1 00:00:04,680 --> 00:00:07,560 Speaker 1: Look, I don't know if this is an emergency episode 2 00:00:07,880 --> 00:00:11,240 Speaker 1: or an urgency episode. I do know that on October 3 00:00:11,280 --> 00:00:15,480 Speaker 1: fourteenth in Las Vegas at Vinyl at the hard Rock 4 00:00:15,520 --> 00:00:18,760 Speaker 1: Hotel and Casino, Me and gim Nettie will be live 5 00:00:19,880 --> 00:00:24,840 Speaker 1: the Iron Rapports Stereo Podcast World Tour. It's going, It's going, 6 00:00:24,920 --> 00:00:27,040 Speaker 1: and it's coming to a city near you. Will be 7 00:00:27,080 --> 00:00:30,880 Speaker 1: in Vegas on October fourteenth, and then on Sunday, October 8 00:00:30,960 --> 00:00:35,000 Speaker 1: sixteenth or at Stand Up Live in Phoenix, Arizona. Okay, 9 00:00:36,080 --> 00:00:41,200 Speaker 1: the world tour continues. Tickets are available at www Dot 10 00:00:41,240 --> 00:00:44,440 Speaker 1: I Am Rappaport Tour dot com. Please come out. We're 11 00:00:44,440 --> 00:00:47,440 Speaker 1: gonna get nuts in Vegas the show. We're gonna get nuts. 12 00:00:47,479 --> 00:00:50,160 Speaker 1: I'm trying to become an ordained minister and marry somebody 13 00:00:50,240 --> 00:00:54,040 Speaker 1: during the show Vegas on the four Team. It's it's 14 00:00:54,040 --> 00:00:57,040 Speaker 1: going down the fourteenth to Las Vegas, Nevada at Vinyl 15 00:00:58,440 --> 00:01:01,800 Speaker 1: the sixteenth that Stand Up Live in Phoenix, Arizona. Www 16 00:01:01,880 --> 00:01:06,960 Speaker 1: dot iron wrap for tour dot com. All right, this 17 00:01:07,040 --> 00:01:09,920 Speaker 1: is the Iron Wraps Stereo podcast coming live and direct 18 00:01:09,920 --> 00:01:14,280 Speaker 1: from the Gloom to Him of New York City. Man, 19 00:01:14,400 --> 00:01:17,440 Speaker 1: this is gonna be this is gonna be a magical episode. 20 00:01:17,480 --> 00:01:21,920 Speaker 1: I could feel it. I could feel it. I'm in 21 00:01:21,959 --> 00:01:28,920 Speaker 1: here with G. Moody. Last name rhymes with duty. You've 22 00:01:28,920 --> 00:01:31,119 Speaker 1: resented that when I first said that, and now it's 23 00:01:31,120 --> 00:01:33,080 Speaker 1: a catchphrase of you. A lot of people like it. 24 00:01:34,520 --> 00:01:36,960 Speaker 1: But when I first said G. Moody, last name rhymes 25 00:01:36,959 --> 00:01:39,680 Speaker 1: with duty, you look like you didn't like it. Now 26 00:01:40,440 --> 00:01:43,480 Speaker 1: since it's a catchphrase one of the many cat phrases 27 00:01:43,520 --> 00:01:46,840 Speaker 1: the Iron Wrap Ports stereo podcast. I was actually on 28 00:01:46,880 --> 00:01:50,560 Speaker 1: the streets of New York the other day on Christopher No, 29 00:01:50,640 --> 00:01:57,680 Speaker 1: not Christopher Church Street, Church Downtown, and someone said, where's G. Moody. 30 00:01:57,760 --> 00:02:04,760 Speaker 1: Last name rhymes with duty. It's a hit, so you're welcome. Uh. 31 00:02:04,800 --> 00:02:07,280 Speaker 1: My name is Michael Rapport, a k. The Gringo man Dingo, 32 00:02:08,600 --> 00:02:12,000 Speaker 1: the se Ion Rapport stereo podcast, the only non fact 33 00:02:12,040 --> 00:02:16,720 Speaker 1: checking podcast entity in the business. How do you feel, 34 00:02:16,840 --> 00:02:21,040 Speaker 1: Mr Movie. I want to give a birthday shout out 35 00:02:21,040 --> 00:02:27,200 Speaker 1: to a king Asiatic Nobody's equal best star Brooklyn iconic 36 00:02:28,040 --> 00:02:32,519 Speaker 1: uh m C in music, not just hip hop music. 37 00:02:32,760 --> 00:02:36,799 Speaker 1: In music, there's only a few guys like that. Rock 38 00:02:36,880 --> 00:02:44,960 Speaker 1: Kim Kane were synonymous with excellence. Happy, Happy, Happy Birthday. 39 00:02:45,000 --> 00:02:48,280 Speaker 1: To Big Daddy Kane. You remember when when we were 40 00:02:48,280 --> 00:02:50,240 Speaker 1: in Los Angeles, I think it was eighty nine and 41 00:02:50,320 --> 00:02:52,799 Speaker 1: his second record came out, It's a Big Daddy Thing, 42 00:02:53,720 --> 00:02:58,200 Speaker 1: and we drove past the Tower Records on Sunset Boulevard 43 00:02:58,680 --> 00:03:01,120 Speaker 1: and they had, you know, all the different acts. It 44 00:03:01,160 --> 00:03:05,080 Speaker 1: was like Madonna and you know, guns and Roses, and 45 00:03:05,120 --> 00:03:07,919 Speaker 1: they had all the billboards outside. And I remember driving 46 00:03:08,000 --> 00:03:10,240 Speaker 1: up to that ship and they had Big Daddy Kane 47 00:03:10,280 --> 00:03:14,280 Speaker 1: out there and we were like, oh, ship board and 48 00:03:14,320 --> 00:03:17,200 Speaker 1: that was good because hip hop wasn't as wasn't mainstream, 49 00:03:17,280 --> 00:03:21,440 Speaker 1: So to see that billboard looming over Sunset Boulevard was like, 50 00:03:21,720 --> 00:03:24,160 Speaker 1: that's when you knew some yo, this ship is turned 51 00:03:24,200 --> 00:03:26,799 Speaker 1: in the corner. And I was. I was bugging off 52 00:03:26,840 --> 00:03:28,400 Speaker 1: of that album and and the fact that it was 53 00:03:28,400 --> 00:03:31,080 Speaker 1: out there and we were rocking that show over and 54 00:03:31,200 --> 00:03:37,600 Speaker 1: over and over. Everyone was absolutely Big Daddy Kane Happy Birthday. 55 00:03:37,800 --> 00:03:40,640 Speaker 1: I think I told this story before on the On 56 00:03:40,680 --> 00:03:44,480 Speaker 1: the Iron Wrappers Stereo Pokats, and I'll tell once once again. 57 00:03:44,920 --> 00:03:49,400 Speaker 1: I met Big Daddy Kane for the first time about 58 00:03:50,280 --> 00:03:53,200 Speaker 1: Ship maybe six or seven years ago. It was out 59 00:03:53,200 --> 00:03:56,040 Speaker 1: of screening for a movie and I went up to 60 00:03:56,120 --> 00:03:57,840 Speaker 1: him and I was just like, oh, you know, I 61 00:03:57,880 --> 00:04:02,720 Speaker 1: just was spilling my my fucking blubbering, blabbering fan all 62 00:04:02,760 --> 00:04:05,080 Speaker 1: over him. And he was like piece piece, you know. 63 00:04:05,160 --> 00:04:08,680 Speaker 1: And he gave me his business card and on the 64 00:04:08,720 --> 00:04:12,080 Speaker 1: business card old said was Big Daddy Cane with a 65 00:04:12,160 --> 00:04:15,000 Speaker 1: phone number. And I was like, oh, Ship, of course 66 00:04:15,040 --> 00:04:17,040 Speaker 1: that's what it's been like. It was so cool. When 67 00:04:17,080 --> 00:04:20,120 Speaker 1: I did the Ship, I saw a Big Daddy Came 68 00:04:20,600 --> 00:04:25,960 Speaker 1: perform as a backup, a backup performer, backup dancer, backup 69 00:04:26,120 --> 00:04:29,719 Speaker 1: MC the Bismarcki two or three times before his first album. 70 00:04:29,720 --> 00:04:32,320 Speaker 1: I saw him doing at Union Square, I saw him 71 00:04:32,320 --> 00:04:35,000 Speaker 1: doing at Latin Quarters in New York City, and then 72 00:04:35,040 --> 00:04:37,119 Speaker 1: and then he came out and I was like, oh, Ship, 73 00:04:37,800 --> 00:04:39,840 Speaker 1: So I mean, he's one of the most influence with 74 00:04:39,920 --> 00:04:41,680 Speaker 1: jay Z will be the first to tell you without 75 00:04:41,680 --> 00:04:44,240 Speaker 1: why do you think when jay Z performed at Barclays 76 00:04:44,279 --> 00:04:46,559 Speaker 1: the first time he brought up Big Daddy came. Without 77 00:04:46,600 --> 00:04:49,640 Speaker 1: Big Daddy came, there's no jay Z one of the 78 00:04:49,800 --> 00:04:55,120 Speaker 1: most important influential mcs ever. He got the torch and 79 00:04:55,200 --> 00:04:59,040 Speaker 1: he finished the race, finished the fucking race and gave 80 00:04:59,080 --> 00:05:03,599 Speaker 1: it to somebody else. Wilson. Well, we don't know, so 81 00:05:03,680 --> 00:05:09,919 Speaker 1: Happy birthday to Antonio Hardy. The name of Antonio was 82 00:05:10,000 --> 00:05:12,280 Speaker 1: gave to me. One of the best voice, is one 83 00:05:12,320 --> 00:05:21,120 Speaker 1: of the best deliveries, punsdiction, clarity, humor, consciousness. When you 84 00:05:21,120 --> 00:05:24,039 Speaker 1: think of conscious rappers, he's not really brought up into that, 85 00:05:24,080 --> 00:05:27,960 Speaker 1: but his name King Asian Asiatic, nobody's equal. He. He 86 00:05:28,000 --> 00:05:29,960 Speaker 1: was kicking, young, gifted, and black. He was one of 87 00:05:30,040 --> 00:05:34,120 Speaker 1: He was one of those guys. The smooth opperator suave 88 00:05:34,200 --> 00:05:36,760 Speaker 1: ship kind of overshadowed it, but he was kicked. He 89 00:05:36,839 --> 00:05:40,080 Speaker 1: was as conscious as anybody else. I love Big Daddy. Came, 90 00:05:40,839 --> 00:05:46,840 Speaker 1: love love, love, love love him. Happy birthday the Big Father. No, 91 00:05:47,040 --> 00:05:49,120 Speaker 1: I don't even bother all right, I want to I 92 00:05:49,160 --> 00:05:52,000 Speaker 1: want to talk to you about this, Monendy. So we're 93 00:05:52,160 --> 00:05:59,000 Speaker 1: gonna go into the whole postgame reaction of nine eleven. Uh, 94 00:05:59,160 --> 00:06:03,400 Speaker 1: the players and their responses to playing NFL game on 95 00:06:03,440 --> 00:06:08,000 Speaker 1: Sunday nine eleven. I don't even know kind of anniversary. 96 00:06:08,040 --> 00:06:10,560 Speaker 1: It's not an anniversary. Anniversity seems like a celebration from 97 00:06:10,600 --> 00:06:16,679 Speaker 1: the years since the attacks on the World Trade Center. 98 00:06:17,240 --> 00:06:20,560 Speaker 1: The other day, I posted a tweet that really got everybody, 99 00:06:20,680 --> 00:06:22,480 Speaker 1: Not everybody, got a lot of people up and on 100 00:06:23,360 --> 00:06:28,440 Speaker 1: created a good conversation, and I'm glad I tweeted it. 101 00:06:29,200 --> 00:06:31,920 Speaker 1: I said, I'm gonna read my tweet. Let me find 102 00:06:31,960 --> 00:06:36,520 Speaker 1: my tweet. I said in a tweet a few days 103 00:06:36,520 --> 00:06:40,120 Speaker 1: before nine eleven, anybody that kneels on nine eleven is 104 00:06:40,200 --> 00:06:45,920 Speaker 1: getting eyell owed. It possibly dropped from my fantasy football team. 105 00:06:47,160 --> 00:06:52,280 Speaker 1: Think it through fellas dot dot dot for real, and 106 00:06:52,880 --> 00:06:58,080 Speaker 1: some people took offensive is some people understood this some people. 107 00:06:58,320 --> 00:07:01,919 Speaker 1: First of all, the tweets are are are? Are? Are content? 108 00:07:02,000 --> 00:07:04,400 Speaker 1: How many words during a tweet? A hundred and forty words? 109 00:07:05,040 --> 00:07:09,000 Speaker 1: There was obviously amount of seriousnessness in this, But anytime 110 00:07:09,000 --> 00:07:12,240 Speaker 1: I'm mentioning, I l os. There's also fun, a funness 111 00:07:12,280 --> 00:07:14,520 Speaker 1: to it. And when I'm mentioning fantasy football, then we're 112 00:07:14,520 --> 00:07:19,760 Speaker 1: not going into reality. But I sincerely stand by what 113 00:07:19,840 --> 00:07:23,400 Speaker 1: I said. If you listen to episode to one, we 114 00:07:23,520 --> 00:07:27,480 Speaker 1: talked in depth about our support and our collective support 115 00:07:28,200 --> 00:07:31,760 Speaker 1: for Colin Kaepernick and what he's trying to do and 116 00:07:31,880 --> 00:07:35,520 Speaker 1: his point of view. I've already acknowledged that, but nine 117 00:07:35,520 --> 00:07:37,960 Speaker 1: eleven is different, and this is what concerns me about 118 00:07:37,960 --> 00:07:45,640 Speaker 1: this taking the knee during the national anthem, because taking 119 00:07:45,680 --> 00:07:51,320 Speaker 1: the knee during the national anthem could potentially divide and 120 00:07:51,440 --> 00:07:55,360 Speaker 1: miss construed why you're taking the knee in the first place. 121 00:07:55,480 --> 00:07:57,200 Speaker 1: So we have nine eleven, we don't need to our 122 00:07:57,360 --> 00:08:01,880 Speaker 1: articulate what's so important and what's so sad about that day. 123 00:08:02,440 --> 00:08:04,640 Speaker 1: And then we have this thing that's current that's been 124 00:08:04,640 --> 00:08:08,680 Speaker 1: going on for years with black men, black women, and 125 00:08:08,840 --> 00:08:12,200 Speaker 1: people being mistreated by the police, which is the crux 126 00:08:12,600 --> 00:08:20,880 Speaker 1: of Kaepernick's taking the knee situation. The two things are different. 