WEBVTT - Episode 98 w/ EPMD

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<v Speaker 1>And his drink Chess motherfucking podcast. He's a legendary Queen's rapper.

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<v Speaker 1>He's agreed. Is your boy in o R He's a

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<v Speaker 1>Miami hip hop and lioneer up his dj e FN.

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<v Speaker 1>Together they drinking up with some of the biggest players

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<v Speaker 1>in the most professional unprofessional podcast and yet number one

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<v Speaker 1>source for drunk back drinkes motherfuckings New Year's z. Let's

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<v Speaker 1>this time for drink champs. Drink up, motherfucker mother he said,

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<v Speaker 1>gree hopus on your boy in O R up his

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<v Speaker 1>DJ e F and his drinks has mother podcasting. Yeah,

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<v Speaker 1>my ba right now, right now, come on, somebody responsible

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<v Speaker 1>right now. When it come to two man groups, if

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<v Speaker 1>it wasn't for them, yeah, well we got the White Charger.

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<v Speaker 1>You gotta relax, all right when it comes to two

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<v Speaker 1>man groups. If it wasn't for these two brothers right

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<v Speaker 1>here standing in front of us, I don't think that

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<v Speaker 1>me and this brother to the left of me would

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<v Speaker 1>even exist. These guys not only stood to test the

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<v Speaker 1>time when hip hop you had to be a real

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<v Speaker 1>m C meaning you had to know how to rhyme,

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<v Speaker 1>you know how, you had to have to do beat,

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<v Speaker 1>You had to you had to do all of that,

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<v Speaker 1>and these guys are the epito epitome. You go, oh

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<v Speaker 1>that you got still the test of time. You stuck together.

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<v Speaker 1>I know it's rough because it's be rough with this nigga,

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<v Speaker 1>So I know it's rough with me. It's not like

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<v Speaker 1>I'm perfect, but it'd be rough for him with me.

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<v Speaker 1>But the thing is, you gotta stood together for over

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<v Speaker 1>the time you're stood together, you represented Long Island's strongest

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<v Speaker 1>Right now in the building, what drink Champs? We got

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<v Speaker 1>my personal favorite group, e mother fucking be empty Max.

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<v Speaker 1>So I'm gonna I want to take it to the

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<v Speaker 1>very beginning because first off, just the name EPMD how

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<v Speaker 1>how what? What was your thought process when you say

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<v Speaker 1>we're gonna be a group because everybody prior to that

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<v Speaker 1>they didn't have names like that. Well, Pat's got the

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<v Speaker 1>real I'm gonna give you mine thing too. At the end,

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<v Speaker 1>I just think of that, I tell you by all

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<v Speaker 1>the time. You know, run d m C is who

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<v Speaker 1>we we look after Me and Paris drove to Manhattan

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<v Speaker 1>to buy sucking mcs from Long Island. You know when

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<v Speaker 1>the first thing came out, were great? Yeah, yeah, but

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<v Speaker 1>you know Paris you know figured that you know Erican Parish.

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<v Speaker 1>You know, we wanted to make money, so epm D

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<v Speaker 1>making dollars. But run DMC again you can tell, took

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<v Speaker 1>the line the whole. It was okay with it. So

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<v Speaker 1>he's like, yo, you know, go ahead. You guys were

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<v Speaker 1>actually on depth JAM and run DMC never was on

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<v Speaker 1>depth jam. Is that correct? You know we end up

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<v Speaker 1>in later but were managed by Russia. So when we

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<v Speaker 1>got managed by Rush, Leo took it because it was

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<v Speaker 1>spelled e p e e m D m D, just

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<v Speaker 1>like it was spelled e P e E m D.

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<v Speaker 1>When we got signed the Rush. He changed management, Yeah,

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<v Speaker 1>Ruch management. They changed in the logo and got the

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<v Speaker 1>guy yea, yeah, Hayes, famous guy now and who changed

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<v Speaker 1>the logo to fall of us and look it up

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<v Speaker 1>like that. That's because past car, I'm the P double

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<v Speaker 1>E M D. That's what so we in the rhyme,

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<v Speaker 1>we spelled it that way, you know, because we forget

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<v Speaker 1>that that was it was like that on that on

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<v Speaker 1>this small wifee hey, hey mom, and and look that's

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<v Speaker 1>that's mama law brother in law. Come on, yo, I

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<v Speaker 1>think losses. I saw you with overseas. You know you

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<v Speaker 1>booge you overseas though, yeah, it's different, it's different, just

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<v Speaker 1>differing over the seas. You gotta work up differ over

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<v Speaker 1>one of the overseas. You know you are not a

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<v Speaker 1>different person on the headlines overseas. The whole big thing.

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<v Speaker 1>I can't moving for him. The music was louder. What

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<v Speaker 1>is this? Let people know? That's how that's how you know,

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<v Speaker 1>that's how you know good people because you know, I

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<v Speaker 1>see the story a totally opposite way. You know what.

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<v Speaker 1>I want to keep it between you because at that time,

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<v Speaker 1>when you guys came out, it was a tough time

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<v Speaker 1>in hip hop, meaning you actually had to really really

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<v Speaker 1>be good like right now, these people will say but

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<v Speaker 1>they could get on and they have, but that's not

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<v Speaker 1>the time you guys came out. Question. When you guys

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<v Speaker 1>came out, you guys actually had to know how to rhyme.

