1 00:00:00,520 --> 00:00:03,320 Speaker 1: All right, welcome to episode one ten of the Bobby Cast. 2 00:00:03,720 --> 00:00:06,160 Speaker 1: Let me encourage you to check out Jake Owen's podcast. 3 00:00:07,280 --> 00:00:10,959 Speaker 1: It's called Good Company with Jake Owen is country star 4 00:00:11,160 --> 00:00:13,720 Speaker 1: Jaco and walks you through his life early in his career. 5 00:00:13,760 --> 00:00:16,200 Speaker 1: He got new records coming out, So just search for 6 00:00:16,320 --> 00:00:19,640 Speaker 1: Good Company with Jake Oen and listen to that podcast. 7 00:00:20,200 --> 00:00:24,200 Speaker 1: We're doing this next podcast from the building at work, 8 00:00:24,320 --> 00:00:26,079 Speaker 1: not so much the studio, but in my office. I 9 00:00:26,079 --> 00:00:28,240 Speaker 1: have a small studio where I usually would cut commercials, 10 00:00:28,280 --> 00:00:32,440 Speaker 1: and so we were talking to Morgan number two, who 11 00:00:32,520 --> 00:00:35,080 Speaker 1: was the newest addition to our rooms, the main room. 12 00:00:35,159 --> 00:00:37,920 Speaker 1: So that's episode one ten. It's the Bobby Cast. Thanks 13 00:00:37,960 --> 00:00:39,440 Speaker 1: for hanging out. Be sure check out that Jake on 14 00:00:39,479 --> 00:00:41,879 Speaker 1: podcast and share this with your friends too. If there's 15 00:00:41,920 --> 00:00:43,159 Speaker 1: one that you like, like the red Achins one. That 16 00:00:43,240 --> 00:00:45,280 Speaker 1: one gets shared a lot, if you'd like one I 17 00:00:45,280 --> 00:00:46,680 Speaker 1: had to kip more one, or if you go way 18 00:00:46,720 --> 00:00:48,560 Speaker 1: back to share it. The only reason we get to 19 00:00:48,560 --> 00:00:51,240 Speaker 1: be heard by people, and you know share it is 20 00:00:51,280 --> 00:00:53,560 Speaker 1: because you share it. So thank you, and now let's 21 00:00:53,560 --> 00:00:56,279 Speaker 1: go to our Bobby Cast with Morgan number two. Here 22 00:00:56,320 --> 00:01:00,520 Speaker 1: we go. All right, Welcome to Bobby Cast, Morgan number 23 00:01:00,520 --> 00:01:03,640 Speaker 1: two here Heyrgan. What's up? So we are actually in 24 00:01:03,680 --> 00:01:06,760 Speaker 1: between setups, so like ten thirty, we have to go 25 00:01:06,760 --> 00:01:08,480 Speaker 1: back in the studio to record some stuff. So we 26 00:01:08,520 --> 00:01:10,480 Speaker 1: have about thirty minutes or so. I just wanted to 27 00:01:10,520 --> 00:01:11,920 Speaker 1: bring you in because you haven't actually been on the 28 00:01:11,920 --> 00:01:14,080 Speaker 1: Bobby Cast as a guest yet. Yeah, this is my 29 00:01:14,120 --> 00:01:17,479 Speaker 1: first time. She the only one. I guess Hillary hasn't. 30 00:01:17,520 --> 00:01:19,959 Speaker 1: But Hillary, So you've been with the show for how long? 31 00:01:20,560 --> 00:01:23,800 Speaker 1: We're going on? Nine months? Almost ten? Not a year? Yes, no, 32 00:01:23,959 --> 00:01:27,400 Speaker 1: not a year before you came and we're part of 33 00:01:27,440 --> 00:01:30,880 Speaker 1: our show. What were you doing here? I was the 34 00:01:30,920 --> 00:01:35,160 Speaker 1: digital program director of Nashville, so I oversaw six radio 35 00:01:35,200 --> 00:01:38,000 Speaker 1: stations and their social media's. So you did what you 36 00:01:38,040 --> 00:01:39,679 Speaker 1: do for us, but for a bunch of radio stations, 37 00:01:41,040 --> 00:01:47,280 Speaker 1: all the stations combined. Was it what our show is like? Workwise? Like, 38 00:01:48,280 --> 00:01:53,240 Speaker 1: I don't amount. Yeah, I mean, honestly, it's different. So 39 00:01:53,280 --> 00:01:54,880 Speaker 1: I get a focus on the show, and I get 40 00:01:54,880 --> 00:01:57,720 Speaker 1: a focus on people and their personalities and stuff. Whereas 41 00:01:57,760 --> 00:01:59,920 Speaker 1: the radio show I was really focused on the brand 42 00:02:00,120 --> 00:02:02,560 Speaker 1: on the radio station. Yeah, Like it was focused on 43 00:02:02,600 --> 00:02:05,120 Speaker 1: the genre of music and it was harder, It was 44 00:02:05,120 --> 00:02:07,040 Speaker 1: harder to connect with. So it was just a different 45 00:02:07,080 --> 00:02:09,800 Speaker 1: type of work, but probably about the same. Were you 46 00:02:09,840 --> 00:02:12,520 Speaker 1: never even were expecting to be part of the show. No, 47 00:02:12,720 --> 00:02:15,960 Speaker 1: that was never in my like. I just never thought 48 00:02:16,000 --> 00:02:18,160 Speaker 1: it would happen. I never thought the job would open. 49 00:02:18,360 --> 00:02:20,359 Speaker 1: I thought it would always be full. Well, not I 50 00:02:20,400 --> 00:02:22,560 Speaker 1: had it. You know, she was with us for five 51 00:02:22,680 --> 00:02:25,079 Speaker 1: five years before she left, right, and so not a 52 00:02:25,200 --> 00:02:27,239 Speaker 1: left and nobody knew not I was leaving. I knew 53 00:02:27,320 --> 00:02:28,800 Speaker 1: not I was leaving. Not I told me she was leaving. 54 00:02:29,200 --> 00:02:31,520 Speaker 1: And so I remember pulling Morgan number two and we 55 00:02:31,520 --> 00:02:33,480 Speaker 1: were just going to fill in as we looked for 56 00:02:33,520 --> 00:02:36,240 Speaker 1: because we did look for people. We had interviews and 57 00:02:36,320 --> 00:02:38,520 Speaker 1: we talked to a bunch of people. And that's when 58 00:02:38,520 --> 00:02:40,000 Speaker 1: I learned that you were actually a listener of the 59 00:02:40,000 --> 00:02:42,200 Speaker 1: show and you were a kid, which was so weird 60 00:02:42,240 --> 00:02:44,000 Speaker 1: because I had no idea. But you grew up in 61 00:02:44,040 --> 00:02:47,200 Speaker 1: witchtok Kansas. Yeah, back in back in Witch and when 62 00:02:47,200 --> 00:02:50,040 Speaker 1: you guys were on the pop station. It's when I 63 00:02:50,080 --> 00:02:52,280 Speaker 1: listened to you guys and I drive in my when 64 00:02:52,320 --> 00:02:54,239 Speaker 1: I first learned to drive, you guys were the first 65 00:02:54,360 --> 00:02:57,440 Speaker 1: radio station I started listening to. And just from then on. 66 00:02:57,560 --> 00:03:01,040 Speaker 1: I that's so weird, I know, and to this day, 67 00:03:01,080 --> 00:03:04,480 Speaker 1: like I can't remember specific moments, but I can remember 68 00:03:04,919 --> 00:03:07,160 Speaker 1: driving to high school every morning and I was listening 69 00:03:07,160 --> 00:03:08,800 Speaker 1: to you guys, and I was listening to pop music. 70 00:03:08,840 --> 00:03:10,880 Speaker 1: That's all I remember. So then you go to school 71 00:03:10,880 --> 00:03:15,880 Speaker 1: in Kansas State. Out of high school, it's Manhattan, Manhattan, Kansas. Yeah, 72 00:03:15,880 --> 00:03:17,880 Speaker 1: how far is that from two and a half hours? 73 00:03:18,480 --> 00:03:20,920 Speaker 1: Do you like it there? I loved it. Kansas State 74 00:03:21,120 --> 00:03:23,880 Speaker 1: is incredible, like my favorite school ever? And what did 75 00:03:23,919 --> 00:03:27,280 Speaker 1: you study journalism? To do? What I wanted to be? 76 00:03:27,880 --> 00:03:29,760 Speaker 1: On news? I wanted to go on the new side 77 00:03:29,880 --> 00:03:33,480 Speaker 1: of things. I always thought anchor, Um, so I did 78 00:03:34,080 --> 00:03:35,560 Speaker 1: Did you did it? Because I did it? Or I 79 00:03:35,600 --> 00:03:38,000 Speaker 1: was like the anchor of the college news. Did you 80 00:03:38,000 --> 00:03:40,880 Speaker 1: do that? Yeah? I was like a TV broadcaster. And 81 00:03:40,920 --> 00:03:44,440 Speaker 1: then Entertainment's really hard to get into entertainment of any kind, 82 00:03:44,560 --> 00:03:48,000 Speaker 1: any art. It's hard to actually make a living at yes, 83 00:03:48,160 --> 00:03:49,920 Speaker 1: So I was like, oh, news is like a good 84 00:03:49,920 --> 00:03:52,720 Speaker 1: way to get into broadcast journalism, which is what I 85 00:03:52,760 --> 00:03:55,440 Speaker 1: wanted to do. And then out of college, I had 86 00:03:55,480 --> 00:03:59,120 Speaker 1: interned at was what was then Clear Channel before I 87 00:03:59,200 --> 00:04:01,600 Speaker 1: heart radio. I'd intern out of radio station just to 88 00:04:01,640 --> 00:04:04,680 Speaker 1: get some time in and they had an opening as 89 00:04:04,720 --> 00:04:06,800 Speaker 1: like a graphic designer. I was like, well, I don't 90 00:04:06,840 --> 00:04:09,880 Speaker 1: really design things, but I could probably figure out the rest. 91 00:04:10,520 --> 00:04:12,320 Speaker 1: And I kind of managed my way in an interview, 92 00:04:12,480 --> 00:04:14,640 Speaker 1: and from then on it was like, Okay, well I 93 00:04:14,640 --> 00:04:17,680 Speaker 1: guess I'm in radio now. So then you started working 94 00:04:18,160 --> 00:04:23,240 Speaker 1: for our station. I don't remember meeting you. Did you 95 00:04:23,279 --> 00:04:25,920 Speaker 1: worked our events? Right? Yeah? I worked when you guys came, 96 00:04:26,360 --> 00:04:28,440 Speaker 1: like the first time as the Raging Idiots in which 97 00:04:28,440 --> 00:04:32,679 Speaker 1: the time played was that at the with with Kelsey? Yeah, 98 00:04:32,920 --> 00:04:36,840 Speaker 1: like at the Circle Indoor. Oh my gosh, I can't 99 00:04:36,839 --> 00:04:38,880 Speaker 1: even think of it right now, but it's like a 100 00:04:38,880 --> 00:04:41,800 Speaker 1: little theater venue. Yeah, we were. We were so bad 101 00:04:42,400 --> 00:04:44,599 Speaker 1: at that point. You guys hadn't even started your band. 102 00:04:44,680 --> 00:04:45,960 Speaker 1: Like it was just you and Eddie. It was just 103 00:04:46,080 --> 00:04:48,760 Speaker 1: Eddie and I and Kelsey and Kelsey would open and 104 00:04:48,760 --> 00:04:50,720 Speaker 1: then she'd come up and play with us Kelsey Vallerini 105 00:04:51,200 --> 00:04:54,960 Speaker 1: And there were three thousand people that showed up even then. Yeah, 106 00:04:55,320 --> 00:04:58,240 Speaker 1: that's why huge my book tour because I haven't been 107 00:04:59,000 --> 00:05:00,680 Speaker 1: which I was the first market we ever went on, 108 00:05:00,760 --> 00:05:02,760 Speaker 1: like at someone in which Ta. I mean, I know 109 00:05:02,760 --> 00:05:05,839 Speaker 1: who it was, but he took our show, and I said, hey, 110 00:05:05,880 --> 00:05:08,200 Speaker 1: if you let me do it for free, like I'll 111 00:05:08,200 --> 00:05:10,400 Speaker 1: pay for everything. I'll pay for the transmission, I'll pay 112 00:05:10,400 --> 00:05:12,560 Speaker 1: for the phone lines, like every single part of it, 113 00:05:12,560 --> 00:05:15,120 Speaker 1: I'll pay for. But we need that real estate, we 114 00:05:15,120 --> 00:05:17,240 Speaker 1: need that the morning show. And they gave it to us. 115 00:05:17,920 --> 00:05:20,000 Speaker 1: And it was the first station that we ever were 116 00:05:20,040 --> 00:05:23,440 Speaker 1: successful on outside of Austin, where we just had one city. 117 00:05:23,480 --> 00:05:25,239 Speaker 1: It's the only where we were in And I said, 118 00:05:25,360 --> 00:05:27,360 Speaker 1: I will forever the rest of my career make sure 119 00:05:27,360 --> 00:05:28,720 Speaker 1: to go to which To at least once a year 120 00:05:28,760 --> 00:05:30,560 Speaker 1: every year. And I haven't been this year. And I 121 00:05:30,560 --> 00:05:33,440 Speaker 1: granted it's only March right now, but as I'm touring 122 00:05:33,440 --> 00:05:34,719 Speaker 1: out the rest of the year, I don't we can't 123 00:05:34,720 --> 00:05:37,680 Speaker 1: make a comedy show work yet, you can't. But on 124 00:05:37,760 --> 00:05:40,240 Speaker 1: my book tour, I'm gonna go to I will for 125 00:05:40,279 --> 00:05:43,000 Speaker 1: sure go to which Tall because man, it's so cool. 126 00:05:43,040 --> 00:05:45,520 Speaker 1: Everybody is so warm and welcoming. Does we don't even 127 00:05:45,560 --> 00:05:48,520 Speaker 1: live there? That's the crazy That's the craziest part to 128 00:05:48,520 --> 00:05:50,440 Speaker 1: me is I always have this weird thing too where 129 00:05:50,480 --> 00:05:52,240 Speaker 1: I go. I don't know why people like me, Like, 130 00:05:52,279 --> 00:05:55,039 