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Speaker 1: And That's what you Really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio.

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Speaker 1: Podcast Welcome to You, and That's what You're Really miss podcast.

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Speaker 1: It is the season too finale?

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Speaker 2: How did we get here already? We blinked, we blinked,

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Speaker 2: We got here? You guys, they grow up so fast?

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Speaker 1: Time flies. Wow, Well, here we are. This is very exciting.

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Speaker 1: It's New York. There's so many memories.

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Speaker 2: What a jam packed episode. On its own, it's a

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Speaker 2: jam packed episode. Eight billion things happen in it, and

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Speaker 2: then on the personal side of it, also eight billion

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Speaker 2: things were happening.

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Speaker 1: Can you also believe this is like a season finale episode?

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Speaker 1: It's so weird. I don't know. It doesn't feel like one,

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Speaker 1: but like some of it does, some of it doesn't.

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Speaker 2: Yeah, especially I feel like the ending is sort of

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Speaker 2: like a.

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Speaker 1: We'll get there all I remember from this episode, or

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Speaker 1: like the thing that sticks out the most of my

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Speaker 1: mind is Washington Square Park of us in that like

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Speaker 1: running towards the camera. Yes, and obviously New York, but

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Speaker 1: then there's a whole other part of it that we

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Speaker 1: didn't shoot in New York, that we shot in Long Beach.

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Speaker 2: Yes, I have three distinct memories. One was Long Beach

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Speaker 2: at the Theater Washington Square Park. Also like getting to

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Speaker 2: New York. Really, yeah, because I missed my flight.

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Speaker 1: Oh no, yeah, really.

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Speaker 2: This was the second time, because the first time obviously

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Speaker 2: was with you coming back from New York. I missed

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Speaker 2: my flight.

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Speaker 1: How did you miss your flight?

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Speaker 2: Because? Okay, so let me just set the scene. So

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Speaker 2: this episode came out May twenty fourth, twenty eleven, Season two,

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Speaker 2: Episode twenty two, New York. So we were filming in April.

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Speaker 2: We actually didn't finish this episode until May twelfth, and

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Speaker 2: it came out twelve days later, which is crazy.

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Speaker 1: Oh my god.

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Speaker 2: We shot me and Darren. We were in the Katy

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Speaker 2: Perry music video last Friday night, and we shot it

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Speaker 2: right before we left for New York. And if anyone

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Speaker 2: lives in the UK, Scott Mills is a staple on

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Speaker 2: Radio one. He's now on Radio two or three, I believe,

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Speaker 2: and he was in town and I went up and

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Speaker 2: so I did the Katie Perry music video and then

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Speaker 2: I went up and met with him for dinner and

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Speaker 2: his friend who is now one of my good friends,

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Speaker 2: Dino Fetcher, the amazing actor, and a bunch of shows. So, Jenna,

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Speaker 2: this is when I called you.

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Speaker 1: This is when you called me. I was in Jay,

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Speaker 1: I was in JFK waiting for my bag, literally at

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Speaker 1: the baggage claim.

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Speaker 2: We went to look music videos are. It's a long day,

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Speaker 2: so we went to the music video. We had a

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Speaker 2: long dinner. We went to a bar, and then Jenna

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Speaker 2: receives a phone call and what was that phone call?

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Speaker 1: Okay, it was like I must have landed at like

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Speaker 1: seven am New York times. It must have been like

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Speaker 1: four am LA time. He says. This is when we

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Speaker 1: were living together. And he says, Jenna, what's our address?

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Speaker 1: I said, what what you said? What's our address? I

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Speaker 1: forgot our address? Yeah, you were to get home.

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Speaker 2: I had one too many, I think, and I couldn't

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Speaker 2: remember our address. Oh no, And you know when you

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Speaker 2: are aware of how drunk you are. I'm like, oh,

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Speaker 2: it sobered me up a little bit, Like I'm embarrassed.

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Speaker 2: I can't remember my address. That's a first. And I

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Speaker 2: hadn't packed yet. And my I had a first. My

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Speaker 2: fight was at six am or something like that. So

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Speaker 2: we Scott and Dino come back. We're all hanging out,

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Speaker 2: and I'm like, I have to pack. So Dina was like,

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Speaker 2: I'll help you. So we go to my room. We

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Speaker 2: start like throwing things in a suitcase. Next thing I know,

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Speaker 2: I'm waking up to a phone call from Clinton, the

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Speaker 2: head of Fox Security.

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Speaker 1: Oh Kevin.

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Speaker 2: He's like, hey Kevin, your flight's in forty five minutes.

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Speaker 1: Why are you Oh my god, Kevin.

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Speaker 2: I was like, oh, oh god, Clinton, I'm in bed

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Speaker 2: because you can't lie.

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Speaker 1: You can't.

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Speaker 2: Yeah. Yeah. He's like okay, I'll call you back. And

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Speaker 2: so then I scramble I pack things really quickly. He's like,

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Speaker 2: get in the car. You're on the next flight. I

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Speaker 2: passed out. Dino and Scott left at some point I

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Speaker 2: have like, thank god. Dino was like starting to pack

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Speaker 2: me because you are like your I was basically yeah wow,

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Speaker 2: And I sat. It was one of those old planes

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Speaker 2: had the first class was two rows, one row two.

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Speaker 2: I was one like seat. I was the very first

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Speaker 2: seat in the middle. So many people. Well I knew

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Speaker 2: that we're on that plane for some reason, no connection

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Speaker 2: to Gie. I was so hungover. It was awful. I

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Speaker 2: smelled of booze. It was terrible.

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Speaker 1: So that's miss started, Like any shooting, did you like

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Speaker 1: no I didn't. We were supposed to get there like

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Speaker 1: days before, right.

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Speaker 2: I believe we flew there because it was the royal wedding, right.

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Speaker 1: Yes, so it was my it was my birthday.

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Speaker 2: It was Yes, I think we flew like I think

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Speaker 2: maybe I flew on the twenty ninth, maybe you flew

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Speaker 2: in the twenty eighth or something, And so we were there.

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Speaker 1: We were shooting on that day, were we Yeah, we

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Speaker 1: were shooting those days. We shot from the twenty fifth

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Speaker 1: to the twenty ninth in New York, and the Royal

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Speaker 1: wedding was on the twenty eighth, So you must have

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Speaker 1: left like the twenty fourth.

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Speaker 2: And I stayed in bed. I wait, a full day.

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Speaker 2: I had a full day to do nothing, so I

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Speaker 2: recovered fantastic.

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Speaker 1: Well, that's very funny. I now, okay that it's all

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Speaker 1: coming back to.

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Speaker 2: That's how this episode starts.

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Speaker 1: Cool. Well, let's let's talk about it because we've got many,

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Speaker 1: many more memories. Yeah, we tuned two, episode twenty two

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Speaker 1: New York, Like you said, May twenty four, twenty eleven,

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Speaker 1: was when it aired. The number one song was Rolling

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Speaker 1: in the Deep Still by Adele. Tell me about the

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Speaker 1: rest of it.

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Speaker 2: I mean Pirates of the Caribbean. The fourth Pirates is

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Speaker 2: the number one movie.

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Speaker 1: Haven't seen it.

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Speaker 2: So in real life when this had aired, we were

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Speaker 2: on tour and we were doing some of us are

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Speaker 2: doing those Samsung signings. So this is when Corey and

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Speaker 2: Iya had to go to one. We all got like

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Speaker 2: divvied up. We were in San Jose. Do you remember

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Speaker 2: that we were We're going to do a whole episode

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Speaker 2: on tour in the three D movies, So we'll talk

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Speaker 2: more about that. But that was like a weird fanciness

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Speaker 2: where we flew from San Francisco to San Jose, which

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Speaker 2: is twenty minutes.

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Speaker 1: Oh, that's right.

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Speaker 2: It seems so excessive, I do remember, but we did it.

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Speaker 1: Well, we were because we were on Stanka That's right.

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Speaker 2: Do you want to talk about the songs in.

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Speaker 1: This, Yeah, let's do it. It's a lot of.

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Speaker 2: A lot of songs and like little clips, you know,

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Speaker 2: there weren't a lot of full songs.

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Speaker 1: Well, the iconic My Cup by Brittany and you iconic

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Speaker 1: is correct. I love New York mash up with New

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Speaker 1: York New York, which is a big one. Still Got

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Speaker 1: Tonight by Matthew Morrison. Forgot about that one Bill and

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Speaker 1: note from Lady in the Tramp very cute for good Yeah,

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Speaker 1: by Usher, as long as you're there, uh, pretending by

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Speaker 1: the new directions Light of the World and honorable mention

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Speaker 1: New York, New York obviously Frank Sinatra while we were

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Speaker 1: sitting at the t kt S stairs. Yeah, okay, I.

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Speaker 2: Mean also, there's like a slew of fun facts about this,

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Speaker 2: so we broke our own record of most expense of

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Speaker 2: Glee episode. The last one was Sue Sivester Shuffle the

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Speaker 2: Super Bowl. This one costs apparently six million dollars. It

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Speaker 2: was because, because here's another fun fact, forty crew members

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Speaker 2: were flown in from La most of our peeps to

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Speaker 2: New York that then joined up with sixty local crew

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Speaker 2: members in New York. All the show's creators, brad ryanan

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Speaker 2: Ian Dante, the producer Leo, our first A d was there.

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Speaker 2: We did ten locations in New York, Times Square, Lincoln Center,

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Speaker 2: Gershmand Theater, Central Park, and Sarti's Washington Square Park. It

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Speaker 2: was a lot. Washington Square Park was the final day

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Speaker 2: of filming and it hadn't been approved by the city

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Speaker 2: until after we had already gotten to New York.

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Speaker 1: Wow, was excuse us the first one, I believe.

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Speaker 2: Yeah, it was because by the time we got to

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Speaker 2: Washington Square Park, like word.

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Speaker 1: Was out, we knew what was going on, and there's

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Speaker 1: so many fans. Yes, that's right, it was madness. Well,

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Speaker 1: I remember when Leo was shooting the opening sequence where

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Speaker 1: you know, you see her looking at Times Square and

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Speaker 1: we we were waiting because it felt like forever that

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Speaker 1: they were shooting, because they're setting up and trying to

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Speaker 1: figure it all out, and that's a lot of fans

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Speaker 1: and so it just there were a lot of roadblocks,

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Speaker 1: and that's when we started to do TKTS. All of

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Speaker 1: those different scenes at TKTS and the little little tidbits

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Speaker 1: that we did there all took about four minutes because

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Speaker 1: it was so chaotic with so many people.

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Speaker 2: You want to schedule to move quickly. Just surround your

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Speaker 2: filming locations with hundreds of people.

