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Speaker 1: Forever. Look man, oh I see you? Why why and

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Speaker 1: look over there? How is that culture? Yes? Goodness, let's

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Speaker 1: I'm great. I want to know what your brain chemistry

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Speaker 1: is right now. Because someone partied, someone did what happened? Okay,

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Speaker 1: so do you know this party horse me disco. I've been.

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Speaker 1: It's it's kind of it's awful, it's great, it's beautiful,

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Speaker 1: it's terrible. It's here's my theory about New York versus

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Speaker 1: l A. Everyone, hang on. I think there are eight

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Speaker 1: million gay men in Los Angeles and in New York,

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Speaker 1: and there are thirty two gay men in Los Angeles.

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Speaker 1: Made You've made this statement before. That's not true. There

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Speaker 1: is there's thirty two types of gay men in Los Angeles,

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Speaker 1: and there's eight million types of gay men in New York. Explain.

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Speaker 1: This is a comment on no, it's just like you know, yeah, yes,

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Speaker 1: it's a comment on Oh, go ahead, go ahead. It's

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Speaker 1: a comment on diversity. Um No, I think l A's

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Speaker 1: very like that. We went to auspin Off and I

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Speaker 1: don't love circuit parties, but I will, but I will

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Speaker 1: go to them. This is my This might be my

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Speaker 1: I d T s H maybe maybe, but feel it's

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Speaker 1: like such an easy target. I mean, we go anyway,

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Speaker 1: like we're all going, We're going tonight. One of our

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Speaker 1: guests went to one last night. Our other guests and

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Speaker 1: I went to this truly deserted bar in Bushwick, and

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Speaker 1: it was so it did not feel like it felt

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Speaker 1: like we were in the Midwest. Did I feel like

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Speaker 1: World Pride? It did not feel like World Pride, And

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Speaker 1: like I just had to like banter. Miss Jade was there.

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Speaker 1: She's fantastic, and Hi Miss Jade, and she and I

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Speaker 1: just like openly we're talking having a conversation with each

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Speaker 1: other in front of the audience. But like there was

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Speaker 1: like thirteen people there totals. You wouldn't believe what the

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Speaker 1: two celebrities that were at this event last tell me

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Speaker 1: Andy Cohen and Anderson Cooper. Wow, best friends A C,

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Speaker 1: A C and A C. Listen, here's the thing who

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Speaker 1: guests our guests. Oh god, I really and I throw

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Speaker 1: this word around all the time, but I really love them.

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Speaker 1: J June. Yes, Jay June was the term I used

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Speaker 1: to J June was back in when I was like

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Speaker 1: trying to be like I'm a smart comedian with big words,

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Speaker 1: and I was trying to make a big word, very

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Speaker 1: big word. Now go on. No, I love I love

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Speaker 1: our two guests. I'm excited about this episode. I've been

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Speaker 1: really excited about this episode because I'm excited about the

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Speaker 1: show that they created and wrote and staring. I love

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Speaker 1: it a lot. It's so fucking good every It's like

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Speaker 1: it literally is inspired by like Saturday Morning cartoons. We

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Speaker 1: can talk about this more, but like it has that

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Speaker 1: cartoonist cadence of like joke joke, joke, joke, joke, and

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Speaker 1: it's just not even and sometimes it's not even jokes.

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Speaker 1: It's just like a performance from GREGORYA. That's and I

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Speaker 1: think she's character. I was just gonna say, I love

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Speaker 1: the two characters played by our guests, but I think

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Speaker 1: is my favorite character. She was discovered on the beach.

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Speaker 1: She was discovered on the beach. And also in the

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Speaker 1: most recent episode, she's in the first scene and she

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Speaker 1: takes her heels off and then she walked as if

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Speaker 1: she's wearing the hill and and the end of this episode, um,

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Speaker 1: she's getting pitches for stories from her team. Yes, a

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Speaker 1: spider makes the web that looks like the Virgin Mary

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Speaker 1: and a tattoo parlor, and so the people don't want

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Speaker 1: to get tattooed because the virgin Mary doesn't like it.

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Speaker 1: I also love when she accepted calls from the audience

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Speaker 1: and is Satan really? She said, yes, he's real. He

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Speaker 1: calls every day. But then but then the line that

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Speaker 1: she says to her staff after the show, to the

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Speaker 1: people that created it, I know, I'm sorry, but this

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Speaker 1: is just this is just for the listeners. This is

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Speaker 1: for the listeners, not for them. She she hears this

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Speaker 1: news story and she goes, I've heard it and it's

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Speaker 1: and it's the truth. I'll report it tomorrow and laughed

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Speaker 1: and laugh. It's so good good what goodness. Oh, it's

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Speaker 1: called Loso spookies. We didn't even say this. It's called

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Speaker 1: Friday Fridays the best time. It's so good and it's

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Speaker 1: actually a real culture. It's also Nuren. It's also um,

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Speaker 1: they're so so, so so perfect. We love them so much.

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Speaker 1: Please welcome into your ears, Anna, Fabregas welcome. Okay, so

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Speaker 1: we're all like, um, just really quickly before we talk

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Speaker 1: about the show. Um, and you just went to a

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Speaker 1: circuit party last night. We're going to go to one

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Speaker 1: to night. Let's how do y'all feel about circuit parties?

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Speaker 1: I've never heard the term circuit party? So what? And

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Speaker 1: and thank you for for posing? How do you define

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Speaker 1: circuit parties? Are like, Yeah, I wouldn't call it Bobby

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Speaker 1: Juicebly in a circuit party because Bubblet is in a

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Speaker 1: circuit party, and there you go, what is his name?

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Speaker 1: I think a circuit party is lots of people mushed together,

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Speaker 1: probably shirtless, probably shirtless, and they and the music doesn't

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Speaker 1: have any words. Yeah, and it's more like the party

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Speaker 1: tonight is not Devil's Playground, is not going to be

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Speaker 1: a circuit And also last night, Horse we just go.

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Speaker 1: There were plenty of words in the music, and I

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Speaker 1: love that. I don't like to dance to music with

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Speaker 1: no words. How do you feel about this? I prefer

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Speaker 1: words words, yeah, because how do you connect words. I'll

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Speaker 1: take words. Yeah, you'll take words, and it seems like

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Speaker 1: you're inferring. You'll also take merely sounds. I'll take merely

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Speaker 1: sounds as well. Yeah, but then what's the preference you

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Speaker 1: have to have a preference? I guess maybe no words?

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Speaker 1: Oh is this because you as a creative person or

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Speaker 1: creating the own wards in your head writer, writer, I

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Speaker 1: need a canvas, you need a canvas. I get that. Okay,

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Speaker 1: So I'm so sorry Poppy Juice is not a circuit party. Well,

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Speaker 1: I think I think that we are all saying that

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Speaker 1: the parties that we go to our not circuit parties

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Speaker 1: because circuit party has such a negative connotation, right, or like, oh,

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Speaker 1: we surely don't go to circuit party. Yes, but it's

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Speaker 1: really not the one that Anna was. Another one that

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Speaker 1: I'm described the party that you were at last night

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Speaker 1: as when it hit one thirty, it became quote unbearable. Well,

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Speaker 1: I mean that party always when it gets you know,

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Speaker 1: because that's when like other people roll up at like

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Speaker 1: one thirty and it's pack. Yea, truly, you know. But

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Speaker 1: but but if you're there already and you're drunk, you're

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Speaker 1: like whatever. But I wasn't that drunk, So I was

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Speaker 1: just like, this is too full. Now I'm getting tired.

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Speaker 1: It's amazing what you'll tolerate with even a little bit

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Speaker 1: of substance in you and in its intolerable situations. Yeah,

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Speaker 1: you really would never put yourself and no, I also

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Speaker 1: like we were just talking, well, I don't know, listener, reader,

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Speaker 1: you might be in New York. It is the summer,

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Speaker 1: it is hot, and we were discussing how we don't

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Speaker 1: like to be this way and those parties are famously hot,

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Speaker 1: famously famously she isn't there yet. They don't have it.

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Speaker 1: There's no there's no solution. Yeah, you can't. It's the

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Speaker 1: rooms are are just merely too big, merely too big, literally,

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Speaker 1: merely simply tu speaking of rooms, you two wrote the

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Speaker 1: whole show yourself No Rooms, and you were talking about that.

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Speaker 1: I think we don't have to actually get into this

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Speaker 1: like legal discussion about for the next season. But um,

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Speaker 1: I think I think it's just so it's so like

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Speaker 1: you guys. What am I saying? There's like there's this

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Speaker 1: like obsession with like authorship that's happening right now. I

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Speaker 1: think in comedies, and I think that you guys like

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Speaker 1: it's a show that is like you it's it's just

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Speaker 1: you two, and it's like so clearly obviously and wonderfully YouTube.

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Speaker 1: But it's like you don't get caught up in like

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Speaker 1: the preciousness of like, well, what do we have to

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Speaker 1: do to make sure we keep some identity to this?

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Speaker 1: You know, like you guys like we're just typing and typing,

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Speaker 1: technic and joking, joking, joke and joking, joking and typing

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Speaker 1: and just laughing, laughing and giggling. Yeah, Fred gave us

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Speaker 1: the seed. He came up with the idea he wanted.

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Speaker 1: He was very into doing a show that was a

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Speaker 1: Latin America about friends or he actually originally Mexico specifically

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Speaker 1: about friends who were into horror makeup. And then he

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Speaker 1: gave us the seed and then we watered it and

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Speaker 1: then we're like, oh, this is not just that, it's

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Speaker 1: also weird, and here it is and now that's the show. Yeah,

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Speaker 1: And we had two beautiful consultants that were like, uh,

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Speaker 1: this is what makes sense. This doesn't make that much sense.

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Speaker 1: They came over for like a week and now you

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Speaker 1: can go. Now you can go, Um, what was what

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Speaker 1: was their fantastic You eliminated them? What didn't make sense

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Speaker 1: that they told you did? Well, no, nothing, nothing didn't like,

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Speaker 1: nothing didn't make sense. It was more like, rearrange this

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Speaker 1: in a way, Yeah, to help the story be stronger.

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Speaker 1: There are was a narrative concern, narrative consult but you know,

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Speaker 1: we're only three episodes in at the time of this recording. Yeah,

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Speaker 1: soon they'll be a fourth. Soon they'll be a fourth

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Speaker 1: or fifth. Well, I I heard there's going to be six.

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Speaker 1: I I clocked. I'm like, I clocked this thing that's

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Speaker 1: happening where you're just like, oh, I didn't realize this

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Speaker 1: person would be serialized. I didn't know. I didn't know.

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Speaker 1: I didn't realize Pepito was going to be well, Pilpizza

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Speaker 1: return after not in this season, however, we have ideas. Also,

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Speaker 1: I want to shout out Grata title and is killing.

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Speaker 1: And I was gonna say, Gretta, you think, well, Gretta,

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Speaker 1: you know she leaves on a cliffhanger in episode two, Yes,

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Speaker 1: flies away in flies in the helicopter. Yes, but episode

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Speaker 1: four she's back flanked by Udorra and Sam Right among

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Speaker 1: others among others. Yes, Uma, Chelsea, I love moved to

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Speaker 1: Katie mccrack is the character's name, the actresses name. I

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Speaker 1: feel that you would give a character the name of Chelsea.

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Speaker 1: You know their names their names in the show are

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Speaker 1: so ambassad American Ambassador Melanie give me has like four

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Speaker 1: assistants and their names are Chrissie, j j Uh the Chris.

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Speaker 1: I also love that John's name is Mark Stevens, Mark

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Speaker 1: the CEO, Mark Stevens. You gotta love I love to

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Speaker 1: the name characters is one of my favorite things to do.

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Speaker 1: Oh yeah, what's the what's the mysterious? Woman's just she

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Speaker 1: revealed her name. She reveals her name, and everyone thinks

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Speaker 1: that there was a joke that they are not getting,

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Speaker 1: But there is no joke. It's just a it's just

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Speaker 1: a funny name Tuesday Thursday. So you cast a lot

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Speaker 1: of the actors out of Chili. Yes, so thea who

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Speaker 1: are the other leads are played by who are from Mexico?

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Speaker 1: So is my boyfriend on the show? He's from Mexico. Uh?

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Speaker 1: And then the named after the cookies after, But the

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Speaker 1: rest of them are like perfect, Yeah, and you did

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Speaker 1: you audition when you went down or do you get

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Speaker 1: tapes or like we got taped. And then actually Betha

193
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Speaker 1: was the only actor that we were like, we have

194
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Speaker 1: to bring him in because this role has been so different.

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Speaker 1: Nobody could understand. No one got it quite right. And

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Speaker 1: then he was just so perfect. But the way his

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Speaker 1: belt was all the way up to his belly button

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Speaker 1: and just like he looked glossy in the right kind

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Speaker 1: of way. Glossy, the bish. That was very good casting,

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Speaker 1: overall good casting, the mysterious, and then I just love

201
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Speaker 1: when she comes down the stairs and she's like you

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Speaker 1: just see, Hey, what's up. She's so good people, She's

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Speaker 1: really good. She can greet people. So, um wait, how

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Speaker 1: did Joe Kim Booster describe the show? He was like,

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Speaker 1: it's like a much more sketch with a budget. That

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Speaker 1: is because I said, it's because we were saying it's

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Speaker 1: like so Julio that it's like we were, we recall

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Speaker 1: the days of much more. It's much more rest in peace.

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Speaker 1: No no no, no, no, it's still around. It's around, but

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Speaker 1: no one goes to shows her because they employ sexual harassment. Really, oh,

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Speaker 1: I did not know this. It's a fucked up situation.

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Speaker 1: I got it confused with over the eight for a second,

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Speaker 1: which is where which is the first time I saw Anna?

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Speaker 1: Which is yeah, and there's a Mexican restaurant now it's

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Speaker 1: really a restaurant now that I went to and they

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Speaker 1: have good guacamole once yeah, and it was all right.

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Speaker 1: It wasn't bad. It wasn't bad, but it wasn't great.

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Speaker 1: But that's all Mexican restaurants in New York, especially where

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Speaker 1: it's like, you know, expensive, like here's modern Mexican fu,

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Speaker 1: chic Mexican figure. But you said they kind of nailed

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Speaker 1: the guacamole and nailed the guacamo. Well, it's actually real

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Speaker 1: culture number forty four. You have to nail guacamole. Um.

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Speaker 1: I remember Anna Brega just at Over the eight, just

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Speaker 1: just going through her slides, her photoshop work, and it

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Speaker 1: was just like, oh, wow, this is this is this

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Speaker 1: is perfect. And then you see it, you see it

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Speaker 1: like on the show are you and are you? Like

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Speaker 1: I'm having like I'm playing this game in my head

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Speaker 1: as I'm watching the show where I'm like, oh, is

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Speaker 1: that did Anna write that? Or did Julio write that?

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Speaker 1: Which is like, so it's so sick that you together.

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Speaker 1: This is the SNL bullshit? That SNL bullshit. Are you

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Speaker 1: guys writing like to each other's characters or is it?

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Speaker 1: Is it? Like? Does is it? Does it? Like we'll

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Speaker 1: gravitate more towards like you right for Tati and you

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Speaker 1: right for on Dress. I think primarily we were right

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Speaker 1: for the people that we specifically created. But I love

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Speaker 1: writing that stuff. And then and then you're like writing

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Speaker 1: on their stuff. So we're both staff writers in each other. Yes,

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Speaker 1: you work for each other. Yes, how well do you

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Speaker 1: know each other? Let's play a game? Oh wait, do

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Speaker 1: you have a you have like from a game? Was

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Speaker 1: so sure that you had like index cards? The game

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Speaker 1: will come from your mind? From my mind, Let's play

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Speaker 1: a game. Honestly, if they were to be in next cards,

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Speaker 1: that also would have come from my mind, because I

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Speaker 1: would So what is astronaut sign? She's a Leo? Is

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Speaker 1: that true? And not answer that question famously in aquaria compatible? Wow,

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Speaker 1: these are very compatibles, are very compatible astrological signs. Yes,

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Speaker 1: you will be unsurprised to hear that. Bowen and I

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Speaker 1: are also very compatible, as are yours. I am the Pisces. Okay,

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Speaker 1: that scorpios, you got to watch them, you gotta watch

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Speaker 1: I'm a pretty I'm a pretty unthreatening scorpion. What you

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Speaker 1: are rising is Libra, which I guess means does that

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Speaker 1: mean I present as a Libra? And okay, so then

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Speaker 1: that might explain it. But then my moon is Gemini,

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Speaker 1: which is also like, Oh and I'm a Pisces cancer

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Speaker 1: Pisces water water water water water water water. Emotional cries

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Speaker 1: a lot. Oh but my feelings. I just found this

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Speaker 1: a Joel was telling you that Coastar the co Star

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Speaker 1: app is like bad. I was, I was, I was

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Speaker 1: hearing you say this. Yeah, but but because what is

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Speaker 1: your phrase? Because they just of thery of astrology, because

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Speaker 1: they just pull all this work from actual astrologers into

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Speaker 1: like an algorithm and then they just like they'll be like, oh,

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Speaker 1: here's your chart and here's your day. Like it's very

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Speaker 1: like here your transits, and it's like all work that

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Speaker 1: other people have done. Like you're canceling everything today. You're canceling,

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Speaker 1: canceling Everything's Hollywood. The second round of the game will

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Speaker 1: begin now, Okay, Anna, what is Julio's ideal vacation destination? Um, well,

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Speaker 1: it depends. It could be a city. We could be

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Speaker 1: in Berlin, or we can be on an island in Greece.

