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Speaker 2: My graduates from my school being forced bad drop b Drop,

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Speaker 2: Mike Drop, bad drop drop.

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Speaker 3: But you know we grew up on the music Man

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Speaker 3: and our guest today Bounty Killer, one of the most

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Speaker 3: iconic performers legendary Bounty Killer.

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Speaker 4: He wasn't gonna do I can go. So you know,

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Speaker 4: we grew up listening to so much music.

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Speaker 3: So when we came here to interview you, saying both

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Speaker 3: that was iconic within itself was one of the greatest

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Speaker 3: athletes of all time, and shout I got Alice good

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Speaker 3: energy and shout to Safari.

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Speaker 4: They put it together. They're like, yo, you want to

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Speaker 4: I said it wrong? Yeah, I bet get it right

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Speaker 4: the bosses.

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Speaker 3: The bosses spoke, so they set it up. So shout

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Speaker 3: out to the whole team, and shout out to Donnie

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Speaker 3: ken Up of being extremely generous for his time.

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Speaker 4: But then the day noticed agreed to doing it and

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Speaker 4: we right here shout out to Screechy. Screechy Screech is

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Speaker 4: my brother. I want a huge support.

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Speaker 5: Okay, he's rooting for me, so you know, and then

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Speaker 5: he knows the old connection of you and the music

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Speaker 5: and growing up, so you know how much it meant

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Speaker 5: so to me. And then I saw baby Sham last

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Speaker 5: night what was doing in the day, So you know,

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Speaker 5: skame one full circle. He's the perfect thing to.

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Speaker 6: How more legendary could this trip be after the night

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Speaker 6: after the fact, So thank you for joining us for

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Speaker 6: I appreciate it.

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Speaker 5: You welcome and I'm not being tough, be here representing

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Speaker 5: for the music and culture appreciate.

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Speaker 3: So let's jump into the So you call yourself the

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Speaker 3: poor people's governor, Oh what.

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Speaker 4: Makes you champion that? Like? What makes you take that title?

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Speaker 5: Well, I'm a poor person child. My parents came from

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Speaker 5: humble beginning. I'm from the ghetto as well, just like

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Speaker 5: all these struggling kids out yea, I was one of

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Speaker 5: them on the road, not knowing where the next men

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Speaker 5: coming from.

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Speaker 4: So I lived that life after poor people.

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Speaker 5: So when I came to and I start first, I

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Speaker 5: started off, it was really singing about when I was

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Speaker 5: a user, lived on the gully. I used to wear weapons.

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Speaker 5: I could I see my buddy and person that far

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Speaker 5: from me. So so I was singing about my struggle.

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Speaker 5: And then when I reached the studio and I said,

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Speaker 5: don't the goali and them suffering.

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Speaker 4: They never want to hear that.

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Speaker 5: So when I said the work place, my shop, so

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Speaker 5: I thought that was the thing to sing about, you know,

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Speaker 5: put don bully all these things. So till I burst

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Speaker 5: now and the agricultural artists, like God itself can Lucian

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Speaker 5: that there was denouncing the guns songs. They was trying

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Speaker 5: to get the nation to sing more cultural music. So

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Speaker 5: they said they're not sharing stage with the men who

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Speaker 5: were endorsing on music. And I know that this wasn't

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Speaker 5: really exactly what I learned to.

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Speaker 4: Do in music.

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Speaker 5: The first central music I was singing about was roots

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Speaker 5: and culture and suffering and the poverty.

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Speaker 4: So I just go back and said, okay.

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Speaker 5: They said they want roots, reality and culture ruts reality,

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Speaker 5: your culture, long time me of it? You were, And

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Speaker 5: then I started to say, the Lord, here's my my salvation.

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Speaker 5: How much she's not you know, good mood? And then no,

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Speaker 5: I didn't want the poor people fed up? So when

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Speaker 5: I did that one though, that was like one of

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Speaker 5: my first real monster of social commentary, and like, don't

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Speaker 5: navigate to on all those before, but the poor people

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Speaker 5: fed up.

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Speaker 4: One it was banned.

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Speaker 5: So you know, when they band songs, it gets more

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Speaker 5: attention and it cous controversy, so the some even get

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Speaker 5: the cause you came. Band music became a lockdown music.

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Speaker 5: Music is in the air, so it just made the

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Speaker 5: sound bigger. And in the intronal, I said, this is

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Speaker 5: Rodney Price. Poor people.

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Speaker 4: Governor is just a a term to myself.

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Speaker 5: This is right the price, poor people Governor, and from

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Speaker 5: I said that in that song nineteen ninety five, the

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Speaker 5: people kept calling me that, So it's a title that

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Speaker 5: I took upon myself. But the people and dust it is.

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Speaker 5: The people kept saying poor people governor, poor people governor.

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Speaker 5: And then know, I'm always involved in charities and helping

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Speaker 5: back young artists and doing bad things for the country

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Speaker 5: and the people whenever I can know ohever I can.

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Speaker 5: So the people see me as a champion for them,

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Speaker 5: and I love that idea of championing for the people.

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Speaker 4: For the people is who made me.

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Speaker 5: That's why I'm always in Jamaica, because I'm just this

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Speaker 5: Jamaican who rooted in this country and in this culture.

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Speaker 5: And I have to stay awake and watch over the people.

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Speaker 5: Got the people struggling like is my So that's what

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Speaker 5: the world poor people government thing sticks. And I kept

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Speaker 5: singing looking through my eyes and any time, and I

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Speaker 5: continue to do social commentary. And I became a legend

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Speaker 5: in that singing for the people, the voice of the viceless,

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Speaker 5: born as a sufferer, as a sufferer, all of those

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Speaker 5: music get the dictionary.

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Speaker 4: So that's what made them up. Poor people government. We

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Speaker 4: see a lot of poverty, unfortunately in Jamaica and a

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Speaker 4: lot of different islands.

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Speaker 3: What do you think can be so solutions to raise

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Speaker 3: people out of poverty and not have so much poverty

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Speaker 3: which leads to violence, which leads to.

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Speaker 4: A whole other different things.

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Speaker 5: Well, I think most of the countries they are trying

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Speaker 5: to build from the top, and you can't be the

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Speaker 5: house from the roof. You gotta help the common man

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Speaker 5: and the common woman. And I don't think the government

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Speaker 5: trying to change their situation. They are trying to help

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Speaker 5: their situations, like you're trying to help me in the

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Speaker 5: situation that I am, instead of trying to help me out.

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Speaker 5: So they will assist you to go from one point

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Speaker 5: to another in your situation, but they are not helping

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Speaker 5: you to get out out of it. So the people

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Speaker 5: have to think of self reliance because there won't ever

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Speaker 5: be a day when the government's gonna look out for

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Speaker 5: everybody that don't go like no, it's never gonna be

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Speaker 5: like that, And they have to have the unfortunate ones

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Speaker 5: to make they think like they can help them to

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Speaker 5: be fortunate.

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Speaker 4: That's how politics work.

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Speaker 5: When everybody get fortunate for politics, I don't want to

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Speaker 5: hear from politician. I got my houseman, I'm my job,

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Speaker 5: my family. But when you don't have all of these things,

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Speaker 5: they comments fundamentally, I can give you all and then

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Speaker 5: through your fucking situation, you're listen. I used to listen. No,

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Speaker 5: I have no fucking interests, But when I was in

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Speaker 5: the situation like there other people and suffering ones, I

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Speaker 5: used to listen, and I used to believe that might

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Speaker 5: be there would be open I know, I can't see.

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Speaker 5: There won't be no upcoming from those people. Cardier jobs

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Speaker 5: is to make you feel like they will be hope.

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Speaker 5: But they're not green nor and that is for the openings.

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Speaker 5: When there is no openess, they have nobody to apply

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Speaker 5: and to treat and food. So they need poor people.

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Speaker 5: So they create them and they're motivated and cultivates them.

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Speaker 5: And then if you're not smart enough to know that

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Speaker 5: they are creating you to be like this, you would

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Speaker 5: be stuck.

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Speaker 4: One of the things you said is that you're from Jamaica.

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Speaker 6: You never left Jamaica, but my family is from a

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Speaker 6: generation was like, let's leave Jamaica and find success in America.

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Speaker 6: We find now that more artists, more people of argued

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Speaker 6: and even business men and women have achieved success that

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Speaker 6: staying here and try.

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Speaker 4: To uplift the island, develop the island more so.

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Speaker 5: Yeah, because back in the day there weren't so much

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Speaker 5: opportunity and Jamaica wasn't looking so developed. So most of

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Speaker 5: the people used to migrate, even the artists when they

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Speaker 5: got their first to eat songs, they migrate and go

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Speaker 5: live overseas.

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Speaker 4: Well. In the nineties, things started to change.

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Speaker 5: Jamaica started develop and tourism and most things start to

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Speaker 5: get better, and we got great visiting capacity and then

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Speaker 5: we have big concerts, festival, some fests and steam. We

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Speaker 5: used to have everything in the nineties. He used to

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Speaker 5: have some Splash and some Face, both of them plus sting.

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Speaker 5: He used to be in Kingstone, then it was in

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Speaker 5: manticob a few days after. They used to have Championing

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Speaker 5: Action fully loaded. He used to have so much concerts

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Speaker 5: and Jamaica was booming in the nineties. So that's when

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Speaker 5: I came up. So I never have no interest to leave.

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Speaker 5: And then I was rooted with the people and I

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Speaker 5: see it like abomination or sellout. If I should burst

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Speaker 5: in Jamaica and then go live overseas, I don't. I

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Speaker 5: don't like that idea. If there is a situation where

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Speaker 5: I have to do it, then it's different. But for

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Speaker 5: me to us like, okay, America looks looking better now

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Speaker 5: because I'm a superstar.

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Speaker 4: No, I can't do that.

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Speaker 5: And then the climate and the food and the culture

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Speaker 5: and the freedom in Jamaica, I don't know. No, I

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Speaker 5: don't want to grow nowhere. I like this little place.

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Speaker 5: Jamaica is a little paradise. I don't know if everybody

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Speaker 5: discovered that. For me, it seems like so when you're

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Speaker 5: making the music in the early nineties. We grew up

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Speaker 5: in the nineties.

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Speaker 6: Yeah, when you're making the music you're making, are you

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Speaker 6: making it authentically for the dance old cloud here or

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Speaker 6: are you getting pressure to say, you know what, I

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Speaker 6: need to make a hit that can cross over non

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Speaker 6: to nationally.

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Speaker 5: You're making When I was making music in the early nineties,

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Speaker 5: when I'm just coming, it was routed straight Jamaica and

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Speaker 5: talk and slam. You have no idea what's going on

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Speaker 5: overseas because when I was growing up and learning music,

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Speaker 5: there weren't no cable, there weren't no hinternet, and I

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Speaker 5: never used to travel as a boy, and none of

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Speaker 5: my family never used to travel, so I have no

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Speaker 5: idea what's going on overseas. I'm authentically rooted in Jamaican

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Speaker 5: culture and heritage, so everything I was saying was a

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Speaker 5: street for.

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Speaker 4: Me and Jamaica.

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Speaker 5: And I never know that the world was gonna get

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Speaker 5: aware of Man Candida, even though I was gonna purs overseas.

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Speaker 4: I was just trying to conquer Jamaica.

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Speaker 5: So when the music gets out in the world and

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Speaker 5: then fan base start to build, that's when I start

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Speaker 5: to cansder Way. You got to make the music global,

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Speaker 5: making things that relatable, and then know what I sing

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Speaker 5: about is people struggle, and it's not only Jamaican struggle.

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Speaker 5: People struggle all over banners and sufferer is not only

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Speaker 5: Jamaican people, So it's not only African people. So you

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Speaker 5: understand Indians, of the Chinese, of for white people, so

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Speaker 5: you know all types of people.

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Speaker 4: So might be black people so for more. But in

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Speaker 4: every nation there is some struggling people.

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Speaker 5: So I kept singing about, singing about the things that

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Speaker 5: people live and as for down't in the get up

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Speaker 5: where people fed up.

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Speaker 4: Look into my eyes, tell me what you see, can

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Speaker 4: feel my pain? And my your enemy.

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Speaker 5: You understands so these things global and I wasn't even

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Speaker 5: thinking that the struggle is global. But after when I

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Speaker 5: get aware that my fan base got big, I realized, Okay,

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Speaker 5: it's really it's life. There's more people homes with struggle.

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Speaker 5: Only death is rest in peace. There is no live

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Speaker 5: in peace. We live in struggle and ups and down

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Speaker 5: and trial and triumphs, and that's life. And if you

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Speaker 5: don't want to go to nothing, that's lie and die.

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Speaker 5: But if you want life where you've got to bear

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Speaker 5: of struggles. And me think that struggle is strength because

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Speaker 5: the dominance that I have is my struggle making.

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Speaker 4: I can do it. I will adore.

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Speaker 6: When I talk, it makes me think of this land.

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Speaker 6: I think it pay Fiasco said struggle on another sound

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Speaker 6: that God loves you.

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Speaker 4: You're gonna put this children to come to me. And

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Speaker 4: that's all God know.

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Speaker 5: When you're faithful, when yourself and you don't curse him

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Speaker 5: and it's still all your faith and you still keep

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Speaker 5: your mirror and you're still standing with all your convictions

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Speaker 5: despite what you're going through, you are who you are.

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Speaker 5: And that's a true jump a Gemmy's that's a gemmy

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Speaker 5: and that's me despite what I've been through. I'm gonna

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Speaker 5: be me and I tell it as it is, and

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Speaker 5: I have nothing else to say, only that you I

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Speaker 5: can't tell all raighth shut them out.

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Speaker 3: So coming up, you know, industry and getting into music,

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Speaker 3: who was your education as far as learning the business?

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Speaker 3: Because I feel like a lot of creatives America to

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Speaker 3: make whatever they're talented, but they don't understand the business.

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Speaker 4: And it's a music business. A lot of people get

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Speaker 4: taken advantage of, get robbed. They don't have them. Yeah,

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Speaker 4: so how did you learn a bit? What's what's?

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Speaker 5: Well, We've been a lot, you know. You know, you

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Speaker 5: have to pay to learn. Sometimes you have to get

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Speaker 5: burned to learn. So I got burned to learn. So

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Speaker 5: all of them stuff, We've been through, all of them.

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Speaker 5: Most of us have been through that, especially we from

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Speaker 5: the nineties because today, you know, we are more aware

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Speaker 5: because we have Internet and we have YouTube, and we

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Speaker 5: have Google and we google all these information. Back in

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Speaker 5: the days, we never have access to those, and people

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Speaker 5: never used to try to edify artists about the business part.

