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Speaker 1: He is Drinks Chants, motherfucking podcast man.

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Speaker 2: He's a legendary queens rapper.

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Speaker 1: He ain't agreed as your boy in o R.

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Speaker 3: He's a Miami hip hop pioneer put up as d

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Speaker 3: J e f N.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players you know what I mean.

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Speaker 2: And the most professional unprofessional podcast and your number one source.

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Speaker 1: For drunk drinks Chans post every day is New Year's Listen,

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Speaker 1: It's time for Drink Champs. Drink Up mother.

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Speaker 4: Yesterday we was filming and one of the craziest times

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Speaker 4: and Drink Champs history is when we used to have

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Speaker 4: the Elliott Wilson train and then Elliott Wilson pulled up

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Speaker 4: and he pointed at us and we all said the

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Speaker 4: Elliott Wilson training. Before we start anything, let me just

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Speaker 4: say something. Whenever a person comes in the presence of

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Speaker 4: Rock Kim, whenever a person comes in the presence of Knives,

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Speaker 4: whenever a person come in the presidence of Jay z Uh,

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Speaker 4: everyone SHOs start off their conversation and start their sentence

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Speaker 4: by saying you are to go, and I would I

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Speaker 4: would like to start off this by.

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Speaker 1: Saying you are to go and We all come from

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Speaker 1: your treaty.

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Speaker 4: Whether you as a rapper trying to get an interview

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Speaker 4: from you.

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Speaker 1: Or now a rapper trying you know about the story.

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Speaker 4: Because this is great, man, it is crazy, but let's

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Speaker 4: just let's just take it from the beginning.

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Speaker 1: Why what's up projects man?

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Speaker 4: You you started into this hip hop thing? And was

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Speaker 4: it echo that you started.

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Speaker 1: At no beat Down? Beat Down?

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Speaker 2: Be Down? What I'm thinking thinking about Sasagai.

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Speaker 1: The key. Sasha was the one that taught me.

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Speaker 2: Like you could do your own shipness went to school,

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Speaker 2: No I met him. We went we actually went town school,

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Speaker 2: didn't know each other, and then like I saw him

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Speaker 2: at a party, Carris one party and we connected. He

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Speaker 2: told me about the magazine was doing and then we

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Speaker 2: became real good friends and we did beat Down for

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Speaker 2: two years and it was like, okay, let's do something

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Speaker 2: else ourselves.

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Speaker 1: And that was eager.

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Speaker 2: It's funny because the last our last issue at the

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Speaker 2: death squads on the cover and we did something with

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Speaker 2: you were like as like high choice to some kind

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Speaker 2: of crazy ship.

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Speaker 1: Do you remember that? Its like, is Noriega diabolical? And ship?

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Speaker 1: The cover of Lines the Stick is so okay, boom, Wait,

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Speaker 1: did you go to journalism school? Did you?

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Speaker 5: No?

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Speaker 1: No? That was just out here kid from Queen's just

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Speaker 1: loving the culture. Run DMC was the inspiration, Like that

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Speaker 1: was my ship. Like I was like, and I read

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Speaker 1: the source.

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Speaker 2: I was like, I want to be the like that

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Speaker 2: had the music edit with the source, Reginald C.

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Speaker 1: Dennis. I was like, I want to be that guy.

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Speaker 2: He gets all the albums for this just come out,

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Speaker 2: he reviews him, he controls the mics.

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Speaker 1: That's what I wanted. I wanted to control the mics.

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Speaker 1: I think even talking about editing.

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Speaker 2: Chief and I wanted every rap album for anybody else

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Speaker 2: had it, and I wanted to give the mics. That's

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Speaker 2: all I cared about. So when Dave May's changed the mics,

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Speaker 2: that's why I quit. And that's what the falling out was.

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Speaker 1: Okay, let's that's not my speed.

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Speaker 4: But so what you mean Dave May's changed the mics?

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Speaker 4: What do you mean he changed the review of what

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Speaker 4: was it? Corrupt?

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Speaker 2: And then I think a Cannabis record, like he changed

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Speaker 2: reviews on me, changed the mics on them without telling him,

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Speaker 2: like what you had said?

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Speaker 1: He changed that with I talked to three and a

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Speaker 1: half and then he gave them four Yeah.

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Speaker 2: Yeah, he pipped it up and took it down whatever.

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Speaker 2: So that was the thing, Like even with Ray, I

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Speaker 2: have no real problem with Ray. I had a problem

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Speaker 2: with Dave Mays.

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Speaker 1: Let me tell you something years later I'm talking about.

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Speaker 1: This is years later after the source of Wars because

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Speaker 1: Hilton Show could beat me and so you know, you're

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Speaker 1: a traumatized by by the way, I love you something Shaka,

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Speaker 1: but he beat me. Pun d m X Corrup cav

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Speaker 1: Dona Camera had no limit advertising.

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Speaker 6: To be massive.

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Speaker 1: People used to call and book his own ads back.

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Speaker 4: And so years later, I don't want to say where

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Speaker 4: with me and Viz you know we we we live

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Speaker 4: on the same block, of course, and I just just

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Speaker 4: say something to him and he's like and he doesn't

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Speaker 4: admit it. He goes, he goes, he goes.

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Speaker 1: You're still mad, And I'm like, I'm like, yo, he goes,

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Speaker 1: he goes.

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Speaker 4: But they were spending seventy five thousand I had, And

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Speaker 4: you got to think about what seventy five thousand was

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Speaker 4: back then, think about.

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Speaker 1: How many ads they had. It was like it was

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Speaker 1: every other fucking package.

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Speaker 2: But but it's trying to master I remember he used

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Speaker 2: to call, but it was like there wasn't all yet

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Speaker 2: like that.

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Speaker 1: It's before the Imbody movie came out. That's when it

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Speaker 1: took off. So he would call and book back the

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Speaker 1: cheap ads in the back of the book she had

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Speaker 1: cold ship the Master.

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Speaker 2: P Yeah, like he did all that from I remember

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Speaker 2: we did a cover of him. Maze was like, yo,

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Speaker 2: is he really good enough to be the whole cover?

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Speaker 2: Like split the cover, like we had like money behind him,

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Speaker 2: and she was like, yo, he's the guy right now

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Speaker 2: New Orleans, Like he's taking off. So that's probably what

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Speaker 2: it was. They were so used to dealing with him

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Speaker 2: on some billing ship. He literally like came from like

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Speaker 2: the classified ads back of the book. Yeah, so Master,

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Speaker 2: we went from booking that ship to booking like major ship.

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Speaker 1: So that what it was.

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Speaker 4: By the way, we've been here way too long without

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Speaker 4: popping a bottle of ace. And if y'all don't know,

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Speaker 4: last night, me and Elliott hung out all night last night.

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Speaker 1: We dranked.

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Speaker 6: We didn't even so beautiful.

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Speaker 4: It's so beautiful, like to sit around and just chop

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Speaker 4: it up, you know what I mean, like no bullshit,

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Speaker 4: just so we could if I would ask you to

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Speaker 4: pop a bottle a but I don't have no faith

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Speaker 4: in you animal.

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Speaker 1: I don't know models, yo yo, people, would you like

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Speaker 1: to show off tonight?

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Speaker 2: Cool?

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Speaker 1: Limit, let me let you hipop this.

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Speaker 2: But I do want to say I love that I

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Speaker 2: said him doing it last night, So I toltally like,

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Speaker 2: I like how you got that shine with the ice

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Speaker 2: cube ship. Oh okay, you like your you know, you're

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Speaker 2: quiet legend, you humble, your humble soul type nigga, but

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Speaker 2: you that nigga. So I love how the ice cube

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Speaker 2: shit happened, and like organically like the attention to that, right,

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Speaker 2: so you know, and we all hip hop. We know

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Speaker 2: ice cubes a great storyteller, but maybe a generation doesn't

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Speaker 2: know you educating him with.

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Speaker 1: That so appreciated.

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Speaker 4: And by the way, and by the way, let me

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Speaker 4: just tell you something that's e f n every episode.

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Speaker 1: It's just he argues with me every episode, so people,

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Speaker 1: people don't understand that he's a passionate dude. I can't

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Speaker 1: get him from Cuban.

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Speaker 3: I can't.

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Speaker 4: I can't get I can't get him to get a Chaine,

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Speaker 4: I can't get him to get once.

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Speaker 1: He's just he's taking he's he's spending little kids, but

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Speaker 1: he's a passionate guy. And it was so dope to

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Speaker 1: see how many people called me.

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Speaker 4: Was like, yo, you know, the event has a point

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Speaker 4: and that was and then there was other people who

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Speaker 4: from Brooklyn, and I was like, for a long time,

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Speaker 4: I don't go to Brooklyn, Like you know what I'm saying.

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Speaker 1: Best, I just cut it off the list, you know

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Speaker 1: what I mean? Because but I was just playing. You know,

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Speaker 1: that's a joking. People say, Yo, you was right though,

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Speaker 1: actually because it's very it's a very healthy conversation. And

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Speaker 1: that's what I feel like hip hop. I mean I

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Speaker 1: felt that with you the other day.

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Speaker 4: Yeah no, no, no, no, no, I did. I did no, no, no, no,

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Speaker 4: I did because I had to actually think about it.

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Speaker 4: Like the thing about it is that's what hip hop

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Speaker 4: was based on at one point. One point it was like, Yo,

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Speaker 4: I'm better than you. Doesn't mean I'm better than you.

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Speaker 4: I mean I'm a better person than you. I'm just

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Speaker 4: saying I'm better than you.

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Speaker 1: And a lot of times.

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Speaker 4: It trickled down to beasts, and it trickled down to

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Speaker 4: other things. When in the beginning, I don't remember k

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Speaker 4: arrest one and I don't remember mc shan saying I'm

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Speaker 4: gonna shoot you or whatever. Yeah, cool od and these

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Speaker 4: people not remember that. I don't remember that. I remember

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Speaker 4: them saying I'm just better than you and battling you.

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Speaker 4: So I think that that this generation and what we're

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Speaker 4: going through, like sometimes when we say that, uh, they

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Speaker 4: automatically think it's a negative thing.

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Speaker 2: So I know where you're coming from. Agrees with me

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Speaker 2: with that competition? Competition anymore?

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Speaker 4: Right, Yes, I agree with you, Robs. What type of

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Speaker 4: shit you you're gonna want the bottom and put.

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Speaker 1: It back in there and look the way, come on,

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Speaker 1: come on and me and Elliot was got drunk his

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Speaker 1: hair last night. And so what I say is I

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Speaker 1: say that the same you know, I love that you

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Speaker 1: and Rob you know, you know whatever. I had to

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Speaker 1: call him real quick. Yes, I love that. I love that.

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Speaker 1: I love Rob. I love that because to tell you the.

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Speaker 2: Truth again, I want to reiterate something that you know

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Speaker 2: that because Rob, we get competitive at times, me and

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Speaker 2: Rob market Rob Markman and at one point right why

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Speaker 2: helped him excel early days and stuff, But then you know,

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Speaker 2: he shining on his own, so he gets competitive. I

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Speaker 2: get all that so I don't remember what exactly what

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Speaker 2: it was, but I think it was something about like

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Speaker 2: a baby Face interview.

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Speaker 1: We're both trying to interview baby Face some crazy shit,

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Speaker 1: and then we kind of fell out.

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Speaker 2: And then this thing that really blocked me on Twitter,

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Speaker 2: like he was like blocking me like this, like yo,

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Speaker 2: And I was like, ya, I got beef.

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Speaker 1: For Rob Martin, like I like, I like dude, like so,

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Speaker 1: but I accept my fault in that ship.

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Speaker 2: So ho Bin's funeral we pulled up and I had

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Speaker 2: I had a feeling like me and I was like,

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Speaker 2: if I see Rob Martin, I'm just squatching that ship.

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Speaker 2: Fuck it like it's not I know Hobin would want

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Speaker 2: us to be one hundred with each other, you know.

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Speaker 2: So and then Rob, to his credit, he came to

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Speaker 2: me first, so we squashed it. So when that shit happened,

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Speaker 2: I'm like, Yo, I don't want to go back to

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Speaker 2: having no beef with this thing. Like That's why we

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Speaker 2: called and talked it out. So solute, rond.

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Speaker 4: But let me ask you, and this is over all honesty, elliot,

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Speaker 4: you ever think that you're too competitive?

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Speaker 1: Yeah?

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Speaker 2: Absolutely, Like Yo, Sway is the most beloved figure in

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Speaker 2: him hot, Yes, so for me to step on this

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Speaker 2: moment which Rob said was wrong.

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Speaker 1: I agree.

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Speaker 2: Okay, So who says the right to say I'm the

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Speaker 2: right to say that I'm the fucking goalt. Nobody was

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Speaker 2: branding themselves as that ship before me, nor you know,

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Speaker 2: we come from everywhere. It's like radio and press, but

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Speaker 2: everybody's media now, everybody's.

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Speaker 4: Who's the artist that I've said that swear was to go?

230
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Speaker 4: And you commented on it? Who's the artist that that swear?

231
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Speaker 1: Little baby?

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Speaker 2: And okay, but they would say that because they was like, yo,

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Speaker 2: he's a good guy. Fucking him that he's cool, Like

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Speaker 2: he respects us, so we show love to him. So

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Speaker 2: I'm not gonna be the most beloved.

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Speaker 4: Comput that to jay Z called himself the goat and

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Speaker 4: then and then l L invented himself as the goal and.

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Speaker 1: Who is wrong? Like who was wrong?

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Speaker 4: Like I can't say jay Z is not the goat

240
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Speaker 4: and I can't say we love home that's our friend.

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Speaker 1: Yes, but I was.

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Speaker 2: I was actually but I have the same jame with

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Speaker 2: forty birthday as old who j So the movie that's

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Speaker 2: part of my whole ship. Like I feel like I'm

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Speaker 2: the gold I'm just gonna try to prove it to you,

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00:11:07,000 --> 00:11:09,920
Speaker 2: like I'm just focused on that, like it's important to me.

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Speaker 4: But Ellie, let me just tell you something why in

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Speaker 4: in case you don't know, this is drink Champs about

249
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Speaker 4: giving people their flowers, and this is a this is

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Speaker 4: a mini version of it. But let me just tell

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Speaker 4: you something. What you did for hip hop. You're passionate

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Speaker 4: for hip hop, and how you pursued it, and how

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Speaker 4: you would go and get interviews in people's hoods.

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Speaker 1: You would do, you would do whatever you had. Trust me,

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Speaker 1: trust me.

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Speaker 4: Let me just tell you something we recognize, we know.

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Speaker 4: Don't nobody want to compete with you.

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Speaker 1: We want to eat with you. A lot of people

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Speaker 1: want to eat with you. But what it is is,

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Speaker 1: I feel like I feel like no, I just want

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Speaker 1: to be honest.

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Speaker 4: I feel like as soon as we get a little

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Speaker 4: close to the rim, you'd be like blocking off shot

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Speaker 4: and be like, yo, you the ball?

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Speaker 1: You think I go too crazy with it? How you feel?

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Speaker 7: You feel like you're real petty. I'm not mad at you,

267
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Speaker 7: but you're real petty. You're no Caption posts are.

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Speaker 1: The things I've ever seen. But but one thing for sure,

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Speaker 1: thing for certain we know you for the culture, we

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Speaker 1: know you're a getting you.

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Speaker 2: This is why I don't get credit for him. It's

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Speaker 2: like your niggers be doing this fucking five hour interview.

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Speaker 2: God bless y'all. I hear about e fn ice Cube,

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Speaker 2: him and Yale. I literally ripped. I'm not in your

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Speaker 2: social media team, nigga. I rip like this segment that

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Speaker 2: I think is the hottest segment of the fucking interview.

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Speaker 2: I put the ship up. You get engagement, nigga. I'm

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Speaker 2: doing your love. That's why I do. Nobody else, nobody

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Speaker 2: else's content that way. So competitive as I am, I

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Speaker 2: still acknowledge, like if Yo, you had to shot, nobody

281
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Speaker 2: does it like that, and you're correct and give me.

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Speaker 1: And it never will. That's right. That's what in fact,

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Speaker 1: I think World Star bid off of you. I think

284
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Speaker 1: you did that first and the World Star.

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Speaker 2: Oh social media strategy and style. Now I saw the

286
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Speaker 2: whole social media strategy style with that ship, like nobody

287
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Speaker 2: was doing it at the time.

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Speaker 1: So that's right, So hold on.

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Speaker 8: You know what I got to witness though, I got

290
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Speaker 8: to witness Elliott Wilson and Eddie the Asked Eater have

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Speaker 8: an asked eating conversation like ten minutes when this happening.

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Speaker 1: I never thought. I never thought in my life I

293
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Speaker 1: would hear this behind me. I like it. I like it.

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Speaker 1: I did I like it. Oh my god, I wasn't ready.

295
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Speaker 1: You're supposed to text me this next question that was

296
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Speaker 1: I was not ready. I was not ready. But so

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Speaker 1: that's pre marriage. That's the way. But let me ask you,

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Speaker 1: Let me ask you.

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Speaker 4: This is real tal yes, sir, and I want you

300
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Speaker 4: to be honest, as honest as you could be because

301
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Speaker 4: I felt this way too, but obviously you might have

302
00:14:01,679 --> 00:14:06,640
Speaker 4: felt this way way before me. The fact that everybody

303
00:14:06,800 --> 00:14:08,559
Speaker 4: has a computer set.

304
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Speaker 1: A mic and a speaker.

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00:14:12,720 --> 00:14:16,319
Speaker 4: Everyone thinks that they can now be a journalist or

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Speaker 4: part of media or even a phone.

307
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Speaker 1: Yeah. Now, some of these guys are worthy.

308
00:14:21,560 --> 00:14:24,280
Speaker 4: Some of these guys are funny, some of these guys

309
00:14:24,360 --> 00:14:27,520
Speaker 4: are like, way okay. But then some of these guys

310
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Speaker 4: just look at what another person is doing and say,

311
00:14:29,840 --> 00:14:33,400
Speaker 4: I'm a mimic fact, and everyone kind of feels like,

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Speaker 4: that's why I hate being on social media, because at

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Speaker 4: that time, we're all on the same level. It doesn't

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Speaker 4: matter how much I am or how less I am

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00:14:41,280 --> 00:14:45,840
Speaker 4: or whatever, whatever, did you ever think that the media

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Speaker 4: game would be this.

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Speaker 1: Warded down? Man? I do. It was not warded down,

318
00:14:52,880 --> 00:14:53,600
Speaker 1: but so active.

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Speaker 2: Like then it makes sense, Like we was talking about

320
00:14:55,520 --> 00:14:57,920
Speaker 2: little bit last night, I was like, it would make

321
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Speaker 2: sense that someone like yourself that like MVP in the game,

322
00:15:01,520 --> 00:15:04,960
Speaker 2: like you see Charles Barkley, he made a transition, right,

323
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Speaker 2: So you have a whole generation doesn't even know Charles,

324
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Speaker 2: like a cannibal player want championships.

325
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Speaker 1: So my thing is like, you don't make that segue.

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Speaker 2: It makes sense that you come from the culture and

327
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Speaker 2: like you was staying it and become commentators on the culture.

328
00:15:18,040 --> 00:15:20,040
Speaker 2: But you know, I didn't see that. And also I

329
00:15:20,080 --> 00:15:21,720
Speaker 2: didn't think that media would be looked at as like

330
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Speaker 2: a cool thing. It wasn't cool, But I was a

331
00:15:24,560 --> 00:15:27,360
Speaker 2: nigga trying to lead that that is cool. People brought

332
00:15:27,400 --> 00:15:31,560
Speaker 2: into the Wyan persona. This guy's crazy, he's battling the source.

333
00:15:31,640 --> 00:15:34,520
Speaker 2: Like they connected to that thing that made it somewhat cool.

334
00:15:34,520 --> 00:15:37,440
Speaker 2: If you're riding with us it was against them, you're

335
00:15:37,440 --> 00:15:39,960
Speaker 2: connected to that. So that's what bugs me out is that,

336
00:15:40,080 --> 00:15:41,360
Speaker 2: like it's cool. And then the other thing I said

337
00:15:41,360 --> 00:15:46,240
Speaker 2: to you yesterday too, it's like no Ye but Joe

338
00:15:46,360 --> 00:15:51,360
Speaker 2: Budden Fact, Joe Jilly the motherfucking kid. Yes, you always

339
00:15:51,440 --> 00:15:54,640
Speaker 2: no disrespect. Muckle has you almost like the wild live

340
00:15:54,720 --> 00:15:57,880
Speaker 2: wire dude. So for y'all are like, figure it out

341
00:15:58,160 --> 00:15:59,040
Speaker 2: and be whatever it is.

342
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Speaker 1: I never saw that coming. Love to all y'all. You

343
00:16:02,360 --> 00:16:04,080
Speaker 1: know you know what's crazy.

344
00:16:04,200 --> 00:16:07,000
Speaker 4: But I always always, I always knew I was more

345
00:16:07,080 --> 00:16:09,600
Speaker 4: than an artist because I always remembered I would never

346
00:16:09,720 --> 00:16:10,560
Speaker 4: want to be late.

347
00:16:11,000 --> 00:16:13,800
Speaker 1: Yeah, and when I never was late, I remember a

348
00:16:13,880 --> 00:16:16,200
Speaker 1: friend of mine, his name is Rob Love Shout.

349
00:16:17,800 --> 00:16:20,840
Speaker 4: Rob used to say, you're not an artist, and I

350
00:16:20,960 --> 00:16:22,200
Speaker 4: used to be like what he used to be, like,

351
00:16:23,400 --> 00:16:26,440
Speaker 4: no artist comes on time. And another person who reiterated

352
00:16:26,520 --> 00:16:30,080
Speaker 4: that was my friend Shampoo, so big of a shampoo.

353
00:16:30,120 --> 00:16:32,240
Speaker 1: I think he's around here somewhere. And I knew I was.

354
00:16:32,360 --> 00:16:34,640
Speaker 1: I was destined to do something else. Now was was

355
00:16:34,680 --> 00:16:35,200
Speaker 1: it media?

356
00:16:35,680 --> 00:16:35,720
Speaker 6: No?

357
00:16:35,960 --> 00:16:36,320
Speaker 1: No way?

358
00:16:36,480 --> 00:16:42,240
Speaker 4: Now we just hung out with uh Cipher Styles and Rosenberg.

359
00:16:43,360 --> 00:16:47,000
Speaker 4: The ciber size in Rosenberg is credited the first first

360
00:16:47,160 --> 00:16:50,520
Speaker 4: hip hop part. They absolutely were And what do you

361
00:16:50,560 --> 00:16:55,560
Speaker 4: feel about that? Because they were. They're lucky that both

362
00:16:55,600 --> 00:16:58,000
Speaker 4: of them, that both of them. Sipher has a luxurious

363
00:16:58,000 --> 00:17:01,520
Speaker 4: career out, just on on to first guess, get the.

364
00:17:01,800 --> 00:17:02,120
Speaker 1: Out of here.

365
00:17:07,160 --> 00:17:09,159
Speaker 2: I recognize people when they like I was like, Yo,

366
00:17:09,240 --> 00:17:10,520
Speaker 2: what y'all doing is cool? I want to be a

367
00:17:10,600 --> 00:17:14,159
Speaker 2: guest on the ship. No, I guess I did it.

368
00:17:14,320 --> 00:17:17,040
Speaker 2: It was the first guest on one scene. Clue to them.

369
00:17:17,560 --> 00:17:19,760
Speaker 2: That's my point is, like, I guess my whole thing

370
00:17:19,800 --> 00:17:21,879
Speaker 2: when you look at me, I'm the most competitive, and

371
00:17:22,000 --> 00:17:24,679
Speaker 2: I guess sometimes I do go too far. But at

372
00:17:24,680 --> 00:17:28,119
Speaker 2: the same time, nobody gives as many love and as

373
00:17:28,200 --> 00:17:30,679
Speaker 2: sister as I do too. Yeah, that's a fashion.

374
00:17:30,800 --> 00:17:31,920
Speaker 1: Yeah I'm not. I'm not.

375
00:17:33,040 --> 00:17:36,960
Speaker 2: I'm not like, take your shine away, Like that's a

376
00:17:37,040 --> 00:17:41,000
Speaker 2: great moment you you and yo talking about motherfucker.

377
00:17:42,080 --> 00:17:44,200
Speaker 1: That ship is legendary. So that dessert.

378
00:17:44,280 --> 00:17:45,879
Speaker 2: I'm a rat fan. I want to see that on

379
00:17:45,960 --> 00:17:48,560
Speaker 2: my time. So that's why I rip that ship because

380
00:17:48,600 --> 00:17:50,680
Speaker 2: that's what's in the culture, you know what I mean.

381
00:17:50,800 --> 00:17:54,080
Speaker 2: So my thing is I'm always challenging the status quo.

382
00:17:54,200 --> 00:17:55,240
Speaker 1: But I always like, at the.

383
00:17:55,280 --> 00:17:57,160
Speaker 2: End of the day, I'm always gonna play the game

384
00:17:57,240 --> 00:17:59,399
Speaker 2: the right way. I'm not gonna play in a fout way.

385
00:17:59,400 --> 00:18:02,560
Speaker 2: I'm always gonna credit you know, situation, Like, so do

386
00:18:02,600 --> 00:18:03,200
Speaker 2: you think there's.

387
00:18:03,040 --> 00:18:04,800
Speaker 3: A lack of Okay, hold on, do you think there's

388
00:18:04,800 --> 00:18:06,920
Speaker 3: a lack of passion and hip hop journalists?

