speaker 1>and I just got very very stoned and put on

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<v Speaker 1>the album because it had just dropped, and I got

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<v Speaker 1>into the shower and shaved all of my body hair

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<v Speaker 1>while listening to this Drake album very stoned, and I

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<v Speaker 1>was like, what is going on with my life? But

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<v Speaker 1>it was actually like a very meditative, like beautiful experience,

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<v Speaker 1>and that the album lend, I think, lent itself to

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<v Speaker 1>to to that specific scene of of my life. I

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<v Speaker 1>don't I don't know that I've ever listened to Drake

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<v Speaker 1>album all the way through, like from from top to bottom.

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<v Speaker 1>But I am interested in this because I have seen

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<v Speaker 1>so many people whose music taste I trust talking about

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<v Speaker 1>it and saying that it's good. So I definitely will

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<v Speaker 1>check it out. Did he announced it the same night

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<v Speaker 1>Beyonce announced? I don't know, actually, and we have to

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<v Speaker 1>talk about the Beyonce of it all. But real quick, like,

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<v Speaker 1>I'm not really much of a Drake stand either. I

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<v Speaker 1>really really loved his album Nothing was the Same. That

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<v Speaker 1>was like such an era of New York for me.

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<v Speaker 1>I loved his take Care era. I love nice for

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<v Speaker 1>what um so you know, I dabble here and there.

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<v Speaker 1>I feel like Drake collaborated one time with Jamie XX

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<v Speaker 1>and take Care like famously from the x X as

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<v Speaker 1>a very x X song, and this album, honestly, never

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<v Speaker 1>Mind is influenced from that like a decade ago, you

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<v Speaker 1>know what I mean? And I really wish that he

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<v Speaker 1>had just hired Jamie XX or someone like him to

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<v Speaker 1>make what I think could have been slightly better house music.

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<v Speaker 1>But what's on this album is good but still like

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<v Speaker 1>pretty generic. I feel like you would feel the same way.

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<v Speaker 1>But I'd be interested to know what you think of it,

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<v Speaker 1>because to me, it's kind of like a toothless like

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<v Speaker 1>Jamie XX rip off. But but the album definitely said definitely,

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<v Speaker 1>I'll definitely give it a listen. I love that you're

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<v Speaker 1>like rubbing your tip as you talk about the Drake

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<v Speaker 1>look that this album it's it's giving sexual energy like

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<v Speaker 1>this album. This album is wearing a leak your sex

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<v Speaker 1>tape body suit. This album is giving jubiterm peuter jewelry.

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<v Speaker 1>Only you know, it's Pride month and everyone wants to

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<v Speaker 1>be at least a little gay. Absolutely, and this album

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<v Speaker 1>has Susanne Barsha's phone number on their iPhone success okay

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<v Speaker 1>not the six US. Oh my god. So I was

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<v Speaker 1>surprised that the Beyonce announcement did not make more of

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<v Speaker 1>a cultural impact. Did you feel that way too, Like,

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<v Speaker 1>obviously everyone was talking about it, but it was not

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<v Speaker 1>to the same level as I feel like other Beyonce

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<v Speaker 1>announcements happened, and maybe that's because we are used to

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<v Speaker 1>her dropping entire albums and so it just becomes this

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<v Speaker 1>title wave so quickly, um r I P title. I

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<v Speaker 1>actually don't know if that still exists, but I'm sure

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<v Speaker 1>it does unfortunately, but this one, I think maybe because

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<v Speaker 1>I got a heads up a couple of hours before

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<v Speaker 1>it was happening that it was happening, and maybe that's

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<v Speaker 1>why I, like I wasn't on Twitter and like didn't

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<v Speaker 1>see everyone like saying like, oh my god, Beyonce is coming.

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<v Speaker 1>But I do think that, you know, obviously, as we

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<v Speaker 1>have established many times before, I am y arry much

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<v Speaker 1>on TikTok, and I do think even though like I'm

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<v Speaker 1>in my like little algorithm, I think I do see

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<v Speaker 1>a good cross section of what's happening, and that is

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<v Speaker 1>what I feel like I'm seeing of like the pulse

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<v Speaker 1>of pop culture, like what people are talking about, what

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<v Speaker 1>people are making tiktoks about, especially younger people. And I

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<v Speaker 1>just have not seen a lot about Beyonce, even from

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<v Speaker 1>people on TikTok who are continuously talking about pop culture.

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<v Speaker 1>So maybe like maybe it's coming, you know, when the

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<v Speaker 1>album comes, when Renaissance drops, you know, in July. But yeah,

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<v Speaker 1>I was just surprised. And also I guess, like, you know,

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<v Speaker 1>the Vogue UK shoot was really good, but did she

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<v Speaker 1>really like give anything away? I guess maybe that's what

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<v Speaker 1>it is. It's like, there's not a lot to work with.

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<v Speaker 1>That's it. There's a lack of information. There's she's even

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<v Speaker 1>selling merch that doesn't exist. People are buying merch online

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<v Speaker 1>that does not exist, has no actual like skew numbers

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<v Speaker 1>or anything, which only Beyonce could do. I think you're right,

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<v Speaker 1>there's a lack of information purposefully that kind of creates

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<v Speaker 1>a lot of allure around it. And we are recording

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<v Speaker 1>on Monday morning, so tonight a Beyonce song drops and

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<v Speaker 1>maybe we'll have eaten our words or something. But I

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<v Speaker 1>will also say, um Show Kunishi, the designer that made

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<v Speaker 1>her like kind of armor breastplate for the Vogue shoot,

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<v Speaker 1>was designing something for me that week for like this

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<v Speaker 1>party that my friend Cheeky through And you can basically

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<v Speaker 1>say that I wear the same garment as Beyonce. Wow,

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<v Speaker 1>you're like Destiny's cousin, do you know the Destiny's cousin

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<v Speaker 1>Destiny's Freema. Um, do have you heard the tea about

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<v Speaker 1>the album? No, what's the t There's some tea that

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<v Speaker 1>came out in March of this year that Honey de

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<v Speaker 1>Jon is producing a lot of album that that would

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<v Speaker 1>be a gag, you know what I mean? And and

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<v Speaker 1>it makes a lot of sense. Beyonce is always on trend, honey,

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<v Speaker 1>and like this wave and era of like discoee house

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<v Speaker 1>music that's in a lot of contemporary like albums right now.

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<v Speaker 1>If Beyonce did that, it would be incredible. And for

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<v Speaker 1>those who don't know, the children out there who need

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<v Speaker 1>to be educated. Honey Dijon is a legendary New York

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<v Speaker 1>City DJ. Has some incredible albums of really amazing dance music. Um,

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<v Speaker 1>she is incredible remixes. She is an icon. Um definitely

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<v Speaker 1>go check her out a fashion mogul, I mean she is.

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<v Speaker 1>She is one of the one of the o G

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<v Speaker 1>New York dolls. I have. I have something that you

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<v Speaker 1>know has been on my heart. Okay, well let me

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<v Speaker 1>start with this. I miss pampered hands a lot like

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<v Speaker 1>I miss our nail salon so much. I mean these

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<v Speaker 1>look at so busted. Look at these busted nails. The

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<v Speaker 1>gents can't see, but I'm holding up a peter see

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<v Speaker 1>the finger which I don't. I'm literally holding. I'm sorry

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<v Speaker 1>that was an accident, um, But like I don't think

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<v Speaker 1>we realize you and I collectively realize how good we

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<v Speaker 1>have it at Pampered Hands because Dalyn has these girls

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<v Speaker 1>like trained down, and it doesn't matter which girl you get,

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<v Speaker 1>they always give you the exact same manicure that is

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<v Speaker 1>like such a crystal clean cut manicure that lasts for ages.

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<v Speaker 1>And I feel like every time I go to any

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<v Speaker 1>other nail salon, it's just like garbage compared to like

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<v Speaker 1>what I get at Pampered Hands. Do you know what

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<v Speaker 1>I mean? Yeah, I you know my my struggle with

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<v Speaker 1>Pampered Hands. As as we've talked about before, I would

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<v Speaker 1>like a more luxurious experience. And yet when I have

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<v Speaker 1>sought that out and found it, I have still wound

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<v Speaker 1>up back at and Bred Hands, And exactly it's it's

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<v Speaker 1>that girl. Yeah. For those for those of you that

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<v Speaker 1>don't know, in l A, this this place like it's

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<v Speaker 1>a very crowded, like no frills like strip mall, like

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<v Speaker 1>Vietnamese run like nail salon. All the girls are so

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<v Speaker 1>so good at what they do, and you walk in

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<v Speaker 1>and there's no appointments. Basically it's like walking only and

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<v Speaker 1>you walk in and they lie to you and they

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<v Speaker 1>tell you that the weight is like thirty or forty

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<v Speaker 1>minutes just to like get you to leave because they're

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<v Speaker 1>always too busy and I only ever wait like five

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<v Speaker 1>minutes and then they see you and it's like I

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<v Speaker 1>have actually sometimes waited for a very long time. Wow,

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<v Speaker 1>really before because I was waiting too long. Daylyn. I

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<v Speaker 1>think maybe hooks me up sometimes because I'm always like

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<v Speaker 1>in there. Because one time I will say she was like,

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<v Speaker 1>we don't have anybody to do I need specifically needed

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<v Speaker 1>a gel extension. She's like, we don't have anybody to

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<v Speaker 1>do that, and I was like, please, Jelyn, I'm in

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<v Speaker 1>a Russian so sorry, blah blah blah, and then she

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<v Speaker 1>removed things around and got someone to see me, like

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<v Speaker 1>in five minutes. I feel like I felt like I

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<v Speaker 1>was like a celebrity or something. Have you started watching

0:11:09.280 --> 0:11:13.520
<v Speaker 1>Miss Marvel yet? Yes, it's a perfect show. So it's

0:11:13.600 --> 0:11:17.600
<v Speaker 1>so good. I really I really am enjoying it. Um.

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<v Speaker 1>I think it's so fun. I've watched all the episodes.

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<v Speaker 1>I'm so proud of Fatty. I love how there are

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<v Speaker 1>so many different kinds of Pakistani characters and none of

0:11:29.640 --> 0:11:33.600
<v Speaker 1>them feel like flattened. Like it's there's so many nuanced

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<v Speaker 1>conversations about being Pakistani like in the show that don't

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<v Speaker 1>really need to be in the show, you know what

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<v Speaker 1>I mean, and yet they are and I don't know.

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<v Speaker 1>I love the show makes space for that in addition

0:11:46.280 --> 0:11:50.040
<v Speaker 1>to just being funny, entertaining, delightful, Like the lead is

0:11:50.080 --> 0:11:53.040
<v Speaker 1>so charismatic, Like what else did you think about it?

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<v Speaker 1>It's just so fun and such a nice I think

0:11:56.960 --> 0:11:59.800
<v Speaker 1>departure from a lot of the m c U properties recently,

0:11:59.800 --> 0:12:02.920
<v Speaker 1>which have been very like heavy. And also I think

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<v Speaker 1>the steaks have to be really really huge, And I

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<v Speaker 1>like that this is a much smaller story um the

0:12:10.840 --> 0:12:14.600
<v Speaker 1>main character, her whole world feels very real. I think

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<v Speaker 1>I was talking about this last week. I think it's

0:12:16.400 --> 0:12:19.360
<v Speaker 1>really interesting to watch a Marvel show that kind of

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<v Speaker 1>like is self aware about the fandom of itself and

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<v Speaker 1>kind of incorporates that into the story. And I like that.

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<v Speaker 1>I like seeing someone who's like a superhero stand gets

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<v Speaker 1>superpowers like seeing this kid who like has grown up

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<v Speaker 1>in a world where superheroes are real, like become one

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<v Speaker 1>and have that person be like Pakistani. Yeah, it's just

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<v Speaker 1>it's it's really well done so far. I like, and

0:12:45.200 --> 0:12:49.960
<v Speaker 1>the crush is so hot. Cam Run the one that

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<v Speaker 1>now is maybe involved in the Oh my god, Yeah

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<v Speaker 1>there's this. It's just I'm I'm really excited for the

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<v Speaker 1>rest of the show. I texted Fatina, It's like, please

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<v Speaker 1>just give me the rest of the episodes. I need

0:13:01.520 --> 0:13:06.160
<v Speaker 1>them now. I have really been bad at consuming pop

0:13:06.200 --> 0:13:12.120
<v Speaker 1>culture recently because I've been working, I've been trying to

0:13:12.200 --> 0:13:16.360
<v Speaker 1>be more social. Oh well, I did last week watch

0:13:16.480 --> 0:13:22.439
<v Speaker 1>that there's a new Netflix docuseries about fundamentalist Mormonism and

0:13:22.720 --> 0:13:26.720
<v Speaker 1>right how evil it is. And I did watch it

0:13:27.559 --> 0:13:30.720
<v Speaker 1>in twenty four hours last week, and it was really disturbing.

0:13:31.520 --> 0:13:36.080
<v Speaker 1>It was interesting because I had just finished watching Under

0:13:36.120 --> 0:13:39.040
<v Speaker 1>the Banner of Heaven, the Hulu show, which is also

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<v Speaker 1>like kind of the The thesis of that show is

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<v Speaker 1>like fundamentalist Mormonism bad maybe, and just putting a light

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<v Speaker 1>on extremely corrupt elements of the church. Yes, so interesting

0:13:54.240 --> 0:13:56.800
<v Speaker 1>to watch both of those things. It's not like they

0:13:56.800 --> 0:14:00.240
<v Speaker 1>were necessarily in conversation with each other, but like, having

0:14:00.240 --> 0:14:02.920
<v Speaker 1>watched Under the Banner of Heaven first, I then like

0:14:03.000 --> 0:14:05.920
<v Speaker 1>watched this thing that gave me some more context for

0:14:06.040 --> 0:14:10.400
<v Speaker 1>what fundamentalist Mormonism it was actually like, which is cool.

0:14:10.440 --> 0:14:14.559
<v Speaker 1>I also saw that um Isabel Sandoval, who directed this

0:14:14.640 --> 0:14:18.240
<v Speaker 1>really great film Lingua Franca, directed one of the episodes

0:14:18.280 --> 0:14:21.000
<v Speaker 1>of Under the Better of Heaven that is being submitted

0:14:21.000 --> 0:14:23.360
<v Speaker 1>for emy consideration, which is pretty cool. And she's a

0:14:23.400 --> 0:14:28.480
<v Speaker 1>trans filmmaker, so I love that for her. I finished

0:14:28.520 --> 0:14:32.040
<v Speaker 1>The Staircase, so I have nothing, nothing left on my roster.

0:14:32.600 --> 0:14:35.560
<v Speaker 1>And the Staircase, let me tell you, I got really

0:14:35.560 --> 0:14:38.600
<v Speaker 1>boring at the end, but it was worth it so

0:14:38.640 --> 0:14:41.480
<v Speaker 1>that I could see Parker Posey giving one of the

0:14:41.480 --> 0:14:44.560
<v Speaker 1>most amazing line readings I've ever seen, where she was

0:14:44.680 --> 0:14:48.360
<v Speaker 1>like laughs, not fair, laughs, not fair, and the law

0:14:48.520 --> 0:14:52.320
<v Speaker 1>reflects that she was incredible, which is such an iconic

0:14:52.400 --> 0:14:55.560
<v Speaker 1>thing to say. I have been asking if we could

0:14:55.560 --> 0:14:57.920
<v Speaker 1>do a Josie in the Possycots episode for so long.

0:14:58.080 --> 0:15:02.200
<v Speaker 1>Parker Posey isn't Josie in the poss Yes, she's Josie. No,

0:15:02.600 --> 0:15:05.800
<v Speaker 1>she's the Oh I did see after I mentioned it

0:15:05.920 --> 0:15:07.880
<v Speaker 1>last week, A lot of people have been asking us

0:15:07.880 --> 0:15:09.760
<v Speaker 1>to do a Star Wars episode, so I really think

0:15:09.760 --> 0:15:12.920
<v Speaker 1>we do need to do one. And this week is

0:15:12.960 --> 0:15:15.760
<v Speaker 1>the finale of Obi Wan Kenobi, and last week was

0:15:16.000 --> 0:15:20.520
<v Speaker 1>so good with Young Anakin Skywalker in a flashback, which

0:15:20.920 --> 0:15:24.680
<v Speaker 1>was really fulfilling for me personally. I definitely think we

0:15:24.720 --> 0:15:26.040
<v Speaker 1>need to do a Star Wars show. I think you

0:15:26.080 --> 0:15:28.840
<v Speaker 1>need to do some work. Okay, if you give me

0:15:28.880 --> 0:15:32.240
<v Speaker 1>the prescription, Actually, will you give the Virgins and myself

0:15:32.400 --> 0:15:35.560
<v Speaker 1>the prescription for a few that we might rewatch in

0:15:35.640 --> 0:15:37.880
<v Speaker 1>time for our Star Wars episode. I think definitely the

0:15:37.920 --> 0:15:42.120
<v Speaker 1>prequels because the original films feel like so part of

0:15:42.160 --> 0:15:45.480
<v Speaker 1>the collective subconscious to me that like you don't need

0:15:45.520 --> 0:15:50.080
<v Speaker 1>to rewatch, Yeah, and then the new ones the Force Awakens. Sure,

0:15:50.680 --> 0:15:55.040
<v Speaker 1>I might actually watch the Last Jedi because I haven't

0:15:55.120 --> 0:15:56.920
<v Speaker 1>seen it in a while and I do think it's

0:15:57.480 --> 0:16:00.280
<v Speaker 1>pretty good. Don't watch the Rise of Skywalker, it is

0:16:00.480 --> 0:16:04.120
<v Speaker 1>huge mega flop, Dudokoka, and then of the TV shows

0:16:04.160 --> 0:16:06.320
<v Speaker 1>like I will definitely want to talk about Obi Wan Kenobi,

0:16:06.600 --> 0:16:08.960
<v Speaker 1>and like maybe The Mandalorian a little bit, but like

0:16:09.040 --> 0:16:10.840
<v Speaker 1>I don't think you need to watch them, and I

0:16:10.920 --> 0:16:13.840
<v Speaker 1>don't know about that. Maybe watch Spaceballs. Maybe I'll watch

0:16:13.880 --> 0:16:18.640
<v Speaker 1>Spaceballs and Preparation SABA because I love Spaceballs. Baseball got

0:16:18.720 --> 0:16:22.080
<v Speaker 1>Joan Rivers and it is so good. I mean, Joan

0:16:22.160 --> 0:16:25.240
<v Speaker 1>Rivers is an exception, but like I just don't like

0:16:25.240 --> 0:16:29.120
<v Speaker 1>like bro comedies like that. I just I don't know.