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Speaker 5: They grew me in to be a good artist, but

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Speaker 5: not to be the businessman behind the artists. So I

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Speaker 5: signed bad contract before I allowed some of a publishing

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Speaker 5: all those things. But when I was coming up, I

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Speaker 5: aware that all of that was going to happen. But

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Speaker 5: what I think, I thought that I just want to

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Speaker 5: boss despite what they though I take from me. After

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Speaker 5: I burst, they can take back me from the world.

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Speaker 5: So it's just like I'm gonna pay an extra or

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Speaker 5: extra fee, you know, So I pay like an extra

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Speaker 5: percentage to get my break.

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Speaker 4: But I wasn't worried about that because I I was gonna.

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Speaker 5: Make it and I was going to stay, so I

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Speaker 5: will recoup back all day took away from me one day.

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Speaker 4: So it was really a rocky role.

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Speaker 5: You understand, a lot of people mess up, never paid

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Speaker 5: them jue, they never paid what rightful in mind, and

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Speaker 5: I started to learn it. So it is when I

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Speaker 5: started to manage myself because when I just came out,

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Speaker 5: my first remanagement team was pectualled, and that's with specialists

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Speaker 5: Shaba Rankin, Atra Mad Kober, Richie Stevens. Yeah, that was

295
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Speaker 5: the same management team that I went under, and I

296
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Speaker 5: wasn't getting the attention that I felt I should get.

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Speaker 5: And then the contract, as I said, was twisted. It

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Speaker 5: had record in publishing management. Everything tied up in one

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Speaker 5: contract like a Bible contract was stick like this.

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Speaker 4: You understand, they don't do that. You guys gonna read it.

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Speaker 4: And then it gaven a.

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Speaker 5: Both attorney in it, so that was a big breach,

303
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Speaker 5: you understand. And then no, I never had an independent lawyer.

304
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Speaker 5: That sent me to the company's lawyer, so that was

305
00:16:13,320 --> 00:16:16,920
Speaker 5: their lawyer, not my lawyer, so he was on their payer.

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Speaker 5: And all of that was forbidding that was prohibited, so

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Speaker 5: at that of the contract easily, so I left the company.

308
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Speaker 5: So that was nineteen ninety nineteen ninety three to nineteen

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Speaker 5: ninety four ninety five, and then from nineteen ninety five.

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Speaker 4: I hadn't had official management. It it was just me

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Speaker 4: doing my thing. And then I had this woman named

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Speaker 4: Louise Fraser Bennett.

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Speaker 5: She she passed away mayor of Soul Rest in Peace,

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Speaker 5: lovely lady who helped me and she was the one

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Speaker 5: who really first started teaching me about the business, Louise

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Speaker 5: Phraser Bennett. So it was me independently managing myself and

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Speaker 5: people working for me has managed men, people more experienced

318
00:17:03,760 --> 00:17:08,040
Speaker 5: than I never had a manager, so I was always

319
00:17:08,240 --> 00:17:11,720
Speaker 5: getting a little information about the business because I was

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Speaker 5: taking care of my business.

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Speaker 4: And then I started to bring up Scare.

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Speaker 5: Them through nineteen ninety five ninety six, Scare Them who

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Speaker 5: came on the scene also, so I had to start

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00:17:22,240 --> 00:17:24,440
Speaker 5: to look out for their career and my career. So

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Speaker 5: it forced me to start taking up managerial process. So

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Speaker 5: that's how I started to learn more about the business

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Speaker 5: because I started to have careers in my hand with

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Speaker 5: doing myself. And then Sharon Burke, Me and Sharon Burke

329
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Speaker 5: Lincoln now nineteen ninety eight and then it was me,

330
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Speaker 5: Sharon Burke and Louise Farming a little management team independently.

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Speaker 5: People think that louis what my manager. People think that

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Speaker 5: Sharon what my manager. But they weren't really paid manager.

333
00:17:58,400 --> 00:18:02,159
Speaker 5: They were acting as manager. But it's not like I

334
00:18:02,320 --> 00:18:04,359
Speaker 5: was paying them as a manager. I was signed a

335
00:18:04,400 --> 00:18:07,359
Speaker 5: contract as a manager. But we are close friends, we

336
00:18:07,440 --> 00:18:10,440
Speaker 5: are like family, so they are a part of my team.

337
00:18:10,520 --> 00:18:14,080
Speaker 5: So they play these roles, you understands. So it was

338
00:18:14,200 --> 00:18:16,800
Speaker 5: nothing officially, but it was what's happening. They were playing

339
00:18:16,880 --> 00:18:20,240
Speaker 5: the management role because I never had an official manager.

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00:18:20,800 --> 00:18:25,200
Speaker 5: And that was from nineteen ninety five until like two

341
00:18:25,280 --> 00:18:30,359
Speaker 5: those and the sixteen it's like four years ago. Yeah,

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00:18:31,040 --> 00:18:36,640
Speaker 5: I officially apply a manager. Now that's all just come thanky.

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Speaker 5: He is from Spectamed too. He was my first road

344
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Speaker 5: manager when I went to Spectam nineteen ninety three, so

345
00:18:44,280 --> 00:18:47,399
Speaker 5: he's very experienced. And then he knows me when I

346
00:18:47,560 --> 00:18:50,000
Speaker 5: was a young star. He was the one who first

347
00:18:50,040 --> 00:18:52,240
Speaker 5: started grooming the first time I went on a plane.

348
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Speaker 5: He was the first one who signed up my farm

349
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Speaker 5: and said, well, this is first crass.

350
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Speaker 4: It's like a mentor. He understands.

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00:19:00,720 --> 00:19:03,200
Speaker 5: Despite me and the company for a lot back then,

352
00:19:04,000 --> 00:19:06,800
Speaker 5: we still did have good relationships. We're still friends because

353
00:19:06,880 --> 00:19:10,040
Speaker 5: me especially still friends. Me and May was still friends

354
00:19:10,080 --> 00:19:12,800
Speaker 5: because it wasn't no animosities. Was just a case where

355
00:19:13,280 --> 00:19:16,119
Speaker 5: this wasn't right and this wasn't done properly. So you

356
00:19:16,240 --> 00:19:19,600
Speaker 5: know what, I'm going to book it. And then I

357
00:19:19,840 --> 00:19:24,520
Speaker 5: was kind of overshadowed by Shower Patra cool bro We

358
00:19:24,720 --> 00:19:28,160
Speaker 5: to seeing all these people that beg international success at

359
00:19:28,240 --> 00:19:30,840
Speaker 5: the time, and I was on the merge.

360
00:19:31,160 --> 00:19:34,480
Speaker 4: But I wasn't on the level as them. So you know,

361
00:19:34,880 --> 00:19:38,560
Speaker 4: I'm like, look a fishing water or something. Yeah, So

362
00:19:38,920 --> 00:19:40,760
Speaker 4: I wasn't getting that full attention.

363
00:19:40,560 --> 00:19:43,399
Speaker 5: And I was on the verge to merge, so I

364
00:19:43,680 --> 00:19:47,320
Speaker 5: needed that attention now to make my fucking mark.

365
00:19:48,200 --> 00:19:50,160
Speaker 4: You understand that there wasn't seeing the wave coming.

366
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Speaker 5: So it's when I leave nineteen ninety four, ninety five,

367
00:19:53,920 --> 00:19:57,720
Speaker 5: ninety six, and I put out my Experience album. When

368
00:19:57,760 --> 00:20:00,840
Speaker 5: I went to New York, Johnny One, Me and Johnny

369
00:20:00,880 --> 00:20:03,600
Speaker 5: one the apartment. So it was me and Johnny Wander

370
00:20:03,640 --> 00:20:06,879
Speaker 5: and Louise Fraser, Bennett and Sharon Burke, all of us

371
00:20:06,920 --> 00:20:08,800
Speaker 5: together about money.

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00:20:08,840 --> 00:20:09,320
Speaker 4: G T.

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00:20:10,000 --> 00:20:11,920
Speaker 5: Johnny One that became the head of it because he

374
00:20:12,200 --> 00:20:15,720
Speaker 5: was more experiencing and distribution, and he got me asked

375
00:20:16,280 --> 00:20:21,119
Speaker 5: a labor deal with TVT Records, and between tv T

376
00:20:21,240 --> 00:20:24,760
Speaker 5: and TVT that's little John No that songs they had

377
00:20:24,800 --> 00:20:25,680
Speaker 5: nothing John label.

378
00:20:27,280 --> 00:20:32,760
Speaker 4: Yeah, that was a label came. Yeah. Yeah, it was

379
00:20:32,880 --> 00:20:37,320
Speaker 4: on tv T. Yeah, tv T toombs. Yeah, that big label.

380
00:20:37,440 --> 00:20:39,879
Speaker 6: That's not because you're saying ninety five and I keep

381
00:20:39,920 --> 00:20:42,000
Speaker 6: hearing ninety five and I'm feeling like, right after ninety

382
00:20:42,080 --> 00:20:44,359
Speaker 6: five is when you're out of here.

383
00:20:44,800 --> 00:20:47,360
Speaker 4: Yeah, they emerged. Yeah, that's when we emerged. Came We're

384
00:20:47,400 --> 00:20:48,640
Speaker 4: hearing you in New York radio.

385
00:20:48,920 --> 00:20:51,720
Speaker 5: Yeah, that's when I get the reburse nineteen ninety five,

386
00:20:51,920 --> 00:20:53,919
Speaker 5: ninety six right in there. And one of the other

387
00:20:54,000 --> 00:20:58,919
Speaker 5: things is that Silllar phone sound excuse Boss Maziella La

388
00:20:59,040 --> 00:21:01,080
Speaker 5: phone that was a buzz in.

389
00:21:01,119 --> 00:21:07,840
Speaker 4: New York and shook one part to remix y. Yeah,

390
00:21:07,920 --> 00:21:12,960
Speaker 4: Bobby Bobby them started playing that at ninety seven. Babbie Trends, bab.

391
00:21:13,359 --> 00:21:19,320
Speaker 5: Bobby, Bobbie Condors, Ready Alert and David Levy, those people,

392
00:21:19,560 --> 00:21:22,600
Speaker 5: Gill Bailey, all of those people, the early people, rock

393
00:21:24,440 --> 00:21:26,840
Speaker 5: j Roy all of those people, dub Master, all those

394
00:21:26,880 --> 00:21:31,120
Speaker 5: people was pumping the Bounty Killer. That was the evolution

395
00:21:31,280 --> 00:21:35,560
Speaker 5: and king of the song now came in the mix Lockdown, Brooklyn,

396
00:21:36,359 --> 00:21:40,160
Speaker 5: every Son System dead when they turned on the bound

397
00:21:40,200 --> 00:21:45,600
Speaker 5: to Killer and then Johnny Wander up Foojis and then

398
00:21:45,840 --> 00:21:48,280
Speaker 5: Bobbie Kander remixed the suicide and.

399
00:21:48,359 --> 00:21:54,200
Speaker 4: Murder with Jarrold the Damager. Maybe he is in the

400
00:21:54,280 --> 00:22:01,359
Speaker 4: house Summer three see as much right there.

401
00:22:01,480 --> 00:22:04,159
Speaker 5: So right there was the evolution of Bounty Killer in

402
00:22:04,320 --> 00:22:06,800
Speaker 5: New York. When I come with that Fujie ship and

403
00:22:06,880 --> 00:22:10,600
Speaker 5: that suicide murder and then nineteen ninety eight, no, when

404
00:22:10,640 --> 00:22:13,200
Speaker 5: I get that fucking mob deep ship, it's over.

405
00:22:14,720 --> 00:22:17,960
Speaker 4: Then his own ship war zone, it becoming.

406
00:22:19,480 --> 00:22:22,959
Speaker 6: So that that relationship mob deep leads to the other

407
00:22:23,000 --> 00:22:25,080
Speaker 6: relationships because like, you're one of the first guys to

408
00:22:25,720 --> 00:22:27,879
Speaker 6: really cross over with hip hop artists.

409
00:22:28,040 --> 00:22:32,199
Speaker 5: That because I was watching super Cat, I was watching

410
00:22:32,960 --> 00:22:35,480
Speaker 5: Chaperons and Kiras One, and I like, who will merge

411
00:22:35,520 --> 00:22:38,439
Speaker 5: after culture? And I was saying, Yeah, this is exactly

412
00:22:38,520 --> 00:22:40,159
Speaker 5: what I want to do. And then we say shining

413
00:22:40,240 --> 00:22:44,359
Speaker 5: and we say heavy d. Let's say, y'all exactly that

414
00:22:44,520 --> 00:22:46,199
Speaker 5: I want to do. And then when I woke up

415
00:22:46,200 --> 00:22:48,240
Speaker 5: with Johnny Wonder, no, he was a hip hop ahead

416
00:22:48,760 --> 00:22:52,680
Speaker 5: from Brooklyn, and then he's telling me about discournym Harry

417
00:22:52,760 --> 00:22:56,119
Speaker 5: Neil them. I never even know about the Fuji's. It

418
00:22:56,240 --> 00:22:58,879
Speaker 5: was Johnny Wonder. We know about learning and because she

419
00:22:59,000 --> 00:23:01,160
Speaker 5: was in the movie, so we know about this nice

420
00:23:01,280 --> 00:23:02,119
Speaker 5: vocal and everything.

421
00:23:02,200 --> 00:23:03,040
Speaker 4: So it was Johnny One.

422
00:23:03,040 --> 00:23:05,440
Speaker 5: They're telling me about that if we get around a

423
00:23:05,520 --> 00:23:09,600
Speaker 5: hook because we know the park work wasn't so popular,

424
00:23:10,200 --> 00:23:11,480
Speaker 5: so we wanted songs.

425
00:23:11,240 --> 00:23:16,120
Speaker 4: With hook or a rapper to do that American ship

426
00:23:16,160 --> 00:23:19,400
Speaker 4: and then we do the yard. Yeah.

427
00:23:19,560 --> 00:23:21,240
Speaker 5: So they said we're going to check Larry and we

428
00:23:21,320 --> 00:23:23,720
Speaker 5: went over there and then that's when I met White

429
00:23:23,720 --> 00:23:26,760
Speaker 5: Cliff and then he was more excited now because he

430
00:23:26,960 --> 00:23:30,320
Speaker 5: was in the reggae ship than Larry He said, what

431
00:23:30,480 --> 00:23:33,040
Speaker 5: about we're all going to be on the track because

432
00:23:33,080 --> 00:23:34,960
Speaker 5: it was really a Larryl trap we went to do,

433
00:23:35,800 --> 00:23:37,760
Speaker 5: and White Cliff instances, No, it's going to be a

434
00:23:37,920 --> 00:23:39,480
Speaker 5: foogie Bounty killer track.

435
00:23:40,320 --> 00:23:42,760
Speaker 4: That's all. We end up with the Old Tree, Foogies

436
00:23:42,760 --> 00:23:44,560
Speaker 4: and a sound because nobody never got that.