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Speaker 1: Where we're going to Where we're going where? Wait? What? Oh? Yes,

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Speaker 1: I heard You're going to so greta titleman who plays

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Speaker 1: American Ambassador mill An Island in Greece for Anna and

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Speaker 1: I to enjoy four days of luxury. Gret mean you there? Yes? Perfect,

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Speaker 1: Her father lives in Grace, yes, yes, and you show

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Speaker 1: me pictures of the islands. Yes, it did. It looks

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Speaker 1: beautiful well, but also but also we could be at

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Speaker 1: a waterfall with Julio's vacation. Yeah, definitely. There was something

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Speaker 1: that I every time that I go into a hotel,

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Speaker 1: I get really nervous that my room won't have views

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Speaker 1: of either sky or sea because if it doesn't, like,

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Speaker 1: there is a seventy chance that I will ask for

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Speaker 1: a room change. Yeah. I was going to say, you

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Speaker 1: seem to me the type where if you were to

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Speaker 1: open the blinds and it was like the back of

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Speaker 1: a building. Absolutely not okay, and I and this is

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Speaker 1: this is actually um a rude awakening for me when I, uh,

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Speaker 1: you know the assassination of Jenny Massage, Yes, in it

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Speaker 1: Andrew Kunan and psychopath right, so absolutely, Like I'm not

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Speaker 1: afraid to burn that bridge. I'm not afraid because I

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Speaker 1: heard you defending him earlier. But I he's burned everyone

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Speaker 1: except Uh. There's a scene which I don't know if

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Speaker 1: this is um poetic, if you can call that license

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Speaker 1: hotel room. He books a hotel room, and he he

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Speaker 1: s he opens the windows to his beautiful hotel room

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Speaker 1: South Beach, and he sees that there's a wall, and

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Speaker 1: then he just composes himself and then he goes downstairs

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Speaker 1: and he's like, excuse me, might you be able to

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Speaker 1: and like the way he says that, I was like, wow,

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Speaker 1: that is me. And he got his room changed, and

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Speaker 1: that was a metaphor and was able to talk his

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Speaker 1: way into anything. He was a psychopath. Well are you?

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Speaker 1: I mean, like okay, but like walk us through how

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Speaker 1: you go about a brick questioning the room changed? You

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Speaker 1: call down to go down? I okay. So usually I'll

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Speaker 1: check into a hotel room and then chances are that

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Speaker 1: my boyfriend is present, right most of the time, Hi John, Hello, John,

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Speaker 1: h thank you, thank you for saving me at the

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Speaker 1: gym that one time. And I'll go in and then

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Speaker 1: John knows that it's coming and he's dreading it. And

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Speaker 1: then I opened the blinds and then John is standing

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Speaker 1: behind me, not putting the suitcase down because he knows

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Speaker 1: that there's a channel that we might change. And then

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Speaker 1: he'll go like all right, okay, okay, all right uh

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Speaker 1: and then he uh. And then I turned to him

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Speaker 1: almost like saying would it be crazy? And then and

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Speaker 1: then I just try to compose myself I'll sit down

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Speaker 1: in the bed and I'll dial the lobby and then

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Speaker 1: I say, is it possible? Would it? Would it? Would

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Speaker 1: it be at all possible? Yeah? And then can I

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Speaker 1: can I add to that and to maybe go higher

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Speaker 1: in the building. Yeah? Absolutely, you know this, you know

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Speaker 1: this as far away from the ground as possible, right

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Speaker 1: right right close to the sky, close to the sky

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Speaker 1: or the sea, close to the sky. They said, well,

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Speaker 1: if you go oh yeah, if you go out with

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Speaker 1: you get more sky of course, or get more see. Okay, Julio,

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Speaker 1: what's Anna's ideal vacation spot. I don't just before you

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Speaker 1: even say, I don't even know what that answers. Well, yeah,

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Speaker 1: so I can at least this one, um, I can

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Speaker 1: at least present pieces of the puzzle. Yeah, we'll do that. Yeah,

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Speaker 1: okay activities. Yeah, Well, after wrapping in Chile, I went

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Speaker 1: to Rio, right uh. And then Anna wasn't so warm

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Speaker 1: on the idea of going to Rio. This was not

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Speaker 1: as attractive to her as it was to me. And

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Speaker 1: then she decided to go to Buenos Aires, which to

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Speaker 1: me made sense because it's a it's a crisper climate. Uh,

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Speaker 1: it is um metropolitan but orderly in a way that

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Speaker 1: I think and A responses. She also really liked being

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Speaker 1: in Santiago, I think maybe more than I did, because again,

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Speaker 1: very metropolitan and orderly, very civilized people, very h there's

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Speaker 1: no like uh, it is a very orderly hustle and bustle.

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Speaker 1: It's not like it doesn't find other place people know

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Speaker 1: where they're supposed to be, like the trainer. But Anna

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Speaker 1: did not have the best time in won Osiris really

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Speaker 1: because the homophobia there is and and the machismo is

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Speaker 1: like so strongly felt there in a that I was

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Speaker 1: like couldn't believe. Really. Yeah, and it's supposed to be

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Speaker 1: a very gay friendly city. So when I got there,

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Speaker 1: I was traveling with someone and just the looks that

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Speaker 1: we would get because people would be like, oh, you

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Speaker 1: look like you're gay, Um, was insane. Yeah, Because I

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Speaker 1: think if Buenos Airis has a progressive place and like

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Speaker 1: they've had like female prime ministers and or presidents and stuff,

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Speaker 1: it's like, well, I don't know, I don't know if

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Speaker 1: that's a Is it a very religious place? Yeah? I

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Speaker 1: think all those places are vaguely religious. Sure, I'm sorry, yeah,

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Speaker 1: but I will say I loved I went to Pukon,

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Speaker 1: which is that that was like, oh wow, this is

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Speaker 1: my kind of vacation. Also, and you didn't get to

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Speaker 1: go to the Atacama Dessert. Yes, but I believe that

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Speaker 1: you would really like that. Yeah, I like. Um like,

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Speaker 1: what I liked about Boon is that the hotel I

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Speaker 1: was saying, it was on this lake, this giant lake,

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Speaker 1: and the property was so big and you could just

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Speaker 1: sit outside and look at the lake and like I

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Speaker 1: didn't have to leave the hotel. Really it was like

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Speaker 1: the most relaxing. Yeah. Yeah, I wanted to. I want

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Speaker 1: to see some beautiful landscapes. I want there to not

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Speaker 1: be that many people. Sounds so good, right, is actually,

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Speaker 1: can I tell you one psychopathic thing I did? Yes?

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Speaker 1: Did you hate Rio? No? I loved it, and I

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Speaker 1: loved it. I got it. But I I love Rio.

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Speaker 1: But I you know, fully aware that I saw through

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Speaker 1: the lens of a tourist with some money. Yeah, um,

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Speaker 1: where it's like, no one's here, what am I talking about? Um?

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Speaker 1: So I went alone? Yeah, I was real alone, right,

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Speaker 1: and I go checked into my hotel. Uh, and it

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Speaker 1: was great. I saw what I saw A beautiful view

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Speaker 1: of the mountain. Yes, I saw I saw that the mountain,

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Speaker 1: I saw some city, and I saw the beach. Wow,

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Speaker 1: it was perfect. But then I'm like, well, I want

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Speaker 1: to go to the beach. I don't want to just

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Speaker 1: see the beach. I want to go to the beach.

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Speaker 1: And my hotel was pretty far away from the beach,

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Speaker 1: and everyone was like don't you can't like go to

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Speaker 1: the beach alone. And we're stuff in attendant and just

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Speaker 1: going to the ocean and you're just just asking for

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Speaker 1: trouble okay uh. And then I did three exploratory days

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Speaker 1: to the beach where I couldn't go into the ocean.

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Speaker 1: I was just testing the waters into and like, how

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Speaker 1: do I do this? How do I do this? I

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Speaker 1: booked a different hotel room across beach. That's actually something

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Speaker 1: that's not psychopathic. One time in Rio, I had two

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Speaker 1: hotel Oh my god, the same time. Did you put

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Speaker 1: your back down somewhere to put my rings in my back?

399
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Speaker 1: It's like yes, checking in for one. Yes, I didn't

400
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Speaker 1: know how long were you there? Did you sleep? And

401
00:25:14,800 --> 00:25:17,800
Speaker 1: like did you like spread out the sleeping nights? Well?

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00:25:17,880 --> 00:25:20,239
Speaker 1: First I was like, oh maybe I can, like you know,

403
00:25:20,600 --> 00:25:23,359
Speaker 1: sleep in one, but go have breakfast and the other one.

404
00:25:24,200 --> 00:25:26,560
Speaker 1: It's crazy, you know, the other one was just a

405
00:25:26,960 --> 00:25:32,199
Speaker 1: locker essentially, right, that's really the dream. I think that

406
00:25:32,320 --> 00:25:34,760
Speaker 1: is the dream. And you you you were just wrapped

407
00:25:34,760 --> 00:25:37,760
Speaker 1: a show that you made, and we're in get a

408
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Speaker 1: second hotel. Make sure that like a family who's dying

409
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Speaker 1: to go to the vacation last minute. Can't room change? No,

410
00:25:51,680 --> 00:25:56,840
Speaker 1: actually just had JH. Actually this all game, man needed

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Speaker 1: a place to put his back. Also in this last

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Speaker 1: in this last episode, um one, Carlos, he kept saying,

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Speaker 1: manet us little hands. I don't think you have little hands.

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Speaker 1: Well I think I have. I think I have hands

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00:26:13,160 --> 00:26:17,040
Speaker 1: that are proportional into my body. Five nine. For the listeners,

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00:26:17,240 --> 00:26:21,199
Speaker 1: They're not big hands, They're they're complete. Says it in

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Speaker 1: a like um yeah. So when Carlos, I think see

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Speaker 1: this like little child king right, who he must court?

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Speaker 1: I love When the ring falls off the finger, he goes, well,

420
00:26:35,480 --> 00:26:37,200
Speaker 1: you have to make a fist like this, You make

421
00:26:37,200 --> 00:26:41,040
Speaker 1: a fist at all times. He's so funny. Yeah, he's

422
00:26:41,040 --> 00:26:43,480
Speaker 1: a good one. He's very good. Okay, continuing with the game,

423
00:26:44,560 --> 00:26:48,440
Speaker 1: what does a conflict between the two of you look like? Oh? Oh,

424
00:26:51,080 --> 00:26:55,399
Speaker 1: I feel like probably easily. Yeah, you guys don't seem

425
00:26:55,440 --> 00:26:59,240
Speaker 1: like you think there's there's this agreements, right, there is

426
00:26:59,280 --> 00:27:01,880
Speaker 1: a maybe parts of like doing the show that it's

427
00:27:01,920 --> 00:27:05,199
Speaker 1: like we want this, we want that, and then and

428
00:27:05,240 --> 00:27:10,480
Speaker 1: then we involve a third party. I see this party, yeah,

429
00:27:10,760 --> 00:27:12,879
Speaker 1: and then but then I feel like they like I

430
00:27:12,880 --> 00:27:15,520
Speaker 1: can't think of a time where we were like just

431
00:27:15,680 --> 00:27:20,840
Speaker 1: disagreed so much that I thought about it after it. Okay, ye,

432
00:27:21,560 --> 00:27:24,240
Speaker 1: then that is healthy. That's very healthy. Who's the third party?

433
00:27:24,240 --> 00:27:28,160
Speaker 1: Fred Is? He was he around during like it's usually

434
00:27:28,200 --> 00:27:31,200
Speaker 1: if it's the Spookies, it'll be like probably a producer,

435
00:27:32,600 --> 00:27:38,160
Speaker 1: Nate Young Mathias, who are these names of the show?

436
00:27:39,200 --> 00:27:43,359
Speaker 1: Nate it is a brilliant lion producer. And Alice Mathias

437
00:27:43,520 --> 00:27:46,159
Speaker 1: is a perfect producer on the show. God bless the

438
00:27:46,200 --> 00:27:49,200
Speaker 1: line producers. You know, they make it happen. They really do,

439
00:27:49,359 --> 00:27:53,280
Speaker 1: they do, they really freaking do. I actually don't know

440
00:27:53,480 --> 00:27:56,080
Speaker 1: what the difference between all the different types of producers are.

441
00:27:56,200 --> 00:28:00,840
Speaker 1: A line producer handles the budget I see and then um,

442
00:28:00,880 --> 00:28:07,080
Speaker 1: and then Alice is accessible for a more creative issues

443
00:28:07,119 --> 00:28:14,080
Speaker 1: on the show, like the wig fiasco. Yes, this was

444
00:28:14,119 --> 00:28:18,480
Speaker 1: Greta's wig, so I will say that this was no

445
00:28:18,520 --> 00:28:22,000
Speaker 1: one's fault. Okay, okay, this is I will start by

446
00:28:22,000 --> 00:28:26,800
Speaker 1: saying that this is no one's fault, but uh, it was.

447
00:28:27,560 --> 00:28:32,920
Speaker 1: It was Gressul. No. Greta comes into her first day

448
00:28:32,960 --> 00:28:40,000
Speaker 1: of shooting. Uh, and then our director uh Aptlete diagnosis

449
00:28:40,320 --> 00:28:46,000
Speaker 1: that Greta should wear a wig. Why a lot of

450
00:28:47,600 --> 00:28:50,560
Speaker 1: literally almost as we wigs. And also didn't you want

451
00:28:50,560 --> 00:28:55,640
Speaker 1: like a like a like a bleached blonde moment getting

452
00:28:55,960 --> 00:28:59,760
Speaker 1: her hair touched up and destroyed her hair? Gretta would

453
00:28:59,760 --> 00:29:04,640
Speaker 1: have had to severely bleach her hair like truly, like

454
00:29:04,720 --> 00:29:08,840
Speaker 1: every four days. And then of course Gretta was like

455
00:29:11,760 --> 00:29:15,200
Speaker 1: and then there were so many things going on, and

456
00:29:16,200 --> 00:29:21,520
Speaker 1: in Chile not that many wigs. You can't the way

457
00:29:21,560 --> 00:29:26,960
Speaker 1: you can't hear the way you can. So we find

458
00:29:27,040 --> 00:29:30,320
Speaker 1: and there were so many great wigs available, however we

459
00:29:30,360 --> 00:29:34,640
Speaker 1: want it. We just wanted Greta's hair. It's Melanie's, it's

460
00:29:34,760 --> 00:29:40,600
Speaker 1: Melanie's hair. So they they find a wig and then

461
00:29:40,880 --> 00:29:42,800
Speaker 1: they start they cut it and they stile it and

462
00:29:42,840 --> 00:29:45,720
Speaker 1: I'm looking at it and I'm like, I kind of

463
00:29:45,760 --> 00:29:50,080
Speaker 1: feel fine with it, and this wig has bangs. This

464
00:29:50,120 --> 00:29:53,160
Speaker 1: wig has bangs, And then I was like, can we

465
00:29:53,200 --> 00:29:54,840
Speaker 1: get rid of the banks? And they were like no,

466
00:29:54,960 --> 00:29:58,720
Speaker 1: because it's like they explained to me the infrastructure of

467
00:29:59,240 --> 00:30:01,400
Speaker 1: the foundation of a haircut, and if you cut the banks,

468
00:30:01,400 --> 00:30:07,760
Speaker 1: the whole building. Yeah, the infrastructure banks. So I was like, okay, well,

469
00:30:08,160 --> 00:30:11,400
Speaker 1: I guess Melanie has banks. And Greta was like great, cool,

470
00:30:11,800 --> 00:30:14,480
Speaker 1: and then she she looked beautiful. She looks stunning. She

471
00:30:15,240 --> 00:30:18,800
Speaker 1: looked like Gretta with banks. Yes, and then she she's

472
00:30:18,840 --> 00:30:22,000
Speaker 1: doing a scene and I'm looking at the monitor and

473
00:30:22,080 --> 00:30:24,760
Speaker 1: I hate it. Yeah, and I hate it so much

474
00:30:25,240 --> 00:30:28,760
Speaker 1: and it just feels like it's not who we envisioned.

475
00:30:29,400 --> 00:30:33,040
Speaker 1: It makes the character seem really f fake. Yes, yeah,

476
00:30:33,280 --> 00:30:39,000
Speaker 1: she looks she looks Natalie Portman, and closer she looks sexy.

477
00:30:39,120 --> 00:30:47,760
Speaker 1: She looks sexy, and but that kind of like yeah

478
00:30:49,120 --> 00:30:55,200
Speaker 1: yeah um um. So then they're like, well, we can

479
00:30:55,240 --> 00:30:57,320
Speaker 1: get a different wig, but not for today. And I

480
00:30:57,360 --> 00:31:06,000
Speaker 1: was like, okay, let us reshoot the hall and they're like, no, wing,

481
00:31:06,520 --> 00:31:09,080
Speaker 1: we will come to this location two hours away from

482
00:31:09,120 --> 00:31:11,560
Speaker 1: the city only, so we can have it with no banks,

483
00:31:11,560 --> 00:31:16,600
Speaker 1: and they were like, huli no. So then she wears

484
00:31:17,320 --> 00:31:20,200
Speaker 1: bangs for some of the for some of her scenes,

485
00:31:20,280 --> 00:31:22,280
Speaker 1: and no banks for some of her other scenes because

486
00:31:22,280 --> 00:31:25,520
Speaker 1: everything this was happening in that house that the mansion

487
00:31:26,000 --> 00:31:28,720
Speaker 1: were the inheritance here was taking place. So all those

488
00:31:28,760 --> 00:31:31,280
Speaker 1: scenes there have banks, and all her scenes in the

489
00:31:31,280 --> 00:31:34,440
Speaker 1: embassy have no banks. And then were we solved that

490
00:31:35,520 --> 00:31:37,920
Speaker 1: Melanie was going to ask an assistance should I get banks,

491
00:31:38,040 --> 00:31:41,720
Speaker 1: and this assistant says yes, and thus Melanie ds up

492
00:31:41,760 --> 00:31:44,280
Speaker 1: hating this assistant, and then in the we wrote a

493
00:31:44,320 --> 00:31:48,000
Speaker 1: line saying, everyone told me I couldn't undo bangs, but

494
00:31:48,120 --> 00:31:51,480
Speaker 1: no one says no to American Ambassador Melanie Gibbons. Okay,

495
00:31:52,080 --> 00:31:55,440
Speaker 1: she just ended her banks. Then you solved it through

496
00:31:55,600 --> 00:32:00,400
Speaker 1: the through the power of the don't ever say it

497
00:32:00,440 --> 00:32:02,880
Speaker 1: can't be done on the power of the page, and honestly,

498
00:32:03,080 --> 00:32:05,480
Speaker 1: the power of the page frontrunner for a title about

499
00:32:05,520 --> 00:32:07,880
Speaker 1: the power of the page or the infrastructure. The infrastructure

500
00:32:07,880 --> 00:32:09,520
Speaker 1: of Banks is also a good title of that. By

501
00:32:09,680 --> 00:32:12,560
Speaker 1: I would agree, yes, okay, yeah, because I remember in

502
00:32:12,600 --> 00:32:14,600
Speaker 1: the first yeah, and her first scene, which I'm sure

503
00:32:14,600 --> 00:32:16,320
Speaker 1: you get shot later, but I was just like, oh, yeah,

504
00:32:16,360 --> 00:32:20,760
Speaker 1: but the bangs are a plot point, became banks became

505
00:32:20,840 --> 00:32:25,560
Speaker 1: part of her arc and also just like fundamental to uh,

506
00:32:27,040 --> 00:32:29,840
Speaker 1: so Mathea Melanie Gibbons, I think becomes this sort of

507
00:32:29,840 --> 00:32:32,280
Speaker 1: like catwoman figure and that she's a friend and foe

508
00:32:32,320 --> 00:32:35,280
Speaker 1: to loves this bookies. Yes, So I think that the

509
00:32:35,280 --> 00:32:40,360
Speaker 1: Bank of the Bank's fiasco is sort of like her

510
00:32:40,480 --> 00:32:46,080
Speaker 1: falling off the building and the cats licking her. Just

511
00:32:46,160 --> 00:32:48,800
Speaker 1: talked about that. We literally just talked about Batman Returns

512
00:32:48,800 --> 00:32:51,120
Speaker 1: and how it's like one of the best comic book

513
00:32:51,120 --> 00:32:52,440
Speaker 1: to see what she falls off the building, the cats

514
00:32:52,440 --> 00:32:55,760
Speaker 1: like the cats so good. Have you seen Batman Returns?

