1
00:00:00,280 --> 00:00:01,840
Speaker 1: It's time for Donkey of the Day.

2
00:00:02,000 --> 00:00:02,520
Speaker 2: It's a read.

3
00:00:03,040 --> 00:00:05,760
Speaker 3: But you're so good at you're trying to charlamage.

4
00:00:05,760 --> 00:00:10,000
Speaker 1: She only wants Charlomagne, Damn Salomon.

5
00:00:10,080 --> 00:00:10,639
Speaker 3: Who do you give it?

6
00:00:10,680 --> 00:00:10,879
Speaker 4: Dusk?

7
00:00:10,880 --> 00:00:12,120
Speaker 3: Here today Tom.

8
00:00:12,280 --> 00:00:14,400
Speaker 1: Wow, Sexy rad Donkey today for Friday.

9
00:00:14,440 --> 00:00:16,800
Speaker 3: In March thirty first, the last day of Mental Health

10
00:00:16,840 --> 00:00:19,320
Speaker 3: Aware and this month goes to a young woman named Cheyenne.

11
00:00:19,480 --> 00:00:22,239
Speaker 1: Cheyenne was a caller on an.

12
00:00:22,239 --> 00:00:26,520
Speaker 3: Episode of Fiefee Fev and Nick are the fee Fee

13
00:00:26,600 --> 00:00:28,960
Speaker 3: Thieve and Nick pp Thieve and Nick.

14
00:00:29,000 --> 00:00:30,280
Speaker 1: What is peefee Thieben Nick?

15
00:00:30,320 --> 00:00:32,760
Speaker 3: It is an Australian morning show on one on one

16
00:00:32,800 --> 00:00:35,560
Speaker 3: point nine The Fox in Melbourne, Victoria, Australia.

17
00:00:35,680 --> 00:00:38,080
Speaker 1: They have two men and a young lady set up just.

18
00:00:38,120 --> 00:00:39,839
Speaker 3: Like the breakfast club, okay, and they had a very

19
00:00:39,920 --> 00:00:42,800
Speaker 3: interesting caller this week and it was Cheyenne. Now I

20
00:00:42,880 --> 00:00:44,479
Speaker 3: don't know if this is real or not, but I

21
00:00:44,560 --> 00:00:47,479
Speaker 3: have some experience with taking calls on radio, so I

22
00:00:47,560 --> 00:00:50,280
Speaker 3: believe it is Cheyenne called in to admit to doing

23
00:00:50,360 --> 00:00:53,440
Speaker 3: something that I believe we should discuss. Let's go to

24
00:00:53,520 --> 00:00:55,840
Speaker 3: Feefee feeven Nick in the morning for the call Plice

25
00:00:59,040 --> 00:01:00,440
Speaker 3: stop stopping and stop.

26
00:01:00,720 --> 00:01:00,920
Speaker 1: Stop.

27
00:01:03,000 --> 00:01:06,319
Speaker 3: She starts it off by saying, I eat my nanna.

28
00:01:06,680 --> 00:01:10,200
Speaker 3: You know what a nanna is, right, Grandma, Grandma? Let's continue.

29
00:01:10,720 --> 00:01:11,520
Speaker 3: I ate my nan?

30
00:01:15,640 --> 00:01:16,600
Speaker 1: How did you eat your nan?

31
00:01:16,880 --> 00:01:19,920
Speaker 2: So my nan passed away in August last year and

32
00:01:20,160 --> 00:01:24,840
Speaker 2: got cremated, and obviously my family and myself were grieving.

33
00:01:25,080 --> 00:01:28,960
Speaker 2: So went over to Mum's one night and thought to

34
00:01:29,640 --> 00:01:34,000
Speaker 2: cheer up a bit, let's just taste. This is the

35
00:01:34,080 --> 00:01:37,080
Speaker 2: part I've told nobody. My brother got out of jail

36
00:01:37,200 --> 00:01:39,920
Speaker 2: not too long ago, and I thought to be funny

37
00:01:39,959 --> 00:01:43,360
Speaker 2: to prank him, and I put some of nun's ashes

38
00:01:43,400 --> 00:01:44,280
Speaker 2: in the pasta.

39
00:01:44,040 --> 00:01:47,480
Speaker 1: Sauce spaghetti o a nun.

40
00:01:49,600 --> 00:01:51,000
Speaker 3: Have you have you got any left?

41
00:01:51,480 --> 00:01:52,920
Speaker 2: Yeah, there's a whole box of her left.

42
00:01:53,680 --> 00:01:54,600
Speaker 3: Have you stopped eating it?

43
00:01:54,920 --> 00:01:56,360
Speaker 2: I'll say yes, for your sake.

44
00:01:56,440 --> 00:02:00,680
Speaker 1: Feefee ah. You can hear it say in our voice.