Speaker 1: I don't know how that we as a show and 131 00:05:55,160 --> 00:05:59,239 Speaker 1: even me at times have this rabid following of listeners 132 00:05:59,240 --> 00:06:01,920 Speaker 1: will do whatever, Like I don't quite understand what it 133 00:06:02,000 --> 00:06:05,160 Speaker 1: is that makes them so passionate. The same thing about 134 00:06:05,160 --> 00:06:09,120 Speaker 1: which talk. I've never lived there. We just brain only 135 00:06:09,120 --> 00:06:11,160 Speaker 1: got lucky with that town and I've stayed loyal to it. 136 00:06:11,240 --> 00:06:13,159 Speaker 1: But they didn't have to like me to begin with. No, 137 00:06:13,320 --> 00:06:17,440 Speaker 1: But I think you guys radiate like this super just 138 00:06:17,720 --> 00:06:21,200 Speaker 1: chill energy, and that's how Whichita is. People are so 139 00:06:21,800 --> 00:06:24,200 Speaker 1: cool and laid back and they just love an environment 140 00:06:24,240 --> 00:06:26,480 Speaker 1: that is positive, and that's exactly what the show is. 141 00:06:26,600 --> 00:06:28,440 Speaker 1: So what's that room like for you in there now? 142 00:06:29,040 --> 00:06:31,560 Speaker 1: Because because Morgan number two sits, I sit behind the 143 00:06:31,600 --> 00:06:34,159 Speaker 1: big table and then everybody else sits on the other 144 00:06:34,200 --> 00:06:35,920 Speaker 1: side of the table. So I sit on one side 145 00:06:35,960 --> 00:06:38,240 Speaker 1: and Morgan number two SATs exactly in front of me, 146 00:06:38,560 --> 00:06:40,760 Speaker 1: and there's a monitor kind of covering us, so we 147 00:06:40,839 --> 00:06:43,000 Speaker 1: never really see each other eye to eye because it's 148 00:06:43,000 --> 00:06:44,840 Speaker 1: a big computer screen right in front of us. But 149 00:06:44,920 --> 00:06:46,560 Speaker 1: you do sit right in front like I could reach 150 00:06:46,600 --> 00:06:48,880 Speaker 1: out and touch you as the show is going. But 151 00:06:48,960 --> 00:06:50,240 Speaker 1: you sit in the room. You sat at the big 152 00:06:50,279 --> 00:06:55,640 Speaker 1: kids table because it's Amy, you, Lunchbox and Eddie, And 153 00:06:55,680 --> 00:06:59,440 Speaker 1: how has that been good? I mean my first few months, man, 154 00:07:00,040 --> 00:07:02,559 Speaker 1: I was I was just so scared. I never wanted 155 00:07:02,600 --> 00:07:05,200 Speaker 1: to talk because it's one of those things where you're like, 156 00:07:05,200 --> 00:07:06,680 Speaker 1: you don't want to say the wrong thing, you don't 157 00:07:06,680 --> 00:07:08,400 Speaker 1: want to do the wrong thing, and you're like, I 158 00:07:08,440 --> 00:07:10,440 Speaker 1: gotta figure out all these people and who they are 159 00:07:10,520 --> 00:07:12,880 Speaker 1: first before I figure out how I'm going to navigate 160 00:07:12,880 --> 00:07:15,360 Speaker 1: and my personality is going to work. So you mean 161 00:07:15,400 --> 00:07:17,960 Speaker 1: figure out all the people. Do you mean that that 162 00:07:18,080 --> 00:07:21,560 Speaker 1: we were different from what you expected? Well, I think 163 00:07:21,720 --> 00:07:24,520 Speaker 1: I think anybody in entertainment is different than what you expect. 164 00:07:24,560 --> 00:07:26,960 Speaker 1: Everybody puts on the front. I mean just a normal 165 00:07:27,000 --> 00:07:29,520 Speaker 1: people put on the front. And so when I got 166 00:07:29,560 --> 00:07:32,320 Speaker 1: in there, I started to find out like just different 167 00:07:32,400 --> 00:07:36,640 Speaker 1: sides of people's personalities that they weren't always showing on air. 168 00:07:37,360 --> 00:07:39,920 Speaker 1: So it was cool, but it was always quiet, Like 169 00:07:40,200 --> 00:07:42,120 Speaker 1: we talked so much on the on the mics, and 170 00:07:42,120 --> 00:07:45,320 Speaker 1: then it's just quiet in the studio, And it takes 171 00:07:45,320 --> 00:07:47,520 Speaker 1: a long time to learn people that way because you're 172 00:07:47,520 --> 00:07:49,480 Speaker 1: not talking all the time. You would think that's how 173 00:07:49,520 --> 00:07:52,240 Speaker 1: it is, but you guys talk so much on air 174 00:07:52,320 --> 00:07:54,440 Speaker 1: that when the mics are off, you're like, I get 175 00:07:54,480 --> 00:07:56,600 Speaker 1: a break, I get a breathe. Yeah, it's a it's 176 00:07:56,600 --> 00:07:58,320 Speaker 1: a breathe. And then for me, it's also preparing for 177 00:07:58,360 --> 00:08:00,560 Speaker 1: what's coming up next. So I've got my laptop up, 178 00:08:00,600 --> 00:08:02,640 Speaker 1: I'm going over notes, going okay, we're gonna talk about next. 179 00:08:02,880 --> 00:08:04,080 Speaker 1: But the thing is, the rest of the show doesn't 180 00:08:04,080 --> 00:08:06,880 Speaker 1: know what we're gonna talk about, so nobody has the notes. 181 00:08:07,400 --> 00:08:09,400 Speaker 1: Now Mike d does I give him a copy just 182 00:08:09,440 --> 00:08:10,880 Speaker 1: so he can kind of predict where I'm going in 183 00:08:10,880 --> 00:08:15,040 Speaker 1: a handy sheets paper and stories and reminders, But other 184 00:08:15,080 --> 00:08:16,720 Speaker 1: than that, nobody else on the show has any idea. 185 00:08:16,760 --> 00:08:20,240 Speaker 1: So you're right. As soon as I'm done off, Eddie 186 00:08:20,240 --> 00:08:23,160 Speaker 1: and I may joke a bit about something, yes, but 187 00:08:23,360 --> 00:08:25,239 Speaker 1: most of the most of the time, it's really quiet 188 00:08:25,240 --> 00:08:27,280 Speaker 1: in there, Like unless a really funny but it happens, 189 00:08:27,320 --> 00:08:29,120 Speaker 1: we may laugh a little bit and then just quiet 190 00:08:29,200 --> 00:08:31,080 Speaker 1: down again. You've also come in at a time where 191 00:08:31,120 --> 00:08:35,520 Speaker 1: we've been together for almost fifteen years now. We pretty 192 00:08:35,600 --> 00:08:38,280 Speaker 1: much said everything. Yeah, yeah, yeah, we pretty much talked 193 00:08:38,280 --> 00:08:42,680 Speaker 1: about everything. I also think that because you work in 194 00:08:42,720 --> 00:08:44,920 Speaker 1: the morning, with that, like, I'm just not a morning person, 195 00:08:45,320 --> 00:08:47,720 Speaker 1: never have been a morning person. I am never pleasant 196 00:08:47,720 --> 00:08:52,720 Speaker 1: at whatever I rolling. I'm just never, never pleasant. And 197 00:08:52,840 --> 00:08:56,040 Speaker 1: so it takes me to about seven and I'm like, 198 00:08:57,880 --> 00:08:59,800 Speaker 1: so the first hour and a half, I'm just faking it. 199 00:09:00,480 --> 00:09:04,120 Speaker 1: Look at me like how positive I am? Love? But 200 00:09:04,520 --> 00:09:08,480 Speaker 1: it sucks every morning it sucks. And I think that's 201 00:09:08,480 --> 00:09:09,959 Speaker 1: the thing too. You have to handle this all differently 202 00:09:10,000 --> 00:09:12,199 Speaker 1: in the morning, Yeah, because I'm not a morning person. 203 00:09:12,640 --> 00:09:14,920 Speaker 1: Well that's that's what's hard too, is you do have 204 00:09:14,960 --> 00:09:18,000 Speaker 1: to handle everybody different. Everybody has different personalities, and you 205 00:09:18,000 --> 00:09:20,400 Speaker 1: guys have known each other for so long. And I'm 206 00:09:20,480 --> 00:09:23,000 Speaker 1: kind of like the new kid that got introduced at 207 00:09:23,040 --> 00:09:25,680 Speaker 1: school and it's like, but we welcome to you. End though. 208 00:09:25,920 --> 00:09:28,000 Speaker 1: Yes there's a difference in a new kid who gets 209 00:09:28,000 --> 00:09:32,760 Speaker 1: forced into a classroom. Yes, it's someone who's welcomed in absolutely. 210 00:09:33,120 --> 00:09:35,760 Speaker 1: So what's the fronts? Like you say, everybody puts on 211 00:09:35,760 --> 00:09:37,640 Speaker 1: a front or a different side. So what about Amy? 212 00:09:38,000 --> 00:09:39,720 Speaker 1: What side of people? And I don't know the front? 213 00:09:39,720 --> 00:09:41,960 Speaker 1: Maybe what side do we not see of Amy that 214 00:09:42,040 --> 00:09:44,200 Speaker 1: you see? Could you sit right beside her? I think 215 00:09:44,200 --> 00:09:46,760 Speaker 1: it's just that she has so much going on in 216 00:09:46,760 --> 00:09:51,080 Speaker 1: her life personally, Yeah, and there's so much more to 217 00:09:51,240 --> 00:09:54,640 Speaker 1: her than sweet Amy. Like she has these fun, fight 218 00:09:54,679 --> 00:09:59,240 Speaker 1: ste personalities, and she also has really timid personalities and 219 00:10:00,559 --> 00:10:03,199 Speaker 1: that that was interesting to me because on air she's 220 00:10:03,200 --> 00:10:05,520 Speaker 1: always very sweet or she's kind of motherly on air, 221 00:10:05,960 --> 00:10:08,920 Speaker 1: but she has a really good like mix of personalities 222 00:10:08,960 --> 00:10:12,839 Speaker 1: on the side, and sometimes that especially to like insecurities. 223 00:10:13,320 --> 00:10:16,080 Speaker 1: People always think that famous people we have it all 224 00:10:16,120 --> 00:10:18,840 Speaker 1: good and everything's great. But Amy has gone through a 225 00:10:18,880 --> 00:10:20,920 Speaker 1: lot and she's had a lot in her life. Do 226 00:10:21,000 --> 00:10:26,480 Speaker 1: you think you're famous? I'm like, I don't even think 227 00:10:26,480 --> 00:10:29,720 Speaker 1: that famous. No, no no, no, no. I mean I'm just saying, 228 00:10:29,840 --> 00:10:33,000 Speaker 1: especially you and Amy and Lunchbox, like you guys have 229 00:10:33,240 --> 00:10:35,720 Speaker 1: been at this for so long that you are famous 230 00:10:35,760 --> 00:10:40,679 Speaker 1: innocence you know. I always say we're regionally known, I 231 00:10:40,720 --> 00:10:45,280 Speaker 1: mean United moderately regionally known. Um, I think with it, 232 00:10:45,640 --> 00:10:47,120 Speaker 1: And I think our show is a bit different now 233 00:10:47,160 --> 00:10:48,800 Speaker 1: because we don't have as much room to talk. We 234 00:10:48,880 --> 00:10:50,640 Speaker 1: used to do a full talk show for five hours, 235 00:10:50,880 --> 00:10:53,760 Speaker 1: maybe play one song an hour. Now we're playing four 236 00:10:53,800 --> 00:10:58,240 Speaker 1: songs an hour. And as things get bigger, you have 237 00:10:58,320 --> 00:11:01,280 Speaker 1: to kind of uh trim things up a bit, and 238 00:11:01,320 --> 00:11:04,800 Speaker 1: so so I think some of Amy's I would say 239 00:11:04,800 --> 00:11:06,559 Speaker 1: angry Amy at times. It's coming out now because she 240 00:11:06,600 --> 00:11:08,800 Speaker 1: just comes in tired and when you're tired, because I 241 00:11:08,800 --> 00:11:10,599 Speaker 1: do this when I'm tired, that's when I get in 242 00:11:10,640 --> 00:11:12,840 Speaker 1: trouble or do the best radio. If I come in 243 00:11:12,840 --> 00:11:15,480 Speaker 1: and I'm exhausted, it's the best or worst show because 244 00:11:15,520 --> 00:11:18,200 Speaker 1: I just don't. I always care about the product, but 245 00:11:18,320 --> 00:11:20,400 Speaker 1: the creative part of me goes, I'm just gonna throw 246 00:11:20,400 --> 00:11:21,760 Speaker 1: it out there because I don't. I don't have the 247 00:11:21,800 --> 00:11:24,000 Speaker 1: energy to try to put bread on each side of 248 00:11:24,040 --> 00:11:27,040 Speaker 1: the meat sandwich. And so Amy's now this. Sometimes she 249 00:11:27,080 --> 00:11:29,000 Speaker 1: comes in and she's just a ball of especially the 250 00:11:29,080 --> 00:11:31,280 Speaker 1: last three months it's your kids. She's a ball of fire. 251 00:11:31,679 --> 00:11:35,200 Speaker 1: And I'll go, WHOA, I didn't know that was coming today. 252 00:11:35,240 --> 00:11:37,800 Speaker 1: But I think you're right. And we've been able to 253 00:11:37,840 --> 00:11:40,840 Speaker 1: see a bit more of Amy's personality on this show 254 00:11:40,840 --> 00:11:43,800 Speaker 1: in the last few years. Uh, in the last few months, 255 00:11:43,880 --> 00:11:46,600 Speaker 1: especially because of the kids. When you come in tired 256 00:11:46,800 --> 00:11:49,160 Speaker 1: or upset, you just it's like, I'm not even doing 257 00:11:49,160 --> 00:11:50,800 Speaker 1: a show. And we try to not do a show 258 00:11:50,800 --> 00:11:52,520 Speaker 1: show anyway. We try to be as real as possible. 