WEBVTT - How Haunted House Attractions Work

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<v Speaker 1>Welcome to Stuff you Should Know from house Stuff Works

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<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles W. Chuck Bryant and Jerry and this is

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<v Speaker 1>Stuff you should Know, the pre Halloween Spooktacular week of

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<v Speaker 1>dark content. Although this isn't super dark. No, this isn't

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<v Speaker 1>you know about attractions? Haunted attractions? Right? Dark? Thank? I

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<v Speaker 1>don't want to spoil it, but there are some darkness. Now,

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<v Speaker 1>is it dark or not? It's dark, okay, but not

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<v Speaker 1>all of them, just just the really creepy ones. So

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<v Speaker 1>it's mid mid level dark. What a train wreck this is.

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<v Speaker 1>So for those of you who tuned in thinking they

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<v Speaker 1>were talking about haunted houses, sorry to let you down.

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<v Speaker 1>Real haunted houses, uh, of which there may or may

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<v Speaker 1>not be a thing. All the skeptics were like, shoot,

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<v Speaker 1>this is just about attractions. Yeah, these things are proven

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<v Speaker 1>to exist. They are real because you can probably if

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<v Speaker 1>you live near any kind of major metropolitan area, you

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<v Speaker 1>can probably find one somewhere in your town. I think

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<v Speaker 1>you can find them almost anywhere. If you live in

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<v Speaker 1>a major metropolitan area, that maybe one of those really

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<v Speaker 1>big daddy ones. But chances are your small town has

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<v Speaker 1>some form of haunted attraction, even if it's the local Uh,

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<v Speaker 1>if it's for charity and they're trying to raise money

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<v Speaker 1>for the local j c's and it's set up in

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<v Speaker 1>like a school gymnasium, or there's enthusiasts home haunters, um,

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<v Speaker 1>and they will they basically set up a haunted house

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<v Speaker 1>in their backyard. Yeah, there's some documentary about two guys

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<v Speaker 1>that are I don't know if they do haunted houses

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<v Speaker 1>or just take their Halloween um decorating two extremes. Well,

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<v Speaker 1>I think that's one and the same for a home haunter. Yeah,

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<v Speaker 1>I think they're they're competing guys on the same street

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<v Speaker 1>that uh someone did a documentary on because they just

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<v Speaker 1>keep like ramping it up and ramping it up, have

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<v Speaker 1>become obsessed without doing one another. But I don't know

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<v Speaker 1>what's called. So it just came to me right now.

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<v Speaker 1>Me either, But um, you do make a good point

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<v Speaker 1>how haunted houses are everywhere. Apparently in two thousand fourteen,

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<v Speaker 1>they expect they being the American Retail Federation who likes

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<v Speaker 1>to put out statistics and figures about holidays, Um, they

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<v Speaker 1>expect thirty three million people to go into haunted houses

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<v Speaker 1>across the United States. Yeah, about four thousand of them,

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<v Speaker 1>twelve hundred of which are the pay some money to

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<v Speaker 1>go in professionally, uh, about three or in theme parks

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<v Speaker 1>like you know, like amusement parks. And then about three

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<v Speaker 1>thousand of them are the charity ones that I spoke of, right,

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<v Speaker 1>which you'll still pay. But they they're not they're not

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<v Speaker 1>going to the fat cat Coke Brothers or whatever. The

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<v Speaker 1>profits aren't. They're going to you know, your local community organism. Yeah,

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<v Speaker 1>and those are fun, you know, you might get some

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<v Speaker 1>light scares, it's not like these, um, the really super

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<v Speaker 1>scary ones where you pay good money to um, you know,

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<v Speaker 1>to leave your body and wet your pants. Just one more,

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<v Speaker 1>one more, um, little bit of of data statistics. You

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<v Speaker 1>don't mind some numbers, talk about roll over ifs. Remember

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<v Speaker 1>you used to be static guy, And I know I

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<v Speaker 1>got so bored it. Um. In two fourteen, again, the

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<v Speaker 1>National Retail Federation expects Americans to spend eighty seven dollars

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<v Speaker 1>per person on Halloween, for a total of seven point

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<v Speaker 1>four billion dollars. Yeah, that's right behind Christmas, right behind Christmas.

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<v Speaker 1>People love getting their scare on. They really do. I

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<v Speaker 1>don't decorate at all anymore at the house, just because

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<v Speaker 1>I think I've talked about this before. We don't have

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<v Speaker 1>trick or treaders on my area of the street, so

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<v Speaker 1>it just seems kind of pointless. Oh yeah, you know,

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<v Speaker 1>I mean, what is the point at that point? There

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<v Speaker 1>is no point. Emily thinks we could do it for

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<v Speaker 1>people that drive by during the month of October, like,

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<v Speaker 1>you know, to see the house, But I don't know. Man,

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<v Speaker 1>you gotta you gotta whatever you put up, you gotta

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<v Speaker 1>take down that. And plus it's like you get no

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<v Speaker 1>satisfaction from somebody driving by. Sound like they hank at

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<v Speaker 1>your generations with little kids coming up and trick or treating,

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<v Speaker 1>there's some sort of payoff I guess, to your your effort, right,

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<v Speaker 1>that's right, scarring him for life? Right. So, um, let's

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<v Speaker 1>talk the history of this, because it turns out that

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<v Speaker 1>haunted house attractions are relatively new, but they're probably not

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<v Speaker 1>as new as trick or treating in the United States?

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<v Speaker 1>Did you know that? Not as new? So they predate

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<v Speaker 1>trick or treating by a little bit. Yeah, yeah, that

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<v Speaker 1>makes sense. And when we look at um at first,

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<v Speaker 1>when I read some of this history, the ancient history

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<v Speaker 1>else like come on, this is from Fangoria magazine, by

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<v Speaker 1>the way, oh us, But then when I started really

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<v Speaker 1>getting into us, like you know what, there's actually it

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<v Speaker 1>actually did pave the way for what we see today

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<v Speaker 1>in like ancient Egypt. To keep people from grave robbing. Basically,

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<v Speaker 1>they would uh make little scary things like trap doors

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<v Speaker 1>and um snakes and creepy insects and things to keep

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<v Speaker 1>people away from robbing their ancestries, their ancestors graves. They

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<v Speaker 1>put an old lady in a rocking chair who would

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<v Speaker 1>go behold the ravages of aids. What's that from the Simpsons? Uh?

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<v Speaker 1>Greeks and Romans? Um. Uh kind of paved the way

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<v Speaker 1>as well. They had um mazes and labyrinths set up

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<v Speaker 1>with monsters and things. Even more than that, even more directly,

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<v Speaker 1>they started stage effects, yeah, like fake blood and things

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<v Speaker 1>like that. Yeah. Um, they they And that's where a

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<v Speaker 1>lot of this stuff finds its roots is in early

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<v Speaker 1>stage special effects. Yeah. It was, and it's still his

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<v Speaker 1>theater when you come down to it. It's just like

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<v Speaker 1>an interactive participatory theater, right that you walk through and

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<v Speaker 1>then the the dark ages that medieval ages I think

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<v Speaker 1>the Dark Ages, the Medieval Ages are part of the

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<v Speaker 1>Dark Ages, but they're not one and the same. But

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<v Speaker 1>during the Dark Ages, UM, the the introduction of well,

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<v Speaker 1>the syncretism between Christianity and Paganism that led to the

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<v Speaker 1>adoption of Halloween, UM kind of saw rise to this, uh,

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<v Speaker 1>basically a scare show. Yeah, these little plays that would

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<v Speaker 1>scare people into remaining pious and remaining on the narrow path, right,

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<v Speaker 1>which is still very big today, has made a huge comeback. Um.

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<v Speaker 1>But these these scare shows, if you want to call

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<v Speaker 1>them that, I'm pretty sure that's not what they call

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<v Speaker 1>them during the Dark Ages, but they were. They featured

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<v Speaker 1>plenty of gore and fake blood and violence and um,

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<v Speaker 1>so that the the people who went to saw see

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<v Speaker 1>Him weren't necessarily going for the religious message. They were

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<v Speaker 1>going to you know, be grossed out right and get

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<v Speaker 1>a kick. Yeah. Uh. During the Renaissance, Shakespeare was famous

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<v Speaker 1>for um incorporating like demons and ghosts and monsters in

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<v Speaker 1>his plays. He loved those. And in the eighteen hundreds,

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<v Speaker 1>We've talked about this before, there was a big rise

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<v Speaker 1>in spiritualists and conjuring sessions and mediums and fortune telling

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<v Speaker 1>and communicating with the dead was like a really popular

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<v Speaker 1>thing during the Victorian era, so it was debunking it. Yeah,

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<v Speaker 1>that's true. Um. The Victorian era also gave us um

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<v Speaker 1>the wax museum, which very quickly went from celebrities to

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<v Speaker 1>include scary stuff too. So you could walk through a

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<v Speaker 1>waxed museum and while the stuff didn't move or jump

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<v Speaker 1>out at you, you would come across like some sort

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<v Speaker 1>of tableau of you know, Dr Jekyl and Mr Hyde

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<v Speaker 1>and like kind of a room and it was scary

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<v Speaker 1>and lit oddly, and you were meant to The intention

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<v Speaker 1>was to scare you. Yeah, even though it wasn't again,

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<v Speaker 1>there wasn't an overt scare or startle. It was something

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<v Speaker 1>that definitely laid the groundwork for haunted houses to come.

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<v Speaker 1>They were to instill dread in the hearts of all. Uh.

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<v Speaker 1>John Pepper invented something, um pretty neat in the eighteen hundreds.

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<v Speaker 1>It was uh sort of set up where here where

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<v Speaker 1>you use mirrors to appear translucent. If you've ever been

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<v Speaker 1>to Disney's Haunted Mansion, UM, I think Pepper's ghost is

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<v Speaker 1>what they call. It is still a trick they use

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<v Speaker 1>to uh, you know, it's when you it's like a

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<v Speaker 1>hologram sort of smoking mirrors. Yeah, but using mirrors. It's

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<v Speaker 1>not like the Tuopoc hologram. It wouldn't high tech like that,

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<v Speaker 1>but it still looks pretty awesome. That's right. The twentieth century, then, Chuck,

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<v Speaker 1>is where we really find the progenitors of the modern

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<v Speaker 1>haunted house, the dark rides. And there's this really neat

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<v Speaker 1>um article on Collector's Weekly. You ever read any of stuff.