389
00:18:06,960 --> 00:18:10,520
Speaker 4: Absolutely? Absolutely, some people are doing it just like normally

390
00:18:10,560 --> 00:18:11,199
Speaker 4: has a passion.

391
00:18:11,240 --> 00:18:13,800
Speaker 2: That's like, that's what I said again going back to

392
00:18:13,880 --> 00:18:16,760
Speaker 2: my live why guys know everybody the thing why they

393
00:18:16,840 --> 00:18:19,840
Speaker 2: win is they have the passion. Nobody was like Joe

394
00:18:19,880 --> 00:18:22,120
Speaker 2: Budden's really gonna be this dedicated to do what he does.

395
00:18:22,520 --> 00:18:24,480
Speaker 2: Nobody was like, noriy is gonna be this dedicated to

396
00:18:24,600 --> 00:18:26,840
Speaker 2: what he does? I said, as I'm like, yill know

397
00:18:27,000 --> 00:18:29,520
Speaker 2: how you still stay motivated? Like what what gets you

398
00:18:29,680 --> 00:18:30,159
Speaker 2: right to get?

399
00:18:30,240 --> 00:18:32,120
Speaker 1: Like you? Why do you care why you're so motivated?

400
00:18:32,240 --> 00:18:33,359
Speaker 1: Like who'll took it.

401
00:18:33,400 --> 00:18:33,720
Speaker 6: Back on me?

402
00:18:33,840 --> 00:18:35,640
Speaker 2: United's like Elliot's time to talk to you again because

403
00:18:35,720 --> 00:18:38,600
Speaker 2: in his mind, he's building content all the time in

404
00:18:38,680 --> 00:18:39,080
Speaker 2: his mind.

405
00:18:39,200 --> 00:18:41,480
Speaker 1: So that's that dedication. I respect it.

406
00:18:41,600 --> 00:18:44,080
Speaker 4: And by the way, like I said yesterday, and I

407
00:18:44,160 --> 00:18:46,720
Speaker 4: didn't realize it was live yesterday, but you know it

408
00:18:46,800 --> 00:18:49,040
Speaker 4: was at one point we were just you know, go

409
00:18:49,160 --> 00:18:51,800
Speaker 4: on Twitter back and forth, just doing what competitors, competitors

410
00:18:51,880 --> 00:18:57,920
Speaker 4: do and b dot dot said, and I will always

411
00:18:57,960 --> 00:18:59,720
Speaker 4: give him the credit for this and that I said

412
00:18:59,720 --> 00:19:02,440
Speaker 4: the differ between us as we're really fans, And that

413
00:19:02,880 --> 00:19:05,280
Speaker 4: was the one quote. It wasn't disrespectful at all. He

414
00:19:05,359 --> 00:19:08,640
Speaker 4: didn't curse, he didn't say fuck you, he didn't say.

415
00:19:08,560 --> 00:19:11,280
Speaker 1: Fuck my mother. He just he just said, you're really

416
00:19:11,320 --> 00:19:11,640
Speaker 1: a fan.

417
00:19:11,720 --> 00:19:13,560
Speaker 4: And I sat back and I was like, that shit

418
00:19:13,640 --> 00:19:15,760
Speaker 4: hit me so hard because it's like, how the fuck

419
00:19:15,840 --> 00:19:18,359
Speaker 4: can I really be a fan of DMX when I

420
00:19:18,440 --> 00:19:19,600
Speaker 4: want his number one spot?

421
00:19:19,760 --> 00:19:20,119
Speaker 6: How can I?

422
00:19:22,040 --> 00:19:22,880
Speaker 1: How can I be a fan?

423
00:19:23,640 --> 00:19:25,879
Speaker 4: So I'm thinking about it and I'm like, damn, that

424
00:19:26,080 --> 00:19:29,480
Speaker 4: was so true. So instead of me actually you know,

425
00:19:30,400 --> 00:19:33,159
Speaker 4: you know, rebutterant or whatever, what I did was, you

426
00:19:33,240 --> 00:19:36,960
Speaker 4: know what, I threw away my artistry. I was like,

427
00:19:37,040 --> 00:19:39,440
Speaker 4: you know what, fuck it, I'm going now. I'm gonna

428
00:19:39,480 --> 00:19:47,320
Speaker 4: now reintroduce myself. My name is fan, you know, like

429
00:19:47,560 --> 00:19:49,040
Speaker 4: you know what I'm saying. I went and I went

430
00:19:49,080 --> 00:19:50,840
Speaker 4: back and I listened to ill Matic. I went back

431
00:19:50,880 --> 00:19:53,000
Speaker 4: and I listened to the biggies because I was like,

432
00:19:53,080 --> 00:19:55,359
Speaker 4: you know what, I wanted to do that and that

433
00:19:55,600 --> 00:19:56,360
Speaker 4: shit made me better.

434
00:19:56,480 --> 00:19:59,000
Speaker 6: Like and even even even like we.

435
00:19:59,080 --> 00:20:01,080
Speaker 1: Had this funny joke, I always wanted to ask you

436
00:20:01,119 --> 00:20:03,639
Speaker 1: about this. The Elliott Wilson train like what we was

437
00:20:03,720 --> 00:20:09,160
Speaker 1: doing CBS hilarious And what happened was how did that start?

438
00:20:09,280 --> 00:20:11,280
Speaker 1: Even how it really started? How did that really start?

439
00:20:11,560 --> 00:20:11,840
Speaker 5: Damn?

440
00:20:12,080 --> 00:20:15,520
Speaker 3: We was We was at at a spot that had

441
00:20:15,520 --> 00:20:17,399
Speaker 3: a train track next to it, and every time we

442
00:20:17,520 --> 00:20:22,920
Speaker 3: had a good moment in the pod, trained were being

443
00:20:23,000 --> 00:20:26,480
Speaker 3: competitive and CBS with each other, and then we would

444
00:20:26,480 --> 00:20:29,080
Speaker 3: be like Elliott Wilson sab yo.

445
00:20:29,240 --> 00:20:29,960
Speaker 1: It was so fun.

446
00:20:30,080 --> 00:20:33,200
Speaker 4: But by the way, the fans loved that. By the way,

447
00:20:33,280 --> 00:20:36,480
Speaker 4: to me, I believe me, you E F N and

448
00:20:36,600 --> 00:20:41,280
Speaker 4: B that we we built what is podcasting now? Of

449
00:20:41,400 --> 00:20:44,800
Speaker 4: course with Joe Budd. Of course with Joe Budd, we

450
00:20:44,920 --> 00:20:47,119
Speaker 4: built it. I believe the people that kind of started

451
00:20:47,119 --> 00:20:51,040
Speaker 4: it was Simon Siles Roseenberg comback Jack can't forget taxed

452
00:20:51,160 --> 00:20:54,480
Speaker 4: one even though he has tea I see was the

453
00:20:54,480 --> 00:20:58,920
Speaker 4: first one the internet radio Yes rappers, so he's going

454
00:20:58,960 --> 00:20:59,159
Speaker 4: with this.

455
00:20:59,240 --> 00:21:01,760
Speaker 1: He's saying that somebody rap Radar and drink.

456
00:21:01,640 --> 00:21:06,440
Speaker 4: Champ every what happened podcast it was we started, we

457
00:21:06,520 --> 00:21:10,840
Speaker 4: started making the algorithms changed because he started to say listen.

458
00:21:10,960 --> 00:21:13,440
Speaker 4: Even though we were competitive against each other, but it

459
00:21:13,560 --> 00:21:15,480
Speaker 4: was like competitive, what's guests that you'll.

460
00:21:15,359 --> 00:21:17,880
Speaker 1: Have Boom boom boom, and then that was that one year.

461
00:21:17,960 --> 00:21:20,639
Speaker 1: I believe you had Drake and then Jay back to

462
00:21:20,720 --> 00:21:22,440
Speaker 1: back and we was like, fuck it was.

463
00:21:22,880 --> 00:21:25,680
Speaker 3: It was a pond wars that I was like, that

464
00:21:25,920 --> 00:21:29,160
Speaker 3: happened running. It was like rap battles. It was fun

465
00:21:29,200 --> 00:21:31,760
Speaker 3: for the audience and it made them engage.

466
00:21:31,359 --> 00:21:32,879
Speaker 1: More with us. You know how mad I was that

467
00:21:33,080 --> 00:21:34,760
Speaker 1: that fucking Kanye ship.

468
00:21:37,960 --> 00:21:40,200
Speaker 4: Ship because I said it on Home Complex, we gotta

469
00:21:40,200 --> 00:21:42,880
Speaker 4: say it on our own ship. Let me tell you something.

470
00:21:43,000 --> 00:21:45,600
Speaker 4: I searched for where the fuck they did jay Z's

471
00:21:45,840 --> 00:21:47,719
Speaker 4: and I just was like yo.

472
00:21:48,320 --> 00:21:51,000
Speaker 1: I was like yo, So I searched, I'm searching, and

473
00:21:51,160 --> 00:21:55,680
Speaker 1: then I've become a member of Mallible right, so Mallible.

474
00:21:56,720 --> 00:22:00,359
Speaker 1: Actually I actually rented a house just to be a

475
00:22:00,560 --> 00:22:03,080
Speaker 1: member of Mallible House because anybodyho was brought of Soul House,

476
00:22:03,119 --> 00:22:04,920
Speaker 1: you know, you could do the oil house, or you

477
00:22:04,960 --> 00:22:07,119
Speaker 1: could do the local house, or you do whatever. I

478
00:22:07,200 --> 00:22:07,840
Speaker 1: did the all house.

479
00:22:07,880 --> 00:22:09,800
Speaker 4: But then I realized when I came to Malleable one time,

480
00:22:09,840 --> 00:22:11,440
Speaker 4: they was like you can't get it in, motherfucker. And

481
00:22:11,520 --> 00:22:14,440
Speaker 4: I was like, so I rented the house and I

482
00:22:14,680 --> 00:22:17,840
Speaker 4: ran here and I ran when they said that I'm accepted.

483
00:22:17,960 --> 00:22:19,280
Speaker 1: I ran. I went to orientation.

484
00:22:19,440 --> 00:22:22,640
Speaker 4: I'm walking around doing all this dumb ship and when

485
00:22:22,680 --> 00:22:25,080
Speaker 4: they walked me into this room, I'm with nothing but

486
00:22:25,600 --> 00:22:27,879
Speaker 4: white people in one black people with dress.

487
00:22:28,440 --> 00:22:30,520
Speaker 1: He looks like he paints or something. I don't know.

488
00:22:30,960 --> 00:22:34,040
Speaker 1: And we stood there and I looked into this room.

489
00:22:34,160 --> 00:22:35,840
Speaker 1: I said, motherfly.

490
00:22:39,520 --> 00:22:42,000
Speaker 6: Orientation, and I'm like, holy shit.

491
00:22:42,119 --> 00:22:46,199
Speaker 1: But that's that's what's crazy. And this is something. Let

492
00:22:46,240 --> 00:22:46,760
Speaker 1: me just ask you this.

493
00:22:46,840 --> 00:22:50,119
Speaker 4: This was crazy one that was remarkable because it made

494
00:22:50,160 --> 00:22:52,240
Speaker 4: it seem like it was JYZ crib. But to what

495
00:22:52,600 --> 00:22:55,280
Speaker 4: made y'all fucking do the interview in black and white?

496
00:22:56,280 --> 00:22:56,800
Speaker 1: The whole era?

497
00:22:56,920 --> 00:22:58,679
Speaker 2: I was doing everything black and white because we had

498
00:22:58,840 --> 00:23:02,040
Speaker 2: the CBS Radio era. Okay, so with title, I was like,

499
00:23:02,119 --> 00:23:05,159
Speaker 2: yo's gotta kind of a reburn. So I wanted everything

500
00:23:05,240 --> 00:23:06,880
Speaker 2: to be black and white. So remember we did y'all

501
00:23:07,000 --> 00:23:07,920
Speaker 2: black and white like one.

502
00:23:07,840 --> 00:23:08,400
Speaker 1: Of the first ones.

503
00:23:08,440 --> 00:23:11,240
Speaker 2: We did you in the f N We did that

504
00:23:11,400 --> 00:23:14,720
Speaker 2: like it was the fourth episode. So Will Smith changed

505
00:23:14,760 --> 00:23:16,639
Speaker 2: that ship because beat Out was like, Yo, we did

506
00:23:16,720 --> 00:23:20,200
Speaker 2: it hungry. Will Smith had rented out the hotel. The

507
00:23:20,320 --> 00:23:26,040
Speaker 2: ship looked fly as fuck the past Hungry it's already

508
00:23:26,080 --> 00:23:29,119
Speaker 2: black and white. What so beat Out was like, Yo,

509
00:23:29,200 --> 00:23:31,080
Speaker 2: we gotta do this in color, and then we were

510
00:23:31,160 --> 00:23:33,480
Speaker 2: right back to color. But before the every episode was

511
00:23:33,480 --> 00:23:34,960
Speaker 2: black and white. Because of that, that's why it was

512
00:23:35,080 --> 00:23:36,159
Speaker 2: I wanted to be like classic.

513
00:23:36,240 --> 00:23:39,119
Speaker 1: But do you still own that episode? Yeah? Absolutely? So

514
00:23:39,520 --> 00:23:44,280
Speaker 1: could you drop that episode in color? Oh wow? I

515
00:23:44,359 --> 00:23:56,919
Speaker 1: could look at its animal? No, No, you know, let

516
00:23:56,920 --> 00:23:59,879
Speaker 1: me just tell you something. Bust and ROMs and my

517
00:24:00,119 --> 00:24:02,879
Speaker 1: friend and I always tell them just because.

518
00:24:02,560 --> 00:24:06,760
Speaker 4: I'm telling you this, I'm explained to that. So because

519
00:24:06,760 --> 00:24:09,000
Speaker 4: you're my friend doesn't take away from me being your fan.

520
00:24:09,600 --> 00:24:11,760
Speaker 1: You know what I'm saying. I'm saying so yeah, and

521
00:24:11,880 --> 00:24:14,119
Speaker 1: I'm just saying that that would be crazy. I'm getting

522
00:24:14,640 --> 00:24:16,000
Speaker 1: you know what I'm saying about the Malibu. So the

523
00:24:16,040 --> 00:24:16,960
Speaker 1: maliboun ship was like.

524
00:24:20,080 --> 00:24:22,399
Speaker 2: Damn, we had a couple like you know, yeah, it's

525
00:24:22,440 --> 00:24:23,960
Speaker 2: like you're going to get the big interview, Okay.

526
00:24:24,000 --> 00:24:25,880
Speaker 1: So he finally agreed, finally agreed. Okay.

527
00:24:25,960 --> 00:24:28,880
Speaker 2: So then it's like okay, and I'm still living New York.

528
00:24:28,920 --> 00:24:31,800
Speaker 2: He's like, well, come to Cali or whatever. So I

529
00:24:32,000 --> 00:24:34,760
Speaker 2: told you that we're not hitting until we land because

530
00:24:34,880 --> 00:24:37,600
Speaker 2: you know Castle chased the mind like, so, I'm like,

531
00:24:38,640 --> 00:24:41,160
Speaker 2: he gave us to go. I'm titled with the time

532
00:24:41,200 --> 00:24:43,200
Speaker 2: Boom Boom, so I'm like, we get into playing boom.

533
00:24:43,600 --> 00:24:44,080
Speaker 1: We land.

534
00:24:44,160 --> 00:24:46,080
Speaker 2: As soon as we landed, I was like, okay, we

535
00:24:46,240 --> 00:24:48,480
Speaker 2: where are we doing this? You know, ho what we're doing?

536
00:24:48,600 --> 00:24:49,399
Speaker 1: Like he's like.

537
00:24:49,520 --> 00:24:51,320
Speaker 2: That was back and forth, and then he said the

538
00:24:51,359 --> 00:24:53,760
Speaker 2: SO House and I thought it was the Hollywood Joint.

539
00:24:54,080 --> 00:24:57,400
Speaker 2: It was the main one in Hollywood. Then it's like Malibu.

540
00:24:57,480 --> 00:24:59,480
Speaker 1: I'm like, oh, ship, we got to get to the so.

541
00:24:59,520 --> 00:25:01,040
Speaker 1: We got there and that's that's how it went down.

542
00:25:01,119 --> 00:25:03,480
Speaker 2: But the funny thing that happened was it was set

543
00:25:03,560 --> 00:25:05,240
Speaker 2: up with all the food that was geeked out because

544
00:25:05,240 --> 00:25:05,960
Speaker 2: he was coming.

545
00:25:07,240 --> 00:25:09,200
Speaker 1: And I wanted the whole thing of like the whole.

546
00:25:11,040 --> 00:25:12,680
Speaker 2: I wanted the window to kind of be open so

547
00:25:12,720 --> 00:25:15,280
Speaker 2: you can hear the sea breeze type vibe of it.

548
00:25:15,920 --> 00:25:17,560
Speaker 1: And they was like that's gonna fuck up with the sound.

549
00:25:17,800 --> 00:25:18,240
Speaker 1: Up the sound.

550
00:25:18,520 --> 00:25:20,880
Speaker 2: But then once Jay sat down, they all fanboyd outs.

551
00:25:20,960 --> 00:25:24,119
Speaker 2: They got closer the door and up and running.

552
00:25:24,200 --> 00:25:25,960
Speaker 1: So that was the COO.

553
00:25:26,760 --> 00:25:28,520
Speaker 2: That's why we didn't touch the food. It was just like, yo,

554
00:25:28,640 --> 00:25:31,280
Speaker 2: let's get to the if only have them. We really

555
00:25:31,320 --> 00:25:33,399
Speaker 2: didn't eat none of that food. It was so the

556
00:25:33,440 --> 00:25:33,840
Speaker 2: whole time.

557
00:25:35,359 --> 00:25:36,200
Speaker 1: You know what's crazy.

558
00:25:36,320 --> 00:25:41,880
Speaker 4: When me and Ben first started, y'all was our blueprints.

559
00:25:41,880 --> 00:25:43,240
Speaker 4: So if I don't know, if you remember our first

560
00:25:43,280 --> 00:25:45,080
Speaker 4: couple of episodes, we were standing in front of the

561
00:25:45,080 --> 00:25:46,840
Speaker 4: CBS Sun were doing the.

562
00:25:46,880 --> 00:25:47,639
Speaker 6: Same exact thing.

563
00:25:49,280 --> 00:25:49,800
Speaker 1: I remember.

564
00:25:51,880 --> 00:25:54,119
Speaker 4: So we didn't know, like we just didn't know what

565
00:25:54,240 --> 00:25:57,000
Speaker 4: to do, and the CBS signed us. And then what

566
00:25:57,119 --> 00:25:59,720
Speaker 4: we did was like you said, let's just go, let's

567
00:25:59,720 --> 00:26:03,240
Speaker 4: just do what we wanted, and that was to give

568
00:26:03,320 --> 00:26:06,879
Speaker 4: people their flowers. And I want to give you know,

569
00:26:06,920 --> 00:26:10,239
Speaker 4: people that that's forgotten about because like we just did

570
00:26:10,280 --> 00:26:13,880
Speaker 4: an interview with Shade Rock mm hmm. That's the first

571
00:26:14,000 --> 00:26:21,040
Speaker 4: female artist ever invented, and she was she was there

572
00:26:21,119 --> 00:26:26,760
Speaker 4: standing across one scarlet, and to me, this was so.

573
00:26:28,440 --> 00:26:29,199
Speaker 1: Because this is the.

574
00:26:30,840 --> 00:26:34,760
Speaker 4: And then this is what the new, you know, And

575
00:26:34,840 --> 00:26:38,000
Speaker 4: I'm like in my mind, I'm like, this is what

576
00:26:38,119 --> 00:26:40,400
Speaker 4: the gods want, this is what the gods of hip

577
00:26:40,440 --> 00:26:40,920
Speaker 4: hop want.

578
00:26:41,040 --> 00:26:42,119
Speaker 9: This ship and.

579
00:26:43,560 --> 00:26:47,040
Speaker 1: Again, our coaches should be preserved so much. Our culture

580
00:26:47,080 --> 00:26:51,399
Speaker 1: should be uh, you know, it should be that, it

581
00:26:51,440 --> 00:26:54,680
Speaker 1: should be, it should be the new teaching the old.

582
00:26:55,040 --> 00:26:57,760
Speaker 4: The problem is a lot of people don't want it.

583
00:26:57,840 --> 00:26:59,879
Speaker 4: So what was my man name from yesterday?

584
00:27:00,560 --> 00:27:00,679
Speaker 3: Uh?

585
00:27:01,119 --> 00:27:03,119
Speaker 1: That you you had with you they were sitting in

586
00:27:03,119 --> 00:27:05,360
Speaker 1: here king my generation.

587
00:27:05,520 --> 00:27:09,040
Speaker 2: Yeah, because what I knew him from Adam twenty first,

588
00:27:09,040 --> 00:27:10,199
Speaker 2: started with Adam twenty two.

589
00:27:10,359 --> 00:27:15,080
Speaker 1: The only thing now our generation is something that you're doing,

590
00:27:15,160 --> 00:27:16,840
Speaker 1: you embracing new bloggers. Yeah.

591
00:27:16,840 --> 00:27:21,440
Speaker 2: I never met the brothers, so yeah, absolutely, yeah, okay, absolutely, okay,

592
00:27:21,520 --> 00:27:22,560
Speaker 2: holy ship, holy ship.

593
00:27:22,680 --> 00:27:27,000
Speaker 1: Man, I'm a nice guy who would have known.

594
00:27:27,200 --> 00:27:31,480
Speaker 4: Let's break down the affiliation with you and Joe Budden, because.

595
00:27:33,320 --> 00:27:33,960
Speaker 1: That's the right word.

596
00:27:35,160 --> 00:27:38,520
Speaker 3: I don't know, is it I'm saying because something happened

597
00:27:38,560 --> 00:27:40,280
Speaker 3: where you because you're saying you're back outside and it.

598
00:27:40,359 --> 00:27:43,400
Speaker 1: Was noticing complex ship. I don't know what it was. Yeah,

599
00:27:43,400 --> 00:27:44,920
Speaker 1: I don't know what it was. It seemed like you

600
00:27:45,080 --> 00:27:48,520
Speaker 1: just took a the media list that ship bothered you

601
00:27:50,760 --> 00:27:55,720
Speaker 1: went crazy. Yeah, a good Patty person takes that.

602
00:27:55,920 --> 00:27:56,200
Speaker 6: Patty.

603
00:27:56,280 --> 00:27:59,320
Speaker 1: Now, Patty, I think it's like, y'all, y'all fucked up.

604
00:27:59,720 --> 00:28:02,440
Speaker 1: Lit then like let me remind y'all. But but his

605
00:28:02,640 --> 00:28:05,840
Speaker 1: what's crazy about that complex list? Said drink Champs.

606
00:28:06,320 --> 00:28:11,760
Speaker 4: They never said that's yes, that way to me, Nori

607
00:28:12,080 --> 00:28:14,720
Speaker 4: is not as affluent influence you as drink Champs. Just

608
00:28:14,840 --> 00:28:17,520
Speaker 4: drink Champs. That makes it, you know what I mean?

609
00:28:18,000 --> 00:28:20,919
Speaker 4: I respect the list, don't get it twisted. I liked

610
00:28:20,920 --> 00:28:21,639
Speaker 4: it where I was at.

611
00:28:21,680 --> 00:28:27,560
Speaker 1: It was cool. But I was like five or something

612
00:28:27,640 --> 00:28:30,000
Speaker 1: like that. It was five, and it was like, I

613
00:28:30,119 --> 00:28:33,960
Speaker 1: respect being ahead of Elliott. I just I'm just don't.

614
00:28:34,040 --> 00:28:40,160
Speaker 1: I'm not an influencer. I'm they had just influencer. I

615
00:28:40,240 --> 00:28:50,920
Speaker 1: felt like I had only fan TikTok on motherfucker on influences.

616
00:28:51,120 --> 00:28:53,200
Speaker 1: I'm influencing ship that was already out.

617
00:28:53,480 --> 00:28:55,000
Speaker 6: I mean, if you fucking b.

618
00:28:55,080 --> 00:28:57,720
Speaker 4: And me, motherfucker, Like, how am I influences? They was

619
00:28:57,760 --> 00:28:59,760
Speaker 4: the influencer and I'm just influencing.

620
00:29:00,160 --> 00:29:02,680
Speaker 1: Yeah, but it was cool. I loved the complex.

621
00:29:02,960 --> 00:29:04,400
Speaker 2: I'm not how do you feel when you know you

622
00:29:04,440 --> 00:29:06,040
Speaker 2: have one of those interviews you're about to drop.

623
00:29:05,960 --> 00:29:07,720
Speaker 1: That on us and like we don't see it coming,

624
00:29:07,840 --> 00:29:09,520
Speaker 1: and how do you feel? Now? That's how I fund

625
00:29:09,520 --> 00:29:10,200
Speaker 1: about the Tony yo?

626
00:29:10,280 --> 00:29:10,360
Speaker 2: Yo?

627
00:29:12,680 --> 00:29:15,480
Speaker 1: Yeah, I know it was dope, but no, you made

628
00:29:15,480 --> 00:29:17,400
Speaker 1: a good point last night. Ye you said, like everybody

629
00:29:17,480 --> 00:29:21,360
Speaker 1: did ya? Yo? Last like kid him this ship, let's

630
00:29:21,440 --> 00:29:25,960
Speaker 1: keep on. Yes, that's what's true. Sit with me. You're paying.

