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Speaker 1: I Am all In, I Kiss You, I Am all

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Speaker 1: In with Scott Patterson, an iHeartRadio podcast.

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Speaker 2: Everybody Scott Patterson I Am all In Podcast one eleven

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Speaker 2: Productions iHeartRadio one on one interview with none other than

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Speaker 2: Tank Sade. He was born in Sydney, Australia, named a

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Speaker 2: young emerging Colony, worked in the theater before moving to

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Speaker 2: Los Angeles in two thousand and four, and he rose

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Speaker 2: to prominence on the show as Finn in The Death Brigade.

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Speaker 2: Sade rose to international attention playing the quirky role of

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Speaker 2: Finn in the cult series Gilmore Girls. Amy Sherman Palladino

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Speaker 2: took a liking to Sade and created the role after

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Speaker 2: he auditioned for the love interest of Logan Huntsberger. He

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Speaker 2: starred in the series Roady's one hour drama written directed

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Speaker 2: by Cameron Crohn, produced by JJ Abrams for Showtime, which

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Speaker 2: lasted one season. He starred opposite Nicholas Cage in the

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Speaker 2: movie Stolen, and has appeared on Sons of Anarchy, The Mentalist,

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Speaker 2: Body of Proof nine O two one zero CSI Miami, CSI,

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Speaker 2: New York. He wrote and directed Flowers and Weeds, starring

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Speaker 2: Academy Award nominee and Golden Globe winner Terrence Stamp and

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Speaker 2: music from Academy Award winner Glenn Hansard. He first appeared

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Speaker 2: as Tank Sod in episode three, season five, Written in

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Speaker 2: the Stars. His last appearance season six, episode twenty two Partings.

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Speaker 2: He was in fifteen episodes from two thousand and four

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Speaker 2: to two thousand and six. He appeared in A Year

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Speaker 2: in a Life in Fall. Shall we bring in? Mister

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Speaker 2: Tank said, Tank, how are you? Thanks for joining us?

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Speaker 2: Excited to have you. The fans are excited so appreciate

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Speaker 2: your time. Good sceneing you. We never met I never

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Speaker 2: met you on the set.

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Speaker 3: I don't think we ever did a scene together.

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Speaker 2: No, we never did a scene together. I never I

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Speaker 2: don't know that I ever. Did I ever do a

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Speaker 2: scene with Logan? I can't even remember. Well, anyway, how

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Speaker 2: did you get your career started? How did it all begin?

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Speaker 3: I started in Australia. I worked in the theater for

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Speaker 3: a few years and there was very limited opportunities there

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Speaker 3: for like film and TV at the time, so I

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Speaker 3: thought it was time to make the jump. I moved

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Speaker 3: to La just kind of want to win. Didn't have

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Speaker 3: didn't have much money to know a visa. So yeah,

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Speaker 3: I just came out here. I was crashing on couches

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Speaker 3: and I got an agent, and that agent going this

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Speaker 3: audition for sure. I called Gilmore Girls, which at the

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Speaker 3: time I never heard of, and they said to me, look,

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Speaker 3: we want to give you this audition just to let

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Speaker 3: you know. I've already pretty much cast the guy, but

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Speaker 3: they want to see some other guy, so we're just

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Speaker 3: going to send you, but just let him be known

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Speaker 3: they've got. So I'm like, all right, great, So go

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Speaker 3: in there and I meet the casting directors and there

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Speaker 3: wonderful and I meet Amy and the role was for

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Speaker 3: Logan and at the time, Matt Zuker was already in

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Speaker 3: the room, and he was in the room for probably

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Speaker 3: about forty five minutes.

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Speaker 2: After take take that's a that's a bad feeling when

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Speaker 2: you're sitting waiting to go. That is not a good feeling.

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Speaker 4: I've been there before, but I already knew that that

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Speaker 4: they had the guy, So for me, it was just

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Speaker 4: kind of like a ghost sing, you know, back in

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Speaker 4: the day, that's the way I was going to make

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Speaker 4: the casting director.

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Speaker 3: So I went in there. You know, I was in

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Speaker 3: the ninety seconds tops, and I swalked out the door.

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Speaker 3: And then Amy called up my agent and they said,

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Speaker 3: you know, we want to write a role for him.

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Speaker 3: He's going to be Logan's friend. And and it was

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Speaker 3: supposed to be I think one episode, one or two episodes,

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Speaker 3: and then it just kind of just kind of grew

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Speaker 3: from that.

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Speaker 2: Was Amy in the room. Do you remember Amy? Do

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Speaker 2: you remember who was in the room. Jamie and Mara

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Speaker 2: casting directors, right.

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Speaker 3: Yeah, and yeah Amy was in the room.

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Speaker 2: Yeah, yeah, those rooms. Man, you just can't tell sometimes,

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Speaker 2: you know, you think you're tanked and then you got

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Speaker 2: the job, no pun intended, or you think you did great,

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Speaker 2: and you're just like, yeah, no, they don't remember you.

