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Speaker 1: The volume.

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Speaker 2: No, hold on, cause maybe I'm doing this wrong. Hold on, baby,

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Speaker 2: See I put your ass in my palms, and you

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Speaker 2: trust in my arms to the last night. Oh yeah,

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Speaker 2: yeah yeah.

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Speaker 1: Hen't worry about my pride.

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Speaker 2: I'd rather get it right than from all tonight.

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Speaker 1: Yeah, you're fucking my life, bro.

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Speaker 3: You gotta be thinking deep deep deep deep back deeper.

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Speaker 1: Then I did what I did read you that night,

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Speaker 1: that night, that night.

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Speaker 3: I want you to get that forty too, like it's Friday.

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Speaker 2: That nigger.

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Speaker 4: I don't know what you do.

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Speaker 1: It's on YouTube. Me keep people quiet since you don't

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Speaker 1: know this house.

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Speaker 3: Like god, dude, Ship he said what I get from

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Speaker 3: that bad?

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Speaker 1: But I don't want to see your face running out.

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Speaker 3: I know that he ain't hitting nothing because you're coming

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Speaker 3: to my please right now.

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Speaker 1: You're trying to let Ship call, let you down. She

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Speaker 1: just came on my stay down time.

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Speaker 3: I'm trying to keep you with proud baby, this love

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Speaker 3: are you found?

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Speaker 1: Can't get it up along and I wind up being

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Speaker 1: a favor again.

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Speaker 3: This we kid nad on the jet on the way through. Yeah,

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Speaker 3: give you a second to get ready and then be run.

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Speaker 1: Back in that atches.

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Speaker 3: I'm trying to practice what I'm bad bad. Hold on

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Speaker 3: because Babby, I'm doing this wrong.

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Speaker 2: Hold on, baby, see it, I'll put your ass in

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Speaker 2: my palm, and you trusted in my.

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Speaker 1: Heny.

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Speaker 3: Worry about my.

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Speaker 1: Deep deep I do what I did? Do that, all right?

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Speaker 1: So I guess we have an idea to put together

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Speaker 1: some type of swear jar just because it hurts, like

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Speaker 1: monestisation and everything. But I don't know how long. I

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Speaker 1: can't even get through the first five minutes. That isn't

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Speaker 1: that the YouTube law? I can't even do that. So

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Speaker 1: this is this is gonna be bad. Can we make

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Speaker 1: sure that this weear jar is like maybe in cents

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Speaker 1: not dollars?

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Speaker 5: Dollars?

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Speaker 1: All right? What's what is the price.

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Speaker 6: Gonna be a dollar for every curse word? What's a

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Speaker 6: curse any word that's a curse word, you know what?

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Speaker 6: Any word that's gonna get us demonetized.

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Speaker 1: See on YouTube? Needs to give us that list as well.

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Speaker 6: Like no, they'll never give us that. They just take

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Speaker 6: the money away and be like, guess what you said.

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Speaker 6: Guess what you said wrong.

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Speaker 1: It's like taxes, just guess what you are. We know

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Speaker 1: what you guess what Guess what you got to send?

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Speaker 1: This back and we'll be checking it twice. Welcome back.

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Speaker 1: Happy top of the week to everybody. Happy top of

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Speaker 1: the week. I mean, because we're recording Monday, but this

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Speaker 1: comes out Tuesday and Wednesday. Just top of the week, okay,

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Speaker 1: and maybe someone to listen on Friday. I don't know.

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Speaker 5: Remember people used to say top of the top.

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Speaker 1: I still say that every now and then. Top of

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Speaker 1: the top. Do you still say one when you hang

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Speaker 1: off the phone? No? I caught myself doing that by

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Speaker 1: accident to who's just a habit?

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Speaker 5: You ever want to bang on? Somebody said one yourself.

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Speaker 1: I'm embarrassed to say that, Yes I have. There was

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Speaker 1: an era where I was saying one yourself, for sure

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Speaker 1: in two thousand and four. Yeah, like high school time,

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Speaker 1: for sure, when you could even bang the phone. Yeah,

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Speaker 1: I missed that great time. They should add that feature

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Speaker 1: to iPhone that you could just buy something that just

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Speaker 1: goes on the top and just.

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Speaker 6: Slams or just make the sound effect when I hang up.

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Speaker 1: Yeah, slam hang. It just makes you feel better. Slam hang.

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Speaker 1: But you're freshly off the Clareport.

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Speaker 6: Yeah, LaGuardia is the Cleareport. It wasn't clear when I landed,

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Speaker 6: though we had to wait about thirty minutes to get

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Speaker 6: to the gate, but that hasn't happened in a while,

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Speaker 6: so I'm not complaining to LaGuardia is uh. They've done

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Speaker 6: a great job, especially the Delta terminal, So no, no shade,

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Speaker 6: but we did have to.

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Speaker 1: Wait a little while. Andy. I was just happy that

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Speaker 1: we landed safe and sound.

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Speaker 6: See that's what you gotta be grateful for these days,

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Speaker 6: because it's happy that the wheels were on the ground

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Speaker 6: and I wasn't upside down like fifty in the video.

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Speaker 6: Just happy for that. I'll sit on this roong way

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Speaker 6: and wait thirty minutes to get to the gate.

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Speaker 1: No problem, you're the first to fly. Since I think

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Speaker 1: everything got kind of crazy, what's the vibe? Tickets are

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Speaker 1: very cheap. I will say that I flew Delta. I

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Speaker 1: flew Delta, and I was like, word Delta one for

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Speaker 1: fifteen hours check out. I was like, yo, y'all sure,

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Speaker 1: Like that's it for this, But I mean, going to

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Speaker 1: Virginia is usually not that bad.

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Speaker 6: But I did wait till like the week of so

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Speaker 6: I'm gonna end up paying a little more. Yeah, and no,

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Speaker 6: it was definitely a lot cheap, and I was like, oh,

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Speaker 6: they're scared. They were very nice to Delta workers were

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Speaker 6: very nice. When I got to the airport, asked me

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Speaker 6: if I wanted extra bisc golf cookies.

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Speaker 1: They have extras. I just want to land.

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Speaker 6: I just want to land. That's all I want to do.

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Speaker 6: Is I want to land safely. That's all I need.

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Speaker 6: So shout out to Delta.

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Speaker 1: What how long is that flight?

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Speaker 6: Oh a little less than an hour.

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Speaker 1: Oh okay, it's longer than I thought. Yeah. The shortest

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Speaker 1: flot I ever did was from New York to Boston,

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Speaker 1: which was like, I can't believe we're wasting jet fuel.

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Speaker 1: I was like, why am I doing it?

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Speaker 4: Yeah?

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Speaker 6: You just get snacks in a ginger rale and there's

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Speaker 6: Tom sir.

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Speaker 1: We have no time. We're descending as soon as we

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Speaker 1: leave Lotubardan. That's cool. I didn't do much over the weekend.

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Speaker 1: I've had a long three weeks, honestly, and I needed

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Speaker 1: some time to rest. But you know, I was just chilling.

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Speaker 1: We had a little little shitting dig on Thursday, and

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Speaker 1: then I took took the weekend to rest and try

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Speaker 1: to get back to health, which didn't work. But now

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Speaker 1: I'm regular sick.

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Speaker 6: Before I was taking your shots vitamins.

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Speaker 1: This, I know the whole city is sick. The place

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Speaker 1: where I get the ginger shots at was completely out today.

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Speaker 1: I had to take like some vitamin pack c dream

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Speaker 1: that they had.

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Speaker 6: It was just ironic that the congestion is over congestion pricing,

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Speaker 6: but you're still congested. See the irony the New Yorkers

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Speaker 6: are still I saw people are marching protesting the congestion,

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Speaker 6: like them getting rid of congestion. They need to who

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Speaker 6: was doing Listen, they need to scan every face that

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Speaker 6: was out there, because mental illness is real in New

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Speaker 6: York City. If you were protesting them getting rid of

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Speaker 6: there's no way we're doing that.

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Speaker 1: I saw it on my timeline. Sold.

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Speaker 6: You know, it had to be real, hundred percent accuracy. Look,

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Speaker 6: these are the people that would look they were rallying. Wait,

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Speaker 6: that didn't even look like they could spell on there,

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Speaker 6: bro I'm telling you they were. They were upset that

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Speaker 6: congestion tolls are are done. They were upset that Donald Trump,

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Speaker 6: you know, told the Department of Transportation to get rid

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Speaker 6: of this.

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Speaker 1: And you know, I guess they were out there mad.

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Speaker 4: I'm pretty sure that that's those are the green part.

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Speaker 4: That's like the people who care about congestion price. Yeah,

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Speaker 4: they care about the environment.

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Speaker 1: I see it is. Yeah, the people throw blood on

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Speaker 1: the fur coats and ship like, that's that's them.

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Speaker 4: And on top of that, the people who are against

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Speaker 4: the president being able to make to change laws that

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Speaker 4: the city made.

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Speaker 1: Now I get that, but I just find it ironic

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Speaker 1: that they went to Times Square, which is probably producing

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Speaker 1: so much smog into the atmosphere, Like, that's where you're protests.

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Speaker 1: Where you're standing, not the fucking congestion pricing protest the

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Speaker 1: amount of electricity that you used every day there. I

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Speaker 1: just thought that was so funny. I mean it was

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Speaker 1: like the uh remember the Wall Street ship. I was

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Speaker 1: in like high school then, Uh what was the term?

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Speaker 1: It wasn't boycott Wall Street? Occupy Wall Street? And they

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Speaker 1: were they were drinking Starbucks, Yeah, while they were protesting.

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Speaker 1: Gotta keep warm up ship that cold. But I mean,

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Speaker 1: you know, shouts everyone that is protesting. I care about

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Speaker 1: the environment. I just don't think I don't have plastic

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Speaker 1: straws and congestion price and is really going to do it?

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Speaker 1: Yeah Na, But with that said, I don't know it

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Speaker 1: was a quiet weekend for me. I will say shout

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Speaker 1: out to the entire team and shout out to Day

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Speaker 1: twenty six. We put out My Karma's Beautiful episode with

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Speaker 1: them where we did an interview as well as a

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Speaker 1: live performance. I kind of had like one of those cool,

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Speaker 1: warm hearted moments where all the comments were just about music,

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Speaker 1: which I have not seen in this podcast genre in

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Speaker 1: quite some fucking time. Everyone wants to messy shit. There

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Speaker 1: was no one in there like why didn't you ask

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Speaker 1: them about Diddy? And like everyone was just like this

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Speaker 1: was a great conversation and this is great music. I

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Speaker 1: feel like that comment section should be placed in some

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Speaker 1: type of podcasting museum because that does not exist anymore positivity.

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Speaker 1: But it made me feel good that we could put

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Speaker 1: something out where the few people that want to see

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Speaker 1: positivity have a place to go.

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Speaker 6: So Day twenty six real Eden, everybody that came through

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Speaker 6: and helped helped get that, you know, put together and

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Speaker 6: get that out to the people. I thought it was

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Speaker 6: dope that a lot of people hit me up too.

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Speaker 6: They said they were happy to see Day twenty six performance. Yeah,

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Speaker 6: and that song was one of their favorites, and you know,

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Speaker 6: It's like a nostalgic feeling. Shout out the dates. They

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Speaker 6: sounded really good and I'm happy for those guys. Man,

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Speaker 6: keep doing your thing.

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Speaker 1: Yeah, No, I loved it. Definitely brought in some new

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Speaker 1: listeners too, because I saw a lot of what seemed

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Speaker 1: to be just straight Day twenty six fans that were like,

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Speaker 1: this was by far the best interview through their press

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Speaker 1: run because no one was asking about that weirdo. Shit,

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Speaker 1: you have a look on your face. What's up? Nothing?

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Speaker 1: You don't just make that face for no reason? Oh,

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Speaker 1: no reason. You know he still is recording you, even

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Speaker 1: if the camera's not flipped to you.

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Speaker 5: Listen, I've been bigging faces all day. Y've been trying

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Speaker 5: to gauge how I'm feeling by.

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Speaker 1: My few kme. You came in here like you got

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Speaker 1: the craziest dick of all time.

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Speaker 5: That's not what happened.

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Speaker 1: So let's put that on Where the squarej are? That

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Speaker 1: dollar And that's not what I'm not saying. That's what happened.

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Speaker 1: But you walked in. Had I gotten some pussy last night,

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Speaker 1: I would have walked with that type of swagger.

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Speaker 5: Well, it's really nice outside.

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Speaker 1: You use like everyone's full government name. When you walked in,

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Speaker 1: it was odd. Yeah, you are acting like a cat

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Speaker 1: that just took a ship. You know when cats take

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Speaker 1: it to where are? Ship? Is not a swear? Is it?

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Speaker 5: Yes?

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Speaker 1: Ship? What yo? Come on to swear that ship? Ship?

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Speaker 1: Might be in the Bible, you just it might be.

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Speaker 1: I haven't read the Bible with years, but it might be,

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Speaker 1: and I can assure you it's not. It's not positive.

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Speaker 1: Moses didn't say what is this ship? I didn't say that.

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Speaker 1: I feel like Moses said that at the bush at

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Speaker 1: the burn Remember then you remember the burning bush when

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Speaker 1: he found the weed, right you remember that? I remember

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Speaker 1: there was like, yo, the whole ceo he parted that ship. No,

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Speaker 1: he was just high. He smoked tweed. He thought the

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Speaker 1: sea was far as a burning bush. Yeah, that's all understand. Yes,

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Speaker 1: I know what you're talking about when, especially when a

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Speaker 1: cat thinks it hit the ship too, you're too rappy.

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Speaker 1: But yeah, you're in a great mood. Is a seasonal depression?

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Speaker 1: It was actually warm out.

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Speaker 4: I think it's a seasonal depression mixed with the ovulation cycle.

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Speaker 6: Like say, I knew what that's what it was, you ovulating?

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Speaker 6: I knew that's what it was. I could tell when

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Speaker 6: you ovulated all a bad all funny funny jokes aside.

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Speaker 4: When women enter the ovulation stays, they become more sociable

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Speaker 4: and they're usually happier. Their skin glows that type of thing,

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Speaker 4: because what it's meant is for us to go out

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Speaker 4: into the wild and find and attract a mate.

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Speaker 6: I came in here, I smelled ovulation. I'm not gonna lie.

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Speaker 6: I was like, somebody's ovulating. I didn't know if it

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Speaker 6: was peage. I didn't know if it was.

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Speaker 1: You or I mean, me and Damarics are bestie. So

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Speaker 1: we cycled it. So, yeah, y'all got the same cycle.

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Speaker 4: Yeah, I get So that's probably why I'm social. I'm happy.

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Speaker 4: I'm in a good mood. The weather is, the sun

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Speaker 4: is out. I wore cold today. I didn't have to

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Speaker 4: have it buttoned like it was just a little breeze.

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Speaker 6: It's like, the Marus is full of shit. What I'm

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Speaker 6: gonna just put that out there, The Marsus is full

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Speaker 6: of shit? Why she only happy because Cold dropped the record.

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Speaker 6: That's why she's happy. That's why she acted like this.

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Speaker 6: That too, that's why she acted like this. I know

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Speaker 6: when the marriage is happy.

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Speaker 5: So when we're cold drop, I have that face.

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Speaker 1: Yeah.

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Speaker 2: Uh.

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Speaker 1: We had a little emotional Orange Is shindig at the

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Speaker 1: office on Thursday night, like you know, press people, just

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Speaker 1: something small, just so they could hear the upcoming album

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Speaker 1: while they were out here. And DeMars was one of

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Speaker 1: our bartenders, because you know, that's like one of her

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Speaker 1: amazing skills that she has. You know, we had tequila

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Speaker 1: and that's it, that's it. No cut, No, you got

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Speaker 1: melted ice because Demarus like really was a bartender and

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Speaker 1: like has the license and knows how to make like

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Speaker 1: a Manhattan and ship, like she knows that. And she

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Speaker 1: was like, all right, so what do y'all have? I

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Speaker 1: was like, yeah, we got casamigos and then I think

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Speaker 1: there's some madello over there. Yeah, so just pouring right there. Hmm.

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Speaker 1: Completely left her station the moment that Cole dropped, everyone

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Speaker 1: was just waiting in line for tequila while Jamerius was

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Speaker 1: next to the speaker trying to learn the lyrics. Serve yourself,

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Speaker 1: she says, serve yourself. No, all right. So that we

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Speaker 1: were cleaning up after the emotional Origes thing, it was snowing,

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Speaker 1: so we were just kicking it for a little bit

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Speaker 1: long week. Can you pull up my Instagram video? I

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Speaker 1: believe it was Peage that caught me and Demeris listening

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Speaker 1: to this J Cole record, You guys clown me when

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Speaker 1: I was in the studio with Jim Jones and doing

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Speaker 1: a wild head nod and making all the scrunch faces.

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Speaker 1: I think Demeris may have me beat Yo. Did you

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Speaker 1: see rig.

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Speaker 6: I did on Thursday? And see I sold impeached sent

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Speaker 6: the videos to the chat.

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Speaker 4: I wish I could have seen Rory when it dropped,

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Speaker 4: because Rory's making fun of my head nods. But when

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Speaker 4: it dropped, Ory was like, yo, stop, he was playing music.

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Speaker 4: He paused music, Yo cold drop your cold drop like

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Speaker 4: he's just as much of a fan as I.

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Speaker 1: Wait. No, first of all, I do love J Cole,

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Speaker 1: But what is wrong with afterward cleaning? I say, yo,

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Speaker 1: ja Cole drop like that's not something we should stop

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Speaker 1: doing that.

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Speaker 5: You didn't say it like that, though. You say, yo

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Speaker 5: cold drop like.

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Speaker 1: That's not a big thing after everything that happened last year.

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Speaker 4: The living room and put my head to the speaker.

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Speaker 4: I'm not judging. I'm just saying, don't come at me.

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Speaker 1: But you're also saying something that cannot be proven. We

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Speaker 1: have video evidence of you legitimately, Like the first time

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Speaker 1: you heard hit him up, I've never even seen your

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Speaker 1: face do that before.

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Speaker 5: That's how I listened to New Code.

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Speaker 1: What line made you made you do that? She said? Damn,

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Speaker 1: look at this from a distance. I'm just listening to

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Speaker 1: a song trying to get to get to know it.

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Speaker 1: A face scrutch too. You look like an old man

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Speaker 1: that just had a long, hard day's work and went

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Speaker 1: to go take a shit. I'm gonna sit here and

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Speaker 1: let y'all get y'all shit up.

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Speaker 5: Oh here, you know what's so cool?

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Speaker 6: Because I'm saying that y'all had a moment, So I'm

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Speaker 6: let you have to recap your moment.

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Speaker 1: I wasn't here, so I'm like, y'all recap it. Okay,

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Speaker 1: what did you think when you saw this video? Because

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Speaker 1: that was actually what I was more excited about throughout

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Speaker 1: this entire thing, was not that you know, there'd be

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Speaker 1: a bunch of comments, and this pod is tied to

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Speaker 1: so much other shit than anytime Cole or Kendrick or

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Speaker 1: Drake does something, it's going to be a thing. I

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Speaker 1: was only concerned on what your reaction was gonna be

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Speaker 1: when you were by yourself, because I know that mall. Like,

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Speaker 1: you know, when he last, he's like, I know he

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Speaker 1: did one of those no, no, no, I didn't.

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Speaker 6: I laughed because the way Pee sit into the chat

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Speaker 6: and then zoomed in on the marriage.

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Speaker 1: So I was laughing.

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Speaker 6: But I expect mid nineties babies to react to cold

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Speaker 6: that way.

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Speaker 1: First, Well, I was born in ninety ninety, not mid nineties.

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Speaker 6: Well the marriage was with ninety five ninety four. Yeah,

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Speaker 6: so you know, I expect.

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Speaker 1: That that we would like a J. Coleson. I like

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Speaker 1: a J. COLESNG.

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Speaker 6: But I'm just saying the reaction of like, I've never

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Speaker 6: heard such incredible penmanship. It was like I expect that

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Speaker 6: from people that were in college when Jake Cole.

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Speaker 1: He definitely wrote it incursive. Yeah, for sure, I feel it.

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Speaker 6: I expect that reaction whenever Cole drops some bars for

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Speaker 6: people that was in college when Cole was on his

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Speaker 6: way up, it's a different connection that those people have.

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Speaker 1: To Yeah, you don't know what student loans are, so

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Speaker 1: we definitely connect with him in that way. I get that.

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Speaker 1: I thought it was really cool. I think he's rapping

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Speaker 1: really really well. I don't know if I like it

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Speaker 1: better than the port Antonio. Yeah, port Antonio, I think

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Speaker 1: I like that as a song better. But Cole, I mean,

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Speaker 1: it's high level rapping. I think it's cool that he's

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Speaker 1: attaching it with his blog and that whole thing. I'm

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Speaker 1: still on the side of where's the album? This was cool.

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Speaker 1: I'm really like it, But this wasn't something after the

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Speaker 1: weekend had passed that I was like, Okay, this is

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Speaker 1: career changing. It was just a cool record that I

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Speaker 1: feel like had been sitting there for a minute. I

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Speaker 1: know he said that he just finished the last verse,

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Speaker 1: but it's cool. It's cool.

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Speaker 6: Yeah, I mean, listen, nobody is ever going to question

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Speaker 6: Jake Cole's ability to rap. I mean, I don't think,

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Speaker 6: you know, I think we have enough evidence in pay

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Speaker 6: per Trail over the years that Jake Cole can definitely.

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Speaker 1: Rap his ass off.

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Speaker 6: Again, I just think for me, everything sounds different post

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Speaker 6: the whole beef, because again, you know, you can't I

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Speaker 6: turned rappers into martyrs. You can't talk like that. If

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Speaker 6: you know what I mean, you have one of an

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Speaker 6: opportunity to have one of the biggest rap battles in

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Speaker 6: probably hip hop history and do what Cole did.

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Speaker 1: I mean again, he still can rap.

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Speaker 6: I'm never taking that away from Cole, but it's just

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Speaker 6: when I heard this, it was just like, Okay, yeah,

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Speaker 6: he can rap, but it doesn't it doesn't land the same.

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Speaker 6: It doesn't move the needle on Cole's ability on what

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Speaker 6: I think about Cold, how I feel about him. It

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Speaker 6: does nothing for me anymore. And that's what I was

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Speaker 6: afraid of. After the move he pulled, I was like, damn,

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Speaker 6: I'm gonna I know, I knew me personally. I was

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Speaker 6: gonna look at Cold differently coming out of that, because again,

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Speaker 6: I championed Cold for years and I felt like he

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Speaker 6: is one of the dopest. But to do what he did,

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Speaker 6: it's kind of like I've nevert me personally. I've never

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Speaker 6: seen an MC with the skill set of Cold do

385
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Speaker 6: what he did.

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Speaker 1: When it was time to battle. I've never witnessed that.

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Speaker 1: I think. I think that's a very fair point. I

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Speaker 1: think there's a lot of people that feel the same

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Speaker 1: way you do, especially with Clouds and the poor Arthur shit.

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Speaker 1: I'm just so happy I don't care anymore. Like everyone

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Speaker 1: turned this battle and just like the most annoying shit

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Speaker 1: on earth. So I don't even have those ears anymore.

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Speaker 1: But I will ask you had that line I caught

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Speaker 1: a lot of murder charges turn artists into martyrs? Would

395
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Speaker 1: that line have really hits you before the battle too?

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Speaker 1: Like I don't really care that much? It was one

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Speaker 1: line out of the song on I don't I don't

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Speaker 1: really care, like I just don't care.

399
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Speaker 6: No, it was others in there. We're not doing that,

400
00:18:09,440 --> 00:18:11,280
Speaker 6: It was other It was other lines in there alluding

401
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Speaker 6: to the fact that he's better than everybody else and

402
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Speaker 6: nobody want no issues with him.

403
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Speaker 1: It was other bars in there.

404
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Speaker 6: Now, before the battle, I would have been talking shit

405
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Speaker 6: like who going, who got who want?

406
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Speaker 1: Who wanted with call? Who wants smoke with him?

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Speaker 7: All right?

408
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Speaker 1: All right? Do you think it's okay for rappers to

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Speaker 1: say that if they haven't been in a battle, but

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Speaker 1: anytime they showed up on a record they did outshine

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Speaker 1: high level rappers, And are they okay to talk that way?

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Speaker 1: That's fine?

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Speaker 6: But but because this is hip hop, when when a

414
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Speaker 6: battle is presented to you, it is your duty to

415
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Speaker 6: accept the battle, especially if it's so Now, if it's

416
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Speaker 6: not a worthy opponent. Then I don't expect the best

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Speaker 6: mcs to respond to opponents that aren't worthy, because if

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Speaker 6: that's the case, you're gonna be responding a whole bunch

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Speaker 6: of you know, drill guys and this that, and it's

420
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Speaker 6: like you can't respond everybody. But when it's a worthy opponent,

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Speaker 6: which is what it we witnessed last year, those are

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Speaker 6: all worthy opponents to do what he did. Everything else

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Speaker 6: after that, now, I just don't believe you.

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Speaker 1: No, And I get that point, and I'm fine with

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Speaker 1: that point. I'm making a separate one aside from a battle.

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Speaker 1: Is a rapper allowed to have this type of slick

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Speaker 1: talk when they have proven over the last decade that

428
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Speaker 1: they show up better than most rappers on versus And

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Speaker 1: so what he did that was Cold's career.

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Speaker 6: He never battled, Okay, So he's talking like that with

431
00:19:32,760 --> 00:19:36,280
Speaker 6: features busting everybody's ass out, wrapping everybody. That's why he

432
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Speaker 6: was able to talk like that because he's laying the

433
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Speaker 6: work down. Okay, But so, yes, you can do that.

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Speaker 6: If you're not in a battle, you can. You can

435
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Speaker 6: you can get those balls off, you can talk greasy.

436
00:19:45,440 --> 00:19:49,200
Speaker 6: But now if a battle again of the proportion that

437
00:19:49,240 --> 00:19:52,399
Speaker 6: we saw last year presents itself. You can't do what

438
00:19:52,480 --> 00:19:54,359
Speaker 6: he did and still a year later be like, I

439
00:19:54,520 --> 00:19:56,720
Speaker 6: turn rappers in a mart who turned into a martyr?

440
00:19:57,480 --> 00:19:59,560
Speaker 1: Okay, let me let me give a terrible example. But

441
00:19:59,600 --> 00:20:03,000
Speaker 1: this is casting, so that's what we do. You would

442
00:20:03,000 --> 00:20:06,200
Speaker 1: consider Sammy the Bull a rat? Correct? I mean I

443
00:20:06,240 --> 00:20:08,359
Speaker 1: think Sammy the Bull would consider himself a rat? Okay?

444
00:20:08,440 --> 00:20:13,080
Speaker 1: Would you still consider Samuel Bull a murderer and a gangster?

445
00:20:14,280 --> 00:20:15,760
Speaker 1: What do you think when he rat it? Do you

446
00:20:15,800 --> 00:20:18,760
Speaker 1: think when things changed, it's not how violent he was because.

447
00:20:18,960 --> 00:20:21,240
Speaker 6: A gangster, he's no longer a gangster when you rat,

448
00:20:21,480 --> 00:20:22,959
Speaker 6: when you snitch, you lose that.

449
00:20:23,840 --> 00:20:26,880
Speaker 1: He's still a murderer that we don't delete. The after

450
00:20:26,920 --> 00:20:30,160
Speaker 1: he testified. Do you think everyone was safer as far

451
00:20:30,160 --> 00:20:34,000
Speaker 1: as his ability to murder people? Do?

452
00:20:34,080 --> 00:20:36,360
Speaker 6: I think everybody was safe as far as his ability

453
00:20:36,400 --> 00:20:36,760
Speaker 6: to Do you.

454
00:20:36,800 --> 00:20:39,240
Speaker 1: Think he lost that ability once he testified against John

455
00:20:39,240 --> 00:20:41,200
Speaker 1: Gotty to kill somebody? Yeah?

456
00:20:41,240 --> 00:20:43,280
Speaker 6: No, And you don't never lose the ability to kill somebody.

457
00:20:43,320 --> 00:20:45,280
Speaker 6: I mean, you can kill somebody even when you're incarcerated.

458
00:20:45,400 --> 00:20:48,479
Speaker 1: And I think, as we've even seen on his podcast,

459
00:20:48,520 --> 00:20:50,120
Speaker 1: when he gets mad at other people, he says, I'll

460
00:20:50,440 --> 00:20:52,240
Speaker 1: kill you, and we know he can't because he confessed

461
00:20:52,240 --> 00:20:52,679
Speaker 1: to nineteen.

462
00:20:52,760 --> 00:20:54,479
Speaker 6: But we have a we have a name for that though.

463
00:20:54,520 --> 00:20:57,119
Speaker 6: We call those raccoons when you snitch, but we know

464
00:20:57,160 --> 00:21:00,919
Speaker 6: you a killer. He's a raccoon, he's rat now, but

465
00:21:01,000 --> 00:21:01,679
Speaker 6: he will kill you.

466
00:21:01,760 --> 00:21:04,760
Speaker 1: Let me. Let me land this terrible point. The worst

467
00:21:04,800 --> 00:21:09,119
Speaker 1: thing you could do in that world is snitch. I

468
00:21:09,119 --> 00:21:10,560
Speaker 1: feel like the worst thing you can do in rap

469
00:21:10,600 --> 00:21:12,880
Speaker 1: battling is step down on stage and be like, yo,

470
00:21:12,960 --> 00:21:15,760
Speaker 1: I entered, but I'm cool now. Yeah. Still does not

471
00:21:15,920 --> 00:21:18,359
Speaker 1: take away the ability that Ja Co has. So I

472
00:21:18,400 --> 00:21:21,399
Speaker 1: don't even mind some of this minimal greasy talk. Nah no,

473
00:21:21,520 --> 00:21:23,479
Speaker 1: no no, And it still doesn't take away the ability

474
00:21:23,480 --> 00:21:25,520
Speaker 1: that Sammy the Bull will murder anybody in this room

475
00:21:25,520 --> 00:21:27,480
Speaker 1: whe or without snitch. No, no, no, Sammy, because send me.

476
00:21:27,520 --> 00:21:28,040
Speaker 1: The Bull can't.

477
00:21:28,119 --> 00:21:30,159
Speaker 6: He can't get on the podcast and say I'm the

478
00:21:30,200 --> 00:21:33,320
Speaker 6: realist nigger or I'm the realist whatever. He can No,

479
00:21:33,359 --> 00:21:34,959
Speaker 6: he can't, but nobody believes it.

480
00:21:35,560 --> 00:21:35,840
Speaker 1: He can.

481
00:21:36,040 --> 00:21:38,040
Speaker 6: He can say it, but who's gonna believe it? Who's

482
00:21:38,040 --> 00:21:39,120
Speaker 6: gonna believe that he's.

483
00:21:38,960 --> 00:21:41,000
Speaker 1: Plenty of rats. People don't run down because they know

484
00:21:41,000 --> 00:21:44,280
Speaker 1: what Tomas walking around Harlem because somebody know what type

485
00:21:44,280 --> 00:21:44,720
Speaker 1: of toom it is.

486
00:21:44,760 --> 00:21:47,840
Speaker 6: Sam Me the Bull can no longer say I'm a gangster.

487
00:21:48,000 --> 00:21:51,240
Speaker 6: Sammy the Bull can no longer say, you know, I'm

488
00:21:51,320 --> 00:21:54,479
Speaker 6: I'm an honorable member of the family.

489
00:21:55,520 --> 00:21:58,840
Speaker 1: Oh no, there, So I'm just saying here. My point

490
00:21:58,880 --> 00:22:02,640
Speaker 1: is that it doesn't take away their actual ability.

491
00:22:02,080 --> 00:22:05,680
Speaker 6: I led with Cole is still one of the best rappers,

492
00:22:05,720 --> 00:22:08,200
Speaker 6: and not taking his ability away, not taking that away.