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Speaker 1: It was really wild though, Like I was like, that's it,

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Speaker 1: that's all we have to do. When we're so used

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Speaker 1: to shooting like fourteen hour days, I thought it was

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Speaker 1: going to be like that and it's always certainly it

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Speaker 1: was not.

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Speaker 2: Yeah, because even amongst us, we knew that we didn't

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Speaker 2: have approval to shoot at some of these locations, but

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Speaker 2: we weren't sure. So there were even amongst us like, oh,

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Speaker 2: are we gonna get kicked out? But we just didn't

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Speaker 2: know that right right, you know.

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Speaker 1: It was like gorilla style.

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Speaker 2: Yes, exactly. This was our first time, obviously out of

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Speaker 2: the state to shoot, starting a trend, we'd go back

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Speaker 2: to New York several more times. Patty Lapone, Oh my God,

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Speaker 2: made a guest appearance in the Stardi scene, and it

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Speaker 2: had to be shot early in the morning because she

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Speaker 2: had an eleven am rehearsal. Afterwards, while some of the

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Speaker 2: costuming was done ahead of time. Lou was talking about

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Speaker 2: once they got to New York, they shopped for the

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Speaker 2: entirety of one day, and then the next day we

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Speaker 2: started shooting, and so they could add in sort of

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Speaker 2: like the local New York flare. She said. We landed

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Speaker 2: in New York on Saturday night and shopped all day

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Speaker 2: Sunday and threw them in close for filming to begin

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Speaker 2: on Monday.

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Speaker 1: Oh my god, I remember getting fitted in my trailer

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Speaker 1: in New York. Yeah, yep, with clothes.

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Speaker 2: Matt scene where he sang his original song still got tonight,

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Speaker 2: he became the first cast member to perform an original

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Speaker 2: song of his.

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Speaker 1: Own that was done at the Million Dollar Theater in La.

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Speaker 2: Yes, so all the theaters, all the interiors you see

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Speaker 2: are all LA theaters.

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Speaker 1: Yes, that's right.

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Speaker 2: Yeah, it's basically we were only exterior shooting in New York.

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Speaker 2: I like that, you know, when we get to New York,

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Speaker 2: you see, like the camera pan around and you see

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Speaker 2: Daniel Radcliffe and his billboard for how to succeed in business,

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Speaker 2: and then you know, not too long later, exactly.

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Speaker 1: This is the end of Sunshine, cod of Zone and

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Speaker 1: Dustin Goules be believe it or not, the last time

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Speaker 1: Lauren's I see physically physic Glue Club member, which is

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Speaker 1: very weird.

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Speaker 2: I feel like all of those feel weird because I

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Speaker 2: remember having them around so much more than I feel

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Speaker 2: like they were right. This is the last episode of

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Speaker 2: credit Michael Malley as a series regular.

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Speaker 1: Oh and Darren and Harry become series regulars after this episode.

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Speaker 2: I would just like to say, that's crazy that Harry

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Speaker 2: was a guest star for two full seasons. Horrible because

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Speaker 2: Harry obviously is doing everything we're doing and then getting

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Speaker 2: paid a fraction of the price. Wow, Hollywood, Hollywood. And

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Speaker 2: it's one of those things too. I remember he and

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Speaker 2: I were walking i think early third season talking about that,

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Speaker 2: and because of that, his residuals were structured differently than

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Speaker 2: Oh no, well actually it was good because he got

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Speaker 2: these crazy checks for for yes, for international that we didn't.

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Speaker 1: That's built into our deal.

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Speaker 2: That's right, yes, yeah, so all those technical things are

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Speaker 2: there's also a great behind the scenes video.

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Speaker 1: For this episode there is.

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Speaker 2: It's really good. So I think with a lot of

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Speaker 2: these competition episodes, it's sort of everything happening everywhere all

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Speaker 2: at once, and so finally, yeah, it's getting to New York,

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Speaker 2: the New York and then the coutdown bonus Jonas. There's

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Speaker 2: also another memory that I always think about from this

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Speaker 2: episode is when we get yelled at.

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Speaker 1: We got yelled at.

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Speaker 2: I'll remind you when we get to it. Oh yeah,

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Speaker 2: we got We've we fully because we didn't get yelled

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Speaker 2: at that often. It was in LA and we got

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Speaker 2: it was bad.

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Speaker 1: It was I was scared, I can't remember. Okay, you're

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Speaker 1: gonna have to remind me. So we open up New

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Speaker 1: York in Times Square, Rachel in the very Mary Tyler

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Speaker 1: Moore style esque shot. The new directions are are have

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Speaker 1: made it, We've made it, and we're having I mean,

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Speaker 1: we are on the stairs of t KTS, the New

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Speaker 1: TKTS at the time, and we're singing New York, New York,

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Speaker 1: and she's telling us that Rachel scalped tickets to go

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Speaker 1: see Cats, but that closed, and and Rachel is super

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Speaker 1: exciting because this is her dream and we're going to

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Speaker 1: find out that she's planning on stany forever. We checked

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Speaker 1: into the hotel, so we stated the Intercontinental, Is that right, Kevin?

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Speaker 2: Yeah, In the last episode, I said, you know, I

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Speaker 2: pointed out of the Fox had deal with American airliines

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Speaker 2: obviously because we flew American aliens or advertised. The Intercontinental

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Speaker 2: was also a deal because not only did we stay there,

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Speaker 2: we filmed there in the in theally convenient, but also

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Speaker 2: really tricky because again fans.

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Speaker 1: And regular people staying at the hotel. It's a big hotel. Yes, yes,

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Speaker 1: so this was a wonner. And we get into the Intercontinental,

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Speaker 1: we stay there when we shoot inside the hotel rooms,

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Speaker 1: though those were on stages in La when we did

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Speaker 1: Like My Cup and when we were like the Pillow

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Speaker 1: fights and.

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Speaker 2: All of that, which is also when we get yelled at. Oh,

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Speaker 2: I'll just keep throwing it in there until you're okay.

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Speaker 1: I still don't remember. I probably blocked it from my memory.

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Speaker 1: And mister she sets us up in our rooms because

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Speaker 1: we have to write original songs, which is absolutely bonkers

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Speaker 1: that we don't have the original songs written, and also

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Speaker 1: leaving it up to the kids. It's not really fair.

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Speaker 2: Well because he's trifling and has his own agenda, like coach,

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Speaker 2: you're splitting your time.

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Speaker 1: And I asked him if he's gonna help us, and

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Speaker 1: he's like, gotta go fill up paperwork. AKA goes sing

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Speaker 1: on Broadway. Yeah, so mister Shoe goes and sings his song,

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Speaker 1: his own song.

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Speaker 2: Watching I was like, isn't this his song?

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Speaker 1: I was like, I don't know this song.

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Speaker 2: I had a vague memory that was like I believe

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Speaker 2: this is a song.

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Speaker 1: No, it's great, it's really great.

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Speaker 2: It was really good.

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Speaker 1: And and back at the hotel room, Brittany and already

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Speaker 1: are singing my Cup, Oh my Cup is so good.

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Speaker 2: A banger.

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Speaker 1: It is a banger. For some reason, I thought there

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Speaker 1: were more of these, like original songs. Again, like trouty

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Speaker 1: mouth and all those I would too. I think we're complete. No,

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Speaker 1: I think we were conflating the two. Oh okay, yeah, fair,

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Speaker 1: because they're very similar. It's a very similar vibe.

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Speaker 2: True. This is also so these hotel room scenes, we

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Speaker 2: shot them back to back to back. Again. This is

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Speaker 2: schools out. You know, there's only like five days left,

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Speaker 2: and we were stuck on sort of these smaller stages

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Speaker 2: next to our big stages which had the school, and

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Speaker 2: we were in and there was hot and we were

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Speaker 2: in there for hours looking at like sort of these gray,

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Speaker 2: dull walls. And it was also we were acting wild.

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Speaker 2: A lot of those scenes called for us to just

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Speaker 2: be silly. Everyone's talking. It's a lot to cover, right,

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Speaker 2: Oh no, And at some point people weren't saying their

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Speaker 2: lines correctly, especially if they were off camera. No, and

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Speaker 2: it was everyone. It was all of us, and I

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Speaker 2: think there were a couple people in particular, but this

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Speaker 2: was an all hands on deck situation where we were

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Speaker 2: all acting out of our minds. Okay, and poor Brad

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Speaker 2: Foutchuck lost it and again it takes he never loses it, No,

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Speaker 2: and he comes in there, he sits all of us

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Speaker 2: down and basically it's just like this is your job.

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Speaker 2: Oh boy, all of these people around you have families

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Speaker 2: at home, and you are making it so they can't

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Speaker 2: go home to see their families. And we were we

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Speaker 2: were serious, like loopy, you know, we had the zooms,

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Speaker 2: like we were out of control. We'll say.

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Speaker 1: Also like shooting in where there's beds, you like lay down, yes,

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Speaker 1: and you get coachy, you know. So like, yeah, the

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Speaker 1: vibe was just all the opposite of what he wanted

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Speaker 1: us to be.

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Speaker 2: Well, and I feel like you girls had extra scenes

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Speaker 2: in there, so you guys were in there for like

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Speaker 2: I feel like a whole extra day or two.

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Speaker 1: Yeah, we were there.

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Speaker 2: We were in there a lot. It was a lot,

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Speaker 2: and so we were feeling it. And also like summer

336
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Speaker 2: break is almost here, just getting tour but something different.

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Speaker 2: We full like that was I think the most serious

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Speaker 2: sit down.

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Speaker 1: Oh I don't remember that.

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Speaker 2: Yeah, it was bad because we were also just out

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Speaker 2: of it. We were checked out.

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Speaker 1: Yeah, this episode was unfortunate. God was scared to sit

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Speaker 1: us down because it's just like we're adults. We're playing kids,

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Speaker 1: but we're adults.

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Speaker 2: So it was embarrassing.

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Speaker 1: Fully, Yeah, that is embarrassing. Okay, thanks for the reminder anytime.

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Speaker 1: So Quinn says that they need to get out of

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Speaker 1: the room. Right, How are we supposed to be inspired

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Speaker 1: to write music when we're stuck in a hotel very

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Speaker 1: Diana's very and New York is going to be our inspiration?

351
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Speaker 1: So what do we do? We go perform a big mashup,

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Speaker 1: which was felt like for me at least, the entirety

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Speaker 1: of working in New York was this mashup.

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Speaker 2: It was I mean, that's how we see most of

355
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Speaker 2: these locations.

356
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Speaker 1: But you also did like Bell and Oe and like

357
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Speaker 1: I just didn't. I don't think I did.