259 00:11:52,559 --> 00:11:57,040 Speaker 1: But okay, how about Eddie. I think I think Eddie 260 00:11:57,160 --> 00:12:01,200 Speaker 1: is the most authentic on air and in person. He's 261 00:12:01,280 --> 00:12:03,760 Speaker 1: really like he doesn't transition much like when he goes off, 262 00:12:03,840 --> 00:12:06,040 Speaker 1: Very's still about the same person. He's still kind of 263 00:12:06,360 --> 00:12:09,600 Speaker 1: honoree and doesn't act like a dad sometimes, but he's 264 00:12:09,640 --> 00:12:12,360 Speaker 1: also still a dad. See. I think Eddie's plays a 265 00:12:12,559 --> 00:12:15,160 Speaker 1: roll away a bunch like you do. Oh yeah, probably 266 00:12:15,200 --> 00:12:17,160 Speaker 1: the most him or lunch Box because lu Box is 267 00:12:17,160 --> 00:12:19,720 Speaker 1: a really sweet guy. He's also a real dick like 268 00:12:19,760 --> 00:12:23,240 Speaker 1: me at times. But I think that Eddie does that 269 00:12:23,240 --> 00:12:26,839 Speaker 1: that whole Oh I'm such a father's such a daddy. 270 00:12:28,559 --> 00:12:32,839 Speaker 1: That's he plays that up so much. Yeah, it's funny 271 00:12:32,840 --> 00:12:35,280 Speaker 1: to hear your perception on things being around us for 272 00:12:35,360 --> 00:12:37,760 Speaker 1: eight months. I know, because neither one of us are right. 273 00:12:38,360 --> 00:12:42,280 Speaker 1: There's no I don't believe really in truth, just perceptions. Yes, 274 00:12:42,559 --> 00:12:44,800 Speaker 1: and that's I mean, that's true. The other hard part 275 00:12:44,800 --> 00:12:47,120 Speaker 1: for me is I haven't got to hang out with 276 00:12:47,120 --> 00:12:49,560 Speaker 1: you guys much outside of the show. I learned your 277 00:12:49,559 --> 00:12:53,000 Speaker 1: guys lives outside of the show much because I came 278 00:12:53,040 --> 00:12:55,240 Speaker 1: in at such a unique time for all of you 279 00:12:55,920 --> 00:12:58,040 Speaker 1: that there's so much going on in your personal lives. 280 00:12:58,040 --> 00:13:00,319 Speaker 1: And I'm just kind of like, I'm gonna wait until 281 00:13:00,320 --> 00:13:02,760 Speaker 1: maybe the waters settle, and the water will never settle. 282 00:13:03,000 --> 00:13:04,439 Speaker 1: But you're right now that I think about it, I 283 00:13:04,480 --> 00:13:06,760 Speaker 1: don't think you and I've ever hung out, No, not outside, 284 00:13:06,880 --> 00:13:08,480 Speaker 1: which makes me feel bad, But you know what, I 285 00:13:08,520 --> 00:13:11,040 Speaker 1: don't hang out with anybody, But that doesn't mean I 286 00:13:11,080 --> 00:13:13,680 Speaker 1: shouldn't reach I can't believe we've never hung out outside 287 00:13:13,679 --> 00:13:16,160 Speaker 1: of work. Well, every time I've been in a situation, 288 00:13:16,280 --> 00:13:18,360 Speaker 1: I think I've always been around you guys for something 289 00:13:18,400 --> 00:13:21,040 Speaker 1: work related, even if it wasn't in the studio, it 290 00:13:21,120 --> 00:13:25,160 Speaker 1: was work related, not crazy abnormal when we're related to me, 291 00:13:25,320 --> 00:13:29,199 Speaker 1: because that's really all I do. But but that is 292 00:13:29,240 --> 00:13:31,400 Speaker 1: still weird that we've never like had But that's a 293 00:13:31,400 --> 00:13:33,880 Speaker 1: two way street too. It's still my fault. I've just 294 00:13:33,960 --> 00:13:35,960 Speaker 1: been scared, Like I think. The hardest thing for me 295 00:13:36,000 --> 00:13:38,760 Speaker 1: is I'm just kind of This is such a unique 296 00:13:38,800 --> 00:13:41,400 Speaker 1: situation and until you're put in it, you have no 297 00:13:41,440 --> 00:13:43,880 Speaker 1: idea how you're gonna act. It's a it's a wild 298 00:13:43,960 --> 00:13:45,520 Speaker 1: road to walk into because again, we've known each other 299 00:13:45,559 --> 00:13:49,719 Speaker 1: so long, we've been even Eddie, who hasn't been on 300 00:13:49,760 --> 00:13:51,120 Speaker 1: the show, but for a few years, has been my 301 00:13:51,160 --> 00:13:54,720 Speaker 1: friend for twelve years. So yeah, you're the one in 302 00:13:54,760 --> 00:13:59,040 Speaker 1: the room that isn't intertwined from years and years and 303 00:13:59,120 --> 00:14:01,600 Speaker 1: years and French Persant brought you into the room. You 304 00:14:01,640 --> 00:14:04,800 Speaker 1: know you're you're here. We needed someone to fill in. 305 00:14:05,160 --> 00:14:07,320 Speaker 1: You filled in. We're like wastch pretty good. We don't 306 00:14:07,320 --> 00:14:10,440 Speaker 1: hate her and let's just start with there. And yeah 307 00:14:10,520 --> 00:14:12,880 Speaker 1: it's a weird play, okay. So with Lunchbox, I always 308 00:14:12,880 --> 00:14:15,400 Speaker 1: say he always plays up his angry side and we 309 00:14:15,440 --> 00:14:17,400 Speaker 1: try to go, you dude, you show your nice side, 310 00:14:17,520 --> 00:14:21,680 Speaker 1: like talking about your chair, talk about But he's a 311 00:14:21,720 --> 00:14:25,840 Speaker 1: weird one because he gets rage filled. But he's also 312 00:14:25,920 --> 00:14:29,360 Speaker 1: really kind. Yeah he hasn't He does have a big 313 00:14:29,360 --> 00:14:33,080 Speaker 1: heart and he's very sweet, but he's he's also so loud. 314 00:14:33,440 --> 00:14:36,600 Speaker 1: His personality is just loud, Like even when he's really sweet, 315 00:14:36,600 --> 00:14:38,920 Speaker 1: he's being loud and he's obnoxious. And I don't mean 316 00:14:39,000 --> 00:14:42,880 Speaker 1: obnoxious meaning it's all bad, Like obnoxious can also be funny. 317 00:14:44,160 --> 00:14:45,920 Speaker 1: But I feel like now he feels like he owes 318 00:14:45,920 --> 00:14:49,720 Speaker 1: it to everyone to be this loud just at times, 319 00:14:49,760 --> 00:14:51,920 Speaker 1: angry person all the time. But sometimes he does flip 320 00:14:51,920 --> 00:14:55,080 Speaker 1: the rage switch and it's real. It's unlike anybody else 321 00:14:55,120 --> 00:14:57,720 Speaker 1: on the show. When he gets like the boxing thing 322 00:14:57,720 --> 00:15:00,760 Speaker 1: he flipped, I've seen scary. I've seen him flip on 323 00:15:00,760 --> 00:15:03,480 Speaker 1: Amy and he goes rage eyes and you go, whata. 324 00:15:03,520 --> 00:15:05,840 Speaker 1: You gotta stop, You gotta stop because that is a 325 00:15:05,960 --> 00:15:08,720 Speaker 1: thing where boom it's on and if you don't stop him, 326 00:15:08,720 --> 00:15:12,080 Speaker 1: he's gonna scream and get Yeah, that was that was 327 00:15:12,120 --> 00:15:15,080 Speaker 1: a crazy He goes rage when he goes ragebox, you 328 00:15:15,120 --> 00:15:17,520 Speaker 1: have to watch out. But yeah, but I do think 329 00:15:17,600 --> 00:15:20,640 Speaker 1: lunchboxes a bit has started to share some of that 330 00:15:20,680 --> 00:15:23,040 Speaker 1: with us a bit. He started to dip his toe 331 00:15:23,080 --> 00:15:26,480 Speaker 1: in the I don't always have to be a dickhead water. Yeah, 332 00:15:26,760 --> 00:15:29,120 Speaker 1: but it's still there. I think he just has such 333 00:15:29,240 --> 00:15:32,520 Speaker 1: different opinions on things that he's always kind of the 334 00:15:32,560 --> 00:15:35,280 Speaker 1: outstanding opinion, you know what I mean. He always has 335 00:15:35,320 --> 00:15:39,360 Speaker 1: the different thing to say than anybody else, and it's 336 00:15:39,760 --> 00:15:43,320 Speaker 1: it's the unpopular opinion. He's that kind of person think 337 00:15:43,400 --> 00:15:46,120 Speaker 1: all of us have, Like Amy has a different opinions everybody. 338 00:15:46,120 --> 00:15:47,880 Speaker 1: I just think he's louder, so it comes across is 339 00:15:47,880 --> 00:15:50,600 Speaker 1: a way different. Yeah, Like his personality is so loud, 340 00:15:50,640 --> 00:15:53,680 Speaker 1: so when he says it, it's like, it's what's happening 341 00:15:53,760 --> 00:15:56,280 Speaker 1: because Amy has a different opinion. Everybody in the room too, Yes, 342 00:15:56,440 --> 00:15:58,960 Speaker 1: but she says she makes you feel like it's not 343 00:15:59,000 --> 00:16:03,120 Speaker 1: that bad, right up. So okay, what about me? Oh man, 344 00:16:05,160 --> 00:16:07,600 Speaker 1: I don't know you're You're so complex. I'm still figuring 345 00:16:07,600 --> 00:16:09,280 Speaker 1: you out. I don't think. I don't think Amy figured 346 00:16:09,320 --> 00:16:10,920 Speaker 1: has figured me. I don't. I don't think I figured 347 00:16:10,960 --> 00:16:12,600 Speaker 1: me out. That's why I go to therapy all the time. Well, 348 00:16:12,640 --> 00:16:14,360 Speaker 1: there's some days I come in and I'm like, Oh, 349 00:16:14,400 --> 00:16:16,280 Speaker 1: Bobby likes me, and then I'm like, oh, Bobby hates me. 350 00:16:16,320 --> 00:16:19,200 Speaker 1: But I don't know. It's none of that. It's Amy 351 00:16:19,240 --> 00:16:20,440 Speaker 1: and I have this thing we're gon talk about were 352 00:16:20,440 --> 00:16:21,920 Speaker 1: when we write numbers on because Amy and I are 353 00:16:21,960 --> 00:16:26,960 Speaker 1: both just head cases and very sensitive on our own ways. 354 00:16:27,720 --> 00:16:29,280 Speaker 1: So we're just gonna write down the number on how 355 00:16:29,320 --> 00:16:31,480 Speaker 1: we're feeling that day when we walk in, and if 356 00:16:31,480 --> 00:16:32,960 Speaker 1: our numbers around the same, if I feel like a 357 00:16:33,000 --> 00:16:34,800 Speaker 1: seven and she's a six or seven, we're pretty good. 358 00:16:35,080 --> 00:16:37,080 Speaker 1: But I came in yesterday and I was like three 359 00:16:37,200 --> 00:16:40,080 Speaker 1: too and a half three My dogs dead. I've been 360 00:16:40,200 --> 00:16:42,680 Speaker 1: upset about that and just a few things that happened, 361 00:16:42,800 --> 00:16:44,640 Speaker 1: and so I would have come and written to two 362 00:16:44,640 --> 00:16:50,160 Speaker 1: on the board, which means handle with care. And but yeah, no, no, 363 00:16:50,200 --> 00:16:54,400 Speaker 1: I I don't ever not like anybody, or you wouldn't 364 00:16:54,440 --> 00:16:57,960 Speaker 1: be in the room. This is true. But I don't 365 00:16:58,000 --> 00:17:03,040 Speaker 1: do good with confrontation. I like to always either have 366 00:17:03,120 --> 00:17:05,560 Speaker 1: it out or not have any at all. And so 367 00:17:05,680 --> 00:17:09,320 Speaker 1: anytime I'm like, I don't know how somebody feels about me, 368 00:17:09,680 --> 00:17:12,280 Speaker 1: I kind of retreat. You're asking me about that, because 369 00:17:12,320 --> 00:17:15,000 Speaker 1: you mean she's the king of handling me, yes, and no, 370 00:17:15,280 --> 00:17:17,280 Speaker 1: I mean right, I don't really ask her anything because 371 00:17:17,400 --> 00:17:18,880 Speaker 1: I just know she has so much on her plate. 