1 00:00:00,360 --> 00:00:03,680 Speaker 1: Quest Love Show is a production of iHeartRadio. 2 00:00:18,600 --> 00:00:21,520 Speaker 2: I am cousin Jake, producer of The Quest Love Show. 3 00:00:21,560 --> 00:00:24,680 Speaker 2: Throughout this season, as you've noticed, we've been doing many episodes. 4 00:00:24,760 --> 00:00:28,960 Speaker 2: I'm sitting here with Amir Thompson aka Questlove, and you 5 00:00:29,000 --> 00:00:31,200 Speaker 2: know throughout the year, just drop us a line. Hit 6 00:00:31,280 --> 00:00:33,800 Speaker 2: us in the dms of the QLs channels. Go to 7 00:00:33,880 --> 00:00:37,239 Speaker 2: Questlove Supreme dot com. There's a contact us page, but 8 00:00:37,320 --> 00:00:40,000 Speaker 2: ask questions, give us comments, give us feedback. We're gonna 9 00:00:40,000 --> 00:00:42,559 Speaker 2: do some themed episodes beyond those questions. If you have 10 00:00:42,560 --> 00:00:45,519 Speaker 2: any ideas just for these little mini conversations, do let 11 00:00:45,560 --> 00:00:54,680 Speaker 2: us know, and please be liking subscribing. So we recently 12 00:00:54,720 --> 00:00:57,360 Speaker 2: on one of these mini episodes of The Questlove Show, 13 00:00:58,120 --> 00:01:00,400 Speaker 2: we talked about sinners. I want to move from film 14 00:01:00,440 --> 00:01:03,680 Speaker 2: to television. You know, you talk a lot in passing 15 00:01:03,720 --> 00:01:05,920 Speaker 2: about shows, and I don't know how you have the 16 00:01:05,920 --> 00:01:08,480 Speaker 2: time to watch all these different things, plus have ten jobs. 17 00:01:08,520 --> 00:01:11,600 Speaker 2: But I want to ask what people sitting next to 18 00:01:11,640 --> 00:01:13,319 Speaker 2: each other on a plane or a train might ask, 19 00:01:13,520 --> 00:01:14,559 Speaker 2: what are you currently watching? 20 00:01:15,920 --> 00:01:19,520 Speaker 1: God, you gotta make me do this, aren't you. I've 21 00:01:19,600 --> 00:01:27,600 Speaker 1: witnessed two couples break up because of not honoring the 22 00:01:27,800 --> 00:01:36,319 Speaker 1: sacred contract or code of cheating on a series. On 23 00:01:36,440 --> 00:01:42,040 Speaker 1: a series, I'm dead ass like it wasn't the thing 24 00:01:42,080 --> 00:01:44,760 Speaker 1: that broke them up, but it was the straw that 25 00:01:44,760 --> 00:01:49,040 Speaker 1: broke the camel's back. And I guess I can tell 26 00:01:49,080 --> 00:01:52,000 Speaker 1: the story, which is basically a couple I knew that 27 00:01:52,040 --> 00:01:55,640 Speaker 1: broke up. And this is like three years ago, so 28 00:01:55,880 --> 00:02:02,320 Speaker 1: you know, the grace period's over. I guess he decided. 29 00:02:02,800 --> 00:02:05,600 Speaker 1: I think it's either a tragedy, stuck or something like 30 00:02:05,640 --> 00:02:08,200 Speaker 1: there was a reason why she had to miss four 31 00:02:08,280 --> 00:02:15,720 Speaker 1: episodes or whatever they committed to watching, and so he 32 00:02:16,080 --> 00:02:20,800 Speaker 1: decided to get a secret Amazon account or whatever so 33 00:02:20,840 --> 00:02:23,200 Speaker 1: that he could watch this. And often, you know, with 34 00:02:23,680 --> 00:02:28,320 Speaker 1: anyone who's technically challenged, and I've been one of these people, 35 00:02:28,919 --> 00:02:32,160 Speaker 1: there's some people that don't know that if you buy 36 00:02:32,520 --> 00:02:37,960 Speaker 1: an iPhone and an iPad or another laptop in your 37 00:02:38,080 --> 00:02:41,280 Speaker 1: name and use the same cloud, all the information is 38 00:02:41,280 --> 00:02:45,040 Speaker 1: going to go to all three devices. So she's very 39 00:02:45,120 --> 00:02:51,280 Speaker 1: much