358
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Speaker 2: Anything else, No, because I think it was also easier

359
00:20:11,040 --> 00:20:15,120
Speaker 2: because we not having to shoot dialogue. In terms of production,

360
00:20:16,200 --> 00:20:19,199
Speaker 2: you just have to go in there and shoot bits,

361
00:20:19,560 --> 00:20:23,920
Speaker 2: these little little pieces. We did that little choreographed piece

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Speaker 2: in Central Park really quickly.

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Speaker 1: Well, there was like paparazzi. There was one hundred.

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Speaker 2: Yes, you see the fans, I think, and a lot

365
00:20:31,680 --> 00:20:33,800
Speaker 2: of the shots did a good job shooting around the fans,

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Speaker 2: but you see them in a corner of a couple

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Speaker 2: of them. And by the time we got to Lincoln Center.

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Speaker 1: Oh, we had a barricade the whole thing.

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00:20:42,160 --> 00:20:45,520
Speaker 2: Yes, yeah, and they put me up on that little thing.

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Speaker 2: It was so slippery, that little thing.

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Speaker 1: Kevin's the famous fountain, I mean center.

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Speaker 2: When you're in a chair, it's not that wide. And

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Speaker 2: I was really scared and everyone was going really fast.

374
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Speaker 2: I'm like, I am going to be launched.

375
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Speaker 1: It was very slippery. So to say that for somebody

376
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Speaker 1: who's on their two feet like to be on wheels.

377
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Speaker 2: Is very It was very I don't trust any of

378
00:21:07,920 --> 00:21:10,280
Speaker 2: you that much to get me around there safely.

379
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Speaker 1: I trust, I believe that. Fun fact, my my parents,

380
00:21:15,400 --> 00:21:18,760
Speaker 1: my dad, and my my mom's cousin and then my

381
00:21:18,960 --> 00:21:23,119
Speaker 1: brother and my sister in law are in the fountain scene.

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Speaker 1: They are extras and they really buy at the very.

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Speaker 2: End mm hm and so sweet.

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Speaker 1: Yeah, Leo put them in. So they came and visited.

385
00:21:31,480 --> 00:21:33,840
Speaker 1: Didn't your parents come and visit at Lincoln Center two

386
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Speaker 1: or No?

387
00:21:36,119 --> 00:21:37,480
Speaker 2: I have no memory of that.

388
00:21:37,920 --> 00:21:40,160
Speaker 1: I don't know. I thought they did. I thought your

389
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Speaker 1: mom did. Anyway, there, it was very exciting for them

390
00:21:44,720 --> 00:21:46,760
Speaker 1: to kind of like watch us film because you know,

391
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Speaker 1: they don't they live there and so they don't come.

392
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Speaker 2: To l Yeah, so this was very excit and it's

393
00:21:50,280 --> 00:21:52,960
Speaker 2: an easy way for people to watch every because it's public.

394
00:21:53,640 --> 00:21:56,119
Speaker 1: Yes, it was a lot that they were very overwhelmed

395
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Speaker 1: by it all. I'm sure. I mean I was overwhelmed

396
00:21:59,080 --> 00:22:03,400
Speaker 1: by it all. It was also hot in those jackets,

397
00:22:03,440 --> 00:22:05,760
Speaker 1: Like why do we wear those jackets and beanies and

398
00:22:05,800 --> 00:22:08,119
Speaker 1: hats dressed.

399
00:22:07,880 --> 00:22:08,879
Speaker 2: In full winter garb?

400
00:22:09,440 --> 00:22:13,919
Speaker 1: I was hot. Yeah, but it came out great. The

401
00:22:14,000 --> 00:22:20,880
Speaker 1: song itself is an interesting choice, but obviously Ryan with Madonna, Yeah,

402
00:22:21,080 --> 00:22:24,680
Speaker 1: that's good, guys. That song is bad. It's not my favorite.

403
00:22:24,760 --> 00:22:25,240
Speaker 1: Like there's a.

404
00:22:25,280 --> 00:22:28,920
Speaker 2: Madonnas's Madonna's incredible. That's a bad song.

405
00:22:29,160 --> 00:22:31,959
Speaker 1: Yeah, it's not my favorite, and it wasn't my favorite

406
00:22:31,960 --> 00:22:34,280
Speaker 1: cover of ours. But whatever, it made sense and we

407
00:22:34,320 --> 00:22:36,000
Speaker 1: did it and like it felt so.

408
00:22:36,640 --> 00:22:39,960
Speaker 2: But it's also crazy to see that number, the money

409
00:22:40,000 --> 00:22:42,040
Speaker 2: that went into that number shooting all over New York

410
00:22:42,280 --> 00:22:43,520
Speaker 2: and like that's what we're saying.

411
00:22:44,600 --> 00:22:47,159
Speaker 1: It's true, it's so true.

412
00:22:47,320 --> 00:22:48,520
Speaker 2: I felt a little insane.

413
00:22:48,920 --> 00:22:51,480
Speaker 1: Remember when we shot in Washington Square and we were

414
00:22:51,480 --> 00:22:54,240
Speaker 1: hanging out in Central Park before and we walked around

415
00:22:54,240 --> 00:22:57,640
Speaker 1: you me, Harry and Diana. Yeah, we got we found

416
00:22:57,640 --> 00:23:01,920
Speaker 1: the balloon man in Central Park. Yeah, it was really fun.

417
00:23:01,960 --> 00:23:03,400
Speaker 2: It was so many pictures of that.

418
00:23:03,720 --> 00:23:06,400
Speaker 1: Yes, it was really fun to work in New York.

419
00:23:08,119 --> 00:23:11,119
Speaker 1: And then my birthday and Diana's birthdays right after and

420
00:23:11,160 --> 00:23:14,800
Speaker 1: Harry's birthday, we went to our friend Will's club that

421
00:23:14,920 --> 00:23:17,639
Speaker 1: he was running at the time, and they brought us

422
00:23:17,640 --> 00:23:20,360
Speaker 1: birthday cake and smashed it in our faces, and it

423
00:23:20,400 --> 00:23:22,200
Speaker 1: was just a party, like if New York felt like

424
00:23:22,200 --> 00:23:24,680
Speaker 1: a big party, like see all of our friends and shooting.

425
00:23:24,760 --> 00:23:26,680
Speaker 2: Yeah, and we get to hang out with the crew,

426
00:23:26,920 --> 00:23:29,919
Speaker 2: like we had meals with the crew, like you know

427
00:23:30,040 --> 00:23:34,280
Speaker 2: in La when you're shooting, the days are longer and

428
00:23:34,440 --> 00:23:37,480
Speaker 2: everyone has to go home to their families understandably, and

429
00:23:37,520 --> 00:23:39,960
Speaker 2: so in New York we got to like I remember

430
00:23:40,000 --> 00:23:43,000
Speaker 2: we went to meetball shop after Washington Square Park, we

431
00:23:43,040 --> 00:23:45,399
Speaker 2: sore be Lenote, I met up with some like my

432
00:23:46,160 --> 00:23:49,520
Speaker 2: childhood friend from Texas. She was going to college in

433
00:23:49,560 --> 00:23:52,280
Speaker 2: the city, and so she hopped in the van with

434
00:23:52,400 --> 00:23:54,680
Speaker 2: us and she's like, what is happening. I'm like, it's fine,

435
00:23:54,760 --> 00:23:55,200
Speaker 2: Just come on.

436
00:23:55,880 --> 00:23:59,680
Speaker 1: Do you remember this is not really my story to tell,

437
00:23:59,760 --> 00:24:01,080
Speaker 1: so back and revealed time.

438
00:24:01,600 --> 00:24:03,320
Speaker 2: But I love that you're doing it. You never break

439
00:24:03,320 --> 00:24:04,120
Speaker 2: your code.

440
00:24:04,119 --> 00:24:07,600
Speaker 1: No, but our first d d are amazing. My favorite

441
00:24:07,600 --> 00:24:10,359
Speaker 1: person in the whole entire world, Leo Bauer, who like

442
00:24:10,440 --> 00:24:13,159
Speaker 1: saved me a million times, like just.

443
00:24:13,160 --> 00:24:14,240
Speaker 2: To save on everyone.

444
00:24:14,480 --> 00:24:17,120
Speaker 1: He was just being there. He's a wonderful human being

445
00:24:17,119 --> 00:24:21,240
Speaker 1: and he worked for Ryan for many many years. He

446
00:24:21,280 --> 00:24:24,800
Speaker 1: was so stressed during this time. He took some ambient

447
00:24:25,560 --> 00:24:29,000
Speaker 1: Oh my god, he had like ambient nightmares and was

448
00:24:29,000 --> 00:24:31,760
Speaker 1: doing like really weird things and making phone calls to

449
00:24:31,800 --> 00:24:34,120
Speaker 1: our script supervisor, who was like, you called me last night.

450
00:24:34,160 --> 00:24:37,080
Speaker 1: We talked for twenty minutes. He didn't remember at all,

451
00:24:37,320 --> 00:24:39,000
Speaker 1: Like he was so stressed out that.

452
00:24:38,920 --> 00:24:43,440
Speaker 2: He had like open room service packets like all this stuff, like.

453
00:24:43,400 --> 00:24:46,920
Speaker 1: Things bars like it's. It was really bad for him,

454
00:24:46,960 --> 00:24:52,400
Speaker 1: and I just remember him being really stressed. So he

455
00:24:52,480 --> 00:24:57,399
Speaker 1: just had to keep everything, hold everything together on that trip,

456
00:24:57,680 --> 00:25:02,000
Speaker 1: you know, and just get your day, get everything shot.

457
00:25:02,119 --> 00:25:04,400
Speaker 1: Like in these like crazy things, there's so much money

458
00:25:04,440 --> 00:25:07,280
Speaker 1: being poured into like us being there for those minutes

459
00:25:07,359 --> 00:25:09,120
Speaker 1: that were there, and it was all up to him

460
00:25:09,119 --> 00:25:12,320
Speaker 1: to get it, get the shot. Yeah. So and he

461
00:25:12,400 --> 00:25:16,560
Speaker 1: did it. He absolutely did it. So Finn's decides that

462
00:25:16,560 --> 00:25:18,320
Speaker 1: he's going to ask Rachel on a date and he's

463
00:25:18,320 --> 00:25:21,199
Speaker 1: going to take her to on this like surprise, he

464
00:25:21,240 --> 00:25:23,520
Speaker 1: thinks she thinks it's a work date, but he's gonna

465
00:25:23,640 --> 00:25:26,720
Speaker 1: he's gonna swoon and what's the word I'm looking for?