515
00:32:56,920 --> 00:32:59,280
Speaker 1: I think you would love. I probably have. That was

516
00:32:59,320 --> 00:33:01,280
Speaker 1: the one that came out like, doesn't I don't know

517
00:33:01,400 --> 00:33:07,120
Speaker 1: four this Okay, I don't think I've seen that. Yeah,

518
00:33:07,280 --> 00:33:15,680
Speaker 1: Michelle fight for as Catwoman of course, of course that's

519
00:33:15,680 --> 00:33:18,800
Speaker 1: what halle Berry's Catwoman. You were you You're for Halloween

520
00:33:18,920 --> 00:33:25,560
Speaker 1: every year every year hally Berry as the iconic halle

521
00:33:25,920 --> 00:33:28,480
Speaker 1: Berry Catwoman. What is that little b BP it's a

522
00:33:28,480 --> 00:33:31,200
Speaker 1: little alarm. It's a prep alarm for prep that I

523
00:33:31,240 --> 00:33:33,320
Speaker 1: don't have anymore. Why don't you have prep anymore? Is

524
00:33:33,440 --> 00:33:37,280
Speaker 1: because my insurance doesn't my sack insurance doesn't cover it. No, no, no,

525
00:33:37,440 --> 00:33:41,360
Speaker 1: go to the closet and and and then you just

526
00:33:41,360 --> 00:33:44,360
Speaker 1: do the cupey for you or whatever. Actually, I don't know, see,

527
00:33:44,400 --> 00:33:46,760
Speaker 1: I mean, now, don't put out of misinformation to our

528
00:33:46,840 --> 00:33:52,000
Speaker 1: large don't believe us, don't believe us. Prep should be okay,

529
00:33:52,240 --> 00:33:55,240
Speaker 1: I'll take it and I'm fine. Yeah, and it's fine.

530
00:33:56,320 --> 00:33:58,560
Speaker 1: Someone someone did, were you not talking about this like

531
00:33:58,760 --> 00:34:00,760
Speaker 1: prep for women like men? Was like, I want to

532
00:34:00,800 --> 00:34:10,960
Speaker 1: take preps, getting on prep. I don't care what I

533
00:34:13,239 --> 00:34:16,480
Speaker 1: don't care about. I heard every queer is doing it.

534
00:34:16,800 --> 00:34:20,000
Speaker 1: I think it's it's an anniver breaking character for assist

535
00:34:20,040 --> 00:34:23,120
Speaker 1: straight white woman to be like I insist on taking prep.

536
00:34:23,640 --> 00:34:26,200
Speaker 1: You never know, you never never know what can happen.

537
00:34:26,320 --> 00:34:30,399
Speaker 1: That's actually real culture number seventeen. You never know. When

538
00:34:31,040 --> 00:34:34,200
Speaker 1: I have mentioned this before, I think it's why So

539
00:34:34,320 --> 00:34:38,319
Speaker 1: what time is it? It is now two pm? Why

540
00:34:38,400 --> 00:34:40,800
Speaker 1: a pill at two pm? Because I know I'm always

541
00:34:40,800 --> 00:34:44,320
Speaker 1: out and about sometimes if I want to sleep in sometimes,

542
00:34:44,320 --> 00:34:47,319
Speaker 1: I like I'll be up to it. Doesn't that mean

543
00:34:47,360 --> 00:34:49,719
Speaker 1: that every day of your life you have to put

544
00:34:49,760 --> 00:34:54,360
Speaker 1: the prep in your back? It's fine. I don't I

545
00:34:54,400 --> 00:34:59,560
Speaker 1: don't understand. I'm like a morning but you you religiously

546
00:34:59,600 --> 00:35:02,440
Speaker 1: wake up like six in the morning every morning, right,

547
00:35:02,719 --> 00:35:04,120
Speaker 1: I'm not like that, and so like, like I started

548
00:35:04,160 --> 00:35:08,000
Speaker 1: taking Prepper. Yeah, usually you don't have days that are

549
00:35:08,040 --> 00:35:11,759
Speaker 1: like seven. I can't imagine waking up at noon, you know,

550
00:35:12,719 --> 00:35:15,520
Speaker 1: I wish I could do that sometimes. It was that

551
00:35:15,600 --> 00:35:18,320
Speaker 1: something that you like when in like did you become

552
00:35:18,360 --> 00:35:20,239
Speaker 1: a morning person or you just always always been a

553
00:35:20,239 --> 00:35:23,600
Speaker 1: morning person. I'm so jealous. I mean, actually, this is

554
00:35:23,960 --> 00:35:26,640
Speaker 1: something I like about Los Angeles, that everyone is a

555
00:35:26,680 --> 00:35:28,720
Speaker 1: morning person, just because of the way the sun rises

556
00:35:28,760 --> 00:35:30,719
Speaker 1: and just like the energy of it. Like I'm up

557
00:35:30,719 --> 00:35:34,200
Speaker 1: at eight am every day. Naturally, Greta is such a

558
00:35:34,200 --> 00:35:36,399
Speaker 1: morning person. Greta and they are such morning people. Were

559
00:35:36,440 --> 00:35:39,319
Speaker 1: all up at in a productive and I'm productive and

560
00:35:39,320 --> 00:35:41,239
Speaker 1: I do things. Meanwhile, in New York, I am up

561
00:35:41,320 --> 00:35:43,600
Speaker 1: until two thirty in the morning, waking up at ten.

562
00:35:43,719 --> 00:35:46,920
Speaker 1: It's like really not it's not good. But the problem

563
00:35:46,960 --> 00:35:48,839
Speaker 1: with being a morning person is that even if I'm

564
00:35:48,920 --> 00:35:51,600
Speaker 1: up late, I still wake up early. I'll go to

565
00:35:51,680 --> 00:35:54,719
Speaker 1: bed at two thirty. I'm waking up. I woke up

566
00:35:54,719 --> 00:35:56,959
Speaker 1: at morning at six at thirty, and I was taking

567
00:35:57,120 --> 00:35:59,920
Speaker 1: Luck and I later a wake for like probably forty minutes.

568
00:36:00,000 --> 00:36:02,960
Speaker 1: Then was able to fall back asleep until and I

569
00:36:03,000 --> 00:36:04,919
Speaker 1: was sleeping in for you. Yeah, that was like, wow,

570
00:36:04,960 --> 00:36:09,279
Speaker 1: I never wake up. Um, well, okay, so there was

571
00:36:09,320 --> 00:36:11,839
Speaker 1: an iconic moment that happened. And you are an exerciser

572
00:36:11,920 --> 00:36:15,360
Speaker 1: to you, So there was an iconic moment that happened

573
00:36:15,360 --> 00:36:17,319
Speaker 1: that was very shameful for me that sometimes I think

574
00:36:17,360 --> 00:36:20,000
Speaker 1: of and I wake with a start, which is when

575
00:36:20,000 --> 00:36:22,280
Speaker 1: I was taking a selfie of myself on the Pulaski

576
00:36:22,320 --> 00:36:24,399
Speaker 1: Bridge and on a breakout ran by me and said

577
00:36:24,520 --> 00:36:27,520
Speaker 1: it looks good, and I was like, oh no. I

578
00:36:27,560 --> 00:36:30,359
Speaker 1: was a selfie of myself with the New York City

579
00:36:30,400 --> 00:36:38,680
Speaker 1: skyline in the back. I had a really good shirt.

580
00:36:39,800 --> 00:36:41,520
Speaker 1: It was a soup jacket and like a like a

581
00:36:41,680 --> 00:36:44,759
Speaker 1: like a nice shirt, and it was me posted up

582
00:36:44,760 --> 00:36:47,040
Speaker 1: on the bridge. It was golden hour. I was taking

583
00:36:47,080 --> 00:36:49,919
Speaker 1: a photo of myself. Yes, at this table have done

584
00:36:49,920 --> 00:36:52,760
Speaker 1: are guilty of that all the time. So Matt Rogers

585
00:36:52,920 --> 00:36:56,520
Speaker 1: was walking down the bridge and then he saw the

586
00:36:56,520 --> 00:37:00,720
Speaker 1: beautiful skyline, the beautiful lighting, his beautiful shirt and thought,

587
00:37:01,320 --> 00:37:05,680
Speaker 1: I got to capture this magical NYC moment. It must

588
00:37:05,719 --> 00:37:10,200
Speaker 1: take an earnest, beautiful sofie. I'm not even gonna say

589
00:37:10,239 --> 00:37:12,680
Speaker 1: it wasn't earnest. It was I wanted a nice picture

590
00:37:12,719 --> 00:37:15,920
Speaker 1: of myself because I think I had I think I had, Sorry,

591
00:37:16,120 --> 00:37:18,000
Speaker 1: just got on a new dating app, and I was like,

592
00:37:18,080 --> 00:37:19,920
Speaker 1: I need a nice photo of myself with the New

593
00:37:19,960 --> 00:37:22,840
Speaker 1: York City, with the New York cities. Guy, I believe

594
00:37:22,880 --> 00:37:25,080
Speaker 1: you that when you say I live in New York. Yeah,

595
00:37:27,040 --> 00:37:29,080
Speaker 1: so they know where I'm at the interest in New York.

596
00:37:29,200 --> 00:37:30,959
Speaker 1: I think the reason I even said anything was because

597
00:37:31,000 --> 00:37:33,920
Speaker 1: I thought that maybe I was caught in your camera

598
00:37:34,000 --> 00:37:36,320
Speaker 1: because I was running up behind you. I was like,

599
00:37:36,800 --> 00:37:38,480
Speaker 1: I was like, but either way, this is funny that

600
00:37:38,760 --> 00:37:41,040
Speaker 1: it was very funny, and I was it was. It

601
00:37:41,080 --> 00:37:42,480
Speaker 1: was the thing where I was like, I think I

602
00:37:42,600 --> 00:37:46,440
Speaker 1: laughed so loud because I was so embarrassed, and I

603
00:37:46,480 --> 00:37:49,160
Speaker 1: was just like, wow that it sucked. Like I was

604
00:37:49,239 --> 00:37:54,280
Speaker 1: just probably text people after that. I think I texted

605
00:37:53,480 --> 00:37:57,520
Speaker 1: I think you told me that. I said, that's so funny.

606
00:37:58,040 --> 00:38:03,880
Speaker 1: Did you name? She kept running, she had things in

607
00:38:03,880 --> 00:38:08,120
Speaker 1: her schedule that were important, not time to take a selfie.

608
00:38:08,760 --> 00:38:11,319
Speaker 1: Getting busy running and also I just want to say

609
00:38:11,360 --> 00:38:13,520
Speaker 1: I'm not like a selfie person. It was just a

610
00:38:13,560 --> 00:38:15,400
Speaker 1: moment in time where I was moved by this period

611
00:38:17,760 --> 00:38:25,560
Speaker 1: and every shame a a sort of I don't even

612
00:38:25,560 --> 00:38:30,200
Speaker 1: know what to call it, but a moment there is.

613
00:38:30,239 --> 00:38:32,480
Speaker 1: There must be a name. We must find a name

614
00:38:33,239 --> 00:38:38,360
Speaker 1: for the two maybe three seconds of shame that most

615
00:38:38,360 --> 00:38:41,480
Speaker 1: people have after they've taken a selfie in public. Do

616
00:38:41,520 --> 00:38:43,720
Speaker 1: you know what I'm talking about? They rise their phone,

617
00:38:44,360 --> 00:38:46,960
Speaker 1: they take the selfie and for that moment they mute

618
00:38:46,960 --> 00:38:49,080
Speaker 1: the world around them and them in the lens and

619
00:38:49,160 --> 00:38:52,160
Speaker 1: nothing matters. They take the picture. Then they put the

620
00:38:52,160 --> 00:38:54,319
Speaker 1: phone down and they get a little red in the

621
00:38:54,400 --> 00:38:57,839
Speaker 1: face because some people have seen what people have seen.

622
00:38:58,480 --> 00:39:00,799
Speaker 1: And then often if their hair is long, they'll talk

623
00:39:00,840 --> 00:39:03,720
Speaker 1: a little stund of hair behind their ears, look down,

624
00:39:04,120 --> 00:39:06,800
Speaker 1: look at their phone, pretend that we're doing something else,

625
00:39:07,719 --> 00:39:11,080
Speaker 1: and leave the premises. It is that? What is that

626
00:39:11,120 --> 00:39:14,120
Speaker 1: little shame? What is it? It's a readjustment. You're you're

627
00:39:14,239 --> 00:39:17,920
Speaker 1: re Oh you're resocializing in a way, aren't you in

628
00:39:17,920 --> 00:39:20,719
Speaker 1: a way? Yes, Well, it's it's it's a moment where

629
00:39:20,719 --> 00:39:23,000
Speaker 1: you reckon with the fact that like that, and you

630
00:39:23,120 --> 00:39:25,000
Speaker 1: I bet a lot of people blame that on society.

631
00:39:25,320 --> 00:39:27,880
Speaker 1: They say, well, I have this phone, it has this capability.

632
00:39:27,920 --> 00:39:32,880
Speaker 1: It's not me. Everyone does it. So there's there's a

633
00:39:32,880 --> 00:39:37,080
Speaker 1: lot of people take selfies with no hint of shame

634
00:39:37,200 --> 00:39:39,840
Speaker 1: or embarrassment because it's like so many people take it selfies.

635
00:39:39,840 --> 00:39:42,920
Speaker 1: Who cares? I think July is just so tapped, tapped

636
00:39:42,960 --> 00:39:47,120
Speaker 1: into his sort of internal Do you feel when you

637
00:39:47,160 --> 00:39:50,279
Speaker 1: take your selfie in public? For a for a moment after,

638
00:39:50,239 --> 00:39:55,239
Speaker 1: I don't think the same. Yeah, because it's it's it's

639
00:39:55,280 --> 00:40:01,000
Speaker 1: like it's not I'm holding a book. Wait, someone caught

640
00:40:01,000 --> 00:40:05,640
Speaker 1: me reading my things back down. Whenever I do it,

641
00:40:05,680 --> 00:40:08,000
Speaker 1: I'll just scream out to everyone I'm I'm around, like

642
00:40:08,040 --> 00:40:10,640
Speaker 1: that was ironic, Just so everyone knows that was ironic.

643
00:40:10,719 --> 00:40:14,720
Speaker 1: And there you go. Don't worry, don't worry, don't worry

644
00:40:14,760 --> 00:40:18,400
Speaker 1: about me. I also, I haven't done this before, but

645
00:40:18,440 --> 00:40:20,919
Speaker 1: there have been times where I'll see people who are

646
00:40:21,160 --> 00:40:23,200
Speaker 1: I assume like tourists. We are taking a photo with

647
00:40:23,280 --> 00:40:25,879
Speaker 1: something in the background that's like very New York, And

648
00:40:26,239 --> 00:40:28,440
Speaker 1: I thought, should I say to them, do you want

649
00:40:28,480 --> 00:40:31,080
Speaker 1: me to take it? Or do they want it to

650
00:40:31,200 --> 00:40:34,200
Speaker 1: be a selfie? No, they would ask if they wanted

651
00:40:34,239 --> 00:40:37,640
Speaker 1: my help. See. Actually, a couple of times I have

652
00:40:37,760 --> 00:40:40,520
Speaker 1: done this and I have gotten the response to. Most

653
00:40:40,520 --> 00:40:42,480
Speaker 1: of the time you'll get sure, that would be amazing,

654
00:40:42,480 --> 00:40:44,560
Speaker 1: thank you so much. But also a lot of times

655
00:40:44,560 --> 00:40:46,480
Speaker 1: you will say I like that it's a selfie. Only

656
00:40:46,480 --> 00:40:47,920
Speaker 1: when I've been told that a couple of times, and

657
00:40:48,040 --> 00:40:54,680
Speaker 1: a little facing selfie, I'm honestly that is an element

658
00:40:54,719 --> 00:40:58,120
Speaker 1: of what you're talking about. That thing. I actually like it.

659
00:40:59,080 --> 00:41:01,120
Speaker 1: It does help you scrunch up your nose. I think

660
00:41:01,160 --> 00:41:03,319
Speaker 1: it's for big groups. That's when I'll be like, hey,

661
00:41:03,480 --> 00:41:05,560
Speaker 1: then it's a nightmare. I mean, trying to get four

662
00:41:05,600 --> 00:41:07,839
Speaker 1: people on a selfie is like because the other people

663
00:41:07,880 --> 00:41:10,520
Speaker 1: will pull out their phones. They don't mind too. Hey

664
00:41:10,640 --> 00:41:14,759
Speaker 1: yeah right, And you know you got a vertical which

665
00:41:14,760 --> 00:41:18,000
Speaker 1: doesn't work on the gram vertical No, not vertical, you

666
00:41:18,160 --> 00:41:21,200
Speaker 1: turn horizontal. Let you landscape it and then you can't

667
00:41:21,200 --> 00:41:27,880
Speaker 1: get it on the Instagram. Well you can, but it story.