127 00:08:21,400 --> 00:08:24,560 Speaker 1: What we're getting into now is because the national anthem 128 00:08:24,760 --> 00:08:30,640 Speaker 1: is such a polarizing thing and because nine eleven was 129 00:08:30,680 --> 00:08:34,760 Speaker 1: such a heartbreak devastation for all of us, were we're 130 00:08:34,760 --> 00:08:38,360 Speaker 1: getting into a slippery slope because it's like, well, what's 131 00:08:38,400 --> 00:08:42,920 Speaker 1: more important, What stance is more important, what tragedy is 132 00:08:42,960 --> 00:08:48,400 Speaker 1: more important? And that's not good. Is uh, black people 133 00:08:48,520 --> 00:08:51,880 Speaker 1: being killed by the cops more important than nine eleven? 134 00:08:52,280 --> 00:08:56,760 Speaker 1: Of course not, of course not. It's nine eleven more 135 00:08:56,760 --> 00:09:00,720 Speaker 1: important than the tragedies that are happening to the people 136 00:09:00,760 --> 00:09:03,240 Speaker 1: by the police. Of course not. But but this is 137 00:09:03,280 --> 00:09:07,400 Speaker 1: what is concerning to me that now it's starting to 138 00:09:07,400 --> 00:09:09,480 Speaker 1: be like, well, if you're not on one side there 139 00:09:09,520 --> 00:09:10,840 Speaker 1: on this side, and if you're not on this side 140 00:09:10,880 --> 00:09:13,440 Speaker 1: of you're right. No, the end goal is all the same. 141 00:09:14,200 --> 00:09:17,040 Speaker 1: You're gonna sit down in front of police officers and 142 00:09:17,440 --> 00:09:21,199 Speaker 1: nine eleven first response people and kneel in their faces. 143 00:09:22,760 --> 00:09:28,040 Speaker 1: I guess so yo, and then and you we're gonna 144 00:09:28,080 --> 00:09:31,040 Speaker 1: see because because now it's become like a trend, we're 145 00:09:31,040 --> 00:09:34,000 Speaker 1: gonna see in three weeks. And then motherfucker's on Twitter 146 00:09:34,320 --> 00:09:36,680 Speaker 1: and social media tried to come at me and talk 147 00:09:36,760 --> 00:09:39,160 Speaker 1: some bullshit. And I say to you, you motherfucker's that 148 00:09:39,240 --> 00:09:42,440 Speaker 1: try to pop ship. What are you doing? You're on 149 00:09:42,480 --> 00:09:46,280 Speaker 1: Twitter at what are you doing on Monday at work? Right? 150 00:09:46,800 --> 00:09:50,880 Speaker 1: You ain't doing shit? You're sitting here. Yeah, sit down, Kaepernick, 151 00:09:51,160 --> 00:09:54,440 Speaker 1: sit down, Brandon Marshall the Broncos. And when Brandon Marshall 152 00:09:54,480 --> 00:09:58,920 Speaker 1: the Broncos, uh loses his sponsorship like he did. And 153 00:09:58,920 --> 00:10:02,040 Speaker 1: then Brandon Marshall of the Broncos Scercekin excoose, what are 154 00:10:02,040 --> 00:10:04,960 Speaker 1: you gonna do for Brandon Marshall the Broncos. You ain't 155 00:10:05,000 --> 00:10:08,800 Speaker 1: doing ship? And he has another thing. A couple of 156 00:10:08,800 --> 00:10:12,920 Speaker 1: motherfucker's tried to say, oh, Mike Rap. You try to 157 00:10:12,960 --> 00:10:15,160 Speaker 1: be down. You try to be down with the black 158 00:10:15,200 --> 00:10:18,600 Speaker 1: people until it's not comfortable for you, or you're a 159 00:10:18,640 --> 00:10:22,000 Speaker 1: culture of vulture. And I say this, I've done more 160 00:10:22,240 --> 00:10:24,400 Speaker 1: for this if you're talking the culture of hip hop. 161 00:10:24,440 --> 00:10:26,640 Speaker 1: I say this to anybody who got anything to say 162 00:10:26,679 --> 00:10:30,120 Speaker 1: about Oh Mike wrap your cultural vultu me. I have 163 00:10:30,320 --> 00:10:32,640 Speaker 1: done more for this culture that you want to talk 164 00:10:32,640 --> 00:10:36,120 Speaker 1: about hip hop. Then you will do your entire life. 165 00:10:36,120 --> 00:10:38,439 Speaker 1: I did more last Tuesday. Then you will do your 166 00:10:38,559 --> 00:10:42,719 Speaker 1: entire life, my career, the way I speak this podcast, 167 00:10:42,960 --> 00:10:48,200 Speaker 1: my honesty, the movies I've done, the documentaries I've done, 168 00:10:49,640 --> 00:10:52,040 Speaker 1: I've done more when I got a cup of coffee 169 00:10:52,080 --> 00:10:54,839 Speaker 1: this morning, And you'll do your whole life culture vulture 170 00:10:55,000 --> 00:10:57,800 Speaker 1: because I'm white the funk out of here. I've been 171 00:10:57,880 --> 00:11:01,520 Speaker 1: to places you've never in and I could go places 172 00:11:01,559 --> 00:11:08,280 Speaker 1: you could never go today. Motherfucker culture vulture. He wasn't 173 00:11:08,280 --> 00:11:14,040 Speaker 1: doing shit. My resume of work is a support of 174 00:11:14,080 --> 00:11:18,040 Speaker 1: this quote unquote culture. The work, the the the the 175 00:11:18,400 --> 00:11:20,880 Speaker 1: type of movies and the type of characters that I've 176 00:11:21,000 --> 00:11:26,079 Speaker 1: chosen to take is more for this culture than you 177 00:11:26,120 --> 00:11:28,800 Speaker 1: will ever do in your entire life. You could suck 178 00:11:28,920 --> 00:11:32,640 Speaker 1: that culture vulture Dick say that to anybody who can 179 00:11:32,720 --> 00:11:35,679 Speaker 1: anybody want to argue with me, argue with me, hit 180 00:11:35,760 --> 00:11:40,600 Speaker 1: me up, look over my resume, just my work. Listen 181 00:11:40,640 --> 00:11:45,200 Speaker 1: to two episodes of this podcast. I've done more, spoken 182 00:11:45,200 --> 00:11:48,760 Speaker 1: out more. We could agree to disagree. You want to 183 00:11:48,800 --> 00:11:51,160 Speaker 1: kneel on nine eleven, Go ahead and kneel on nine eleven. 184 00:11:51,320 --> 00:11:53,679 Speaker 1: Go to the firehouses around New York City and kneel 185 00:11:53,679 --> 00:11:55,559 Speaker 1: in front of the firehouses. Kneel in front of these 186 00:11:55,559 --> 00:11:59,800 Speaker 1: firemen whose family and brothers were killed. You want, Tony, 187 00:12:00,160 --> 00:12:02,400 Speaker 1: you can kneel. You could do all these other protests 188 00:12:02,480 --> 00:12:05,000 Speaker 1: all you want. You don't have to kneel on nine eleven. 189 00:12:05,000 --> 00:12:06,840 Speaker 1: You want to kneel on nine eleven? Why you ain't 190 00:12:06,880 --> 00:12:09,280 Speaker 1: standing up and talking ship in front of the media. 191 00:12:09,640 --> 00:12:11,760 Speaker 1: And if you don't kneel, If you're a black man 192 00:12:11,760 --> 00:12:15,000 Speaker 1: and you don't kneel, does that mean you're a sellout? 193 00:12:15,040 --> 00:12:18,160 Speaker 1: Does that mean you you don't support the culture? Does 194 00:12:18,160 --> 00:12:20,959 Speaker 1: that mean you don't just just support the cause. If 195 00:12:21,000 --> 00:12:23,200 Speaker 1: you're black and you're not kneeling, well what does that mean? 196 00:12:24,160 --> 00:12:26,760 Speaker 1: Because rest the shore, more of these athletes will not 197 00:12:26,880 --> 00:12:28,880 Speaker 1: kneel and That doesn't mean they're not down, they're not 198 00:12:28,920 --> 00:12:33,080 Speaker 1: supporting ship. You mean just for they just they No. No, 199 00:12:33,160 --> 00:12:35,360 Speaker 1: I'm just saying just in general, a lot of athletes 200 00:12:35,400 --> 00:12:38,120 Speaker 1: don't will not be like, Yo, I'm down, I'm support 201 00:12:38,200 --> 00:12:40,440 Speaker 1: I do all that ship. I don't. I don't want 202 00:12:40,440 --> 00:12:42,520 Speaker 1: to kneal. I don't want to kneel during the night 203 00:12:42,640 --> 00:12:45,560 Speaker 1: national anthem. And it's not from being scared. It's just 204 00:12:45,679 --> 00:12:47,600 Speaker 1: they don't feel that that is the way they want 205 00:12:47,600 --> 00:12:50,360 Speaker 1: to articulate yourself. You want to kneel, that's your freedom 206 00:12:50,360 --> 00:12:54,800 Speaker 1: of speech, that's your your your freedom of expression. And 207 00:12:54,840 --> 00:12:57,199 Speaker 1: I want to say, on nine eleven, my freedom of 208 00:12:57,280 --> 00:13:00,320 Speaker 1: expression is I don't fucking agree with it, and I 209 00:13:00,320 --> 00:13:02,839 Speaker 1: don't agree with it in New York, particularly and particularly 210 00:13:03,200 --> 00:13:05,079 Speaker 1: as a New Yorker. But the whole world was affected 211 00:13:05,120 --> 00:13:09,080 Speaker 1: at that because on nine twelve, your motherfucker's was waiving 212 00:13:09,080 --> 00:13:12,439 Speaker 1: the flag and doing all that ship just fifteen years ago. 213 00:13:12,520 --> 00:13:15,160 Speaker 1: Now the flag ain't this and this flag, and when 214 00:13:15,200 --> 00:13:19,000 Speaker 1: and when the ship hits the fan, you're gonna be 215 00:13:19,040 --> 00:13:21,800 Speaker 1: fucking looking for help to the same people you're saying, 216 00:13:21,880 --> 00:13:24,920 Speaker 1: you're you're, you're, you're, you're, you're disrespecting on e fuck 217 00:13:25,000 --> 00:13:30,559 Speaker 1: you sucking my motherfucking culture vulture Dick. I stand by 218 00:13:30,640 --> 00:13:32,839 Speaker 1: whatever the funk I say. I'm easy to find, I'm 219 00:13:32,880 --> 00:13:36,160 Speaker 1: easy to talk to. I don't back away from any 220 00:13:36,200 --> 00:13:38,800 Speaker 1: of the ship I say. And yes, I'm my yellow 221 00:13:38,880 --> 00:13:41,440 Speaker 1: and Motherfucker's And if I want to drop Motherfucker's because 222 00:13:41,480 --> 00:13:43,440 Speaker 1: I don't like him on my fantasy team, they're getting 223 00:13:43,440 --> 00:13:46,600 Speaker 1: fucking dropped too. I really want to hear your opinion 224 00:13:47,160 --> 00:13:52,160 Speaker 1: on what I just said, Mr Monetti. Uh. As far 225 00:13:52,160 --> 00:13:57,240 Speaker 1: as the nine eleven thing, it's um, it's separate, but 226 00:13:57,240 --> 00:14:00,240 Speaker 1: but for some people it's not because people people got real. 227 00:14:01,320 --> 00:14:04,760 Speaker 1: My opinion is shit is separate. That was playing yourself. 228 00:14:04,760 --> 00:14:06,200 Speaker 1: What do you mean is it separate? It's a separate 229 00:14:06,200 --> 00:14:10,679 Speaker 1: It was a terrorist attack on the United States. Happened 230 00:14:10,679 --> 00:14:14,280 Speaker 1: in New York City. When that happened, the whole city, 231 00:14:14,440 --> 00:14:18,640 Speaker 1: the whole country got behind each other, got behind the 232 00:14:18,760 --> 00:14:24,640 Speaker 1: United States. And you know, it's it's something that really 233 00:14:24,680 --> 00:14:27,600 Speaker 1: resonates with New Yorkers. As far as YO, that was 234 00:14:27,640 --> 00:14:32,800 Speaker 1: an awful day, that was terrible, And it's separate from 235 00:14:32,840 --> 00:14:40,000 Speaker 1: the protests about the treatment of black people Hispanics in America. 236 00:14:40,120 --> 00:14:42,600 Speaker 1: That's a separate thing. On that day, I think that's 237 00:14:42,600 --> 00:14:44,680 Speaker 1: a separate thing. So, so what do you think about 238 00:14:44,760 --> 00:14:52,160 Speaker 1: athletes potentially kneeling on I'm talking not kneeling, No, I'm 239 00:14:52,160 --> 00:14:56,160 Speaker 1: talking specifically on nine eleven. We we already addressed that 240 00:14:56,200 --> 00:14:58,680 Speaker 1: we're in support. I already I'm not even saying we, 241 00:14:58,960 --> 00:15:02,840 Speaker 1: I'm speaking for myself already articulated on episode two one 242 00:15:02,840 --> 00:15:05,960 Speaker 1: of this here podcast, I went on fucking talk about 243 00:15:05,960 --> 00:15:09,240 Speaker 1: Culture Vulture. I went on fucking TV last week on 244 00:15:09,400 --> 00:15:14,040 Speaker 1: Good Morning Football and dropped, dropped jewels and dropped knowledge 245 00:15:14,120 --> 00:15:18,480 Speaker 1: in support of of Colin Kaepernick on TV Culture Vulture, 246 00:15:18,800 --> 00:15:22,160 Speaker 1: the funk out of here, corny. But but they're they're 247 00:15:22,200 --> 00:15:25,840 Speaker 1: they're not gonna motherfucker's not gonna separate that ship. They're 248 00:15:25,840 --> 00:15:28,280 Speaker 1: gonna kneel. Some are gonna kneel anyway, and say, listen, 249 00:15:28,560 --> 00:15:31,240 Speaker 1: we're down with nine eleven. We're down with the servicemen 250 00:15:31,280 --> 00:15:36,480 Speaker 1: and the five, the cops, the fireman. But the brutality 251 00:15:36,720 --> 00:15:39,760 Speaker 1: of the Black Americans and the minorities in this country 252 00:15:40,000 --> 00:15:43,320 Speaker 1: doesn't take a day off. So we're kneeling for that. 253 00:15:43,720 --> 00:15:46,320 Speaker 1: But of course we support. But the only reason why 254 00:15:46,360 --> 00:15:49,280 Speaker 1: they're kneeling is because you know, they want America to 255 00:15:49,360 --> 00:15:53,160 Speaker 1: be great, greater. I get that, and it's not has 256 00:15:53,200 --> 00:15:56,080 Speaker 1: nothing to do with this and motherfucker's on nine eleven. 