466
00:25:27,400 --> 00:25:34,320
Speaker 1: Woo her, thank you? And it's all very cute, very

467
00:25:34,680 --> 00:25:39,440
Speaker 1: the whole thing was filmed like so beautifully. And uh,

468
00:25:39,480 --> 00:25:42,800
Speaker 1: they were at the bridge in Central Park and they

469
00:25:42,800 --> 00:25:45,040
Speaker 1: they're all dressed up and then you guys got to

470
00:25:45,119 --> 00:25:52,200
Speaker 1: do bella note and they meet Patty Lapone where Rachel

471
00:25:52,440 --> 00:25:54,240
Speaker 1: has to say hi to Patty the pone for for

472
00:25:54,320 --> 00:25:59,680
Speaker 1: Kurt and for her, and Patty was very nice. Tell

473
00:25:59,720 --> 00:26:03,080
Speaker 1: me about Bell and note? Like, when did you shoot that?

474
00:26:03,119 --> 00:26:04,119
Speaker 1: You shot that at night?

475
00:26:04,600 --> 00:26:04,879
Speaker 2: Yeah?

476
00:26:05,080 --> 00:26:08,320
Speaker 1: Was it long? Was it shorter? Was it like the

477
00:26:08,400 --> 00:26:09,639
Speaker 1: rest of the shoots?

478
00:26:10,680 --> 00:26:14,840
Speaker 2: It was a little longer than just the logistics of

479
00:26:15,000 --> 00:26:16,680
Speaker 2: all because we didn't have to light any of those

480
00:26:16,720 --> 00:26:22,879
Speaker 2: other things. Really, So we got there, if I remember correctly,

481
00:26:22,920 --> 00:26:25,840
Speaker 2: we got there like post lunch, post Washington Square Park

482
00:26:26,800 --> 00:26:29,560
Speaker 2: and so they started lighting and doing all that in

483
00:26:29,600 --> 00:26:32,359
Speaker 2: the daytime, and then it became dark. And I believe

484
00:26:33,400 --> 00:26:38,320
Speaker 2: that's what happens, Kevin. It became dark because there was

485
00:26:38,320 --> 00:26:40,280
Speaker 2: a lot more to film and a lot of these scenes.

486
00:26:41,240 --> 00:26:46,439
Speaker 2: It's Rachel and or Rachel and Finn doing things, and

487
00:26:46,480 --> 00:26:50,520
Speaker 2: then the group comes to join and so or like

488
00:26:50,560 --> 00:26:52,200
Speaker 2: you know, Rachel in front of the stairs, and then

489
00:26:52,520 --> 00:26:54,959
Speaker 2: we have our scenes in front of the stairs. So

490
00:26:56,240 --> 00:26:59,080
Speaker 2: I believe they filmed all of their stuff first. So

491
00:26:59,080 --> 00:27:00,960
Speaker 2: we were just hanging out. A lot of it was

492
00:27:01,080 --> 00:27:04,399
Speaker 2: just hanging. There wasn't a lot of us actually shooting.

493
00:27:04,400 --> 00:27:08,320
Speaker 2: Billanotte watching this episode back, I didn't remember that she

494
00:27:08,920 --> 00:27:13,679
Speaker 2: rejected him. I didn't remember. Like that seemed was so fun, right, like,

495
00:27:13,760 --> 00:27:15,760
Speaker 2: oh no, it's actually pretty sad.

496
00:27:16,160 --> 00:27:18,960
Speaker 1: Got it, yeah, got it was very cute.

497
00:27:19,520 --> 00:27:21,880
Speaker 2: I did enjoy it, and I was also embarrassed that

498
00:27:21,960 --> 00:27:24,760
Speaker 2: my I felt like my voice was so much louder

499
00:27:24,800 --> 00:27:27,960
Speaker 2: than everybody else's on that song. What I was like,

500
00:27:28,000 --> 00:27:31,680
Speaker 2: why is this me singing it? I can't sustain a

501
00:27:31,720 --> 00:27:35,800
Speaker 2: note to save my life. And it's great, but it

502
00:27:35,880 --> 00:27:40,600
Speaker 2: was I do. I do like that song, and I

503
00:27:40,640 --> 00:27:43,320
Speaker 2: love the scene and it just I mean, all those

504
00:27:43,320 --> 00:27:45,560
Speaker 2: shoot shows that do get to shoot in New York

505
00:27:45,600 --> 00:27:49,400
Speaker 2: on location, it is madness, but it also just looks great. Totally.

506
00:27:49,720 --> 00:27:50,159
Speaker 2: It does.

507
00:27:50,400 --> 00:27:54,000
Speaker 1: It's a different level. It's so good. It looked really good.

508
00:27:55,960 --> 00:28:00,240
Speaker 1: So Finn obviously Finn gets rejected by Rachel, and then

509
00:28:00,880 --> 00:28:04,240
Speaker 1: Kurt the next day wakes Rachel up and they go

510
00:28:04,280 --> 00:28:08,120
Speaker 1: to breakfast at Tiffany's and it's that's really cute too.

511
00:28:08,160 --> 00:28:10,600
Speaker 1: It all looks so good, like it looks so film like.

512
00:28:10,720 --> 00:28:13,600
Speaker 2: And do you remember going to meet up? I remember,

513
00:28:13,680 --> 00:28:14,960
Speaker 2: like I went up and met up with them for

514
00:28:15,000 --> 00:28:17,000
Speaker 2: some reason, like I was wandering around and then went

515
00:28:17,040 --> 00:28:19,199
Speaker 2: and saw them. Yes, I thought the filming that.

516
00:28:19,400 --> 00:28:23,560
Speaker 1: You told me that, and I can't I took pictures

517
00:28:23,560 --> 00:28:23,800
Speaker 1: of them.

518
00:28:23,840 --> 00:28:24,400
Speaker 2: I have pictures.

519
00:28:24,359 --> 00:28:27,720
Speaker 1: And I think it was the day after the royal wedding,

520
00:28:28,720 --> 00:28:30,560
Speaker 1: and I stay, did you stay up with us to

521
00:28:30,600 --> 00:28:33,280
Speaker 1: watch it? I know Itelly and I stayed up to

522
00:28:33,320 --> 00:28:36,520
Speaker 1: watch it together. We like he woke up at midnight

523
00:28:36,600 --> 00:28:38,680
Speaker 1: or one. And I think it was on my birthday

524
00:28:38,680 --> 00:28:41,880
Speaker 1: that you went. Maybe that's why I can't remember exactly,

525
00:28:41,920 --> 00:28:45,480
Speaker 1: but I remember you telling you about that and Rachel.

526
00:28:45,880 --> 00:28:47,840
Speaker 1: She tells Kurt that she's going to go to New York,

527
00:28:47,960 --> 00:28:51,440
Speaker 1: and Kurt says he's going to go too, with Blaine,

528
00:28:51,840 --> 00:28:54,560
Speaker 1: and that's when we realized why she rejected Finn the

529
00:28:54,640 --> 00:28:58,000
Speaker 1: night before, and that Finn's never going to go with

530
00:28:58,040 --> 00:29:03,080
Speaker 1: her to New York and then this leads them us

531
00:29:03,120 --> 00:29:07,600
Speaker 1: to the wonderful scene at the Gershwin, which I also

532
00:29:07,880 --> 00:29:09,880
Speaker 1: wasn't like we weren't a part of. So again, like

533
00:29:10,080 --> 00:29:13,160
Speaker 1: our trope was so much easier. Yes, they were actually

534
00:29:13,400 --> 00:29:18,000
Speaker 1: especially it was all of these scenes. Yeah, but she

535
00:29:18,120 --> 00:29:20,000
Speaker 1: loved it because you know, she got to show everybody

536
00:29:20,000 --> 00:29:21,080
Speaker 1: her grounds, which is cool.

537
00:29:21,200 --> 00:29:24,080
Speaker 2: Yeah. We also we did get to tour the Wicked Theater.

538
00:29:24,160 --> 00:29:25,840
Speaker 2: Obviously you had been there.

539
00:29:25,720 --> 00:29:27,720
Speaker 1: Before, did we tour? It? Was I there?

540
00:29:28,160 --> 00:29:29,280
Speaker 2: I don't know if you were there. I know I

541
00:29:29,320 --> 00:29:32,720
Speaker 2: think you skipped that because you'd probably done it scene. Yeah,

542
00:29:33,440 --> 00:29:36,720
Speaker 2: but we that's cool. And I had never been on

543
00:29:36,800 --> 00:29:39,520
Speaker 2: a stage. I was actually slanted like that before.

544
00:29:39,840 --> 00:29:41,600
Speaker 1: Oh god, slanted stage.

545
00:29:42,000 --> 00:29:44,360
Speaker 2: That stage is I feel super slanted, isn't it?

546
00:29:44,640 --> 00:29:48,360
Speaker 1: Yeah? I mean we could ask Jackie, our friend, but yeah,

547
00:29:48,400 --> 00:29:53,160
Speaker 1: that one's pretty slanted and it just wears on a

548
00:29:53,240 --> 00:29:58,200
Speaker 1: dancer's body and your shins and your body. Yeah. I

549
00:29:58,240 --> 00:29:59,960
Speaker 1: forgot about that slanted.

550
00:30:00,360 --> 00:30:03,640
Speaker 2: So that's when we met Bloomberg. See that's what.

551
00:30:04,160 --> 00:30:07,320
Speaker 1: Okay, So I wasn't there, that's right, Yeah, you tipped out.

552
00:30:07,480 --> 00:30:10,040
Speaker 1: I went and saw American Idiot that night.

553
00:30:10,240 --> 00:30:11,840
Speaker 2: That's right. We talked about this.

554
00:30:11,920 --> 00:30:14,040
Speaker 1: Yes, I think that was it. It was Leah, Chris,

555
00:30:14,120 --> 00:30:16,520
Speaker 1: Me and Amber that went.

556
00:30:17,000 --> 00:30:18,520
Speaker 2: Yes, because I don't think any of you are in

557
00:30:18,600 --> 00:30:19,720
Speaker 2: those photos of Boomberg.

558
00:30:19,920 --> 00:30:22,160
Speaker 1: But I mean, how cool was that?

559
00:30:22,280 --> 00:30:22,479
Speaker 2: Was it?

560
00:30:22,520 --> 00:30:25,120
Speaker 1: That they got to sing for good and especially for

561
00:30:25,200 --> 00:30:28,200
Speaker 1: Chris because Leah saying on a Broadway stage before. But

562
00:30:28,280 --> 00:30:33,120
Speaker 1: Chris like came to New York to visit me. Between

563
00:30:33,160 --> 00:30:35,480
Speaker 1: the pilot and the show getting picked up. We went

564
00:30:35,520 --> 00:30:38,720
Speaker 1: to Toys Rust and ran and rode the ferris wheel

565
00:30:38,720 --> 00:30:40,880
Speaker 1: in the middle of the toys restore in Times Square.