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Speaker 3: You know, I have no idea. I was so Australian,

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Speaker 3: you know. I mean not that I'm less Australian, but

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Speaker 3: I just didn't understand how it worked in America. I

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Speaker 3: mean I walked in barefoot, like, because you know, I

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Speaker 3: come out of the theater. I was like, until I've

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Speaker 3: got the roll, I don't wear shoes, and I was

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Speaker 3: what I had. I had flip blocks on and I

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Speaker 3: walked in. I just kicked my flip flops off started

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Speaker 3: doing the audition and Jane to this daye she was like,

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Speaker 3: I'll never forget that kid walked in the room with

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Speaker 3: nice shoes.

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Speaker 2: There you go, that's it, you know, that's the moment

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Speaker 2: they knew, right, So it was originally written for Logan.

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Speaker 2: So tell us what happened after the audition.

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Speaker 3: I went home. My agent called me up a few

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Speaker 3: days later. They said they want you to do this show.

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Speaker 3: I'm like, great, let's do it. But they want you

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Speaker 3: to be Australian and I said no, and they said

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Speaker 3: what do you mean now? I was like, like, I

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Speaker 3: just got here. I don't want to be known playing

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Speaker 3: Australian character. I just want to just you know, come

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Speaker 3: in under the the American like everyone else. And they

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Speaker 3: went back and they said he doesn't want to do

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Speaker 3: it because he wants to be American. And they said, no,

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Speaker 3: we want him Australian. And then they I went back

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Speaker 3: and forth. My agent just went, you're an idiot, not

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Speaker 3: in the Union, you don't have a visa, may just

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Speaker 3: take it. I was like, and uh, there's you know,

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Speaker 3: the best decision, right.

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Speaker 2: And it's just for the one episode, but you ended

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Speaker 2: up doing gosh, let me look, I knew how many

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Speaker 2: episodes you did? Fifteen episodes.

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Speaker 3: Well, we were supposed to do the seventh season as well.

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Speaker 3: We were written into Oh really yeah, yeah, we were

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Speaker 3: all in the seven Yeah, because I already knew. Oh,

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Speaker 3: I was in the first three episodes of season seven,

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Speaker 3: and then Amy parted ways, right, I did rewrise and.

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Speaker 2: I took us out. That's all right, that's what was missing, man.

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Speaker 2: You kick it off with the Light and Death Brigade

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Speaker 2: and you got something there, man. That was Those were

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Speaker 2: the those episodes were just they sparkled. They were so

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Speaker 2: much fun.

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Speaker 3: It was you know, it was fun.

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Speaker 2: Tell us about it. Tell us about shooting that stuff

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Speaker 2: and being on location and outside and jumping off that

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Speaker 2: platform and all that. Tell us about that.

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Speaker 3: You know, I didn't know any better. You know, I'd

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Speaker 3: come out of very very small budget. You know, a

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Speaker 3: high budget film in Australia was two million dollars and

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Speaker 3: it sulted if you were an actor in Australia. It's

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Speaker 3: because you want it to be, you know, because you weren't.

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Speaker 3: You weren't making any money. You know, you tread the boards.

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Speaker 3: You're lucky to scrape by a couple hundred bucks a week.

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Speaker 3: You know, our furniture was milk rates, and you know,

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Speaker 3: it was just everything was so small, and and coming

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Speaker 3: out to America and then going to Warner Brothers, and

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Speaker 3: I remember one of the first scenes I had was

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Speaker 3: in exterior at Yale. So I kept thinking, well, God,

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Speaker 3: we're in la where are they going to shoot this,

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Speaker 3: Where are they going to find that kind of you know,

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Speaker 3: sandstone kind of building. And we go in and they

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Speaker 3: just built it on bloody set like this is America,

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Speaker 3: you know this. It was insane. It was just you

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Speaker 3: just you don't know until you know it, you know it.

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Speaker 3: And the first director I had was Kenny or Taga.

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Speaker 2: Oh wow, that's good, look good, good fortune right there?

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Speaker 3: Yeah, Kenny. I mean, you know Kenny. Kenny comes from

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Speaker 3: this big musical background, you know, and you know, with

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Speaker 3: Michael Jackson did all these these musical films and dancing

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Speaker 3: films and whatnot. And and so the note I was

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Speaker 3: given was before I had started, was we want to

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Speaker 3: give the show a little bit of a little bit

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Speaker 3: of spunk, a little bit of spark, like a little

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Speaker 3: bit of grit, Like we wanted to bring something a

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Speaker 3: little different. And so I was like, all right, you know.

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Speaker 3: So I painted my nails and I was just trying

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Speaker 3: to just be loose and free, and Penny kept saying bigger,

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Speaker 3: you know, just go with it. Because I said big

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Speaker 3: he told me to rein it in wherever you want.