0:16:29.280 --> 0:16:32.120
<v Speaker 1>I just I don't know that that's what Spaceballs is.

0:16:32.600 --> 0:16:35.920
<v Speaker 1>I don't know. Maybe I I haven't seen it since

0:16:35.920 --> 0:16:37.960
<v Speaker 1>I was a kid, so maybe, honestly, I'll eat my words,

0:16:38.200 --> 0:16:40.360
<v Speaker 1>But I don't know if I'm gonna watch episode one,

0:16:40.440 --> 0:16:42.800
<v Speaker 1>Episode one, the Phantom Menace. Don't people say that that's

0:16:42.800 --> 0:16:45.920
<v Speaker 1>the worst That's Star Wars movie ever? It is, and

0:16:46.160 --> 0:16:48.480
<v Speaker 1>I'm currently in the middle of watching it. I watched

0:16:48.480 --> 0:16:50.440
<v Speaker 1>some of it when I was on vacation last week

0:16:50.520 --> 0:16:53.240
<v Speaker 1>and then got distracted by something else. And I did

0:16:53.600 --> 0:16:57.360
<v Speaker 1>a rewatch of the prequels and like the very beginning

0:16:57.400 --> 0:17:01.200
<v Speaker 1>of Quarantine, and I skipped The Phantom Menace because of

0:17:01.240 --> 0:17:03.920
<v Speaker 1>that same thing, like I remembered it being bad you

0:17:04.000 --> 0:17:07.520
<v Speaker 1>have to take breathe jar beings scenes. Maybe, but I

0:17:07.560 --> 0:17:10.080
<v Speaker 1>think because of that, I need to watch it. And

0:17:10.160 --> 0:17:13.800
<v Speaker 1>also i'm you know you and McGregor is so hot

0:17:13.800 --> 0:17:18.800
<v Speaker 1>in it, So I'm just watching for him really well,

0:17:19.600 --> 0:17:21.239
<v Speaker 1>and for Darth Maul. I got my work cut out

0:17:21.280 --> 0:17:23.399
<v Speaker 1>for me. Slash, I probably won't watch that much. You

0:17:23.440 --> 0:17:25.360
<v Speaker 1>probably will do not I will do so, I will.

0:17:25.560 --> 0:17:27.919
<v Speaker 1>I will have to do some because I don't remember.

0:17:29.720 --> 0:17:32.200
<v Speaker 1>For any of the virgins who don't know yet, we

0:17:32.280 --> 0:17:36.639
<v Speaker 1>are doing a live show on Tuesday, June, New York City.

0:17:36.760 --> 0:17:39.720
<v Speaker 1>It's going to be so much fun. Tickets are still available,

0:17:40.400 --> 0:17:44.040
<v Speaker 1>Please get them and come carry with us. We are

0:17:44.080 --> 0:17:47.280
<v Speaker 1>going to be doing a live episode. There's going to

0:17:47.359 --> 0:17:53.080
<v Speaker 1>be shows from some amazing drag queens, comedy set, cute

0:17:53.080 --> 0:17:57.080
<v Speaker 1>little after party afterwards, our first ever live event. You

0:17:57.160 --> 0:17:59.359
<v Speaker 1>don't want to miss it. Yes, And it must be said,

0:17:59.400 --> 0:18:03.600
<v Speaker 1>this isn't us like a podcast episode taping, Okay, Like

0:18:04.000 --> 0:18:07.240
<v Speaker 1>I feel like podcast tapings get a bad rap for

0:18:07.280 --> 0:18:10.560
<v Speaker 1>a good reason because they're kind of boring sometimes and

0:18:10.680 --> 0:18:13.879
<v Speaker 1>ours is not boring. And please get your ticket now

0:18:14.480 --> 0:18:16.160
<v Speaker 1>instead of waiting till you get to the door because

0:18:16.160 --> 0:18:17.879
<v Speaker 1>they're going to be more expensive at the door. Get

0:18:17.920 --> 0:18:20.760
<v Speaker 1>your tickets now. We would hate to have to turn

0:18:20.800 --> 0:18:23.520
<v Speaker 1>you away at the door, would hate And Fran and

0:18:23.560 --> 0:18:25.919
<v Speaker 1>I will be standing there booing and hissing at you

0:18:25.960 --> 0:18:41.480
<v Speaker 1>for not getting how dare you shame? There's actually someone

0:18:41.520 --> 0:18:43.520
<v Speaker 1>who wears the Newsy cap who works at the drive

0:18:43.560 --> 0:18:47.880
<v Speaker 1>through Starbucks that I go to, and you're here and

0:18:47.880 --> 0:18:50.080
<v Speaker 1>and she well, I guess I don't want to assume

0:18:50.080 --> 0:18:53.240
<v Speaker 1>her gender. They always say, UM, have a good day, friend,

0:18:53.359 --> 0:18:58.119
<v Speaker 1>and the friend feels very gendered that think, yeah, oh yeah,

0:18:58.160 --> 0:19:02.960
<v Speaker 1>there's words like that. There's like friend buddy. Buddy does

0:19:03.000 --> 0:19:05.480
<v Speaker 1>feel like something that one of the like older men

0:19:05.520 --> 0:19:09.880
<v Speaker 1>I picked up in a Border's would call me when

0:19:09.880 --> 0:19:14.480
<v Speaker 1>I was running late for a musical theater where, Oh

0:19:14.560 --> 0:19:16.280
<v Speaker 1>my god, I do think this is kind of a

0:19:16.280 --> 0:19:19.720
<v Speaker 1>perfect segue, though, because it is because the place where

0:19:19.720 --> 0:19:24.280
<v Speaker 1>I first bought the novel The Divil Worce Product was

0:19:24.320 --> 0:19:28.440
<v Speaker 1>in a Border's bookstore, because it is famously a book

0:19:28.520 --> 0:19:31.560
<v Speaker 1>that was adapted into a move I forget, I literally forget.

0:19:31.640 --> 0:19:33.600
<v Speaker 1>Let me set the scene for the Virgins for anyone

0:19:33.640 --> 0:19:36.000
<v Speaker 1>who doesn't know so. The Devil wors Product is a

0:19:36.080 --> 0:19:39.680
<v Speaker 1>two thousand six film that was adapted from a book

0:19:39.800 --> 0:19:45.880
<v Speaker 1>by Laura Weissberger, and it is very famously about her

0:19:46.000 --> 0:19:51.240
<v Speaker 1>time as one of Anna Winter's assistance um. She very

0:19:51.320 --> 0:19:54.800
<v Speaker 1>loosely fictionalized it into the story of, you know, a

0:19:54.920 --> 0:19:57.960
<v Speaker 1>young girl in New York City who goes to work

0:19:58.000 --> 0:20:03.600
<v Speaker 1>for this like how Epowered fashion magazine editor in chief

0:20:04.119 --> 0:20:06.440
<v Speaker 1>um and the trials and tribulations that she goes through.

0:20:06.520 --> 0:20:10.080
<v Speaker 1>It was adapted into a film very quickly, starring Anne Hathaway,

0:20:10.119 --> 0:20:13.680
<v Speaker 1>Meryl Streep, Emily Blunt, Stanley Tucci, that guy from Entourage

0:20:13.720 --> 0:20:16.719
<v Speaker 1>who every six months Twitter wants to remind us as

0:20:16.760 --> 0:20:20.960
<v Speaker 1>the actual villain of the film, and also the woman

0:20:21.040 --> 0:20:23.040
<v Speaker 1>who was in the Rent movie. And I would say,

0:20:23.040 --> 0:20:24.879
<v Speaker 1>for like, you know, a few years, it was just

0:20:24.960 --> 0:20:28.160
<v Speaker 1>a normal good movie. It was just like an amazing movie,

0:20:28.240 --> 0:20:30.879
<v Speaker 1>and everyone was happy about it. And then the you know,

0:20:31.000 --> 0:20:34.760
<v Speaker 1>the decade and the half that followed was just everyone

0:20:34.880 --> 0:20:37.720
<v Speaker 1>meaning this movie to death and claiming as the most

0:20:37.760 --> 0:20:40.520
<v Speaker 1>important film of the gay community to have ever existed.

0:20:40.640 --> 0:20:43.360
<v Speaker 1>The thing that I remember the most distinctly about the

0:20:43.480 --> 0:20:47.560
<v Speaker 1>first time I experienced the movie was, I don't know

0:20:47.600 --> 0:20:50.200
<v Speaker 1>if you remember this. When the first trailer was released

0:20:50.200 --> 0:20:52.679
<v Speaker 1>for it, they did something which was very unusual for

0:20:52.720 --> 0:20:55.080
<v Speaker 1>trailers at the time, which was it wasn't like a

0:20:55.160 --> 0:20:58.960
<v Speaker 1>cut together montage. It was the whole scene from the

0:20:59.000 --> 0:21:02.920
<v Speaker 1>beginning of the film where Andy and Hathaway's character goes

0:21:03.000 --> 0:21:07.199
<v Speaker 1>to interview at Runway the magazine, And it was like

0:21:07.640 --> 0:21:11.760
<v Speaker 1>very shocking at the time to get so dropped into

0:21:11.800 --> 0:21:14.560
<v Speaker 1>the world in the trailer. And I was so excited

0:21:14.600 --> 0:21:16.479
<v Speaker 1>because I had read the book. I was very like,

0:21:16.840 --> 0:21:18.159
<v Speaker 1>you know, it was a gay teen, so I was

0:21:18.160 --> 0:21:21.359
<v Speaker 1>always looking for what the chicklet of the summer was.

0:21:21.920 --> 0:21:26.200
<v Speaker 1>It wasn't The Diaries. Well, Nanny Diaries was very much

0:21:26.359 --> 0:21:30.760
<v Speaker 1>of the time, but devil Wors product far surpast, and

0:21:30.800 --> 0:21:34.960
<v Speaker 1>I do think it is one of the rare book

0:21:35.000 --> 0:21:38.440
<v Speaker 1>to film adaptations where the movie is so much better

0:21:38.560 --> 0:21:42.879
<v Speaker 1>than the yeah, because in the book it's so obviously

0:21:43.040 --> 0:21:47.440
<v Speaker 1>on Andy's side and you're really only getting her experience

0:21:47.600 --> 0:21:51.760
<v Speaker 1>and the um you know, Miranda Priestley played by Meryl

0:21:51.800 --> 0:21:54.400
<v Speaker 1>Streep in the film is so flat and two dimensional

0:21:54.520 --> 0:21:56.480
<v Speaker 1>and like it's just the villain. And like in the movie,

0:21:56.480 --> 0:21:59.439
<v Speaker 1>obviously it's Meryl Streep, so like she's very humanized. You

0:21:59.480 --> 0:22:02.159
<v Speaker 1>understand why she's a monster. She's still a monster, but

0:22:02.240 --> 0:22:04.399
<v Speaker 1>you get why. And I do think it is really

0:22:04.720 --> 0:22:06.919
<v Speaker 1>her movie. She was nominated for an Oscar for it,

0:22:08.240 --> 0:22:11.120
<v Speaker 1>so Nori places in time. Do you remember like what

0:22:11.240 --> 0:22:14.560
<v Speaker 1>you're if not, your reactions when you first watched it,

0:22:14.680 --> 0:22:17.159
<v Speaker 1>Like how what was your how's your relationship to the

0:22:17.160 --> 0:22:19.800
<v Speaker 1>film built? Like what what? What? What was your relationship

0:22:19.800 --> 0:22:24.280
<v Speaker 1>to it? Well, when I graduated college, I my first

0:22:24.760 --> 0:22:27.800
<v Speaker 1>uh work was in the fashion industry because that's what

0:22:27.840 --> 0:22:30.640
<v Speaker 1>I wanted to do. And so I graduated from college,

0:22:30.680 --> 0:22:34.000
<v Speaker 1>moved to New York, and then first I interned at

0:22:34.600 --> 0:22:40.720
<v Speaker 1>Narcissio Rodriguez, who at the time was Michelle Obama, you

0:22:40.760 --> 0:22:45.000
<v Speaker 1>know in inaugural dress like cut like huge, juge designer,

0:22:45.480 --> 0:22:48.320
<v Speaker 1>and it was like so toxic and so crazy, and

0:22:48.359 --> 0:22:51.919
<v Speaker 1>I remember thinking like I'm like Andy, Like it's like,

0:22:51.960 --> 0:22:54.560
<v Speaker 1>oh my god, I'm like Andy, like because you know,

0:22:54.600 --> 0:22:56.280
<v Speaker 1>it was like a lot of like yelling at me

0:22:56.359 --> 0:22:58.800
<v Speaker 1>and like being like cleaned this up and go here,

0:22:58.840 --> 0:23:02.520
<v Speaker 1>and like just very stressful, was delivering like garments to

0:23:02.600 --> 0:23:05.199
<v Speaker 1>celebrities and like I just remember thinking like, Wow, this

0:23:05.280 --> 0:23:08.840
<v Speaker 1>is my Like like I'm like this is so fabulous

0:23:08.880 --> 0:23:12.239
<v Speaker 1>And it absolutely wasn't. It was so bad. It was

0:23:12.320 --> 0:23:17.399
<v Speaker 1>a time where that kind of story I think was

0:23:17.560 --> 0:23:22.080
<v Speaker 1>very popular and very desired in pop culture, like the

0:23:22.240 --> 0:23:27.320
<v Speaker 1>peeling back of this super glamorous industry. I definitely think

0:23:27.359 --> 0:23:30.320
<v Speaker 1>it started with America's Next Top Model obviously, which we

0:23:30.359 --> 0:23:34.080
<v Speaker 1>have covered on the podcast before. But you know, we

0:23:34.080 --> 0:23:37.560
<v Speaker 1>were also used to just seeing this world from afar,

0:23:37.840 --> 0:23:41.320
<v Speaker 1>and this was one of the first times where someone

0:23:41.440 --> 0:23:44.320
<v Speaker 1>was like, oh, this is very actually very ugly and

0:23:44.440 --> 0:23:47.879
<v Speaker 1>very cursed. Um, and I'm going to spill all of

0:23:47.920 --> 0:23:50.600
<v Speaker 1>the tea all the tea. It is kind of interesting

0:23:50.640 --> 0:23:53.120
<v Speaker 1>how that movie or things like it, because Ugly Betty

0:23:53.200 --> 0:23:57.639
<v Speaker 1>came out the same year. I think, um that, Like

0:23:57.960 --> 0:24:01.480
<v Speaker 1>I also like watched the this movie and Ugly Bettie

0:24:01.600 --> 0:24:04.120
<v Speaker 1>and I thought to myself, like, I want to get

0:24:04.160 --> 0:24:07.200
<v Speaker 1>treated like ship too, Like I there, it's so funny

0:24:07.200 --> 0:24:10.199
<v Speaker 1>how like culturally there is a kind of like sadistic

0:24:10.240 --> 0:24:15.919
<v Speaker 1>appeal to going to an institution and just being completely subjugated. Well,

0:24:15.920 --> 0:24:19.000
<v Speaker 1>it's like it's like, look at this world. It's so

0:24:19.160 --> 0:24:22.280
<v Speaker 1>ugly and evil and everyone's mean, but like you still

0:24:22.320 --> 0:24:24.120
<v Speaker 1>want to be part of it. And there's something really

0:24:24.160 --> 0:24:28.119
<v Speaker 1>glamorous about that survival in New York specifically, like I

0:24:28.200 --> 0:24:30.120
<v Speaker 1>just yeah, I don't know, there was it was something

0:24:30.160 --> 0:24:33.280
<v Speaker 1>that I wanted to be a part of, and I didn't.

0:24:32.960 --> 0:24:35.520
<v Speaker 1>I in my mind, I was like, well, getting treated

0:24:35.520 --> 0:24:37.480
<v Speaker 1>like ship, it's just to write of passage like that's

0:24:37.480 --> 0:24:39.160
<v Speaker 1>just something that's going to happen to me. I don't

0:24:39.160 --> 0:24:40.800
<v Speaker 1>know if I don't know if I stand behind what

0:24:40.880 --> 0:24:43.240
<v Speaker 1>I'm about to say because I just thought about this,

0:24:43.359 --> 0:24:47.760
<v Speaker 1>But I do feel like Josie and the Pussycats walked

0:24:47.840 --> 0:24:51.639
<v Speaker 1>so double where it's brought out absolutely that was in percent.