566
00:30:41,640 --> 00:30:46,080
Speaker 1: I took him to see the Empire State Building. He

567
00:30:46,120 --> 00:30:47,840
Speaker 1: came and saw me in Spring Waking, and then I

568
00:30:47,960 --> 00:30:50,520
Speaker 1: went on for an actual role, so he came back

569
00:30:50,520 --> 00:30:52,840
Speaker 1: and saw me in that and saw Spring Wakening again.

570
00:30:54,120 --> 00:30:58,520
Speaker 1: I think he saw Wicked by himself, and I think

571
00:30:58,560 --> 00:31:01,280
Speaker 1: he stayed with Leah because I was staying Leah. I

572
00:31:01,320 --> 00:31:03,920
Speaker 1: can't remember exactly, but it was pretty crazy.

573
00:31:04,240 --> 00:31:06,360
Speaker 2: And then he gets to come back as like a

574
00:31:06,400 --> 00:31:08,440
Speaker 2: fully fledged famous.

575
00:31:08,080 --> 00:31:13,200
Speaker 1: Star person singing on the Wicked stage. Yeah, singing, I know.

576
00:31:13,320 --> 00:31:19,040
Speaker 1: It was really really cool. And then Quinn's sharing that

577
00:31:19,080 --> 00:31:19,960
Speaker 1: she wants to be in love.

578
00:31:21,640 --> 00:31:24,320
Speaker 2: That pillow fight was that awful or fun.

579
00:31:26,560 --> 00:31:28,760
Speaker 1: It was so fast, it was just so hot in there,

580
00:31:28,760 --> 00:31:31,080
Speaker 1: and I think there were a lot of feathers throwing around.

581
00:31:31,080 --> 00:31:33,040
Speaker 1: I think it was terrib because you can't reset them,

582
00:31:33,080 --> 00:31:37,200
Speaker 1: like it's just it's pretty terrible, I remember, if I

583
00:31:37,240 --> 00:31:39,600
Speaker 1: remember correctly. But that was also like us just kind

584
00:31:39,640 --> 00:31:42,600
Speaker 1: of losing our minds and so it all blends into

585
00:31:42,880 --> 00:31:49,560
Speaker 1: that room, blends into one thing for me, And You're right,

586
00:31:49,600 --> 00:31:53,640
Speaker 1: it was total senior ititis. We had total senior items bad.

587
00:31:54,320 --> 00:31:56,960
Speaker 2: We had it bad. Also. I love how Diana Dana

588
00:31:57,000 --> 00:32:00,760
Speaker 2: wanted to cut her hair, I know, and she worked

589
00:32:00,800 --> 00:32:06,960
Speaker 2: that into the script. She did Dana gets things done. Now.

590
00:32:07,040 --> 00:32:09,800
Speaker 1: I remember Diana cutting her hair in l A.

591
00:32:11,120 --> 00:32:11,760
Speaker 2: Yeah, me too.

592
00:32:12,200 --> 00:32:14,840
Speaker 1: So I'm trying to remember how that happened.

593
00:32:15,200 --> 00:32:22,280
Speaker 2: Because we shot all of that stuff prior to New York. No,

594
00:32:22,400 --> 00:32:26,760
Speaker 2: after New York. To New York, you had long hair, right,

595
00:32:27,120 --> 00:32:32,000
Speaker 2: and then when we're in the hotel room, yeah okay, yeah,

596
00:32:32,000 --> 00:32:34,040
Speaker 2: And so it sort of wasn't sequential order because remember

597
00:32:34,040 --> 00:32:35,600
Speaker 2: we went to New York and I think like half

598
00:32:35,640 --> 00:32:39,440
Speaker 2: the script is unfinished. We only had so it was

599
00:32:39,520 --> 00:32:41,719
Speaker 2: all the front of the episode. So she could for

600
00:32:41,760 --> 00:32:46,200
Speaker 2: once like sort of plan out what's going to happen, Like,

601
00:32:46,280 --> 00:32:47,960
Speaker 2: can I work the same you guys are still writing it,

602
00:32:48,000 --> 00:32:49,640
Speaker 2: so maybe just drop it in there for me.

603
00:32:49,960 --> 00:32:53,600
Speaker 1: That's right, that's right, smart Quinn or Santana's like, I

604
00:32:53,640 --> 00:33:03,440
Speaker 1: know it's going to cheer you up, Okay, all right, okay,

605
00:33:03,520 --> 00:33:05,600
Speaker 1: and then and then we're a nationals.

606
00:33:05,840 --> 00:33:07,400
Speaker 2: I mean, that's sort of the end of New York.

607
00:33:08,080 --> 00:33:11,320
Speaker 2: So weird, isn't it, Like that's our whole New York adventure.

608
00:33:11,360 --> 00:33:13,479
Speaker 2: It was only a couple of days of shooting in

609
00:33:13,480 --> 00:33:13,880
Speaker 2: New York.

610
00:33:14,000 --> 00:33:22,040
Speaker 1: Yes, yeah, yeah, it was quick, that's for sure, but

611
00:33:22,160 --> 00:33:26,880
Speaker 1: it was so it was special. Yeah.

612
00:33:26,960 --> 00:33:30,200
Speaker 2: What was special about going on tour was getting to

613
00:33:30,280 --> 00:33:34,560
Speaker 2: interact with people who watched the show. Otherwise you have

614
00:33:34,720 --> 00:33:39,120
Speaker 2: no gauge or interaction with people. Social media was not

615
00:33:39,240 --> 00:33:42,800
Speaker 2: what it is now. And even then, you know, people

616
00:33:43,000 --> 00:33:45,640
Speaker 2: feel very emboldened to say good and bad things. So

617
00:33:45,760 --> 00:33:48,520
Speaker 2: I don't feel like you're getting a real representation of people.

618
00:33:49,640 --> 00:33:54,800
Speaker 2: And shooting around New York all those days. I don't

619
00:33:54,840 --> 00:33:58,200
Speaker 2: know if I'm a fan of anything, you know enough

620
00:33:58,240 --> 00:34:02,120
Speaker 2: to go like watch and go do that. Maybe just

621
00:34:02,160 --> 00:34:06,760
Speaker 2: because I'm jaded and I've been around it, but I

622
00:34:06,800 --> 00:34:10,040
Speaker 2: think the fact that people came out there and watched

623
00:34:10,120 --> 00:34:13,279
Speaker 2: us film from a distance for hours all over New

624
00:34:13,360 --> 00:34:16,520
Speaker 2: York was really a testament to like, oh, we're reaching people.

625
00:34:17,080 --> 00:34:20,440
Speaker 2: People are liking this thing. And we obviously had no

626
00:34:20,520 --> 00:34:22,120
Speaker 2: idea what we were about to embark on with the

627
00:34:22,160 --> 00:34:25,359
Speaker 2: tour that was coming up in a couple of weeks. Yes,

628
00:34:25,840 --> 00:34:29,040
Speaker 2: so it is. It feels like, oh, you're out in

629
00:34:29,040 --> 00:34:31,080
Speaker 2: the real world. And it's probably why we were all

630
00:34:31,120 --> 00:34:33,520
Speaker 2: acting insane as well, because we went to New York

631
00:34:33,719 --> 00:34:35,320
Speaker 2: and then had to go back to la and finish

632
00:34:35,400 --> 00:34:37,680
Speaker 2: the episode. But it's like we got a taste of

633
00:34:37,680 --> 00:34:41,120
Speaker 2: the outside a second, and people like us out there

634
00:34:41,640 --> 00:34:45,160
Speaker 2: and we're ready to go. So true, and that's what happens,

635
00:34:45,280 --> 00:34:49,080
Speaker 2: Like you see, I think what happens when shows get

636
00:34:49,120 --> 00:34:53,040
Speaker 2: really big and people start wanting to leave the show

637
00:34:53,440 --> 00:34:56,759
Speaker 2: is because on those hiatuses, when you're out in the

638
00:34:56,760 --> 00:35:00,800
Speaker 2: real world and everybody wants something from you, and it feels.

639
00:35:00,960 --> 00:35:05,160
Speaker 1: Fucking new and fresh and yeah, totally, it's a very

640
00:35:05,200 --> 00:35:06,160
Speaker 1: tempting place to be.

641
00:35:06,640 --> 00:35:07,799
Speaker 2: Yes, it's dangerous.

642
00:35:08,760 --> 00:35:10,680
Speaker 1: We've made it to national so that's the end of

643
00:35:10,719 --> 00:35:14,319
Speaker 1: the New York stuff and we are technically in New York,

644
00:35:14,360 --> 00:35:16,040
Speaker 1: but we are not actually in New York for the

645
00:35:16,080 --> 00:35:21,360
Speaker 1: remainder of our shoots all alive. We are down in

646
00:35:21,600 --> 00:35:29,480
Speaker 1: Long Beach at the Performing Center, and I had seen

647
00:35:29,560 --> 00:35:32,840
Speaker 1: some shows there, so so weird to be Yeah.

648
00:35:33,000 --> 00:35:36,799
Speaker 2: And that was shooting. That was actually our last those

649
00:35:36,800 --> 00:35:41,560
Speaker 2: were our last two days competition. Yeah, that was it.

650
00:35:42,000 --> 00:35:44,480
Speaker 1: I remember laying on that floor in the lobby with

651
00:35:44,520 --> 00:35:46,600
Speaker 1: like a jacket strewn over.

652
00:35:46,440 --> 00:35:51,640
Speaker 2: Me because so the last shot of the season was

653
00:35:51,680 --> 00:35:56,399
Speaker 2: our reactions to the board the other performances.

654
00:35:56,520 --> 00:35:59,200
Speaker 1: Yes, oh oh.

655
00:35:59,239 --> 00:36:02,879
Speaker 2: And it was something like four am because they could

656
00:36:02,960 --> 00:36:04,640
Speaker 2: just keep going because it was our last day. They

657
00:36:04,640 --> 00:36:06,280
Speaker 2: weren't going to have a full other day of shooting.

658
00:36:07,360 --> 00:36:12,040
Speaker 2: And we were so delirious, which sucks because you want

659
00:36:12,080 --> 00:36:13,120
Speaker 2: to say goodbye to everyone.

660
00:36:13,200 --> 00:36:14,880
Speaker 1: You want cyonara.

