WEBVTT - 84: The November 2019 Blade Runner Spectacular

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<v Speaker 1>Welcome to Nightcall, a production of I Heart Radio. It's

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<v Speaker 1>November in Los Angeles and you're listening tonight Call. Hello everybody,

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<v Speaker 1>and welcome to Night Call podcast for your strange days

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<v Speaker 1>and lonely nights. I'm Molly Lambert and I am joined

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<v Speaker 1>as always by Test Lynch and Emily Osheita. And Emily

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<v Speaker 1>did a little investigation, a little investigation. I you know,

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<v Speaker 1>sometimes people ask questions on the Internet and it seems

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<v Speaker 1>like a value question, and so, um, you just want

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<v Speaker 1>to follow them down that hole. Uh So I saw

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<v Speaker 1>a tweet that I sent to UM to Molly and

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<v Speaker 1>tests from Emma Best, who's a a hacker activist. UM

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<v Speaker 1>runs the site muck rock, which is sort of like

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<v Speaker 1>UM like scripty or something. It's just like a place

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<v Speaker 1>for documents and uh foya documents and stuff like that.

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<v Speaker 1>So they had done a FOYA on looking up materials

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<v Speaker 1>mentioning or describing psychological operations involving astrology, such as those

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<v Speaker 1>described in a series of numbers. UM, this is from

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<v Speaker 1>the CIA, and they got the response that said there

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<v Speaker 1>were several documents, most of them we cannot share with you.

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<v Speaker 1>They're still classified. Thanks guys. So so to be fair,

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<v Speaker 1>this is inconclusive. We don't know anything. There's only so

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<v Speaker 1>one document was what had been declassified and it was

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<v Speaker 1>from the Vietnam War and it was from this It

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<v Speaker 1>was like a kind of document about UH from Henry A.

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<v Speaker 1>Kissinger about a psychological offensive in Vietnam. And it was

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<v Speaker 1>this propaganda radio show called Mother Vietnam. And it was

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<v Speaker 1>just a list of like the kinds of programming we

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<v Speaker 1>could have on said propaganda radio station, like UM and

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<v Speaker 1>astrology that tells you to go out and kill for

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<v Speaker 1>the America. So rebuttal of Radio Hanoi UH, interviews with refugees, relatives,

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<v Speaker 1>wounded soldiers, advice to North Vietnamese civilians and soldiers, and

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<v Speaker 1>astrological predictions. So WHOA, So we can infer that the

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<v Speaker 1>psy ops that used astrology, we're basically like maybe to

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<v Speaker 1>instill fear and people to be like, oh, looking at

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<v Speaker 1>your horoscope, like looks like you should definitely not oppose

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<v Speaker 1>the powers that be. We did. TuS and I were

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<v Speaker 1>on Behind the Bastards, another show on our network that's awesome,

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<v Speaker 1>and we were an episode about Nancy Reagan's astrologer that

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<v Speaker 1>was all about how the Reagans were totally into astrology.

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<v Speaker 1>The astrologer was a horrible person and she only wanted

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<v Speaker 1>to be an astrologer for rich people. But they made

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<v Speaker 1>a lot of their decisions about meeting times based on

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<v Speaker 1>what she said. So they would like circle the helicopter,

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<v Speaker 1>for which had the effect of making their opponents be

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<v Speaker 1>caught off guard because they wouldn't meet ever at like

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<v Speaker 1>five pm. They'd have to meet at like five twelve.

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<v Speaker 1>It's actually kind of a great it's for good. But

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<v Speaker 1>they were notorious apparently for like they would only hold

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<v Speaker 1>meetings at these weird times, and it was because the

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<v Speaker 1>astrologer told them to. Was it like numera numerology, like

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<v Speaker 1>the straight up astrology? I think it was like this

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<v Speaker 1>is why? Um? I mean I I then just googled

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<v Speaker 1>is astrology a sty op um? Which is you know,

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<v Speaker 1>of course opens up. I mean, this is not a

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<v Speaker 1>new question. Plenty of people of have thought of this before,

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<v Speaker 1>but most of it's like on conspiracy sites and not um,

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<v Speaker 1>not actual documents, not anything clickable by us. Right, It

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<v Speaker 1>never occurred to me until until you sent me that tweet,

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<v Speaker 1>and then I felt like right, because I was like,

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<v Speaker 1>of course it can be used for evil. It never

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<v Speaker 1>seemed like that's why you would use there was There

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<v Speaker 1>was a person who responded to this on Twitter and said,

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<v Speaker 1>you know, it's a very old practice, like obviously it

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<v Speaker 1>can be used anyway people want to use it. But

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<v Speaker 1>they were like, if you want to be safe, though,

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<v Speaker 1>don't use this. The astrology apps like you are listening

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<v Speaker 1>to you, listened to you in therapy and then they

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<v Speaker 1>give you a base period tracking app. Wait what what?

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<v Speaker 1>Back up? What was that? Somebody was like, I know, okay,

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<v Speaker 1>somebody I know was like my astrology app was saying

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<v Speaker 1>stuff that was just about stuff I had just talked

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<v Speaker 1>about in therapy, and I was like, well, your phone

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<v Speaker 1>one was on in therapy. I'm sure it's here's what

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<v Speaker 1>you're saying. That means that she has like a personal astrologer.

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<v Speaker 1>I think that's what I'm saying. I think it listens

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<v Speaker 1>to you and then it gives you advice based on

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<v Speaker 1>what it thinks you want to You'll be like you

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<v Speaker 1>thinks are getting different reading and you're like, it's incisive.

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<v Speaker 1>It knows what I am going through right now, because

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<v Speaker 1>like the that's what what's what's the benefit for the

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<v Speaker 1>person who's doing all this labor to create your personalized astrology.

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<v Speaker 1>Maybe that you to this feeding you the premium. Look,

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<v Speaker 1>we know some people who work for astrology apps, and

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<v Speaker 1>I would like to know what they have to say

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<v Speaker 1>about this. I will also say that I'm the skeptic

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<v Speaker 1>and the crew. I don't think astrology is real. You

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<v Speaker 1>go through phases, sometimes you admit that you are one

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<v Speaker 1>does not need to believe that astrology is real. To

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<v Speaker 1>not believe that there is an app in which like

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<v Speaker 1>there's a room full of people who are listening on

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<v Speaker 1>headphones to you in your therapy. I think that true stuff.

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<v Speaker 1>I don't think astrology is real. But my worst boyfriend

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<v Speaker 1>was a scorpio. See of course of course he was.

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<v Speaker 1>He was a Scorpio. I don't think people also in

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<v Speaker 1>it's a feedback loop for people internalized traits that they

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<v Speaker 1>think they're going to have because of what their sign is.

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<v Speaker 1>Definitely mean personality, because you're like, yes, for sure. That's

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<v Speaker 1>why I don't believe in it too, because I'm a

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<v Speaker 1>Virgo and I'm so not a virgo in any way

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<v Speaker 1>or such a virgo. I'm not there like meat, That's

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<v Speaker 1>all they say. It's like they're o c D about

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<v Speaker 1>being Now, there's two kinds of virgo, as every virgo

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<v Speaker 1>should know, it's not the most boring. It's actually, isn't

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<v Speaker 1>it the most popular astrology. We've talked about it, I know,

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<v Speaker 1>but I'm just saying you can't really there's there are

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<v Speaker 1>many different types of virgo. Speaking of predicting the future, yeah,

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<v Speaker 1>we should talk about later on before we do, Can

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<v Speaker 1>I bring up an actual sourceable fact about apps tracking

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<v Speaker 1>you and then I'll let you go? Yes? Okay, So

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<v Speaker 1>someone reported that they had been using a period track

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<v Speaker 1>her app and then forgot about it and just didn't

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<v Speaker 1>do anything with it. So the app communicated or sold

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<v Speaker 1>the data that she was potentially pregnant because she hadn't

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<v Speaker 1>listed that she had had her period, so she was

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<v Speaker 1>being served. All of these ads were like because they

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<v Speaker 1>calculated and they were like, oh, she must be do soon.

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<v Speaker 1>I'm just saying all the apps do stuff like that

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<v Speaker 1>instead of just she's lazy and doesn't care about here,

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<v Speaker 1>like we're going to take a flyer on this one. Hious.

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<v Speaker 1>I saw the story about how the Uber self driving

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<v Speaker 1>car killed a pedestrian because it's like not programmed to

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<v Speaker 1>recognize jaywalking right, just like the first thing you would

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<v Speaker 1>think you would like check four if you were building

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<v Speaker 1>a self driving car. Right. Um, what I'm saying is

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<v Speaker 1>that technology is evil. Okay, now we can go to

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<v Speaker 1>technology is evil and it's certainly what would you do

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<v Speaker 1>without Twitter? You guys, I enjoyed my hiatus from Twitter.

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<v Speaker 1>I'm thinking about taking Twitter to me is actually the

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<v Speaker 1>worst one. I'm actually never on Twitter. Now, listen, let's

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<v Speaker 1>take a journey to right now as visualized from thirty

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<v Speaker 1>seven years ago. You guys, we watched Blade Runner two

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<v Speaker 1>version of Blade Runner because it's November twenty nineteen in

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<v Speaker 1>Los Angeles. Certainly is the kind of person who's been

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<v Speaker 1>waiting for all the apocalyptic sci fi title cards to

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<v Speaker 1>come into being. This is the bigs. This is one

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<v Speaker 1>of the most iconic ones. I think, like the other

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<v Speaker 1>one for me is whatever it is and back to

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<v Speaker 1>the Future, to which I think was um, I think

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<v Speaker 1>that was there's something in running. I think it was

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<v Speaker 1>running man. Um. But it was very funny because on

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<v Speaker 1>November one, that was the day that the cycling plaque

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<v Speaker 1>caught on fire and out water and it smelled like

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<v Speaker 1>burning plastic in the entire east side and the sky

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<v Speaker 1>was orange, and I actually took a surgical mask from

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<v Speaker 1>our room where I work and used it to drive

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<v Speaker 1>home because I walked outside and immediately started like hacking coffee,

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<v Speaker 1>and the run or weather came right on time, exactly

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<v Speaker 1>on time. I also felt as though the air quality

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<v Speaker 1>and the fumes, the particular fumes that were being emitted

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<v Speaker 1>from this fire were downplayed, Like I think people really

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<v Speaker 1>should have taken because it does look bad. You could

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<v Speaker 1>smell it everybody I know. I feel like I was like, oh,

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<v Speaker 1>I'm having all these really bad headaches and like headaches allergies,

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<v Speaker 1>and I was like, no, that's the fire. We're all

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<v Speaker 1>like inhaling disgusting particles. There are a lot of schools

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<v Speaker 1>right around that area, and I feel as though they

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<v Speaker 1>sometimes there will be kind of a like mandate that

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<v Speaker 1>children stay in school, um, and I think maybe they

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<v Speaker 1>kind of. I feel like school should have been closed

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<v Speaker 1>in that area, that's how bad the air in school.

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<v Speaker 1>Yeah it was. I think it should have been a

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<v Speaker 1>small day. We wouldn't get it off. We don't have

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<v Speaker 1>to play in the auditorium anyway. This blade Runner like

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<v Speaker 1>it's such a like it is. It is the most

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<v Speaker 1>iconic dystopian I think movie maybe. I mean, there are

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<v Speaker 1>obviously like lots you can choose from, but I think

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<v Speaker 1>like this particular vision of this like perpetual night time

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<v Speaker 1>because of the smog, like uh Asian culture has running muck.

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<v Speaker 1>There are there are robots that look like people and

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<v Speaker 1>you can't tell the difference. Like all of that stuff

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<v Speaker 1>feels very like this has just soaked itself into all

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<v Speaker 1>science fiction. It's also a utopia because it's raining all

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<v Speaker 1>the time. What's in that rain? And I love it?

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<v Speaker 1>And it's diverse, yes, exactly, how is my complaint? We

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<v Speaker 1>did a North Mollywood episode about um The Runner where

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<v Speaker 1>they said, as you said that the best shot was

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<v Speaker 1>when they cut to a pile of garbage and the

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<v Speaker 1>title just so San Diego, that's the best diss in

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<v Speaker 1>the world, most earned diss. But also yeah, that it

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<v Speaker 1>was shot in Europe, so all the extras are white.

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<v Speaker 1>It's like, well, that's the most ystopian future l a

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<v Speaker 1>ever And was like, you're thinking about it more than

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<v Speaker 1>they did, right, it feels original. Blade Runner does feel

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<v Speaker 1>like such an eighties movie because it does feel like

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<v Speaker 1>that fear. It's like the white fear of the city

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<v Speaker 1>getting taken over by the other. But the thing, but

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<v Speaker 1>the thing about Blade Runner, the world of Blade Runner,

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<v Speaker 1>is not that it's been taken over. It's that those

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<v Speaker 1>are the people who had to stay behind it are

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<v Speaker 1>not on the off world exactly. Um. So it's not

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<v Speaker 1>like the white people have been killed off by all

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<v Speaker 1>the Asian people. Um. It is it is that like

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<v Speaker 1>they have, not because of class or because it's like

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<v Speaker 1>some it's implied that some disabilities you can't like, Um,

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<v Speaker 1>shef Sebastian can't go up because of this syndrome that

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<v Speaker 1>he has a disease with methuselas syndrome. That makeup terrible

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<v Speaker 1>and I relish bad makeup like that it would be

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<v Speaker 1>bad c G. I now kind of. But also just

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<v Speaker 1>because it made him like it added an extra layer

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<v Speaker 1>of wondering if if he was like putting on a front,

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<v Speaker 1>because isn't that part of it too, that some people

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<v Speaker 1>seem really conflicted about whether they actually want to populate

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<v Speaker 1>the planets or whatever. You know how night Call feels,

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<v Speaker 1>you know how Night Call fields And I was staying here,

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<v Speaker 1>I mean you get amazing apartments apparently if you stay

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<v Speaker 1>by it. Uh, we're all moving into the brad. The

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<v Speaker 1>worst part of the the lifestyle of living in those

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<v Speaker 1>apartment buildings is being on the elevator that is attached

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<v Speaker 1>to the exterior of a building. You mean like an

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<v Speaker 1>outdoor the outdoor elevator that goes up to like the nineties,

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<v Speaker 1>and I don't like you mean like the like the Bonaventure. Yeah,

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<v Speaker 1>that's so I couldn't deal. I got to see the elevator.

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<v Speaker 1>Not the biggest fan of elevators in general, except for

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<v Speaker 1>the one at Lego Land that hasn't big elevator fan,

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<v Speaker 1>but I feel like you might as well be outside.

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<v Speaker 1>They looked like they were going to fall off the building.

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<v Speaker 1>It was so stressful to me. I think the funny

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<v Speaker 1>thing about the design of Blader in Our being as

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<v Speaker 1>like influential as it is, is that it's not really

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<v Speaker 1>straight up like cyberpunk. It's super noir and it's super

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<v Speaker 1>like like early half of the twentieth century, like um

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<v Speaker 1>and the fact that they shot on all these locations

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<v Speaker 1>from that era in Los Angeles, Like, that's the architecture.