437
00:23:44,800 --> 00:23:50,280
Speaker 5: That's the only song featured the Old Fee There's nobody

438
00:23:50,359 --> 00:23:52,640
Speaker 5: got a feature from Fogies with the old group.

439
00:23:53,320 --> 00:23:55,320
Speaker 4: If about the history, this is the height of that.

440
00:23:55,480 --> 00:23:59,200
Speaker 5: It's the only feature the Foogies does that, the whole

441
00:23:59,280 --> 00:24:00,159
Speaker 5: tree at the miss it.

442
00:24:01,440 --> 00:24:04,480
Speaker 4: I was blessed and I never went for that. I

443
00:24:04,600 --> 00:24:06,639
Speaker 4: could not pay for that. We never paid for that.

444
00:24:07,000 --> 00:24:08,200
Speaker 4: The label came afore that.

445
00:24:08,880 --> 00:24:11,760
Speaker 5: It was nineteen ninety six and when they just tracked

446
00:24:11,840 --> 00:24:15,080
Speaker 5: this course the biggest group in the world.

447
00:24:17,240 --> 00:24:20,440
Speaker 4: So it was just the love and the old passion

448
00:24:20,520 --> 00:24:21,480
Speaker 4: there for dancer.

449
00:24:21,840 --> 00:24:24,200
Speaker 5: Why I got that tracking them because I couldn't play

450
00:24:24,200 --> 00:24:27,080
Speaker 5: it there. They was on top of the world. When

451
00:24:27,119 --> 00:24:30,000
Speaker 5: you go there and say they do collaboration, they could

452
00:24:30,000 --> 00:24:32,200
Speaker 5: have run me out of the place where they said, oh, shit.

453
00:24:32,960 --> 00:24:37,200
Speaker 5: If you listen to Injel White him said he was

454
00:24:37,320 --> 00:24:42,600
Speaker 5: so fucking inelection. That's why he sung that fucking wicked hook.

455
00:24:43,080 --> 00:24:45,159
Speaker 5: Everybody go harder on the track. If you listen to

456
00:24:45,160 --> 00:24:48,080
Speaker 5: the track, it's one of the hardiest featured they ever

457
00:24:48,160 --> 00:24:52,560
Speaker 5: did it, and it came naturally. Everybody was, yes, they

458
00:24:52,720 --> 00:24:55,000
Speaker 5: know this was gonna make a mark in the culture.

459
00:24:55,760 --> 00:24:57,879
Speaker 5: That's why I end up with a mom and the

460
00:24:57,960 --> 00:24:59,360
Speaker 5: well they all appear.

461
00:24:59,080 --> 00:25:02,440
Speaker 4: In the video to top it off, Just top it off.

462
00:25:04,440 --> 00:25:08,040
Speaker 4: That's about the culture. That's not how there.

463
00:25:08,119 --> 00:25:10,560
Speaker 3: Let me ask you this about the culture, Like Jamaican's

464
00:25:10,680 --> 00:25:14,240
Speaker 3: influence has been transported all over the world.

465
00:25:14,400 --> 00:25:16,280
Speaker 4: Like I used to live in Hawaii and it was crazy.

466
00:25:16,320 --> 00:25:18,600
Speaker 3: I would see they were listening to Bob Marley and

467
00:25:18,680 --> 00:25:22,560
Speaker 3: Ziggy mally white people with dreadlocks and rastafaras like I'm like,

468
00:25:23,160 --> 00:25:26,199
Speaker 3: and of course in New York and Canada and Europe.

469
00:25:26,960 --> 00:25:29,959
Speaker 3: But how do you feel about that, because a lot

470
00:25:29,960 --> 00:25:32,439
Speaker 3: of people have said that the same thing with hip

471
00:25:32,440 --> 00:25:35,160
Speaker 3: hop culture. The culture has been exported, but the people

472
00:25:35,200 --> 00:25:37,399
Speaker 3: that started the culture hasn't really capitalized on it.

473
00:25:37,520 --> 00:25:42,440
Speaker 5: They haven't really really being wrong people to be influenced

474
00:25:42,440 --> 00:25:43,080
Speaker 5: by the culture.

475
00:25:43,680 --> 00:25:44,400
Speaker 4: That's all fun.

476
00:25:44,960 --> 00:25:46,640
Speaker 5: You are the one who put your culture to the world,

477
00:25:46,680 --> 00:25:48,280
Speaker 5: and then then people like it. They're gonna call them

478
00:25:48,320 --> 00:25:51,040
Speaker 5: culture fulature. Are you gonna say they don't give you

479
00:25:51,280 --> 00:25:54,639
Speaker 5: no respect? That's not their problem. You are the one

480
00:25:54,720 --> 00:25:57,159
Speaker 5: to make them know that you are the curatio mhm.

481
00:25:57,920 --> 00:25:59,320
Speaker 4: When when when things screen.

482
00:25:59,200 --> 00:26:01,640
Speaker 5: Them put in the world. I want to find the inventor.

483
00:26:02,040 --> 00:26:04,280
Speaker 5: The inventor is supposed to pattern is things and put

484
00:26:04,359 --> 00:26:05,280
Speaker 5: it out in the world.

485
00:26:05,920 --> 00:26:08,720
Speaker 4: You understand. I like good things, and I saw good things.

486
00:26:08,760 --> 00:26:10,359
Speaker 4: I supposed to find out to create it.

487
00:26:11,000 --> 00:26:15,200
Speaker 5: No, I'm finding out though you enjoy its problem.

488
00:26:15,840 --> 00:26:16,359
Speaker 4: You understand.

489
00:26:16,440 --> 00:26:18,760
Speaker 5: So as you say, they are the one who's supposed

490
00:26:18,760 --> 00:26:21,200
Speaker 5: to claim their culture and let it know that this

491
00:26:21,359 --> 00:26:23,840
Speaker 5: is our culture. But you're not supposed to have any

492
00:26:23,880 --> 00:26:26,359
Speaker 5: problem with people loving the culture. And if the culture

493
00:26:26,480 --> 00:26:29,840
Speaker 5: is attractive, people will love it and they should love it.

494
00:26:30,280 --> 00:26:32,320
Speaker 5: And when people love their culture, it makes me feel

495
00:26:32,320 --> 00:26:34,560
Speaker 5: that they're loving me. I don't know about nobody else,

496
00:26:35,000 --> 00:26:38,160
Speaker 5: but I see people love in Jamaican culture. I feel

497
00:26:38,240 --> 00:26:40,920
Speaker 5: like they're loving a part of me. So it makes

498
00:26:41,000 --> 00:26:43,840
Speaker 5: me feel acceptable and feel loved.

499
00:26:44,080 --> 00:26:46,320
Speaker 4: So I love it. I have no problem with it.

500
00:26:46,400 --> 00:26:48,880
Speaker 4: I want the culture to be so all over the world.

501
00:26:49,400 --> 00:26:51,640
Speaker 6: So go back to the music for a sec because

502
00:26:51,640 --> 00:26:54,359
Speaker 6: we're talking about culture and crossing cultures. Two til you

503
00:26:54,400 --> 00:26:57,720
Speaker 6: do the song with No Doubt. Yeah, hey day, that's

504
00:26:57,800 --> 00:26:59,920
Speaker 6: my biggest, biggest record is the career?

505
00:27:00,280 --> 00:27:03,480
Speaker 4: A Grammy award? Yeah? What was that moment? Like going

506
00:27:03,560 --> 00:27:06,800
Speaker 4: from the young man who was singing about born as

507
00:27:06,840 --> 00:27:12,159
Speaker 4: a sophomore? Yeah, the super Bowl? Yo, No, that was electrified.

508
00:27:12,280 --> 00:27:14,960
Speaker 4: You know, let's let's talk about it. What was that?

509
00:27:15,480 --> 00:27:17,880
Speaker 5: That was the moment that I know that, Yeah, I'm

510
00:27:17,880 --> 00:27:20,359
Speaker 5: a superstar now, you know, at the moment I know

511
00:27:20,440 --> 00:27:21,440
Speaker 5: I'm really superstar.

512
00:27:21,480 --> 00:27:23,680
Speaker 4: I know I was a star, but I became a

513
00:27:23,760 --> 00:27:24,920
Speaker 4: superstar right there.

514
00:27:25,720 --> 00:27:30,200
Speaker 5: Two moon Man, MTV Award, Grammy Award, Top of the

515
00:27:30,240 --> 00:27:35,280
Speaker 5: Pops in London, super Bowl, Yeah, you're right, that's that's

516
00:27:35,359 --> 00:27:37,000
Speaker 5: the big league right up there.

517
00:27:37,480 --> 00:27:40,760
Speaker 4: Yeah. So that was really the epitome of my career

518
00:27:41,520 --> 00:27:43,399
Speaker 4: in my head so far.

519
00:27:44,160 --> 00:27:46,920
Speaker 5: Yeah, and I hope to do more and better, but

520
00:27:47,200 --> 00:27:51,200
Speaker 5: that was the best moment being on the super Bowl

521
00:27:51,280 --> 00:27:51,800
Speaker 5: or rocking it.

522
00:27:52,920 --> 00:27:57,879
Speaker 4: Yeah, that's the nicest station right now. So how was that?

523
00:27:57,960 --> 00:28:00,520
Speaker 3: I mean, we never interviewed by this performance superb How

524
00:28:00,840 --> 00:28:03,160
Speaker 3: what's the feeling like that's the biggest stage in the world,

525
00:28:03,160 --> 00:28:05,600
Speaker 3: one hundred million people watching, sixty thousand people know I'm.

526
00:28:05,520 --> 00:28:08,399
Speaker 4: Telling what was not. I never know what the fuck

527
00:28:08,480 --> 00:28:10,000
Speaker 4: it were. Didn't even know what it was. You know

528
00:28:10,000 --> 00:28:10,320
Speaker 4: what it was.

529
00:28:10,400 --> 00:28:13,480
Speaker 5: I know it was super but you oh big that

530
00:28:13,640 --> 00:28:17,600
Speaker 5: ship work. I never read that, assess it and process

531
00:28:17,680 --> 00:28:19,119
Speaker 5: it because stead it was.

532
00:28:21,119 --> 00:28:23,560
Speaker 4: I wasn't gonna go. How do they get you back?

533
00:28:24,080 --> 00:28:26,760
Speaker 7: What do they say? It's like, look, this is this moment.

534
00:28:26,920 --> 00:28:27,960
Speaker 7: You need to be a part of. This is the

535
00:28:27,960 --> 00:28:30,600
Speaker 7: biggest song in the world. It was doing the American

536
00:28:30,840 --> 00:28:37,399
Speaker 7: Music Award. I declined, They was doing some other shows.

537
00:28:38,000 --> 00:28:44,960
Speaker 7: I declined, everything may decline upset my mond. Then I

538
00:28:45,080 --> 00:28:46,560
Speaker 7: have this friend named Julie.

539
00:28:46,600 --> 00:28:47,560
Speaker 4: I know it works. You know.

540
00:28:50,200 --> 00:28:56,160
Speaker 5: He was doing on convincing that Yo, there was once

541
00:28:57,880 --> 00:28:59,880
Speaker 5: how opportunity to like this cause one some part of

542
00:29:00,080 --> 00:29:08,480
Speaker 5: time in Dan s Yeah. He when that song was

543
00:29:08,520 --> 00:29:13,000
Speaker 5: at with Terror Fabulous and Nadine Saalan. Terror Fabulous was

544
00:29:13,040 --> 00:29:17,320
Speaker 5: on Delicious Viny label that was in the nineties, like

545
00:29:17,400 --> 00:29:20,959
Speaker 5: about ninety four ninety five, and they wanted Terror Fabulous

546
00:29:21,000 --> 00:29:22,840
Speaker 5: from the super Bowl with Nadine to come sing that

547
00:29:22,960 --> 00:29:25,120
Speaker 5: song and Terror follows.

548
00:29:24,800 --> 00:29:29,440
Speaker 4: Declined and they know because Terror fabulous carrier kind of fall.

549
00:29:29,320 --> 00:29:32,800
Speaker 5: From grace my friend and saying, hey, dog mind bad

550
00:29:32,840 --> 00:29:35,000
Speaker 5: looking on the last man forget that.

551
00:29:35,320 --> 00:29:39,080
Speaker 4: I'm gonna do it when they know, blah blah.

552
00:29:42,560 --> 00:29:46,080
Speaker 5: The next time, Yo, godham turn me a cable super Bowl.

553
00:29:46,240 --> 00:29:50,280
Speaker 5: Me thinks our football match match movie blood clock. We

554
00:29:50,320 --> 00:29:52,720
Speaker 5: came on a match rad even had the match of

555
00:29:52,800 --> 00:29:56,400
Speaker 5: the world listeno and the man convinced me and turning one.

556
00:29:56,480 --> 00:29:58,479
Speaker 5: But I said, you know, I'm bad, and I said yo,

557
00:30:00,000 --> 00:30:05,920
Speaker 5: And then this would have the middle super I gave

558
00:30:06,240 --> 00:30:10,000
Speaker 5: joy and bring up them something in my head. I

559
00:30:10,040 --> 00:30:11,240
Speaker 5: would say, all right, yo, we have.

560
00:30:11,240 --> 00:30:11,640
Speaker 4: Got to do it.

561
00:30:13,160 --> 00:30:16,680
Speaker 5: Jolie and band visits do it. Man, I said, all right,

562
00:30:16,760 --> 00:30:18,720
Speaker 5: we have got to do it, and may go do

563
00:30:18,800 --> 00:30:21,760
Speaker 5: it and go to the store with them. And then

564
00:30:22,560 --> 00:30:25,120
Speaker 5: when May I started then didn't missign one piece of something.

565
00:30:28,320 --> 00:30:31,880
Speaker 5: When men look it turned two page, like you know

566
00:30:31,960 --> 00:30:34,880
Speaker 5: when I released Farm. He turned through page and it

567
00:30:35,000 --> 00:30:37,360
Speaker 5: was a one page massigned. And on the next part,

568
00:30:37,400 --> 00:30:38,400
Speaker 5: I'm publishing on that but.

569
00:30:39,000 --> 00:30:41,000
Speaker 4: On head publishing take a publishing, yo.

570
00:30:41,360 --> 00:30:45,640
Speaker 5: The man turning something body Steve way more name did

571
00:30:45,680 --> 00:30:48,240
Speaker 5: boy on it not two pages when in Go for

572
00:30:48,360 --> 00:30:51,360
Speaker 5: Season and publishing the night, so it become a rif

573
00:30:52,080 --> 00:30:58,200
Speaker 5: big wire getting a publishing saying California at the twenty

574
00:30:58,280 --> 00:31:01,040
Speaker 5: five toes, I know and and I said no, I'm

575
00:31:02,360 --> 00:31:05,440
Speaker 5: go to court and all these things and I got

576
00:31:05,480 --> 00:31:10,560
Speaker 5: my facial But it was one big something from the

577
00:31:10,800 --> 00:31:15,600
Speaker 5: video to the publishing struggle. But we all would now.