493
00:22:08,400 --> 00:22:12,440
Speaker 6: I'm just saying certain bars, certain things he says, which

494
00:22:12,480 --> 00:22:15,200
Speaker 6: is what his superpower was. He was great at slick talking,

495
00:22:15,240 --> 00:22:17,240
Speaker 6: great at letting you know exactly how dope he is,

496
00:22:17,520 --> 00:22:19,840
Speaker 6: great at letting you know your no mc wants it

497
00:22:19,880 --> 00:22:22,080
Speaker 6: with me, stay out my way. He was great at that,

498
00:22:22,440 --> 00:22:24,600
Speaker 6: and we believed him for years, but then when it

499
00:22:24,640 --> 00:22:27,480
Speaker 6: was time to do it, it's like, we don't believe

500
00:22:27,480 --> 00:22:27,920
Speaker 6: you no more.

501
00:22:27,960 --> 00:22:29,400
Speaker 1: All right, So we're gonna have to have this talk

502
00:22:29,480 --> 00:22:30,919
Speaker 1: every time Cole drops I know.

503
00:22:31,080 --> 00:22:33,320
Speaker 4: That was my next My next question was, okay, so

504
00:22:33,400 --> 00:22:37,080
Speaker 4: we all sorry guard no, no, no, we all agree, well,

505
00:22:37,080 --> 00:22:39,520
Speaker 4: we all don't agree. We all agree to disagree on

506
00:22:40,359 --> 00:22:42,119
Speaker 4: the battle and how he handled it.

507
00:22:42,240 --> 00:22:45,560
Speaker 1: Whatever right you said, agree to disagree.

508
00:22:45,560 --> 00:22:46,960
Speaker 4: What you mean, we agree to disagree me and you

509
00:22:47,040 --> 00:22:49,359
Speaker 4: have already had this conversation multiple times on this podcast

510
00:22:49,400 --> 00:22:52,919
Speaker 4: that you once the battle played out, I changed my

511
00:22:53,080 --> 00:22:56,240
Speaker 4: stance on how he handled the battle, in him backing

512
00:22:56,240 --> 00:22:58,480
Speaker 4: out once everything played out and we see lawsuits and

513
00:22:58,520 --> 00:23:03,159
Speaker 4: we see all this dumb stuff. I took back what

514
00:23:03,200 --> 00:23:05,760
Speaker 4: I felt about him dropping out of battle. Now I'm

515
00:23:05,800 --> 00:23:08,439
Speaker 4: so happy that he did that. Looking back, Hinesight, he's

516
00:23:08,440 --> 00:23:11,680
Speaker 4: twenty twenty. I'm so happy that he did that.

517
00:23:11,680 --> 00:23:12,199
Speaker 1: That's just me.

518
00:23:12,359 --> 00:23:15,000
Speaker 4: We disagree on that, right, you think it takes away

519
00:23:15,000 --> 00:23:17,040
Speaker 4: from his from his name and him being able to

520
00:23:17,080 --> 00:23:17,919
Speaker 4: claim he's the best.

521
00:23:18,119 --> 00:23:18,560
Speaker 1: I don't.

522
00:23:18,560 --> 00:23:22,600
Speaker 4: We agree to disagree on that moving forward? Every is

523
00:23:22,640 --> 00:23:24,800
Speaker 4: this what you're gonna say every time Cole drops from

524
00:23:24,840 --> 00:23:27,840
Speaker 4: now on, anytime he says something greasy like when do we?

525
00:23:28,000 --> 00:23:32,600
Speaker 4: When are we able to get you getting over that?

526
00:23:32,840 --> 00:23:33,480
Speaker 4: Or ignoring it?

527
00:23:33,480 --> 00:23:35,280
Speaker 6: It matters if you're dating a god and he cheats

528
00:23:35,320 --> 00:23:38,520
Speaker 6: on you consistently or secutively, keeps cheating on you, and

529
00:23:38,560 --> 00:23:41,119
Speaker 6: he can he can he stand in front of your

530
00:23:41,119 --> 00:23:43,280
Speaker 6: face and say he's a stand up guy, he's an

531
00:23:43,280 --> 00:23:43,920
Speaker 6: honorable guy.

532
00:23:43,920 --> 00:23:45,320
Speaker 1: Can he's get that off in front of you again.

533
00:23:45,359 --> 00:23:46,560
Speaker 5: But that's not what just happened.

534
00:23:46,920 --> 00:23:47,879
Speaker 1: J Cole lied to us.

535
00:23:48,200 --> 00:23:51,000
Speaker 4: No, if J Cole, I mean if the guy that

536
00:23:51,080 --> 00:23:54,879
Speaker 4: I'm dating was faithful to me four years and was

537
00:23:54,920 --> 00:23:57,720
Speaker 4: amazing to me and gave me amazing dates and was

538
00:23:57,800 --> 00:23:59,920
Speaker 4: just the greatest guy in the world, and then he

539
00:24:00,280 --> 00:24:02,720
Speaker 4: cheated and I found out that he lied to me

540
00:24:02,840 --> 00:24:05,320
Speaker 4: one time, but then he went back to being an

541
00:24:05,320 --> 00:24:05,960
Speaker 4: amazing guy.

542
00:24:06,240 --> 00:24:07,840
Speaker 1: I would forgive him.

543
00:24:08,160 --> 00:24:10,840
Speaker 4: That would be the more likely scenario, which you just painted,

544
00:24:10,960 --> 00:24:11,840
Speaker 4: is not what Jay Cole did.

545
00:24:12,359 --> 00:24:13,120
Speaker 1: That is what he did.

546
00:24:13,240 --> 00:24:14,879
Speaker 6: He told us for years who he was as an

547
00:24:14,960 --> 00:24:16,520
Speaker 6: MC is an artist, and then when it was time

548
00:24:16,560 --> 00:24:17,400
Speaker 6: to show him, prove that.

549
00:24:18,840 --> 00:24:19,360
Speaker 1: He couldn't.

550
00:24:19,560 --> 00:24:21,320
Speaker 4: Okay, it's not that he couldn't and you know that

551
00:24:21,359 --> 00:24:23,600
Speaker 4: it's not that he couldn't mall but okay, okay, he didn't.

552
00:24:23,640 --> 00:24:26,480
Speaker 4: He chose not to, right, doesn't take I don't think

553
00:24:26,480 --> 00:24:28,120
Speaker 4: that that takes away from the fact that he still

554
00:24:28,119 --> 00:24:29,960
Speaker 4: has the ability to. I just think that he chose

555
00:24:29,960 --> 00:24:32,000
Speaker 4: not to. He chose a different route. But me and

556
00:24:32,000 --> 00:24:33,159
Speaker 4: you will agree to disagree on that.

557
00:24:33,160 --> 00:24:33,600
Speaker 1: That's fine.

558
00:24:33,640 --> 00:24:35,439
Speaker 4: I don't know how when you call this battle us

559
00:24:35,560 --> 00:24:37,600
Speaker 4: a clown show, and I don't want to talk about

560
00:24:37,640 --> 00:24:40,080
Speaker 4: this beef because quite frankly, the listeners.

561
00:24:39,720 --> 00:24:42,480
Speaker 6: About the I'm just told about his role in what

562
00:24:42,600 --> 00:24:46,600
Speaker 6: happened last year and then now moving forward again, certain

563
00:24:46,600 --> 00:24:48,639
Speaker 6: things he says, and he's been saying his career. We

564
00:24:48,720 --> 00:24:51,080
Speaker 6: believed it, and we championed it, and we saluted it,

565
00:24:51,080 --> 00:24:52,320
Speaker 6: and like, yeah, Cold is that dude?

566
00:24:52,440 --> 00:24:55,560
Speaker 1: Still believe it? But I don't. I'm sorry, I can't.

567
00:24:55,840 --> 00:24:58,560
Speaker 6: I don't believe you would turn a rapper into martyr hypothetic.

568
00:24:58,600 --> 00:25:01,800
Speaker 1: Don't believe it. Hypothetically if that never happened, would you

569
00:25:01,880 --> 00:25:03,040
Speaker 1: enjoy clouds?

570
00:25:03,400 --> 00:25:06,199
Speaker 6: I enjoy it now, that's all. I'm not saying I

571
00:25:06,240 --> 00:25:08,359
Speaker 6: don't enjoy it. I'm just saying it doesn't move me.

572
00:25:08,440 --> 00:25:09,960
Speaker 1: It doesn't. It doesn't. I don't.

573
00:25:10,040 --> 00:25:12,320
Speaker 6: I'm not sitting around like I didn't hit the chat,

574
00:25:12,320 --> 00:25:14,440
Speaker 6: like yo, niggas don't want it with Cold, I would

575
00:25:14,440 --> 00:25:16,919
Speaker 6: have did that last year, like your son is he's incredible.

576
00:25:17,200 --> 00:25:19,159
Speaker 6: I would have did that last year before the battle.

577
00:25:19,680 --> 00:25:22,880
Speaker 6: Now I listen to it, I'm like, definitely still in shape, you.

578
00:25:22,840 --> 00:25:25,440
Speaker 1: Can still rap. I just I'm not putting as a

579
00:25:25,480 --> 00:25:28,560
Speaker 1: fan in my own view of hip hop. Now that

580
00:25:28,680 --> 00:25:31,479
Speaker 1: this battle is going to define me enjoying music like

581
00:25:31,520 --> 00:25:33,679
Speaker 1: it's just not even like. I don't know if it's

582
00:25:33,680 --> 00:25:36,200
Speaker 1: because I'm getting older. I just care less about certain things.

583
00:25:36,520 --> 00:25:38,719
Speaker 1: When that whole Quentin Miller shit happened, I was like, Dan,

584
00:25:38,800 --> 00:25:40,640
Speaker 1: that's crazy. One of my favorite rappers we don't really

585
00:25:40,680 --> 00:25:42,879
Speaker 1: know at that point when he was writing what he wasn't.

586
00:25:43,200 --> 00:25:45,080
Speaker 1: I do not give a fuck at this point, as

587
00:25:45,160 --> 00:25:47,439
Speaker 1: long as the music is good, they're such a scarce.

588
00:25:47,520 --> 00:25:51,320
Speaker 1: It's crazy to me that three guys that are almost

589
00:25:51,359 --> 00:25:55,399
Speaker 1: forty are still having to carry our favorite genre of

590
00:25:55,440 --> 00:25:57,719
Speaker 1: all time. So I don't really give a fuck who

591
00:25:57,760 --> 00:25:59,600
Speaker 1: has an asterisk At this point, I want Cold to

592
00:25:59,640 --> 00:26:01,800
Speaker 1: deliver great music. I want Kendrick to and want Drake to.

593
00:26:02,160 --> 00:26:05,000
Speaker 1: I don't care about the ghostwriters. I don't care about

594
00:26:05,080 --> 00:26:08,040
Speaker 1: Kendrick lying. I don't care about Cold backing out. Who's

595
00:26:08,040 --> 00:26:10,359
Speaker 1: gonna make the best music? Twenty twenty four was twenty

596
00:26:10,359 --> 00:26:12,760
Speaker 1: twenty four. I was fully invested. I do not give

597
00:26:12,800 --> 00:26:16,000
Speaker 1: a fuck at this point. The same way after Nas

598
00:26:16,119 --> 00:26:18,800
Speaker 1: and Jay did the I declare war and shook hands.

599
00:26:18,840 --> 00:26:22,280
Speaker 1: I was like, that's whack. Then six months later I

600
00:26:22,320 --> 00:26:24,399
Speaker 1: was like wait, I like both these guys as artists,

601
00:26:24,400 --> 00:26:26,760
Speaker 1: who gives a fuck who's gonna make good music? Yeah?

602
00:26:26,800 --> 00:26:29,480
Speaker 6: No, but true, and what you're saying is real. But

603
00:26:29,520 --> 00:26:33,199
Speaker 6: what I'm saying is, if you're listening to an artist

604
00:26:33,240 --> 00:26:37,920
Speaker 6: and they're saying things, eh, naturally, if you had the

605
00:26:37,920 --> 00:26:40,480
Speaker 6: moment that we had and you saw what the artist

606
00:26:40,520 --> 00:26:42,719
Speaker 6: did in that moment, Now when this artist says thing,

607
00:26:42,760 --> 00:26:43,359
Speaker 6: you're gonna be like.

608
00:26:44,359 --> 00:26:46,960
Speaker 1: Man, I never thought Jada Kiss's bathtub lifted up and

609
00:26:47,000 --> 00:26:50,640
Speaker 1: his walls did three sixties. I never did, not once. Yeah. Yeah,

610
00:26:50,640 --> 00:26:52,880
Speaker 1: but you also the only rapper I ever really believe

611
00:26:52,880 --> 00:26:53,360
Speaker 1: was City Siding.

612
00:26:53,440 --> 00:26:55,280
Speaker 6: Yeah, but you also believed that Jada ain't backing down

613
00:26:55,280 --> 00:26:55,840
Speaker 6: from No Smoke.

614
00:26:55,880 --> 00:26:57,600
Speaker 1: Hell no, exactly exactly, My.

615
00:26:57,480 --> 00:26:59,760
Speaker 6: Poor fucking so Jada says, I'm one of the illness

616
00:27:00,160 --> 00:27:01,199
Speaker 6: nobody wanted with me.

617
00:27:01,280 --> 00:27:03,240
Speaker 1: You believe them. But now with cherry picking what we

618
00:27:03,320 --> 00:27:07,000
Speaker 1: believe from rappers, because no, I don't think Kiss would

619
00:27:07,000 --> 00:27:09,120
Speaker 1: back down from anyone. He went toe to toe with Beans,

620
00:27:09,160 --> 00:27:11,520
Speaker 1: one of my favorite battles ever, I think personally, even

621
00:27:11,560 --> 00:27:16,080
Speaker 1: though it didn't affect fifty him and go Smoke fifty Now,

622
00:27:16,119 --> 00:27:18,800
Speaker 1: Miss Jackson shit check made some of my favorite dishes.

623
00:27:18,800 --> 00:27:22,160
Speaker 1: Of all time. That's one separate part of hip hop.

624
00:27:22,600 --> 00:27:24,520
Speaker 1: I also don't believe all the money shit these rappers

625
00:27:24,600 --> 00:27:26,040
Speaker 1: be saying. But it's entertaining and it's fun.

626
00:27:26,160 --> 00:27:28,520
Speaker 6: Yeah, but you talking about now, you're talking them about money,

627
00:27:28,560 --> 00:27:29,440
Speaker 6: I'm not talking about.

628
00:27:29,520 --> 00:27:31,720
Speaker 1: I didn't believe it. I didn't believe there are crimes

629
00:27:31,720 --> 00:27:32,880
Speaker 1: in the street.

630
00:27:33,080 --> 00:27:35,640
Speaker 6: I'm talking about when you say you will turn rappers

631
00:27:35,640 --> 00:27:38,320
Speaker 6: into these are your bars, I'll turn rappers into martyrs.

632
00:27:38,640 --> 00:27:42,400
Speaker 1: No you won't, No, you will not. Just like we knew,

633
00:27:42,480 --> 00:27:44,919
Speaker 1: Jada kiss Walls didn't lift up in his bathtub. No

634
00:27:44,960 --> 00:27:47,440
Speaker 1: they don't. I love saying it, yeah cool. I love

635
00:27:47,480 --> 00:27:49,720
Speaker 1: being in the car saying to rappers. I like them.

636
00:27:49,720 --> 00:27:51,879
Speaker 6: I liked the Clouds record. I think he was rapping.

637
00:27:51,880 --> 00:27:53,040
Speaker 6: He's still in shape, obviously.

638
00:27:53,080 --> 00:27:53,640
Speaker 1: I like that.

639
00:27:53,880 --> 00:27:57,480
Speaker 6: I'm just saying now, it just lands a little differently.

640
00:27:57,240 --> 00:28:01,720
Speaker 1: And I agree with you. I with Gibbs as well.

641
00:28:02,320 --> 00:28:03,919
Speaker 1: For those that don't know, Freddy Gibbs went on his

642
00:28:04,359 --> 00:28:07,200
Speaker 1: Twitter and put the yawn emoji. He also puts something

643
00:28:07,280 --> 00:28:09,240
Speaker 1: up on his igh.

644
00:28:09,359 --> 00:28:11,800
Speaker 6: Niggas be rapping about how they kill rappers and kill

645
00:28:11,880 --> 00:28:14,359
Speaker 6: their careers and blah blah blah will be backing out.

646
00:28:14,280 --> 00:28:17,600
Speaker 1: A rap now Freddie Freddie Gibbs being an elite rapper?

647
00:28:17,640 --> 00:28:19,720
Speaker 1: How's that corny? That's not y'all know why is corny?

648
00:28:20,000 --> 00:28:20,919
Speaker 5: Y'all know why it's corny.

649
00:28:20,960 --> 00:28:21,480
Speaker 1: He's an MC.

650
00:28:21,880 --> 00:28:24,159
Speaker 4: You know what if he's an MC, didn't get in

651
00:28:24,160 --> 00:28:25,399
Speaker 4: the boof and wrap you know, you.

652
00:28:26,160 --> 00:28:28,679
Speaker 1: Better not say that after coming off from if you

653
00:28:28,680 --> 00:28:30,400
Speaker 1: want to book and rap.

654
00:28:30,440 --> 00:28:33,280
Speaker 4: What I'm saying is, if you have something you want

655
00:28:33,280 --> 00:28:35,240
Speaker 4: to say to a rapper, then get in the boof

656
00:28:35,320 --> 00:28:38,800
Speaker 4: and wrap it, don't he I g don't make it on.

657
00:28:39,920 --> 00:28:42,400
Speaker 4: And I also think and also I think that first

658
00:28:42,440 --> 00:28:43,880
Speaker 4: of all, we all knew that was coming right, that

659
00:28:44,000 --> 00:28:45,320
Speaker 4: all of the rappers would.

660
00:28:45,120 --> 00:28:47,600
Speaker 1: Start trying to be for taking and co can't do nothing,

661
00:28:47,680 --> 00:28:47,960
Speaker 1: I think.

662
00:28:48,080 --> 00:28:50,160
Speaker 4: But I think it's corny because the only reason why

663
00:28:50,160 --> 00:28:52,680
Speaker 4: they're doing that is because they think the same thing

664
00:28:52,720 --> 00:28:54,760
Speaker 4: you do. They think Cole can't do anything about it

665
00:28:54,760 --> 00:28:56,680
Speaker 4: because no matter what he does, no matter how good

666
00:28:56,680 --> 00:28:59,040
Speaker 4: he raps, they're gonna say, Oh, you're punching down, that's

667
00:28:59,040 --> 00:28:59,720
Speaker 4: what you're gonna say.

668
00:28:59,720 --> 00:29:04,040
Speaker 1: So you're at well punching down as far as what.

669
00:29:04,360 --> 00:29:07,560
Speaker 4: As far as we have the Big Three, I'm not

670
00:29:07,640 --> 00:29:09,480
Speaker 4: saying that Freddy can't rap, I'm not even saying that

671
00:29:09,480 --> 00:29:11,640
Speaker 4: he can't rap better than Cole. I'm talking about when

672
00:29:11,640 --> 00:29:13,960
Speaker 4: we're talking about the Big Three, it would be punching down.

673
00:29:14,000 --> 00:29:16,320
Speaker 4: You didn't want to fight your peers, so now you're

674
00:29:16,320 --> 00:29:18,400
Speaker 4: punching down. That's what the most of.

675
00:29:18,400 --> 00:29:20,600
Speaker 1: The people people would say that, But when it comes

676
00:29:20,640 --> 00:29:24,840
Speaker 1: to ability of rapping, they are right there with each other.

677
00:29:25,000 --> 00:29:27,440
Speaker 1: I agree, of course Cole has more impact, more sales,

678
00:29:27,480 --> 00:29:30,000
Speaker 1: more singles. Of course I understand the difference between the

679
00:29:30,000 --> 00:29:32,280
Speaker 1: two of them. But as far as rapping, and let's

680
00:29:32,360 --> 00:29:36,120
Speaker 1: not act like Gibbs is not solidified. This isn't just

681
00:29:36,160 --> 00:29:39,640
Speaker 1: some random SoundCloud rapper that like just weird rap NERD

682
00:29:39,680 --> 00:29:42,840
Speaker 1: guys know about Gibbs is still very much established. I

683
00:29:42,880 --> 00:29:45,440
Speaker 1: get what you're saying, it'd be punching down a bit, but.

684
00:29:45,520 --> 00:29:47,400
Speaker 6: I don't it's who would be punching down Cole.

685
00:29:47,760 --> 00:29:49,840
Speaker 1: That's what the fans would say, because I mean just

686
00:29:49,920 --> 00:29:52,000
Speaker 1: status wise of where Cole's at, like you just sold

687
00:29:52,040 --> 00:29:52,960
Speaker 1: out the garden for fun.

688
00:29:53,440 --> 00:29:57,320
Speaker 4: That's the point in me saying punching down was you

689
00:29:57,360 --> 00:29:59,800
Speaker 4: didn't your We know who his peers are, right, We're

690
00:29:59,840 --> 00:30:02,800
Speaker 4: no who we know who mainstream his peers are. You

691
00:30:03,040 --> 00:30:05,800
Speaker 4: had an altercation with your peers. You didn't want to

692
00:30:05,800 --> 00:30:08,560
Speaker 4: go that route. So now if you respond to Gibbs,

693
00:30:08,600 --> 00:30:11,080
Speaker 4: people would consider it punching down whatever, Like you'll go

694
00:30:11,120 --> 00:30:13,720
Speaker 4: at Gibbs, what you wanta go at Kendrick? Right, everybody's

695
00:30:13,720 --> 00:30:17,240
Speaker 4: gonna say that, correct, Okay, So Gibbs knows that all

696
00:30:17,280 --> 00:30:20,280
Speaker 4: respects him. He knows that people were not picking with

697
00:30:20,440 --> 00:30:24,560
Speaker 4: Cole before he did that self annihilation ship. Nobody was

698
00:30:24,560 --> 00:30:26,160
Speaker 4: picking with him. So yes, I think that this is

699
00:30:26,240 --> 00:30:29,480
Speaker 4: corny because you're doing this because you know, no matter what,

700
00:30:29,600 --> 00:30:30,720
Speaker 4: for you, it's a win win.

701
00:30:30,960 --> 00:30:33,480
Speaker 5: He's an easy target now yea, but I think that

702
00:30:33,480 --> 00:30:33,960
Speaker 5: that's corny.

703
00:30:34,040 --> 00:30:36,680
Speaker 6: Yeah, but what you missed Deamarius is the competitive part

704
00:30:36,720 --> 00:30:37,320
Speaker 6: of hip hop.

705
00:30:37,600 --> 00:30:39,080
Speaker 4: Why he don't want to compete with people that saw

706
00:30:39,120 --> 00:30:40,880
Speaker 4: they're competing. Cole went out there and say he wanted

707
00:30:40,880 --> 00:30:42,560
Speaker 4: to go to sleep peacefully. He don't want to compete,

708
00:30:42,560 --> 00:30:44,280
Speaker 4: So why are you picking with the person who doesn't

709
00:30:44,280 --> 00:30:44,840
Speaker 4: want to compete.

710
00:30:45,040 --> 00:30:48,920
Speaker 6: No, Well, Gibbs is directly responded to a bar talking

711
00:30:48,920 --> 00:30:51,320
Speaker 6: about he's turned rappers in the mark Gibbs as a rapper,

712
00:30:51,840 --> 00:30:53,880
Speaker 6: so as a rapper, Gibbs has the right to be like, well,

713
00:30:53,880 --> 00:30:55,000
Speaker 6: which rapper you turning into?

714
00:30:55,000 --> 00:31:01,120
Speaker 1: A moment's leap? Which are you turning into it?

715
00:31:01,120 --> 00:31:03,560
Speaker 5: It's a million and eighteen rappers that be out here

716
00:31:03,640 --> 00:31:06,200
Speaker 5: saying what's his name?

717
00:31:07,360 --> 00:31:09,880
Speaker 4: Sarah Baby father was just out here saying he had

718
00:31:09,960 --> 00:31:11,920
Speaker 4: killed Joey Badass.

719
00:31:12,240 --> 00:31:14,320
Speaker 5: He'd be out here saying he'll kill.

720
00:31:14,200 --> 00:31:15,240
Speaker 1: All talking about it?

721
00:31:15,480 --> 00:31:18,560
Speaker 4: Do we not doing Joey Joseph bad I couldn't think

722
00:31:18,560 --> 00:31:19,600
Speaker 4: of it. I had a brain fire.

723
00:31:19,640 --> 00:31:20,000
Speaker 1: I'm sorry.

724
00:31:20,040 --> 00:31:21,920
Speaker 4: I'm not being disrespectful to Joey. I know his name

725
00:31:21,960 --> 00:31:24,680
Speaker 4: and he's very good. But at the end of the day,

726
00:31:24,840 --> 00:31:26,480
Speaker 4: he was just out here saying he'll kill all types

727
00:31:26,480 --> 00:31:28,680
Speaker 4: of rappers. Rappers say that all the time, So don't

728
00:31:28,760 --> 00:31:31,000
Speaker 4: cherry pick when it's like, oh, you can't say that,

729
00:31:31,080 --> 00:31:33,840
Speaker 4: like you know why you're you know why you're doing that? Rappers,

730
00:31:33,880 --> 00:31:36,120
Speaker 4: all types of rappers is out here saying they the best?

731
00:31:36,160 --> 00:31:37,960
Speaker 4: Why you picking with that one when he's just trying

732
00:31:37,960 --> 00:31:39,320
Speaker 4: to have the free form lot.

733
00:31:39,360 --> 00:31:41,840
Speaker 6: But the part that you're missing is we had the

734
00:31:41,960 --> 00:31:44,479
Speaker 6: moment set to for j Cole to live up to

735
00:31:44,520 --> 00:31:46,960
Speaker 6: what he's been saying for years. So as an MC

736
00:31:47,080 --> 00:31:49,800
Speaker 6: as Freddy Gibbs is as a rapper as Freddy Gibbs is.

737
00:31:50,240 --> 00:31:53,720
Speaker 6: Now if he's hearing Cole say things as an MC

738
00:31:53,840 --> 00:31:56,560
Speaker 6: and this is a competitive sport, it's like, bro, you

739
00:31:56,600 --> 00:31:59,040
Speaker 6: can't be and and again I understand it because he's

740
00:31:59,120 --> 00:32:02,240
Speaker 6: holding that MC thing to a high, high level, like, Bro,

741
00:32:02,360 --> 00:32:05,400
Speaker 6: you can't keep talking like that. Just it's so easy

742
00:32:05,400 --> 00:32:08,480
Speaker 6: for Cold to just stop talking like that. He could

743
00:32:08,520 --> 00:32:10,080
Speaker 6: take those bars out. He's a great writer.

744
00:32:10,360 --> 00:32:14,000
Speaker 1: Just stop talking greasy about turning rappers into martyrs. Stop

745
00:32:14,120 --> 00:32:16,840
Speaker 1: saying that. Stop saying I wouldn't have lost the battle.

746
00:32:16,960 --> 00:32:19,000
Speaker 1: I would have lost the brother. Stop saying that.

747
00:32:19,280 --> 00:32:22,040
Speaker 6: Replace those bars with something else because you can, because

748
00:32:22,040 --> 00:32:22,840
Speaker 6: you're a great writer.

749
00:32:23,040 --> 00:32:24,720
Speaker 1: And I think that's what Freddie is saying.

750
00:32:25,040 --> 00:32:28,320
Speaker 6: Stop talking greasy, stop saying you turning rappers in because

751
00:32:28,320 --> 00:32:30,520
Speaker 6: I'm a rapper and I have the right to respond

752
00:32:30,560 --> 00:32:33,440
Speaker 6: if I hear you say you're gonna turn rappers into martyrs?

753
00:32:33,720 --> 00:32:37,960
Speaker 6: Which rapper because Freddie wants smoke he mentioned Cole on

754
00:32:37,960 --> 00:32:38,920
Speaker 6: his album, but.

755
00:32:38,920 --> 00:32:41,120
Speaker 5: Why he don't want smoke with the people that's currently.

756
00:32:41,360 --> 00:32:44,640
Speaker 6: Freddie want smoke with anybody? Oh you got friend? The

757
00:32:44,760 --> 00:32:51,200
Speaker 6: Instagram posts about them. But again it's specific to cold

758
00:32:51,240 --> 00:32:54,840
Speaker 6: now because Cole did what he did during a battle.

759
00:32:54,920 --> 00:32:57,960
Speaker 6: No other rapper has ever done that, so of course

760
00:32:58,000 --> 00:32:59,320
Speaker 6: it's gonna be cold now.

761
00:32:59,560 --> 00:33:02,719
Speaker 1: He can't talk like that. Other rappers that lost battles

762
00:33:02,800 --> 00:33:05,200
Speaker 1: or won battles, they could talk greasy, faver because you

763
00:33:05,240 --> 00:33:07,440
Speaker 1: got in the ring and actually battle. But when you

764
00:33:07,480 --> 00:33:10,200
Speaker 1: do what Cole did as as a high level MC,

765
00:33:10,400 --> 00:33:12,680
Speaker 1: as Freddy Gibbs is, he has the right to hear

766
00:33:12,720 --> 00:33:14,600
Speaker 1: that and be like, Yo, why is he still talking

767
00:33:14,640 --> 00:33:14,920
Speaker 1: like this?

768
00:33:15,320 --> 00:33:18,560
Speaker 5: That's but cut it out, bro Personally, that's I don't know, cold.

769
00:33:18,600 --> 00:33:21,239
Speaker 4: Cole's very peaceful me personally, Come slap the words out

770
00:33:21,240 --> 00:33:22,640
Speaker 4: of my mouth, Come slap my pen on my hand.

771
00:33:22,680 --> 00:33:24,520
Speaker 4: I'm gonna continue to talk greasy. I'm gonna say whatever

772
00:33:24,520 --> 00:33:26,160
Speaker 4: I want to say, and who's gonna do what about it?

773
00:33:26,560 --> 00:33:31,080
Speaker 1: I mean, I meant with that, Freddy. I also think

774
00:33:31,120 --> 00:33:33,680
Speaker 1: it's a great opportunity for cod. I agree that the

775
00:33:33,720 --> 00:33:38,400
Speaker 1: masses will be like Yo alchemy. But if you start

776
00:33:38,440 --> 00:33:40,840
Speaker 1: out a response to this of saying, hey, I had

777
00:33:40,840 --> 00:33:43,320
Speaker 1: prior knowledge where this battle was gonna go, you guys

778
00:33:43,320 --> 00:33:45,400
Speaker 1: can do that pedophile shit over there. I wasn't with that.

779
00:33:45,440 --> 00:33:47,640
Speaker 1: I thought we was gonna rap. If Freddy just wants

780
00:33:47,640 --> 00:33:51,000
Speaker 1: to rap, let's rap. If he starts a response that

781
00:33:51,040 --> 00:33:53,520
Speaker 1: way and then gets into a diss to Freddie, I

782
00:33:53,560 --> 00:33:55,920
Speaker 1: don't think people be looking at him crazy. He just

783
00:33:55,960 --> 00:33:57,440
Speaker 1: explained didn't want to do this shit because he knew

784
00:33:57,440 --> 00:33:59,120
Speaker 1: where they were gonna take it and he didn't want

785
00:33:59,120 --> 00:34:01,240
Speaker 1: to do that. But that's my But that's my problem.

786
00:34:01,280 --> 00:34:02,040
Speaker 1: But that's my problem.

787
00:34:02,320 --> 00:34:05,520
Speaker 6: That's my problem with y'all saying that because cool Cole

788
00:34:05,560 --> 00:34:09,959
Speaker 6: has the right to not battle cool. But what he did,

789
00:34:10,680 --> 00:34:14,320
Speaker 6: delete the song, get on stage at his festival and apologize,

790
00:34:14,840 --> 00:34:16,120
Speaker 6: take your best shot, put it?

791
00:34:16,400 --> 00:34:17,560
Speaker 1: What the fuck is that?

792
00:34:18,520 --> 00:34:21,239
Speaker 6: He could have easy said yo, dog, I'm cool and

793
00:34:21,360 --> 00:34:23,440
Speaker 6: left the record out. He ain't have to come back

794
00:34:23,440 --> 00:34:25,600
Speaker 6: with another record of Kendrick went back at him. He

795
00:34:25,640 --> 00:34:27,120
Speaker 6: could have been like, y'a, I'm cool, bro. If he

796
00:34:27,160 --> 00:34:28,759
Speaker 6: had knowledge of where it was going and didn't want

797
00:34:28,760 --> 00:34:30,960
Speaker 6: to get into that, he has all right, But what

798
00:34:31,040 --> 00:34:35,560
Speaker 6: he how he played that, deleting the song, apologizing on stage,

799
00:34:35,960 --> 00:34:38,520
Speaker 6: putting his chin out, telling Kendrick to take his best shot.