0:24:51.720 --> 0:24:53.640
<v Speaker 1>You have no idea how many times I have tried

0:24:53.680 --> 0:24:56.400
<v Speaker 1>to get friend to watch Josie and the pussy It's

0:24:56.520 --> 0:24:59.359
<v Speaker 1>it's so fabulous. But I feel like Josie was the first,

0:24:59.720 --> 0:25:02.400
<v Speaker 1>maybe not the first, but it stands out to me

0:25:02.840 --> 0:25:05.720
<v Speaker 1>as a film that goes into an industry, this one

0:25:05.760 --> 0:25:09.280
<v Speaker 1>being the music industry, and it's like very self aware

0:25:09.280 --> 0:25:11.080
<v Speaker 1>in the way that it's making fun of it, but

0:25:11.119 --> 0:25:14.400
<v Speaker 1>it's also selling as the walk As the viewer, we're

0:25:14.440 --> 0:25:18.560
<v Speaker 1>being sold stuff absolutely, even though it's self aware of

0:25:18.600 --> 0:25:21.920
<v Speaker 1>itself totally. It's not trying to hide anything, but we're

0:25:21.920 --> 0:25:25.760
<v Speaker 1>being because Devil is brought it. It's still glamorous and shiny. Yeah,

0:25:25.840 --> 0:25:28.360
<v Speaker 1>and you also think about all of the industry by

0:25:28.440 --> 0:25:31.000
<v Speaker 1>in that it has because they were able to pull

0:25:31.600 --> 0:25:36.399
<v Speaker 1>from real designers and the real fashion people and to

0:25:36.520 --> 0:25:42.440
<v Speaker 1>the premier product. Um. So, like it is very interesting

0:25:42.560 --> 0:25:46.520
<v Speaker 1>that it's supposed to be this like this critique of

0:25:46.560 --> 0:25:50.000
<v Speaker 1>the industry, and yet the industry is fully behind it

0:25:50.040 --> 0:25:52.680
<v Speaker 1>because at the end of the day is still an

0:25:52.720 --> 0:25:55.040
<v Speaker 1>ad for And it like reminds me of that line

0:25:55.040 --> 0:25:57.480
<v Speaker 1>that Miranda Priestly says at the end, like everyone wants

0:25:57.520 --> 0:26:00.800
<v Speaker 1>to be us, and like that's it's true. You leave

0:26:00.880 --> 0:26:04.080
<v Speaker 1>the movie, you leave the movie being like, okay, sure,

0:26:04.080 --> 0:26:07.320
<v Speaker 1>I'm happy that you know, Andy quit or whatever kind

0:26:07.359 --> 0:26:13.639
<v Speaker 1>of going. She gave all the clothes to Emily Blunt,

0:26:13.680 --> 0:26:19.080
<v Speaker 1>who deserved but in the book she sells all the clothes,

0:26:19.480 --> 0:26:22.600
<v Speaker 1>which I don't support that stupid. I mean, you would

0:26:22.600 --> 0:26:25.320
<v Speaker 1>make a lot of money because but like I don't know,

0:26:25.400 --> 0:26:28.000
<v Speaker 1>I mean, Nori, did you ever work in like media media,

0:26:28.080 --> 0:26:30.080
<v Speaker 1>Like did you ever write, Like, did you ever like

0:26:30.280 --> 0:26:33.840
<v Speaker 1>write for publications or working only only freelance? I've written

0:26:33.880 --> 0:26:38.119
<v Speaker 1>for Vogue, Um yeah, just like but just freelance. Carrie

0:26:38.119 --> 0:26:41.360
<v Speaker 1>Bradshaw tease Cary Bradshaw here. Yeah, Rose and I are

0:26:41.440 --> 0:26:46.680
<v Speaker 1>trying and true recovering media girls. Rose Rose famously was

0:26:46.720 --> 0:26:50.120
<v Speaker 1>my boss. I was I mean not, you know, not

0:26:50.359 --> 0:26:53.720
<v Speaker 1>in what we would call traditional media. I think, you know,

0:26:53.880 --> 0:26:59.200
<v Speaker 1>probably post media, that kind of new media where editorial

0:26:59.240 --> 0:27:01.840
<v Speaker 1>people are going over to tech. But you know, fran

0:27:01.960 --> 0:27:07.440
<v Speaker 1>and I did spend years as um like editorial people,

0:27:07.480 --> 0:27:13.719
<v Speaker 1>as as editorial people in like real editorial, like writing clickbait, um,

0:27:13.760 --> 0:27:18.360
<v Speaker 1>you know, and it's so much less glamorous than anyone

0:27:18.400 --> 0:27:21.480
<v Speaker 1>would ever imagine, because there's nothing glamorous about clickbait and

0:27:21.520 --> 0:27:25.000
<v Speaker 1>traffic margins. You know, like we never we never had

0:27:25.040 --> 0:27:27.199
<v Speaker 1>the experience of or at least I never had the

0:27:27.200 --> 0:27:30.600
<v Speaker 1>experience of working at like a big company like Conde,

0:27:30.600 --> 0:27:33.080
<v Speaker 1>and Austin knows if that would have been different, But

0:27:33.160 --> 0:27:36.280
<v Speaker 1>I still think it's like kind of the same everywhere,

0:27:36.359 --> 0:27:39.280
<v Speaker 1>and like, especially when you're at a freelancing level, you know,

0:27:39.400 --> 0:27:43.600
<v Speaker 1>you're just like still off in your own space, like writing.

0:27:43.720 --> 0:27:48.719
<v Speaker 1>Like at least my time in you know media was

0:27:48.840 --> 0:27:53.720
<v Speaker 1>either writing a home and like writing gay clickbait, or

0:27:54.040 --> 0:27:56.879
<v Speaker 1>being in an office where it was like all fluorescent

0:27:56.960 --> 0:28:00.520
<v Speaker 1>lighting and no one was getting paid well and people

0:28:00.520 --> 0:28:02.800
<v Speaker 1>were suing the owners of the company. We didn't work

0:28:02.800 --> 0:28:05.280
<v Speaker 1>at Coney, but even working at Cone day, like they're

0:28:05.359 --> 0:28:08.159
<v Speaker 1>only very few number of people at the company have

0:28:08.280 --> 0:28:11.600
<v Speaker 1>access to the glamour that's in that you know, obviously

0:28:11.680 --> 0:28:15.720
<v Speaker 1>culture cyclical. I kind of think that kind that thing

0:28:16.040 --> 0:28:18.560
<v Speaker 1>might have a resurgence, or at least I feel like

0:28:19.119 --> 0:28:24.160
<v Speaker 1>print media might come back. No girl, Yeah, no, I've

0:28:24.840 --> 0:28:28.720
<v Speaker 1>watched so many different print resurgences, and I will tell

0:28:28.800 --> 0:28:31.800
<v Speaker 1>you it's never coming back. Do you remember the dead

0:28:31.960 --> 0:28:35.119
<v Speaker 1>Books are garbage, magazine are toilet paper? To remember the

0:28:35.520 --> 0:28:40.040
<v Speaker 1>pivot to video moment in media where every media company

0:28:40.160 --> 0:28:43.400
<v Speaker 1>laid off tons of employees and pivoted to video because

0:28:43.520 --> 0:28:47.040
<v Speaker 1>Google was literally lying about data that it had a

0:28:47.360 --> 0:28:50.520
<v Speaker 1>Facebook ads to every single company that I was working on. Yeah,

0:28:50.520 --> 0:28:52.240
<v Speaker 1>I was. I was reading an article about this because

0:28:52.240 --> 0:28:56.520
<v Speaker 1>I read an article about Hot Ones, the show where

0:28:56.520 --> 0:29:00.600
<v Speaker 1>celebrities go on and eat really um, and they were

0:29:00.600 --> 0:29:03.000
<v Speaker 1>talking about how that was born out of that era

0:29:03.080 --> 0:29:05.280
<v Speaker 1>and media where everyone wanted to pivot to video, and

0:29:05.320 --> 0:29:07.640
<v Speaker 1>it's like the only successful thing that ever came out

0:29:07.640 --> 0:29:11.160
<v Speaker 1>of it. Yeah. I hate. The worst thing about that

0:29:11.360 --> 0:29:17.480
<v Speaker 1>is making these like YouTube like idiots, like celebrities like

0:29:18.000 --> 0:29:19.680
<v Speaker 1>that to me is like that was one of the

0:29:19.880 --> 0:29:24.080
<v Speaker 1>like the four horsemen of the apocalypse. Charles, I was

0:29:24.120 --> 0:29:26.720
<v Speaker 1>like once they started to become like invited to the

0:29:26.760 --> 0:29:30.400
<v Speaker 1>met gal and stuff like that, Yeah, it's just like,

0:29:30.640 --> 0:29:32.600
<v Speaker 1>oh my god, it's over. I was like, it's over.

0:29:32.680 --> 0:29:36.880
<v Speaker 1>These are like children who are like so on iconic

0:29:37.040 --> 0:29:41.240
<v Speaker 1>and just like just young, like it's just their youth.

0:29:41.640 --> 0:29:45.680
<v Speaker 1>So that the devil Is product took place in what

0:29:45.840 --> 0:29:48.840
<v Speaker 1>would it even be? Like I'm not saying who would

0:29:48.880 --> 0:29:50.880
<v Speaker 1>be in it, but like what would it be? Because

0:29:51.160 --> 0:29:54.760
<v Speaker 1>that world doesn't exist? So would it be like all

0:29:54.800 --> 0:29:58.040
<v Speaker 1>these girls working from home? So would they be at

0:29:58.040 --> 0:30:01.880
<v Speaker 1>a tech company? It could start. What I'm thinking is

0:30:01.920 --> 0:30:06.120
<v Speaker 1>like Miranda Priestley, they've pivoted to video and she needs

0:30:06.520 --> 0:30:09.880
<v Speaker 1>someone who knows that she needs a content creator. And

0:30:09.880 --> 0:30:12.160
<v Speaker 1>Andy is like that content creator, but was doing like

0:30:12.480 --> 0:30:15.240
<v Speaker 1>used car videos before, like you know what I mean,

0:30:15.360 --> 0:30:18.400
<v Speaker 1>Like yeah, she's yeah, and she's doing like thrifts. Yeah,

0:30:18.480 --> 0:30:23.040
<v Speaker 1>and now she's like she's she's a lesbian. She's a lesbian.

0:30:23.080 --> 0:30:29.440
<v Speaker 1>She makes she makes Taylor Swift lesbian conspiracy and that's

0:30:29.440 --> 0:30:31.440
<v Speaker 1>her life and her true passion. She doesn't care about

0:30:31.440 --> 0:30:33.920
<v Speaker 1>this fashion stuff. And then they're like, now you have

0:30:34.000 --> 0:30:37.240
<v Speaker 1>to start making fashion videos and she's surprisingly really good

0:30:37.240 --> 0:30:39.720
<v Speaker 1>at it. Um and she can fem it up. She

0:30:39.800 --> 0:30:42.120
<v Speaker 1>fends it up, and it was like, what's happening? And

0:30:42.160 --> 0:30:47.680
<v Speaker 1>also obviously in this version she she um and Miranda

0:30:47.800 --> 0:30:54.040
<v Speaker 1>fuck they because Miranda trouble at home or Emily Blunt.

0:30:54.120 --> 0:30:56.360
<v Speaker 1>Oh yeah, I think that would make more Well, I

0:30:56.400 --> 0:30:59.200
<v Speaker 1>think she and Emily Blunt like have a friends with

0:30:59.240 --> 0:31:02.960
<v Speaker 1>benefits situation where Emily Blunt like does secretly love her

0:31:03.480 --> 0:31:06.920
<v Speaker 1>but it's still very casual. But then you know, Miranda

0:31:07.000 --> 0:31:10.200
<v Speaker 1>comes in as the mommy figure um and it's like

0:31:10.400 --> 0:31:14.760
<v Speaker 1>three ways, you know. Yeah, and then like instead of

0:31:14.760 --> 0:31:17.440
<v Speaker 1>going to like fashion Week, they're like, Okay, you're going

0:31:17.640 --> 0:31:22.000
<v Speaker 1>to south By Southwest, We're sending you to Coach, You're

0:31:22.040 --> 0:31:26.400
<v Speaker 1>going to can Yes exactly. I wanted to ask, Sorry,

0:31:26.520 --> 0:31:29.680
<v Speaker 1>this is like very much backing up, but what are

0:31:29.720 --> 0:31:34.440
<v Speaker 1>the words that bait gay people the most for clickbait?

0:31:35.240 --> 0:31:39.080
<v Speaker 1>Like what what is the biggest bait for that is? Yeah,

0:31:39.200 --> 0:31:41.320
<v Speaker 1>that is a really good question. Sex stuff, but not

0:31:41.480 --> 0:31:45.760
<v Speaker 1>explicit sex stuff, Okay, like you can say, you know,

0:31:46.360 --> 0:31:48.040
<v Speaker 1>I mean, I'm trying to think of an exactle because

0:31:48.640 --> 0:31:52.040
<v Speaker 1>because we would we would always think about like what's

0:31:52.080 --> 0:31:55.160
<v Speaker 1>the perfect headline for like S E O and then

0:31:55.240 --> 0:31:58.080
<v Speaker 1>also like in the actual U r L, like what

0:31:58.160 --> 0:32:01.160
<v Speaker 1>are the words? So I think the so Fran and

0:32:01.160 --> 0:32:03.840
<v Speaker 1>I used to work at Out magazine and we worked

0:32:03.840 --> 0:32:07.479
<v Speaker 1>in digital and print as well, But I think some

0:32:07.600 --> 0:32:11.120
<v Speaker 1>of the most popular stories of all time were like

0:32:11.720 --> 0:32:16.520
<v Speaker 1>top two hundred gay sex things to try something like that, um,

0:32:16.600 --> 0:32:20.000
<v Speaker 1>and like eleven twelve steps to like having anal Like,

0:32:20.680 --> 0:32:24.640
<v Speaker 1>so it's just like a Cosmo. You're telling me that, Like,

0:32:24.840 --> 0:32:27.880
<v Speaker 1>we haven't evolved past like a cosmo. Yeah. And then

0:32:28.000 --> 0:32:30.720
<v Speaker 1>and then, of course anything that makes people angry, which

0:32:30.920 --> 0:32:34.040
<v Speaker 1>so I had. I had an article that god really

0:32:34.120 --> 0:32:37.560
<v Speaker 1>infamously went viral and it's probably still going viral right now,

0:32:37.960 --> 0:32:40.959
<v Speaker 1>and it was dear gay men, stop telling women they

0:32:41.000 --> 0:32:47.640
<v Speaker 1>can't go to gay bars. So any time any time

0:32:47.720 --> 0:32:52.040
<v Speaker 1>you say, dear someone, you can't do this thing that

0:32:52.120 --> 0:32:56.680
<v Speaker 1>you want to do, um is it was horrible. There

0:32:56.680 --> 0:32:59.640
<v Speaker 1>are still people who like email me about it, slide

0:32:59.640 --> 0:33:04.520
<v Speaker 1>into my Linkedins comment tweets. Yeah, because it's the kind

0:33:04.520 --> 0:33:08.840
<v Speaker 1>of article that gets resurfaced every six to nine months

0:33:09.320 --> 0:33:12.360
<v Speaker 1>and makes people mad and like obviously they don't read it.

0:33:12.400 --> 0:33:16.360
<v Speaker 1>They only read the headline, um, and they're like, oh,

0:33:16.400 --> 0:33:19.160
<v Speaker 1>like we don't want bachelorette parties and gay bars, and

0:33:19.200 --> 0:33:22.480
<v Speaker 1>like the article was obviously like um, also queer women

0:33:22.680 --> 0:33:25.320
<v Speaker 1>go to gay bars, so like, don't tell them they

0:33:25.360 --> 0:33:30.320
<v Speaker 1>can't be there. But you know, I as a former journalist,

0:33:30.400 --> 0:33:34.000
<v Speaker 1>I don't stand behind literally anything I wrote. And there

0:33:34.080 --> 0:33:37.600
<v Speaker 1>are whenever there are hundreds of articles out on the

0:33:37.600 --> 0:33:40.080
<v Speaker 1>Internet that have my name on it. It's very terror

0:33:40.080 --> 0:33:42.240
<v Speaker 1>read like there's naked pictures of me on the internet

0:33:42.280 --> 0:33:45.320
<v Speaker 1>from cruel intentions. And I mean there's also naked pictures

0:33:45.320 --> 0:33:47.960
<v Speaker 1>of me on the internet, but I feel worse about

0:33:47.960 --> 0:33:52.520
<v Speaker 1>the clickbait, and I would like it all scrubbed, scrubbed.

0:33:53.200 --> 0:33:55.760
<v Speaker 1>I missed the era of writing when everything was paper

0:33:55.800 --> 0:33:58.200
<v Speaker 1>and we didn't have to worry about the eternal archive

0:33:58.280 --> 0:33:59.960
<v Speaker 1>that we now have of work that we're no longer

0:34:00.120 --> 0:34:02.200
<v Speaker 1>proud of. Well, that's why it was. That's why it

0:34:02.240 --> 0:34:04.440
<v Speaker 1>was nice to work in social media for you know,

0:34:04.680 --> 0:34:08.680
<v Speaker 1>tech overlords, is that you're nothing has your name on it.

0:34:08.680 --> 0:34:10.479
<v Speaker 1>It's all just tweets. You don't have to sign them.

0:34:10.480 --> 0:34:13.839
<v Speaker 1>That's nice, that is nice. One of the best performing

0:34:14.040 --> 0:34:17.560
<v Speaker 1>tweets ever. The page that I used to run, that

0:34:17.600 --> 0:34:19.839
<v Speaker 1>I used to write for was gay people are some

0:34:19.880 --> 0:34:22.920
<v Speaker 1>of the gayest people you will ever meet, which is

0:34:23.000 --> 0:34:29.879
<v Speaker 1>so funny, and it's like it has like likes. It's

0:34:29.920 --> 0:34:32.480
<v Speaker 1>so stupid, it really is, right, that is it. You

0:34:32.520 --> 0:34:34.600
<v Speaker 1>have to get paid to do dumb What does that

0:34:34.640 --> 0:34:37.439
<v Speaker 1>even mean? That's that's honestly the problem with the Double

0:34:37.440 --> 0:34:40.839
<v Speaker 1>Worst Products. They took themselves way too seriously. Actually, like

0:34:40.920 --> 0:34:43.560
<v Speaker 1>fashion in general, I'd be curious to hear more about

0:34:43.600 --> 0:34:47.560
<v Speaker 1>like your where, how you started in fashion, and like

0:34:47.800 --> 0:34:51.960
<v Speaker 1>what your relationship to it now is, because like that movie,

0:34:52.040 --> 0:34:57.440
<v Speaker 1>obviously it's an exaggeration, but like fashion really is that horrible?