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<v Speaker 1>They write a lot of really cool long form articles

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<v Speaker 1>about like stuff that's come and gone, like dads and things,

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<v Speaker 1>and one of them was, um, it's called jeepers, Creepers,

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<v Speaker 1>why dark rides scare the pants off of us? But

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<v Speaker 1>the Collector's Weekly article, it's an interview with the guy

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<v Speaker 1>who collects old dark ride stuff. But dark rides were

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<v Speaker 1>like if you went to some rinky dink amusement park

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<v Speaker 1>or whatever. They couldn't afford to have a roller coaster,

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<v Speaker 1>but they could afford a little dark building with the

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<v Speaker 1>walls painted black inside and a little train track or

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<v Speaker 1>maybe a little boat or something that rode you through

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<v Speaker 1>and all of a sudden a skeleton popped out of

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<v Speaker 1>the wall or you know this a strobe light went

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<v Speaker 1>off or something like that, and these were the direct

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<v Speaker 1>progenitors of uh, the haunted house. Yeah, and between that

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<v Speaker 1>and the traveling freak shows, um, it really, like you said,

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<v Speaker 1>everything was in place. And couple that with the fact

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<v Speaker 1>that a lot of these houses from the eight hundreds

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<v Speaker 1>are starting to crumble and there was, you know, narry

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<v Speaker 1>a neighborhood that didn't have some creepy old vacant house

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<v Speaker 1>and to keep their kids out, you know, people would say,

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<v Speaker 1>parents would say, you know that place, you don't want

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<v Speaker 1>to go in there. It's all on it because you

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<v Speaker 1>may not come out, which is that was an interesting

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<v Speaker 1>point that I definitely wasn't aware of. Yeah, but if

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<v Speaker 1>you think of the modern conception of when you think

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<v Speaker 1>of a haunted house, what comes to mind typically is uh,

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<v Speaker 1>dilapidated old Victorian mansion with a story around it. You know,

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<v Speaker 1>It's never just like, oh, yeah, that was where Mr Johnson,

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<v Speaker 1>that he was a farmer and kind of a good guy,

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<v Speaker 1>died quietly asleep, no reports of his ghost at all.

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<v Speaker 1>That Well, what's probably funny is that was the real story.

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<v Speaker 1>But what you heard was that he killed his family

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<v Speaker 1>and had their name written on each knife blade. Um,

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<v Speaker 1>that's what I heard. The first official recorded haunted attraction.

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<v Speaker 1>According to this person who wrote this article in Fangoria,

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<v Speaker 1>Beha McKendry. He says that Orton and Spooner, the Orton

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<v Speaker 1>and Spooner ghost House in the UK uh and the

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<v Speaker 1>Edwardian Fair in nineteen fifteen was the first, uh like

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<v Speaker 1>a genuine haunted attraction. Yep, that was the first ghost house.

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<v Speaker 1>And in France they had something called the Grand uh

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<v Speaker 1>guen All and um that was sort of similar, i think,

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<v Speaker 1>and around the same time. So you've got that haunted house,

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<v Speaker 1>You've got the dark houses that are coming up in

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<v Speaker 1>places like Coney Island and stuff like that, and then

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<v Speaker 1>finally you have the first big time permanent haunted house

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<v Speaker 1>as we understand today. What you've already mentioned the Haunted

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<v Speaker 1>Mansion that that was first built in nineteen sixty nine

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<v Speaker 1>at Disneyland, and apparently it was supposed to go up

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<v Speaker 1>at Disney oh know, it was so Disneyland, the one

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<v Speaker 1>in California and the one in Disney World that came

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<v Speaker 1>up in the seventies, right, uh, late seventies, early eighties.

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<v Speaker 1>I'm not sure. Actually, I've been to that one though,

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<v Speaker 1>if you want to know more about that stuff. Though,

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<v Speaker 1>I think, um, Stuff you missed in History Class did

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<v Speaker 1>like a whole episode on the Haunted Mansion Ride. Oh,

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<v Speaker 1>Holly from Stuff You miss in History Class is an

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<v Speaker 1>absolute Haunted Mansion fanatic, right, I think they have a

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<v Speaker 1>whole episode on. She knows more about it than anyone,

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<v Speaker 1>more than Walt Disney himself knew, I think. But here's

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<v Speaker 1>a little known fact besides what you just said about Holly,

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<v Speaker 1>she knows more about it than Walt Disney. Um. Originally,

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<v Speaker 1>the the Haunted Mansion Ride was a walkthrough ride like

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<v Speaker 1>today's Haunted Houses. UM. But instead they found that the

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<v Speaker 1>I guess the people the ushers couldn't get people on

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<v Speaker 1>a pace easily enough and so there'd be traffic jams

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<v Speaker 1>and backups and everything. So they said, we'll turn it

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<v Speaker 1>into a dark ride. That's what they did. Yeah, which

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<v Speaker 1>we'll get to this later, but that's a big part

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<v Speaker 1>of running your own haunted houses is the flow. Yeah. Also,

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<v Speaker 1>the Haunted House and the Haunted Mansion in Disney was

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<v Speaker 1>based on the Winchester Mystery House. As far as the look,

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<v Speaker 1>they didn't want to have UM credit Old dilapidated psycho

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<v Speaker 1>house in the middle of their lovely park. So they says, well,

0:13:05.360 --> 0:13:06.960
<v Speaker 1>we can make it creepy on the inside, and let's

0:13:06.960 --> 0:13:09.880
<v Speaker 1>just make it like a really lovely Victorian on the outside.

0:13:10.320 --> 0:13:12.320
<v Speaker 1>And if you haven't listened to that podcast on the

0:13:12.320 --> 0:13:16.040
<v Speaker 1>Winchester Mystery, also recommend it's pretty neat. The Son of Ours. Yeah, yeah, man,

0:13:16.080 --> 0:13:19.760
<v Speaker 1>that was a good one. Not the Disney podcast. Um

0:13:19.880 --> 0:13:22.040
<v Speaker 1>So then you mentioned the j c's, Chuck, and I

0:13:22.040 --> 0:13:27.840
<v Speaker 1>didn't realize this, but the idea of a semi permanent

0:13:28.320 --> 0:13:31.199
<v Speaker 1>so not not located in like an amusement park or

0:13:31.240 --> 0:13:36.320
<v Speaker 1>something like that, but um, they an annual attraction that

0:13:36.520 --> 0:13:40.119
<v Speaker 1>just comes up around Halloween and then comes down in November.

0:13:40.240 --> 0:13:44.840
<v Speaker 1>November one. Um, as far as haunted houses go in

0:13:44.840 --> 0:13:48.079
<v Speaker 1>the United States, was created by the j c's, which

0:13:48.120 --> 0:13:51.480
<v Speaker 1>is the United States Junior Chamber, which is like a

0:13:51.559 --> 0:13:56.079
<v Speaker 1>community organization with chapters across the country. And in the seventies,

0:13:56.080 --> 0:13:59.199
<v Speaker 1>the j c's hit upon this idea of well, why

0:13:59.240 --> 0:14:03.240
<v Speaker 1>don't you guys create haunted houses in your town as fundraisers,

0:14:03.360 --> 0:14:05.880
<v Speaker 1>and it just took off like a rocket, and the

0:14:06.000 --> 0:14:09.280
<v Speaker 1>j CS became synonymous in the seventies and eighties and

0:14:09.360 --> 0:14:11.959
<v Speaker 1>up to the nineties with haunted houses. Like if you

0:14:12.000 --> 0:14:13.760
<v Speaker 1>went to a haunted house in your town, it was

0:14:13.800 --> 0:14:16.480
<v Speaker 1>probably put on by the local chapter of the j c's. Yeah.

0:14:16.520 --> 0:14:19.760
<v Speaker 1>I remember specifically going to some of those as a kid,

0:14:20.720 --> 0:14:24.080
<v Speaker 1>as well as my church would have their own haunted houses,

0:14:24.360 --> 0:14:29.720
<v Speaker 1>not hell houses. Yeah, just very like kid oriented minor

0:14:30.040 --> 0:14:33.840
<v Speaker 1>uh spooks and goblins. Um, we'll get into hell houses later.

0:14:33.880 --> 0:14:35.720
<v Speaker 1>But even though I did go to Baptist Church, it

0:14:35.760 --> 0:14:39.120
<v Speaker 1>wasn't anything like that surprising. Yeah, I mean that was

0:14:39.160 --> 0:14:42.920
<v Speaker 1>before the concept of the hell house. Um. Yeah, it

0:14:43.000 --> 0:14:44.800
<v Speaker 1>was just like we would have like a Halloween carnival,

0:14:44.880 --> 0:14:48.800
<v Speaker 1>you know, Bob rapples and did that little fishing game

0:14:48.800 --> 0:14:51.080
<v Speaker 1>where you get something clipped to your fishing pole behind

0:14:51.080 --> 0:14:56.360
<v Speaker 1>the curtain. It's so funny. Do you remember when you

0:14:56.400 --> 0:14:59.720
<v Speaker 1>were a kid just being like, God, this Halloween carnival

0:14:59.840 --> 0:15:01.960
<v Speaker 1>is really well done. Ye. Man, if you go to

0:15:02.000 --> 0:15:05.280
<v Speaker 1>one as an adult, you're like this is really junkie,

0:15:06.000 --> 0:15:08.560
<v Speaker 1>Like are these kids really falling for all this stuff?

0:15:08.560 --> 0:15:11.440
<v Speaker 1>And they are. It's wonderful. Yeah. My elementary school had

0:15:11.480 --> 0:15:14.680
<v Speaker 1>a pretty rock and Halloween carnival every year too. The

0:15:15.040 --> 0:15:17.040
<v Speaker 1>Catholic school I went to had a good one. It

0:15:17.120 --> 0:15:19.600
<v Speaker 1>was one of the highlights of my year. But um, yeah,

0:15:19.640 --> 0:15:22.120
<v Speaker 1>you're right. And now the concept of bobbing for apples,

0:15:22.120 --> 0:15:23.520
<v Speaker 1>there's no way I would put my face in that

0:15:23.560 --> 0:15:30.440
<v Speaker 1>disgusting water, no, you know, yeah. Um. Anyway, out of

0:15:30.480 --> 0:15:33.520
<v Speaker 1>the j CS in there were a couple of guys

0:15:34.040 --> 0:15:38.520
<v Speaker 1>from a chapter in Bloomington, Illinois named Jim Goulden Tom Hillagas,

0:15:39.160 --> 0:15:41.880
<v Speaker 1>and they says, you know what, let's just create our

0:15:41.880 --> 0:15:46.400
<v Speaker 1>own Haunted House book basically like a yeah, I don't

0:15:46.400 --> 0:15:47.560
<v Speaker 1>know if it was a book. Yeah, I guess it

0:15:47.560 --> 0:15:50.240
<v Speaker 1>was a book, and let's teach people how to open

0:15:50.280 --> 0:15:53.600
<v Speaker 1>these up and sell it. And they distributed about twenty

0:15:54.000 --> 0:15:57.920
<v Speaker 1>copies and it was they formed the Haunted House Company,

0:15:58.440 --> 0:16:02.240
<v Speaker 1>and it was the first real UH group of outfit

0:16:02.320 --> 0:16:05.200
<v Speaker 1>to kind of just sell the plan and the stuff

0:16:05.240 --> 0:16:07.880
<v Speaker 1>that you needed, the props, right, like details like how

0:16:07.920 --> 0:16:13.280
<v Speaker 1>to do special effects. Um. And because of the success

0:16:13.320 --> 0:16:16.680
<v Speaker 1>of the j C s UH in the seventies and eighties,

0:16:16.960 --> 0:16:20.160
<v Speaker 1>private companies finally were like, we can make some cast

0:16:20.240 --> 0:16:23.000
<v Speaker 1>off of this. Starting in the nineties, and so the

0:16:23.040 --> 0:16:25.680
<v Speaker 1>haunted houses that we think of today, the sure profit

0:16:25.760 --> 0:16:29.920
<v Speaker 1>ones like Another World in Atlanta or thirteen Story of

0:16:29.960 --> 0:16:33.880
<v Speaker 1>New Orleans is another big one. Um that that they

0:16:33.920 --> 0:16:35.760
<v Speaker 1>came out of the nineties. Do you go to those?