45
00:02:01,680 --> 00:02:03,440
Speaker 3: She still got the ashes on her tongue. And my

46
00:02:03,640 --> 00:02:06,800
Speaker 3: question is why, why, why why You're supposed to be

47
00:02:06,840 --> 00:02:11,040
Speaker 3: getting the recipes from grandma, not adding grandma to the recipes. Okay,

48
00:02:11,120 --> 00:02:13,560
Speaker 3: how are you sitting around the house thinking this, thinking

49
00:02:13,600 --> 00:02:14,040
Speaker 3: to yourself?

50
00:02:14,280 --> 00:02:14,560
Speaker 1: You know what?

51
00:02:15,400 --> 00:02:16,799
Speaker 3: You know what I could add to this pasta to

52
00:02:16,880 --> 00:02:21,040
Speaker 3: really make it hit, not garlic, not oregano grandma's ashes.

53
00:02:21,720 --> 00:02:25,200
Speaker 3: Can you imagine, no, can you imagine grandma telling your

54
00:02:25,200 --> 00:02:30,080
Speaker 3: grandma you make a good pasta. Literally, like, instead of fetigini, Alfredo,

55
00:02:30,120 --> 00:02:31,519
Speaker 3: you got feticini our grandma.

56
00:02:31,600 --> 00:02:33,280
Speaker 1: Instead of lasagna, you got Lamma.

57
00:02:33,560 --> 00:02:37,000
Speaker 3: Can you imagine imagine sprinkling big Mama's ashes on the

58
00:02:37,120 --> 00:02:39,720
Speaker 3: mac and cheese in New Orleans? Instead of a pole boy,

59
00:02:39,760 --> 00:02:41,519
Speaker 3: you can get a shrimp pole pole Like, we have

60
00:02:41,639 --> 00:02:45,000
Speaker 3: to recognize that cannibals exist out here. In fact, I

61
00:02:45,120 --> 00:02:48,600
Speaker 3: saw a story, a story in Baltimore where t you

62
00:02:49,120 --> 00:02:52,239
Speaker 3: cannibals were eating the clown and one cannibal turned to

63
00:02:52,280 --> 00:02:54,440
Speaker 3: the other and asked, does this taste a bit funny

64
00:02:54,520 --> 00:02:54,720
Speaker 3: to you?

65
00:02:55,480 --> 00:02:57,639
Speaker 1: Did you see that story? Tell you about that?

66
00:02:57,840 --> 00:03:03,200
Speaker 3: No? Okay, it's a really crazy world. We end like

67
00:03:03,280 --> 00:03:05,519
Speaker 3: a magic coming over to Cheyenne's house to eat, and

68
00:03:05,600 --> 00:03:08,160
Speaker 3: you say, I don't like your grandmother, and Cheyenne replies

69
00:03:08,200 --> 00:03:09,360
Speaker 3: to you, will try to potato us.

70
00:03:09,600 --> 00:03:09,840
Speaker 1: Okay.

71
00:03:09,960 --> 00:03:12,200
Speaker 3: I don't know what's going on in the world anymore. God,

72
00:03:12,520 --> 00:03:14,880
Speaker 3: you know, sometimes I believe I have things figured out.

73
00:03:15,080 --> 00:03:18,359
Speaker 3: Other times I realize I'm simply not hungry enough. See

74
00:03:18,360 --> 00:03:20,760
Speaker 3: when I start seeing y'all adding grandma to dishes, just

75
00:03:20,880 --> 00:03:22,880
Speaker 3: let me know I'm not really a fat ass like

76
00:03:22,919 --> 00:03:23,560
Speaker 3: I think I am.

77
00:03:23,680 --> 00:03:25,760
Speaker 1: I thought I was a trans big back, but I'm

78
00:03:25,800 --> 00:03:26,200
Speaker 1: not so.

79
00:03:26,360 --> 00:03:28,440
Speaker 3: On topics like this, I defer to the president of

80
00:03:28,520 --> 00:03:31,320
Speaker 3: the Fat Lives Matter community, the boss of the big

81
00:03:31,440 --> 00:03:33,200
Speaker 3: back Brigade, Big Mac.

82
00:03:33,800 --> 00:03:38,640
Speaker 1: Oh, turn that wobble up for my guy. Get in here,

83
00:03:40,600 --> 00:03:43,200
Speaker 1: Get in here, Mac. How are you this morning?

84
00:03:43,280 --> 00:03:43,400
Speaker 3: Sir?

85
00:03:44,360 --> 00:03:52,480
Speaker 1: Turn his mic on, how are you sir? Now? Did

86
00:03:52,560 --> 00:03:53,800
Speaker 1: this make you hungry? This story?