578
00:31:17,080 --> 00:31:19,840
Speaker 3: Everybody to get the right after the super Bowl, Like

579
00:31:21,160 --> 00:31:23,640
Speaker 3: was it just crazy like the show, every your prices

580
00:31:23,720 --> 00:31:25,480
Speaker 3: increased everybody, Yeah, yeah.

581
00:31:25,320 --> 00:31:30,680
Speaker 5: You know, attentions and yeah everything you mentioned everything after

582
00:31:30,760 --> 00:31:33,480
Speaker 5: the super Bowl and getting the Grammy and that year

583
00:31:33,600 --> 00:31:37,080
Speaker 5: I nominated twice because I had my album released the

584
00:31:37,160 --> 00:31:40,719
Speaker 5: year also Get a Dictionary, that's my last recording album,

585
00:31:41,960 --> 00:31:45,360
Speaker 5: so it nominated in the reggae category to Get to

586
00:31:45,400 --> 00:31:47,920
Speaker 5: a Dictionary, and then I was in the pop category

587
00:31:47,960 --> 00:31:50,680
Speaker 5: with you know though, so it goes two category. I

588
00:31:50,840 --> 00:31:54,240
Speaker 5: was nominated at once and I'm the only journaic and

589
00:31:54,400 --> 00:31:58,840
Speaker 5: artist to ever nominated in two category on the same show.

590
00:32:00,360 --> 00:32:03,840
Speaker 5: So I won with no note in the pop category

591
00:32:03,920 --> 00:32:06,040
Speaker 5: and I lost the Lee Scratch Perry in the reggae

592
00:32:06,680 --> 00:32:09,880
Speaker 5: and if I did one too Grammy one no that

593
00:32:10,200 --> 00:32:11,000
Speaker 5: would be too much.

594
00:32:11,040 --> 00:32:15,080
Speaker 4: We can't manage to Grammy from one Grammy Shure knows

595
00:32:15,840 --> 00:32:16,840
Speaker 4: and they're like s but we go.

596
00:32:16,920 --> 00:32:22,720
Speaker 5: Back to back one gross nos do that too much, boy,

597
00:32:23,600 --> 00:32:25,920
Speaker 5: So I just want wind want to know. And then

598
00:32:26,240 --> 00:32:28,280
Speaker 5: Lease gotch very into the Grammy for the reggae. Who

599
00:32:28,400 --> 00:32:31,880
Speaker 5: is fearing one for one either way? Yeah, well that

600
00:32:32,080 --> 00:32:35,640
Speaker 5: was a great moment in my carrier. Still despite all

601
00:32:35,760 --> 00:32:40,040
Speaker 5: the indifferences that they had, and from the beginning of

602
00:32:40,200 --> 00:32:42,640
Speaker 5: making the song, it was a struggle Stille because when

603
00:32:42,680 --> 00:32:46,880
Speaker 5: they came the producers, it was like Rob, you called

604
00:32:46,920 --> 00:32:49,680
Speaker 5: me and said, Yo, no doubt is in the country

605
00:32:49,720 --> 00:32:51,320
Speaker 5: that they want to do a collaboration.

606
00:32:52,880 --> 00:32:57,560
Speaker 4: No DoD own him because then I don't know about

607
00:32:57,720 --> 00:33:02,680
Speaker 4: no note like that. I might air their name, but

608
00:33:02,800 --> 00:33:06,120
Speaker 4: I never know the music, guys. I'm not too interrupt.

609
00:33:06,200 --> 00:33:08,240
Speaker 4: Music like now. I listen it, but is not my

610
00:33:08,440 --> 00:33:10,240
Speaker 4: type of music like fantasy.

611
00:33:10,240 --> 00:33:13,280
Speaker 5: If they knowing the special artists in the Bi Papa

612
00:33:13,480 --> 00:33:15,600
Speaker 5: rock song, I will know it, but I won't go

613
00:33:15,760 --> 00:33:19,800
Speaker 5: search them. If them burst Big International and them come across,

614
00:33:20,200 --> 00:33:21,160
Speaker 5: we know them over here.

615
00:33:21,880 --> 00:33:24,320
Speaker 4: So I we heard the name.

616
00:33:26,320 --> 00:33:28,160
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617
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650
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651
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652
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Speaker 9: filming and selling child pornography in Michigan. These are just

653
00:35:32,520 --> 00:35:36,240
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654
00:35:36,320 --> 00:35:39,839
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655
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Speaker 9: Secretary of Homeland Security. Under President Trump, attempted illegal border

656
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Speaker 9: crossings are at the lowest levels ever recorded, and over

657
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Speaker 9: one hundred thousand illegal aliens have been arrested. If you

658
00:35:51,640 --> 00:35:55,439
Speaker 9: are here illegally your next you will be fined nearly

659
00:35:55,600 --> 00:35:59,520
Speaker 9: one thousand dollars a day, imprisoned, and deported. You will

660
00:35:59,600 --> 00:36:03,239
Speaker 9: never return. But if you register using our CBP home

661
00:36:03,320 --> 00:36:06,680
Speaker 9: app and leave now, you could be allowed to return legally.

662
00:36:07,080 --> 00:36:11,720
Speaker 9: Do what's right. Leave now under President Trump America's laws,

663
00:36:12,160 --> 00:36:13,880
Speaker 9: order and families.

664
00:36:13,600 --> 00:36:15,960
Speaker 4: Will be protected sponsored by the United States Department of

665
00:36:16,000 --> 00:36:16,600
Speaker 4: Home wand Security.

666
00:36:16,800 --> 00:36:19,279
Speaker 5: Never know thee status, so you know you gotta look

667
00:36:19,320 --> 00:36:23,520
Speaker 5: them up. Oh a big gool cool all right, ten

668
00:36:23,600 --> 00:36:24,080
Speaker 5: grand more?

669
00:36:26,400 --> 00:36:27,840
Speaker 4: Price going up, price goes up?

670
00:36:27,920 --> 00:36:32,360
Speaker 5: Yeah, big group on a chipung fry, a big leebl

671
00:36:32,400 --> 00:36:36,520
Speaker 5: interscope and listing telescope and the whole path ten gun.

672
00:36:37,440 --> 00:36:39,359
Speaker 5: So I probably said them said no, they only can't

673
00:36:39,360 --> 00:36:41,880
Speaker 5: paid to it's all the bumba clad said. Ten of

674
00:36:41,960 --> 00:36:43,799
Speaker 5: them said too. Oh you move from ten to two

675
00:36:43,920 --> 00:36:47,080
Speaker 5: so quick. No, I'm telling them move them blood clod,

676
00:36:47,160 --> 00:36:49,560
Speaker 5: I need you join hungry.

677
00:36:51,080 --> 00:36:51,839
Speaker 4: I have for them two.

678
00:36:52,120 --> 00:37:02,399
Speaker 5: That's a disrespect. Bang on the floor, slide them, carl killer,

679
00:37:02,480 --> 00:37:03,080
Speaker 5: you're right.

680
00:37:03,000 --> 00:37:07,440
Speaker 4: Still in the boat. I saw it going Institute of Music.

681
00:37:08,719 --> 00:37:13,480
Speaker 5: Don't have that exposure and these opportunities they've been really

682
00:37:13,560 --> 00:37:16,120
Speaker 5: good then, because back in the days when we are

683
00:37:16,160 --> 00:37:19,480
Speaker 5: come whim, I come. I never met music with some

684
00:37:19,600 --> 00:37:22,600
Speaker 5: Steve we Wander and some some some some great Jones

685
00:37:22,640 --> 00:37:25,000
Speaker 5: and some rare if some big label them never really

686
00:37:25,120 --> 00:37:29,920
Speaker 5: get and I paid the profile. But you get your rights,

687
00:37:30,520 --> 00:37:33,800
Speaker 5: wish lead up to your pension today and then you

688
00:37:33,920 --> 00:37:36,800
Speaker 5: get your recognition. Your name was mentioned, so really a

689
00:37:36,880 --> 00:37:39,520
Speaker 5: track record. That's why they could come back for Slyer

690
00:37:39,520 --> 00:37:41,759
Speaker 5: and Rabbit today because of the type of music that

691
00:37:41,880 --> 00:37:44,560
Speaker 5: they made back then. So he's saying we never get

692
00:37:44,600 --> 00:37:49,640
Speaker 5: that front, pay up front advanced, don't see what it

693
00:37:49,719 --> 00:37:52,560
Speaker 5: does for us. He set the track record for me.

694
00:37:53,120 --> 00:37:55,759
Speaker 5: So sometimes you have to just shut your eye and

695
00:37:56,640 --> 00:38:01,200
Speaker 5: go for the pie and then know am I mentor

696
00:38:01,600 --> 00:38:04,480
Speaker 5: am I part of them? And look at pioneers that

697
00:38:04,640 --> 00:38:06,600
Speaker 5: we grew our own and we.

698
00:38:06,680 --> 00:38:07,200
Speaker 4: Look up to them.

699
00:38:07,239 --> 00:38:11,359
Speaker 5: Anything, then tell it's gold. Then some me make sure

700
00:38:11,880 --> 00:38:15,000
Speaker 5: let's put my own vibes outside as alad do it

701
00:38:15,120 --> 00:38:16,680
Speaker 5: to ask. I mean about I want the two thousands.

702
00:38:16,719 --> 00:38:19,680
Speaker 5: I keep the two thousands free. I would just got

703
00:38:19,680 --> 00:38:23,200
Speaker 5: recorded for nothing. Yeah, that's why I got met that

704
00:38:23,280 --> 00:38:26,239
Speaker 5: song someone's success because I never even better take you

705
00:38:26,280 --> 00:38:28,880
Speaker 5: two thousands, because we deliverately come in us run them

706
00:38:28,880 --> 00:38:30,680
Speaker 5: over the two thousands give you no.

707
00:38:30,880 --> 00:38:34,239
Speaker 4: You look like your mop that man. Do this song? Man?

708
00:38:36,239 --> 00:38:38,759
Speaker 5: Yeah, we do the song for free instead, because they

709
00:38:38,800 --> 00:38:40,520
Speaker 5: don't want to pay ten and I don't want to

710
00:38:40,560 --> 00:38:43,400
Speaker 5: take two, so the money shit, it slides. Let's do

711
00:38:43,560 --> 00:38:46,080
Speaker 5: music because music paying the foods and he's eating pay

712
00:38:46,080 --> 00:38:46,640
Speaker 5: in the future.

713
00:38:47,280 --> 00:38:48,399
Speaker 4: So they did that all for free.

714
00:38:48,800 --> 00:38:52,360
Speaker 5: Yeah, I never better take the two thousand because disrespect. Disrespect,

715
00:38:52,480 --> 00:38:54,400
Speaker 5: And then sly say, you know why, It's not about

716
00:38:54,400 --> 00:38:58,360
Speaker 5: the money. It's about just making the music because it lasts,

717
00:38:58,719 --> 00:39:02,080
Speaker 5: your kids, come grow and live out in the future.

718
00:39:02,760 --> 00:39:04,839
Speaker 4: And that's exactly what happened. To know, it's a fucking

719
00:39:04,960 --> 00:39:07,800
Speaker 4: legendary classic. You stood on that. I'm not taking the

720
00:39:07,840 --> 00:39:09,719
Speaker 4: two and look at it because once you take the two,

721
00:39:09,800 --> 00:39:10,719
Speaker 4: now that's such your price.

722
00:39:11,160 --> 00:39:15,759
Speaker 5: Yeah, they're not a two guy, No, not too. Music

723
00:39:15,880 --> 00:39:17,359
Speaker 5: is bigger than the money. So you know what, Let's

724
00:39:17,680 --> 00:39:20,359
Speaker 5: do this ship for the vibe. That's why I came up,

725
00:39:20,520 --> 00:39:23,520
Speaker 5: because he's liver for the money. It was far the

726
00:39:23,600 --> 00:39:27,319
Speaker 5: fucking opportunity. So I said, this is an opportunity, don't

727
00:39:27,360 --> 00:39:31,120
Speaker 5: make it pass and picture in that pass right.

728
00:39:31,560 --> 00:39:34,480
Speaker 3: Let me ask you this because Jamaica has an interest

729
00:39:34,520 --> 00:39:36,880
Speaker 3: in history with music and politics, even going back to

730
00:39:37,520 --> 00:39:42,480
Speaker 3: I believe he got he was shot over politics? Why

731
00:39:42,640 --> 00:39:45,040
Speaker 3: is it so intertwined and why is it so much

732
00:39:45,239 --> 00:39:50,080
Speaker 3: friction when it comes to the music politics, Politicians using musicians,

733
00:39:50,160 --> 00:39:52,600
Speaker 3: politicians banning certain music because.

734
00:39:52,320 --> 00:39:53,920
Speaker 4: They wanted to get to the people.

735
00:39:53,960 --> 00:39:58,239
Speaker 5: And then they're on certain music insight the reality of

736
00:39:58,480 --> 00:40:00,640
Speaker 5: life and certain things and the they don't want the

737
00:40:00,680 --> 00:40:03,560
Speaker 5: people to be aware, so they like to bad music.

738
00:40:03,640 --> 00:40:06,600
Speaker 5: And then they like to use artists to influence the people,

739
00:40:07,280 --> 00:40:10,440
Speaker 5: so they use them as advantage and disadvantage.

740
00:40:11,480 --> 00:40:14,239
Speaker 4: So that's how it goes. He is the power of

741
00:40:14,320 --> 00:40:17,200
Speaker 4: the music, get to the people quick.

742
00:40:17,560 --> 00:40:20,320
Speaker 5: Then politician go on the radio, TV talk nobody listening

743
00:40:20,320 --> 00:40:24,080
Speaker 5: to minim the phone. You understand if kill the pale.

744
00:40:25,680 --> 00:40:30,480
Speaker 5: They love the interact music and politics, especially Jamaican politician.

745
00:40:30,640 --> 00:40:34,000
Speaker 5: You know overseas they don't do for the music and politics.

746
00:40:34,280 --> 00:40:38,200
Speaker 5: Jamaican love use the music and the politics. That's why

747
00:40:38,239 --> 00:40:41,279
Speaker 5: they try to hurt bad Malory. Maley was trying to

748
00:40:42,480 --> 00:40:45,920
Speaker 5: unify the people and they don't want that because some

749
00:40:46,040 --> 00:40:49,000
Speaker 5: people might think that bab Malory was on a specific side.

750
00:40:49,600 --> 00:40:51,239
Speaker 4: Are trying to divide.