0:16:35.880 --> 0:16:40.320
<v Speaker 1>No no interest? Yeah? Do you now? Emily and I

0:16:41.000 --> 0:16:43.120
<v Speaker 1>we still may go. She she has a hanker in

0:16:43.120 --> 0:16:46.640
<v Speaker 1>this year to go to another world just because we

0:16:46.680 --> 0:16:48.040
<v Speaker 1>haven't been to. I think we went to one in

0:16:48.160 --> 0:16:51.920
<v Speaker 1>l A that was pretty decent. Um. I'll go, I

0:16:51.960 --> 0:16:55.480
<v Speaker 1>guess if she wants to. But it's not my favorite thing.

0:16:55.920 --> 0:16:58.000
<v Speaker 1>I mean, I don't I like. I like scary movies

0:16:58.400 --> 0:17:00.800
<v Speaker 1>and stuff. I'm not. I don't avoid that up. I

0:17:00.880 --> 0:17:03.840
<v Speaker 1>am depressed. Chuck on Twitter the other day, I said,

0:17:04.800 --> 0:17:07.639
<v Speaker 1>the best scary movie or the best horror movie I

0:17:07.680 --> 0:17:11.360
<v Speaker 1>haven't seen go and I have heard of Vampire Brooklyn,

0:17:11.440 --> 0:17:15.760
<v Speaker 1>Eddie Murphy, every single every single suggestion, and there are

0:17:15.760 --> 0:17:19.919
<v Speaker 1>a bunch of suggestions that everybody shot back. So I realized,

0:17:20.200 --> 0:17:23.560
<v Speaker 1>I'm really running low on good horror movies. But there

0:17:23.880 --> 0:17:25.840
<v Speaker 1>they aren't around much anymore. Like the ones that are

0:17:26.240 --> 0:17:28.280
<v Speaker 1>to me, the ones that are genuinely scary are the

0:17:28.280 --> 0:17:32.120
<v Speaker 1>ones that get into your head. Um, and I'll take

0:17:32.160 --> 0:17:35.440
<v Speaker 1>a fair amount of jump scares because that's a part

0:17:35.440 --> 0:17:38.880
<v Speaker 1>of it, if it's got the tension ratcheted up. But um,

0:17:39.080 --> 0:17:43.080
<v Speaker 1>the ones these days, man, just that the disgusting torture

0:17:43.200 --> 0:17:45.280
<v Speaker 1>porn thing. I'm just not into that. I'm not either.

0:17:45.320 --> 0:17:48.359
<v Speaker 1>It's just such an easy, cheap Yeah, they don't scare me,

0:17:49.080 --> 0:17:52.800
<v Speaker 1>just repulse me exactly, which is a totally different sensation.

0:17:52.880 --> 0:17:55.080
<v Speaker 1>You know. That's fine if you like to be repulsed

0:17:55.200 --> 0:17:59.120
<v Speaker 1>in whatever like that's it's great for that, But that's

0:17:59.160 --> 0:18:05.440
<v Speaker 1>not true fear. It's not um being scared necessarily. It's different. Yeah,

0:18:05.480 --> 0:18:08.760
<v Speaker 1>I do have a recommendation for you though. It's called

0:18:08.840 --> 0:18:11.560
<v Speaker 1>either The Lady in Black or Woman in Black, and

0:18:11.600 --> 0:18:15.160
<v Speaker 1>it's starts a growing up Harry Potter, So it's fairly new.

0:18:15.200 --> 0:18:16.600
<v Speaker 1>I think it's that came out in the last couple

0:18:16.640 --> 0:18:19.600
<v Speaker 1>of years. Daniel Recliff, and he does a great job.

0:18:19.680 --> 0:18:23.440
<v Speaker 1>It's almost exclusively just him in the movie Lady and Black.

0:18:24.680 --> 0:18:27.640
<v Speaker 1>He does double duty. And there are some like um

0:18:29.200 --> 0:18:35.240
<v Speaker 1>like Conjuring esque style like c g I ghost graphics,

0:18:35.359 --> 0:18:37.679
<v Speaker 1>but it's not overdone and it's not overblown, and it

0:18:37.840 --> 0:18:42.439
<v Speaker 1>is a genuinely frightening ghost story. Conjuring was okay, it

0:18:42.520 --> 0:18:45.000
<v Speaker 1>was Okay, that's way I would say this one might

0:18:45.000 --> 0:18:47.640
<v Speaker 1>be better. And and that guy is it I don't

0:18:47.640 --> 0:18:50.360
<v Speaker 1>know if it's Tie or t West tis his name.

0:18:50.400 --> 0:18:54.640
<v Speaker 1>He's a director that did Um The Innkeepers and oh, yeah,

0:18:54.680 --> 0:18:56.280
<v Speaker 1>that was a good one too. Yeah, and then I

0:18:56.280 --> 0:18:58.640
<v Speaker 1>can't remember the did he do House with the Devil?

0:18:58.680 --> 0:19:00.480
<v Speaker 1>Those are pretty good because he is a little more

0:19:00.520 --> 0:19:04.119
<v Speaker 1>old school. He's not just trying to outgore you or

0:19:04.160 --> 0:19:07.160
<v Speaker 1>shock you. It's um. He tries to build genuine suspense

0:19:07.200 --> 0:19:09.159
<v Speaker 1>and dread. The same guy to both of those movies.

0:19:09.520 --> 0:19:13.040
<v Speaker 1>Uh not The Conjuring, No, No, The Innkeepers and The

0:19:13.280 --> 0:19:15.119
<v Speaker 1>House of the Devil. I think so, because both of

0:19:15.119 --> 0:19:19.040
<v Speaker 1>those were good movies. They seem totally different. Though, Yeah,

0:19:19.160 --> 0:19:21.119
<v Speaker 1>I may be wrong in that Innkeepers. That was a

0:19:21.400 --> 0:19:25.040
<v Speaker 1>slow burn that managed to pay off, but it took

0:19:25.080 --> 0:19:27.280
<v Speaker 1>a long time to build. That was a little slow,

0:19:27.480 --> 0:19:31.439
<v Speaker 1>Like you didn't even try to start the scares until

0:19:31.560 --> 0:19:34.320
<v Speaker 1>like thirty minutes in. Yeah, you know the lady that's

0:19:34.320 --> 0:19:38.560
<v Speaker 1>in that is uh Kelly McGillis, did you realize that? Yeah?

0:19:38.920 --> 0:19:40.280
<v Speaker 1>I didn't know till the end of the movie. It

0:19:40.280 --> 0:19:42.240
<v Speaker 1>said Kelly McGillis was like, oh, she's got the same

0:19:42.280 --> 0:19:44.400
<v Speaker 1>name as that lady from Top Gun. Yeah, but then

0:19:44.520 --> 0:19:49.520
<v Speaker 1>it's really her. She looks so different now, So that's

0:19:49.560 --> 0:19:52.720
<v Speaker 1>our Josh and Chuck's for a movie corner. We'll get

0:19:52.760 --> 0:19:59.359
<v Speaker 1>back to the actual podcast right after this message. You know,

0:19:59.440 --> 0:20:01.520
<v Speaker 1>we should we should have done a Maybe next year

0:20:01.520 --> 0:20:05.080
<v Speaker 1>we'll just do one of those, like a total horror movie. Uh,

0:20:05.320 --> 0:20:08.600
<v Speaker 1>talk fest sounds good. Those are fun. But back to

0:20:08.720 --> 0:20:14.679
<v Speaker 1>the more boring subject of haunted house attraction. Um, the

0:20:14.760 --> 0:20:16.480
<v Speaker 1>industry is huge, Like you said, there's a lot of

0:20:16.520 --> 0:20:20.359
<v Speaker 1>money to be made, and uh no too. Haunted houses

0:20:20.359 --> 0:20:23.560
<v Speaker 1>are going to be alike. Sometimes these folks that open

0:20:23.640 --> 0:20:26.479
<v Speaker 1>them by an old home or something and own it

0:20:26.520 --> 0:20:29.199
<v Speaker 1>and do this every year. Sometimes they rent out of space.

0:20:30.160 --> 0:20:32.919
<v Speaker 1>The ones I've been to haven't been in the actual space.

0:20:33.040 --> 0:20:36.400
<v Speaker 1>Wasn't some like cool old house or like a penitentiary

0:20:36.880 --> 0:20:40.680
<v Speaker 1>or yeah, apparently Eastern State Penitentiary is converted ye here,

0:20:40.760 --> 0:20:44.880
<v Speaker 1>and that is a scary, scary place, just normally. Yeah,

0:20:45.359 --> 0:20:46.960
<v Speaker 1>the only ones I've been to are the ones that

0:20:47.280 --> 0:20:49.600
<v Speaker 1>is it's like it's in a big open like a

0:20:49.640 --> 0:20:52.520
<v Speaker 1>shopping center where there used to be a like a

0:20:52.560 --> 0:20:59.440
<v Speaker 1>sales jewelry closed and right the Ghost of Capitalism. Um.

0:20:59.520 --> 0:21:02.159
<v Speaker 1>And then the you have themes, some of them. I

0:21:02.160 --> 0:21:04.399
<v Speaker 1>think the better haunted houses have themes because when you

0:21:04.400 --> 0:21:07.359
<v Speaker 1>talk about scares, you can be all over the map.