800
00:34:38,760 --> 00:34:43,080
Speaker 6: We've never seen nothing like this in I think he

801
00:34:43,120 --> 00:34:45,600
Speaker 6: would know a nigga better not ever do that shit again.

802
00:34:45,920 --> 00:34:48,200
Speaker 6: I'm going straight folk music. If another rapper do that,

803
00:34:48,520 --> 00:34:50,400
Speaker 6: I don't want to hear none of you niggas.

804
00:34:50,560 --> 00:34:53,080
Speaker 1: If another rapper do with Cole did he, I'm not

805
00:34:53,160 --> 00:34:55,360
Speaker 1: listening to none of you niggas. We don't know, but

806
00:34:55,600 --> 00:34:59,920
Speaker 1: I can. I can assume that Cole would have replayed

807
00:35:00,080 --> 00:35:02,239
Speaker 1: his strategy and that entire thing, but it's happy with

808
00:35:02,280 --> 00:35:04,080
Speaker 1: the result. I still think he would have backed out,

809
00:35:04,120 --> 00:35:07,279
Speaker 1: and I think he's actually backing out his phone satisfied

810
00:35:07,360 --> 00:35:10,640
Speaker 1: with that, especially with hindsight being twenty twenty of how

811
00:35:10,680 --> 00:35:13,600
Speaker 1: that whole entire thing went. I'm sure he would have

812
00:35:13,680 --> 00:35:16,040
Speaker 1: changed how he did it, but if he made peace

813
00:35:16,080 --> 00:35:18,440
Speaker 1: with it. Honestly, I'm on the side of just fucking

814
00:35:18,960 --> 00:35:23,879
Speaker 1: talk greasy till somebody says something and not what let's

815
00:35:23,880 --> 00:35:28,040
Speaker 1: start rapping a gonna he gonna wrap with Freddy. I

816
00:35:28,080 --> 00:35:32,120
Speaker 1: think it'd be a great battle. D Yeah, Okay, Freddy.

817
00:35:31,920 --> 00:35:33,600
Speaker 6: Got a year's worth a shit that he Dodne thought

818
00:35:33,600 --> 00:35:36,600
Speaker 6: about his cold that. Oh, I know, we'll be walking

819
00:35:36,680 --> 00:35:38,400
Speaker 6: into a fucking trap if he get into it.

820
00:35:38,560 --> 00:35:41,120
Speaker 1: I think Freddy has his main phone that like he

821
00:35:41,160 --> 00:35:42,839
Speaker 1: texts his family and shit with and then I think

822
00:35:42,840 --> 00:35:46,279
Speaker 1: he has six other phones dedicated to notes about other rappers. Absolutely,

823
00:35:48,239 --> 00:35:50,000
Speaker 1: it's not somebody to fuck with at all. You know

824
00:35:50,040 --> 00:35:51,480
Speaker 1: how I feel about Freddy. But let's me fear.

825
00:35:51,600 --> 00:35:53,880
Speaker 6: Don't get it twisted. There is AMO out there that

826
00:35:53,960 --> 00:35:55,439
Speaker 6: niggas can use on Freddie as well.

827
00:35:55,800 --> 00:35:58,760
Speaker 1: What's tough, all right? And this is what I said before.

828
00:35:58,920 --> 00:36:00,680
Speaker 1: This is what I said before the Drake battle, which

829
00:36:00,719 --> 00:36:03,840
Speaker 1: I clearly was fucking wrong. I was like, Yo, Drake's

830
00:36:03,880 --> 00:36:06,640
Speaker 1: a tough opponent now because like everything that you could

831
00:36:06,680 --> 00:36:09,440
Speaker 1: have said about him, like we all fucking know, ghost

832
00:36:09,440 --> 00:36:13,000
Speaker 1: writing shit, you're a simp like all the shit. Clearly

833
00:36:13,040 --> 00:36:16,080
Speaker 1: I was wrong. Freddy owns every last thing everyone knows.

834
00:36:16,080 --> 00:36:18,560
Speaker 1: He has a kid with a porn star, and Freddie

835
00:36:18,560 --> 00:36:20,640
Speaker 1: puts all his shit out there before anyone else. That's

836
00:36:20,640 --> 00:36:23,040
Speaker 1: a tough person to battle. What you mean the bar

837
00:36:23,200 --> 00:36:26,280
Speaker 1: still hit, Spreddy Gibbs is still I was wrong because

838
00:36:27,080 --> 00:36:30,640
Speaker 1: it hit like not like us hit. So I was wrong.

839
00:36:30,680 --> 00:36:33,120
Speaker 6: But that's made up bullshit though that ain't that ain't

840
00:36:33,120 --> 00:36:34,040
Speaker 6: no amo against no no.

841
00:36:34,360 --> 00:36:36,040
Speaker 1: If you've listened to my point in the beginning, I said,

842
00:36:36,080 --> 00:36:38,719
Speaker 1: Drake is tough because we know everything about him. It's

843
00:36:38,800 --> 00:36:41,560
Speaker 1: kind of hard to shit on someone with all the

844
00:36:41,600 --> 00:36:44,560
Speaker 1: info we've already known for years. Freddy has been through

845
00:36:44,600 --> 00:36:47,239
Speaker 1: so many ups and downs that he's just embraced and

846
00:36:47,280 --> 00:36:47,880
Speaker 1: made fun of.

847
00:36:48,480 --> 00:36:51,279
Speaker 6: That's a tough he don't opponent. Freddy don't care about

848
00:36:51,320 --> 00:36:53,040
Speaker 6: none of that. He accept all of that shit. He

849
00:36:53,120 --> 00:36:55,720
Speaker 6: wanted to hear you talk about it. But like I'm saying,

850
00:36:56,200 --> 00:36:59,239
Speaker 6: I don't think that. You know, again, Gibbs doesn't have

851
00:36:59,800 --> 00:37:03,240
Speaker 6: the success in the mainstream attention and you know, praise

852
00:37:03,320 --> 00:37:06,040
Speaker 6: that Cole has. But when it comes and moving that

853
00:37:06,200 --> 00:37:09,239
Speaker 6: pen and constructing bars, let's not get it twisted for

854
00:37:09,360 --> 00:37:12,360
Speaker 6: half a second. Freddie Gibbs is no MC to play with,

855
00:37:13,239 --> 00:37:14,319
Speaker 6: yeah at all for.

856
00:37:14,400 --> 00:37:17,280
Speaker 1: Me at all. He's no MC to take lightly.

857
00:37:17,600 --> 00:37:20,319
Speaker 6: He's no MC to just you know, scarf at and

858
00:37:20,320 --> 00:37:22,040
Speaker 6: be like yo whatever, get out of And he know

859
00:37:22,160 --> 00:37:25,160
Speaker 6: he's he's a high level MC and can rap with

860
00:37:25,200 --> 00:37:26,040
Speaker 6: the best of them all.

861
00:37:26,120 --> 00:37:29,560
Speaker 1: Right then Alasta Marris Hi, is there any I haven't

862
00:37:29,600 --> 00:37:32,520
Speaker 1: cursed yet? By the way, I'm only a dollar in

863
00:37:32,640 --> 00:37:35,120
Speaker 1: right now. You're about seventeen.

864
00:37:36,560 --> 00:37:37,920
Speaker 5: You congestion priced up right now?

865
00:37:37,960 --> 00:37:40,520
Speaker 6: Yeah, I'm about twelve dollars in colbout seventeen to fifty

866
00:37:40,680 --> 00:37:42,080
Speaker 6: thirty dollars in right now, but.

867
00:37:42,320 --> 00:37:44,400
Speaker 1: It cancels each other out, don't truck, so we're up

868
00:37:44,480 --> 00:37:51,200
Speaker 1: only three dollars. Deal. Do you think outside of obviously

869
00:37:51,440 --> 00:37:55,040
Speaker 1: Kendrick and Drake, because that time has passed, it would

870
00:37:55,040 --> 00:37:57,440
Speaker 1: make sense for Coal to ever do a rap out

871
00:37:57,440 --> 00:38:00,120
Speaker 1: of with anybody.

872
00:38:01,000 --> 00:38:03,360
Speaker 4: If Cole does a rat battle, I want Cold to

873
00:38:03,480 --> 00:38:05,799
Speaker 4: do it because he's passionate about it. If Cold does

874
00:38:05,960 --> 00:38:09,160
Speaker 4: anything anything you're saying, if it makes sense makes sense

875
00:38:09,200 --> 00:38:11,799
Speaker 4: to whom. That's what I'm saying. You're asking me if

876
00:38:11,840 --> 00:38:14,520
Speaker 4: it will make sense make sense to whom to him?

877
00:38:14,760 --> 00:38:16,960
Speaker 6: If Freddie put out a record tomorrow saying Yo, Cold,

878
00:38:17,000 --> 00:38:21,160
Speaker 6: you trash, you bump ass nigga, Cold, Cold should.

879
00:38:20,880 --> 00:38:24,120
Speaker 1: Respond right, No, I don't think so. Oh my god, no,

880
00:38:24,320 --> 00:38:25,400
Speaker 1: I don't think so. Why not?

881
00:38:26,000 --> 00:38:29,920
Speaker 4: Because I feel like what I see that Cole wants

882
00:38:30,040 --> 00:38:33,560
Speaker 4: as just from a fan from the sky, I see

883
00:38:33,680 --> 00:38:36,600
Speaker 4: that Cole wants peace and that Coal wants to start

884
00:38:36,719 --> 00:38:39,200
Speaker 4: rolling into retirement. I think he wants to do his

885
00:38:39,239 --> 00:38:41,560
Speaker 4: final album and just leave in peace.

886
00:38:41,719 --> 00:38:44,520
Speaker 1: I think that's what he talking about, turning rappers into martyrs.

887
00:38:44,560 --> 00:38:47,280
Speaker 1: You know what that means. You're talking about killing rappers.

888
00:38:47,400 --> 00:38:49,200
Speaker 5: Okay, we're talking.

889
00:38:49,200 --> 00:38:51,760
Speaker 6: You don't want peace. He's still talking crazy. That's my point.

890
00:38:51,960 --> 00:38:54,560
Speaker 6: Stop talking like that, is all I'm saying. Stop saying

891
00:38:54,600 --> 00:38:55,480
Speaker 6: you turn it rappers.

892
00:38:55,880 --> 00:38:56,600
Speaker 1: No you're not.

893
00:38:57,239 --> 00:39:00,200
Speaker 6: We saw it when it was the opportunity presented. So

894
00:39:00,760 --> 00:39:03,160
Speaker 6: just stops. That's my only thing to Cole. Cole is

895
00:39:03,200 --> 00:39:05,320
Speaker 6: still in shape, he's still one of the best enstrs

896
00:39:05,360 --> 00:39:08,240
Speaker 6: we have. But you have to stop talking greasy.

897
00:39:08,280 --> 00:39:11,000
Speaker 1: You have to follow to your question. What about a

898
00:39:11,080 --> 00:39:14,680
Speaker 1: rat battle wouldn't be peace. I was even on understanding

899
00:39:14,680 --> 00:39:19,359
Speaker 1: Cole's we're alour can you let me finish? I even

900
00:39:19,440 --> 00:39:24,040
Speaker 1: understand were harmed, nobody, no blood was shed. One security

901
00:39:24,080 --> 00:39:26,160
Speaker 1: guard who I feel for. Oh what got shy in

902
00:39:26,200 --> 00:39:31,120
Speaker 1: the most beautiful neighborhood in Toronto. I understand his his

903
00:39:31,320 --> 00:39:33,279
Speaker 1: bar in the portshit of like yo, I would have

904
00:39:33,320 --> 00:39:35,040
Speaker 1: lost a friend like this was a little deeper than

905
00:39:35,080 --> 00:39:37,120
Speaker 1: just a rat battle, even though people killed him. I

906
00:39:37,160 --> 00:39:38,879
Speaker 1: understood what the fuck he was talking about. I get

907
00:39:38,920 --> 00:39:42,759
Speaker 1: it now, that's peace, just a straight up rat battle,

908
00:39:42,760 --> 00:39:45,439
Speaker 1: which Cole has talked about his entire career. I feel

909
00:39:45,440 --> 00:39:47,239
Speaker 1: like he's even said like, Yo, I got kids and family,

910
00:39:47,320 --> 00:39:49,239
Speaker 1: but when it comes to this rap shit, I'll add

911
00:39:49,239 --> 00:39:52,000
Speaker 1: on anyone hits me. Why why can't you have peace?

912
00:39:52,640 --> 00:39:54,960
Speaker 1: I think Kendrick was peaceful all of twenty twenty four.

913
00:39:56,920 --> 00:39:58,960
Speaker 1: I don't think he lost a wink of sleep. You

914
00:39:59,000 --> 00:40:01,600
Speaker 1: can be peaceful in a rat battle. Now, I understand

915
00:40:01,640 --> 00:40:04,320
Speaker 1: that it was a little deeper because of his history

916
00:40:04,360 --> 00:40:06,719
Speaker 1: with Kendrick and Drake. Well, why can't he have a

917
00:40:06,719 --> 00:40:08,880
Speaker 1: peaceful life and battle someone like Freddy Gibbs?

918
00:40:08,920 --> 00:40:10,600
Speaker 4: Well, because I think when we talked about when we

919
00:40:10,640 --> 00:40:13,920
Speaker 4: originally talked about this battle, I think maybe it was

920
00:40:13,960 --> 00:40:16,880
Speaker 4: you that had the conversation of Now, when you're in

921
00:40:16,920 --> 00:40:19,600
Speaker 4: a rat battle, it's not like the early two thousands.

922
00:40:19,680 --> 00:40:22,399
Speaker 4: Right now, when you're in a bad rat battle, you're

923
00:40:22,440 --> 00:40:25,920
Speaker 4: waking up to people's opinions and think pieces on your

924
00:40:25,960 --> 00:40:28,279
Speaker 4: phone twenty four to seven. It becomes a thing. It's

925
00:40:28,280 --> 00:40:30,000
Speaker 4: not just like you drop the song, people love it

926
00:40:30,080 --> 00:40:31,799
Speaker 4: or hate it. Right when you're involved in a rat battle,

927
00:40:31,840 --> 00:40:34,759
Speaker 4: you're now dealing with two huge fan bases and you're

928
00:40:34,800 --> 00:40:38,520
Speaker 4: dealing with all of their mess like on the internet

929
00:40:38,560 --> 00:40:40,920
Speaker 4: twenty four to seven, and you know people.

930
00:40:40,640 --> 00:40:42,359
Speaker 5: Have egos, and things like that.

931
00:40:42,520 --> 00:40:44,960
Speaker 4: Rat battles people say means stuff about each other, like

932
00:40:45,560 --> 00:40:48,240
Speaker 4: it's I know everybody. I know men like to play

933
00:40:48,280 --> 00:40:50,480
Speaker 4: hard and act like nothing bothers them, But I do

934
00:40:50,520 --> 00:40:52,239
Speaker 4: think that some things make it to them. Artists are

935
00:40:52,280 --> 00:40:55,120
Speaker 4: sensitive about their stuff and about their personal life, which

936
00:40:55,200 --> 00:40:57,160
Speaker 4: tends to be brought up when you are in a

937
00:40:57,200 --> 00:41:00,279
Speaker 4: rat battle. So that's when I say peace, Like I

938
00:41:00,320 --> 00:41:02,560
Speaker 4: said this, when the whole entire thing we just like, oh, cold,

939
00:41:02,600 --> 00:41:04,120
Speaker 4: back down, call back down. I'm like, y'all don't know

940
00:41:04,200 --> 00:41:06,680
Speaker 4: what if skeletons is getting dug up. I'm not putting

941
00:41:06,680 --> 00:41:08,400
Speaker 4: this on cold. Y'all don't know what skeletons that mean.

942
00:41:08,520 --> 00:41:11,439
Speaker 1: Okay, all right, So see this with that point, because

943
00:41:11,480 --> 00:41:12,880
Speaker 1: you know I was more on your side in this.

944
00:41:13,960 --> 00:41:16,920
Speaker 1: That just makes me go right to Mol's point, then

945
00:41:16,960 --> 00:41:21,120
Speaker 1: stop talking that way. That's all I'm saying. If that Cole,

946
00:41:21,160 --> 00:41:23,719
Speaker 1: we know he's no Lebron when it comes to hip

947
00:41:23,719 --> 00:41:25,719
Speaker 1: hop historian. But we know for a fact that Cole

948
00:41:26,000 --> 00:41:30,120
Speaker 1: is a true hip hop history We know that Noel

949
00:41:30,239 --> 00:41:32,560
Speaker 1: really loves this ship and has lived and breathed this

950
00:41:32,600 --> 00:41:35,880
Speaker 1: shit since he was a kid. He knows what comes

951
00:41:35,880 --> 00:41:40,200
Speaker 1: with rat battles, shooting at rappers lyrically and all that.

952
00:41:40,560 --> 00:41:42,600
Speaker 1: Let's not act like Jay wasn't leaving condoms on the

953
00:41:42,600 --> 00:41:46,640
Speaker 1: baby seat, Prodigy's old picture wasn't in the seat though

954
00:41:46,920 --> 00:41:49,760
Speaker 1: I know, but well, it also never happened. But it's different.

955
00:41:49,760 --> 00:41:52,480
Speaker 1: The baby wasn't. But let's not act like even though this,

956
00:41:52,600 --> 00:41:55,720
Speaker 1: this rat battleship did get weirder in our generation because

957
00:41:55,760 --> 00:41:57,880
Speaker 1: of social media, Let's not act like this shit has

958
00:41:57,880 --> 00:42:00,640
Speaker 1: all been peaches and fucking cream in the earlier years,

959
00:42:00,640 --> 00:42:03,960
Speaker 1: when Cole was a kid listening to his idols through

960
00:42:04,040 --> 00:42:07,600
Speaker 1: rap battles, that shit was still nasty as fuck too.

961
00:42:08,320 --> 00:42:11,080
Speaker 1: So he knows what comes with that. And if you

962
00:42:11,120 --> 00:42:12,839
Speaker 1: know what comes with that, don't talk that way. If

963
00:42:12,840 --> 00:42:16,040
Speaker 1: you just want peace, you know I've been looking for peace.

964
00:42:16,040 --> 00:42:17,320
Speaker 1: I'll be shutting the fuck up by a lot of

965
00:42:17,320 --> 00:42:19,200
Speaker 1: stuff just because I know what it comes with it.

966
00:42:19,640 --> 00:42:22,560
Speaker 1: Even if I feel that way and know certain things,

967
00:42:22,560 --> 00:42:24,640
Speaker 1: I shut up because I don't even want to. I

968
00:42:24,680 --> 00:42:26,600
Speaker 1: don't even need that to disrupt my life right now.

969
00:42:27,080 --> 00:42:32,040
Speaker 1: So Cole, to that point, should not talk that way,

970
00:42:32,200 --> 00:42:33,800
Speaker 1: because I think he knows what comes with rapping.

971
00:42:34,040 --> 00:42:36,680
Speaker 5: Maybe you guys have a point I can't fight that then.

972
00:42:36,719 --> 00:42:38,440
Speaker 1: And first of all, I really don't think Gibbs like

973
00:42:39,719 --> 00:42:42,560
Speaker 1: is putting one hundred k in the street like Drake was,

974
00:42:42,600 --> 00:42:44,680
Speaker 1: to find out shit about push it like. I think

975
00:42:44,680 --> 00:42:48,399
Speaker 1: that would be more rap than anything. Of course they'd

976
00:42:48,440 --> 00:42:51,080
Speaker 1: say nasty shit about each other, but I don't think

977
00:42:51,080 --> 00:42:52,440
Speaker 1: I don't think that would go.

978
00:42:52,480 --> 00:42:54,040
Speaker 5: You don't think the skeletons that get that up.

979
00:42:54,120 --> 00:42:56,239
Speaker 1: I don't think Gibbs gives a single fuck. If someone

980
00:42:56,320 --> 00:42:59,920
Speaker 1: dms him something crazy, he's gonna say it true or not.

981
00:43:01,800 --> 00:43:05,960
Speaker 1: But that's rap battling. I don't know. I think I

982
00:43:05,960 --> 00:43:07,960
Speaker 1: think Cole has an opportunity, That's what I'm saying. I

983
00:43:07,960 --> 00:43:11,560
Speaker 1: think opportunity for what act in the ring. No, man,

984
00:43:11,680 --> 00:43:15,239
Speaker 1: we stop saying that, brom No, he not.

985
00:43:15,400 --> 00:43:17,759
Speaker 6: He does not have an opportunity to get back in

986
00:43:17,800 --> 00:43:18,080
Speaker 6: the ring.

987
00:43:18,120 --> 00:43:21,200
Speaker 1: It's over. You know, you don't want to battle. You

988
00:43:21,239 --> 00:43:21,840
Speaker 1: can't battle.

989
00:43:21,880 --> 00:43:24,360
Speaker 6: That's why I said it can't be selective politics, and

990
00:43:24,400 --> 00:43:26,640
Speaker 6: you cannot do that. You didn't want to battle him,

991
00:43:26,920 --> 00:43:29,480
Speaker 6: don't battle him. That's just just say I don't battle,

992
00:43:29,680 --> 00:43:32,200
Speaker 6: And I'm fine with that. I'm totally fine with with

993
00:43:32,320 --> 00:43:35,640
Speaker 6: Cole not wanting to be the guy that battles other rappers.

994
00:43:35,719 --> 00:43:39,160
Speaker 6: I'm fine with that, But the slick talk, that has

995
00:43:39,200 --> 00:43:40,759
Speaker 6: to come to an end. Like, bro, we get it.

996
00:43:40,800 --> 00:43:42,480
Speaker 6: You still want the best, You're still in shape. We're

997
00:43:42,480 --> 00:43:44,560
Speaker 6: still gonna listen to it whenever he drops it, and

998
00:43:44,680 --> 00:43:47,719
Speaker 6: still gonna enjoy the music. But we just gotta be

999
00:43:47,760 --> 00:43:50,600
Speaker 6: honest with ourselves. It does not land the same. We

1000
00:43:50,719 --> 00:43:52,879
Speaker 6: do not believe you when you talk in this way.

1001
00:43:53,200 --> 00:43:55,680
Speaker 6: So just stop, just go, just keep making dope music

1002
00:43:55,719 --> 00:43:58,439
Speaker 6: and keep giving us dope baars. But the slick talk,

1003
00:43:58,520 --> 00:44:01,279
Speaker 6: the you know, telling other rappers what you would do

1004
00:44:01,400 --> 00:44:03,280
Speaker 6: to them and all of that, and but Shido's blade

1005
00:44:03,280 --> 00:44:03,959
Speaker 6: and all they get.

1006
00:44:04,040 --> 00:44:07,719
Speaker 1: No, it's over. It's over. Okay, I get that, And

1007
00:44:08,160 --> 00:44:09,560
Speaker 1: I know we have a podcast, so we have to

1008
00:44:09,560 --> 00:44:13,680
Speaker 1: talk about that. The most outside of that beautiful song

1009
00:44:14,480 --> 00:44:18,919
Speaker 1: he was talking like that Martyr line whatever. Everything after

1010
00:44:18,960 --> 00:44:23,360
Speaker 1: that was top tier rapping. He gotten so many different bags,

1011
00:44:23,400 --> 00:44:26,800
Speaker 1: like this shit was incredible. I just like, it's okay

1012
00:44:26,800 --> 00:44:29,319
Speaker 1: to just also like rap music. Now.

1013
00:44:29,360 --> 00:44:31,440
Speaker 6: He was in his toe bag for sure, all right,

1014
00:44:34,560 --> 00:44:36,280
Speaker 6: what you love toe bags?

1015
00:44:36,280 --> 00:44:38,440
Speaker 1: You wear toe bag? Yeah, so he was in he

1016
00:44:38,719 --> 00:44:40,120
Speaker 1: I know I'm pussy when I had it yeah, but

1017
00:44:40,680 --> 00:44:41,960
Speaker 1: like I know what you was trying to say, just

1018
00:44:42,000 --> 00:44:44,319
Speaker 1: saying Cole had his to he was in his toe bag.

1019
00:44:44,360 --> 00:44:48,400
Speaker 1: That's all. Rolling Stone put out fifty terrible songs on

1020
00:44:48,480 --> 00:44:50,520
Speaker 1: great albums, which, by the way, I think is a

1021
00:44:50,520 --> 00:44:54,239
Speaker 1: awesome concept for an article. It was mainly rock and

1022
00:44:54,280 --> 00:44:57,360
Speaker 1: roll songs. That's then maybe one hip hop shit, but

1023
00:44:57,400 --> 00:45:00,880
Speaker 1: the one that was nuts to me at number twenty.

1024
00:45:01,440 --> 00:45:03,719
Speaker 1: Michael Jackson the Lady in My Life on.

1025
00:45:03,680 --> 00:45:06,520
Speaker 4: Thriller, Well, they got to get people to People don't

1026
00:45:06,560 --> 00:45:07,920
Speaker 4: read these days, so they got to get people to

1027
00:45:07,960 --> 00:45:08,520
Speaker 4: read somehow.

1028
00:45:08,800 --> 00:45:11,520
Speaker 6: Before that, Before we get into this, the person that

1029
00:45:11,600 --> 00:45:12,240
Speaker 6: wrote this article?

1030
00:45:12,239 --> 00:45:14,239
Speaker 1: Did they put their name? Did they say who wrote

1031
00:45:14,239 --> 00:45:15,480
Speaker 1: this article? I hope.

1032
00:45:15,520 --> 00:45:17,880
Speaker 5: I think it was a combination. Oh, no, one person

1033
00:45:18,960 --> 00:45:19,680
Speaker 5: and Andy Green?

1034
00:45:19,800 --> 00:45:22,200
Speaker 6: Can we can we can? We Google's pretty smart. Can

1035
00:45:22,239 --> 00:45:25,040
Speaker 6: we see what Andy Green looks like and find out

1036
00:45:25,080 --> 00:45:27,720
Speaker 6: which which culture he's from?

1037
00:45:27,920 --> 00:45:28,400
Speaker 1: I knew it.

1038
00:45:28,520 --> 00:45:33,200
Speaker 6: Look at Andy, Look at Andy, Look at Andy, Look

1039
00:45:33,200 --> 00:45:33,720
Speaker 6: at Andy.

1040
00:45:35,680 --> 00:45:40,040
Speaker 1: Look at Andy. Andy. You don't have the fucking right

1041
00:45:40,080 --> 00:45:44,160
Speaker 1: to speak on anything. Michael Jackson, He's never fucked face

1042
00:45:44,200 --> 00:45:46,840
Speaker 1: to face missionary to that record, He would have no idea.

1043
00:45:47,040 --> 00:45:50,760
Speaker 1: Lady in My Life are you kidding me. But JERMAINI

1044
00:45:50,800 --> 00:45:53,040
Speaker 1: pre brought up a great point when he reposted it.

1045
00:45:53,040 --> 00:45:57,120
Speaker 1: Shout out to JD of just how disrespected true traditional

1046
00:45:57,239 --> 00:46:00,200
Speaker 1: R and B continues because out of Thriller, and that

1047
00:46:00,320 --> 00:46:02,719
Speaker 1: is probably the only like real traditional R and B

1048
00:46:02,840 --> 00:46:07,480
Speaker 1: song on there. To pick that out of everything is

1049
00:46:08,600 --> 00:46:10,279
Speaker 1: I think as slap in the face two Army, because

1050
00:46:10,280 --> 00:46:13,080
Speaker 1: that's like a perfect R and B song. That's why

1051
00:46:13,120 --> 00:46:15,560
Speaker 1: they put it on a pop album, because it fits

1052
00:46:15,600 --> 00:46:20,200
Speaker 1: in a perfect way. I think you're just like trying

1053
00:46:20,200 --> 00:46:21,000
Speaker 1: to disrespect Mike.

1054
00:46:21,040 --> 00:46:23,640
Speaker 6: At that point, JD tweeted like this is the reason

1055
00:46:23,760 --> 00:46:25,279
Speaker 6: R and B music no longer gets to love that

1056
00:46:25,280 --> 00:46:27,920
Speaker 6: it's opposed to the Grammys don't televised the categories. And

1057
00:46:27,960 --> 00:46:31,440
Speaker 6: then one of our longest lasting music publications, Rolling Stone

1058
00:46:31,440 --> 00:46:34,120
Speaker 6: prints some bullshit like this. Whoever wrote this needs to

1059
00:46:34,120 --> 00:46:36,840
Speaker 6: be thrown out the building like Eddie Murphy in Beverly

1060
00:46:36,920 --> 00:46:39,400
Speaker 6: Hills cop. I agree with JD on this, and this

1061
00:46:39,480 --> 00:46:42,880
Speaker 6: is obviously coming from one of the greatest producers in

1062
00:46:42,920 --> 00:46:47,040
Speaker 6: our culture of our time. I think it's just disrespectful

1063
00:46:48,239 --> 00:46:51,680
Speaker 6: to speak on first of all, which is probably the

1064
00:46:51,840 --> 00:46:56,680
Speaker 6: greatest album ever in Thriller, to then pick a song

1065
00:46:57,600 --> 00:47:00,680
Speaker 6: that directly, you know, because Thriller, for the most part

1066
00:47:00,840 --> 00:47:01,319
Speaker 6: was more of.

1067
00:47:01,280 --> 00:47:05,680
Speaker 1: A pop album. The pop album I still think it

1068
00:47:05,760 --> 00:47:06,279
Speaker 1: was R and B.

1069
00:47:06,400 --> 00:47:09,520
Speaker 6: I mean, you know, but we get it. The pop

1070
00:47:09,640 --> 00:47:12,240
Speaker 6: is popular. And this is when Mike McCain one. Obviously,

1071
00:47:12,280 --> 00:47:14,200
Speaker 6: you know, Thrillers the greatest album of all time, so

1072
00:47:14,239 --> 00:47:17,160
Speaker 6: we know what that did for Mike. But Lady the

1073
00:47:17,239 --> 00:47:19,960
Speaker 6: Lady in My Life is, like you said, Rory, probably

1074
00:47:20,000 --> 00:47:23,200
Speaker 6: the closest to traditional R and B on this album.

1075
00:47:24,080 --> 00:47:26,880
Speaker 6: So for them to write that about this, if this

1076
00:47:26,960 --> 00:47:29,480
Speaker 6: song wasn't on the album, this would have been as

1077
00:47:29,600 --> 00:47:33,560
Speaker 6: close to a flawless or whatever they said album in history.

1078
00:47:34,320 --> 00:47:36,600
Speaker 6: This is still a flawless album for sure the history

1079
00:47:36,640 --> 00:47:37,000
Speaker 6: of music.

1080
00:47:37,040 --> 00:47:40,080
Speaker 1: And even when we argue this, I forgot what publication

1081
00:47:40,239 --> 00:47:42,239
Speaker 1: put out like the most perfect album shit, And we

1082
00:47:42,239 --> 00:47:44,560
Speaker 1: were arguing about Thriller, and I was like, if there

1083
00:47:44,560 --> 00:47:47,279
Speaker 1: would ever be something you could maybe criticize, it was

1084
00:47:47,320 --> 00:47:50,040
Speaker 1: baby be Mine. The Lady in My Life never even

1085
00:47:50,040 --> 00:47:52,680
Speaker 1: crossed my fucking mind that you would be allowed to

1086
00:47:52,680 --> 00:47:55,360
Speaker 1: say anything bad about that fucking record. Yeah, it's crazy.

1087
00:47:55,640 --> 00:47:57,840
Speaker 1: If baby Mine made it on this list, I'd be pissed.

1088
00:47:57,880 --> 00:48:02,279
Speaker 1: But I would, I guess sort of understand it. He said,

1089
00:48:02,280 --> 00:48:05,160
Speaker 1: if Michael Jackson had just capped off Thriller with eight

1090
00:48:05,200 --> 00:48:07,320
Speaker 1: tracks instead of nine, he would have created one of

1091
00:48:07,360 --> 00:48:10,120
Speaker 1: the most flawless works in music history. He did create

1092
00:48:10,400 --> 00:48:12,600
Speaker 1: the most flawless work in music history.