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Speaker 3: He was just just go go for it, all right,

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Speaker 3: this is the director. Do what he tells me. They're like, yeah,

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Speaker 3: it's like Fear and Loathing Las Vegas, and I haven't

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Speaker 3: seen the show, right, I'm just doing it and uh

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Speaker 3: and then like a week later, my agent calls and says,

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Speaker 3: you know, the studio, the studio just called us and

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Speaker 3: name just wanting to rain it in. I'm going to

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Speaker 3: get fired man. Oh so yeah. I was like, you know,

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Speaker 3: I was devastating such an I was like, well, I

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Speaker 3: just deal with The director told me said, yeah, nah,

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Speaker 3: don't do that. So I was like all right, but

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Speaker 3: we kind of just had fun. We could do it.

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Speaker 3: Amy just let us run a mark, anything we could add.

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Speaker 3: She let us do it, like any kind of physical stuff.

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Speaker 3: She let us do it.

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Speaker 2: So Kenny didn't even direct you to do like, well

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Speaker 2: we got the big takes, let's do sort of one

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Speaker 2: with a little less. No, it was all just go

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Speaker 2: go go right the other way. Oh man, Well it

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Speaker 2: all worked out like fifteen episodes. Pretty good, you know,

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Speaker 2: coming from a small role like that and you made

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Speaker 2: it your own and you made it bigger, and good

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Speaker 2: on you for that. So you'd been you'd been mostly

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Speaker 2: in the theater before. Did you find that it was

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Speaker 2: a hard transition coming into you know, had you been

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Speaker 2: in front of a camera before, a movie camera before?

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Speaker 3: I had limited I had, so I kind of got

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Speaker 3: the nuances of it. But the style of film and

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Speaker 3: TV in Australia is very very different to America. And

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Speaker 3: I don't want to say very very different to America,

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Speaker 3: what I will say is very very different to Gilmore Girls.

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Speaker 3: You know, as you know, Gilmore Girls was about you know,

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Speaker 3: getting the lines word perfect and being you know, on

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Speaker 3: the money, on the mark, and it was just there

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Speaker 3: was a rhythm to it. Whereas in Oz the performance

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Speaker 3: was less about you know, here's the close up on you,

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Speaker 3: here's a close up on me. It was more about

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Speaker 3: what was happening in between. They really wanted authenticity. They

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Speaker 3: wanted that organic kind of performance, and there was a

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Speaker 3: rawness to it and it meant that, you know, if

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Speaker 3: if there was a little ad lb or if you

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Speaker 3: armed an ard or stepped on each other's lines, that's

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Speaker 3: what they wanted. So then that was gold. So it

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Speaker 3: took me a little while to adjust when I came

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Speaker 3: here with that stuff, you know, Like I remember saying

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Speaker 3: something like, you know, I'm going to the park and

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Speaker 3: on the set they came up to me and said, no,

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Speaker 3: I am you know like that sort of stuff. In

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Speaker 3: the first couple episodes, I'm good. I got that a lot,

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Speaker 3: and so that was an adjustment for me. Yeah, it

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Speaker 3: took me a second to figure that all out. And

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Speaker 3: also I think it took them a second to figure

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Speaker 3: out writing for Finn because I don't think they'd ever

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Speaker 3: heard an Australian before, so he was kind of his

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Speaker 3: manner was and his dialogue was more British, and it

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Speaker 3: was and it was oddly because as as it progressed,

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Speaker 3: I would find things that I was saying to the

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Speaker 3: crew all of a sudden appearing in the script, like

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Speaker 3: certain little words that I'm you know, like they were

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Speaker 3: picking up on the vernacular. And then apparently America had

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Speaker 3: at this scene with my accent, they couldn't understand me.

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Speaker 3: So I was doing a lot of ad r in

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Speaker 3: the beginning, and then people were complaining that I had

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Speaker 3: the worst Australian accent ever.

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Speaker 2: You got me and you're just getting re reamed from

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Speaker 2: the you can't win.

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Speaker 3: But you know, we figured it and it's kind of

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Speaker 3: like a happy meeting. But it took a couple of episodes,

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Speaker 3: I think in the beginning.

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Speaker 2: So what did you like about playing Fan? What did

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Speaker 2: you really thrive on?

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Speaker 3: You know, he was he was kind of like lovable song,

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Speaker 3: you know, and they have such fun characters to play

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Speaker 3: because there's that there's that depth. You know, most a

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Speaker 3: lot of the times, as you know, you you read

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Speaker 3: a character on the page and he's the good guy

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Speaker 3: or he's the bad guy. But when you have a

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Speaker 3: guy that kind of sort of does douchey things but

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Speaker 3: has a good heart, there's some sort of complexity to that.

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Speaker 3: There's there's a contrast. And it was just fun. It

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Speaker 3: was play. It was always play, and I got away

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Speaker 3: with murder and I think it was just because I

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Speaker 3: was Australian and I didn't know any better. I mean,

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Speaker 3: there was there was this thing on on set always

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Speaker 3: like somebody yell out why does he do it? And

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Speaker 3: the crew would go because he's Australian. I just go,

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Speaker 3: I'm sorry, you know, you know, and you couldn't get

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Speaker 3: away with half the stuff we did on set back then.