661
00:36:15,800 --> 00:36:20,920
Speaker 2: Everybody was checked out, done, and also it's dangerous because

662
00:36:21,680 --> 00:36:24,480
Speaker 2: I didn't have to drive home in the Yeah, I

663
00:36:24,560 --> 00:36:27,960
Speaker 2: remember I think I called. I think I might have

664
00:36:28,040 --> 00:36:33,200
Speaker 2: called my parents or I called maybe I called my

665
00:36:33,239 --> 00:36:36,040
Speaker 2: boyfriend at the time, who likes, you know, hours ahead,

666
00:36:36,040 --> 00:36:38,160
Speaker 2: because the sun was coming up as I was driving home,

667
00:36:38,160 --> 00:36:43,600
Speaker 2: the sun was coming up and it was rough, rough.

668
00:36:44,320 --> 00:36:48,200
Speaker 1: Yeah, that makes that's that's a bummer because you want

669
00:36:48,239 --> 00:36:51,759
Speaker 1: to not feel like I have a bitter taste your

670
00:36:52,280 --> 00:36:54,560
Speaker 1: at the end of the season. But it is what

671
00:36:54,600 --> 00:36:57,440
Speaker 1: it is. They spent two million dollars in the episode.

672
00:36:57,080 --> 00:36:58,879
Speaker 2: So yeah, get it done.

673
00:36:59,320 --> 00:37:03,359
Speaker 1: Yeah. And then Rachel and Sunshine have a really nice

674
00:37:03,400 --> 00:37:10,800
Speaker 1: conversation in the bathroom where Rachel is actually apologizing and

675
00:37:10,880 --> 00:37:14,080
Speaker 1: you know, telling her the truth of why she sent

676
00:37:14,080 --> 00:37:21,279
Speaker 1: her to the crack house weird. And then Sunshine still

677
00:37:21,400 --> 00:37:24,200
Speaker 1: needs to.

678
00:37:23,280 --> 00:37:25,759
Speaker 2: Get up there and perform. Essentially, I feel like these

679
00:37:25,840 --> 00:37:29,600
Speaker 2: last couple episodes, you like the Rachel very redemption tour, Yeah, right,

680
00:37:29,920 --> 00:37:32,720
Speaker 2: because she's saying like really nice, supportive things to people,

681
00:37:32,760 --> 00:37:36,839
Speaker 2: and that's not something she normally right does, right, And

682
00:37:36,880 --> 00:37:40,680
Speaker 2: I liked that they sort of you know, correcting sort

683
00:37:40,680 --> 00:37:43,960
Speaker 2: of the what they did with Sunshine and the crackhouse.

684
00:37:53,800 --> 00:37:57,359
Speaker 1: So Sunshine gets up there and performs with vocal adrenaline.

685
00:37:58,400 --> 00:38:06,759
Speaker 1: This is an original song, very beautifully sung. Yeah, ridiculous. Yeah,

686
00:38:07,800 --> 00:38:15,520
Speaker 1: And Goolesby and Will have like this whole kind of

687
00:38:15,640 --> 00:38:19,120
Speaker 1: out in the lobby with the T shirts and I

688
00:38:19,280 --> 00:38:24,120
Speaker 1: was like, what is that. It's just a lot of stuff,

689
00:38:24,280 --> 00:38:28,200
Speaker 1: you know, there's like a lot of stuff in this episode.

690
00:38:28,520 --> 00:38:33,000
Speaker 1: And then right before Finn and Rachel go on stage

691
00:38:33,040 --> 00:38:38,440
Speaker 1: to sing, they're pretending. She she tells Finn that she

692
00:38:40,600 --> 00:38:42,680
Speaker 1: isn't you know, obviously it's going to go to New

693
00:38:42,760 --> 00:38:45,400
Speaker 1: York and so that nobody can change her mind or

694
00:38:45,440 --> 00:38:48,960
Speaker 1: nothing will keep her from going. And so they perform pretending,

695
00:38:49,560 --> 00:38:54,359
Speaker 1: which is slightly awkward but also pretty, and they kiss

696
00:38:54,440 --> 00:38:56,680
Speaker 1: on stage and I was wondering when I was like,

697
00:38:56,840 --> 00:38:58,839
Speaker 1: is this the one that the kiss ruins at all?

698
00:38:58,880 --> 00:39:04,920
Speaker 1: For us? I couldn't remember exactly. Sure is show is shown,

699
00:39:04,960 --> 00:39:08,480
Speaker 1: not Baban and then we all sing Light Up the World.

700
00:39:09,080 --> 00:39:10,840
Speaker 1: Did you like that pretty shot when they were kissing.

701
00:39:10,960 --> 00:39:11,239
Speaker 1: I did.

702
00:39:11,280 --> 00:39:13,920
Speaker 2: The whole room is empty. Yes, it starts with everybody

703
00:39:13,920 --> 00:39:15,560
Speaker 2: and then it keeps going around. It's so pretty.

704
00:39:15,640 --> 00:39:19,640
Speaker 1: It's a pretty three sixty. Yeah, yeah, very beautiful. Thank

705
00:39:19,640 --> 00:39:23,400
Speaker 1: you Andrew Mitchell for that one. Yeah, yes, that was

706
00:39:23,480 --> 00:39:27,000
Speaker 1: very cool. But they ruined it for us.

707
00:39:28,280 --> 00:39:30,920
Speaker 2: They sure did selfish lovers.

708
00:39:32,320 --> 00:39:33,920
Speaker 1: And they think they're going to win it because of

709
00:39:33,960 --> 00:39:36,680
Speaker 1: it because they were so honest, and Finn thinks it

710
00:39:36,719 --> 00:39:43,040
Speaker 1: was the kiss of the century and Jesse's right. Unfortunately,

711
00:39:43,200 --> 00:39:44,359
Speaker 1: unfortunately Jesse's right.

712
00:39:45,520 --> 00:39:46,960
Speaker 2: How did you feel about Light Up the World?

713
00:39:48,000 --> 00:39:51,200
Speaker 1: You know, I actually thought it was really fun and

714
00:39:52,640 --> 00:39:53,440
Speaker 1: we should have placed.

715
00:39:55,200 --> 00:39:55,799
Speaker 2: Yeah.

716
00:39:56,040 --> 00:39:57,919
Speaker 1: I thought it was great. I thought we were giving it.

717
00:39:58,040 --> 00:40:01,160
Speaker 1: I was loving Diana's just living her life.

718
00:40:02,280 --> 00:40:04,720
Speaker 2: We also liked the song a lot more than Loser

719
00:40:04,800 --> 00:40:05,000
Speaker 2: like me.

720
00:40:06,000 --> 00:40:09,200
Speaker 1: Yes, yes, yes, yes, yeah. It was fun. I remember

721
00:40:09,239 --> 00:40:13,440
Speaker 1: having fun shooting that one. What did you think of

722
00:40:13,480 --> 00:40:14,280
Speaker 1: Flight Up the World?

723
00:40:15,239 --> 00:40:17,320
Speaker 2: I loved it. I had a great time. It also

724
00:40:17,440 --> 00:40:22,200
Speaker 2: just felt celebratory because I think in real life, it's like, oh,

725
00:40:22,239 --> 00:40:24,960
Speaker 2: this is our last competition, We're coming back next season.

726
00:40:26,600 --> 00:40:28,759
Speaker 2: And it was so much fun. And I got to

727
00:40:29,239 --> 00:40:31,640
Speaker 2: like do some bits with Naya and so, you know,

728
00:40:31,800 --> 00:40:35,040
Speaker 2: we were just having a good old I was doing

729
00:40:35,080 --> 00:40:40,479
Speaker 2: silly stuff with the choreography you were. I will say

730
00:40:40,520 --> 00:40:43,480
Speaker 2: it was hard. I always always talk about the recording

731
00:40:43,480 --> 00:40:45,080
Speaker 2: of it, but for some reason, that's what I remember.

732
00:40:45,960 --> 00:40:49,920
Speaker 2: But they were really exact about the Max Martin of

733
00:40:49,960 --> 00:40:58,160
Speaker 2: it all, where everything had to be. So what's the

734
00:40:58,200 --> 00:40:59,160
Speaker 2: word I'm looking for.

735
00:40:59,239 --> 00:40:59,600
Speaker 1: I don't know.

736
00:40:59,719 --> 00:41:04,879
Speaker 2: I guess just precise m where you know, other times

737
00:41:04,920 --> 00:41:06,319
Speaker 2: you could sort of add your flavor to it, but

738
00:41:06,360 --> 00:41:08,520
Speaker 2: this had to be because you know, somebody else was involved.

739
00:41:08,680 --> 00:41:11,640
Speaker 2: The biggest pop producer of all time, so everything had

740
00:41:11,680 --> 00:41:12,720
Speaker 2: to be very very.

741
00:41:14,080 --> 00:41:16,799
Speaker 1: On it. You're you're right, that's right.

742
00:41:17,280 --> 00:41:19,960
Speaker 2: It was scary and it was hard and you wouldn't

743
00:41:19,960 --> 00:41:23,319
Speaker 2: think this song was hard to record, right, but it

744
00:41:23,440 --> 00:41:28,120
Speaker 2: was a weird challenge. Yeah, so we don't place, No,

745
00:41:29,200 --> 00:41:32,759
Speaker 2: can I just list the top ten national the top

746
00:41:32,800 --> 00:41:36,440
Speaker 2: ten at Nationals because the teams are so good, Portland's

747
00:41:36,480 --> 00:41:42,000
Speaker 2: Scale Blazers, Vocal Adrenaline, the Waffle Toots, sing As with Attitude,

748
00:41:42,520 --> 00:41:49,840
Speaker 2: Jefferson City Airplane, Twelve Steps, Vocal Chords, Sound Explosion, Teenage Scream,

749
00:41:49,920 --> 00:41:51,600
Speaker 2: everything like that one, and Vocal Extreme.

750
00:41:55,200 --> 00:41:56,520
Speaker 1: The Waffle tes is my favorite.

751
00:41:57,520 --> 00:42:00,040
Speaker 2: Yeah, I love it.

752
00:42:00,160 --> 00:42:03,120
Speaker 1: Well, Unfortunately we don't place, but I remember them saying,

753
00:42:03,160 --> 00:42:05,160
Speaker 1: the writers saying, like, you can't win your first time

754
00:42:05,200 --> 00:42:07,279
Speaker 1: on Nationals. At least Brad was saying that, like, we

755
00:42:07,280 --> 00:42:09,719
Speaker 1: can't win the first time we're in Nationals, so we

756
00:42:10,160 --> 00:42:13,960
Speaker 1: need somewhere to go. We can't peak too early, so

757
00:42:14,040 --> 00:42:17,680
Speaker 1: we lose and and then we're back in Lima and

758
00:42:17,760 --> 00:42:21,680
Speaker 1: Kurt is recapping with Blaine. Who do we see in

759
00:42:21,800 --> 00:42:24,279
Speaker 1: the coffee bean or not the coffee bean? It's the

760
00:42:24,280 --> 00:42:28,000
Speaker 1: coffee bean because that's where we shot on Paramount. Who

761
00:42:28,040 --> 00:42:29,080
Speaker 1: do we see in the lima bean?