1093
00:48:12,880 --> 00:48:15,160
Speaker 4: I thought, I really think, like, you know, how we

1094
00:48:15,160 --> 00:48:17,319
Speaker 4: put out clips so that like people will like listen

1095
00:48:17,400 --> 00:48:19,040
Speaker 4: to this, and you know, Pach clips us up and

1096
00:48:19,040 --> 00:48:20,799
Speaker 4: makes us sound ridiculous so that people will hate.

1097
00:48:20,840 --> 00:48:22,200
Speaker 5: Click that's what this is.

1098
00:48:22,320 --> 00:48:24,200
Speaker 1: And I get that to some degree, but to then

1099
00:48:24,239 --> 00:48:27,720
Speaker 1: write out but for some reason that is so hard

1100
00:48:27,760 --> 00:48:33,840
Speaker 1: to fathom. He tracked the Lady in my life. He

1101
00:48:33,920 --> 00:48:39,840
Speaker 1: can't fathom why Michael Jackson made the Lady and I

1102
00:48:39,880 --> 00:48:42,799
Speaker 1: get it clickbait this and that that is absurd. There's

1103
00:48:42,880 --> 00:48:45,319
Speaker 1: no way that goes through ten editors and no one

1104
00:48:45,320 --> 00:48:46,720
Speaker 1: goes all right, man, why is this guy on staff?

1105
00:48:47,440 --> 00:48:49,399
Speaker 1: Like I get we're trying to be controversial, but what

1106
00:48:49,440 --> 00:48:52,279
Speaker 1: the fuck is this? Yet? It wasn't It wasn't an

1107
00:48:52,320 --> 00:48:54,919
Speaker 1: easy process. Quincy wasn't satisfied with my work. He goes

1108
00:48:54,960 --> 00:48:59,480
Speaker 1: into this entire quote from Michael which just describes how

1109
00:48:59,520 --> 00:49:01,680
Speaker 1: far Quinn he pushed him to make that song as

1110
00:49:01,719 --> 00:49:04,080
Speaker 1: good as it was. He thought he ate with the

1111
00:49:04,080 --> 00:49:06,440
Speaker 1: Michael quotes, like see even Michael hates it. No, you

1112
00:49:06,480 --> 00:49:10,000
Speaker 1: misread that Andy Green, Andy Griffin, what of the fuck

1113
00:49:10,000 --> 00:49:10,440
Speaker 1: your name is?

1114
00:49:10,800 --> 00:49:13,319
Speaker 6: If that is indeed who wrote this entire article. We

1115
00:49:13,320 --> 00:49:14,880
Speaker 6: don't want to just put that on Andy, it says

1116
00:49:14,960 --> 00:49:15,520
Speaker 6: Andy Green.

1117
00:49:15,600 --> 00:49:18,960
Speaker 1: So he did deliver a strong vocal, but it's in

1118
00:49:19,080 --> 00:49:21,840
Speaker 1: service of a song that had no business on this album.

1119
00:49:21,920 --> 00:49:26,400
Speaker 1: Oh shut chat is. I was so crazy. You know

1120
00:49:26,440 --> 00:49:29,080
Speaker 1: what pissed me off? Has no business? So what Andy?

1121
00:49:29,120 --> 00:49:31,920
Speaker 1: Who are you talking to and about? And this is

1122
00:49:32,040 --> 00:49:34,560
Speaker 1: real disrespect. You know, Rong Stone has to have the

1123
00:49:34,560 --> 00:49:36,600
Speaker 1: craziest editors of all time. When shit gets put out

1124
00:49:36,600 --> 00:49:40,920
Speaker 1: with them as the same album as Billy Bean, it

1125
00:49:40,960 --> 00:49:43,759
Speaker 1: says that right there, that's so embarrassing. And you know

1126
00:49:43,800 --> 00:49:45,879
Speaker 1: you can edit shit on the internet. Afterwards, they still

1127
00:49:45,920 --> 00:49:50,480
Speaker 1: left billy Bean in there, Billy Bean on Rolling Rolling

1128
00:49:50,640 --> 00:49:53,799
Speaker 1: fucking Stone. I'll add two dollars because for that, fuck

1129
00:49:55,239 --> 00:49:57,239
Speaker 1: you let the same album as Billy Bean.

1130
00:49:58,040 --> 00:49:59,960
Speaker 6: Yeah, this is why we don't pay Rolling Stone no mind.

1131
00:50:00,440 --> 00:50:04,360
Speaker 6: This is exactly what, Yeah, this is exactly This is

1132
00:50:04,400 --> 00:50:06,400
Speaker 6: exactly why we don't pay this in no mind, Like

1133
00:50:06,600 --> 00:50:11,120
Speaker 6: you can't talk about Thriller and say it could have

1134
00:50:11,160 --> 00:50:14,160
Speaker 6: been one of the most flawless. No, it is and

1135
00:50:14,520 --> 00:50:18,400
Speaker 6: always will be the most flawless album in music history.

1136
00:50:18,760 --> 00:50:21,799
Speaker 6: Like I don't understand, like like you said, Jamaris's you know,

1137
00:50:22,120 --> 00:50:24,480
Speaker 6: engagement farming. Maybe you know they want to get people

1138
00:50:24,560 --> 00:50:27,160
Speaker 6: riled up, and you know, whenever they put these lists together,

1139
00:50:27,160 --> 00:50:29,640
Speaker 6: here we go and every platform dissecting the list, Like,

1140
00:50:29,880 --> 00:50:30,919
Speaker 6: so we know what they want.

1141
00:50:31,280 --> 00:50:32,080
Speaker 1: This is what they want.

1142
00:50:32,160 --> 00:50:34,839
Speaker 6: This is all bait to get us engaged and get

1143
00:50:34,920 --> 00:50:36,319
Speaker 6: us riled up and talking about the ship.

1144
00:50:36,400 --> 00:50:39,000
Speaker 1: But do you have any like can you think of

1145
00:50:39,040 --> 00:50:41,600
Speaker 1: a before we get there? The only the rest is

1146
00:50:41,640 --> 00:50:44,399
Speaker 1: like pop and rock and roll. They did add which

1147
00:50:44,480 --> 00:50:47,000
Speaker 1: I completely fucking agree with. I don't know if it should

1148
00:50:47,000 --> 00:50:49,320
Speaker 1: be number thirty three, but Drunken Hot Girls on Graduation

1149
00:50:50,200 --> 00:50:52,200
Speaker 1: was the only rap one that made the Rolling Stone list,

1150
00:50:52,560 --> 00:50:56,640
Speaker 1: which I fully fucking agree. Of terrible songs, yeah, that

1151
00:50:56,760 --> 00:51:01,120
Speaker 1: turn one of top five most flawless rap albums ever

1152
00:51:01,520 --> 00:51:02,480
Speaker 1: to Like, Damn.

1153
00:51:02,560 --> 00:51:06,200
Speaker 6: Who's that Eminem? No Drunking Hot Girls.

1154
00:51:05,960 --> 00:51:10,240
Speaker 1: It's Kanye Graduation. That's Kanye. I thought that was Eminem

1155
00:51:10,280 --> 00:51:15,239
Speaker 1: what Graduation album is Eminem on? No that song graduation? Listen?

1156
00:51:15,280 --> 00:51:17,480
Speaker 1: Did him have a song like called Drunken Hot Girls

1157
00:51:17,560 --> 00:51:21,640
Speaker 1: something that I probably raping drunks.

1158
00:51:21,200 --> 00:51:24,600
Speaker 6: Drunken Hot Girls, that's Kanye.

1159
00:51:24,640 --> 00:51:26,759
Speaker 1: I just thought that was Eminem with most, which is

1160
00:51:26,760 --> 00:51:28,960
Speaker 1: crazy because they have a flawless history together. And then

1161
00:51:28,960 --> 00:51:30,400
Speaker 1: they were just like, you know what, man, did Eminem

1162
00:51:30,400 --> 00:51:32,680
Speaker 1: get on that record? No?

1163
00:51:34,000 --> 00:51:36,520
Speaker 6: Like that's Eminem got a song similar to that?

1164
00:51:36,760 --> 00:51:38,080
Speaker 1: Yo, I'm sure he does.

1165
00:51:38,200 --> 00:51:40,360
Speaker 4: Wait why when I typed it? And why did I

1166
00:51:40,400 --> 00:51:43,279
Speaker 4: type it in the Google? It came up on Reddit?

1167
00:51:43,360 --> 00:51:45,480
Speaker 4: Why does Drunken Hot Girls sound like an Eminem song?

1168
00:51:46,000 --> 00:51:46,120
Speaker 1: Bro?

1169
00:51:46,200 --> 00:51:48,800
Speaker 6: I'm telling you him has a song very similar to that. Like,

1170
00:51:48,840 --> 00:51:51,040
Speaker 6: I'm not booking, I'm not bugging the fuck out.

1171
00:51:51,440 --> 00:51:54,879
Speaker 1: Let's see if listen and was producing a seven maybe

1172
00:51:54,880 --> 00:51:55,440
Speaker 1: he produced it.

1173
00:51:55,520 --> 00:51:58,440
Speaker 4: There's a couple like that's all over the place, like

1174
00:51:58,480 --> 00:52:00,000
Speaker 4: a couple of articles saying why does that sound like

1175
00:52:00,080 --> 00:52:02,160
Speaker 4: eminem song? But it's not And he didn't even hop

1176
00:52:02,200 --> 00:52:04,080
Speaker 4: on it, you.

1177
00:52:04,120 --> 00:52:05,880
Speaker 1: Know, I just I don't even understand where they were

1178
00:52:05,880 --> 00:52:07,640
Speaker 1: trying to take us. And there's been plenty of times

1179
00:52:07,640 --> 00:52:09,520
Speaker 1: where Kanye's put some shit out and then years later,

1180
00:52:09,560 --> 00:52:11,920
Speaker 1: I was like, oh, yeah, he was ahead. I see

1181
00:52:11,960 --> 00:52:13,040
Speaker 1: what he was trying to do. This is good now,

1182
00:52:13,080 --> 00:52:17,080
Speaker 1: higher easy album. I have yet yet to find the

1183
00:52:17,160 --> 00:52:18,759
Speaker 1: year that I go back to graduation. I'm like, you

1184
00:52:18,760 --> 00:52:22,120
Speaker 1: know what, number eight right there? He was onto something.

1185
00:52:24,960 --> 00:52:29,400
Speaker 1: I'm kind of mad at publications, like the Internet bites everything.

1186
00:52:29,640 --> 00:52:32,880
Speaker 1: They take stories. These publications. If one outlet runs the

1187
00:52:32,920 --> 00:52:35,719
Speaker 1: story and they're a competitor, we're gonna get everything. Like

1188
00:52:35,840 --> 00:52:38,120
Speaker 1: you know, Rest in Peace of Tiger's Mom. Everyone just

1189
00:52:38,120 --> 00:52:40,719
Speaker 1: grabbed that story and ran with it. That's how publications go.

1190
00:52:41,800 --> 00:52:43,799
Speaker 1: I don't understand why knowing a hip hop has taken this,

1191
00:52:43,800 --> 00:52:46,600
Speaker 1: because I think there's a great concept fifty terrible songs

1192
00:52:46,600 --> 00:52:49,040
Speaker 1: on great albums. Me and themeritics were trying to brainstorm

1193
00:52:49,040 --> 00:52:51,319
Speaker 1: before the one I brought up a million times on

1194
00:52:51,360 --> 00:52:55,120
Speaker 1: this podcast Made in America. Watched the Throne that kept

1195
00:52:55,120 --> 00:52:57,640
Speaker 1: it stole my answer. Yo, I just gave you the credit.

1196
00:52:59,040 --> 00:53:01,160
Speaker 1: I've just said a million times. When Jay Z is

1197
00:53:01,239 --> 00:53:03,879
Speaker 1: rapping in Patua but speaking Spanish, I'm cool.

1198
00:53:05,320 --> 00:53:08,800
Speaker 6: That is a good a good topic though, like picking

1199
00:53:08,800 --> 00:53:11,000
Speaker 6: some of the worst songs of some of the greatest albums.

1200
00:53:11,120 --> 00:53:14,279
Speaker 6: I'm not mad at that it's great, Gunza, But to

1201
00:53:14,560 --> 00:53:18,279
Speaker 6: pick Lady in My Life off Thriller, you could have

1202
00:53:18,320 --> 00:53:20,280
Speaker 6: just left Thriller, like and I get it, you gotta

1203
00:53:20,280 --> 00:53:22,960
Speaker 6: pick which is obviously the greatest album all time. If

1204
00:53:22,960 --> 00:53:26,200
Speaker 6: you're gonna make great albums fifties terrible songs of great albums,

1205
00:53:26,840 --> 00:53:28,640
Speaker 6: you would obviously want to put Thriller in there, being

1206
00:53:28,680 --> 00:53:31,120
Speaker 6: that it's the greatest album. But you could have left

1207
00:53:31,160 --> 00:53:33,200
Speaker 6: Thriller off me, like, yo, that's just the flowless album.

1208
00:53:33,640 --> 00:53:35,720
Speaker 4: I said hip hop Also I said Made in America

1209
00:53:35,800 --> 00:53:37,719
Speaker 4: from Washing the Throne, but also said hip hop star

1210
00:53:37,760 --> 00:53:39,320
Speaker 4: from Dangerously in Love by Beyonce.

1211
00:53:39,960 --> 00:53:43,040
Speaker 6: Yeah, it was I don't even know that song Big.

1212
00:53:42,880 --> 00:53:46,960
Speaker 1: Boys and Sticky Brown. It was that that era. I

1213
00:53:47,000 --> 00:53:48,799
Speaker 1: see what they was trying to do. It just it

1214
00:53:48,800 --> 00:53:52,600
Speaker 1: didn't work. M we can do like a proper, proper

1215
00:53:52,640 --> 00:53:55,880
Speaker 1: list on Patreon, but I wrote down a few. I

1216
00:53:55,920 --> 00:53:59,440
Speaker 1: consider Life is Good this close to a classic album

1217
00:53:59,440 --> 00:54:02,680
Speaker 1: by nas Hmm, Summer on Smash is the only reason

1218
00:54:02,680 --> 00:54:06,240
Speaker 1: that that that's not a classic album. And I love Swizz,

1219
00:54:06,280 --> 00:54:08,520
Speaker 1: but that was one of those like, yo, we ain't

1220
00:54:08,520 --> 00:54:11,600
Speaker 1: working a while, which you got Summer on Smash The

1221
00:54:11,600 --> 00:54:12,600
Speaker 1: summer was never smashed.

1222
00:54:12,680 --> 00:54:14,680
Speaker 6: Yeah, no, it was the exact same. Nothing for the summer.

1223
00:54:14,680 --> 00:54:17,719
Speaker 1: Actually, you're gonna get mad at me justify my thug

1224
00:54:17,760 --> 00:54:21,120
Speaker 1: on black album, You're no get the fuck out of it.

1225
00:54:21,760 --> 00:54:24,040
Speaker 1: Jay's verses was great and I love Quick, but those

1226
00:54:24,120 --> 00:54:26,040
Speaker 1: that did not marry each other well.

1227
00:54:26,760 --> 00:54:29,200
Speaker 6: Talking about the music, not not the not the lyrics.

1228
00:54:28,880 --> 00:54:31,520
Speaker 1: The music. Jay's versus our flawless. I actually have a

1229
00:54:31,560 --> 00:54:34,520
Speaker 1: mixtape where I forgot what a Z beat they use,

1230
00:54:34,560 --> 00:54:37,120
Speaker 1: and they put Jay's verses on that, and I was like,

1231
00:54:37,160 --> 00:54:38,520
Speaker 1: this is one of the greatest songs I've ever heard.

1232
00:54:38,560 --> 00:54:40,480
Speaker 1: Jay spaz on that it didn't work with that beat.

1233
00:54:40,520 --> 00:54:44,040
Speaker 1: The music, yeah, and I like Quick it just and

1234
00:54:44,120 --> 00:54:47,680
Speaker 1: the beat isn't bad. Those verses with that beat stood

1235
00:54:47,680 --> 00:54:50,760
Speaker 1: off from the rest. I consider it was written a classic,

1236
00:54:50,760 --> 00:54:54,719
Speaker 1: but NAS is coming as absolute fucking trash. Nothing was

1237
00:54:54,760 --> 00:54:56,880
Speaker 1: the same. I think it's a classic album. Three or

1238
00:54:56,920 --> 00:54:58,399
Speaker 1: five in My City Get the fuck out of Here

1239
00:54:59,320 --> 00:55:00,000
Speaker 1: College Dropper.

1240
00:55:00,960 --> 00:55:02,360
Speaker 5: I love three five in My City?

1241
00:55:03,600 --> 00:55:07,120
Speaker 1: Were three five of My City? Was it that didn't connect?

1242
00:55:07,560 --> 00:55:10,799
Speaker 1: That didn't connect? I think it would just it was

1243
00:55:10,840 --> 00:55:14,239
Speaker 1: sandwiched within generational music, like it's right in the middle.

1244
00:55:14,239 --> 00:55:16,440
Speaker 1: Of the album Everything before and after is like the

1245
00:55:16,440 --> 00:55:19,520
Speaker 1: most classic shit I had heard in that era. And

1246
00:55:19,560 --> 00:55:21,960
Speaker 1: then you just three five of my like, nah, I'm cool,

1247
00:55:22,200 --> 00:55:23,680
Speaker 1: I kind of and I funk with detail.

1248
00:55:24,680 --> 00:55:26,319
Speaker 4: They're gonna shoot me, but I kind of feel that

1249
00:55:26,320 --> 00:55:27,600
Speaker 4: way about pop style.

1250
00:55:28,360 --> 00:55:32,600
Speaker 1: Views kind of that that's the three five in my

1251
00:55:32,640 --> 00:55:37,319
Speaker 1: city for Views. I'm cool. Get that out of here, yo.

1252
00:55:37,400 --> 00:55:39,400
Speaker 6: Do y'all know how crazy it is that on that

1253
00:55:39,560 --> 00:55:42,800
Speaker 6: Views album, the marl is he has a Rihanna record,

1254
00:55:42,840 --> 00:55:44,640
Speaker 6: just sit that wasn't even a single.

1255
00:55:45,320 --> 00:55:47,480
Speaker 1: Neither one of his Rihanna records or singles on either.

1256
00:55:47,560 --> 00:55:49,680
Speaker 1: That's probably my favorite Drake and Rihanna song.

1257
00:55:49,800 --> 00:55:53,440
Speaker 6: That's too good, right, that's just on the album like that.

1258
00:55:53,719 --> 00:55:55,600
Speaker 6: For any other artists, that would probably be their greatest

1259
00:55:55,600 --> 00:55:58,840
Speaker 6: song ever. And that's just like an album cut on Views.

1260
00:55:58,880 --> 00:56:01,400
Speaker 1: Like, no, it's incredible.

1261
00:56:01,760 --> 00:56:05,040
Speaker 6: That is insanity that that song is just an album cut,

1262
00:56:05,080 --> 00:56:06,680
Speaker 6: Like yo, here, just y'all can have this.

1263
00:56:07,600 --> 00:56:11,279
Speaker 1: Wait, is that the one where they're both admitting that, hey,

1264
00:56:11,320 --> 00:56:14,719
Speaker 1: we're both horrors, so we're perfect for each other. Because

1265
00:56:14,760 --> 00:56:18,040
Speaker 1: that's oh no, no, that's a different one. Yeah, too good.

1266
00:56:18,000 --> 00:56:18,680
Speaker 1: It's still up there though.

1267
00:56:20,480 --> 00:56:22,520
Speaker 6: Yeah, that is crazy, bro that that song was just

1268
00:56:22,560 --> 00:56:26,240
Speaker 6: on that album, just.

1269
00:56:24,840 --> 00:56:28,560
Speaker 1: Just there, College dropout. I love get him high with

1270
00:56:28,640 --> 00:56:32,800
Speaker 1: Kanye and tell him putting Common on that was the

1271
00:56:32,800 --> 00:56:35,920
Speaker 1: worst mistake Kanye West has ever made. And I'm including

1272
00:56:35,920 --> 00:56:38,919
Speaker 1: everything he's done in the last month. That is crazy.

1273
00:56:38,960 --> 00:56:42,239
Speaker 1: That's a joke. That was a joke. It's so disrespectful

1274
00:56:42,280 --> 00:56:45,240
Speaker 1: to comedy rappers. It's hard to find like the remote

1275
00:56:45,440 --> 00:56:47,319
Speaker 1: and then you let then you drop the beat like

1276
00:56:47,320 --> 00:56:50,200
Speaker 1: he said, he let that ship breathe. Yo, I'm trying

1277
00:56:50,200 --> 00:56:51,480
Speaker 1: to control it, man.

1278
00:56:51,680 --> 00:56:53,799
Speaker 6: Because when you can't find a remote, you gotta like

1279
00:56:53,880 --> 00:56:54,879
Speaker 6: kind of stop and.

1280
00:56:54,840 --> 00:56:57,799
Speaker 1: Think like then, I've never looked for rappers in my couch. Well,

1281
00:56:58,560 --> 00:57:03,560
Speaker 1: I hope not my bad. Okay, you said you was

1282
00:57:03,600 --> 00:57:13,240
Speaker 1: having a good day. Damn a condom rappers. Hello Brooklyn

1283
00:57:13,440 --> 00:57:15,520
Speaker 1: on American As, Oh my god, I hate that song.

1284
00:57:16,600 --> 00:57:18,320
Speaker 1: Poor little rich On, Get Richard. I trying.

1285
00:57:19,680 --> 00:57:24,200
Speaker 6: It's this close, Hello Brooklyn. Is that we was waiting

1286
00:57:24,240 --> 00:57:25,200
Speaker 6: for Jay and Wayne too?

1287
00:57:25,480 --> 00:57:26,160
Speaker 5: Hello Brooklyn?

1288
00:57:26,240 --> 00:57:29,680
Speaker 1: Is not that bad? What? That's not that bad? And no,

1289
00:57:29,760 --> 00:57:32,919
Speaker 1: it's really bad. I agree, It's like it's almost too bad.

1290
00:57:35,120 --> 00:57:35,880
Speaker 1: It's too bad.

1291
00:57:36,040 --> 00:57:36,200
Speaker 2: Yo.

1292
00:57:36,600 --> 00:57:38,200
Speaker 1: I hate that song so much.

1293
00:57:38,240 --> 00:57:40,840
Speaker 6: It's like Jay when you hit jay Z and Lil Wayne,

1294
00:57:40,880 --> 00:57:43,560
Speaker 6: you're thinking like, oh, it's about this about to be crazy.

1295
00:57:43,840 --> 00:57:44,320
Speaker 1: I heard that.

1296
00:57:44,360 --> 00:57:47,880
Speaker 6: I was like, nah, this ain't this ain't land Like

1297
00:57:48,000 --> 00:57:49,920
Speaker 6: that's like when you put your food in the microwave

1298
00:57:50,440 --> 00:57:52,880
Speaker 6: and the top is warm, and then you go all

1299
00:57:52,920 --> 00:57:54,160
Speaker 6: the way to the to the living room and sit

1300
00:57:54,240 --> 00:57:55,800
Speaker 6: down and you get all the way in it in

1301
00:57:55,840 --> 00:57:57,760
Speaker 6: the bottom coat, and then you got to get up

1302
00:57:57,800 --> 00:57:59,680
Speaker 6: and go back to you like, what the fuck man

1303
00:58:00,160 --> 00:58:02,520
Speaker 6: to pause my show, go back to the kit. That's

1304
00:58:02,600 --> 00:58:05,240
Speaker 6: what that song is like. It's like, ah, this ain't it.

1305
00:58:06,840 --> 00:58:09,960
Speaker 1: Teflon Don to me would have been up there with

1306
00:58:10,040 --> 00:58:12,280
Speaker 1: the most flawless rap albums of all time number one

1307
00:58:12,880 --> 00:58:15,320
Speaker 1: with Diddy and Trey songs. Is the only reason that's

1308
00:58:15,320 --> 00:58:19,320
Speaker 1: not up there. What song exactly? Well, you can name

1309
00:58:19,400 --> 00:58:21,760
Speaker 1: every song on teflon Don except for that one. What's

1310
00:58:21,800 --> 00:58:22,920
Speaker 1: the name of that song? I don't even know the

1311
00:58:23,000 --> 00:58:25,560
Speaker 1: number one? Number one? It's the name of the song.

1312
00:58:25,960 --> 00:58:28,520
Speaker 6: Yeah, nah, I don't even think I remember that. That

1313
00:58:28,520 --> 00:58:29,440
Speaker 6: that didn't stick with me.

1314
00:58:29,720 --> 00:58:31,960
Speaker 1: It was one that was like it sounded like it

1315
00:58:32,000 --> 00:58:34,120
Speaker 1: was supposed to be the single and they didn't even

1316
00:58:34,200 --> 00:58:39,240
Speaker 1: put it as the fifth single, it was awful. I'm

1317
00:58:39,240 --> 00:58:42,360
Speaker 1: getting more. Maybe only you can speak about this because

1318
00:58:42,360 --> 00:58:44,840
Speaker 1: I'm getting a nerdy hip hop shit Mama Sita on

1319
00:58:44,880 --> 00:58:47,360
Speaker 1: a Quemini outcast. I don't know where they were trying

1320
00:58:47,360 --> 00:58:51,400
Speaker 1: to take us there. It's just you know, trying stuff. Man,

1321
00:58:51,480 --> 00:58:54,320
Speaker 1: Trying new sounds blasphemous. But another with Little Kim on

1322
00:58:54,400 --> 00:58:57,840
Speaker 1: Life after Death, I'm skipping. That's making my rolling stone.

1323
00:58:57,840 --> 00:59:00,960
Speaker 1: Look what another feature in Little Kim Life after Death?

1324
00:59:02,640 --> 00:59:05,959
Speaker 1: Give me one second. I'm trying to. I can't lay.

1325
00:59:06,480 --> 00:59:08,840
Speaker 4: I can't even speak because baby, I don't care and

1326
00:59:09,000 --> 00:59:11,880
Speaker 4: strangle the the s h I t out of you

1327
00:59:11,960 --> 00:59:14,440
Speaker 4: like that's my literally one of my favorite songs in

1328
00:59:14,480 --> 00:59:16,600
Speaker 4: this entire world, like my top fifty favorite songs.

1329
00:59:16,640 --> 00:59:18,800
Speaker 1: That's in it. You're bugging, here's your bugging.

1330
00:59:18,800 --> 00:59:20,360
Speaker 6: Who's your favorite female rapp of all time?

1331
00:59:20,760 --> 00:59:21,560
Speaker 1: It would be Low Kim.

1332
00:59:21,640 --> 00:59:23,760
Speaker 5: Remember when I said you would die for me, nigga?

1333
00:59:23,800 --> 00:59:25,560
Speaker 5: All that was just live for me. Motherfucker should have

1334
00:59:25,560 --> 00:59:27,160
Speaker 5: never said bye for me. Now you cry for me

1335
00:59:27,320 --> 00:59:29,240
Speaker 5: like Joe to sy. It's like that, y'all. My nigga

1336
00:59:29,280 --> 00:59:31,560
Speaker 5: hit another bitch from the backyard. What's wrong with you?

1337
00:59:31,640 --> 00:59:34,640
Speaker 1: What is get Out You related? Get Out?

1338
00:59:35,080 --> 00:59:37,480
Speaker 5: Get Out, Get Out.

1339
00:59:37,320 --> 00:59:42,360
Speaker 1: You related to those stuck with Baby? Baby?

1340
00:59:42,400 --> 00:59:44,400
Speaker 6: You was nine years old when that record came out?

1341
00:59:44,640 --> 00:59:45,840
Speaker 6: Why the balls stuck with you?

1342
00:59:45,880 --> 00:59:48,400
Speaker 4: Like dashing year heat in the passage of jeeps Passion

1343
00:59:48,440 --> 00:59:50,040
Speaker 4: to seat at a nautaka Jeep We've been down for

1344
00:59:50,400 --> 00:59:53,240
Speaker 4: actually was like me trying to hold on baby.

1345
00:59:53,400 --> 00:59:55,200
Speaker 1: You was younger than that. You was like five when

1346
00:59:55,240 --> 00:59:57,840
Speaker 1: that album came out. I gotta go yo. How old

1347
00:59:57,840 --> 00:59:59,560
Speaker 1: was you on Life After Death came out? I don't know,

1348
00:59:59,720 --> 01:00:02,720
Speaker 1: was all yeah you definitely it was a lot. But

1349
01:00:02,800 --> 01:00:06,640
Speaker 1: that came out? What it was three years old? Baby?

1350
01:00:06,840 --> 01:00:09,000
Speaker 1: Why does that song stick with you? Like? What? How

1351
01:00:09,200 --> 01:00:12,520
Speaker 1: was you a thrower? Came out? Was that eighty? What

1352
01:00:14,000 --> 01:00:18,160
Speaker 1: eighty three? Maybe look that up? Yeah, yeah, I was

1353
01:00:18,160 --> 01:00:20,120
Speaker 1: probably like two. I just feel like I just feel

1354
01:00:20,120 --> 01:00:21,920
Speaker 1: like Big would have created one of the most flawless

1355
01:00:21,920 --> 01:00:24,000
Speaker 1: double discs and music history, But for some reason, it's

1356
01:00:24,000 --> 01:00:28,040
Speaker 1: hard to fathom eight he tackled another like that. It's

1357
01:00:28,040 --> 01:00:31,400
Speaker 1: more the beat on that that, like Life After That

1358
01:00:31,400 --> 01:00:33,640
Speaker 1: has some of the best production ever that one. I

1359
01:00:33,640 --> 01:00:35,200
Speaker 1: don't know why they just kind of like left that

1360
01:00:35,400 --> 01:00:36,920
Speaker 1: the way it was because.

1361
01:00:36,720 --> 01:00:39,640
Speaker 5: It hit what do you do when your bitch is on?

1362
01:00:39,920 --> 01:00:47,560
Speaker 1: True off someone? I needed another bit, none of the

1363
01:00:47,840 --> 01:00:55,000
Speaker 1: bitch and my life. That's why I shouldn't be at

1364
01:00:55,000 --> 01:00:56,600
Speaker 1: the barbecue. I mean I tell everyone every time they

1365
01:00:56,640 --> 01:00:59,600
Speaker 1: tweet me that, I'm like, shouldn't be there. I understand

1366
01:00:59,600 --> 01:01:01,680
Speaker 1: you guys have perception, but nah.

1367
01:01:01,280 --> 01:01:03,760
Speaker 5: But no you can. You can have your opinions. It's

1368
01:01:03,800 --> 01:01:05,000
Speaker 5: a shit out at the barbecue.

1369
01:01:05,280 --> 01:01:08,720
Speaker 1: Grab another one that I saw because I was just

1370
01:01:08,720 --> 01:01:12,240
Speaker 1: on Reddit looking at shit too of other people's opinions.

1371
01:01:13,240 --> 01:01:16,000
Speaker 1: You know, All Eyes on Me? That wle disc what

1372
01:01:16,000 --> 01:01:19,040
Speaker 1: What's Your Phone Number? Was everyone's number one record. I

1373
01:01:19,080 --> 01:01:23,000
Speaker 1: love that joint with Danny Boy. Yeah, that was everyone

1374
01:01:23,000 --> 01:01:26,920
Speaker 1: on Reddit's number one worst song on a classic album. Really,

1375
01:01:27,360 --> 01:01:31,000
Speaker 1: I was like that shit is amazing. That's like one

1376
01:01:31,040 --> 01:01:33,440
Speaker 1: of my go tos these days. Whole Eyes on Me

1377
01:01:33,480 --> 01:01:34,600
Speaker 1: comes on, I'm going to that record.

1378
01:01:34,680 --> 01:01:36,720
Speaker 6: Yeah I like that record. I don't, I don't, but

1379
01:01:37,360 --> 01:01:38,640
Speaker 6: I get it. It's it's time.

1380
01:01:39,840 --> 01:01:42,200
Speaker 1: I was also just trying to like go through classic

1381
01:01:42,280 --> 01:01:45,960
Speaker 1: albums on Complex just so I could put a list together.