0:21:07.640 --> 0:21:10.280
<v Speaker 1>Um from doing something like with a movie theme, where

0:21:10.280 --> 0:21:14.439
<v Speaker 1>you have classic horror movies or serial killers or gray scientists,

0:21:14.920 --> 0:21:18.400
<v Speaker 1>or like vampires and monsters and ghouls and goblins. Yes,

0:21:18.480 --> 0:21:21.120
<v Speaker 1>those are two very different kind of themes. Apparently, Um,

0:21:21.280 --> 0:21:26.200
<v Speaker 1>Rob Zombies got his own jam going and she called

0:21:26.280 --> 0:21:30.680
<v Speaker 1>his house yeah pretty much. Um, it's called Rob Zombies

0:21:31.160 --> 0:21:34.439
<v Speaker 1>Great American Nightmare. I think it's supposed to be a

0:21:34.440 --> 0:21:37.159
<v Speaker 1>play on the American Dream. But one of the rooms

0:21:37.240 --> 0:21:40.200
<v Speaker 1>is the John Wayne Gayzy Room, and it's like a

0:21:40.240 --> 0:21:43.240
<v Speaker 1>guy dressed up like John Wayne Gacy's Bubbles the clown.

0:21:43.480 --> 0:21:45.239
<v Speaker 1>I think that was the name of his clown, wasn't it.

0:21:46.119 --> 0:21:49.040
<v Speaker 1>Uh that sounds right. Um, just kind of hanging out

0:21:49.119 --> 0:21:52.000
<v Speaker 1>in like a recline or whatever. And this is Chicago,

0:21:52.520 --> 0:21:55.280
<v Speaker 1>and that's where John Wayne Gacy killed his victims, and

0:21:55.320 --> 0:21:57.280
<v Speaker 1>a lot of the victims families are still around, so

0:21:57.320 --> 0:21:59.679
<v Speaker 1>everybody's up in arms, and Rob Zombies like could not

0:22:00.119 --> 0:22:03.920
<v Speaker 1>less thank you for the free press, right exactly. Well,

0:22:04.000 --> 0:22:06.480
<v Speaker 1>clowns are posted something on our Facebook page a day

0:22:06.480 --> 0:22:10.679
<v Speaker 1>because that new clown and um American Horror story. Have

0:22:10.720 --> 0:22:14.720
<v Speaker 1>you seen this clown yet? Twisty the Clown, The guy

0:22:14.840 --> 0:22:17.800
<v Speaker 1>that made that show is like, just wait, Like, I

0:22:17.880 --> 0:22:20.040
<v Speaker 1>know clowns can be scary, but I have got the

0:22:20.080 --> 0:22:24.080
<v Speaker 1>scariest clown ever. And it's pretty scary, dude. Yeah, Like

0:22:24.119 --> 0:22:26.480
<v Speaker 1>I'm not bothered by it by things like that much,

0:22:26.520 --> 0:22:29.200
<v Speaker 1>but I saw this clown and I'm not into that show,

0:22:29.200 --> 0:22:31.000
<v Speaker 1>but I did watch the scenes that that clown was

0:22:31.000 --> 0:22:32.800
<v Speaker 1>in just to see what it was. Like, Yeah, it's

0:22:32.800 --> 0:22:35.200
<v Speaker 1>pretty frightening. I'll have to check them out. Yeah. And

0:22:35.200 --> 0:22:37.680
<v Speaker 1>and there's a broad daylight killing, which are always super

0:22:37.720 --> 0:22:41.280
<v Speaker 1>scary to me. Oh yeah, like they don't care about

0:22:41.800 --> 0:22:45.239
<v Speaker 1>there's no hiding it or any Yeah. That like a

0:22:45.280 --> 0:22:48.520
<v Speaker 1>beautiful blue sky out in a beautiful field, and those

0:22:48.600 --> 0:22:50.560
<v Speaker 1>kind of creep me out more. Yeah, because the whole

0:22:50.560 --> 0:22:53.120
<v Speaker 1>idea of like, oh, it's a good day to die,

0:22:53.320 --> 0:22:56.200
<v Speaker 1>to me, that doesn't mean it's beautiful out. It means

0:22:56.240 --> 0:22:59.080
<v Speaker 1>like it's like the world's already ending now it's a

0:22:59.080 --> 0:23:02.240
<v Speaker 1>good day to die. You know, the earth is opening

0:23:02.320 --> 0:23:05.320
<v Speaker 1>up and magma is pouring out that is possibly a

0:23:05.359 --> 0:23:07.879
<v Speaker 1>good day to die. Then the serial killer can come along.

0:23:09.400 --> 0:23:11.919
<v Speaker 1>Uh So if you're opening one of these hunted houses,

0:23:11.960 --> 0:23:14.720
<v Speaker 1>you can count on spending. This is a good idea.

0:23:14.760 --> 0:23:16.480
<v Speaker 1>You can make some good dough if you've got the

0:23:16.520 --> 0:23:21.240
<v Speaker 1>funds to get it going. Um, fifteen dollars per square

0:23:21.240 --> 0:23:24.240
<v Speaker 1>foot for decorating and special effects is what. Just that

0:23:24.359 --> 0:23:26.320
<v Speaker 1>alone is what you're gonna and that's not counting the

0:23:26.320 --> 0:23:28.639
<v Speaker 1>renting or buying of the structure itself. Right, so you

0:23:28.720 --> 0:23:33.439
<v Speaker 1>have five thousand foot scare footage. Okay, that's what I

0:23:33.520 --> 0:23:35.879
<v Speaker 1>was going for. That's good. You can be spending up

0:23:35.880 --> 0:23:41.960
<v Speaker 1>to grand just in decorations and scares and tricks. Yeah,

0:23:42.000 --> 0:23:43.480
<v Speaker 1>and you may be able to reuse a lot of

0:23:43.520 --> 0:23:46.240
<v Speaker 1>that from year to year. But you probably shouldn't put

0:23:46.240 --> 0:23:48.720
<v Speaker 1>out the same thing every year because if you're in

0:23:48.720 --> 0:23:50.560
<v Speaker 1>the same space doing the same thing, you're not going

0:23:50.600 --> 0:23:54.320
<v Speaker 1>to get repeat customers. No, So you want to turn

0:23:54.400 --> 0:23:59.600
<v Speaker 1>over like that each year. It's a new stuff. And

0:23:59.680 --> 0:24:02.560
<v Speaker 1>like you said, themes often change, So just changing the

0:24:02.560 --> 0:24:07.200
<v Speaker 1>theme alone is going to require that you change this this. Um, well,

0:24:07.280 --> 0:24:10.160
<v Speaker 1>your layout I guess to an extent. Yeah, Like, if

0:24:10.160 --> 0:24:17.080
<v Speaker 1>you're doing scary clowns. You're probably gonna have to get

0:24:17.160 --> 0:24:20.520
<v Speaker 1>rid of your O R setting or whatever unless you

0:24:20.560 --> 0:24:23.160
<v Speaker 1>do a clown doing surgery, which is kind of scary,

0:24:23.240 --> 0:24:27.520
<v Speaker 1>but it just seems a little off. Yeah, clown doing surgery,

0:24:27.520 --> 0:24:33.040
<v Speaker 1>that's just um, that'd be pretty scary. The clown hospital. Yeah, yeah,

0:24:33.119 --> 0:24:36.840
<v Speaker 1>well don't they have that children's hospital has a clown character.

0:24:37.080 --> 0:24:41.080
<v Speaker 1>That's what I'm thinking about, Quardrey. Yeah. Um. And by

0:24:41.119 --> 0:24:43.040
<v Speaker 1>the way, this is written by Kristen Konger from Stuff

0:24:43.040 --> 0:24:45.040
<v Speaker 1>Mom Never Told You, and she actually interviewed a few

0:24:45.400 --> 0:24:47.919
<v Speaker 1>owners of haunted houses to get some good inside poop

0:24:48.640 --> 0:24:52.600
<v Speaker 1>and um, that's where we're like getting these numbers and

0:24:52.640 --> 0:24:55.360
<v Speaker 1>they say to open one up. I was just making mine,

0:24:55.400 --> 0:24:58.040
<v Speaker 1>not oh you are Um, they said to open one up.

0:24:58.080 --> 0:25:00.760
<v Speaker 1>You're not only obviously it's it's a fun job, but

0:25:00.800 --> 0:25:02.520
<v Speaker 1>you've got to have a lot of business acumen too.

0:25:02.560 --> 0:25:04.160
<v Speaker 1>It's not just like, oh, this will be a hoot,

0:25:04.760 --> 0:25:06.720
<v Speaker 1>Like you've got to be super focused in and have

0:25:06.760 --> 0:25:08.960
<v Speaker 1>a good business brain or you're not gonna make any money.

0:25:09.160 --> 0:25:13.719
<v Speaker 1>Plus also, um, safety is a big, big deal, especially

0:25:13.760 --> 0:25:18.680
<v Speaker 1>after a fateful event in at six Flags Great Adventure

0:25:18.760 --> 0:25:23.920
<v Speaker 1>in New Jersey, there was They had a seventeen trailer

0:25:25.080 --> 0:25:30.040
<v Speaker 1>interconnected modular haunted house dark ride basically but a walking

0:25:30.119 --> 0:25:33.119
<v Speaker 1>dark ride. So it was a haunted house. Um and

0:25:33.280 --> 0:25:36.440
<v Speaker 1>it was basically a fire trap and it went up

0:25:36.800 --> 0:25:40.520
<v Speaker 1>and eight teenagers got trapped inside and died in the fire.

0:25:41.000 --> 0:25:45.040
<v Speaker 1>There were no fire sprinklers, there were no obvious, um

0:25:45.240 --> 0:25:49.120
<v Speaker 1>emergency exit signs or anything like that, and um, as

0:25:51.040 --> 0:25:53.640
<v Speaker 1>that's what happened back then. Yeah, but you'd think like

0:25:54.440 --> 0:25:57.439
<v Speaker 1>by the time the eighties rolled around, people would have

0:25:57.440 --> 0:26:00.280
<v Speaker 1>figured out, oh, if somebody likes the man each in

0:26:00.320 --> 0:26:03.360
<v Speaker 1>here or doesn't put their cigarette out, because again, it's

0:26:03.359 --> 0:26:06.760
<v Speaker 1>the eighties, so people smoked everywhere. The whole thing's gonna

0:26:06.840 --> 0:26:10.120
<v Speaker 1>go up because it's all plywood and foam, and maybe

0:26:10.119 --> 0:26:12.720
<v Speaker 1>we should put fire sprinklers in. But apparently it took

0:26:12.720 --> 0:26:17.160
<v Speaker 1>this tragedy to really change the industry, but it did. Yeah,

0:26:17.200 --> 0:26:19.520
<v Speaker 1>and safety is, like you said, a huge, huge part

0:26:19.560 --> 0:26:22.680
<v Speaker 1>of it. Because you're in the dark. You've got things

0:26:22.720 --> 0:26:26.320
<v Speaker 1>flying out and props swooping down and people jumping out

0:26:27.040 --> 0:26:29.879
<v Speaker 1>and uh, I mean, anything can happen to go wrong

0:26:30.000 --> 0:26:33.040
<v Speaker 1>and someone can get injured. So yeah, and actually, did

0:26:33.080 --> 0:26:35.840
<v Speaker 1>you hear about the girl in two eleven. There's an

0:26:35.840 --> 0:26:38.280
<v Speaker 1>employee at one of the ones outside of St. Louis

0:26:38.320 --> 0:26:42.720
<v Speaker 1>called Creepy World, and um, she worked there and somehow

0:26:42.760 --> 0:26:46.080
<v Speaker 1>got caught in a noose and accidentally hung herself. That

0:26:46.119 --> 0:26:48.360
<v Speaker 1>sounds like a story that you hear, you would think,

0:26:48.400 --> 0:26:52.000
<v Speaker 1>so it is so well documented that it actually did happen.