668
00:41:28,080 --> 00:41:31,960
Speaker 1: I want my face to be big and pictures, pictures.

669
00:41:32,520 --> 00:41:36,360
Speaker 1: How often do you run? Um? I run like probably

670
00:41:36,360 --> 00:41:39,080
Speaker 1: through four days a week you were moving, Okay, how

671
00:41:39,080 --> 00:41:44,759
Speaker 1: many miles you know? I called month. I'll do six

672
00:41:44,760 --> 00:41:48,160
Speaker 1: miles every other day and then every other not a

673
00:41:48,200 --> 00:41:50,560
Speaker 1: little bit a day off and relax, you know what

674
00:41:50,600 --> 00:41:53,839
Speaker 1: I'm realizing you because it's two runners. Well, I I was.

675
00:41:54,000 --> 00:41:56,239
Speaker 1: I was like a hardcore runner in high school. I

676
00:41:56,360 --> 00:41:58,920
Speaker 1: was a distance runner as well, and I remember like

677
00:41:58,920 --> 00:42:00,760
Speaker 1: I thought you were gonna say eighty a week because

678
00:42:00,960 --> 00:42:04,160
Speaker 1: during during but during hardcore training weeks, like I would

679
00:42:04,160 --> 00:42:06,160
Speaker 1: do like wow, now see, I never I don't want

680
00:42:06,160 --> 00:42:08,920
Speaker 1: to go anymore than I'm going because I'm like, my

681
00:42:09,600 --> 00:42:11,439
Speaker 1: the stress that puts on your body and I don't

682
00:42:11,440 --> 00:42:13,120
Speaker 1: need to do that. I'm not trying to run a marathon. No,

683
00:42:13,320 --> 00:42:15,640
Speaker 1: people just enjoy it. I can like tune out for

684
00:42:15,680 --> 00:42:17,960
Speaker 1: an hour or whatever. Yeah, so you wouldn't want to

685
00:42:18,000 --> 00:42:21,759
Speaker 1: run like a marathon, no, no desire, yeah, just it's

686
00:42:21,920 --> 00:42:24,359
Speaker 1: it's great to have just have something that you enjoyed doing.

687
00:42:24,560 --> 00:42:26,319
Speaker 1: The thing is like whenever I try to run now,

688
00:42:26,360 --> 00:42:29,200
Speaker 1: like my old competitor's brain comes back and it's like, okay,

689
00:42:29,200 --> 00:42:30,960
Speaker 1: well I have to remind myself it's not a race

690
00:42:31,040 --> 00:42:32,839
Speaker 1: that I'm not training for anything. It's just you're doing

691
00:42:32,880 --> 00:42:35,359
Speaker 1: it for your overall health, which is you know, I'm

692
00:42:35,360 --> 00:42:37,600
Speaker 1: realizing right now. We have not asked another question. We

693
00:42:37,640 --> 00:42:39,640
Speaker 1: have not asking the question because Julio has been on

694
00:42:39,680 --> 00:42:42,520
Speaker 1: this this program before. But we have to ask out

695
00:42:42,520 --> 00:42:45,040
Speaker 1: of the question, which is Anna, what is the culture

696
00:42:45,040 --> 00:42:47,560
Speaker 1: that made you say culture is for me? This is

697
00:42:47,600 --> 00:42:51,080
Speaker 1: the formative pop culture or like any culture in your

698
00:42:51,120 --> 00:42:53,880
Speaker 1: life could be upbringing, could be whatever that made you

699
00:42:53,920 --> 00:42:57,040
Speaker 1: say culture is for me, and this created the person

700
00:42:57,080 --> 00:43:03,280
Speaker 1: that we know today. Wow, um, formative moment in culture

701
00:43:03,280 --> 00:43:09,600
Speaker 1: where I felt culture the question when culture was culture?

702
00:43:10,960 --> 00:43:13,719
Speaker 1: You heard the question. Everything I'm thinking of is like

703
00:43:13,800 --> 00:43:15,799
Speaker 1: moments that I said maybe culture is not for me,

704
00:43:17,719 --> 00:43:22,759
Speaker 1: Like I'm going through like middle school things, like like

705
00:43:23,120 --> 00:43:25,960
Speaker 1: all the different kind of types of clothes that I

706
00:43:25,960 --> 00:43:29,080
Speaker 1: wore trying to find the culture that fit me described

707
00:43:29,200 --> 00:43:33,640
Speaker 1: there's a lot of yeah, I guess, and you're right,

708
00:43:33,880 --> 00:43:36,480
Speaker 1: how is how is that? Well? And as character in

709
00:43:36,520 --> 00:43:44,160
Speaker 1: those bookies uh hbo is constantly she's a character who's

710
00:43:44,200 --> 00:43:47,640
Speaker 1: constantly stretching for herself and it manifest a symptom of

711
00:43:47,719 --> 00:43:50,719
Speaker 1: it is that she has no idea really what her

712
00:43:50,760 --> 00:43:57,480
Speaker 1: style is. So usually she'll wear that hideous little news

713
00:43:57,520 --> 00:44:01,000
Speaker 1: but any time that that the themes to be a

714
00:44:01,000 --> 00:44:05,680
Speaker 1: special location, she'll just show up in like a costume

715
00:44:05,800 --> 00:44:10,920
Speaker 1: and idea of like nice like going on the date.

716
00:44:10,960 --> 00:44:15,320
Speaker 1: In the third episode, Oh Well, Theies were so elegant,

717
00:44:15,360 --> 00:44:20,240
Speaker 1: people looked so beautiful. And a scene that we cut

718
00:44:21,040 --> 00:44:25,600
Speaker 1: a scene that we cut from the pilot. A scene

719
00:44:25,600 --> 00:44:27,759
Speaker 1: that we cut from the pilot is originally the other

720
00:44:27,800 --> 00:44:32,000
Speaker 1: Spookies were present at the fifteenth birthday party in the pilot,

721
00:44:32,680 --> 00:44:36,040
Speaker 1: and that shows up to the king Cianiera in a

722
00:44:36,160 --> 00:44:40,400
Speaker 1: King sianera dress. Wow, And then her big sister explains

723
00:44:40,440 --> 00:44:44,440
Speaker 1: to her, you can't the theme this is the fifteenth

724
00:44:44,520 --> 00:44:48,879
Speaker 1: birthday party. The theme isn't fifteen birthday party. And then

725
00:44:49,120 --> 00:44:51,799
Speaker 1: that was like okay, I'll go change inos like no,

726
00:44:51,880 --> 00:44:55,440
Speaker 1: but do you are you just agreeing with me? Or

727
00:44:55,480 --> 00:44:57,960
Speaker 1: do you understand what I'm saying? And that they just

728
00:44:58,000 --> 00:45:02,280
Speaker 1: walks away and of the vacant look like that. Okay,

729
00:45:02,280 --> 00:45:04,920
Speaker 1: so this is like from like your own personal history then,

730
00:45:04,960 --> 00:45:07,960
Speaker 1: because yeah, I guess, because because that is you know,

731
00:45:08,239 --> 00:45:11,279
Speaker 1: looking for herself through work, trying to find herself through work,

732
00:45:11,800 --> 00:45:15,319
Speaker 1: who isn't and then and then and then the clothes, yes,

733
00:45:15,440 --> 00:45:18,080
Speaker 1: or like another extension of that. But in middle school

734
00:45:18,120 --> 00:45:21,280
Speaker 1: I went through like so many phases of like maybe

735
00:45:21,480 --> 00:45:24,600
Speaker 1: I am a girl in Abercrombie and Fitch and Rocket Dogs,

736
00:45:24,719 --> 00:45:27,160
Speaker 1: or maybe I'm a girl in like who's like a

737
00:45:27,200 --> 00:45:30,640
Speaker 1: tumboy in wearing like my brother's Billabong shirt. Or maybe

738
00:45:30,800 --> 00:45:35,359
Speaker 1: I have like a tie and I'm like aber Levine.

739
00:45:35,680 --> 00:45:41,840
Speaker 1: Maybe maybe I have like a happy Bunny T shirt.

740
00:45:41,880 --> 00:45:46,760
Speaker 1: Maybe that happy was ironic because the bunny was really

741
00:45:46,880 --> 00:45:55,319
Speaker 1: mean and I hate your mom happy. You're just saying

742
00:45:55,320 --> 00:45:57,320
Speaker 1: all these things like rocket dog. Oh my god, I

743
00:45:57,320 --> 00:45:59,000
Speaker 1: don't know what rocket dog is. It was. I was

744
00:45:59,080 --> 00:46:03,600
Speaker 1: like platforms sandals. Yeah, it was just like rocket duct

745
00:46:03,760 --> 00:46:06,839
Speaker 1: these big like fat letters, like like a like a

746
00:46:06,840 --> 00:46:09,680
Speaker 1: red flame like a dog. It was like a weird

747
00:46:10,040 --> 00:46:16,400
Speaker 1: dog illustration. It was a really simple geometric like so

748
00:46:16,440 --> 00:46:18,839
Speaker 1: what drag did you land on when you finally entered

749
00:46:18,920 --> 00:46:26,200
Speaker 1: high school? Um? In high school, I was like where

750
00:46:24,000 --> 00:46:30,000
Speaker 1: I'm It was pretty plain. I dredged pretty plain, which

751
00:46:30,280 --> 00:46:33,120
Speaker 1: I think I still kind of do, although now, um,

752
00:46:33,160 --> 00:46:34,560
Speaker 1: I think I dressed better than I didn't when I

753
00:46:34,600 --> 00:46:39,360
Speaker 1: was sporting. But um, but it was pretty nondescript. I

754
00:46:39,640 --> 00:46:41,680
Speaker 1: settled on like I don't want to stand out. I

755
00:46:41,800 --> 00:46:46,440
Speaker 1: just want to wear something Yeah where I blend right

756
00:46:46,480 --> 00:46:50,440
Speaker 1: in and it's functional. That's perfect because I feel like

757
00:46:50,680 --> 00:46:52,640
Speaker 1: basics are in. But this is like a nice like

758
00:46:52,680 --> 00:46:56,440
Speaker 1: inversion of the question, which is like I truly like

759
00:46:56,520 --> 00:46:59,319
Speaker 1: figured out where I like, what I liked, and what

760
00:46:59,520 --> 00:47:04,040
Speaker 1: works for me, discovering what I did not like. Yeah,

761
00:47:04,160 --> 00:47:08,359
Speaker 1: which is like beautiful, A great mind, A great mind?

762
00:47:08,640 --> 00:47:11,360
Speaker 1: What what what was your thing? In high school? I was?

763
00:47:11,480 --> 00:47:13,359
Speaker 1: I think I might have been the same where I

764
00:47:13,400 --> 00:47:17,319
Speaker 1: really like would buy like a Henley from Hollister, a

765
00:47:17,400 --> 00:47:21,279
Speaker 1: fucking like some like a shirt like a like a

766
00:47:21,440 --> 00:47:23,880
Speaker 1: like a like a disgusting shirt at not a disgusting

767
00:47:23,880 --> 00:47:25,640
Speaker 1: shirt at hot topic, but like something that had like

768
00:47:25,719 --> 00:47:28,839
Speaker 1: something like dark and whatever. Or and then I would

769
00:47:28,840 --> 00:47:33,319
Speaker 1: like where crocs every now and then, like I was

770
00:47:33,440 --> 00:47:36,279
Speaker 1: truly all over the I was like ironically like, oh

771
00:47:36,320 --> 00:47:38,360
Speaker 1: we're we're crocs to school and everyone's gonna laugh at me,

772
00:47:38,400 --> 00:47:40,960
Speaker 1: but I'll love it. I was, I really like had

773
00:47:41,040 --> 00:47:45,560
Speaker 1: no I had no sense of sartorial identity either. I

774
00:47:45,560 --> 00:47:49,800
Speaker 1: feel like it wasn't until like three years ago or

775
00:47:49,800 --> 00:47:52,120
Speaker 1: three and a half years ago that I felt like, oh,

776
00:47:52,200 --> 00:47:55,240
Speaker 1: now I know what I like to wear. I finally

777
00:47:55,280 --> 00:47:58,680
Speaker 1: figured it out because also my sister and I uh

778
00:47:59,320 --> 00:48:01,560
Speaker 1: shared a room wearing up and we lived together in

779
00:48:01,560 --> 00:48:03,680
Speaker 1: New York for a few years to sharing a bedroom

780
00:48:03,719 --> 00:48:06,960
Speaker 1: as well. And I would wear whatever she told me

781
00:48:07,000 --> 00:48:09,960
Speaker 1: to wear. Always. We would go shopping and she's like

782
00:48:10,280 --> 00:48:12,440
Speaker 1: this would look really cute on you, and okay, and

783
00:48:12,440 --> 00:48:15,560
Speaker 1: then but I didn't like like it much. And then

784
00:48:15,600 --> 00:48:17,720
Speaker 1: when she moved away, I was kind of like, wait,

785
00:48:17,800 --> 00:48:19,560
Speaker 1: what do I wear? And then it still took me

786
00:48:19,600 --> 00:48:22,759
Speaker 1: a little while to figure it out yeah, and be like, oh,

787
00:48:22,880 --> 00:48:26,359
Speaker 1: this is what I like? A tiny little pink Yeah,

788
00:48:26,440 --> 00:48:28,480
Speaker 1: I don't have to wear heels and go out in

789
00:48:28,520 --> 00:48:37,240
Speaker 1: the meatpacking district. What about you? What were you? Uh? Well,

790
00:48:37,280 --> 00:48:40,399
Speaker 1: pretty much every school in Alsabador has uniforms, So that

791
00:48:40,520 --> 00:48:44,080
Speaker 1: was like, uh, not a lot of personal style, not

792
00:48:44,120 --> 00:48:47,439
Speaker 1: a lot of personal style. Uh So I obviously wore

793
00:48:47,440 --> 00:48:50,759
Speaker 1: the uniform five days a week. And when you're wearing uniforms,

794
00:48:50,960 --> 00:48:53,160
Speaker 1: does that fully like you have no time? You don't

795
00:48:53,239 --> 00:48:54,799
Speaker 1: care to think about what you're gonna wear when you

796
00:48:54,840 --> 00:48:57,080
Speaker 1: take it off, like the times that you're not like

797
00:48:57,120 --> 00:49:00,880
Speaker 1: on weekends, day in my uniform all day, Like on weekends,

798
00:49:00,880 --> 00:49:02,839
Speaker 1: Like what would you wear? Like like you know, right

799
00:49:02,920 --> 00:49:06,719
Speaker 1: right right? Um? I went through very definitive faces where

800
00:49:06,719 --> 00:49:08,239
Speaker 1: I was like, this is what I am, and I

801
00:49:08,280 --> 00:49:12,440
Speaker 1: don't deviate from this. So for a while I was

802
00:49:12,640 --> 00:49:18,279
Speaker 1: very into I think it was just wearing. Well. I've

803
00:49:18,280 --> 00:49:20,799
Speaker 1: always had an aversion to logos, so I know that

804
00:49:21,280 --> 00:49:23,520
Speaker 1: you don't like text on shirts. I don't like text

805
00:49:23,560 --> 00:49:27,439
Speaker 1: on shirts. Um. If the outfit say said, it must

806
00:49:27,440 --> 00:49:31,760
Speaker 1: communicate it with no text. Of course, if the outfit

807
00:49:31,800 --> 00:49:33,600
Speaker 1: wants to convey a message, it must do so via

808
00:49:33,640 --> 00:49:39,279
Speaker 1: the silhouette. A universal vision. Yes, um, I think I

809
00:49:39,320 --> 00:49:43,560
Speaker 1: would do a lot of just like primary colors over pants. Yeah,

810
00:49:43,840 --> 00:49:47,120
Speaker 1: like a blue shirt and pants, a red shirt and

811
00:49:47,160 --> 00:49:49,759
Speaker 1: pants like that. When did you start dying your hair?

812
00:49:50,239 --> 00:49:55,000
Speaker 1: I started dying my hair in two thousand fourteen. Yes,

813
00:49:55,080 --> 00:49:57,320
Speaker 1: so is that right when you moved to New York. No,

814
00:49:57,400 --> 00:50:00,640
Speaker 1: I moved to New York in two thousand nine. Oh, squad,

815
00:50:00,680 --> 00:50:03,319
Speaker 1: I forget how long we have known. We have all

816
00:50:03,360 --> 00:50:06,040
Speaker 1: known each other. It is I honestly like, when did

817
00:50:06,239 --> 00:50:07,759
Speaker 1: because I know I met you at the pit when

818
00:50:07,760 --> 00:50:12,320
Speaker 1: you were doing Ethnic Realness. Yes, yes, and Ms Jade

819
00:50:12,400 --> 00:50:14,000
Speaker 1: last night was our first question. She was like, she

820
00:50:14,000 --> 00:50:16,719
Speaker 1: goes your show with Oscar called again? I was like

821
00:50:16,960 --> 00:50:21,120
Speaker 1: ethnic It was a very twenty fourteen title for a show.

822
00:50:22,120 --> 00:50:25,560
Speaker 1: I remember during that show and loving it. Yeah, that

823
00:50:25,600 --> 00:50:28,560
Speaker 1: was the first time you met. Yes, yeah, um, yeah,

824
00:50:28,560 --> 00:50:30,439
Speaker 1: I met you. There, I met Jo Kim Booster. There

825
00:50:30,800 --> 00:50:33,239
Speaker 1: I met my ex boyfriend. There you met your ex

826
00:50:33,280 --> 00:50:36,640
Speaker 1: boyfriend at the show that you were Yeah. Oh hi Danny,

827
00:50:37,480 --> 00:50:45,120
Speaker 1: Oh my god, Daniel, Daniel John. Before you, there was

828
00:50:45,120 --> 00:50:48,879
Speaker 1: a Daniel John before you, there was a Daniel. I'm

829
00:50:48,880 --> 00:50:51,200
Speaker 1: going to reveal something. I wore this shirt today because

830
00:50:51,200 --> 00:50:54,880
Speaker 1: I thought you might like it. Oh, cassette tapes on it.