1382
01:01:47,080 --> 01:01:50,280
Speaker 1: On two thousand and one, even though it's not a song,

1383
01:01:50,480 --> 01:01:53,920
Speaker 1: that pause for Porno shit is the weirdest thing in history.

1384
01:01:54,680 --> 01:01:58,600
Speaker 1: Anytime rappers start fucking on skits like that, it's not

1385
01:01:58,640 --> 01:02:01,880
Speaker 1: a classic anymore. It's so like, why did you think

1386
01:02:02,160 --> 01:02:04,640
Speaker 1: we wanted to hear you fucking a girl during a

1387
01:02:04,680 --> 01:02:07,640
Speaker 1: skit at all? Like two thousand and one is flaw

1388
01:02:07,640 --> 01:02:10,520
Speaker 1: as explosive, and then I gotta hear Dre fucking a

1389
01:02:10,560 --> 01:02:13,640
Speaker 1: girl or his man's fucking a girl, Like why did

1390
01:02:13,640 --> 01:02:15,400
Speaker 1: I need a minute thirty of that? Just get to

1391
01:02:15,880 --> 01:02:18,400
Speaker 1: just get to the watcher, I don't We didn't need that.

1392
01:02:18,720 --> 01:02:20,919
Speaker 1: We definitely didn't need that, And that's on so many

1393
01:02:21,000 --> 01:02:21,600
Speaker 1: rap albums.

1394
01:02:21,720 --> 01:02:23,280
Speaker 6: Yeah, that's the thing that was a thing like that,

1395
01:02:23,360 --> 01:02:26,040
Speaker 6: those skits at the time, having sex getting head like

1396
01:02:26,080 --> 01:02:29,160
Speaker 6: that was just something that I guess rapper stole was cool.

1397
01:02:29,000 --> 01:02:30,840
Speaker 1: And I get they would try to add some comedic

1398
01:02:30,840 --> 01:02:34,280
Speaker 1: effect to it, but nah, I just we don't want that. Yeah,

1399
01:02:34,480 --> 01:02:35,080
Speaker 1: just get to the song.

1400
01:02:35,080 --> 01:02:38,040
Speaker 4: If we're gonna do R and B, I would say

1401
01:02:38,080 --> 01:02:40,880
Speaker 4: to the floor with Nelly off the Emancipation of Me

1402
01:02:40,880 --> 01:02:43,680
Speaker 4: me that can go otherwise flawless album. It's still a

1403
01:02:43,680 --> 01:02:45,920
Speaker 4: flawless album, but that to the floor, but Nelly can

1404
01:02:46,040 --> 01:02:47,320
Speaker 4: go did not age?

1405
01:02:47,320 --> 01:02:50,240
Speaker 1: Well, Yeah, I didn't put together an R and B

1406
01:02:50,320 --> 01:02:52,760
Speaker 1: one for Patreon. We can do that and do a proper,

1407
01:02:52,800 --> 01:02:55,240
Speaker 1: proper list. You know, this just came out, so we

1408
01:02:55,240 --> 01:02:57,840
Speaker 1: were trying to throw some stuff together Patreon. I'm getting

1409
01:02:57,840 --> 01:03:00,400
Speaker 1: into that shit, and we can actually play the song too,

1410
01:03:00,800 --> 01:03:02,960
Speaker 1: because I feel like once Baby D started rapping another

1411
01:03:03,160 --> 01:03:07,360
Speaker 1: I kind of felt differently. You related to a little more. Yeah,

1412
01:03:07,360 --> 01:03:09,160
Speaker 1: I feel like I was just you know, typing shit

1413
01:03:09,240 --> 01:03:11,600
Speaker 1: at that point. So all right, Roy.

1414
01:03:11,600 --> 01:03:13,720
Speaker 6: A lot of new music came out over the weekend. Yes,

1415
01:03:14,520 --> 01:03:17,800
Speaker 6: first of all, starting with Saint John Festival Season. Yes,

1416
01:03:17,920 --> 01:03:20,080
Speaker 6: you have downloaded this year. If you haven't listened to

1417
01:03:20,080 --> 01:03:24,880
Speaker 6: it yet, download Festival Season. Saint John incredible, incredible album.

1418
01:03:24,960 --> 01:03:26,840
Speaker 6: I'm happy that, you know, he finally got it done.

1419
01:03:26,880 --> 01:03:29,000
Speaker 6: He's been working on this album for a very long time.

1420
01:03:30,480 --> 01:03:34,000
Speaker 6: I thought I heard the finished product. Every time I

1421
01:03:34,000 --> 01:03:36,280
Speaker 6: thought I heard the finished product, but saying had a

1422
01:03:36,280 --> 01:03:40,040
Speaker 6: few changes, a few surprises on there. But incredible album,

1423
01:03:40,280 --> 01:03:43,400
Speaker 6: incredible music. Never met Superman. He starts the album with

1424
01:03:43,600 --> 01:03:45,680
Speaker 6: I think that it's a new Superman movie coming out.

1425
01:03:45,760 --> 01:03:48,640
Speaker 6: Whoever's doing the soundtrack for that, this song should definitely

1426
01:03:48,640 --> 01:03:50,200
Speaker 6: be on it. It's a beautiful way to start the

1427
01:03:50,280 --> 01:03:53,120
Speaker 6: album incredible project though festival season.

1428
01:03:53,280 --> 01:03:55,600
Speaker 1: Yeah, and I hope this means now, like because we

1429
01:03:55,640 --> 01:03:59,520
Speaker 1: know he has like seven other albums just from a

1430
01:03:59,520 --> 01:04:02,480
Speaker 1: Pop Star. Yeah, I just hope that this leads us

1431
01:04:02,480 --> 01:04:05,960
Speaker 1: into him releasing at a quicker clip now. Yeah. No, no, no,

1432
01:04:05,880 --> 01:04:08,120
Speaker 1: disappearing for quite some time. Yeah, No, he's.

1433
01:04:08,480 --> 01:04:12,040
Speaker 6: Well, let me not speak for him, but now he's

1434
01:04:12,080 --> 01:04:15,320
Speaker 6: ready to release the music that he's been creating. And

1435
01:04:15,360 --> 01:04:17,680
Speaker 6: I've seen a lot of people received it well, they

1436
01:04:17,760 --> 01:04:20,200
Speaker 6: enjoyed the album. But I do think he's in that

1437
01:04:20,320 --> 01:04:25,640
Speaker 6: mode of recording and releasing for now. Ye're not saying

1438
01:04:25,640 --> 01:04:27,080
Speaker 6: what he'll be doing to do next year or the

1439
01:04:27,160 --> 01:04:29,640
Speaker 6: year after that. He might disappear and decide he wants

1440
01:04:29,680 --> 01:04:32,960
Speaker 6: to jump into acting full time and disappear for three

1441
01:04:33,000 --> 01:04:36,360
Speaker 6: years from music. But for now, festival season is here

1442
01:04:37,200 --> 01:04:41,680
Speaker 6: and faked hears from a Pop Star coming sometime this

1443
01:04:41,800 --> 01:04:42,280
Speaker 6: year as well.

1444
01:04:42,520 --> 01:04:46,040
Speaker 1: Yeah, Ransom and Davies put out their joint project, The

1445
01:04:46,080 --> 01:04:46,960
Speaker 1: Final Call. I like it.

1446
01:04:47,000 --> 01:04:51,000
Speaker 6: I like it Your Ransom, listen, man. Ransom been working, Yeah,

1447
01:04:51,280 --> 01:04:56,919
Speaker 6: Ransom been dropping projects for the last what six years consistently.

1448
01:04:57,120 --> 01:04:59,280
Speaker 1: And we talked, I mean we talked about Gibbs catalog.

1449
01:04:59,680 --> 01:05:02,600
Speaker 1: Of course horse Guns. Ransom is up there as well,

1450
01:05:02,640 --> 01:05:05,160
Speaker 1: with how consistent he is with his drops and how

1451
01:05:05,200 --> 01:05:08,520
Speaker 1: great they are. People that usually put out music that often,

1452
01:05:09,200 --> 01:05:12,520
Speaker 1: it tends the music tends to suffer. Every Ransom drop

1453
01:05:12,560 --> 01:05:16,160
Speaker 1: is great. Maybe we should have ran well. We definitely

1454
01:05:16,160 --> 01:05:17,360
Speaker 1: need to have Random, Dave do it.

1455
01:05:17,440 --> 01:05:20,240
Speaker 6: My Corma is beautiful, but I want to have Rand

1456
01:05:20,280 --> 01:05:22,000
Speaker 6: because I want to talk to I haven't seen any

1457
01:05:22,000 --> 01:05:25,680
Speaker 6: of the press release, any interviews they may have done

1458
01:05:25,760 --> 01:05:27,720
Speaker 6: about the project, but I want to know how this

1459
01:05:27,840 --> 01:05:28,280
Speaker 6: came about.

1460
01:05:28,360 --> 01:05:30,600
Speaker 1: Yeah, even how they they linked up to do a

1461
01:05:30,600 --> 01:05:32,120
Speaker 1: full project let alone, because I.

1462
01:05:32,040 --> 01:05:35,600
Speaker 6: Would have never put Ransom and Davies together for a

1463
01:05:35,800 --> 01:05:37,160
Speaker 6: full project.

1464
01:05:37,160 --> 01:05:38,960
Speaker 1: But I like what they did though, No, I loved it,

1465
01:05:39,000 --> 01:05:41,920
Speaker 1: and I mean more. I know you're used to it

1466
01:05:41,960 --> 01:05:45,320
Speaker 1: because there's about thirty freestyles where people do schemes about

1467
01:05:45,480 --> 01:05:47,840
Speaker 1: mall and money bags and everything. But I feel like

1468
01:05:47,880 --> 01:05:49,640
Speaker 1: now I'm cemented in hip hop history. I got a

1469
01:05:49,640 --> 01:05:52,120
Speaker 1: shout out on the Final Call on the song the

1470
01:05:52,120 --> 01:05:54,520
Speaker 1: Final Call from Jay Electronica. Yeah, so, I mean, I

1471
01:05:54,560 --> 01:05:55,720
Speaker 1: mean it's me.

1472
01:05:57,120 --> 01:05:59,400
Speaker 6: It was it was always I always thought it was.

1473
01:06:00,280 --> 01:06:02,440
Speaker 6: We've been sitting next to each other for years.

1474
01:06:02,720 --> 01:06:04,320
Speaker 1: Is it corny that I went to Genius to make

1475
01:06:04,360 --> 01:06:06,920
Speaker 1: sure they knew it was it was Rory. That is corny,

1476
01:06:06,920 --> 01:06:08,760
Speaker 1: But it's just like sometimes you like, you know, they

1477
01:06:08,800 --> 01:06:11,080
Speaker 1: may get the lyrics wrong. He was wild out with Ror.

1478
01:06:11,440 --> 01:06:14,120
Speaker 1: Make sure r Y they got it. I think they

1479
01:06:14,120 --> 01:06:17,160
Speaker 1: got it right. I just hate that the first time

1480
01:06:17,200 --> 01:06:21,680
Speaker 1: I'm ever mentioned, especially by a legendary rapper, that it

1481
01:06:21,760 --> 01:06:23,280
Speaker 1: has to do with alcohol.

1482
01:06:23,880 --> 01:06:27,480
Speaker 6: Naturally, though, No, it ties into I want to rolling.

1483
01:06:27,320 --> 01:06:32,040
Speaker 1: Out in Dublin with Rory drunk stumbling, which was accurate

1484
01:06:32,200 --> 01:06:35,040
Speaker 1: because me and Jay was definitely in Dublin, me not

1485
01:06:35,160 --> 01:06:39,240
Speaker 1: him drunk stumbling. Yeah, you know that's my brother. Yeah, man,

1486
01:06:39,600 --> 01:06:40,960
Speaker 1: do what you gotta do. I still got called to

1487
01:06:41,000 --> 01:06:44,120
Speaker 1: God after that. He said the God, that's my brother. Yeah,

1488
01:06:44,160 --> 01:06:46,200
Speaker 1: that's all. That's all we We're not gonna kick you

1489
01:06:46,240 --> 01:06:48,200
Speaker 1: out the palace for that. Yeah, No, I appreciate it.

1490
01:06:48,680 --> 01:06:52,640
Speaker 6: Shout out to Randon Davies's really Dope project. Yeah, and again,

1491
01:06:52,640 --> 01:06:53,880
Speaker 6: I gotta I gotta sit down with I want to

1492
01:06:53,920 --> 01:06:55,880
Speaker 6: sit down with Ran and uh and pick his brain

1493
01:06:55,920 --> 01:06:58,640
Speaker 6: because I really want to figure out where if he

1494
01:06:58,680 --> 01:07:00,120
Speaker 6: came up with it, if it was just something that

1495
01:07:00,160 --> 01:07:02,520
Speaker 6: they did. I may have did a song together and

1496
01:07:02,560 --> 01:07:04,200
Speaker 6: then was like, Yo, we need to just do a

1497
01:07:04,200 --> 01:07:04,760
Speaker 6: whole clip.

1498
01:07:04,960 --> 01:07:08,160
Speaker 1: Yeah. I was even shocked because when I connected with

1499
01:07:08,280 --> 01:07:12,880
Speaker 1: Ran about getting Jay elect like them together, he had

1500
01:07:12,880 --> 01:07:14,600
Speaker 1: set me the original version of that. I didn't know

1501
01:07:14,600 --> 01:07:17,080
Speaker 1: it was for the Day project until way way later.

1502
01:07:17,120 --> 01:07:19,080
Speaker 1: I was like, oh shit, Okay. At first then I

1503
01:07:19,080 --> 01:07:21,400
Speaker 1: thought it was just the Davies. He just added Davies

1504
01:07:21,440 --> 01:07:24,360
Speaker 1: to the record. But then the joint project, I was like,

1505
01:07:24,400 --> 01:07:26,920
Speaker 1: all right, I didn't even know y'all knew each other. Yeah,

1506
01:07:27,120 --> 01:07:29,400
Speaker 1: so it's a great project. Though y'all knew each other.

1507
01:07:30,840 --> 01:07:33,760
Speaker 1: I didn't mean it like that, but you know, Rad

1508
01:07:33,800 --> 01:07:35,720
Speaker 1: has a history of working with other rappers, but Dave

1509
01:07:35,800 --> 01:07:38,000
Speaker 1: wasn't one that I immediately thought they'd do a joint project.

1510
01:07:38,000 --> 01:07:41,080
Speaker 1: But it makes sense because it's fire reach out to

1511
01:07:41,120 --> 01:07:42,600
Speaker 1: him about getting on the pot. I would love to

1512
01:07:42,600 --> 01:07:45,040
Speaker 1: have Ran. I know Ran is like off the grid

1513
01:07:45,280 --> 01:07:48,160
Speaker 1: and living his life away from these American taxes, which

1514
01:07:48,160 --> 01:07:52,760
Speaker 1: I respected love. So next time, don't trip. Let's see

1515
01:07:52,800 --> 01:07:56,200
Speaker 1: you soon. So next time he's in Jersey, New York

1516
01:07:56,240 --> 01:07:59,120
Speaker 1: or whatever, we'll figure something out. Yeah. Also, Wiz Wiz

1517
01:07:59,120 --> 01:08:02,080
Speaker 1: has been dropping. You tried to freestyle two records. I

1518
01:08:02,240 --> 01:08:03,240
Speaker 1: see this Wiz come back.

1519
01:08:03,280 --> 01:08:05,160
Speaker 6: I seen him in the studio with L Russell. I've

1520
01:08:05,160 --> 01:08:07,000
Speaker 6: seen him in the studio together. They posted a video

1521
01:08:07,280 --> 01:08:10,800
Speaker 6: of Dummy in the studio recording. It's good to see dudes,

1522
01:08:10,880 --> 01:08:14,560
Speaker 6: you know who should who? You know, Whiz is obviously

1523
01:08:14,600 --> 01:08:18,240
Speaker 6: at this point a legend, yeah, in the game, but

1524
01:08:18,280 --> 01:08:21,040
Speaker 6: it's good to see them reaching back. And you know,

1525
01:08:21,120 --> 01:08:22,880
Speaker 6: I feel like L. Russell was a legend as well

1526
01:08:22,920 --> 01:08:24,880
Speaker 6: in his own right. But it's good to see, you know,

1527
01:08:24,960 --> 01:08:27,800
Speaker 6: guys like that getting together connected organically, working with each

1528
01:08:27,840 --> 01:08:29,799
Speaker 6: other and having fun in the studio.

1529
01:08:29,880 --> 01:08:30,040
Speaker 1: Man.

1530
01:08:30,080 --> 01:08:31,439
Speaker 6: So it was dope to see the Russell and Wizz

1531
01:08:31,479 --> 01:08:31,920
Speaker 6: in the studio.

1532
01:08:32,000 --> 01:08:33,760
Speaker 1: And I know Whiz is coming back because he wants

1533
01:08:33,800 --> 01:08:36,880
Speaker 1: to Like if I, if I ever made the anything

1534
01:08:36,920 --> 01:08:38,680
Speaker 1: Wiz does right now is because he wants if I

1535
01:08:38,680 --> 01:08:40,800
Speaker 1: ever made see you again. You'd never see it. Yeah,

1536
01:08:40,840 --> 01:08:42,679
Speaker 1: you would never Yeah, that would have been my fail.

1537
01:08:42,760 --> 01:08:45,120
Speaker 1: It would have been me and Paul Walker together. Like

1538
01:08:46,320 --> 01:08:50,200
Speaker 1: it's crazy. You're good. I'm sorry, baby, d I'm just saying.

1539
01:08:50,240 --> 01:08:52,360
Speaker 1: And you know how much money Whiz made off that song.

1540
01:08:52,560 --> 01:08:53,760
Speaker 1: You would never hear me next.

1541
01:08:53,880 --> 01:08:56,200
Speaker 6: You never, I've never seen your brother that was on

1542
01:08:56,200 --> 01:08:59,040
Speaker 6: the hook. We didn't see him after that, Charlie Putin.

1543
01:08:59,080 --> 01:09:02,599
Speaker 1: What's his name, Charlie Pooth? You were very Charlie poof?

1544
01:09:03,120 --> 01:09:05,400
Speaker 1: Is that his name? Poo poo Charlie. We didn't see

1545
01:09:05,479 --> 01:09:09,080
Speaker 1: Charlie to Russia. We didn't see Charlie after that song.

1546
01:09:09,200 --> 01:09:12,160
Speaker 1: You know what he was trying to infiltrate the first Yeah, man,

1547
01:09:12,240 --> 01:09:13,240
Speaker 1: that's that's get out with them.

1548
01:09:13,520 --> 01:09:15,519
Speaker 6: You know it's Putin's nephew. You know that, man.

1549
01:09:15,640 --> 01:09:17,800
Speaker 1: So that's why I'm actually happy Wiz is coming back,

1550
01:09:17,800 --> 01:09:19,280
Speaker 1: because I know he wants to. He definitely doesn't need

1551
01:09:19,320 --> 01:09:21,080
Speaker 1: the fucking money. No, absolutely not.

1552
01:09:21,120 --> 01:09:23,840
Speaker 6: Anything Wiz does right now, it's because he just wants

1553
01:09:23,880 --> 01:09:26,719
Speaker 6: to have fun. He's passionate about it. But he's worked

1554
01:09:26,720 --> 01:09:29,040
Speaker 6: hisself into a space where he absolutely can do whatever

1555
01:09:29,120 --> 01:09:30,720
Speaker 6: he wants to do every day that he wakes up.

1556
01:09:30,800 --> 01:09:34,679
Speaker 1: Yeah, Leon's Leon Thomas tiny desk came out. I loved

1557
01:09:34,680 --> 01:09:36,240
Speaker 1: how he had it in the flower Tree say yeah,

1558
01:09:36,280 --> 01:09:39,960
Speaker 1: shit fucking one of my favorites of last year and

1559
01:09:39,960 --> 01:09:42,519
Speaker 1: this year because I guess early that's incredible. I also

1560
01:09:42,520 --> 01:09:45,719
Speaker 1: saw that Chris Brown had tweeted the lyrics to Mutt,

1561
01:09:45,720 --> 01:09:47,800
Speaker 1: which of course the Internet took as we're gonna get

1562
01:09:47,800 --> 01:09:51,280
Speaker 1: a Mutt remix with Chris Brown. If that wasn't the plan,

1563
01:09:51,439 --> 01:09:53,719
Speaker 1: it should be now that Yeah, that thinks that because

1564
01:09:53,800 --> 01:09:55,519
Speaker 1: Chris would go crazy on Muddy.

1565
01:09:56,920 --> 01:09:59,679
Speaker 6: If there's anybody that should be on a Mutt remix,

1566
01:10:00,520 --> 01:10:03,080
Speaker 6: then no Chris.

1567
01:10:04,240 --> 01:10:04,519
Speaker 1: First.

1568
01:10:04,840 --> 01:10:10,519
Speaker 6: I don't want nobody wants to hear Chris Brown on Mutt.

1569
01:10:10,520 --> 01:10:13,000
Speaker 6: Would absolutely be crazy. That would be crazy.

1570
01:10:13,040 --> 01:10:14,240
Speaker 1: And I just I just want to see them work

1571
01:10:14,280 --> 01:10:17,000
Speaker 1: together like they should. And you know, Chris always works

1572
01:10:17,000 --> 01:10:20,400
Speaker 1: with those talented artists and musicians that could pump out

1573
01:10:20,400 --> 01:10:23,760
Speaker 1: fifteen songs in one day. Yeah, that's leon was. I'm

1574
01:10:23,800 --> 01:10:26,080
Speaker 1: so shocked that they don't have an album together already.

1575
01:10:26,720 --> 01:10:28,880
Speaker 6: I could be again, we get we listened to so

1576
01:10:28,960 --> 01:10:30,960
Speaker 6: much music and so much shit comes out over the years.

1577
01:10:31,120 --> 01:10:36,880
Speaker 1: Has Chris Brown ever worked with JD. I don't. I'm

1578
01:10:36,920 --> 01:10:40,080
Speaker 1: sure they probably worked, but I don't think anything was

1579
01:10:40,120 --> 01:10:40,799
Speaker 1: ever released.

1580
01:10:41,320 --> 01:10:43,200
Speaker 6: I would like to see Chris Brown and Jamaine dupri

1581
01:10:45,439 --> 01:10:50,040
Speaker 6: in the studio for about a month. I would like

1582
01:10:50,080 --> 01:10:51,920
Speaker 6: to see that because Chris is obviously we know he's

1583
01:10:51,960 --> 01:10:53,280
Speaker 6: you know the Megastar.

1584
01:10:53,000 --> 01:10:55,000
Speaker 5: The Running Remix. There's a running remix?

1585
01:10:55,439 --> 01:10:57,360
Speaker 1: Oh yeah, the ballot was I mean, but that was

1586
01:10:57,400 --> 01:10:58,599
Speaker 1: what four? Yeah?

1587
01:10:58,720 --> 01:11:02,120
Speaker 6: No, I'm talking about like a full length project, like

1588
01:11:02,200 --> 01:11:08,040
Speaker 6: a real R and B Chris Brown, Jamaine dupre produced album.

1589
01:11:08,080 --> 01:11:10,800
Speaker 1: Yeah, like there's got a E. Cox has definitely had

1590
01:11:10,840 --> 01:11:12,960
Speaker 1: to write songs Chris Brown, right, I would have. I

1591
01:11:13,000 --> 01:11:13,600
Speaker 1: would assume. So.

1592
01:11:13,680 --> 01:11:16,080
Speaker 6: I think that every great R and B artist has

1593
01:11:16,280 --> 01:11:19,000
Speaker 6: music from j D and Chris Brown. But I would

1594
01:11:19,040 --> 01:11:21,200
Speaker 6: love to see them give us an album. I think, yes,

1595
01:11:21,320 --> 01:11:24,080
Speaker 6: I think Chris Brown. We talk about, you know, Drake

1596
01:11:24,120 --> 01:11:28,760
Speaker 6: giving you know, a full full uh pure rap. You

1597
01:11:28,760 --> 01:11:30,519
Speaker 6: know people say we just want to hear rap rap rap,

1598
01:11:30,560 --> 01:11:32,800
Speaker 6: you know, real rap album from Drake. I would love

1599
01:11:32,840 --> 01:11:36,800
Speaker 6: to hear today. Now, just a full, complete R and

1600
01:11:36,840 --> 01:11:42,640
Speaker 6: B album from Chris Brown, executive produced by Jamaine fourteen Records.

1601
01:11:42,800 --> 01:11:44,080
Speaker 1: I don't need sixty four.

1602
01:11:44,000 --> 01:11:46,120
Speaker 6: No, no, no no no, I'm ready to a Sweet

1603
01:11:46,120 --> 01:11:50,120
Speaker 6: Spots twelve to fourteen Records, just pure R and B,

1604
01:11:51,600 --> 01:11:52,600
Speaker 6: H J D B.

1605
01:11:52,800 --> 01:11:53,200
Speaker 1: Cox.

1606
01:11:54,120 --> 01:11:56,240
Speaker 6: Yeah, I would I would like to. I would like

1607
01:11:56,280 --> 01:11:57,559
Speaker 6: to hear that. You would like to hear what they

1608
01:11:57,600 --> 01:11:57,960
Speaker 6: come up with.

1609
01:11:58,200 --> 01:12:01,440
Speaker 1: I also saw that JD and V Cox teased out

1610
01:12:01,840 --> 01:12:04,280
Speaker 1: what I assume is Ario lennox new single Soft Girl,

1611
01:12:04,960 --> 01:12:07,559
Speaker 1: sounds really good. Ari looks really healthy, looks great. The

1612
01:12:07,640 --> 01:12:10,519
Speaker 1: song just a Snippets sounded great. I'm glad too that

1613
01:12:10,520 --> 01:12:14,439
Speaker 1: they're still working together because I loved Pressure, so they

1614
01:12:14,560 --> 01:12:15,320
Speaker 1: do work there.

1615
01:12:15,400 --> 01:12:16,960
Speaker 6: So JD, j D and B Cox was in the

1616
01:12:16,960 --> 01:12:18,800
Speaker 6: studio with Aaron Ray too, one of my favorite R

1617
01:12:18,800 --> 01:12:19,519
Speaker 6: and B artists.

1618
01:12:19,920 --> 01:12:23,880
Speaker 1: Love is good, No no, I said yeah, but you

1619
01:12:23,920 --> 01:12:25,479
Speaker 1: said like no, I love Aaron Ray.

1620
01:12:25,560 --> 01:12:26,519
Speaker 5: That's why. That's why I said that.

1621
01:12:26,920 --> 01:12:28,280
Speaker 1: I know I know you like his music, but that

1622
01:12:28,520 --> 01:12:29,200
Speaker 1: didn't sound like that.

1623
01:12:29,240 --> 01:12:32,479
Speaker 6: We know you ovulating, we get, we get, we know,

1624
01:12:33,960 --> 01:12:39,240
Speaker 6: we know them. You ready to make it? Baby, Ready

1625
01:12:39,240 --> 01:12:40,120
Speaker 6: to make potato salad?

1626
01:12:40,120 --> 01:12:40,439
Speaker 1: Over there?

1627
01:12:40,479 --> 01:12:43,800
Speaker 6: Relaxed, baby d a god, damn chill out. Shout out

1628
01:12:43,800 --> 01:12:46,599
Speaker 6: to Aaron Ray, one of my favorite R and B artists.

1629
01:12:46,600 --> 01:12:48,000
Speaker 6: I'm looking forward to him with him and J D

1630
01:12:48,080 --> 01:12:49,639
Speaker 6: and B Cox in the studio doing.

1631
01:12:49,600 --> 01:12:53,720
Speaker 1: For sure, trying to think without elvy bag. I funck

1632
01:12:53,800 --> 01:12:57,120
Speaker 1: with it? Did you listen to it? Don Toliver Bro? Yeah,

1633
01:12:57,400 --> 01:12:59,840
Speaker 1: I like it. It's cool. I actually would prefer them

1634
01:12:59,840 --> 01:13:03,200
Speaker 1: to do like the rest of the projects together. I

1635
01:13:03,200 --> 01:13:05,200
Speaker 1: don't know how that's gonna fit in whatever he's doing next,

1636
01:13:05,280 --> 01:13:07,320
Speaker 1: but I like it as a record. Yeah, it's cool.

1637
01:13:07,360 --> 01:13:10,080
Speaker 1: It's a good record. Reason was on bootleg keV shout

1638
01:13:10,080 --> 01:13:13,040
Speaker 1: out the Rees put out an amazing freestyle as well,

1639
01:13:13,120 --> 01:13:15,880
Speaker 1: and the Soule Part four came out today out of

1640
01:13:15,920 --> 01:13:17,519
Speaker 1: his Soul series, which is one of my favorites. I

1641
01:13:17,560 --> 01:13:19,320
Speaker 1: think even how I got put on the Reason was

1642
01:13:19,360 --> 01:13:25,120
Speaker 1: so part one. Yeah I heard I always looked at

1643
01:13:25,200 --> 01:13:28,400
Speaker 1: keV as one of the good whites. Yeah, I heard

1644
01:13:28,439 --> 01:13:31,200
Speaker 1: keV do some bullshit. Man, what Reasons said? It was

1645
01:13:31,200 --> 01:13:32,720
Speaker 1: okay for me to say this, So my bad keV

1646
01:13:33,080 --> 01:13:35,880
Speaker 1: probably just a miscommunication. So Reason went up there and

1647
01:13:36,000 --> 01:13:39,400
Speaker 1: was of course keV talked about the Drake and Kendrick situation,

1648
01:13:40,280 --> 01:13:42,120
Speaker 1: and we all know Reason has been trying to get

1649
01:13:42,120 --> 01:13:44,640
Speaker 1: off TD. Now is off TD, and he said he was.

1650
01:13:44,720 --> 01:13:46,679
Speaker 1: He was tweeting positive shit about Drake when Push Ups

1651
01:13:46,680 --> 01:13:50,120
Speaker 1: came out to try to push that process to getting

1652
01:13:50,160 --> 01:13:51,960
Speaker 1: him off the label. Reason said that because they were

1653
01:13:52,000 --> 01:13:54,879
Speaker 1: already at that point and I wouldn't even call it litigation,

1654
01:13:54,960 --> 01:13:58,160
Speaker 1: but they were already the lawyers were speaking of getting

1655
01:13:58,240 --> 01:14:00,000
Speaker 1: him off the label, and he thought if I still

1656
01:14:00,040 --> 01:14:04,000
Speaker 1: are praising Drake during push ups, it'll have Top kick

1657
01:14:04,040 --> 01:14:06,360
Speaker 1: me off the label and make this process go faster.

1658
01:14:06,960 --> 01:14:10,800
Speaker 1: So once that interview was over, Bootleg keV, Reason and

1659
01:14:10,800 --> 01:14:12,920
Speaker 1: his manager were like, Yo, send that to us before.

1660
01:14:12,920 --> 01:14:14,680
Speaker 1: We'll probably want to take that part out and like

1661
01:14:14,880 --> 01:14:20,400
Speaker 1: just oh no, let us, let us, let us, let us,

1662
01:14:20,560 --> 01:14:22,160
Speaker 1: let us know the date and we can figure out

1663
01:14:22,160 --> 01:14:24,600
Speaker 1: with the freestyle around the project. The Reason has a

1664
01:14:24,760 --> 01:14:26,880
Speaker 1: I Love This Again mixtape coming out soon. I wanted

1665
01:14:26,920 --> 01:14:29,920
Speaker 1: to schedule it around now. This was just earlier. I

1666
01:14:29,960 --> 01:14:33,240
Speaker 1: was texting my Reason, Yeah, I am going to text

1667
01:14:33,280 --> 01:14:36,120
Speaker 1: him once we're done that I may be on Bootleg

1668
01:14:36,160 --> 01:14:40,960
Speaker 1: keV side here now the Reason I love you. No,

1669
01:14:41,040 --> 01:14:43,080
Speaker 1: I get it. I get it, but I understand you

1670
01:14:43,120 --> 01:14:45,800
Speaker 1: said that to him. But you know, keV saw that

1671
01:14:45,840 --> 01:14:48,000
Speaker 1: and was like, no fucking way am I taking that up.