631
00:29:26,320 --> 00:29:30,080
Speaker 1: I believe it's five to ten K, but go ahead.

632
00:29:31,040 --> 00:29:33,600
Speaker 2: Ain't the fact that Yale's outside doing so much press

633
00:29:33,720 --> 00:29:35,000
Speaker 2: shay yo, He's a good dude.

634
00:29:35,360 --> 00:29:38,920
Speaker 1: Watched now watching him on Blade? How does noid make

635
00:29:39,000 --> 00:29:41,200
Speaker 1: that special? That's the bed? What what you do? I

636
00:29:41,280 --> 00:29:41,800
Speaker 1: think about it?

637
00:29:41,960 --> 00:29:47,240
Speaker 4: Think about it is it's always sitting there watching and saying, oh,

638
00:29:48,400 --> 00:29:50,680
Speaker 4: he don't know what he got, she don't know what

639
00:29:50,800 --> 00:29:53,480
Speaker 4: she got, And I'm realizing that I'm looking at him

640
00:29:53,720 --> 00:29:57,600
Speaker 4: and I'm like, yo, one, I was in the locker

641
00:29:57,680 --> 00:29:58,440
Speaker 4: room with ya.

642
00:29:58,520 --> 00:30:01,080
Speaker 1: Yo. That's the difference. That's a difference between.

643
00:30:01,640 --> 00:30:04,880
Speaker 4: Me being a journalist, me me saying you know what,

644
00:30:05,440 --> 00:30:08,080
Speaker 4: but not only that if you don't really realize. I

645
00:30:08,160 --> 00:30:09,880
Speaker 4: had just had a clip where I was like, yo,

646
00:30:09,960 --> 00:30:11,080
Speaker 4: fifty and Nelly.

647
00:30:11,160 --> 00:30:13,840
Speaker 1: I put both of y'all on. Nelly used to be

648
00:30:14,000 --> 00:30:16,080
Speaker 1: with me, keep going, you want to pop it out one,

649
00:30:16,120 --> 00:30:19,440
Speaker 1: you better know how to pop it. I can't do it, Okay, cool,

650
00:30:19,680 --> 00:30:21,400
Speaker 1: So hold on, this one's still open, this one still

651
00:30:22,160 --> 00:30:24,920
Speaker 1: turn to give me a sorry? Yeah yeah yeah yeah,

652
00:30:25,000 --> 00:30:25,760
Speaker 1: come on so.

653
00:30:27,320 --> 00:30:28,320
Speaker 6: Yeah yeah.

654
00:30:29,160 --> 00:30:33,520
Speaker 4: So when I said that, I said to Nelly, because

655
00:30:33,520 --> 00:30:35,640
Speaker 4: you know, Nell used to hang out in Penalcy Records,

656
00:30:36,000 --> 00:30:37,920
Speaker 4: and then fifty I was the first person to do

657
00:30:38,000 --> 00:30:41,520
Speaker 4: a feature with fifty two times, sir. So then I

658
00:30:41,560 --> 00:30:43,480
Speaker 4: said that I was just playing around and I saw

659
00:30:43,560 --> 00:30:46,320
Speaker 4: the comments and I saw that Everybody's like, Yo, that's

660
00:30:46,360 --> 00:30:50,920
Speaker 4: so dope, and I was like, you know what, it's yeah,

661
00:30:51,040 --> 00:30:56,080
Speaker 4: Yo's time, It's the loyal Person's time, It's gum Places times,

662
00:30:58,040 --> 00:31:01,120
Speaker 4: It's Memphis Bleak's time, Jim Jones time.

663
00:31:01,880 --> 00:31:02,440
Speaker 1: You know what I mean.

664
00:31:02,600 --> 00:31:08,400
Speaker 4: It's it's Jungle's time, It's Emery's time, it's Tata's time.

665
00:31:08,480 --> 00:31:10,600
Speaker 1: You know what I mean. It's only people that were

666
00:31:10,600 --> 00:31:12,720
Speaker 1: standing next to the man that's the man, that's that

667
00:31:13,000 --> 00:31:16,040
Speaker 1: man now that people don't know about you understand what

668
00:31:16,040 --> 00:31:16,360
Speaker 1: I'm saying.

669
00:31:16,400 --> 00:31:18,640
Speaker 4: And I thought about that because a lot of people

670
00:31:18,720 --> 00:31:23,360
Speaker 4: don't understand, which is crazy. Copone was on before me,

671
00:31:25,960 --> 00:31:29,240
Speaker 4: Faith Newman. Compone was signed to Faith Newman. So in

672
00:31:29,400 --> 00:31:32,360
Speaker 4: all actuality, I'm not the front man of seeing that.

673
00:31:32,760 --> 00:31:35,160
Speaker 4: I'm actually the Jim Jones is seeing it.

674
00:31:35,520 --> 00:31:39,920
Speaker 1: I'm actually I'm actually the Tony Yale.

675
00:31:39,680 --> 00:31:40,240
Speaker 6: I'm seeing it.

676
00:31:41,640 --> 00:31:44,240
Speaker 1: I just I took the motherfucking fifty cent C.

677
00:31:45,240 --> 00:31:48,600
Speaker 2: But I started the hottest, the hottest ship. I don't

678
00:31:48,640 --> 00:31:51,640
Speaker 2: feel know, remember tell me what you did the solo record. Yes,

679
00:31:51,960 --> 00:31:53,160
Speaker 2: they put out a snippet that.

680
00:31:53,240 --> 00:31:57,040
Speaker 1: Had like that records. No, no, no, I can't let

681
00:31:57,120 --> 00:32:04,120
Speaker 1: you take that away from the big that was that

682
00:32:04,240 --> 00:32:06,320
Speaker 1: snipper ship. Yes on tape. I got it.

683
00:32:06,760 --> 00:32:09,080
Speaker 2: Everybody that was ever fronting up, you know, the whole

684
00:32:09,120 --> 00:32:11,160
Speaker 2: thing was like seeing that we got my deep.

685
00:32:11,040 --> 00:32:14,400
Speaker 1: They sounds like that's right, ye, yes, I love that.

686
00:32:15,040 --> 00:32:19,720
Speaker 1: I'm gonna keep it on you. So then Noid steps out,

687
00:32:20,200 --> 00:32:22,440
Speaker 1: you know, sadly had to do what I do.

688
00:32:22,880 --> 00:32:25,720
Speaker 2: Noid steps out, and it's just like, oh, y'all Nory

689
00:32:25,840 --> 00:32:27,640
Speaker 2: fans all of a sudden, like everybody likes what's that?

690
00:32:28,200 --> 00:32:32,720
Speaker 1: Even the like, oh no, he's amazing. Wait word, that's

691
00:32:32,720 --> 00:32:35,840
Speaker 1: what it was like. He wouldn't give it a cover neither,

692
00:32:36,040 --> 00:32:38,240
Speaker 1: but that but that snippet, that snippet though with the

693
00:32:39,480 --> 00:32:39,960
Speaker 1: I don't.

694
00:32:39,760 --> 00:32:42,400
Speaker 4: Know if you remember that snippet I love my life.

695
00:32:42,440 --> 00:32:43,680
Speaker 4: It was not singing that hook.

696
00:32:44,000 --> 00:32:49,480
Speaker 1: It wasn't that vinyl with have that vinyl yeah, white label,

697
00:32:49,880 --> 00:32:53,520
Speaker 1: So you was that? You was that? But how did

698
00:32:53,520 --> 00:32:56,520
Speaker 1: that feel? He was the hardestiger right there instill in

699
00:32:56,640 --> 00:32:56,960
Speaker 1: the game.

700
00:32:58,720 --> 00:32:59,400
Speaker 2: He was with it.

701
00:32:59,520 --> 00:33:01,680
Speaker 1: Yeah, it wasn't instantly. What I did was.

702
00:33:05,240 --> 00:33:09,040
Speaker 4: I kind of realized the world was leaving New York City.

703
00:33:10,240 --> 00:33:16,880
Speaker 4: I knew it because I went down South and juvenile

704
00:33:17,000 --> 00:33:20,400
Speaker 4: them had already had their own movement, clips in them

705
00:33:20,480 --> 00:33:23,560
Speaker 4: kind of had their own movement. This is after the

706
00:33:24,080 --> 00:33:28,880
Speaker 4: Capon and this is me going seven kind of because

707
00:33:28,880 --> 00:33:30,440
Speaker 4: I made I made the album in ninety seven, so

708
00:33:30,560 --> 00:33:30,800
Speaker 4: this is.

709
00:33:31,160 --> 00:33:33,600
Speaker 1: And I kind of knew. So when I kind of

710
00:33:33,680 --> 00:33:39,040
Speaker 1: knew that other areas that having their moments we connected

711
00:33:39,080 --> 00:33:42,080
Speaker 1: in ninety seven. He's so invested in our relationship. So

712
00:33:42,200 --> 00:33:47,400
Speaker 1: I made I made the album actually in Miami. Oh,

713
00:33:47,440 --> 00:33:49,760
Speaker 1: I didn't know that. I made half of the album, most.

714
00:33:49,600 --> 00:33:51,880
Speaker 4: Of the album and the other half with track mastertone

715
00:33:53,000 --> 00:33:55,080
Speaker 4: Ton and Poke and Steve Stout. You don't get enough

716
00:33:55,080 --> 00:33:58,400
Speaker 4: credit for the NRI album Jungle, you know what I mean?

717
00:33:58,560 --> 00:34:00,600
Speaker 4: They all bung me. Half of the album I did

718
00:34:01,080 --> 00:34:03,080
Speaker 4: the Miami and the other half I did in Bensville.

719
00:34:03,840 --> 00:34:07,720
Speaker 4: So I didn't But when I went to the clubs

720
00:34:07,760 --> 00:34:10,279
Speaker 4: in Miami, what I would understand was they would be

721
00:34:10,400 --> 00:34:15,080
Speaker 4: like this, and I was like, so in phar Real,

722
00:34:15,200 --> 00:34:17,800
Speaker 4: this is the funniest shit in the world. I connect for.

723
00:34:18,080 --> 00:34:22,040
Speaker 4: I got the tight shirt on everybody is working for

724
00:34:23,600 --> 00:34:26,640
Speaker 4: I don't remember, but it wasn't it wasn't gangster color.

725
00:34:26,680 --> 00:34:27,320
Speaker 1: Whatever it was.

726
00:34:27,680 --> 00:34:30,920
Speaker 4: It was, and he had a tight shirt and he

727
00:34:30,960 --> 00:34:32,919
Speaker 4: said to me. I listened to two beats, and he said,

728
00:34:33,000 --> 00:34:36,120
Speaker 4: listen to this third beat. And I remember exactly. He's like,

729
00:34:36,200 --> 00:34:38,000
Speaker 4: don't listen to this third beat till you get to Miami.

730
00:34:38,040 --> 00:34:39,919
Speaker 4: And I had a walking on this was CD shit,

731
00:34:40,520 --> 00:34:42,040
Speaker 4: and I listened to the first beat. I listened to

732
00:34:42,040 --> 00:34:44,239
Speaker 4: the second beating. I was so curious for the third beat.

733
00:34:44,440 --> 00:34:47,239
Speaker 4: I landed, went to the k Hotel whatever whatever. The

734
00:34:47,320 --> 00:34:49,960
Speaker 4: Kent Hotel still is opened, the most fastiest hotel. I'm

735
00:34:50,200 --> 00:34:53,279
Speaker 4: just stayed there just to humble myself. Yeah yeah, I'm

736
00:34:53,280 --> 00:34:55,120
Speaker 4: gonna stay there, not even go in the room. I'm

737
00:34:55,200 --> 00:34:56,680
Speaker 4: just going to the bar and just leave, you know

738
00:34:56,719 --> 00:34:59,479
Speaker 4: what I'm saying, Just to humble myself. Anyway, I wrote

739
00:34:59,520 --> 00:35:01,799
Speaker 4: the whole but as soon as I heard that ship,

740
00:35:02,000 --> 00:35:04,400
Speaker 4: I wrote that ship. I came back and when I

741
00:35:04,520 --> 00:35:07,640
Speaker 4: realized that this was a South beat, no matter how

742
00:35:07,760 --> 00:35:09,759
Speaker 4: New York I rhymed on it, it was so this

743
00:35:09,800 --> 00:35:13,800
Speaker 4: won that was my first record that resonated in the South,

744
00:35:14,600 --> 00:35:16,160
Speaker 4: Like I was number one in New York, but I

745
00:35:16,160 --> 00:35:17,919
Speaker 4: was number one in the South at the same time,

746
00:35:18,600 --> 00:35:20,719
Speaker 4: and I was really number one in the Bay Area.

747
00:35:20,800 --> 00:35:23,200
Speaker 4: The only place I wasn't number one was LA And

748
00:35:23,360 --> 00:35:25,600
Speaker 4: I always attributed that to like, oh okay, maybe the

749
00:35:25,800 --> 00:35:26,520
Speaker 4: l A LA ship.

750
00:35:26,960 --> 00:35:29,120
Speaker 1: So I spent so much time in LA at that

751
00:35:29,239 --> 00:35:33,839
Speaker 1: time trying to do it. And that's where I formed

752
00:35:33,920 --> 00:35:40,600
Speaker 1: on my relationships. But let's get back to you journalism.

753
00:35:43,239 --> 00:35:52,000
Speaker 4: In the beginning, it was this mic system, right yo, listen,

754
00:35:52,160 --> 00:35:54,480
Speaker 4: I might I don't want to say in the beginning

755
00:35:54,560 --> 00:35:56,160
Speaker 4: like this the beginning of the hip hop saying in

756
00:35:56,160 --> 00:35:59,720
Speaker 4: the beginning for my version, like when the mic system happened.

757
00:36:00,120 --> 00:36:03,600
Speaker 4: I remember if you when you got four mics, you

758
00:36:03,920 --> 00:36:06,480
Speaker 4: immediately went gold. You're immediately went platinum.

759
00:36:06,920 --> 00:36:08,800
Speaker 1: Was that something that was left up to you or

760
00:36:08,840 --> 00:36:10,120
Speaker 1: that was something that was the staff?

761
00:36:10,280 --> 00:36:13,960
Speaker 2: Mean they told me that, uh, you have to like

762
00:36:14,080 --> 00:36:16,200
Speaker 2: get the advanced concess because that's the whole thing. Press

763
00:36:16,280 --> 00:36:19,200
Speaker 2: would send the advanced cancets they dub it. You make

764
00:36:19,280 --> 00:36:22,040
Speaker 2: cassetts for everybody on staff, and then we're gonna have

765
00:36:22,040 --> 00:36:24,640
Speaker 2: a big meeting and discuss it. So I remember it

766
00:36:24,680 --> 00:36:26,440
Speaker 2: was earlier in the year. It was like April or so.

767
00:36:26,520 --> 00:36:28,840
Speaker 2: It was like so the it wasn't being released. It

768
00:36:28,920 --> 00:36:30,840
Speaker 2: was like Warren g and like some other releases that

769
00:36:30,960 --> 00:36:31,640
Speaker 2: nobody cared about.

770
00:36:32,160 --> 00:36:32,960
Speaker 1: So I called the meeting.

771
00:36:33,080 --> 00:36:36,439
Speaker 2: Nobody shows up to the meeting the music you're saying,

772
00:36:36,640 --> 00:36:39,799
Speaker 2: because it wasn't like party comes out with his out

773
00:36:39,800 --> 00:36:44,839
Speaker 2: and everybody cares. When this was told me that I'm

774
00:36:45,680 --> 00:36:49,680
Speaker 2: after Mike meeting with the people. So I gave them records.

775
00:36:51,160 --> 00:36:52,719
Speaker 2: I dubbed the cassette for everybody.

776
00:36:52,800 --> 00:36:55,160
Speaker 4: I give them the part I'm not understand that was

777
00:36:55,239 --> 00:36:57,000
Speaker 4: the mic system already in play or.

778
00:36:57,000 --> 00:37:01,880
Speaker 2: This is I was okay, said it has to go

779
00:37:02,000 --> 00:37:03,640
Speaker 2: through a process to get to what you think it

780
00:37:03,680 --> 00:37:06,920
Speaker 2: should be, which is involving everybody involved. So when I

781
00:37:07,000 --> 00:37:09,200
Speaker 2: reached out to everybody and then receptive, I'm like, I'm

782
00:37:09,200 --> 00:37:09,600
Speaker 2: just gonna do.

783
00:37:09,600 --> 00:37:12,480
Speaker 1: What I want. And then I get someone hides it.

784
00:37:12,600 --> 00:37:16,000
Speaker 2: The Times terran chief and they made the publisher. So

785
00:37:16,040 --> 00:37:18,359
Speaker 2: if they agree, that's what's gonna be. So every time,

786
00:37:18,480 --> 00:37:19,680
Speaker 2: you know, I'll bring it to them.

787
00:37:19,719 --> 00:37:21,840
Speaker 1: And that's what it was. But I didn't do the

788
00:37:21,920 --> 00:37:25,320
Speaker 1: whole like big meeting and like it was like I cared.

789
00:37:25,120 --> 00:37:27,480
Speaker 2: About it so much. I was like, yo, you have

790
00:37:27,600 --> 00:37:30,320
Speaker 2: to trust it. That's my opinion. Now what you remember?

791
00:37:30,520 --> 00:37:32,080
Speaker 2: I remember the funny thing with you was like so

792
00:37:32,160 --> 00:37:35,320
Speaker 2: seeing that comes in again the ship is hard. But

793
00:37:35,440 --> 00:37:37,760
Speaker 2: then like certain records didn't make the album, like because

794
00:37:38,320 --> 00:37:43,120
Speaker 2: samples and ship with no odds the joint so bad.

795
00:37:44,360 --> 00:37:46,319
Speaker 1: We wanted four and a half at least so bad,

796
00:37:46,440 --> 00:37:53,719
Speaker 1: like I fought for four whether y'all three and a half? Now?

797
00:37:54,200 --> 00:37:56,200
Speaker 2: Then Toppy boy ran up with the four mics in

798
00:37:56,280 --> 00:37:59,080
Speaker 2: the thing and like no he remember, know you you

799
00:37:59,160 --> 00:37:59,960
Speaker 2: push the album back?

800
00:38:00,440 --> 00:38:01,240
Speaker 1: Know what happened?

801
00:38:01,320 --> 00:38:01,480
Speaker 3: Was that?

802
00:38:02,719 --> 00:38:04,279
Speaker 1: Because' right?

803
00:38:04,520 --> 00:38:10,200
Speaker 4: But what happened was we sampled closer sam see Steve record,

804
00:38:10,480 --> 00:38:13,239
Speaker 4: and then they wouldn't clear it. And then we put

805
00:38:13,280 --> 00:38:15,400
Speaker 4: the album out and the album actually did good and

806
00:38:15,480 --> 00:38:18,719
Speaker 4: the people that we sampled from stam Steed called back.

807
00:38:18,760 --> 00:38:23,520
Speaker 4: It was like we shut you down. Wow, wow, yeah

808
00:38:23,680 --> 00:38:28,439
Speaker 4: we and even you gotta remember we had I don't

809
00:38:28,440 --> 00:38:30,320
Speaker 4: remember if this is in the review, but we have

810
00:38:31,920 --> 00:38:38,800
Speaker 4: oh no music make the We couldn't only not clear nas,

811
00:38:39,080 --> 00:38:42,360
Speaker 4: but we couldn't clear the samples because the.

812
00:38:44,239 --> 00:38:45,840
Speaker 1: Yeah, and so that's the.

813
00:38:45,840 --> 00:38:48,960
Speaker 4: Reason why God blessed us to sound so crazy for you.

814
00:38:48,960 --> 00:38:51,239
Speaker 1: Remember that it was mad though, because you wasn't you

815
00:38:51,440 --> 00:38:53,239
Speaker 1: wasn't known enough yet. It was early.

816
00:38:54,160 --> 00:38:57,120
Speaker 2: This is Carris One, still carre Us one. So I

817
00:38:57,239 --> 00:38:59,440
Speaker 2: gave him leave review. He gave him free and a

818
00:38:59,480 --> 00:38:59,880
Speaker 2: half mike.

819
00:39:00,760 --> 00:39:01,359
Speaker 1: They was mad.

820
00:39:01,840 --> 00:39:04,759
Speaker 2: And then right after that seeing that four mics, that's

821
00:39:04,800 --> 00:39:05,879
Speaker 2: what that's why people was mad.

822
00:39:05,920 --> 00:39:08,320
Speaker 1: It was just like, oh, I call a lot of

823
00:39:08,360 --> 00:39:08,680
Speaker 1: heat for that.

824
00:39:08,800 --> 00:39:12,880
Speaker 2: If let me ask you this and be honest, is

825
00:39:12,920 --> 00:39:15,400
Speaker 2: you can't you know why you he asking me to

826
00:39:15,440 --> 00:39:16,720
Speaker 2: be honest honest?

827
00:39:18,600 --> 00:39:21,680
Speaker 3: Did you ever feel that you had regional bias when

828
00:39:21,719 --> 00:39:23,600
Speaker 3: you were when you're reviewing some of the music that

829
00:39:23,800 --> 00:39:24,879
Speaker 3: was from New York.

830
00:39:25,280 --> 00:39:26,880
Speaker 2: No, I had to change that though, let me tell

831
00:39:26,880 --> 00:39:30,440
Speaker 2: you because the humbly I realized that I love New York,

832
00:39:30,520 --> 00:39:31,359
Speaker 2: but New York ain't ship.

833
00:39:31,480 --> 00:39:38,320
Speaker 1: So he's here's where the magic happened. I mean, that's crazy,

834
00:39:38,680 --> 00:39:45,640
Speaker 1: but I met. Yeah, I'm the ultimate New York nigga.

835
00:39:45,640 --> 00:39:48,680
Speaker 1: I can't even drive little clip.

836
00:39:50,480 --> 00:39:52,719
Speaker 2: I'm New York for life. I'm in New York to

837
00:39:52,800 --> 00:39:56,400
Speaker 2: my core. So wherever I live, I'm New Yorker. Let

838
00:39:56,480 --> 00:39:59,480
Speaker 2: it be a problem, which different. So, but my point is,

839
00:39:59,600 --> 00:40:03,440
Speaker 2: I remember in benis New York doesn't show up the

840
00:40:03,520 --> 00:40:06,200
Speaker 2: way that New York is a a as a loud voice.

841
00:40:06,239 --> 00:40:08,480
Speaker 2: But it's a smaller thing and the world is very big.

842
00:40:09,080 --> 00:40:11,279
Speaker 2: You get caught up in that. So sometimes I got

843
00:40:11,360 --> 00:40:14,239
Speaker 2: it right. Since I got it wrong dip Set with

844
00:40:14,400 --> 00:40:16,080
Speaker 2: Jim Jones, he was mad at me for a long time.

845
00:40:16,120 --> 00:40:18,560
Speaker 2: We good now shout out to Poppo because I didn't

846
00:40:18,560 --> 00:40:20,400
Speaker 2: think dip Set was like a national thing.

847
00:40:20,440 --> 00:40:22,959
Speaker 1: I thought it was a New York thing. I was wrong.

848
00:40:23,520 --> 00:40:26,280
Speaker 2: I didn't realize they wearing the jeans and the belts

849
00:40:26,360 --> 00:40:29,040
Speaker 2: and so it was international at the time.

850
00:40:29,080 --> 00:40:30,400
Speaker 1: But I didn't see it at that time, and I

851
00:40:30,440 --> 00:40:30,959
Speaker 1: got it wrong.

852
00:40:31,680 --> 00:40:33,680
Speaker 2: I remember doing a cover where it's like, I'm gonna

853
00:40:33,680 --> 00:40:37,560
Speaker 2: do a Jadakiss cover in Nelly, so Jadakiss He's on

854
00:40:37,719 --> 00:40:41,760
Speaker 2: the cover of ten markets really from Maine down to Florida,

855
00:40:42,200 --> 00:40:44,680
Speaker 2: all the East coast markets, and then I'm going to

856
00:40:44,760 --> 00:40:48,640
Speaker 2: get Nelly across Midwest to the West, and that would

857
00:40:48,680 --> 00:40:50,360
Speaker 2: sell and I would see the power if and I

858
00:40:50,360 --> 00:40:52,960
Speaker 2: would know, okay, cool, like that's what it is like.

859
00:40:53,440 --> 00:40:55,160
Speaker 2: You can't get so caught up in that side of

860
00:40:55,239 --> 00:40:57,279
Speaker 2: the globe, that Eastern run of Like, so.

861
00:40:57,320 --> 00:41:04,760
Speaker 1: You said you can read the algorithms, he read his algorithm.

862
00:41:06,000 --> 00:41:09,120
Speaker 3: Because you're discovering the power of these artists in terms

863
00:41:09,120 --> 00:41:12,560
Speaker 3: of what it means numbers wise, like business numbers whatever,

864
00:41:12,880 --> 00:41:15,160
Speaker 3: or we create so music musical tastes.

865
00:41:15,200 --> 00:41:17,120
Speaker 1: You might have said, you might have discovered that and

866
00:41:17,200 --> 00:41:19,000
Speaker 1: still not thought the music was no. But it's kind

867
00:41:19,000 --> 00:41:21,279
Speaker 1: of like what Noori is saying earlier. We were proud

868
00:41:21,280 --> 00:41:21,920
Speaker 1: of New Yorkers.

869
00:41:22,200 --> 00:41:25,319
Speaker 2: We created this whole ship, don't get it fucked up

870
00:41:25,760 --> 00:41:28,840
Speaker 2: fifty But at the same time, it's not us to

871
00:41:28,960 --> 00:41:29,720
Speaker 2: possess forever.