0:13:14.720 --> 0:13:16.560
<v Speaker 1>Those are the bones of the city. It's not all

0:13:16.880 --> 0:13:20.880
<v Speaker 1>these crazy pyramids and um, you know, sleek architecture that

0:13:21.240 --> 0:13:26.160
<v Speaker 1>really defines most of um, just like like you know,

0:13:26.320 --> 0:13:29.040
<v Speaker 1>I candy type stuff like it's it's very it's very

0:13:29.840 --> 0:13:33.559
<v Speaker 1>dirty and kind of craggy and wet, very damn. We

0:13:33.720 --> 0:13:38.440
<v Speaker 1>love the wet future future. Was that because Ridley Scott

0:13:38.640 --> 0:13:41.760
<v Speaker 1>was like I thought I read somewhere but not couldn't

0:13:41.920 --> 0:13:44.600
<v Speaker 1>verify it that he wanted like an England to feel

0:13:45.559 --> 0:13:48.719
<v Speaker 1>um weatherwise because he's British. I guess I don't know.

0:13:49.240 --> 0:13:53.280
<v Speaker 1>It's actually kind of a realistic like it feels. It's

0:13:53.280 --> 0:13:55.680
<v Speaker 1>also like now it's cold enough to wear a trench coat,

0:13:56.000 --> 0:13:57.839
<v Speaker 1>but we are I feel like a boats were not

0:13:57.920 --> 0:14:02.080
<v Speaker 1>believable to me. They are now gets cold night huge

0:14:02.320 --> 0:14:05.959
<v Speaker 1>for Coch. It was so foggy last night. It was

0:14:06.080 --> 0:14:08.880
<v Speaker 1>so blade runnery. I was saying to Test I deny

0:14:09.000 --> 0:14:11.440
<v Speaker 1>that it was fogg. I think it was fog last

0:14:11.520 --> 0:14:14.199
<v Speaker 1>night for sure. Yesterday it was nasty. I don't know.

0:14:14.559 --> 0:14:17.400
<v Speaker 1>There are many nights climates you could have been in

0:14:17.440 --> 0:14:19.920
<v Speaker 1>a foggy set weather app said fog because it was

0:14:20.000 --> 0:14:22.160
<v Speaker 1>listening to me and knew that that's what I wanted.

0:14:22.280 --> 0:14:24.520
<v Speaker 1>Just wanted to make you feel good. Sorry, please give

0:14:24.600 --> 0:14:27.560
<v Speaker 1>me fog. How do you think the movie has held

0:14:27.640 --> 0:14:30.600
<v Speaker 1>up since you've seen it last. The thing that okay,

0:14:30.680 --> 0:14:32.960
<v Speaker 1>so I have like a very like I saw this movie,

0:14:33.720 --> 0:14:35.720
<v Speaker 1>this movie like blew my mind or whatever when I

0:14:35.840 --> 0:14:38.000
<v Speaker 1>was fourteen or however old I was when I saw it.

0:14:38.520 --> 0:14:41.760
<v Speaker 1>And there's an article in the news about me saying

0:14:41.800 --> 0:14:43.680
<v Speaker 1>it was my favorite movie, which I don't think it's true,

0:14:43.840 --> 0:14:46.640
<v Speaker 1>but wait, really yeah, because I I did a kind

0:14:46.680 --> 0:14:49.840
<v Speaker 1>of Blade Runner indebted thesis film in college, like I

0:14:49.920 --> 0:14:53.600
<v Speaker 1>did like an l a cyberp movie, um so, and

0:14:53.680 --> 0:14:58.120
<v Speaker 1>then the local paper in Tacoma interviewed me about it, uh,

0:14:58.320 --> 0:15:00.600
<v Speaker 1>and I said that Lade Runner was my favorite movie

0:15:00.600 --> 0:15:02.320
<v Speaker 1>because it's just like that sounds right right, like this

0:15:02.440 --> 0:15:06.280
<v Speaker 1>girl loves bad. Yeah, yeah, yeah, But I think the

0:15:06.400 --> 0:15:08.800
<v Speaker 1>thing that's always surprising to me every time I come

0:15:08.840 --> 0:15:10.760
<v Speaker 1>back to this movie, and like also the more that

0:15:10.880 --> 0:15:13.280
<v Speaker 1>I kind of steep myself and like, here's how you

0:15:13.360 --> 0:15:15.640
<v Speaker 1>make a movie that like stands the test of time.

0:15:15.800 --> 0:15:18.000
<v Speaker 1>Here's the perfect formula for a movie. Here all the

0:15:18.040 --> 0:15:20.480
<v Speaker 1>beats you need to do, and like promises and uh

0:15:20.600 --> 0:15:24.160
<v Speaker 1>and like you know, things like fulfilling all those promises

0:15:24.200 --> 0:15:26.400
<v Speaker 1>that you make to the audience. It's like Blade Runner

0:15:26.640 --> 0:15:32.200
<v Speaker 1>is so arty and weird. It doesn't have any of

0:15:32.360 --> 0:15:35.080
<v Speaker 1>those like satisfying buttons that are pushing, and all of

0:15:35.160 --> 0:15:38.600
<v Speaker 1>its big ideas are like hinted at and kind of

0:15:38.760 --> 0:15:41.760
<v Speaker 1>sideways and nothing is like hammered down in a way

0:15:41.800 --> 0:15:44.720
<v Speaker 1>that most side five two one and that it's like

0:15:44.760 --> 0:15:46.800
<v Speaker 1>a sci fi movie that also gets to be like

0:15:46.960 --> 0:15:50.000
<v Speaker 1>capital a art. Yeah, it's like a mood, not like

0:15:50.120 --> 0:15:53.800
<v Speaker 1>a Star Wars movie. It doesn't. It's not like a

0:15:53.880 --> 0:15:58.840
<v Speaker 1>popcorn movie. It's like a junior man's movie. It's very

0:15:59.000 --> 0:16:01.840
<v Speaker 1>like I was thinking about, even the opening, like where

0:16:01.920 --> 0:16:04.840
<v Speaker 1>decords at the noodle stand and then and then where

0:16:04.880 --> 0:16:07.520
<v Speaker 1>James almost comes up and they take him to the police,

0:16:07.520 --> 0:16:09.280
<v Speaker 1>but they say he's under arrest and they put him

0:16:09.280 --> 0:16:11.080
<v Speaker 1>in a cop car like a floating car, and they

0:16:11.160 --> 0:16:15.200
<v Speaker 1>take him to the police station or um and uh

0:16:15.760 --> 0:16:19.680
<v Speaker 1>that's it has the Vangelist score. It's like the slow

0:16:19.960 --> 0:16:23.120
<v Speaker 1>shot of the car rising up over the city and

0:16:23.200 --> 0:16:25.400
<v Speaker 1>it's all dreamy and the rain is falling, and I think,

0:16:25.480 --> 0:16:27.680
<v Speaker 1>like probably the first three times I saw that movie,

0:16:27.720 --> 0:16:30.160
<v Speaker 1>I never picked up that he was getting arrested because

0:16:30.200 --> 0:16:35.120
<v Speaker 1>it doesn't feel like anything Urgent is happy. He's not

0:16:35.240 --> 0:16:38.080
<v Speaker 1>being arrested. He's like he's not. Later, yeah, they but

0:16:38.240 --> 0:16:39.920
<v Speaker 1>like that's like the reveal when they get there. But

0:16:40.000 --> 0:16:42.760
<v Speaker 1>it's like, I don't I was just watching The Flying Car.

0:16:43.560 --> 0:16:45.760
<v Speaker 1>I don't know. Also, he was like, you can't arrest

0:16:45.800 --> 0:16:48.200
<v Speaker 1>me because I'm still eating my noodles, and they're like, okay,

0:16:48.280 --> 0:16:50.600
<v Speaker 1>that sounds pretty fair. We'll wait to arrest you while

0:16:50.640 --> 0:16:55.400
<v Speaker 1>you finish your noodle. It is um. I was looking

0:16:55.680 --> 0:16:58.800
<v Speaker 1>into the Wikipedia for this, uh, and I had had

0:16:58.880 --> 0:17:05.440
<v Speaker 1>no idea about Hampton Fancher Hampden Fancher. Interestingly, well, first

0:17:05.480 --> 0:17:06.760
<v Speaker 1>of all, now I'm going to have to see The

0:17:06.840 --> 0:17:10.920
<v Speaker 1>minus Man. Hampton Fancher is a screenwriter. Yes, he wrote

0:17:10.960 --> 0:17:13.880
<v Speaker 1>it with David Peoples. But I had to look into

0:17:13.920 --> 0:17:17.600
<v Speaker 1>The minus Man, which was his directorial debut with Owen

0:17:17.640 --> 0:17:21.159
<v Speaker 1>Wilson and Jeanine Garoffalo, and seems like, you, how is it.

0:17:21.640 --> 0:17:24.680
<v Speaker 1>It's depressing, it's about heroin addiction. It's good. I was

0:17:24.800 --> 0:17:26.840
<v Speaker 1>just like this came out of nowhere. But also I

0:17:26.960 --> 0:17:29.920
<v Speaker 1>didn't know that Hampton Fancher was married for two years

0:17:30.040 --> 0:17:33.560
<v Speaker 1>to Sue Lion the original Lolita, and it was super

0:17:33.680 --> 0:17:35.760
<v Speaker 1>There were a bunch of really weird things that happened

0:17:35.840 --> 0:17:37.680
<v Speaker 1>right before I watched Blade Runner. One of them was

0:17:37.760 --> 0:17:40.800
<v Speaker 1>that Molly gave me a book, the Real Lolita, the

0:17:40.840 --> 0:17:43.720
<v Speaker 1>Sarah Wineman book. Um, so I had Lolita on the

0:17:43.760 --> 0:17:46.840
<v Speaker 1>time book about the case that Lolita is like supposedly

0:17:46.880 --> 0:17:49.560
<v Speaker 1>based on this, like Nabakoff has sort of disavowed it,

0:17:49.720 --> 0:17:51.879
<v Speaker 1>but she makes this point of like he would have

0:17:51.920 --> 0:17:54.040
<v Speaker 1>seen it in this paper, like he knew this other

0:17:54.080 --> 0:17:56.080
<v Speaker 1>guy who got in trouble for having sex with kids.

0:17:56.160 --> 0:17:58.960
<v Speaker 1>Like so that was two days ago. Then there's the

0:17:59.000 --> 0:18:00.560
<v Speaker 1>Sue Lion thing, which I just has happened to read

0:18:00.560 --> 0:18:03.359
<v Speaker 1>about on Wikipedia. And then also the other day I

0:18:03.520 --> 0:18:05.680
<v Speaker 1>was like, I'm bored of my music. I need to

0:18:05.760 --> 0:18:10.119
<v Speaker 1>start looking into Yes, I listened to Evangelists for like

0:18:10.280 --> 0:18:15.080
<v Speaker 1>two hours. I put a Tangerine dream song on the latest.

0:18:15.359 --> 0:18:16.800
<v Speaker 1>I put love on a Real Train on the last

0:18:16.840 --> 0:18:20.040
<v Speaker 1>night collms nice. I think that is like, yeah, I

0:18:20.080 --> 0:18:22.240
<v Speaker 1>mean that mix. Also, I was like, this mix really

0:18:22.359 --> 0:18:25.119
<v Speaker 1>like feels out are unified aesthetic to me, which I

0:18:25.160 --> 0:18:30.600
<v Speaker 1>guess is like there's no escaping it, but it feels

0:18:30.680 --> 0:18:35.639
<v Speaker 1>like beyond it. Being November in l A, I was like,

0:18:35.800 --> 0:18:40.360
<v Speaker 1>WHOA Blade Runners, It's seeping into my life from all angles,

0:18:41.160 --> 0:18:43.880
<v Speaker 1>and I loved watching it. It has been forever since

0:18:43.920 --> 0:18:47.000
<v Speaker 1>I'd seen it, uh, and I had forgotten lots of

0:18:47.119 --> 0:18:49.399
<v Speaker 1>great parts of it, which there are many, but it

0:18:49.440 --> 0:18:51.560
<v Speaker 1>also has the weirdest tempo, if any mode, it has

0:18:51.600 --> 0:18:54.399
<v Speaker 1>a super weird tempo. And like also it's one of

0:18:54.480 --> 0:18:57.800
<v Speaker 1>those things where now, I mean I used to own

0:18:57.840 --> 0:19:00.000
<v Speaker 1>it on DV, but now that you like stream everything,

0:19:00.200 --> 0:19:02.840
<v Speaker 1>I think I own it digitally. But I was watching

0:19:02.960 --> 0:19:05.640
<v Speaker 1>it and I like the Internet started to go out

0:19:05.760 --> 0:19:08.399
<v Speaker 1>during like like one of the few things that like

0:19:08.520 --> 0:19:11.159
<v Speaker 1>qualifies as an actual action scene in it, which is

0:19:11.160 --> 0:19:15.080
<v Speaker 1>where he's chasing down Zora the like the stripper snakes dipper, Yeah,

0:19:15.080 --> 0:19:17.760
<v Speaker 1>the snake stripper um, and she's like, you know, running

0:19:17.800 --> 0:19:19.760
<v Speaker 1>over the cars and then he shoots her in like

0:19:19.840 --> 0:19:23.360
<v Speaker 1>this series of glass um, this like glass hallway, which

0:19:23.480 --> 0:19:25.959
<v Speaker 1>just looks incredible because it's just like neon reflecting off

0:19:26.000 --> 0:19:28.440
<v Speaker 1>of every surface. And my Internet started to go down

0:19:28.520 --> 0:19:31.880
<v Speaker 1>to it. I was like, I need faults. I can't

0:19:32.000 --> 0:19:34.359
<v Speaker 1>I can't live like this. Any of the versions have

0:19:34.480 --> 0:19:37.560
<v Speaker 1>you seen, um, I've seen I've seen the original one

0:19:37.600 --> 0:19:42.480
<v Speaker 1>with the voiceover one that watched Okay, yeah, I haven't

0:19:42.560 --> 0:19:44.359
<v Speaker 1>watched that one for a long time. I've seen that

0:19:44.400 --> 0:19:47.720
<v Speaker 1>one like maybe once, and it was out of curiosity.

0:19:48.200 --> 0:19:50.120
<v Speaker 1>I've seen the director's cus one I've seen the most

0:19:50.119 --> 0:19:52.119
<v Speaker 1>because that's the one that's most widely available, and I

0:19:52.200 --> 0:19:55.159
<v Speaker 1>had that that DVD that everybody has um with the

0:19:55.200 --> 0:19:58.560
<v Speaker 1>black cover, and then now I have I should look

0:19:58.600 --> 0:20:00.840
<v Speaker 1>this up, but I have something called the Final, the

0:20:01.480 --> 0:20:05.240
<v Speaker 1>Final Final for sure time we're done really this time,

0:20:05.520 --> 0:20:08.080
<v Speaker 1>which is the one that's it's available on iTunes. So

0:20:08.160 --> 0:20:10.119
<v Speaker 1>that's why that's when I have on. I showed it

0:20:10.240 --> 0:20:13.920
<v Speaker 1>at every film class I took in college. Really actually hilarious.