751
00:40:51,760 --> 00:40:54,279
Speaker 5: They never know that badman was trying to unite p

752
00:40:54,400 --> 00:40:57,359
Speaker 5: MP and JLP and that's why he got shot. It's

753
00:40:57,440 --> 00:41:00,360
Speaker 5: not because he was like taking side with any body.

754
00:41:00,880 --> 00:41:04,640
Speaker 5: It is because he was saying, unify everybody. And they

755
00:41:04,800 --> 00:41:08,759
Speaker 5: did not want that because they were the CIA and

756
00:41:08,960 --> 00:41:18,440
Speaker 5: they were what them name the communists, Communist country.

757
00:41:19,120 --> 00:41:23,960
Speaker 4: That's what killing. Yes, So that's what they wanted.

758
00:41:24,000 --> 00:41:27,520
Speaker 5: They want the friction because they know that Bob Marley

759
00:41:27,600 --> 00:41:29,759
Speaker 5: is trying to unify the people and they don't want that.

760
00:41:29,840 --> 00:41:35,160
Speaker 5: They want to get reader the communists. And then to

761
00:41:35,320 --> 00:41:38,600
Speaker 5: Bab Marley singing about the c i A and exposing

762
00:41:38,680 --> 00:41:42,799
Speaker 5: them dress they don't like, but they take up our

763
00:41:42,880 --> 00:41:45,719
Speaker 5: tech side with the communist catch my singing ainst c

764
00:41:45,840 --> 00:41:47,200
Speaker 5: i A and then that's the communist.

765
00:41:47,920 --> 00:41:50,120
Speaker 4: But it was coming on to their more said.

766
00:41:49,960 --> 00:41:53,600
Speaker 5: Everything where it was really the CIA was really bringing

767
00:41:53,680 --> 00:41:57,400
Speaker 5: in the guns and the communists both side. There was

768
00:41:57,480 --> 00:42:00,640
Speaker 5: battling for Jamaica. That's all the fight and the violence

769
00:42:00,800 --> 00:42:03,239
Speaker 5: become its.

770
00:42:03,680 --> 00:42:04,759
Speaker 4: Communists for the c i A.

771
00:42:04,920 --> 00:42:09,799
Speaker 5: Yeah, it's a political thing, that's that's that's what lead

772
00:42:09,880 --> 00:42:12,799
Speaker 5: up the gangs in Jamaica. Today, only two gangs start

773
00:42:12,840 --> 00:42:14,319
Speaker 5: to do it from their whole. No, they're not doing

774
00:42:14,400 --> 00:42:16,919
Speaker 5: for c I A, are for communities or for pimp.

775
00:42:17,120 --> 00:42:21,200
Speaker 5: GP's not going one intention and like gall them this

776
00:42:21,880 --> 00:42:24,680
Speaker 5: because we have gone so we start using our own purpose.

777
00:42:24,760 --> 00:42:28,640
Speaker 5: But first it came in as that purpose c I

778
00:42:28,760 --> 00:42:33,040
Speaker 5: A and communists fighting GLP and very very very MPMP

779
00:42:33,239 --> 00:42:33,960
Speaker 5: fighting each other.

780
00:42:34,160 --> 00:42:37,200
Speaker 6: That's that's that's very similar because remember the two pac

781
00:42:37,360 --> 00:42:39,120
Speaker 6: was saying that give them guns, step back and kill

782
00:42:39,160 --> 00:42:39,400
Speaker 6: each other.

783
00:42:39,680 --> 00:42:41,600
Speaker 4: M hm, that's what they did. Yeah, and then they're

784
00:42:41,600 --> 00:42:43,480
Speaker 4: gonna go in a contry and cinema what you killer

785
00:42:43,520 --> 00:42:43,880
Speaker 4: for each other?

786
00:42:44,040 --> 00:42:47,880
Speaker 5: No, and then can't start the violence because they are

787
00:42:47,960 --> 00:42:51,799
Speaker 5: not helping the people to understand life and the value

788
00:42:51,840 --> 00:42:54,520
Speaker 5: of it. But when people in literate and people now

789
00:42:54,600 --> 00:42:59,120
Speaker 5: have the understanding and people aren't symbolize them. Now clime

790
00:42:59,200 --> 00:43:02,360
Speaker 5: me and you and then make everybody come up properly

791
00:43:02,360 --> 00:43:06,319
Speaker 5: and sure everybody how good of bringing so you can't

792
00:43:06,320 --> 00:43:10,000
Speaker 5: e speak everybody to according people have to go to

793
00:43:10,080 --> 00:43:12,719
Speaker 5: school and learn the goal and rule to act like

794
00:43:12,800 --> 00:43:14,840
Speaker 5: a fool, and it's not everybody get the opportunity to

795
00:43:14,880 --> 00:43:16,480
Speaker 5: go to school to learn the goal and and no

796
00:43:16,760 --> 00:43:19,400
Speaker 5: not to ack a fool. And then you want everybody

797
00:43:19,440 --> 00:43:21,880
Speaker 5: to come at a cacardian like other people who go

798
00:43:21,960 --> 00:43:24,359
Speaker 5: to school. Now, the ones who don't go not gonna

799
00:43:24,360 --> 00:43:27,960
Speaker 5: acc accardian. How you leave them at the wayside. That's

800
00:43:28,000 --> 00:43:30,800
Speaker 5: how the government works. And they're not doing nothing to

801
00:43:30,920 --> 00:43:36,160
Speaker 5: help you. There's not you programs here you understand, disconnecting you.

802
00:43:36,320 --> 00:43:41,279
Speaker 5: There's nothing for them. You have state of emergency, and

803
00:43:41,480 --> 00:43:43,439
Speaker 5: so he all these things where you have no state

804
00:43:43,520 --> 00:43:46,440
Speaker 5: of urgency, trying to help the younger ones who are

805
00:43:46,600 --> 00:43:51,200
Speaker 5: not into violence are closed to be influenced on the

806
00:43:51,280 --> 00:43:54,319
Speaker 5: wayside and try to catch them before, but as soon

807
00:43:54,360 --> 00:43:56,719
Speaker 5: as they become wanted man they start to look for them.

808
00:43:56,719 --> 00:43:58,319
Speaker 4: They're famous, not police. I look for them.

809
00:43:58,360 --> 00:43:59,880
Speaker 5: But when they're don't, they're trying to make it that

810
00:44:00,040 --> 00:44:03,000
Speaker 5: he's a god who trying to sell nobody don't be

811
00:44:03,000 --> 00:44:03,400
Speaker 5: in anything.

812
00:44:03,640 --> 00:44:05,320
Speaker 6: So he said that people don't have the opportunity, like

813
00:44:05,400 --> 00:44:08,239
Speaker 6: children specifically don't have the opportunity. Is that not enough

814
00:44:08,960 --> 00:44:11,640
Speaker 6: a structural there's not enough facilities to hold it, or

815
00:44:12,000 --> 00:44:14,280
Speaker 6: because I mean having to make a pair of schools.

816
00:44:14,360 --> 00:44:17,080
Speaker 5: There is facilities to hold them, but they are not

817
00:44:17,400 --> 00:44:21,319
Speaker 5: enough people reaching over to them, and they're not doing

818
00:44:21,440 --> 00:44:25,880
Speaker 5: programs to help the unfortunate and the less fortunate, and

819
00:44:26,200 --> 00:44:29,520
Speaker 5: the ones who are falling out, the spirits, and all

820
00:44:29,560 --> 00:44:31,000
Speaker 5: the things that we used to have a program like

821
00:44:31,160 --> 00:44:35,640
Speaker 5: our program something in German class like people who followed

822
00:44:35,719 --> 00:44:38,640
Speaker 5: the school full time would go, I can get.

823
00:44:38,520 --> 00:44:40,879
Speaker 4: You up and all these things. We don't have most

824
00:44:40,920 --> 00:44:41,160
Speaker 4: of them.

825
00:44:41,280 --> 00:44:41,640
Speaker 5: Program.

826
00:44:41,840 --> 00:44:43,280
Speaker 4: We're not being a sports program.

827
00:44:43,440 --> 00:44:46,759
Speaker 5: Most community don't even have a community send them for

828
00:44:46,920 --> 00:44:49,520
Speaker 5: us to go and recreate and have a little fun.

829
00:44:49,560 --> 00:44:53,840
Speaker 5: They don't even have a up park vocational school vibes,

830
00:44:54,200 --> 00:44:58,360
Speaker 5: so he is too much disconnected. People in the country

831
00:44:58,400 --> 00:45:02,360
Speaker 5: Mans get everybody left from them home, so they are

832
00:45:02,520 --> 00:45:08,439
Speaker 5: selfish and savagery. The love is weak in Jamaica right now. Yeah,

833
00:45:09,080 --> 00:45:14,120
Speaker 5: loving each other, looking on for each other. It's disconnected,

834
00:45:14,800 --> 00:45:17,440
Speaker 5: especially with COVID No. It's like yo, you feel like

835
00:45:17,520 --> 00:45:18,319
Speaker 5: you're on your own.

836
00:45:19,520 --> 00:45:23,279
Speaker 3: We hear a lot about Chinese influence in Africa and

837
00:45:23,360 --> 00:45:25,000
Speaker 3: now Chinese influence in Jamaica.

838
00:45:25,160 --> 00:45:27,480
Speaker 4: I think they just brought the airport.

839
00:45:28,239 --> 00:45:32,839
Speaker 5: Uh well, China influences all over the worlds. They're powerful, little,

840
00:45:33,440 --> 00:45:36,520
Speaker 5: they're ambitious. I can't even do nothing the Chinese. I

841
00:45:36,600 --> 00:45:39,279
Speaker 5: might don't like the idea of them owning all these things.

842
00:45:39,360 --> 00:45:41,920
Speaker 5: But telling what, wh who wouldn't want to own if

843
00:45:41,960 --> 00:45:45,120
Speaker 5: they can own all these things, you understand, And it's

844
00:45:45,200 --> 00:45:47,800
Speaker 5: not their fault if they own whatever, because his people

845
00:45:47,880 --> 00:45:48,920
Speaker 5: gave them the opportunity.

846
00:45:49,520 --> 00:45:51,840
Speaker 4: If they saw the opportunity, who is not going to

847
00:45:51,920 --> 00:45:53,440
Speaker 4: execute it? You understand?

848
00:45:53,920 --> 00:45:58,319
Speaker 5: So who does to China? You understand that they're checking

849
00:45:58,360 --> 00:46:01,600
Speaker 5: over the world. Okay, in then that's why you see

850
00:46:02,440 --> 00:46:07,600
Speaker 5: rushed the man at least come out because he's yeah,

851
00:46:07,719 --> 00:46:09,600
Speaker 5: it's done. So somebody I have to take a stance.

852
00:46:10,280 --> 00:46:12,760
Speaker 4: Yeah, well, what are you thought on the political climate

853
00:46:12,840 --> 00:46:13,000
Speaker 4: of that?

854
00:46:13,200 --> 00:46:15,560
Speaker 6: Right, they could have been I'm sure a celebrity or

855
00:46:16,719 --> 00:46:19,839
Speaker 6: businessmen and women here in Jamaica that perhaps had been

856
00:46:19,880 --> 00:46:22,279
Speaker 6: given an opportunity to buy the airport may have done it.

857
00:46:22,640 --> 00:46:23,480
Speaker 4: Yeah, but they don't want to.

858
00:46:23,560 --> 00:46:27,000
Speaker 5: That's where Jamaicans stay, right, I'm telling you what, No Jamaicans,

859
00:46:28,160 --> 00:46:31,520
Speaker 5: A few of US invest in Jamaica because all of

860
00:46:31,600 --> 00:46:35,160
Speaker 5: these things Jamaican they could have bid them, right, they

861
00:46:35,200 --> 00:46:38,440
Speaker 5: could just like boots you they take over here Jamaica

862
00:46:38,760 --> 00:46:42,760
Speaker 5: in the early nineties, that's when here Jamaica was booming,

863
00:46:43,200 --> 00:46:47,719
Speaker 5: not Caribbean here line, I wait, my name, no no here,

864
00:46:47,800 --> 00:46:53,759
Speaker 5: jump me a car. It was bootst air line. Even

865
00:46:53,800 --> 00:46:56,040
Speaker 5: when the dollars took up one night time, it was

866
00:46:56,160 --> 00:47:00,080
Speaker 5: saying Bootstewart the dollar again and not a bail and

867
00:47:00,200 --> 00:47:03,399
Speaker 5: here Jamaica. I have hundreds that thou was not them

868
00:47:03,440 --> 00:47:05,799
Speaker 5: in the country right, But they don't make those things.

869
00:47:05,840 --> 00:47:06,799
Speaker 4: We don't issue for them.

870
00:47:07,560 --> 00:47:11,000
Speaker 5: It's just like Michael leechin, I'm boots Trout and couple

871
00:47:11,080 --> 00:47:13,960
Speaker 5: are the business men will take up this challenge for

872
00:47:14,080 --> 00:47:14,640
Speaker 5: the country.

873
00:47:15,360 --> 00:47:18,400
Speaker 4: But if all the rich billionaire a millionaire who is

874
00:47:18,480 --> 00:47:19,320
Speaker 4: here did.

875
00:47:19,239 --> 00:47:22,640
Speaker 5: Win anything, like the country is our business too, and

876
00:47:22,800 --> 00:47:25,640
Speaker 5: try to help run the country because they know the

877
00:47:25,719 --> 00:47:30,319
Speaker 5: politicians are doing themselves a favor by getting them. Can't

878
00:47:30,320 --> 00:47:32,680
Speaker 5: get antap them, can't take so then they're really can't

879
00:47:32,880 --> 00:47:36,920
Speaker 5: up with no country, So we can't we find a politician,

880
00:47:37,000 --> 00:47:40,680
Speaker 5: not now change it's been over nailing. How much cheers

881
00:47:41,920 --> 00:47:46,120
Speaker 5: since you're look aboy part the idear men seen a

882
00:47:46,160 --> 00:47:50,920
Speaker 5: politician then and not in the change. It's the same approach.

883
00:47:52,680 --> 00:47:53,640
Speaker 5: They are not for the people.

884
00:47:55,480 --> 00:47:56,040
Speaker 4: Let me ask you this.

885
00:47:56,080 --> 00:47:58,160
Speaker 3: As far as the music, a lot of people that's

886
00:47:58,200 --> 00:48:01,359
Speaker 3: not familiar with the culture, they think all Jamaican music

887
00:48:01,480 --> 00:48:04,200
Speaker 3: is reggae, but obviously it's reggae and dance whole and

888
00:48:04,680 --> 00:48:07,440
Speaker 3: I feel like reggae now not a lot of reggae

889
00:48:07,520 --> 00:48:08,239
Speaker 3: music is coming out.