872
00:41:30,600 --> 00:41:33,359
Speaker 1: He sort of transchanging. That's how he started to move.

873
00:41:33,320 --> 00:41:35,160
Speaker 2: In a different way, which was the lineage even for

874
00:41:35,280 --> 00:41:38,520
Speaker 2: drink Chance to be here now absolutely that's the adaption.

875
00:41:38,640 --> 00:41:41,840
Speaker 2: I'm like, yo, if this guy Nelly, like, it doesn't

876
00:41:41,880 --> 00:41:44,000
Speaker 2: matter if New York doesn't think he's hip hop enough

877
00:41:44,040 --> 00:41:44,719
Speaker 2: and he's not the.

878
00:41:44,760 --> 00:41:48,520
Speaker 1: Cooler like no Midwest and West. It's like there's a

879
00:41:48,600 --> 00:41:51,719
Speaker 1: whole other world. Acknowledge that I used to hang with.

880
00:41:51,800 --> 00:41:54,080
Speaker 4: Nelly when him and Cooler Love just trying to get

881
00:41:54,560 --> 00:41:56,520
Speaker 4: a deal that penalty records. I should just hang with

882
00:41:56,600 --> 00:41:59,000
Speaker 4: Nelly's just be around Nelly when it was not cool

883
00:41:59,040 --> 00:42:00,799
Speaker 4: to be around fifty cent. I used to be around

884
00:42:00,840 --> 00:42:02,600
Speaker 4: fifty cent when it was not cool to mess with

885
00:42:02,719 --> 00:42:03,320
Speaker 4: cash money.

886
00:42:03,480 --> 00:42:06,680
Speaker 1: I was with cash. It's not cool to even know

887
00:42:06,760 --> 00:42:07,719
Speaker 1: who loulu Wayne was.

888
00:42:07,960 --> 00:42:10,200
Speaker 4: I was with lu Wayne because I was traveling to

889
00:42:10,320 --> 00:42:13,160
Speaker 4: these markets and I was realizing these markets had something.

890
00:42:13,880 --> 00:42:16,200
Speaker 1: And it wasn't that I wasn't proud to be from

891
00:42:16,239 --> 00:42:18,040
Speaker 1: New York, but I was just still proud to say,

892
00:42:18,120 --> 00:42:22,480
Speaker 1: let me introduce this to my markets. And now we're

893
00:42:22,480 --> 00:42:22,880
Speaker 1: looking at the.

894
00:42:22,920 --> 00:42:24,600
Speaker 4: Same way I looked at Reggaeto and when I saw

895
00:42:24,719 --> 00:42:26,799
Speaker 4: reggae Tho, I was like yo. I was like, yo,

896
00:42:27,000 --> 00:42:30,480
Speaker 4: this ship is going to pop because there's nothing like

897
00:42:31,520 --> 00:42:33,520
Speaker 4: I'm so sorry. I'm married and my wife is right

898
00:42:33,520 --> 00:42:33,799
Speaker 4: over there.

899
00:42:33,920 --> 00:42:35,239
Speaker 1: You know what I'm saying. But there's nothing like a

900
00:42:35,360 --> 00:42:38,719
Speaker 1: Latin our woman just grinding and you're just looking at her. WHOA,

901
00:42:39,640 --> 00:42:46,400
Speaker 1: You're gonna like him? You gonna like that's right, that's right.

902
00:42:46,600 --> 00:42:48,920
Speaker 4: Did I don't have apologize my bad so, but when

903
00:42:48,920 --> 00:42:51,320
Speaker 4: I'm saying, okay, I'll pop another one, you don't. You

904
00:42:51,440 --> 00:42:55,279
Speaker 4: got no faith in you? But but yeah, So it

905
00:42:55,440 --> 00:43:00,680
Speaker 4: was like that and and The thing is, man, our

906
00:43:00,719 --> 00:43:03,280
Speaker 4: coach is so beautiful, man, when you really think.

907
00:43:03,160 --> 00:43:06,480
Speaker 1: About it, Man, I love it. Competitive man, So tell

908
00:43:06,520 --> 00:43:08,319
Speaker 1: us about this Rock Nation brunch.

909
00:43:12,200 --> 00:43:18,839
Speaker 2: Yo, beat having chests out that ship wear. His last

910
00:43:18,880 --> 00:43:21,200
Speaker 2: window was dope because we we got working after that.

911
00:43:21,320 --> 00:43:24,319
Speaker 2: So it's like like todd the Creator, like I need

912
00:43:24,840 --> 00:43:27,279
Speaker 2: ten years ago. Yes, and I've been trying to talk

913
00:43:27,320 --> 00:43:30,840
Speaker 2: to him for ten years the Creator.

914
00:43:30,920 --> 00:43:40,120
Speaker 1: Man, Yo, he'd be ill drink. Yeah, we got like

915
00:43:40,239 --> 00:43:44,480
Speaker 1: the greatest relationship. Like it's weird, and it's like.

916
00:43:46,080 --> 00:43:51,800
Speaker 2: He's a great kids, he's a great kill So wherever

917
00:43:51,840 --> 00:43:54,719
Speaker 2: you what happened wasn't that brunch, Like I have my

918
00:43:54,880 --> 00:43:57,160
Speaker 2: history with him. It was the first time at the brunch,

919
00:43:58,640 --> 00:44:00,279
Speaker 2: but you know he's a little socially awkward with these

920
00:44:00,280 --> 00:44:02,320
Speaker 2: are weird kids of that. So like I felt like

921
00:44:02,400 --> 00:44:04,600
Speaker 2: we was like protecting him, like fans are coming up

922
00:44:04,640 --> 00:44:06,840
Speaker 2: with like trying to grab me and beat out, and

923
00:44:06,880 --> 00:44:08,520
Speaker 2: did him even beat out? Like talked for like forty

924
00:44:08,560 --> 00:44:11,000
Speaker 2: minutes to have a great conversation, Like you know, all

925
00:44:11,040 --> 00:44:11,640
Speaker 2: of a sudden.

926
00:44:11,400 --> 00:44:14,239
Speaker 1: It was time to do a podcast. So it was up,

927
00:44:14,560 --> 00:44:21,799
Speaker 1: you know Toddler, Goddamn, I gotta go now on somebody. Okay, alright,

928
00:44:21,840 --> 00:44:23,759
Speaker 1: cool That shoot shooter shooler, come on.

929
00:44:24,880 --> 00:44:26,840
Speaker 2: The brush was great for us because that helped us

930
00:44:26,960 --> 00:44:31,839
Speaker 2: bond with Tyler to get that interview babyface to him

931
00:44:31,920 --> 00:44:33,640
Speaker 2: and his wonderful.

932
00:44:35,320 --> 00:44:37,959
Speaker 1: It's Girl weekend, his camp that does his ship kicked

933
00:44:38,000 --> 00:44:38,480
Speaker 1: it with him.

934
00:44:38,920 --> 00:44:40,839
Speaker 2: So I feel like that was a major networking thing

935
00:44:40,880 --> 00:44:42,600
Speaker 2: that led to that good podcasts after that.

936
00:44:42,960 --> 00:44:44,759
Speaker 1: Shout out to them, run God damn, shout to the

937
00:44:44,840 --> 00:44:45,279
Speaker 1: rock Nations.

938
00:44:45,360 --> 00:44:45,480
Speaker 6: Run.

939
00:44:46,360 --> 00:44:48,360
Speaker 1: But nobody got more as than Norri. How did you

940
00:44:48,400 --> 00:44:52,239
Speaker 1: do that? No, ain't because nobody got more say something.

941
00:44:52,320 --> 00:44:53,880
Speaker 1: I love that, But let me just say something to

942
00:44:53,960 --> 00:44:59,719
Speaker 1: the cameras because nobody drink more ace. And that's the fact.

943
00:45:00,040 --> 00:45:02,040
Speaker 4: By the way, let me just tell y'all something because

944
00:45:02,080 --> 00:45:03,280
Speaker 4: I was saying it earlier.

945
00:45:04,480 --> 00:45:05,400
Speaker 1: What do we do earlier?

946
00:45:05,440 --> 00:45:08,120
Speaker 4: I forget the monster fifty monster. Let me just tell

947
00:45:08,120 --> 00:45:10,839
Speaker 4: you something. If it's hip hop, if it's.

948
00:45:10,760 --> 00:45:13,120
Speaker 1: A tril Burger, I'm gonna find out where the trill

949
00:45:13,160 --> 00:45:16,479
Speaker 1: Burger is. I'm gonna hunt that down and I'm gonna

950
00:45:16,520 --> 00:45:17,560
Speaker 1: eat me a trail Burger.

951
00:45:18,120 --> 00:45:21,840
Speaker 4: If it's motherfucking acuspade, this is hip hop, I know

952
00:45:21,960 --> 00:45:24,879
Speaker 4: the owner, I know the person that invented it. Why

953
00:45:24,920 --> 00:45:28,080
Speaker 4: would I ever? You don't drink any other champagne if

954
00:45:28,120 --> 00:45:31,200
Speaker 4: I'm a champagne drinker. If it's deli on, if it's

955
00:45:31,520 --> 00:45:33,319
Speaker 4: motherfucking what is that called?

956
00:45:34,000 --> 00:45:34,399
Speaker 1: To killer?

957
00:45:34,480 --> 00:45:37,000
Speaker 4: If it's to Killer, I ain't drinking nothing else but

958
00:45:37,120 --> 00:45:38,200
Speaker 4: motherfucking delion.

959
00:45:38,560 --> 00:45:41,439
Speaker 1: And that's a fact. And if it's Conyak, as long

960
00:45:41,480 --> 00:45:44,440
Speaker 1: as Hove is involved, I ain't doing the And if

961
00:45:44,480 --> 00:45:46,440
Speaker 1: it's hand nas c.

962
00:45:48,040 --> 00:45:54,719
Speaker 4: P nas see, you know I'm drinking every last ship

963
00:45:55,880 --> 00:45:57,680
Speaker 4: because if hip hop is involved, or.

964
00:45:57,680 --> 00:45:59,440
Speaker 1: You forgot my Maauna, you gotta tell how much you

965
00:45:59,440 --> 00:45:59,960
Speaker 1: like the water.

966
00:46:00,440 --> 00:46:03,040
Speaker 4: Yes, even my Mauana is and created by hip hop

967
00:46:04,000 --> 00:46:07,680
Speaker 4: in the top of kindle and bath water with people with.

968
00:46:07,800 --> 00:46:10,839
Speaker 1: Seats stepping on it. I don't mind. I'm not gonna

969
00:46:10,840 --> 00:46:12,960
Speaker 1: personally drink it, but I'm gonna watch eat Fen drink it,

970
00:46:13,400 --> 00:46:16,560
Speaker 1: and I'm gonna support him as he does. Such if

971
00:46:16,600 --> 00:46:20,839
Speaker 1: it's finger licking and it's about chicken, I'm a supported.

972
00:46:21,640 --> 00:46:24,799
Speaker 1: I'm a supported. What else we got to hip hop?

973
00:46:25,239 --> 00:46:31,359
Speaker 4: Come on, wingstop, I'm gonna support it, Bella, I'm gonna supported,

974
00:46:32,400 --> 00:46:34,320
Speaker 4: Bamboo Bomboo.

975
00:46:34,760 --> 00:46:38,080
Speaker 1: I'm gonna support it because John Day.

976
00:46:40,880 --> 00:46:41,160
Speaker 6: Listen.

977
00:46:41,760 --> 00:46:48,640
Speaker 4: Listen anything in hip hop, even Patty Lavelle Pies, even.

978
00:46:49,120 --> 00:46:53,960
Speaker 1: Pancakes her breakfast. I'm supporting it. I'm doing it. This

979
00:46:54,120 --> 00:46:54,640
Speaker 1: is what we do.

980
00:46:55,320 --> 00:46:57,759
Speaker 4: And if you hip hop and you're not doing that,

981
00:46:58,000 --> 00:47:02,480
Speaker 4: that's that's the problem with us is and especially this

982
00:47:02,560 --> 00:47:06,040
Speaker 4: is why I'm I'm gonna just relate it to a

983
00:47:06,160 --> 00:47:09,520
Speaker 4: bum Bee's Trio Burgers. If you have never had a

984
00:47:09,560 --> 00:47:11,760
Speaker 4: tril Burger, it's one of the best burgers on the planet,

985
00:47:11,840 --> 00:47:14,280
Speaker 4: if not the on the planet.

986
00:47:14,440 --> 00:47:15,840
Speaker 1: So I'm not only telling you to.

987
00:47:15,840 --> 00:47:18,120
Speaker 4: Support hip hop, but I'm telling you to support some

988
00:47:18,360 --> 00:47:21,080
Speaker 4: real GENI wind quality ship. When I tell you to

989
00:47:21,160 --> 00:47:22,920
Speaker 4: drink a spade, I'm not telling you to sport it

990
00:47:23,000 --> 00:47:26,759
Speaker 4: just because this is the best champagne on the motherfucking

991
00:47:26,840 --> 00:47:28,480
Speaker 4: planet to them, And.

992
00:47:28,520 --> 00:47:29,319
Speaker 1: This is real talk.

993
00:47:29,360 --> 00:47:31,239
Speaker 4: A lot of these products, most of these products that

994
00:47:31,280 --> 00:47:33,880
Speaker 4: I name is the best ship on the motherfucking planet.

995
00:47:34,040 --> 00:47:36,520
Speaker 4: And you know the owners or you know the co owners.

996
00:47:37,000 --> 00:47:41,760
Speaker 4: Why wouldn't you support that? Oh, ain't Sam Rocky's whiskey,

997
00:47:42,080 --> 00:47:47,040
Speaker 4: Boosy's Knyac his joint. Come on, bring limbs in, Mandy,

998
00:47:47,120 --> 00:47:50,600
Speaker 4: I cannow kick you out. I'm sorry, Come on, bringing

999
00:47:50,640 --> 00:47:53,120
Speaker 4: limbs in just suspect me pull.

1000
00:48:05,080 --> 00:48:11,960
Speaker 1: Yeah yeah, yes.

1001
00:48:12,880 --> 00:48:17,200
Speaker 4: So so let me let me first off, congratulate you, bro.

1002
00:48:17,600 --> 00:48:21,239
Speaker 4: I've been to say that to you earlier. The first

1003
00:48:21,320 --> 00:48:25,480
Speaker 4: time I see uh Paul Rosenberg come back outside.

1004
00:48:27,120 --> 00:48:32,640
Speaker 1: Yeah, my god. And what's great about that is you

1005
00:48:32,719 --> 00:48:39,319
Speaker 1: know he's really really rich. He doesn't So if you can,

1006
00:48:39,800 --> 00:48:42,080
Speaker 1: if you want, let me get some of that. Let

1007
00:48:42,160 --> 00:48:44,319
Speaker 1: me get some of that. Today's a little while to day,

1008
00:48:44,840 --> 00:48:48,640
Speaker 1: like it is there more than that? So how does

1009
00:48:48,719 --> 00:48:55,120
Speaker 1: this how does this process happen? Who calls you? But

1010
00:48:55,239 --> 00:48:56,840
Speaker 1: he has a history he can tell you, but he

1011
00:48:56,880 --> 00:48:59,240
Speaker 1: has the history with the told you had stretched arm strong.

1012
00:48:59,600 --> 00:49:03,000
Speaker 10: And so look back in the days when I was

1013
00:49:03,040 --> 00:49:05,680
Speaker 10: battling during the fight club ship Riggs. I was fucking

1014
00:49:05,719 --> 00:49:11,200
Speaker 10: with Rigs Morales Yeah yeah, fast.

1015
00:49:12,760 --> 00:49:15,520
Speaker 5: To take me up to Shady every week, and was like, yo,

1016
00:49:15,640 --> 00:49:18,680
Speaker 5: them killing everybody with the battleship. We love your music,

1017
00:49:19,200 --> 00:49:21,480
Speaker 5: and Shade even want to start developing you as an artist.

1018
00:49:22,440 --> 00:49:23,040
Speaker 6: What the jail?

1019
00:49:24,880 --> 00:49:27,239
Speaker 5: And then I came home and I was back on

1020
00:49:27,320 --> 00:49:30,000
Speaker 5: my bullshit and they just stopped returning my polls.

1021
00:49:30,080 --> 00:49:32,000
Speaker 6: I was like, damn, that was my shot up?

1022
00:49:32,080 --> 00:49:32,640
Speaker 1: What is that?

1023
00:49:32,840 --> 00:49:36,640
Speaker 6: This is like early two thousands. Yeah right when when

1024
00:49:36,880 --> 00:49:41,000
Speaker 6: when yeah fifty just came just went Diamond. I remember

1025
00:49:41,120 --> 00:49:42,040
Speaker 6: Riggs and the Diamond.

1026
00:49:44,040 --> 00:49:46,640
Speaker 4: You know, let me just say something I want to say.

1027
00:49:46,680 --> 00:49:48,920
Speaker 4: I apologize, right because let me just tell you something.

1028
00:49:49,520 --> 00:49:53,160
Speaker 4: Then Ben is booting for you, and I was like, man,

1029
00:49:53,160 --> 00:49:54,560
Speaker 4: I was like, yo, like I need it.

1030
00:49:54,640 --> 00:49:55,640
Speaker 1: I need ten years.

1031
00:49:56,040 --> 00:49:58,080
Speaker 4: And then Pete Rock Croke posted you the other day

1032
00:49:58,480 --> 00:50:00,680
Speaker 4: and then I looked and then I had to call

1033
00:50:00,840 --> 00:50:01,120
Speaker 4: it and I.

1034
00:50:01,200 --> 00:50:07,279
Speaker 1: Was like I did not know. Yes, I did not.

1035
00:50:09,960 --> 00:50:13,839
Speaker 11: Continue, and yo, I just I just put my head

1036
00:50:13,920 --> 00:50:16,279
Speaker 11: down and kept putting it hard work, saying like I

1037
00:50:16,360 --> 00:50:19,279
Speaker 11: stopped all the bullshit like I said before the Master Ship,

1038
00:50:19,320 --> 00:50:22,640
Speaker 11: I stopped drinking, I stopped doing drugs, and I just focused.

1039
00:50:22,239 --> 00:50:23,439
Speaker 6: On making this ship happen.

1040
00:50:23,920 --> 00:50:27,399
Speaker 5: And I started doing the album with Scram Jones during

1041
00:50:27,440 --> 00:50:29,360
Speaker 5: the pandemic and uh.

1042
00:50:30,560 --> 00:50:34,320
Speaker 10: You know Scram is and they called with Paul and

1043
00:50:34,520 --> 00:50:36,560
Speaker 10: Paul we played on the album and he was like, yo,

1044
00:50:36,840 --> 00:50:38,120
Speaker 10: all I see what you want to do.

1045
00:50:38,480 --> 00:50:40,759
Speaker 6: I funk with this album. The ship is fire and

1046
00:50:41,360 --> 00:50:42,759
Speaker 6: he was like, yo, give me a couple of months.

1047
00:50:43,000 --> 00:50:43,440
Speaker 1: I got you.

1048
00:50:44,239 --> 00:50:46,360
Speaker 6: And then he started Goliath.

1049
00:50:46,520 --> 00:50:46,680
Speaker 1: You know.

1050
00:50:46,760 --> 00:50:49,080
Speaker 6: Goliath was management it was like, Yo, we stopped.

1051
00:50:49,960 --> 00:50:54,520
Speaker 5: Yeah, yeah, we gonna start the Regulabel and you know

1052
00:50:54,600 --> 00:50:58,560
Speaker 5: you're gonna be the first artist Goliath Virgil album.

1053
00:50:58,360 --> 00:51:05,360
Speaker 4: Deal because I was so happy when I read the article.

1054
00:51:05,360 --> 00:51:08,520
Speaker 4: I'm sitting there reading and I'm like, obviously I'm my

1055
00:51:08,640 --> 00:51:13,880
Speaker 4: old older I'm my older, older older nig So you know,

1056
00:51:14,440 --> 00:51:19,200
Speaker 4: sometimes I don't that much. Ain't over you, no, but

1057
00:51:19,280 --> 00:51:23,960
Speaker 4: you gotta realize why, Like I'm out of this world sometimes,

1058
00:51:24,040 --> 00:51:27,080
Speaker 4: Like I really looked at this, Like one day, I'm

1059
00:51:27,160 --> 00:51:30,240
Speaker 4: just sitting there talking to people that's randomly just talking

1060
00:51:30,840 --> 00:51:32,320
Speaker 4: and that dame in the country and I was like,

1061
00:51:32,400 --> 00:51:34,400
Speaker 4: I've been there, and I was like they didn't look

1062
00:51:34,760 --> 00:51:35,319
Speaker 4: like I've been there.

1063
00:51:35,640 --> 00:51:36,359
Speaker 1: I was like I've been there.

1064
00:51:36,440 --> 00:51:38,840
Speaker 4: So like that shit just makes me older because I

1065
00:51:38,920 --> 00:51:43,360
Speaker 4: actually around the world did all this ship, like you

1066
00:51:43,400 --> 00:51:43,799
Speaker 4: know what I mean.

1067
00:51:44,560 --> 00:51:47,400
Speaker 1: So when I seen the.

1068
00:51:47,400 --> 00:51:49,640
Speaker 4: Posts and I've seen people saying, yo, he been doing

1069
00:51:49,680 --> 00:51:52,400
Speaker 4: it for years, and then today I'm seeing Rosenberg and

1070
00:51:52,480 --> 00:51:56,000
Speaker 4: Rosen was breaking it down and I was sitting like, damn,

1071
00:51:56,760 --> 00:51:58,600
Speaker 4: that's what's crazy about hip hop, Like I was saying

1072
00:51:59,280 --> 00:52:01,600
Speaker 4: at that sets, and like when I went to that

1073
00:52:01,719 --> 00:52:06,239
Speaker 4: Kit Cuddy, like I didn't know that there was a

1074
00:52:06,280 --> 00:52:07,640
Speaker 4: whole nother version of hip hop.

1075
00:52:07,719 --> 00:52:11,040
Speaker 1: I thought you could only be tough. I think you

1076
00:52:11,120 --> 00:52:11,600
Speaker 1: can only be.

1077
00:52:13,239 --> 00:52:18,239
Speaker 6: Like like like what they say alternative, yeah, alnative hips.

1078
00:52:18,440 --> 00:52:18,840
Speaker 5: So so.

1079
00:52:21,200 --> 00:52:23,800
Speaker 4: Just so you know, just to reiterate what I said earlier,

1080
00:52:24,160 --> 00:52:26,239
Speaker 4: I was like stuck in hip hop purgatory. Now hip

1081
00:52:26,239 --> 00:52:29,160
Speaker 4: hop purgatory it's real because it's.

1082
00:52:29,080 --> 00:52:32,719
Speaker 1: Either you get another hit or you you miss and

1083
00:52:32,840 --> 00:52:35,440
Speaker 1: it's done for you, and it's done for you, and

1084
00:52:35,480 --> 00:52:38,239
Speaker 1: then your legacy is done too, and your legacy is done.

1085
00:52:38,320 --> 00:52:40,120
Speaker 4: So you got to be like very careful. So I'm

1086
00:52:40,360 --> 00:52:42,600
Speaker 4: I'm sitting around with the money I got and I'm

1087
00:52:42,880 --> 00:52:45,480
Speaker 4: out on l A. An alchemist says to me, yo,

1088
00:52:45,520 --> 00:52:47,520
Speaker 4: I want to want to do your favor, And I

1089
00:52:47,600 --> 00:52:48,720
Speaker 4: was like, do me a favor.

1090
00:52:49,200 --> 00:52:49,840
Speaker 1: What did you want to do?

1091
00:52:49,960 --> 00:52:51,480
Speaker 4: He's like, I want you to come out with me

1092
00:52:51,560 --> 00:52:55,480
Speaker 4: tonight and I want you to go to this Kid

1093
00:52:55,560 --> 00:52:57,080
Speaker 4: Cuddy show. So I was like, I bet.

1094
00:52:57,520 --> 00:52:59,680
Speaker 1: And the minute I walked in this Kid Cutty show.

1095
00:53:00,040 --> 00:53:03,480
Speaker 4: They were like, you the god you fucking and I

1096
00:53:03,600 --> 00:53:05,840
Speaker 4: was like and they always they didn't say I was

1097
00:53:05,880 --> 00:53:06,600
Speaker 4: the guard because of me.

1098
00:53:06,920 --> 00:53:08,719
Speaker 1: They were saying, you put on for brow.

1099
00:53:09,200 --> 00:53:11,560
Speaker 4: The first time we see it, I was like, holy shit,

1100
00:53:11,640 --> 00:53:15,560
Speaker 4: and for real had created this whole nother sauce.

1101
00:53:15,320 --> 00:53:18,320
Speaker 1: In between him and Kanye. And I did not know

1102
00:53:18,520 --> 00:53:22,560
Speaker 1: like I was good in that neighborhood. I was just

1103
00:53:22,680 --> 00:53:23,759
Speaker 1: likely ship.

1104
00:53:24,320 --> 00:53:28,200
Speaker 4: So what is the time in the hip hop that

1105
00:53:28,239 --> 00:53:30,600
Speaker 4: you have discovered that there's five different hip hops?

1106
00:53:31,160 --> 00:53:34,080
Speaker 5: Right when I came out of jail, net Ro hit

1107
00:53:34,160 --> 00:53:38,560
Speaker 5: me up, Wow, Underground, under ground.