0:20:14.040 --> 0:20:17.040
<v Speaker 1>I hadn't seen it until college. That was the last

0:20:17.040 --> 0:20:18.840
<v Speaker 1>time I've seen it. Because also they'll do like they'll

0:20:18.840 --> 0:20:21.520
<v Speaker 1>show you Metropolis and then they show you Blade But

0:20:21.640 --> 0:20:24.720
<v Speaker 1>it was funny because it was like every professor like

0:20:25.000 --> 0:20:27.280
<v Speaker 1>found a way to work Blade Runner into the curriculum.

0:20:27.359 --> 0:20:30.320
<v Speaker 1>But it's also because they're all like eighties postmodernist, and

0:20:30.440 --> 0:20:35.280
<v Speaker 1>that's like the writing they assign also. But yeah, it's

0:20:35.320 --> 0:20:38.479
<v Speaker 1>interesting to think of Blade Runner as not an eighties

0:20:38.560 --> 0:20:42.280
<v Speaker 1>movie but a now sis. I've talked about the class

0:20:42.320 --> 0:20:45.360
<v Speaker 1>I took in college that someone actually a listener wrote

0:20:45.400 --> 0:20:47.320
<v Speaker 1>in to remind me of the professor's name, and it's

0:20:47.480 --> 0:20:51.439
<v Speaker 1>um Professor Noyman. But he taught a film architecture class

0:20:51.600 --> 0:20:55.600
<v Speaker 1>and Blade Runner was featured and Metropolis was featured. Um

0:20:55.800 --> 0:20:59.320
<v Speaker 1>and yeah, and watching it now in the time that

0:20:59.440 --> 0:21:03.040
<v Speaker 1>it was to be set is really fascinating in terms

0:21:03.080 --> 0:21:04.960
<v Speaker 1>of I mean because also we used to all work

0:21:05.000 --> 0:21:07.080
<v Speaker 1>at l A Live and we often talked about how

0:21:07.160 --> 0:21:10.280
<v Speaker 1>that is like a but I was just going to say,

0:21:10.359 --> 0:21:13.680
<v Speaker 1>the most haunted, but it also lacks any vibrant, has

0:21:13.760 --> 0:21:17.280
<v Speaker 1>no time. That's my boyfriend. Johnny Coleman wrote a really

0:21:17.359 --> 0:21:20.000
<v Speaker 1>good piece with the guy Jacob Butcher for The Nation

0:21:20.200 --> 0:21:23.280
<v Speaker 1>about the gentrification of downtown that started with the Staple

0:21:23.359 --> 0:21:25.959
<v Speaker 1>Center and how it's just been a massive failure um

0:21:26.080 --> 0:21:28.119
<v Speaker 1>and how sort of public money goes to pay for

0:21:28.240 --> 0:21:30.960
<v Speaker 1>things like this. They're supposed to reinvigorate the community but

0:21:31.080 --> 0:21:34.040
<v Speaker 1>displace everybody. Oh, I mean, it's the craziest thing about

0:21:34.520 --> 0:21:37.399
<v Speaker 1>l A Live too, is the Ritz Carlton Residences or

0:21:37.440 --> 0:21:39.880
<v Speaker 1>whatever are pretty much the facade of l A Live.

0:21:39.920 --> 0:21:43.960
<v Speaker 1>And they're these it's this huge mirrored skyscraper in the middle.

0:21:44.280 --> 0:21:47.320
<v Speaker 1>They set themselves up for Blade Runner because they were like,

0:21:47.560 --> 0:21:50.800
<v Speaker 1>we'll build all this stuff without dealing of anything with Yeah.

0:21:51.320 --> 0:21:53.920
<v Speaker 1>But the thing the thing about like the thing about

0:21:54.160 --> 0:21:57.040
<v Speaker 1>the Blade Runner Future is that it seems largely accidental

0:21:57.119 --> 0:22:00.280
<v Speaker 1>and ad hoc and also it's like pedestrian domond needed

0:22:00.760 --> 0:22:02.920
<v Speaker 1>Like if that opening scene and like most of the

0:22:03.000 --> 0:22:05.040
<v Speaker 1>scenes that we see are supposed to be taking place

0:22:05.080 --> 0:22:09.160
<v Speaker 1>downtown probably like on Broadway, Um, because the Breadbury building

0:22:09.280 --> 0:22:11.520
<v Speaker 1>is on is that on Broadway? Is it on Spring

0:22:11.880 --> 0:22:14.520
<v Speaker 1>I think it's on Broadway, But that part of downtown,

0:22:14.720 --> 0:22:17.920
<v Speaker 1>like that historic core area of downtown, Like if it's

0:22:17.920 --> 0:22:20.480
<v Speaker 1>supposed to take place there, then they've like they've banned

0:22:20.560 --> 0:22:24.920
<v Speaker 1>cars because there are no cars, and they fly but

0:22:24.960 --> 0:22:27.080
<v Speaker 1>they come down like you know what we're realizing as

0:22:27.119 --> 0:22:32.560
<v Speaker 1>Blade Runners utope is and it rains. Yeah, it was

0:22:32.640 --> 0:22:36.080
<v Speaker 1>like and also in the dark rain is so lovely

0:22:36.240 --> 0:22:39.480
<v Speaker 1>and because because also the idea of like that eighties

0:22:39.600 --> 0:22:43.240
<v Speaker 1>fear of like especially downtown being like completely bought but

0:22:43.480 --> 0:22:48.040
<v Speaker 1>like Chinese investors. Uh now, I just feel like the

0:22:48.520 --> 0:22:50.480
<v Speaker 1>fear that everybody I know has at least it's just

0:22:50.600 --> 0:22:53.720
<v Speaker 1>like they're whitewashing like the entire city of Los Angeles.

0:22:54.480 --> 0:22:57.080
<v Speaker 1>If we end up with the Blade Runners. Now wouldn't

0:22:57.119 --> 0:22:59.400
<v Speaker 1>be a utopia though, if like all the people who

0:22:59.520 --> 0:23:03.920
<v Speaker 1>popular at the Earth where the main industry was like

0:23:04.200 --> 0:23:07.800
<v Speaker 1>genetic engineering. What if all the what if all the

0:23:07.920 --> 0:23:12.520
<v Speaker 1>agents were just like replicants, the agents, Yeah, like the

0:23:13.320 --> 0:23:16.960
<v Speaker 1>like just like Hollywood agents are replicating. I mean that's

0:23:17.000 --> 0:23:21.360
<v Speaker 1>a solid thesis. Like I believe that. Who else would

0:23:21.400 --> 0:23:23.280
<v Speaker 1>you not be surprised if you were, like, all of

0:23:23.359 --> 0:23:26.720
<v Speaker 1>these people are actually vent Your capitalists are replicants and

0:23:27.040 --> 0:23:31.760
<v Speaker 1>their bio engineering each other. Um, I don't know. Siegfried

0:23:31.760 --> 0:23:34.320
<v Speaker 1>and Roy could be replicated, to be honest with you,

0:23:34.640 --> 0:23:38.399
<v Speaker 1>and the Tigers could be replicants as well. Hot button topic.

0:23:38.480 --> 0:23:42.000
<v Speaker 1>Do you guys think Deckert's are replicate? Okay, so fast?

0:23:42.080 --> 0:23:46.280
<v Speaker 1>I spent forever thinking about this. Uh, I don't think so.

0:23:47.280 --> 0:23:50.600
<v Speaker 1>I think he is. You do? Yeah? But I mean,

0:23:50.800 --> 0:23:52.639
<v Speaker 1>so that's the big thing of all the different cuts,

0:23:52.800 --> 0:23:54.240
<v Speaker 1>is it? Some of them lead you to think that

0:23:54.359 --> 0:23:57.760
<v Speaker 1>more than others do. Some with the unicorn, Yeah, the

0:23:57.800 --> 0:24:01.240
<v Speaker 1>one with the unicorn, which I believe is the director's cut.

0:24:01.520 --> 0:24:04.560
<v Speaker 1>The unicorn was in the voiceover as well well, though

0:24:04.640 --> 0:24:08.679
<v Speaker 1>there was the unicorn origami, but not the Unicorn dream. Yeah,

0:24:09.080 --> 0:24:12.200
<v Speaker 1>but I think couldn't that also be read as like

0:24:12.840 --> 0:24:18.080
<v Speaker 1>the humans and replicants share some kind of like yeah,

0:24:18.880 --> 0:24:23.440
<v Speaker 1>all humans are replicants, man, man. I mean that's the

0:24:23.480 --> 0:24:26.000
<v Speaker 1>whole thing of Battlestar Galactica, which takes a lot of

0:24:26.040 --> 0:24:29.119
<v Speaker 1>this stuff and like then explores it for seven eights.

0:24:29.240 --> 0:24:32.840
<v Speaker 1>Also getting right to that point in terms of tech,

0:24:33.320 --> 0:24:37.159
<v Speaker 1>and there's obviously been a lot of action around that

0:24:37.200 --> 0:24:38.760
<v Speaker 1>because a lot of really evil people want to use

0:24:38.800 --> 0:24:44.080
<v Speaker 1>tech for the most evil things possible, especially with artificial intelligence.

0:24:45.280 --> 0:24:48.600
<v Speaker 1>It's scary. It is scary. I was kind of into

0:24:48.640 --> 0:24:51.920
<v Speaker 1>the idea of the bioengineered animals though, because I was like, look,

0:24:52.000 --> 0:24:54.919
<v Speaker 1>they can just have owl. It's like I love that stuff.

0:24:55.119 --> 0:24:58.160
<v Speaker 1>I love the Eye Guys, like my favorite guy guy.

0:24:58.359 --> 0:25:00.280
<v Speaker 1>I know you love I know you love the Eye

0:25:00.359 --> 0:25:04.960
<v Speaker 1>got with stuff now, but I love like, well, going

0:25:05.040 --> 0:25:07.199
<v Speaker 1>to the Eye Doctor is the most sci fi thing

0:25:07.280 --> 0:25:10.000
<v Speaker 1>when they put that thing down. But that's like one

0:25:10.040 --> 0:25:12.959
<v Speaker 1>of my favorite like nods to Blade Runners. The actual

0:25:13.080 --> 0:25:15.159
<v Speaker 1>I wear a brand called Eli I Works, which is

0:25:15.240 --> 0:25:17.399
<v Speaker 1>the name of the Eye Guys store, and it's the

0:25:17.480 --> 0:25:20.560
<v Speaker 1>same same logo and everything. Really they turned it into

0:25:20.680 --> 0:25:23.440
<v Speaker 1>like they took that logo and made it like an glasses,

0:25:23.920 --> 0:25:26.840
<v Speaker 1>like a glass of store. Store is so eighties. Yeah,

0:25:28.200 --> 0:25:30.360
<v Speaker 1>I love that. I had no idea. So it's great.

0:25:30.359 --> 0:25:31.840
<v Speaker 1>If you go back and watch a movie when they

0:25:31.880 --> 0:25:35.560
<v Speaker 1>go in, Uh, when like Roy goes into the eye

0:25:35.640 --> 0:25:37.960
<v Speaker 1>Guys place, it says l a, I works above the door,

0:25:38.040 --> 0:25:40.840
<v Speaker 1>and it is the exact same logo. Yeah. Do you

0:25:40.880 --> 0:25:45.600
<v Speaker 1>think this coat? I mean, I love a trench coat. Jesus.

0:25:46.880 --> 0:25:50.080
<v Speaker 1>I hate long coats. I'm probably hated long coats on

0:25:50.119 --> 0:25:52.240
<v Speaker 1>people because I'm short, So it's not a great I

0:25:52.359 --> 0:25:57.040
<v Speaker 1>think people look absolutely ridiculous when they walk. Oh man,

0:25:57.240 --> 0:25:59.920
<v Speaker 1>you're about to be very disappointed by me. When I

0:26:00.920 --> 0:26:03.840
<v Speaker 1>changed when I went to a Colombo themed Halloween party

0:26:03.880 --> 0:26:06.440
<v Speaker 1>called Colombo Ween, where everybody was wearing trench coats, and

0:26:06.480 --> 0:26:08.920
<v Speaker 1>it was great. It just looks like you're at a party,

0:26:09.400 --> 0:26:13.200
<v Speaker 1>Like it just looks like it's cops. Don't actually wear

0:26:13.320 --> 0:26:15.040
<v Speaker 1>trench I know, but it just looked like or like

0:26:15.720 --> 0:26:19.399
<v Speaker 1>a bunch of FBI agents or something. I don't know. Uh,

0:26:19.680 --> 0:26:21.840
<v Speaker 1>my friend Sarah got a green trench coat that looks

0:26:21.880 --> 0:26:24.000
<v Speaker 1>so cool. It made me be like trench coat. I

0:26:24.080 --> 0:26:26.760
<v Speaker 1>had a long red coat that I wore a lot,

0:26:27.040 --> 0:26:30.200
<v Speaker 1>and I thought it looked so good, and then literally

0:26:30.640 --> 0:26:33.560
<v Speaker 1>it took one picture, seeing one picture of myself, and

0:26:33.640 --> 0:26:37.679
<v Speaker 1>I was like, I look ridiculous. I'm humiliated. There are

0:26:37.680 --> 0:26:42.399
<v Speaker 1>so many different cuts of to try horrible. But speaking

0:26:42.440 --> 0:26:44.680
<v Speaker 1>of coats, I mean not the trench coats and not

0:26:44.800 --> 0:26:47.920
<v Speaker 1>the big fur coat, but the see through raincoat. Those

0:26:47.920 --> 0:26:51.680
<v Speaker 1>are awares. When she gets shot is one of the most.

0:26:51.920 --> 0:26:53.760
<v Speaker 1>Like if I had to make a Hall of Fame

0:26:53.880 --> 0:26:56.600
<v Speaker 1>list of props and costumes for movies that I want, Like,

0:26:56.680 --> 0:26:58.840
<v Speaker 1>do you ever realize those things have seeped into your

0:26:58.880 --> 0:27:02.280
<v Speaker 1>consciousness and you didn't even notice. I watched The Secret

0:27:02.320 --> 0:27:04.600
<v Speaker 1>of Nim recently and I was like, oh, I've wanted

0:27:04.680 --> 0:27:10.440
<v Speaker 1>a cape for like twenty years because as a cape

0:27:10.520 --> 0:27:12.639
<v Speaker 1>and like a little like jewel neck. Well, yeah, I

0:27:12.760 --> 0:27:16.240
<v Speaker 1>think seeing how people wear clothes and bodies and stuff

0:27:16.280 --> 0:27:18.280
<v Speaker 1>like that makes a huge impression on you when you're young,

0:27:18.480 --> 0:27:21.320
<v Speaker 1>Like when you're seeing you're like doing that, it's like

0:27:21.440 --> 0:27:23.480
<v Speaker 1>cats seeing themselves in the mirror or something. You're like,

0:27:23.600 --> 0:27:26.760
<v Speaker 1>what if that was on me? Like I feel like, um,

0:27:26.960 --> 0:27:29.639
<v Speaker 1>which is why we're all so fucked up by Disney movies.