0:34:57.800 --> 0:35:01.680
<v Speaker 1>Everyone is that mean, everyone's like a fucking fascist, Like

0:35:01.760 --> 0:35:05.480
<v Speaker 1>everyone has no allegiance to anything outside of capitalism, and

0:35:05.520 --> 0:35:08.160
<v Speaker 1>it's like so I don't know, it's and it's like

0:35:08.239 --> 0:35:14.280
<v Speaker 1>extremely racist, queer phobic, fat phobic. And they thrive on exclusivity,

0:35:14.360 --> 0:35:17.160
<v Speaker 1>you know. And it's like like the whole gaslight Gatekeepe,

0:35:17.160 --> 0:35:18.920
<v Speaker 1>girl Boss, Yes, and the theme at the end to

0:35:18.960 --> 0:35:21.040
<v Speaker 1>be like everyone wants to be us. Like that is

0:35:21.120 --> 0:35:24.640
<v Speaker 1>the ethos of Vogue and all the brands trying to

0:35:24.680 --> 0:35:27.399
<v Speaker 1>be Vogue. Because everyone is trying to be Vogue. It's

0:35:27.440 --> 0:35:30.400
<v Speaker 1>like you because you don't belong to this thing, we

0:35:30.440 --> 0:35:33.239
<v Speaker 1>are forever going to make a profit, like I one

0:35:33.239 --> 0:35:35.640
<v Speaker 1>of the one of the first. So when I when

0:35:35.640 --> 0:35:39.239
<v Speaker 1>I was at narciss so like there was one um

0:35:39.440 --> 0:35:42.760
<v Speaker 1>because I interned there, and there was one intern who

0:35:43.760 --> 0:35:48.120
<v Speaker 1>was so wealthy and like so rich like some his

0:35:48.239 --> 0:35:51.920
<v Speaker 1>dad was like some Swiss like banker or something, and

0:35:51.960 --> 0:35:54.520
<v Speaker 1>like it was it became so real to me that

0:35:54.600 --> 0:36:01.239
<v Speaker 1>like the way that we like subscribe like like morality

0:36:01.360 --> 0:36:04.520
<v Speaker 1>to like affluence or like like people who are affluent

0:36:04.560 --> 0:36:07.719
<v Speaker 1>are like are better or like somehow like just like

0:36:07.800 --> 0:36:12.200
<v Speaker 1>better people or just like that's what we do. And

0:36:12.280 --> 0:36:14.560
<v Speaker 1>like the way that everyone just like loved him and

0:36:14.640 --> 0:36:17.560
<v Speaker 1>just like we're obsessed with him and like because he

0:36:17.640 --> 0:36:20.799
<v Speaker 1>was just rich, like truly because he was rich, and

0:36:20.840 --> 0:36:25.480
<v Speaker 1>like that was one of my first like oh, like okay,

0:36:25.520 --> 0:36:28.520
<v Speaker 1>this is this is what this is, like this is

0:36:28.560 --> 0:36:30.560
<v Speaker 1>what's going on. Like and if that sounds so like,

0:36:31.000 --> 0:36:33.799
<v Speaker 1>I'm not naive, like obviously I always knew that, and

0:36:34.080 --> 0:36:35.560
<v Speaker 1>but it was still like in my first time, I

0:36:35.680 --> 0:36:37.600
<v Speaker 1>was like so in my face of like he's not

0:36:37.680 --> 0:36:40.400
<v Speaker 1>more talented than I am. He's not, but just because

0:36:40.520 --> 0:36:43.279
<v Speaker 1>he's like fucking rich, he was the only one of

0:36:43.320 --> 0:36:47.480
<v Speaker 1>us who actually got hired like to the team, because

0:36:47.600 --> 0:36:50.920
<v Speaker 1>because he had all these connections and like he could have,

0:36:51.120 --> 0:36:54.000
<v Speaker 1>he was able to bring so much more than just

0:36:54.160 --> 0:36:56.680
<v Speaker 1>his like skills at a job because of his connections

0:36:56.719 --> 0:36:59.279
<v Speaker 1>and network. And you know what I mean, A lot

0:36:59.280 --> 0:37:01.640
<v Speaker 1>of people What a lot of people don't get about

0:37:01.640 --> 0:37:06.920
<v Speaker 1>these industries, like fashion, like media, like entertainment, is the

0:37:07.080 --> 0:37:11.240
<v Speaker 1>people who succeed are usually the people who have some

0:37:11.600 --> 0:37:16.600
<v Speaker 1>kind of you know, class privilege that allows them to

0:37:16.760 --> 0:37:21.200
<v Speaker 1>work for free for long enough to work their way

0:37:21.280 --> 0:37:23.359
<v Speaker 1>up the ladder. That's how it works. Even you know,

0:37:23.440 --> 0:37:26.840
<v Speaker 1>now being in Hollywood in the business like you see

0:37:26.880 --> 0:37:32.680
<v Speaker 1>that people in you know, like content positions executives are

0:37:32.800 --> 0:37:36.359
<v Speaker 1>people who started there, you know, their professional careers as

0:37:36.400 --> 0:37:39.719
<v Speaker 1>interns because for some reason they were able to work

0:37:39.760 --> 0:37:42.640
<v Speaker 1>for free for like five and then yet they still

0:37:42.680 --> 0:37:44.879
<v Speaker 1>want to split the lunch bill, you know what I mean,

0:37:45.000 --> 0:37:48.000
<v Speaker 1>like put it on the corporate card, babe. They still

0:37:48.040 --> 0:37:50.279
<v Speaker 1>send you the venom requests after and you're like, are

0:37:50.400 --> 0:38:07.680
<v Speaker 1>you sure? In Double Works product, when Miranda Preseas coming

0:38:07.680 --> 0:38:09.759
<v Speaker 1>to the office for the first time and there's a

0:38:09.840 --> 0:38:13.319
<v Speaker 1>montage of all the employees freaking out I actually I

0:38:13.360 --> 0:38:16.480
<v Speaker 1>empathize and relate to the most. So there's this very

0:38:16.520 --> 0:38:20.400
<v Speaker 1>plain Jane looking woman who's wearing sneakers and then she

0:38:20.560 --> 0:38:23.880
<v Speaker 1>like puts those away and then puts on heels. I

0:38:23.920 --> 0:38:26.480
<v Speaker 1>actually like really related to her because I was like,

0:38:26.560 --> 0:38:29.719
<v Speaker 1>you know what, she lives in Jersey, Like she she

0:38:29.800 --> 0:38:34.080
<v Speaker 1>takes that path every day, she takes the path she

0:38:34.160 --> 0:38:37.480
<v Speaker 1>gets in. She has she has like maybe a family maybe,

0:38:37.520 --> 0:38:40.320
<v Speaker 1>like she's the first person who went to college maybe,

0:38:40.480 --> 0:38:42.359
<v Speaker 1>and then she she's in there, she has her tennis

0:38:42.400 --> 0:38:44.480
<v Speaker 1>shoes on and then she puts she puts on the

0:38:44.520 --> 0:38:46.839
<v Speaker 1>high heels. Like I'm like, that's who I worked with,

0:38:46.960 --> 0:38:49.560
<v Speaker 1>like all the people at because after Narsis so, I

0:38:49.600 --> 0:38:52.680
<v Speaker 1>also was at Michael Cores and like for for the

0:38:52.800 --> 0:38:54.560
<v Speaker 1>for the main line, I'm so sorry for the for

0:38:54.600 --> 0:39:00.000
<v Speaker 1>the main no diffusion lines, no top floor project run.

0:39:00.040 --> 0:39:04.319
<v Speaker 1>Working with Michael, he's actually great, He's wonderful and so

0:39:04.600 --> 0:39:07.000
<v Speaker 1>basically like all the women I worked with in that

0:39:07.160 --> 0:39:11.400
<v Speaker 1>for the women's wear aligned, they are from a working

0:39:11.400 --> 0:39:16.040
<v Speaker 1>class background, like they were like, it's like the people

0:39:16.080 --> 0:39:18.839
<v Speaker 1>who who are in those businesses and who actually do

0:39:18.920 --> 0:39:21.799
<v Speaker 1>the work and make it happen are people from like

0:39:21.920 --> 0:39:25.120
<v Speaker 1>middle and low class backgrounds who had this dream of

0:39:25.200 --> 0:39:28.480
<v Speaker 1>like working in fashion, but their lives are very normal

0:39:28.640 --> 0:39:33.200
<v Speaker 1>and like they didn't dress like luxurious or like they

0:39:33.280 --> 0:39:37.240
<v Speaker 1>were wearing like very basic clothing, you know what I'm saying.

0:39:37.320 --> 0:39:40.319
<v Speaker 1>Like like the all these glamorous industries are run by

0:39:40.480 --> 0:39:42.600
<v Speaker 1>very like non glamorous people. But you have to think

0:39:42.640 --> 0:39:45.359
<v Speaker 1>about the you know, the iceberg of it all, Like

0:39:45.400 --> 0:39:48.799
<v Speaker 1>we only see the part that sells us, the thing,

0:39:48.960 --> 0:39:52.360
<v Speaker 1>the part that makes everyone wants to be us. Um,

0:39:52.440 --> 0:39:56.360
<v Speaker 1>but you it, there's the bottom of the iceberg is

0:39:56.360 --> 0:39:59.840
<v Speaker 1>full of just normal people and everyone who is not visible.

0:40:00.360 --> 0:40:03.560
<v Speaker 1>Like there's this huge like swell of resentment around all

0:40:03.600 --> 0:40:05.560
<v Speaker 1>the people that do get to like inherit all the

0:40:05.560 --> 0:40:07.400
<v Speaker 1>glam and they get all the free gifts and they

0:40:07.400 --> 0:40:09.959
<v Speaker 1>get in and who do very little of the work,

0:40:10.040 --> 0:40:12.480
<v Speaker 1>do very little of the work and take all the vacations.

0:40:12.600 --> 0:40:15.080
<v Speaker 1>You know what I mean? Um, yeah, it's it's I mean,

0:40:15.200 --> 0:40:17.000
<v Speaker 1>you and I are no stranger to like being the

0:40:17.000 --> 0:40:19.440
<v Speaker 1>people that are doing no And that's why you know,

0:40:19.560 --> 0:40:23.480
<v Speaker 1>like as as a journalist, like when you're working in media,

0:40:24.080 --> 0:40:26.560
<v Speaker 1>you take as much of the glamour as you can get.

0:40:26.600 --> 0:40:30.400
<v Speaker 1>You take the press trips and the free pr because

0:40:30.400 --> 0:40:33.360
<v Speaker 1>you're getting paid nothing, and so you have to like

0:40:33.840 --> 0:40:36.720
<v Speaker 1>find some way for it to make sense. And also

0:40:36.800 --> 0:40:39.479
<v Speaker 1>you learn very quickly to look down on the people

0:40:39.520 --> 0:40:42.239
<v Speaker 1>who are in the wrong below you. And like that

0:40:42.320 --> 0:40:44.480
<v Speaker 1>thing you were talking about earlier about like that everything

0:40:44.520 --> 0:40:46.960
<v Speaker 1>being kind of powered by working class people that have

0:40:47.000 --> 0:40:49.080
<v Speaker 1>a dream, Like that's why Ugly Betty is so good.

0:40:49.120 --> 0:40:51.719
<v Speaker 1>Did you ever watch it? Ye oh my god? That

0:40:51.920 --> 0:40:53.680
<v Speaker 1>I mean Rose and I talked about all the time.

0:40:53.680 --> 0:40:56.680
<v Speaker 1>We're gonna obviously do a whole episode on it someday

0:40:56.719 --> 0:40:59.480
<v Speaker 1>because it's so important to us. But like Betty showing

0:40:59.600 --> 0:41:03.800
<v Speaker 1>up to that space like as herself from Queens wearing

0:41:03.800 --> 0:41:08.000
<v Speaker 1>the fucking poncho, probably wearing sneakers like that is like

0:41:08.400 --> 0:41:11.360
<v Speaker 1>was my dream. And I also, like I remember my

0:41:11.400 --> 0:41:14.560
<v Speaker 1>commune from Brooklyn to like my published My first publishing

0:41:14.600 --> 0:41:17.759
<v Speaker 1>job in New York was an hour like and I

0:41:17.920 --> 0:41:21.040
<v Speaker 1>remember wearing gym shoes to the office and then changing

0:41:21.080 --> 0:41:23.279
<v Speaker 1>into like my night shoes once I got there. So

0:41:23.480 --> 0:41:26.200
<v Speaker 1>I never did that. I wore I either wore sneakers

0:41:26.239 --> 0:41:29.160
<v Speaker 1>the whole time, or I, like you know, wasn't pay

0:41:29.200 --> 0:41:30.799
<v Speaker 1>in the whole time I committed to the bit. And

0:41:30.840 --> 0:41:33.640
<v Speaker 1>this was right when I started wearing exclusively black, which

0:41:33.640 --> 0:41:35.640
<v Speaker 1>was also very like you know, me trying to be

0:41:35.680 --> 0:41:38.399
<v Speaker 1>fashion girl like you did. You did have a black era.

0:41:38.480 --> 0:41:40.920
<v Speaker 1>I had a black era where like I literally only

0:41:40.920 --> 0:41:43.080
<v Speaker 1>wore black. If you open up my closet was like

0:41:43.120 --> 0:41:46.800
<v Speaker 1>a cartoon closet. It's the same as you. I'm color blind,

0:41:46.840 --> 0:41:49.320
<v Speaker 1>and so it's like like worry about in the morning.

0:41:49.400 --> 0:41:51.240
<v Speaker 1>It was like, I don't have to mix and match stuff.

0:41:51.400 --> 0:41:52.960
<v Speaker 1>And also, I mean it's a good way to like

0:41:53.000 --> 0:41:55.560
<v Speaker 1>invisibilize your outfit so people don't like, you know, judge

0:41:55.600 --> 0:41:57.880
<v Speaker 1>you for what you're wearing. And also it's easy to

0:41:57.920 --> 0:42:02.239
<v Speaker 1>make black clothes like look expensive. It's fashion. There's that

0:42:02.320 --> 0:42:04.560
<v Speaker 1>whole kind of like myth that you know all the

0:42:04.640 --> 0:42:07.239
<v Speaker 1>designers like they don't care what they wear and they're

0:42:07.280 --> 0:42:09.640
<v Speaker 1>just like they have a uniform, they wear the same

0:42:09.719 --> 0:42:11.719
<v Speaker 1>thing every day, and like, I'm sure that's true of

0:42:11.800 --> 0:42:14.480
<v Speaker 1>some designers, but I want to be that used to

0:42:15.000 --> 0:42:18.080
<v Speaker 1>sweet she like I always was obsessed with her and

0:42:18.080 --> 0:42:21.600
<v Speaker 1>looked up to her because there's nothing more powerful than

0:42:21.600 --> 0:42:24.640
<v Speaker 1>like an ugly woman who's like who's at the top.

0:42:24.680 --> 0:42:26.720
<v Speaker 1>Of her game and who doesn't give a fuck, Like

0:42:27.040 --> 0:42:30.279
<v Speaker 1>she never has makes She's like bare faced wearing like

0:42:30.400 --> 0:42:32.600
<v Speaker 1>god knows what, and she has the most. She makes

0:42:32.600 --> 0:42:35.480
<v Speaker 1>the most fabulous beautiful clothes, Like I like, that's what

0:42:35.560 --> 0:42:38.360
<v Speaker 1>I aspire to be somebody. It's like I when I

0:42:38.840 --> 0:42:40.400
<v Speaker 1>go I'm in a writer's room, and like when I

0:42:40.440 --> 0:42:43.480
<v Speaker 1>go to work, I look like absolute complete ship and

0:42:43.520 --> 0:42:47.600
<v Speaker 1>it feels like power. I feel powerful because I'm like no,

0:42:47.920 --> 0:42:50.640
<v Speaker 1>like I'm gonna like I'm here because I'm talented, not

0:42:50.640 --> 0:42:53.279
<v Speaker 1>because of what I look like. I saved that for

0:42:53.520 --> 0:42:56.120
<v Speaker 1>you know what, when I when I need to like

0:42:56.239 --> 0:42:58.640
<v Speaker 1>look good, I look good, but like if you're not

0:42:58.680 --> 0:43:02.440
<v Speaker 1>paying me to look good, I'm going to be ugly absolutely,

0:43:02.520 --> 0:43:04.520
<v Speaker 1>and that is that is what it is. It's like

0:43:04.760 --> 0:43:07.799
<v Speaker 1>you all, I'm only putting work into my appearance when

0:43:07.840 --> 0:43:11.200
<v Speaker 1>it's making me money. I'm not doing free. Yeah. I

0:43:11.280 --> 0:43:15.319
<v Speaker 1>feel like with Grace like that she was never she

0:43:15.360 --> 0:43:16.759
<v Speaker 1>used to be a model and like she was she

0:43:16.920 --> 0:43:18.879
<v Speaker 1>was a model and then she was like a car

0:43:18.920 --> 0:43:22.799
<v Speaker 1>accident or have you ever seen Grace Coddington in the wild? Yes,

0:43:23.120 --> 0:43:26.840
<v Speaker 1>I have one twice and they were both you fork experiences.

0:43:26.920 --> 0:43:30.000
<v Speaker 1>Once was on the subway, was on the A train

0:43:30.480 --> 0:43:34.360
<v Speaker 1>going downtown, and then the other time was seeing portrait

0:43:34.400 --> 0:43:37.319
<v Speaker 1>of a lady on fire at Angelica. That's amazing. I'm

0:43:37.400 --> 0:43:39.480
<v Speaker 1>so glad she's I used to work at a Ghosian

0:43:39.560 --> 0:43:43.000
<v Speaker 1>gallery in New York. Once I hated the Once I

0:43:43.040 --> 0:43:47.280
<v Speaker 1>was like, I can't do this anymore. Fashion is horrible,

0:43:48.080 --> 0:43:52.000
<v Speaker 1>but I still wanted that toxic experience. I was like, yeah,

0:43:52.000 --> 0:43:53.400
<v Speaker 1>I was like, I want to do an art gallery.