372 00:17:18,960 --> 00:17:21,320 Speaker 1: I'm like, that's the last thing. You're signing all these 373 00:17:21,320 --> 00:17:24,000 Speaker 1: things to people. You shouldn't do that. You shouldn't assigned 374 00:17:24,040 --> 00:17:25,879 Speaker 1: that everybody has all this stuff to do. I just 375 00:17:25,920 --> 00:17:28,200 Speaker 1: like to be cautious of other people's life. But you'll 376 00:17:28,240 --> 00:17:30,560 Speaker 1: never break that barrier unless you actually break it. If 377 00:17:30,560 --> 00:17:32,199 Speaker 1: you're waiting for someone else to break the barrier to 378 00:17:32,240 --> 00:17:34,560 Speaker 1: you will never be broken. Which is so weird because 379 00:17:34,840 --> 00:17:37,320 Speaker 1: every every other time in my life that's how I've been. 380 00:17:37,480 --> 00:17:39,560 Speaker 1: But with this show, I think I've just kind of 381 00:17:39,560 --> 00:17:41,600 Speaker 1: turned into an introvert, like, I'm just scared. I just 382 00:17:41,600 --> 00:17:43,399 Speaker 1: don't want to make the wrong move. But there's not 383 00:17:43,440 --> 00:17:44,920 Speaker 1: a right move, or there's a wrong move. If you 384 00:17:44,960 --> 00:17:46,639 Speaker 1: reached out. If you text me and I said, hey, 385 00:17:46,840 --> 00:17:48,800 Speaker 1: can we go have launched or something, I be like, oh, 386 00:17:48,880 --> 00:17:51,439 Speaker 1: I don't want you like breakfast, but we can figure 387 00:17:51,560 --> 00:17:55,000 Speaker 1: something out. And I would say yes to that. Well, 388 00:17:55,000 --> 00:17:56,520 Speaker 1: then I need to do that, and that's my food. 389 00:17:56,560 --> 00:17:59,240 Speaker 1: I haven't done it though, because I'm scared. I don't 390 00:17:59,240 --> 00:18:00,879 Speaker 1: think you should have signed a fault, but I just 391 00:18:00,920 --> 00:18:03,159 Speaker 1: think you're never Nothing is going to happen unless you 392 00:18:03,160 --> 00:18:04,880 Speaker 1: make it happen. We're talking it on the show today 393 00:18:04,920 --> 00:18:07,439 Speaker 1: because I was saying, hey, you know they should let 394 00:18:07,480 --> 00:18:08,960 Speaker 1: me do this is and they'd be like, man, you 395 00:18:09,040 --> 00:18:11,600 Speaker 1: got big head there. I said, listen, if my dreams 396 00:18:11,640 --> 00:18:13,480 Speaker 1: are big for me, nobody else's dreams are big for me. 397 00:18:13,680 --> 00:18:15,560 Speaker 1: If you don't make things happen for you, nobody else 398 00:18:15,600 --> 00:18:17,400 Speaker 1: gets a crap. No one's gonna make things happen for you. 399 00:18:18,280 --> 00:18:20,440 Speaker 1: So you have to go, hey, Amy, if you get 400 00:18:20,440 --> 00:18:22,679 Speaker 1: a what I'll do. There are people that I know 401 00:18:22,720 --> 00:18:25,000 Speaker 1: are very busy, and I go through the same thing 402 00:18:25,000 --> 00:18:28,000 Speaker 1: with them. But I'll say, hey, if anything in April, 403 00:18:28,600 --> 00:18:31,440 Speaker 1: if lunch, let me know, and just make it wide 404 00:18:31,480 --> 00:18:35,040 Speaker 1: open that way I've asked, and they can still find 405 00:18:35,080 --> 00:18:38,280 Speaker 1: a place to where I'm not assigning myself into their 406 00:18:38,400 --> 00:18:41,399 Speaker 1: life in an uncomfortable way because I can tell it 407 00:18:41,400 --> 00:18:45,360 Speaker 1: makes you feel uncomfortable, So don't just but a bit 408 00:18:45,400 --> 00:18:49,720 Speaker 1: of all of breaking through is being uncomfortable until you're not. Yeah, 409 00:18:49,840 --> 00:18:52,240 Speaker 1: and I need to do that, and I and I 410 00:18:52,240 --> 00:18:54,280 Speaker 1: feel it and I know it, but it's still that 411 00:18:54,480 --> 00:18:56,960 Speaker 1: that half fear of being like I just don't want 412 00:18:56,960 --> 00:18:59,000 Speaker 1: to say something. I don't want to upset somebody or 413 00:18:59,160 --> 00:19:01,840 Speaker 1: but that's the that's the luxury that we all have. 414 00:19:01,880 --> 00:19:03,440 Speaker 1: And we've been friends, we all say things and upset 415 00:19:03,440 --> 00:19:06,760 Speaker 1: each other all the time, all the time, and so 416 00:19:06,800 --> 00:19:08,800 Speaker 1: eventually you're going to do that. So do you want 417 00:19:08,800 --> 00:19:09,919 Speaker 1: to do it now, You're gonna do it later, like 418 00:19:10,400 --> 00:19:14,159 Speaker 1: just whenever you want to get in. I know, I know, 419 00:19:14,240 --> 00:19:17,439 Speaker 1: I think I've like half halfen. I'm about like I 420 00:19:17,520 --> 00:19:19,560 Speaker 1: was tiptoeing at the beginning. I got one foot in. 421 00:19:19,880 --> 00:19:22,320 Speaker 1: Now I need like that other foot to jump full in. 422 00:19:22,440 --> 00:19:25,760 Speaker 1: You're well liked, Everybody likes you, if I didn't like 423 00:19:25,800 --> 00:19:27,760 Speaker 1: you want to be around. Yeah, I mean, because I 424 00:19:27,760 --> 00:19:31,080 Speaker 1: mean I can go hey, goodbye, or hey, you know, 425 00:19:31,880 --> 00:19:35,240 Speaker 1: join the show. Yeah, that's for now that my name 426 00:19:35,320 --> 00:19:37,280 Speaker 1: is on the show, so I get to make those decisions. 427 00:19:37,880 --> 00:19:41,040 Speaker 1: So do you feel like you're well liked? I do. 428 00:19:41,200 --> 00:19:44,080 Speaker 1: I mean, I don't feel like I have a controversial personality, 429 00:19:44,280 --> 00:19:46,800 Speaker 1: but I just I think I have a fear of 430 00:19:46,840 --> 00:19:49,760 Speaker 1: being unliked. And that's that's something to me that I 431 00:19:49,840 --> 00:19:51,840 Speaker 1: just have to deal with. Let me let me talk 432 00:19:51,840 --> 00:19:53,600 Speaker 1: about Warry Parker for a second. Okay, all right, I 433 00:19:53,600 --> 00:19:56,320 Speaker 1: gotta I gotta commercially do over here. Do it free 434 00:19:56,320 --> 00:19:58,680 Speaker 1: try on at home program, which I've done this before, 435 00:19:58,720 --> 00:20:00,800 Speaker 1: five pair of glasses, try them off for five days. 436 00:20:00,800 --> 00:20:02,800 Speaker 1: There's no obligation to buy ships for free and includes 437 00:20:02,840 --> 00:20:05,040 Speaker 1: a prepaid return shipping label. All you have to do 438 00:20:05,080 --> 00:20:08,080 Speaker 1: is go to Warby Parker dot com slash Bobby and 439 00:20:08,160 --> 00:20:10,040 Speaker 1: you can order your free try ons right to your 440 00:20:10,040 --> 00:20:13,280 Speaker 1: home today and so glasses starting bucks, including prescription lenses. 441 00:20:13,480 --> 00:20:16,680 Speaker 1: Lenses include Anti Glazer, Anti Scratch. I posted a picture 442 00:20:16,720 --> 00:20:18,840 Speaker 1: on Instagram the day of like nine pair of glasses, 443 00:20:18,880 --> 00:20:20,840 Speaker 1: a bit five or six of them or Warby Parker glasses. 444 00:20:21,280 --> 00:20:24,679 Speaker 1: So there's a warby Parker iTunes app which there's just 445 00:20:24,720 --> 00:20:27,119 Speaker 1: a lot and so if you're looking for glasses, let 446 00:20:27,119 --> 00:20:29,919 Speaker 1: me suggest you go over to Warby Parker dot com 447 00:20:30,119 --> 00:20:33,639 Speaker 1: slash Bobby and what happens. You get this box and 448 00:20:33,680 --> 00:20:35,879 Speaker 1: all the glasses that you've picked from online are in 449 00:20:35,880 --> 00:20:37,920 Speaker 1: this box, and you get to keep them and share 450 00:20:37,920 --> 00:20:41,040 Speaker 1: them and then put them on and go, Hey, Sally. 451 00:20:41,280 --> 00:20:42,760 Speaker 1: I don't know if you have friend named Sally is 452 00:20:42,760 --> 00:20:47,160 Speaker 1: probably the older maybe, Hey, Rebecca, how are my glasses? 453 00:20:47,480 --> 00:20:48,959 Speaker 1: And then she tells you, and if you like them, 454 00:20:49,000 --> 00:20:50,440 Speaker 1: you keep them and you get the lenses put in, 455 00:20:50,520 --> 00:20:52,840 Speaker 1: and if you don't, that's okay too. It's pretty seamless 456 00:20:52,840 --> 00:20:56,479 Speaker 1: warby Parker dot com slash Bobby Warby Parker dot com 457 00:20:56,560 --> 00:20:57,879 Speaker 1: slash Bobby. And you can see that they have an 458 00:20:57,880 --> 00:21:00,400 Speaker 1: iPhone depth camera too. You can try glasses on basically 459 00:21:00,480 --> 00:21:02,359 Speaker 1: without even having them on your head. So there you 460 00:21:02,359 --> 00:21:04,720 Speaker 1: can Warby Parker do love them all? Right? Back to me, 461 00:21:05,400 --> 00:21:10,080 Speaker 1: let's talk about this. So you say I'm complex, What 462 00:21:10,160 --> 00:21:15,479 Speaker 1: does that mean? Just that I know that there's so 463 00:21:15,560 --> 00:21:17,399 Speaker 1: much to you, and there's so much good to you, 464 00:21:17,480 --> 00:21:19,320 Speaker 1: and I know that a lot of bad things have 465 00:21:19,400 --> 00:21:21,639 Speaker 1: happened in your life, and that's what typically happens with 466 00:21:21,680 --> 00:21:24,359 Speaker 1: complex people. That's where that personality comes from, is that 467 00:21:24,840 --> 00:21:26,560 Speaker 1: so much has happened to him, So they have all 468 00:21:26,560 --> 00:21:31,639 Speaker 1: of these different emotions and they're just hard to figure 469 00:21:31,640 --> 00:21:34,000 Speaker 1: out because they've already figured out life. They already know 470 00:21:34,040 --> 00:21:36,399 Speaker 1: how they feel about a lot of things. And that's 471 00:21:36,560 --> 00:21:38,359 Speaker 1: how I think you are. And I think you're very 472 00:21:38,400 --> 00:21:40,080 Speaker 1: sure of yourself now. I think if I would have 473 00:21:40,119 --> 00:21:42,640 Speaker 1: met you fifteen years ago, that wouldn't have been the case. 474 00:21:42,760 --> 00:21:45,440 Speaker 1: But I think now I'm meeting you at a really 475 00:21:45,520 --> 00:21:48,159 Speaker 1: cool time in your life where you're just you're you 476 00:21:48,160 --> 00:21:51,399 Speaker 1: feel really good. And that's the complex that I find. 477 00:21:51,440 --> 00:21:53,960 Speaker 1: But then some days I come in and I'm like, oh, 478 00:21:54,040 --> 00:21:56,000 Speaker 1: I don't know, Bobby, I don't know what's going I 479 00:21:56,040 --> 00:22:01,120 Speaker 1: think personally my life is a disaster. But fessionally, I mean, 480 00:22:01,119 --> 00:22:04,919 Speaker 1: I think success breeds confidence, and I've had a good 481 00:22:05,040 --> 00:22:07,120 Speaker 1: run of success there. But you only see me the professional. 482 00:22:07,200 --> 00:22:08,879 Speaker 1: That's the weird thing you're talking about, that you only 483 00:22:08,960 --> 00:22:11,119 Speaker 1: see me at work. Like if you ask Amy that 484 00:22:11,119 --> 00:22:12,760 Speaker 1: she would go, oh, he's a nightmare. He's a disaster. 485 00:22:13,200 --> 00:22:15,360 Speaker 1: He's just he's a troubled amy text me all the time. 486 00:22:15,359 --> 00:22:18,520 Speaker 1: You okay, you're good, You're okay. But that's true, you've 487 00:22:18,560 --> 00:22:21,120 Speaker 1: only seen this side. But I think that's what makes 488 00:22:21,119 --> 00:22:23,639 Speaker 1: you complex, is at least you're in touch with your emotions. 489 00:22:23,640 --> 00:22:25,240 Speaker 1: You know. Oh yeah, I'm so emotional. You know that. 490 00:22:26,119 --> 00:22:27,879 Speaker 1: I'm so in touch of my emotions. That's Mike and 491 00:22:27,880 --> 00:22:30,440 Speaker 1: I get along. Mike and I will travel for four 492 00:22:30,520 --> 00:22:32,920 Speaker 1: or five hours and we'll be like, hey, man, you're good, 493 00:22:32,960 --> 00:22:36,640 Speaker 1: Yeah cool, check back in three hours. Yeah. Well i'll 494 00:22:36,680 --> 00:22:37,720 Speaker 1: see you on the end of the flight when we 495 00:22:37,720 --> 00:22:39,399 Speaker 1: get our bags. Yeah, but we're sitting next to each other. 496 00:22:39,440 --> 00:22:41,520 Speaker 1: Yeah yah, yeah, yeah, but we'll talk then. But I 497 00:22:41,560 --> 00:22:45,160 Speaker 1: don't say much outside of the show. Yeah. I mean 498 00:22:45,280 --> 00:22:47,720 Speaker 1: I know that from from texting you just about very 499 00:22:47,760 --> 00:22:51,120 Speaker 1: small things. Our conversations are very short and very limited. 500 00:22:51,560 --> 00:22:53,320 Speaker 1: And it was you were talking about how you had 501 00:22:53,320 --> 00:22:56,040 Speaker 1: responded to a lot of texts about Dusty, and when 502 00:22:56,080 --> 00:22:58,560 Speaker 1: I texted you, you're responding with a pig emoji, and 503 00:22:58,600 --> 00:23:02,880 Speaker 1: I was like, I don't know what. I wonder why 504 00:23:02,880 --> 00:23:05,280 Speaker 1: I was fun. I think that's probably just one of 505 00:23:05,280 --> 00:23:09,000 Speaker 1: them up And I wanted people to what Maybe maybe 506 00:23:09,119 --> 00:23:10,720 Speaker 1: it was it was a powerful and a pick. It 507 00:23:10,760 --> 00:23:12,720 Speaker 1: was both, but I just didn't understand the pig part. 508 00:23:13,560 --> 00:23:16,720 Speaker 1: M hmm, well I don't either, or now that I 509 00:23:16,720 --> 00:23:19,000 Speaker 1: think back, But I was just sending messages back to 510 00:23:19,040 --> 00:23:20,760 Speaker 1: I think and emojis as good as a few words. 