0:27:31.240 --> 0:27:35.480
<v Speaker 1>What if I were a seashell braw every day. But

0:27:35.640 --> 0:27:38.600
<v Speaker 1>that coat went up for sale once. Um, it was

0:27:38.680 --> 0:27:40.920
<v Speaker 1>like on auction some with some estate sale, and I

0:27:41.040 --> 0:27:43.640
<v Speaker 1>was it was so expensive. But I thought, I thought

0:27:43.680 --> 0:27:45.600
<v Speaker 1>real long and hard about it. Couldn't you make that?

0:27:45.960 --> 0:27:48.400
<v Speaker 1>It just doesn't seem that hard. Yeah, it's a clear

0:27:48.440 --> 0:27:51.720
<v Speaker 1>trench coat. It's clear. It's like, but isn't it short.

0:27:51.880 --> 0:27:53.920
<v Speaker 1>It's like no, it's like it's like a hip length

0:27:54.000 --> 0:27:56.119
<v Speaker 1>hip length. Oh, I get. I'm fine with a hip

0:27:56.200 --> 0:27:58.200
<v Speaker 1>length coat. By the way. If anyone wants to buy

0:27:58.280 --> 0:28:02.200
<v Speaker 1>me coat, that's fine. I don't like it's we're talking

0:28:02.280 --> 0:28:04.200
<v Speaker 1>like midcalf to ankle that I really won't go for.

0:28:04.800 --> 0:28:08.280
<v Speaker 1>But if it were see through or if you know,

0:28:08.480 --> 0:28:11.119
<v Speaker 1>I absolutely refuse. It was a decision I made and

0:28:11.200 --> 0:28:14.200
<v Speaker 1>I haven't turned back on that decision. Um. Yeah, the

0:28:14.240 --> 0:28:20.680
<v Speaker 1>clothes are amazing. Alright. He just died right, just and

0:28:20.720 --> 0:28:23.000
<v Speaker 1>I love him so much. It was also very fun,

0:28:23.359 --> 0:28:25.320
<v Speaker 1>um in the years leading up to now to go

0:28:25.440 --> 0:28:28.400
<v Speaker 1>through everybody's birthdays, all the replicants birthdays, because I think

0:28:28.440 --> 0:28:34.800
<v Speaker 1>that right, Patty was supposed to be born in Yeah, yeah,

0:28:34.960 --> 0:28:39.280
<v Speaker 1>there's one two, So it's like I marked all those

0:28:39.360 --> 0:28:42.320
<v Speaker 1>as they went five, and it makes sense they last

0:28:42.400 --> 0:28:44.320
<v Speaker 1>a song as like a computer. That's the whole point.

0:28:44.440 --> 0:28:47.080
<v Speaker 1>Why do the male replicans have last names and the

0:28:47.200 --> 0:28:51.959
<v Speaker 1>female replicants have none? Why do you think? But why

0:28:52.000 --> 0:28:55.800
<v Speaker 1>doesn't Sirie have a last name? Why a series female

0:28:55.840 --> 0:28:58.880
<v Speaker 1>to begin with? What would series last name be? You

0:28:58.960 --> 0:29:03.880
<v Speaker 1>can make serimale. Yeah, it's like programmed default females, because

0:29:03.960 --> 0:29:06.240
<v Speaker 1>that's that the service class is going to be programmed

0:29:06.280 --> 0:29:09.720
<v Speaker 1>default to be. But even just pleasure programmed by men,

0:29:10.000 --> 0:29:13.880
<v Speaker 1>pleasure bots should have last names, pleasure boats. It really

0:29:13.960 --> 0:29:15.480
<v Speaker 1>bothered me the more that I was like, why do

0:29:15.560 --> 0:29:20.680
<v Speaker 1>any of them need Chris Johnson? Maybe it's just her

0:29:20.760 --> 0:29:24.520
<v Speaker 1>stripper name. She still needs a last name. Can be there,

0:29:24.720 --> 0:29:26.760
<v Speaker 1>she was born on. It can be her first pet.

0:29:27.240 --> 0:29:29.840
<v Speaker 1>I don't care. Do you guys have favorite um like

0:29:30.000 --> 0:29:34.840
<v Speaker 1>bits of design or art or something? Harrison Ford the

0:29:34.920 --> 0:29:40.120
<v Speaker 1>greatest intelligent design. There was the best story about Harrison

0:29:40.240 --> 0:29:43.040
<v Speaker 1>Ford in some book that was about Michelle Phillips from

0:29:43.040 --> 0:29:45.800
<v Speaker 1>the Moms and the Papas seeing him on screen and

0:29:45.920 --> 0:29:48.760
<v Speaker 1>I think Star Wars and saying, hey, that's my pot dealer.

0:29:49.080 --> 0:29:53.320
<v Speaker 1>You're kidding. It's great so good. Yeah, Um, do you

0:29:53.400 --> 0:29:58.160
<v Speaker 1>have a favorite? Yeah? I mean I really like the billboards,

0:29:58.240 --> 0:30:02.080
<v Speaker 1>to be honest with you a weird way that having

0:30:02.160 --> 0:30:05.600
<v Speaker 1>been no, because having been to l A Live recently,

0:30:06.280 --> 0:30:09.479
<v Speaker 1>I felt like what was missing was like an element

0:30:09.600 --> 0:30:13.240
<v Speaker 1>of kind of overt tackiness, like that something so huge

0:30:13.320 --> 0:30:16.320
<v Speaker 1>with a human face on it selling you something would

0:30:16.360 --> 0:30:18.719
<v Speaker 1>have endeared it to me. More of that, though. They

0:30:18.800 --> 0:30:21.640
<v Speaker 1>have like digital billboard. When you're standing at the movie

0:30:21.720 --> 0:30:23.920
<v Speaker 1>theater and you're looking at l A Live from that

0:30:24.040 --> 0:30:27.440
<v Speaker 1>kind of like alle thing or whatever, there's like a

0:30:28.280 --> 0:30:32.600
<v Speaker 1>very kind of demure digital billboard. But it's I really

0:30:32.800 --> 0:30:35.719
<v Speaker 1>love the like I mean obviously the like neon at

0:30:35.840 --> 0:30:37.920
<v Speaker 1>night and the like you know, all of those tiny

0:30:37.960 --> 0:30:40.200
<v Speaker 1>little lit up windows with the rain and these like

0:30:40.320 --> 0:30:44.800
<v Speaker 1>angular structures. But I really was so into the lady's

0:30:44.920 --> 0:30:47.960
<v Speaker 1>face like taking the pill and then the Coca Cola billboard,

0:30:48.200 --> 0:30:50.640
<v Speaker 1>because I was like, this must have looked so horrible

0:30:51.080 --> 0:30:54.080
<v Speaker 1>in two, like this is the worst thing that can happen,

0:30:54.480 --> 0:30:56.960
<v Speaker 1>But now it looks like art. It looks like it

0:30:57.040 --> 0:30:59.800
<v Speaker 1>looks like my friends said. My friend Sarah saw Double

0:30:59.840 --> 0:31:01.640
<v Speaker 1>and I'mitty on a big screen. She said, there's this

0:31:01.680 --> 0:31:03.480
<v Speaker 1>line that gets a big laugh where they're talking about

0:31:03.480 --> 0:31:07.080
<v Speaker 1>like the tacky little nineteen thirties ranch houses and everybody's like,

0:31:07.200 --> 0:31:11.080
<v Speaker 1>ha ha ha, I wish I had him. So yeah,

0:31:11.080 --> 0:31:12.600
<v Speaker 1>I think there is that thing too, where it's like

0:31:12.680 --> 0:31:15.560
<v Speaker 1>what's supposed to be scary from the past becomes like

0:31:15.920 --> 0:31:18.320
<v Speaker 1>warm and fuzzy because it reminds you of the path

0:31:18.560 --> 0:31:22.239
<v Speaker 1>he just had. There's so much just too. You can

0:31:22.400 --> 0:31:25.640
<v Speaker 1>smell that movie, like you can smell Blade Runner, and

0:31:25.960 --> 0:31:28.280
<v Speaker 1>you can kind of like feel how damp it is

0:31:28.360 --> 0:31:32.360
<v Speaker 1>and stuff like that, Whereas obviously the worst thing about

0:31:32.560 --> 0:31:35.920
<v Speaker 1>l A in my opinion is the crowd. And here

0:31:36.280 --> 0:31:39.040
<v Speaker 1>there was fog last night. It left drops of water

0:31:39.360 --> 0:31:41.800
<v Speaker 1>on my car. If you felt fog last night, give

0:31:41.880 --> 0:31:44.120
<v Speaker 1>us a call to four oh four or six night.

0:31:44.680 --> 0:31:46.160
<v Speaker 1>But by the way, it was just small. It was

0:31:46.200 --> 0:31:49.120
<v Speaker 1>wet smog on you. If you think test is wrong

0:31:49.200 --> 0:31:52.400
<v Speaker 1>in Molly's right, press one when you call, and the

0:31:52.560 --> 0:31:56.520
<v Speaker 1>louser will have to die. If you have any suggestions

0:31:56.600 --> 0:32:00.400
<v Speaker 1>for long coats for tests to wear. I actually I

0:32:00.480 --> 0:32:02.600
<v Speaker 1>should admit that I had to. It was the red one,

0:32:02.640 --> 0:32:04.480
<v Speaker 1>and then I had one. It was I bought it

0:32:04.680 --> 0:32:06.240
<v Speaker 1>used so I was okay, with the fact that I

0:32:06.280 --> 0:32:08.600
<v Speaker 1>had a fur collar and it was tan with a

0:32:08.640 --> 0:32:11.400
<v Speaker 1>fur collar, and eventually like, I love this. It was

0:32:11.760 --> 0:32:14.120
<v Speaker 1>it looked really cool. And then my mom was like,

0:32:14.720 --> 0:32:17.160
<v Speaker 1>this is used if you ever washed this, and I

0:32:17.280 --> 0:32:19.280
<v Speaker 1>was like, washed it. It has a fur call and

0:32:19.400 --> 0:32:20.800
<v Speaker 1>she just kind of backed away from me, and I

0:32:20.880 --> 0:32:24.480
<v Speaker 1>was like, it's fun if one person can make youself

0:32:24.560 --> 0:32:27.480
<v Speaker 1>destroy your Like, are you wearing something different than you

0:32:27.640 --> 0:32:31.680
<v Speaker 1>usually wearing? Please give us a night call about that,

0:32:32.480 --> 0:32:36.280
<v Speaker 1>Emily before we grab up, though, what was your favorite design? Oh,

0:32:36.440 --> 0:32:39.000
<v Speaker 1>I mean it's it's the it's the coat. I mean

0:32:39.160 --> 0:32:43.040
<v Speaker 1>it's the sea through raincoat. Another one would be probably,

0:32:43.520 --> 0:32:46.600
<v Speaker 1>I mean. Zora is a small character, but she has

0:32:46.640 --> 0:32:50.240
<v Speaker 1>a lot of memorable stuff. Her fake snake, her coat,

0:32:50.480 --> 0:32:56.280
<v Speaker 1>her hair dryer or amazing. Uh, that whole scene in

0:32:56.320 --> 0:32:59.320
<v Speaker 1>her dressing room is like very It left a big

0:32:59.400 --> 0:33:03.000
<v Speaker 1>impressional me as a teenager us like, wait, is this

0:33:03.120 --> 0:33:08.400
<v Speaker 1>a really fun job? Um? Yeah, no, I I don't

0:33:08.440 --> 0:33:13.040
<v Speaker 1>know this movie. I am continually delighted. It's movies like

0:33:13.120 --> 0:33:16.680
<v Speaker 1>this that whenever people are like, oh, you know, there's

0:33:16.680 --> 0:33:18.320
<v Speaker 1>a certain way that a movie has to be to

0:33:18.400 --> 0:33:21.280
<v Speaker 1>be popular. I'm just like you all worship this weird

0:33:21.360 --> 0:33:24.680
<v Speaker 1>ass movie that has long runs of no dialogue that's

0:33:24.760 --> 0:33:27.640
<v Speaker 1>extremely impressionistic that we don't even really know what the

0:33:27.800 --> 0:33:30.320
<v Speaker 1>ending of it is. Like there's room for that, and

0:33:30.440 --> 0:33:32.600
<v Speaker 1>like it has legs for a reason because it's like

0:33:32.840 --> 0:33:35.240
<v Speaker 1>it's just like takes you to a place, and I think, yeah,

0:33:35.280 --> 0:33:37.760
<v Speaker 1>I'm same with two thousand and one. I think movies

0:33:37.960 --> 0:33:41.479
<v Speaker 1>and TV shows and things that don't answer every question

0:33:41.560 --> 0:33:44.400
<v Speaker 1>you could possibly have, like those are all the best things,

0:33:45.040 --> 0:33:47.640
<v Speaker 1>like the Shining, just like things that make your brain

0:33:47.800 --> 0:33:50.560
<v Speaker 1>just like go into a weird place of trying to

0:33:50.600 --> 0:33:53.320
<v Speaker 1>figure it out and you can't. Also, Zodiac. It's funny

0:33:53.400 --> 0:33:55.960
<v Speaker 1>now because we do have the thing of like any

0:33:56.120 --> 0:33:59.600
<v Speaker 1>studio person who's like, where's our Blade Runner, Like we

0:33:59.680 --> 0:34:03.840
<v Speaker 1>need an Blade Runner? They made it and it's boring

0:34:04.000 --> 0:34:07.280
<v Speaker 1>and over explains everything, and so you can very much

0:34:07.440 --> 0:34:10.600
<v Speaker 1>the point, especially if Harrison Ford characters. I feel like

0:34:10.880 --> 0:34:15.080
<v Speaker 1>people you can't replicate it, and you especially can't replicate

0:34:15.120 --> 0:34:17.120
<v Speaker 1>it with like Chris Pratt by giving him some like

0:34:17.280 --> 0:34:21.120
<v Speaker 1>one liners. There's just like there's just sort of like

0:34:21.280 --> 0:34:25.000
<v Speaker 1>self consciousness about Harrison Ford, like a seventies actor. Nois

0:34:25.120 --> 0:34:27.440
<v Speaker 1>that makes it great. He's not just an eighties guy

0:34:27.520 --> 0:34:31.920
<v Speaker 1>being like, fuck off princess. He does say something to

0:34:32.000 --> 0:34:34.000
<v Speaker 1>that does something to that effect. But it's also like

0:34:34.080 --> 0:34:36.000
<v Speaker 1>it was coming from Harrison Ford. Maybe it's ok she

0:34:36.080 --> 0:34:38.560
<v Speaker 1>didn't have like a little bit of a forceful seduction there.