0:43:53.400 --> 0:43:55.600
<v Speaker 1>So then I started working at a ghos End and

0:43:55.680 --> 0:43:59.880
<v Speaker 1>like that was and that was the true buffoonery of

0:44:00.000 --> 0:44:02.520
<v Speaker 1>at all was working and that was like did you

0:44:02.560 --> 0:44:06.439
<v Speaker 1>ever watch Gallery Girls? I did, which none of those

0:44:06.480 --> 0:44:10.840
<v Speaker 1>girls ever you know, they're they're like pariahs. They would

0:44:10.880 --> 0:44:15.560
<v Speaker 1>never actually make it. But also that that TV show

0:44:16.160 --> 0:44:18.640
<v Speaker 1>and I think like that, like art Gallery World does

0:44:18.680 --> 0:44:22.600
<v Speaker 1>feel very post Devil Worce product because also it wasn't

0:44:23.560 --> 0:44:27.799
<v Speaker 1>wasn't Goosian kind of part of the Nanny Diaries in

0:44:27.880 --> 0:44:30.879
<v Speaker 1>some way. I think maybe I think maybe the mom

0:44:31.040 --> 0:44:35.800
<v Speaker 1>worked there. Um, but Gallery Girls for the Virgin Okay.

0:44:35.880 --> 0:44:38.880
<v Speaker 1>Gallery Girls was the show on Bravo only lasted for

0:44:38.920 --> 0:44:41.719
<v Speaker 1>one season and season and it was about a bunch

0:44:41.719 --> 0:44:44.120
<v Speaker 1>of girls who worked at different right galleries. It was

0:44:44.160 --> 0:44:47.120
<v Speaker 1>trying to do for the New York art scene what

0:44:47.160 --> 0:44:49.880
<v Speaker 1>Devil Worce product did for the fashion scene. And so

0:44:49.960 --> 0:44:51.719
<v Speaker 1>there were like a couple of different camps. There were

0:44:51.719 --> 0:44:54.200
<v Speaker 1>the girls who worked at like who were trying to

0:44:54.360 --> 0:44:57.440
<v Speaker 1>be like Southern best girls. Um. There were the girls

0:44:57.480 --> 0:45:00.560
<v Speaker 1>who worked at like the downtown art galleries like goes In.

0:45:01.080 --> 0:45:03.640
<v Speaker 1>And then there were the Brooklyn girls who had like

0:45:03.680 --> 0:45:06.120
<v Speaker 1>opened up this space on the Lower East Side that

0:45:06.520 --> 0:45:09.000
<v Speaker 1>was by my old apartment, and they were like, awful,

0:45:09.040 --> 0:45:14.640
<v Speaker 1>There's this girl, Shantala, who's like a monster, a monster.

0:45:14.719 --> 0:45:18.120
<v Speaker 1>She's either dead or in prisons. And I will say,

0:45:18.160 --> 0:45:20.600
<v Speaker 1>the reason why that show didn't work is because the

0:45:20.719 --> 0:45:24.319
<v Speaker 1>art world is shrouded in secrecy, and they don't they'll

0:45:24.320 --> 0:45:28.399
<v Speaker 1>they'll never like, if you really are in, you are

0:45:28.440 --> 0:45:33.240
<v Speaker 1>never going to to share what is actually happening, because

0:45:33.239 --> 0:45:36.480
<v Speaker 1>the art world really is just like money laundering business.

0:45:36.560 --> 0:45:39.200
<v Speaker 1>It's it's and I've witnessed that. I can't remember if

0:45:39.200 --> 0:45:41.640
<v Speaker 1>I signed NDA or not, but I don't care. But

0:45:41.760 --> 0:45:45.279
<v Speaker 1>like basically, like I would witness things where like you know,

0:45:46.600 --> 0:45:50.080
<v Speaker 1>you know, Larry would tell Larry goes In is the

0:45:50.239 --> 0:45:54.200
<v Speaker 1>owner and he he has been accused of like controlling

0:45:54.200 --> 0:45:56.920
<v Speaker 1>the art market and whatever, and I've witnessed stuff like

0:45:56.960 --> 0:45:59.080
<v Speaker 1>that where like, you know, there's there was a famous

0:45:59.200 --> 0:46:02.239
<v Speaker 1>artist that he represented, maybe at the time. I don't

0:46:02.239 --> 0:46:05.160
<v Speaker 1>know if he still represents this person or not, but um,

0:46:05.200 --> 0:46:07.080
<v Speaker 1>he was on the phone and he was like he

0:46:07.160 --> 0:46:11.840
<v Speaker 1>was like, stop making green, nobody fucking buys green. Start

0:46:11.920 --> 0:46:14.640
<v Speaker 1>painting red, red, red, red, and then like hung up

0:46:15.239 --> 0:46:21.360
<v Speaker 1>because yes, and like literally he would tell yes and

0:46:21.040 --> 0:46:27.000
<v Speaker 1>these painting self and like, to me, the art world

0:46:27.040 --> 0:46:31.000
<v Speaker 1>was so much more fabulous than the fashion world because

0:46:31.520 --> 0:46:35.200
<v Speaker 1>they're one of my favorite women I worked for. Her

0:46:35.280 --> 0:46:38.879
<v Speaker 1>name was Valentina, and she is proud as muse and

0:46:38.960 --> 0:46:42.520
<v Speaker 1>so every well one of her muses. And every day

0:46:42.680 --> 0:46:47.360
<v Speaker 1>she would be head to toe proughtuct fresh off the runway,

0:46:47.840 --> 0:46:52.040
<v Speaker 1>not in stores, and just like just like so chic

0:46:52.160 --> 0:46:57.120
<v Speaker 1>and so so hungry. They were all like I mean

0:46:57.200 --> 0:46:59.960
<v Speaker 1>this this part is not very fabulous, just eating disorder,

0:47:00.200 --> 0:47:02.920
<v Speaker 1>were like really hard. Like I worked for another I

0:47:03.000 --> 0:47:06.600
<v Speaker 1>was the assistant of a few women and um, of

0:47:06.640 --> 0:47:08.800
<v Speaker 1>course they put the little twink. They're like, okay, twink,

0:47:08.920 --> 0:47:12.480
<v Speaker 1>Like like no one was gay, that everyone was straight.

0:47:12.640 --> 0:47:16.800
<v Speaker 1>I was the only that I was like the only

0:47:16.880 --> 0:47:20.200
<v Speaker 1>gay at my where I was working, and um, they

0:47:20.200 --> 0:47:22.400
<v Speaker 1>put me with all the like women or whatever. But

0:47:22.600 --> 0:47:24.719
<v Speaker 1>of course they put me with the women, and like

0:47:24.840 --> 0:47:27.760
<v Speaker 1>of course, and like there was this one like god

0:47:27.840 --> 0:47:32.279
<v Speaker 1>like she was so um fragile, like she had just

0:47:32.320 --> 0:47:35.600
<v Speaker 1>gone brittle, brittle, frag she had just gone. She was

0:47:35.640 --> 0:47:39.440
<v Speaker 1>going through a divorce. She was like on something. Always

0:47:39.800 --> 0:47:46.600
<v Speaker 1>daily blowout, blow out, every single every day to lunch

0:47:46.640 --> 0:47:48.640
<v Speaker 1>instead of eating, she'd get to blow out. And I

0:47:48.640 --> 0:47:51.840
<v Speaker 1>would always I'd go to Saint and do you for

0:47:51.920 --> 0:47:54.520
<v Speaker 1>got to stand in bros The like it's on the

0:47:54.600 --> 0:47:56.759
<v Speaker 1>upper side. It's like it's like these little sandwiches. They're

0:47:56.760 --> 0:47:59.120
<v Speaker 1>like very expensive. But like I'd always go and like

0:47:59.160 --> 0:48:01.799
<v Speaker 1>get her these little sandwiches and like try to get

0:48:01.800 --> 0:48:03.719
<v Speaker 1>her to eat, and she'd be like, nothing tastes as

0:48:03.719 --> 0:48:06.759
<v Speaker 1>good as dry bar feet. Yes, but she was so

0:48:07.000 --> 0:48:09.800
<v Speaker 1>delicate and fragile, and I just wanted to like save

0:48:09.880 --> 0:48:13.760
<v Speaker 1>her from herself. Can't But I couldn't. Got the easy culture.

0:48:14.160 --> 0:48:17.640
<v Speaker 1>That's also obviously a huge part of the divorce. How

0:48:17.640 --> 0:48:21.160
<v Speaker 1>they're always talking about how Anne Hathaway is fat and

0:48:21.239 --> 0:48:24.200
<v Speaker 1>calling her the biggest insult is calling her a six

0:48:24.560 --> 0:48:32.040
<v Speaker 1>six Can you believe? Can you believe she's she's so thin?

0:48:32.480 --> 0:48:35.799
<v Speaker 1>I think she she at the time, did she gain

0:48:35.880 --> 0:48:37.720
<v Speaker 1>weight for the role? I think she might have talked

0:48:37.719 --> 0:48:43.600
<v Speaker 1>about gained I'm doing for the role. And she looked

0:48:43.600 --> 0:48:49.040
<v Speaker 1>so fucking good. Oh my god, her she I mean,

0:48:49.520 --> 0:48:52.279
<v Speaker 1>that was her role. That was Anne Hathaway. That was

0:48:52.280 --> 0:48:54.640
<v Speaker 1>the beginning. I do think there were a couple of

0:48:54.719 --> 0:48:58.200
<v Speaker 1>their women who were up for it. Um, but she

0:48:58.360 --> 0:49:02.279
<v Speaker 1>got it and she looks incredible, acted the ship out

0:49:02.320 --> 0:49:07.040
<v Speaker 1>of it. Her her bangs are so good. Um. The

0:49:07.200 --> 0:49:10.239
<v Speaker 1>I mean obviously like it's it's so I am so

0:49:10.320 --> 0:49:13.600
<v Speaker 1>over it at this point, but the Chanel boots the moment.

0:49:13.880 --> 0:49:17.200
<v Speaker 1>We have to talk about the montage because and like

0:49:17.360 --> 0:49:22.239
<v Speaker 1>the fashion look after looking to take over montages, look

0:49:22.440 --> 0:49:26.600
<v Speaker 1>fashion montages and movies are incredible. I do think this

0:49:26.719 --> 0:49:29.360
<v Speaker 1>is one of the best, if not the best, of

0:49:29.400 --> 0:49:33.400
<v Speaker 1>all time because it's set two Vogue by Madonna, and

0:49:33.440 --> 0:49:36.000
<v Speaker 1>every time the cars passed, it's a new outfit. I

0:49:36.040 --> 0:49:39.560
<v Speaker 1>was like, that's that's art. Watching it in cinemas in

0:49:39.600 --> 0:49:41.879
<v Speaker 1>the theater for the first time, I have never been

0:49:41.920 --> 0:49:45.359
<v Speaker 1>more gagged. Yes, and I think some of the some

0:49:45.440 --> 0:49:48.120
<v Speaker 1>of the looks, I actually would say all of the looks.

0:49:48.360 --> 0:49:51.520
<v Speaker 1>Hold up. Let's stand the test of time. Um. I

0:49:51.800 --> 0:49:54.200
<v Speaker 1>when you were talking about Anne Hathaway not being the

0:49:54.239 --> 0:49:56.600
<v Speaker 1>first pick, I was looking at the alternates, and the

0:49:56.600 --> 0:49:59.799
<v Speaker 1>first pick was Rachel McAdams for the role of Andy,

0:50:00.080 --> 0:50:03.840
<v Speaker 1>which would have been crazy, but like it would have

0:50:03.880 --> 0:50:07.279
<v Speaker 1>made sense because it was pretty much directly post Mean

0:50:07.320 --> 0:50:10.640
<v Speaker 1>Girls and The Notebook, so I think it would have been.

0:50:11.400 --> 0:50:13.520
<v Speaker 1>It would have been because Anne Hathaway was not a

0:50:13.520 --> 0:50:17.040
<v Speaker 1>star yet, so it was a star making role. Can

0:50:17.120 --> 0:50:19.319
<v Speaker 1>you imagine Andy's a Would she have died her hair?

0:50:19.600 --> 0:50:22.200
<v Speaker 1>Would she have been a brunette because Rachel McAdams was

0:50:22.320 --> 0:50:25.880
<v Speaker 1>a brunette at the time. She Actually I was. I

0:50:25.920 --> 0:50:31.000
<v Speaker 1>was watching has Benett. I was watching a TikTok about

0:50:31.000 --> 0:50:33.839
<v Speaker 1>this the other day. Rachel mcgadam's refused to dye her

0:50:33.880 --> 0:50:37.520
<v Speaker 1>hair blonde for Mean Girls. She wanted to play Katie originally,

0:50:37.880 --> 0:50:40.960
<v Speaker 1>and so she had a wig that was worth dollars

0:50:41.360 --> 0:50:45.439
<v Speaker 1>to play Regina and Lindsay Lohan wanted to play wanted

0:50:47.040 --> 0:50:49.040
<v Speaker 1>the other people they went out to for Andy, where

0:50:49.320 --> 0:50:54.799
<v Speaker 1>Kirsten Dunn's Scarlett Johansson Natalie Portman and Kate Hudson. Can

0:50:54.800 --> 0:50:59.840
<v Speaker 1>you imagine that Natalie Portman and the keep her gardens

0:51:00.120 --> 0:51:02.520
<v Speaker 1>where she belongs. I do love Natalie, but oh my god,

0:51:02.520 --> 0:51:03.840
<v Speaker 1>there'd be like a scene where she's like in the

0:51:03.880 --> 0:51:06.520
<v Speaker 1>Vogue closet, just like just like, just like, just like

0:51:06.600 --> 0:51:10.200
<v Speaker 1>scared in the Vote closet. Scarlett Scarlett would have I

0:51:10.239 --> 0:51:13.480
<v Speaker 1>think would have worked. And Scarlett was in The Nanny Diaries,

0:51:13.520 --> 0:51:16.800
<v Speaker 1>which is, you know, the sister film of this movie.

0:51:17.280 --> 0:51:19.839
<v Speaker 1>I don't know if any of the other ones would

0:51:19.880 --> 0:51:21.799
<v Speaker 1>have would have been as good. It had to be.

0:51:21.880 --> 0:51:25.640
<v Speaker 1>And because Anne does have that energy of being like

0:51:25.680 --> 0:51:28.160
<v Speaker 1>a bit of a try hard, try hard that is

0:51:28.200 --> 0:51:29.799
<v Speaker 1>the thing that I relate to her so much. I

0:51:29.800 --> 0:51:32.520
<v Speaker 1>guess she tries so hard in and on an off

0:51:32.560 --> 0:51:35.680
<v Speaker 1>screen Annie Annie Hathaway, I mean sorry, didn't need to

0:51:35.719 --> 0:51:38.480
<v Speaker 1>dead name her, right, Did you hear that that she

0:51:38.560 --> 0:51:42.040
<v Speaker 1>rebranded to Annie? I mean kind, I mean I think

0:51:42.040 --> 0:51:44.759
<v Speaker 1>it's I think it's that she in her in her

0:51:44.800 --> 0:51:48.560
<v Speaker 1>everyday life, most people call her Annie, and so now

0:51:48.600 --> 0:51:52.799
<v Speaker 1>she's kind of coming out, coming out, and because but

0:51:53.000 --> 0:51:55.480
<v Speaker 1>she had to basically all of her like Screen Actors

0:51:55.560 --> 0:51:59.200
<v Speaker 1>Guild or whatever, or her whatever the fucking guild is, Like,

0:51:59.280 --> 0:52:01.640
<v Speaker 1>she had to register as Anne Hathaway and she did

0:52:01.680 --> 0:52:03.560
<v Speaker 1>a long time ago, and she says she regrets doing that.

0:52:03.600 --> 0:52:05.360
<v Speaker 1>She wished she could have done it as Annie. And

0:52:05.400 --> 0:52:08.520
<v Speaker 1>also Anne Hathaway was Shakespeare's wife, so she wanted you know,

0:52:09.000 --> 0:52:13.359
<v Speaker 1>oh I forgot that. She so she's going, She's going

0:52:13.400 --> 0:52:16.640
<v Speaker 1>by Annie. Now I think it's more like this is

0:52:19.080 --> 0:52:22.239
<v Speaker 1>that this is me, this is me. But I think

0:52:22.280 --> 0:52:25.080
<v Speaker 1>she will probably always be billed as Anne halfway because

0:52:25.120 --> 0:52:27.480
<v Speaker 1>that is how we know her. Okay. I also like,

0:52:27.680 --> 0:52:30.439
<v Speaker 1>in terms of villain of the film, one of the

0:52:30.480 --> 0:52:32.560
<v Speaker 1>points that stand out to me, and this isn't breaking

0:52:32.560 --> 0:52:34.720
<v Speaker 1>new ground for the people have discussed this a lot,

0:52:35.160 --> 0:52:38.560
<v Speaker 1>but just like when she she gave like that fabulous

0:52:38.719 --> 0:52:42.120
<v Speaker 1>like at the time mark Jacob's purse, and then the

0:52:42.160 --> 0:52:47.160
<v Speaker 1>way that she just like wasn't appreciative way the way

0:52:47.200 --> 0:52:50.759
<v Speaker 1>she gave them gifts and they were just like so mean.