0:26:52.640 --> 0:26:57.359
<v Speaker 1>I'm quite sure. But she survived. Um, she suffered some

0:26:57.400 --> 0:26:59.960
<v Speaker 1>brain damage to it to an extent from what I understand,

0:27:00.040 --> 0:27:03.280
<v Speaker 1>And um, I don't know if it was extensive or not.

0:27:03.359 --> 0:27:06.080
<v Speaker 1>I'm on a roller coaster of emotion, right, but she,

0:27:06.200 --> 0:27:08.560
<v Speaker 1>I mean, she did survive. But she she accidentally got

0:27:08.560 --> 0:27:10.760
<v Speaker 1>caught in the nuise and hung herself. And it's possible

0:27:10.960 --> 0:27:14.320
<v Speaker 1>some patrons passer by thinking that she was like that's

0:27:14.520 --> 0:27:17.040
<v Speaker 1>what was supposed to be going on. Yeah, I've I've

0:27:17.040 --> 0:27:19.320
<v Speaker 1>heard some story that is not that of someone who

0:27:19.359 --> 0:27:22.919
<v Speaker 1>hung themselves on Halloween and everyone thought it was a

0:27:23.040 --> 0:27:25.480
<v Speaker 1>just a decoration in the front yard. My friend, you

0:27:25.800 --> 0:27:28.440
<v Speaker 1>need to go watch the most recent Don't Be Dumb.

0:27:29.680 --> 0:27:32.000
<v Speaker 1>It comes out this week. Is it about that? Yes?

0:27:32.280 --> 0:27:34.480
<v Speaker 1>Is that an old well, don't spoil it. Okay, people

0:27:34.480 --> 0:27:36.680
<v Speaker 1>should go watch it. Go watch. Don't be dumb about

0:27:36.720 --> 0:27:41.840
<v Speaker 1>that man, ask and tell him Josh that you Um, so,

0:27:41.880 --> 0:27:44.160
<v Speaker 1>after you've got your safety system worked out, You've got

0:27:44.160 --> 0:27:47.320
<v Speaker 1>your fire safety, got your sprinkler system, you've got flame

0:27:47.359 --> 0:27:52.639
<v Speaker 1>retardant material, you've got camera set up everywhere, everyone assigned

0:27:52.640 --> 0:27:56.199
<v Speaker 1>a lengthy waiver. Even if they do get hurt, um,

0:27:56.320 --> 0:27:57.960
<v Speaker 1>they could probably still try and see you, but you're

0:27:57.960 --> 0:28:01.160
<v Speaker 1>trying to avoid that at all costs. What you're gonna

0:28:01.240 --> 0:28:05.920
<v Speaker 1>have is some sort of amaze like structure where you're

0:28:05.960 --> 0:28:09.760
<v Speaker 1>walking around sort of lost but really just getting shuffled

0:28:09.800 --> 0:28:14.720
<v Speaker 1>along a path. And there's, like you said earlier, there's

0:28:14.720 --> 0:28:16.679
<v Speaker 1>this thing called through put. So there's a lot of

0:28:16.720 --> 0:28:20.639
<v Speaker 1>thought put into it because apparently the worst thing you

0:28:20.680 --> 0:28:22.919
<v Speaker 1>can do in a haunted house, and this makes sense,

0:28:23.440 --> 0:28:26.879
<v Speaker 1>is to let the group behind catch up to the

0:28:26.880 --> 0:28:29.840
<v Speaker 1>group ahead. Yeah, that ruins the whole thing, ruins everything

0:28:29.840 --> 0:28:31.800
<v Speaker 1>because you're in a group. It depends, but I don't

0:28:31.840 --> 0:28:34.560
<v Speaker 1>know six or right people. But and you don't want

0:28:34.760 --> 0:28:37.760
<v Speaker 1>the scare that already happened to be apparent to the

0:28:37.760 --> 0:28:40.560
<v Speaker 1>group that hasn't gotten there yet. Like you see the

0:28:40.600 --> 0:28:43.760
<v Speaker 1>chainsaw guy crawling back into his little tree, right exactly.

0:28:44.040 --> 0:28:47.200
<v Speaker 1>So UM this throughput is basically a calculation of how

0:28:47.240 --> 0:28:51.840
<v Speaker 1>many people you can push through at what intervals to say,

0:28:51.920 --> 0:28:55.840
<v Speaker 1>meet your nightly ticket quota. So the numbers that Conger

0:28:55.960 --> 0:28:59.000
<v Speaker 1>gives UM is to to get five people through in

0:28:59.000 --> 0:29:01.840
<v Speaker 1>a night you and put a group of six. You

0:29:01.840 --> 0:29:05.160
<v Speaker 1>can set them out every thirty seconds and they shouldn't

0:29:05.200 --> 0:29:07.720
<v Speaker 1>bump into one another. And then one of the ways

0:29:07.760 --> 0:29:11.360
<v Speaker 1>that that UM employees make sure that these groups don't

0:29:11.400 --> 0:29:14.920
<v Speaker 1>bump into one another is the way that they scare people. Yeah,

0:29:14.920 --> 0:29:19.440
<v Speaker 1>it's called scaring forward, which makes sense. It does. It's

0:29:20.240 --> 0:29:23.200
<v Speaker 1>kind of interesting, boring term UM. But what they're doing

0:29:23.320 --> 0:29:28.200
<v Speaker 1>is usually jumping behind you as you walk through the

0:29:28.240 --> 0:29:30.960
<v Speaker 1>group to make you go in a forward They don't

0:29:30.960 --> 0:29:32.400
<v Speaker 1>want to jump out in front of you and have

0:29:32.480 --> 0:29:34.400
<v Speaker 1>you move in the in the direction you just came

0:29:34.440 --> 0:29:37.040
<v Speaker 1>from backward. Yeah, so they want to scare you forward.

0:29:37.120 --> 0:29:39.920
<v Speaker 1>And that is a little tip. If you are not

0:29:40.160 --> 0:29:45.680
<v Speaker 1>into being the the lead person being scared, then you

0:29:45.680 --> 0:29:48.160
<v Speaker 1>should be in the lead because it's probably gonna come

0:29:48.160 --> 0:29:51.680
<v Speaker 1>from behind you. It's pretty counterintuitive, but I think I'm

0:29:51.680 --> 0:29:53.880
<v Speaker 1>going to be in the back and I'll be just fine. Yeah,

0:29:53.960 --> 0:29:56.000
<v Speaker 1>you're the one that's gonna get grabbed because if they

0:29:56.080 --> 0:29:57.880
<v Speaker 1>jump out at the front of the group again, it's

0:29:57.920 --> 0:30:00.640
<v Speaker 1>gonna push the group backward, and the group ahead is

0:30:00.680 --> 0:30:03.800
<v Speaker 1>going to run into the group behind, and that's very bad. Yeah,

0:30:03.800 --> 0:30:07.400
<v Speaker 1>and I say get grabbed, you probably won't get touched. Now,

0:30:07.440 --> 0:30:11.800
<v Speaker 1>there apparently are some haunted house attractions that do light touching.

0:30:12.200 --> 0:30:15.920
<v Speaker 1>But you're going to be fully informed. That's so crazy.

0:30:15.920 --> 0:30:18.720
<v Speaker 1>He really does light touching. You're gonna be fully informed,

0:30:18.760 --> 0:30:21.440
<v Speaker 1>Like it's not gonna you're not gonna not know that

0:30:21.560 --> 0:30:23.560
<v Speaker 1>it's coming. Like in line, they're going to be like

0:30:23.600 --> 0:30:26.840
<v Speaker 1>signed this an initial here, an initial here, an initial here,

0:30:27.200 --> 0:30:30.960
<v Speaker 1>and we're gonna give you a heart attach test first,

0:30:31.680 --> 0:30:34.160
<v Speaker 1>just to make sure please step on this treadmill that

0:30:34.280 --> 0:30:36.480
<v Speaker 1>kind of thing. See, that's how I would really scare

0:30:36.520 --> 0:30:38.920
<v Speaker 1>people to say, you know, none of the actors are

0:30:38.920 --> 0:30:41.360
<v Speaker 1>allowed to touch anyone, so if you're getting touched, I

0:30:41.360 --> 0:30:44.320
<v Speaker 1>mean something has gone horribly wrong. Right, And then have

0:30:44.400 --> 0:30:49.560
<v Speaker 1>people well, well we'll get to in a minute, um,

0:30:49.720 --> 0:30:53.160
<v Speaker 1>the new extreme ones where there's not only touching, like

0:30:53.720 --> 0:30:57.760
<v Speaker 1>it's beyond anything that you could imagine. But we'll get

0:30:57.760 --> 0:31:01.840
<v Speaker 1>to that soon. Uh. And since we mentioned actors hiding. Uh.

0:31:01.920 --> 0:31:05.040
<v Speaker 1>Those are called scare pockets. Yeah, where they hide jump

0:31:05.080 --> 0:31:07.600
<v Speaker 1>out from. Yeah. So like they're hiding behind that tree,

0:31:08.160 --> 0:31:11.200
<v Speaker 1>and they may distract you with a bat swooping down

0:31:11.200 --> 0:31:13.400
<v Speaker 1>in the other direction. There's a lot of distraction going

0:31:13.440 --> 0:31:15.080
<v Speaker 1>on because what they don't want is you to be

0:31:15.120 --> 0:31:20.880
<v Speaker 1>focused on the clearly placed fox tree trunk that has

0:31:20.920 --> 0:31:24.200
<v Speaker 1>the smell of a chainsaw. Yeah, but there won't be

0:31:24.200 --> 0:31:25.880
<v Speaker 1>any blade on that chainsaw, by the way. No. And

0:31:25.960 --> 0:31:30.160
<v Speaker 1>a good actor also will scramble back into place very quickly. Yeah. Um.