762
00:42:29,920 --> 00:42:36,960
Speaker 2: It's so sweet. Mercedes and Sam walk in being super

763
00:42:37,000 --> 00:42:43,360
Speaker 2: weird but full of comedy, and they go get in

764
00:42:43,440 --> 00:42:46,240
Speaker 2: line and secretly start holding each other's hands.

765
00:42:46,880 --> 00:42:50,600
Speaker 1: It's cute. Okay, So I thought this was early and

766
00:42:50,840 --> 00:42:53,799
Speaker 1: I do in my mind this was season six.

767
00:42:54,920 --> 00:42:56,359
Speaker 2: Yes, I thought this was much later.

768
00:42:57,080 --> 00:42:58,680
Speaker 1: Yeah, okay, Sam sades.

769
00:42:58,480 --> 00:42:59,840
Speaker 2: I'm glad we share a memory.

770
00:43:00,080 --> 00:43:00,600
Speaker 1: Yeah exactly.

771
00:43:00,680 --> 00:43:02,040
Speaker 2: That's not good. It's not a good one, but we

772
00:43:02,080 --> 00:43:10,080
Speaker 2: shared no for sure, Okay. Cool and and Blaine says,

773
00:43:10,360 --> 00:43:13,520
Speaker 2: what does he say? I love you to come?

774
00:43:13,760 --> 00:43:16,719
Speaker 1: That's right there, it was.

775
00:43:17,040 --> 00:43:17,920
Speaker 2: I love that scene.

776
00:43:18,200 --> 00:43:21,920
Speaker 1: Yeah, that's a good one. And Brittany and Santana have

777
00:43:21,960 --> 00:43:24,279
Speaker 1: a nice, a really nice scene in the hallway where

778
00:43:24,600 --> 00:43:28,399
Speaker 1: it starts with Santana with a moodoo doll. So good.

779
00:43:28,760 --> 00:43:31,719
Speaker 2: Also, I love the scene like before We're Santana goes

780
00:43:31,760 --> 00:43:36,080
Speaker 2: off on Rachel and Finn. That was again, all those

781
00:43:36,160 --> 00:43:38,799
Speaker 2: scenes in those rooms, but that was the best one.

782
00:43:38,920 --> 00:43:40,600
Speaker 1: That was the best one. Did you see my face?

783
00:43:40,640 --> 00:43:42,279
Speaker 1: They cut to my face and I'm trying not to

784
00:43:42,360 --> 00:43:46,720
Speaker 1: laugh underneath my hands. That was a blown not trying

785
00:43:46,760 --> 00:43:47,160
Speaker 1: to laugh.

786
00:43:47,920 --> 00:43:50,600
Speaker 2: And n have does a full real laugh during my

787
00:43:50,719 --> 00:43:54,080
Speaker 2: cup as well. We were not we were not.

788
00:43:55,840 --> 00:44:00,640
Speaker 1: Right. Yeah. So Santana and Brittany have this really nice

789
00:44:00,640 --> 00:44:04,240
Speaker 1: scene how they're talking about the Glee Club being like family,

790
00:44:04,360 --> 00:44:08,719
Speaker 1: and Brittany is telling her that she loves Santana and

791
00:44:10,360 --> 00:44:13,080
Speaker 1: we're just we got to get there, We gotta get there.

792
00:44:13,719 --> 00:44:15,719
Speaker 1: Rachel and Finn have a really nice scene in the library.

793
00:44:16,719 --> 00:44:19,120
Speaker 2: Can we save that for last Okay, fine, just to

794
00:44:19,120 --> 00:44:21,640
Speaker 2: wrap it up like the episode, Yeah, yeah, yeah, because

795
00:44:21,640 --> 00:44:25,840
Speaker 2: the other thing that's happening is obviously Will going to Broadway.

796
00:44:26,000 --> 00:44:29,640
Speaker 2: He sneaks in, he sings his song, and then gules

797
00:44:29,680 --> 00:44:32,239
Speaker 2: By sort of giving him shit about it and leads

798
00:44:32,280 --> 00:44:34,160
Speaker 2: it to the Glee Club. The Glee club finds out

799
00:44:34,200 --> 00:44:40,080
Speaker 2: and is happy for him, like Glee Cub's like, well

800
00:44:42,280 --> 00:44:44,759
Speaker 2: you know this, this is your dream. We support you.

801
00:44:44,840 --> 00:44:46,759
Speaker 2: After Goolsby were just saying how he hates his kids

802
00:44:46,760 --> 00:44:47,759
Speaker 2: and was like, I love my.

803
00:44:47,800 --> 00:44:51,279
Speaker 1: Kids, right, It's like, no, you don't.

804
00:44:52,080 --> 00:44:57,440
Speaker 2: Right exactly. And so by the end of the episode,

805
00:44:58,000 --> 00:45:02,799
Speaker 2: Will comes back in and is like, I'm not gonna leave.

806
00:45:03,320 --> 00:45:07,880
Speaker 2: I performed on a stage and we have unfinished business,

807
00:45:08,080 --> 00:45:09,279
Speaker 2: you know, doesn't.

808
00:45:08,960 --> 00:45:10,960
Speaker 1: That scene remind you of the pilot scene where he

809
00:45:11,000 --> 00:45:11,920
Speaker 1: tells us he's leaving.

810
00:45:12,480 --> 00:45:16,279
Speaker 2: Yeah, definitely reminiscent of that.

811
00:45:16,719 --> 00:45:21,640
Speaker 1: And then we win our twelve place trophy, the Teams

812
00:45:21,719 --> 00:45:26,560
Speaker 1: Trophy of all yeah, the Tater Todd of trophies. Yeah, okay,

813
00:45:26,640 --> 00:45:28,680
Speaker 1: and then Finn and Rachel have a really nice scene

814
00:45:28,680 --> 00:45:31,279
Speaker 1: in the library, a beautiful scene in the library.

815
00:45:31,840 --> 00:45:36,480
Speaker 2: The scene is straight out of like John Hughes and

816
00:45:36,560 --> 00:45:40,200
Speaker 2: like some of the best I feel like nineties teen comedies.

817
00:45:41,640 --> 00:45:46,399
Speaker 2: It's so good in the stacks of the library, and

818
00:45:47,880 --> 00:45:50,560
Speaker 2: I feel like it's one of the only times either

819
00:45:50,600 --> 00:45:54,040
Speaker 2: of those characters are not putting on something, you know,

820
00:45:54,080 --> 00:45:57,839
Speaker 2: like Rachel's always performing, Finn is either being the jock

821
00:45:58,080 --> 00:46:01,880
Speaker 2: or he's being the leader. Like they're both having like

822
00:46:01,920 --> 00:46:05,839
Speaker 2: a real honest conversation. Rachel seems change since having been

823
00:46:05,840 --> 00:46:06,359
Speaker 2: in New York.

824
00:46:06,640 --> 00:46:08,520
Speaker 1: Yeah. Yeah.

825
00:46:08,560 --> 00:46:16,040
Speaker 2: And also the two of them have like the craziest chemistry, unbelievable. Yeah.

826
00:46:16,320 --> 00:46:20,000
Speaker 1: And so they're talking about their kiss. Yeah, they don't

827
00:46:20,000 --> 00:46:23,240
Speaker 1: regret their kiss, which is like, it was really sweet.

828
00:46:23,640 --> 00:46:25,759
Speaker 2: It was really sweet. It just made me think of

829
00:46:25,840 --> 00:46:28,600
Speaker 2: like them in real life. I was like, wait, were

830
00:46:28,600 --> 00:46:30,680
Speaker 2: they dating? And now I see why that was such

831
00:46:30,680 --> 00:46:31,200
Speaker 2: a big deal.

832
00:46:32,280 --> 00:46:32,600
Speaker 1: M M.

833
00:46:33,960 --> 00:46:36,239
Speaker 2: I was like, why do is this a big deal? Right?

834
00:46:36,560 --> 00:46:39,799
Speaker 2: They aren't because they're good together. You want to root

835
00:46:39,880 --> 00:46:40,239
Speaker 2: for them?

836
00:46:40,520 --> 00:46:45,239
Speaker 1: No, totally power couple. Yeah, I don't. I don't think

837
00:46:45,239 --> 00:46:47,120
Speaker 1: they were dating this time, or if they were, it

838
00:46:47,239 --> 00:46:48,880
Speaker 1: was super secret because we didn't know.

839
00:46:49,239 --> 00:46:50,279
Speaker 2: I don't believe they were.

840
00:46:50,960 --> 00:46:55,319
Speaker 1: And uh, they're going to date Rachel and viner going

841
00:46:55,360 --> 00:47:00,400
Speaker 1: to date before for their last year of their senior year. Yeah,

842
00:47:00,440 --> 00:47:01,640
Speaker 1: and not our senior year.

843
00:47:03,960 --> 00:47:08,439
Speaker 2: Right, And there's so much talk about Yeah, decision has

844
00:47:08,520 --> 00:47:12,760
Speaker 2: been made about people are graduating and we.

845
00:47:12,640 --> 00:47:17,160
Speaker 1: Are juniors stuck in the choir for one more year. Yeah,

846
00:47:17,239 --> 00:47:22,399
Speaker 1: I don't regret it. There's so many memories to come.

847
00:47:24,640 --> 00:47:30,279
Speaker 1: And that is the end of season two. Wow, the end.

848
00:47:32,680 --> 00:47:35,000
Speaker 2: What a crazy, crazy time.

849
00:47:36,120 --> 00:47:37,680
Speaker 1: We didn't see Sue in this episode at all.

850
00:47:38,560 --> 00:47:40,560
Speaker 2: No, Jane was already on hiatus.

851
00:47:40,719 --> 00:47:42,799
Speaker 1: She's doing a movie or something. I can't remember what

852
00:47:42,800 --> 00:47:44,799
Speaker 1: she was she left to do, but was.

853
00:47:44,760 --> 00:47:45,920
Speaker 2: She actually doing something?

854
00:47:46,480 --> 00:47:46,960
Speaker 1: Probably?

855
00:47:47,440 --> 00:47:51,279
Speaker 2: Yeah, she was shooting those video intros for tour.

856
00:47:51,719 --> 00:47:52,800
Speaker 1: Was it Annie?

857
00:47:53,040 --> 00:47:53,120
Speaker 2: No?