0:52:50.960 --> 0:52:53.560
<v Speaker 1>And then no one was just like because she's working hard. Yeah,

0:52:53.680 --> 0:52:56.279
<v Speaker 1>No one was just like, yeah, jobs are hard, Like

0:52:56.640 --> 0:52:59.960
<v Speaker 1>I totally erstand. You're a woman, you're a woman, were

0:53:00.040 --> 0:53:02.000
<v Speaker 1>king in this industry. I support you. You know. They

0:53:02.000 --> 0:53:04.400
<v Speaker 1>were all like Oh my god, you're a horrible person

0:53:04.520 --> 0:53:07.680
<v Speaker 1>for trying to like make money and like, you know,

0:53:08.120 --> 0:53:11.439
<v Speaker 1>invest in yourself in your career. Yeah. I get why

0:53:11.440 --> 0:53:14.880
<v Speaker 1>the boyfriend was mad because she was so juicy and

0:53:14.920 --> 0:53:17.920
<v Speaker 1>then she got skinny and for her to lose that ass, Like,

0:53:18.200 --> 0:53:21.040
<v Speaker 1>I get why he's like pissed, he's pissed the ass

0:53:21.120 --> 0:53:23.640
<v Speaker 1>is gone, he's mad. I do love the scene where

0:53:23.640 --> 0:53:27.880
<v Speaker 1>he makes them, you know, a grilled cheek, the Yarlsberg

0:53:28.840 --> 0:53:43.520
<v Speaker 1>who doesn't want to eat a grilled Yarrolsberg. Fuck right, Honestly,

0:53:43.600 --> 0:53:45.400
<v Speaker 1>if back on the back on the convent of like,

0:53:45.440 --> 0:53:48.439
<v Speaker 1>if this were made in instead, like it really would

0:53:48.480 --> 0:53:50.520
<v Speaker 1>be like her group of friends are not being like

0:53:50.760 --> 0:53:52.440
<v Speaker 1>you work too harder. Group of friends would be like,

0:53:53.400 --> 0:53:57.160
<v Speaker 1>there's no ethical consumption under and then be like, don't

0:53:57.200 --> 0:54:01.279
<v Speaker 1>conflate yourself work. You're a class trader. You're a you're

0:54:01.280 --> 0:54:03.200
<v Speaker 1>a class trader, and you need to quit your job

0:54:03.200 --> 0:54:08.719
<v Speaker 1>and become a freelancer. It's the only different colors like

0:54:19.640 --> 0:54:24.560
<v Speaker 1>um that montage um where they um where they're like

0:54:24.680 --> 0:54:28.880
<v Speaker 1>they're like Miranda Priestley's coming or whatever. That is still

0:54:29.239 --> 0:54:31.760
<v Speaker 1>kind of true to life with Anna, Like you would

0:54:31.800 --> 0:54:34.000
<v Speaker 1>think that that would be kind of a cartoonish like

0:54:34.120 --> 0:54:38.239
<v Speaker 1>representation of how she exists inside the County building. But like,

0:54:38.360 --> 0:54:41.160
<v Speaker 1>I had a friend that was like at coned, like

0:54:41.320 --> 0:54:44.719
<v Speaker 1>seeing Anna for like a meeting or whatever, literally like

0:54:44.960 --> 0:54:47.719
<v Speaker 1>last year, and he was telling me that, like, of

0:54:47.840 --> 0:54:50.520
<v Speaker 1>the four assistants that he had to coordinate with in

0:54:50.600 --> 0:54:53.200
<v Speaker 1>order to make this meeting happen, three of which were

0:54:53.200 --> 0:54:56.440
<v Speaker 1>present at all standing in the room waiting with him.

0:54:56.440 --> 0:54:58.360
<v Speaker 1>While they were all waiting for Anna, They're all just

0:54:58.440 --> 0:55:01.239
<v Speaker 1>standing there on their phone. It's just like standing next

0:55:01.280 --> 0:55:04.560
<v Speaker 1>to each other silently looking at their phones. And while

0:55:04.600 --> 0:55:07.520
<v Speaker 1>he was waiting, one of them just says, Anna's walking,

0:55:08.160 --> 0:55:11.200
<v Speaker 1>And like he's like, uh, are you saying that to me?

0:55:11.280 --> 0:55:13.640
<v Speaker 1>Are you saying that to just generally like but like

0:55:13.880 --> 0:55:17.480
<v Speaker 1>her every move that she makes, it's like how a

0:55:17.520 --> 0:55:19.839
<v Speaker 1>lot of the things are directly lifted from her life,

0:55:19.840 --> 0:55:22.960
<v Speaker 1>Like her lunch order, which she recently revealed is a

0:55:23.000 --> 0:55:26.000
<v Speaker 1>steak and a compress a solid. It looks no tomato,

0:55:26.080 --> 0:55:29.040
<v Speaker 1>it does look delicious. And in the movie Um and

0:55:29.320 --> 0:55:31.160
<v Speaker 1>he goes to get her a stake from Smith and

0:55:31.200 --> 0:55:34.560
<v Speaker 1>Wilensky and I actually when I moved to New York City,

0:55:34.640 --> 0:55:38.640
<v Speaker 1>which was the fall that this movie had come out.

0:55:38.680 --> 0:55:41.120
<v Speaker 1>The first place my mom and I went UM. When

0:55:41.120 --> 0:55:42.960
<v Speaker 1>we landed in New York. The week we were moving

0:55:43.000 --> 0:55:45.400
<v Speaker 1>me into my dorm, we went to Smith and Wilensky

0:55:45.480 --> 0:55:47.359
<v Speaker 1>to lunch and I was like, oh my god, I'm

0:55:47.440 --> 0:55:50.560
<v Speaker 1>living my devil is brout of fantasy. I just I

0:55:50.719 --> 0:55:53.920
<v Speaker 1>just remembered that at Narcissi. So we were doing UM.

0:55:54.200 --> 0:55:56.319
<v Speaker 1>It was during fashion week and we're doing a presentation

0:55:56.520 --> 0:56:00.360
<v Speaker 1>in studio and we were like, you know, everything was

0:56:00.360 --> 0:56:03.000
<v Speaker 1>on schedule. We were addressing the models. It was like

0:56:03.560 --> 0:56:06.120
<v Speaker 1>very very normal, all the Suddens when this is all

0:56:06.480 --> 0:56:09.000
<v Speaker 1>I forgot all of this when ran in and goes,

0:56:09.400 --> 0:56:12.800
<v Speaker 1>oh my god, Anna's here because she had arrived two

0:56:12.920 --> 0:56:18.560
<v Speaker 1>hours early without any did not tell anyone the amount

0:56:18.560 --> 0:56:23.359
<v Speaker 1>of chaos. Everyone was freaking out. It was like the

0:56:23.400 --> 0:56:27.960
<v Speaker 1>worst energy. Everyone was so scared, and we just we

0:56:28.040 --> 0:56:31.680
<v Speaker 1>just had to dress the models literally like slap makeup

0:56:31.719 --> 0:56:35.520
<v Speaker 1>on them, and just show Anna because she was there.

0:56:35.680 --> 0:56:39.160
<v Speaker 1>I am kind of obsessed with the idea that of

0:56:39.160 --> 0:56:44.080
<v Speaker 1>of the world being on your schedule. Yes, that is iconic.

0:56:44.920 --> 0:56:47.400
<v Speaker 1>Also famously like doesn't doesn't she like not even have

0:56:47.440 --> 0:56:56.400
<v Speaker 1>a smartphone. She has a BlackBerry. I think she's but

0:56:56.520 --> 0:56:59.160
<v Speaker 1>she famously does. I feel like she is always like

0:56:59.360 --> 0:57:03.120
<v Speaker 1>she always ends meetings. She thinks that every no meeting

0:57:03.200 --> 0:57:05.560
<v Speaker 1>should be more than like five to ten minutes. Which

0:57:07.680 --> 0:57:10.840
<v Speaker 1>did you see? So my friend um Alison has a

0:57:10.880 --> 0:57:13.400
<v Speaker 1>show New York called I think it's called Oh God,

0:57:13.520 --> 0:57:17.200
<v Speaker 1>to show about abortion. And Anna Wintour came to it

0:57:17.600 --> 0:57:22.360
<v Speaker 1>and the person outside taking the ford and then she

0:57:22.480 --> 0:57:24.800
<v Speaker 1>was like, are you kidding me? And she was like no,

0:57:25.520 --> 0:57:28.640
<v Speaker 1>and so she had to get her I D out

0:57:29.040 --> 0:57:32.560
<v Speaker 1>and show the person her ID. She got humbled. Wow,

0:57:32.760 --> 0:57:35.920
<v Speaker 1>I love actually carries her idea though, yeah, she had it,

0:57:36.120 --> 0:57:40.120
<v Speaker 1>I mean truly truly, sir. Okay, something we do need

0:57:40.160 --> 0:57:44.040
<v Speaker 1>to discuss is the Harry Potter book. Do we really

0:57:44.880 --> 0:57:49.440
<v Speaker 1>you have to do? There are currently three trans people

0:57:50.440 --> 0:57:57.600
<v Speaker 1>on this podcast. JK in the Devil's Product, it was

0:57:57.600 --> 0:58:01.040
<v Speaker 1>the seventh Coming? Was it the seventh book that she was?

0:58:00.920 --> 0:58:03.480
<v Speaker 1>It was? I think it was the fourth book at

0:58:03.520 --> 0:58:06.760
<v Speaker 1>the time. Oh, it feels like because I think that's

0:58:06.760 --> 0:58:08.960
<v Speaker 1>at the time that the book came out, it would

0:58:09.000 --> 0:58:11.360
<v Speaker 1>have been the fourth one in terms of the publication

0:58:11.440 --> 0:58:14.200
<v Speaker 1>schedule that maybe most crazed. I feel like the fourth

0:58:14.200 --> 0:58:16.800
<v Speaker 1>one was the like it was one of the most fervor. Yes,

0:58:16.880 --> 0:58:20.200
<v Speaker 1>it was when it became like an avenge that they

0:58:20.240 --> 0:58:24.080
<v Speaker 1>came out and there was outside the Borders book when

0:58:24.080 --> 0:58:26.720
<v Speaker 1>there was so much secrecy about it. But like the

0:58:26.960 --> 0:58:32.480
<v Speaker 1>idea that at that time someone could get an advanced

0:58:32.520 --> 0:58:37.560
<v Speaker 1>copy of the most secretive book in the world from

0:58:37.600 --> 0:58:42.160
<v Speaker 1>a woman who we now know is pure evil. Um

0:58:42.640 --> 0:58:45.840
<v Speaker 1>is ridiculous, But you know, I wanted to be one

0:58:45.840 --> 0:58:50.280
<v Speaker 1>of those little twins reading that book. Early. Maybe Andy

0:58:50.360 --> 0:58:53.200
<v Speaker 1>called j K. She was like, I also hate trans people,

0:58:53.720 --> 0:58:55.560
<v Speaker 1>and there's a safe space we could talk about it.

0:58:55.960 --> 0:58:57.680
<v Speaker 1>And then they had a conversation, which like you know what,

0:58:57.720 --> 0:58:59.800
<v Speaker 1>You're cool girl, and then she just like she gave

0:58:59.800 --> 0:59:02.200
<v Speaker 1>her that It was like, listen, the first thing we

0:59:02.200 --> 0:59:10.800
<v Speaker 1>have to get through is trans women are men. Yeah. Yeah,

0:59:10.920 --> 0:59:14.480
<v Speaker 1>And she was like to advanced copies. Yeah, I'm sending

0:59:14.480 --> 0:59:21.840
<v Speaker 1>one copies, one for all of the genders that exists.

0:59:23.640 --> 0:59:28.160
<v Speaker 1>I think that's what happened. That is exactly what happened.

0:59:28.160 --> 0:59:30.560
<v Speaker 1>I hope that like some news site who's listening to

0:59:30.560 --> 0:59:33.480
<v Speaker 1>our podcast takes that as a headline and just runs

0:59:33.560 --> 0:59:36.360
<v Speaker 1>with it. Breaks do you think j K Rowling has

0:59:36.400 --> 0:59:39.520
<v Speaker 1>seen the Devil Wors product? Probably yeah, if she, I'm

0:59:39.560 --> 0:59:42.800
<v Speaker 1>sure she's obsessed with anything she's mentioned. And yeah, she

0:59:42.920 --> 0:59:45.720
<v Speaker 1>certainly does reply to a lot of tweets. Yeah she

0:59:45.840 --> 0:59:50.600
<v Speaker 1>has the time. Um, I have to say, Uh, you

0:59:50.640 --> 0:59:53.680
<v Speaker 1>were talking earlier about like people that just want to

0:59:53.720 --> 0:59:55.720
<v Speaker 1>show up and do the job, but like it doesn't

0:59:55.720 --> 0:59:57.800
<v Speaker 1>matter like how they look. I'm thinking a little bit

0:59:57.800 --> 1:00:02.720
<v Speaker 1>about Andre Leon Tallyho. Stanley Tu's character was famously based

1:00:02.760 --> 1:00:05.640
<v Speaker 1>on him, and I feel like, you know, obviously Andre

1:00:05.760 --> 1:00:07.800
<v Speaker 1>is like very fabulous and like shut up to work

1:00:07.840 --> 1:00:11.000
<v Speaker 1>looking fami, but he would he said often he was

1:00:11.080 --> 1:00:14.160
<v Speaker 1>like what I lack in beauty, like a self deprecating

1:00:14.200 --> 1:00:15.520
<v Speaker 1>kind of joke. You would say, like what I lack

1:00:15.560 --> 1:00:17.840
<v Speaker 1>in beauty, I have in brains. And that's like what

1:00:17.840 --> 1:00:21.120
<v Speaker 1>what makes me necessary to every single you know space

1:00:21.160 --> 1:00:24.360
<v Speaker 1>I'm in. And I think that's so true, like especially

1:00:24.400 --> 1:00:28.440
<v Speaker 1>in my experience, like I am the try hard. I

1:00:28.520 --> 1:00:30.960
<v Speaker 1>like don't have like you know, the fashion chops a

1:00:30.960 --> 1:00:33.440
<v Speaker 1>lot of the time, and I feel like I'm not cool,

1:00:33.760 --> 1:00:36.640
<v Speaker 1>you know, but I I do you are cool. I'm like,

1:00:36.680 --> 1:00:39.280
<v Speaker 1>I'm like, what are you doing? You look literally so

1:00:39.360 --> 1:00:51.240
<v Speaker 1>cool that you do well. I mean, I don't know,

1:00:51.320 --> 1:00:54.280
<v Speaker 1>maybe working in media, I just like um hammered the

1:00:54.320 --> 1:00:55.960
<v Speaker 1>idea that I'm not cool into my head over and

1:00:56.000 --> 1:00:58.520
<v Speaker 1>over again. Maybe that's just like part of the conditioning.

1:00:58.800 --> 1:01:02.000
<v Speaker 1>But regardless, like I do feel like that is I

1:01:02.000 --> 1:01:05.400
<v Speaker 1>think a lot of people forget about what it really

1:01:05.440 --> 1:01:08.920
<v Speaker 1>takes to make yourself necessary because obviously, you know, in

1:01:09.000 --> 1:01:11.600
<v Speaker 1>a superficial industry, you can show up to work looking

1:01:11.600 --> 1:01:13.600
<v Speaker 1>fab every day and not really do a great job.

1:01:13.680 --> 1:01:16.600
<v Speaker 1>Like that is true, like it's not a meritocracy. But

1:01:16.680 --> 1:01:19.520
<v Speaker 1>if you do prove your worth over and over again

1:01:19.880 --> 1:01:22.560
<v Speaker 1>like a lot of times, that does make you necessary, unless,

1:01:22.600 --> 1:01:24.840
<v Speaker 1>of course, you work in digital media, in which case

1:01:24.960 --> 1:01:28.520
<v Speaker 1>you are disposable. But like print media, it's like you're safe,

1:01:28.600 --> 1:01:33.000
<v Speaker 1>you know. Ecagozian I started as an intern and they

1:01:33.160 --> 1:01:35.520
<v Speaker 1>never hire interns, they just use them, and they're all

1:01:35.640 --> 1:01:38.120
<v Speaker 1>rich kids. So it's like like the kid of like

1:01:38.720 --> 1:01:41.160
<v Speaker 1>so and so celebrity would like be an intern for

1:01:41.200 --> 1:01:43.600
<v Speaker 1>a season or something, and so I went in there

1:01:43.640 --> 1:01:45.320
<v Speaker 1>being like I want a job. I want a job

1:01:45.360 --> 1:01:48.200
<v Speaker 1>from this. I was a waiter the whole time I

1:01:48.240 --> 1:01:51.320
<v Speaker 1>was interning, like trying to make money, like very come

1:01:51.360 --> 1:01:55.120
<v Speaker 1>from a like a very working class background, and um,

1:01:55.240 --> 1:01:58.560
<v Speaker 1>the way that I got a job was I started

1:01:58.680 --> 1:02:05.200
<v Speaker 1>making the models of gallery spaces to prep for the show,

1:02:05.320 --> 1:02:08.520
<v Speaker 1>so like whenever the curator wanted to see, like so

1:02:08.600 --> 1:02:12.200
<v Speaker 1>before they like have the actual show, there's a architectural

1:02:12.280 --> 1:02:15.120
<v Speaker 1>model and then you print out like smaller sizes of

1:02:15.160 --> 1:02:18.160
<v Speaker 1>the paintings or the sculptures, and then the curator moves

1:02:18.200 --> 1:02:20.960
<v Speaker 1>it around almost like a dollhouse, and then that from

1:02:21.000 --> 1:02:23.720
<v Speaker 1>that then they make the real show. I started just

1:02:23.760 --> 1:02:26.120
<v Speaker 1>doing that and it was very easy. It was just

1:02:26.160 --> 1:02:29.439
<v Speaker 1>like using very basic photoshop skills to like make this,

1:02:30.000 --> 1:02:33.560
<v Speaker 1>and before long I became the person that someone would

1:02:33.560 --> 1:02:37.600
<v Speaker 1>call to make one like from London or China or

1:02:37.640 --> 1:02:41.840
<v Speaker 1>like wherever whatever. And so by the time they started

1:02:41.840 --> 1:02:45.760
<v Speaker 1>to actually like need me and they actually couldn't, I

1:02:45.840 --> 1:02:47.360
<v Speaker 1>was the one who knew how to do these things,

1:02:47.600 --> 1:02:51.800
<v Speaker 1>even though it was based it was like basic skills.