831
00:50:54,880 --> 00:51:00,600
Speaker 1: It's nice? Why why it's a very nice Why did

832
00:51:00,680 --> 00:51:02,600
Speaker 1: you think I would like it? Because I thought that

833
00:51:02,680 --> 00:51:05,319
Speaker 1: I thought you might respond to the little cassette tapes,

834
00:51:05,360 --> 00:51:09,480
Speaker 1: to the little cassette tapes, because because you like miniature things.

835
00:51:09,480 --> 00:51:11,799
Speaker 1: And I thought there was so okay. I think I

836
00:51:11,800 --> 00:51:13,879
Speaker 1: feel like if you open your mouth, if you open

837
00:51:13,920 --> 00:51:16,759
Speaker 1: your side, your hand, and you had a little cassette tape,

838
00:51:16,880 --> 00:51:19,719
Speaker 1: that would be good. That would be like okay. Yeah,

839
00:51:19,760 --> 00:51:22,080
Speaker 1: I waited tied into the shirt. Yeah, you wouldn't wear

840
00:51:22,239 --> 00:51:25,200
Speaker 1: where you wouldn't wear her. I wouldn't wear a print

841
00:51:25,320 --> 00:51:27,880
Speaker 1: like that. I wouldn't. It's ware to see you with

842
00:51:27,920 --> 00:51:29,840
Speaker 1: a print. Yeah, I'm wearing a print right now. I

843
00:51:29,960 --> 00:51:33,759
Speaker 1: felt even I felt comfortable pressing it to you. Because

844
00:51:33,800 --> 00:51:35,680
Speaker 1: I saw that you had a print and I was like, oh, yeah,

845
00:51:35,760 --> 00:51:38,239
Speaker 1: maybe I was right. Oh so it's very light and

846
00:51:38,320 --> 00:51:41,320
Speaker 1: it is famously hot. As we said, this is my like,

847
00:51:41,560 --> 00:51:44,600
Speaker 1: what is the lightest thing in the looser pants I have? Yeah,

848
00:51:45,360 --> 00:51:47,520
Speaker 1: that's what I like about Los Angeles. You can truly

849
00:51:47,600 --> 00:51:50,160
Speaker 1: wear anything on any day. Like you can decide to

850
00:51:50,200 --> 00:51:52,120
Speaker 1: wear a jean jacket and you are fine. If you

851
00:51:52,200 --> 00:51:54,440
Speaker 1: were a jean jacket out here, you would die instantly.

852
00:51:55,640 --> 00:51:59,120
Speaker 1: You would turn to sand for sure. Um, what I

853
00:51:59,200 --> 00:52:01,520
Speaker 1: think Julio is evolved to this place now that is

854
00:52:01,640 --> 00:52:04,440
Speaker 1: very aspirational, but I think it's not I mean, it's

855
00:52:04,560 --> 00:52:07,400
Speaker 1: literally not for anyone on a cost prohibitive level, but

856
00:52:07,440 --> 00:52:09,160
Speaker 1: it's also not for everyone because it's like, not everyone

857
00:52:09,160 --> 00:52:10,960
Speaker 1: can pull this off. At Julia will just go and

858
00:52:11,080 --> 00:52:14,000
Speaker 1: buy realms of fabric or not rings, but whatever bolts

859
00:52:14,000 --> 00:52:16,560
Speaker 1: of fabric and then get it, get get things make

860
00:52:17,640 --> 00:52:21,160
Speaker 1: I will say that I've been doing that, even when

861
00:52:21,239 --> 00:52:35,160
Speaker 1: more yeah I'll wait more, yeah, he said, even when broke,

862
00:52:35,440 --> 00:52:38,640
Speaker 1: even when broke more. It's I you know, because the

863
00:52:38,719 --> 00:52:41,440
Speaker 1: fabric I make so much of my stuff, which is

864
00:52:41,560 --> 00:52:45,080
Speaker 1: like now there are a few pieces of archive because

865
00:52:45,200 --> 00:52:48,799
Speaker 1: they don't fit in the apartment, but just like really

866
00:52:48,920 --> 00:52:53,640
Speaker 1: cheap fabric. Okay, yeah, yeah, but that's a fun little exercise.

867
00:52:54,280 --> 00:52:57,160
Speaker 1: And then and the cost of it, it goes into

868
00:52:57,200 --> 00:53:01,200
Speaker 1: the into your tailor. I would go whenever I would

869
00:53:01,200 --> 00:53:02,800
Speaker 1: go visit my parents and I'll salve it her. I

870
00:53:02,840 --> 00:53:04,480
Speaker 1: would bring it to their tailor to day at which

871
00:53:04,800 --> 00:53:08,560
Speaker 1: fourth is cheaper than a tailor here would we? But

872
00:53:08,800 --> 00:53:11,560
Speaker 1: would your mom make a thing sometimes? But that's not

873
00:53:11,600 --> 00:53:14,239
Speaker 1: what she does, she seems stress. No, No, she would

874
00:53:14,280 --> 00:53:21,520
Speaker 1: design I was growing up. Ah. She she's more of

875
00:53:21,560 --> 00:53:24,360
Speaker 1: like an industrial designer. She'll make a chair for you,

876
00:53:24,600 --> 00:53:28,200
Speaker 1: She'll she's an architect by trade, but she'll also design

877
00:53:28,239 --> 00:53:33,040
Speaker 1: furniture and close perfects, perfects. And um, I have one

878
00:53:33,080 --> 00:53:38,080
Speaker 1: of your sister's bags. Very creative family, creative family. Yeah,

879
00:53:38,440 --> 00:53:43,920
Speaker 1: and on you right now, that's that's right over there. Yeah. Um,

880
00:53:44,320 --> 00:53:46,800
Speaker 1: that's gorgeo. Very creative family. Um. Okay, Well, this is

881
00:53:46,840 --> 00:53:51,680
Speaker 1: the thing that's happening at this table. Older sisters, younger sisters.

882
00:53:53,480 --> 00:53:56,640
Speaker 1: And that is why I'm going to start writing loss

883
00:53:56,640 --> 00:54:00,080
Speaker 1: spookies with Julio, because now there's a different alignment and

884
00:54:00,160 --> 00:54:05,440
Speaker 1: that is okay, yeah, I'm going to write Lousi spookies

885
00:54:05,480 --> 00:54:14,399
Speaker 1: if Matt Rodgers, Yeah, I think they're good. Yes the room, Yes,

886
00:54:16,520 --> 00:54:20,719
Speaker 1: come on just one week, Lets do one episode. It's

887
00:54:22,160 --> 00:54:25,960
Speaker 1: you don't let us write um okay. I want to

888
00:54:25,960 --> 00:54:27,879
Speaker 1: ask you about the live shows because Gretta was saying

889
00:54:27,960 --> 00:54:29,960
Speaker 1: that she did your Guys live show with you guys

890
00:54:30,000 --> 00:54:34,000
Speaker 1: and Fred and we've been campaigning. Yes, you're very familiar

891
00:54:34,040 --> 00:54:37,560
Speaker 1: with this as the Schoolturess is constantly hitting the campaign trail,

892
00:54:37,800 --> 00:54:41,960
Speaker 1: rilling up the basely about anytime. Any time we come

893
00:54:41,960 --> 00:54:44,960
Speaker 1: back from touring with you last season at work, Joy

894
00:54:45,000 --> 00:54:47,319
Speaker 1: would just be like, how is the campaigning, How are

895
00:54:47,360 --> 00:54:54,480
Speaker 1: the rallies? Rallies are going really well, really good? United? Yeah, loyalty,

896
00:54:55,520 --> 00:55:01,080
Speaker 1: I mean the people come loyalty Now. It would feel

897
00:55:01,160 --> 00:55:02,880
Speaker 1: very what it did, have that vibe where we'd go

898
00:55:02,920 --> 00:55:05,239
Speaker 1: out and do it to be like hello everyone, how

899
00:55:05,239 --> 00:55:08,839
Speaker 1: are we doing? And also you kept saying I could

900
00:55:08,880 --> 00:55:12,840
Speaker 1: shoot someone in Fifth Avenue anything about it exactly and

901
00:55:13,000 --> 00:55:15,839
Speaker 1: we have it happened every day and no one's done

902
00:55:15,880 --> 00:55:19,439
Speaker 1: a thing. Has been like fun, fun, They've been They've

903
00:55:19,440 --> 00:55:23,840
Speaker 1: been fun. Fun. We'll come up, We'll play the trailer

904
00:55:24,000 --> 00:55:26,480
Speaker 1: for the show up top. And Juli and Fred will

905
00:55:26,640 --> 00:55:28,520
Speaker 1: come out and talk for a little bit and then

906
00:55:28,680 --> 00:55:31,759
Speaker 1: we'll all do solo sets and have whoever is also

907
00:55:31,880 --> 00:55:33,359
Speaker 1: on the show. And in this city that the show

908
00:55:33,480 --> 00:55:36,200
Speaker 1: is in, do some do a set as well? Yeah?

909
00:55:36,560 --> 00:55:40,320
Speaker 1: And that's that's it. A campaign, a rally, Yeah, yeah, igniting.

910
00:55:40,480 --> 00:55:43,200
Speaker 1: But but a lot of people, I think, thought that

911
00:55:43,360 --> 00:55:47,839
Speaker 1: it would be about dismantling ice, about dismantling ice. Yeah,

912
00:55:47,960 --> 00:55:51,120
Speaker 1: and it's the opposite of that. Yeah, right, are we

913
00:55:51,239 --> 00:55:56,640
Speaker 1: are racing? We're trying to make our own private detention

914
00:55:56,719 --> 00:55:59,680
Speaker 1: centers for profit and you're gonna make graphics at say

915
00:55:59,760 --> 00:56:02,040
Speaker 1: one an ice agent shows up at your door, just

916
00:56:02,400 --> 00:56:08,200
Speaker 1: just go? Did just go? Who is it? Um? No?

917
00:56:08,360 --> 00:56:10,600
Speaker 1: I think you were going to say that the expectation

918
00:56:10,680 --> 00:56:12,279
Speaker 1: from time of the attendees is that the show will

919
00:56:12,280 --> 00:56:16,360
Speaker 1: be in Spanish. Right, So are there people there that

920
00:56:16,480 --> 00:56:18,560
Speaker 1: don't speak English dot com? No, I think I think

921
00:56:18,560 --> 00:56:22,719
Speaker 1: everyone's by lingual. But yeah, everyone's bi lingual. Everybody, every

922
00:56:25,800 --> 00:56:35,680
Speaker 1: bookers by lingual. Marianne totally, I have awoken. Yes, you

923
00:56:36,000 --> 00:56:42,080
Speaker 1: have been having Marianne takes and and what do you

924
00:56:42,120 --> 00:56:44,400
Speaker 1: think about Marianne. Oh, it's just so funny. I think

925
00:56:44,480 --> 00:56:47,960
Speaker 1: My favorite thing about that, about her whole night was

926
00:56:48,280 --> 00:56:58,480
Speaker 1: talking about putting a man on the movie. What is

927
00:56:58,640 --> 00:57:04,680
Speaker 1: the accent is one, she's Atlantic, She's from Texas. No,

928
00:57:04,840 --> 00:57:07,600
Speaker 1: she's no, she's mid Atlantic. But then she's also like,

929
00:57:07,760 --> 00:57:11,600
Speaker 1: it's it's like Diana Ross. It's Diana Ross. Breath you

930
00:57:11,719 --> 00:57:14,200
Speaker 1: like this and I can go for like that is

931
00:57:14,280 --> 00:57:18,840
Speaker 1: like Diana Prime Minister of New Zealand. And I'm going

932
00:57:18,880 --> 00:57:21,840
Speaker 1: to say, if you think that you can raise a

933
00:57:21,960 --> 00:57:26,080
Speaker 1: boy or a girl in your nation, I you have

934
00:57:26,200 --> 00:57:31,800
Speaker 1: another thing coming, because America has a beauty and poetry

935
00:57:31,840 --> 00:57:34,720
Speaker 1: and all in all its forms. Do you see the

936
00:57:34,800 --> 00:57:36,520
Speaker 1: clip of her I think, which was the New York

937
00:57:36,600 --> 00:57:40,040
Speaker 1: Times where they said, um, if you were she said,

938
00:57:40,080 --> 00:57:42,120
Speaker 1: one of the first things she would do was to

939
00:57:42,360 --> 00:57:51,760
Speaker 1: call European leaders and so we're back, baby, We're back.

940
00:57:52,640 --> 00:57:55,160
Speaker 1: I wish I wish she had said baby, but she didn't.

941
00:57:55,320 --> 00:57:58,480
Speaker 1: I'm sorry. Who is the next? Who am I calling? Next? Spain?

942
00:57:59,200 --> 00:58:10,240
Speaker 1: Very well, ring, ring, Hello Spain. She is no way hurt.

943
00:58:10,360 --> 00:58:14,960
Speaker 1: What a breakout star? Contain The contributions doubled so we

944
00:58:15,080 --> 00:58:18,640
Speaker 1: will continue just been saying that I now I have

945
00:58:18,720 --> 00:58:21,520
Speaker 1: been making a version of this comment, but I now

946
00:58:21,600 --> 00:58:26,160
Speaker 1: have to revise it. My son is in mary Anne

947
00:58:26,760 --> 00:58:30,960
Speaker 1: hard My son is in Maryard, My moon is Elizabeth Warren.

948
00:58:31,160 --> 00:58:35,120
Speaker 1: My rising is Bernie sand Wow, definitely you're you're rising

949
00:58:35,200 --> 00:58:40,720
Speaker 1: is Bernie your son? My son isn't Maryanne like blatantly

950
00:58:40,760 --> 00:58:45,960
Speaker 1: a Marianne, because your identity is My identity is Maryanne.

951
00:58:46,080 --> 00:58:49,080
Speaker 1: Because I I my what I would offer to the

952
00:58:49,120 --> 00:58:53,760
Speaker 1: American people are metaphors. Yeah, I wouldn't offer harnessing energy,

953
00:58:54,160 --> 00:58:57,680
Speaker 1: harnessing the energy of law. I would heart, I would

954
00:58:57,720 --> 00:59:02,600
Speaker 1: hardness energy. I would you know, more ambulance, less weapons.

955
00:59:02,880 --> 00:59:07,320
Speaker 1: Y um. These would be my campaign promises. Uh. And

956
00:59:07,400 --> 00:59:10,840
Speaker 1: then my my moon is in Elizabeth Warren because you

957
00:59:11,000 --> 00:59:14,560
Speaker 1: most heart is yes. And then my my rising, I think,

958
00:59:14,680 --> 00:59:17,560
Speaker 1: is in Bernie because I am perceived as feisty and

959
00:59:17,600 --> 00:59:21,240
Speaker 1: you're perceived as political and you know all these yes. Yes. So,

960
00:59:21,400 --> 00:59:24,800
Speaker 1: Donald Trump, if you're listen, that's where Julio stands in

961
00:59:25,000 --> 00:59:28,040
Speaker 1: terms of the Candida Trump. If you are listening, you

962
00:59:28,320 --> 00:59:32,640
Speaker 1: better sit down and put the tea away and just

963
00:59:32,840 --> 00:59:37,520
Speaker 1: turn up the volume. And here that President Mary with

964
00:59:37,600 --> 00:59:41,360
Speaker 1: all my love, I'm obsessed with her. She's did you

965
00:59:41,440 --> 00:59:46,800
Speaker 1: know that she was Laura Dern's roommate perfect. I said,

966
00:59:46,840 --> 00:59:49,000
Speaker 1: there's a world where Rena, a client, sees Mary and

967
00:59:49,080 --> 00:59:54,320
Speaker 1: Williamson two times a week from Mary and Williamson running

968
00:59:54,360 --> 00:59:58,600
Speaker 1: for president. Well, I fucking I hope I'm still seeing

969
00:59:58,600 --> 01:00:02,680
Speaker 1: you at three o'clock. That's not who Laura actually as. No,

970
01:00:04,520 --> 01:00:07,720
Speaker 1: but yes, I know that, Laura. I would be interested

971
01:00:07,760 --> 01:00:10,160
Speaker 1: to know if that was a contentious roommate situation, because

972
01:00:10,360 --> 01:00:12,800
Speaker 1: because everyone's like, oh my god, keep college roommate. Everyone

973
01:00:12,880 --> 01:00:16,040
Speaker 1: hated sure it was a college that. I think they

974
01:00:16,080 --> 01:00:19,600
Speaker 1: were college roommates. That's that's I think the narrative culture.

975
01:00:19,760 --> 01:00:22,439
Speaker 1: That's Laura. I just want to say, if you could

976
01:00:22,480 --> 01:00:24,600
Speaker 1: clean up the dishes when you're done using them, that

977
01:00:24,640 --> 01:00:28,160
Speaker 1: would be absolutely fantastic. The love in this apartment is

978
01:00:28,200 --> 01:00:35,640
Speaker 1: just sipping away with you. She is, oh, um, I think,

979
01:00:36,480 --> 01:00:38,120
Speaker 1: Oh no, I don't have one yet. It might be

980
01:00:38,240 --> 01:00:41,120
Speaker 1: time every time. I don't think so, honey. Fine, Now

981
01:00:41,160 --> 01:00:43,720
Speaker 1: here's the thing. Our guests have come, sorry but unprepared.

982
01:00:44,280 --> 01:00:47,480
Speaker 1: And here's the but I did. I did the trouble

983
01:00:47,600 --> 01:00:52,000
Speaker 1: applicable weekend for you? Yes, I mean we could did

984
01:00:52,080 --> 01:00:53,520
Speaker 1: we didn't we do it yesterday? We did it for

985
01:00:56,320 --> 01:00:58,480
Speaker 1: it's kind of boring, but it's a really earnest one.

986
01:00:58,640 --> 01:01:04,080
Speaker 1: I I love earnest. I want to hear Anna go off.