257 00:15:56,120 --> 00:15:59,160 Speaker 1: But they just gonna kneel because Yo, somebody getting killed 258 00:15:59,200 --> 00:16:05,160 Speaker 1: on a motherfucking killed today. It happens every My My 259 00:16:05,280 --> 00:16:08,120 Speaker 1: my concern about this, this, this this protest or in 260 00:16:08,160 --> 00:16:11,520 Speaker 1: the national anthem is now the seed is planted, fans 261 00:16:11,560 --> 00:16:15,200 Speaker 1: are gonna start sitting. Other fans are gonna be motherfucker's 262 00:16:15,200 --> 00:16:17,840 Speaker 1: are going mark my words, They're gonna be fighting in 263 00:16:17,880 --> 00:16:21,800 Speaker 1: the stand They're gonna be fighting in the stands because 264 00:16:21,840 --> 00:16:23,600 Speaker 1: other people are gonna be sitting. Other people are gonna 265 00:16:23,640 --> 00:16:25,720 Speaker 1: be saying. And that's what's gonna happen. That's why I'm 266 00:16:25,720 --> 00:16:29,600 Speaker 1: concerned about this, particularly because it's it's like you're choosing 267 00:16:29,600 --> 00:16:32,080 Speaker 1: a side over what's more important, and that's not what, 268 00:16:32,720 --> 00:16:35,960 Speaker 1: that's not what. That's not the issue of what's more important, 269 00:16:36,120 --> 00:16:39,640 Speaker 1: what's worse. We're like bargaining, we're having a pissing contest 270 00:16:39,960 --> 00:16:43,360 Speaker 1: over tragedies, like a tragedy pissing contest, And and that's 271 00:16:43,400 --> 00:16:47,000 Speaker 1: my concern that that's what I'm concerned about about this 272 00:16:47,520 --> 00:16:52,080 Speaker 1: and and also this this whole kneeling thing, like I 273 00:16:52,080 --> 00:16:55,000 Speaker 1: guess Kaepernick set off, but what what what? What? Motherfucker's 274 00:16:55,080 --> 00:16:57,920 Speaker 1: the same people that are talking all this ship? What 275 00:16:58,640 --> 00:17:02,080 Speaker 1: were they doing before Colin Kapenick? I don't know what 276 00:17:02,080 --> 00:17:04,399 Speaker 1: are they gonna do? If Colin Kaepernick says, you know what, 277 00:17:04,440 --> 00:17:08,400 Speaker 1: I'm gonna evolve uh my protests and I'm not gonna. Oh, 278 00:17:08,440 --> 00:17:11,360 Speaker 1: then you're gonna Then what you're gonna do? They're gonna 279 00:17:11,359 --> 00:17:14,160 Speaker 1: shot on kaepinet, right, they're gonna, but you're not kneeling. 280 00:17:14,200 --> 00:17:18,199 Speaker 1: I want to see these same big mouths on Monday 281 00:17:18,240 --> 00:17:21,720 Speaker 1: at work what they're gonna do with their jobs when 282 00:17:21,720 --> 00:17:24,719 Speaker 1: their boss, white, black, Puerto Rican, whatever the fuck is 283 00:17:25,119 --> 00:17:28,640 Speaker 1: tells them what to do or whatever. You here's where, 284 00:17:28,680 --> 00:17:32,160 Speaker 1: here's where we need to go. Instead of the flag, 285 00:17:33,560 --> 00:17:39,080 Speaker 1: go at the administrators, the judges, the prosecutors who caused 286 00:17:39,200 --> 00:17:43,560 Speaker 1: this ship. Right, that's the people, the judges, the prosecutor, 287 00:17:43,720 --> 00:17:48,080 Speaker 1: the system, that's who caused all of this. Where where 288 00:17:48,080 --> 00:17:51,439 Speaker 1: where they let people go and it just festers and 289 00:17:51,560 --> 00:17:57,280 Speaker 1: festers and then riots. Right, and then you change the system. 290 00:17:57,440 --> 00:18:02,680 Speaker 1: Baltimore Ferguson and there's could be many more. I gave 291 00:18:02,720 --> 00:18:08,760 Speaker 1: the solution Justice Department should just randomly fucking go to 292 00:18:08,800 --> 00:18:13,400 Speaker 1: all around the nation and check out the police departments randomly. 293 00:18:13,760 --> 00:18:16,600 Speaker 1: That's how you fix it. That's how you fucking fix it. 294 00:18:17,200 --> 00:18:20,439 Speaker 1: Because all over this country wrap it's it's it's a 295 00:18:20,480 --> 00:18:24,840 Speaker 1: powder keg, it's smoldering. There's another riot coming. Why not 296 00:18:24,960 --> 00:18:28,280 Speaker 1: because motherfucker's ain't got shipped to do It's because this 297 00:18:28,280 --> 00:18:32,040 Speaker 1: this this has been going on for years. I agree, 298 00:18:32,680 --> 00:18:37,920 Speaker 1: anybody would riot. I agree, not just blacks Hispanics. Let 299 00:18:37,960 --> 00:18:43,080 Speaker 1: that ship happen, Jewish people right in that situation and 300 00:18:43,160 --> 00:18:46,560 Speaker 1: that same ship. Let a bunch of Jewish men get 301 00:18:46,680 --> 00:18:49,000 Speaker 1: yanked out of their car and their head bashed around 302 00:18:49,080 --> 00:18:51,200 Speaker 1: up here on the Upper East Side of Manhattan. See 303 00:18:51,280 --> 00:18:54,680 Speaker 1: what happens, and and people who did it get get off. 304 00:18:55,840 --> 00:18:59,639 Speaker 1: Guarantee you after a while you'll see Jewish people in 305 00:18:59,680 --> 00:19:02,600 Speaker 1: the street. Absolutely absolutely so, this is the same thing. 306 00:19:02,640 --> 00:19:05,320 Speaker 1: It's like, I get it. I just specifically the the 307 00:19:05,320 --> 00:19:08,720 Speaker 1: the the protests and all that. I just specifically am 308 00:19:08,760 --> 00:19:13,520 Speaker 1: talking about how you how you you wrap your head 309 00:19:13,560 --> 00:19:17,360 Speaker 1: around kneeling in front of especially in New York because 310 00:19:17,400 --> 00:19:20,159 Speaker 1: I'm I'm I was at the game. I'm going to 311 00:19:20,240 --> 00:19:22,439 Speaker 1: the Jets game, and I know it's gonna be a 312 00:19:22,440 --> 00:19:27,320 Speaker 1: big ceremony. You want to kneel in front of these men, 313 00:19:27,440 --> 00:19:31,600 Speaker 1: these women, these kids who've lost their parents. Yo, God 314 00:19:31,640 --> 00:19:34,399 Speaker 1: bless you, God bless you, God bless you. If you 315 00:19:34,440 --> 00:19:36,119 Speaker 1: want to, if it's, if it's if you want to 316 00:19:36,160 --> 00:19:39,919 Speaker 1: do that, do it, go ahead and do it. And 317 00:19:39,960 --> 00:19:41,840 Speaker 1: I don't. I don't have to agree with you. And 318 00:19:41,840 --> 00:19:44,720 Speaker 1: it doesn't mean if I don't agree with you, I'm 319 00:19:44,760 --> 00:19:48,680 Speaker 1: a cultural vote. Suck my dick or oh you white privilege, 320 00:19:48,840 --> 00:19:54,680 Speaker 1: suck my fucking dick, Suck my fucking dick. There's gonna 321 00:19:54,680 --> 00:19:58,280 Speaker 1: be there's gonna be more black football players who ain't 322 00:19:58,320 --> 00:20:01,280 Speaker 1: kneeling on nine eleven than the ones who are. And 323 00:20:01,320 --> 00:20:04,280 Speaker 1: they're the ones who are standing again, does that mean 324 00:20:04,320 --> 00:20:07,920 Speaker 1: they're they're sellout their uncle Tom's That doesn't mean that 325 00:20:08,280 --> 00:20:11,080 Speaker 1: it doesn't. Okay, so, but but when it turns see, 326 00:20:11,080 --> 00:20:13,040 Speaker 1: that's why it's so quick. The race thing is so 327 00:20:13,440 --> 00:20:17,280 Speaker 1: fascinating because just like they could, motherfucker's turning me. Oh 328 00:20:17,359 --> 00:20:20,080 Speaker 1: we thought you, we knew you, Mike, I see you, 329 00:20:19,920 --> 00:20:22,160 Speaker 1: and you don't see ship. You don't know me. But fuck, 330 00:20:22,200 --> 00:20:24,159 Speaker 1: you don't know me. You don't know who I is. 331 00:20:26,000 --> 00:20:27,639 Speaker 1: I see you. That's like a little I see you 332 00:20:27,640 --> 00:20:32,040 Speaker 1: don't see ship. Oh, Remy, you're really remy. You're talking 333 00:20:32,080 --> 00:20:35,680 Speaker 1: about movies. Ship. That's why you wrote that scrop groupie 334 00:20:35,960 --> 00:20:39,920 Speaker 1: groupie as Oh you really like the character and bamboozoo. Yeah, 335 00:20:40,119 --> 00:20:44,640 Speaker 1: that's that wrapped that around your head. Funk outta here. Yeah, man, 336 00:20:45,760 --> 00:20:49,000 Speaker 1: I tweet what I tweet. I don't get mad shamed, 337 00:20:49,040 --> 00:20:51,320 Speaker 1: their hate shamed. I don't back away. I stand in 338 00:20:51,320 --> 00:20:56,520 Speaker 1: the pocket like l Way, Yeah, stand right in the 339 00:20:56,560 --> 00:21:00,560 Speaker 1: fucking pocket like yeah, take that hit. Eli does that too? 340 00:21:01,040 --> 00:21:04,959 Speaker 1: Take it. I've been where you never been, where you 341 00:21:05,000 --> 00:21:11,640 Speaker 1: can't go. You can't go there today. Culture Vulture, look 342 00:21:11,720 --> 00:21:16,560 Speaker 1: me up, listen to two hundred episodes. Look at my 343 00:21:16,640 --> 00:21:19,920 Speaker 1: look at my work. My work speaks for itself. I've 344 00:21:19,960 --> 00:21:23,960 Speaker 1: supported the quote unquote culture that you now support by 345 00:21:24,000 --> 00:21:28,800 Speaker 1: listening in the garbage, fucking mumbo jumbo. The culture, the 346 00:21:28,880 --> 00:21:33,240 Speaker 1: culture you're ruined, the culture. Funk out of here. The culture, 347 00:21:33,400 --> 00:21:35,639 Speaker 1: the mumbling, the mumbling, And you want to talk to 348 00:21:35,680 --> 00:21:40,160 Speaker 1: me the green old man. Didn't me? Mr White folks? 349 00:21:40,240 --> 00:21:42,800 Speaker 1: Where mean white Mike? Where the funk. Was you in 350 00:21:42,920 --> 00:21:48,679 Speaker 1: rooftop Union Square, Latin Quarter? We can go. You can't 351 00:21:48,680 --> 00:21:52,320 Speaker 1: go where I've gone today in two thousand is sixteen, 352 00:21:52,840 --> 00:21:57,320 Speaker 1: where I've been. Here's another thing I want to do. 353 00:21:57,320 --> 00:21:58,760 Speaker 1: A matter of fact, we're gonna make this a fucking 354 00:21:58,800 --> 00:22:02,720 Speaker 1: emergency podcast. G flipping the whole thing. We're putting this 355 00:22:02,720 --> 00:22:05,879 Speaker 1: out today. Let's do it. We're putting this out today. 356 00:22:08,000 --> 00:22:13,560 Speaker 1: I want to bring this up Mayor Deblasio, who I 357 00:22:13,800 --> 00:22:15,960 Speaker 1: to be a totally honest I can't really make or 358 00:22:16,040 --> 00:22:18,440 Speaker 1: break a stance on what he's done or hasn't done 359 00:22:18,440 --> 00:22:20,880 Speaker 1: for New York. I can't make it, make a break 360 00:22:21,240 --> 00:22:24,080 Speaker 1: a take on it. A cops hate him. The cops 361 00:22:24,160 --> 00:22:28,679 Speaker 1: hate him, Okay, I I honestly can't make a stance. 362 00:22:28,760 --> 00:22:31,639 Speaker 1: I don't know. I've just started to pay attention to 363 00:22:31,680 --> 00:22:34,879 Speaker 1: politics with this guy d Trump. That's real. I'll be honest. 364 00:22:35,800 --> 00:22:38,600 Speaker 1: That's the sad that's the sad truth. That's the sad truth. 365 00:22:38,720 --> 00:22:43,080 Speaker 1: I'm not focused enough on politics, uh, in the details 366 00:22:43,080 --> 00:22:44,800 Speaker 1: of whether de Blasi has done a good job or not. 367 00:22:45,040 --> 00:22:46,960 Speaker 1: But I want to I want to stay focused the 368 00:22:47,200 --> 00:22:52,360 Speaker 1: the the festival. Can you pronounce Mr moon Dove festival. 369 00:22:52,359 --> 00:22:55,040 Speaker 1: This year there was there was a deadly shooting. There's 370 00:22:55,080 --> 00:22:59,280 Speaker 1: been violence year after year, and now Deblasio is to blame, 371 00:23:00,680 --> 00:23:03,639 Speaker 1: and and I agree, Why do you agree that the 372 00:23:03,680 --> 00:23:06,639 Speaker 1: Blasio is to blame? I've been to Duvais in the past, 373 00:23:06,800 --> 00:23:09,760 Speaker 1: me too, and it's a great it's a great festival, 374 00:23:09,920 --> 00:23:13,240 Speaker 1: a lot of women walking around, yes, and it's it's 375 00:23:13,320 --> 00:23:17,040 Speaker 1: right before the West Indiana Parade in Brooklyn, and it's 376 00:23:17,080 --> 00:23:21,520 Speaker 1: been marred with violence in the past three or four years, 377 00:23:21,520 --> 00:23:26,600 Speaker 1: successive years. And as the mayor, if I was in 378 00:23:26,720 --> 00:23:31,160 Speaker 1: his shoes, I would say, since we've had ongoing violence 379 00:23:32,080 --> 00:23:37,280 Speaker 1: death at this particular thing before the parade. Because of that, 380 00:23:37,680 --> 00:23:41,000 Speaker 1: I'm the mayor. I think we're gonna kind of reevaluate 381 00:23:41,080 --> 00:23:43,920 Speaker 1: this and we're gonna put this on a hiatus. But 382 00:23:44,840 --> 00:23:48,520 Speaker 1: how is he responsible? But how just was going forward? 