0:34:38.600 --> 0:34:41.160
<v Speaker 1>There was a little problemat Yeah, that wouldn't. That wouldn't

0:34:42.880 --> 0:34:46.880
<v Speaker 1>exactly what if they're both robots, then it's okay, Okay,

0:34:47.120 --> 0:34:53.000
<v Speaker 1>I picked into the same conscious app astrology app in

0:34:53.040 --> 0:34:57.160
<v Speaker 1>the dating app or one app. We are all one app. Well,

0:34:57.239 --> 0:34:59.279
<v Speaker 1>we're going to take a quick break. When we come back,

0:34:59.480 --> 0:35:02.879
<v Speaker 1>we're going to have our guest this week, Elizabeth Can't

0:35:02.920 --> 0:35:05.400
<v Speaker 1>Well on to talk about her new book of poetry

0:35:05.680 --> 0:35:24.279
<v Speaker 1>and being a semi prepper in Los Angeles. Welcome back Tonightcall.

0:35:24.680 --> 0:35:27.879
<v Speaker 1>We are now joined by our guest, Elizabeth Can't well Um.

0:35:28.120 --> 0:35:31.960
<v Speaker 1>She is a high school teacher and poet living in Claremont, California.

0:35:32.280 --> 0:35:34.759
<v Speaker 1>Her poetry has appeared in a variety of journals such

0:35:34.800 --> 0:35:37.719
<v Speaker 1>as Diagram, The Cincinnati Review, the l A Review. She

0:35:37.880 --> 0:35:40.040
<v Speaker 1>is the author of a chat book, Premonitions, and two

0:35:40.160 --> 0:35:43.000
<v Speaker 1>full length collections of poetry, Nights, I Let the Tiger

0:35:43.080 --> 0:35:45.680
<v Speaker 1>Get you and All the Emergency Type Structures, which was

0:35:45.719 --> 0:35:48.800
<v Speaker 1>a finalist for the National Poetry Series and the regional

0:35:48.920 --> 0:35:53.360
<v Speaker 1>winner of the Hillary Graven dick Prize. She's amazing. We

0:35:53.560 --> 0:35:56.160
<v Speaker 1>all just read All the Emergency Type Structures and it

0:35:56.280 --> 0:36:00.880
<v Speaker 1>is the most nightcall book of poetry ever. It covers

0:36:01.080 --> 0:36:06.120
<v Speaker 1>um zombie bees, which we have covered zombie cicadas. It's

0:36:06.160 --> 0:36:09.200
<v Speaker 1>like the same thing and also a fascinating app that

0:36:09.280 --> 0:36:12.880
<v Speaker 1>we want to exist. So, Hello Elizabeth, thank Welcome to

0:36:12.920 --> 0:36:16.480
<v Speaker 1>the month. This is great because we had Elena Smith

0:36:16.640 --> 0:36:19.880
<v Speaker 1>on last week from Dickinson. So we're doing like a

0:36:19.920 --> 0:36:24.280
<v Speaker 1>poetry months. It's Poetry Month, it's also American History Months.

0:36:24.920 --> 0:36:28.200
<v Speaker 1>We've decided, I decided, Molly decided. This comes down from

0:36:28.239 --> 0:36:33.360
<v Speaker 1>me and then you guys agreed. Season American History. It

0:36:33.440 --> 0:36:37.640
<v Speaker 1>makes perfect sense. Secrets. I feel like your poems deal

0:36:37.680 --> 0:36:40.520
<v Speaker 1>a lot with some of the dark aspects of American

0:36:40.640 --> 0:36:46.359
<v Speaker 1>history and also of the human brain. Yeah, I think

0:36:46.440 --> 0:36:50.400
<v Speaker 1>that's an accurate assessment. Yeah, Like Emily Dickinson, there is

0:36:50.440 --> 0:36:53.600
<v Speaker 1>a gothness to your poetry that appeals deeply to me,

0:36:53.880 --> 0:36:57.200
<v Speaker 1>and also a really interesting structure. And then a lot

0:36:57.280 --> 0:37:02.319
<v Speaker 1>of the poems are about actual physical Struck sures, Yeah, Yeah,

0:37:02.680 --> 0:37:04.680
<v Speaker 1>this is such a like this is like a very

0:37:04.719 --> 0:37:07.080
<v Speaker 1>general question. But I always think this, especially with poets,

0:37:07.120 --> 0:37:09.279
<v Speaker 1>because I'm like, I'm so not a poet, but I'm like,

0:37:10.120 --> 0:37:12.719
<v Speaker 1>how does one go about it? But you have so

0:37:12.840 --> 0:37:15.239
<v Speaker 1>many like we're saying, like so many interesting kind of

0:37:15.520 --> 0:37:18.960
<v Speaker 1>conceits and like ideas and little like almost like the

0:37:19.040 --> 0:37:21.560
<v Speaker 1>starts of short stories, and I just like wonder why

0:37:22.440 --> 0:37:25.640
<v Speaker 1>for you poetry is the best way to like explore

0:37:25.719 --> 0:37:30.400
<v Speaker 1>those That's a great question. I feel like writing, you know,

0:37:30.520 --> 0:37:32.440
<v Speaker 1>it's like any other art where you can't really explain

0:37:32.480 --> 0:37:35.000
<v Speaker 1>why you're good at one thing and not another. I've

0:37:35.040 --> 0:37:37.520
<v Speaker 1>definitely tried fiction before, and I am terrible at it.

0:37:37.600 --> 0:37:44.320
<v Speaker 1>I can say that confidently. Horrible short story once about

0:37:44.440 --> 0:37:47.640
<v Speaker 1>a boy who was like locked in a walk in

0:37:47.920 --> 0:37:53.200
<v Speaker 1>freezer at an ice cream store sounds great, died while

0:37:53.239 --> 0:37:55.880
<v Speaker 1>a puppy was like watching it was There's something about

0:37:55.920 --> 0:37:58.720
<v Speaker 1>writing short stories. I was just thinking about this yesterday.

0:37:58.760 --> 0:38:00.719
<v Speaker 1>I was like, is there anything more off conscious to

0:38:02.239 --> 0:38:05.200
<v Speaker 1>a short story? Let me spin you a wee tail

0:38:06.239 --> 0:38:08.360
<v Speaker 1>the first line of any decent short story. Yeah, I

0:38:08.440 --> 0:38:09.920
<v Speaker 1>feel like, I mean, I feel like I kind of

0:38:10.000 --> 0:38:13.200
<v Speaker 1>work in images, Like I think in images and I

0:38:13.520 --> 0:38:17.040
<v Speaker 1>um uh spit things out in images. So poetry works

0:38:17.120 --> 0:38:20.279
<v Speaker 1>really well for for the image. I would say, um,

0:38:20.440 --> 0:38:24.160
<v Speaker 1>originally not not originally at all, um, but yeah, I

0:38:24.239 --> 0:38:27.759
<v Speaker 1>think that usually I'll have a thought and I'll try

0:38:27.880 --> 0:38:30.160
<v Speaker 1>to write it just as sort of like notes, either

0:38:30.280 --> 0:38:32.520
<v Speaker 1>notes on my phone or notes on a piece of paper,

0:38:32.560 --> 0:38:34.560
<v Speaker 1>and it just kind of turns into a poem eventually,

0:38:34.680 --> 0:38:38.280
<v Speaker 1>whether I wanted to or not. And your stuff especially,

0:38:38.400 --> 0:38:40.920
<v Speaker 1>I mean, it makes me think how actually well suited

0:38:41.000 --> 0:38:44.480
<v Speaker 1>poetry is to capturing what it feels like to live

0:38:44.600 --> 0:38:48.120
<v Speaker 1>today and this weird dystopian reality we find ourselves in,

0:38:48.160 --> 0:38:50.480
<v Speaker 1>because it is like you don't necessarily need to set

0:38:50.560 --> 0:38:52.560
<v Speaker 1>up all these images of these ideas because that's how

0:38:52.640 --> 0:38:55.440
<v Speaker 1>they come at you in twenty nineteen. It's just like

0:38:55.719 --> 0:38:59.960
<v Speaker 1>a like there's kind of a poetry consciousness, a positive

0:39:00.080 --> 0:39:03.960
<v Speaker 1>neural network. I also think it was great because it

0:39:04.040 --> 0:39:07.000
<v Speaker 1>allowed you to set up the tension between technology and

0:39:07.160 --> 0:39:09.360
<v Speaker 1>the natural world, which was some of some of my

0:39:09.480 --> 0:39:13.719
<v Speaker 1>favorite moments in the collection were kind of just sort

0:39:13.760 --> 0:39:16.239
<v Speaker 1>of showing like the disconnect between the people with their

0:39:16.280 --> 0:39:18.239
<v Speaker 1>tiny screens, I think was one of the lines. And

0:39:18.719 --> 0:39:22.239
<v Speaker 1>then having this like deep connection with like water, Like

0:39:22.480 --> 0:39:24.800
<v Speaker 1>I think, so your your book is kind of divided

0:39:24.840 --> 0:39:27.239
<v Speaker 1>into different sections that deal with like earth and water

0:39:27.360 --> 0:39:30.000
<v Speaker 1>and fire and then the home um, and I was

0:39:30.000 --> 0:39:33.440
<v Speaker 1>wondering kind of how you came up with that idea

0:39:33.520 --> 0:39:35.920
<v Speaker 1>of like tying things together that way. Well, I think

0:39:35.960 --> 0:39:41.120
<v Speaker 1>I started out wanting to write something about, like not apocalyptic,

0:39:41.239 --> 0:39:44.359
<v Speaker 1>but like what do we do when the systems as

0:39:44.400 --> 0:39:46.719
<v Speaker 1>we know them seemed to be collapsing? And like how

0:39:46.760 --> 0:39:50.000
<v Speaker 1>do we find a space for ourselves to exist when

0:39:50.800 --> 0:39:53.800
<v Speaker 1>like literally I feel like systems and structures that we

0:39:54.600 --> 0:39:58.200
<v Speaker 1>trusted as kids, or maybe maybe that some of us

0:39:58.320 --> 0:40:01.320
<v Speaker 1>dressed as kids, we're sort of seeing the cracks in

0:40:01.440 --> 0:40:03.680
<v Speaker 1>them now. And so I was thinking about, like what

0:40:03.800 --> 0:40:05.840
<v Speaker 1>do you do, how do you survive that? And like

0:40:06.000 --> 0:40:08.759
<v Speaker 1>what are the kinds of structures one could build to

0:40:08.880 --> 0:40:14.560
<v Speaker 1>like withstand those storms metaphorically and and literally obviously as

0:40:14.680 --> 0:40:16.080
<v Speaker 1>like a lot of the book is also sort of

0:40:16.160 --> 0:40:18.120
<v Speaker 1>climate change. Ee. I mean I wrote a lot of

0:40:18.160 --> 0:40:21.560
<v Speaker 1>it in seventeen so I almost feel like I wish

0:40:21.560 --> 0:40:23.719
<v Speaker 1>I had leaned into some of that more looking back

0:40:23.800 --> 0:40:26.640
<v Speaker 1>on it now from two years later, Were you guys evacuated?

0:40:26.640 --> 0:40:28.160
<v Speaker 1>At some point for the fires or was that just

0:40:28.320 --> 0:40:32.560
<v Speaker 1>kind of like alluded to as being something Californian There

0:40:32.680 --> 0:40:37.279
<v Speaker 1>were fires near us, Um, but we we personally were

0:40:37.360 --> 0:40:39.520
<v Speaker 1>never evacuated for fires. I did. My parents live in

0:40:39.560 --> 0:40:41.680
<v Speaker 1>Thousand Oaks, so they were evacuated, like, but I think

0:40:41.719 --> 0:40:44.799
<v Speaker 1>that was like last year. They stayed at our house

0:40:44.840 --> 0:40:48.959
<v Speaker 1>for a while. Um. Their house was safe luckily. But um. Yeah,

0:40:49.400 --> 0:40:52.120
<v Speaker 1>So I think just thinking about those different structures and

0:40:52.160 --> 0:40:54.880
<v Speaker 1>then also thinking about like the fact that like whatever

0:40:55.000 --> 0:40:57.480
<v Speaker 1>we build has to come from the earth, right, So

0:40:57.600 --> 0:41:00.799
<v Speaker 1>it's like, you know, either it's going to be the water,

0:41:00.920 --> 0:41:02.160
<v Speaker 1>or it's going to be the land, or it's going

0:41:02.200 --> 0:41:04.760
<v Speaker 1>to be out of space. Um, but whatever we create

0:41:04.920 --> 0:41:09.680
<v Speaker 1>has to be of of a structure that is natural

0:41:09.760 --> 0:41:13.000
<v Speaker 1>in origin. Yeah. I feel like, Um, I really liked

0:41:13.040 --> 0:41:16.920
<v Speaker 1>that you talked about the horse hitch at your old house,

0:41:17.040 --> 0:41:19.000
<v Speaker 1>which your husband talked about when he guessed it on

0:41:19.080 --> 0:41:23.160
<v Speaker 1>the podcast. It was that horse hitch, Like what was

0:41:23.239 --> 0:41:25.720
<v Speaker 1>the one Emily the plant you were talking about recently

0:41:25.840 --> 0:41:27.960
<v Speaker 1>that I didn't know what it was? What plant you

0:41:28.000 --> 0:41:31.440
<v Speaker 1>were like that plant that everybody had in the two thousands,

0:41:31.920 --> 0:41:37.440
<v Speaker 1>horse hair horsetail. It was the hipster plant. Yeah, the

0:41:37.719 --> 0:41:40.440
<v Speaker 1>ter plant. I don't remember this horse teelers. You know

0:41:40.520 --> 0:41:44.799
<v Speaker 1>about horse tail. It's a very it's such a signifier.

0:41:44.840 --> 0:41:48.720
<v Speaker 1>I feel like of like mid two thousand's California gentrification.

0:41:48.880 --> 0:41:50.840
<v Speaker 1>Maybe it's not just California. It's kind of like the

0:41:50.920 --> 0:41:53.840
<v Speaker 1>horizontal fence. Yeah, it's just like green. It looks like

0:41:53.920 --> 0:41:58.000
<v Speaker 1>really narrow bamboo. It's like if bamboo is grass and

0:41:58.120 --> 0:42:01.399
<v Speaker 1>you can make a very like and it's green. It's green. Yeah.

0:42:02.360 --> 0:42:04.120
<v Speaker 1>I think in my mind I thought it was the

0:42:04.200 --> 0:42:10.279
<v Speaker 1>different thing that was the toughty tough no I'm doing.

0:42:10.400 --> 0:42:12.600
<v Speaker 1>I think I think that's how it looks naturally. But

0:42:12.640 --> 0:42:14.839
<v Speaker 1>I think if you trim it to trim your your

0:42:14.920 --> 0:42:20.239
<v Speaker 1>new restaurant. You three people talking about trying to gas

0:42:20.360 --> 0:42:23.680
<v Speaker 1>plant sign when you could use a visual. Do you

0:42:23.760 --> 0:42:26.960
<v Speaker 1>have a favorite California plant or like like maybe I'm

0:42:26.960 --> 0:42:30.680
<v Speaker 1>an evocative plant for you. You guys have great plant.