aware that he's going further into the series, but 40 00:02:51,520 --> 00:02:54,120 Speaker 1: she wants to use this as a tester. And so 41 00:02:54,160 --> 00:02:57,760 Speaker 1: they're watching and he's acting all shocked and oh my god, 42 00:02:59,560 --> 00:03:03,600 Speaker 1: did you know in his mind, probably a ward worthy 43 00:03:03,680 --> 00:03:09,079 Speaker 1: acting job of the year whatever, and she gave him 44 00:03:09,080 --> 00:03:12,240 Speaker 1: a chance to come clean. It's like and wasn't even like, 45 00:03:12,400 --> 00:03:14,840 Speaker 1: so you didn't see this? Or She's like, why did 46 00:03:14,840 --> 00:03:17,000 Speaker 1: you go through all that when you saw it already? 47 00:03:18,040 --> 00:03:19,960 Speaker 1: And then that just like I didn't see it already? 48 00:03:20,000 --> 00:03:22,040 Speaker 1: Why are you wanted me? Why did you see I 49 00:03:22,720 --> 00:03:25,280 Speaker 1: She pulled out the iPad says you've seen it already, 50 00:03:25,760 --> 00:03:28,040 Speaker 1: and then that led to see what else are you 51 00:03:28,080 --> 00:03:30,800 Speaker 1: lying about? And then they trust issues. They were just 52 00:03:30,960 --> 00:03:33,720 Speaker 1: never the same. They broke up like maybe four months later. 53 00:03:34,200 --> 00:03:39,480 Speaker 1: So I vowed to never I was like, I don't 54 00:03:39,520 --> 00:03:46,200 Speaker 1: care what happens. We're not committing to a show, yeah, 55 00:03:46,280 --> 00:03:50,600 Speaker 1: because I just never ever seen any good happen out 56 00:03:50,640 --> 00:03:53,760 Speaker 1: of this if it goes awry, and I have way 57 00:03:53,800 --> 00:03:56,160 Speaker 1: too many TVs around me to, you know, and I 58 00:03:56,200 --> 00:03:59,440 Speaker 1: want to cheat or whatever and see what happens. And 59 00:03:59,520 --> 00:04:04,080 Speaker 1: so we agreed to not do it. And then we 60 00:04:04,160 --> 00:04:07,080 Speaker 1: started being in a position where we would go to 61 00:04:08,160 --> 00:04:12,320 Speaker 1: dinner with friends and they started talking about the love 62 00:04:12,400 --> 00:04:16,919 Speaker 1: story the JFK. And first I was like, I'm good, 63 00:04:17,200 --> 00:04:20,320 Speaker 1: I'm not a Ryan Murphy head, like I haven't watched 64 00:04:20,360 --> 00:04:23,480 Speaker 1: all the other stuff, so I was like, all right, well, 65 00:04:23,520 --> 00:04:25,680 Speaker 1: i'll miss this one out. But I mean people, just 66 00:04:25,839 --> 00:04:27,680 Speaker 1: the way they talk about I was like, fomo, like 67 00:04:27,760 --> 00:04:30,920 Speaker 1: you got to see this. And I started noticing that 68 00:04:31,680 --> 00:04:35,599 Speaker 1: we're in a weird nineteen ninety seven regression right now. 69 00:04:36,200 --> 00:04:39,400 Speaker 1: There's a lot of new restaurants and bars in my 70 00:04:39,440 --> 00:04:42,080 Speaker 1: neighborhood that are trying to give you the feeling of 71 00:04:42,200 --> 00:04:45,520 Speaker 1: what Sex and the City felt like its first season. 72 00:04:46,240 --> 00:04:48,599 Speaker 1: Like there's literally a club that plays nothing but Sex 73 00:04:48,640 --> 00:04:52,080 Speaker 1: and the City highlights, and literally people are cosplaying like 74 00:04:52,120 --> 00:04:54,440 Speaker 1: it's nineteen ninety seven. The jeans right now that are 75 00:04:54,440 --> 00:04:56,919 Speaker 1: in you know, there you go, so it's it's nineteen 76 00:04:56,960 --> 00:04:59,920 Speaker 1: ninety seven again anyway. So we're like, all right, well, 77 00:05:00,080 --> 00:05:02,560 Speaker 1: let's do this. But I was very cautious and against it. 78 00:05:02,560 --> 00:05:04,760 Speaker 1: But it's like, okay, well, we'll commit to this thing. 