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Speaker 3: But yeah, it was it was good. I mean, the

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Speaker 3: nights were long, as you know, they liked they like

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Speaker 3: to do another.

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Speaker 2: Take, thirty more, forty more.

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Speaker 3: Sure, Yeah, I'm sure you got a lot more of it. Yeah.

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Speaker 3: When we did the reunion, we're doing night shoots for

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Speaker 3: the dream sequence and we're in the middle of it

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Speaker 3: and uh and Amy goes one more and I'm like,

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Speaker 3: I'm like fifty feet away. I'm like amen, and she's

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Speaker 3: like yeah, and I go, We'll do as many as

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Speaker 3: you want, but we all know you don't want one more,

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Speaker 3: you know, And of course you did twenty more takes. Yeah,

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Speaker 3: God love. I mean, I owed my career to that woman.

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Speaker 3: She wrote a role for me and she never gave

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Speaker 3: me a single note, not one.

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Speaker 2: Yeah, you know, you're you're right about that. All the

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Speaker 2: main cast does too, especially because they this studio wanted names,

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Speaker 2: they didn't want unknowns. And that was right about two

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Speaker 2: thousands of a time that film actress were crossing over

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Speaker 2: into TV. It wasn't so for voting anymore. And and

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Speaker 2: there was a lot of competition. I mean, it's just

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Speaker 2: like you couldn't get a TV roll. It was like, Oh,

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Speaker 2: Benjamin Bratt's gonna do it, and this guy's going to

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Speaker 2: do it, and this film guy's going to do it.

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Speaker 2: It's like, okay, So she fought for every single one

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Speaker 2: of us. So yeah, we owere our careers as well.

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Speaker 2: I mean, I know I feel you on that one,

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Speaker 2: bud uh So you jump I jump jack big episode

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Speaker 2: you got introduced life and Death Brigade. What do you

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Speaker 2: remember about filming that? Where did you film it? What

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Speaker 2: do you remember about filming it?

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Speaker 3: We filmed it somewhere in the valley. You're gonna know this.

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Speaker 3: I don't remember it because I just moved to La

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Speaker 3: then and I've actually been around there. I want to

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Speaker 3: say it's somewhere around there's a lot somewhere around Agra Hills, Calabasas,

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Speaker 3: somewhere out there apparently Pleasantville out there or something. I'm

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Speaker 3: sure you've shot there.

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Speaker 2: Oh yeah, there's there is. There is a movie ranch

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Speaker 2: out there somewhere.

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Speaker 3: Near Malibu Lake at this property there. The one thing

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Speaker 3: I do remember is we we had a lot to

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Speaker 3: shoot that day and we weren't going to get it

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Speaker 3: in the can. We're running out a lot and we

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Speaker 3: had the skirmish sequence, which involved couple of us shooting

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Speaker 3: with paintball guns, these guys flying through the air.

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Speaker 2: Funniest stuff. I mean, that was one of the funnier

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Speaker 2: things I've seen on that show.

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Speaker 3: Yeah, it was fun. And I believe the cinematographer said,

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Speaker 3: we don't have any time to shoot this. We're going

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Speaker 3: to shoot it. And the cinematographer said, to the best

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Speaker 3: of my knowledge, or we can't, and I think Amy said,

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Speaker 3: well we are, so you can go home. And we

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Speaker 3: shot the entire sequence in a oneer.

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Speaker 2: Oh my, A wanner for the audience is there are

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Speaker 2: no cuts. It's like you're getting everything in one shot,

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Speaker 2: which is impossible to do. Everything has to come together

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Speaker 2: to accomplish that. Very courageous.

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Speaker 3: Anyway, go ahead, And I you know, we were told

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Speaker 3: we had like fifteen minutes worth of life. So the

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Speaker 3: way it was the scene is basically and I'm going

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Speaker 3: to I'm going to tell you the scene from my

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Speaker 3: perspective because frankly, that's all I know is, you know,

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Speaker 3: I think Logan and Rory walk over. I have a

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Speaker 3: skirmish gun. I shoot some guy that's flying through the air.

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Speaker 3: I have one or two lines of dialogue with Logan

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Speaker 3: and Rory, and then I say something to effective. I

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Speaker 3: want to have a turn, as in being shot out

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Speaker 3: of the cannon. So then I run off camera. I

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Speaker 3: rip my jacket off, I take my shirt off, I

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Speaker 3: put another shirt on with squibs, and then they throw

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Speaker 3: me onto a gurney and then they run me straight

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Speaker 3: back through the scene. So I do it like a

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Speaker 3: costume change while they're shooting their dialogue, and we come

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Speaker 3: back through, and then they just went, yep, yeap, grab

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Speaker 3: some cutaways here, great, let's roll, and we a scene

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Speaker 3: with people flying through the air, props skirmish guns. Nick

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Speaker 3: had to hit him like Nick was the guy shooting

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Speaker 3: the gun and he had to hit the flying bodies.

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Speaker 3: If he didn't, we didn't have it. And then dialogue

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Speaker 3: for four characters in fifteen minutes flight.