987
01:01:05,120 --> 01:01:09,240
Speaker 1: Although Anna, we have to say Anna is the innovator.

988
01:01:09,240 --> 01:01:10,960
Speaker 1: If I don't think so honey, because she was at

989
01:01:10,960 --> 01:01:13,840
Speaker 1: our first live show famously did I don't think so honey.

990
01:01:13,840 --> 01:01:15,360
Speaker 1: I don't think so honey because you don't. I don't

991
01:01:15,360 --> 01:01:20,320
Speaker 1: think honey one minute. And honestly, she's right. She I

992
01:01:20,360 --> 01:01:22,240
Speaker 1: think she gave one of the first meta. I don't

993
01:01:22,240 --> 01:01:24,200
Speaker 1: think so. I think it was maybe the first first

994
01:01:25,400 --> 01:01:28,800
Speaker 1: for all the meta. I don't think so truly. I

995
01:01:28,960 --> 01:01:32,360
Speaker 1: have one yeah, um, this is Matt Rodgers. I don't

996
01:01:32,360 --> 01:01:34,520
Speaker 1: think so honey. And as time starts, now, I don't

997
01:01:34,600 --> 01:01:37,760
Speaker 1: think so honey. The flavor of grape. I think this

998
01:01:37,880 --> 01:01:41,120
Speaker 1: is a bad flavor. I think it is absolutely ridiculous

999
01:01:41,200 --> 01:01:43,200
Speaker 1: that it is one of the prominent flavors. I think

1000
01:01:43,240 --> 01:01:45,760
Speaker 1: that cherry is obviously the best flavor. Now, I don't

1001
01:01:45,760 --> 01:01:48,520
Speaker 1: want to make this, uh, And I don't think so

1002
01:01:48,600 --> 01:01:51,480
Speaker 1: honey about grapes, but I actually think are very good.

1003
01:01:51,600 --> 01:01:54,600
Speaker 1: And I actually even like green grapes and purple grapes,

1004
01:01:54,880 --> 01:01:57,760
Speaker 1: like them all. But do you get the energy and

1005
01:01:57,880 --> 01:02:01,040
Speaker 1: the flavor of those grapes. When you taste grape the flavor,

1006
01:02:01,320 --> 01:02:04,480
Speaker 1: I don't think so, honey. So here's the thing. Grapes

1007
01:02:05,720 --> 01:02:08,440
Speaker 1: are good their fruits and actually healthy for you. Grape

1008
01:02:08,520 --> 01:02:11,240
Speaker 1: the flavor in terms of candy, I really don't think so, honey,

1009
01:02:11,360 --> 01:02:16,480
Speaker 1: because well, wait, there's a specific thing that is grape.

1010
01:02:16,880 --> 01:02:23,040
Speaker 1: That is I don't like grape juice disgusting, disgusting, Grape

1011
01:02:23,120 --> 01:02:27,680
Speaker 1: lollipops disgusting. Also grape, sorry, but it rhymes with a

1012
01:02:28,000 --> 01:02:31,040
Speaker 1: bad word. We don't like grape. If you come to

1013
01:02:31,120 --> 01:02:32,880
Speaker 1: me with a flavor of grape, get out. And they're

1014
01:02:32,880 --> 01:02:35,120
Speaker 1: also famously the worst skittles. Get them out of the bag.

1015
01:02:36,320 --> 01:02:39,400
Speaker 1: I find that grape skin. That's what I wanted to do.

1016
01:02:39,440 --> 01:02:42,920
Speaker 1: I really want to because honestly, you really run into

1017
01:02:43,000 --> 01:02:44,880
Speaker 1: a problem when you're opening a bag of skittles. I

1018
01:02:45,080 --> 01:02:48,320
Speaker 1: find because I don't know whether or not to just eat.

1019
01:02:48,640 --> 01:02:50,560
Speaker 1: I don't want to leave the grape skittles, and they're

1020
01:02:50,600 --> 01:02:55,320
Speaker 1: they're bad. You guys like grape. I like grapes. I

1021
01:02:55,400 --> 01:03:01,160
Speaker 1: like grapes. Yeah, but I'm saying labor is horrible, so listen,

1022
01:03:01,440 --> 01:03:03,120
Speaker 1: I don't hate it as much as you do. Well,

1023
01:03:03,520 --> 01:03:06,960
Speaker 1: that's that's maybe you can. Honestly, I'll mail you all

1024
01:03:07,000 --> 01:03:09,360
Speaker 1: my grape skittles then from now on. So I don't know,

1025
01:03:09,720 --> 01:03:11,760
Speaker 1: and tell me what you guys think. Let's crowdsource on this.

1026
01:03:12,360 --> 01:03:14,040
Speaker 1: So when you open a bag of skittles and you

1027
01:03:14,080 --> 01:03:17,360
Speaker 1: see that there's numerous grape skittles, like, do you eat

1028
01:03:17,440 --> 01:03:19,600
Speaker 1: them first to get them out of the way or

1029
01:03:19,640 --> 01:03:21,200
Speaker 1: do you save them for last? But then they're the

1030
01:03:21,360 --> 01:03:23,520
Speaker 1: then you have the aftertaste of grape. But why do

1031
01:03:23,560 --> 01:03:25,840
Speaker 1: you have to eat them at all? Because I feel

1032
01:03:25,840 --> 01:03:28,120
Speaker 1: wasteful if I don't eat them. There's no there's no eating,

1033
01:03:28,200 --> 01:03:31,160
Speaker 1: there's no consumption order. You can just eat a grape skittle.

1034
01:03:31,200 --> 01:03:34,320
Speaker 1: As you come across that I don't eat skittles, well

1035
01:03:34,360 --> 01:03:40,040
Speaker 1: that doesn't surprise me. But I do find it moving

1036
01:03:40,280 --> 01:03:42,840
Speaker 1: that you are so burdened because you this is this

1037
01:03:43,000 --> 01:03:46,280
Speaker 1: is there's such a beautiful irony here where it sounds

1038
01:03:46,320 --> 01:03:50,800
Speaker 1: like you like skittles and yet you dress them. Yeah,

1039
01:03:50,960 --> 01:03:53,000
Speaker 1: well make sure that is eating the and then and

1040
01:03:53,080 --> 01:03:55,320
Speaker 1: then so you're faced with like, well do I get

1041
01:03:55,360 --> 01:03:57,640
Speaker 1: it out of the way to window my skittles? Do

1042
01:03:57,800 --> 01:04:00,760
Speaker 1: I blissfully eat all the other how there's knowing that

1043
01:04:00,840 --> 01:04:03,280
Speaker 1: the looming cloud of grape is coming, right, Yeah, I

1044
01:04:03,360 --> 01:04:05,760
Speaker 1: think that there's actually the film in this, there's a feature.

1045
01:04:06,160 --> 01:04:09,040
Speaker 1: There is more options. Well, actually we have well, so

1046
01:04:09,160 --> 01:04:11,960
Speaker 1: here's here's how I enjoy my skills. I think the

1047
01:04:12,080 --> 01:04:14,800
Speaker 1: cherry skittles are absolutely amazing. I think they are. Do

1048
01:04:14,880 --> 01:04:18,320
Speaker 1: they taste different? So skittles? Have you never had skittles?

1049
01:04:18,320 --> 01:04:22,400
Speaker 1: I don't think I have. I have a big sweet tooth,

1050
01:04:22,400 --> 01:04:27,640
Speaker 1: but I don't like skittles really, MS? What do you like? M? Well,

1051
01:04:28,200 --> 01:04:32,480
Speaker 1: since I've been vegans, I can't eat as far as candies.

1052
01:04:32,560 --> 01:04:35,480
Speaker 1: I loved gummies, but now vegan gummies are not I

1053
01:04:35,560 --> 01:04:41,800
Speaker 1: don't really eat. I do love but began gummies. Are

1054
01:04:41,800 --> 01:04:44,160
Speaker 1: they powdery or something? Or the texture is just not

1055
01:04:44,320 --> 01:04:46,360
Speaker 1: the same. I mean you can get like soura patch

1056
01:04:46,560 --> 01:04:48,080
Speaker 1: that's about as close as you can get to that,

1057
01:04:48,200 --> 01:04:50,200
Speaker 1: but they're not great. I just I mean I like

1058
01:04:50,520 --> 01:04:54,160
Speaker 1: cookies and cake and stuff like that. This is also

1059
01:04:54,240 --> 01:04:57,000
Speaker 1: informs a potential plot point if we're not enough to

1060
01:04:57,080 --> 01:05:00,919
Speaker 1: do a second season of Lois's Spookies, in which gets

1061
01:05:01,000 --> 01:05:04,040
Speaker 1: locked in a bakery all night and she eats and

1062
01:05:04,120 --> 01:05:06,280
Speaker 1: she eats, and she eats, and she becomes so big

1063
01:05:06,840 --> 01:05:12,760
Speaker 1: that her sister can't. The following day, the narrative ark

1064
01:05:12,840 --> 01:05:18,360
Speaker 1: for thee here's a position for you. Do you eat starbursts?

1065
01:05:19,800 --> 01:05:26,840
Speaker 1: I've never when I ate candy, it was gummies. Loves

1066
01:05:26,920 --> 01:05:29,560
Speaker 1: par about gummy bears, and I don't I love those.

1067
01:05:30,280 --> 01:05:35,040
Speaker 1: Understand that I don't speak that, like said Powdered. Do

1068
01:05:35,120 --> 01:05:38,520
Speaker 1: you eat anything sweet, Julio, Um, I'll have yeah, I'll

1069
01:05:38,640 --> 01:05:43,320
Speaker 1: like drunk chocolate chocolate. When you come from two different worlds,

1070
01:05:43,400 --> 01:05:47,080
Speaker 1: I've acquired the milk chocolate acquired for dark chocolate. I never,

1071
01:05:47,160 --> 01:05:52,600
Speaker 1: even when I was little, I liked white chocolate. And

1072
01:05:52,640 --> 01:05:54,520
Speaker 1: then when even when when I was a teenager, I

1073
01:05:54,600 --> 01:05:57,720
Speaker 1: prefer dark chocolate to milk chocolate. Really, dark chocolate is

1074
01:05:57,760 --> 01:06:01,840
Speaker 1: just like two um Like it makes me feel like, No,

1075
01:06:01,960 --> 01:06:03,720
Speaker 1: if you like beer, then you should like dark chok

1076
01:06:03,800 --> 01:06:06,280
Speaker 1: because it's like it's body. It's got like because as

1077
01:06:06,320 --> 01:06:07,960
Speaker 1: you grow up, it's like it's like wine. It's like

1078
01:06:08,040 --> 01:06:11,360
Speaker 1: it's got such depth of flavor. Maybe maybe I've just

1079
01:06:11,520 --> 01:06:15,120
Speaker 1: been denying myself that I like it. But here's the

1080
01:06:15,200 --> 01:06:17,720
Speaker 1: ranking of the skittle flavors. Cherry's cherry is the best,

1081
01:06:18,240 --> 01:06:22,480
Speaker 1: Orange is the second best, Yellow, lemon is that then

1082
01:06:22,600 --> 01:06:24,840
Speaker 1: comes in third, then green, which I don't like, and

1083
01:06:24,880 --> 01:06:27,240
Speaker 1: then grape, which can, as far as I'm concerned, be

1084
01:06:27,320 --> 01:06:29,640
Speaker 1: banished from the planet Earth. You have four options. That's

1085
01:06:29,680 --> 01:06:31,320
Speaker 1: a great ranking, and I think I think I have

1086
01:06:31,360 --> 01:06:32,720
Speaker 1: the same ranking. But this is these are these are

1087
01:06:32,720 --> 01:06:36,040
Speaker 1: your four options. You eat the grape skittles first, you

1088
01:06:36,160 --> 01:06:39,800
Speaker 1: say them for last, after you eat everything else. Uh,

1089
01:06:40,160 --> 01:06:43,520
Speaker 1: you don't eat them at all in random order. You

1090
01:06:43,520 --> 01:06:46,840
Speaker 1: don't have to like and honestly, most of the time

1091
01:06:46,880 --> 01:06:49,040
Speaker 1: I do. I have like a thing where I like

1092
01:06:49,120 --> 01:06:54,200
Speaker 1: to sort them and then eat them. Was my next question.

1093
01:06:54,240 --> 01:06:57,120
Speaker 1: Do you separate the other colors and decide what order

1094
01:06:57,160 --> 01:06:59,160
Speaker 1: to eat them in as well? Sometimes I find it

1095
01:06:59,280 --> 01:07:01,640
Speaker 1: to be a great ill to empty all the skittles

1096
01:07:01,680 --> 01:07:04,280
Speaker 1: out onto the table and then sort them by colorow.

1097
01:07:05,000 --> 01:07:07,680
Speaker 1: But this is riddled with stress, though, because you know

1098
01:07:07,920 --> 01:07:09,240
Speaker 1: that there was a part of it that you don't

1099
01:07:09,320 --> 01:07:11,320
Speaker 1: that you don't like. Maybe that's part of why I

1100
01:07:11,800 --> 01:07:14,920
Speaker 1: do it. I think you're searching for stress and things

1101
01:07:15,000 --> 01:07:19,000
Speaker 1: that shouldn't be stressful. Okay, And that's that's a great assessment.

1102
01:07:19,080 --> 01:07:21,920
Speaker 1: The way you where you just start separate them. I

1103
01:07:21,960 --> 01:07:23,600
Speaker 1: will just separate them by color, and then I will

1104
01:07:23,640 --> 01:07:27,640
Speaker 1: eat them um like by color. So interesting people who

1105
01:07:27,840 --> 01:07:30,160
Speaker 1: favor Really it's not about color, right, The people who

1106
01:07:30,200 --> 01:07:32,680
Speaker 1: do this with like Eminem's or Skittles, it's fools to

1107
01:07:32,720 --> 01:07:35,360
Speaker 1: do it with, and you do it with any of them.

1108
01:07:36,320 --> 01:07:38,439
Speaker 1: I agree, I think just eat them as they come.

1109
01:07:38,920 --> 01:07:41,440
Speaker 1: But like I had a boss who would, like on

1110
01:07:41,640 --> 01:07:43,560
Speaker 1: calls or something like, I would sit in her office

1111
01:07:43,600 --> 01:07:46,320
Speaker 1: with her. She would empty a bag of Skittles or

1112
01:07:46,360 --> 01:07:48,840
Speaker 1: Eminem's even, and there's no use in doing that. But

1113
01:07:48,960 --> 01:07:51,840
Speaker 1: like she would do she had this I'm not going

1114
01:07:51,920 --> 01:07:54,280
Speaker 1: to say like the acronym of like O, C D

1115
01:07:54,440 --> 01:07:55,760
Speaker 1: or anything, but it was like this thing where it

1116
01:07:55,840 --> 01:07:58,320
Speaker 1: was like she would take a collar like a red

1117
01:07:58,480 --> 01:08:01,920
Speaker 1: skittle and then the rule was she had to do

1118
01:08:03,080 --> 01:08:07,920
Speaker 1: UM three. She explained to me. The system three a

1119
01:08:08,080 --> 01:08:11,840
Speaker 1: triangle of red around the center red. That's then do

1120
01:08:12,040 --> 01:08:15,160
Speaker 1: alternating colors if everything else had to be, and then

1121
01:08:15,200 --> 01:08:18,519
Speaker 1: it would be a hexagon of It's it's true that

1122
01:08:18,520 --> 01:08:21,320
Speaker 1: I'm not even gonna bother explaining it was just that

1123
01:08:21,439 --> 01:08:23,960
Speaker 1: sounds like she's looking for stress work. You're you're so

1124
01:08:25,400 --> 01:08:27,600
Speaker 1: you're pretty close to that because it's not it's a

1125
01:08:27,680 --> 01:08:32,639
Speaker 1: stressful process. I think it is. You're I'm merely separating

1126
01:08:32,680 --> 01:08:34,600
Speaker 1: them by color because I don't want my flavors like

1127
01:08:34,640 --> 01:08:41,040
Speaker 1: I confused. There's nothing your mouth would differentiate the confused

1128
01:08:42,479 --> 01:08:46,880
Speaker 1: cut six. There's nothing worse than flavors getting confused. I

1129
01:08:47,000 --> 01:08:48,639
Speaker 1: was also that kid where none of my food could

1130
01:08:48,640 --> 01:08:55,639
Speaker 1: be touching. I mixed everything. I love that. I wait,

1131
01:08:55,760 --> 01:08:58,639
Speaker 1: there was there was also another another sentence that you said,

1132
01:08:58,640 --> 01:09:00,920
Speaker 1: they're like I like grapes, like them all. I like

1133
01:09:01,080 --> 01:09:05,800
Speaker 1: them purple and green. Okay, well, yes, that is that

1134
01:09:05,960 --> 01:09:07,400
Speaker 1: is how I feel. And I also want to say

1135
01:09:07,439 --> 01:09:08,960
Speaker 1: one more thing which I forgot to say, which is

1136
01:09:09,000 --> 01:09:11,240
Speaker 1: I think purple was one of the most fabulous colors

1137
01:09:11,680 --> 01:09:13,880
Speaker 1: and for it to be associated with the disgusting flavor

1138
01:09:13,960 --> 01:09:16,880
Speaker 1: of grape, I think it's ridiculous. You don't like purple.

1139
01:09:17,680 --> 01:09:24,439
Speaker 1: I know, what do you? What color do you like? Clear? Clear? Oh? Yeah,

1140
01:09:24,479 --> 01:09:28,439
Speaker 1: you're a clear You're a clear bitch. Uh wait, no,

1141
01:09:28,640 --> 01:09:31,320
Speaker 1: I just I just remember something funny that miss Jason

1142
01:09:31,400 --> 01:09:36,000
Speaker 1: last night that I feel compelled to um so she

1143
01:09:36,200 --> 01:09:39,840
Speaker 1: was She was suggesting that she wanted to do trivia. Yeah,

1144
01:09:40,920 --> 01:09:42,720
Speaker 1: I love this. I thought about it as soon as

1145
01:09:42,720 --> 01:09:45,559
Speaker 1: I woke up again. She was suggesting that she wanted

1146
01:09:45,600 --> 01:09:48,439
Speaker 1: to do trivia, and then someone asked, well are their prices?