79 00:05:05,640 --> 00:05:09,799 Speaker 1: And it turns out that, you know, there was because 80 00:05:09,800 --> 00:05:12,480 Speaker 1: of my touring schedule and stuff, we stopped at episode 81 00:05:12,520 --> 00:05:16,320 Speaker 1: five and here we are now on episode eight, and 82 00:05:16,680 --> 00:05:21,640 Speaker 1: I find out like two weeks ago that she's seeing 83 00:05:21,680 --> 00:05:24,159 Speaker 1: it through and I'm like, wait a minute, Like what 84 00:05:24,240 --> 00:05:28,400 Speaker 1: happened to our agreement that we were, and she was like, well, 85 00:05:29,480 --> 00:05:33,480 Speaker 1: I didn't know you were serious. Like I was like, no, Like, 86 00:05:33,640 --> 00:05:35,120 Speaker 1: I told you the whole story of the breakup and 87 00:05:35,160 --> 00:05:37,200 Speaker 1: all that stuff, and now you begging me to commit 88 00:05:37,240 --> 00:05:38,240 Speaker 1: to the thing. I was like, I don't want to 89 00:05:38,240 --> 00:05:39,520 Speaker 1: commit to the thing. I don't want to commit to 90 00:05:39,560 --> 00:05:41,760 Speaker 1: the thing. I was like, I relented and I did it, 91 00:05:42,320 --> 00:05:45,839 Speaker 1: and I legit felt away. Yeah, I was heard over that. 92 00:05:45,960 --> 00:05:49,479 Speaker 1: I was like, and I'm still I'm not caught up, 93 00:05:49,520 --> 00:05:52,159 Speaker 1: and she's already caught up. So yeah, love. 94 00:05:52,000 --> 00:05:54,600 Speaker 2: Story, love story, gontch you and I will say this, 95 00:05:55,440 --> 00:05:58,560 Speaker 2: I've only been married three years. Whole past works if 96 00:05:58,560 --> 00:06:00,760 Speaker 2: you're traveling, you can give someone a whole past to 97 00:06:00,920 --> 00:06:02,560 Speaker 2: cheatingh episode, but you got to communicate that. 98 00:06:03,240 --> 00:06:06,640 Speaker 1: Well, yeah, now you know there's there's the pit. She's 99 00:06:06,839 --> 00:06:09,120 Speaker 1: already ahead on the pit. I have to catch up 100 00:06:09,120 --> 00:06:13,599 Speaker 1: on the pit. She's also introduced another distraction in my 101 00:06:13,680 --> 00:06:18,679 Speaker 1: life that is getting really really bad. I didn't resist 102 00:06:18,720 --> 00:06:22,760 Speaker 1: it for snarky reasons or like because I think I'm 103 00:06:22,800 --> 00:06:26,320 Speaker 1: better than or whatever, but just in general, I barely 104 00:06:26,360 --> 00:06:33,200 Speaker 1: have watched any Kardashian related entertainment. Dog I saw one 105 00:06:33,520 --> 00:06:38,240 Speaker 1: episode because she had it on in the room and 106 00:06:38,279 --> 00:06:40,720 Speaker 1: they made a reference to something in the past or whatever, 107 00:06:41,680 --> 00:06:43,920 Speaker 1: and then I started asking questions, So what happened when 108 00:06:43,960 --> 00:06:45,560 Speaker 1: da da da da da da? He said, well, that 109 00:06:45,680 --> 00:06:48,200 Speaker 1: was like season thirteen. You gotta know. Well, wait what 110 00:06:48,240 --> 00:06:50,359 Speaker 1: happened da da da da da? Woll too, that was 111 00:06:50,400 --> 00:06:53,760 Speaker 1: like season eight, And it just so happened. It was 112 00:06:53,880 --> 00:06:56,640 Speaker 1: like one of them days where I had, like we 113 00:06:56,680 --> 00:07:01,320 Speaker 1: had a hiatus, I have three days off, and I 114 00:07:01,360 --> 00:07:05,960 Speaker 1: was in a hotel that happened to have Apple TV. Dude, 115 00:07:06,080 --> 00:07:09,840 Speaker 1: I fell down the whole bad. Like I started on 116 00:07:10,520 --> 00:07:15,560 Speaker 1: season one, I did not recognize who I was watching. 