383 00:23:48,560 --> 00:23:53,000 Speaker 1: How is he responsible what happened last week? How is 384 00:23:53,040 --> 00:23:57,280 Speaker 1: that Mayor Deblasio's fault that these fucking guys, that one 385 00:23:57,320 --> 00:24:00,200 Speaker 1: guy will be at the party and and and out. 386 00:24:00,240 --> 00:24:02,520 Speaker 1: Now he's arrested, he's sobered up and saying, oh he 387 00:24:02,600 --> 00:24:04,760 Speaker 1: was he was high, he was this, he cared. How 388 00:24:04,840 --> 00:24:08,280 Speaker 1: is that his fault? That's not his fault because he 389 00:24:08,359 --> 00:24:10,960 Speaker 1: could have stopped this ship that where they didn't have 390 00:24:11,000 --> 00:24:14,680 Speaker 1: to get killed. Were they suggesting don't have the festival? 391 00:24:14,720 --> 00:24:19,159 Speaker 1: Before this happened last year? They said the city council 392 00:24:19,280 --> 00:24:21,760 Speaker 1: was suggesting, like, you know, it's so much violence we 393 00:24:21,800 --> 00:24:23,920 Speaker 1: need to address. So I say, didn't shut it down, 394 00:24:24,800 --> 00:24:27,040 Speaker 1: that's what? And then what's the festival the next day? 395 00:24:28,040 --> 00:24:30,320 Speaker 1: Shut that down? To No? But if he but if 396 00:24:30,320 --> 00:24:32,439 Speaker 1: he shut because there's gonna be there's been violence at 397 00:24:32,440 --> 00:24:35,399 Speaker 1: that So so if he shuts that down, is he 398 00:24:35,760 --> 00:24:39,520 Speaker 1: is he? Uh? Oh, you're you're discriminating the Oh why 399 00:24:39,520 --> 00:24:42,160 Speaker 1: don't you shut down the Thanksgiving Day parade? Why don't 400 00:24:42,200 --> 00:24:44,879 Speaker 1: you shut down the Easter parade? No, they don't have 401 00:24:45,000 --> 00:24:48,680 Speaker 1: killings a well St. St. Patty's been going while they don't. 402 00:24:48,880 --> 00:24:50,840 Speaker 1: But but but what I'm saying is is like this 403 00:24:50,920 --> 00:24:52,919 Speaker 1: is not here. They're like, oh, there's not enough cops. 404 00:24:53,119 --> 00:24:57,640 Speaker 1: You can't control people shooting down off the roofs. This 405 00:24:57,680 --> 00:25:02,200 Speaker 1: is all parade. This shouldn't be happening. So I don't 406 00:25:02,320 --> 00:25:04,600 Speaker 1: have any support of the bill or non support for 407 00:25:04,720 --> 00:25:06,800 Speaker 1: the BLASI. What I have is I don't see how 408 00:25:07,320 --> 00:25:10,320 Speaker 1: this guy who go out during a public outing and 409 00:25:10,400 --> 00:25:13,320 Speaker 1: shoot random people and shoot the wrong person and kill 410 00:25:13,359 --> 00:25:16,159 Speaker 1: the wrong person. How that's anybody's faulk except for that 411 00:25:16,240 --> 00:25:19,480 Speaker 1: fucking asshole, did it. You're having a parade or a 412 00:25:19,520 --> 00:25:24,040 Speaker 1: festival in the middle of a war zone. The gangs 413 00:25:24,040 --> 00:25:27,760 Speaker 1: are that this is their territory. They're fighting. This is 414 00:25:27,800 --> 00:25:30,680 Speaker 1: a chance to get at my rival in the crowd. 415 00:25:31,119 --> 00:25:34,280 Speaker 1: I could blend in. I see him. He has purple 416 00:25:34,359 --> 00:25:41,320 Speaker 1: on bang bang bang bang. So when you're having a 417 00:25:41,400 --> 00:25:48,479 Speaker 1: fucking parade in the war zone, sadly there will be cassualties. Okay, 418 00:25:48,520 --> 00:25:51,480 Speaker 1: So out of the fucking war zone. Okay, I say 419 00:25:51,560 --> 00:25:54,480 Speaker 1: shut the parade down. Either that or get it out 420 00:25:54,480 --> 00:25:56,359 Speaker 1: of the wars shut. How can I get it out 421 00:25:56,400 --> 00:25:58,280 Speaker 1: of the war zone. It's it's it's out there because 422 00:25:58,280 --> 00:26:00,720 Speaker 1: that's where the culture is most prominent in You shut 423 00:26:00,760 --> 00:26:04,000 Speaker 1: the parade down, or or let the people in the 424 00:26:04,040 --> 00:26:10,080 Speaker 1: neighborhood deal with it amongst themselves. I'm with shut you 425 00:26:10,200 --> 00:26:13,480 Speaker 1: the mayor, your job is to protect the citizens of 426 00:26:13,520 --> 00:26:16,720 Speaker 1: New York. You shut the fucking thing down. But I 427 00:26:16,720 --> 00:26:19,080 Speaker 1: don't blame him for him for the guy who shot 428 00:26:19,119 --> 00:26:22,680 Speaker 1: the guy the girl, What is he doing in the 429 00:26:22,720 --> 00:26:25,080 Speaker 1: crowd with a gun. Anyway, it's a fucking parade. He's 430 00:26:25,080 --> 00:26:27,719 Speaker 1: supposed to be a celebration. You got where's your cotton? 431 00:26:27,800 --> 00:26:35,720 Speaker 1: Candy and ship and hot dogs? It's a parade. It's 432 00:26:35,760 --> 00:26:40,400 Speaker 1: a festival. Drink some corona's talk to some ladies trying 433 00:26:40,400 --> 00:26:44,280 Speaker 1: to bag and bring him home? 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Welcome to 452 00:27:52,320 --> 00:27:55,440 Speaker 1: play It, a new podcast network featuring radio and TV 453 00:27:55,600 --> 00:28:00,080 Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it 454 00:28:00,160 --> 00:28:04,679 Speaker 1: at play dot it. This award is earned, not given. 455 00:28:04,760 --> 00:28:08,159 Speaker 1: It's called the sick Fucking a Week. This guy is 456 00:28:08,200 --> 00:28:11,199 Speaker 1: really sick. Lock him up? How could you do it? 457 00:28:11,240 --> 00:28:15,440 Speaker 1: Don't let him out? Damn? Who sucked the door? You want? 458 00:28:15,680 --> 00:28:18,000 Speaker 1: You fuck the door? Why would you fuck the dog? 459 00:28:18,640 --> 00:28:22,560 Speaker 1: Why would you fuck your girlfriend's dog? What? Sick fuck? 460 00:28:22,680 --> 00:28:27,040 Speaker 1: The sick funck of the Week. It's earned and not giving. 461 00:28:27,119 --> 00:28:37,520 Speaker 1: You did what? No, no, no. A crazy woman cut 462 00:28:37,520 --> 00:28:42,480 Speaker 1: off a man's penis for not making eye contact with 463 00:28:42,480 --> 00:28:50,840 Speaker 1: her doing during sex? All those matter? A crazy angry 464 00:28:50,840 --> 00:28:56,680 Speaker 1: woman cut off a man's penis for not making eye 465 00:28:56,720 --> 00:29:01,720 Speaker 1: contact during sex. You can't blame him. His face is 466 00:29:01,760 --> 00:29:04,360 Speaker 1: buried in a pillow. Number one, they have a picture 467 00:29:04,400 --> 00:29:07,600 Speaker 1: of this crazed woman. Oh yeah, she's a fish. Eyed fool. 468 00:29:07,760 --> 00:29:09,920 Speaker 1: She's cross eyed his How do you know he wasn't 469 00:29:09,920 --> 00:29:13,240 Speaker 1: looking at you? You can't see straight like you gotta 470 00:29:13,240 --> 00:29:15,480 Speaker 1: look at this girl. I see she got a dead eye. 471 00:29:15,760 --> 00:29:17,760 Speaker 1: How do you know he wasn't looking you in the face? 472 00:29:18,320 --> 00:29:21,120 Speaker 1: And maybe he doesn't like feel comfortable being that close 473 00:29:21,160 --> 00:29:23,520 Speaker 1: to you and make an eye contact with you because 474 00:29:23,520 --> 00:29:28,360 Speaker 1: he doesn't know what you're looking at. She cut off 475 00:29:28,400 --> 00:29:36,240 Speaker 1: the tip. All loafs matter. Men are cutting off men's dicks. 476 00:29:36,680 --> 00:29:40,880 Speaker 1: Women are cutting off men's dicks. This is not okay. 477 00:29:41,960 --> 00:29:47,600 Speaker 1: It's been ongoing. All loafs matter. This woman is the 478 00:29:47,640 --> 00:29:50,880 Speaker 1: sick funk of the week. Congratulations. This is an award 479 00:29:51,680 --> 00:29:57,640 Speaker 1: uh that is earned, not given. She's in Scottsdale, Arizona. Uh, 480 00:29:57,800 --> 00:30:05,000 Speaker 1: Shaniah Jones a Bruce Fox in his home. He didn't 481 00:30:05,040 --> 00:30:08,400 Speaker 1: make enough eye contact. She gotta kitchen knife and cut 482 00:30:08,480 --> 00:30:13,560 Speaker 1: my man's dick off. You gotta be a depraved you know, 483 00:30:13,840 --> 00:30:17,600 Speaker 1: nothing happens. Why are you cutting dicks off? Nothing happens 484 00:30:17,680 --> 00:30:21,560 Speaker 1: without a thought, So you gotta think I'm gonna cut Yeah, 485 00:30:21,640 --> 00:30:23,640 Speaker 1: this is a thought out thing. That's not a spun like. 486 00:30:23,720 --> 00:30:27,680 Speaker 1: That's a well thought out plan. All loves matter you 487 00:30:27,720 --> 00:30:31,520 Speaker 1: should not be cutting dicks off any much way, but lose. 488 00:30:31,720 --> 00:30:35,480 Speaker 1: It's not okay, it is not okay. We all cringe, 489 00:30:36,320 --> 00:30:38,800 Speaker 1: all right, this is another thing that needs to discuss. 490 00:30:39,200 --> 00:30:40,840 Speaker 1: I don't know if we're calling this. I'm out of 491 00:30:40,880 --> 00:30:42,920 Speaker 1: my mind right now. I don't know if this is 492 00:30:42,920 --> 00:30:47,280 Speaker 1: an urgency episode or an emergency episode, but it's a 493 00:30:47,360 --> 00:30:55,320 Speaker 1: damn good episode. It's a slash the great country of Italy. Oh, 494 00:30:55,520 --> 00:30:57,680 Speaker 1: I think I know this is This is way out there. 495 00:30:58,520 --> 00:31:00,240 Speaker 1: This is way out there. This is where where you 496 00:31:00,280 --> 00:31:02,760 Speaker 1: go like you like all your laws and all that. 497 00:31:02,800 --> 00:31:04,880 Speaker 1: You need to just get in there and be able 498 00:31:04,920 --> 00:31:08,800 Speaker 1: to be able to copy paste and delete and change things. 499 00:31:09,680 --> 00:31:15,959 Speaker 1: Italy's highest court has ruled that masturbation in public is 500 00:31:16,000 --> 00:31:20,840 Speaker 1: not a crime as long as it's not conducted in 501 00:31:20,880 --> 00:31:24,680 Speaker 1: the presence of miners. This happened when a guy, a 502 00:31:24,800 --> 00:31:29,520 Speaker 1: sixty nine year old man, was caught choking the chicken. 503 00:31:29,680 --> 00:31:33,080 Speaker 1: Can't wait till you get home. I don't understand that. 504 00:31:33,840 --> 00:31:36,600 Speaker 1: I guess it's the thrill of motherfucker's seeing you. But 505 00:31:36,720 --> 00:31:39,240 Speaker 1: how I wouldn't even be able to get an erection 506 00:31:39,360 --> 00:31:42,800 Speaker 1: outside whether you're not a sick fuck. Thank God of course, 507 00:31:43,520 --> 00:31:45,560 Speaker 1: here's a question you should ask listener to the iron 508 00:31:45,640 --> 00:31:50,160 Speaker 1: rapports stereo pockets. Can you get an erection outside like 509 00:31:50,400 --> 00:31:53,560 Speaker 1: in Times Square or just like you know, on a 510 00:31:53,600 --> 00:31:58,120 Speaker 1: casual Sunday in the park, if you can seek help, 511 00:31:58,640 --> 00:32:00,560 Speaker 1: if if the thought of that rounds of you, you 512 00:32:00,600 --> 00:32:03,920 Speaker 1: need help. But the sixty nine year old man was 513 00:32:04,000 --> 00:32:10,920 Speaker 1: caught choking the chicken in Cantona off of Sicily's East 514 00:32:10,920 --> 00:32:13,000 Speaker 1: coach see the mob. If the mob was still in 515 00:32:13,040 --> 00:32:16,760 Speaker 1: effect this they would deal with this guy right in Sicily. 