0:42:31.600 --> 0:42:33.640
<v Speaker 1>I want to say, you guys have a great I've

0:42:33.719 --> 0:42:37.200
<v Speaker 1>seen your garden on the Instagram and you have an

0:42:37.239 --> 0:42:43.040
<v Speaker 1>amazing Halloween display. We did have a was Old West theme. Yes,

0:42:43.120 --> 0:42:44.799
<v Speaker 1>so it was like, um, I think it was called

0:42:44.880 --> 0:42:47.560
<v Speaker 1>ghost Gulch. Is the little sign we painted and there's

0:42:47.560 --> 0:42:51.680
<v Speaker 1>like a skeleton and cowboy outfit, and my younger son

0:42:51.840 --> 0:42:56.680
<v Speaker 1>is devastated that it is no longer in a yard. Um. Yeah, no,

0:42:56.840 --> 0:42:59.840
<v Speaker 1>I feel like I like, I enjoy succulents, but that

0:43:00.160 --> 0:43:04.719
<v Speaker 1>like such a basic like Visco girl things, Where are

0:43:04.760 --> 0:43:07.120
<v Speaker 1>you from? Are you from? I grew up in Virginia, Okay,

0:43:07.400 --> 0:43:10.759
<v Speaker 1>not a succulent place. Yeah, it's one of those fun

0:43:10.880 --> 0:43:12.440
<v Speaker 1>things and you come out here and you're like, oh,

0:43:12.520 --> 0:43:14.800
<v Speaker 1>I'm really like on another plan. And I never understood

0:43:14.800 --> 0:43:18.640
<v Speaker 1>that Virginia was very green until I came back to Virginia.

0:43:18.719 --> 0:43:21.040
<v Speaker 1>Like when the first time I visited with Chris Actually

0:43:21.040 --> 0:43:23.239
<v Speaker 1>I remember he was like blown away because he grew

0:43:23.320 --> 0:43:25.480
<v Speaker 1>up in Texas and then to California, and I was like,

0:43:25.600 --> 0:43:28.440
<v Speaker 1>welcome to Virginia. He was like, why are there so

0:43:28.719 --> 0:43:33.320
<v Speaker 1>many trees the moisture here. I had that experience in Portland,

0:43:33.360 --> 0:43:34.719
<v Speaker 1>and I went to Portland for the first time and

0:43:34.880 --> 0:43:38.239
<v Speaker 1>was just like, trees everywhere. Portland is so beautiful. I

0:43:38.320 --> 0:43:41.880
<v Speaker 1>could live somewhere with trees. Yeah. Yeah. You mentioned Ray

0:43:41.960 --> 0:43:45.919
<v Speaker 1>Bradbury in one of the poems also, which I only

0:43:46.040 --> 0:43:48.520
<v Speaker 1>just realized recently that those poems are all about like

0:43:48.640 --> 0:43:50.800
<v Speaker 1>moving from the Midwest to Lost of the poems, the

0:43:51.040 --> 0:43:54.160
<v Speaker 1>short stories about moving from the Midwest to Los Angeles.

0:43:55.000 --> 0:43:58.880
<v Speaker 1>Uh in Los Angeles is Mars. Oh yeah, totally, totally.

0:44:00.360 --> 0:44:02.880
<v Speaker 1>It also makes you want to move to Mars occasionally.

0:44:03.400 --> 0:44:05.759
<v Speaker 1>I say that as someone who loves l A but Um.

0:44:05.880 --> 0:44:07.839
<v Speaker 1>In one of your poems, when you talk about living

0:44:07.880 --> 0:44:10.760
<v Speaker 1>in a kind of exoplanet commune, I was like, sure,

0:44:11.000 --> 0:44:14.799
<v Speaker 1>I'll do that now because the fires have kind of continued.

0:44:14.960 --> 0:44:16.879
<v Speaker 1>We've already talked about in the podcast, so I won't

0:44:16.920 --> 0:44:19.080
<v Speaker 1>for anyone. We haven't talked about this yet. I wanted

0:44:19.120 --> 0:44:23.480
<v Speaker 1>to talk about. I read like an obscure etymology, not

0:44:24.440 --> 0:44:27.760
<v Speaker 1>at all vetted, but it said that maybe the Santa

0:44:27.760 --> 0:44:33.720
<v Speaker 1>Ana winds are actually a bastardization of Satanas the devil winds,

0:44:33.840 --> 0:44:36.960
<v Speaker 1>because that is what other native groups called them, and

0:44:37.040 --> 0:44:40.479
<v Speaker 1>apparently like the tongue but people who were the people

0:44:40.560 --> 0:44:43.080
<v Speaker 1>here called them something like that, and maybe it was

0:44:43.160 --> 0:44:47.399
<v Speaker 1>like translated into Spanish as Satanas and then translated back

0:44:47.480 --> 0:44:50.520
<v Speaker 1>into English as Santa Annas. Because they don't come from

0:44:50.600 --> 0:44:55.400
<v Speaker 1>Santana and they are the devil winds. They are super

0:44:55.440 --> 0:44:58.080
<v Speaker 1>that they're also natural, like they're meant to happen, and

0:44:58.200 --> 0:45:01.120
<v Speaker 1>they do happen every year, but it just sucks so bad.

0:45:01.360 --> 0:45:05.200
<v Speaker 1>Every animals hate them. Right, But I think like what

0:45:05.320 --> 0:45:06.960
<v Speaker 1>your poems get at is like there's a way you

0:45:07.000 --> 0:45:09.000
<v Speaker 1>can live in tune with those things, and that's not

0:45:09.239 --> 0:45:11.520
<v Speaker 1>what we're doing at all. Yeah. Well, I feel like

0:45:11.640 --> 0:45:14.239
<v Speaker 1>my my poem about like going to another planet and

0:45:14.320 --> 0:45:17.279
<v Speaker 1>living is also like that's a cheat, you know, like

0:45:17.480 --> 0:45:19.200
<v Speaker 1>if you want to be like, let's blast off and

0:45:19.280 --> 0:45:21.759
<v Speaker 1>live on another planet, it's like cool, but that is

0:45:21.840 --> 0:45:26.600
<v Speaker 1>such a kind of shitty way to go about it. Conservatism.

0:45:27.520 --> 0:45:31.000
<v Speaker 1>M We just talked recently about how scientists have now

0:45:31.480 --> 0:45:33.279
<v Speaker 1>kind of asked us to give up hope on that,

0:45:33.640 --> 0:45:36.240
<v Speaker 1>which I don't think we were ever like really witching

0:45:36.320 --> 0:45:42.759
<v Speaker 1>to go anti planet colonism were anti planet. But it's

0:45:42.800 --> 0:45:47.960
<v Speaker 1>also interesting to explore that impulse when you feel overwhelmed

0:45:48.040 --> 0:45:52.000
<v Speaker 1>not just by like immediate environmental concerns, but also obviously

0:45:52.080 --> 0:45:55.840
<v Speaker 1>what that implies about largely environments. It's like the commune impulse,

0:45:55.920 --> 0:45:58.800
<v Speaker 1>but it's like you can't go anywhere. Yeah, well, I

0:45:58.880 --> 0:46:01.759
<v Speaker 1>think also if you live anywhere where, I mean, I know,

0:46:01.800 --> 0:46:04.280
<v Speaker 1>you guys didn't have to evacuate, but like in California,

0:46:04.320 --> 0:46:07.759
<v Speaker 1>if you do live anywhere where you're under risk from

0:46:07.800 --> 0:46:10.520
<v Speaker 1>having to be evacuated for a fire, or if you

0:46:10.600 --> 0:46:12.920
<v Speaker 1>live in Florida where you know every year you have

0:46:13.040 --> 0:46:15.200
<v Speaker 1>to board up your house and like the water takes

0:46:15.280 --> 0:46:18.200
<v Speaker 1>over everything. Like I think like having some kind of

0:46:18.320 --> 0:46:22.320
<v Speaker 1>sense of being at the mercy of nature even in

0:46:22.400 --> 0:46:26.200
<v Speaker 1>a non climate change scenario, you guys have tornadoes. Though,

0:46:26.280 --> 0:46:28.520
<v Speaker 1>this is what I now can't stop thinking, right, But

0:46:28.600 --> 0:46:31.120
<v Speaker 1>that's the thing, like I think, I I wish that

0:46:31.280 --> 0:46:35.000
<v Speaker 1>that ingrained more of a like cool I'm gonna like

0:46:35.360 --> 0:46:38.480
<v Speaker 1>let nature take over type mentality instead of this like

0:46:39.480 --> 0:46:41.360
<v Speaker 1>like people who keep the inside of their house like

0:46:41.440 --> 0:46:44.440
<v Speaker 1>succeed degrees all through the year, where it's like like

0:46:44.600 --> 0:46:46.160
<v Speaker 1>that's like the small version of it where it's like

0:46:46.200 --> 0:46:48.040
<v Speaker 1>it's hot. It should be a little bit hot inside

0:46:48.080 --> 0:46:50.719
<v Speaker 1>your house, Like you know, just like learning to like

0:46:51.160 --> 0:46:53.960
<v Speaker 1>like like ride nature is sort of like resisting it

0:46:54.040 --> 0:46:56.239
<v Speaker 1>because I feel like that's what that is what gets

0:46:56.280 --> 0:46:59.399
<v Speaker 1>you climate change events eventually. Yeah. Well, and I feel

0:46:59.400 --> 0:47:01.200
<v Speaker 1>like the other thing that I that I think a

0:47:01.320 --> 0:47:05.000
<v Speaker 1>lot about is like the disconnect between living in like

0:47:05.080 --> 0:47:09.160
<v Speaker 1>a suburban community or in a UM, any kind of

0:47:09.200 --> 0:47:12.480
<v Speaker 1>community where people are sort of comfortable, um, and how

0:47:12.560 --> 0:47:14.440
<v Speaker 1>you kind of have to lie to yourself in order

0:47:14.520 --> 0:47:16.719
<v Speaker 1>to do that. We're like, oh, but we turned the

0:47:16.760 --> 0:47:20.239
<v Speaker 1>thermostat down at our house and it's fine. Um. And

0:47:20.320 --> 0:47:23.640
<v Speaker 1>this sort of like weird almost social pressure that you

0:47:24.040 --> 0:47:26.560
<v Speaker 1>experience when you're like, oh, but everybody does that and

0:47:27.040 --> 0:47:28.640
<v Speaker 1>this is just how we do it, and like no

0:47:28.719 --> 0:47:31.000
<v Speaker 1>one else is changing, So why do I need to change?

0:47:32.280 --> 0:47:34.680
<v Speaker 1>I'm teaching this book right now, actually called The House

0:47:34.760 --> 0:47:37.000
<v Speaker 1>next Door. Have any of you read this book? Now? Oh?

0:47:37.560 --> 0:47:39.719
<v Speaker 1>I think night Call would love this book. It's called

0:47:39.800 --> 0:47:41.680
<v Speaker 1>The House next Door. It was written in I want

0:47:41.719 --> 0:47:46.400
<v Speaker 1>to say nineteen seventies seventy something. I don't know. Um

0:47:46.440 --> 0:47:49.480
<v Speaker 1>that it's Anne Rivers sit Ins and she's like a

0:47:49.560 --> 0:47:53.839
<v Speaker 1>kind of under the radar female UM Southern Gothic writer.

0:47:54.120 --> 0:47:57.200
<v Speaker 1>And it's a ghost it's like a haunted house story

0:47:57.640 --> 0:47:59.680
<v Speaker 1>where the house is new, so it's basically like what

0:48:00.040 --> 0:48:04.120
<v Speaker 1>the haunted house was had just been built wonderful. And

0:48:04.760 --> 0:48:10.439
<v Speaker 1>it's like social commentary about suburban Southern like, yeah, where

0:48:10.520 --> 0:48:13.600
<v Speaker 1>is it funky? It's in like a suburb of Um,

0:48:14.160 --> 0:48:16.640
<v Speaker 1>I want to see a suburb of Atlanta. I'm pretty

0:48:16.680 --> 0:48:21.920
<v Speaker 1>sure it's in the South. Yeah, it came out. I mean,

0:48:22.000 --> 0:48:26.000
<v Speaker 1>I would love to read it. It's great ghost story

0:48:26.080 --> 0:48:31.520
<v Speaker 1>about a seventies suburbia, like haunting, it's awesome. It's like

0:48:32.120 --> 0:48:35.759
<v Speaker 1>a married couple where if um, if two people got

0:48:35.840 --> 0:48:38.120
<v Speaker 1>married and decided not to have kids, and we're like,

0:48:38.200 --> 0:48:40.480
<v Speaker 1>we're going to lean into just like loving ourselves in

0:48:40.560 --> 0:48:43.440
<v Speaker 1>self care and like being a part of our suburban community,

0:48:43.560 --> 0:48:46.920
<v Speaker 1>and then we're just destroyed by a series of happenings.

0:48:47.000 --> 0:48:48.799
<v Speaker 1>But then again, like, is it also just because you're

0:48:48.880 --> 0:48:52.520
<v Speaker 1>narcissistic and have money to be comfortable? And what are

0:48:52.600 --> 0:48:56.640
<v Speaker 1>your opinion is the most haunted architecture if you have

0:48:56.719 --> 0:48:59.200
<v Speaker 1>an opinion on this, because talking about the suburbs, I'm

0:48:59.280 --> 0:49:02.440
<v Speaker 1>like that to me, sometimes mid century houses seem the

0:49:02.520 --> 0:49:05.480
<v Speaker 1>most hauntable, And I tend to go on in a

0:49:05.560 --> 0:49:08.759
<v Speaker 1>boring way about upside down floor plans and how I

0:49:08.880 --> 0:49:12.759
<v Speaker 1>think that they are just ghost magnets. What do you

0:49:12.800 --> 0:49:16.960
<v Speaker 1>mean when the bedrooms are below the rest of the house,

0:49:17.719 --> 0:49:22.160
<v Speaker 1>you are crushed by the way bedrooms have to be upstairs. No,

0:49:22.400 --> 0:49:24.680
<v Speaker 1>they have to be either on the same level or above.

0:49:24.800 --> 0:49:27.560
<v Speaker 1>But if the bedrooms are downstairs, or sometimes if you

0:49:27.800 --> 0:49:32.000
<v Speaker 1>enter and then yeah, yeah, there's all like a split level.