117 00:07:15,960 --> 00:07:18,080 Speaker 1: It's almost to the point where now I have to 118 00:07:18,160 --> 00:07:22,640 Speaker 1: watch the entire arc just so I can see them 119 00:07:23,560 --> 00:07:29,160 Speaker 1: morph into what I am used to now because it's 120 00:07:29,200 --> 00:07:33,400 Speaker 1: just night and day, like just for science. So like 121 00:07:33,440 --> 00:07:36,360 Speaker 1: I want to see how this works. Yeah, I got you. Yeah, 122 00:07:36,400 --> 00:07:37,440 Speaker 1: When is your TV time? 123 00:07:37,480 --> 00:07:38,880 Speaker 2: Does it just vary when you have downtime? 124 00:07:39,360 --> 00:07:42,880 Speaker 1: TV is? I mean the way TV works in my 125 00:07:43,000 --> 00:07:46,640 Speaker 1: life is TV is more or less like an aquarium. 126 00:07:47,240 --> 00:07:51,240 Speaker 1: When I explained how I researched Summer of Soul, I 127 00:07:51,360 --> 00:07:54,160 Speaker 1: just kept all forty hours on a constant rotation. 128 00:07:54,320 --> 00:07:57,760 Speaker 2: It's in the background of many a QLs playing exactly. 129 00:07:58,040 --> 00:08:03,000 Speaker 1: And so those that really know me know that seventy 130 00:08:03,000 --> 00:08:05,960 Speaker 1: percent of the time. I mean, I have pretty much 131 00:08:06,080 --> 00:08:11,440 Speaker 1: one laptop with every all one thousand plus episodes of 132 00:08:11,480 --> 00:08:14,400 Speaker 1: Soul Train on it. I just got all the SNL 133 00:08:14,480 --> 00:08:18,400 Speaker 1: episodes because of what I did research wise. I mean, 134 00:08:18,400 --> 00:08:23,000 Speaker 1: it's just constantly playing. Maybe three years ago I decided 135 00:08:23,080 --> 00:08:28,160 Speaker 1: to stop sleeping to noise. I used to always keep 136 00:08:28,280 --> 00:08:32,200 Speaker 1: Soul Trained on even as I slept, wake up Soul Train, 137 00:08:33,120 --> 00:08:36,880 Speaker 1: and it's usually depending on who I'm dating and her 138 00:08:37,600 --> 00:08:43,760 Speaker 1: tolerance for Whenever the uh wow, you uh you really 139 00:08:43,800 --> 00:08:48,160 Speaker 1: like Soul Training? Do you like? That's it? When I 140 00:08:48,160 --> 00:08:50,079 Speaker 1: hear that, I'm like, all right, let me scale back 141 00:08:50,120 --> 00:08:52,800 Speaker 1: and only do I'm a scale back and just do 142 00:08:52,920 --> 00:08:56,760 Speaker 1: ten episodes a day, just ten, not twenty, but just 143 00:08:56,800 --> 00:08:59,920 Speaker 1: ten episodes a day. So in my office at thirty Rock, 144 00:09:00,360 --> 00:09:04,680 Speaker 1: I have it constantly running. Tarika is man. The way 145 00:09:04,720 --> 00:09:08,520 Speaker 1: that he dives into every there's no television show he 146 00:09:08,559 --> 00:09:12,080 Speaker 1: doesn't see. Tarik's schedule is he'll go to bed super early, 147 00:09:12,800 --> 00:09:16,200 Speaker 1: but he'll get up at three thirty four am. You know, 148 00:09:16,240 --> 00:09:18,280 Speaker 1: he'll get the kids lunch ready and on stuff. But 149 00:09:19,040 --> 00:09:23,400 Speaker 1: he'll catch up on his writing and whatever TV shows 150 00:09:23,440 --> 00:09:27,080 Speaker 1: he missed, like for him being alone while everyone's asleep 151 00:09:28,200 --> 00:09:31,000 Speaker 1: those four hours I get between three thirty AM and 152 00:09:31,040 --> 00:09:33,520 Speaker 1: when people wake up at like seven thirty eight, Like 153 00:09:33,559 --> 00:09:36,360 Speaker 1: that's his thing. So he's always like, Yo, you gotta 154 00:09:36,400 --> 00:09:38,800 Speaker 1: watch it. That's crazy. So when like a guest comes 155 00:09:38,800 --> 00:09:41,360 Speaker 1: on the show, he'll already seen it. It's like, Yo, 156 00:09:41,400 --> 00:09:44,360 Speaker 1: you gotta see it. Jone's crazy. James Poison will be like, yeah, 157 00:09:44,360 --> 00:09:47,719 Speaker 1: I'm seeing it. So, I mean, I'll usually catch up 158 00:09:47,800 --> 00:09:53,760 Speaker 1: on any dramas. I'm trying to finish shrinking right now, 159 00:09:54,559 --> 00:09:57,760 Speaker 1: I'm trying to finish like, uh, Floor of Us, like 160 00:09:57,840 --> 00:10:01,120 Speaker 1: all of those Apple drama whatever. I'll finish that in 161 00:10:01,160 --> 00:10:06,560 Speaker 1: the office, But when i'm home, it's either movies or soldiering. 162 00:10:07,200 --> 00:10:10,520 Speaker 2: Last question, you make some deep poll references. You're the 163 00:10:10,559 --> 00:10:14,400 Speaker 2: only person I know that has multiple times referenced the 164 00:10:14,559 --> 00:10:15,720 Speaker 2: Parker Lewis Can't Lose. 165 00:10:16,640 --> 00:10:17,199 Speaker 1: Yeah. 166 00:10:17,760 --> 00:10:21,440 Speaker 2: You also Goooby Snack put me on to the Doobie 167 00:10:21,440 --> 00:10:24,320 Speaker 2: Brothers bootleg episode of What's Happening comes up a lot 168 00:10:24,400 --> 00:10:26,560 Speaker 2: as an analogy of other things going on in life 169 00:10:27,000 --> 00:10:30,079 Speaker 2: and closing put the people onto an overlooked or underrated 170 00:10:30,120 --> 00:10:34,240 Speaker 2: show just throughout history that you deeply appreciate but might 171 00:10:34,280 --> 00:10:36,600 Speaker 2: not get the real estate on the streaming apps. 172 00:10:37,640 --> 00:10:41,439 Speaker 1: All right, So Lenda CARLINI was just on the Tonight Show, 173 00:10:42,080 --> 00:10:44,280 Speaker 1: but she had left the building before I got a 174 00:10:44,400 --> 00:10:50,760 Speaker 1: chance to tell her how crucial instrumental me watching Freaks 175 00:10:50,760 --> 00:10:57,520 Speaker 1: and Geeks was to the roots current business operandi right now. 176 00:10:57,920 --> 00:11:03,320 Speaker 1: Freaks and Geese, of course, is Judd Apatow's series that 177 00:11:03,440 --> 00:11:07,880 Speaker 1: you know. James Franco's in it, Linda's in it, everyone, yeah, 178 00:11:07,920 --> 00:11:11,600 Speaker 1: Seth Rogan's Everyone's in it, like all anyone that's ever 179 00:11:11,640 --> 00:11:17,040 Speaker 1: been in a Judd Apatow sphere like is in this series. 180 00:11:17,440 --> 00:11:21,640 Speaker 1: It was just one season only, and it's literally it's 181 00:11:21,640 --> 00:11:25,920 Speaker 1: almost like somewhere in between the wonder years of my 182 00:11:26,000 --> 00:11:30,200 Speaker 1: soul called life or or almost Famous. So it's a 183 00:11:30,280 --> 00:11:33,920 Speaker 1: series about a family in the early eighties to whom 184 00:11:34,280 --> 00:11:37,959 Speaker 1: I don't know it yet, but the daughter is going 185 00:11:38,000 --> 00:11:43,680 Speaker 1: to wind up being a dead head. She decides to 186 00:11:44,600 --> 00:11:46,920 Speaker 1: put off college in the gap year. She doesn't even 187 00:11:46,920 --> 00:11:50,840 Speaker 1: tell her family, I don't believe, and she just blindly 188 00:11:50,880 --> 00:11:56,400 Speaker 1: hops in a Volkswagen Van and decides she's going to 189 00:11:57,320 --> 00:12:00,560 Speaker 1: trail to the Grateful Dead, and and it just so 190 00:12:00,640 --> 00:12:03,120 Speaker 1: happens I happen to be on the tour bus with 191 00:12:03,840 --> 00:12:06,920 Speaker 1: my manager, down White, who's been my DJ manager for 192 00:12:07,000 --> 00:12:10,440 Speaker 1: like twenty plus years, and she's like, oh, that was 193 00:12:10,440 --> 00:12:13,360 Speaker 1: my story. I was a deadhead. And I was like, 194 00:12:13,880 --> 00:12:16,080 Speaker 1: all right, explain that