1108
00:53:38,920 --> 00:53:40,719
Speaker 6: So before he hit me up, I didn't know him

1109
00:53:40,719 --> 00:53:42,080
Speaker 6: from a hole in the wall. He seen me on

1110
00:53:42,200 --> 00:53:43,120
Speaker 6: like my Space son.

1111
00:53:43,239 --> 00:53:44,680
Speaker 5: I was like, y'all want to take me on toward

1112
00:53:44,800 --> 00:53:49,680
Speaker 5: me and sign my labor just off of like the

1113
00:53:49,760 --> 00:53:52,840
Speaker 5: songs he heard from me from seeing it the crap.

1114
00:53:53,040 --> 00:53:55,240
Speaker 5: Every show he had was packed. Every show a naked

1115
00:53:55,280 --> 00:53:58,360
Speaker 5: bitch came out. Every show off the off the audience

1116
00:53:58,440 --> 00:54:00,279
Speaker 5: would come out and get butt naked on sething like yo.

1117
00:54:01,000 --> 00:54:03,279
Speaker 5: He let me know that you don't have to have

1118
00:54:03,320 --> 00:54:06,440
Speaker 5: a show on the radio, be commercial, become a millionaire

1119
00:54:06,440 --> 00:54:09,320
Speaker 5: in this game, really do your thing. So once I

1120
00:54:09,440 --> 00:54:11,560
Speaker 5: seen that, I was like, I'm gonna keep going doing

1121
00:54:11,640 --> 00:54:13,640
Speaker 5: what the funk I do and it's gonna stick. Whether

1122
00:54:13,719 --> 00:54:17,000
Speaker 5: it's major or independent, it's just I'm gonna I'm gonna

1123
00:54:17,000 --> 00:54:17,640
Speaker 5: do my own thing.

1124
00:54:17,760 --> 00:54:17,880
Speaker 3: Man.

1125
00:54:18,600 --> 00:54:20,920
Speaker 6: Nobody else said, fu your life if you don't like it.

1126
00:54:24,360 --> 00:54:26,360
Speaker 3: I tell you what I think was important and what

1127
00:54:26,480 --> 00:54:28,880
Speaker 3: I saw when I just started seeing all your stuff.

1128
00:54:29,200 --> 00:54:30,560
Speaker 3: And this is what I think is dope about hip

1129
00:54:30,560 --> 00:54:35,879
Speaker 3: hop is authenticity will always win. You gotta trust it, though,

1130
00:54:35,880 --> 00:54:39,040
Speaker 3: because too much in this entertainment business, you don't want

1131
00:54:39,040 --> 00:54:40,080
Speaker 3: to be authentic.

1132
00:54:39,760 --> 00:54:42,839
Speaker 1: Chasing chasing. You want to get on hip hop.

1133
00:54:43,320 --> 00:54:46,839
Speaker 3: If you ahead, you always know authenticity is gonna win,

1134
00:54:47,160 --> 00:54:50,400
Speaker 3: and and it shines through like when you and I

1135
00:54:50,440 --> 00:54:51,879
Speaker 3: saw that and everything he was doing man.

1136
00:54:52,600 --> 00:54:56,480
Speaker 5: E FN manf I just met him today and when

1137
00:54:56,480 --> 00:54:57,839
Speaker 5: we when I met him and felt like we were,

1138
00:54:59,560 --> 00:55:00,160
Speaker 5: I'm sad.

1139
00:55:02,280 --> 00:55:06,080
Speaker 6: And he's just been showing wild love just started.

1140
00:55:07,840 --> 00:55:10,799
Speaker 4: Let me tell you something about e f N. Since

1141
00:55:10,840 --> 00:55:14,839
Speaker 4: we all given each other flowers. He will not sell

1142
00:55:14,880 --> 00:55:15,560
Speaker 4: out at all.

1143
00:55:17,360 --> 00:55:25,040
Speaker 5: I sell the up, I'm selling out, let the check

1144
00:55:25,120 --> 00:55:26,719
Speaker 5: be back, I'm selling the fun.

1145
00:55:30,440 --> 00:55:33,600
Speaker 1: He liked the money, but he he does not like

1146
00:55:33,719 --> 00:55:35,080
Speaker 1: the integrity. He does not like.

1147
00:55:39,000 --> 00:55:41,359
Speaker 2: Is how you fucked up though. Yeah, he made it rich,

1148
00:55:41,440 --> 00:55:43,040
Speaker 2: but having to do it say he's never gonna do it.

1149
00:55:44,800 --> 00:55:46,439
Speaker 2: And by the way that we made each other.

1150
00:55:47,840 --> 00:55:50,040
Speaker 6: When at first it is like this first time, I

1151
00:55:50,239 --> 00:55:51,839
Speaker 6: was just always just a ship on this one.

1152
00:55:53,760 --> 00:55:54,960
Speaker 1: What is he doing sitting.

1153
00:55:57,200 --> 00:56:04,640
Speaker 4: Him back disperspect I'm gonna be honest. I you ain't

1154
00:56:04,680 --> 00:56:06,439
Speaker 4: hear it earlier, but let me just tell you something.

1155
00:56:06,480 --> 00:56:08,719
Speaker 4: Elliott is a goat when when it comes to journalism.

1156
00:56:08,880 --> 00:56:10,920
Speaker 1: Absolutely, and I'm not I'm saying he is a goal

1157
00:56:11,000 --> 00:56:12,799
Speaker 1: to his face. You know a lot of people don't

1158
00:56:12,840 --> 00:56:13,040
Speaker 1: want to.

1159
00:56:13,239 --> 00:56:15,200
Speaker 4: You know, sometimes a lot of people say your goat

1160
00:56:15,280 --> 00:56:17,759
Speaker 4: behind your back or whatever I would say to your face.

1161
00:56:18,120 --> 00:56:20,160
Speaker 4: You know what I mean, you are a goat, and

1162
00:56:21,160 --> 00:56:24,960
Speaker 4: a lot of us was what was trail blazing, blazing.

1163
00:56:24,719 --> 00:56:27,320
Speaker 2: You know, Dream Chances, rap Radar, like the whole podcast,

1164
00:56:28,200 --> 00:56:30,279
Speaker 2: we bought the spirit of like that and raise the.

1165
00:56:30,320 --> 00:56:32,120
Speaker 1: Level of I definitely believe that.

1166
00:56:32,920 --> 00:56:34,200
Speaker 4: By the way, I don't want to take up with

1167
00:56:34,400 --> 00:56:36,600
Speaker 4: any other podcast everybody, respect.

1168
00:56:36,280 --> 00:56:38,120
Speaker 1: Because I don't. I don't mean that at all.

1169
00:56:38,160 --> 00:56:41,040
Speaker 4: But what I meant was in this climate, it was

1170
00:56:41,080 --> 00:56:44,320
Speaker 4: like it was like when Jah Rule and d m

1171
00:56:44,520 --> 00:56:46,600
Speaker 4: X was going at it. You know who benefited Death

1172
00:56:46,680 --> 00:56:49,200
Speaker 4: Jam and at the time, at the time it was

1173
00:56:49,280 --> 00:56:54,839
Speaker 4: like rap Radar and Drink Chaney.

1174
00:56:54,960 --> 00:56:58,080
Speaker 1: That was you know, at the time CBS. We were

1175
00:56:58,120 --> 00:57:00,279
Speaker 1: both sides of the CBS, so it was like, but

1176
00:57:00,400 --> 00:57:02,920
Speaker 1: we learned that and now what you're seeing now, what

1177
00:57:03,080 --> 00:57:03,600
Speaker 1: you even.

1178
00:57:03,440 --> 00:57:05,120
Speaker 4: When you see God bless and I don't mean this

1179
00:57:05,280 --> 00:57:08,680
Speaker 4: like that, but even when you see Gilly and Joe

1180
00:57:08,760 --> 00:57:11,279
Speaker 4: and them go at it and you see that ship

1181
00:57:11,400 --> 00:57:14,040
Speaker 4: is just raising the level because every time they do

1182
00:57:14,200 --> 00:57:15,319
Speaker 4: whatever it is.

1183
00:57:15,640 --> 00:57:19,080
Speaker 1: Is gonna go that one. I'm gonna tell you something.

1184
00:57:19,080 --> 00:57:25,000
Speaker 4: I'm gonna tell you something that's real, Joe. Butden exists

1185
00:57:25,080 --> 00:57:27,680
Speaker 4: without me, and I was worth a game. Man that

1186
00:57:27,800 --> 00:57:31,400
Speaker 4: was worth a game exists without rap radar. Rap Radar

1187
00:57:31,640 --> 00:57:33,320
Speaker 4: exists without.

1188
00:57:34,560 --> 00:57:35,000
Speaker 1: No, no, no.

1189
00:57:35,160 --> 00:57:39,200
Speaker 4: What I'm saying is we don't actually do the same thing.

1190
00:57:41,800 --> 00:57:44,440
Speaker 4: We don't do the same thing, like honestly, That's the

1191
00:57:44,520 --> 00:57:47,360
Speaker 4: reason why I wanted to prove that by having Tony Yo,

1192
00:57:47,680 --> 00:57:49,320
Speaker 4: because I've seen Tony Yo at.

1193
00:57:49,240 --> 00:57:59,400
Speaker 1: The Breakfast Club. Get your Tony.

1194
00:58:04,440 --> 00:58:07,200
Speaker 2: That was the cover shoot in the club. Yes, they

1195
00:58:07,280 --> 00:58:09,840
Speaker 2: told me that magazine cover was the m J fifty.

1196
00:58:10,560 --> 00:58:13,200
Speaker 2: They told that was in the club shoot. The shoe

1197
00:58:13,240 --> 00:58:17,720
Speaker 2: pulled up, They're like, oh yes, yeah, yeah, that was

1198
00:58:17,800 --> 00:58:18,600
Speaker 2: in no covering.

1199
00:58:18,600 --> 00:58:22,200
Speaker 1: It was the same video. Shoot, I know, I know

1200
00:58:22,320 --> 00:58:23,960
Speaker 1: what I'm saying, let me need to finish it.

1201
00:58:24,560 --> 00:58:28,640
Speaker 4: So I'm saying this in all actuality, we're not in competition.

1202
00:58:28,800 --> 00:58:30,640
Speaker 4: Like at the end of the day, I'm gonna be honest.

1203
00:58:30,640 --> 00:58:32,360
Speaker 4: I'm gonna be honest. I'm not saying this because Elliott

1204
00:58:32,440 --> 00:58:37,720
Speaker 4: is here and for artists coming there to have them

1205
00:58:37,880 --> 00:58:41,960
Speaker 4: review their music. There's no better person to go up

1206
00:58:41,960 --> 00:58:44,000
Speaker 4: to Elliott when it's about their music.

1207
00:58:45,000 --> 00:58:51,200
Speaker 1: Actually bought some some crazy and you get the yes.

1208
00:58:51,360 --> 00:58:52,960
Speaker 1: I know how it is to be an artist.

1209
00:58:53,080 --> 00:58:54,200
Speaker 6: Story behind the story.

1210
00:58:54,200 --> 00:58:55,160
Speaker 1: The story behind the story.

1211
00:58:56,360 --> 00:58:58,800
Speaker 10: I'm gonna take it out of him that he can't

1212
00:58:58,800 --> 00:59:01,840
Speaker 10: because he he's gonna take out of him that you can.

1213
00:59:01,960 --> 00:59:03,400
Speaker 1: Put a hardcourt interview.

1214
00:59:03,760 --> 00:59:06,280
Speaker 4: I'm gonna go to Elliott like for me, like when

1215
00:59:06,320 --> 00:59:09,160
Speaker 4: that's comes time to tell my story, I'm gonna go

1216
00:59:09,280 --> 00:59:12,440
Speaker 4: to go to Elliott because I understand that there is

1217
00:59:12,560 --> 00:59:15,040
Speaker 4: a difference we would do. And the offriend told me

1218
00:59:15,080 --> 00:59:16,760
Speaker 4: that a long time ago. He was like, stop sucking,

1219
00:59:16,840 --> 00:59:21,480
Speaker 4: saying you're a journalist, Like damn wow. He was saying,

1220
00:59:21,520 --> 00:59:24,800
Speaker 4: we're not journalists, bro. You guys as journalists. You guys

1221
00:59:24,880 --> 00:59:35,880
Speaker 4: are documenting. We're not fact checking. We're just trying to

1222
00:59:35,960 --> 00:59:39,120
Speaker 4: celebrate the guests culture. We're trying to have a party,

1223
00:59:39,160 --> 00:59:40,800
Speaker 4: have fun. We're trying to recreate what he was doing

1224
00:59:40,800 --> 00:59:43,520
Speaker 4: in the studio. We were doing backstage. He was drinking

1225
00:59:43,600 --> 00:59:47,160
Speaker 4: and that's all he was trying to do. Real conversations.

1226
00:59:48,040 --> 00:59:50,760
Speaker 1: You're gonna get that ship and you're gonna get some funny.

1227
00:59:52,080 --> 00:59:56,000
Speaker 4: Different the whole thing, right. So, and that's really really

1228
00:59:56,080 --> 01:00:00,240
Speaker 4: what it is. But man, now, how does it bill

1229
01:00:00,440 --> 01:00:05,400
Speaker 4: grinding all these years? I'm finally getting this nice finally getting.

1230
01:00:05,120 --> 01:00:13,400
Speaker 1: This deal now validation? Yeah, because is you moving out

1231
01:00:13,440 --> 01:00:17,360
Speaker 1: of coney Oh yeah, yeah, Okay, Okay, you know what's funny.

1232
01:00:17,600 --> 01:00:21,960
Speaker 6: I was Tembassi in Telfait of NBA Conel building. Right

1233
01:00:22,000 --> 01:00:22,320
Speaker 6: behind me.

1234
01:00:22,720 --> 01:00:24,600
Speaker 5: He was like, yo, if I could do it all over,

1235
01:00:25,320 --> 01:00:27,760
Speaker 5: I felt a big ass for it right in the hood.

1236
01:00:27,840 --> 01:00:31,200
Speaker 6: I was like, I'm in my mind outlide. I was

1237
01:00:31,240 --> 01:00:32,919
Speaker 6: like me and me you were and my mind.

1238
01:00:32,920 --> 01:00:35,840
Speaker 1: I was like, not me out of here.

1239
01:00:37,120 --> 01:00:41,200
Speaker 5: You know what I'm saying, Like, Yo, it's just I

1240
01:00:41,360 --> 01:00:43,920
Speaker 5: was tired of my whole family. When I'm over for christ, Yo,

1241
01:00:44,920 --> 01:00:47,920
Speaker 5: you you're still rapping you when you're gonna be on

1242
01:00:47,960 --> 01:00:50,760
Speaker 5: the radio when you comes too much.

1243
01:00:50,800 --> 01:00:53,200
Speaker 6: I ain't never gonna be on the radio. And now

1244
01:00:53,240 --> 01:00:56,080
Speaker 6: I got little kids in fucking Oklahoma yelling out, fuck

1245
01:00:56,120 --> 01:00:59,600
Speaker 6: your life, right.

1246
01:01:00,040 --> 01:01:04,280
Speaker 5: That ship is just validation. But to you, I wouldn't

1247
01:01:04,280 --> 01:01:06,400
Speaker 5: be the artist I was. I got everything I got,

1248
01:01:06,880 --> 01:01:08,480
Speaker 5: I got World Report.

1249
01:01:09,120 --> 01:01:11,280
Speaker 1: You know all Eve Melvin the Reunion.

1250
01:01:11,400 --> 01:01:17,000
Speaker 5: I know you're explained the cocker Spaniel line, all that

1251
01:01:17,960 --> 01:01:20,560
Speaker 5: this stick of broom and your butts, how you.

1252
01:01:20,600 --> 01:01:25,120
Speaker 1: Got hand boom, yeah boom. That's my favorite Noory line.

1253
01:01:25,160 --> 01:01:27,160
Speaker 6: Hey yo, hey yo.

1254
01:01:28,760 --> 01:01:33,960
Speaker 1: Yo said, he is the one of the only.

1255
01:01:33,880 --> 01:01:36,880
Speaker 6: Rappers that could say some ship like that and niggas

1256
01:01:36,920 --> 01:01:37,640
Speaker 6: still fuck.

1257
01:01:37,520 --> 01:01:38,360
Speaker 9: With That's.

1258
01:01:41,280 --> 01:01:42,880
Speaker 1: No no, I'm gonna be honest with you. You.

1259
01:01:45,240 --> 01:01:48,040
Speaker 4: One of my favorite artists was biz Marky. And when

1260
01:01:48,080 --> 01:01:53,000
Speaker 4: biz Markey said, I tick a booget in my put

1261
01:01:53,000 --> 01:01:55,400
Speaker 4: it on the basketball and he passed to you, I say,

1262
01:01:55,880 --> 01:01:58,360
Speaker 4: it was outrageous, you love, It was outrageous. So I

1263
01:01:58,440 --> 01:02:01,120
Speaker 4: knew I wasn't swarm enough to say. When I was twelve,

1264
01:02:01,160 --> 01:02:03,680
Speaker 4: I went to help us nothing. I knew I wasn't

1265
01:02:03,680 --> 01:02:05,880
Speaker 4: smart enough for that. So I was like, you know what,

1266
01:02:06,080 --> 01:02:08,800
Speaker 4: let me dumb my ship down and let me speak

1267
01:02:08,840 --> 01:02:11,480
Speaker 4: to the special education people that went to school with me.

1268
01:02:12,480 --> 01:02:15,080
Speaker 1: So because like I mean, I loved it. You know,

1269
01:02:15,320 --> 01:02:19,360
Speaker 1: you don't understand how many special education teachers called me

1270
01:02:19,480 --> 01:02:23,080
Speaker 1: after I won no award. We won no ward. When

1271
01:02:23,080 --> 01:02:24,920
Speaker 1: I said your soil is a special education I was

1272
01:02:24,960 --> 01:02:28,520
Speaker 1: in the resource room. Resource room teachers, special educations teachers

1273
01:02:28,640 --> 01:02:31,280
Speaker 1: was like, yo, can I use this case? I guess

1274
01:02:32,200 --> 01:02:36,000
Speaker 1: they don't have permission they think they So I was like, yeah,

1275
01:02:36,320 --> 01:02:38,600
Speaker 1: so I just be I always wanted to do that,

1276
01:02:41,760 --> 01:02:47,960
Speaker 1: a special TV band, froom TV. I purposely wanted to

1277
01:02:48,000 --> 01:02:50,840
Speaker 1: go last. I mean, it was on your album and

1278
01:02:50,880 --> 01:02:56,080
Speaker 1: that yeah, yeah, you know what, You're right, it was.

1279
01:02:56,280 --> 01:02:58,960
Speaker 1: It was leaving that era though I was trying to

1280
01:02:59,080 --> 01:03:02,320
Speaker 1: hold on to that era. I was trying to hold

1281
01:03:02,440 --> 01:03:03,280
Speaker 1: onto that era.

1282
01:03:03,920 --> 01:03:08,320
Speaker 4: And I was like scared, like I'm and I said,

1283
01:03:08,920 --> 01:03:12,959
Speaker 4: because I said, Hennessy straight shot a tomato.

1284
01:03:12,720 --> 01:03:17,760
Speaker 1: Juice, but it couldn't fit it, puks, it couldn't.

1285
01:03:21,160 --> 01:03:22,560
Speaker 6: But he said that he looked at me dead.

1286
01:03:24,320 --> 01:03:27,600
Speaker 4: Hennessy straight shot out tomato juice, and then Hennessy straight

1287
01:03:27,640 --> 01:03:30,600
Speaker 4: shout out to me. So Hennessy straight with tomato juice

1288
01:03:31,120 --> 01:03:35,560
Speaker 4: fit fit more. And I knew people always would never

1289
01:03:35,760 --> 01:03:39,240
Speaker 4: understand sad me. But but same thing with Pharrell. When

1290
01:03:39,280 --> 01:03:42,080
Speaker 4: I did what what that was a hook?

1291
01:03:42,240 --> 01:03:42,480
Speaker 3: That was?

1292
01:03:42,680 --> 01:03:45,680
Speaker 4: That was never And then Pharrell said, you know and

1293
01:03:45,800 --> 01:03:48,080
Speaker 4: when I said I light a candle, run laps around

1294
01:03:48,120 --> 01:03:50,480
Speaker 4: and in this channel, that was I got a cock SPANU.

1295
01:03:50,760 --> 01:03:53,960
Speaker 4: Well at that time in Queens it was a gun.

1296
01:03:54,440 --> 01:03:57,400
Speaker 4: So yeah, so like the cock Spion was the twenty two,

1297
01:03:57,960 --> 01:03:59,760
Speaker 4: you know what I mean? A rock Waller was a

1298
01:03:59,800 --> 01:04:03,520
Speaker 4: four Father was some dumb ship. I always wanted to

1299
01:04:03,520 --> 01:04:07,600
Speaker 4: shock value. I always wanted to do women people go

1300
01:04:07,800 --> 01:04:11,120
Speaker 4: ooh ooh, and I didn't care which way it was.

1301
01:04:11,800 --> 01:04:15,120
Speaker 1: And the more simplistic I made it. What I understood

1302
01:04:15,200 --> 01:04:16,400
Speaker 1: is all of the War.

1303
01:04:16,400 --> 01:04:19,320
Speaker 4: Report never got played at the club, and that hurt me.

1304
01:04:20,000 --> 01:04:23,280
Speaker 4: That hurt me the whole They got played in the hoods.

1305
01:04:23,520 --> 01:04:26,440
Speaker 4: But got to remember when I got on stage, that

1306
01:04:26,600 --> 01:04:29,280
Speaker 4: wasn't who I was t O n why and and

1307
01:04:29,360 --> 01:04:31,600
Speaker 4: why if I didn't actually jump the t o and

1308
01:04:31,680 --> 01:04:33,480
Speaker 4: why you went and jumped the teer?

1309
01:04:33,840 --> 01:04:35,400
Speaker 6: Yeah yeah, yeah, think about it.

1310
01:04:35,440 --> 01:04:37,880
Speaker 1: It's mad Low just trying to ship on me and

1311
01:04:38,000 --> 01:04:41,240
Speaker 1: make history supposed but now if I home it this way,

1312
01:04:44,200 --> 01:04:46,760
Speaker 1: but actually I just think about the rhythm of it,

1313
01:04:50,000 --> 01:04:53,360
Speaker 1: and I realized I was like, Damn, this is great,

1314
01:04:53,640 --> 01:04:56,760
Speaker 1: but it's not who I am. I wanted to touch.

1315
01:04:58,320 --> 01:05:00,760
Speaker 4: And God, blessed God. I don't know if I'm asking

1316
01:05:00,800 --> 01:05:04,600
Speaker 4: you a question, but but then for real came in

1317
01:05:05,560 --> 01:05:08,200
Speaker 4: and I'm just being honest with you. Like me and

1318
01:05:08,280 --> 01:05:09,760
Speaker 4: him spoke the other day, but it was just like

1319
01:05:10,480 --> 01:05:12,960
Speaker 4: like we were really like Batman and Robbing Beauty and

1320
01:05:13,040 --> 01:05:13,400
Speaker 4: the Beast.

1321
01:05:13,560 --> 01:05:15,720
Speaker 1: Really, because.

1322
01:05:16,960 --> 01:05:22,720
Speaker 4: I'm definitely the Beast. I'm definitely the best. Yes, he

1323
01:05:23,440 --> 01:05:26,040
Speaker 4: actually knew, and I remember his words to me.

1324
01:05:26,480 --> 01:05:27,000
Speaker 1: Swear to God.

1325
01:05:27,040 --> 01:05:28,920
Speaker 4: Remember he's like, no one listens to me, but the

1326
01:05:28,960 --> 01:05:31,480
Speaker 4: person that does, it's going to go number one and

1327
01:05:31,520 --> 01:05:32,080
Speaker 4: they's gonna.

1328
01:05:31,920 --> 01:05:34,400
Speaker 1: Listen to me right to the bank. He asked him.

1329
01:05:34,400 --> 01:05:37,400
Speaker 1: The point they want to connect to his vision? Yet

1330
01:05:37,440 --> 01:05:40,400
Speaker 1: about it? Right? No one will. So many he was

1331
01:05:40,440 --> 01:05:43,040
Speaker 1: a ghost do something they didn't want it.

1332
01:05:43,080 --> 01:05:47,360
Speaker 2: Now he's a genius now, but like back then, yeah,

1333
01:05:47,520 --> 01:05:48,959
Speaker 2: because he looked different.

1334
01:05:50,600 --> 01:05:55,240
Speaker 1: Different, he looked different. Definitely got the best person. It

1335
01:05:55,440 --> 01:05:57,000
Speaker 1: was the first to kind of break him in that

1336
01:05:57,200 --> 01:06:01,840
Speaker 1: and that's why he loves forever. I love you, and

1337
01:06:01,880 --> 01:06:04,400
Speaker 1: you're crazy. Let me just tell you something. Let me

1338
01:06:04,440 --> 01:06:06,760
Speaker 1: tell you something. This a couple of times. I just cried. Recently,

1339
01:06:08,120 --> 01:06:10,680
Speaker 1: my man twin, his father just passed away. I went

1340
01:06:10,720 --> 01:06:12,240
Speaker 1: to the funeral. I cried there.

1341
01:06:12,720 --> 01:06:15,040
Speaker 4: But when I seen the Louis vuitar thing, and by

1342
01:06:15,080 --> 01:06:18,440
Speaker 4: the way, I just left Paris and I hit and

1343
01:06:18,920 --> 01:06:20,720
Speaker 4: was like, yo, stay, And I did not.