0:49:32.400 --> 0:49:39.000
<v Speaker 1>Well okay, for first of all house floors in certain

0:49:39.040 --> 0:49:42.400
<v Speaker 1>mid century houses, there there's like a main level and

0:49:42.440 --> 0:49:46.720
<v Speaker 1>then sometimes there's either multiple bedrooms or one master bedroom

0:49:46.840 --> 0:49:53.480
<v Speaker 1>that is like subterranean almost, don't you know? I do know? Okay,

0:49:53.600 --> 0:49:57.120
<v Speaker 1>can you imagine waking up like underground? To me, I

0:49:57.239 --> 0:50:00.719
<v Speaker 1>think that's the worst psychic room in the basement. I

0:50:00.760 --> 0:50:03.480
<v Speaker 1>actually have like a vivid memory of sleeping over at

0:50:03.520 --> 0:50:05.640
<v Speaker 1>a friend's house where it was like a weird like

0:50:05.719 --> 0:50:08.120
<v Speaker 1>there was bedrooms on the upper floor, but then also

0:50:08.200 --> 0:50:10.120
<v Speaker 1>bedrooms on the lower floor. What if you're like the

0:50:10.239 --> 0:50:12.839
<v Speaker 1>cool teenager and you get your own room. That's why

0:50:12.960 --> 0:50:15.719
<v Speaker 1>teenagers are so weird that they all want to live

0:50:15.719 --> 0:50:19.360
<v Speaker 1>in a basement. All they're all the bad vibes. Also

0:50:19.480 --> 0:50:24.080
<v Speaker 1>the radar settles. It's true, but it was your least

0:50:24.200 --> 0:50:27.680
<v Speaker 1>favorite structure vibe wise. I do think like a very

0:50:27.800 --> 0:50:32.360
<v Speaker 1>antiseptic modern place is creepy to be in when it

0:50:32.440 --> 0:50:34.080
<v Speaker 1>feels like it doesn't when it feels like it's not

0:50:34.160 --> 0:50:37.040
<v Speaker 1>really lived in. That to me is actually creepy, Like

0:50:37.120 --> 0:50:40.520
<v Speaker 1>the complete lack of texture. Yes, like the books face,

0:50:40.680 --> 0:50:43.680
<v Speaker 1>the spine facing backwards on the bookshelves. I don't want

0:50:43.680 --> 0:50:44.800
<v Speaker 1>to be in a room with that. But it's just

0:50:44.960 --> 0:50:47.160
<v Speaker 1>like the thing we were talking about, because the room

0:50:47.200 --> 0:50:48.640
<v Speaker 1>that I'm writing, and we have a lot of stuff

0:50:48.680 --> 0:50:50.520
<v Speaker 1>that takes place at a spa, and we were talking

0:50:50.560 --> 0:50:53.440
<v Speaker 1>about like the idea of spa culture and different in

0:50:53.520 --> 0:50:57.319
<v Speaker 1>different cultures, and how somehow the Western one arrived at

0:50:57.360 --> 0:51:00.520
<v Speaker 1>this thing where everything must be pristine and white and

0:51:00.640 --> 0:51:03.120
<v Speaker 1>clean and made of tiles and like a lot like

0:51:03.239 --> 0:51:07.680
<v Speaker 1>both other like European cultures and Asian cultures, like much

0:51:07.719 --> 0:51:11.120
<v Speaker 1>more value, like would and natural surfaces, and like when

0:51:11.200 --> 0:51:13.040
<v Speaker 1>you're at a spa and relaxed and you want to

0:51:13.040 --> 0:51:15.160
<v Speaker 1>feel like you're a part of nature, but there's this

0:51:15.280 --> 0:51:18.800
<v Speaker 1>whole Like I think that to death. I think on

0:51:19.000 --> 0:51:23.839
<v Speaker 1>everything in America, well in Los Angeles, yes, but I think, oh,

0:51:23.920 --> 0:51:27.640
<v Speaker 1>you mean like done the done, the white gleaming services. Yeah, yeah,

0:51:27.719 --> 0:51:32.640
<v Speaker 1>that's like so dominant minimalism. I hated, Um, what do

0:51:32.680 --> 0:51:36.879
<v Speaker 1>you guys think of the most haunted architecture? Already said

0:51:36.920 --> 0:51:38.719
<v Speaker 1>mid century? I'm sticking with that. I used to like

0:51:38.880 --> 0:51:41.759
<v Speaker 1>mid century houses and I still find them to be

0:51:42.120 --> 0:51:45.040
<v Speaker 1>fun to look at, but having For a while, I

0:51:45.120 --> 0:51:47.319
<v Speaker 1>was just going to open houses all the time because

0:51:47.400 --> 0:51:49.840
<v Speaker 1>it was like free and the thing to do, and

0:51:49.920 --> 0:51:53.800
<v Speaker 1>I felt like I eventually started picturing myself living in

0:51:53.880 --> 0:51:57.040
<v Speaker 1>a house with like walls that would slide, and like

0:51:57.160 --> 0:52:01.320
<v Speaker 1>the downstairs bedroom and the weird kind of like just

0:52:01.480 --> 0:52:06.239
<v Speaker 1>two angular bathrooms. It just I just became convinced that

0:52:06.560 --> 0:52:08.120
<v Speaker 1>I don't think you can be happy in a house

0:52:08.200 --> 0:52:10.759
<v Speaker 1>like that. Yeah, I don't know. I think like that

0:52:10.960 --> 0:52:16.960
<v Speaker 1>kind of subdivision gated community, like nineties nineties mini mansion thing,

0:52:17.719 --> 0:52:21.160
<v Speaker 1>that's a really bad vibe, especially because I think there's

0:52:21.200 --> 0:52:24.000
<v Speaker 1>a it probably starts in like the seventies or eighties,

0:52:24.040 --> 0:52:25.840
<v Speaker 1>but I feel like it's very like I have a

0:52:25.960 --> 0:52:28.920
<v Speaker 1>very tactile memory of being in houses like this where

0:52:28.920 --> 0:52:31.520
<v Speaker 1>it just feels like it's fancy and it smells like

0:52:31.560 --> 0:52:33.920
<v Speaker 1>a new house, but also like everything feels like kind

0:52:33.960 --> 0:52:38.000
<v Speaker 1>of hollow, like that kind of empty feeling that's the

0:52:38.480 --> 0:52:43.560
<v Speaker 1>decorating scheme of all airbnbs. How about that Airbnb just

0:52:43.840 --> 0:52:46.239
<v Speaker 1>read that it was insane? Did you guys read it?

0:52:46.880 --> 0:52:51.600
<v Speaker 1>It's amazing? Yeah, this reporter for Vice accidentally uncovered this

0:52:51.760 --> 0:52:54.719
<v Speaker 1>huge Airbnb scam when she booked a place to stay.

0:52:55.880 --> 0:52:58.719
<v Speaker 1>Yeah it is. Yeah, it was like, you know, it's

0:52:58.760 --> 0:53:01.319
<v Speaker 1>a picture of a couple. They're like, I forget their names,

0:53:02.400 --> 0:53:08.239
<v Speaker 1>Frank exactly, Jack and Diane when something they have no regulations,

0:53:08.280 --> 0:53:10.880
<v Speaker 1>they are not no, they did they this couple doesn't exist.

0:53:10.920 --> 0:53:12.920
<v Speaker 1>They it's like a guy who bought up a ton

0:53:13.000 --> 0:53:15.279
<v Speaker 1>of property and what he does is basically a bait

0:53:15.320 --> 0:53:17.320
<v Speaker 1>and switch where you show up and he says, oops,

0:53:17.520 --> 0:53:19.960
<v Speaker 1>there was a sewage accident. I need to put you

0:53:20.040 --> 0:53:22.560
<v Speaker 1>in a place that's identical. But it's like two blocks

0:53:22.600 --> 0:53:25.040
<v Speaker 1>away it's the same. And then you go and it's

0:53:25.120 --> 0:53:26.800
<v Speaker 1>not at all the same and it's not what you

0:53:26.920 --> 0:53:29.920
<v Speaker 1>It's like a kind of terrible ramshackle, Like there's like

0:53:30.000 --> 0:53:33.000
<v Speaker 1>beds with no sheets and like and like the multiple

0:53:33.120 --> 0:53:35.960
<v Speaker 1>people staying there. Yeah, and then they don't refund you

0:53:36.160 --> 0:53:38.839
<v Speaker 1>because airbb you cannot speak to a human. But after

0:53:38.960 --> 0:53:42.480
<v Speaker 1>she published this story, Airbnb was totally silent on it,

0:53:42.719 --> 0:53:46.280
<v Speaker 1>and then the FBI was like, hello, what an interesting

0:53:46.480 --> 0:53:48.520
<v Speaker 1>article you've written. We're going to start looking into this.

0:53:48.920 --> 0:53:52.960
<v Speaker 1>So then Airbnb decided that come December something, they're changing

0:53:53.400 --> 0:54:11.000
<v Speaker 1>their whole operations all startups get shut down. Hey, let's

0:54:11.000 --> 0:54:16.320
<v Speaker 1>take a nightcall, high nightcall. I wanted to let you

0:54:16.440 --> 0:54:18.920
<v Speaker 1>know that I've been in the tunnels underneath e c

0:54:19.120 --> 0:54:23.440
<v Speaker 1>l A. I entered through the Art department. Um, I

0:54:23.520 --> 0:54:28.200
<v Speaker 1>guess it's like the north east part of campus, and

0:54:28.280 --> 0:54:31.440
<v Speaker 1>then you go underneath the building and there's like the

0:54:31.600 --> 0:54:34.640
<v Speaker 1>tunnels between the different departments. It's kind of like being

0:54:34.719 --> 0:54:38.120
<v Speaker 1>inside of a ship, where each doorway is like a

0:54:38.320 --> 0:54:41.560
<v Speaker 1>circular raised area that you stepped through, and then they're

0:54:41.600 --> 0:54:45.719
<v Speaker 1>like skinny short tunnels. But then they opened up to

0:54:45.800 --> 0:54:49.279
<v Speaker 1>these like big cavernous rooms underneath the department. So I

0:54:49.360 --> 0:54:52.400
<v Speaker 1>went under theater and it was like filled with old props.

0:54:52.480 --> 0:54:55.279
<v Speaker 1>It was super fucking creepy. And then I also went

0:54:55.480 --> 0:55:00.480
<v Speaker 1>under the library the clooks there, and that was filled

0:55:00.600 --> 0:55:05.800
<v Speaker 1>with out of circulation books, uh and like plat files

0:55:05.880 --> 0:55:07.880
<v Speaker 1>and like an insane amount of books. It was like

0:55:07.960 --> 0:55:17.000
<v Speaker 1>a huge, huge room. Um, okay, right, I'm in suspense.

0:55:17.440 --> 0:55:19.240
<v Speaker 1>I did know that the U c l A tunnels

0:55:19.480 --> 0:55:22.600
<v Speaker 1>like there is an entrance the northeast campuses where theater

0:55:22.719 --> 0:55:24.719
<v Speaker 1>and film is, which is where I went. So I

0:55:24.880 --> 0:55:26.800
<v Speaker 1>was That's why I was like kind of vaguely aware

0:55:26.840 --> 0:55:28.160
<v Speaker 1>of it, but I never went into it. But I

0:55:28.280 --> 0:55:30.640
<v Speaker 1>just looked up a map of the U. C l

0:55:30.680 --> 0:55:33.480
<v Speaker 1>A tunnels and they go through the whole school. It's

0:55:33.520 --> 0:55:35.520
<v Speaker 1>sort of like when you're saying it's like a ship.

0:55:35.640 --> 0:55:38.080
<v Speaker 1>It's like because it's like an artery that goes down

0:55:38.360 --> 0:55:42.840
<v Speaker 1>the campus under Does it start at Royce Hall? No,

0:55:43.160 --> 0:55:46.239
<v Speaker 1>it goes through Royce Um. I mean it starts like

0:55:46.400 --> 0:55:48.520
<v Speaker 1>it goes to like Polly Pavilion, which is underneath like

0:55:48.560 --> 0:55:51.200
<v Speaker 1>the soccer field there. I mean that's how far out

0:55:51.280 --> 0:55:54.200
<v Speaker 1>it goes. But it goes like the whole North campus.

0:55:54.239 --> 0:55:56.160
<v Speaker 1>There's like a square you can kind of see it's

0:55:56.200 --> 0:56:00.400
<v Speaker 1>like that um. But yeah, it's so like I had

0:56:00.440 --> 0:56:02.000
<v Speaker 1>thought that it was only one part of the campus,

0:56:02.080 --> 0:56:04.120
<v Speaker 1>but it like goes through the whole thing. And they

0:56:04.200 --> 0:56:06.479
<v Speaker 1>called in steam tunnels on here, and I was trying.

0:56:06.840 --> 0:56:09.160
<v Speaker 1>I looked at like, this research is all very familiar

0:56:09.200 --> 0:56:10.880
<v Speaker 1>to me because I've definitely looked this up before and

0:56:10.920 --> 0:56:14.239
<v Speaker 1>like tried to figure out what they were originally used for.

0:56:14.520 --> 0:56:18.000
<v Speaker 1>I mean, I guess like as a means of transporting

0:56:18.080 --> 0:56:22.440
<v Speaker 1>things from one department to another. I guess during nuclear No,

0:56:22.640 --> 0:56:25.600
<v Speaker 1>that's true. A huge bomb shelter. But but most of

0:56:25.760 --> 0:56:30.240
<v Speaker 1>u c l A pre dates like the nuclear panic

0:56:30.360 --> 0:56:32.880
<v Speaker 1>as they built it. Oh, it's for the lizard people.

0:56:33.120 --> 0:56:36.560
<v Speaker 1>It could have been for the ninja turtles. Was there

0:56:36.600 --> 0:56:40.560
<v Speaker 1>pizza then, we know? I mean it's a college. This

0:56:40.760 --> 0:56:44.040
<v Speaker 1>is kind of a Ninja turtle situation, it is. Elizabeth

0:56:44.080 --> 0:56:47.719
<v Speaker 1>was saying that her college also contained underground tunnels. Yeah. Well,

0:56:47.760 --> 0:56:50.839
<v Speaker 1>I went to Yale, and there were tunnels at Yale

0:56:50.880 --> 0:56:55.080
<v Speaker 1>that I knew people went into. I never went into them,

0:56:55.239 --> 0:56:57.400
<v Speaker 1>but I did that We had a we had these

0:56:57.440 --> 0:57:00.720
<v Speaker 1>residential colleges, and there were tunnels under our aidental college

0:57:00.760 --> 0:57:02.120
<v Speaker 1>that I went into a lot because it was the

0:57:02.200 --> 0:57:05.080
<v Speaker 1>only way you could get to I don't want it

0:57:05.160 --> 0:57:06.879
<v Speaker 1>wasn't the laundry room, but there was like a weird

0:57:07.000 --> 0:57:08.960
<v Speaker 1>place where you could only get to something through these

0:57:09.000 --> 0:57:11.120
<v Speaker 1>tunnels and you would have to bend double and like

0:57:11.239 --> 0:57:15.719
<v Speaker 1>crouched down, and there was like one strange area where

0:57:15.719 --> 0:57:18.760
<v Speaker 1>it was all like discarded bikes and I don't know

0:57:18.880 --> 0:57:21.520
<v Speaker 1>whose bikes they were, like they were not active members

0:57:21.560 --> 0:57:24.360
<v Speaker 1>of the school's bikes. I just assumed the Yale tunnels

0:57:24.440 --> 0:57:27.120
<v Speaker 1>lead to like the Phantom of the Opera for sure,

0:57:27.400 --> 0:57:30.440
<v Speaker 1>it does feel like the Yale tunnels would be much

0:57:30.520 --> 0:57:34.560
<v Speaker 1>more like kind of decrepit and like colonial than there

0:57:34.640 --> 0:57:39.440
<v Speaker 1>might be more ancient, like they might like ancient Masonic energy,

0:57:39.640 --> 0:57:41.960
<v Speaker 1>where like the U. C. L a. Tunnels have like

0:57:42.800 --> 0:57:45.960
<v Speaker 1>turn of the century Masonic energy. I got really piste

0:57:46.000 --> 0:57:47.800
<v Speaker 1>off when I went back for a reunion and they

0:57:47.840 --> 0:57:50.960
<v Speaker 1>had like renovated our college, which was fine whatever, um,

0:57:51.440 --> 0:57:53.960
<v Speaker 1>but they had taken out all the creepy tunnels and

0:57:54.040 --> 0:57:56.240
<v Speaker 1>put in like a nice basement with like a ping

0:57:56.360 --> 0:57:59.840
<v Speaker 1>pong table and a dark room. Like this feels terrible. No,

0:58:00.000 --> 0:58:02.760
<v Speaker 1>but he's ever going to hang out without a haunted tunnel?