0:31:30.440 --> 0:31:34.400
<v Speaker 1>Because the longer they hang out and they're like yeah, right,

0:31:34.720 --> 0:31:38.080
<v Speaker 1>the more you're gonna be like you're just some teenager, yeah,

0:31:38.000 --> 0:31:40.400
<v Speaker 1>who doesn't scare me. Yeah. And if you're looking to

0:31:40.440 --> 0:31:42.280
<v Speaker 1>save a little money, you might want to double up

0:31:42.360 --> 0:31:45.600
<v Speaker 1>and have that scare pocket have a couple of different

0:31:45.640 --> 0:31:48.040
<v Speaker 1>ways that it can go. Like I can jump out

0:31:48.040 --> 0:31:49.920
<v Speaker 1>on these people on the right who are in this

0:31:50.000 --> 0:31:52.320
<v Speaker 1>one part of the hunted house. Now I can scramble

0:31:52.320 --> 0:31:54.280
<v Speaker 1>back and then hit these people on the left, not

0:31:54.400 --> 0:31:57.480
<v Speaker 1>hit them, jump out and scare them. Um. And that

0:31:57.520 --> 0:31:59.560
<v Speaker 1>way you're saying a little dough with your actors. Yeah,

0:31:59.600 --> 0:32:04.720
<v Speaker 1>double or tippling your people and then apparently chuck. Lastly, Um,

0:32:04.760 --> 0:32:09.200
<v Speaker 1>a lot of the attractions are run on compressed air

0:32:09.840 --> 0:32:12.880
<v Speaker 1>that is set off either through motion sensors, which I

0:32:12.920 --> 0:32:16.720
<v Speaker 1>think everybody expects, but also through touch pads, which makes

0:32:16.760 --> 0:32:19.880
<v Speaker 1>sense because you can control that right well with a

0:32:20.000 --> 0:32:22.440
<v Speaker 1>with a motion sensor, every group is going to set

0:32:22.440 --> 0:32:25.320
<v Speaker 1>off that effect at right, And what it does is

0:32:25.360 --> 0:32:27.160
<v Speaker 1>it opens the valve and all of a sudden, the

0:32:27.200 --> 0:32:29.840
<v Speaker 1>skeleton sits up in the coffin or comes out from

0:32:29.840 --> 0:32:35.720
<v Speaker 1>the side or something exactly right. Um, that was a

0:32:35.800 --> 0:32:40.440
<v Speaker 1>really good impression with a touch pad. Though, if you say,

0:32:40.520 --> 0:32:42.680
<v Speaker 1>place the square off to the left or something, not

0:32:42.800 --> 0:32:45.040
<v Speaker 1>every group is going to walk over the touch pad,

0:32:45.520 --> 0:32:47.680
<v Speaker 1>so not every group is going to get the same

0:32:47.720 --> 0:32:50.080
<v Speaker 1>set of scare. So it kind of randomizes the thing,

0:32:50.120 --> 0:32:53.040
<v Speaker 1>which in turn makes the whole experience even more frightening,

0:32:53.400 --> 0:32:56.080
<v Speaker 1>because if you hear the group ahead at the curve

0:32:56.240 --> 0:33:00.600
<v Speaker 1>scream and scream exactly when you get to that, you're

0:33:00.600 --> 0:33:03.680
<v Speaker 1>gonna be prepared and if nothing happens, well, then, my friend,

0:33:03.680 --> 0:33:05.800
<v Speaker 1>you're just even more keyed up for the next one.

0:33:06.280 --> 0:33:08.560
<v Speaker 1>That's right, yeah, and you're keyed up to begin with

0:33:08.600 --> 0:33:11.840
<v Speaker 1>walking in there because a good haunted house will put

0:33:11.880 --> 0:33:14.800
<v Speaker 1>a little bit of money into getting you all ramped

0:33:14.880 --> 0:33:17.320
<v Speaker 1>up in the parking lot in the line that we

0:33:17.400 --> 0:33:20.520
<v Speaker 1>might have creeps dressed up roaming around. Uh, they may

0:33:20.560 --> 0:33:23.959
<v Speaker 1>have sound effects and spooky music and like an airhorn blast,

0:33:24.640 --> 0:33:27.480
<v Speaker 1>which is really uncool, and that's just got you on edge.

0:33:27.480 --> 0:33:29.560
<v Speaker 1>By the time you walk in that place, you're ready

0:33:29.840 --> 0:33:33.760
<v Speaker 1>to be scared. Um alright, chuck, Yeah, we've teased it enough.

0:33:34.280 --> 0:33:38.840
<v Speaker 1>Let's talk about extreme haunted houses, which apparently are so

0:33:38.920 --> 0:33:44.080
<v Speaker 1>extreme that people who are haunted house enthusiasts, like people

0:33:44.200 --> 0:33:46.480
<v Speaker 1>who are like in the industry, don't even like these

0:33:46.480 --> 0:33:51.640
<v Speaker 1>things to be called extreme haunted houses because they're so extreme. Yeah,

0:33:51.840 --> 0:33:54.480
<v Speaker 1>that's what I gather. And these are to say these

0:33:54.480 --> 0:33:57.760
<v Speaker 1>are interactive, is uh not really putting a fine point

0:33:57.840 --> 0:34:03.320
<v Speaker 1>on it. They are. You're basically paying money to be

0:34:03.360 --> 0:34:07.680
<v Speaker 1>treated like an assault victim for up to seven hours,

0:34:07.720 --> 0:34:10.960
<v Speaker 1>like you might be put in a headlock. You might

0:34:11.920 --> 0:34:14.839
<v Speaker 1>where's the one there's one in San Diego? Yeah. Uh.

0:34:15.239 --> 0:34:19.080
<v Speaker 1>McCamy manner is renowned as like the worst of the worst.

0:34:19.160 --> 0:34:21.880
<v Speaker 1>The video that I saw it was like you are

0:34:21.960 --> 0:34:25.080
<v Speaker 1>like covered in blood, dude. It was unbelievable put into

0:34:25.120 --> 0:34:27.920
<v Speaker 1>like a coffin, and somebody is like in their writing

0:34:27.960 --> 0:34:30.560
<v Speaker 1>on top of you in the dark, and you're trying

0:34:30.560 --> 0:34:32.840
<v Speaker 1>to get out and they're pulling you back in and

0:34:32.840 --> 0:34:36.520
<v Speaker 1>and just like it's insane, how intense this thing looks. Yeah,

0:34:36.560 --> 0:34:40.319
<v Speaker 1>they had a cage that locks your head in that

0:34:40.400 --> 0:34:44.279
<v Speaker 1>they're dropping like fake snakes in, which is not as

0:34:44.320 --> 0:34:46.759
<v Speaker 1>bad as life snakes, but it's still pretty bad. And

0:34:46.800 --> 0:34:52.000
<v Speaker 1>apparently the the the catchphrase of everybody who goes through

0:34:52.040 --> 0:34:54.239
<v Speaker 1>these things is let me out of here. Is that

0:34:54.320 --> 0:34:58.000
<v Speaker 1>they shout or cry it. Well, yeah, but apparently supposedly

0:34:58.480 --> 0:35:02.279
<v Speaker 1>McCamy manner, it's open year round and they only take

0:35:02.360 --> 0:35:05.839
<v Speaker 1>four people a day through this thing, but like you said,

0:35:05.840 --> 0:35:08.840
<v Speaker 1>it's up to seven hours long in some cases, right, yeah,

0:35:08.880 --> 0:35:11.400
<v Speaker 1>so they'll take in I think, just one at a time.

0:35:11.800 --> 0:35:14.640
<v Speaker 1>You have to come through by yourself, and they only

0:35:14.640 --> 0:35:17.120
<v Speaker 1>do four people to day. It's only open on the weekends,

0:35:17.200 --> 0:35:20.360
<v Speaker 1>and I don't know if this is true. Supposedly, the

0:35:20.400 --> 0:35:23.000
<v Speaker 1>one rule like you have to apply fill on an

0:35:23.040 --> 0:35:25.640
<v Speaker 1>application to go through this thing and be super fit

0:35:26.000 --> 0:35:30.759
<v Speaker 1>and super psychologically fit and um, because you're getting a

0:35:30.840 --> 0:35:34.120
<v Speaker 1>physically like abused in some cases like nothing you can't

0:35:34.160 --> 0:35:37.520
<v Speaker 1>walk away from. But you know they're they're mangling you

0:35:37.760 --> 0:35:39.920
<v Speaker 1>without hurting you. Well, yeah, and they held I saw

0:35:40.000 --> 0:35:42.400
<v Speaker 1>they held one guy's face in front of a toilet

0:35:42.440 --> 0:35:45.600
<v Speaker 1>and it shot up some noxious stuff out of it,

0:35:45.719 --> 0:35:48.799
<v Speaker 1>like stuff like that. So on one hand, it is

0:35:49.120 --> 0:35:53.200
<v Speaker 1>like physically abusive. On the other it's like almost laughable

0:35:53.480 --> 0:35:55.920
<v Speaker 1>that they like, these people really put their minds to

0:35:56.040 --> 0:35:58.799
<v Speaker 1>it and they came up with shooting stuff out of

0:35:58.800 --> 0:36:03.279
<v Speaker 1>a toilet in your face. Yeah. Um, But supposedly you

0:36:03.320 --> 0:36:05.560
<v Speaker 1>can't leave this one at all, like there is no

0:36:05.640 --> 0:36:08.040
<v Speaker 1>safe word. I just don't believe that. I don't believe

0:36:08.040 --> 0:36:11.040
<v Speaker 1>it either. But it's free. The one in San Diego

0:36:11.080 --> 0:36:13.400
<v Speaker 1>is really Yeah, it's free. And the and that's the

0:36:13.400 --> 0:36:16.040
<v Speaker 1>one hook is is that you're not allowed to leave

0:36:16.160 --> 0:36:18.759
<v Speaker 1>what you You sign a document it says I'm going

0:36:18.840 --> 0:36:22.080
<v Speaker 1>to go through this thing from beginning to end. That's

0:36:22.120 --> 0:36:23.719
<v Speaker 1>what I say. I would trust me, I would get

0:36:23.719 --> 0:36:26.759
<v Speaker 1>out of that place like I would. Yeah, I would

0:36:26.880 --> 0:36:29.080
<v Speaker 1>bust through a wall or something. That's what it took

0:36:30.160 --> 0:36:33.640
<v Speaker 1>Chuck Murray. But that is McCamy manner, and that is

0:36:34.080 --> 0:36:38.680
<v Speaker 1>was constructed by Russ McCamey, who's a terror fanatic. Uh.