516 00:32:17,360 --> 00:32:20,239 Speaker 1: He was convicted after he was jerking off. Let's just 517 00:32:20,280 --> 00:32:22,480 Speaker 1: call it what it is in front of students on 518 00:32:22,520 --> 00:32:27,640 Speaker 1: a university campus. However, blah blah, blah, blah blah. His 519 00:32:27,760 --> 00:32:32,800 Speaker 1: lawyers appealed the case to the country's highest court, which 520 00:32:32,960 --> 00:32:37,160 Speaker 1: ruled on the side of the accused, but only just 521 00:32:37,360 --> 00:32:41,600 Speaker 1: made the decision public. But after it was all said 522 00:32:41,640 --> 00:32:47,200 Speaker 1: and done, the highest court rule that masturbating in public 523 00:32:47,400 --> 00:32:50,320 Speaker 1: is not a crime see see all the rules and 524 00:32:50,360 --> 00:32:52,520 Speaker 1: the law. You should be able to go in there 525 00:32:53,560 --> 00:32:55,959 Speaker 1: and use common sense and change the law. It shouldn't 526 00:32:56,000 --> 00:32:58,600 Speaker 1: have to be run up the flag or what was 527 00:32:58,640 --> 00:33:03,520 Speaker 1: written in eighteen too and continually and lets him out. 528 00:33:03,080 --> 00:33:06,840 Speaker 1: I got down changed the law. The law. Now they 529 00:33:06,920 --> 00:33:10,240 Speaker 1: got these motherfucker's saying, oh ship now a bunch of 530 00:33:10,280 --> 00:33:13,040 Speaker 1: perverts and freaks. Oh yeah, they're gonna be doing it 531 00:33:13,160 --> 00:33:16,200 Speaker 1: once they made it public. They're like, oh, we're gonna 532 00:33:16,240 --> 00:33:20,160 Speaker 1: have hell a good time. Now. It's how we could 533 00:33:20,200 --> 00:33:22,600 Speaker 1: be out in the street. It's not a crime. Yeah, 534 00:33:22,640 --> 00:33:25,320 Speaker 1: they're gonna be all over the highways the tunnels just 535 00:33:25,440 --> 00:33:31,080 Speaker 1: doing whatever. Skeeting. That's how you want to skeet. I 536 00:33:31,120 --> 00:33:33,600 Speaker 1: saw I saw a guy once doing that ship Jesus, 537 00:33:35,640 --> 00:33:40,720 Speaker 1: and he drove off in the car. Yet, mother did 538 00:33:40,840 --> 00:33:44,560 Speaker 1: remember which one from Houston Rockets. I've got his name. 539 00:33:44,600 --> 00:33:47,440 Speaker 1: He got caught doing some crazy ship like that. I want. 540 00:33:47,440 --> 00:33:51,800 Speaker 1: I want to talk about Alan Iverson and Shaquille O'Neal 541 00:33:51,960 --> 00:33:58,560 Speaker 1: and Yallo Ming Uh and Cheryl Swoops female Bernard King 542 00:33:58,760 --> 00:34:02,920 Speaker 1: all got inducted to the UH Basketball Hall of Fame yesterday. 543 00:34:04,040 --> 00:34:07,560 Speaker 1: Alan Iverson, man, I just he's I love this guy. Man. 544 00:34:07,960 --> 00:34:11,520 Speaker 1: He's so raw, he's so genuine, he's so you get 545 00:34:11,560 --> 00:34:16,120 Speaker 1: what you get. There's no filter. Yeah, that's why and 546 00:34:16,120 --> 00:34:18,960 Speaker 1: and and and and I've said this before. Alan Iverson 547 00:34:19,000 --> 00:34:24,080 Speaker 1: doesn't like public speaking. Alan Iverson looks the part. Alan 548 00:34:24,120 --> 00:34:30,840 Speaker 1: Iverson is a shy, low key dude. He looks handsome, charismatic, 549 00:34:31,280 --> 00:34:34,920 Speaker 1: but his personality is not of the person who shines 550 00:34:34,960 --> 00:34:37,960 Speaker 1: in front of the public. That's why he was so misunderstood, 551 00:34:38,239 --> 00:34:41,759 Speaker 1: misquoted and mistreated by the media because that's not that's 552 00:34:41,760 --> 00:34:44,720 Speaker 1: not what he does best. The polar opposite with Shaquille O'Neal, 553 00:34:44,760 --> 00:34:48,319 Speaker 1: who's totally comfortable talking bullshit, and he's like, like, I 554 00:34:48,400 --> 00:34:52,040 Speaker 1: was like like a Don Rickles performance, his induction to 555 00:34:52,120 --> 00:34:54,719 Speaker 1: the Hall of Fame, so comfortable, it's like a like 556 00:34:54,760 --> 00:34:57,520 Speaker 1: a it's like a comedian doing like thirty five minutes 557 00:34:57,560 --> 00:35:00,799 Speaker 1: of a great spot at the improv a comedy store 558 00:35:00,800 --> 00:35:04,839 Speaker 1: on Sunset Bullivard Iverson. It's you're like crying and you're 559 00:35:04,880 --> 00:35:09,359 Speaker 1: heart racing because you're watching somebody just exposed himself. And 560 00:35:09,360 --> 00:35:11,399 Speaker 1: and that was so so beautiful about the way Allen 561 00:35:11,440 --> 00:35:17,880 Speaker 1: Iverson played this. This guy exposed his inords, inerts, inords 562 00:35:17,960 --> 00:35:20,960 Speaker 1: every night he played. That was an expression of who 563 00:35:21,080 --> 00:35:26,120 Speaker 1: he is. UM and it was a beautiful ceremony. Um. 564 00:35:26,200 --> 00:35:28,879 Speaker 1: He brought hip hop into the Hall of Fame with him. 565 00:35:28,880 --> 00:35:32,720 Speaker 1: He said, Jada Kiss red Man, just like he ushered 566 00:35:32,719 --> 00:35:34,600 Speaker 1: it into the league and he brought it with him 567 00:35:34,600 --> 00:35:38,000 Speaker 1: into the Hall of Fame. And they were both great. Yeah, 568 00:35:38,239 --> 00:35:42,160 Speaker 1: was great. I never watched the full Hall of Fame 569 00:35:42,200 --> 00:35:46,719 Speaker 1: induction event. It was excellent. I literally was crying the 570 00:35:46,760 --> 00:35:50,000 Speaker 1: way he talked about his wife, Iverson, the way Shaq 571 00:35:50,080 --> 00:35:52,600 Speaker 1: talked about his kids and his two baby mamas. So 572 00:35:52,760 --> 00:35:55,239 Speaker 1: he doesn't have to be a World War seven with 573 00:35:55,280 --> 00:35:58,799 Speaker 1: the baby mamas. You still can love them and you 574 00:35:58,800 --> 00:36:01,920 Speaker 1: can still a them loving in public. It doesn't have 575 00:36:02,000 --> 00:36:05,480 Speaker 1: to be a fucking like the like the Warriors showdown 576 00:36:05,880 --> 00:36:11,919 Speaker 1: on the docks out there and Coney still ain't gonna 577 00:36:11,960 --> 00:36:15,440 Speaker 1: be like that. It doesn't have to be that. So 578 00:36:15,520 --> 00:36:18,840 Speaker 1: it was a great Hall of Fame uh induction. Iverson. 579 00:36:19,360 --> 00:36:21,319 Speaker 1: I love you man, I love that do. He's such 580 00:36:21,320 --> 00:36:24,640 Speaker 1: an inspiration as it's just being who he is, with 581 00:36:24,640 --> 00:36:26,720 Speaker 1: with all the with all the with all the flaws 582 00:36:26,719 --> 00:36:29,279 Speaker 1: and imperfections, it's just which is what we all have, 583 00:36:29,520 --> 00:36:32,120 Speaker 1: Which is what we all have. And Shack the big 584 00:36:32,160 --> 00:36:36,800 Speaker 1: Hall of Famer who's coming up on the podcast Potpourri episode, 585 00:36:36,840 --> 00:36:42,120 Speaker 1: along with many many many others ambar Rows, all the 586 00:36:42,400 --> 00:36:48,360 Speaker 1: ESPN podcasters, Abby wamback guy from the Ted talks, the 587 00:36:48,440 --> 00:36:53,319 Speaker 1: guys from uh stuff stuff you should know and so 588 00:36:53,360 --> 00:36:55,720 Speaker 1: on and so on. We had the pleasure of talking. 589 00:36:55,800 --> 00:36:57,879 Speaker 1: You met Shack, you saw him. You've never seen Shack 590 00:36:57,960 --> 00:37:00,880 Speaker 1: in person. Talk to me about what it's like to 591 00:37:00,920 --> 00:37:03,160 Speaker 1: be up close to the Shack and what his personality 592 00:37:03,160 --> 00:37:05,279 Speaker 1: was like, and talk about just the physical like you 593 00:37:05,280 --> 00:37:07,920 Speaker 1: could hear him coming right, you know. It's just a 594 00:37:07,960 --> 00:37:12,000 Speaker 1: massive man. It's like that commercial, like the Green Giant, 595 00:37:12,120 --> 00:37:17,040 Speaker 1: like Jolly Green. It is like massive and very very nice, 596 00:37:17,160 --> 00:37:20,520 Speaker 1: a nice man, which which is wild when you see 597 00:37:20,560 --> 00:37:22,719 Speaker 1: the size of this guy, but you can you can 598 00:37:23,080 --> 00:37:28,520 Speaker 1: feel his vibration, very friendly, very engaging. Shack is that dude. 599 00:37:28,640 --> 00:37:31,840 Speaker 1: And he's so comfortable in it, in it like not 600 00:37:31,920 --> 00:37:35,200 Speaker 1: everybody could be comfortable, Like Kareem hated it and and 601 00:37:35,239 --> 00:37:37,480 Speaker 1: like he hated being the center of attention. He hated 602 00:37:37,480 --> 00:37:40,000 Speaker 1: being looked at and and and and it was a burden. 603 00:37:40,480 --> 00:37:42,279 Speaker 1: It was a burden for him. He talks about it, 604 00:37:42,880 --> 00:37:45,719 Speaker 1: and I'm sure others, like Giant, people like that, you know, 605 00:37:45,840 --> 00:37:48,279 Speaker 1: all have a deal with it differently because in a way, 606 00:37:48,360 --> 00:37:50,240 Speaker 1: and I mean this is it's like being a freak 607 00:37:50,280 --> 00:37:52,759 Speaker 1: and until you embrace it and adjust to it, Like 608 00:37:52,760 --> 00:37:54,719 Speaker 1: you walked down the street when you're fourteen years old 609 00:37:54,719 --> 00:37:58,960 Speaker 1: and you're six five. That affects the way you see 610 00:37:59,000 --> 00:38:00,920 Speaker 1: the world, Like you're getting at that and galk that 611 00:38:01,920 --> 00:38:05,760 Speaker 1: you're you're seventeen and your seven ft three and your 612 00:38:05,800 --> 00:38:08,480 Speaker 1: body is informed. You're like just a gangly seven ft 613 00:38:08,520 --> 00:38:11,879 Speaker 1: three teenager. But Shack was able to He's just his personality, 614 00:38:11,960 --> 00:38:14,360 Speaker 1: Like he's the closest thing that we have as a 615 00:38:14,400 --> 00:38:17,160 Speaker 1: sports figure to Muhammad Ali in terms of like just 616 00:38:17,320 --> 00:38:21,520 Speaker 1: and magic. Johnson just cout of a great shape and Shack. 617 00:38:21,640 --> 00:38:23,160 Speaker 1: Shack could do a lot of good things in the 618 00:38:23,200 --> 00:38:25,440 Speaker 1: world if he chose to, like, if he chose to, 619 00:38:25,560 --> 00:38:27,880 Speaker 1: like really, I know he does a lot of good stuff. 620 00:38:27,880 --> 00:38:29,600 Speaker 1: I just know he does. He's a good dude. He's 621 00:38:29,600 --> 00:38:32,000 Speaker 1: such a sweet dude. Of course, Jimnettie got a picture 622 00:38:32,040 --> 00:38:33,560 Speaker 1: taken with him. You look like you were on a 623 00:38:33,680 --> 00:38:36,400 Speaker 1: date with him. He looked like you. He was like 624 00:38:36,400 --> 00:38:37,719 Speaker 1: like you were a little like a little like he 625 00:38:37,760 --> 00:38:40,560 Speaker 1: picked you up. You look like a little fucking like 626 00:38:40,600 --> 00:38:44,120 Speaker 1: a little flower. I was like a girl's height to that. Motherfuck. Yeah, 627 00:38:44,160 --> 00:38:47,680 Speaker 1: you look like he had you like under his arm. 628 00:38:47,719 --> 00:38:51,279 Speaker 1: So it was a fantastic Hall of Fame induction ceremony. 629 00:38:51,920 --> 00:38:53,920 Speaker 1: Um and I just love those are two of my 630 00:38:54,040 --> 00:38:57,080 Speaker 1: favorite players of all time. Man, I gotta say something 631 00:38:57,080 --> 00:39:00,600 Speaker 1: about my man. Uh the answers ahead. I just want 632 00:39:00,600 --> 00:39:05,960 Speaker 1: to say it was good that he never changed. He 633 00:39:06,120 --> 00:39:11,719 Speaker 1: was himself and that's why he gets the respect that 634 00:39:11,760 --> 00:39:14,799 Speaker 1: he does because I don't think he can change. I 635 00:39:14,840 --> 00:39:17,279 Speaker 1: think he just is who he is, and that's that's 636 00:39:17,280 --> 00:39:19,520 Speaker 1: a good thing. That's a good thing. They try to 637 00:39:19,560 --> 00:39:22,800 Speaker 1: fucking package these motherfucker's to be what they want. But 638 00:39:22,960 --> 00:39:26,520 Speaker 1: just if he's a pleasant person, but he comes from 639 00:39:26,560 --> 00:39:29,480 Speaker 1: the black culture, hip hop, he's gonna he's gonna be 640 00:39:29,560 --> 00:39:33,600 Speaker 1: dressed like that. So I I will say, at forty 641 00:39:33,719 --> 00:39:36,080 Speaker 1: something to a point, I'm glad you fucking showed up 642 00:39:36,080 --> 00:39:40,520 Speaker 1: in the suit. Absolutely he should have. If he showed 643 00:39:40,600 --> 00:39:43,640 Speaker 1: up in baggy jeans, it would have been bad. You 644 00:39:43,719 --> 00:39:47,960 Speaker 1: looked great. Good. He's from the bottom of the bottom 645 00:39:48,080 --> 00:39:58,560 Speaker 1: poverty America's pop American poverty. An accused Florida killer who 646 00:39:58,600 --> 00:40:02,560 Speaker 1: spent six days on the land after escaping the courthouse, 647 00:40:05,080 --> 00:40:08,440 Speaker 1: tried to plead with the judge to say, Judge, I 648 00:40:08,480 --> 00:40:12,520 Speaker 1: hope you don't take it personal that I escaped. I 649 00:40:12,560 --> 00:40:15,120 Speaker 1: have great respect for you. I was out there trying 650 00:40:15,120 --> 00:40:21,440 Speaker 1: to gather evidence during my escape to prove my innocence. Uh. 651 00:40:21,800 --> 00:40:24,400 Speaker 1: I don't know anything about this guy's case, but I 652 00:40:24,520 --> 00:40:29,400 Speaker 1: fux with this guy because he's either nuts, totally innocent, 653 00:40:30,760 --> 00:40:33,239 Speaker 1: or got a good hustle. I like that he like 654 00:40:33,320 --> 00:40:36,319 Speaker 1: tried to like talk to the judge, like, you got 655 00:40:36,360 --> 00:40:39,200 Speaker 1: to what else you could do? Yeah, you're gonna railroad, 656 00:40:39,280 --> 00:40:42,120 Speaker 1: Joe asked, anyway, ye might as well get your last words. 