1147
01:09:49,280 --> 01:09:52,679
Speaker 1: And then she goes, there are prices. I have prices.

1148
01:09:52,840 --> 01:09:57,720
Speaker 1: I have things things you would like the prices. I

1149
01:09:57,800 --> 01:09:59,479
Speaker 1: have things. I have things you would want. I think

1150
01:09:59,520 --> 01:10:04,920
Speaker 1: that you would have. Yes, I saw you laugh. I

1151
01:10:05,000 --> 01:10:07,320
Speaker 1: have prizes. I have things. I have things that you

1152
01:10:07,360 --> 01:10:11,160
Speaker 1: would want. I think you used that as a line

1153
01:10:11,160 --> 01:10:13,519
Speaker 1: somewher kind of if you would want get Miss j

1154
01:10:13,640 --> 01:10:15,800
Speaker 1: is a consultant. Miss Jade as a consultant. Yes for

1155
01:10:15,880 --> 01:10:20,320
Speaker 1: a season two. Um wait, when Julio turned his head,

1156
01:10:20,360 --> 01:10:22,800
Speaker 1: I don't know earlier at what again he scoffed at me,

1157
01:10:22,960 --> 01:10:28,080
Speaker 1: saying that I, um love love Starburs or can Starburs

1158
01:10:28,360 --> 01:10:31,439
Speaker 1: or something. This was a very one of your favorite films.

1159
01:10:32,040 --> 01:10:34,280
Speaker 1: You do not get me started. So the two year

1160
01:10:34,439 --> 01:10:38,040
Speaker 1: anniversary of Gutenfes Squeen of Gold with April Queen devices

1161
01:10:38,160 --> 01:10:40,120
Speaker 1: versus Queen of Gold, which is Julio's alternate title for

1162
01:10:40,160 --> 01:10:41,519
Speaker 1: a snow white in the hunts But no, no, no,

1163
01:10:41,600 --> 01:10:43,240
Speaker 1: no no no, The Huntsman went to war. It is

1164
01:10:43,360 --> 01:10:45,519
Speaker 1: my one of my favorite movies. That is when I

1165
01:10:45,520 --> 01:10:51,080
Speaker 1: discovered the culture of culture for me. So you have

1166
01:10:51,200 --> 01:10:55,679
Speaker 1: gifts at the ready for this clips of yeah yeah yeah,

1167
01:10:56,040 --> 01:11:03,719
Speaker 1: so um yes. It is the sequel to The Hunts

1168
01:11:03,760 --> 01:11:07,240
Speaker 1: in the live action Snow White movie. And in this film, uh,

1169
01:11:07,680 --> 01:11:10,640
Speaker 1: it is a film about two rival queens share at

1170
01:11:10,720 --> 01:11:14,120
Speaker 1: least there I'm playing the Queen of Gold versus Emily Blunt,

1171
01:11:14,200 --> 01:11:17,679
Speaker 1: her sister playing the Queen of Ice. One is gold,

1172
01:11:17,760 --> 01:11:19,880
Speaker 1: the other one's eyes. It's not fire and ice. It's

1173
01:11:19,920 --> 01:11:27,920
Speaker 1: not gold and silver ice. And there's so many beautiful

1174
01:11:28,920 --> 01:11:32,479
Speaker 1: moments in that film. Uh. One of them is the

1175
01:11:32,560 --> 01:11:34,760
Speaker 1: Queen of Ice looking into the mirror and going mirror,

1176
01:11:34,840 --> 01:11:36,680
Speaker 1: mirror of them all, who's the fairest of them all?

1177
01:11:36,760 --> 01:11:38,760
Speaker 1: And then share at least there on steps out of

1178
01:11:38,760 --> 01:11:42,160
Speaker 1: the mirror and she goes, does this answer your question?

1179
01:11:43,240 --> 01:11:46,920
Speaker 1: Oh my god? But the moment that Bowen you're referring

1180
01:11:47,000 --> 01:11:49,840
Speaker 1: to is so if you want to know what the

1181
01:11:49,960 --> 01:11:52,479
Speaker 1: drama is behind behind the two queens where they hate

1182
01:11:52,520 --> 01:11:55,799
Speaker 1: each other, is because the Queen of Gold murders the baby.

1183
01:12:05,160 --> 01:12:09,160
Speaker 1: So okay, so in this in this long scene, in

1184
01:12:09,240 --> 01:12:12,439
Speaker 1: this flashback, because I should say that this movie is

1185
01:12:12,520 --> 01:12:17,680
Speaker 1: both a prequel and a sequel to So Okay, So

1186
01:12:17,880 --> 01:12:20,200
Speaker 1: the movie, it's like some of the movie takes place,

1187
01:12:20,320 --> 01:12:23,560
Speaker 1: and then a crow flies into the lens and the

1188
01:12:23,640 --> 01:12:26,400
Speaker 1: narrator says, and then the tail of snow white happened,

1189
01:12:29,360 --> 01:12:31,880
Speaker 1: and then we ease back into the movie again, both

1190
01:12:31,920 --> 01:12:34,800
Speaker 1: the prequel and a sequel. So in a flashback, the

1191
01:12:34,920 --> 01:12:39,880
Speaker 1: Queen of Gold, carrying a torch, goes to like some

1192
01:12:40,080 --> 01:12:43,680
Speaker 1: henchmen as he's sleeping. She puts his hand over him

1193
01:12:43,840 --> 01:12:50,560
Speaker 1: and she goes no. So then the man goes with

1194
01:12:50,760 --> 01:12:55,280
Speaker 1: the torch and torches the baby, torches the child of

1195
01:12:55,360 --> 01:12:59,040
Speaker 1: the Queen of Eyes. And then as Emily Blunt is

1196
01:12:59,160 --> 01:13:04,000
Speaker 1: rushing to the what that what the commotion going on

1197
01:13:04,600 --> 01:13:08,320
Speaker 1: the cradle of her child? She rushes back the Queen

1198
01:13:08,400 --> 01:13:11,080
Speaker 1: of Gold, who has set this up, Charlie, And then

1199
01:13:11,240 --> 01:13:14,920
Speaker 1: Charlie's sarn. The camera stays sent Charlie there and who

1200
01:13:15,560 --> 01:13:18,240
Speaker 1: doesn't do a full turn that like maybe like a

1201
01:13:18,360 --> 01:13:21,120
Speaker 1: one quarter turn to look at Emily Blunt. She's just like,

1202
01:13:22,560 --> 01:13:25,120
Speaker 1: can you do have it on your phone? Because I

1203
01:13:25,200 --> 01:13:27,840
Speaker 1: think it's I might not have We'll pull it up

1204
01:13:27,880 --> 01:13:30,519
Speaker 1: after just the way that she looks back, is just

1205
01:13:30,720 --> 01:13:37,640
Speaker 1: like like if the smallest like like like she like

1206
01:13:37,840 --> 01:13:40,000
Speaker 1: she didn't just kill her baby, like she just had

1207
01:13:40,040 --> 01:13:44,639
Speaker 1: like a caddie thing. Yeah, it's true. Oh my god. Yeah.

1208
01:13:44,640 --> 01:13:46,760
Speaker 1: There are lots of gifts of them screaming at each

1209
01:13:46,800 --> 01:13:51,000
Speaker 1: other and like golden ice rushing. Yes, yeah, I haven't

1210
01:13:51,040 --> 01:13:53,560
Speaker 1: seen the movie, but now I must a lot of

1211
01:13:53,640 --> 01:13:57,800
Speaker 1: scenes of Emily Blunt looking at the ice cradle of

1212
01:13:58,080 --> 01:14:01,479
Speaker 1: empty ice, cradle of her baby. Is there a winner

1213
01:14:01,560 --> 01:14:05,960
Speaker 1: at the end, don't spoil, I won't spoil. Well, is

1214
01:14:06,040 --> 01:14:09,360
Speaker 1: there a winner? There is a clear winner. This movie

1215
01:14:09,439 --> 01:14:11,640
Speaker 1: has really informed so much of your work, and I

1216
01:14:11,720 --> 01:14:18,000
Speaker 1: think you would you would? I think accept that it

1217
01:14:18,240 --> 01:14:21,639
Speaker 1: has it's and I've said this before. It's a perfume

1218
01:14:21,760 --> 01:14:25,240
Speaker 1: and turn into an action. Yes, I love any movie

1219
01:14:25,280 --> 01:14:29,280
Speaker 1: that's a fragrance commercial. Yes, yeah, it's primarily a fragrance commercial. Yeah,

1220
01:14:29,520 --> 01:14:32,439
Speaker 1: that's perfect. A song of ice and gold, A song

1221
01:14:32,560 --> 01:14:35,280
Speaker 1: of ice and gold. Alright, Well, it might be time

1222
01:14:35,280 --> 01:14:36,880
Speaker 1: for your I don't think so, honey. Yes, I think

1223
01:14:36,920 --> 01:14:39,080
Speaker 1: it is. And that means it's time to put one

1224
01:14:39,120 --> 01:14:44,639
Speaker 1: minute on the class what bitch? Yes, this is boon.

1225
01:14:44,960 --> 01:14:46,640
Speaker 1: I don't think so. Honey, as time starts. Now, I

1226
01:14:46,680 --> 01:14:49,760
Speaker 1: don't think so, honey, when you react to my Instagram

1227
01:14:49,880 --> 01:14:54,799
Speaker 1: story and then I I think, what's this a message?

1228
01:14:55,200 --> 01:14:58,240
Speaker 1: I get to read a nice little speech bubble, And no,

1229
01:14:58,479 --> 01:15:05,479
Speaker 1: it's just an upward shower of vaporized fume of hard

1230
01:15:05,560 --> 01:15:09,440
Speaker 1: eyes or something. And you know, it's very I experienced

1231
01:15:09,439 --> 01:15:11,679
Speaker 1: this several times a day, and it's it's anti climactic

1232
01:15:11,800 --> 01:15:14,559
Speaker 1: every single time. And I really hope that people out

1233
01:15:14,600 --> 01:15:19,200
Speaker 1: there really learned seconds to um, you know, use their words.

1234
01:15:19,280 --> 01:15:22,120
Speaker 1: I think words. We cannot let words go extinct. And

1235
01:15:22,160 --> 01:15:25,720
Speaker 1: I think we are on this path. And you know,

1236
01:15:26,439 --> 01:15:31,479
Speaker 1: I will harness words for political gain and Mr President,

1237
01:15:32,080 --> 01:15:36,679
Speaker 1: if you're listening, I will harness words for political gain.

1238
01:15:36,760 --> 01:15:38,400
Speaker 1: I will meet you on that field. What about love,

1239
01:15:38,479 --> 01:15:41,200
Speaker 1: and sir, words will win and love will win five

1240
01:15:41,200 --> 01:15:44,040
Speaker 1: seconds less. Yeah, just just just send me, Just just

1241
01:15:44,160 --> 01:15:46,200
Speaker 1: type out something like oh my god, fun and that's

1242
01:15:46,200 --> 01:15:52,880
Speaker 1: what I'm for you, something that you get to read like,

1243
01:15:53,040 --> 01:15:58,360
Speaker 1: oh my god, I love reading. Yeah, honestly, I agree.

1244
01:15:58,400 --> 01:16:01,240
Speaker 1: I think it's a real culture. Number nine, the eight

1245
01:16:02,240 --> 01:16:06,360
Speaker 1: your you know, I will say I am guilty of

1246
01:16:06,479 --> 01:16:09,840
Speaker 1: sometimes I didn't take the emoji, you know, I think

1247
01:16:09,880 --> 01:16:12,840
Speaker 1: I've done to everyone at this damn table, and I'm

1248
01:16:12,880 --> 01:16:15,280
Speaker 1: a hot producer. I'm in too, Okay, I think it's

1249
01:16:15,320 --> 01:16:16,960
Speaker 1: time Brandon for Bregas. I don't think so, honey. We

1250
01:16:17,040 --> 01:16:19,160
Speaker 1: think it is okay, So are you ready? I'm ready?

1251
01:16:19,200 --> 01:16:20,880
Speaker 1: This is as. I don't think so honey, her time

1252
01:16:20,920 --> 01:16:24,400
Speaker 1: starts now. I don't think so honey. Crowded bars, I

1253
01:16:24,640 --> 01:16:27,880
Speaker 1: hate walking into a bar that has not only every

1254
01:16:27,960 --> 01:16:31,760
Speaker 1: seat filled, but people standing and taking up room and

1255
01:16:31,880 --> 01:16:34,479
Speaker 1: you can't hear each other and there's loud music. I

1256
01:16:34,560 --> 01:16:36,439
Speaker 1: know that some people don't like to go to a

1257
01:16:36,479 --> 01:16:38,400
Speaker 1: bar that's not crowded because they think it's boring. But

1258
01:16:38,720 --> 01:16:40,040
Speaker 1: if I'm going to a bar because I want to

1259
01:16:40,080 --> 01:16:42,040
Speaker 1: talk to who I'm with, so I would like that

1260
01:16:42,120 --> 01:16:46,439
Speaker 1: bar to be empty. And that's that that goes out

1261
01:16:46,479 --> 01:16:50,559
Speaker 1: only for bars, before any any venue for nightlife as well.

1262
01:16:50,720 --> 01:16:52,439
Speaker 1: If there's too many people, I'm not going to have

1263
01:16:52,520 --> 01:16:57,479
Speaker 1: a good time. Um I I if it's if I

1264
01:16:57,560 --> 01:17:00,360
Speaker 1: show up and it's empty, great. If it will start

1265
01:17:00,400 --> 01:17:02,000
Speaker 1: to show up, I'm gonna leave, and I'm gonna hope

1266
01:17:02,040 --> 01:17:06,400
Speaker 1: I can find a place that is still empty. Better yet,

1267
01:17:06,479 --> 01:17:08,080
Speaker 1: maybe as I'm saying this, I'm like, should I just

1268
01:17:08,160 --> 01:17:13,360
Speaker 1: stay home? People? Um? But yeah, I just don't like

1269
01:17:14,479 --> 01:17:18,720
Speaker 1: people being loud. There's more drunk people when it's more crowded. Um.

1270
01:17:18,880 --> 01:17:21,479
Speaker 1: I just urge everybody to be mindful of where they

1271
01:17:21,560 --> 01:17:24,320
Speaker 1: choose to congregate. Yes, And that's what minute. And also

1272
01:17:24,880 --> 01:17:27,679
Speaker 1: I completely agree with you. I only like bars where

1273
01:17:27,760 --> 01:17:30,240
Speaker 1: I am concerned whether or not they can stay open,

1274
01:17:30,880 --> 01:17:34,760
Speaker 1: like because because there's no one there truly. Yeah, And

1275
01:17:34,880 --> 01:17:37,760
Speaker 1: you know, I'm trying to think about scale here, and

1276
01:17:37,840 --> 01:17:39,559
Speaker 1: I feel like when you travel, let's say you travel

1277
01:17:39,640 --> 01:17:43,360
Speaker 1: to Buenos Aires, I'm thinking it's gonna be great. It's

1278
01:17:43,400 --> 01:17:45,000
Speaker 1: gonna be I'm gonna have space and gonna have space

1279
01:17:45,040 --> 01:17:46,200
Speaker 1: to do things I want to do. But then you

1280
01:17:46,240 --> 01:17:48,360
Speaker 1: get there and then the people ruin in or just

1281
01:17:48,479 --> 01:17:50,960
Speaker 1: the crowds, and then it's kind of the same concept

1282
01:17:51,000 --> 01:17:52,599
Speaker 1: where you're like, I should have just stayed home. Also,

1283
01:17:52,600 --> 01:17:54,000
Speaker 1: if I'm at the bar, I probably want to drink.

1284
01:17:54,120 --> 01:17:56,080
Speaker 1: And what people tend to do in these spaces is

1285
01:17:56,439 --> 01:18:00,640
Speaker 1: there's uh, like, you know, there should be seats at

1286
01:18:00,720 --> 01:18:03,240
Speaker 1: the bar, but then people they congregate up and then

1287
01:18:03,280 --> 01:18:06,519
Speaker 1: you can't get a drink. Get a drink and everyone's

1288
01:18:06,640 --> 01:18:09,600
Speaker 1: bumping into you. Is they're walking through and there you go.

1289
01:18:10,160 --> 01:18:12,720
Speaker 1: The worst thing you could do, the worst thing you

1290
01:18:12,800 --> 01:18:15,640
Speaker 1: could do is order a drink and when you get it,

1291
01:18:16,120 --> 01:18:20,439
Speaker 1: remain at the bar. Blocking is not the transaction. Yeah,

1292
01:18:20,479 --> 01:18:24,240
Speaker 1: this is this is this is an animal house blocking

1293
01:18:24,920 --> 01:18:27,840
Speaker 1: slocking access and her break colon and search for an

1294
01:18:27,880 --> 01:18:34,760
Speaker 1: empty place, and I do have I was thinking about

1295
01:18:34,760 --> 01:18:36,720
Speaker 1: a memorial yesterday because I think it's funny when people

1296
01:18:36,800 --> 01:18:39,479
Speaker 1: that are like I have not even lived half their lives,

1297
01:18:39,520 --> 01:18:41,559
Speaker 1: are like going to write a book or something that's

1298
01:18:42,400 --> 01:18:45,360
Speaker 1: we must share with us all your memories. Yeah. Um,

1299
01:18:45,800 --> 01:18:47,439
Speaker 1: but I was saying, I tweeted about this, but I

1300
01:18:47,560 --> 01:18:52,960
Speaker 1: was thinking about one um called undeniably me and then

1301
01:18:53,640 --> 01:18:56,840
Speaker 1: colon how I turned a hundred dollars into four hundred

1302
01:18:56,960 --> 01:19:06,800
Speaker 1: quarters beautiful. Two different ideas, but someone called undeniab absolutely

1303
01:19:07,120 --> 01:19:10,360
Speaker 1: two different ideas existing. Holy Would you like a troubled

1304
01:19:10,479 --> 01:19:11,960
Speaker 1: or do you have a topic? I think I have

1305
01:19:12,040 --> 01:19:15,800
Speaker 1: a topic. I'm excited about a topic. He's he's really

1306
01:19:15,920 --> 01:19:18,920
Speaker 1: he's rubbing his thumb across his fingers. You know. I

1307
01:19:19,120 --> 01:19:22,160
Speaker 1: I I took out my rings because I can't do

1308
01:19:22,520 --> 01:19:25,280
Speaker 1: any proper thinking or engaging with my wings on it,

1309
01:19:25,640 --> 01:19:34,080
Speaker 1: and I discovered I can um. There were multiple takes

1310
01:19:34,160 --> 01:19:39,680
Speaker 1: of that because the actor who played the boy it

1311
01:19:39,840 --> 01:19:43,280
Speaker 1: was was was really being very method, method, methodical about

1312
01:19:43,400 --> 01:19:46,080
Speaker 1: just peeling the rings off and was very patient. He

1313
01:19:46,160 --> 01:19:49,000
Speaker 1: was just like and she just Eightie was a pro

1314
01:19:49,160 --> 01:19:51,559
Speaker 1: the whole time. You know, Adie Bryant is a pro.