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Speaker 2: Isn't it amazing what you can accomplish on a film

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Speaker 2: set when you have to, You have to right, everybody

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Speaker 2: figures it out. Suddenly there's no time, let's get it done.

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Speaker 2: I think that's what I think some of the really

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Speaker 2: great indie directors do that on their films. It's like

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Speaker 2: you listen, guys, you have one take. We're going to

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Speaker 2: do it in a wan er. We got to move on,

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Speaker 2: let's go, and then then the performances are just brilliant.

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Speaker 3: Right Clint, someone done m Clint Eastwood only does one tape.

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Speaker 2: That's what I right, I was. I was thinking of him, Yeah, yeah, yeah.

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Speaker 3: But also like you know, if you if you're on

336
00:20:00,560 --> 00:20:03,159
Speaker 3: a if you're in a film and you know you

337
00:20:03,280 --> 00:20:06,960
Speaker 3: got twenty days shoot or whatever, or you've got three

338
00:20:07,000 --> 00:20:10,200
Speaker 3: months shoot, you're still getting the movie in the camp

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Speaker 3: one way or another.

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Speaker 2: Yeah, you got to do it all right. Here Sarah

341
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Speaker 2: from des Moines, Iowa wants to know what your favorite

342
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Speaker 2: line was that you had to deliver it as a finn.

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Speaker 3: Oh wow, oh buttercup.

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Speaker 2: And in what kind of explain the context?

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Speaker 3: There's a scene where Rory is coming to the hospital

346
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Speaker 3: and Logan's in the hospital bed and I have a

347
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Speaker 3: scene with Allen who played Colin. But it took me

348
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Speaker 3: probably I think in the two years on Gilmore Girls,

349
00:21:00,840 --> 00:21:05,399
Speaker 3: I was happy with three scenes maybe two and one

350
00:21:05,440 --> 00:21:07,879
Speaker 3: was with Ed and one was with Allen and that

351
00:21:08,040 --> 00:21:10,600
Speaker 3: was it. And we have this chunk of dialogue and

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Speaker 3: Rory's in and she's all mad at us, and I

353
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Speaker 3: can't remember the lines exactly, but there was a bit,

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Speaker 3: but we were we were on, you know, you know,

355
00:21:22,640 --> 00:21:24,479
Speaker 3: there's that magic in the bottle and sometimes you're on

356
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Speaker 3: and be a long while to figure it out. But

357
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Speaker 3: that scene, yeah, I mean, all the classic lines that

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00:21:31,200 --> 00:21:37,120
Speaker 3: people quote from Finn Why you don't know at the time, right,

359
00:21:37,200 --> 00:21:42,000
Speaker 3: You're just you're just doing your dialogue and then and

360
00:21:42,000 --> 00:21:43,320
Speaker 3: then they come out and then all of a sudden,

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00:21:43,320 --> 00:21:45,680
Speaker 3: they're like there. You know, they're still quoted fifteen years later.

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Speaker 2: They're on T shirts and they're on coffee cups and yeah. Right,

363
00:21:51,800 --> 00:21:54,640
Speaker 2: so you worked you worked with Matt on The Resident.

364
00:21:55,480 --> 00:21:57,080
Speaker 2: What was it like working with him again?

365
00:21:58,160 --> 00:22:04,520
Speaker 3: Great? Yeah, great? He is Matt is the consummate professional.

366
00:22:05,760 --> 00:22:10,199
Speaker 3: He's the hardest worker I've ever met. I like to

367
00:22:10,240 --> 00:22:14,200
Speaker 3: think I'm a very hard worker. I take my job

368
00:22:14,400 --> 00:22:18,120
Speaker 3: very seriously. I like to do a lot of research,

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00:22:21,600 --> 00:22:26,920
Speaker 3: and I just feel lazy when I'm around that. He's

370
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Speaker 3: just so on point. He does so much homework and

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Speaker 3: he just bangs it out, you know, he just drills,

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Speaker 3: drills it, and I I'm still a part of me

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Speaker 3: just has a bit of fun. You know, Math's consummate professional.

374
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Speaker 3: I have a lot of time for him. He's he's

375
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Speaker 3: he's been a good.

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Speaker 2: Friend, you know, brilliant, brilliant gay.

377
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Speaker 3: He's done so much work that you can't help. But

378
00:22:57,000 --> 00:22:58,520
Speaker 3: you know, there have been times when you know, I'll

379
00:22:58,520 --> 00:22:59,800
Speaker 3: be on set with him and I'll say, hey, you know,

380
00:22:59,840 --> 00:23:01,080
Speaker 3: what to a take on this? Or what do you

381
00:23:01,119 --> 00:23:03,639
Speaker 3: think about this? Or you know, and that was all

382
00:23:03,680 --> 00:23:05,720
Speaker 3: that on the resident. So he's shot. You know, I

383
00:23:05,760 --> 00:23:07,560
Speaker 3: was coming on just doing a guesting right.