1:02:51.840 --> 1:02:54.439
<v Speaker 1>All of you know, our bosses were older people who

1:02:54.560 --> 1:02:56.720
<v Speaker 1>would not know how to use any of those things.

1:02:57.240 --> 1:02:58.800
<v Speaker 1>And so by the time I was like I'm leaving

1:02:58.840 --> 1:03:01.240
<v Speaker 1>because I got offered a job somewhere else, They're like,

1:03:01.280 --> 1:03:03.440
<v Speaker 1>oh wait a second, Wait a second, don't leave, don't leave,

1:03:03.480 --> 1:03:05.680
<v Speaker 1>and then you know hired me on. So it's like

1:03:06.160 --> 1:03:08.360
<v Speaker 1>it's like literally just because of I was making those

1:03:08.360 --> 1:03:11.800
<v Speaker 1>like stupid little but you come indispensable. That's what you

1:03:11.800 --> 1:03:14.520
<v Speaker 1>have to get. It's like it's interesting. Yeah, I don't know,

1:03:14.600 --> 1:03:18.040
<v Speaker 1>maybe it's not interesting. I just like it. Kids, if

1:03:18.080 --> 1:03:22.760
<v Speaker 1>you're listening to this, yes, make yourself indispensable your job.

1:03:23.480 --> 1:03:25.760
<v Speaker 1>I'm sure all of us have done a version of

1:03:25.800 --> 1:03:28.480
<v Speaker 1>that at different jobs that we've had. Like you do

1:03:28.640 --> 1:03:31.320
<v Speaker 1>something that like no one was asking you to do

1:03:31.960 --> 1:03:34.840
<v Speaker 1>and it proves to be very like either profitable or

1:03:34.880 --> 1:03:38.200
<v Speaker 1>helpful or whatever, and then they no longer can let

1:03:38.240 --> 1:03:39.760
<v Speaker 1>go of you. I mean that was very much my

1:03:39.840 --> 1:03:42.760
<v Speaker 1>experience and media when I was working it out. Um,

1:03:43.000 --> 1:03:47.120
<v Speaker 1>no one there was doing like junket interviews with celebrities,

1:03:47.200 --> 1:03:52.000
<v Speaker 1>and like we were always getting those offers because like

1:03:52.040 --> 1:03:54.840
<v Speaker 1>we were, you know, the like the biggest lgbt Q

1:03:55.080 --> 1:03:58.880
<v Speaker 1>plus magazine in the country. Um, and so I just

1:03:58.880 --> 1:04:01.040
<v Speaker 1>started doing them because no one else was, and like

1:04:01.960 --> 1:04:04.560
<v Speaker 1>I was really good at them, and like they would

1:04:04.640 --> 1:04:07.800
<v Speaker 1>go viral and then like it was something that the

1:04:07.840 --> 1:04:11.840
<v Speaker 1>magazine kind of needed and then I like had the

1:04:11.920 --> 1:04:14.120
<v Speaker 1>power of this thing that no one had asked me

1:04:14.160 --> 1:04:15.760
<v Speaker 1>to do, and I was just like, I'm going to

1:04:15.840 --> 1:04:17.560
<v Speaker 1>do it and be really good at it, and then

1:04:17.560 --> 1:04:20.320
<v Speaker 1>you're going to realize like it's actually really valuable to you,

1:04:20.880 --> 1:04:25.040
<v Speaker 1>and then I'm gonna leave and go work. Exactly, I'm

1:04:25.040 --> 1:04:27.280
<v Speaker 1>gonna did you leave you high and dry? That is

1:04:27.320 --> 1:04:29.520
<v Speaker 1>the That is the other thing. Also just about like

1:04:30.360 --> 1:04:33.320
<v Speaker 1>quitting your job in general. Anybody listening to this podcast,

1:04:33.440 --> 1:04:37.680
<v Speaker 1>quit your job. I just did it, and it was

1:04:37.720 --> 1:04:41.200
<v Speaker 1>so and I was on my close friends Instagram story.

1:04:41.240 --> 1:04:47.560
<v Speaker 1>I posted the photo of Andy throwing her phone as

1:04:47.640 --> 1:04:50.320
<v Speaker 1>my like, as my like tease to my friends that

1:04:50.400 --> 1:04:53.720
<v Speaker 1>I quit my job. Truly, Like the artifice of like

1:04:53.920 --> 1:04:56.480
<v Speaker 1>you needing a nine to five is like just like,

1:04:56.640 --> 1:04:59.120
<v Speaker 1>don't subscribe to it. Like you can work hard enough

1:04:59.160 --> 1:05:02.000
<v Speaker 1>to work for yourself off, it's not worth it. Every

1:05:02.080 --> 1:05:06.560
<v Speaker 1>job sucks. That's actually every jobs. That is the lesson

1:05:06.600 --> 1:05:09.280
<v Speaker 1>of the version of the double Wares products that every

1:05:09.400 --> 1:05:13.560
<v Speaker 1>job sucks. Working for the man sucks. And I it's

1:05:13.560 --> 1:05:19.480
<v Speaker 1>funny now to see like fashion try to create commentary

1:05:19.640 --> 1:05:22.000
<v Speaker 1>on things that we talked about in the justice space.

1:05:22.080 --> 1:05:24.880
<v Speaker 1>Now like brand, like fashion, brand is trying to be woke,

1:05:24.960 --> 1:05:27.280
<v Speaker 1>and like I think fashion has like a responsibility to

1:05:27.320 --> 1:05:29.440
<v Speaker 1>be sustainable, so I'm like not really talking about that,

1:05:29.480 --> 1:05:33.280
<v Speaker 1>but like, honestly, this like last Balenciaga runway that was like,

1:05:33.480 --> 1:05:35.480
<v Speaker 1>how did you see this? It was at like NASDAC

1:05:35.960 --> 1:05:39.240
<v Speaker 1>or whatever it was, Yes, and like the whole line

1:05:39.360 --> 1:05:44.000
<v Speaker 1>is like a critique on like capitalism or something. If

1:05:44.040 --> 1:05:48.160
<v Speaker 1>you're like, that's not a quick teak if you're it

1:05:48.240 --> 1:05:50.320
<v Speaker 1>was so stupid and they should stop trying to do that,

1:05:50.360 --> 1:05:54.680
<v Speaker 1>which I say, I was gonna say. Unfortunately, I thought

1:05:54.680 --> 1:05:57.000
<v Speaker 1>the run I was very cool. I did too when

1:05:57.000 --> 1:06:01.200
<v Speaker 1>I really want some of the ass I don't want

1:06:01.520 --> 1:06:05.800
<v Speaker 1>fashion or any brands to like have a critique on capitalism,

1:06:06.000 --> 1:06:08.440
<v Speaker 1>like like companies do not have a voice in the

1:06:08.480 --> 1:06:12.560
<v Speaker 1>conversation of like anti capital a critique on being a

1:06:12.640 --> 1:06:15.920
<v Speaker 1>dumb bitch or if honestly, it'd be like it'd be

1:06:15.960 --> 1:06:19.440
<v Speaker 1>like a slaughterhouse having a critique on being like everyone

1:06:19.480 --> 1:06:23.160
<v Speaker 1>should go vegan, like like what wait one second here,

1:06:23.240 --> 1:06:27.560
<v Speaker 1>and then they're like grinding a cow. Yeah, it's just

1:06:27.680 --> 1:06:31.160
<v Speaker 1>not um, it's stupid sometimes, but I just and they

1:06:31.200 --> 1:06:36.400
<v Speaker 1>just they they famously just did the like dollar dirty, dirty,

1:06:36.440 --> 1:06:41.840
<v Speaker 1>dirty sneaker. Yes, arms about so it's like, come on,

1:06:42.080 --> 1:06:44.720
<v Speaker 1>you know what I do do like that that they did,

1:06:44.800 --> 1:06:46.680
<v Speaker 1>which was also kind of a publicity something like that

1:06:46.720 --> 1:06:50.920
<v Speaker 1>where the comb shoes were the wait, maybe those weren't Balenciago,

1:06:50.960 --> 1:06:53.760
<v Speaker 1>were those more Jella? They were these shoes that looked

1:06:53.760 --> 1:06:58.640
<v Speaker 1>like they were covered and come like, you know, I

1:06:58.680 --> 1:07:01.320
<v Speaker 1>would mind, I wouldn't you know what I really wanted.

1:07:01.600 --> 1:07:04.680
<v Speaker 1>I wanted Alexa Demi's like all the pants that went

1:07:04.760 --> 1:07:07.600
<v Speaker 1>up to her shoulders look like have you seen that?

1:07:07.640 --> 1:07:11.200
<v Speaker 1>Have you seen that? It is really gross the way

1:07:11.200 --> 1:07:17.040
<v Speaker 1>that once you um have money to spend on nice clothes,

1:07:17.120 --> 1:07:20.680
<v Speaker 1>even if that's not something that you have traditionally cared about,

1:07:21.240 --> 1:07:25.400
<v Speaker 1>you you all of a sudden it becomes real important

1:07:25.600 --> 1:07:28.680
<v Speaker 1>because I have like now gone through this these cycles

1:07:28.680 --> 1:07:30.600
<v Speaker 1>in my life where you know, like when I was

1:07:30.640 --> 1:07:32.800
<v Speaker 1>a teenager and I went to college for the first

1:07:32.840 --> 1:07:36.440
<v Speaker 1>time is out of time when my parents were making

1:07:36.480 --> 1:07:39.600
<v Speaker 1>a lot of money and I like had all this

1:07:39.720 --> 1:07:42.600
<v Speaker 1>designer ship that like I didn't really care about. But

1:07:42.640 --> 1:07:44.960
<v Speaker 1>it was just like because I'd been reading the Divorce

1:07:45.040 --> 1:07:46.760
<v Speaker 1>product and like saw the movie and I was like,

1:07:46.760 --> 1:07:49.560
<v Speaker 1>oh my god, I have to have like a product backpack.

1:07:49.960 --> 1:07:52.760
<v Speaker 1>And then like I when I was like poor and

1:07:52.800 --> 1:07:55.240
<v Speaker 1>living in New York and like my parents weren't supporting

1:07:55.240 --> 1:07:58.120
<v Speaker 1>me anymore, I like sold it all and like didn't

1:07:58.280 --> 1:08:01.200
<v Speaker 1>care about wearing stuff like that. Now as an adult,

1:08:01.280 --> 1:08:04.160
<v Speaker 1>like once I started like making real money, I was like, oh,

1:08:04.200 --> 1:08:07.360
<v Speaker 1>well now I want nice things again. Yeah. I just um,

1:08:07.520 --> 1:08:12.080
<v Speaker 1>I just finished I'm finishing my first ever real lucrative

1:08:12.240 --> 1:08:16.080
<v Speaker 1>job ever. And so I bought. I bought a produ

1:08:16.120 --> 1:08:19.639
<v Speaker 1>bag and it was like it felt so honestly, it

1:08:19.680 --> 1:08:23.559
<v Speaker 1>was an incredible experience. I love my bag. I get

1:08:23.640 --> 1:08:28.720
<v Speaker 1>nothing but compliments. People treat me better, which is insane.

1:08:28.920 --> 1:08:32.200
<v Speaker 1>When I when I walked out of that shop with

1:08:32.400 --> 1:08:35.080
<v Speaker 1>the shopping bag, like the huge shopping bag, it was

1:08:35.200 --> 1:08:40.600
<v Speaker 1>wrapped up. The instant change of experience that I was

1:08:40.680 --> 1:08:43.479
<v Speaker 1>having in the world was actually kind of dark and

1:08:43.640 --> 1:08:47.479
<v Speaker 1>sinister because it made me realize how much of this

1:08:47.560 --> 1:08:50.559
<v Speaker 1>stuff is just like code. It's like it's literally just

1:08:50.560 --> 1:08:52.639
<v Speaker 1>like the matrix. Just walk into a prod and ask

1:08:52.680 --> 1:08:55.240
<v Speaker 1>for an en shopping back. I would have saved so much.

1:08:55.479 --> 1:08:58.560
<v Speaker 1>I just got a shopping back because my experiences immediately

1:08:58.560 --> 1:09:02.160
<v Speaker 1>started changing, even like social interactions where I was um

1:09:02.479 --> 1:09:05.000
<v Speaker 1>getting into an elevator to get to go back to

1:09:05.040 --> 1:09:08.439
<v Speaker 1>my car, and in the elevator walked a girl with

1:09:08.840 --> 1:09:12.400
<v Speaker 1>her own product shopping bag. And I would have never

1:09:13.080 --> 1:09:16.479
<v Speaker 1>ever spoken to this person ever, but because we both

1:09:16.520 --> 1:09:20.000
<v Speaker 1>had these shopping bags, we started talking about what did

1:09:20.000 --> 1:09:22.000
<v Speaker 1>you get? And then also like are you going on

1:09:22.000 --> 1:09:25.080
<v Speaker 1>a trip soon? Oh you live here? Oh you're from

1:09:25.160 --> 1:09:27.080
<v Speaker 1>It opened up this whole and she had like a jody.

1:09:27.160 --> 1:09:30.000
<v Speaker 1>She had like a gorgeous Botako jody that that's my

1:09:30.080 --> 1:09:32.880
<v Speaker 1>next that's my next bag. But like, well, just they

1:09:32.920 --> 1:09:36.080
<v Speaker 1>don't hold a lot. I don't care. It looks good,

1:09:36.640 --> 1:09:40.160
<v Speaker 1>they're very, they're very and then the zippers horrible. I've

1:09:40.200 --> 1:09:42.439
<v Speaker 1>heard all I've heard all of these things, but I

1:09:42.479 --> 1:09:45.479
<v Speaker 1>totally support this woman. This woman the elevator and like

1:09:45.800 --> 1:09:48.639
<v Speaker 1>it's just like I would have never And my friend

1:09:48.760 --> 1:09:51.519
<v Speaker 1>was with me, who was very poor, and she was

1:09:51.560 --> 1:09:53.679
<v Speaker 1>just like who I made come with me to get

1:09:53.680 --> 1:10:03.920
<v Speaker 1>the back. Wanted wanted to witness ascension the next d

1:10:04.439 --> 1:10:07.599
<v Speaker 1>literally come with me, but like literally, like there has

1:10:07.640 --> 1:10:11.280
<v Speaker 1>to be someone to have witnesses lunch. I bought lunch.

1:10:16.840 --> 1:10:21.320
<v Speaker 1>Combating bad shopping habits is like the issue for me now,

1:10:21.439 --> 1:10:23.960
<v Speaker 1>I feel like the things that I'm always telling myself

1:10:24.320 --> 1:10:27.559
<v Speaker 1>that my friend and bestowed on me was shop for

1:10:27.640 --> 1:10:33.280
<v Speaker 1>the collection, not the occasion, because I'm always shopping because

1:10:33.320 --> 1:10:35.040
<v Speaker 1>i have a party to go to or whatever, and

1:10:35.160 --> 1:10:37.640
<v Speaker 1>I'm like an event to whatever, and I'm thinking specifically

1:10:38.000 --> 1:10:39.760
<v Speaker 1>for that party, and then i might wear it once

1:10:39.840 --> 1:10:41.960
<v Speaker 1>then like it's unwearable. This is why you have to

1:10:41.960 --> 1:10:44.240
<v Speaker 1>shop your closet, as I've heard a lot of people

1:10:44.240 --> 1:10:47.640
<v Speaker 1>talk about on TikTok shop your closet, which is, you know,

1:10:47.680 --> 1:10:50.519
<v Speaker 1>go into your closet and treat it as like a

1:10:50.560 --> 1:10:54.680
<v Speaker 1>boutique because you wish because you will find things in

1:10:54.720 --> 1:10:57.639
<v Speaker 1>there that you never wear. I would never think of,

1:10:57.720 --> 1:11:00.840
<v Speaker 1>like try putting things together. I have a subscribed to

1:11:01.040 --> 1:11:03.400
<v Speaker 1>and I think like part of this is like obviously

1:11:03.439 --> 1:11:06.280
<v Speaker 1>like being a fat person in a world that like

1:11:06.400 --> 1:11:11.360
<v Speaker 1>does not value or like you know, center fatness. Yeah,

1:11:11.439 --> 1:11:14.719
<v Speaker 1>it's like I'm I'm like, oh, i I'm like buying

1:11:14.840 --> 1:11:17.120
<v Speaker 1>things that I can just like put on my body

1:11:17.240 --> 1:11:19.120
<v Speaker 1>because I'm not a person who can go into the

1:11:19.160 --> 1:11:21.120
<v Speaker 1>world and just like find a bunch of things that

1:11:21.160 --> 1:11:24.360
<v Speaker 1>will go together in an interesting way. And I'm trying

1:11:24.400 --> 1:11:26.400
<v Speaker 1>to now look at my closet and be more intentional

1:11:26.400 --> 1:11:28.600
<v Speaker 1>about like, Okay, I have all these pieces, Like I

1:11:28.640 --> 1:11:31.519
<v Speaker 1>don't need to just like find one thing that someone

1:11:31.640 --> 1:11:33.280
<v Speaker 1>sold me that I can throw my body and go

1:11:33.320 --> 1:11:36.320
<v Speaker 1>out into the world that will like hide my body

1:11:36.400 --> 1:11:38.280
<v Speaker 1>or make it look better than it is. Like I

1:11:38.360 --> 1:11:41.680
<v Speaker 1>have to be an active participant in the way that

1:11:41.760 --> 1:11:43.960
<v Speaker 1>I present and show up in the world to create

1:11:44.000 --> 1:11:46.120
<v Speaker 1>being like being bigger bodied or like whatever you wanna

1:11:46.160 --> 1:11:48.880
<v Speaker 1>call it, like it because I am too like it.