0:36:38.680 --> 0:36:40.680
<v Speaker 1>They also have one in New York and l A

0:36:40.719 --> 0:36:43.680
<v Speaker 1>called Blackout, one called Gates of Hell in Las Vegas.

0:36:44.320 --> 0:36:49.040
<v Speaker 1>And the common denominator of all these is you're getting

0:36:49.080 --> 0:36:51.480
<v Speaker 1>physically like you don't wear clothes you ever want to

0:36:51.480 --> 0:36:54.160
<v Speaker 1>wear again, because you're gonna fake blood and vomit thrown

0:36:54.200 --> 0:36:58.719
<v Speaker 1>in your face hopefully fake and be physically assaulted. I

0:36:58.719 --> 0:37:00.880
<v Speaker 1>mean they have scenes where, you like, where there's a

0:37:00.960 --> 0:37:06.120
<v Speaker 1>rapist after you. It's really dark. So they with haunted

0:37:06.120 --> 0:37:09.480
<v Speaker 1>house enthusiasts who criticize these kind of things, it's usually

0:37:09.520 --> 0:37:13.120
<v Speaker 1>because they say there's no story to it. There's very

0:37:13.200 --> 0:37:17.000
<v Speaker 1>rarely build up. It's all just payoff off, payoff, like

0:37:17.040 --> 0:37:19.799
<v Speaker 1>all of it. It's just there's no there's no well,

0:37:19.800 --> 0:37:22.280
<v Speaker 1>there's no ratcheting up of tensions. It's like those movies

0:37:22.920 --> 0:37:27.000
<v Speaker 1>that we're talking about. It's the haunted attraction version of Uh.

0:37:27.160 --> 0:37:29.319
<v Speaker 1>I don't even know what there are. I don't watch

0:37:29.320 --> 0:37:33.080
<v Speaker 1>any of them. Like Hostile, Okay, I did see that one. Actually,

0:37:33.600 --> 0:37:37.000
<v Speaker 1>what do you think anytime if you're going to pull

0:37:37.040 --> 0:37:41.520
<v Speaker 1>out that rusty tray of medical instruments, you've lost me. Yeah,

0:37:41.600 --> 0:37:43.279
<v Speaker 1>that is such a trope by now you know you

0:37:43.320 --> 0:37:46.120
<v Speaker 1>know who did do it well? Was the first couple

0:37:46.120 --> 0:37:50.040
<v Speaker 1>of hell raisers They used medical instruments to in the

0:37:50.120 --> 0:37:55.520
<v Speaker 1>day disheartening effect. Yeah, the ones that scare me the most. Again,

0:37:55.600 --> 0:37:57.839
<v Speaker 1>to delve back into movies like did you ever see

0:37:57.840 --> 0:38:02.399
<v Speaker 1>Wolf Creek and it's setting the Australian Outback, is like, yeah,

0:38:02.440 --> 0:38:05.279
<v Speaker 1>it's the kids whose car breaks down and all of

0:38:05.360 --> 0:38:07.200
<v Speaker 1>a sudden, the rest of the movie is them getting

0:38:07.200 --> 0:38:10.440
<v Speaker 1>traced chased by this homicidal maniac. Okay, that to me

0:38:10.760 --> 0:38:15.759
<v Speaker 1>is what's called the psychological thriller. Yeah, that's not I mean, yes,

0:38:15.840 --> 0:38:18.399
<v Speaker 1>I understand it is horror Friday the thirteenth, that's like

0:38:19.000 --> 0:38:21.799
<v Speaker 1>Hallmark Court, but it's the slasher movie different. Yeah, the

0:38:21.800 --> 0:38:24.919
<v Speaker 1>slasher movie is just it's just different. I mean, there's

0:38:25.000 --> 0:38:29.680
<v Speaker 1>not enough true, genuine horror movies in my opinion, which

0:38:29.719 --> 0:38:32.239
<v Speaker 1>amount to basically supernatural horror. I guess that's how you

0:38:32.360 --> 0:38:34.000
<v Speaker 1>put it. That's what I meant to You should check

0:38:34.000 --> 0:38:36.560
<v Speaker 1>out Wolf Creek. It's the the will. I have no

0:38:36.680 --> 0:38:39.600
<v Speaker 1>problem with it. It's just as far as horror goes,

0:38:39.640 --> 0:38:42.680
<v Speaker 1>I'm not scared by that. I want to be scared

0:38:42.920 --> 0:38:45.400
<v Speaker 1>you might be scared. Okay, I'll check it out. The

0:38:46.040 --> 0:38:48.279
<v Speaker 1>murderous guy is is a really like kind of a

0:38:48.360 --> 0:38:50.760
<v Speaker 1>great character, and I think he falls into the pantheon

0:38:50.760 --> 0:38:54.160
<v Speaker 1>of classic like Michael Myers characters like yeah, one of

0:38:54.160 --> 0:38:59.480
<v Speaker 1>the good Slashers, um, which brings us to the hell houses, yeah,

0:39:00.040 --> 0:39:02.839
<v Speaker 1>which um, like we said, was sort of started back

0:39:02.880 --> 0:39:08.200
<v Speaker 1>in the dark ages of Christianity. Uh, they they do

0:39:08.320 --> 0:39:11.960
<v Speaker 1>this today. The most famous wasn't is in uh Cedar Hill, Texas.

0:39:12.320 --> 0:39:14.399
<v Speaker 1>And there's a documentary called hell House on these things,

0:39:14.480 --> 0:39:20.759
<v Speaker 1>I think from like two thousand to camp and Uh.

0:39:20.800 --> 0:39:24.880
<v Speaker 1>The idea of these is uh run by churches usually

0:39:24.920 --> 0:39:28.239
<v Speaker 1>and they are too just like in the old days,

0:39:28.280 --> 0:39:32.280
<v Speaker 1>scare you into walking the straight and narrow, And actually

0:39:32.320 --> 0:39:35.920
<v Speaker 1>they were. They were originated by Jerry Folwell back in

0:39:35.960 --> 0:39:38.520
<v Speaker 1>the seventies. Yeah, those are the first ones, I think. Yeah,

0:39:38.640 --> 0:39:40.920
<v Speaker 1>and then in the nineties that church in Texas you

0:39:40.920 --> 0:39:45.359
<v Speaker 1>mentioned took over Abundant Life Christian Center, um, and they

0:39:45.400 --> 0:39:49.400
<v Speaker 1>took over and they started actually packaging it. They started

0:39:49.440 --> 0:39:54.399
<v Speaker 1>selling hell houses for like bucks and it was kind

0:39:54.400 --> 0:39:56.239
<v Speaker 1>of like do you remember those j C's in the

0:39:56.320 --> 0:39:59.839
<v Speaker 1>seventies that came up with the Haunted House package. These

0:39:59.840 --> 0:40:02.120
<v Speaker 1>are the same things but for hell houses. And then

0:40:02.160 --> 0:40:05.080
<v Speaker 1>there's modules that you can buy that cost additional amounts

0:40:05.080 --> 0:40:07.719
<v Speaker 1>of money so you can add rooms to it. And

0:40:07.760 --> 0:40:10.120
<v Speaker 1>so like a room you might buy as the abortion room.

0:40:10.600 --> 0:40:14.120
<v Speaker 1>And in the abortion room, Um, you're taught how to

0:40:14.480 --> 0:40:18.080
<v Speaker 1>use raw meat that's like a stand in for a

0:40:18.120 --> 0:40:20.399
<v Speaker 1>fetus that you throw into a glass bowl. You've got

0:40:20.400 --> 0:40:22.160
<v Speaker 1>to make sure it's a glass bowl so everybody can

0:40:22.200 --> 0:40:25.160
<v Speaker 1>see through into it. Did the quote literally from the

0:40:25.200 --> 0:40:27.920
<v Speaker 1>manual that they distribute on how to run these says, quote,

0:40:28.280 --> 0:40:31.120
<v Speaker 1>purchase a meat product that closely resembles pieces of a

0:40:31.160 --> 0:40:33.719
<v Speaker 1>baby to be placed in a glass bowl, so that

0:40:33.840 --> 0:40:36.680
<v Speaker 1>their suggestion that's a room from hell house. Yeah, and

0:40:36.680 --> 0:40:40.000
<v Speaker 1>this is to keep you from having premarital sex exactly. Obviously,

0:40:40.120 --> 0:40:45.480
<v Speaker 1>subtlety is not a hallmark of the hell house. Um.

0:40:45.560 --> 0:40:48.680
<v Speaker 1>So for example, like if you there's there's one from

0:40:48.960 --> 0:40:52.680
<v Speaker 1>New Destiny Christian Center. Um, it's called the Rave scene

0:40:53.280 --> 0:40:58.399
<v Speaker 1>and basically it's about um club drugs and death. Teenage death.

0:40:58.760 --> 0:41:02.360
<v Speaker 1>Like pretty much everybody dies or takes their own life,

0:41:03.040 --> 0:41:06.520
<v Speaker 1>um as a result of of sin, yes, of their sin. Yeah,

0:41:06.560 --> 0:41:09.920
<v Speaker 1>like the lesbian suicide room where uh, you know, a

0:41:09.920 --> 0:41:15.040
<v Speaker 1>young lady succumbs to lesbianism and uh is so mistreated

0:41:15.200 --> 0:41:20.400
<v Speaker 1>and um, she she goes to she's she's not a lesbian,

0:41:20.920 --> 0:41:25.000
<v Speaker 1>she's just saving herself and is mistaken for a lesbian

0:41:27.080 --> 0:41:30.560
<v Speaker 1>and then uh it then kills herself because her best

0:41:30.600 --> 0:41:32.839
<v Speaker 1>friend rejects her and calls her a lesbian when she

0:41:32.920 --> 0:41:35.520
<v Speaker 1>went to go hugger. That was that was from the

0:41:35.600 --> 0:41:39.120
<v Speaker 1>Vice article you sign at least, yeah, that's a great article. Um,

0:41:39.160 --> 0:41:43.520
<v Speaker 1>but it's all repercussions of sins. So there's the lesbian

0:41:43.560 --> 0:41:47.520
<v Speaker 1>suicide room. There is the AIDS room, the abortion room,

0:41:47.719 --> 0:41:51.200
<v Speaker 1>the domestic violence room, the d u I room, and

0:41:51.239 --> 0:41:55.480
<v Speaker 1>they're all just enacting these horrific scenes. And until you

0:41:55.520 --> 0:41:59.120
<v Speaker 1>get finally to Hell, is it the end of the

0:41:59.200 --> 0:42:01.880
<v Speaker 1>very end? Um In Hell is where they're you know,

0:42:02.080 --> 0:42:05.520
<v Speaker 1>displaying what hell looks like with ghuls and demons and uh,

0:42:05.560 --> 0:42:07.920
<v Speaker 1>and then finally you get to go to heaven. Well,

0:42:07.960 --> 0:42:10.080
<v Speaker 1>this is what makes the hell house the hell house.