890
00:48:08,280 --> 00:48:10,880
Speaker 4: It's more dance hall. Where before like when that was.

891
00:48:10,920 --> 00:48:13,520
Speaker 5: More yeah no, but then time there were no dancer

892
00:48:13,600 --> 00:48:15,360
Speaker 5: that was the music that was like all right, the

893
00:48:15,480 --> 00:48:22,600
Speaker 5: music came from Skia rock steady. It changes mood and temper,

894
00:48:23,480 --> 00:48:25,120
Speaker 5: so the tempo in the mood that's changed.

895
00:48:25,160 --> 00:48:25,480
Speaker 4: It was.

896
00:48:28,760 --> 00:48:34,200
Speaker 5: Something more feel like rock and roll, and then they

897
00:48:34,360 --> 00:48:40,640
Speaker 5: change it to rock steady, reggae vibes, and then they

898
00:48:40,760 --> 00:48:45,000
Speaker 5: come to reggae, bling bling vibes, you understand.

899
00:48:45,080 --> 00:48:50,319
Speaker 4: So it's just the era. All of it is reggae music.

900
00:48:50,560 --> 00:48:55,240
Speaker 5: Jamaican music is reggae music, but different era off the music.

901
00:48:55,520 --> 00:49:00,320
Speaker 5: He's just like rap and you understand because rock because

902
00:49:00,320 --> 00:49:03,200
Speaker 5: the same thing is a certain era described as the

903
00:49:03,400 --> 00:49:09,360
Speaker 5: rap era. So it comes to Robot dob. It was

904
00:49:09,480 --> 00:49:13,239
Speaker 5: first robot dove before it come to dancers robbing. The eighties, Yeah,

905
00:49:13,920 --> 00:49:18,479
Speaker 5: late seventies and early eighties when King Jammies and John

906
00:49:18,600 --> 00:49:23,759
Speaker 5: Joelars Volcanos on King Jammies on Sugar Minup with You Man,

907
00:49:23,840 --> 00:49:27,920
Speaker 5: promotion and steal and Cleavey with Silver Arc and Robbie

908
00:49:27,920 --> 00:49:30,600
Speaker 5: Digital with heat Wave, all of those great producers and

909
00:49:30,719 --> 00:49:31,400
Speaker 5: King Tobby's.

910
00:49:31,960 --> 00:49:32,920
Speaker 4: It was really King.

911
00:49:32,840 --> 00:49:37,800
Speaker 5: Tobby's who bringing the robot Dob, Skyle Slier, Robbiem bringing

912
00:49:37,920 --> 00:49:41,759
Speaker 5: the uptemp for reggae. No at that extrame sports with

913
00:49:41,880 --> 00:49:44,239
Speaker 5: boom boo boo doo boom boo boom boo boo boo

914
00:49:44,280 --> 00:49:47,799
Speaker 5: boo boo. He's still reggae. He can hear that baseline

915
00:49:47,840 --> 00:49:50,200
Speaker 5: and jump ship, but it a little fasten. He put

916
00:49:50,239 --> 00:49:52,520
Speaker 5: the dance into it. No you can't, girl and bubble,

917
00:49:52,880 --> 00:49:56,600
Speaker 5: you understand. So it's robot Dob and then we come

918
00:49:56,680 --> 00:50:00,120
Speaker 5: in in the nineties and tweak it and call it dance.

919
00:50:00,080 --> 00:50:04,960
Speaker 4: Salo and them coming and put out boom boom boom.

920
00:50:05,360 --> 00:50:07,640
Speaker 5: Put is just a temple step up liquor bit. But

921
00:50:07,760 --> 00:50:11,400
Speaker 5: if you check it, it's the same thing. It's just

922
00:50:11,480 --> 00:50:14,800
Speaker 5: the mood swing. So you just say, like, this is

923
00:50:14,880 --> 00:50:17,520
Speaker 5: the nineties reggae, and this is the two throws of reggae.

924
00:50:17,600 --> 00:50:22,720
Speaker 5: Just like I said, all these trap shit fucking out, that's.

925
00:50:22,600 --> 00:50:27,919
Speaker 4: Not Jamaica music, you understand. So it's just the era.

926
00:50:28,040 --> 00:50:28,600
Speaker 4: So that's a two.

927
00:50:28,760 --> 00:50:30,719
Speaker 5: I was in the part of the reggae and this

928
00:50:30,920 --> 00:50:32,880
Speaker 5: is the nineties part, and this is the eighties and

929
00:50:32,960 --> 00:50:33,880
Speaker 5: this is the sixties.

930
00:50:34,360 --> 00:50:36,440
Speaker 4: So that's all I describe it. But I called Jamaica

931
00:50:36,560 --> 00:50:39,839
Speaker 4: music reggae. For you, what's your favorite era? My favorite era?

932
00:50:40,440 --> 00:50:42,319
Speaker 5: When my favorite era was when I was a boy

933
00:50:42,640 --> 00:50:45,040
Speaker 5: in the eighties, when I was learning it. My favorite

934
00:50:45,080 --> 00:50:47,520
Speaker 5: era is not me because I'm not my favorite artist.

935
00:50:48,080 --> 00:50:49,759
Speaker 5: I never learned this from listening to me.

936
00:50:50,360 --> 00:50:52,160
Speaker 4: I learned this. I'm listening to the greats, So that

937
00:50:52,400 --> 00:50:53,200
Speaker 4: was my greatest era.

938
00:50:53,360 --> 00:50:56,360
Speaker 5: And I was listening to me man like Brigad Dear Jerry,

939
00:50:56,800 --> 00:51:03,000
Speaker 5: Charlie Chaplin, Josie Whale, Super Yellow Man, General Trees and

940
00:51:03,320 --> 00:51:07,200
Speaker 5: Super Papa San and Stitchy and all the greats coming

941
00:51:07,280 --> 00:51:11,200
Speaker 5: up to Shaparanki Jaman, Super Kia, Nickadee Must.

942
00:51:11,800 --> 00:51:13,439
Speaker 4: Those are the golden.

943
00:51:13,200 --> 00:51:16,319
Speaker 5: Era for me because everything I'm doing now, that's where

944
00:51:16,360 --> 00:51:19,160
Speaker 5: I get the inspiration from. So the era for me

945
00:51:19,440 --> 00:51:23,920
Speaker 5: was what inspired me, and that was its seventies, late seventies,

946
00:51:24,320 --> 00:51:30,360
Speaker 5: seventieth seventy nine straight to the early eighties. Those was

947
00:51:30,440 --> 00:51:31,480
Speaker 5: the golden era for me.

948
00:51:32,640 --> 00:51:34,640
Speaker 3: One of the most iconic moments in the last year

949
00:51:35,200 --> 00:51:38,040
Speaker 3: what's your versus battle? Were being in there, shut down,

950
00:51:38,800 --> 00:51:40,480
Speaker 3: shut down, a round close for.

951
00:51:40,480 --> 00:51:45,839
Speaker 4: That moment you talk about Corona. My parents didn't even

952
00:51:45,880 --> 00:51:49,680
Speaker 4: know how to use Instagram. They were watching. We sat

953
00:51:49,719 --> 00:51:52,600
Speaker 4: and watched it together. They haven't been so proud and

954
00:51:52,680 --> 00:51:55,960
Speaker 4: so long. Thank you. Yeah you were. No, that was

955
00:51:56,040 --> 00:51:58,160
Speaker 4: really a great moment. I like it. I am xiety.

956
00:51:58,239 --> 00:51:59,759
Speaker 4: That was ha really mad for Yeah, it was a

957
00:51:59,800 --> 00:52:02,200
Speaker 4: lot letter. I know your hair issue. So how did that?

958
00:52:03,040 --> 00:52:06,000
Speaker 4: How did that lead up to resolving the issues? Were

959
00:52:06,080 --> 00:52:11,480
Speaker 4: also performing together. We had the result of issue sometime

960
00:52:11,600 --> 00:52:12,000
Speaker 4: before that.

961
00:52:12,200 --> 00:52:15,040
Speaker 5: Yeah, yeah, so it was It was so easy to

962
00:52:15,160 --> 00:52:18,319
Speaker 5: do the verses because we've been doing a couple collaborative

963
00:52:18,440 --> 00:52:23,640
Speaker 5: show a couple of years before, and we grew up.

964
00:52:23,719 --> 00:52:26,799
Speaker 4: Now we will still be against each other coming up.

965
00:52:28,280 --> 00:52:30,560
Speaker 4: It does best to be for each other going up.

966
00:52:31,000 --> 00:52:33,680
Speaker 4: You understand what we are gonna do. Do that till

967
00:52:33,719 --> 00:52:35,080
Speaker 4: we die. Na man.

968
00:52:35,640 --> 00:52:38,200
Speaker 5: So we used to be rival. I know we are hideous,

969
00:52:38,560 --> 00:52:41,560
Speaker 5: So we booked out side. He's no more rival, he's

970
00:52:41,560 --> 00:52:45,759
Speaker 5: just being hide us, you understand. And then we learned

971
00:52:45,800 --> 00:52:52,680
Speaker 5: that this became a legend, very competition and people from

972
00:52:53,560 --> 00:52:56,000
Speaker 5: younger generation want to see it again.

973
00:52:56,600 --> 00:52:58,239
Speaker 4: He's not every class people wanted to.

974
00:52:58,280 --> 00:53:02,960
Speaker 5: Really, he's not everyone so interesting and so enticing and

975
00:53:03,920 --> 00:53:06,400
Speaker 5: you know, excitement, and they want to see it over

976
00:53:06,400 --> 00:53:09,279
Speaker 5: and over like a movie some clash boring that don't

977
00:53:09,320 --> 00:53:11,840
Speaker 5: and just don't. People do like to see Bonty and

978
00:53:11,920 --> 00:53:16,040
Speaker 5: Beanie with over every time. I've realizing it's become a business.

979
00:53:16,120 --> 00:53:19,719
Speaker 5: And then when Bounty and being a profum, it's more

980
00:53:19,760 --> 00:53:20,840
Speaker 5: than when being a performer.

981
00:53:20,920 --> 00:53:24,760
Speaker 4: Where are went Bounty perform it's always something to talk about.

982
00:53:25,520 --> 00:53:27,919
Speaker 5: So Bounty am Beanie does something for Bounty and being

983
00:53:28,000 --> 00:53:29,920
Speaker 5: you know, so you know this is a good thing

984
00:53:30,000 --> 00:53:32,919
Speaker 5: for Bounty and Beanie. So Bunty and Beenie have sends

985
00:53:33,000 --> 00:53:36,960
Speaker 5: them for this thing. Stay as it can be, make

986
00:53:37,040 --> 00:53:40,719
Speaker 5: it a classic performance. And then people always even though

987
00:53:40,880 --> 00:53:43,960
Speaker 5: we go into Spain in October and that's all they

988
00:53:44,040 --> 00:53:46,520
Speaker 5: wanted and being a man to do that versus something

989
00:53:47,440 --> 00:53:49,800
Speaker 5: if you're going on tour, you know we're going on

990
00:53:49,880 --> 00:53:52,719
Speaker 5: tour through the Carona and the place is just kind

991
00:53:52,760 --> 00:53:54,560
Speaker 5: of reason of little restriction all.

992
00:53:54,480 --> 00:53:57,560
Speaker 4: Over the world. Was as soon as the world reopened,

993
00:53:57,880 --> 00:54:00,560
Speaker 4: hell yeah, we will be on tour. You had a

994
00:54:00,640 --> 00:54:02,799
Speaker 4: relationship with Swiss prior so when he when he made

995
00:54:02,840 --> 00:54:04,439
Speaker 4: that call. Wasn't easy, but it was easy.

996
00:54:04,640 --> 00:54:08,080
Speaker 5: It was not because, as I told Beanie has really reconciled.

997
00:54:08,120 --> 00:54:10,160
Speaker 5: And we go and then switch car.

998
00:54:10,680 --> 00:54:13,440
Speaker 4: It was perfect. All we tell him say the issue

999
00:54:13,520 --> 00:54:15,440
Speaker 4: we have to be in the same room now, I

1000
00:54:15,480 --> 00:54:19,880
Speaker 4: ain't gonna be changed. Yeah, you know that, insist it

1001
00:54:20,000 --> 00:54:22,040
Speaker 4: has to be like that. That's the only issue I had.

1002
00:54:22,080 --> 00:54:23,680
Speaker 4: I told him, these people not gonna be in the

1003
00:54:23,800 --> 00:54:27,000
Speaker 4: same room. We can't do it. You do know about

1004
00:54:27,080 --> 00:54:29,000
Speaker 4: that style. I have to look in the guy face

1005
00:54:29,440 --> 00:54:31,840
Speaker 4: in my mind, I can't look at the screen. I

1006
00:54:31,880 --> 00:54:34,440
Speaker 4: don't class screen. You don't do that ship. Here's the

1007
00:54:34,520 --> 00:54:35,520
Speaker 4: question everybody wants to know.

1008
00:54:35,680 --> 00:54:38,440
Speaker 6: Right looking man, when the cops walk in the room,

1009
00:54:39,040 --> 00:54:41,160
Speaker 6: BI man is still on screen, MOUNTI killer?

1010
00:54:41,560 --> 00:54:44,960
Speaker 4: Where'd you go? I never go to step away. I

1011
00:54:45,080 --> 00:54:45,919
Speaker 4: never left the room.

1012
00:54:46,320 --> 00:54:49,480
Speaker 5: I stepped off the camera as I was mad as

1013
00:54:51,239 --> 00:54:55,000
Speaker 5: and what I'm about to say, it wouldn't be good,

1014
00:54:55,880 --> 00:54:56,239
Speaker 5: say you know.

1015
00:54:56,280 --> 00:54:58,080
Speaker 4: What, being and dealing up bean again?

1016
00:54:58,239 --> 00:55:00,640
Speaker 5: Nice you want to be that guy and being the

1017
00:55:00,680 --> 00:55:03,160
Speaker 5: performator and make it seem like we're telling some.

1018
00:55:05,400 --> 00:55:05,880
Speaker 4: Am I doing this.

1019
00:55:06,160 --> 00:55:08,000
Speaker 5: I had no right to come in here, and we

1020
00:55:08,080 --> 00:55:10,480
Speaker 5: don't need no permit to be on a private property,

1021
00:55:10,960 --> 00:55:13,239
Speaker 5: even if it's off the curfew. We are on a

1022
00:55:13,480 --> 00:55:17,880
Speaker 5: private property. How you need permit for coming here? Okay,

1023
00:55:18,040 --> 00:55:20,920
Speaker 5: that's the way would tell it. When there is a curfew,

1024
00:55:21,120 --> 00:55:23,640
Speaker 5: mean you cannot go on the government street. You don't

1025
00:55:23,680 --> 00:55:26,239
Speaker 5: mean you can't be inside your business place or your

1026
00:55:26,280 --> 00:55:30,239
Speaker 5: private property conducting your private business. Do you understand I

1027
00:55:30,840 --> 00:55:33,400
Speaker 5: dreams camera and I g and the world I jo

1028
00:55:33,680 --> 00:55:35,640
Speaker 5: can work. You remember the rule you four year of

1029
00:55:35,680 --> 00:55:38,760
Speaker 5: the country hindos one come get preside. I didn't get peace,

1030
00:55:39,280 --> 00:55:41,600
Speaker 5: but never like and it can never had to come unscreened.