511 00:23:21,200 --> 00:23:24,400 Speaker 1: Pos say to that too, copy and paste the same 512 00:23:24,400 --> 00:23:26,480 Speaker 1: thing too. I could have done that, said hey, thank 513 00:23:26,520 --> 00:23:28,960 Speaker 1: you for your sweet message. It makes sense. I feel 514 00:23:28,960 --> 00:23:31,760 Speaker 1: like consistency is such an important part of communication that 515 00:23:31,800 --> 00:23:34,240 Speaker 1: people just know. I'm not going to spend a lot 516 00:23:34,280 --> 00:23:38,760 Speaker 1: of time with this superfluous I'm just not. I don't. 517 00:23:38,760 --> 00:23:40,280 Speaker 1: I'm not good a small talk. I'm not good at 518 00:23:40,760 --> 00:23:43,320 Speaker 1: just texting for the sake of it. I've tried to 519 00:23:43,359 --> 00:23:46,680 Speaker 1: be better, but I feel like I'm always consistent. So 520 00:23:46,920 --> 00:23:49,439 Speaker 1: people know that when I said an emailed only at 521 00:23:49,440 --> 00:23:51,239 Speaker 1: three lines, not because I'm being angry or mean. It's 522 00:23:51,280 --> 00:23:53,639 Speaker 1: because this is what I want to get get done. Yeah. No, 523 00:23:53,840 --> 00:23:56,639 Speaker 1: it makes sense, and I knew that it was. That 524 00:23:56,720 --> 00:23:58,879 Speaker 1: was your way of responding. I sent you back a turtle. 525 00:23:58,920 --> 00:24:02,239 Speaker 1: I was like, I there, what works for you and 526 00:24:02,280 --> 00:24:03,920 Speaker 1: if that's hole makes you happy, I hope it does. 527 00:24:04,000 --> 00:24:06,919 Speaker 1: So you have them fun doing the show. Yeah, I 528 00:24:07,000 --> 00:24:08,680 Speaker 1: love the show. I mean I love what I do, 529 00:24:08,760 --> 00:24:10,440 Speaker 1: and I feel like I'm really good at it. I 530 00:24:10,520 --> 00:24:12,479 Speaker 1: kind of let people get to me sometimes, like all 531 00:24:12,480 --> 00:24:14,720 Speaker 1: of our Facebook haters. You can't even well, yeah, I say, 532 00:24:14,720 --> 00:24:18,080 Speaker 1: you can't. Look. But people only really right mean things 533 00:24:18,080 --> 00:24:20,760 Speaker 1: on Facebook, like that's what they use it for. My 534 00:24:20,840 --> 00:24:24,720 Speaker 1: analogy is, let's say you're watching Scrubs on TV and 535 00:24:24,760 --> 00:24:27,720 Speaker 1: you think it's a quite funny episode, and it's also 536 00:24:28,600 --> 00:24:32,440 Speaker 1: in this analogy, but you're watching Scrubs and you don't 537 00:24:32,480 --> 00:24:34,520 Speaker 1: send a message to the Scrubs people going, I really 538 00:24:34,600 --> 00:24:38,720 Speaker 1: enjoyed your show. Yeah. Now, so if anyone that's our 539 00:24:38,760 --> 00:24:40,359 Speaker 1: show and laughs and it loves it, they don't just go, 540 00:24:40,480 --> 00:24:42,480 Speaker 1: you know what, I'm moved to go and write a 541 00:24:42,480 --> 00:24:45,120 Speaker 1: message about what I really enjoyed. So the one thing 542 00:24:45,160 --> 00:24:48,080 Speaker 1: that they decided not to like and so, but instead 543 00:24:48,200 --> 00:24:52,120 Speaker 1: it gives everyone a release to talk about they don't 544 00:24:52,119 --> 00:24:53,600 Speaker 1: like and have a sense of power when they may 545 00:24:53,640 --> 00:24:56,159 Speaker 1: not have it. Yeah, well we all do it. But 546 00:24:56,320 --> 00:24:59,000 Speaker 1: all of a sudden, you're equal with everyone else in 547 00:24:59,160 --> 00:25:03,200 Speaker 1: Facebook land, and maybe in life. In certain areas, you 548 00:25:03,240 --> 00:25:05,840 Speaker 1: don't feel equal with everyone else and so all of 549 00:25:05,880 --> 00:25:09,080 Speaker 1: a sudden, Facebook is this universal place where everyone has 550 00:25:09,119 --> 00:25:12,159 Speaker 1: the same voice and you want to use it and 551 00:25:12,240 --> 00:25:15,760 Speaker 1: show that you have some It's a bad place, it is. 552 00:25:15,840 --> 00:25:19,120 Speaker 1: It's is such a bad place you can't get They're 553 00:25:19,119 --> 00:25:22,080 Speaker 1: probably all Russian, anyway, I'll go. I'll go with that 554 00:25:22,160 --> 00:25:24,800 Speaker 1: when I start reading them. But you can't like Facebook 555 00:25:24,840 --> 00:25:26,679 Speaker 1: is the worst of all of them. It is the 556 00:25:26,760 --> 00:25:30,160 Speaker 1: tone of all Like if if I post something on Facebook, 557 00:25:30,160 --> 00:25:31,800 Speaker 1: which I rarely do on the show page, and I'm 558 00:25:31,840 --> 00:25:33,560 Speaker 1: open about it, I don't even look at that thing anymore. 559 00:25:34,040 --> 00:25:36,399 Speaker 1: Occasionally I'll look to make sure that just see what 560 00:25:36,440 --> 00:25:38,719 Speaker 1: stories you're posting, but I don't even look at it. 561 00:25:38,920 --> 00:25:40,640 Speaker 1: But I can look at Instagram and Twitter, and there's 562 00:25:40,640 --> 00:25:44,040 Speaker 1: just a different vibe in all the places. I think 563 00:25:44,080 --> 00:25:46,520 Speaker 1: it's too that it has something to do with the 564 00:25:46,560 --> 00:25:49,439 Speaker 1: ages that people are using. I've noticed that Facebook is 565 00:25:49,600 --> 00:25:53,080 Speaker 1: older ages. Twitter and Instagram tend to be the younger ages. 566 00:25:53,359 --> 00:25:56,040 Speaker 1: And I don't know obviously where that spectrum lies and 567 00:25:56,200 --> 00:25:59,560 Speaker 1: how old, But Facebook I just find more often than 568 00:25:59,600 --> 00:26:04,760 Speaker 1: not it's that older group that really just aren't going 569 00:26:05,240 --> 00:26:07,639 Speaker 1: to town on Facebook comments and that's their place of 570 00:26:07,680 --> 00:26:11,160 Speaker 1: doing it, whereas Twitter and Instagram is more uplifting and 571 00:26:11,160 --> 00:26:13,240 Speaker 1: and maybe it just has to do with the younger 572 00:26:13,280 --> 00:26:17,000 Speaker 1: generation be more adjusted to social media and liking it. 573 00:26:17,040 --> 00:26:20,600 Speaker 1: But man, I just that's the biggest thing I noticed 574 00:26:20,640 --> 00:26:22,720 Speaker 1: is every time it's always somebody older and they're just 575 00:26:23,200 --> 00:26:29,600 Speaker 1: hating on Yeah. Well, so one of the recent things 576 00:26:29,680 --> 00:26:32,280 Speaker 1: was you challenged lu to a boxing match and Twitter 577 00:26:32,520 --> 00:26:36,080 Speaker 1: voted that you guys should fight. Twitter was like, let's 578 00:26:36,200 --> 00:26:40,200 Speaker 1: let's do it. And Facebook because you can see the comments. 579 00:26:40,240 --> 00:26:42,080 Speaker 1: That's that thing too. On on Twitter, if you reply 580 00:26:42,160 --> 00:26:44,320 Speaker 1: to someone, you never know if I get seen, Yeah, exactly. 581 00:26:44,400 --> 00:26:47,480 Speaker 1: On Facebook, it's posted up there and it's for other 582 00:26:47,520 --> 00:26:50,960 Speaker 1: people to comment to. Absolutely, so there's that where people 583 00:26:50,960 --> 00:26:55,240 Speaker 1: want comments on their comments. But Facebook was probably pretty brutal. 584 00:26:55,280 --> 00:26:57,720 Speaker 1: I didn't go look. I mean I there was one 585 00:26:57,800 --> 00:27:00,240 Speaker 1: that I just responded to because she was like, because 586 00:27:00,280 --> 00:27:02,440 Speaker 1: we had just said that, hey Morgan number two is 587 00:27:02,480 --> 00:27:04,600 Speaker 1: behind the Facebook, it's not Bobby, he's not posting about 588 00:27:04,680 --> 00:27:08,520 Speaker 1: himself kind of thing, and um, she had said something 589 00:27:08,600 --> 00:27:10,560 Speaker 1: mean about me. I was like, hey, that's me, thanks 590 00:27:10,600 --> 00:27:13,760 Speaker 1: shout out cool and then she started responding with all 591 00:27:13,800 --> 00:27:16,280 Speaker 1: these screenshots of mean things people have said. I was like, Dang, 592 00:27:16,320 --> 00:27:18,160 Speaker 1: that took a lot of time for you. She went 593 00:27:18,200 --> 00:27:20,440 Speaker 1: in screenshot at things people have said about you. Yeah, 594 00:27:20,480 --> 00:27:23,359 Speaker 1: all the bad things people had said, and I was like, Dann, 595 00:27:23,359 --> 00:27:25,400 Speaker 1: you really put a lot of effort in that. But 596 00:27:25,480 --> 00:27:26,920 Speaker 1: you know, it was one of those things where I 597 00:27:26,960 --> 00:27:29,240 Speaker 1: was like, Okay, at this point I log off. Sometimes 598 00:27:29,240 --> 00:27:32,400 Speaker 1: I'll have enough to be like here's my hey, think school, 599 00:27:32,640 --> 00:27:35,119 Speaker 1: but then I just give up. You'll never get adjusted 600 00:27:35,240 --> 00:27:39,560 Speaker 1: to it. But what you can do is sometimes not 601 00:27:39,640 --> 00:27:43,240 Speaker 1: put yourself in the situation to be around it. So 602 00:27:43,440 --> 00:27:45,880 Speaker 1: I'll go and they'll drive me crazy to walk because 603 00:27:45,920 --> 00:27:47,840 Speaker 1: these are the same people that listen all day and 604 00:27:47,880 --> 00:27:51,960 Speaker 1: if you let's just say they're talking about, ah, something political, 605 00:27:52,480 --> 00:27:54,199 Speaker 1: if a political Canada count to them, they would be like, oh, 606 00:27:54,240 --> 00:27:55,879 Speaker 1: it's really great to meet you. But on Facebook they 607 00:27:55,920 --> 00:27:58,120 Speaker 1: would write, oh you're the devil I hate you die. 608 00:28:00,119 --> 00:28:04,120 Speaker 1: So Facebook is also fictional land where nothing it's not real. 609 00:28:04,520 --> 00:28:06,680 Speaker 1: Say whatever you want because it's not real and you're 610 00:28:06,680 --> 00:28:09,480 Speaker 1: never gonna meet you. So why does the person What 611 00:28:09,480 --> 00:28:11,040 Speaker 1: does it matter to them? You're just somebody who's on 612 00:28:11,040 --> 00:28:13,320 Speaker 1: a radio show they have an opinion about. I'm under 613 00:28:13,320 --> 00:28:15,000 Speaker 1: the impression that if I can just make people react, 614 00:28:15,080 --> 00:28:17,679 Speaker 1: I don't only care how I'm good, because it's so 615 00:28:17,720 --> 00:28:22,399 Speaker 1: hard to even matter to people anymore. So if I 616 00:28:22,440 --> 00:28:25,000 Speaker 1: just get people riled up, a you're doing something right. 617 00:28:25,320 --> 00:28:31,080 Speaker 1: And with me, it's none of us are mr rogers 618 00:28:31,119 --> 00:28:33,520 Speaker 1: like perfect humans, and if we perfect humans on the 619 00:28:33,520 --> 00:28:35,720 Speaker 1: air all the time, that means we're not really us. 620 00:28:36,200 --> 00:28:37,960 Speaker 1: So somethings that should say things that piss people off, 621 00:28:38,000 --> 00:28:40,360 Speaker 1: I'm totally cool with that. And it's still I don't 622 00:28:40,360 --> 00:28:44,640 Speaker 1: think that anything. I think people are ridiculous. She's a girl, 623 00:28:44,920 --> 00:28:46,479 Speaker 1: I'm like, No, if he didn't want to fight her 624 00:28:46,520 --> 00:28:48,120 Speaker 1: because he felt like he was gonna beat her up 625 00:28:48,160 --> 00:28:51,800 Speaker 1: real bad or physically, or he had trained, but not 626 00:28:51,920 --> 00:28:54,880 Speaker 1: just because she's a girl, that's how I felt like, 627 00:28:54,920 --> 00:28:56,840 Speaker 1: I want to fight you because I'm too big and 628 00:28:56,880 --> 00:28:59,200 Speaker 1: strong and I've trained more. I would ever say it 629 00:28:59,200 --> 00:29:01,120 Speaker 1: could be because I know you box all the time. 630 00:29:01,160 --> 00:29:03,000 Speaker 1: I wouldn't even fight Mike d because I feel like 631 00:29:03,000 --> 00:29:07,440 Speaker 1: I would pound him right dy, Okay, Still, regardless about 632 00:29:07,440 --> 00:29:09,920 Speaker 1: guy or a girl, that doesn't matter. It's just like, 633 00:29:10,920 --> 00:29:12,600 Speaker 1: what do you go? I wouldn't fight rond Rowsey because 634 00:29:12,600 --> 00:29:14,720 Speaker 1: she's a girl. No, he probably don't fight because she 635 00:29:14,760 --> 00:29:16,760 Speaker 1: beat his butt, not because she's a girl. That was 636 00:29:16,800 --> 00:29:20,120 Speaker 1: my only point that if you're excuses she's a girl, 637 00:29:20,760 --> 00:29:23,320 Speaker 1: that doesn't float. If you're excuses, now I'm gonna hurt 638 00:29:23,680 --> 00:29:26,280 Speaker 1: him or her, or they're too young or they're not 639 00:29:26,360 --> 00:29:29,400 Speaker 1: in shape enough, then I get it. But she's a 640 00:29:29,440 --> 00:29:31,400 Speaker 1: girl just doesn't float for me because I don't like 641 00:29:31,600 --> 00:29:34,680 Speaker 1: that excuse of why you shouldn't compete. And also it's 642 00:29:34,720 --> 00:29:36,520 Speaker 1: there's rules. It's it's not like a bar fight or 643 00:29:38,600 --> 00:29:41,760 Speaker 1: rules and gloves and a referee. It's an Olympic sport. 