1:11:48.880 --> 1:11:51.280
<v Speaker 1>It creates a panic where like if you find something

1:11:51.800 --> 1:11:55.360
<v Speaker 1>that even if you like like, you have to get

1:11:55.360 --> 1:11:57.040
<v Speaker 1>it because you're like, I don't know the next time

1:11:57.120 --> 1:12:00.920
<v Speaker 1>I'm gonna find something that fits me that is this

1:12:01.000 --> 1:12:06.000
<v Speaker 1>thing or as like yeah, or like buying aspirationally, like oh,

1:12:06.120 --> 1:12:08.400
<v Speaker 1>this is like a little tight, but like you know,

1:12:08.439 --> 1:12:11.840
<v Speaker 1>it'll be good when I like lose fifteen pounds or whatever.

1:12:12.160 --> 1:12:14.720
<v Speaker 1>But I went shopping recently, I like bought a bunch

1:12:14.800 --> 1:12:18.000
<v Speaker 1>of stuff online and at Nordstrom. It was delivered in

1:12:18.120 --> 1:12:20.000
<v Speaker 1>store and I went and like tried it all on

1:12:20.120 --> 1:12:21.799
<v Speaker 1>to see if I wanted to keep it or return

1:12:21.840 --> 1:12:24.040
<v Speaker 1>any of it. And there was a dress that I bought,

1:12:24.040 --> 1:12:27.320
<v Speaker 1>which was like, body con is like not uh something

1:12:27.360 --> 1:12:30.360
<v Speaker 1>that I usually wear. And I was like, oh, like

1:12:30.439 --> 1:12:33.080
<v Speaker 1>this doesn't it's not you know, voluminous, it doesn't you know,

1:12:33.200 --> 1:12:34.960
<v Speaker 1>cover my body in the way that I would normally

1:12:34.960 --> 1:12:37.679
<v Speaker 1>want a garment too. And I was like, but I'm fat,

1:12:37.760 --> 1:12:39.960
<v Speaker 1>like nothing that I was going to hide that fact.

1:12:40.400 --> 1:12:43.120
<v Speaker 1>So like, why shouldn't I like wear this garment that

1:12:43.160 --> 1:12:46.040
<v Speaker 1>I really like and think I look good in, um,

1:12:46.080 --> 1:12:48.920
<v Speaker 1>just because it's not like doing the kind of disguise

1:12:49.000 --> 1:12:52.240
<v Speaker 1>that I think some perfect piece of clothing is going

1:12:52.320 --> 1:12:55.360
<v Speaker 1>to do one day, because it doesn't exist. That's so true.

1:12:55.400 --> 1:12:58.759
<v Speaker 1>I recently performed at the Netflix Comedy Festival and I

1:12:58.800 --> 1:13:00.760
<v Speaker 1>was on a big show, and so I got a

1:13:00.880 --> 1:13:04.160
<v Speaker 1>dress for for this show. And I always cover I

1:13:04.240 --> 1:13:07.280
<v Speaker 1>always if I show leg if anything but like my

1:13:07.439 --> 1:13:10.280
<v Speaker 1>like upper body or whatever. But for whatever reason, I

1:13:10.320 --> 1:13:12.200
<v Speaker 1>was like, you know what, no, And I got this

1:13:12.240 --> 1:13:16.080
<v Speaker 1>like dress from Eloqui that was like cutouts and like,

1:13:16.240 --> 1:13:19.880
<v Speaker 1>you know, very short. What I never I looked so hot?

1:13:20.640 --> 1:13:25.120
<v Speaker 1>People were I forget how like hot it is to

1:13:25.280 --> 1:13:28.600
<v Speaker 1>have a fat body, like literally like like curves and

1:13:28.600 --> 1:13:31.160
<v Speaker 1>stuff like that. Literally, like with the body con stuff,

1:13:31.520 --> 1:13:34.200
<v Speaker 1>I forget that I have these things that I'm like

1:13:34.320 --> 1:13:37.559
<v Speaker 1>covering or whatever, and people were like, oh my god,

1:13:37.640 --> 1:13:41.760
<v Speaker 1>you look so hot. Yeah, because because fashion, I think,

1:13:42.040 --> 1:13:45.680
<v Speaker 1>like mainstream fashion, and especially now that um, you know,

1:13:45.720 --> 1:13:49.439
<v Speaker 1>like body inclusivity is becoming something that as we're talking about,

1:13:49.439 --> 1:13:52.839
<v Speaker 1>like mainstream fashion brands are trying to like wocify themselves

1:13:52.840 --> 1:13:55.280
<v Speaker 1>by catering to but like they're doing it by just

1:13:55.320 --> 1:13:59.519
<v Speaker 1>selling a ton of smock dresses and probably still not

1:13:59.600 --> 1:14:04.040
<v Speaker 1>even like the most inclusive stop at a certain number.

1:14:04.080 --> 1:14:07.360
<v Speaker 1>It's so expensive, it's never on sale. It's always like

1:14:07.560 --> 1:14:10.960
<v Speaker 1>so I can't, yeah, but like I want to. There

1:14:11.000 --> 1:14:13.040
<v Speaker 1>have been times in my life where I have like

1:14:13.200 --> 1:14:18.080
<v Speaker 1>really felt really embodied, and part of that has been

1:14:18.200 --> 1:14:20.919
<v Speaker 1>because of the things that I wear and like, especially

1:14:20.960 --> 1:14:23.400
<v Speaker 1>as someone who used to like be like I used

1:14:23.400 --> 1:14:24.800
<v Speaker 1>to be a club kid, I used to be a

1:14:24.800 --> 1:14:28.200
<v Speaker 1>sex worker. So I know what it's like to feel

1:14:28.360 --> 1:14:33.200
<v Speaker 1>like like to have very concrete knowledge that my body

1:14:33.240 --> 1:14:38.280
<v Speaker 1>is valuable, literally valuable, um, And I like don't want

1:14:38.280 --> 1:14:41.519
<v Speaker 1>to feel pressured by a world that thinks that shouldn't

1:14:41.520 --> 1:14:45.120
<v Speaker 1>be to hide it and the people that like are

1:14:45.160 --> 1:14:48.200
<v Speaker 1>out there shopping and feeling that feeling of like I

1:14:48.240 --> 1:14:50.600
<v Speaker 1>don't belong, like these clothes aren't made for me, Like

1:14:50.640 --> 1:14:52.880
<v Speaker 1>this industry doesn't care about me. It's like, yeah, the

1:14:52.920 --> 1:14:55.880
<v Speaker 1>industry doesn't. But that's like a product of like the

1:14:55.920 --> 1:14:59.240
<v Speaker 1>oppression of fashion, Like fashion wants you to feel that way,

1:14:59.320 --> 1:15:01.240
<v Speaker 1>you know what I mean. And I feel like, honestly,

1:15:01.240 --> 1:15:03.840
<v Speaker 1>like I only shop women's clothes, so I just have

1:15:03.920 --> 1:15:05.439
<v Speaker 1>to be read as in the fact that these clothes

1:15:05.479 --> 1:15:08.439
<v Speaker 1>are like not made or designed for like my body ever,

1:15:08.720 --> 1:15:11.840
<v Speaker 1>and I feel like a lot of times you just

1:15:11.880 --> 1:15:13.720
<v Speaker 1>have to you have to, just as you said, do

1:15:13.840 --> 1:15:17.240
<v Speaker 1>that work of being like I don't care if fashion

1:15:17.280 --> 1:15:19.759
<v Speaker 1>doesn't care about me, I care about fashion. There's something

1:15:19.880 --> 1:15:22.960
<v Speaker 1>so sad about that and something I experienced in my

1:15:23.040 --> 1:15:26.040
<v Speaker 1>life too. I was recently in a coach commercial, just

1:15:26.120 --> 1:15:28.439
<v Speaker 1>like randomly because like the I'm friends with the director

1:15:28.760 --> 1:15:31.880
<v Speaker 1>a commercial. It's like a really it's a Megan the

1:15:31.920 --> 1:15:34.519
<v Speaker 1>Stallions in it, and I have to it's a mean

1:15:34.560 --> 1:15:36.760
<v Speaker 1>Girls parody. And it was her idea. She she she

1:15:36.840 --> 1:15:39.280
<v Speaker 1>loves Regina George. So she was like, she was like,

1:15:39.320 --> 1:15:41.519
<v Speaker 1>I want to be Regina George in this in this commercial.

1:15:41.640 --> 1:15:44.400
<v Speaker 1>So um, I have a very I'm a I have

1:15:44.400 --> 1:15:47.760
<v Speaker 1>a very large body, and all the clothes they had

1:15:47.760 --> 1:15:51.400
<v Speaker 1>on set because everyone in the commercials wearing coach, nothing

1:15:51.840 --> 1:15:54.719
<v Speaker 1>was going to fit me, so they actually had pought

1:15:54.800 --> 1:15:58.000
<v Speaker 1>like clothes from Target for me to wear. And then

1:15:58.000 --> 1:16:01.120
<v Speaker 1>I had like a coach like scarf or something, and

1:16:01.160 --> 1:16:03.800
<v Speaker 1>it was such a bad feeling and like literally the

1:16:03.880 --> 1:16:07.320
<v Speaker 1>stylists came in and um, I didn't even try to

1:16:07.320 --> 1:16:10.320
<v Speaker 1>whisper anything. And at that point I was wearing my

1:16:10.400 --> 1:16:13.320
<v Speaker 1>clothes like I had not yet changed, and the stylist

1:16:13.439 --> 1:16:16.320
<v Speaker 1>was like, that's not what she's wearing, is it? And

1:16:16.360 --> 1:16:18.680
<v Speaker 1>I was like, oh my god. First of all, I

1:16:18.680 --> 1:16:21.160
<v Speaker 1>can like literally hear you and like what the funk?

1:16:21.360 --> 1:16:23.559
<v Speaker 1>And that's and then the person who was the wardrobe

1:16:23.560 --> 1:16:27.000
<v Speaker 1>person was like no, like no, but then like put

1:16:27.000 --> 1:16:31.439
<v Speaker 1>me in these like Target clothes and like because that

1:16:31.520 --> 1:16:34.200
<v Speaker 1>means those people are bad at their job. And then

1:16:34.280 --> 1:16:36.320
<v Speaker 1>all the other girls, like all the other girls in

1:16:36.320 --> 1:16:38.120
<v Speaker 1>the commercial who I'm friends with, who were like fit

1:16:38.160 --> 1:16:40.519
<v Speaker 1>into standard sizes or whatever whatever you wanna call it,

1:16:40.800 --> 1:16:44.320
<v Speaker 1>like they were wearing like gorgeous like jackets, and even

1:16:44.360 --> 1:16:47.400
<v Speaker 1>like the makeup artist right like she spent maybe like

1:16:47.600 --> 1:16:51.880
<v Speaker 1>forty minutes on them. She she spent five minutes on me,

1:16:52.160 --> 1:16:54.120
<v Speaker 1>and I had to be like, hey, I'd actually love

1:16:54.200 --> 1:16:57.320
<v Speaker 1>some more makeup and had to fight her to put

1:16:57.400 --> 1:17:00.400
<v Speaker 1>makeup on my face because she wouldn't do it. And

1:17:00.400 --> 1:17:03.080
<v Speaker 1>it's just like stuff like that where it's like being

1:17:03.080 --> 1:17:05.519
<v Speaker 1>a being a fat person in this industry is just

1:17:05.600 --> 1:17:10.439
<v Speaker 1>like so hard and so violent. Like it's like, what's

1:17:10.439 --> 1:17:13.200
<v Speaker 1>harder being fatter trans? Because it's like it's because like

1:17:13.240 --> 1:17:15.799
<v Speaker 1>in this industry, it's just like they'd rather be trans

1:17:15.840 --> 1:17:19.280
<v Speaker 1>than fat. It's it's like like that because jewels, like

1:17:19.320 --> 1:17:24.000
<v Speaker 1>you know, it's like these skinny little and it's crazy

1:17:24.040 --> 1:17:26.800
<v Speaker 1>because it's hard to be to be that person and

1:17:26.840 --> 1:17:29.280
<v Speaker 1>come onto that side and do what anyone else in

1:17:29.320 --> 1:17:32.439
<v Speaker 1>your position would do, which is say, hey, you need

1:17:32.640 --> 1:17:35.360
<v Speaker 1>it is actually not my job to worry about any

1:17:35.400 --> 1:17:39.559
<v Speaker 1>of this. It's your job too, And it's your job

1:17:39.640 --> 1:17:42.320
<v Speaker 1>to have clothes that fit my body and make me

1:17:42.360 --> 1:17:44.559
<v Speaker 1>look good and put makeup on my face and make

1:17:44.600 --> 1:17:46.640
<v Speaker 1>me look pretty so I can do the job that

1:17:46.720 --> 1:17:50.759
<v Speaker 1>I'm here being paid to. I don't need to worry

1:17:50.760 --> 1:17:53.719
<v Speaker 1>about any of this. I am a product and you

1:17:53.760 --> 1:17:57.559
<v Speaker 1>need to literally you need to work around me. My

1:17:57.960 --> 1:18:01.200
<v Speaker 1>reasonly I did a I did a tape set recently, um,

1:18:01.280 --> 1:18:03.760
<v Speaker 1>which was really cool in New York and Um, I

1:18:03.800 --> 1:18:07.000
<v Speaker 1>got another dress from Eloqui and this one these shorts

1:18:07.000 --> 1:18:10.120
<v Speaker 1>are I love Eloquis love. It's good. It's like clothes

1:18:10.160 --> 1:18:13.000
<v Speaker 1>for us and like literally and it had a crinkle.

1:18:13.160 --> 1:18:15.639
<v Speaker 1>It was made of like almost like a parachute fabric

1:18:15.680 --> 1:18:17.439
<v Speaker 1>and I didn't know that. So when I got it

1:18:17.479 --> 1:18:20.160
<v Speaker 1>and had the crinkle, so like I was like freaking

1:18:20.200 --> 1:18:23.040
<v Speaker 1>out about it because of sound and like I was

1:18:23.080 --> 1:18:26.280
<v Speaker 1>texting my friend Um who she has a connections that

1:18:26.320 --> 1:18:28.640
<v Speaker 1>Eloquy and was like, can someone like just send me

1:18:28.720 --> 1:18:32.680
<v Speaker 1>something or like I need something now, and she was

1:18:32.760 --> 1:18:37.240
<v Speaker 1>like and she was like, girl because she she's also

1:18:37.240 --> 1:18:40.640
<v Speaker 1>a performer. She was like, a girl, you're the product.

1:18:41.240 --> 1:18:44.400
<v Speaker 1>Let the sound engineers do their job. She goes wear

1:18:44.439 --> 1:18:46.920
<v Speaker 1>that dress. If you love that dressing, look good in

1:18:46.960 --> 1:18:49.720
<v Speaker 1>their dress. The sound engineers will figure it out. And

1:18:49.760 --> 1:18:52.280
<v Speaker 1>that that was so empowering. I was like, Oh, she

1:18:52.360 --> 1:18:54.719
<v Speaker 1>was like, you show up, You do what you're supposed

1:18:54.720 --> 1:18:57.040
<v Speaker 1>to do, which is like do your comedy and then

1:18:57.160 --> 1:19:00.240
<v Speaker 1>like let them figure figure that. You have to be

1:19:00.360 --> 1:19:03.400
<v Speaker 1>the Miranda Priestley the world to find your schedule. Love

1:19:03.479 --> 1:19:06.360
<v Speaker 1>that well, you don't have to be horrible, you don't

1:19:06.360 --> 1:19:08.280
<v Speaker 1>have to get her late months. But I think there

1:19:08.280 --> 1:19:11.080
<v Speaker 1>are lessons to be learned from her and the way

1:19:11.120 --> 1:19:13.960
<v Speaker 1>that she moves in the world. And I do think

1:19:14.160 --> 1:19:17.760
<v Speaker 1>the movie ends with Andy realizing that there are some

1:19:17.880 --> 1:19:21.120
<v Speaker 1>things she got from that experience and that job that

1:19:21.240 --> 1:19:23.320
<v Speaker 1>she can take with her and some that she can

1:19:23.800 --> 1:19:34.200
<v Speaker 1>leave behind. You can tell us what you want us

1:19:34.240 --> 1:19:37.840
<v Speaker 1>to watch or read or talk about next at three

1:19:37.880 --> 1:19:41.080
<v Speaker 1>to three pennants. That's three to three seven three six,

1:19:41.280 --> 1:19:44.680
<v Speaker 1>two six two three, and we really do love your recommendation,

1:19:44.840 --> 1:19:47.680
<v Speaker 1>so keep them coming, keep them coming. You can leave

1:19:47.760 --> 1:19:50.120
<v Speaker 1>us a review on Apple Podcast for Spotify. It really

1:19:50.160 --> 1:19:53.240
<v Speaker 1>helps us a lot. I am your co host, fran Torado.

1:19:53.479 --> 1:19:56.000
<v Speaker 1>You can find me at France Squishco wherever you want.

1:19:56.000 --> 1:19:58.439
<v Speaker 1>On social media, I'm Rose Damn You. You can find

1:19:58.479 --> 1:20:02.320
<v Speaker 1>me at Rose Damn You wherever um you would like.

1:20:02.800 --> 1:20:05.000
<v Speaker 1>You can subscribe to Like a Version anywhere you listen

1:20:05.320 --> 1:20:07.839
<v Speaker 1>and Like a Vision is an I Heart Radio production.

1:20:07.920 --> 1:20:11.280
<v Speaker 1>Our producer is phoebe Inter, with support from Lindsay Hoffman,

1:20:11.400 --> 1:20:15.639
<v Speaker 1>Julian Weller, Jess Crane Chitch and Nikki eatour until next week,

1:20:16.040 --> 1:20:27.840
<v Speaker 1>see you later, Virgins, Bye,