1344
01:06:20,840 --> 01:06:22,880
Speaker 1: Know why he was telling me to stay. I just

1345
01:06:22,920 --> 01:06:25,120
Speaker 1: went to the Mafy coast. I felt rich. I was like,

1346
01:06:26,320 --> 01:06:27,880
Speaker 1: let me get the fuck out of here.

1347
01:06:28,560 --> 01:06:31,040
Speaker 4: But had he said, yo, I'm this is my Louis

1348
01:06:31,120 --> 01:06:33,200
Speaker 4: vuitar because he, you know, for us, just so humble

1349
01:06:33,560 --> 01:06:35,480
Speaker 4: no matter how much he gets. He was like say,

1350
01:06:35,480 --> 01:06:37,560
Speaker 4: I want, I want to show you something. And I

1351
01:06:37,760 --> 01:06:40,720
Speaker 4: had I knew what he was talking about. Wow, because

1352
01:06:40,720 --> 01:06:43,320
Speaker 4: when I seen that, it wasn't that hole came out.

1353
01:06:43,600 --> 01:06:46,240
Speaker 4: It wasn't that time of the case. It was it

1354
01:06:46,400 --> 01:06:48,520
Speaker 4: was like, this is a guy that I actually see

1355
01:06:49,640 --> 01:06:52,040
Speaker 4: and his was fucking crazy about this.

1356
01:06:52,240 --> 01:06:54,760
Speaker 1: My wife is out here. You can ask her. You

1357
01:06:54,840 --> 01:06:55,920
Speaker 1: can ask your own.

1358
01:06:58,480 --> 01:06:58,640
Speaker 4: Huh.

1359
01:07:00,120 --> 01:07:04,480
Speaker 1: You like like my shorts. It's just like my don't

1360
01:07:04,520 --> 01:07:06,480
Speaker 1: you ever my shorts?

1361
01:07:08,640 --> 01:07:08,760
Speaker 6: Yo?

1362
01:07:08,880 --> 01:07:11,680
Speaker 4: But you know what the crazy ship was Me and

1363
01:07:11,760 --> 01:07:16,640
Speaker 4: my wife was doing off our tenth anniversary over. That's

1364
01:07:16,680 --> 01:07:20,440
Speaker 4: why that's Wheely twinth anniversary over. You know who was

1365
01:07:20,480 --> 01:07:27,000
Speaker 4: styling me Virgil, Wow, poor Louis Baton four Louis Bauton.

1366
01:07:27,120 --> 01:07:29,920
Speaker 1: So we went there and rich ship and you know,

1367
01:07:30,080 --> 01:07:38,680
Speaker 1: I just sech ship. It is like man, my man,

1368
01:07:38,760 --> 01:07:39,760
Speaker 1: Felix and that ship.

1369
01:07:45,720 --> 01:07:49,240
Speaker 4: What's crazy is like Virgil sitting to us to something like,

1370
01:07:49,680 --> 01:07:51,960
Speaker 4: you know, a remote spot for me to get fitted.

1371
01:07:52,680 --> 01:07:54,560
Speaker 1: I felt. I was so glad my wife was there

1372
01:07:54,600 --> 01:08:00,200
Speaker 1: because I felt crazy, how this ain't right? They waiting

1373
01:08:00,240 --> 01:08:01,760
Speaker 1: to police. I'm like, wait a minute. I was like,

1374
01:08:01,800 --> 01:08:04,040
Speaker 1: all right, cool, this is how this happens. I was like,

1375
01:08:04,080 --> 01:08:17,800
Speaker 1: all right, that's how you get your life.

1376
01:08:19,040 --> 01:08:28,640
Speaker 9: Illuminati definitely the Illumina. Hell yeah, I don't never disrespect

1377
01:08:33,760 --> 01:08:38,080
Speaker 9: sound like a look, you got a fat stand for that.

1378
01:08:38,920 --> 01:08:43,320
Speaker 4: But in the last time Virsion was supposed to and

1379
01:08:43,479 --> 01:08:47,000
Speaker 4: then for I say that to say it's weird because

1380
01:08:47,040 --> 01:08:50,720
Speaker 4: for for this to happen and then and then for

1381
01:08:50,880 --> 01:08:53,680
Speaker 4: real to actually you know.

1382
01:08:54,760 --> 01:08:58,479
Speaker 1: Take over, that's next level. Yeah, v shout for U

1383
01:09:02,160 --> 01:09:05,680
Speaker 1: and let me tell you something, skate ward P.

1384
01:09:06,520 --> 01:09:12,479
Speaker 4: He's so focused, like he immediately became designer, like you know, yeah,

1385
01:09:12,800 --> 01:09:13,760
Speaker 4: like like, like, you know.

1386
01:09:14,040 --> 01:09:16,120
Speaker 6: Like the president, they stopped, he got a couple of months.

1387
01:09:16,479 --> 01:09:18,479
Speaker 4: Yeah, like just went back then you know, he knew,

1388
01:09:18,520 --> 01:09:24,000
Speaker 4: he like he's been I don't know. By the way,

1389
01:09:24,160 --> 01:09:27,080
Speaker 4: I'm I'm spitballing this. When I spoke to him, he

1390
01:09:27,200 --> 01:09:28,880
Speaker 4: was like, you know, if you don't understand, but but

1391
01:09:29,000 --> 01:09:32,880
Speaker 4: what I'm saying is, in my opinion, this is a

1392
01:09:32,960 --> 01:09:35,120
Speaker 4: position that he's been waiting for his whole life, and

1393
01:09:35,200 --> 01:09:36,280
Speaker 4: he's going to kill his ship.

1394
01:09:36,600 --> 01:09:38,599
Speaker 1: Like, let me tell you something.

1395
01:09:38,680 --> 01:09:41,080
Speaker 4: I looked at all the designs. I looked at every

1396
01:09:41,160 --> 01:09:42,920
Speaker 4: last one of them, and I was like, this ship

1397
01:09:43,040 --> 01:09:46,000
Speaker 4: is ill. And I looked at I'm Virtues. I was

1398
01:09:46,040 --> 01:09:49,120
Speaker 4: at Virtue's last fashion show as well. It was fucking awesome.

1399
01:09:49,920 --> 01:09:53,880
Speaker 4: So I fucking love what Farrell was doing. Man for

1400
01:09:54,200 --> 01:09:54,880
Speaker 4: wherever you're.

1401
01:09:54,720 --> 01:10:04,080
Speaker 1: At, Man, Yes, yeah, about I like to dream, Yes, yes, yes,

1402
01:10:04,160 --> 01:10:06,680
Speaker 1: And I'll tell you I'll tell you that part later.

1403
01:10:06,760 --> 01:10:12,479
Speaker 1: But you know, yes, listen, I'm so.

1404
01:10:12,680 --> 01:10:14,760
Speaker 4: So proud of you for I'm so proud of your

1405
01:10:15,120 --> 01:10:19,960
Speaker 4: your wife, your children and what you're doing and the

1406
01:10:20,040 --> 01:10:22,439
Speaker 4: fact that I had a piece to do with the

1407
01:10:22,600 --> 01:10:23,320
Speaker 4: beginning of that.

1408
01:10:23,720 --> 01:10:27,960
Speaker 1: I'm so honored. I'm so you know please, and I'm

1409
01:10:27,960 --> 01:10:29,080
Speaker 1: gonna continue to support it.

1410
01:10:29,240 --> 01:10:33,080
Speaker 4: And then you came out and he came out that

1411
01:10:33,240 --> 01:10:37,160
Speaker 4: the first fashion show with the component nor viego army fatigue,

1412
01:10:37,600 --> 01:10:37,920
Speaker 4: and I.

1413
01:10:38,040 --> 01:10:40,240
Speaker 1: Was just like, I know he probably I don't know,

1414
01:10:40,720 --> 01:10:42,519
Speaker 1: but that's how I took it. I took it last

1415
01:10:42,920 --> 01:10:48,800
Speaker 1: he came out the whole family.

1416
01:10:48,960 --> 01:10:54,560
Speaker 2: So we had on the podcast finally what was that like, like, you,

1417
01:10:54,720 --> 01:10:56,479
Speaker 2: you know what, how did you feel right before?

1418
01:10:56,640 --> 01:10:58,840
Speaker 1: And like talk to me about the whole ship. That's

1419
01:10:58,840 --> 01:11:02,200
Speaker 1: a great question. You know, it's crazy. This is the

1420
01:11:02,280 --> 01:11:06,880
Speaker 1: best ever. That's how you know you're big.

1421
01:11:07,760 --> 01:11:09,800
Speaker 6: Big people take a COVID test before they meet you.

1422
01:11:09,920 --> 01:11:13,120
Speaker 1: Okay, I think I'm not with logic.

1423
01:11:13,800 --> 01:11:15,400
Speaker 6: Like, yo, take this test first.

1424
01:11:24,680 --> 01:11:32,040
Speaker 1: Yeah, my god, so much blood. Show me that COVID test.

1425
01:11:33,120 --> 01:11:37,200
Speaker 1: This is a foul COVID test. This is a break Listen, listen.

1426
01:11:37,320 --> 01:11:38,400
Speaker 6: This is how they got your blood.

1427
01:11:38,479 --> 01:11:43,560
Speaker 1: This is the middle. He was but I was like,

1428
01:11:43,760 --> 01:11:46,720
Speaker 1: I finally got him. But we got this pandemic. Check

1429
01:11:46,760 --> 01:11:48,040
Speaker 1: it checks, we got a mask on.

1430
01:11:48,360 --> 01:11:48,600
Speaker 2: Let me.

1431
01:11:51,280 --> 01:11:52,920
Speaker 1: Let me explain, let me explain, let me play. So

1432
01:11:53,320 --> 01:11:56,320
Speaker 1: where am smack in the middle of COVID? But Miami

1433
01:11:56,439 --> 01:12:05,160
Speaker 1: opens back up yeah, yeah, over that up so close

1434
01:12:06,160 --> 01:12:13,400
Speaker 1: at least clocking respiratory. So so.

1435
01:12:15,400 --> 01:12:18,639
Speaker 4: Miami opens up, we do. I didn't even do college

1436
01:12:18,680 --> 01:12:20,639
Speaker 4: before that. And we had to walking flocking first walking

1437
01:12:21,920 --> 01:12:23,120
Speaker 4: we caught cod.

1438
01:12:25,360 --> 01:12:31,680
Speaker 1: Episode covid. We caught caught covid. I'm not saying that

1439
01:12:31,800 --> 01:12:32,160
Speaker 1: walk up.

1440
01:12:32,640 --> 01:12:35,280
Speaker 6: I'm not taking din't care.

1441
01:12:36,160 --> 01:12:44,360
Speaker 1: He was beer. Everyone who's drinking beer, drink ladders Champ at.

1442
01:12:44,320 --> 01:12:45,559
Speaker 6: That time anyway.

1443
01:12:46,439 --> 01:12:51,320
Speaker 4: Anyway, anyway, and then so then for this is why

1444
01:12:51,320 --> 01:12:54,040
Speaker 4: I respect for bro because me and he was just

1445
01:12:54,200 --> 01:12:58,160
Speaker 4: talking and he didn't want to like like go through

1446
01:12:58,240 --> 01:13:00,160
Speaker 4: me to do the interview, so he was going through

1447
01:13:00,200 --> 01:13:03,720
Speaker 4: his people's So I was like, are you sure he

1448
01:13:03,880 --> 01:13:07,200
Speaker 4: really coming? Like spoke to him yesterday, brung up nothing

1449
01:13:07,240 --> 01:13:09,720
Speaker 4: about drink chip. It was like three times I spoke

1450
01:13:09,760 --> 01:13:11,559
Speaker 4: to him. We didn't bring ubout drink Champs. And then

1451
01:13:11,880 --> 01:13:13,400
Speaker 4: we got a crew chat and I'm looking at like,

1452
01:13:13,840 --> 01:13:17,600
Speaker 4: I'm not sure, I'm not sure I speak to the

1453
01:13:17,680 --> 01:13:20,160
Speaker 4: right Foraral, But then it's mister Lee. He's on all

1454
01:13:20,200 --> 01:13:22,720
Speaker 4: the themes out all the clips. I I was talking

1455
01:13:22,760 --> 01:13:26,519
Speaker 4: about his son, the cocaine and ship. I mean that

1456
01:13:26,600 --> 01:13:27,280
Speaker 4: was back in the days.

1457
01:13:29,160 --> 01:13:32,240
Speaker 1: So anyway, the very last hit, and they said, Yo, listen,

1458
01:13:32,439 --> 01:13:34,400
Speaker 1: he's gonna do it, but he wants all of y'all

1459
01:13:34,439 --> 01:13:35,360
Speaker 1: to have a COVID test.

1460
01:13:35,880 --> 01:13:39,519
Speaker 4: So we're like, fuck it. We know these guys just

1461
01:13:39,600 --> 01:13:44,160
Speaker 4: got over their ship. My bad, all of your great cruise.

1462
01:13:49,160 --> 01:13:51,360
Speaker 4: So we're going back there. I'm talking about this blood.

1463
01:13:51,640 --> 01:13:54,960
Speaker 4: They gotta pick our ship. Then forrellh walks in and

1464
01:13:55,160 --> 01:14:03,240
Speaker 4: just like I'm ready to record. Yeah, by the way,

1465
01:14:03,280 --> 01:14:04,120
Speaker 4: I never caught Kobe.

1466
01:14:04,680 --> 01:14:06,880
Speaker 5: I caught that ship three times, and the second time

1467
01:14:06,960 --> 01:14:11,120
Speaker 5: I gave it to my Mom's that my girl for Christmas,

1468
01:14:12,800 --> 01:14:17,120
Speaker 5: so that it's right with Big Boss. First, I was like, yo,

1469
01:14:17,240 --> 01:14:17,720
Speaker 5: I caught it.

1470
01:14:17,760 --> 01:14:19,240
Speaker 1: I had mad bookings that week.

1471
01:14:20,200 --> 01:14:22,639
Speaker 5: I stayed the first time, I stayed in the second time,

1472
01:14:22,640 --> 01:14:23,720
Speaker 5: I was like, y'a, I'm not staying it.

1473
01:14:24,080 --> 01:14:25,439
Speaker 6: Everybody getting this brother.

1474
01:14:28,520 --> 01:14:30,559
Speaker 1: To my mom, you have to go to the hospital. Here.

1475
01:14:33,560 --> 01:14:41,160
Speaker 1: What I'm saying, you caught Kobe was white? Yeah twice Dan, Yo,

1476
01:14:41,240 --> 01:14:45,880
Speaker 1: he got mad serious, but he said he didn't catch Kobe.

1477
01:14:45,960 --> 01:14:48,800
Speaker 1: He didn't test for that ship y'all at the flu

1478
01:14:48,920 --> 01:14:51,280
Speaker 1: By the way, let me just tell you test them

1479
01:14:51,400 --> 01:14:56,080
Speaker 1: than all three of y'all. I was feeling loving hand

1480
01:14:56,200 --> 01:15:06,800
Speaker 1: marriage move can. They had the hotel outside by the way. Listen, listen.

1481
01:15:07,560 --> 01:15:10,000
Speaker 1: The first day I go to marriage boot camp, they

1482
01:15:10,080 --> 01:15:10,720
Speaker 1: give me a bag.

1483
01:15:10,840 --> 01:15:11,320
Speaker 11: I like it.

1484
01:15:13,320 --> 01:15:13,720
Speaker 1: I like it.

1485
01:15:13,800 --> 01:15:17,760
Speaker 4: They tell me stay in. They also tell me Drake

1486
01:15:17,880 --> 01:15:22,880
Speaker 4: got a party. I looked at my wife.

1487
01:15:22,920 --> 01:15:26,679
Speaker 1: I said, I'm not sure we're going out. I said,

1488
01:15:26,920 --> 01:15:31,880
Speaker 1: We're going to Drake's party. And we went. We went, and.

1489
01:15:33,640 --> 01:15:35,360
Speaker 4: I'm trying to be modest. You know, it's just me

1490
01:15:35,400 --> 01:15:37,160
Speaker 4: and my wife. I didn't go with no because I'm

1491
01:15:37,200 --> 01:15:38,640
Speaker 4: bid for America, so I.

1492
01:15:38,640 --> 01:15:41,080
Speaker 1: Don't have nobody. I got a driver outside. What's gonna

1493
01:15:41,080 --> 01:15:41,920
Speaker 1: be the driver of security?

1494
01:15:41,960 --> 01:15:44,920
Speaker 4: It's like, fuck it, I'd rather the driver because I

1495
01:15:45,000 --> 01:15:47,400
Speaker 4: can just I'm just jumping in the car. So I'm like,

1496
01:15:47,439 --> 01:15:50,000
Speaker 4: all right, cool. So I got to depend and then

1497
01:15:50,360 --> 01:15:52,760
Speaker 4: you know, Drake has the best security of the world.

1498
01:15:53,280 --> 01:15:56,720
Speaker 4: In case you don't know, like real like, nobody's doing

1499
01:15:56,760 --> 01:15:59,240
Speaker 4: nothing that Drake. I'm just telling y'all just leave him.

1500
01:15:59,160 --> 01:16:06,479
Speaker 1: Anne, because do you ever just drinking trying to approach him. Listen.

1501
01:16:06,800 --> 01:16:10,640
Speaker 1: So anyway, so I'm sitting there and the chop see me.

1502
01:16:10,680 --> 01:16:12,719
Speaker 6: He goes, yo, what are you doing?

1503
01:16:13,000 --> 01:16:17,920
Speaker 4: Because I'm just sitting there because I'm sitting there with

1504
01:16:18,040 --> 01:16:19,280
Speaker 4: me and my wife. But I was sitting there be

1505
01:16:19,400 --> 01:16:23,040
Speaker 4: the most moderns person. He's like, what the fuck, legend,

1506
01:16:23,080 --> 01:16:23,920
Speaker 4: what are you doing?

1507
01:16:24,360 --> 01:16:27,040
Speaker 1: And I'm like most some chumps. He's like, come on,

1508
01:16:27,439 --> 01:16:28,280
Speaker 1: you not see the boy.

1509
01:16:28,880 --> 01:16:32,560
Speaker 4: And I went over there and I see Drake and

1510
01:16:32,640 --> 01:16:36,080
Speaker 4: we just take shots immediately, and I was like, oh ship,

1511
01:16:36,880 --> 01:16:42,120
Speaker 4: he's kind of doing drink champs right now. He's making

1512
01:16:42,160 --> 01:16:44,960
Speaker 4: noise doing all this. And then we take a picture

1513
01:16:45,200 --> 01:16:47,120
Speaker 4: and it was so dope. But what I'm saying is

1514
01:16:48,080 --> 01:16:50,080
Speaker 4: I don't even know when I put that up, but

1515
01:16:50,240 --> 01:16:57,000
Speaker 4: fuck it, d Kobe. So I'm not trying to post

1516
01:16:57,040 --> 01:17:01,280
Speaker 4: a picture. My wife posters picture. They don't follow my

1517
01:17:01,400 --> 01:17:07,240
Speaker 4: wife at the time. And then Drake we posted. I

1518
01:17:07,400 --> 01:17:12,719
Speaker 4: was supposed to get fired that day. I broke curfew

1519
01:17:12,960 --> 01:17:14,120
Speaker 4: and you have to get the bag back.

1520
01:17:15,800 --> 01:17:17,720
Speaker 1: No, I wouldn't have get in the bag man. They

1521
01:17:17,840 --> 01:17:18,400
Speaker 1: had to suit me.

1522
01:17:21,960 --> 01:17:26,840
Speaker 4: But luckily we came home to the COVID test. We

1523
01:17:26,960 --> 01:17:32,360
Speaker 4: took the COVID test that morning. Negative, the same negative.

1524
01:17:32,400 --> 01:17:34,799
Speaker 4: So I say, I took a COVID test Monday, Wednesday

1525
01:17:34,840 --> 01:17:37,920
Speaker 4: and Friday for two and a half years to two

1526
01:17:37,960 --> 01:17:41,760
Speaker 4: and a half years bro. Like, so after I left

1527
01:17:42,040 --> 01:17:46,639
Speaker 4: marriage Boutcamps, I came home and I did what happened.

1528
01:17:46,640 --> 01:17:49,479
Speaker 1: I'm gonna take a bitsins Okay, yeah I did marriage butcamp,

1529
01:17:49,520 --> 01:17:51,240
Speaker 1: I came home and I did love and hip hop

1530
01:17:52,400 --> 01:17:53,759
Speaker 1: for another year and a half.

1531
01:17:55,240 --> 01:17:56,080
Speaker 6: Did Loving hip Hop?

1532
01:17:56,320 --> 01:17:57,560
Speaker 1: Yeah, I did it.

1533
01:17:58,000 --> 01:18:00,800
Speaker 4: That's season and a half. Yeah, and it might be back.

1534
01:18:02,240 --> 01:18:05,320
Speaker 4: I ain't got no drama, that's yeah.

1535
01:18:05,720 --> 01:18:06,800
Speaker 6: I always look at them shows.

1536
01:18:06,800 --> 01:18:07,960
Speaker 5: I'm like, yo, if I was on them shows, that

1537
01:18:07,960 --> 01:18:09,679
Speaker 5: wouldn't be no drama. Like, I don't want to show

1538
01:18:09,680 --> 01:18:11,519
Speaker 5: that side. Even if there's drama, you won't see it.

1539
01:18:11,880 --> 01:18:16,439
Speaker 1: Yeah, straight up, I mean say the truth? Uh yeah.

1540
01:18:16,479 --> 01:18:18,840
Speaker 2: How do you prose that ship? How do what the

1541
01:18:18,920 --> 01:18:21,000
Speaker 2: whole reality? How do you approach that ship? How I

1542
01:18:21,040 --> 01:18:22,200
Speaker 2: approach I never approached it.

1543
01:18:22,280 --> 01:18:24,640
Speaker 1: I was like, I'm with it, Like what it was was.

1544
01:18:24,760 --> 01:18:26,760
Speaker 1: I'm a fan of marriage boot Camp and you've never

1545
01:18:26,800 --> 01:18:34,479
Speaker 1: seen it. And if you married the judge, yeah, like yo,

1546
01:18:34,520 --> 01:18:37,400
Speaker 1: I don't want to be sore els did it? Did it?

1547
01:18:37,920 --> 01:18:41,479
Speaker 4: That's the reason why ghost And by the way, I'm

1548
01:18:41,479 --> 01:18:44,280
Speaker 4: gonna be honest with you, you know me and working

1549
01:18:44,439 --> 01:18:47,960
Speaker 4: together for so long, like I actually actually listen to

1550
01:18:48,040 --> 01:18:50,640
Speaker 4: the therapy that that I got, like I actually was

1551
01:18:50,680 --> 01:18:56,080
Speaker 4: sitting there like you know not because like if if

1552
01:18:56,120 --> 01:18:58,320
Speaker 4: it's a chance that I could my wife can't hear,

1553
01:18:59,200 --> 01:18:59,680
Speaker 4: I can't hear.

1554
01:19:00,080 --> 01:19:00,679
Speaker 1: This is a case.

1555
01:19:01,240 --> 01:19:03,160
Speaker 4: Uh, if it's a chance, you know, I don't want

1556
01:19:03,160 --> 01:19:04,560
Speaker 4: you to like, but if it's a chance that I

1557
01:19:04,600 --> 01:19:06,840
Speaker 4: could love my wife, Mare, I take that chance to

1558
01:19:07,200 --> 01:19:08,719
Speaker 4: learn how to love my wife Mare.

1559
01:19:08,760 --> 01:19:10,840
Speaker 1: Because she saved me, you know what I'm saying, Like

1560
01:19:10,960 --> 01:19:13,719
Speaker 1: she saved me. Like when when I'm talking about being.

1561
01:19:13,560 --> 01:19:16,280
Speaker 4: In hip hop purgatory, that's who was holding me down

1562
01:19:16,640 --> 01:19:17,479
Speaker 4: and just and it's by the.

1563
01:19:17,479 --> 01:19:19,840
Speaker 1: Way, hip hop purgatory don't mean you broke. It just

1564
01:19:19,960 --> 01:19:22,360
Speaker 1: means you don't don't know the next move. You know

1565
01:19:22,400 --> 01:19:22,800
Speaker 1: what I'm saying.

1566
01:19:22,800 --> 01:19:25,960
Speaker 4: I'm saying because everybody judge you that when everyone judge, yes,

1567
01:19:26,040 --> 01:19:30,000
Speaker 4: everyone's saying because you gotta realize you. People will say

1568
01:19:30,640 --> 01:19:33,280
Speaker 4: he can't do it no more or it's old for him,

1569
01:19:33,320 --> 01:19:34,880
Speaker 4: and you can have all the money in the world,

1570
01:19:35,200 --> 01:19:38,280
Speaker 4: but that doubt fucks you up.

1571
01:19:38,320 --> 01:19:39,400
Speaker 1: I'm not and I give you.

1572
01:19:39,600 --> 01:19:41,439
Speaker 2: All the opposite. They think you lit but you have

1573
01:19:41,520 --> 01:19:44,920
Speaker 2: your own struggles. Now, yes that's true. Everybody look at

1574
01:19:44,960 --> 01:19:47,320
Speaker 2: you like you rich Rich Richard, don't out the window

1575
01:19:47,320 --> 01:19:49,800
Speaker 2: and you're like, yo, dog, I'm trying to restructure my

1576
01:19:49,880 --> 01:19:50,280
Speaker 2: whole ship.