0:58:03.920 --> 0:58:06.640
<v Speaker 1>You cantrive? Were you allowed to go in the tunnels

0:58:06.680 --> 0:58:09.840
<v Speaker 1>back before they were renovated? I mean yeah, in the

0:58:10.000 --> 0:58:13.360
<v Speaker 1>in our residential college, we were, um the other tunnels,

0:58:13.400 --> 0:58:16.800
<v Speaker 1>I think we're not like kosher tunnels to go in.

0:58:16.960 --> 0:58:18.400
<v Speaker 1>And there was also a weird thing with like a

0:58:18.480 --> 0:58:22.240
<v Speaker 1>secret society that used like more water, Like their water

0:58:22.400 --> 0:58:25.680
<v Speaker 1>bill was like higher than any place on campus, and

0:58:25.760 --> 0:58:29.040
<v Speaker 1>there was no evidence of like what that water was

0:58:29.120 --> 0:58:31.800
<v Speaker 1>going to, Like they didn't have a swimming pool as

0:58:31.840 --> 0:58:35.040
<v Speaker 1>far as we knew, hydroponics. Maybe they were in tunnel. Sure,

0:58:35.080 --> 0:58:39.880
<v Speaker 1>I don't know the water torture. I don't know practicing escaping. Yeah,

0:58:41.000 --> 0:58:44.280
<v Speaker 1>slip and slide. They were slipping and slide, and what

0:58:44.360 --> 0:58:48.080
<v Speaker 1>were they using all that waterfall? It's a weird fact

0:58:48.200 --> 0:58:50.560
<v Speaker 1>that I don't know. Okay, if you went to Yale

0:58:50.600 --> 0:58:53.240
<v Speaker 1>and you know why they had the high water bill,

0:58:53.320 --> 0:58:56.360
<v Speaker 1>give us a night call if you remember, particularly which

0:58:56.960 --> 0:59:01.160
<v Speaker 1>secret society hot Yale Center calls a two four oh

0:59:01.240 --> 0:59:03.800
<v Speaker 1>four six night and tell us why that water bill

0:59:03.920 --> 0:59:07.200
<v Speaker 1>was high. We like a regional mystery. Yeah. I don't

0:59:07.240 --> 0:59:10.440
<v Speaker 1>really understand what the societies are for, except for people

0:59:10.520 --> 0:59:12.800
<v Speaker 1>who then go on to do war crimes to meet

0:59:12.920 --> 0:59:15.280
<v Speaker 1>you mean, basically, Yeah, it's just for boys to feel

0:59:15.400 --> 0:59:18.640
<v Speaker 1>like a sense of exclusivity about what they're It's just

0:59:18.760 --> 0:59:20.400
<v Speaker 1>for if you if you don't feel enough of a

0:59:20.480 --> 0:59:24.920
<v Speaker 1>sense of exclusivity for going to Yale, then a secret

0:59:24.920 --> 0:59:27.800
<v Speaker 1>society might be for you. Also, they have them like everywhere,

0:59:27.880 --> 0:59:29.520
<v Speaker 1>not just at i Vy's, but those are like the

0:59:29.560 --> 0:59:31.160
<v Speaker 1>most famous. Do you c l A have any like

0:59:31.760 --> 0:59:33.640
<v Speaker 1>I don't know about I know about some at UNC.

0:59:33.840 --> 0:59:36.680
<v Speaker 1>Just because David was from Chapel Hill, doesn't u v

0:59:36.800 --> 0:59:38.720
<v Speaker 1>A have that crazy one? Where like it's called like

0:59:38.880 --> 0:59:41.520
<v Speaker 1>seven or something and there's only seven people in it,

0:59:41.680 --> 0:59:43.520
<v Speaker 1>but you don't know who they are, but they chime

0:59:43.600 --> 0:59:46.440
<v Speaker 1>the bell at Uva when one of the seven dies.

0:59:47.120 --> 0:59:50.320
<v Speaker 1>I don't know anything. I'm pretty sure this is I mean,

0:59:50.400 --> 0:59:53.560
<v Speaker 1>this is Virginia. This is maybe Virginia gossip. But I

0:59:53.680 --> 0:59:56.480
<v Speaker 1>did know people who went to UVA, and I believe

0:59:56.560 --> 0:59:59.520
<v Speaker 1>there's something called like seven. See that's dope, though, Like

0:59:59.640 --> 1:00:02.640
<v Speaker 1>I would love to be And that's because if that's

1:00:02.680 --> 1:00:05.840
<v Speaker 1>all that it is, I hope that the whole goal

1:00:05.960 --> 1:00:09.240
<v Speaker 1>is to live. And so like when you come from

1:00:09.320 --> 1:00:12.280
<v Speaker 1>somewhere like here where you're like the traditions aren't that old?

1:00:12.880 --> 1:00:16.440
<v Speaker 1>What were these really old traditions? Like? And then like

1:00:16.680 --> 1:00:19.440
<v Speaker 1>my boyfriends from New Orleans and just like we watched

1:00:19.520 --> 1:00:22.440
<v Speaker 1>something about like all the traditions of Mardi Gras and

1:00:22.560 --> 1:00:27.720
<v Speaker 1>it's all just like so intricate. Everybody's in a secret society,

1:00:28.720 --> 1:00:31.520
<v Speaker 1>um and there's like so much costuming. It kind of

1:00:31.600 --> 1:00:34.040
<v Speaker 1>just totally freaking New Orleans likes like a lot of

1:00:34.560 --> 1:00:38.480
<v Speaker 1>rules and like details their detailed oriented city rules that

1:00:38.640 --> 1:00:42.080
<v Speaker 1>come with the secret society or what really take me

1:00:42.160 --> 1:00:44.560
<v Speaker 1>out of wanting to be in there at the society

1:00:44.760 --> 1:00:47.080
<v Speaker 1>that Brown did we we didn't have any We were

1:00:47.160 --> 1:00:50.640
<v Speaker 1>fraternities and those aren't secret though at all. That doesn't count.

1:00:50.960 --> 1:00:55.520
<v Speaker 1>Those are public stupid apologies to anyone in the Greek.

1:00:57.960 --> 1:01:00.880
<v Speaker 1>But there are also some like there were some things

1:01:00.920 --> 1:01:03.360
<v Speaker 1>that were like fraternities and sororities at Brown, but they

1:01:03.400 --> 1:01:08.320
<v Speaker 1>were all like for nerds, a gameshouse house was like

1:01:08.480 --> 1:01:10.840
<v Speaker 1>the D and D house and they had more sex

1:01:10.920 --> 1:01:19.080
<v Speaker 1>and they had water. They were great. The Seventh Society,

1:01:19.080 --> 1:01:21.800
<v Speaker 1>I'm looking at the Summer Society once again Atlas Obscure

1:01:21.920 --> 1:01:25.520
<v Speaker 1>coming through for us UM. All that's really known is

1:01:25.600 --> 1:01:28.640
<v Speaker 1>that the group is focused on philanthropy. Now, it's also

1:01:28.840 --> 1:01:33.480
<v Speaker 1>been around since colonial times. UM, specifically to support the university. UH.

1:01:33.640 --> 1:01:36.080
<v Speaker 1>Donations have been known to come in for amounts like

1:01:36.360 --> 1:01:40.000
<v Speaker 1>seventeen thousand, seven dred and seventy seven dollars and seven cents.

1:01:42.080 --> 1:01:46.200
<v Speaker 1>But there's one thing we know is that philanthropy sometimes

1:01:46.280 --> 1:01:51.160
<v Speaker 1>had some shady stuff. Yeah, how are the seven chosen? Um?

1:01:51.360 --> 1:01:54.959
<v Speaker 1>Nobody knows. The Seventh Society local is the numeral seven

1:01:55.000 --> 1:02:00.720
<v Speaker 1>surrounded by the alpha, omega and infinity signs. Yeah, because

1:02:00.760 --> 1:02:07.120
<v Speaker 1>it's like the beginning the end and forever. Elizabeth, how

1:02:07.200 --> 1:02:10.720
<v Speaker 1>serious are you about proper being a propper? I saw

1:02:10.800 --> 1:02:13.919
<v Speaker 1>you also quote the world and I was, yea, yeah,

1:02:14.760 --> 1:02:20.000
<v Speaker 1>I mean I don't know. We talked a lot about

1:02:20.080 --> 1:02:23.360
<v Speaker 1>leftist preppers. Well, do you think you automatically start to

1:02:23.440 --> 1:02:27.080
<v Speaker 1>get proper tendencies just by like just by being outside

1:02:27.120 --> 1:02:30.120
<v Speaker 1>of a city or being outside like a dense population area.

1:02:30.360 --> 1:02:34.040
<v Speaker 1>I feel like southern California has a specific prepper like attitude,

1:02:34.240 --> 1:02:37.000
<v Speaker 1>especially because of the earthquakes, So you have to have

1:02:37.120 --> 1:02:39.480
<v Speaker 1>like an earthquake bag, and now that there's wildfires, like

1:02:39.560 --> 1:02:42.560
<v Speaker 1>you need like a go bag. Um. I do, Like

1:02:43.040 --> 1:02:48.160
<v Speaker 1>I've never gone into like a survivalist store, but I

1:02:48.280 --> 1:02:50.600
<v Speaker 1>did have like a long conversation with a few people

1:02:50.640 --> 1:02:53.560
<v Speaker 1>about like if we were to like make this happen,

1:02:54.400 --> 1:02:56.800
<v Speaker 1>maybe we should move to the mountain and like just

1:02:57.080 --> 1:03:02.360
<v Speaker 1>create this small commune. How can you also engenders that

1:03:03.200 --> 1:03:07.120
<v Speaker 1>equal part? But also, like some of this is just practical,

1:03:07.240 --> 1:03:09.720
<v Speaker 1>it's not. It's not like you're taken with like a

1:03:09.920 --> 1:03:13.000
<v Speaker 1>whimsical notion being a prepper. Because also as a mom,

1:03:13.360 --> 1:03:16.200
<v Speaker 1>you have to like, yeah, the emergency kits are like

1:03:16.360 --> 1:03:18.880
<v Speaker 1>mandated by school. You have to figure out where you

1:03:18.880 --> 1:03:20.840
<v Speaker 1>would pick up your kids if there were an earthquake.

1:03:21.200 --> 1:03:24.040
<v Speaker 1>My least favorite part of those school prep kits is

1:03:24.120 --> 1:03:25.760
<v Speaker 1>that you have to include I don't know if your

1:03:25.760 --> 1:03:27.360
<v Speaker 1>schools do this, but you have to include like a

1:03:27.480 --> 1:03:31.960
<v Speaker 1>note God that supposedly your child would read were they

1:03:32.040 --> 1:03:35.040
<v Speaker 1>to have to access their emergency kit, which to me

1:03:35.200 --> 1:03:37.920
<v Speaker 1>is like what am I supposed to say in the note?

1:03:37.960 --> 1:03:41.919
<v Speaker 1>Like goodbye? If you're reading this you will likely never

1:03:42.120 --> 1:03:47.919
<v Speaker 1>see me again, or civilization? I totally cheer them up. Yeah,

1:03:47.960 --> 1:03:50.720
<v Speaker 1>I don't know. I think if you're reading a note

1:03:50.760 --> 1:03:53.640
<v Speaker 1>from your parents from an emergency kit, the amount of

1:03:53.840 --> 1:03:57.400
<v Speaker 1>cheers like I think my mom's just said like I'm

1:03:57.440 --> 1:04:00.560
<v Speaker 1>thinking about you, like don't worry, like just something like that, like,

1:04:00.680 --> 1:04:02.800
<v Speaker 1>which I think is like not. I mean when you're

1:04:02.800 --> 1:04:04.480
<v Speaker 1>a kid, I think that can go a long way.

1:04:04.760 --> 1:04:08.560
<v Speaker 1>I think we should all leave your book of poems. Yeah,

1:04:08.960 --> 1:04:10.920
<v Speaker 1>it would be a perfect thing. It's like a guide

1:04:10.960 --> 1:04:15.200
<v Speaker 1>book for the apocalypse. Well, you should all go out

1:04:15.320 --> 1:04:18.520
<v Speaker 1>and purchase a little bit Elizabeth's book, which I will

1:04:18.560 --> 1:04:22.960
<v Speaker 1>bungle the name of all the emergency type structures structures.

1:04:23.200 --> 1:04:26.800
<v Speaker 1>There you go, all the emergency type structures. You can

1:04:26.840 --> 1:04:29.280
<v Speaker 1>get it at Skylight. If you're a friend of Skylate,

1:04:29.320 --> 1:04:31.720
<v Speaker 1>correct Molley, you picked up a hard copy through the

1:04:31.760 --> 1:04:36.040
<v Speaker 1>poetry section. It is the section. It's really can't recommend

1:04:36.080 --> 1:04:37.640
<v Speaker 1>it highly enough. And it actually it had been a

1:04:37.680 --> 1:04:39.920
<v Speaker 1>really long time since I had read a book of

1:04:40.000 --> 1:04:42.560
<v Speaker 1>poetry cover to cover, and I just sat down and like,

1:04:42.720 --> 1:04:46.200
<v Speaker 1>in one sitting, it was awesome. It's so congratulations, Thank

1:04:46.240 --> 1:04:48.520
<v Speaker 1>you so much, Thanks for coming on the show, Thanks

1:04:48.520 --> 1:04:54.800
<v Speaker 1>for having me, Thanks for listening to Nightcall. If you'd

1:04:54.840 --> 1:04:56.080
<v Speaker 1>like to give us a night call, give us a

1:04:56.080 --> 1:04:58.040
<v Speaker 1>call at two four oh four six night You can

1:04:58.080 --> 1:05:01.920
<v Speaker 1>also follow us on social media. Nightcall Podcast on Instagram

1:05:01.960 --> 1:05:04.959
<v Speaker 1>and Facebook, Nightcall Pod on Twitter, and if you're enjoying

1:05:05.000 --> 1:05:07.040
<v Speaker 1>the show, please don't forget to leave us a rating

1:05:07.080 --> 1:05:12.960
<v Speaker 1>and review and subscribe. Thanks for listening. Bode Bye. Nightcall

1:05:13.120 --> 1:05:15.960
<v Speaker 1>is a production of I Heart Radio. For more podcasts

1:05:15.960 --> 1:05:18.600
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