culture to me, because I don't 195 00:12:16,160 --> 00:12:19,800 Speaker 1: get like people are constantly telling me, like, yo, you 196 00:12:20,520 --> 00:12:23,920 Speaker 1: guys should jam more and solo more, Like your shows 197 00:12:23,920 --> 00:12:27,040 Speaker 1: are so calculated, well rehearsed, and you could run it 198 00:12:27,040 --> 00:12:29,720 Speaker 1: by the clock and you know, there's no spontaneity in it. 199 00:12:29,800 --> 00:12:32,079 Speaker 1: You're a band, for God's sakes, like rehearse a little bit. 200 00:12:32,520 --> 00:12:35,040 Speaker 1: But I think I was more or less gunshy to 201 00:12:35,080 --> 00:12:40,640 Speaker 1: do that because critics were really not good to jam bands. 202 00:12:40,880 --> 00:12:44,080 Speaker 1: You know. It just so happens that when she was like, yeah, 203 00:12:44,080 --> 00:12:47,240 Speaker 1: you should, really, I was like, I don't know, Like 204 00:12:47,440 --> 00:12:49,280 Speaker 1: I don't see the value and Grateful Dead or whatever. 205 00:12:49,360 --> 00:12:52,800 Speaker 1: But we just happened to be somewhere in Rhode Island 206 00:12:53,480 --> 00:12:56,800 Speaker 1: and we happen to be playing a club owned by 207 00:12:56,840 --> 00:12:59,959 Speaker 1: one of the members of Fish Okay, And she was saying, 208 00:13:00,000 --> 00:13:03,400 Speaker 1: and the collation between like Fish is the new Grateful 209 00:13:03,480 --> 00:13:05,320 Speaker 1: Dead and Da da Da. She's trying to explain to me, 210 00:13:05,400 --> 00:13:08,080 Speaker 1: like why Fish is so important and it's not just 211 00:13:08,960 --> 00:13:11,199 Speaker 1: a band that has an ice cream flavor that you know, 212 00:13:11,400 --> 00:13:13,439 Speaker 1: but like this is what they mean, Like I didn't 213 00:13:13,440 --> 00:13:17,040 Speaker 1: get the meaning of fish. And the other thing about 214 00:13:17,080 --> 00:13:20,920 Speaker 1: this is that hub our bass player had to miss 215 00:13:20,960 --> 00:13:24,960 Speaker 1: this gig, so Tuba had to be the bass player. 216 00:13:25,360 --> 00:13:30,800 Speaker 1: And kind of when that aesthetic is missing, you have 217 00:13:30,960 --> 00:13:34,640 Speaker 1: to figure out other ways to keep the show punchy. 218 00:13:34,679 --> 00:13:39,199 Speaker 1: And so we kind of morphed into a jam band 219 00:13:39,360 --> 00:13:42,880 Speaker 1: or at least a really really funked out hip hop 220 00:13:43,000 --> 00:13:48,160 Speaker 1: version of like a New Orleans line band with Go 221 00:13:48,160 --> 00:13:52,040 Speaker 1: Go whatever. But it was real jammy and it wound 222 00:13:52,080 --> 00:13:56,920 Speaker 1: up like because of that audience, knowing that the establishment 223 00:13:56,960 --> 00:13:59,840 Speaker 1: that they were in, like they were a jam band audience, 224 00:14:00,080 --> 00:14:03,040 Speaker 1: and the way they just kept cheering his arm like 225 00:14:03,080 --> 00:14:07,360 Speaker 1: we'd never seen him at a hip hop show, and 226 00:14:07,640 --> 00:14:09,600 Speaker 1: that just led me down another rabbit hole and another 227 00:14:09,640 --> 00:14:11,640 Speaker 1: rabbit hole, and another rabbit hole and another and then 228 00:14:11,880 --> 00:14:15,240 Speaker 1: next thing, you know, like shout out to Dan Pertussie 229 00:14:15,240 --> 00:14:18,360 Speaker 1: at okay player like hooking us up with Fish to 230 00:14:18,400 --> 00:14:21,240 Speaker 1: see like one of their last I guess Dan had 231 00:14:21,280 --> 00:14:24,880 Speaker 1: convinced them to like let the roots trail you guys, 232 00:14:25,000 --> 00:14:27,080 Speaker 1: just to see like because he's been trying for the 233 00:14:27,120 --> 00:14:31,920 Speaker 1: longest on the road. Yeah, we did. Me Sean Gee, 234 00:14:32,040 --> 00:14:36,640 Speaker 1: my manager, Richard, my manager, and Dan. We went. I 235 00:14:36,720 --> 00:14:41,320 Speaker 1: went to either two or three shows, and Dan just 236 00:14:41,360 --> 00:14:43,400 Speaker 1: wanted to see the lay of the land because I 237 00:14:43,520 --> 00:14:46,360 Speaker 1: was anti taping, like why are they taping our shows? 