1577
01:19:50,479 --> 01:19:54,599
Speaker 5: That's why dudes like Fat Joe, dudes like Buster take notes,

1578
01:19:54,720 --> 01:19:57,280
Speaker 5: like younger artists from artists like this, Norri.

1579
01:19:57,640 --> 01:19:59,320
Speaker 6: You know what I'm saying, you gotta take you know what's.

1580
01:19:59,200 --> 01:20:02,560
Speaker 2: Wild, like judging your edgy earlier like you seem like

1581
01:20:02,640 --> 01:20:04,680
Speaker 2: you're like you know, you have a heavy spirit of

1582
01:20:04,800 --> 01:20:05,839
Speaker 2: like your live wire.

1583
01:20:10,120 --> 01:20:11,120
Speaker 1: Wall Joe.

1584
01:20:11,200 --> 01:20:14,120
Speaker 2: But they're always that too, like the ones who survived.

1585
01:20:13,640 --> 01:20:14,080
Speaker 1: Are like that.

1586
01:20:14,600 --> 01:20:16,439
Speaker 6: Listen when you don't and.

1587
01:20:19,560 --> 01:20:20,120
Speaker 1: That excel.

1588
01:20:20,240 --> 01:20:22,479
Speaker 6: I tell my story that I use drugs. I did

1589
01:20:22,560 --> 01:20:24,479
Speaker 6: all this. You know why, because when you put it

1590
01:20:24,520 --> 01:20:25,960
Speaker 6: out there, nobody can use it against you.

1591
01:20:26,360 --> 01:20:28,360
Speaker 5: You know what I'm saying, I'm gonna be me whether

1592
01:20:28,400 --> 01:20:30,400
Speaker 5: you like me or not. If you don't like me,

1593
01:20:31,000 --> 01:20:35,320
Speaker 5: show be it. But you can't hold nothing that character

1594
01:20:35,680 --> 01:20:38,519
Speaker 5: it was. You canna put me in any hood anywhere.

1595
01:20:38,880 --> 01:20:41,320
Speaker 5: What I'm saying, I'm gonna be good because genuine I'm

1596
01:20:41,320 --> 01:20:42,840
Speaker 5: not faking to be somebody I'm not.

1597
01:20:43,520 --> 01:20:45,240
Speaker 6: You know what I'm saying. I'm not the toughest, I'm not,

1598
01:20:45,400 --> 01:20:48,439
Speaker 6: but I'm I'm a regular human being. You know what

1599
01:20:48,439 --> 01:20:51,559
Speaker 6: I'm saying that you know, and being from New York.

1600
01:20:51,479 --> 01:20:55,120
Speaker 5: Especially Cony Allen and everybody of this Chinese, Black, Puerto Rican,

1601
01:20:55,520 --> 01:20:56,320
Speaker 5: we all like one.

1602
01:20:56,439 --> 01:20:58,080
Speaker 6: You know what I'm saying, Like nolorid be saying, hip

1603
01:20:58,120 --> 01:20:58,920
Speaker 6: hop is like one.

1604
01:21:00,240 --> 01:21:02,160
Speaker 1: How did you start the whole? Though? I ever disrespect me?

1605
01:21:03,640 --> 01:21:06,439
Speaker 5: My album, I don't know my last album and twenty

1606
01:21:06,520 --> 01:21:09,000
Speaker 5: twenty one before being long and none of that was

1607
01:21:09,080 --> 01:21:11,240
Speaker 5: taken off, was coming out and I was putting it

1608
01:21:11,280 --> 01:21:14,280
Speaker 5: out myself, and I was like, I ain't got nobody

1609
01:21:14,360 --> 01:21:16,840
Speaker 5: to help me market this, to promote this.

1610
01:21:17,280 --> 01:21:18,360
Speaker 6: I'm gonna get the word out.

1611
01:21:18,439 --> 01:21:21,519
Speaker 5: So a week before I just started everybody in my

1612
01:21:21,640 --> 01:21:24,639
Speaker 5: block this man, crazy people that walked by my block.

1613
01:21:24,680 --> 01:21:27,680
Speaker 6: It's like the top of Cone wherever.

1614
01:21:27,479 --> 01:21:30,720
Speaker 5: You're going past my flock and Conye is one way in,

1615
01:21:30,800 --> 01:21:33,280
Speaker 5: one way out, so I believe it pass my block too.

1616
01:21:34,200 --> 01:21:37,479
Speaker 6: So I just started my phone and being like, YO,

1617
01:21:37,600 --> 01:21:38,040
Speaker 6: don't have a.

1618
01:21:38,080 --> 01:21:40,840
Speaker 5: Disrespect me, looking like the Mario Brothers. My album coming

1619
01:21:40,840 --> 01:21:43,960
Speaker 5: out with seven days, and then after it with six days,

1620
01:21:44,000 --> 01:21:46,599
Speaker 5: then I did it with five days, pray and two

1621
01:21:46,800 --> 01:21:48,800
Speaker 5: and then by the time it was time for my

1622
01:21:48,880 --> 01:21:49,840
Speaker 5: album to come out people.

1623
01:21:49,880 --> 01:21:51,599
Speaker 6: It was like, yo, we kind of don't want your

1624
01:21:51,600 --> 01:21:53,640
Speaker 6: album to come out, man, because you keep some of

1625
01:21:53,680 --> 01:21:54,280
Speaker 6: these videos.

1626
01:21:56,320 --> 01:21:56,479
Speaker 1: You know.

1627
01:21:56,600 --> 01:21:58,160
Speaker 6: It came out of necessity, you know what I'm saying.

1628
01:21:58,160 --> 01:21:58,960
Speaker 6: This came out of the hustle.

1629
01:21:59,040 --> 01:22:00,840
Speaker 1: No reactions. Anybody ever did that.

1630
01:22:01,120 --> 01:22:05,640
Speaker 6: Only one A little a little alternative, you know what

1631
01:22:05,680 --> 01:22:08,360
Speaker 6: I'm saying, A little alternative guy. And I ain't even

1632
01:22:08,400 --> 01:22:09,000
Speaker 6: go hard on them.

1633
01:22:09,320 --> 01:22:10,240
Speaker 1: No, don't disrespect me.

1634
01:22:10,320 --> 01:22:12,920
Speaker 6: Looking like a mini Mobs. He had his hand back.

1635
01:22:13,160 --> 01:22:14,880
Speaker 1: He came up to me with his hand on my phone.

1636
01:22:14,960 --> 01:22:17,080
Speaker 6: Yeah yeah, I was like, yo, ho, I snacked.

1637
01:22:16,760 --> 01:22:19,360
Speaker 5: The ship out what I'm saying that joking ship and

1638
01:22:19,520 --> 01:22:22,240
Speaker 5: real quick turn he did me like one of those

1639
01:22:22,600 --> 01:22:25,280
Speaker 5: living color like hated it, like one of those get

1640
01:22:25,320 --> 01:22:28,080
Speaker 5: out of here, and he just kept him moving. That

1641
01:22:28,160 --> 01:22:31,240
Speaker 5: was the only time ever ever somebody came out ship

1642
01:22:32,240 --> 01:22:33,680
Speaker 5: because most of the time I'm not doing it to

1643
01:22:33,760 --> 01:22:36,080
Speaker 5: be a dick. I'm laughing while I'm doing it. Look

1644
01:22:36,160 --> 01:22:39,120
Speaker 5: I'm six four three pounds, Like, if you really want to.

1645
01:22:39,120 --> 01:22:40,679
Speaker 6: Go that round, figure, go that round.

1646
01:22:40,720 --> 01:22:43,200
Speaker 1: But I love it what they catch it. They laugh

1647
01:22:43,280 --> 01:22:43,640
Speaker 1: at it too.

1648
01:22:43,920 --> 01:22:45,240
Speaker 6: Yeah, that's what everybody does.

1649
01:22:45,320 --> 01:22:48,800
Speaker 4: Like I love you saying my apartment for cutting off.

1650
01:22:48,840 --> 01:22:50,560
Speaker 4: But I love what you said earlier. You said that

1651
01:22:50,800 --> 01:22:52,479
Speaker 4: if I joke on you, it's kind of a sign

1652
01:22:52,560 --> 01:22:55,040
Speaker 4: of love. Fact, going to joke on a person that

1653
01:22:55,160 --> 01:22:56,920
Speaker 4: I don't know exactly, I'm gonna joke on the person

1654
01:22:56,960 --> 01:22:58,879
Speaker 4: where I think that it could go there exactly.

1655
01:22:59,600 --> 01:23:02,200
Speaker 1: So you ain't competing somebody you don't respect. I'm joke

1656
01:23:02,280 --> 01:23:02,479
Speaker 1: on you.

1657
01:23:02,840 --> 01:23:04,840
Speaker 5: If I don't like you, I'm gonna just leave you

1658
01:23:04,920 --> 01:23:10,160
Speaker 5: over there. Man, Like that ship is like a term

1659
01:23:10,400 --> 01:23:12,200
Speaker 5: just like fu your life. When I s thought it

1660
01:23:12,360 --> 01:23:14,360
Speaker 5: was like really like everybody's life, but.

1661
01:23:14,439 --> 01:23:19,200
Speaker 1: Now it's just like a your life. People laugh at

1662
01:23:19,240 --> 01:23:19,519
Speaker 1: the ship.

1663
01:23:19,680 --> 01:23:22,120
Speaker 6: I'm saying, it's just like, you know, you just changing

1664
01:23:22,280 --> 01:23:23,880
Speaker 6: the dynamics of it. You know what I'm saying.

1665
01:23:24,800 --> 01:23:25,479
Speaker 1: Absolutely, So.

1666
01:23:28,160 --> 01:23:29,120
Speaker 2: What what so?

1667
01:23:29,800 --> 01:23:37,080
Speaker 1: This is your first major label? Me?

1668
01:23:37,320 --> 01:23:39,679
Speaker 4: Me and this guy, we we battle all the time

1669
01:23:40,080 --> 01:23:44,639
Speaker 4: and we say major or independent. He's always independent, I'm

1670
01:23:44,680 --> 01:23:47,639
Speaker 4: always major. But then we all both have you both

1671
01:23:47,720 --> 01:23:54,440
Speaker 4: have a twist to it, which means I say independent

1672
01:23:54,720 --> 01:23:59,439
Speaker 4: with a major distribute ship and then he says pretty

1673
01:23:59,520 --> 01:23:59,960
Speaker 4: much the same.

1674
01:24:00,000 --> 01:24:00,720
Speaker 6: You know what I'm saying, If.

1675
01:24:00,680 --> 01:24:03,080
Speaker 1: You can function as an independent, you take advantage of.

1676
01:24:04,800 --> 01:24:05,479
Speaker 6: That's what I'm trying to do.

1677
01:24:05,840 --> 01:24:09,120
Speaker 5: So yeah, so yeah, So basically it's like this because

1678
01:24:09,120 --> 01:24:12,680
Speaker 5: now just I'm starting to see how the majors move independent.

1679
01:24:12,720 --> 01:24:13,880
Speaker 6: You can move how the fuck you want.

1680
01:24:13,920 --> 01:24:16,839
Speaker 5: If I want to put something out tomorrow, out tomorrow,

1681
01:24:18,320 --> 01:24:19,960
Speaker 5: the major labels, man, they hold.

1682
01:24:19,840 --> 01:24:21,360
Speaker 6: You up a little structure. You know what I'm saying.

1683
01:24:21,760 --> 01:24:23,280
Speaker 5: Now, with all the features on now, if y'all have

1684
01:24:23,400 --> 01:24:25,200
Speaker 5: them sign this, I'm like, yo, homie, I'm not even

1685
01:24:25,240 --> 01:24:26,160
Speaker 5: the coolest with these people.

1686
01:24:26,200 --> 01:24:27,200
Speaker 1: They out of love.

1687
01:24:27,479 --> 01:24:30,679
Speaker 6: I'm not going back to them this contract. But you yeah,

1688
01:24:30,880 --> 01:24:33,200
Speaker 6: you go do motherfucker give it to scam Let's scraam go.

1689
01:24:37,520 --> 01:24:40,759
Speaker 5: But yeah, you know it's it's just like I always

1690
01:24:40,760 --> 01:24:42,800
Speaker 5: sat from the beginning of my career. I'll sign a

1691
01:24:43,320 --> 01:24:45,639
Speaker 5: one album deal and get shirked because I know I'm

1692
01:24:45,640 --> 01:24:47,920
Speaker 5: gonna make that ship work a million times after that

1693
01:24:47,960 --> 01:24:48,559
Speaker 5: ship is over.

1694
01:24:48,960 --> 01:24:50,599
Speaker 6: You know what I'm saying, I'm gonna make my money.

1695
01:24:51,040 --> 01:24:52,920
Speaker 6: One thing about me, I'm gonna make.

1696
01:24:52,800 --> 01:24:53,600
Speaker 3: It no matter what.

1697
01:24:53,880 --> 01:24:55,640
Speaker 6: I know it in my heart of hearts, I know

1698
01:24:56,080 --> 01:24:58,679
Speaker 6: that no matter what I do, I believe I'm gonna

1699
01:24:58,680 --> 01:25:02,519
Speaker 6: be successful. Because that's yeah, I gotta do.

1700
01:25:02,720 --> 01:25:04,000
Speaker 1: Let me stop you right there, though.

1701
01:25:04,360 --> 01:25:06,000
Speaker 4: Let me tell you something because I'm part of that

1702
01:25:06,160 --> 01:25:09,960
Speaker 4: same generation of saying, yo, even I take that deal,

1703
01:25:10,760 --> 01:25:13,080
Speaker 4: even if you jerk me, and let me just tell

1704
01:25:13,120 --> 01:25:15,920
Speaker 4: you something. What it is is I just stopping in

1705
01:25:16,000 --> 01:25:18,320
Speaker 4: my generation, so it's trickling down to your generation, is

1706
01:25:18,320 --> 01:25:20,559
Speaker 4: triggering down to the next generation, tricking down the next generation.

1707
01:25:20,920 --> 01:25:21,960
Speaker 1: We gotta stop saying that.

1708
01:25:22,560 --> 01:25:24,280
Speaker 6: No I said it, get a decent one.

1709
01:25:25,240 --> 01:25:26,200
Speaker 1: Yah. I didn't get joke.

1710
01:25:28,080 --> 01:25:31,240
Speaker 5: I didn't, But I'm just saying that I'm gonna make

1711
01:25:31,280 --> 01:25:33,000
Speaker 5: it work because I know myself.

1712
01:25:33,280 --> 01:25:34,360
Speaker 6: But I did not get RK.

1713
01:25:34,640 --> 01:25:37,040
Speaker 5: You know, Rosenberg came to me and I already had

1714
01:25:37,120 --> 01:25:41,880
Speaker 5: traction well like already before any of this, before any music.

1715
01:25:42,160 --> 01:25:43,800
Speaker 6: I still ain't get no music money yet. The check

1716
01:25:43,840 --> 01:25:45,960
Speaker 6: still ain't coming well because you.

1717
01:25:45,960 --> 01:25:46,720
Speaker 1: Know, we just kind of.

1718
01:25:49,040 --> 01:25:50,519
Speaker 6: About money.

1719
01:25:50,600 --> 01:25:51,640
Speaker 1: All of that comes well.

1720
01:25:51,640 --> 01:25:54,680
Speaker 6: I'm saying, the actual label money hasn't come in. I

1721
01:25:54,720 --> 01:25:57,960
Speaker 6: already bought my mother house already six change, I read,

1722
01:25:58,040 --> 01:26:03,000
Speaker 6: got three rolls already whatever, But was like, sonna make

1723
01:26:03,040 --> 01:26:04,560
Speaker 6: some to me. It's like you gotta do it on

1724
01:26:04,640 --> 01:26:05,360
Speaker 6: my terms.

1725
01:26:05,560 --> 01:26:07,120
Speaker 1: Or funk your life.

1726
01:26:09,760 --> 01:26:09,960
Speaker 3: Like that?

1727
01:26:10,640 --> 01:26:12,760
Speaker 1: Why would you save your life? And here's different than

1728
01:26:12,760 --> 01:26:26,200
Speaker 1: everybody saying your life because I mean it, mother stomach again. Yeah, okay,

1729
01:26:27,080 --> 01:26:29,320
Speaker 1: you're not drinking. I just I do.

1730
01:26:29,800 --> 01:26:32,080
Speaker 6: I haven't drink thirteen years. If I if I don't

1731
01:26:32,160 --> 01:26:34,759
Speaker 6: choose love drinking, that's how I know I'm not gonna choose.

1732
01:26:38,840 --> 01:26:41,800
Speaker 1: Away. Yeah. We're gonna get some douce safe for this.

1733
01:26:42,800 --> 01:26:43,639
Speaker 1: Oh wow, you guys.

1734
01:26:44,479 --> 01:26:47,760
Speaker 6: I'm new with a new one big artist, so I'm

1735
01:26:47,800 --> 01:26:49,040
Speaker 6: not on that political.

1736
01:26:50,000 --> 01:26:56,200
Speaker 4: Okay, okay, Elliott, We're gonna start with you. Yeah, poems do.

1737
01:26:56,600 --> 01:26:57,600
Speaker 4: We're gonna open up us.

1738
01:26:57,960 --> 01:27:00,880
Speaker 1: Get don't get. But this is a shot that is

1739
01:27:01,960 --> 01:27:05,960
Speaker 1: play bro. You're going in. You know what this chance? Before?

1740
01:27:05,960 --> 01:27:08,840
Speaker 1: I was like, yo, you had me so turned up.

1741
01:27:08,840 --> 01:27:11,320
Speaker 2: I was like yo, snicker Nord didn't take a piece

1742
01:27:11,360 --> 01:27:12,840
Speaker 2: of me at the end, like funk this nigga he

1743
01:27:12,920 --> 01:27:14,200
Speaker 2: is sitting with But he did.

1744
01:27:14,400 --> 01:27:17,200
Speaker 1: I didn't even realize that's how that's how fried. I

1745
01:27:17,360 --> 01:27:19,799
Speaker 1: was so all right. So let me ask you, Elliott,

1746
01:27:23,240 --> 01:27:29,080
Speaker 1: the Sauce magazine or XXL the Sauce what the source

1747
01:27:29,240 --> 01:27:35,320
Speaker 1: or x Excel excel they know already know all the

1748
01:27:35,400 --> 01:27:43,040
Speaker 1: rules is all that was doesn't know if you picked both,

1749
01:27:43,200 --> 01:27:45,720
Speaker 1: you took a shot Okay, you asked me if my

1750
01:27:45,800 --> 01:27:48,599
Speaker 1: ship is not better than them niggas, like you asked

1751
01:27:48,640 --> 01:27:51,360
Speaker 1: me that that was a crazy question.

1752
01:27:51,479 --> 01:27:54,920
Speaker 2: That was that was easy easy, I'm saying, Okay, I'm

1753
01:27:54,920 --> 01:27:58,000
Speaker 2: always by all right XXL the source.

1754
01:27:58,120 --> 01:28:00,960
Speaker 1: Yeah, excel nigga talk to me.

1755
01:28:02,120 --> 01:28:06,080
Speaker 5: But you ever just respect me with these Alchemists A Scram,

1756
01:28:06,760 --> 01:28:09,400
Speaker 5: well Scream, I'm doing the album with him.

1757
01:28:09,960 --> 01:28:10,639
Speaker 6: You know what I'm saying.

1758
01:28:10,800 --> 01:28:14,400
Speaker 5: I go al cll Okay, you're going by the catalog

1759
01:28:14,520 --> 01:28:17,880
Speaker 5: ALC in my book, but Scram because that's my both

1760
01:28:17,920 --> 01:28:18,360
Speaker 5: great people.

1761
01:28:18,439 --> 01:28:22,680
Speaker 1: Yeah, way, I love Scram and I love Alchemists too.

1762
01:28:23,200 --> 01:28:24,040
Speaker 1: I got one for him.

1763
01:28:25,000 --> 01:28:27,320
Speaker 6: Got We'll go ahead, BRONI with a game with Joe

1764
01:28:27,400 --> 01:28:28,040
Speaker 6: Budd but.

1765
01:28:30,000 --> 01:28:35,479
Speaker 1: Joe button Mouse Okay, okay, I got good shot. Give

1766
01:28:35,560 --> 01:28:41,080
Speaker 1: me wild though, but no disrespect. But reports which one way?

1767
01:28:41,560 --> 01:28:47,960
Speaker 1: Or report inflight and wall.

1768
01:28:47,840 --> 01:28:48,719
Speaker 6: Reports my ship.

1769
01:28:53,160 --> 01:28:58,080
Speaker 2: Yeah yeah, I'm infamous, but war reports to classes.

1770
01:28:58,280 --> 01:29:01,639
Speaker 4: Hell no, no, I ain't gonna lie without the infamous,

1771
01:29:01,640 --> 01:29:03,760
Speaker 4: there would be no worri report for y'all made the

1772
01:29:03,840 --> 01:29:04,360
Speaker 4: right decision?

1773
01:29:04,479 --> 01:29:06,360
Speaker 1: Would that be the right ding? Like play that ship

1774
01:29:06,560 --> 01:29:06,760
Speaker 1: like that?

1775
01:29:07,240 --> 01:29:10,479
Speaker 4: I said this, I don't know if you don't understand

1776
01:29:10,560 --> 01:29:12,920
Speaker 4: like Alchemists did five beats on the War Report, he

1777
01:29:13,000 --> 01:29:13,880
Speaker 4: did my favorite beat.

1778
01:29:16,479 --> 01:29:41,120
Speaker 1: Yeah, yeah, Alchemists happened. I told y'all going on because

1779
01:29:41,120 --> 01:29:46,519
Speaker 1: this reason why. So we know, like the whole scene

1780
01:29:46,600 --> 01:29:50,960
Speaker 1: in my era, like ceing that my comparisons. Yeah, with

1781
01:29:51,160 --> 01:29:53,640
Speaker 1: all that going on. So having just showed a lot

1782
01:29:53,680 --> 01:29:55,640
Speaker 1: of love to support you all with the beats.

1783
01:29:55,439 --> 01:30:00,759
Speaker 4: Like all tragedy, all tragedy. God blessed me with tragedy,

1784
01:30:01,240 --> 01:30:05,200
Speaker 4: you know, help help have it going or whatever.

1785
01:30:05,439 --> 01:30:08,040
Speaker 2: And but think about that, like you're competing with like

1786
01:30:08,200 --> 01:30:11,960
Speaker 2: the Queen's Niggas. That's a group in real time with

1787
01:30:12,240 --> 01:30:14,799
Speaker 2: havoc when of the Ill Niggas shook ones.

1788
01:30:16,080 --> 01:30:16,519
Speaker 1: Breastless.

1789
01:30:17,720 --> 01:30:20,880
Speaker 5: In my opinion, there's no three albums in a row

1790
01:30:21,080 --> 01:30:24,880
Speaker 5: from Tony. Artists can touch infamous hell on Nerve and

1791
01:30:24,960 --> 01:30:25,559
Speaker 5: murder music.

1792
01:30:25,920 --> 01:30:33,000
Speaker 12: They you can't the three in a row. You surprised

1793
01:30:33,080 --> 01:30:36,439
Speaker 12: didn't have to only when that comes to this is illmatic.

1794
01:30:36,560 --> 01:30:37,559
Speaker 1: It was raining and I am.

1795
01:30:37,760 --> 01:30:40,479
Speaker 6: But to me, that's still not working with them and

1796
01:30:40,880 --> 01:30:41,400
Speaker 6: and that's.

1797
01:30:41,200 --> 01:30:46,800
Speaker 5: Still Queen's Bridge, the best of my generation. Nobody touching

1798
01:30:46,840 --> 01:30:49,200
Speaker 5: those three. Nobody else got three albums in the road.

1799
01:30:49,240 --> 01:30:50,640
Speaker 5: That's touching those three. You know what you're trying to

1800
01:30:50,680 --> 01:30:51,639
Speaker 5: think because you can't come.

1801
01:30:51,520 --> 01:31:02,760
Speaker 1: Up showing me. I do say, yeah, come on, come on,

1802
01:31:03,479 --> 01:31:05,040
Speaker 1: you know what are you talking about? Nigga? Come on,

1803
01:31:05,160 --> 01:31:08,000
Speaker 1: come on, come on. So things make me questioning me?

1804
01:31:08,040 --> 01:31:08,280
Speaker 3: All right?

1805
01:31:08,320 --> 01:31:09,840
Speaker 1: My bad, I'm bad. I'm bad. Hold on, hold on,

1806
01:31:10,760 --> 01:31:11,360
Speaker 1: he drinks some more.

1807
01:31:11,400 --> 01:31:11,760
Speaker 2: He might.

1808
01:31:13,920 --> 01:31:17,479
Speaker 6: Never disrespect me. Looking like flame is by Son.

1809
01:31:17,560 --> 01:31:17,760
Speaker 3: You know.

1810
01:31:22,439 --> 01:31:26,720
Speaker 1: I'll stay home, right, I'll stay on everything. I'm I mean,

1811
01:31:29,560 --> 01:31:33,840
Speaker 1: I love it. Take a shout of a shot, shout.

1812
01:31:34,560 --> 01:31:39,040
Speaker 1: I know what I'm drinking. He shout drinking. Yeah, I'm drink.

1813
01:31:39,080 --> 01:31:44,000
Speaker 1: I've been drinking, been drinking this whole time. I'm a

1814
01:31:44,080 --> 01:31:44,920
Speaker 1: sot ber alcoholic.