0:42:10.520 --> 0:42:14.799
<v Speaker 1>Like you through these different types of sin into Hell

0:42:14.920 --> 0:42:18.120
<v Speaker 1>and then when you come out, you emerge through Hell

0:42:18.600 --> 0:42:23.040
<v Speaker 1>and then the real life preachers there saying, hey, how

0:42:23.080 --> 0:42:26.200
<v Speaker 1>about you repent and for those of you who aren't saved,

0:42:26.600 --> 0:42:28.359
<v Speaker 1>why don't you come on over to our church and

0:42:28.400 --> 0:42:30.520
<v Speaker 1>we'll save you. Yeah, they call it. In the Vice article,

0:42:30.600 --> 0:42:33.360
<v Speaker 1>they call it the h It's a really cool pastor

0:42:33.440 --> 0:42:35.759
<v Speaker 1>who jumps out and is the good cop to hell

0:42:35.800 --> 0:42:38.920
<v Speaker 1>house is bad cop, and he's like, you can avoid

0:42:38.960 --> 0:42:41.560
<v Speaker 1>all this scary stuff if you, uh, you know, take

0:42:41.600 --> 0:42:44.600
<v Speaker 1>the Lord Jesus as your savior. And sometimes they'll do

0:42:44.680 --> 0:42:47.200
<v Speaker 1>that right in the room and have you signed something? Oh,

0:42:47.239 --> 0:42:51.120
<v Speaker 1>I can imagine, and uh, that's the hell house. And

0:42:51.120 --> 0:42:54.080
<v Speaker 1>then that Vice article, it's crazy. Um. The author mentions

0:42:54.120 --> 0:42:57.839
<v Speaker 1>that a little boy goes off in vomits during the

0:42:57.880 --> 0:43:02.440
<v Speaker 1>hell house, So apparently the very effective well, if the

0:43:02.520 --> 0:43:05.359
<v Speaker 1>object is to make you sick and vomit, yea, so

0:43:05.680 --> 0:43:08.520
<v Speaker 1>vomit from fear for your soul. And they're still around.

0:43:08.560 --> 0:43:11.279
<v Speaker 1>It seems like something that um might have gone by

0:43:11.280 --> 0:43:13.960
<v Speaker 1>the wayside. But yeah, you can still go to hell

0:43:14.000 --> 0:43:16.279
<v Speaker 1>houses in one of places. I have one more thing

0:43:16.360 --> 0:43:19.520
<v Speaker 1>for your chuck. What you got. Go to BuzzFeed dot com.

0:43:19.719 --> 0:43:22.920
<v Speaker 1>You may have heard of that website, uh, and search

0:43:23.040 --> 0:43:28.239
<v Speaker 1>for forty four best picks of scared brows at Haunted. Yeah,

0:43:28.320 --> 0:43:30.719
<v Speaker 1>I can't remember where the Haunted House is, but it's

0:43:30.719 --> 0:43:33.480
<v Speaker 1>all the same background, but very much like roller coasters.

0:43:33.840 --> 0:43:37.520
<v Speaker 1>They take a photo of this one spot and it's

0:43:37.560 --> 0:43:42.800
<v Speaker 1>like the scariest spot and um, the people are they're wonderful,

0:43:42.960 --> 0:43:45.640
<v Speaker 1>hilarious photo and like it's been around. I think they

0:43:45.680 --> 0:43:49.560
<v Speaker 1>first started publishing them in two thousand eleven, so they've

0:43:49.560 --> 0:43:51.840
<v Speaker 1>been around for years and they're still just as funny

0:43:51.880 --> 0:43:54.680
<v Speaker 1>as ever. It's great that the scared face is just

0:43:54.800 --> 0:43:58.920
<v Speaker 1>so pure to me because it's just pure reaction, like

0:43:59.000 --> 0:44:01.400
<v Speaker 1>the toughest dude in the world, like trying to climb

0:44:01.400 --> 0:44:04.279
<v Speaker 1>over his girlfriend or push her toward whatever he's afraid of.

0:44:05.080 --> 0:44:08.040
<v Speaker 1>It's whatever is happening in that two seconds. It's pretty great.

0:44:09.000 --> 0:44:15.040
<v Speaker 1>So that's Haunted House Attractions everybody I know. Uh, you

0:44:15.080 --> 0:44:17.120
<v Speaker 1>want to know more about them, type those words in

0:44:17.120 --> 0:44:19.160
<v Speaker 1>the switch part how stuff works dot com. And since

0:44:19.200 --> 0:44:23.080
<v Speaker 1>I said that, it's time for the listener mail, I'm

0:44:23.080 --> 0:44:26.000
<v Speaker 1>gonna call this Karate Kid an email Awesome, which was

0:44:26.120 --> 0:44:30.480
<v Speaker 1>the scariest movie I've ever seen. Uh, if you listen

0:44:30.520 --> 0:44:33.440
<v Speaker 1>to our Karate episode, we wax philosophical about Karate Kid

0:44:33.480 --> 0:44:35.720
<v Speaker 1>movie and we got a lot of emails of UM

0:44:35.760 --> 0:44:40.960
<v Speaker 1>people feeling great ways of nostalgia UH and talking about it. UM.

0:44:41.120 --> 0:44:43.080
<v Speaker 1>So here we go. I imagine as will get dozens

0:44:43.080 --> 0:44:47.000
<v Speaker 1>of versions of this similar email. Just listen to Karate

0:44:47.640 --> 0:44:49.640
<v Speaker 1>and Uh. I have not finished it yet, but I'm

0:44:49.640 --> 0:44:53.359
<v Speaker 1>writing about the first seven to eight minutes. Specifically, Your

0:44:53.400 --> 0:44:56.000
<v Speaker 1>ode to the Karate Kid was beautiful. I got goose

0:44:56.000 --> 0:44:58.080
<v Speaker 1>bumps along with Chuck. I may have also had a

0:44:58.080 --> 0:45:01.239
<v Speaker 1>tear in my eye when Need described that magical moment

0:45:01.239 --> 0:45:03.320
<v Speaker 1>in the film where it all comes together and we realize,

0:45:03.360 --> 0:45:07.640
<v Speaker 1>along with Daniel Son, that Mr Miyagi is truly a genius. UM.

0:45:08.000 --> 0:45:13.560
<v Speaker 1>By the way, Ralph Maccio named his son Daniel after himself, Yeah,

0:45:13.600 --> 0:45:17.040
<v Speaker 1>I guess so, after the best version of himself. I

0:45:17.080 --> 0:45:18.839
<v Speaker 1>recently sent The Karate Kid to my six year old

0:45:18.840 --> 0:45:21.080
<v Speaker 1>nephew to ensure that despite what his friends and media

0:45:21.160 --> 0:45:23.640
<v Speaker 1>try to tell him, he will know that Ralph Macchio

0:45:23.800 --> 0:45:26.719
<v Speaker 1>is the original and only Karate Kid. When I called

0:45:26.760 --> 0:45:28.440
<v Speaker 1>him and asked what his favorite part was, he actually

0:45:28.480 --> 0:45:32.759
<v Speaker 1>started singing, You're the best around, nothing's ever gone, and

0:45:32.880 --> 0:45:35.520
<v Speaker 1>get you down. It was the proudest moment of my

0:45:35.560 --> 0:45:38.719
<v Speaker 1>aunthood so far. Now, Chuck I implore you to watch

0:45:38.760 --> 0:45:42.120
<v Speaker 1>The Karate Kid too, after all the other films that

0:45:42.160 --> 0:45:43.759
<v Speaker 1>attempt to be a part of the franchise or a

0:45:43.800 --> 0:45:47.120
<v Speaker 1>Travesty two is incredibly good. It is very good. The

0:45:47.120 --> 0:45:49.520
<v Speaker 1>Peter Sta song Josh mentioned, Glory of Love was my

0:45:49.560 --> 0:45:52.239
<v Speaker 1>first ever favorite song when I was six because of

0:45:52.239 --> 0:45:54.279
<v Speaker 1>the film is a classic, and I think you were

0:45:54.320 --> 0:45:57.880
<v Speaker 1>missing out. I'll watch it. I'll check it out anyways.

0:45:57.880 --> 0:45:59.400
<v Speaker 1>Thanks for sending me to work this morning with an

0:45:59.400 --> 0:46:01.600
<v Speaker 1>extra bout in my step and a song in my

0:46:01.640 --> 0:46:04.440
<v Speaker 1>heart that is from Nicole Beal at Jed's barber shop.

0:46:04.680 --> 0:46:07.120
<v Speaker 1>It's like City Utah. Go get her to cut your head.

0:46:07.360 --> 0:46:11.279
<v Speaker 1>Nice hair, not your head. It's doing a terrible job.

0:46:11.440 --> 0:46:15.600
<v Speaker 1>She's cutting your head. Thanks a lot, Nicole. Um. Did

0:46:15.600 --> 0:46:19.400
<v Speaker 1>you know her friend Van Nostrin. Uh, does his band

0:46:19.400 --> 0:46:21.720
<v Speaker 1>The Bangalore's do a cover of your The Best Around?

0:46:22.120 --> 0:46:23.640
<v Speaker 1>I knew he loved that song. I don't know if

0:46:23.680 --> 0:46:25.759
<v Speaker 1>I knew they actually covered It's good. You can go

0:46:25.840 --> 0:46:29.759
<v Speaker 1>to SoundCloud search Bangalore's and You're the Best Around. It's

0:46:29.760 --> 0:46:32.920
<v Speaker 1>on there. I'm gonna do that right after this. Uh.

0:46:33.040 --> 0:46:36.960
<v Speaker 1>If you want to let us know that we nailed something,

0:46:37.640 --> 0:46:39.920
<v Speaker 1>we want to hear about it. You can tweet to

0:46:40.000 --> 0:46:42.640
<v Speaker 1>us at s y s K Podcast. You can join

0:46:42.719 --> 0:46:44.680
<v Speaker 1>us on Facebook dot com slash stuff you Should Know.

0:46:44.880 --> 0:46:47.080
<v Speaker 1>You can send us an email to Stuff Podcast at

0:46:47.080 --> 0:46:49.759
<v Speaker 1>how stuff works dot com, and, as always, joined us

0:46:49.760 --> 0:46:51.600
<v Speaker 1>at our home on the web, Stuff you Should Know

0:46:51.680 --> 0:47:01.040
<v Speaker 1>Doc Come. For more on this and thousands of other topics,

0:47:01.280 --> 0:47:09.600
<v Speaker 1>visit how stuff works dot com. MMM