238 00:14:46,360 --> 00:14:50,240 Speaker 1: And trading and you know, and then you want us 239 00:14:50,240 --> 00:14:52,360 Speaker 1: to sell what we just did on stage, like in 240 00:14:52,440 --> 00:14:55,600 Speaker 1: the at the Merchant, So like one show, I just 241 00:14:55,760 --> 00:14:59,520 Speaker 1: stayed in the merch area to see, like the band's 242 00:14:59,600 --> 00:15:01,160 Speaker 1: on stage. It's like, why are you guys stayed in 243 00:15:01,280 --> 00:15:04,600 Speaker 1: line like they were literally waiting for the tapes from 244 00:15:04,600 --> 00:15:06,480 Speaker 1: like last night show to be ready. I'm like, but 245 00:15:06,560 --> 00:15:10,880 Speaker 1: you're missing. I've just never seen anything like that. And 246 00:15:10,880 --> 00:15:14,480 Speaker 1: once I realized that, because my main question was how's 247 00:15:14,520 --> 00:15:19,120 Speaker 1: this band making over eight figures a year? How are 248 00:15:19,120 --> 00:15:22,360 Speaker 1: they selling out Madison Square Gardens seven nights in a row? 249 00:15:23,280 --> 00:15:26,040 Speaker 1: And they never did TRL or one of six in park, 250 00:15:26,160 --> 00:15:29,320 Speaker 1: like they don't need a hot sixteen from Jazy right, 251 00:15:29,880 --> 00:15:34,360 Speaker 1: and like how are they? I know, we do more 252 00:15:34,400 --> 00:15:38,080 Speaker 1: than like how are they winning? And I had to 253 00:15:38,200 --> 00:15:42,360 Speaker 1: learn that language. So, you know, I will say that 254 00:15:42,480 --> 00:15:47,800 Speaker 1: Freaks and Geeks really was the perfect gateway drug for 255 00:15:47,920 --> 00:15:51,760 Speaker 1: me to understand. And I'm still we're still navigating, and 256 00:15:51,840 --> 00:15:54,080 Speaker 1: I know we're pioneers in this thing. And yes, I 257 00:15:54,120 --> 00:15:56,440 Speaker 1: know there's like snarky puppy, I know that on the 258 00:15:56,480 --> 00:15:59,520 Speaker 1: jam band circuit, like there's more what I will say, 259 00:15:59,640 --> 00:16:06,560 Speaker 1: groove warriored bands there. But yeah, definitely in those first 260 00:16:06,840 --> 00:16:11,080 Speaker 1: three years it was like they never or been dying 261 00:16:11,200 --> 00:16:16,680 Speaker 1: or starving for like funk on a jam level, like 262 00:16:17,040 --> 00:16:21,800 Speaker 1: really good musicians that are like really know their music 263 00:16:21,880 --> 00:16:25,320 Speaker 1: and their grooves and stuff. And so it is an 264 00:16:25,480 --> 00:16:29,000 Speaker 1: uncharted territory. You know. We'll end on with levity. 265 00:16:29,480 --> 00:16:31,720 Speaker 2: You recently shared a great story in the Jamie Lee 266 00:16:31,720 --> 00:16:34,200 Speaker 2: Curtis episode of playing in the Air Tonight in a 267 00:16:34,800 --> 00:16:38,880 Speaker 2: drumstick literally backfire. Yeah, my favorite opening of any episode 268 00:16:38,880 --> 00:16:40,720 Speaker 2: of Freaks and Geeks is Jason. 269 00:16:41,480 --> 00:16:44,560 Speaker 1: Jason Siegel's character is a drummer. He's in his garage 270 00:16:44,600 --> 00:16:45,560 Speaker 1: and he adores rush. 271 00:16:45,840 --> 00:16:49,400 Speaker 2: Yes, the dry mass and the whole thing, and it 272 00:16:49,520 --> 00:16:51,840 Speaker 2: does not go the way he imagines. Yes, for you 273 00:16:51,880 --> 00:16:54,200 Speaker 2: did you have a moment in watching that great cold 274 00:16:54,280 --> 00:16:56,360 Speaker 2: opening that channeled any moment of yours? 