1672
01:14:48,080 --> 01:14:51,920
Speaker 6: I get it, But again we have to understand that

1673
01:14:52,080 --> 01:14:54,120
Speaker 6: once you go on these platforms and you sit down

1674
01:14:54,160 --> 01:15:00,599
Speaker 6: and say something, we're playing the we're playing.

1675
01:15:00,360 --> 01:15:02,720
Speaker 1: A clip game. If Reason asked me to do that,

1676
01:15:02,880 --> 01:15:06,400
Speaker 1: I would because that's a front. But that's what but

1677
01:15:06,400 --> 01:15:08,479
Speaker 1: that if I didn't know Reason and he came out

1678
01:15:08,520 --> 01:15:11,120
Speaker 1: and said that, which, by the way, every publication like

1679
01:15:11,200 --> 01:15:16,080
Speaker 1: picked it up immediately, they did everywhere. Kevin knew that absolutely,

1680
01:15:16,280 --> 01:15:18,320
Speaker 1: you're telling ke said, not only is that a clip,

1681
01:15:19,720 --> 01:15:21,439
Speaker 1: we're gonna put on the whole, We're gonna attach a

1682
01:15:21,439 --> 01:15:24,760
Speaker 1: polar the end of that month. Do you think this

1683
01:15:24,920 --> 01:15:28,679
Speaker 1: helped Reason get off with put some money box? Kidding?

1684
01:15:30,720 --> 01:15:33,080
Speaker 1: Did I g boost? Kept did all of that with that? Fuck?

1685
01:15:33,200 --> 01:15:36,320
Speaker 1: Are you kidding me? I get it. I get it, though, Reaze,

1686
01:15:36,320 --> 01:15:37,479
Speaker 1: I get it. I get it. I understand.

1687
01:15:37,479 --> 01:15:39,960
Speaker 6: But again, you go on these platforms, just just don't

1688
01:15:40,040 --> 01:15:43,080
Speaker 6: They can't. They cannot clip and put out what you

1689
01:15:43,200 --> 01:15:45,639
Speaker 6: don't say. Yeah, just don't say it.

1690
01:15:45,880 --> 01:15:48,800
Speaker 5: But it's tough. It's tough in the moment.

1691
01:15:48,920 --> 01:15:51,920
Speaker 4: No, it is in the moment when you're talking, because

1692
01:15:51,920 --> 01:15:53,800
Speaker 4: we were just talking about that how Peach makes me

1693
01:15:53,800 --> 01:15:55,960
Speaker 4: seem like a horrible human with his clips. Sometimes in

1694
01:15:56,000 --> 01:15:58,880
Speaker 4: the moment you're comfortable and you yapping, and then you

1695
01:15:58,920 --> 01:16:01,240
Speaker 4: look at like, God, there need to hur that clip.

1696
01:16:01,240 --> 01:16:02,840
Speaker 5: No, we can't clip that. We need to take it out.

1697
01:16:03,680 --> 01:16:06,280
Speaker 1: We respect that with even artists we don't really have

1698
01:16:06,479 --> 01:16:08,559
Speaker 1: like real relationships with. We respect that. But I would

1699
01:16:08,600 --> 01:16:09,639
Speaker 1: never expect anyone else to.

1700
01:16:09,760 --> 01:16:10,600
Speaker 5: Yeah, I get it.

1701
01:16:10,680 --> 01:16:14,120
Speaker 6: Yeah, but it's certain things that you speak about. You

1702
01:16:14,160 --> 01:16:16,599
Speaker 6: could feel like, all right, that's gonna be that's gonna

1703
01:16:16,600 --> 01:16:19,080
Speaker 6: cause a that's gonna stir people up.

1704
01:16:19,120 --> 01:16:22,680
Speaker 4: Ye after you done said it. Yeah, he needs more

1705
01:16:22,920 --> 01:16:24,439
Speaker 4: media training, which he could.

1706
01:16:25,600 --> 01:16:27,479
Speaker 1: Yeah, keV, I ain't gonna lie CAV if you need

1707
01:16:27,479 --> 01:16:29,439
Speaker 1: a reason, I like, if you need media training with

1708
01:16:29,479 --> 01:16:31,559
Speaker 1: Bootleg keV, we would have liked the nicest human beings

1709
01:16:31,560 --> 01:16:34,679
Speaker 1: I've ever met in my life. Yeah, don't don't. Don't

1710
01:16:34,680 --> 01:16:37,880
Speaker 1: waste your money on media. Yeah, just be yourself. Man.

1711
01:16:37,920 --> 01:16:39,920
Speaker 1: Fuck it, man. And if that's if that's real.

1712
01:16:40,080 --> 01:16:43,599
Speaker 6: You know reads and I understand because you know the

1713
01:16:43,600 --> 01:16:46,519
Speaker 6: optics of him saying that can kind of look some

1714
01:16:46,640 --> 01:16:49,320
Speaker 6: type of way. But if that's real, and that's honestly

1715
01:16:50,040 --> 01:16:52,280
Speaker 6: how Reason felt in that moment, fuck it.

1716
01:16:52,920 --> 01:16:54,840
Speaker 1: And he would not be the first artist that did

1717
01:16:54,880 --> 01:16:56,559
Speaker 1: some crazy ship to try to get out of their content.

1718
01:16:56,840 --> 01:16:58,960
Speaker 1: I wouldn't say fucking the way, the way, the way,

1719
01:16:59,280 --> 01:17:02,120
Speaker 1: the way, what's your name? Did Reason was crazy on

1720
01:17:02,160 --> 01:17:04,840
Speaker 1: that on that other podcast? Yeah, that the way he

1721
01:17:04,880 --> 01:17:06,440
Speaker 1: did Reason was crazy.

1722
01:17:06,560 --> 01:17:09,320
Speaker 6: I think that was absolutely like any artists in that

1723
01:17:09,320 --> 01:17:10,800
Speaker 6: position would be like, I'm out of here.

1724
01:17:11,200 --> 01:17:14,719
Speaker 1: That was crazy, and Reason handled that way more maturely

1725
01:17:14,720 --> 01:17:19,479
Speaker 1: than I would have. Upside down, that's why he should

1726
01:17:19,520 --> 01:17:21,160
Speaker 1: be himself a not media trader, because the way he

1727
01:17:21,200 --> 01:17:23,040
Speaker 1: handled that one seemed like he went through ten years.

1728
01:17:23,160 --> 01:17:23,880
Speaker 1: But Reason is not that.

1729
01:17:23,920 --> 01:17:28,200
Speaker 6: He's not a He's not a he's not a disrespectful, aggressive,

1730
01:17:28,320 --> 01:17:31,040
Speaker 6: good human. Yeah he's a he's a he's a mild maned, cool,

1731
01:17:31,120 --> 01:17:34,240
Speaker 6: laid back, gud by nature. So if he says something

1732
01:17:34,520 --> 01:17:36,519
Speaker 6: like that and it becomes, you know, a viral thing

1733
01:17:36,640 --> 01:17:39,840
Speaker 6: or clickbait, then so I understand he doesn't want to,

1734
01:17:39,960 --> 01:17:42,360
Speaker 6: you know, have that perception of himself. But if it's

1735
01:17:42,400 --> 01:17:44,280
Speaker 6: real and that's really what happened to how you felt

1736
01:17:44,280 --> 01:17:46,320
Speaker 6: in that moment, reads, fuck it man, let that shit fly.

1737
01:17:46,479 --> 01:17:49,160
Speaker 1: I mean, I'm picking clips. I didn't think that was

1738
01:17:49,200 --> 01:17:52,840
Speaker 1: that crazy. What Reason said, well, you know, because of

1739
01:17:52,840 --> 01:17:53,680
Speaker 1: what it's attached to, what.

1740
01:17:53,720 --> 01:17:54,320
Speaker 5: It's attached to.

1741
01:17:54,400 --> 01:17:56,439
Speaker 4: And on top of that, like you gotta understand, Reason

1742
01:17:56,520 --> 01:17:59,479
Speaker 4: was introduced as a TD artist, so he has the

1743
01:17:59,560 --> 01:18:04,639
Speaker 4: TD just like the label is like family. The fan

1744
01:18:04,680 --> 01:18:08,400
Speaker 4: base is like family, so you're inheriting like Kendrick fans

1745
01:18:08,479 --> 01:18:11,479
Speaker 4: and all of these things. So half your fan base.

1746
01:18:11,720 --> 01:18:14,160
Speaker 4: You just piss them off with what you just said.

1747
01:18:14,680 --> 01:18:18,679
Speaker 4: So yeah, but he picked the big it's too invested.

1748
01:18:19,240 --> 01:18:23,519
Speaker 4: Yeah yeah, that too for sure. But fans are invested

1749
01:18:23,560 --> 01:18:25,960
Speaker 4: in some stuff. But there's some shit we don't say

1750
01:18:26,000 --> 01:18:27,760
Speaker 4: not to offend them.

1751
01:18:28,000 --> 01:18:29,320
Speaker 1: Fans get to invest it. Sometimes.

1752
01:18:29,400 --> 01:18:31,680
Speaker 4: It doesn't mean there are any less value board that

1753
01:18:31,720 --> 01:18:32,719
Speaker 4: we shouldn't care about.

1754
01:18:32,560 --> 01:18:33,639
Speaker 5: What they think when we're speaking.

1755
01:18:34,960 --> 01:18:37,600
Speaker 1: I mean, listen, who am I to speak? Sometimes you

1756
01:18:37,640 --> 01:18:40,400
Speaker 1: gotta do some ship to get off the label. Man,

1757
01:18:40,880 --> 01:18:45,000
Speaker 1: y'all cool, real talk? Are y'all cool? Real talk? But

1758
01:18:45,040 --> 01:18:47,639
Speaker 1: that's real talk though, Like that's why.

1759
01:18:47,800 --> 01:18:50,800
Speaker 6: That's why I'm feeling Reason. But I'm like, listen, man,

1760
01:18:50,840 --> 01:18:52,880
Speaker 6: if that's real, that's real. Fuck it it is what

1761
01:18:52,960 --> 01:18:55,679
Speaker 6: it is. Man, shout out the Reason though. Yeah, new

1762
01:18:55,720 --> 01:18:56,760
Speaker 6: project available now.

1763
01:18:56,880 --> 01:19:01,000
Speaker 1: No it's not Friday, just Friday, this Friday. So far

1764
01:19:01,040 --> 01:19:03,799
Speaker 1: four us out now. I'm excited for for the mixtape.

1765
01:19:03,800 --> 01:19:06,719
Speaker 1: I actually haven't heard it because Reason has this weird

1766
01:19:06,760 --> 01:19:09,439
Speaker 1: thing where he sends his projects to DeMars and not

1767
01:19:09,479 --> 01:19:13,120
Speaker 1: to me. Well, he should be walking in like yo

1768
01:19:13,280 --> 01:19:14,800
Speaker 1: for the last album. She's like, yo, you heard that ship?

1769
01:19:14,800 --> 01:19:16,680
Speaker 1: I was like, nah, I was. I was just on

1770
01:19:16,720 --> 01:19:17,400
Speaker 1: the phone with him too.

1771
01:19:17,439 --> 01:19:18,639
Speaker 5: You don't ask for them though.

1772
01:19:20,120 --> 01:19:22,160
Speaker 1: I can't ask for something I don't know, like where

1773
01:19:23,000 --> 01:19:24,639
Speaker 1: you don't know what reason.

1774
01:19:24,680 --> 01:19:26,519
Speaker 5: Reason been promoting this ship out of listening.

1775
01:19:26,560 --> 01:19:28,200
Speaker 1: No, no, no, no, I know about the mixtape. I'm saying,

1776
01:19:28,240 --> 01:19:30,360
Speaker 1: like with the last project you was getting records, I

1777
01:19:30,360 --> 01:19:31,800
Speaker 1: can't ask for a record I don't know about.

1778
01:19:32,800 --> 01:19:35,200
Speaker 4: Actually you had any music coming out like you got

1779
01:19:36,600 --> 01:19:39,120
Speaker 4: that's what you asked, YO, send me songs you asked you.

1780
01:19:40,160 --> 01:19:42,200
Speaker 4: I used to ask you when you first were in

1781
01:19:42,240 --> 01:19:43,920
Speaker 4: the throes of creating your first album.

1782
01:19:43,960 --> 01:19:46,360
Speaker 1: I used to ask you, yo, send me some look

1783
01:19:46,760 --> 01:19:48,160
Speaker 1: and look where I got it. You didn't even think

1784
01:19:48,200 --> 01:19:49,960
Speaker 1: it was. I don't want to send you anything now

1785
01:19:49,960 --> 01:19:50,840
Speaker 1: you asked the wrong question.

1786
01:19:50,880 --> 01:19:52,720
Speaker 6: I want to know what baby said about the music though,

1787
01:19:53,360 --> 01:19:55,439
Speaker 6: Like what's your feedback? Like, like, Yo, nah, you could

1788
01:19:55,439 --> 01:19:57,120
Speaker 6: have went you could have went hard on this verse.

1789
01:19:57,320 --> 01:19:58,559
Speaker 1: Have you heard I Love You Again yet?

1790
01:19:58,560 --> 01:19:59,240
Speaker 5: I haven't heard it yet.

1791
01:19:59,360 --> 01:20:02,559
Speaker 4: Okay, I think he's keeping that one like close tucked

1792
01:20:03,680 --> 01:20:07,360
Speaker 4: so but yeah, I give good feedback, ask Rory, I

1793
01:20:07,360 --> 01:20:08,200
Speaker 4: give good feedback.

1794
01:20:08,720 --> 01:20:10,639
Speaker 6: I know one thing Nick sent me his new album,

1795
01:20:11,080 --> 01:20:15,759
Speaker 6: I didn't listen yet to me tonight, send you Knicks album.

1796
01:20:15,880 --> 01:20:18,400
Speaker 1: Yeah, I'm not sending you Nicks.

1797
01:20:18,439 --> 01:20:21,360
Speaker 5: Why you're not gonna send me nign.

1798
01:20:20,800 --> 01:20:24,360
Speaker 6: Yeah, but I'm not just sending his album why because we.

1799
01:20:24,360 --> 01:20:27,439
Speaker 1: Can tell how crazy? What is the marriage? Talk about?

1800
01:20:27,479 --> 01:20:29,320
Speaker 1: You call Nick right now and ask if I could

1801
01:20:29,360 --> 01:20:30,360
Speaker 1: have his album? He would tell you.

1802
01:20:30,840 --> 01:20:33,799
Speaker 6: He would say no, no, call him, ask him, nigga.

1803
01:20:33,840 --> 01:20:35,400
Speaker 6: He would say no, I'm telling you. He was like, Yo,

1804
01:20:35,479 --> 01:20:36,479
Speaker 6: nahdo don't sit that up.

1805
01:20:36,560 --> 01:20:36,880
Speaker 1: Call him?

1806
01:20:36,880 --> 01:20:37,280
Speaker 5: Ask him?

1807
01:20:37,320 --> 01:20:37,840
Speaker 1: Is he shy?

1808
01:20:38,160 --> 01:20:42,640
Speaker 6: No, he's not shy. He just told he's sending this

1809
01:20:42,760 --> 01:20:43,320
Speaker 6: album out.

1810
01:20:43,640 --> 01:20:43,880
Speaker 1: Rory.

1811
01:20:43,880 --> 01:20:44,639
Speaker 5: Are you asking him?

1812
01:20:44,720 --> 01:20:47,320
Speaker 1: You're calling No, I'm not gonna hit Nick for his album.

1813
01:20:47,320 --> 01:20:49,200
Speaker 1: If Nick hit me was like, yo, listen to my album,

1814
01:20:49,240 --> 01:20:51,760
Speaker 1: I would listen to it. But to hit somebody out

1815
01:20:51,800 --> 01:20:53,519
Speaker 1: of nowhere, let me get the album, let me hear

1816
01:20:53,560 --> 01:20:56,599
Speaker 1: the album. But that's why. And this isn't an ad.

1817
01:20:56,640 --> 01:20:59,960
Speaker 1: I promise the untitled app like, that's great to say,

1818
01:21:00,800 --> 01:21:02,719
Speaker 1: the ship out now because you can put a password

1819
01:21:02,760 --> 01:21:04,880
Speaker 1: on it and you can see who sends it. You

1820
01:21:04,880 --> 01:21:06,960
Speaker 1: can see who sends it and who listens to it.

1821
01:21:07,080 --> 01:21:08,719
Speaker 1: I don't know if they got some deal with iPhone.

1822
01:21:08,760 --> 01:21:10,640
Speaker 1: You can see the full government name, Like, who the

1823
01:21:10,640 --> 01:21:12,360
Speaker 1: fuck is this? How did they get my.

1824
01:21:12,280 --> 01:21:14,600
Speaker 6: Ship listening to my ship? Yeah?

1825
01:21:14,840 --> 01:21:16,640
Speaker 1: Yeah, so there's better ways. Now, when I had like

1826
01:21:16,800 --> 01:21:19,840
Speaker 1: the private SoundCloud links, I'd be seeing the views go up.

1827
01:21:19,920 --> 01:21:21,560
Speaker 1: I'm like, there's no way this one person listen this

1828
01:21:21,560 --> 01:21:22,360
Speaker 1: shit a hundred time, y'a.

1829
01:21:22,400 --> 01:21:24,000
Speaker 4: I seemed to send your ship that My parents there

1830
01:21:24,080 --> 01:21:26,200
Speaker 4: was bumping into crib thanksgiving.

1831
01:21:28,479 --> 01:21:33,519
Speaker 1: What your parents, but they were see how the ship.

1832
01:21:33,920 --> 01:21:36,320
Speaker 1: I connected to somebody else's car and was listening to

1833
01:21:36,439 --> 01:21:38,920
Speaker 1: Dixon has some incredible music coming out, and he gave

1834
01:21:38,920 --> 01:21:41,719
Speaker 1: me my own little private thing with my password, and

1835
01:21:42,040 --> 01:21:44,320
Speaker 1: just because I love the music so much, I was

1836
01:21:44,320 --> 01:21:47,280
Speaker 1: in someone else's car and connected and was just playing

1837
01:21:47,320 --> 01:21:50,519
Speaker 1: it and he said, Yo, who's bluetooth is that? Oh?

1838
01:21:50,560 --> 01:21:53,080
Speaker 4: You can see it like that see everything that's crazy.

1839
01:21:53,160 --> 01:21:53,880
Speaker 4: I don't like that.

1840
01:21:54,479 --> 01:21:57,400
Speaker 1: I love that. That's why Maul can't send a Nicks

1841
01:21:57,439 --> 01:21:57,920
Speaker 1: out for me.

1842
01:21:58,400 --> 01:22:00,479
Speaker 6: Yeah, No, I would never do that. I wouldn't have

1843
01:22:00,520 --> 01:22:02,920
Speaker 6: I'm not. I've always been that person that I'm not

1844
01:22:02,960 --> 01:22:06,680
Speaker 6: sending no nobody's music nowhere, because if it if it

1845
01:22:06,800 --> 01:22:09,760
Speaker 6: leaks from me sending it to somebody and then they

1846
01:22:09,840 --> 01:22:11,400
Speaker 6: sent it to somebody or you know whatever.

1847
01:22:11,439 --> 01:22:13,840
Speaker 5: It's like God forbid Nigga on their podcast.

1848
01:22:16,080 --> 01:22:24,360
Speaker 1: Take that out. Sorry but sorry, sorry slip, but can

1849
01:22:24,400 --> 01:22:26,000
Speaker 1: we just put that there was an edit there? They

1850
01:22:26,000 --> 01:22:29,519
Speaker 1: can they can just try to figure out what what

1851
01:22:29,560 --> 01:22:32,400
Speaker 1: was what Jamarus just said? And why I have like

1852
01:22:32,520 --> 01:22:35,360
Speaker 1: egg on my face currently right now. Yeah, sometimes people

1853
01:22:35,400 --> 01:22:36,479
Speaker 1: you know, sometimes people up.

1854
01:22:36,520 --> 01:22:38,120
Speaker 6: Yeah, people who are playings fucking both the times.

1855
01:22:38,120 --> 01:22:39,519
Speaker 1: It's all good. But yeah, I am.

1856
01:22:39,560 --> 01:22:41,479
Speaker 6: I am excited to hear his new Nick Grand album.

1857
01:22:41,479 --> 01:22:43,320
Speaker 6: He's been working on it for a while and he

1858
01:22:43,479 --> 01:22:46,639
Speaker 6: called me last night. He's excited and happy that it's done.

1859
01:22:46,680 --> 01:22:49,160
Speaker 1: So does he have like a time frame yet?

1860
01:22:49,200 --> 01:22:52,160
Speaker 6: I mean nah, I mean he just just wrapped it up,

1861
01:22:52,240 --> 01:22:57,400
Speaker 6: just just finished, uh finished recording. He's shooting. He's shooting

1862
01:22:57,720 --> 01:23:01,479
Speaker 6: a movie now, Okay, so yeah, he's just working, man.

1863
01:23:01,520 --> 01:23:03,080
Speaker 6: But I don't think he has a date for when

1864
01:23:03,080 --> 01:23:05,400
Speaker 6: you want to drop. But he did say that, you know,

1865
01:23:05,520 --> 01:23:08,160
Speaker 6: this is anybody got to get out the way once

1866
01:23:08,200 --> 01:23:10,559
Speaker 6: he dropped this joint though, because this is way better

1867
01:23:10,600 --> 01:23:12,880
Speaker 6: than Sunday Dinner to him personally, so and I thought

1868
01:23:12,880 --> 01:23:14,599
Speaker 6: it's tough tough thing to follow up. Yeah, I thot

1869
01:23:14,600 --> 01:23:16,760
Speaker 6: Sunday Dinner was incredible. So but he said, you know

1870
01:23:16,840 --> 01:23:20,280
Speaker 6: this this album is is to him, it just feels

1871
01:23:20,280 --> 01:23:21,839
Speaker 6: a little a little bigger.

1872
01:23:21,920 --> 01:23:23,680
Speaker 1: Did any of the track master stuff make it?

1873
01:23:24,200 --> 01:23:25,960
Speaker 6: I didn't hear nothing yet. Okay, I didn't listen to

1874
01:23:26,080 --> 01:23:28,240
Speaker 6: I didn't listen to anything yet. Like literally sent it

1875
01:23:28,280 --> 01:23:31,200
Speaker 6: to me four o'clock this morning. So I told him

1876
01:23:31,200 --> 01:23:33,320
Speaker 6: I listened to it tonight. So I'll get into it

1877
01:23:33,360 --> 01:23:36,320
Speaker 6: tonight and then report back and let let y'all know

1878
01:23:36,439 --> 01:23:37,880
Speaker 6: if if it's safe to come outside.

1879
01:23:37,880 --> 01:23:39,920
Speaker 1: Once he dropped, I think that was on Mall's twenty

1880
01:23:39,920 --> 01:23:42,800
Speaker 1: twenty five predictions, right, Nick Nick rant? Yeah, but that's

1881
01:23:42,840 --> 01:23:44,479
Speaker 1: the wrap abum of the year. I knew that. Well.

1882
01:23:44,560 --> 01:23:47,040
Speaker 6: Rap album of the year, Yes, yeah, I feel like it. Uh,

1883
01:23:47,560 --> 01:23:49,400
Speaker 6: it will be contendent for rap album of the year.

1884
01:23:49,880 --> 01:23:53,639
Speaker 1: Hey, I think that's it for music. Is there anything

1885
01:23:54,160 --> 01:23:56,639
Speaker 1: coming up this week outside of Reasons project? Just off

1886
01:23:56,640 --> 01:23:57,280
Speaker 1: the top of your head?

1887
01:23:57,360 --> 01:23:59,720
Speaker 5: I know we usually do this Thursday, but I can't

1888
01:23:59,760 --> 01:24:00,800
Speaker 5: think of anything coming.

1889
01:24:01,800 --> 01:24:04,120
Speaker 1: I'm in need for some new some new music.

1890
01:24:05,120 --> 01:24:08,400
Speaker 4: We got new music, y'all going to Cowboy Powder Powder Carter,

1891
01:24:08,800 --> 01:24:10,639
Speaker 4: Cowboy Cowder? Who's Cowder?

1892
01:24:10,880 --> 01:24:11,719
Speaker 5: Cowboy Carter?

1893
01:24:12,560 --> 01:24:14,040
Speaker 1: I'm not going to the Syracuse show the way you

1894
01:24:14,080 --> 01:24:18,760
Speaker 1: pronounced it, sh nah, I don't think so, why not.

1895
01:24:18,920 --> 01:24:22,479
Speaker 5: It's gonna be baddies in like boots and fucking yeah.

1896
01:24:22,520 --> 01:24:23,360
Speaker 1: But when you go to Yeah.

1897
01:24:23,360 --> 01:24:25,519
Speaker 6: But when you go to a Beyonce show, it's like

1898
01:24:25,640 --> 01:24:28,960
Speaker 6: it's baddies there, but they don't see you. The baddies

1899
01:24:28,960 --> 01:24:32,519
Speaker 6: don't see men at beyond Yeah. See y'all see Beyonce

1900
01:24:32,760 --> 01:24:33,439
Speaker 6: and Julius.

1901
01:24:33,479 --> 01:24:36,479
Speaker 1: That's it. Having the arrogance to try to hit on

1902
01:24:36,520 --> 01:24:38,360
Speaker 1: a woman at a Beyonce show when she's focused on

1903
01:24:38,360 --> 01:24:40,559
Speaker 1: Beyonce would be the worst shot of all time.

1904
01:24:40,680 --> 01:24:41,880
Speaker 5: Yeah, it depends on how much money you.

1905
01:24:41,880 --> 01:24:44,280
Speaker 1: Got, y'all. They don't care Beyonce.

1906
01:24:44,400 --> 01:24:46,040
Speaker 5: I care. Do you know how much you pay for

1907
01:24:46,080 --> 01:24:46,479
Speaker 5: them tickets?

1908
01:24:46,560 --> 01:24:48,559
Speaker 1: Yeah, but Beyonce fans don't care about that. Y'all. Go

1909
01:24:48,560 --> 01:24:52,680
Speaker 1: to see Beyonce salary in the middle of yeah, sixteen carriages, Like,

1910
01:24:52,920 --> 01:24:54,280
Speaker 1: first of all, how much did you make per year

1911
01:24:54,320 --> 01:24:55,280
Speaker 1: before or after taxes?

1912
01:24:56,680 --> 01:24:59,479
Speaker 4: One of our one of our listeners said he was

1913
01:24:59,479 --> 01:25:01,160
Speaker 4: taking me so here you go.

1914
01:25:01,439 --> 01:25:03,040
Speaker 1: Here you go with this ship again last time.

1915
01:25:03,080 --> 01:25:05,080
Speaker 6: One of our listeners said he was taking somewhere you

1916
01:25:05,160 --> 01:25:07,920
Speaker 6: came in here was upset for three months. Now here

1917
01:25:07,960 --> 01:25:10,000
Speaker 6: you go again. One of our listeners said, he was

1918
01:25:10,000 --> 01:25:10,400
Speaker 6: taking me.

1919
01:25:10,439 --> 01:25:11,040
Speaker 1: Are you gonna go?

1920
01:25:11,320 --> 01:25:11,519
Speaker 7: Yeah?

1921
01:25:12,320 --> 01:25:14,559
Speaker 1: Of course? She going, Wait, did you have some problem? Now?

1922
01:25:14,720 --> 01:25:18,000
Speaker 1: Did you reply with what section? I didn't do that?

1923
01:25:18,120 --> 01:25:21,080
Speaker 1: She did, be tight if you in the noseblease lying?

1924
01:25:21,360 --> 01:25:24,000
Speaker 1: She said, where's the tickets at? Yeah? I think about it.

1925
01:25:24,040 --> 01:25:29,360
Speaker 1: If it's in the Carter Lounge in the American Express

1926
01:25:29,479 --> 01:25:30,400
Speaker 1: lounge like that.

1927
01:25:30,520 --> 01:25:33,000
Speaker 5: Carter Lounge is crazy?

1928
01:25:33,680 --> 01:25:37,080
Speaker 1: Will there be duce available? Yeah? All right? Well do

1929
01:25:37,120 --> 01:25:38,519
Speaker 1: you like know this person at all?

1930
01:25:38,680 --> 01:25:38,840
Speaker 2: Nah?

1931
01:25:40,280 --> 01:25:42,479
Speaker 1: Did they have a real abby? I think I think

1932
01:25:42,479 --> 01:25:46,439
Speaker 1: it's them. See this is it's Beyonce. You gotta take

1933
01:25:46,479 --> 01:25:47,400
Speaker 1: showed you the tickets?

1934
01:25:48,840 --> 01:25:51,200
Speaker 5: He let me see.

1935
01:25:51,439 --> 01:25:53,439
Speaker 1: He didn't show you know, goddamn you don't even had

1936
01:25:53,479 --> 01:25:56,880
Speaker 1: them tickets yet? Let me see? Yeah, baby, did you

1937
01:25:56,880 --> 01:25:59,759
Speaker 1: you you like flirting? You like acting like a white woman.

1938
01:26:00,640 --> 01:26:02,880
Speaker 1: You don't know this dude? Okay?

1939
01:26:02,920 --> 01:26:04,559
Speaker 5: He said he got two tickets. Yeah, he got two

1940
01:26:04,600 --> 01:26:05,400
Speaker 5: tickets for this date.

1941
01:26:05,520 --> 01:26:09,439
Speaker 1: I could say anything, yo, baby, what's wrong with baby?

1942
01:26:09,479 --> 01:26:09,960
Speaker 1: D y'all?

1943
01:26:10,240 --> 01:26:13,160
Speaker 6: What what is wrong with you? You don't know this man?

1944
01:26:13,200 --> 01:26:14,559
Speaker 6: He ain't sent you no tickets yet?

1945
01:26:14,560 --> 01:26:14,680
Speaker 7: Oh?

1946
01:26:14,720 --> 01:26:16,120
Speaker 1: But when I was gonna go on a date for

1947
01:26:16,280 --> 01:26:21,080
Speaker 1: y'all for content. I care be there with a gun.

1948
01:26:21,240 --> 01:26:24,599
Speaker 1: I'm coming with you Life and what you're talking about

1949
01:26:24,880 --> 01:26:28,000
Speaker 1: the only ghosts can do that, like you crazy, We

1950
01:26:28,040 --> 01:26:28,960
Speaker 1: need going to that ship.

1951
01:26:29,000 --> 01:26:30,680
Speaker 4: But if we going to MetLife and he don't have

1952
01:26:30,720 --> 01:26:32,040
Speaker 4: a gun, like we're good.

1953
01:26:32,920 --> 01:26:33,800
Speaker 1: He can't beat me up.

1954
01:26:33,880 --> 01:26:36,000
Speaker 6: So like we baby did, just share your location with me.

1955
01:26:36,120 --> 01:26:38,280
Speaker 1: That's all. It's MetLife. That's not gonna change anything.

1956
01:26:38,920 --> 01:26:40,880
Speaker 6: And put the put the new air tag inside your

1957
01:26:40,920 --> 01:26:42,120
Speaker 6: cowboy boot so we can know.

1958
01:26:42,080 --> 01:26:44,759
Speaker 1: We we're gonna get you a new air tag.

1959
01:26:44,880 --> 01:26:45,120
Speaker 2: Man.

1960
01:26:45,240 --> 01:26:47,679
Speaker 6: That shit looked like it worked underwater, all kind of shit.

1961
01:26:48,000 --> 01:26:50,439
Speaker 6: We're gonna get you the new air tag. Day shout

1962
01:26:50,439 --> 01:26:55,920
Speaker 6: out to Shout out to up Josh. Let's get this

1963
01:26:56,000 --> 01:26:57,640
Speaker 6: niggas twenty three and meter and see if you got

1964
01:26:57,680 --> 01:26:58,439
Speaker 6: a record man.

1965
01:26:58,640 --> 01:26:58,920
Speaker 1: I don't.

1966
01:26:59,240 --> 01:27:00,840
Speaker 5: I don't think he has. I'm not gonna say this.