657 00:40:42,520 --> 00:40:44,320 Speaker 1: But he did it in such a like mild manner, 658 00:40:44,400 --> 00:40:46,160 Speaker 1: like he was like almost like trying to get out 659 00:40:46,160 --> 00:40:48,760 Speaker 1: of like detension. He's not trying to get out of detention. 660 00:40:48,920 --> 00:40:55,799 Speaker 1: If he's convicted, this guy in Florida Deonte Rasilies, he 661 00:40:55,880 --> 00:40:59,160 Speaker 1: faces the death penalty. That's not the breakfast club. That's 662 00:40:59,200 --> 00:41:03,120 Speaker 1: not a Saturday morning detention. That's that's the real McCoy. 663 00:41:03,520 --> 00:41:06,880 Speaker 1: I'm gonna give a shout out to uh uh iconic 664 00:41:06,920 --> 00:41:10,880 Speaker 1: group day Lars Soul for basically throwing a life preserver 665 00:41:11,600 --> 00:41:16,279 Speaker 1: to the hip hop art form, showing the world that 666 00:41:16,560 --> 00:41:19,399 Speaker 1: you know, the guy's still doing doing it the the 667 00:41:19,560 --> 00:41:25,000 Speaker 1: authentic way. And um it's good at the debut number one, 668 00:41:25,320 --> 00:41:31,040 Speaker 1: the anonymous Nobody good for y'all. Plug one, Plug two, 669 00:41:31,160 --> 00:41:38,160 Speaker 1: Plug three, may c o pause, Dave love the record, 670 00:41:38,560 --> 00:41:44,760 Speaker 1: Love you guys, my son. We need more life preservers. McCain, 671 00:41:45,360 --> 00:41:51,480 Speaker 1: come out, We love you, rock him, come out, come out. Yeah, 672 00:41:51,560 --> 00:41:55,880 Speaker 1: make an authentic album. The record will sell some and 673 00:41:55,960 --> 00:41:59,080 Speaker 1: people will come see you tour. Just make the record 674 00:41:59,239 --> 00:42:02,200 Speaker 1: that you want to and don't don't don't conform to 675 00:42:02,760 --> 00:42:06,000 Speaker 1: the ship. And bring one of the Mumblers on for 676 00:42:06,120 --> 00:42:10,080 Speaker 1: a track. So so we could juxtapose you and the Mumbler. 677 00:42:11,360 --> 00:42:17,080 Speaker 1: Please elaborate. Mr Moody, Let Pete rock Premier Dre do 678 00:42:17,280 --> 00:42:21,399 Speaker 1: to beat rock him and the Mumbler. Right, you get 679 00:42:21,440 --> 00:42:28,879 Speaker 1: a verse and the Mumbler gets reverse. There you go, man, 680 00:42:28,920 --> 00:42:33,920 Speaker 1: It's the Iron Rapports Stereo podcast. It's a worldwide phenomenon. Uh, 681 00:42:33,960 --> 00:42:38,120 Speaker 1: it gets better, it gets better. Here's a here's a 682 00:42:38,160 --> 00:42:44,280 Speaker 1: sick o for you. A Nashville woman sixty, she's fuming, 683 00:42:44,640 --> 00:42:49,040 Speaker 1: still fuming, white woman over the fact that Obama is 684 00:42:49,040 --> 00:42:52,240 Speaker 1: in office. She had to be drunk because they still 685 00:42:52,239 --> 00:42:54,400 Speaker 1: had it. Yeah, she she had to be fucked up. 686 00:42:54,480 --> 00:42:56,799 Speaker 1: I had a picture of her, she looked she looked 687 00:42:56,840 --> 00:42:59,439 Speaker 1: like she was on that she's what nine sixty three, 688 00:42:59,480 --> 00:43:02,359 Speaker 1: she's white, but she I'm giving I'm gonna give her 689 00:43:02,360 --> 00:43:04,080 Speaker 1: the benefit of the doubt or the picture that she 690 00:43:04,200 --> 00:43:08,680 Speaker 1: was drinking like like lysol or something, because she looks crazy. 691 00:43:08,880 --> 00:43:13,400 Speaker 1: But she told the police officer, she called him a 692 00:43:13,440 --> 00:43:16,319 Speaker 1: fucking n word, spit on him, of course, and she 693 00:43:16,400 --> 00:43:19,840 Speaker 1: blamed it all in Obama. Of course. Now the truth 694 00:43:19,920 --> 00:43:23,000 Speaker 1: comes out when you start drinking lysol. But there's no 695 00:43:23,040 --> 00:43:24,799 Speaker 1: way that when you see the picture of this woman, 696 00:43:24,840 --> 00:43:30,040 Speaker 1: Angela Flume, she wasn't sober. She looks buck wile, but 697 00:43:31,520 --> 00:43:34,000 Speaker 1: she she was still still upset. He's on his last days. 698 00:43:34,040 --> 00:43:36,440 Speaker 1: Why are you still upset about? I told you Seeing 699 00:43:36,480 --> 00:43:42,320 Speaker 1: that family in that White House boils them cats blood 700 00:43:42,640 --> 00:43:45,560 Speaker 1: because they think of black people in the worst way. 701 00:43:45,600 --> 00:43:48,399 Speaker 1: They where we're the worst. How did this guy get 702 00:43:48,440 --> 00:43:51,359 Speaker 1: in the White House? He's not from here, he's this, 703 00:43:51,640 --> 00:43:55,560 Speaker 1: he's that. And then Trump comes on the scene and 704 00:43:55,600 --> 00:44:00,680 Speaker 1: they get elated. Trump comes on and seeing and halting people. 705 00:44:01,000 --> 00:44:04,560 Speaker 1: We're not talking about foreign policy. He's talking about blowing 706 00:44:04,640 --> 00:44:07,759 Speaker 1: motherfucker's up. I'm gonna they're gonna pay for the wall. No, 707 00:44:07,880 --> 00:44:09,959 Speaker 1: they're not. They're not paying for the wall. Trump Trump. 708 00:44:10,000 --> 00:44:11,640 Speaker 1: Trump made a speech the other day. He had to 709 00:44:11,680 --> 00:44:14,200 Speaker 1: sit down an interview with Matt Lowerd, who got crushed 710 00:44:14,200 --> 00:44:16,319 Speaker 1: because he didn't go at him hard. This is why 711 00:44:16,360 --> 00:44:19,839 Speaker 1: you need to have me interview him. Give me all 712 00:44:19,880 --> 00:44:23,399 Speaker 1: the facts. Matt Loward did that bullshit before. Remember he got, 713 00:44:23,480 --> 00:44:26,640 Speaker 1: he got, he got seduced. You gotta go at You 714 00:44:26,680 --> 00:44:29,839 Speaker 1: gotta bring the fight to Trump. You can't just sit 715 00:44:29,880 --> 00:44:33,160 Speaker 1: there and be politically correct. Can bring it to him 716 00:44:33,440 --> 00:44:35,920 Speaker 1: Trump the other day he said, Oh, the general's in 717 00:44:35,960 --> 00:44:39,960 Speaker 1: the that served this country, the army generals and the 718 00:44:40,239 --> 00:44:43,560 Speaker 1: military generals. I would fire a bunch of them. You 719 00:44:43,640 --> 00:44:47,200 Speaker 1: can't fire a general. There's only so many generals. This 720 00:44:47,239 --> 00:44:50,320 Speaker 1: is the position that is, Uh, this isn't Starbucks. The 721 00:44:50,400 --> 00:44:54,080 Speaker 1: barrife did Starbucks. You can't just fire a military general 722 00:44:54,160 --> 00:44:58,080 Speaker 1: because you're the president. This is what he said. They 723 00:44:58,120 --> 00:44:59,880 Speaker 1: they they asked him. He says he has a full 724 00:45:00,040 --> 00:45:02,640 Speaker 1: fledged plan to beat isis And he said, oh, I'm 725 00:45:02,640 --> 00:45:05,040 Speaker 1: not gonna share my plan because if I share my plan, 726 00:45:05,440 --> 00:45:09,560 Speaker 1: they'll know, like like it's it's like a game of 727 00:45:09,600 --> 00:45:12,920 Speaker 1: fucking Ring of Levi and they'll know that you're going 728 00:45:13,000 --> 00:45:15,439 Speaker 1: up against the world's greatest military. Who kives a funk 729 00:45:15,440 --> 00:45:18,360 Speaker 1: if they know? And I'm not gonna share. So, so 730 00:45:18,400 --> 00:45:20,200 Speaker 1: if you don't get nominated, you're not gonna share your 731 00:45:20,200 --> 00:45:25,319 Speaker 1: full fledge plan, Mr Patriot, he said about Putin. If 732 00:45:25,360 --> 00:45:28,080 Speaker 1: Putin says nice things about me, well then I'll say 733 00:45:28,160 --> 00:45:30,640 Speaker 1: nice things about you. This is not a patriot is 734 00:45:30,680 --> 00:45:33,440 Speaker 1: a fucking piece of ships. This is not a presidential 735 00:45:33,520 --> 00:45:36,560 Speaker 1: Fuck you, Donald Trump. You know all that rhetoric, all 736 00:45:36,600 --> 00:45:43,360 Speaker 1: that racist bullshit, said, he prefers Putin over our current president. 737 00:45:44,560 --> 00:45:48,160 Speaker 1: He prefers him over that. Now is the time to 738 00:45:48,200 --> 00:45:51,360 Speaker 1: ship on the black guy. Now, now is the time. 739 00:45:52,280 --> 00:45:55,279 Speaker 1: Also in defense of Hillary, because people are rappaport, you 740 00:45:55,280 --> 00:45:58,480 Speaker 1: shouldn't be talking about politics. This is the same people 741 00:45:58,520 --> 00:46:01,200 Speaker 1: that are saying, like a culture vulture, fuck you, I'm 742 00:46:01,239 --> 00:46:05,160 Speaker 1: talking about politics. Who you fuck you? You vote for 743 00:46:05,200 --> 00:46:10,320 Speaker 1: this lunatic. Colin Powell, a known proud Republican, he said, 744 00:46:11,160 --> 00:46:14,040 Speaker 1: this is a fact. I don't talk no bullshit. I 745 00:46:14,040 --> 00:46:18,959 Speaker 1: don't fact check. Colin Powell, he came out and he said, 746 00:46:19,040 --> 00:46:24,319 Speaker 1: I too used private emails while I was while I 747 00:46:24,360 --> 00:46:31,240 Speaker 1: was serving this country. Sometimes you can't use the different servers. 748 00:46:31,280 --> 00:46:34,440 Speaker 1: Nothing was ever used against me, None of my information 749 00:46:34,520 --> 00:46:38,120 Speaker 1: was ever used against me. I too use private emails. 750 00:46:38,200 --> 00:46:40,040 Speaker 1: This is the big thing they want to hang on 751 00:46:40,120 --> 00:46:43,399 Speaker 1: to about Hillary. I bet you all politicians have done this. 752 00:46:45,760 --> 00:46:48,839 Speaker 1: And see tried to hate Shane Clinton saying she didn't 753 00:46:49,000 --> 00:46:52,600 Speaker 1: smile enough. Wait wait, when she was talking about it, 754 00:46:52,760 --> 00:46:55,480 Speaker 1: they want her to smile enough. They tried to hate 755 00:46:55,480 --> 00:47:00,560 Speaker 1: shame her political science, bro, that's what it is. But 756 00:47:00,600 --> 00:47:02,840 Speaker 1: when when she was defending herself about the about the 757 00:47:02,880 --> 00:47:07,000 Speaker 1: about the emails, they're saying, oh, she should smile. Your 758 00:47:07,040 --> 00:47:12,920 Speaker 1: man Trump, he has no foreign policy. We're gonna build 759 00:47:12,960 --> 00:47:17,839 Speaker 1: that wall. Yeah. Yo, I'm gonna tell you another thing. 760 00:47:18,600 --> 00:47:23,240 Speaker 1: You mentioned the mumblers and and and and this, this, 761 00:47:23,239 --> 00:47:25,759 Speaker 1: this this, Why don't you just do this? Since you're 762 00:47:25,840 --> 00:47:30,160 Speaker 1: so cool, and since these new age hip hoppers, no 763 00:47:30,160 --> 00:47:34,440 Speaker 1: they're not, they say they're hip hop, since you're so creative, 764 00:47:34,480 --> 00:47:38,040 Speaker 1: and since you show no regard for the forefathers of 765 00:47:38,280 --> 00:47:43,520 Speaker 1: this this, this, this artistic culture, which I'm a culture 766 00:47:43,600 --> 00:47:47,600 Speaker 1: vulture of. Well, if you're so creative and you you 767 00:47:47,680 --> 00:47:49,400 Speaker 1: want to distance you, why don't you come up with 768 00:47:49,440 --> 00:47:53,080 Speaker 1: your own title calling a different kind of music. If 769 00:47:53,120 --> 00:47:55,440 Speaker 1: you think that what you're doing is so much better 770 00:47:55,760 --> 00:47:58,279 Speaker 1: or so much different than what E. P. M. D 771 00:47:58,520 --> 00:48:03,800 Speaker 1: Was doing, what Cast was doing, was doing what Grand 772 00:48:03,800 --> 00:48:06,160 Speaker 1: masks if since what that was? Since that doesn't matter. 773 00:48:06,200 --> 00:48:09,600 Speaker 1: Why if you're so creative, you guys, and your skinny 774 00:48:09,680 --> 00:48:13,120 Speaker 1: jeans and your your dresses now yeah, now you're dresses, 775 00:48:13,200 --> 00:48:14,640 Speaker 1: why don't you come up with a new You can't 776 00:48:14,640 --> 00:48:16,720 Speaker 1: even come up with a new title for your own music. 777 00:48:17,040 --> 00:48:22,760 Speaker 1: Drag drag hop? There it is. It's no, yo, don't 778 00:48:22,840 --> 00:48:25,919 Speaker 1: don't you're you're better than hip hop. We we we 779 00:48:25,920 --> 00:48:28,279 Speaker 1: we we we are acknowledging that you're what you're doing 780 00:48:28,280 --> 00:48:30,080 Speaker 1: is better than hip hop. So why don't you just 781 00:48:30,160 --> 00:48:33,880 Speaker 1: come out and call it drag hop? That's it? And 782 00:48:33,920 --> 00:48:36,520 Speaker 1: then then then the old guys like us, the old 783 00:48:36,560 --> 00:48:39,120 Speaker 1: forty six year old guys who I'll challenge any want 784 00:48:39,120 --> 00:48:41,040 Speaker 1: of you to a race. You want to race me 785 00:48:41,080 --> 00:48:44,279 Speaker 1: a mile, I'll fucking race you a mile. You better 786 00:48:44,280 --> 00:48:46,000 Speaker 1: be ready to run it in less than eight minutes. 