384
00:23:09,320 --> 00:23:11,840
Speaker 2: Yeah, we we love him over here. We've had him

385
00:23:11,840 --> 00:23:15,439
Speaker 2: on a couple of times and he's just the top guy. Gosh,

386
00:23:15,640 --> 00:23:21,399
Speaker 2: top guy and great performances, logan, just fantastic perform I

387
00:23:21,440 --> 00:23:25,720
Speaker 2: think that gets lost in all of the you know,

388
00:23:25,800 --> 00:23:29,520
Speaker 2: the fan reaction to you know, where he comes from.

389
00:23:29,600 --> 00:23:33,720
Speaker 2: He's a guy of privilege. He's breaking Rory's heart, he's

390
00:23:33,800 --> 00:23:36,120
Speaker 2: manipulating her all of the stuff. And what I'm trying

391
00:23:36,160 --> 00:23:40,280
Speaker 2: to focus on is like this guy's performance is epic.

392
00:23:41,320 --> 00:23:43,680
Speaker 2: I mean, just the work. Look at the work, look

393
00:23:43,720 --> 00:23:46,200
Speaker 2: at how everything just trips off his tongue and it's

394
00:23:46,280 --> 00:23:49,399
Speaker 2: just like the timing of it is so perfect. You

395
00:23:49,480 --> 00:23:52,120
Speaker 2: guys were all great together. Man, that was those those

396
00:23:52,119 --> 00:23:55,080
Speaker 2: were the most fun scenes to watch so far. I mean,

397
00:23:55,160 --> 00:24:00,239
Speaker 2: among the most fun. Uh. And so is there. Keep

398
00:24:00,280 --> 00:24:03,680
Speaker 2: in touch with everybody and the and the brigade.

399
00:24:03,640 --> 00:24:05,840
Speaker 3: Alan Matt every now and again we'll send each other

400
00:24:05,920 --> 00:24:10,520
Speaker 3: a text. But one thing I think part of that

401
00:24:10,600 --> 00:24:13,040
Speaker 3: fun is, you know, we were blessed. We I think

402
00:24:13,080 --> 00:24:15,960
Speaker 3: we kind of got given certain liberties that that you

403
00:24:16,080 --> 00:24:18,719
Speaker 3: guys didn't, you know, because you guys were driving, you know.

404
00:24:21,280 --> 00:24:24,240
Speaker 3: But when we met, it was very clear, at least

405
00:24:24,280 --> 00:24:28,280
Speaker 3: clear to me, that we had to develop this camaraderie

406
00:24:28,520 --> 00:24:32,760
Speaker 3: and we had to be very very close. So we

407
00:24:32,880 --> 00:24:36,679
Speaker 3: hung out all the time in the beginning, like outside of it,

408
00:24:36,720 --> 00:24:40,240
Speaker 3: you know, after that first day of shooting, we had

409
00:24:40,680 --> 00:24:43,399
Speaker 3: pokon ice, the boys had cigar and nights. I was there,

410
00:24:43,400 --> 00:24:47,159
Speaker 3: but I just don't smoke. We'd hang out anytime we

411
00:24:47,160 --> 00:24:49,480
Speaker 3: were on set. We all hung out one trailer. It

412
00:24:49,520 --> 00:24:51,159
Speaker 3: was you know, you know a site you go to

413
00:24:51,200 --> 00:24:54,000
Speaker 3: set and you just go to do your own thing.

414
00:24:54,119 --> 00:24:56,600
Speaker 3: That we'd all get one trailer. We're bringing some guitars.

415
00:24:56,640 --> 00:24:59,600
Speaker 3: We'd start jamming or whatever. He wanted to get that

416
00:24:59,720 --> 00:25:03,000
Speaker 3: kind of of kingship really quickly. And I think you

417
00:25:03,040 --> 00:25:04,520
Speaker 3: see it. I think you see it on camera.

418
00:25:05,600 --> 00:25:10,600
Speaker 2: Yeah, it's it definitely translates it. It really really helps.

419
00:25:11,359 --> 00:25:19,080
Speaker 2: Let's talk about Yellowstone. So you're in we're starring on

420
00:25:20,000 --> 00:25:21,760
Speaker 2: the spin off nineteen twenty three.

421
00:25:22,960 --> 00:25:27,080
Speaker 3: Yes, yes, so we wrapped that. I want to say

422
00:25:27,160 --> 00:25:28,120
Speaker 3: January February.

423
00:25:28,240 --> 00:25:29,680
Speaker 2: Okay, that's season one.

424
00:25:30,520 --> 00:25:37,239
Speaker 3: Season one. They picked up a season two. Good at

425
00:25:37,320 --> 00:25:40,919
Speaker 3: least that's what I heard when they wrapped in January.

426
00:25:42,160 --> 00:25:45,440
Speaker 3: But that was mate. I have never I don't. I'm

427
00:25:45,440 --> 00:25:50,200
Speaker 3: sure you have. I've never been to Montowner guy and boy,

428
00:25:50,560 --> 00:25:53,320
Speaker 3: are they right that is the most magical place on

429
00:25:53,359 --> 00:25:57,880
Speaker 3: the planet something. Yeah, I spent I spent a bit

430
00:25:57,920 --> 00:25:59,320
Speaker 3: of time up there, and you know, I had to

431
00:25:59,359 --> 00:26:01,119
Speaker 3: learn how to write a That's always the way I like.