644 00:29:42,440 --> 00:29:44,040 Speaker 1: So yeah, I thought any mean people like we should 645 00:29:44,080 --> 00:29:45,479 Speaker 1: never hit a girl. I want to say, hit a girl. 646 00:29:45,520 --> 00:29:48,560 Speaker 1: We're having two competitors compete against each other in a 647 00:29:48,640 --> 00:29:52,120 Speaker 1: sport with rules that they've both agreed to. But I 648 00:29:52,160 --> 00:29:54,880 Speaker 1: do think too, he lost a boxing match once and 649 00:29:54,920 --> 00:29:57,360 Speaker 1: two there's no win if he beats you up in 650 00:29:57,360 --> 00:30:02,479 Speaker 1: a boxing match, so what but like you and if 651 00:30:02,480 --> 00:30:06,560 Speaker 1: he loses, oh it's over, like he's done. There's no win. Yeah, 652 00:30:06,680 --> 00:30:09,520 Speaker 1: I get that, but I think it's so healthy to 653 00:30:09,640 --> 00:30:13,000 Speaker 1: have friendly competition between male and female and people are 654 00:30:13,000 --> 00:30:15,600 Speaker 1: so against that. Yeah, I agree to again, as long 655 00:30:15,640 --> 00:30:20,360 Speaker 1: as it's equally like I don't think a lunchbox challenged you, 656 00:30:21,240 --> 00:30:23,080 Speaker 1: like I don't want to beat you up. It's up 657 00:30:23,080 --> 00:30:24,280 Speaker 1: to you to go. Hey, I think it a little 658 00:30:24,280 --> 00:30:26,240 Speaker 1: too big and too too strong. Even if a lord, 659 00:30:26,280 --> 00:30:30,000 Speaker 1: even if rond Rowsy challenged you, well, yeah I wouldn't. Yeah, 660 00:30:30,680 --> 00:30:33,200 Speaker 1: it was just a fun like it was fun and 661 00:30:33,200 --> 00:30:35,440 Speaker 1: friend lane turn. But I also think you can beat 662 00:30:35,520 --> 00:30:38,040 Speaker 1: him up like that, like I do think Morgan number 663 00:30:38,040 --> 00:30:40,920 Speaker 1: two would beat him up or outbox him. Excuse me. 664 00:30:42,240 --> 00:30:46,400 Speaker 1: So yeah, people got upset about that. I don't really care. 665 00:30:46,560 --> 00:30:48,360 Speaker 1: I don't think I cared to put back in him. 666 00:30:48,440 --> 00:30:50,720 Speaker 1: Was his only reason that you were a girl. I 667 00:30:50,720 --> 00:30:52,640 Speaker 1: don't think that's fair. I don't think it is either, 668 00:30:53,360 --> 00:30:58,560 Speaker 1: but his his reasoning kind of changed like a different time. No, 669 00:30:58,640 --> 00:31:02,320 Speaker 1: I can't. Yeah, yeah, so yeah, don't let Well, that 670 00:31:02,320 --> 00:31:05,120 Speaker 1: stuff will always bother you, but you have to not 671 00:31:05,200 --> 00:31:07,840 Speaker 1: be around, not make yourself be around it as much. 672 00:31:07,960 --> 00:31:10,200 Speaker 1: Now you're in the your job is to be around 673 00:31:10,400 --> 00:31:12,480 Speaker 1: web stuff. You don't have to read every thread. You can't. 674 00:31:12,640 --> 00:31:15,440 Speaker 1: We can't possibly minder every comment on our Facebook page. 675 00:31:15,480 --> 00:31:17,960 Speaker 1: This is true. I didn't, But then that girl brought 676 00:31:18,000 --> 00:31:20,200 Speaker 1: to light every single one. I was like, dang, that 677 00:31:20,240 --> 00:31:23,960 Speaker 1: was rough, M but it's okay. I mean honestly, when 678 00:31:23,960 --> 00:31:26,360 Speaker 1: it happened, I thought of something that you had said 679 00:31:26,360 --> 00:31:29,720 Speaker 1: where it was just like, you can't you can't change 680 00:31:29,760 --> 00:31:31,920 Speaker 1: what people say, so you just have to change like 681 00:31:32,000 --> 00:31:34,160 Speaker 1: your reaction to it. And so I just was like, Okay, 682 00:31:34,240 --> 00:31:36,440 Speaker 1: I'm gonna go away from this for a while. Yeah, 683 00:31:36,480 --> 00:31:42,360 Speaker 1: you can always judge yourself how other people react to 684 00:31:42,400 --> 00:31:44,520 Speaker 1: you and how you handle that situation because people are 685 00:31:44,560 --> 00:31:46,640 Speaker 1: always going to have about me. People always gonna have 686 00:31:46,640 --> 00:31:48,280 Speaker 1: angry things say about me always, and if they stop, 687 00:31:48,320 --> 00:31:50,200 Speaker 1: then I'm too safe and I'm going to fail and 688 00:31:50,280 --> 00:31:56,320 Speaker 1: flame out. If I ever stopped having big opinions, no 689 00:31:56,360 --> 00:31:58,160 Speaker 1: one's going to be able to agree or disagree with 690 00:31:58,200 --> 00:32:01,280 Speaker 1: those opinions, and then I'm going to go away. Yes, so, 691 00:32:01,400 --> 00:32:03,720 Speaker 1: and I understand that at times I gotta take that 692 00:32:03,920 --> 00:32:05,920 Speaker 1: the old stick and put in the soup and just 693 00:32:06,200 --> 00:32:07,760 Speaker 1: shake it up. I don't even think that was a 694 00:32:07,760 --> 00:32:09,600 Speaker 1: shake up yesterday, Like, honestly, just thought it was a 695 00:32:09,640 --> 00:32:12,800 Speaker 1: fun I was laughing so hard at that segment that 696 00:32:13,120 --> 00:32:14,920 Speaker 1: had tears of my eyes. It was really one of 697 00:32:14,920 --> 00:32:17,360 Speaker 1: those segments that I think I'll laugh harder than anything 698 00:32:17,400 --> 00:32:19,080 Speaker 1: so far this year. But yeah, don't let to get 699 00:32:19,080 --> 00:32:21,080 Speaker 1: to you. You can't let that get to you because 700 00:32:21,080 --> 00:32:23,120 Speaker 1: it will be way worse. Oh I will. I will 701 00:32:23,160 --> 00:32:24,959 Speaker 1: tell you that segment yesterday. I think that was the 702 00:32:25,000 --> 00:32:27,720 Speaker 1: most like authentic version of myself because I am a 703 00:32:27,760 --> 00:32:30,480 Speaker 1: little spitfire. I have a lot of energy. Even put 704 00:32:30,520 --> 00:32:33,840 Speaker 1: up a front right, Mike. Mike says nothing all day. 705 00:32:34,320 --> 00:32:36,600 Speaker 1: I had dinner with a friend last night and she 706 00:32:36,760 --> 00:32:39,320 Speaker 1: was like, Hey, just so, Miked does comedy out on 707 00:32:39,320 --> 00:32:40,920 Speaker 1: the road. I said, yeah, he goes out and does 708 00:32:40,920 --> 00:32:44,400 Speaker 1: the first ten minutes. I've never heard him talk, I said, 709 00:32:44,400 --> 00:32:47,040 Speaker 1: he doesn't in the studio. I don't think Mike, he 710 00:32:47,120 --> 00:32:50,920 Speaker 1: says three words all morning. He just knows where I'm 711 00:32:50,960 --> 00:32:53,640 Speaker 1: going or tries to predict it, and is always handed 712 00:32:53,680 --> 00:32:55,440 Speaker 1: me paper and notes and like here's the story about 713 00:32:55,480 --> 00:32:59,000 Speaker 1: talking about here's this, this, this, but not interesting. So 714 00:32:59,520 --> 00:33:01,880 Speaker 1: are you happy with your decision to join the show. Yes, 715 00:33:02,200 --> 00:33:05,920 Speaker 1: I'm always happy, always happy in life. No, just that 716 00:33:06,080 --> 00:33:08,160 Speaker 1: I joined this, that I decided to take the jump 717 00:33:08,200 --> 00:33:11,480 Speaker 1: and do it, even though my you know, there's uncomfort 718 00:33:11,520 --> 00:33:14,720 Speaker 1: in doing that and fears and stuff. I took that leap, 719 00:33:14,760 --> 00:33:16,239 Speaker 1: and I did it. And if you ever get into 720 00:33:16,280 --> 00:33:18,680 Speaker 1: something where there is no uncovered or fear, you're probably 721 00:33:18,680 --> 00:33:21,239 Speaker 1: not getting in anything worth being in Imagine if you've 722 00:33:21,240 --> 00:33:24,320 Speaker 1: got something you're like, I'm totally comfortable and I don't 723 00:33:24,360 --> 00:33:28,520 Speaker 1: fear anything, Like you're just gonna tread water. Yeah you're not. 724 00:33:28,640 --> 00:33:31,600 Speaker 1: You're not moving anywhere, You're not doing what's the goal? 725 00:33:31,640 --> 00:33:34,920 Speaker 1: What's the goal for you? Honestly, this was the goal 726 00:33:35,200 --> 00:33:37,440 Speaker 1: when I had started in radios, like that would be 727 00:33:37,520 --> 00:33:40,120 Speaker 1: the ultimate dream job. And now I'm kind of like, 728 00:33:40,480 --> 00:33:43,480 Speaker 1: I don't know, Like this is just kind of I 729 00:33:43,560 --> 00:33:46,000 Speaker 1: hit this goal. Now I got to figure out what 730 00:33:46,120 --> 00:33:48,800 Speaker 1: you do, what your next move is and how I 731 00:33:48,800 --> 00:33:50,520 Speaker 1: don't even I don't even know what my next movie is. 732 00:33:51,120 --> 00:33:54,640 Speaker 1: Like to talk about unpredictable, Mike, what's gonna happen with us? 733 00:33:55,200 --> 00:33:58,400 Speaker 1: I don't neither. Yeah, I don't either, And and I 734 00:33:58,440 --> 00:34:00,400 Speaker 1: think even a bit that's got a way on everybody 735 00:34:00,400 --> 00:34:02,840 Speaker 1: else because they're like, what's Bobby gonna do? But I 736 00:34:02,880 --> 00:34:04,960 Speaker 1: don't know? So what do you guys want for me? 737 00:34:05,960 --> 00:34:10,879 Speaker 1: You got lots of options want I mean, that's not 738 00:34:11,280 --> 00:34:13,400 Speaker 1: that's just gonna be some episodes and be over, but 739 00:34:13,800 --> 00:34:16,399 Speaker 1: that has oddly opened a bunch of doors or people 740 00:34:16,400 --> 00:34:19,120 Speaker 1: are like, hey, we hear you're cool, so they don't 741 00:34:19,120 --> 00:34:20,799 Speaker 1: even know if I'm cool, don't know anything about me. 742 00:34:20,840 --> 00:34:23,560 Speaker 1: It's but I've been able to see it firsthand from 743 00:34:23,600 --> 00:34:26,680 Speaker 1: a different place, where people in California now are going 744 00:34:26,840 --> 00:34:28,839 Speaker 1: l A, are going, hey, so here, you're kind of cool. 745 00:34:28,880 --> 00:34:30,520 Speaker 1: We'd like to offer you. And I'm like, you don't 746 00:34:30,520 --> 00:34:32,239 Speaker 1: even know anything about like you haven't seen anything. You 747 00:34:32,320 --> 00:34:35,759 Speaker 1: just heard I might be kind of cool and you're 748 00:34:35,800 --> 00:34:37,840 Speaker 1: offering me something and they go, yeah, oh, that's what 749 00:34:37,880 --> 00:34:40,000 Speaker 1: the culture is all about. Like it's just people trying 750 00:34:40,000 --> 00:34:44,080 Speaker 1: to get up. And but that's I'm never I don't 751 00:34:44,080 --> 00:34:46,280 Speaker 1: say never. I don't think I'll ever stop doing radio 752 00:34:46,320 --> 00:34:50,120 Speaker 1: in some form. I do. I do think podcasts will 753 00:34:50,160 --> 00:34:52,919 Speaker 1: be very big for you. Yeah, and I think this 754 00:34:52,960 --> 00:34:55,120 Speaker 1: one is too. And you know, I think we've put 755 00:34:55,160 --> 00:34:57,440 Speaker 1: a lot of effort and work into this, and there 756 00:34:57,440 --> 00:34:59,680 Speaker 1: are some guys have been doing for five years already. Um, 757 00:34:59,719 --> 00:35:03,040 Speaker 1: but it I think that how we've developed this little 758 00:35:03,080 --> 00:35:05,640 Speaker 1: program of not just the show, but promoting it through 759 00:35:05,640 --> 00:35:07,560 Speaker 1: the radio show and intertwining it with other shows. I 760 00:35:07,560 --> 00:35:09,719 Speaker 1: do think that's a bit different, and I think it'll work. 761 00:35:09,719 --> 00:35:11,200 Speaker 1: I want to build out the build a studio on 762 00:35:11,280 --> 00:35:14,200 Speaker 1: my house and just do everything, never leave my house. 