787 00:48:46,040 --> 00:48:50,160 Speaker 1: You fuck you. That's it? Okay, Like old guys, I 788 00:48:50,160 --> 00:48:52,759 Speaker 1: could still run a mile. Fest it in you one 789 00:48:52,760 --> 00:48:55,479 Speaker 1: of the slowest people you'll ever meet. Then we won't 790 00:48:55,480 --> 00:48:57,359 Speaker 1: have no problems. Then we won't have no problems since 791 00:48:57,520 --> 00:49:03,160 Speaker 1: since uh brand Nubians so inconsequential and that mumbo jumbo, 792 00:49:03,840 --> 00:49:09,200 Speaker 1: magic trick, magic Mike dress. Drag hop you're doing it's 793 00:49:09,239 --> 00:49:12,360 Speaker 1: so good. Yeah, I heard if they have in the 794 00:49:12,400 --> 00:49:16,040 Speaker 1: store it has like reggae, jazz, they have trusion, alternative, 795 00:49:16,320 --> 00:49:19,759 Speaker 1: dance hall, SKA. So if I look for rock him 796 00:49:19,840 --> 00:49:22,200 Speaker 1: or a big Daddy came and then put the other 797 00:49:22,239 --> 00:49:25,440 Speaker 1: one in drag, I shouldn't your name shouldn't be in 798 00:49:25,440 --> 00:49:28,480 Speaker 1: that bin. No, And that's fine, that's fine. Amba Records 799 00:49:28,520 --> 00:49:31,239 Speaker 1: one of the last record stores. It has it indie rock, 800 00:49:32,880 --> 00:49:37,320 Speaker 1: classic rock. Ye, it'll have in the in the jazz section, 801 00:49:37,400 --> 00:49:42,759 Speaker 1: it'll have fusion vocals, right, it'll have all these So 802 00:49:42,840 --> 00:49:46,440 Speaker 1: why doesn't hip hop hip hop? And now what you 803 00:49:46,560 --> 00:49:50,680 Speaker 1: do is drag hop? End off end of something. I 804 00:49:50,719 --> 00:49:53,200 Speaker 1: wanted to give a follow up onto the the the 805 00:49:53,440 --> 00:49:57,239 Speaker 1: Prankster because we gave her the sick Funk of the Week. 806 00:49:57,360 --> 00:49:59,880 Speaker 1: It was a woman again. When you you know I 807 00:50:00,040 --> 00:50:01,920 Speaker 1: it's coming to, it's coming to. I'm coming to realize 808 00:50:04,239 --> 00:50:06,719 Speaker 1: of the time when we give a sick Funker of 809 00:50:06,760 --> 00:50:09,120 Speaker 1: the Week award and you look at the picture, they 810 00:50:09,160 --> 00:50:11,680 Speaker 1: really do look like a sick funck. But a few 811 00:50:11,719 --> 00:50:15,920 Speaker 1: weeks ago we mentioned about a woman on the subway 812 00:50:16,800 --> 00:50:18,640 Speaker 1: turn out to be a twenty one year old rather 813 00:50:18,680 --> 00:50:24,120 Speaker 1: attractive looking girl who opened a bag and jar of 814 00:50:24,239 --> 00:50:28,120 Speaker 1: crickets on a crowded subway. Freaked everybody out because in 815 00:50:28,120 --> 00:50:29,640 Speaker 1: this day and age, you don't know what the fund 816 00:50:29,719 --> 00:50:32,279 Speaker 1: is going on. That could be some you don't know 817 00:50:32,320 --> 00:50:37,120 Speaker 1: what it is. She's held on five thousand dollar bail. 818 00:50:39,200 --> 00:50:42,800 Speaker 1: Actually she's cute, but fucking nuts. So I wanted to 819 00:50:42,880 --> 00:50:44,960 Speaker 1: let you know that the cricket woman who stopped the 820 00:50:45,000 --> 00:50:47,320 Speaker 1: train when it was going over I believe the Brooklyn Bridge. 821 00:50:47,800 --> 00:50:50,160 Speaker 1: She's still locked up. She's got a husband and a 822 00:50:50,280 --> 00:50:54,799 Speaker 1: mother and two kids. Damn, what a nutshot. We were 823 00:50:54,840 --> 00:50:57,840 Speaker 1: going to crowded train and throwing bugs all over people. 824 00:50:58,000 --> 00:51:00,360 Speaker 1: She's and then she pissed herself. Remember the swimming a 825 00:51:00,360 --> 00:51:04,560 Speaker 1: few weeks pistol. Somebody that needs to be committed, not 826 00:51:04,760 --> 00:51:08,319 Speaker 1: made fun of. Put her in Bellevue, Drag her off 827 00:51:08,320 --> 00:51:10,600 Speaker 1: the train and put her in bell right to Bellevue. 828 00:51:11,080 --> 00:51:13,400 Speaker 1: Put a man diaper on, put her in Belle. I 829 00:51:13,400 --> 00:51:16,920 Speaker 1: got some man diapers. I got a whole box, I 830 00:51:16,960 --> 00:51:19,760 Speaker 1: mean remission. Now I don't need my man diapers. Feel 831 00:51:19,800 --> 00:51:24,520 Speaker 1: free to use him. Zada puge I saw, I saw 832 00:51:25,280 --> 00:51:27,160 Speaker 1: that there's a new album now that you was talking 833 00:51:27,200 --> 00:51:32,000 Speaker 1: about hip hop, well drag hop. Um this guy, some 834 00:51:32,080 --> 00:51:36,839 Speaker 1: guy named young Thug, and he said that he's he's 835 00:51:36,960 --> 00:51:43,840 Speaker 1: neither male or female. And he said, uh, they labeled 836 00:51:43,880 --> 00:51:46,319 Speaker 1: me when I was born as if the doctor had 837 00:51:46,360 --> 00:51:50,680 Speaker 1: a personal beef with with you. He labeled you a 838 00:51:50,760 --> 00:51:54,600 Speaker 1: male because when you came out, he saw the appendage 839 00:51:55,160 --> 00:51:58,279 Speaker 1: that signifies this is a male. He didn't have no 840 00:51:58,360 --> 00:52:02,600 Speaker 1: beef with your mom, with your pops. You took it 841 00:52:02,719 --> 00:52:06,319 Speaker 1: personal that he called you a male. See, this is 842 00:52:06,360 --> 00:52:09,600 Speaker 1: a sickness too. So he needs to go where the 843 00:52:09,680 --> 00:52:13,239 Speaker 1: other lady go with the crickets, right bellevue, right right 844 00:52:13,239 --> 00:52:16,000 Speaker 1: on first Avenue. How can you make a statement like that. 845 00:52:16,160 --> 00:52:18,919 Speaker 1: You're not a good rapper anyway. If you gotta come 846 00:52:18,920 --> 00:52:22,640 Speaker 1: with gimmicks, right, if you gotta come with gimmicks, put 847 00:52:22,719 --> 00:52:27,600 Speaker 1: on a dress. You come in with gimmicks. Be where 848 00:52:27,719 --> 00:52:33,600 Speaker 1: is the lines? Punch lines? Mumbling? So I can't hear 849 00:52:33,640 --> 00:52:37,080 Speaker 1: it right, mumbling, So I can't hear so I can't 850 00:52:37,120 --> 00:52:39,480 Speaker 1: understand what you're saying. You try to, you try to, 851 00:52:39,680 --> 00:52:41,520 Speaker 1: you try to trick me with the beach. I can't 852 00:52:41,560 --> 00:52:44,319 Speaker 1: figure out what you're saying. And then the sucker who's 853 00:52:44,320 --> 00:52:46,600 Speaker 1: getting led by the leash is saying, this is good. 854 00:52:46,760 --> 00:52:50,080 Speaker 1: It's drag hop. We just god damn it, we did 855 00:52:50,080 --> 00:52:53,520 Speaker 1: it again. Drag hop because the m C is now 856 00:52:53,560 --> 00:52:57,800 Speaker 1: in d yes, yes, that makes that makes perfect sense. 857 00:52:58,719 --> 00:53:03,239 Speaker 1: Mr Moody, I don't know what this guy is. A 858 00:53:03,360 --> 00:53:09,560 Speaker 1: dude in Long Island, Strong Island, brent WOODMD, with Santos Torres, 859 00:53:12,120 --> 00:53:15,879 Speaker 1: he attacked his ex girlfriend's new lover with a machete. YO, duke, 860 00:53:16,280 --> 00:53:21,359 Speaker 1: damn she she she she moved on. Dude, Jo, why 861 00:53:21,400 --> 00:53:23,400 Speaker 1: are you going after money with the machete? He's not 862 00:53:23,480 --> 00:53:26,239 Speaker 1: He's just sucking something he just bagged. I mean it's 863 00:53:26,239 --> 00:53:28,560 Speaker 1: not him, he didn't rape her. He's not going it's 864 00:53:28,560 --> 00:53:30,759 Speaker 1: not your girl, no more no, and you're going after 865 00:53:30,880 --> 00:53:34,359 Speaker 1: she He cut money up and central I slip. Oh, 866 00:53:34,400 --> 00:53:38,120 Speaker 1: that's case Solo ship Llo shout out to Case Solo, 867 00:53:38,560 --> 00:53:42,080 Speaker 1: one of my favorite rappers who never really got the 868 00:53:42,239 --> 00:53:44,400 Speaker 1: the the the real shot. I don't know why. I 869 00:53:44,400 --> 00:53:47,960 Speaker 1: know he's with dre one point he was with out 870 00:53:47,960 --> 00:53:51,000 Speaker 1: there with Erica Sherman and Parrish and the terrorist of 871 00:53:51,120 --> 00:53:54,600 Speaker 1: the hit squad out there in Long Island, all those dudes. 872 00:53:54,640 --> 00:53:57,680 Speaker 1: They had it on unlock Solo. Your mom's in my business, 873 00:53:58,000 --> 00:54:01,719 Speaker 1: She's in my business song, MC, can't you see that? 874 00:54:01,920 --> 00:54:06,680 Speaker 1: Your mom's in my business? So my man out there, 875 00:54:06,760 --> 00:54:11,239 Speaker 1: he's locked up. He's scheduled to be arranged on centralized 876 00:54:11,280 --> 00:54:13,400 Speaker 1: that that's probably where they had k Solo when he 877 00:54:13,480 --> 00:54:17,839 Speaker 1: when he fugitive one of my favorite songs download on 878 00:54:17,880 --> 00:54:22,479 Speaker 1: YouTube YouTube Fugitive by Kate Solo. Yes you'll be please Yes, 879 00:54:23,080 --> 00:54:27,080 Speaker 1: talks about the cop Corky and you'll understand everything. He said, Yeah, 880 00:54:27,080 --> 00:54:31,000 Speaker 1: he's great. Mc uh. This is another thing I want 881 00:54:31,040 --> 00:54:33,200 Speaker 1: to give a shout out to these guys. I get this. 882 00:54:33,320 --> 00:54:36,239 Speaker 1: I don't understand it, but I get it. Yo. Man. 883 00:54:36,280 --> 00:54:39,920 Speaker 1: I was reading the paper today, MANU fact checking, No, 884 00:54:40,160 --> 00:54:46,120 Speaker 1: reading the paper, uh and an article Beyonce's sister what's 885 00:54:46,120 --> 00:54:51,040 Speaker 1: her name Solange? Yeah, she says she went to a 886 00:54:51,120 --> 00:54:56,720 Speaker 1: craft work concert, which I love craftwork. Uh, German cats 887 00:54:56,800 --> 00:54:59,400 Speaker 1: and um she was at the concert. I guess they 888 00:54:59,440 --> 00:55:02,520 Speaker 1: were standing up, you know, dancing or whatever. And some 889 00:55:02,640 --> 00:55:06,239 Speaker 1: white people. I guess she said white women told her 890 00:55:06,280 --> 00:55:11,319 Speaker 1: to sit down, right, and she indicated that this is 891 00:55:11,360 --> 00:55:16,600 Speaker 1: how we feel in white spaces. What what is white spaces? 892 00:55:16,440 --> 00:55:19,759 Speaker 1: That's a ship, that's that's what she said, this is 893 00:55:19,760 --> 00:55:24,759 Speaker 1: how we feel. Was amazing that she's scared. Now, this 894 00:55:24,840 --> 00:55:28,919 Speaker 1: is the same person that was beating a black man 895 00:55:29,040 --> 00:55:32,600 Speaker 1: in the elevator. Jay Z. Yeah, she wasn't scared of 896 00:55:32,680 --> 00:55:35,960 Speaker 1: jay Z. Jay Z from Feast from Marcy's from the Project. 897 00:55:36,080 --> 00:55:43,879 Speaker 1: You had no problem swinging on him repeatedly. And when 898 00:55:44,320 --> 00:55:48,759 Speaker 1: you go to a concert, white ladies say can you 899 00:55:48,760 --> 00:55:51,839 Speaker 1: sit down because maybe they can't see. Did they did 900 00:55:51,920 --> 00:55:55,680 Speaker 1: they say nigger, sit down? Or did they just say 901 00:55:55,719 --> 00:55:58,279 Speaker 1: sit down, we can't see, or maybe they say can 902 00:55:58,280 --> 00:56:01,840 Speaker 1: you please sit down? Whatever? And you said, you you 903 00:56:01,960 --> 00:56:05,320 Speaker 1: intimated that this is how we feel in white spaces, 904 00:56:05,840 --> 00:56:11,120 Speaker 1: not me. We we've encompassing. You're not talking about me. 905 00:56:11,840 --> 00:56:15,040 Speaker 1: Why are you scared? What are you scared about? Leave 906 00:56:15,080 --> 00:56:18,000 Speaker 1: the arena? And you had your man with you, let 907 00:56:18,040 --> 00:56:21,600 Speaker 1: your man hand do that. But he wearing an orange suit, 908 00:56:23,840 --> 00:56:26,239 Speaker 1: so of course he's not gonna get any respect in 909 00:56:26,280 --> 00:56:30,200 Speaker 1: the arena. Yea, What does she do anyway? For her job. 910 00:56:30,320 --> 00:56:32,799 Speaker 1: I don't know. Whenever there's a long fucking like that, 911 00:56:32,840 --> 00:56:36,239 Speaker 1: they always go stylist. That's the easiest ship you could say, 912 00:56:36,880 --> 00:56:39,520 Speaker 1: because you ain't gonna check that. You're just hanging with 913 00:56:39,560 --> 00:56:41,759 Speaker 1: your sister, right, and you you like, fix the hat, 914 00:56:41,880 --> 00:56:44,759 Speaker 1: she got a little hair in her face, You plucking eyebrows, 915 00:56:44,760 --> 00:56:50,440 Speaker 1: and ship, she's she's a stylist. I guess, stop being scared. 