1031
00:55:42,120 --> 00:55:44,200
Speaker 5: And there was a group of people with the managers

1032
00:55:44,239 --> 00:55:46,840
Speaker 5: and everybody who conducting the thing, just like we have

1033
00:55:46,920 --> 00:55:48,640
Speaker 5: a team. So you have to comm on camera to

1034
00:55:48,719 --> 00:55:50,759
Speaker 5: talk about what's going on here. And you saw what's

1035
00:55:50,800 --> 00:55:54,600
Speaker 5: going on. It's bounted being doing some recording. How you

1036
00:55:54,680 --> 00:55:59,200
Speaker 5: work right into it? That was disrespectful already the whip it.

1037
00:56:00,400 --> 00:56:03,320
Speaker 6: What was what was the reaction here after that moment

1038
00:56:03,520 --> 00:56:06,359
Speaker 6: that I watched it three times the day after?

1039
00:56:06,680 --> 00:56:09,439
Speaker 4: What was the reaction like here being here? The same

1040
00:56:09,560 --> 00:56:10,960
Speaker 4: reaction all over the world.

1041
00:56:11,000 --> 00:56:13,680
Speaker 5: It is the same vibe. It's one in Lectri find Vibe.

1042
00:56:13,719 --> 00:56:17,200
Speaker 5: People kept talking about that even today I got the playlist. Yeah,

1043
00:56:17,200 --> 00:56:20,120
Speaker 5: they're knowing it's a big thing for them, and they

1044
00:56:20,239 --> 00:56:25,400
Speaker 5: even watch it. Even the anniversary laybor day. Again they

1045
00:56:25,640 --> 00:56:28,400
Speaker 5: watched it because they repost it and say anniversary and

1046
00:56:28,719 --> 00:56:31,120
Speaker 5: they don't go watch it again. One year after they're

1047
00:56:31,120 --> 00:56:35,560
Speaker 5: still watching it. Yeah, so that was legend, big up.

1048
00:56:35,600 --> 00:56:36,520
Speaker 5: The verses switched and.

1049
00:56:36,800 --> 00:56:39,359
Speaker 4: Team they changed the game with them.

1050
00:56:39,560 --> 00:56:42,239
Speaker 5: Yeah, man, that was something great, And even though after

1051
00:56:42,360 --> 00:56:44,720
Speaker 5: it's gonna be a big thing, even after the pandemic,

1052
00:56:45,280 --> 00:56:48,400
Speaker 5: it's something that necessary cause not everybody goes out. And

1053
00:56:48,560 --> 00:56:51,840
Speaker 5: then some of the artists that they're taking two verses,

1054
00:56:52,080 --> 00:56:56,120
Speaker 5: they're not even active anymore, so you wouldn't even get

1055
00:56:56,160 --> 00:56:58,800
Speaker 5: the chance to pay to see them. So it's not

1056
00:56:59,040 --> 00:57:02,000
Speaker 5: just current artists when they go back for the Bobby

1057
00:57:02,080 --> 00:57:06,000
Speaker 5: Brown now and the kids sweat one and it's crazy

1058
00:57:06,160 --> 00:57:07,640
Speaker 5: and they didn't never know what You're gonna see him

1059
00:57:07,680 --> 00:57:09,799
Speaker 5: versus understanding can be so job and.

1060
00:57:11,760 --> 00:57:14,960
Speaker 4: And then he can be locks and Deep said, I

1061
00:57:15,080 --> 00:57:17,880
Speaker 4: never know who you got locks of s, but you

1062
00:57:17,960 --> 00:57:22,920
Speaker 4: know the locks of murderer came with locks, no disrespect,

1063
00:57:23,360 --> 00:57:26,080
Speaker 4: not one for him. A hot group but not like locks.

1064
00:57:26,120 --> 00:57:29,840
Speaker 5: Come on, man, and he's not no biggie that they

1065
00:57:30,000 --> 00:57:32,920
Speaker 5: know Jada kiss is a that kiss. They know that

1066
00:57:33,040 --> 00:57:36,280
Speaker 5: kiss that they can't mess with Jada. Nobody over there

1067
00:57:36,320 --> 00:57:37,640
Speaker 5: care mister jadakiss for me.

1068
00:57:38,400 --> 00:57:43,560
Speaker 4: As a slaughter. He's a killer and I know he's killers.

1069
00:57:43,600 --> 00:57:48,320
Speaker 5: Respect killer. Yeah, yeah, no, they are too good. Guls say,

1070
00:57:48,400 --> 00:57:51,000
Speaker 5: who's gonna like off the edge? He has to be

1071
00:57:51,120 --> 00:57:52,760
Speaker 5: the locks. Yeah, the locks.

1072
00:57:52,920 --> 00:57:54,440
Speaker 4: As a fact. Let me ask you this.

1073
00:57:54,520 --> 00:57:58,800
Speaker 3: As far as afrobeach, afrobeach is real big and I

1074
00:57:58,880 --> 00:57:59,920
Speaker 3: see a lot of I hear a lot of the

1075
00:58:00,040 --> 00:58:03,680
Speaker 3: influence from Jamaica, you know in the aphobe wish, what'sh

1076
00:58:03,680 --> 00:58:05,840
Speaker 3: your thoughts on aphroobe It's exceptional.

1077
00:58:05,920 --> 00:58:08,800
Speaker 5: I love it and I'm so happy for Africa. Africa

1078
00:58:08,880 --> 00:58:13,160
Speaker 5: love every music. And then Africa finally got an international

1079
00:58:13,360 --> 00:58:17,880
Speaker 5: song across, so finally has the identity musically. Just like

1080
00:58:18,080 --> 00:58:20,040
Speaker 5: when you year reggae music or when your hip hop,

1081
00:58:20,080 --> 00:58:22,120
Speaker 5: you know it's New York and when you reggae it's Jamaica.

1082
00:58:22,240 --> 00:58:25,720
Speaker 5: Now when you're your afrobeads know that's afro and I

1083
00:58:25,840 --> 00:58:28,640
Speaker 5: love it. I don't know about nobody, but aphrobeat is

1084
00:58:28,680 --> 00:58:32,000
Speaker 5: sweet to me and I even never afrobeat song coming on.

1085
00:58:32,080 --> 00:58:36,440
Speaker 4: My new album. I was a yeah, talk about that,

1086
00:58:36,480 --> 00:58:38,320
Speaker 4: talk about the new the new music that you have.

1087
00:58:38,600 --> 00:58:42,200
Speaker 5: Yeah, well, my new album called King of Kingstone. It's

1088
00:58:42,280 --> 00:58:45,040
Speaker 5: close to complete. But I have so much idea because

1089
00:58:45,080 --> 00:58:47,320
Speaker 5: it's eighteen years since I've done an album.

1090
00:58:47,480 --> 00:58:48,479
Speaker 4: So eighteen years.

1091
00:58:48,600 --> 00:58:51,000
Speaker 5: Yeah, you know, when you have so many pay senior

1092
00:58:51,120 --> 00:58:55,120
Speaker 5: and no and so much musical arts and development, it's

1093
00:58:55,280 --> 00:58:57,600
Speaker 5: hard to us make an album easy the first one

1094
00:58:58,280 --> 00:58:59,960
Speaker 5: after this one, maybe I can just make two more

1095
00:59:00,080 --> 00:59:00,640
Speaker 5: reason or but.

1096
00:59:02,280 --> 00:59:05,320
Speaker 4: I need to be done from eighteen years of little music. Colleague,

1097
00:59:05,680 --> 00:59:08,720
Speaker 4: the want the people that I should have collaborated. That's

1098
00:59:08,760 --> 00:59:12,320
Speaker 4: why we're so deep. You're the king of reggae collaboration.

1099
00:59:12,600 --> 00:59:15,080
Speaker 6: So who is somebody that you haven't worked with yet

1100
00:59:15,560 --> 00:59:17,840
Speaker 6: that's on the list, Like, I need to get them.

1101
00:59:17,760 --> 00:59:18,280
Speaker 4: On this album.

1102
00:59:20,520 --> 00:59:26,320
Speaker 5: Barry's Barry's Ailum may say, Yeah, that's one that's on

1103
00:59:26,440 --> 00:59:29,720
Speaker 5: the list. That's my dad says yeah, Barys the Maestro,

1104
00:59:30,160 --> 00:59:32,360
Speaker 5: the Boss. Yeah, he's the king.

1105
00:59:32,440 --> 00:59:32,800
Speaker 4: I love her.

1106
00:59:32,840 --> 00:59:33,840
Speaker 5: Bro you know.

1107
00:59:34,280 --> 00:59:36,680
Speaker 4: So I've been Marry Sunny to be grind.

1108
00:59:38,080 --> 00:59:41,480
Speaker 3: Yeah, but I got some I always wondered why, Like

1109
00:59:41,600 --> 00:59:45,120
Speaker 3: my favorite artist is nots he takes so one of

1110
00:59:45,200 --> 00:59:47,520
Speaker 3: my favorite. It takes so long to make music, it

1111
00:59:47,600 --> 00:59:50,160
Speaker 3: get frustrates me. Something you're doing rough, rush person. I

1112
00:59:50,200 --> 00:59:53,680
Speaker 3: always wondered why great musicians take so Yeah, like you said,

1113
00:59:53,680 --> 00:59:57,320
Speaker 3: you eighteen years like just like I can't believe it.

1114
00:59:57,920 --> 01:00:02,640
Speaker 3: Why I I th eighteen years? But even Lamar not

1115
01:00:02,840 --> 01:00:04,520
Speaker 3: that long. But a lot of a lot of great

1116
01:00:05,640 --> 01:00:06,760
Speaker 3: was really Junior.

1117
01:00:06,480 --> 01:00:11,600
Speaker 5: Gonna even come and gets me up, and even Brother

1118
01:00:11,760 --> 01:00:14,360
Speaker 5: didn't stand those two men are this at tenable album?

1119
01:00:14,400 --> 01:00:17,080
Speaker 5: And then since my visa has been canceled ten years ago,

1120
01:00:18,360 --> 01:00:22,160
Speaker 5: that's what I really killed my vibes to America. Yeah,

1121
01:00:22,200 --> 01:00:23,960
Speaker 5: I can't go to America. I haven't been there ten

1122
01:00:24,040 --> 01:00:26,280
Speaker 5: years now. I don't even know why the ship they

1123
01:00:26,360 --> 01:00:29,800
Speaker 5: cancel the visa. Well, I only have a little WE charge.

1124
01:00:30,640 --> 01:00:32,280
Speaker 5: I could have been a we charge because I had

1125
01:00:34,600 --> 01:00:36,520
Speaker 5: I had a we charge in nineteen ninety seven. And

1126
01:00:36,640 --> 01:00:40,040
Speaker 5: then when I came back to Jamaica, I went to

1127
01:00:40,120 --> 01:00:45,080
Speaker 5: the embassy and they canceled the visa that I had

1128
01:00:45,240 --> 01:00:48,920
Speaker 5: and they gave me something a waiver, So they waved

1129
01:00:49,000 --> 01:00:51,720
Speaker 5: that ship and I've been traveling on a waiver since

1130
01:00:51,880 --> 01:00:56,040
Speaker 5: nineteen ninety seven up to twenty ten, thirteen years. Then

1131
01:00:56,120 --> 01:00:58,560
Speaker 5: all of a sudden, the wave does not wave in anymore.

1132
01:00:58,600 --> 01:01:02,200
Speaker 5: I don't know what's going on because I've done anything else.

1133
01:01:02,280 --> 01:01:04,000
Speaker 5: As I said, it was one we charge and I

1134
01:01:04,080 --> 01:01:07,080
Speaker 5: got a waiver and I've been traveling on it. Then

1135
01:01:07,120 --> 01:01:09,160
Speaker 5: all of a sudden, the visa a scancel and they're

1136
01:01:09,160 --> 01:01:11,880
Speaker 5: saying that we charge so you can travel, just not

1137
01:01:11,960 --> 01:01:12,440
Speaker 5: to America.

1138
01:01:12,880 --> 01:01:17,240
Speaker 4: Yeah, we need to Canada, not to the UK either. Woo.

1139
01:01:17,440 --> 01:01:19,760
Speaker 4: I can't go to you pretty biggest marketing. Yeah, they're

1140
01:01:19,800 --> 01:01:20,640
Speaker 4: sucking up ship.

1141
01:01:20,760 --> 01:01:24,360
Speaker 5: That's why I am to making certain music because I

1142
01:01:24,520 --> 01:01:26,680
Speaker 5: like to go toward. I like to go look in

1143
01:01:26,720 --> 01:01:29,680
Speaker 5: the people's face. I like to go bring the music

1144
01:01:29,760 --> 01:01:31,960
Speaker 5: to the people. And I never know about streaming and

1145
01:01:32,080 --> 01:01:36,080
Speaker 5: all these statements lying on keeping physical copy of soul.

1146
01:01:37,080 --> 01:01:37,440
Speaker 4: Yeah, so.

1147
01:01:39,040 --> 01:01:42,480
Speaker 5: I have to adjust and getting finished online market ships.

1148
01:01:42,560 --> 01:01:44,480
Speaker 5: So that's why I'm just making the.

1149
01:01:44,520 --> 01:01:47,320
Speaker 4: Album streamers now it makes it wow. Yeah, get your

1150
01:01:47,400 --> 01:01:51,400
Speaker 4: music stream Yeah. Yeah, physically you can't go there, but

1151
01:01:51,520 --> 01:01:54,320
Speaker 4: streaming take you there. So make it work.

1152
01:01:54,560 --> 01:01:57,840
Speaker 6: We need to see you in the States. Listen with

1153
01:01:58,480 --> 01:02:03,000
Speaker 6: right came, Listen the call, make the call about to

1154
01:02:03,040 --> 01:02:06,320
Speaker 6: kill out in the States properly. In New York City, Brooklyn.

1155
01:02:06,400 --> 01:02:08,640
Speaker 6: We need him in Brooklyn. Yeah, clap it up for that,

1156
01:02:08,760 --> 01:02:12,160
Speaker 6: flap it up for that. Yeah, we need him in Brooklyn.