763 00:35:14,600 --> 00:35:16,640 Speaker 1: I don't think that's then you've become like a really 764 00:35:16,680 --> 00:35:19,520 Speaker 1: true introvert and we'd have to come and pry you 765 00:35:19,560 --> 00:35:21,200 Speaker 1: out of your house. And he's already talked about if 766 00:35:21,200 --> 00:35:22,799 Speaker 1: they ever build your studio in your house, will never 767 00:35:22,800 --> 00:35:25,600 Speaker 1: see you again. Ever you can't, then you'll be the 768 00:35:25,719 --> 00:35:27,560 Speaker 1: recluse on the news like fifty years from now, like 769 00:35:27,600 --> 00:35:31,439 Speaker 1: this guy left his house. Yeah, yeah, it would be awesome. Yeah, 770 00:35:31,640 --> 00:35:32,960 Speaker 1: as long as you have a good setup, I think 771 00:35:32,960 --> 00:35:34,759 Speaker 1: you're pretty good. I never have to leave my house. 772 00:35:35,120 --> 00:35:39,400 Speaker 1: So personally, at the time of this podcast, your boyfriend's 773 00:35:39,400 --> 00:35:42,120 Speaker 1: not here. He's no, he's in Wisconsin. How weird is 774 00:35:42,160 --> 00:35:44,440 Speaker 1: it to have your personal life broadcast now to everybody. 775 00:35:44,800 --> 00:35:47,719 Speaker 1: It's hard. It's hard, really hard. Yeah, it's hard. And 776 00:35:47,760 --> 00:35:50,880 Speaker 1: there's days where I'm like, gosh, I never gonna get married, 777 00:35:50,880 --> 00:35:52,239 Speaker 1: Like is somebody really going to be able to put 778 00:35:52,320 --> 00:35:55,279 Speaker 1: up with all this? But at me I'm not. Yeah, 779 00:35:55,320 --> 00:35:57,400 Speaker 1: it's tough. It's an adjustment and you either have to 780 00:35:57,440 --> 00:35:59,880 Speaker 1: go in or not. Like Eddie's decided, not to go in. 781 00:36:01,160 --> 00:36:03,880 Speaker 1: He just he's like, I'm not talking about wife, no 782 00:36:04,120 --> 00:36:06,560 Speaker 1: kid pictures. I'm gonna act like I'm a good and 783 00:36:06,640 --> 00:36:08,319 Speaker 1: that's just his thing. So I don't really use them 784 00:36:08,320 --> 00:36:11,160 Speaker 1: for that anymore. He's funny, witty. I can talk to 785 00:36:11,200 --> 00:36:14,040 Speaker 1: them about things. But I know he's he's decided that 786 00:36:14,080 --> 00:36:18,600 Speaker 1: he's not going to be vulnerable and put that part 787 00:36:18,600 --> 00:36:20,640 Speaker 1: out there. He's have to. That's not his job, but 788 00:36:20,680 --> 00:36:24,040 Speaker 1: he decided that isn't that's not what he wants to do. Um. 789 00:36:24,080 --> 00:36:27,239 Speaker 1: What he does is he provides someone that's pretty quick 790 00:36:27,239 --> 00:36:29,399 Speaker 1: and can make funny comments back with stories and does 791 00:36:29,440 --> 00:36:30,840 Speaker 1: a great job what he's hired to do, which is 792 00:36:30,840 --> 00:36:33,600 Speaker 1: that at videos and we planned. He's great to hang around. 793 00:36:33,640 --> 00:36:36,560 Speaker 1: We play a band together. We're like someone like Amy 794 00:36:36,600 --> 00:36:38,200 Speaker 1: and myself. We just kind of put it all out there, 795 00:36:38,239 --> 00:36:43,040 Speaker 1: good or bad, and we've committed to that. But you 796 00:36:43,120 --> 00:36:47,239 Speaker 1: have to either commit or not because I can't kind 797 00:36:47,239 --> 00:36:49,600 Speaker 1: of be tiptoeing around what you want to talk about. 798 00:36:50,239 --> 00:36:53,880 Speaker 1: And I and for me like I like being authentic. 799 00:36:53,920 --> 00:36:56,080 Speaker 1: I know you make fun of my Instagram posts and 800 00:36:56,200 --> 00:37:00,400 Speaker 1: my you're vague you know, feeling and yeah, she's on 801 00:37:00,560 --> 00:37:04,480 Speaker 1: stairs looking down and all of his hashtag feeling confused 802 00:37:04,480 --> 00:37:06,520 Speaker 1: and I'm like about what. I want to see your picture. 803 00:37:06,520 --> 00:37:07,879 Speaker 1: I want to know what you feel like confused about 804 00:37:07,920 --> 00:37:10,640 Speaker 1: so I can help. Yeah. Yeah. Once I was like, oh, 805 00:37:10,680 --> 00:37:12,600 Speaker 1: she's leaving the show. It was some. It was like, 806 00:37:12,680 --> 00:37:15,560 Speaker 1: I I miss home. It has all of her like 807 00:37:15,680 --> 00:37:17,840 Speaker 1: moms and sisters and aunts look exactly like you, and 808 00:37:17,840 --> 00:37:19,919 Speaker 1: they're all together, like I miss home. My only dream 809 00:37:19,920 --> 00:37:21,239 Speaker 1: in life is to move back home and get off 810 00:37:21,280 --> 00:37:24,120 Speaker 1: the Bobby Bones show hashtag. And I'm like, wait, by 811 00:37:24,160 --> 00:37:26,920 Speaker 1: reading this, I would lead me to assume that you 812 00:37:26,920 --> 00:37:28,840 Speaker 1: want to leave the show. She's like, no, I just 813 00:37:28,880 --> 00:37:31,640 Speaker 1: felt that way that night. It's true, though, Like I mean, 814 00:37:31,680 --> 00:37:33,759 Speaker 1: I like putting myself out there in that sense. So 815 00:37:34,120 --> 00:37:36,960 Speaker 1: I am all in and it's hard. It doesn't mean 816 00:37:37,040 --> 00:37:40,319 Speaker 1: it's not hard to do that, but um, I am 817 00:37:40,440 --> 00:37:43,680 Speaker 1: and and he's great and he's been super supportive, so 818 00:37:43,840 --> 00:37:45,439 Speaker 1: I you know, that's all I can ask for. Ever 819 00:37:45,640 --> 00:37:50,080 Speaker 1: his friends ever call him and he heard no, not really. 820 00:37:50,600 --> 00:37:52,680 Speaker 1: Can we address the fact we have two Morgan's on 821 00:37:52,719 --> 00:37:54,440 Speaker 1: this show and that I never I don't know another 822 00:37:54,440 --> 00:37:57,839 Speaker 1: Morgan in my life just to right here? Yeah, well 823 00:37:57,880 --> 00:37:59,799 Speaker 1: more than number one. You talked about it because she's 824 00:38:00,000 --> 00:38:01,600 Speaker 1: really ever on the air, so it's easy to just 825 00:38:01,680 --> 00:38:05,000 Speaker 1: remove their Morgan number one. So now there's a Morgan 826 00:38:05,040 --> 00:38:07,279 Speaker 1: number two without a Morgan number one, but it sticks out. 827 00:38:07,400 --> 00:38:09,399 Speaker 1: And that's why I kept that way, because it's such 828 00:38:09,440 --> 00:38:12,279 Speaker 1: a name that people remember more number two. Like what, 829 00:38:12,480 --> 00:38:14,239 Speaker 1: you don't even need it, Morgan. If someone just called 830 00:38:14,239 --> 00:38:16,000 Speaker 1: and said, hey, my name is Trent number seven, I 831 00:38:16,040 --> 00:38:18,960 Speaker 1: would go, I've met a few Trents. I don't remember that, 832 00:38:19,040 --> 00:38:22,680 Speaker 1: but I remember Trent number seven, and so yeah, so 833 00:38:22,719 --> 00:38:26,960 Speaker 1: it's stuck. And now you you slowly have your own segments. Yeah, 834 00:38:27,360 --> 00:38:30,879 Speaker 1: it's crazy. It feels weird that this is happening, that 835 00:38:30,960 --> 00:38:34,760 Speaker 1: this is real life. The people are homelessen yes, yeah, yeah, 836 00:38:34,960 --> 00:38:38,600 Speaker 1: oh yeah. My my sisters, my two oldest sisters grew 837 00:38:38,680 --> 00:38:41,120 Speaker 1: up listening to you before I ever did. And so 838 00:38:41,480 --> 00:38:42,960 Speaker 1: they know you guys. They feel like they know you 839 00:38:42,960 --> 00:38:45,200 Speaker 1: guys better than I do. And they always text me 840 00:38:45,200 --> 00:38:49,720 Speaker 1: after after segments and say how they feel about things, 841 00:38:49,840 --> 00:38:52,560 Speaker 1: and I'm like, gosh, I feel like you guys know 842 00:38:52,760 --> 00:38:54,200 Speaker 1: them better than I do. And I sit in that 843 00:38:54,280 --> 00:38:57,600 Speaker 1: studio every day, but they all do. And it's fun 844 00:38:57,640 --> 00:39:00,799 Speaker 1: and they love it and they're proud of you. Yeah. 845 00:39:01,239 --> 00:39:04,000 Speaker 1: Cool to them, yeah, all of them. And that's always 846 00:39:04,000 --> 00:39:06,360 Speaker 1: the topic of conversation when I go home. So sometimes 847 00:39:06,400 --> 00:39:07,719 Speaker 1: they avoid it because I'm like, I don't want to 848 00:39:07,760 --> 00:39:09,319 Speaker 1: talk about work when I come home. Did they say 849 00:39:09,360 --> 00:39:12,120 Speaker 1: what's Amy like? Yes? Oh? They ask about how all 850 00:39:12,120 --> 00:39:14,399 Speaker 1: of you guys are like in real life? What's Amy 851 00:39:14,480 --> 00:39:19,080 Speaker 1: like in her life? Nice and sweet and feisty. Those 852 00:39:19,080 --> 00:39:21,120 Speaker 1: are like the three things I would describe her with. 853 00:39:21,520 --> 00:39:28,440 Speaker 1: What's what's Bobby like in her life? Um? Caring? Sometimes, 854 00:39:28,480 --> 00:39:34,960 Speaker 1: introverted and exciting? Exciting? Am I exciting? Man? I think 855 00:39:35,000 --> 00:39:41,359 Speaker 1: she do? We mute her that word? Un you have 856 00:39:41,640 --> 00:39:45,160 Speaker 1: you have a really good personality about you. When you 857 00:39:45,200 --> 00:39:47,720 Speaker 1: get excited about things. You can tell when you're really excited, 858 00:39:47,760 --> 00:39:50,120 Speaker 1: you get other people excited about them. And you have 859 00:39:50,160 --> 00:39:52,239 Speaker 1: a way of doing that that's really cool, which again 860 00:39:52,280 --> 00:39:53,640 Speaker 1: back to our first point. I have no idea what 861 00:39:53,640 --> 00:39:55,560 Speaker 1: people get excited about things that I get excited about, 862 00:39:55,600 --> 00:39:58,200 Speaker 1: but I do apprey. I appreciate it, but I don't 863 00:39:58,200 --> 00:40:00,680 Speaker 1: want to always understand it. Um anything else might you 864 00:40:00,680 --> 00:40:03,600 Speaker 1: want to know about? More? Game or two? I feel 865 00:40:03,640 --> 00:40:06,560 Speaker 1: like I've got you have got to nowhere better or 866 00:40:06,600 --> 00:40:11,239 Speaker 1: twice you guys hung out this. Here's what I would 867 00:40:11,239 --> 00:40:14,000 Speaker 1: suggest to you, Morgan number two, you should reach out 868 00:40:14,000 --> 00:40:16,279 Speaker 1: to everybody on this show separately and say, hey, listen, 869 00:40:16,320 --> 00:40:18,680 Speaker 1: if you get I'd like to get on the account 870 00:40:18,680 --> 00:40:22,520 Speaker 1: and your calendar and with me now, especially not to 871 00:40:22,520 --> 00:40:25,719 Speaker 1: totally douche it up my calendars jam packed. Yeah. I mean, 872 00:40:26,440 --> 00:40:27,840 Speaker 1: you get to know more douche than saying I have 873 00:40:27,840 --> 00:40:30,080 Speaker 1: a four calendar, but I think I felt my calendar 874 00:40:30,160 --> 00:40:32,439 Speaker 1: up so I don't have a loan time, especially now 875 00:40:32,680 --> 00:40:35,359 Speaker 1: it's it's it's a whole two sided things like I'm 876 00:40:35,400 --> 00:40:38,240 Speaker 1: such a douche, but I'm a douche because I'm actually hurting, 877 00:40:38,320 --> 00:40:40,879 Speaker 1: you know that kind of thing. So to say, hey, 878 00:40:40,960 --> 00:40:42,279 Speaker 1: reach out to me, Hey if you get an hour, 879 00:40:42,520 --> 00:40:45,480 Speaker 1: love to have lunch sometime, or to me, you're to 880 00:40:45,920 --> 00:40:48,080 Speaker 1: anybody the only one that's gonna be weird about his 881 00:40:48,160 --> 00:40:52,560 Speaker 1: lunch box. Surprisingly I did have I've had lunch with 882 00:40:52,680 --> 00:40:56,440 Speaker 1: lunch box and it went really well. He feels like 883 00:40:56,520 --> 00:40:58,680 Speaker 1: my older brother. Where you guys fighting that led to 884 00:40:58,719 --> 00:41:01,279 Speaker 1: this lunch usually on a reason because when I used 885 00:41:01,280 --> 00:41:02,759 Speaker 1: to make him a nod to go to lunch It 886 00:41:02,800 --> 00:41:04,200 Speaker 1: was because they would fight so much, like you guys 887 00:41:04,239 --> 00:41:05,799 Speaker 1: have to have you have to go and spend human 888 00:41:05,840 --> 00:41:09,279 Speaker 1: time together. No, it was just like, um, he just 889 00:41:09,320 --> 00:41:11,640 Speaker 1: feels like my brother sometimes, like we always kind of 890 00:41:11,719 --> 00:41:15,680 Speaker 1: argue in a sense like that and should box them? Hey, 891 00:41:15,719 --> 00:41:17,799 Speaker 1: I tried. I assume to that, Mike, who do they 892 00:41:17,800 --> 00:41:20,600 Speaker 1: would win her lunch box? Really? Yeah, I want to 893 00:41:20,640 --> 00:41:24,160 Speaker 1: see that straight up boxing eipent go and head say 894 00:41:24,560 --> 00:41:27,120 Speaker 1: people like he want puncher, but we're gonna put helmets, 895 00:41:27,239 --> 00:41:29,080 Speaker 1: headsets on you guy, even with the mask on the front. 