916 00:56:51,200 --> 00:56:54,000 Speaker 1: What do you You're not dealing with the white cats 917 00:56:54,040 --> 00:56:57,239 Speaker 1: that your great grandmother had to deal with, and I'm 918 00:56:57,280 --> 00:57:00,800 Speaker 1: dealing with them. And you weren't scared of hold you 919 00:57:00,800 --> 00:57:04,160 Speaker 1: you had no you had no issue with trying to 920 00:57:04,200 --> 00:57:07,520 Speaker 1: push this guy in his face for something you thought 921 00:57:07,520 --> 00:57:12,360 Speaker 1: he did right, but they said sit down, and you 922 00:57:12,480 --> 00:57:19,680 Speaker 1: got petrified, right, get out of your rena. All right, 923 00:57:19,720 --> 00:57:22,360 Speaker 1: this is it. Football season is finally here, and it's 924 00:57:22,360 --> 00:57:24,960 Speaker 1: time to put your fantasy knowledge to the test to 925 00:57:25,000 --> 00:57:28,120 Speaker 1: win your share of a hundred grand and Draft Kings 926 00:57:28,280 --> 00:57:32,200 Speaker 1: free Week one contest. That's right, Draft Kings hosting a 927 00:57:32,280 --> 00:57:35,760 Speaker 1: free contest this weekend for a hundred thousand dollars in 928 00:57:35,800 --> 00:57:39,640 Speaker 1: total prizes. DraftKings dot com is the destination for Week 929 00:57:39,680 --> 00:57:43,440 Speaker 1: one fantasy football. One week fantasy football means no season 930 00:57:43,480 --> 00:57:46,200 Speaker 1: long commitments. If you like it, keep playing. If you 931 00:57:46,200 --> 00:57:49,240 Speaker 1: don't like it, never play again, or playing week seven 932 00:57:49,360 --> 00:57:52,440 Speaker 1: or week four or week five. Just pick your contest, 933 00:57:52,880 --> 00:57:56,320 Speaker 1: draft your players, and follow your team live. Play whenever 934 00:57:56,360 --> 00:57:58,600 Speaker 1: you want, with the players you want. You could have 935 00:57:58,720 --> 00:58:02,400 Speaker 1: it your way. Were new old rivalries. Prove that you're 936 00:58:02,440 --> 00:58:07,040 Speaker 1: the superior GM tryt contest with the top half of 937 00:58:07,120 --> 00:58:11,360 Speaker 1: all entries win cash. Okay, A fifty fifty contest is 938 00:58:11,360 --> 00:58:15,560 Speaker 1: where the top half of all the entries win cash. 939 00:58:15,800 --> 00:58:19,600 Speaker 1: DraftKings even as contests exclusively for beginners, there's something for 940 00:58:19,640 --> 00:58:22,840 Speaker 1: everybody at DraftKings. Hurry to DraftKings dot Com now use 941 00:58:22,920 --> 00:58:25,360 Speaker 1: the promo code rapp report and play for free in 942 00:58:25,400 --> 00:58:29,160 Speaker 1: this weekend's hundred thousand dollar fantasy contest. This contest is 943 00:58:29,200 --> 00:58:32,080 Speaker 1: a hundred percent free, so there's no reason not to 944 00:58:32,120 --> 00:58:34,360 Speaker 1: play again. The code is rapp report r A P 945 00:58:34,560 --> 00:58:36,640 Speaker 1: A p O r T to play for free for 946 00:58:36,720 --> 00:58:39,000 Speaker 1: your share of a hundred grand this weekend only a 947 00:58:39,120 --> 00:58:43,920 Speaker 1: DraftKings dot Com that's DraftKings dot Com. Eligibility and restrictions 948 00:58:43,920 --> 00:58:46,600 Speaker 1: may apply. See the website for details. Yo, if you 949 00:58:46,680 --> 00:58:49,560 Speaker 1: think I don't know about fantasy football and you want 950 00:58:49,560 --> 00:58:53,240 Speaker 1: to dance with the dingo. If you think, oh, Rappaport, 951 00:58:53,520 --> 00:58:58,000 Speaker 1: you know nothing. Your son picks uh the teams for you. 952 00:58:58,360 --> 00:59:02,400 Speaker 1: Oh Rappaport, your son's friend picks the teams for you. 953 00:59:02,640 --> 00:59:05,320 Speaker 1: Don't you have the fourteen year old uh picking the 954 00:59:05,360 --> 00:59:07,960 Speaker 1: teams for you? Well, then step into the monkey cage. 955 00:59:08,960 --> 00:59:11,800 Speaker 1: Come play me. You could play me for free or 956 00:59:11,840 --> 00:59:14,600 Speaker 1: in a five dollar league. It's your choice. We could 957 00:59:14,600 --> 00:59:16,760 Speaker 1: do it just for ships and giggles, or you could 958 00:59:16,760 --> 00:59:19,600 Speaker 1: put up the five dollars. Okay, you can spend your 959 00:59:19,600 --> 00:59:23,280 Speaker 1: little pennies and come dance with me. Come on, look 960 00:59:23,320 --> 00:59:25,680 Speaker 1: me up wrap reports too, like we have an I 961 00:59:25,800 --> 00:59:27,840 Speaker 1: am Wrap report league. If you want to dance with 962 00:59:27,880 --> 00:59:30,040 Speaker 1: the dingo, you think I'm a big blubber mouth who 963 00:59:30,040 --> 00:59:32,920 Speaker 1: doesn't know anything about fantasy football, I'm taking all I'm 964 00:59:32,920 --> 00:59:37,680 Speaker 1: taking on people already. It's the dingo versus twelve hundred people. 965 00:59:38,320 --> 00:59:42,080 Speaker 1: I'm knocking them down like dominoes, one after the other 966 00:59:42,520 --> 00:59:46,320 Speaker 1: after the other. In daily fantasy football, they say no uh, 967 00:59:46,480 --> 00:59:50,080 Speaker 1: they say no promo, they say no uh. I'm not 968 00:59:50,120 --> 00:59:51,920 Speaker 1: getting paid to do this. I'm doing it for the 969 00:59:52,000 --> 00:59:53,920 Speaker 1: love of the game. We could do it for free 970 00:59:54,240 --> 00:59:56,400 Speaker 1: or play for five dollars ahead and you could win 971 00:59:56,520 --> 01:00:00,160 Speaker 1: over a thousand dollars. Look me up, coming in a 972 01:00:00,200 --> 01:00:10,560 Speaker 1: monkey cage. I'm taking all comers, No Bruno, welcome to 973 01:00:10,640 --> 01:00:13,760 Speaker 1: Play It, a new podcast network featuring radio and TV 974 01:00:13,920 --> 01:00:18,280 Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it 975 01:00:18,480 --> 01:00:28,520 Speaker 1: at play dot it in New York. Right here in 976 01:00:28,520 --> 01:00:32,600 Speaker 1: New York. During the summer. This is for real. There's 977 01:00:32,640 --> 01:00:37,280 Speaker 1: a crew of dudes. Three cats started going to Dwayne 978 01:00:37,280 --> 01:00:42,560 Speaker 1: Reads CVSS right Aids all the way from the Upper 979 01:00:42,600 --> 01:00:47,520 Speaker 1: east Side home of the Manhattan Gloom to down to Tribeca, 980 01:00:48,440 --> 01:00:56,120 Speaker 1: stealing pints of Ben and Jerry's, t Lenti and Hogends 981 01:00:56,200 --> 01:00:58,560 Speaker 1: ice cream. I fox with these guys, and you said 982 01:00:58,600 --> 01:01:01,240 Speaker 1: to LENTI was off the chage. These dudes have made 983 01:01:01,240 --> 01:01:05,240 Speaker 1: off with over a thousand dollars of ice cream. They 984 01:01:05,280 --> 01:01:08,720 Speaker 1: funk with muscle milk, energy drinks and all that, but 985 01:01:08,760 --> 01:01:11,080 Speaker 1: they hit the ice cream section hard. I touched with 986 01:01:11,120 --> 01:01:16,320 Speaker 1: these guys, yo, these dudes, this little ice cream crew 987 01:01:16,720 --> 01:01:18,840 Speaker 1: come to me, man, I bought that ship off you, man. 988 01:01:19,560 --> 01:01:21,720 Speaker 1: I like these dudes in New York. There's three men 989 01:01:21,880 --> 01:01:26,800 Speaker 1: ice cream bandits they're calling them plenty is fantastic. Damn 990 01:01:26,800 --> 01:01:30,120 Speaker 1: If you got motherfuck stealing ice cream, that's yeah. I 991 01:01:30,160 --> 01:01:33,760 Speaker 1: like these market that ship. They even steal all ice cream, 992 01:01:34,480 --> 01:01:37,080 Speaker 1: ste Iron rapports, stereo pockets. This may go down is 993 01:01:37,120 --> 01:01:40,240 Speaker 1: a is an emergency episode, and may go down as 994 01:01:40,280 --> 01:01:42,680 Speaker 1: an urgency episode. But one thing I know it will 995 01:01:42,720 --> 01:01:46,360 Speaker 1: go down as is a classic. Can I make one prediction? Yes, 996 01:01:47,000 --> 01:01:50,080 Speaker 1: I got the New England Patriots not making the playoffs. 997 01:01:50,120 --> 01:01:53,600 Speaker 1: That's all I want to say. I have them making 998 01:01:53,600 --> 01:01:56,680 Speaker 1: the playoffs and and and making it to the super 999 01:01:56,680 --> 01:02:00,920 Speaker 1: Bowl barring any any major injuries. Now they're Guy gron Cowski. 1000 01:02:00,960 --> 01:02:03,240 Speaker 1: As we pointed out, he's not playing the first week, 1001 01:02:03,520 --> 01:02:06,360 Speaker 1: and they just announced it. He didn't get injured, they 1002 01:02:06,400 --> 01:02:08,280 Speaker 1: knew he wasn't gonna play. They just announced it the 1003 01:02:08,360 --> 01:02:16,360 Speaker 1: day before because Johnny Mumble lips Bell Belichick. Why Mr Belichick, 1004 01:02:18,480 --> 01:02:21,520 Speaker 1: huh huh. It's just it's a very valid question. I 1005 01:02:21,520 --> 01:02:25,640 Speaker 1: worked for ESPN, it's a very reputable sports news center. 1006 01:02:25,640 --> 01:02:29,400 Speaker 1: That's just our coor on um names. Hey fuck, I 1007 01:02:29,520 --> 01:02:32,480 Speaker 1: just asked you a simple question. Dick face, Hey asshole, 1008 01:02:33,040 --> 01:02:38,000 Speaker 1: d d disappointed dun Ski. That'll get his attention. That'll 1009 01:02:38,040 --> 01:02:44,040 Speaker 1: get your attention. Get on that mean street. Shit. Um, 1010 01:02:44,120 --> 01:02:46,840 Speaker 1: I don't know what this will be. The fantasy football 1011 01:02:46,880 --> 01:02:49,960 Speaker 1: follies will break down all the fantasy, all the football, 1012 01:02:51,120 --> 01:02:55,800 Speaker 1: all the guys I dropped, although I yellowing all the 1013 01:02:55,800 --> 01:02:57,680 Speaker 1: guys that chose to take a knee. I'm gonna have 1014 01:02:57,760 --> 01:03:00,920 Speaker 1: my my saying that too. You shows to take a knee, 1015 01:03:01,000 --> 01:03:04,040 Speaker 1: that's that's your point of view. I chose to. I 1016 01:03:04,120 --> 01:03:06,760 Speaker 1: hellow you, that's that's my point. It's it's America. We 1017 01:03:06,760 --> 01:03:09,840 Speaker 1: can do whatever we want and with respect to one another. 1018 01:03:09,880 --> 01:03:13,560 Speaker 1: And anybody that got a problem with any of the ship. 1019 01:03:13,600 --> 01:03:16,160 Speaker 1: I'm a culture vulture. Any of that. Any of that's they, 1020 01:03:16,400 --> 01:03:20,080 Speaker 1: that's slick. Ship you you you uber, get on a uber, 1021 01:03:20,920 --> 01:03:25,200 Speaker 1: go to fifteen sixties New York and you ask about me, 1022 01:03:26,080 --> 01:03:28,360 Speaker 1: and then hopefully the uber will stay there for you 1023 01:03:28,400 --> 01:03:32,280 Speaker 1: because you might not get it back. The Iron Wrap 1024 01:03:32,320 --> 01:03:37,120 Speaker 1: Ports stereo podcast coming live and direct from the gloom 1025 01:03:37,120 --> 01:03:42,960 Speaker 1: Tomb of New York City. Another heat seeking podcasting missile. 1026 01:03:43,000 --> 01:03:47,680 Speaker 1: I want to make a request ship miles layout and 1027 01:03:47,760 --> 01:03:51,960 Speaker 1: let the drummer go and give me sticks. You know 1028 01:03:52,000 --> 01:03:54,840 Speaker 1: you want to hear live drumming because we uh. We 1029 01:03:54,920 --> 01:03:57,720 Speaker 1: listened to a lot of this ship with the drum machines, 1030 01:03:57,760 --> 01:04:02,120 Speaker 1: and it has it's it's plastic, it sounds plastic. So mius, 1031 01:04:02,560 --> 01:04:05,840 Speaker 1: there's some ship I made called sticks layout and let 1032 01:04:05,840 --> 01:04:07,880 Speaker 1: the drummer go. Turn it up just a little bit 1033 01:04:07,920 --> 01:04:10,600 Speaker 1: for the people, a little bit louder. Some some some, 1034 01:04:10,600 --> 01:04:13,040 Speaker 1: some people they might want it a little lower for 1035 01:04:13,160 --> 01:04:15,840 Speaker 1: other people. Like to give them the versatility to hear 1036 01:04:15,880 --> 01:04:17,520 Speaker 1: it in their headphones, because I imagine most of the 1037 01:04:17,520 --> 01:04:20,560 Speaker 1: people listen to the Iron Rapports stereo podcast in their headphones. 1038 01:04:20,720 --> 01:04:23,680 Speaker 1: Shout out to all the people on Twitter and Instagram 1039 01:04:23,880 --> 01:04:26,720 Speaker 1: that say they love listening to us at work. We 1040 01:04:26,800 --> 01:04:29,520 Speaker 1: get all of it. You see us. We respond to 1041 01:04:29,640 --> 01:04:33,240 Speaker 1: almost everything we can see, Iron wrap port, serio podcasts. 1042 01:04:33,240 --> 01:04:38,680 Speaker 1: We're finally done.