275 00:16:56,360 --> 00:16:59,920 Speaker 1: Of grandeur? I can top it. I believe his first 276 00:17:00,080 --> 00:17:04,719 Speaker 1: walk on song on Late Night with Jimmy Fallon was 277 00:17:04,880 --> 00:17:08,680 Speaker 1: us doing Tom Oh Tom Sawyer. Yes, us doing Tom 278 00:17:08,720 --> 00:17:11,840 Speaker 1: Sawyer for for that exact yes, for that reference. Yeah, 279 00:17:11,880 --> 00:17:14,280 Speaker 1: and he got it. I love, I love want to 280 00:17:14,359 --> 00:17:18,920 Speaker 1: walk on reference lands? Yeah, because when I walked from 281 00:17:18,960 --> 00:17:22,560 Speaker 1: behind the curtain, you can faintly hear the band, like 282 00:17:22,600 --> 00:17:24,639 Speaker 1: if the audience is cheering like that, you can hear 283 00:17:24,680 --> 00:17:27,320 Speaker 1: the audience louder than you hear the band. So oftentimes, 284 00:17:27,359 --> 00:17:29,840 Speaker 1: like the band will tease me because I will work 285 00:17:29,920 --> 00:17:32,200 Speaker 1: them so hard just to pull out some like really 286 00:17:33,040 --> 00:17:37,359 Speaker 1: weird reference for the artists coming out, and when it 287 00:17:37,400 --> 00:17:41,480 Speaker 1: doesn't land, they just look at me like we could 288 00:17:41,520 --> 00:17:44,200 Speaker 1: add an extra half hour of lunch and they missed 289 00:17:44,240 --> 00:17:47,680 Speaker 1: a reference. But usually a note will come, Oh my god, 290 00:17:47,720 --> 00:17:49,880 Speaker 1: my publish just told me you did no not from 291 00:17:49,880 --> 00:17:51,720 Speaker 1: my childhood. How does that upset you all that the 292 00:17:51,720 --> 00:17:54,840 Speaker 1: secrets out? Or uh no, no, no, I mean it. 293 00:17:55,760 --> 00:17:59,560 Speaker 1: I mean people generally know, I mean that we tailored, 294 00:18:00,119 --> 00:18:02,480 Speaker 1: but they know ahead of time. No, no, no, don't tell 295 00:18:02,520 --> 00:18:05,000 Speaker 1: me that's what I mean. So they get after like on, 296 00:18:05,320 --> 00:18:08,320 Speaker 1: once they watch the show, they'll be like, wait a minute, 297 00:18:08,720 --> 00:18:12,159 Speaker 1: I was on the show. This local public asks us, so, 298 00:18:12,280 --> 00:18:14,680 Speaker 1: how do you know that? So I have a whole 299 00:18:14,720 --> 00:18:18,280 Speaker 1: slew of how did you know that? It's your hard war? Yes, 300 00:18:18,560 --> 00:18:22,480 Speaker 1: got okay? Shout out to Tom Hayes and Sean and 301 00:18:22,560 --> 00:18:26,800 Speaker 1: all the okay player vets that helped me throughout the years. 302 00:18:27,000 --> 00:18:31,600 Speaker 1: Get those accolades. You know. They're definitely the unspoken heroes 303 00:18:31,640 --> 00:18:39,640 Speaker 1: of the walk On song. Guys, this is the Quest 304 00:18:39,680 --> 00:18:43,240 Speaker 1: Love Show. I really appreciate all your feedback. We do 305 00:18:44,240 --> 00:18:48,399 Speaker 1: read the comments and all your feedback. Please like and 306 00:18:48,440 --> 00:18:53,360 Speaker 1: subscribe the show. Spread the word of this show and 307 00:18:53,720 --> 00:18:56,440 Speaker 1: give us suggestions. People you want to see on the show. 308 00:18:57,040 --> 00:18:59,320 Speaker 1: Let us know and we will try to make your 309 00:18:59,359 --> 00:19:04,760 Speaker 1: dreams come true. All right. Quest Loop Show is a 310 00:19:04,800 --> 00:19:12,280 Speaker 1: production of iHeartRadio h