432
00:26:01,400 --> 00:26:02,400
Speaker 3: Can you ride a horse? Yeah?

433
00:26:02,400 --> 00:26:06,680
Speaker 2: Absolutely, yeah, grow up riding horse. Yeah.

434
00:26:06,760 --> 00:26:09,399
Speaker 3: They have cowboy camp. They call it cowboy Camp and

435
00:26:09,440 --> 00:26:13,240
Speaker 3: they send it up and you just go on a

436
00:26:13,320 --> 00:26:15,480
Speaker 3: ranch and you ride a horse for five six hours

437
00:26:15,480 --> 00:26:19,160
Speaker 3: a day and you get your own instructor and they

438
00:26:19,240 --> 00:26:22,119
Speaker 3: just you know, run you through the drills and I

439
00:26:22,160 --> 00:26:26,080
Speaker 3: mean it's it's hard work, but it's great work. You know,

440
00:26:26,080 --> 00:26:28,000
Speaker 3: when I was looking into horse essons out here and

441
00:26:28,040 --> 00:26:30,280
Speaker 3: I speak to people and they go, yeah, we we

442
00:26:30,400 --> 00:26:34,480
Speaker 3: typically do thirty to sixty minute lessons. I go, is

443
00:26:34,520 --> 00:26:37,720
Speaker 3: that it and they go yeah, because there's quite a

444
00:26:37,800 --> 00:26:40,520
Speaker 3: big cognitive load and you'll get tired, you'll be fatigued,

445
00:26:40,560 --> 00:26:43,240
Speaker 3: and you know it's better that way to keep them sure.

446
00:26:44,200 --> 00:26:45,880
Speaker 3: You know, Rock up to Montown it's like.

447
00:26:45,880 --> 00:26:48,960
Speaker 2: All day, yeah, end of it.

448
00:26:49,560 --> 00:26:50,520
Speaker 3: And they had to ride a horse.

449
00:26:52,080 --> 00:26:55,320
Speaker 2: So when's that gonna, when's that gonna, where's it going to?

450
00:26:55,760 --> 00:26:58,600
Speaker 2: Uh extreme? And when's it coming out?

451
00:26:58,880 --> 00:27:04,160
Speaker 3: The streams? On Paramount Class it's out now. It seems

452
00:27:04,160 --> 00:27:07,439
Speaker 3: to have gone some great reviews. I think they're in

453
00:27:07,520 --> 00:27:12,159
Speaker 3: some you know, talks about Emmys and whatnot, and you

454
00:27:12,200 --> 00:27:14,200
Speaker 3: know they're in consideration all that sort of stuff. But

455
00:27:14,359 --> 00:27:18,399
Speaker 3: you know, Harrison Ford and Helen Mirror images, right, you.

456
00:27:18,440 --> 00:27:22,960
Speaker 2: Know, they're insane, absolutely amazing. Did you get to meet

457
00:27:23,320 --> 00:27:26,040
Speaker 2: Taylor Sheridan? Was was he on set? Did he film

458
00:27:26,119 --> 00:27:28,399
Speaker 2: some stuff with you guys because he likes to be

459
00:27:28,440 --> 00:27:29,760
Speaker 2: in his own productions.

460
00:27:30,119 --> 00:27:37,000
Speaker 3: Yeah, it wasn't in my episodes, and I know I'm

461
00:27:37,040 --> 00:27:38,600
Speaker 3: not sure where he was, but I know he has

462
00:27:38,680 --> 00:27:40,240
Speaker 3: like nine shows in production.

463
00:27:40,400 --> 00:27:44,360
Speaker 2: Yeah, yeah, that we know of, right, yeah, yeah, yeah.

464
00:27:44,920 --> 00:27:50,560
Speaker 3: And twenty three was being shot in South Africa, Montana, Gibraltar,

465
00:27:51,600 --> 00:27:57,679
Speaker 3: I think, yeah, and Walter at the same time, so

466
00:27:58,400 --> 00:28:00,400
Speaker 3: I'm sure he was in one of the contents.

467
00:28:01,000 --> 00:28:05,880
Speaker 2: Unbelievable the guy. The guy is a marvel. I mean,

468
00:28:05,880 --> 00:28:09,200
Speaker 2: he's just it's just I don't know how he does it,

469
00:28:09,560 --> 00:28:17,600
Speaker 2: but he does it. So now we're going to jump

470
00:28:17,600 --> 00:28:21,000
Speaker 2: into a segment of this episode called rapid Fire. I'm

471
00:28:21,040 --> 00:28:25,119
Speaker 2: going to ask you some really silly, superfluous questions about

472
00:28:25,119 --> 00:28:27,119
Speaker 2: the show, and you're going to answer them to the

473
00:28:27,119 --> 00:28:31,159
Speaker 2: best of your ability. Good luck. How do you like

474
00:28:31,240 --> 00:28:32,040
Speaker 2: your coffee?