1157
01:02:12,840 --> 01:02:16,880
Speaker 4: We need he needs his own float. Yeah, prey. Oh,

1158
01:02:16,960 --> 01:02:18,400
Speaker 4: we need him in the in the labor they parade,

1159
01:02:18,400 --> 01:02:20,520
Speaker 4: We need him in the But you know that's my thing.

1160
01:02:20,760 --> 01:02:23,280
Speaker 4: I'm always one it. The men of the people. The

1161
01:02:23,320 --> 01:02:25,200
Speaker 4: laby they prayed me stuff. Do you forget you never

1162
01:02:25,280 --> 01:02:26,760
Speaker 4: used to see me on the parade? Oh?

1163
01:02:26,920 --> 01:02:33,680
Speaker 10: No, ninety seven Trump, that's our Trump. The need you man,

1164
01:02:34,000 --> 01:02:38,360
Speaker 10: front man mayby sham, all of us can preach everybody.

1165
01:02:39,400 --> 01:02:41,480
Speaker 4: Yeah, we gotta make a call Easton Parkway. It's not

1166
01:02:41,520 --> 01:02:42,880
Speaker 4: the same, not the same, that's not the same. But

1167
01:02:42,920 --> 01:02:45,360
Speaker 4: we're gonna make a call. We we gotta get them back.

1168
01:02:45,360 --> 01:02:47,400
Speaker 4: We gotta go. That's the favorite in New York. We're

1169
01:02:47,400 --> 01:02:50,520
Speaker 4: gonna create a hashat for it. Yeah, man, we're gonna

1170
01:02:50,520 --> 01:02:52,680
Speaker 4: create a hashat for it. What are I mean? Here?

1171
01:02:52,760 --> 01:02:54,720
Speaker 4: Soon I get there.

1172
01:02:54,960 --> 01:02:58,880
Speaker 3: But nah, I appreciate your working on it, no joke.

1173
01:03:00,080 --> 01:03:03,440
Speaker 3: This is definitely very enjoyable. But would you like to

1174
01:03:03,520 --> 01:03:05,160
Speaker 3: leave the people wait? Other than I know you got

1175
01:03:05,200 --> 01:03:07,320
Speaker 3: the album coming out, anything else that you're working on

1176
01:03:07,520 --> 01:03:10,880
Speaker 3: or what like, the people know you're well, oh.

1177
01:03:10,800 --> 01:03:13,880
Speaker 5: Well, the most interesting thing is really my album getting out.

1178
01:03:13,880 --> 01:03:16,160
Speaker 5: The album right now, and.

1179
01:03:18,200 --> 01:03:21,640
Speaker 4: I'm about to sign a new publishing deed with Conquered Publishing.

1180
01:03:21,440 --> 01:03:27,640
Speaker 5: And I'm about to get some more dance all in

1181
01:03:27,680 --> 01:03:30,200
Speaker 5: the song of people because there's a there's a competition,

1182
01:03:30,240 --> 01:03:32,800
Speaker 5: I know there comes to trap all and confusing the

1183
01:03:32,880 --> 01:03:33,640
Speaker 5: people in the world.

1184
01:03:33,720 --> 01:03:35,440
Speaker 4: If this is the new song of Jamaica, and.

1185
01:03:35,600 --> 01:03:38,560
Speaker 5: It is, it's trap music in Jamaica. Yeah, you got

1186
01:03:38,640 --> 01:03:42,680
Speaker 5: some local trappers, no problem with it. But it's not

1187
01:03:42,800 --> 01:03:44,520
Speaker 5: the new song on Jamaica. It's just a sound that

1188
01:03:44,640 --> 01:03:47,840
Speaker 5: Jamaica and plays, you understand. That's why that's all I

1189
01:03:47,880 --> 01:03:49,960
Speaker 5: want him to tell people. Don't tell this can be

1190
01:03:50,120 --> 01:03:52,120
Speaker 5: no new song. It's an old song from overseas that

1191
01:03:52,160 --> 01:03:52,720
Speaker 5: you're playing with.

1192
01:03:53,280 --> 01:03:55,400
Speaker 4: This can be our new song, some song that came

1193
01:03:55,440 --> 01:03:56,200
Speaker 4: from some other place.

1194
01:03:56,280 --> 01:03:59,960
Speaker 5: Now, all our songs are our creative song is original,

1195
01:04:00,680 --> 01:04:03,280
Speaker 5: you understand. So they're playing with it in the country.

1196
01:04:03,360 --> 01:04:06,840
Speaker 5: But we have the real family then, so and that's

1197
01:04:06,880 --> 01:04:09,880
Speaker 5: what the people know, and that's what they want. Songs

1198
01:04:10,720 --> 01:04:15,280
Speaker 5: rhythms like dally you understand. Yeah, So who's some of

1199
01:04:15,320 --> 01:04:18,000
Speaker 5: the artists that you like. Let's cover it up younger artists,

1200
01:04:18,320 --> 01:04:22,640
Speaker 5: all the younger ones. You got so many great young artists.

1201
01:04:23,600 --> 01:04:26,080
Speaker 5: My favorite young artists them know is really get stand

1202
01:04:26,160 --> 01:04:38,120
Speaker 5: up rot, j Krannis, Massive Car mm hmm and even

1203
01:04:38,200 --> 01:04:41,640
Speaker 5: more recent now you got one named Jaska m h

1204
01:04:42,280 --> 01:04:48,040
Speaker 5: younger ones, Nation Bars and the couple the younger you

1205
01:04:48,040 --> 01:04:51,720
Speaker 5: would wear we are the good. But there are so

1206
01:04:51,840 --> 01:04:54,200
Speaker 5: many young ones. But those are my like a pick

1207
01:04:54,280 --> 01:04:59,040
Speaker 5: for now so far. But they are always talking to

1208
01:04:59,080 --> 01:05:01,840
Speaker 5: coming up in Germany and everybody in Jamaica of music

1209
01:05:01,880 --> 01:05:02,320
Speaker 5: in their soul.

1210
01:05:02,400 --> 01:05:05,200
Speaker 4: Let us don't discovery it as it so you never know.

1211
01:05:05,280 --> 01:05:10,160
Speaker 4: All the guy who used to walk in you're saying,

1212
01:05:10,400 --> 01:05:11,720
Speaker 4: are you gonna be working with him? He said he

1213
01:05:11,880 --> 01:05:13,080
Speaker 4: was trying to work with a lot of artists and

1214
01:05:13,160 --> 01:05:13,440
Speaker 4: do like.

1215
01:05:13,640 --> 01:05:16,120
Speaker 5: When involve my virgin and he's a friend of mine

1216
01:05:16,120 --> 01:05:17,440
Speaker 5: and he's getting into the music.

1217
01:05:17,720 --> 01:05:21,000
Speaker 4: Yeah yeah, so who to tell?

1218
01:05:21,040 --> 01:05:23,120
Speaker 5: And then he's working with Dave kill when of my

1219
01:05:23,240 --> 01:05:28,840
Speaker 5: legend there juice, So they never can tell, that's right, Yeah,

1220
01:05:29,040 --> 01:05:32,520
Speaker 5: so who to tell? I'm willing to be a part

1221
01:05:32,560 --> 01:05:35,800
Speaker 5: of any project he's putting out because I'm a supporter

1222
01:05:35,880 --> 01:05:39,000
Speaker 5: of him and I like the fact that he's supporting

1223
01:05:39,080 --> 01:05:41,800
Speaker 5: that music and he never he's not doing music to

1224
01:05:41,880 --> 01:05:46,400
Speaker 5: make ship. He doesn't making music, still make music, So

1225
01:05:46,760 --> 01:05:48,360
Speaker 5: I'm excited to see him in music.

1226
01:05:49,240 --> 01:05:50,880
Speaker 4: A lot of people trying to bash him and all that,

1227
01:05:51,000 --> 01:05:54,520
Speaker 4: but why are you going to bash him? They know

1228
01:05:54,600 --> 01:05:57,720
Speaker 4: he's a music lover. He is a music I met

1229
01:05:57,840 --> 01:06:01,280
Speaker 4: you seeing as a young sprinter when he was just

1230
01:06:01,320 --> 01:06:04,600
Speaker 4: coming up at the club the Asylum.

1231
01:06:05,160 --> 01:06:09,080
Speaker 5: That's where we became familiar with each other in parties

1232
01:06:09,720 --> 01:06:12,240
Speaker 5: and he was always on the dance for doing the dances.

1233
01:06:12,280 --> 01:06:15,600
Speaker 5: Then that's when mamies and doing dance and that's him naturally.

1234
01:06:16,320 --> 01:06:19,760
Speaker 5: So he's not putting on any front like a command

1235
01:06:19,840 --> 01:06:23,440
Speaker 5: take up music for people seeing. No, he loves music.

1236
01:06:23,600 --> 01:06:25,640
Speaker 5: He's one of the biggest music supporters him. He's a

1237
01:06:25,720 --> 01:06:28,640
Speaker 5: big guzz fan. Remember everybody knows the same support vibes

1238
01:06:28,720 --> 01:06:31,800
Speaker 5: Cart and all these things, you understand, And he's a

1239
01:06:31,840 --> 01:06:33,720
Speaker 5: big fan of Bounty Killer to him, a big fun

1240
01:06:33,760 --> 01:06:36,600
Speaker 5: of everybody owned to Cart and and favorite you understands.

1241
01:06:36,920 --> 01:06:41,200
Speaker 5: Jermy and I know have a favorite and favorites. Favorite

1242
01:06:41,360 --> 01:06:48,479
Speaker 5: of the favorites. If you have something about your artists are.

1243
01:06:50,320 --> 01:06:53,600
Speaker 4: Artists. You have to pick aside. That's artists.

1244
01:06:54,800 --> 01:07:05,240
Speaker 5: And your artists because they're great autist think, I said, music,

1245
01:07:09,360 --> 01:07:11,560
Speaker 5: the music, NA, this is very enjoyable.

1246
01:07:11,640 --> 01:07:13,919
Speaker 4: Brother, Thank you man, thank you for your hospitality.

1247
01:07:14,800 --> 01:07:16,560
Speaker 3: Back, I said, man, it's always an honorle We get

1248
01:07:16,600 --> 01:07:18,760
Speaker 3: to speak to legends, absolutely, and this is right up

1249
01:07:18,800 --> 01:07:19,880
Speaker 3: there with you know, and he's going.

1250
01:07:19,880 --> 01:07:22,720
Speaker 4: To be a legit moment. This is ten years after

1251
01:07:23,400 --> 01:07:28,800
Speaker 4: look at it absolutely archive exactly archive in history, Troy.

1252
01:07:29,800 --> 01:07:40,080
Speaker 4: I want to say, Jay hey, and then comes all right, yo.

1253
01:07:40,560 --> 01:07:43,440
Speaker 6: Shout to everybody on fish dot com Proud to pay program,

1254
01:07:43,880 --> 01:07:45,840
Speaker 6: and shout out to everybody that is a T five

1255
01:07:45,920 --> 01:07:48,240
Speaker 6: member there. They have access to E y L University,

1256
01:07:48,280 --> 01:07:52,000
Speaker 6: the number one school for everything in the business world.

1257
01:07:52,080 --> 01:07:54,240
Speaker 6: So shout out to all the earnest over the nine

1258
01:07:54,320 --> 01:07:56,920
Speaker 6: thousands of y'all. We love y'all daily, and shout out

1259
01:07:56,960 --> 01:07:59,880
Speaker 6: to the entire merch team. Shout out to the entire

1260
01:08:00,040 --> 01:08:02,280
Speaker 6: production team. This is our first outdoor interview. It was

1261
01:08:02,280 --> 01:08:04,600
Speaker 6: a crazy one. Yeah, we love y'all.

1262
01:08:04,680 --> 01:08:07,360
Speaker 4: Y'all know how we play lovers love shouts everybody. Shout

1263
01:08:07,360 --> 01:08:08,160
Speaker 4: out to the whole team.

1264
01:08:08,440 --> 01:08:10,480
Speaker 3: Shout to my brother Alex, shout out to Safari for

1265
01:08:10,560 --> 01:08:12,640
Speaker 3: making this happen, and shout out to Jamaica.

1266
01:08:12,720 --> 01:08:13,720
Speaker 4: Man. It's been nothing but love.

1267
01:08:13,760 --> 01:08:16,000
Speaker 3: We're definitely gonna come back here through some events here

1268
01:08:16,520 --> 01:08:18,439
Speaker 3: and you know it's all love.

1269
01:08:18,600 --> 01:08:20,840
Speaker 4: So thank you guys for rocking with us. We'll see

1270
01:08:20,840 --> 01:08:21,400
Speaker 4: you next week.

1271
01:08:21,600 --> 01:08:29,519
Speaker 2: Pe My graduates from my school being force backdrop b Drop,

1272
01:08:30,160 --> 01:08:31,800
Speaker 2: Mike drop backdrop.

1273
01:08:43,040 --> 01:08:46,679
Speaker 9: An illegal alien from Guatemala charged with raping a child

1274
01:08:46,760 --> 01:08:50,520
Speaker 9: in Massachusetts. An MS thirteen gang member from El Salvador

1275
01:08:50,800 --> 01:08:54,880
Speaker 9: accused of murdering a Texas. Man of Venezuelan charged with

1276
01:08:55,000 --> 01:08:58,840
Speaker 9: filming and selling child pornography in Michigan. These are just

1277
01:08:59,000 --> 01:09:02,719
Speaker 9: some of the heinous migrant criminals caught because of President

1278
01:09:02,800 --> 01:09:06,320
Speaker 9: Donald J. Trump's leadership. I'm Christy Noman, the United States

1279
01:09:06,360 --> 01:09:11,160
Speaker 9: Secretary of Homeland Security. Under President Trump, attempted illegal border

1280
01:09:11,200 --> 01:09:14,720
Speaker 9: crossings are at the lowest levels ever recorded, and over

1281
01:09:14,840 --> 01:09:18,000
Speaker 9: one hundred thousand illegal aliens have been arrested. If you

1282
01:09:18,120 --> 01:09:21,920
Speaker 9: are here illegally, your next you will be fine nearly

1283
01:09:22,040 --> 01:09:26,000
Speaker 9: one thousand dollars a day. Imprisoned and deported, you will

1284
01:09:26,120 --> 01:09:29,720
Speaker 9: never return. But if you register using our CBP home,

1285
01:09:29,800 --> 01:09:33,120
Speaker 9: app and leave now. You could be allowed to return legally.

1286
01:09:33,520 --> 01:09:38,200
Speaker 9: Do what's right. Leave now. Under President Trump America's laws,

1287
01:09:38,439 --> 01:09:40,360
Speaker 9: border and families.

1288
01:09:40,080 --> 01:09:42,479
Speaker 4: Will be protected. Sponsored by the United States Department of

1289
01:09:42,479 --> 01:09:43,080
Speaker 4: Homeland Security,