1967
01:27:00,920 --> 01:27:03,280
Speaker 1: Nigga ain't got no Instagram, no Twitter. I think he

1968
01:27:03,320 --> 01:27:11,040
Speaker 1: don't got no tickets. He just said, he said, yeah,

1969
01:27:11,200 --> 01:27:13,599
Speaker 1: you try to go this nigga got a COVID mask

1970
01:27:13,680 --> 01:27:17,880
Speaker 1: on in the bathroom. Is that sunny? Digital? Don't do

1971
01:27:18,000 --> 01:27:21,360
Speaker 1: that because I definitely thought that way. He pulled up there,

1972
01:27:22,120 --> 01:27:26,240
Speaker 1: baby d he's a good looking dude. What he has

1973
01:27:26,280 --> 01:27:28,639
Speaker 1: a can't see this nigga man, He got a COVID

1974
01:27:28,720 --> 01:27:31,599
Speaker 1: masks on on the beard, he has hash he got

1975
01:27:31,600 --> 01:27:34,880
Speaker 1: glasses on. He's that's the fucking disguise. You put the

1976
01:27:34,920 --> 01:27:37,439
Speaker 1: COVID mask on, which glasses? We don't know what you

1977
01:27:37,439 --> 01:27:40,919
Speaker 1: look like. He's in the beehive. He's in the beehive.

1978
01:27:41,120 --> 01:27:43,080
Speaker 6: You're gonna be in the be hove in the woods.

1979
01:27:44,120 --> 01:27:47,280
Speaker 1: Get with you. He's gonna take you out the part

1980
01:27:47,320 --> 01:27:50,559
Speaker 1: slippany another episode of Sopranos in the meadow lands.

1981
01:27:51,600 --> 01:27:53,880
Speaker 4: He has You're gonna be next to off hashtag behive

1982
01:27:53,960 --> 01:27:55,960
Speaker 4: boys and his on his account.

1983
01:27:56,880 --> 01:28:01,559
Speaker 1: Okay, oh all right, so gay she's good.

1984
01:28:01,840 --> 01:28:02,559
Speaker 5: Stilln't do that.

1985
01:28:02,560 --> 01:28:09,040
Speaker 1: That's not true because boys, I just never there's too

1986
01:28:09,040 --> 01:28:12,679
Speaker 1: many hashtags, still too many hashtags. Black lives matter.

1987
01:28:12,800 --> 01:28:14,320
Speaker 6: No no no, no no no no no no no.

1988
01:28:14,520 --> 01:28:17,200
Speaker 1: Baby, you can't go with this dude because he thinks

1989
01:28:17,200 --> 01:28:17,920
Speaker 1: black lives matter.

1990
01:28:18,000 --> 01:28:22,679
Speaker 6: No no, no no no mama mentality, followed by black We're

1991
01:28:22,680 --> 01:28:23,240
Speaker 6: not doing this.

1992
01:28:23,400 --> 01:28:26,519
Speaker 1: I will say Ravens flock be high boys, Heat Nation,

1993
01:28:26,600 --> 01:28:30,360
Speaker 1: the marathon continues. Mama mentality BLM. Everybody watches women's sports.

1994
01:28:30,400 --> 01:28:35,439
Speaker 1: This is a bot. This is a bot. This is

1995
01:28:35,560 --> 01:28:40,839
Speaker 1: not a real human being. You probably googled Beyonce tickets

1996
01:28:40,840 --> 01:28:42,640
Speaker 1: and then at tweets you and said, you know, I

1997
01:28:42,640 --> 01:28:44,560
Speaker 1: got you, I got them. Well would be good. We

1998
01:28:44,680 --> 01:28:48,000
Speaker 1: in the building. Let me know whatever I'm gonna go.

1999
01:28:48,120 --> 01:28:49,320
Speaker 1: Did you speak to him on the phone?

2000
01:28:49,800 --> 01:28:53,880
Speaker 6: No yet, No, baby, what is going on right now?

2001
01:28:54,040 --> 01:28:57,120
Speaker 1: Baby? He FaceTime him right now. I don't know his number.

2002
01:28:59,320 --> 01:29:07,880
Speaker 1: He's lip in my DMS with Beyonce tickets. Baby, you

2003
01:29:07,920 --> 01:29:10,559
Speaker 1: ain't going to somebody just slipping my d MS and

2004
01:29:10,600 --> 01:29:13,240
Speaker 1: said if I give them my bank account number for

2005
01:29:13,280 --> 01:29:16,560
Speaker 1: five hundred dollars, they'll they'll turn into five thousand. I

2006
01:29:16,600 --> 01:29:19,519
Speaker 1: don't under you ain't going to no goddamn concert man.

2007
01:29:19,560 --> 01:29:23,080
Speaker 1: Who is this bot? Man? He's a real he's a

2008
01:29:23,120 --> 01:29:23,679
Speaker 1: real boy.

2009
01:29:23,760 --> 01:29:24,360
Speaker 5: I don't like that.

2010
01:29:24,400 --> 01:29:25,800
Speaker 1: I don't know. Did you say he's a real boy.

2011
01:29:25,840 --> 01:29:34,280
Speaker 7: He's a real He's a real boy. He's a real boy.

2012
01:29:35,080 --> 01:29:38,000
Speaker 7: Told mad Lize the deal nose big as fuck.

2013
01:29:38,120 --> 01:29:41,639
Speaker 6: Yo, Baby D is going crazy for this Beyonce ticket.

2014
01:29:41,720 --> 01:29:45,599
Speaker 6: Joe oh Man, Baby D. Hopefully he is a cool guy,

2015
01:29:45,720 --> 01:29:47,640
Speaker 6: and he actually does have tickets for you and that

2016
01:29:47,760 --> 01:29:48,519
Speaker 6: you have a great time.

2017
01:29:48,520 --> 01:29:50,400
Speaker 1: I think, yeah, I think we're gonna have fun. I'll

2018
01:29:50,720 --> 01:29:51,160
Speaker 1: it's been.

2019
01:29:51,080 --> 01:29:53,559
Speaker 6: Real knowing you we love you. If not, it's been

2020
01:29:53,560 --> 01:29:54,160
Speaker 6: real knowing you.

2021
01:29:54,200 --> 01:29:54,760
Speaker 1: We love you.

2022
01:29:55,200 --> 01:29:57,200
Speaker 6: And I'll sing at your funeral. Okay, So right, I

2023
01:29:57,280 --> 01:30:00,600
Speaker 6: got you. I'm a singer, baby funeral if this what?

2024
01:30:01,040 --> 01:30:03,360
Speaker 1: What number? Uh? What number? Baby?

2025
01:30:03,400 --> 01:30:06,040
Speaker 6: These favorites and Whitney use the song I Will Always

2026
01:30:06,080 --> 01:30:06,320
Speaker 6: Love You?

2027
01:30:06,400 --> 01:30:09,719
Speaker 1: Right, I've never even heard of, say, say that song before?

2028
01:30:09,840 --> 01:30:11,760
Speaker 4: What is one of my favorite songs. But that's not

2029
01:30:11,800 --> 01:30:13,360
Speaker 4: a funeral song. You have sing I'm Black. You have

2030
01:30:13,439 --> 01:30:14,599
Speaker 4: sing his Eyes on the Sparrow.

2031
01:30:15,080 --> 01:30:16,960
Speaker 6: Okay, so I've seen that, baby Dan, I'll sing that

2032
01:30:16,960 --> 01:30:17,559
Speaker 6: at your funeral.

2033
01:30:17,560 --> 01:30:19,840
Speaker 1: Don't trip. I got you and you started crying towards

2034
01:30:19,840 --> 01:30:20,840
Speaker 1: the last run on.

2035
01:30:20,920 --> 01:30:22,920
Speaker 6: My Ugly You know I'm my Ugly Crawt for sure,

2036
01:30:23,479 --> 01:30:24,600
Speaker 6: Pastoral had to come get me.

2037
01:30:25,200 --> 01:30:26,920
Speaker 4: You know, I was thinking about this the other day.

2038
01:30:27,479 --> 01:30:30,120
Speaker 4: How long would y'all like take off? Because I know

2039
01:30:30,200 --> 01:30:32,120
Speaker 4: you have a contract, how long would y'all take off?

2040
01:30:32,120 --> 01:30:34,600
Speaker 4: Potting if I was to die? Like is that in

2041
01:30:34,720 --> 01:30:36,720
Speaker 4: you guys's contract? Like if I die that you get

2042
01:30:36,760 --> 01:30:37,479
Speaker 4: a couple of days off.

2043
01:30:37,560 --> 01:30:44,360
Speaker 1: No, we got work tomorrow. I'm just you joking. I

2044
01:30:44,360 --> 01:30:49,599
Speaker 1: don't think Rory Is he got bills. This is what

2045
01:30:51,040 --> 01:30:53,639
Speaker 1: it's going to bring up, like pure resentment towards all

2046
01:30:53,720 --> 01:30:56,320
Speaker 1: podcasts listeners. Oh shit, of the amount of things that

2047
01:30:56,360 --> 01:30:59,680
Speaker 1: have happened in our personal lives, we come. One of

2048
01:30:59,720 --> 01:31:03,200
Speaker 1: my close friends was murdered a block away from me,

2049
01:31:03,520 --> 01:31:07,639
Speaker 1: and I showed up that day, and these motherfuckers the

2050
01:31:07,680 --> 01:31:11,519
Speaker 1: next week when I went to go bury him, said

2051
01:31:11,520 --> 01:31:15,200
Speaker 1: this lazy motherfucker taking a Monday off. My friend was murdered.

2052
01:31:16,400 --> 01:31:18,280
Speaker 1: I was just that because I don't want to be shouting,

2053
01:31:19,760 --> 01:31:22,439
Speaker 1: and I came right in here and fucking potted. And

2054
01:31:22,520 --> 01:31:26,479
Speaker 1: then Demeris actually being the console that she was, hit

2055
01:31:26,560 --> 01:31:29,439
Speaker 1: me on the side and was like yo at Cracks funeral,

2056
01:31:29,560 --> 01:31:34,200
Speaker 1: Like remember I said we were burying Crack at noon

2057
01:31:34,920 --> 01:31:36,519
Speaker 1: on Monday, and I had the group chat and said

2058
01:31:36,520 --> 01:31:37,920
Speaker 1: you I could probably be in there by four or

2059
01:31:37,920 --> 01:31:40,160
Speaker 1: five if you'll want to record later. Demeris, I mean,

2060
01:31:40,240 --> 01:31:42,120
Speaker 1: was like, dude, can you not? Can you just not record?

2061
01:31:42,640 --> 01:31:46,759
Speaker 1: And then the only response from the Twitter community everything,

2062
01:31:47,120 --> 01:31:49,800
Speaker 1: these lazy piece of shit just missed the episode. I

2063
01:31:49,920 --> 01:31:52,759
Speaker 1: just buried a friend that was murdered next to our office.

2064
01:31:52,800 --> 01:31:55,200
Speaker 1: They don't give a fuck. They don't care man, so

2065
01:31:55,280 --> 01:32:00,000
Speaker 1: demeris we'd have no choice. Yeah, the show must go on, obviously.

2066
01:32:02,200 --> 01:32:03,639
Speaker 1: You know what we would do live? We do live

2067
01:32:03,680 --> 01:32:07,040
Speaker 1: reactions from the church. Can we po from your from

2068
01:32:07,040 --> 01:32:07,559
Speaker 1: your funeral?

2069
01:32:08,080 --> 01:32:10,920
Speaker 4: No, all my nigga's gonna be there so that we

2070
01:32:10,920 --> 01:32:11,720
Speaker 4: can interview them.

2071
01:32:11,920 --> 01:32:12,719
Speaker 5: That's crazy.

2072
01:32:12,800 --> 01:32:15,120
Speaker 1: We could do my comma is beautiful with your casket

2073
01:32:15,160 --> 01:32:19,639
Speaker 1: in the back. I on the sparrow would be mulse verse,

2074
01:32:20,280 --> 01:32:20,840
Speaker 1: m K I P.

2075
01:32:24,000 --> 01:32:26,320
Speaker 6: Y know we laugh at all? What God listen none,

2076
01:32:26,360 --> 01:32:28,920
Speaker 6: none of this please, we just just jokes. Nothing is

2077
01:32:28,920 --> 01:32:29,400
Speaker 6: gonna happen.

2078
01:32:29,479 --> 01:32:32,040
Speaker 1: Baby. After after I did her eulogy, I would look

2079
01:32:32,080 --> 01:32:33,400
Speaker 1: to P be like, Yo, can you cut that and

2080
01:32:33,640 --> 01:32:37,160
Speaker 1: for me by this afternoon, let's clip that text the

2081
01:32:37,200 --> 01:32:41,080
Speaker 1: social team, these are her You need to collaborate with Yo.

2082
01:32:41,640 --> 01:32:43,519
Speaker 6: Drop a poll if you think the marriage of services

2083
01:32:43,600 --> 01:32:46,920
Speaker 6: was beautiful, I mean talk to us into commas.

2084
01:32:46,960 --> 01:32:50,040
Speaker 1: Let us know. Drop baby bottles, Yeah, drop baby bottles

2085
01:32:50,040 --> 01:32:53,640
Speaker 1: with baby d like for cremation. Yeah, we don't know

2086
01:32:53,640 --> 01:32:56,559
Speaker 1: what we're gonna do. Yes, we cremate we'll patreon it.

2087
01:32:59,200 --> 01:33:01,120
Speaker 1: This is so dark, but this is because of everyone

2088
01:33:01,160 --> 01:33:03,280
Speaker 1: that's listening. Now. This is how you guys treat it like.

2089
01:33:03,320 --> 01:33:06,519
Speaker 4: People don't give a fuck you gotta they're gonna be

2090
01:33:06,600 --> 01:33:07,599
Speaker 4: on you about my replacement.

2091
01:33:07,640 --> 01:33:08,559
Speaker 5: Who are gonna replace me with?

2092
01:33:08,920 --> 01:33:09,440
Speaker 1: Nobody?

2093
01:33:09,560 --> 01:33:11,160
Speaker 6: It will not be another soul to come in this

2094
01:33:11,200 --> 01:33:15,320
Speaker 6: motherfucking shit right there, it's over. We leave the tailer,

2095
01:33:15,760 --> 01:33:18,200
Speaker 6: does chail stay? It won't be no ass in it though,

2096
01:33:19,280 --> 01:33:19,880
Speaker 6: that's for sure.

2097
01:33:19,960 --> 01:33:22,240
Speaker 1: I don't want no more niggas around that kind of

2098
01:33:22,280 --> 01:33:22,760
Speaker 1: look like her.

2099
01:33:23,600 --> 01:33:26,559
Speaker 4: That's creepy though, because they talk like me too. What's

2100
01:33:26,600 --> 01:33:28,840
Speaker 4: your sister with the big butt? Both of my sisters

2101
01:33:28,880 --> 01:33:30,720
Speaker 4: have big butts, but the one that say which one?

2102
01:33:30,800 --> 01:33:34,000
Speaker 4: But the one that came on stage at the show,

2103
01:33:33,800 --> 01:33:36,040
Speaker 4: and that's the also the one you met in Houston.

2104
01:33:36,080 --> 01:33:38,920
Speaker 6: Thyland, Thyland, Thyland, Mike could sit there.

2105
01:33:39,600 --> 01:33:39,880
Speaker 1: That's it.

2106
01:33:39,960 --> 01:33:42,439
Speaker 5: Y'all can't type. Thailand's mouth is worse than mine.

2107
01:33:42,680 --> 01:33:43,559
Speaker 1: Ooh see.

2108
01:33:43,600 --> 01:33:45,320
Speaker 6: We should have Thiland come in one day and sit

2109
01:33:45,400 --> 01:33:46,000
Speaker 6: next to you.

2110
01:33:46,720 --> 01:33:49,840
Speaker 5: Okay, we childish? I don't it wouldn't y'all wouln't want

2111
01:33:49,840 --> 01:33:52,600
Speaker 5: that because we would pod like y'all don't want that.

2112
01:33:52,640 --> 01:33:53,719
Speaker 1: We can patreon.

2113
01:33:53,760 --> 01:33:55,599
Speaker 5: Can you imagine two of me? Can you imagine if

2114
01:33:55,600 --> 01:33:56,400
Speaker 5: there were two of me?

2115
01:33:56,439 --> 01:33:57,680
Speaker 6: That's what I'm saying. I want to see it. So

2116
01:33:57,680 --> 01:34:00,000
Speaker 6: we're gonna we'll patreon it. Tell see when Thyland could

2117
01:34:00,040 --> 01:34:01,400
Speaker 6: come in and wish you the patreon with her.

2118
01:34:01,439 --> 01:34:03,839
Speaker 1: Okay, yeah, let's do it. Are are you in Demerica's

2119
01:34:03,880 --> 01:34:05,120
Speaker 1: close friends? No?

2120
01:34:05,240 --> 01:34:06,920
Speaker 6: I don't think so. I've never seen a green circle

2121
01:34:06,920 --> 01:34:07,559
Speaker 6: around the marriage.

2122
01:34:07,920 --> 01:34:13,120
Speaker 1: She posted her mother and them close friends. I had

2123
01:34:13,120 --> 01:34:13,920
Speaker 1: some impure thoughts.

2124
01:34:14,000 --> 01:34:17,720
Speaker 6: She got ass baby, mama got asked, yeah, mamad got asked.

2125
01:34:17,400 --> 01:34:22,120
Speaker 4: No, No, she her father more and more every face

2126
01:34:22,200 --> 01:34:24,840
Speaker 4: it was a face photo. She sent me a photo

2127
01:34:24,880 --> 01:34:27,880
Speaker 4: from when she met my dad in ninety two. But

2128
01:34:27,920 --> 01:34:29,760
Speaker 4: my mother in ninety two, my mother was thirty eight,

2129
01:34:29,800 --> 01:34:31,840
Speaker 4: like I have a older mother, and I just said

2130
01:34:31,840 --> 01:34:32,200
Speaker 4: she she.

2131
01:34:32,200 --> 01:34:34,720
Speaker 1: Was thirty eight in that photo. Yes, she looked twenty four.

2132
01:34:35,160 --> 01:34:37,000
Speaker 4: She was out her bagging y ns because my dad

2133
01:34:37,040 --> 01:34:38,200
Speaker 4: is nine years younger than her.

2134
01:34:38,280 --> 01:34:46,960
Speaker 1: So he got him a right, he was twenty nine

2135
01:34:47,000 --> 01:34:54,080
Speaker 1: and was pulled a forty old and then took it

2136
01:34:54,160 --> 01:34:57,400
Speaker 1: right back to Brooklyn. Yeah, he ain't leave us. Since

2137
01:34:57,600 --> 01:34:59,679
Speaker 1: he ain't leave us since I'm just saying she locked

2138
01:34:59,720 --> 01:35:02,640
Speaker 1: him in. He did. I cannot believe we've gone this

2139
01:35:02,680 --> 01:35:04,240
Speaker 1: far in the episode and I'm not talked about the

2140
01:35:04,240 --> 01:35:09,120
Speaker 1: Steve Smith situation. Yo, Steve Smith tripping? Man? What's from white?

2141
01:35:09,160 --> 01:35:11,400
Speaker 1: Why is he tripping? Because he is?

2142
01:35:11,439 --> 01:35:11,880
Speaker 5: He married?

2143
01:35:12,280 --> 01:35:14,280
Speaker 1: Yes? Oh okay, see I didn't know that.

2144
01:35:14,360 --> 01:35:16,679
Speaker 6: Yes, Mary would Key posted a picture with his family

2145
01:35:16,720 --> 01:35:18,479
Speaker 6: three days after he had such that lady?

2146
01:35:18,800 --> 01:35:20,840
Speaker 1: Oh yeah they did the time. I thought this was

2147
01:35:20,880 --> 01:35:23,120
Speaker 1: just I'm just being misogynistic and shitting on the wife.

2148
01:35:23,200 --> 01:35:23,320
Speaker 7: Yo.

2149
01:35:23,360 --> 01:35:23,920
Speaker 1: You know what it is.

2150
01:35:24,000 --> 01:35:27,400
Speaker 6: I just when I was young, obviously I was. I

2151
01:35:27,439 --> 01:35:29,600
Speaker 6: had a very horny phase like most young men.

2152
01:35:29,680 --> 01:35:36,240
Speaker 1: Dude, Yeah, yeah, he's he's a very horny face.

2153
01:35:36,479 --> 01:35:36,680
Speaker 2: I'm not.

2154
01:35:36,880 --> 01:35:38,559
Speaker 6: I'm not horny, baby. He don't put that on me.

2155
01:35:38,680 --> 01:35:41,040
Speaker 6: I'm not no horny dude. Don't do that. You've never

2156
01:35:41,080 --> 01:35:44,280
Speaker 6: seen me? And like your mall, chill, you've never seen that? Okay,

2157
01:35:44,439 --> 01:35:45,280
Speaker 6: when have you seen him?

2158
01:35:45,800 --> 01:35:49,560
Speaker 1: They know about seventy thousand money bags, I would say otherwise.

2159
01:35:49,439 --> 01:35:51,599
Speaker 6: That's not horny. Shit though, that's not horny.

2160
01:35:52,360 --> 01:35:56,880
Speaker 1: It's a de more what's it called demir demere horniness?

2161
01:35:56,960 --> 01:36:00,000
Speaker 6: No, it's not, man, I'm talking about like sleeping with

2162
01:36:00,120 --> 01:36:02,960
Speaker 6: somebody's wife and you're married.

2163
01:36:03,040 --> 01:36:04,080
Speaker 1: That's horny ship, bro.

2164
01:36:04,160 --> 01:36:06,240
Speaker 5: Yeah, yeah, it's like, what do you do?

2165
01:36:06,400 --> 01:36:09,000
Speaker 1: I agree if you were to cheat, though, that would

2166
01:36:09,040 --> 01:36:12,720
Speaker 1: be the best situation something something.

2167
01:36:14,120 --> 01:36:17,519
Speaker 6: I'm just saying that to do that somebody is married,

2168
01:36:18,439 --> 01:36:20,559
Speaker 6: it's okay to be like, yo, I'm not no, like,

2169
01:36:20,600 --> 01:36:22,599
Speaker 6: I'm not getting in between that that union.

2170
01:36:22,640 --> 01:36:24,960
Speaker 1: I'm not doing that. It's not that to me. It

2171
01:36:25,040 --> 01:36:27,439
Speaker 1: was the selfie w and he was like this, Yeah,

2172
01:36:27,479 --> 01:36:28,840
Speaker 1: he was showing. He said I'm getting a little horn.

2173
01:36:29,000 --> 01:36:30,160
Speaker 1: We said I'm getting a little chunk.

2174
01:36:33,000 --> 01:36:33,320
Speaker 3: That was a.

2175
01:36:35,080 --> 01:36:37,200
Speaker 1: That was horn when you said it.

2176
01:36:37,840 --> 01:36:39,840
Speaker 4: He said that, it said turn you over and get

2177
01:36:39,880 --> 01:36:40,559
Speaker 4: deep inside you.

2178
01:36:40,600 --> 01:36:43,280
Speaker 1: He's a face What is that? What is that? What

2179
01:36:43,360 --> 01:36:45,639
Speaker 1: is that face say about turn you over and get

2180
01:36:45,680 --> 01:36:47,400
Speaker 1: deep inside of you? I do not want to see

2181
01:36:47,400 --> 01:36:48,360
Speaker 1: that face and deepens.

2182
01:36:48,439 --> 01:36:50,040
Speaker 6: I guess that's him looking down like when she he

2183
01:36:50,120 --> 01:36:51,960
Speaker 6: turned over. I guess that's supposed to be him looking down,

2184
01:36:53,240 --> 01:36:54,680
Speaker 6: like if she was to look back, that's what she

2185
01:36:54,720 --> 01:36:55,120
Speaker 6: would see.

2186
01:36:55,240 --> 01:36:58,360
Speaker 1: Like he made that too accurate though, Like that's the.

2187
01:36:58,320 --> 01:36:59,800
Speaker 6: Face I used to make when I you know, when

2188
01:36:59,840 --> 01:37:01,679
Speaker 6: you was young and used to get the quickie with

2189
01:37:01,680 --> 01:37:03,640
Speaker 6: with the girl, and you put your shirts on your

2190
01:37:03,680 --> 01:37:04,960
Speaker 6: chin and you.

2191
01:37:04,920 --> 01:37:06,599
Speaker 1: Hold that ship up so it don't for down, except

2192
01:37:06,640 --> 01:37:08,840
Speaker 1: she's doing that with his collar. Ye is what are you?

2193
01:37:10,240 --> 01:37:11,120
Speaker 1: This is crazy? Man?

2194
01:37:11,240 --> 01:37:13,360
Speaker 5: He looked like a Q little L COOLJ bear.

2195
01:37:13,920 --> 01:37:17,880
Speaker 1: First of all, if I found that my wife one

2196
01:37:17,920 --> 01:37:21,000
Speaker 1: had that in her phone. And then she replied with

2197
01:37:21,160 --> 01:37:25,040
Speaker 1: deep is an understatement. Anyone that says understatement during sex

2198
01:37:25,080 --> 01:37:27,000
Speaker 1: thing got the wildest woman on.

2199
01:37:27,479 --> 01:37:29,600
Speaker 4: It felt like you were going to rearrange my I

2200
01:37:29,800 --> 01:37:31,160
Speaker 4: U D you were so deep.

2201
01:37:31,960 --> 01:37:33,920
Speaker 5: Nah, everybody gotta die.

2202
01:37:34,680 --> 01:37:36,080
Speaker 1: Everybody gotta die.

2203
01:37:36,240 --> 01:37:38,960
Speaker 5: They gave me chills. That's crazy.

2204
01:37:39,080 --> 01:37:41,599
Speaker 6: I'm not gonna lie, dog, you got it.

2205
01:37:42,400 --> 01:37:42,799
Speaker 1: I would.

2206
01:37:43,520 --> 01:37:46,240
Speaker 6: I'm not condoning any domestic violence.

2207
01:37:47,479 --> 01:37:52,680
Speaker 1: But if this man period, there's no but.

2208
01:37:52,680 --> 01:37:55,679
Speaker 6: But if this man ended up on the ten o'clock news,

2209
01:37:55,800 --> 01:37:59,600
Speaker 6: I would totally understand. Wouldn't co sign it. But I

2210
01:38:00,160 --> 01:38:02,240
Speaker 6: see how we gobbled it. Never co sign it, and

2211
01:38:02,280 --> 01:38:04,599
Speaker 6: I'm never co signed domestic violence. But as a man,

2212
01:38:04,680 --> 01:38:07,040
Speaker 6: if you read these text messages from your wife to

2213
01:38:07,120 --> 01:38:12,479
Speaker 6: another man like it takes a certain level of just

2214
01:38:12,600 --> 01:38:18,240
Speaker 6: coolness and calmness and just self you know, preservation to

2215
01:38:18,400 --> 01:38:21,400
Speaker 6: not react in a physical manner. I mean this is

2216
01:38:22,400 --> 01:38:24,719
Speaker 6: this is crazy to read your wife talking to another

2217
01:38:24,760 --> 01:38:25,320
Speaker 6: man like this.

2218
01:38:25,320 --> 01:38:30,200
Speaker 1: This is absolutely crazy. This is insane, and it's funny.

2219
01:38:30,240 --> 01:38:33,479
Speaker 1: When I was reading all of these, the hilarious ones

2220
01:38:33,520 --> 01:38:36,280
Speaker 1: aren't really what bothers me the most, Like of course

2221
01:38:36,320 --> 01:38:38,639
Speaker 1: you're feeling deep in my wet pussy all that. First

2222
01:38:38,680 --> 01:38:41,400
Speaker 1: of all, sexting, like reading back sexting from other people

2223
01:38:42,000 --> 01:38:44,400
Speaker 1: is insane. And even if you read back your own

2224
01:38:44,439 --> 01:38:46,600
Speaker 1: sex thing when you're not horny, you're gonna look like

2225
01:38:46,600 --> 01:38:49,920
Speaker 1: a fucking psychopath. With that said, that isn't what would

2226
01:38:49,920 --> 01:38:53,720
Speaker 1: piss me off. It's saying words like understatement. I would

2227
01:38:53,760 --> 01:38:56,040
Speaker 1: have gagged, but I had to come home. That would

2228
01:38:56,040 --> 01:38:59,320
Speaker 1: have That would have the other shit that people talk about,

2229
01:38:59,360 --> 01:39:00,960
Speaker 1: like I love making and you come this and that

2230
01:39:01,840 --> 01:39:03,720
Speaker 1: she getting shit off, he getting his shit on. It's

2231
01:39:03,760 --> 01:39:06,639
Speaker 1: the little shit in there that bothers me the most, FAM,

2232
01:39:07,080 --> 01:39:10,919
Speaker 1: But I had to come home. Fam. No, deep deepest

2233
01:39:10,920 --> 01:39:14,120
Speaker 1: an understatement to me is way crazier than my wet pussy.

2234
01:39:14,160 --> 01:39:14,559
Speaker 1: Fuck that.

2235
01:39:15,080 --> 01:39:18,760
Speaker 6: If you read your wife say I love making you come,

2236
01:39:19,280 --> 01:39:23,479
Speaker 6: I enjoy it more when you come inside me, I'm

2237
01:39:23,600 --> 01:39:31,200
Speaker 6: killing every nigga in the thirty mile radius. Everybody gotta

2238
01:39:31,200 --> 01:39:35,760
Speaker 6: die because one of y'all niggas saw her with him.

2239
01:39:34,479 --> 01:39:37,559
Speaker 1: And god damn it, the whole organization. Everybody has to die.

2240
01:39:38,640 --> 01:39:41,439
Speaker 6: I enjoy it more when you come and yo, reading

2241
01:39:41,479 --> 01:39:43,759
Speaker 6: your that from your wife to another again.

2242
01:39:44,160 --> 01:39:49,080
Speaker 1: Again, that's sounds crazy. You right to me. His response

2243
01:39:49,160 --> 01:39:55,559
Speaker 1: bothers me more noted, Damn, you guys are reading the

2244
01:39:55,600 --> 01:40:01,160
Speaker 1: wrong shit here understatement noted Home, those are the words

2245
01:40:01,160 --> 01:40:04,800
Speaker 1: that are bothering me the most. If your wife said

2246
01:40:04,840 --> 01:40:07,800
Speaker 1: come inside me, and he replies with noted.

2247
01:40:08,600 --> 01:40:12,439
Speaker 4: She responded with yes, sir, and blew that nigga kiss Nah.

2248
01:40:12,479 --> 01:40:19,680
Speaker 4: He was piping down. He was piping down. When you

2249
01:40:19,760 --> 01:40:24,000
Speaker 4: willing to risk it all? You texting that? I wouldn't

2250
01:40:24,000 --> 01:40:30,240
Speaker 4: text that to my actual man. Yo, that spark lit fireworks.

2251
01:40:30,920 --> 01:40:31,760
Speaker 1: Damn, he said.

2252
01:40:31,760 --> 01:40:34,040
Speaker 4: You had me wanting to explode Friday beholding you was

2253
01:40:34,080 --> 01:40:37,240
Speaker 4: quite alright with me. She said that spark lit fireworks.

2254
01:40:37,479 --> 01:40:43,920
Speaker 1: She risen them up. You all right with me. Everyone's dying.

2255
01:40:44,479 --> 01:40:46,280
Speaker 6: You were a gentleman, and that was part of the

2256
01:40:46,320 --> 01:40:49,000
Speaker 6: reason I came back. Wanted to give you a proper goodbye.

2257
01:40:49,200 --> 01:40:55,679
Speaker 1: Oh damn, how y'all go from doing the nasty porn

2258
01:40:55,720 --> 01:40:58,840
Speaker 1: hub sex thing to talking like othello, like y'all love

2259
01:40:58,880 --> 01:40:59,439
Speaker 1: each other.

2260
01:40:59,479 --> 01:41:04,920
Speaker 4: Stadium full of people and all I only saw you

2261
01:41:05,000 --> 01:41:06,559
Speaker 4: killed that.

2262
01:41:05,920 --> 01:41:14,760
Speaker 1: She said that she's she she said that that's a

2263
01:41:14,800 --> 01:41:17,320
Speaker 1: good cloth. She cut from that, But she was sitting

2264
01:41:17,360 --> 01:41:20,000
Speaker 1: there the game. I ain't cut from no good cloth.

2265
01:41:20,080 --> 01:41:23,840
Speaker 6: That bitch is cut from the whole Babylon claw. She's

2266
01:41:23,880 --> 01:41:30,160
Speaker 6: a fucking disgusting Oh my god, one, this.