1815
01:31:46,120 --> 01:31:54,680
Speaker 13: I gotta go to work any damncause I love it

1816
01:31:55,840 --> 01:31:58,559
Speaker 13: all right, So let me just about this story over.

1817
01:32:00,640 --> 01:32:05,120
Speaker 13: Let's walkout l A l a chance.

1818
01:32:06,800 --> 01:32:07,280
Speaker 6: School out.

1819
01:32:07,360 --> 01:32:09,920
Speaker 1: He's freshest dude if he plays me New York now yo,

1820
01:32:10,320 --> 01:32:14,640
Speaker 1: right dog pound boom? I mean from I'm like, He's like, yo,

1821
01:32:14,680 --> 01:32:15,760
Speaker 1: you think they this in US?

1822
01:32:16,080 --> 01:32:18,160
Speaker 6: And I'm like that was the days when they didn't

1823
01:32:18,240 --> 01:32:20,479
Speaker 6: come direct. They said some slick ship on the side,

1824
01:32:20,800 --> 01:32:22,080
Speaker 6: but that one was New York.

1825
01:32:29,439 --> 01:32:32,960
Speaker 1: Bill be So the video that was stupid and the

1826
01:32:33,080 --> 01:32:46,479
Speaker 1: thing that's when the intro, Yes, just what else? We

1827
01:32:46,560 --> 01:32:49,680
Speaker 1: just walked the only question you asked me. Who's next?

1828
01:32:50,000 --> 01:32:50,920
Speaker 6: Hammer walks in the room?

1829
01:32:51,280 --> 01:32:53,360
Speaker 1: No, so good one.

1830
01:32:53,880 --> 01:32:56,679
Speaker 6: So anyway, we go to queens Bridge.

1831
01:32:57,479 --> 01:33:00,439
Speaker 4: We go to queens Bridge, they pick us up whoever

1832
01:33:00,520 --> 01:33:02,759
Speaker 4: it was, and then we go to stretched Armstrong house

1833
01:33:03,720 --> 01:33:06,600
Speaker 4: see and habit by the way, they on fire. I

1834
01:33:06,640 --> 01:33:09,040
Speaker 4: don't think they like when we go to Queensbridg's, they

1835
01:33:09,040 --> 01:33:12,400
Speaker 4: got like five hundred people around. I'm like, these niggas

1836
01:33:12,439 --> 01:33:14,519
Speaker 4: is never gonna come. They're never gonna go to the studio.

1837
01:33:14,840 --> 01:33:16,679
Speaker 4: And it's E and J that's popping at the time.

1838
01:33:17,280 --> 01:33:18,320
Speaker 4: I don't know if you remember that.

1839
01:33:19,080 --> 01:33:26,800
Speaker 6: Yes, the end of my alcoholic career, he said every time.

1840
01:33:26,960 --> 01:33:29,960
Speaker 1: So yeah, and they're like, let's go to the studios.

1841
01:33:30,000 --> 01:33:32,679
Speaker 1: We go to the studio. No, one can't think of nothing.

1842
01:33:33,760 --> 01:33:35,400
Speaker 4: I don't want to say like I was a genius

1843
01:33:35,479 --> 01:33:40,000
Speaker 4: behind it, but you will, Okay, maybe when I said

1844
01:33:40,040 --> 01:33:40,880
Speaker 4: I just suggested it.

1845
01:33:40,920 --> 01:33:43,040
Speaker 1: I said, yo, listen, can you pull up the dog

1846
01:33:43,160 --> 01:33:45,599
Speaker 1: Pound new album? Because of your BOYE. So shout out

1847
01:33:45,600 --> 01:33:47,840
Speaker 1: to your boy Cha. I always say this and say this.

1848
01:33:48,160 --> 01:33:51,519
Speaker 1: He's still smoking dust chat kicked all that's good. You

1849
01:33:51,640 --> 01:33:54,880
Speaker 1: gonna actually Brooklyn. This was crazy. He's from Brooklyn that

1850
01:33:55,000 --> 01:33:55,400
Speaker 1: lived in my.

1851
01:33:58,760 --> 01:34:03,640
Speaker 4: And when we played it, everybody was like, yo, we

1852
01:34:03,760 --> 01:34:06,439
Speaker 4: can't tell them they this in us. So they said,

1853
01:34:06,479 --> 01:34:08,320
Speaker 4: why don't we just respond.

1854
01:34:08,160 --> 01:34:09,160
Speaker 6: And not this thing?

1855
01:34:10,479 --> 01:34:13,800
Speaker 1: So I don't know if anybody's you know, because is

1856
01:34:13,880 --> 01:34:14,680
Speaker 1: not like them.

1857
01:34:14,720 --> 01:34:17,920
Speaker 4: So if you understand, the only bars that was kind

1858
01:34:17,960 --> 01:34:22,120
Speaker 4: of dissing was prodigies bars. They said, JFK on our

1859
01:34:22,160 --> 01:34:25,720
Speaker 4: way to lay So when the record.

1860
01:34:25,560 --> 01:34:28,320
Speaker 1: Actually I want to pause you for a second for

1861
01:34:28,479 --> 01:34:33,280
Speaker 1: on purpose please. You said at one point that you

1862
01:34:33,439 --> 01:34:36,920
Speaker 1: spoke too big, right, yeah, I'm getting to that. So

1863
01:34:37,080 --> 01:34:40,600
Speaker 1: this is this doesn't happen yet. No, this hasn't happened. Yeah, okay, so.

1864
01:34:43,479 --> 01:34:45,960
Speaker 4: I remember it was like NYC, you are not very

1865
01:34:46,080 --> 01:34:48,800
Speaker 4: supremacy havoc in pete queens niggas. So it seemed to

1866
01:34:48,840 --> 01:34:51,559
Speaker 4: be we got worked back from no Riega and then

1867
01:34:51,600 --> 01:34:54,920
Speaker 4: he was like, he was like, uh, JFK on our

1868
01:34:54,960 --> 01:34:58,280
Speaker 4: way to l A And he actually used that same verson.

1869
01:34:58,560 --> 01:35:00,240
Speaker 1: He actually used that same verse on.

1870
01:35:01,479 --> 01:35:03,880
Speaker 6: Some ship not a way to send the ball break.

1871
01:35:04,520 --> 01:35:08,120
Speaker 1: But but if that original verses on l A l A, Yeah,

1872
01:35:08,920 --> 01:35:09,320
Speaker 1: and if you.

1873
01:35:09,479 --> 01:35:11,720
Speaker 4: Think about it, it did sound like he was going

1874
01:35:11,800 --> 01:35:13,559
Speaker 4: at l A and everyone else.

1875
01:35:14,720 --> 01:35:18,160
Speaker 1: So it dropped. And when it dropped, no no, no, no, no, no,

1876
01:35:18,400 --> 01:35:20,120
Speaker 1: hit him up. Ain't dropped yet. And it's for the

1877
01:35:20,200 --> 01:35:21,599
Speaker 1: mixtape that Chill.

1878
01:35:21,760 --> 01:35:24,559
Speaker 4: Yeah, yeah please, it's my first time. I'm gonna say,

1879
01:35:24,640 --> 01:35:30,840
Speaker 4: let me, let me go, let me go. We laid

1880
01:35:30,960 --> 01:35:33,000
Speaker 4: all five verses because remember it's.

1881
01:35:35,680 --> 01:35:39,719
Speaker 1: Maths, a long long and trash.

1882
01:35:41,160 --> 01:35:45,560
Speaker 4: Yeah, Percy, we we put it on the on the mixtape.

1883
01:35:45,760 --> 01:35:52,400
Speaker 4: I see Big at the Tunnel. I didn't know Big

1884
01:35:52,560 --> 01:35:53,240
Speaker 4: New I was.

1885
01:35:54,240 --> 01:35:58,920
Speaker 2: Whatever Big was this first time right after this or

1886
01:35:59,040 --> 01:36:02,639
Speaker 2: why but right nine seven not seven right after?

1887
01:36:03,320 --> 01:36:03,519
Speaker 1: Yeah?

1888
01:36:03,640 --> 01:36:07,720
Speaker 4: Yeah, So for some reason Big New no Big was

1889
01:36:07,840 --> 01:36:10,400
Speaker 4: because remember I said this on Drinks Champson as well,

1890
01:36:10,640 --> 01:36:14,960
Speaker 4: Kapone rhyme for Big and Big Ones decided, yeah, he

1891
01:36:15,400 --> 01:36:16,120
Speaker 4: tied me because.

1892
01:36:15,960 --> 01:36:22,040
Speaker 1: I didn't rhun. I was too nervous. I don't like,

1893
01:36:22,120 --> 01:36:27,680
Speaker 1: oh shit is over me, just going to Brooklyn's over over.

1894
01:36:28,280 --> 01:36:31,080
Speaker 4: But anyway, mixing me in the Tunnel and it's like, yo,

1895
01:36:31,720 --> 01:36:34,000
Speaker 4: I just want you to know I'm not using that

1896
01:36:34,120 --> 01:36:36,599
Speaker 4: record on a bad Boy mixtape.

1897
01:36:37,040 --> 01:36:39,920
Speaker 1: So the time I'm eighteen nineteen, maybe twenty years old.

1898
01:36:39,960 --> 01:36:43,480
Speaker 1: I'm looking like, Wow, these niggas.

1899
01:36:43,240 --> 01:36:47,479
Speaker 4: Just disrespected you, like and I was like, I feel

1900
01:36:47,520 --> 01:36:51,200
Speaker 4: like we was representing for you. He was like he

1901
01:36:51,320 --> 01:36:53,840
Speaker 4: said something that I didn't realize till I was forty

1902
01:36:54,040 --> 01:36:57,280
Speaker 4: or maybe what I was. He was like, sometimes when

1903
01:36:57,320 --> 01:36:59,360
Speaker 4: you don't do something to someone, you don't have to

1904
01:36:59,439 --> 01:37:01,240
Speaker 4: respond to them to a lie.

1905
01:37:02,120 --> 01:37:05,000
Speaker 1: And now I've realized that, But back then, I was like, Yo,

1906
01:37:05,080 --> 01:37:05,840
Speaker 1: we're from New York.

1907
01:37:05,880 --> 01:37:07,080
Speaker 6: We can't just let this happen.

1908
01:37:08,040 --> 01:37:13,479
Speaker 1: So Stretch called us and was like, yo, Daddy. All

1909
01:37:13,560 --> 01:37:17,600
Speaker 1: of them told us you can't use this. They're not

1910
01:37:17,680 --> 01:37:19,120
Speaker 1: going to use it. They're not going to use it.

1911
01:37:19,280 --> 01:37:20,320
Speaker 1: So what do y'all want to do?

1912
01:37:22,200 --> 01:37:25,280
Speaker 4: And I can't say it was me. I can say

1913
01:37:25,280 --> 01:37:27,080
Speaker 4: I had a part of this, and I was like,

1914
01:37:27,160 --> 01:37:32,040
Speaker 4: I think we should still drop it and trash I

1915
01:37:32,120 --> 01:37:33,960
Speaker 4: said it. But but but by the way, let me

1916
01:37:34,000 --> 01:37:36,920
Speaker 4: give tragic props. I mean, not erased him out of history.

1917
01:37:37,280 --> 01:37:41,439
Speaker 1: I mean, let me make sure he's stamped in history history.

1918
01:37:41,680 --> 01:37:43,000
Speaker 1: He was like, I got this.

1919
01:37:43,520 --> 01:37:46,200
Speaker 4: So he was like, yo, Stretch, would you put up some?

1920
01:37:46,720 --> 01:37:49,760
Speaker 4: Stretch put up some and we white labeled it. So

1921
01:37:49,880 --> 01:37:53,920
Speaker 4: the reason why was once it took off. We couldn't

1922
01:37:53,960 --> 01:37:56,200
Speaker 4: clear the sample. So that's the reason why.

1923
01:37:59,439 --> 01:37:59,880
Speaker 1: That's the reason.

1924
01:38:00,720 --> 01:38:04,599
Speaker 4: No, no, no, you're rushing it, Okay, I mean e mentionally,

1925
01:38:04,960 --> 01:38:07,519
Speaker 4: So the reason why it took off and we won

1926
01:38:07,640 --> 01:38:08,720
Speaker 4: Battle of the Beats.

1927
01:38:10,080 --> 01:38:13,200
Speaker 1: In case people was the biggest ship in the day.

1928
01:38:13,920 --> 01:38:17,000
Speaker 1: If you win Battle on the Beats, you're on your way.

1929
01:38:18,040 --> 01:38:21,679
Speaker 1: It's like being So we won Battle on the Beats?

1930
01:38:21,800 --> 01:38:23,680
Speaker 1: How many nights every night?

1931
01:38:23,960 --> 01:38:26,320
Speaker 6: Five five nights every day?

1932
01:38:26,560 --> 01:38:28,840
Speaker 1: New York wanted us to represent New York wanted the

1933
01:38:28,920 --> 01:38:29,639
Speaker 1: record to represent.

1934
01:38:29,760 --> 01:38:32,400
Speaker 4: It was against hit him up. And by the way,

1935
01:38:33,520 --> 01:38:38,680
Speaker 4: I mean, I'm just saying this was it wasn't get

1936
01:38:38,800 --> 01:38:40,599
Speaker 4: hit him up, hit him it was crazy.

1937
01:38:41,360 --> 01:38:49,640
Speaker 1: This is a response. So what happens is this is

1938
01:38:49,680 --> 01:38:51,400
Speaker 1: a real story. I was totally before them.

1939
01:38:51,560 --> 01:38:54,840
Speaker 4: I'm gonna say it here, right is he acces for

1940
01:38:54,920 --> 01:38:59,280
Speaker 4: his verse to be taken off, says yo after Battle

1941
01:38:59,280 --> 01:39:02,000
Speaker 4: of the Beats. No, just before a battle. Okay, So

1942
01:39:02,120 --> 01:39:05,479
Speaker 4: he says, Yo, you know, I feel like I was

1943
01:39:05,479 --> 01:39:07,160
Speaker 4: the only one that kind of went too hard.

1944
01:39:08,360 --> 01:39:12,240
Speaker 1: Okay, that's not that's not nah. No. At the time,

1945
01:39:12,439 --> 01:39:14,519
Speaker 1: I'm be honest, you're talking to twenty one year old

1946
01:39:14,640 --> 01:39:17,599
Speaker 1: twenty four year old people. Yeah, we all was about

1947
01:39:17,640 --> 01:39:19,320
Speaker 1: it and they're about to go to the mattresses.

1948
01:39:19,360 --> 01:39:20,280
Speaker 6: And he don't want to all.

1949
01:39:20,520 --> 01:39:25,639
Speaker 1: His life like that. So I was I was read

1950
01:39:25,720 --> 01:39:28,760
Speaker 1: than your hat. I was reading and I was like,

1951
01:39:28,880 --> 01:39:29,519
Speaker 1: all right, cool.

1952
01:39:29,640 --> 01:39:33,160
Speaker 4: So then we chilled. So then it comes down to

1953
01:39:33,240 --> 01:39:35,519
Speaker 4: do the video. This is why Havoc has to be praised.

1954
01:39:36,200 --> 01:39:37,559
Speaker 4: Havoc still came to the video.

1955
01:39:38,000 --> 01:39:40,639
Speaker 1: Wow. But guess what happened the night before that video.

1956
01:39:42,200 --> 01:39:44,160
Speaker 6: I hit him Wow.

1957
01:39:46,000 --> 01:39:49,960
Speaker 4: He wanted to be a part of that. Yeah, reiterated

1958
01:39:50,000 --> 01:39:54,160
Speaker 4: this set. I'm coming to that video because he wasn't

1959
01:39:54,160 --> 01:39:57,040
Speaker 4: suposed to go to the video. And remember he wrote it,

1960
01:39:57,040 --> 01:40:00,120
Speaker 4: that's the first time you see the mac TINJ. You

1961
01:40:00,200 --> 01:40:04,439
Speaker 4: want to couldn't shange because because that was the first time,

1962
01:40:04,560 --> 01:40:07,280
Speaker 4: like you saw, yeah, you know what I mean, And

1963
01:40:08,479 --> 01:40:11,559
Speaker 4: he had stayed with that verse. I mean, I loved,

1964
01:40:11,840 --> 01:40:16,000
Speaker 4: I want. I will always honor his memory. But that

1965
01:40:16,280 --> 01:40:21,080
Speaker 4: moment was like a staggerant in our in our whole

1966
01:40:21,120 --> 01:40:25,240
Speaker 4: ship because it's sent a sense of separation.

1967
01:40:26,400 --> 01:40:29,639
Speaker 1: And I understood. I wish we had the internet back

1968
01:40:29,720 --> 01:40:32,240
Speaker 1: then because we were to understood that Park didn't give

1969
01:40:32,240 --> 01:40:34,880
Speaker 1: a fuck. So then when it hit him up came out.

1970
01:40:36,160 --> 01:40:38,040
Speaker 4: He was like, that's the reason why because Park got

1971
01:40:38,040 --> 01:40:40,599
Speaker 4: the version with when we stood out and I said, mark.

1972
01:40:40,479 --> 01:40:52,559
Speaker 1: By, I know that's the way the record though. That's

1973
01:40:52,560 --> 01:40:55,360
Speaker 1: what I was trying to say. We couldn't clear it.

1974
01:40:55,560 --> 01:40:58,240
Speaker 1: I couldn't clear it. So when we couldn't clear it tragedy.

1975
01:40:58,479 --> 01:41:00,320
Speaker 1: In my opinion, I think this was him said.

1976
01:41:00,160 --> 01:41:01,000
Speaker 6: He'll put that on all.

1977
01:41:03,560 --> 01:41:06,479
Speaker 1: King actually co signed this, Steve because the record was

1978
01:41:06,600 --> 01:41:07,400
Speaker 1: blowing up so much.

1979
01:41:08,439 --> 01:41:10,000
Speaker 6: Take it said.

1980
01:41:11,320 --> 01:41:12,559
Speaker 1: It's still like this to this day.

1981
01:41:12,680 --> 01:41:17,320
Speaker 4: So so so I say that to say that was

1982
01:41:17,360 --> 01:41:20,160
Speaker 4: a great time in hip hop. It was a great

1983
01:41:20,680 --> 01:41:22,800
Speaker 4: proud to be from New York. Yes, I ain't gonna

1984
01:41:22,800 --> 01:41:23,120
Speaker 4: lie to you.

1985
01:41:23,439 --> 01:41:28,920
Speaker 1: It wasn't nobody hold y'all. And and that was had

1986
01:41:28,920 --> 01:41:31,920
Speaker 1: a response record to he didn't. He did this in

1987
01:41:32,000 --> 01:41:34,679
Speaker 1: Big too, though, Oh I didn't. I forgot that. Yeah

1988
01:41:35,400 --> 01:41:39,280
Speaker 1: world His record called world wide, Yeah you.

1989
01:41:39,360 --> 01:41:47,920
Speaker 6: Sa worldwide in the beginning of the world Wide. It

1990
01:41:47,960 --> 01:41:48,479
Speaker 6: seems like he.

1991
01:41:48,520 --> 01:41:53,880
Speaker 1: Told the big trigger snap when he was damn, I

1992
01:41:53,960 --> 01:41:58,920
Speaker 1: forgot that. I sing with that is another one that yeah,

1993
01:41:58,920 --> 01:42:00,960
Speaker 1: that's what he's on to.

1994
01:42:04,040 --> 01:42:04,080
Speaker 3: Know.

1995
01:42:04,840 --> 01:42:13,840
Speaker 1: What a shame, but easy people man, it's hard. I

1996
01:42:13,920 --> 01:42:16,000
Speaker 1: did a video for that too. Yeah, I know. I

1997
01:42:16,120 --> 01:42:21,200
Speaker 1: was not both him down. Yeah, but I love it.

1998
01:42:21,240 --> 01:42:26,400
Speaker 1: It's Cuban connections. Yeah, I said whatever. I'll take anything

1999
01:42:26,479 --> 01:42:29,800
Speaker 1: Cuban right now, by the way, you know, or his

2000
01:42:29,840 --> 01:42:33,439
Speaker 1: Cuban I know, yeah, he is Cuban. Yeah, I don't

2001
01:42:33,439 --> 01:42:34,439
Speaker 1: know if it's half a whole.

2002
01:42:34,840 --> 01:42:37,479
Speaker 5: But you gotta watch motherfuckers like that or THEO because

2003
01:42:37,479 --> 01:42:39,760
Speaker 5: you're going to the store, you're talking about them.

2004
01:42:40,040 --> 01:42:42,920
Speaker 6: They know everything. My man is Panamania. But look straight

2005
01:42:43,000 --> 01:42:50,760
Speaker 6: black to the Wow, you gotta right back to the Spanish. Oh, y'all,

2006
01:42:50,840 --> 01:42:51,639
Speaker 6: niggas got caught.

2007
01:42:53,439 --> 01:42:55,960
Speaker 1: But guys, let me see is this that thank you

2008
01:42:56,240 --> 01:43:04,040
Speaker 1: for coming? Say? Artist louds rolling loud? Did you guys

2009
01:43:04,120 --> 01:43:06,120
Speaker 1: catch the show? I'm about to go. I gotta do

2010
01:43:06,240 --> 01:43:07,719
Speaker 1: some Okay, what the heck?

2011
01:43:10,040 --> 01:43:10,519
Speaker 6: Disuspect?

2012
01:43:10,640 --> 01:43:14,280
Speaker 1: What this fast? College? Hey, but we gotta tell them both, y'all.

2013
01:43:14,320 --> 01:43:15,040
Speaker 1: We need y'all.

2014
01:43:17,000 --> 01:43:19,160
Speaker 6: Privilege just to be in your company.

2015
01:43:20,840 --> 01:43:25,960
Speaker 1: Man now, y'all, Yeah, Elliott.

2016
01:43:25,720 --> 01:43:28,679
Speaker 4: Once again, we're gonna say. We're gonna started with saying,

2017
01:43:30,160 --> 01:43:33,040
Speaker 4: but let me just we're gonna start listen.

2018
01:43:33,360 --> 01:43:36,560
Speaker 1: Yeah, he loves what he's holding his leg hold on.

2019
01:43:37,880 --> 01:43:41,240
Speaker 4: Yeah, listen, we're gonna started by saying years ago and

2020
01:43:41,320 --> 01:43:47,080
Speaker 4: guess what, by boss Golly, we're gonna get it by saying,

2021
01:43:47,160 --> 01:43:49,800
Speaker 4: you the go. That's and all of us in journalism.

2022
01:43:50,000 --> 01:43:51,479
Speaker 4: I feel like you don't have to compete with us.

2023
01:43:51,800 --> 01:43:55,400
Speaker 1: We're not journalism. Bro Jordan, Michael.

2024
01:43:55,200 --> 01:43:57,640
Speaker 4: Jordan doesn't want to play born with Howld Minor, and

2025
01:43:57,720 --> 01:44:04,200
Speaker 4: he just he also doesn't want to play boy with

2026
01:44:04,320 --> 01:44:07,120
Speaker 4: Lebron or Kobe neither. He just understands who he is.

2027
01:44:07,200 --> 01:44:09,080
Speaker 4: And we hopefully did you understand that you the go.

2028
01:44:09,240 --> 01:44:10,920
Speaker 4: You don't have to compete with none of us. You

2029
01:44:10,960 --> 01:44:13,120
Speaker 4: don't have to like God, bless that Rob Moss is

2030
01:44:13,120 --> 01:44:13,360
Speaker 4: one of.

2031
01:44:13,400 --> 01:44:38,720
Speaker 1: My closest legends. Nobody so to go talk, but yes, Yo,

2032
01:44:39,560 --> 01:44:47,120
Speaker 1: shout up. You got to relax, mister, Okay, right right now,

2033
01:44:47,240 --> 01:44:49,559
Speaker 1: bro the door and start talking.

2034
01:44:54,200 --> 01:44:57,280
Speaker 3: Drink Champs is a Drink Champs ll C production in

2035
01:44:57,400 --> 01:45:02,280
Speaker 3: association with Interval Presents hosts and executive producers n O.

2036
01:45:02,479 --> 01:45:07,000
Speaker 3: R E and dj e FN from Interval Presents executive

2037
01:45:07,040 --> 01:45:09,640
Speaker 3: producers Alan Coy and Jake Kleinberg.

2038
01:45:10,320 --> 01:45:11,519
Speaker 1: Listen to Drink Champs.

2039
01:45:11,320 --> 01:45:15,599
Speaker 3: On Apple Podcast, Amazon Music, Spotify, or wherever you get

2040
01:45:15,640 --> 01:45:19,280
Speaker 3: your podcasts. Thanks for joining us for another episode of

2041
01:45:19,360 --> 01:45:22,360
Speaker 3: Drink Champs, hosted by Yours Truly, dj e FN and

2042
01:45:22,560 --> 01:45:24,640
Speaker 3: n O r E. Please make sure to follow us

2043
01:45:24,680 --> 01:45:27,240
Speaker 3: on all our socials That's at drink Champs across all

2044
01:45:27,320 --> 01:45:31,920
Speaker 3: platforms at the Real Noriagon, ig at noriag on Twitter,

2045
01:45:32,360 --> 01:45:35,720
Speaker 3: mine is at Who's Crazy on ig at dj e

2046
01:45:35,920 --> 01:45:38,280
Speaker 3: f N on Twitter, and most importantly, stay up to

2047
01:45:38,320 --> 01:45:41,639
Speaker 3: date with the latest releases, news and merch by going

2048
01:45:41,680 --> 01:45:43,160
Speaker 3: to drink champs dot com