1315
01:19:51,840 --> 01:19:54,000
Speaker 1: You know that she You know, you can recognize a

1316
01:19:54,040 --> 01:19:56,639
Speaker 1: pro when she doesn't flinch at a boy taking her rings.

1317
01:19:58,439 --> 01:20:01,200
Speaker 1: I would flinch because I'm not not to her, not

1318
01:20:01,400 --> 01:20:03,320
Speaker 1: to her. So this is jolio towards us. I don't

1319
01:20:03,320 --> 01:20:06,400
Speaker 1: think so, honey. He's ringless as time starts now, I

1320
01:20:06,560 --> 01:20:10,400
Speaker 1: don't think so, honey. The key emoji not being proportional

1321
01:20:10,479 --> 01:20:15,360
Speaker 1: to the door emoji. If I am trying to convey

1322
01:20:15,439 --> 01:20:18,680
Speaker 1: an idea through emojis, and I say and I and

1323
01:20:18,760 --> 01:20:21,240
Speaker 1: I'm trying to use the door emoji as a metaphor

1324
01:20:21,320 --> 01:20:24,759
Speaker 1: by saying something like, oh, I have I have finally

1325
01:20:24,880 --> 01:20:28,920
Speaker 1: access that idea. I finally have access to this, And

1326
01:20:29,040 --> 01:20:30,920
Speaker 1: I put the door emoji, and right next to it,

1327
01:20:30,960 --> 01:20:34,599
Speaker 1: I put the key emoji. And the lazy, lazy, lazy

1328
01:20:34,680 --> 01:20:37,240
Speaker 1: people that make these emojis, they did both the same size.

1329
01:20:37,439 --> 01:20:41,160
Speaker 1: I'm suddenly conveying I have a door and a giant key.

1330
01:20:41,840 --> 01:20:43,960
Speaker 1: I don't have a giant key. I have the key

1331
01:20:44,080 --> 01:20:47,200
Speaker 1: to that door. And that key does not open the

1332
01:20:47,280 --> 01:20:49,920
Speaker 1: door if it's the same size to the door, unless

1333
01:20:49,920 --> 01:20:52,519
Speaker 1: you're trying to convey that you're gonna tear the door

1334
01:20:52,640 --> 01:20:55,920
Speaker 1: down with the giant key. No, I don't think so, honey.

1335
01:20:56,280 --> 01:20:59,200
Speaker 1: The key not being proportional to the door, the key,

1336
01:21:00,000 --> 01:21:02,600
Speaker 1: you'd be so small you can barely see it in

1337
01:21:02,640 --> 01:21:04,960
Speaker 1: the text it ought to be. And that's one minute. Now.

1338
01:21:04,960 --> 01:21:06,760
Speaker 1: I have a question for you, Julio, what about every

1339
01:21:06,800 --> 01:21:12,479
Speaker 1: other emogiver other emotion. I don't think the grapes being

1340
01:21:12,520 --> 01:21:15,960
Speaker 1: the same size as the dancing girl. I don't go

1341
01:21:16,080 --> 01:21:17,840
Speaker 1: anywhere near the grapes. I don't go anywhere you're the

1342
01:21:17,920 --> 01:21:21,080
Speaker 1: dancing It's the only emoji that I am concerned with.

1343
01:21:21,200 --> 01:21:24,080
Speaker 1: Our the key and the door. Or what about like

1344
01:21:24,160 --> 01:21:27,360
Speaker 1: another n a Come on, no, but what about like

1345
01:21:27,479 --> 01:21:29,960
Speaker 1: other emojis that like you would like partner together in

1346
01:21:30,120 --> 01:21:32,960
Speaker 1: order to create a story or a narrative. Yeah, like

1347
01:21:33,120 --> 01:21:36,479
Speaker 1: a like a like one of those um uh peaches

1348
01:21:36,760 --> 01:21:41,360
Speaker 1: and the eggplant eggplant. I don't know I don't use

1349
01:21:41,479 --> 01:21:45,600
Speaker 1: any of the fruit. I mostly I mostly stay with

1350
01:21:45,760 --> 01:21:49,800
Speaker 1: the with the fountains and the hour glasses and the door. Sure, yeah,

1351
01:21:50,439 --> 01:21:59,920
Speaker 1: a note. I think that you may be disregarding um perception. Perception.

1352
01:22:00,120 --> 01:22:02,880
Speaker 1: I'm sorry. So you are saying, you are saying that

1353
01:22:03,200 --> 01:22:09,719
Speaker 1: apple thought. Well, okay, so one holds the key closer

1354
01:22:09,800 --> 01:22:11,880
Speaker 1: to one's eyes and one's door, and the door is

1355
01:22:11,920 --> 01:22:15,080
Speaker 1: always farther away. It's like I would take that. I

1356
01:22:15,080 --> 01:22:19,040
Speaker 1: would take that, if, if, if they would finally make

1357
01:22:19,080 --> 01:22:22,800
Speaker 1: the emojis overlap so that you could put one in

1358
01:22:22,880 --> 01:22:25,080
Speaker 1: front of the other one. You do it on Instagram.

1359
01:22:25,240 --> 01:22:27,679
Speaker 1: You could shrink the key on an Instagram. The story

1360
01:22:28,080 --> 01:22:30,439
Speaker 1: you could, I guess I could. This is a lot

1361
01:22:30,479 --> 01:22:33,400
Speaker 1: of work. But you bring up a very interesting point,

1362
01:22:33,439 --> 01:22:36,840
Speaker 1: and I think we're the discussion is ongoing. Well, I'm

1363
01:22:36,880 --> 01:22:42,200
Speaker 1: just saying it's always Can you imagine the chaos of

1364
01:22:42,320 --> 01:22:46,640
Speaker 1: a text conversation if all the emojis were proportional, you

1365
01:22:46,680 --> 01:22:50,120
Speaker 1: could never It would be hell on the eyes. It

1366
01:22:50,160 --> 01:22:56,240
Speaker 1: would make a full piece of art. But but imagine

1367
01:22:56,360 --> 01:22:59,880
Speaker 1: text in there too. You know, that's when you'll have

1368
01:23:00,360 --> 01:23:03,680
Speaker 1: huge open spaces for the door and the text down

1369
01:23:03,720 --> 01:23:05,519
Speaker 1: at the bottom and all the dead space up top,

1370
01:23:05,640 --> 01:23:08,559
Speaker 1: it would it would look really ugly. And as as

1371
01:23:08,800 --> 01:23:12,680
Speaker 1: as as a photoshop, with you, you understand visual art

1372
01:23:13,520 --> 01:23:18,400
Speaker 1: more so than any than your photoshop. You understand one

1373
01:23:18,439 --> 01:23:21,280
Speaker 1: of the queens of the stuff. You know, you're right.

1374
01:23:21,360 --> 01:23:23,639
Speaker 1: We tell you you have to consider the negative space,

1375
01:23:23,680 --> 01:23:26,320
Speaker 1: and there's will be a lot of negative space. Consider

1376
01:23:26,400 --> 01:23:32,240
Speaker 1: the negative space. And also when we're talking about the

1377
01:23:32,240 --> 01:23:33,960
Speaker 1: stuff with the emojis, it actually brings us back to

1378
01:23:34,000 --> 01:23:36,960
Speaker 1: rule number ninety eight, which is use your words, type

1379
01:23:37,000 --> 01:23:41,880
Speaker 1: it out. Um. I think this discussion is ongoing. This

1380
01:23:41,960 --> 01:23:48,040
Speaker 1: discussion will continue. And Apple, if you're listening, well, Nicode Unicode,

1381
01:23:48,520 --> 01:23:53,599
Speaker 1: it's the company, I'm sorry, the organization Unicode Unicode. They

1382
01:23:53,640 --> 01:23:58,519
Speaker 1: are responsible for emojis. They all get together and I

1383
01:23:58,560 --> 01:24:02,439
Speaker 1: think there's summits and convey yeah emoji summits. I think

1384
01:24:02,680 --> 01:24:07,040
Speaker 1: you guys have to go speak at these. Wow. I

1385
01:24:07,120 --> 01:24:11,519
Speaker 1: wish there was a marble emoji. There is a candy

1386
01:24:11,560 --> 01:24:16,680
Speaker 1: emogi that looks like it wrapped anna. I will never

1387
01:24:16,840 --> 01:24:21,040
Speaker 1: forget invented an emoji that that I need, which is

1388
01:24:22,320 --> 01:24:27,120
Speaker 1: open mouth grin wearing the cowboy hat. No, that already exists.

1389
01:24:28,400 --> 01:24:31,880
Speaker 1: The cowboy hat when they came out. I was just

1390
01:24:32,040 --> 01:24:34,720
Speaker 1: blown away by the cowboy hat in the decision to

1391
01:24:34,880 --> 01:24:41,920
Speaker 1: include him, because what is it conveyed happy cowboy? An

1392
01:24:41,960 --> 01:24:44,640
Speaker 1: ecstatic cowboy. Yeah, But then I started putting it on

1393
01:24:44,720 --> 01:24:48,400
Speaker 1: other emojis and it elevated every every emogi. It does

1394
01:24:48,680 --> 01:24:50,800
Speaker 1: like sad looking down with the cowboy hat, he's like

1395
01:24:51,000 --> 01:24:55,200
Speaker 1: so much more sad than Yeah, there are emojis with

1396
01:24:55,240 --> 01:24:59,880
Speaker 1: the newsboy caps. No, there's we need to inspire them from.

1397
01:25:00,360 --> 01:25:03,080
Speaker 1: I think there's the there's the painter who wears a

1398
01:25:03,160 --> 01:25:08,320
Speaker 1: little a little like see there's a brush and une.

1399
01:25:08,479 --> 01:25:11,439
Speaker 1: So I think in the picture right and it's not

1400
01:25:11,560 --> 01:25:14,360
Speaker 1: it doesn't look that proportional. I think you two should

1401
01:25:14,720 --> 01:25:17,960
Speaker 1: should demand invitations to the next Union Code Summit. Emojis

1402
01:25:18,040 --> 01:25:20,800
Speaker 1: I Need, I Need. We keep saying this because this

1403
01:25:20,880 --> 01:25:24,120
Speaker 1: is the title of a sketch that around sketch, a

1404
01:25:24,240 --> 01:25:27,240
Speaker 1: defunct sketch called Emojis I Need, And it was just

1405
01:25:28,520 --> 01:25:30,680
Speaker 1: it was just a list of emojis I need. It

1406
01:25:30,760 --> 01:25:32,439
Speaker 1: was a voice where I think it was Kit Harrington

1407
01:25:32,800 --> 01:25:35,759
Speaker 1: who read the emojis I need emoji I need who

1408
01:25:37,600 --> 01:25:40,200
Speaker 1: it was pretty much like like Kid Harrington, like this

1409
01:25:40,400 --> 01:25:44,320
Speaker 1: is a list of emojis who your doors, and then

1410
01:25:44,360 --> 01:25:46,400
Speaker 1: the whole and then the whole staff at SNL. Just

1411
01:25:46,560 --> 01:25:52,800
Speaker 1: at the table, we're being like okay, yes, um received

1412
01:25:52,960 --> 01:25:58,920
Speaker 1: like the best of my work without okay okay, um Wow.

1413
01:25:59,120 --> 01:26:01,360
Speaker 1: This has been a very special, a tremendous episode. And

1414
01:26:01,479 --> 01:26:03,960
Speaker 1: Lows's Spookies is on HBO on Friday nights at eleven

1415
01:26:04,040 --> 01:26:08,479
Speaker 1: pm and HBO Go twenty four anytime you want even

1416
01:26:08,520 --> 01:26:12,920
Speaker 1: on HBO now now HBO. Now you think we could

1417
01:26:12,920 --> 01:26:15,600
Speaker 1: get you? Have you gotten a password yet? No? We

1418
01:26:15,640 --> 01:26:19,599
Speaker 1: should get HBO. We should you should get HBO. If

1419
01:26:19,680 --> 01:26:23,479
Speaker 1: we've been joking about we don't have loggins, please get loggins,

1420
01:26:23,760 --> 01:26:25,920
Speaker 1: and they're always like okay, and they're like no, we

1421
01:26:26,000 --> 01:26:28,800
Speaker 1: need really simple as them just making an account for

1422
01:26:28,920 --> 01:26:31,719
Speaker 1: like some Oh my god, that is shocked that anyone.

1423
01:26:31,960 --> 01:26:34,559
Speaker 1: I think they think we're kidding. Yeah, but I think

1424
01:26:34,720 --> 01:26:36,639
Speaker 1: we're kidding. But I also don't have a TV because

1425
01:26:36,640 --> 01:26:38,720
Speaker 1: it doesn't go with anything in my apartment. Well I

1426
01:26:38,720 --> 01:26:43,680
Speaker 1: don't know. Yeah, oh now is a r HBO go

1427
01:26:43,840 --> 01:26:48,360
Speaker 1: is car It's like you just say I want to

1428
01:26:48,360 --> 01:26:51,000
Speaker 1: watch Big Little Eyes. I don't. I don't need a

1429
01:26:51,520 --> 01:26:54,599
Speaker 1: sharp podcast. So you just watch the ones that you want. Oh,

1430
01:26:56,800 --> 01:26:59,519
Speaker 1: the whole deal is you have a subscription to your

1431
01:26:59,560 --> 01:27:03,120
Speaker 1: cables best and then that's the I think I have both.

1432
01:27:03,840 --> 01:27:07,280
Speaker 1: They got to cancel one because hang some I'm also

1433
01:27:07,400 --> 01:27:11,360
Speaker 1: using my old roommates Dad's HBO. Well, meanwhile, I have

1434
01:27:11,560 --> 01:27:13,679
Speaker 1: my own HBO now account, which means that my money

1435
01:27:13,720 --> 01:27:16,840
Speaker 1: is going directly to Julio Torres and NFL Barrega. Well,

1436
01:27:19,200 --> 01:27:22,080
Speaker 1: you know, you guys get you guys get more money

1437
01:27:22,160 --> 01:27:24,760
Speaker 1: per subscription. I think that's how it works. That's how

1438
01:27:24,800 --> 01:27:27,840
Speaker 1: it works. I think, I demand that's how I think

1439
01:27:27,880 --> 01:27:29,519
Speaker 1: that they signed a contract and they made the money

1440
01:27:29,560 --> 01:27:32,560
Speaker 1: that they made, probably as EPs, writers and stars of

1441
01:27:32,640 --> 01:27:34,519
Speaker 1: the of the show. That's probably how it works. And

1442
01:27:34,640 --> 01:27:41,240
Speaker 1: that's the bez and that's the ever responsible for bringing

1443
01:27:41,520 --> 01:27:49,680
Speaker 1: HBO at least a hundred new sign ups. Yeah, we're

1444
01:27:49,680 --> 01:27:52,840
Speaker 1: actually it's not about that, but we're actually we're actually

1445
01:27:52,880 --> 01:27:57,000
Speaker 1: in it. So you know, it's fun. My like actual

1446
01:27:57,479 --> 01:27:58,880
Speaker 1: thing I would love to do if we do a

1447
01:27:58,920 --> 01:28:11,040
Speaker 1: season two is a Euphoria inspired episode. Someone cuts himself

1448
01:28:11,080 --> 01:28:16,240
Speaker 1: with a knife at a party that sorry, HBO Hunter

1449
01:28:16,320 --> 01:28:18,760
Speaker 1: Shaffer is incredible. I don't know who that is. That's

1450
01:28:18,760 --> 01:28:21,599
Speaker 1: the blonde girl. Yeah, she's so good. And Eric Dane

1451
01:28:21,880 --> 01:28:25,360
Speaker 1: puts on Eric Dane U. Eric Dane put on a

1452
01:28:26,240 --> 01:28:28,400
Speaker 1: put You see his penis. It's a prosthetic penis, but

1453
01:28:28,479 --> 01:28:29,800
Speaker 1: you see him. What's up with it? I don't think

1454
01:28:29,800 --> 01:28:32,559
Speaker 1: so many prosthetic penis is so the real thing. Save

1455
01:28:32,600 --> 01:28:35,400
Speaker 1: it for next time. Anyway, We thank you. I think

1456
01:28:35,439 --> 01:28:37,160
Speaker 1: you found your I don't think so, honey. I think

1457
01:28:37,200 --> 01:28:40,920
Speaker 1: I did. Being on this program. We end every episode

1458
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Speaker 1: with a song. Come on, there's no business like show business.

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01:28:46,240 --> 01:28:52,000
Speaker 1: No business. I know. Wow. That actually was good bye bye.

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Speaker 1: This has been a Forever Dog production executive produced by

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01:28:59,240 --> 01:29:04,560
Speaker 1: Brett Boham, Joe Silio, and Alex Ramsey. For more original podcasts,

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01:29:04,720 --> 01:29:08,680
Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to

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01:29:08,720 --> 01:29:12,680
Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get

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01:29:12,720 --> 01:29:15,800
Speaker 1: your podcasts. Keep up with the latest Forever Dog news

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01:29:15,960 --> 01:29:20,320
Speaker 1: by following us on Twitter and Instagram at Forever Dog Team,

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Speaker 1: and liking our page on Facebook