2267
01:41:30,120 --> 01:41:32,400
Speaker 1: Is why I don't look through phones, because you're gonna

2268
01:41:32,400 --> 01:41:36,240
Speaker 1: find some ship you really don't want to see. If

2269
01:41:36,280 --> 01:41:40,680
Speaker 1: I had this in my possession to then post it

2270
01:41:41,160 --> 01:41:44,280
Speaker 1: so the whole world knows about it. Nah, Yeah, that's

2271
01:41:44,280 --> 01:41:46,880
Speaker 1: what you gotta do that. Nah, you gotta put a

2272
01:41:46,880 --> 01:41:49,160
Speaker 1: hole on display. You put that whole white for yours

2273
01:41:49,200 --> 01:41:52,280
Speaker 1: on display, so everybody know exactly why you left her.

2274
01:41:52,360 --> 01:41:56,560
Speaker 4: Either way, that's the number one. It's gonna look embarrassing.

2275
01:41:57,400 --> 01:42:00,720
Speaker 4: It's gonna look embarrassing on you scroll back up.

2276
01:42:00,760 --> 01:42:03,920
Speaker 1: Let me call nine eight. Oh, the passion is hard.

2277
01:42:04,479 --> 01:42:07,280
Speaker 4: I agree, that's why I came back. The connection was

2278
01:42:07,320 --> 01:42:09,840
Speaker 4: something whose numbers? Is this supposed to be Steve's number

2279
01:42:09,840 --> 01:42:10,320
Speaker 4: of her number?

2280
01:42:11,600 --> 01:42:14,080
Speaker 1: This is I believe this. This is the husband posting

2281
01:42:14,080 --> 01:42:15,720
Speaker 1: his wife's text messages.

2282
01:42:17,280 --> 01:42:18,120
Speaker 5: That's he kept it.

2283
01:42:18,240 --> 01:42:20,479
Speaker 1: You think he kept that that that line the past

2284
01:42:20,479 --> 01:42:29,200
Speaker 1: three days. He believe a message? Ah, you heard that.

2285
01:42:29,600 --> 01:42:31,840
Speaker 1: He just said, he said here to fuck your wife.

2286
01:42:31,960 --> 01:42:36,759
Speaker 1: Who it's a good rollout. Wait, so he just changed

2287
01:42:37,240 --> 01:42:39,720
Speaker 1: his number and put that. Yeah, it's the voicemail. It's

2288
01:42:39,720 --> 01:42:40,160
Speaker 1: a good move.

2289
01:42:41,080 --> 01:42:46,000
Speaker 4: I'm I'm a pain like this is painful. This is painful.

2290
01:42:46,600 --> 01:42:48,760
Speaker 6: See now, if Homie find Steve Smith and run down

2291
01:42:48,760 --> 01:42:51,200
Speaker 6: on him, they're gonna have him on trial. We're gonna

2292
01:42:51,200 --> 01:42:55,400
Speaker 6: watch on CNN documentary coming out on Hulu.

2293
01:42:56,280 --> 01:42:57,840
Speaker 1: This is how this should go. This is what this is.

2294
01:42:57,960 --> 01:42:59,880
Speaker 5: We're so deep. I thought you were gonna knock my

2295
01:43:00,160 --> 01:43:00,479
Speaker 5: You d.

2296
01:43:00,640 --> 01:43:03,360
Speaker 6: Out, Yo, nigga knack your wife.

2297
01:43:03,479 --> 01:43:12,320
Speaker 1: I U D out And you know you was fucked up.

2298
01:43:13,240 --> 01:43:15,800
Speaker 1: It was really fucked up. Is you know? She and

2299
01:43:15,800 --> 01:43:17,920
Speaker 1: her husband had a whole talk about her putting that

2300
01:43:17,960 --> 01:43:19,879
Speaker 1: I U D up there after the kids and everything,

2301
01:43:20,200 --> 01:43:22,200
Speaker 1: and now you now you sexting with my I U D.

2302
01:43:22,760 --> 01:43:25,400
Speaker 1: That's crazy, man. Well I paid for the iu D.

2303
01:43:25,520 --> 01:43:27,200
Speaker 1: Get your own, get your own man.

2304
01:43:27,840 --> 01:43:31,080
Speaker 6: Well, I mean hopefully this gentleman is a healing and

2305
01:43:31,200 --> 01:43:33,240
Speaker 6: you know he meets a better, better woman.

2306
01:43:34,000 --> 01:43:37,559
Speaker 5: That's you, not oh she, I know she freaked freak

2307
01:43:37,760 --> 01:43:38,599
Speaker 5: freakd nasty.

2308
01:43:39,560 --> 01:43:41,720
Speaker 1: I know you think he's he's gonna get back out

2309
01:43:41,760 --> 01:43:45,400
Speaker 1: there after this. And also your kids about to find

2310
01:43:45,439 --> 01:43:47,960
Speaker 1: out if you put that there. And now how old

2311
01:43:48,000 --> 01:43:51,960
Speaker 1: are their kids? Mm hmm. They was probably bragging to

2312
01:43:52,080 --> 01:43:53,960
Speaker 1: all their friends about the free Raven tickets. They was

2313
01:43:53,960 --> 01:43:57,479
Speaker 1: getting my mom work at the stadium. That's gonna be

2314
01:43:57,520 --> 01:44:01,240
Speaker 1: a rough, rough lunch room, to say the fucking least.

2315
01:44:01,840 --> 01:44:07,000
Speaker 1: That's pain. I hate that. I'm kidding, God forbid or

2316
01:44:07,000 --> 01:44:08,600
Speaker 1: something like that ever happened to me. I'm keeping that

2317
01:44:08,600 --> 01:44:12,800
Speaker 1: ship to myself. Sure, no fucking way, that would be

2318
01:44:13,439 --> 01:44:18,200
Speaker 1: next level to just post those that's fucking insane. Yeah,

2319
01:44:18,200 --> 01:44:18,719
Speaker 1: that's wow.

2320
01:44:19,680 --> 01:44:22,840
Speaker 6: Well, hopefully you know this gentleman is okay, and you know.

2321
01:44:22,880 --> 01:44:26,719
Speaker 1: He's you know, doing he's not okay.

2322
01:44:27,000 --> 01:44:28,599
Speaker 6: I mean, yeah, that's tough to read that. I ain't

2323
01:44:28,600 --> 01:44:30,680
Speaker 6: gonna lie. We could crack jokes because it's not us.

2324
01:44:30,680 --> 01:44:33,000
Speaker 6: But as a man, you know, if I was, you know,

2325
01:44:33,040 --> 01:44:35,040
Speaker 6: a married man and my wife is cheating on me

2326
01:44:35,080 --> 01:44:38,160
Speaker 6: and I read those text messages, bro.

2327
01:44:38,080 --> 01:44:38,879
Speaker 1: That is crazy.

2328
01:44:39,200 --> 01:44:40,960
Speaker 6: I feel I feel bad for him just reading that

2329
01:44:41,000 --> 01:44:46,040
Speaker 6: like that is just like your wife is somebody else's doormat,

2330
01:44:46,680 --> 01:44:49,080
Speaker 6: Like you know that is crazy to read.

2331
01:44:49,200 --> 01:44:50,160
Speaker 5: Oh, I don't want to say door man.

2332
01:44:50,200 --> 01:44:54,200
Speaker 1: Maybe he likes her, No, I oh, he loves a doing.

2333
01:44:54,600 --> 01:45:00,760
Speaker 1: That's his favorite doormat inside when the weather's.

2334
01:44:59,800 --> 01:45:02,519
Speaker 5: Gu keep saying doormat. And this isn't me sticking up.

2335
01:45:02,640 --> 01:45:04,960
Speaker 1: Because he's just usually just that's just cumbucket.

2336
01:45:05,000 --> 01:45:06,920
Speaker 5: But how do you guys know that? That's what I'm saying.

2337
01:45:06,960 --> 01:45:12,160
Speaker 1: I'm reading the text messages what you like. She's saying, Hey,

2338
01:45:12,240 --> 01:45:14,919
Speaker 1: I'm a cumbucket. He's not a cumbucket. Jesus.

2339
01:45:15,000 --> 01:45:16,960
Speaker 5: But maybe they like each other. You talk to people.

2340
01:45:17,280 --> 01:45:19,320
Speaker 1: Like you like you. I like, I had a few cumbuckets.

2341
01:45:19,320 --> 01:45:19,559
Speaker 1: I like.

2342
01:45:19,680 --> 01:45:21,840
Speaker 5: So you're saying that women that you respect you don't

2343
01:45:21,880 --> 01:45:22,479
Speaker 5: talk to like that.

2344
01:45:25,000 --> 01:45:27,040
Speaker 6: Not saying that because you can have a girlfriend or

2345
01:45:27,080 --> 01:45:29,040
Speaker 6: you know, somebody your wife, and you can sex and

2346
01:45:29,080 --> 01:45:31,280
Speaker 6: talk nasty to each other. So I'm not gonna say

2347
01:45:31,680 --> 01:45:34,400
Speaker 6: you don't respect them. But you know, this woman is married,

2348
01:45:34,439 --> 01:45:36,439
Speaker 6: she has a family. You're married, you have a family.

2349
01:45:38,360 --> 01:45:40,360
Speaker 6: She just doesn't have no respect for her union in

2350
01:45:40,400 --> 01:45:42,720
Speaker 6: her home, Like you're not supposed to be out here

2351
01:45:42,760 --> 01:45:44,920
Speaker 6: doing all of this with cheating is one thing. If

2352
01:45:44,960 --> 01:45:47,160
Speaker 6: you just have a you know, a fling and it's

2353
01:45:47,200 --> 01:45:51,000
Speaker 6: like it'll never happen again. This is like she knows

2354
01:45:51,040 --> 01:45:53,120
Speaker 6: her place, like I just want you to put it

2355
01:45:53,160 --> 01:45:56,519
Speaker 6: in my throat, like you know, bust inside me, you

2356
01:45:56,600 --> 01:46:01,280
Speaker 6: knock the eye ud out, like not once did she

2357
01:46:01,320 --> 01:46:07,679
Speaker 6: say dinner was amazing. She didn't say dinner was amazing.

2358
01:46:07,880 --> 01:46:09,840
Speaker 6: The you know, the shrimp, the shrimp.

2359
01:46:10,640 --> 01:46:13,320
Speaker 1: She said. The passion was was up there, she said.

2360
01:46:13,400 --> 01:46:15,920
Speaker 4: She says, stadium full of people and I only saw

2361
01:46:15,960 --> 01:46:17,120
Speaker 4: you and he agreed with her.

2362
01:46:19,000 --> 01:46:20,519
Speaker 1: Wait, first of all, what year was this?

2363
01:46:21,400 --> 01:46:23,639
Speaker 6: I mean he probably doing analysts work. He does analyst work,

2364
01:46:23,680 --> 01:46:25,720
Speaker 6: so he's at the stadium doing analysts work.

2365
01:46:26,479 --> 01:46:28,920
Speaker 1: So it could have been he wasn't even catching a pass. No,

2366
01:46:28,960 --> 01:46:29,439
Speaker 1: it could have been.

2367
01:46:29,960 --> 01:46:32,479
Speaker 6: He said he's getting chunky, like he's not playing getting chunky.

2368
01:46:33,720 --> 01:46:35,959
Speaker 6: Those are recent like he's he's retired.

2369
01:46:36,040 --> 01:46:38,080
Speaker 1: He's about to say some bullshit. I think he like

2370
01:46:38,200 --> 01:46:40,640
Speaker 1: conducted the band one day, and she like works for

2371
01:46:40,680 --> 01:46:44,120
Speaker 1: the band, like he was like the conductor the band

2372
01:46:44,120 --> 01:46:48,320
Speaker 1: with with with freddie p and them, she's in the

2373
01:46:48,400 --> 01:46:54,240
Speaker 1: marching band. Then she fucked doctor ly. Oh the marching

2374
01:46:54,240 --> 01:46:55,280
Speaker 1: band for the Ravens.

2375
01:46:55,320 --> 01:46:56,599
Speaker 5: Yeah, she's in the marching band.

2376
01:46:57,600 --> 01:47:02,880
Speaker 1: Oh so he been fucking with her for a while. Damn. Well,

2377
01:47:03,360 --> 01:47:04,080
Speaker 1: it is what it is.

2378
01:47:04,600 --> 01:47:06,880
Speaker 4: Don't don't cheat, and if you're gonna cheat, don't do

2379
01:47:06,960 --> 01:47:07,639
Speaker 4: it that way.

2380
01:47:07,840 --> 01:47:08,920
Speaker 5: That's bad and mean.

2381
01:47:09,120 --> 01:47:11,599
Speaker 1: It's just not these text messages like that family look

2382
01:47:11,960 --> 01:47:15,000
Speaker 1: just looks like like, come on, man, why would you

2383
01:47:15,000 --> 01:47:17,439
Speaker 1: Why would you? Just I know, but why would That's

2384
01:47:17,439 --> 01:47:17,840
Speaker 1: what I'm saying.

2385
01:47:17,880 --> 01:47:19,600
Speaker 6: Why would you put your family out there to be

2386
01:47:20,080 --> 01:47:21,760
Speaker 6: put them in a position to be embarrassed like this?

2387
01:47:21,920 --> 01:47:23,880
Speaker 5: Well he didn't put the text messages out.

2388
01:47:23,960 --> 01:47:26,240
Speaker 6: He did because he's fucking another girl, like she's a

2389
01:47:26,280 --> 01:47:27,760
Speaker 6: fucking whole Babylon.

2390
01:47:29,040 --> 01:47:30,080
Speaker 1: That's what I'm saying. You can't.

2391
01:47:30,120 --> 01:47:32,200
Speaker 6: You can't cheat on your wife because you're cheating on

2392
01:47:32,240 --> 01:47:33,880
Speaker 6: your family. It's not just your wife you cheating on

2393
01:47:34,360 --> 01:47:36,360
Speaker 6: now his his family looks crazy with all these text

2394
01:47:36,400 --> 01:47:38,280
Speaker 6: messages out in the public like.

2395
01:47:38,240 --> 01:47:40,840
Speaker 4: That, like you're reading those text messages for my dad.

2396
01:47:41,000 --> 01:47:44,080
Speaker 4: I thirteenth reason they would be making a special on me.

2397
01:47:44,200 --> 01:47:44,679
Speaker 1: That is.

2398
01:47:48,680 --> 01:47:50,599
Speaker 4: Now the girl I don't like you in school definitely

2399
01:47:50,600 --> 01:47:53,919
Speaker 4: gonna seem like you're freaked out ass daddy crazy.

2400
01:47:54,120 --> 01:47:57,000
Speaker 1: Okay, we've all said insane things in our history of

2401
01:47:57,040 --> 01:47:59,120
Speaker 1: podcasting that our kids are gonna heir. Oh my god,

2402
01:47:59,800 --> 01:48:01,880
Speaker 1: your son is gonna hear some ship that's not gonna

2403
01:48:01,880 --> 01:48:05,400
Speaker 1: make him feel feel very honorable walking onto the playground.

2404
01:48:05,840 --> 01:48:08,920
Speaker 6: M m nah, my son gonna be proud.

2405
01:48:10,720 --> 01:48:11,720
Speaker 1: What if he's a condrict film?

2406
01:48:13,000 --> 01:48:17,439
Speaker 6: Never stop see, it will never happen.

2407
01:48:19,080 --> 01:48:21,719
Speaker 1: There will be no there, no dots in this house.

2408
01:48:21,840 --> 01:48:23,519
Speaker 1: There will be no listening to that my.

2409
01:48:23,520 --> 01:48:26,439
Speaker 4: Lockery pregnant and had a kid, or my kid was

2410
01:48:26,439 --> 01:48:28,160
Speaker 4: going to high school. Could I convince y'all to like

2411
01:48:28,200 --> 01:48:31,519
Speaker 4: take certain things off the YouTube, like five tens, We're.

2412
01:48:31,400 --> 01:48:33,680
Speaker 6: Gonna clip it, and I'm gonna send your kid like

2413
01:48:33,720 --> 01:48:37,400
Speaker 6: the clip page, like yo, your mom's just going crazy.

2414
01:48:37,439 --> 01:48:38,960
Speaker 1: We're gonna take a page out of Lad's book and

2415
01:48:39,000 --> 01:48:40,960
Speaker 1: the slashbacks.

2416
01:48:42,000 --> 01:48:45,759
Speaker 6: At the baby shower, like at the gender reveal, I'm like, baby,

2417
01:48:45,880 --> 01:48:47,800
Speaker 6: this is the hard drive right here, just so you

2418
01:48:47,840 --> 01:48:49,919
Speaker 6: have it, just the masters, Like you got the Masters.

2419
01:48:50,000 --> 01:48:51,280
Speaker 1: That's crazy, you know what I mean?

2420
01:48:51,640 --> 01:48:53,280
Speaker 4: And I definitely gotta get a new father because if

2421
01:48:53,320 --> 01:48:54,679
Speaker 4: the father is one of the niggas I've been talking

2422
01:48:54,680 --> 01:48:55,519
Speaker 4: about that's awful.

2423
01:48:55,960 --> 01:48:59,000
Speaker 6: Oh my god, that's worse or romantic?

2424
01:48:59,280 --> 01:49:02,479
Speaker 1: Or romantic? Has how you look at love win? Did

2425
01:49:02,520 --> 01:49:04,480
Speaker 1: Steve Smith put out any like response?

2426
01:49:06,160 --> 01:49:06,280
Speaker 2: Oh?

2427
01:49:06,320 --> 01:49:09,920
Speaker 1: Wait, she puts something note? Is that really her?

2428
01:49:10,720 --> 01:49:10,880
Speaker 7: Yeah?

2429
01:49:11,000 --> 01:49:13,240
Speaker 1: Let's should Who cares? She said?

2430
01:49:13,320 --> 01:49:13,519
Speaker 7: Hi?

2431
01:49:14,000 --> 01:49:17,920
Speaker 1: Nobody says, Hi, I am Nicole Martinez. Now let's read that.

2432
01:49:17,920 --> 01:49:18,160
Speaker 2: That's what.

2433
01:49:18,240 --> 01:49:19,880
Speaker 1: I won't be a Martinez much longer.

2434
01:49:21,160 --> 01:49:23,960
Speaker 6: She says, Hi, I am the Cole Martinez, though I

2435
01:49:24,000 --> 01:49:25,679
Speaker 6: won't be a Martinez much longer.

2436
01:49:26,400 --> 01:49:29,160
Speaker 1: You see, I have been cheating on my home, you see.

2437
01:49:29,280 --> 01:49:32,680
Speaker 1: And yeah, I have been. But this is what he

2438
01:49:32,760 --> 01:49:37,160
Speaker 1: put on her Facebook. Oh the husband? Oh so oh gangster?

2439
01:49:37,200 --> 01:49:40,160
Speaker 6: Oh yeah, I gotta read this now his voice, Hi,

2440
01:49:40,680 --> 01:49:43,400
Speaker 6: I am the Cole Martinez, though I won't be a

2441
01:49:43,479 --> 01:49:46,760
Speaker 6: Martinez much longer. You see, I have been cheating on

2442
01:49:46,800 --> 01:49:48,800
Speaker 6: my husband, and I have been doing so with the

2443
01:49:48,920 --> 01:49:50,480
Speaker 6: very famous Steves from senior.

2444
01:49:50,280 --> 01:49:55,320
Speaker 1: Paus pauls Paul, pause, right, there have some some decency

2445
01:49:55,360 --> 01:49:56,559
Speaker 1: and self respect, my guy.

2446
01:49:56,960 --> 01:49:57,439
Speaker 5: Yeah.

2447
01:49:57,560 --> 01:50:00,000
Speaker 1: If I find my wife and read these text message,

2448
01:50:00,439 --> 01:50:03,000
Speaker 1: I'm not putting in the very famous.

2449
01:50:02,920 --> 01:50:10,280
Speaker 6: Yeah, the very famous Steve Smith senior picks attached for reference.

2450
01:50:10,520 --> 01:50:12,599
Speaker 1: I have him be the attachment below. I have him

2451
01:50:12,640 --> 01:50:15,880
Speaker 1: hidden under three, but that's been fixed. My husband bought

2452
01:50:15,920 --> 01:50:16,400
Speaker 1: me a house.

2453
01:50:16,479 --> 01:50:18,479
Speaker 6: He stood by my side after I had been arrested

2454
01:50:18,520 --> 01:50:21,679
Speaker 6: twice for domestic violence, and this is how I repay

2455
01:50:21,760 --> 01:50:25,280
Speaker 6: him and our son. There's plenty of messages here. Steve Crazy,

2456
01:50:25,320 --> 01:50:28,599
Speaker 6: the kound of revealing messages celebrity will send Baltimore Ravens.

2457
01:50:28,600 --> 01:50:31,360
Speaker 6: I am also a member of your team band. I

2458
01:50:31,400 --> 01:50:34,160
Speaker 6: believe I violated some fratnization rules by hooking up with

2459
01:50:34,160 --> 01:50:39,080
Speaker 6: Steve at the training facility ESPN TMG, Carolina Panthers, Antonio

2460
01:50:39,240 --> 01:50:42,240
Speaker 6: Brown White tag they be in.

2461
01:50:42,120 --> 01:50:46,960
Speaker 1: That this is fake man. No, the hud that is

2462
01:50:47,000 --> 01:50:49,719
Speaker 1: supposed to be the husband that posted does this is bullshit?

2463
01:50:49,800 --> 01:50:51,439
Speaker 1: And you just call that number and it said, hey's

2464
01:50:51,439 --> 01:50:54,400
Speaker 1: Steve Smith, I'm here to fuck your wife. This is fake. Nah,

2465
01:50:54,520 --> 01:50:55,280
Speaker 1: I think that's real.

2466
01:50:55,360 --> 01:50:55,519
Speaker 4: Bro.

2467
01:50:56,800 --> 01:50:59,439
Speaker 1: This feels fake to me though, the whole entire thing.

2468
01:50:59,680 --> 01:51:03,880
Speaker 1: And also who saves a hidden ship under three? Like

2469
01:51:03,880 --> 01:51:06,880
Speaker 1: the running joke of like, oh uh, I got caught

2470
01:51:06,880 --> 01:51:10,360
Speaker 1: because Domino's called at a certain or why is Domino's

2471
01:51:10,360 --> 01:51:14,360
Speaker 1: texting you? Yeah? Who's saving a side doe to side

2472
01:51:14,439 --> 01:51:17,840
Speaker 1: chick under three? Yeah? That would make if I'm going

2473
01:51:17,880 --> 01:51:20,320
Speaker 1: through someone's phone, three would catch my eye. Who do

2474
01:51:20,360 --> 01:51:21,439
Speaker 1: you have saved under? Three?

2475
01:51:22,080 --> 01:51:24,000
Speaker 5: Stupid people do stupid things, though.

2476
01:51:24,600 --> 01:51:29,960
Speaker 1: Not like not like Eric Trumpet player, Like and you're

2477
01:51:30,000 --> 01:51:31,520
Speaker 1: tacking Antonio Brown.

2478
01:51:31,680 --> 01:51:33,360
Speaker 5: Antonio, It's like, what the fuck I gotta do with it?

2479
01:51:34,160 --> 01:51:34,599
Speaker 1: Everything?

2480
01:51:35,600 --> 01:51:38,360
Speaker 5: Yeah, it's all your fault somehow, everything is his fault.

2481
01:51:38,439 --> 01:51:40,559
Speaker 1: I'm going cap on all this shit. I don't think

2482
01:51:40,560 --> 01:51:44,040
Speaker 1: any of this shit is true. Nah, I don't.

2483
01:51:44,479 --> 01:51:47,960
Speaker 4: It's just too like the Marching Band player. If I'm

2484
01:51:48,000 --> 01:51:51,200
Speaker 4: thinking of like creating some some lore, I'm not gonna say,

2485
01:51:51,439 --> 01:51:53,920
Speaker 4: you know what, he should fuck the Marching Band player, Like,

2486
01:51:54,000 --> 01:51:55,560
Speaker 4: that's you too creative.

2487
01:51:57,160 --> 01:51:57,400
Speaker 3: Nah.

2488
01:51:57,400 --> 01:52:00,920
Speaker 1: But if you got Steve Smith trying to roll something out,

2489
01:52:00,960 --> 01:52:05,200
Speaker 1: I don't know. I think he's involved. Mm hmm. Oh well,

2490
01:52:05,880 --> 01:52:09,519
Speaker 1: praiers to all parties involved. Gotta in praiers to all

2491
01:52:09,560 --> 01:52:15,080
Speaker 1: parties involved. Well that was fun. Oh my god. Any

2492
01:52:15,120 --> 01:52:20,439
Speaker 1: plans for this week anyone? Not as of yet. Nope.

2493
01:52:20,800 --> 01:52:23,760
Speaker 4: I'm going on a date where to I don't know

2494
01:52:23,880 --> 01:52:26,760
Speaker 4: whom yet or where, but I'm gonna go.

2495
01:52:27,000 --> 01:52:29,639
Speaker 1: This has been another episode and we're not doing.

2496
01:52:30,560 --> 01:52:32,400
Speaker 4: I have a blow of vlog dropping and I was

2497
01:52:32,400 --> 01:52:34,439
Speaker 4: talking about getting back out there. So I'm going on

2498
01:52:34,479 --> 01:52:36,519
Speaker 4: a date this week. I don't know with whom, but

2499
01:52:36,600 --> 01:52:45,080
Speaker 4: I am all right. But seriously, I'm being vulnerable.

2500
01:52:45,760 --> 01:52:51,080
Speaker 1: Yeah, very vulnerable. You have four days to just decide. Yeah,

2501
01:52:52,640 --> 01:52:53,240
Speaker 1: do you like? No?

2502
01:52:53,800 --> 01:52:54,200
Speaker 5: No idea?

2503
01:52:54,240 --> 01:52:55,200
Speaker 1: At least you haven't mind.

2504
01:52:55,280 --> 01:52:58,439
Speaker 5: I really want to try the corner store, like the

2505
01:52:58,520 --> 01:52:59,240
Speaker 5: new restaurant.

2506
01:53:00,040 --> 01:53:00,559
Speaker 1: Want to try that?

2507
01:53:00,600 --> 01:53:03,599
Speaker 6: Somebody just text me about that, Like, what is this TikTok?

2508
01:53:03,680 --> 01:53:05,479
Speaker 6: Is this TikTok is going viral? TikTok?

2509
01:53:05,600 --> 01:53:07,560
Speaker 1: I think they serve you like caviar on nuggets and

2510
01:53:07,600 --> 01:53:08,320
Speaker 1: I want to try that.

2511
01:53:08,400 --> 01:53:11,960
Speaker 6: Oh my god, and everybody's a caveat through a bump

2512
01:53:11,960 --> 01:53:15,120
Speaker 6: of caviar. You get the fuck out of here through

2513
01:53:15,160 --> 01:53:16,280
Speaker 6: bump cavear bumps.

2514
01:53:16,600 --> 01:53:19,960
Speaker 1: Yeah yeah, get back out there, get off TikTok.

2515
01:53:19,960 --> 01:53:22,800
Speaker 5: So I'm I'm gonna get back out there, but we.

2516
01:53:22,760 --> 01:53:25,760
Speaker 1: Get double, can we? No?

2517
01:53:27,800 --> 01:53:32,840
Speaker 4: It sounded good. I would love it, actually, but yeah no.

2518
01:53:32,920 --> 01:53:35,760
Speaker 4: When I find out, I'll let you guys know, obviously,

2519
01:53:35,880 --> 01:53:37,640
Speaker 4: but if not, I'm just gonna take myself out. I

2520
01:53:37,640 --> 01:53:39,080
Speaker 4: want to wear a cute I just want to wear

2521
01:53:39,080 --> 01:53:41,080
Speaker 4: a cute dress. I want to do my hair I

2522
01:53:41,120 --> 01:53:45,800
Speaker 4: want to feel pretty and sensual, so I'm gonna do that.

2523
01:53:45,920 --> 01:53:51,040
Speaker 1: You really got to stop ovulating. And also is where

2524
01:53:51,080 --> 01:53:54,280
Speaker 1: I feel for men too, because she didn't say anything wrong,

2525
01:53:54,360 --> 01:53:56,840
Speaker 1: but there's some innocent young man out there that's about

2526
01:53:56,880 --> 01:53:58,880
Speaker 1: to just be used. So she could wear a dress

2527
01:53:58,920 --> 01:54:01,360
Speaker 1: and go out feel pretty. And as soon as she's

2528
01:54:01,360 --> 01:54:04,320
Speaker 1: stopping me, like really try to make something out of it.

2529
01:54:04,400 --> 01:54:06,040
Speaker 6: And as soon as she stopped I relating, she ain't

2530
01:54:06,040 --> 01:54:08,200
Speaker 6: gonna answer his calls and text messages and like, get on,

2531
01:54:08,400 --> 01:54:11,160
Speaker 6: did she once she's on a cycle, stop calling me?

2532
01:54:11,200 --> 01:54:13,400
Speaker 6: Leave me alone? You pissing me off. I came over

2533
01:54:13,400 --> 01:54:15,519
Speaker 6: here with these bomb ass flowers. I don't want no flowers,

2534
01:54:15,520 --> 01:54:17,360
Speaker 6: Like yo, you some flowers.

2535
01:54:17,400 --> 01:54:18,000
Speaker 1: That's not true.

2536
01:54:19,080 --> 01:54:22,040
Speaker 5: I love flowers and I wouldn't do that allegedly, but

2537
01:54:22,160 --> 01:54:22,439
Speaker 5: I don't.

2538
01:54:22,600 --> 01:54:22,840
Speaker 1: I don't.

2539
01:54:22,880 --> 01:54:25,040
Speaker 4: I'm not going to use anybody using would be. I

2540
01:54:25,120 --> 01:54:26,439
Speaker 4: need you to do this for me, Like I said,

2541
01:54:26,479 --> 01:54:28,679
Speaker 4: if I don't find anybody that I would enjoy going

2542
01:54:28,680 --> 01:54:30,240
Speaker 4: on a date with, I can take myself that.

2543
01:54:31,479 --> 01:54:34,560
Speaker 1: But I hear that it's not what you said. Definitely

2544
01:54:35,000 --> 01:54:38,440
Speaker 1: date it would be nice upcoming, Peach. There's a guy

2545
01:54:38,560 --> 01:54:42,680
Speaker 1: Kansas City waiting. Don't do that. We're not even talking

2546
01:54:42,680 --> 01:54:47,800
Speaker 1: about that way ride not to You should take Peach

2547
01:54:47,880 --> 01:54:48,640
Speaker 1: with you if you don't follow.

2548
01:54:49,560 --> 01:54:51,160
Speaker 4: Me and Peach are going a nice little date. Peach

2549
01:54:51,160 --> 01:54:53,200
Speaker 4: gonna want Chuck, mikel Up, Ultras and ship.

2550
01:54:53,280 --> 01:54:57,200
Speaker 1: Though. This is but another episode of New Worry for

2551
01:54:57,200 --> 01:55:00,240
Speaker 1: all these addits at the end of this episode out

2552
01:55:00,280 --> 01:55:01,320
Speaker 1: for you Pete. Sorry bro.

2553
01:55:02,040 --> 01:55:04,120
Speaker 6: This has been another episode of the new Rory and

2554
01:55:04,200 --> 01:55:06,800
Speaker 6: Maul podcast. Have a great week. We'll talk to you

2555
01:55:06,800 --> 01:55:08,960
Speaker 6: in a couple of days. Be safe, Be blessed. My

2556
01:55:09,040 --> 01:55:13,320
Speaker 6: Comma is Beautiful available now, Day twenty six. First episode

2557
01:55:13,400 --> 01:55:16,840
Speaker 6: of Rory mal Don't Know Ball with Adam Pacman Jones

2558
01:55:16,840 --> 01:55:19,640
Speaker 6: available now. Check it out. We'll talk to you in

2559
01:55:19,640 --> 01:55:22,400
Speaker 6: a couple of days. Be safe, Be blessed. I'm that nigga,

2560
01:55:22,440 --> 01:55:23,520
Speaker 6: He's just ginger peace.

2561
01:55:24,000 --> 01:55:25,280
Speaker 1: No