87
00:03:54,280 --> 00:03:56,000
Speaker 4: First off, this when as soon as I heard it,

88
00:03:56,080 --> 00:03:58,760
Speaker 4: I was like, guess what racing? I knew it was

89
00:03:58,800 --> 00:04:01,960
Speaker 4: white people off. White people's pranks are a little different

90
00:04:01,960 --> 00:04:05,600
Speaker 4: than black people. And this furthermore, let me know that

91
00:04:05,840 --> 00:04:09,360
Speaker 4: I'm never eating at white people's houses because God forbid

92
00:04:09,440 --> 00:04:10,880
Speaker 4: you over their house, and they asked you if you

93
00:04:10,920 --> 00:04:13,080
Speaker 4: want to try some Grandy Smith apples. It's a whole

94
00:04:13,120 --> 00:04:19,360
Speaker 4: different grandy. It's your real granny facts that a white

95
00:04:19,400 --> 00:04:21,599
Speaker 4: people's house. They're like, yo, you want to aunt Shirley Temple.

96
00:04:23,760 --> 00:04:26,479
Speaker 1: I don't straight, Yeah, yeah.

97
00:04:26,360 --> 00:04:29,040
Speaker 3: Yeah, the Granny Smith apple probably a piece of grandma's ass.

98
00:04:29,120 --> 00:04:31,400
Speaker 1: Cheek too, you know, little apples and it's rapped in

99
00:04:31,440 --> 00:04:33,040
Speaker 1: plastic like the like the couches.

100
00:04:34,520 --> 00:04:37,040
Speaker 3: That's interesting because think about somebody like Judge Judish. She

101
00:04:37,080 --> 00:04:39,560
Speaker 3: got that thing right, she got the thing right, so

102
00:04:39,760 --> 00:04:40,640
Speaker 3: imagine that's.

103
00:04:40,520 --> 00:04:42,720
Speaker 1: The piece of the little apple. But Judge Judy is

104
00:04:42,760 --> 00:04:43,239
Speaker 1: a celebrity.

105
00:04:43,279 --> 00:04:45,000
Speaker 4: So if they start doing it the celebrities, you could

106
00:04:45,040 --> 00:04:47,160
Speaker 4: go somewhere and get a Steph curry chicken from white

107
00:04:47,200 --> 00:04:50,640
Speaker 4: people's houses, like a little Steph in there like that.

108
00:04:50,720 --> 00:04:51,520
Speaker 1: It comes in threes.

109
00:04:51,680 --> 00:04:55,640
Speaker 3: I like that. So basically you all four cannibalism with

110
00:04:55,680 --> 00:04:58,480
Speaker 3: what you're saying, not all the way.

111
00:04:58,839 --> 00:05:00,760
Speaker 1: You know, I eat women, but I won't, you know

112
00:05:00,800 --> 00:05:04,840
Speaker 1: what I mean, I won't eat men, by the way.

113
00:05:05,400 --> 00:05:08,240
Speaker 1: That's wild. Imagine it's the end of the world.

114
00:05:08,360 --> 00:05:11,800
Speaker 3: The apocalypses come and there's nothing left to eat but

115
00:05:11,920 --> 00:05:14,320
Speaker 3: each other, and the only way to survive is to

116
00:05:14,360 --> 00:05:17,800
Speaker 3: eat people. I'm not eating no men, No, I ain't

117
00:05:17,800 --> 00:05:20,680
Speaker 3: put in the air. Far better put me to their

118
00:05:20,720 --> 00:05:22,440
Speaker 3: fry and say, pauls after every bite.

119
00:05:22,279 --> 00:05:23,760
Speaker 1: You already looked like you was in there too long.

120
00:05:23,839 --> 00:05:24,200
Speaker 3: I'm like, d.

121
00:05:29,839 --> 00:05:37,719
Speaker 1: Well, give the biggest heat hall please. Jesus Christ always

122
00:05:37,720 --> 00:05:44,120
Speaker 1: goes to all right, you can't all right, well, thank

123
00:05:44,160 --> 00:05:45,120
Speaker 1: you for that, dunkey and day.

124
00:05:45,320 --> 00:05:48,679
Speaker 3: Donkey Today is sponsored by renowned personal injury attorney Michael

125
00:05:48,720 --> 00:05:50,960
Speaker 3: the Bull, Lamb and Soft. Don't be a donkey when

126
00:05:51,000 --> 00:05:53,159
Speaker 3: you need a fighter on your side. If you're ever injured,

127
00:05:53,200 --> 00:05:54,920
Speaker 3: go to Michael to Bull dot com. That's Michael the

128
00:05:54,960 --> 00:05:56,560
Speaker 3: Bull dot com. And when you mess with the Bull,

129
00:05:56,720 --> 00:05:57,480
Speaker 3: you get the horns.

130
00:06:01,320 --> 00:06:04,120
Speaker 1: Wake that ass up early in the morning at Breakfast

131
00:06:04,200 --> 00:06:04,479
Speaker 1: Club