475
00:28:32,480 --> 00:28:33,600
Speaker 3: I don't drink coffee.

476
00:28:35,680 --> 00:28:38,720
Speaker 2: Have you binged the entire Gilmore Girls series.

477
00:28:39,760 --> 00:28:42,200
Speaker 3: I've only seen one episode and it was with my

478
00:28:42,320 --> 00:28:45,520
Speaker 3: wife and it was about six weeks ago. It was

479
00:28:45,560 --> 00:28:48,120
Speaker 3: the first time I've ever seen an episode. What do

480
00:28:48,120 --> 00:28:50,760
Speaker 3: you think I should really enjoyed it?

481
00:28:52,080 --> 00:28:57,360
Speaker 2: That's good? Are your team Logan, Team Jess or Team Dean?

482
00:28:58,080 --> 00:28:58,880
Speaker 2: Do you know what that is?

483
00:29:00,080 --> 00:29:02,920
Speaker 3: Yes? Ok, same life.

484
00:29:03,560 --> 00:29:08,480
Speaker 2: There you go. And which Gilmore Girl's character would you

485
00:29:09,560 --> 00:29:13,520
Speaker 2: not want to go on a road trip? With oh

486
00:29:14,120 --> 00:29:20,440
Speaker 2: h Rory's mother Emily, right, gotcha, that's all.

487
00:29:20,360 --> 00:29:24,880
Speaker 3: The character character? Oh yeah, Emily.

488
00:29:25,160 --> 00:29:28,040
Speaker 2: You'd stay in good hotels though, don't you think that

489
00:29:28,080 --> 00:29:28,720
Speaker 2: would be true?

490
00:29:29,000 --> 00:29:29,200
Speaker 3: Yeah?

491
00:29:29,960 --> 00:29:30,600
Speaker 2: Great service?

492
00:29:31,480 --> 00:29:33,080
Speaker 3: The size thing is a free lunch.

493
00:29:35,360 --> 00:29:40,440
Speaker 2: What would you order at Luke's diner? There you go,

494
00:29:41,640 --> 00:29:42,959
Speaker 2: Harvard or Yale?

495
00:29:44,640 --> 00:29:46,680
Speaker 3: Oh my, Yael.

496
00:29:47,720 --> 00:29:56,800
Speaker 2: Luke's nickname in high school was Butch. What's your nickname? Who?

497
00:29:56,840 --> 00:30:01,880
Speaker 2: From Gilmore? Would you not want to be stuck on

498
00:30:01,920 --> 00:30:06,280
Speaker 2: a desert island with? Basically the same question, road trip

499
00:30:06,360 --> 00:30:08,160
Speaker 2: or a desert island? Now we're on a desert island

500
00:30:08,160 --> 00:30:09,640
Speaker 2: with somebody? Who? Do you not want to be on

501
00:30:09,680 --> 00:30:12,200
Speaker 2: a desert island with? Ed?

502
00:30:12,480 --> 00:30:13,800
Speaker 3: What's it's character's name?

503
00:30:14,360 --> 00:30:14,719
Speaker 2: Richard?

504
00:30:15,560 --> 00:30:18,240
Speaker 3: Richard? Yeah, I don't think you'd be very useful on

505
00:30:18,280 --> 00:30:18,760
Speaker 3: an island.

506
00:30:18,920 --> 00:30:23,400
Speaker 2: Right. There you go, boy, something in your life. You

507
00:30:23,520 --> 00:30:30,760
Speaker 2: are all in on My wife, thanks said, pleasure to

508
00:30:30,920 --> 00:30:33,160
Speaker 2: talk to you. Thank you so much for the time.

509
00:30:35,800 --> 00:30:39,200
Speaker 2: You are one of the most asked about, in demand

510
00:30:40,320 --> 00:30:43,920
Speaker 2: characters in this series. We are very grateful that you

511
00:30:44,000 --> 00:30:47,040
Speaker 2: came on, and we hope you will consider coming on

512
00:30:47,160 --> 00:30:52,720
Speaker 2: again because we are going to get into more episodes

513
00:30:52,760 --> 00:30:55,240
Speaker 2: that you are in and we are enjoying them very much,

514
00:30:55,280 --> 00:30:56,880
Speaker 2: so thank you so much for coming on.

515
00:30:57,360 --> 00:30:58,560
Speaker 3: Thanks Mine, I appreciate it.

516
00:30:58,720 --> 00:31:30,959
Speaker 2: Take care, Tank, thanks so much, Thank you very much, Buds, Hey, everybody,

517
00:31:30,960 --> 00:31:34,320
Speaker 2: and don't forget Follow us on Instagram at I Am

518
00:31:34,400 --> 00:31:39,360
Speaker 2: All In Podcast and email us at Gilmore at iHeartRadio

519
00:31:39,680 --> 00:31:48,800
Speaker 2: dot com