858
00:47:53,239 --> 00:48:00,839
Speaker 1: That was later? Annie was later. Okay, So next week

859
00:48:00,840 --> 00:48:03,800
Speaker 1: we're going to do a really fun season two overview

860
00:48:05,120 --> 00:48:06,720
Speaker 1: and We're going to get all your grass's input.

861
00:48:06,880 --> 00:48:09,360
Speaker 2: Yeah, so get ready, we need all of your input.

862
00:48:10,280 --> 00:48:14,560
Speaker 1: But let's do some tardy last hearty takes of season two.

863
00:48:16,040 --> 00:48:21,040
Speaker 2: Okay, cringe moments, Jenna oh.

864
00:48:20,920 --> 00:48:23,959
Speaker 1: Man, I mean, I think the whole bringing it back

865
00:48:24,000 --> 00:48:27,560
Speaker 1: around about the whole crackdown with Sunshine Corizone is still

866
00:48:27,600 --> 00:48:28,319
Speaker 1: cringing to me.

867
00:48:29,160 --> 00:48:32,680
Speaker 2: It is, but it felt like they were trying to

868
00:48:32,760 --> 00:48:34,000
Speaker 2: redeem themselves.

869
00:48:33,680 --> 00:48:36,040
Speaker 1: Right, Yeah, just don't remind me of it, you know.

870
00:48:36,280 --> 00:48:45,279
Speaker 2: Yeah, let it go. Yeah, best dance move Lord light

871
00:48:45,480 --> 00:48:48,000
Speaker 2: I mean in the world, Yeah, light up the world,

872
00:48:48,400 --> 00:48:51,040
Speaker 2: I think. I mean, to be honest, I've never voted

873
00:48:51,040 --> 00:48:57,560
Speaker 2: for myself in this. I did my four square step

874
00:48:57,680 --> 00:49:01,040
Speaker 2: with my hands on top of my legs and I

875
00:49:01,320 --> 00:49:04,720
Speaker 2: it made Zach giggle, and that's all I cared about.

876
00:49:05,160 --> 00:49:08,160
Speaker 2: Best song, Jenna. Obviously it's my cut.

877
00:49:09,960 --> 00:49:12,920
Speaker 1: Obviously I would say for Good.

878
00:49:13,440 --> 00:49:20,080
Speaker 2: Yeah, for Good is really good. Special I what I

879
00:49:20,080 --> 00:49:21,920
Speaker 2: would say for a Good or light up the World?

880
00:49:22,080 --> 00:49:24,200
Speaker 1: Yeah, the Light of the World is a close second,

881
00:49:24,280 --> 00:49:27,640
Speaker 1: I think. Yeah, I think the whole context to for

882
00:49:27,800 --> 00:49:33,320
Speaker 1: Good was cool. Yeah. Best performance by a prop I

883
00:49:33,360 --> 00:49:40,439
Speaker 1: mean the hot Dogs, Gross, the Voodoo Doll, the Doll.

884
00:49:40,480 --> 00:49:41,160
Speaker 2: Was so good.

885
00:49:41,440 --> 00:49:42,400
Speaker 1: It's really funny.

886
00:49:42,480 --> 00:49:44,040
Speaker 2: She was so damn funny this episode.

887
00:49:44,120 --> 00:49:50,640
Speaker 1: Yes, she was just keeps getting funnier. The best line,

888
00:49:51,160 --> 00:49:55,640
Speaker 1: oh my god, I think Santana's rant. Yes, I can't

889
00:49:55,640 --> 00:49:58,000
Speaker 1: remember that. I can't remember exactly, but it was Santana's

890
00:49:58,080 --> 00:49:58,879
Speaker 1: go back and watch it.

891
00:50:00,920 --> 00:50:04,280
Speaker 2: We're not going to do a justice. I also did

892
00:50:04,400 --> 00:50:06,839
Speaker 2: like Kurt says, I feel like Elouise and Britney goes.

893
00:50:06,880 --> 00:50:12,640
Speaker 2: I have pills for that performance. MVP.

894
00:50:15,440 --> 00:50:17,720
Speaker 1: Damn, I think I get to have Dylia this time.

895
00:50:18,280 --> 00:50:21,879
Speaker 2: I think so too. Just thinking about this and looking back,

896
00:50:22,120 --> 00:50:26,640
Speaker 2: She's she's working three times as much as the rest

897
00:50:26,680 --> 00:50:26,960
Speaker 2: of us.

898
00:50:27,200 --> 00:50:28,360
Speaker 1: That's why she got paid more.

899
00:50:29,280 --> 00:50:37,000
Speaker 2: That's right, she earned it, you know. Okay, so this TikTok,

900
00:50:38,440 --> 00:50:40,920
Speaker 2: you know, you go back home for the holidays and

901
00:50:41,040 --> 00:50:47,479
Speaker 2: you walk back in your childhood room. Yes, and lex

902
00:50:47,520 --> 00:50:52,720
Speaker 2: and the City Alexis Reese on TikTok posted her walking

903
00:50:52,760 --> 00:50:58,400
Speaker 2: to her room, and she has a lot, a lot

904
00:50:59,440 --> 00:51:02,040
Speaker 2: when I say it, she's got a lot of Glee

905
00:51:02,040 --> 00:51:06,400
Speaker 2: stuff and has life size cutouts of Darren and Chris

906
00:51:07,120 --> 00:51:09,919
Speaker 2: with a Warbler tie and then it looks like there's

907
00:51:09,920 --> 00:51:13,520
Speaker 2: a full stack of Chris's books in the background posters.

908
00:51:13,560 --> 00:51:18,240
Speaker 2: There's a Glee three D poster the l foam fingers,

909
00:51:19,520 --> 00:51:22,000
Speaker 2: I mean number one fan right there.

910
00:51:22,520 --> 00:51:24,880
Speaker 1: She does. She has a lot of stuff that's really funny,

911
00:51:26,200 --> 00:51:30,920
Speaker 1: but it's great. And Darren's like cut out but not

912
00:51:31,080 --> 00:51:36,360
Speaker 1: as Blaine. It's just yes, didn't like Blaine but loved Darren.

913
00:51:36,400 --> 00:51:38,200
Speaker 1: Everybody in the comments saying, oh my god, your own

914
00:51:38,239 --> 00:51:45,440
Speaker 1: hurt locker. Oh no, so good, very good, very good.

915
00:51:45,960 --> 00:51:47,919
Speaker 2: Someone said, why did I think Darren was Roy Kent?

916
00:51:50,760 --> 00:51:52,799
Speaker 2: He Kent?

917
00:51:53,520 --> 00:51:53,759
Speaker 1: God.

918
00:51:53,800 --> 00:51:57,040
Speaker 2: I love the comments. I love reading people's comments. People

919
00:51:57,040 --> 00:52:00,560
Speaker 2: are funny people. Thanks for posting that, Thanks for bagging it,

920
00:52:00,800 --> 00:52:04,440
Speaker 2: tagging us in it, keep keep it up.

921
00:52:05,160 --> 00:52:07,799
Speaker 1: Thanks for listening to season two with us, all of it.

922
00:52:08,480 --> 00:52:11,560
Speaker 2: I can't believe it. You know. Coming up, we have

923
00:52:11,880 --> 00:52:14,200
Speaker 2: a fun review of season two next week, and then

924
00:52:14,200 --> 00:52:17,000
Speaker 2: we're going to have some tour in three D movie

925
00:52:17,920 --> 00:52:22,239
Speaker 2: episodes before we get into season three. Oh my god,

926
00:52:22,320 --> 00:52:24,920
Speaker 2: the amount of time we've spent referencing tours like, we

927
00:52:25,080 --> 00:52:26,600
Speaker 2: just need to talk about it.

928
00:52:26,960 --> 00:52:29,759
Speaker 1: There's a lot of I'm also looking at season three,

929
00:52:29,880 --> 00:52:34,000
Speaker 1: the list of season three, and it is crazy.

930
00:52:34,719 --> 00:52:36,080
Speaker 2: What season three is good?

931
00:52:36,160 --> 00:52:40,160
Speaker 1: Right? Yeah? Season three is good. This is really good.

932
00:52:41,640 --> 00:52:42,480
Speaker 1: This is exciting.

933
00:52:43,080 --> 00:52:46,120
Speaker 2: Yeah, it's exciting. What I'm worried about is after season three.

934
00:52:46,800 --> 00:52:49,960
Speaker 1: I mean your pret typically choir here.

935
00:52:50,239 --> 00:52:51,760
Speaker 2: Yeah, but we're all going to go through it together

936
00:52:51,800 --> 00:52:53,759
Speaker 2: and that's going to be exciting. I'm really excited for

937
00:52:53,800 --> 00:52:54,560
Speaker 2: season three.

938
00:52:54,400 --> 00:52:59,319
Speaker 1: Because yeah, yeah, it's a lot of Damian McGinty joins us.

939
00:53:00,120 --> 00:53:04,480
Speaker 2: Damien mcginny. Also, congratulations to Damien and his wife. They're

940
00:53:04,520 --> 00:53:05,080
Speaker 2: having a baby.

941
00:53:05,200 --> 00:53:06,560
Speaker 1: Oh, it's so exciting.

942
00:53:06,800 --> 00:53:07,680
Speaker 2: It's so exciting.

943
00:53:08,960 --> 00:53:11,800
Speaker 1: Just to give you a couple of names of season

944
00:53:11,840 --> 00:53:14,840
Speaker 1: three episodes, let's start off with the Purple Piano Project.

945
00:53:15,200 --> 00:53:17,439
Speaker 1: Asian f is in there, pot of Gold is in there.

946
00:53:17,719 --> 00:53:21,440
Speaker 1: I kissed the Girls is in there, Michael is in there,

947
00:53:21,480 --> 00:53:30,880
Speaker 1: Spanish teacher is in there. Saturday Night Leaver, Promisaurus props Nationals. Wow,

948
00:53:31,200 --> 00:53:34,640
Speaker 1: that's a those are bangers. Wow. Wow, So we got

949
00:53:34,719 --> 00:53:37,800
Speaker 1: luck coming. That's what you really missed.

950
00:53:38,120 --> 00:53:40,239
Speaker 2: See you next season, just kidding, see you next week.

951
00:53:40,920 --> 00:53:44,000
Speaker 2: Thank you for being here and listening. Love you mean it.

952
00:53:44,719 --> 00:53:47,880
Speaker 2: Thanks for listening and follow us on Instagram at and

953
00:53:47,960 --> 00:53:50,200
Speaker 2: that's what you really miss pod. Make sure to write

954
00:53:50,239 --> 00:53:52,520
Speaker 2: us a review and leave us five stars. See you

955
00:53:52,520 --> 00:53:52,919
Speaker 2: next time,