896 00:41:29,719 --> 00:41:31,919 Speaker 1: Can you just imagine us and like our boxing gear, 897 00:41:31,960 --> 00:41:34,360 Speaker 1: like getting ready to gear up and we have walkout songs. 898 00:41:34,640 --> 00:41:38,840 Speaker 1: A program director, Gator Harrison came in, Gator super kind 899 00:41:38,880 --> 00:41:40,799 Speaker 1: and gentle, and he's like, oh, yeah, you guys have 900 00:41:40,840 --> 00:41:42,600 Speaker 1: to box. It's like there has to be a thing. 901 00:41:43,120 --> 00:41:44,600 Speaker 1: And I was like, wow, even you're He's like, oh yeah, 902 00:41:44,600 --> 00:41:45,440 Speaker 1: that has to be a thing. I don't know why 903 00:41:45,440 --> 00:41:46,759 Speaker 1: they wouldn't be a thing. Just because she's a girl. 904 00:41:46,800 --> 00:41:48,359 Speaker 1: That's not a good reason. And I was like, that's 905 00:41:48,360 --> 00:41:56,399 Speaker 1: what I'm talking about. Yeah, Well, Morgan number two, thanks 906 00:41:56,440 --> 00:41:58,080 Speaker 1: for hanging out, but I have a question for you. 907 00:41:58,160 --> 00:42:00,560 Speaker 1: I'm ready, go ahead. What have you thought about me 908 00:42:00,640 --> 00:42:02,560 Speaker 1: coming into this world? Would have been your feeling? Well, 909 00:42:02,560 --> 00:42:04,240 Speaker 1: I think you're pleasant to be around, and that's always 910 00:42:04,239 --> 00:42:06,760 Speaker 1: the first thing for anyone in the room. You can't 911 00:42:06,760 --> 00:42:08,840 Speaker 1: be on my room and not be pleasant for everyone 912 00:42:08,880 --> 00:42:12,040 Speaker 1: to be around. And so that's always the first thing, 913 00:42:12,920 --> 00:42:16,600 Speaker 1: because I'll find out all of the idiostecracies of your work, 914 00:42:16,640 --> 00:42:20,040 Speaker 1: ethic and um. So firstly, you're pleasant to be around. 915 00:42:20,520 --> 00:42:24,959 Speaker 1: You put because everyone in that room, Eddie, Amy, you, 916 00:42:25,440 --> 00:42:28,719 Speaker 1: lunch box, some you're all way more pleasant than I am. 917 00:42:28,800 --> 00:42:31,800 Speaker 1: Because one, I hate mornings, and too, I got so 918 00:42:31,880 --> 00:42:33,160 Speaker 1: much going on to but I have a show. I 919 00:42:33,400 --> 00:42:34,880 Speaker 1: have to execute a show. Now, I put myself in 920 00:42:34,880 --> 00:42:36,640 Speaker 1: the position that I don't want anybody else to know, 921 00:42:37,440 --> 00:42:39,840 Speaker 1: so everyone else gets to be a slightly more relaxed. 922 00:42:39,880 --> 00:42:42,120 Speaker 1: I need them to be relaxed and to where I'm 923 00:42:42,160 --> 00:42:44,759 Speaker 1: in and I'm you know, knee deep in what we're 924 00:42:44,800 --> 00:42:46,319 Speaker 1: doing that day, so I don't have a lot of 925 00:42:46,320 --> 00:42:48,759 Speaker 1: time to you know, give handshakes and kisses. But I've 926 00:42:48,800 --> 00:42:51,719 Speaker 1: done that to myself. I've it's not something it's something 927 00:42:51,719 --> 00:42:54,040 Speaker 1: I've built from it's the house I built. And so 928 00:42:54,400 --> 00:42:57,440 Speaker 1: you're pleasant to be around. You only learn someone's work 929 00:42:57,480 --> 00:42:59,000 Speaker 1: ethic after you've been able to see it for a while. 930 00:42:59,160 --> 00:43:01,560 Speaker 1: You're hard worker. And also you respond to things quickly 931 00:43:01,560 --> 00:43:04,200 Speaker 1: on text, which I'm like, handy this, and it's always 932 00:43:04,920 --> 00:43:07,200 Speaker 1: I'm away right now, but give me this much time. 933 00:43:07,440 --> 00:43:09,160 Speaker 1: And so it's like boom because I'm very much like 934 00:43:09,920 --> 00:43:13,800 Speaker 1: frantic and I needed right now. Okay, I haven't four it, 935 00:43:13,880 --> 00:43:16,759 Speaker 1: but I needed right now, like I'm I'm nuts, and 936 00:43:16,840 --> 00:43:23,080 Speaker 1: so you handle my nuts pretty well? Yeah, there it is, Okay, 937 00:43:23,120 --> 00:43:26,960 Speaker 1: you handle my nuttiness pretty well. And so yeah, and 938 00:43:27,000 --> 00:43:29,239 Speaker 1: the other everybody else in the room likes you. That's 939 00:43:29,239 --> 00:43:30,640 Speaker 1: a big part of being a nut room is you 940 00:43:30,680 --> 00:43:33,080 Speaker 1: have to be liked because we've just all been friends 941 00:43:33,080 --> 00:43:35,319 Speaker 1: and if you they don't like you. And they don't 942 00:43:35,320 --> 00:43:37,600 Speaker 1: like you, I can't like you because I need them 943 00:43:37,600 --> 00:43:41,680 Speaker 1: to fit together. We're all our own weird piece of 944 00:43:41,680 --> 00:43:44,319 Speaker 1: the puzzle. And so now I think you compliment it, well, 945 00:43:44,480 --> 00:43:46,920 Speaker 1: I think Mike d compliments Well, it's Mike doesn't do it. 946 00:43:47,000 --> 00:43:50,200 Speaker 1: Mike's just like a human lug over there, not saying anything, 947 00:43:50,239 --> 00:43:52,439 Speaker 1: but he fact checks everything. He makes sure he does. 948 00:43:53,080 --> 00:43:54,600 Speaker 1: You just don't know he does a lot because he's 949 00:43:54,600 --> 00:43:56,960 Speaker 1: not saying anything. He's that behind the scenes that's vital. 950 00:43:57,000 --> 00:43:59,680 Speaker 1: He's writing games, he's doing all kinds of mighty does 951 00:43:59,719 --> 00:44:01,600 Speaker 1: a ton. But he fits because he's not He's like 952 00:44:01,640 --> 00:44:04,160 Speaker 1: the oposit of lunch bikes. Yeah, you know, you have 953 00:44:04,200 --> 00:44:06,120 Speaker 1: Amy and I kind of the opposite, you know. So, yeah, 954 00:44:06,160 --> 00:44:07,400 Speaker 1: it's it's a room to fit that. So I think 955 00:44:07,400 --> 00:44:09,319 Speaker 1: you're pleasant. I think you work hard. Um, I think 956 00:44:09,320 --> 00:44:13,279 Speaker 1: you appreciate it. Um, you get here before people most 957 00:44:13,280 --> 00:44:15,520 Speaker 1: of the time and not all the time, you know, 958 00:44:16,160 --> 00:44:17,880 Speaker 1: and you also realize you have something that you have 959 00:44:17,920 --> 00:44:19,839 Speaker 1: to prove, not to me, but to the whole thing 960 00:44:19,880 --> 00:44:22,080 Speaker 1: is that we we haven't. He spent a year with you, 961 00:44:23,239 --> 00:44:25,719 Speaker 1: so you kind of have to pay your dues in 962 00:44:26,200 --> 00:44:28,000 Speaker 1: you gotta show up before people. Work go longer than 963 00:44:28,040 --> 00:44:31,480 Speaker 1: people because we've been grinding this thing out for so 964 00:44:31,560 --> 00:44:36,439 Speaker 1: long and so and you know, um, just our web 965 00:44:36,520 --> 00:44:39,080 Speaker 1: and our digital members has never been better. So I'm 966 00:44:39,120 --> 00:44:41,000 Speaker 1: also a data person. Let's look at data and let's see. 967 00:44:41,040 --> 00:44:42,880 Speaker 1: So I think you're doing a great job. I wouldn't 968 00:44:42,880 --> 00:44:44,959 Speaker 1: put you on the boby becaust if I didn't. Yeah, 969 00:44:45,560 --> 00:44:48,480 Speaker 1: like I'm firing this girl tomorrow. This is the Bobycust. 970 00:44:48,520 --> 00:44:50,960 Speaker 1: We actually fire you. You just had to get it 971 00:44:51,000 --> 00:44:54,040 Speaker 1: on air. So I think you're doing great. Well. Yeah, 972 00:44:54,040 --> 00:44:56,120 Speaker 1: and I wouldn't say that if I didn't, so I 973 00:44:56,520 --> 00:44:58,320 Speaker 1: always tell Mike though, was like, I'm so nervous. I 974 00:44:58,360 --> 00:44:59,799 Speaker 1: wish you'd asked me to have lunch or something I've 975 00:44:59,840 --> 00:45:02,640 Speaker 1: never us to. Yeah, I'm like, I just keep waiting 976 00:45:02,680 --> 00:45:05,160 Speaker 1: every day. I'm uncomfortable today. Well now I'm gonna do 977 00:45:05,200 --> 00:45:07,680 Speaker 1: that because we were both uncomfortable. Now I'll make sure 978 00:45:07,719 --> 00:45:10,359 Speaker 1: I do it. I'm always uncomfortable, so no difference for me. 979 00:45:10,560 --> 00:45:13,640 Speaker 1: I live in a land of uncomfortable nous, the uncomfortable 980 00:45:13,680 --> 00:45:18,239 Speaker 1: sars Rex they call me mhm. But we're gonna say 981 00:45:18,280 --> 00:45:20,480 Speaker 1: anything else. Yeah, just I'm going to do that now. 982 00:45:20,680 --> 00:45:22,760 Speaker 1: Yeah you should, but not just to me, just two people, 983 00:45:23,640 --> 00:45:25,000 Speaker 1: you know. I wrote about that in my new book, 984 00:45:25,040 --> 00:45:28,160 Speaker 1: where it's if someone reaches out to me and goes, hey, gotta, 985 00:45:28,160 --> 00:45:31,120 Speaker 1: I gotta let's hang out. I'm like, cool, cool, cool, 986 00:45:31,480 --> 00:45:33,040 Speaker 1: probably won't but I go cool and think about But 987 00:45:33,120 --> 00:45:35,800 Speaker 1: I also have a song coming out next week. I'm like, okay, 988 00:45:35,840 --> 00:45:37,279 Speaker 1: now for sure I'm not going to and I know 989 00:45:37,320 --> 00:45:39,160 Speaker 1: what you're trying to do. Where if someone goes, hey, 990 00:45:39,239 --> 00:45:42,120 Speaker 1: let's hang out, and I'm like, cool, what do you 991 00:45:42,160 --> 00:45:44,600 Speaker 1: have going on? Like nothing, I just thought we'd hang out, 992 00:45:44,600 --> 00:45:45,799 Speaker 1: so I probably don't like gonna do it. But then 993 00:45:45,840 --> 00:45:48,399 Speaker 1: I go, oh, they're just actually wanted to hang out. 994 00:45:49,040 --> 00:45:51,239 Speaker 1: So the next time they say let's hang out, or 995 00:45:51,320 --> 00:45:52,719 Speaker 1: three times later and they say have a new song, 996 00:45:52,760 --> 00:45:55,080 Speaker 1: we check it out. I I feel okay about that 997 00:45:55,320 --> 00:45:57,520 Speaker 1: other than the just coming around when it's time to 998 00:45:58,080 --> 00:46:00,719 Speaker 1: address something that helps them. And to what I wrote was, 999 00:46:00,760 --> 00:46:02,480 Speaker 1: you know, there are people in your life that can 1000 00:46:02,840 --> 00:46:04,640 Speaker 1: you can help and they can help you if you 1001 00:46:04,719 --> 00:46:10,680 Speaker 1: just maintain some sort of surface ish relationship that exists 1002 00:46:10,680 --> 00:46:13,080 Speaker 1: other than when you need something, that when you do 1003 00:46:13,200 --> 00:46:16,920 Speaker 1: need something, it's so much more organic to ask for 1004 00:46:17,000 --> 00:46:19,399 Speaker 1: it and it's not. It doesn't feel weird, it doesn't 1005 00:46:19,400 --> 00:46:22,600 Speaker 1: feel like you're manipulating. Well, at least know that when 1006 00:46:22,600 --> 00:46:24,680 Speaker 1: I ask you, I don't have songs coming out. I 1007 00:46:24,719 --> 00:46:27,759 Speaker 1: have nothing. Hey, I'm like, yeah, hey, can I get 1008 00:46:27,760 --> 00:46:31,760 Speaker 1: a raise? I got literally nothing, So that okay. Wait, 1009 00:46:32,480 --> 00:46:34,520 Speaker 1: what is your word that you don't you don't like literally? 1010 00:46:34,560 --> 00:46:37,160 Speaker 1: What is the word that I'm figuratively. No, you say 1011 00:46:37,200 --> 00:46:39,080 Speaker 1: have nothing, because that means the same thing is figuratively 1012 00:46:39,120 --> 00:46:40,880 Speaker 1: I have nothing. You have nothing. Good, So if I 1013 00:46:40,920 --> 00:46:44,120 Speaker 1: ask you, I mean it. Okay, then I will see 1014 00:46:44,120 --> 00:46:46,000 Speaker 1: you soon, and by soon we're gonna walk out in 1015 00:46:46,040 --> 00:46:47,760 Speaker 1: the studio over there and then do a little project. 1016 00:46:47,800 --> 00:46:51,480 Speaker 1: But Morgan number two on Twitter at web girl Morgan 1017 00:46:52,160 --> 00:46:55,439 Speaker 1: is that your Instagram to at web girl Morrigan. There 1018 00:46:55,440 --> 00:46:57,520 Speaker 1: you go. Thank you very much. Yeah, yeah, it's been 1019 00:46:57,560 --> 00:47:01,320 Speaker 1: a episode one all right, Thank everybody.