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<v Speaker 1>You guys formed a crazy crew. But but but let's

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<v Speaker 1>I just want to describe those moments, how hard it

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<v Speaker 1>was back then to these young guys, and you gotta

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<v Speaker 1>take a shot, yo, No, I'm sorry, listen, yes yo.

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<v Speaker 1>Basically us coming from long Allen, you know who Gainst

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<v Speaker 1>Brooklyn Queens. We always felt we had to work harder.

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<v Speaker 1>But once Public Enemy dropped, then rock Him and Wine

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<v Speaker 1>Dance dropped. You know, I went to Wine dask one

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<v Speaker 1>day and it was six bodies out there. They kept barbecue,

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<v Speaker 1>and they kept barbecue like this is this is nothing.

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<v Speaker 1>They're like, yo, that's like yo, come on, you gotta

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<v Speaker 1>keep what the six bodies and this is the time

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<v Speaker 1>for people think your little house. And I was like, no,

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<v Speaker 1>they got to confuse, no question. So me and he

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<v Speaker 1>always just you know, kept our pin down, feeling like,

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<v Speaker 1>you know, you had care of restaurant coming from the Bronx,

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<v Speaker 1>you had Big Daddy Kane, you had Slick Rick Lotty Dotty.

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<v Speaker 1>So when we came in, you know, we just wanted

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<v Speaker 1>to have that impact. Always felt that we had to

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<v Speaker 1>work harder and then at the end wind up coming off.

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<v Speaker 1>Now let's take it to this slow down baby, right

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<v Speaker 1>what man? What? I don't know, I don't know what

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<v Speaker 1>some of that wash, but I know you can that

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<v Speaker 1>whole fucking hole. We were back there though the world

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<v Speaker 1>was going to a war. We just got off a

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<v Speaker 1>sleeping back records on the Death Jam that first time. Yeah,

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<v Speaker 1>that was your first Yeah, yeah, Khali, they had they

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<v Speaker 1>had ordered the record he was on with his fresh

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<v Speaker 1>Weeping Back. It was nice. Move was on the label. Two.

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<v Speaker 1>We had a pretty good labels, Moves on the preg

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<v Speaker 1>Mat was on there with the first single Zoom Zoom

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<v Speaker 1>Zoom man Tronics so not and we had parents was dead.

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<v Speaker 1>I didn't. I wasn't even it was yeah. So basically

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<v Speaker 1>between we got caught in between labels. But they was like, yo,

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<v Speaker 1>keep working though, so it was like wow, we kept

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<v Speaker 1>the legs moving. Then we went in the studio. We

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<v Speaker 1>put down the Rampage because the way we was feeling,

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<v Speaker 1>we felt like an album was going to be held up.

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<v Speaker 1>You know. Most people was like, yo, you got you

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<v Speaker 1>got past the sophomore drinks with Unfinished Business. So Eric

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<v Speaker 1>and I was like, yo, you know what you see

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<v Speaker 1>the cover were standing in the swamp with the guns

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<v Speaker 1>pointing out us, you know, the helicopters above, and then

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<v Speaker 1>the rampage because we that's the same album as I'm Mad.

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<v Speaker 1>Here's a little story album. What made you guys want

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<v Speaker 1>to work with l L? Because but Leo and then

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<v Speaker 1>put LL on us because you know why, this is

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<v Speaker 1>the reason why I'm telling you as an outside of

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<v Speaker 1>looking at because I really wasn't a part of hip hop.

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<v Speaker 1>I was just a fan of the guy on the

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<v Speaker 1>on the benches and um at that time, AL was

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<v Speaker 1>kind of crossover and you guys were kind of representing

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<v Speaker 1>the underground hip street. But you just heard it just

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<v Speaker 1>now the reason why Leo and then felt that L

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<v Speaker 1>should be on this on this lane. So it was

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<v Speaker 1>so when Mama said, Leo, any, so you heard the

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<v Speaker 1>next album, Mama said, not exactly was the panther. Everything

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<v Speaker 1>came up after hanging, he said, hanging with these guys

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<v Speaker 1>and then Marley and then Bang that album came out

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<v Speaker 1>because because you guys was like the official you guys

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<v Speaker 1>with the original the reginal m O P. What I

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<v Speaker 1>mean by that is the audience that you guys brung

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<v Speaker 1>out at that time was super streak, like I can't

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<v Speaker 1>I'm scared of you. I kind of kind of still

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<v Speaker 1>scared of y'all. Want to look at I'm a fan,

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<v Speaker 1>but at that time, that's that's why I always wondered,

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<v Speaker 1>like why did they have L? Because and now I'm

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<v Speaker 1>being for queens, but L was kind of like, you know,

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<v Speaker 1>doing and doing like he was like you know he

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<v Speaker 1>was different. Yeah, but the big L was still talk talk.

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<v Speaker 1>It's always giving Sunday, like you don't get rust. So

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<v Speaker 1>you know we knew, we knew that. Yeah, we wanted

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<v Speaker 1>to bring you know, we even got this thing and like, no,

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<v Speaker 1>let's get back because we just had l We just

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<v Speaker 1>to the I was on on the d N with

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<v Speaker 1>just two hours ago. But let's get back to the

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<v Speaker 1>first beat was House had to Squash. The first peep

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<v Speaker 1>we had was the rock kimb. This is the I

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<v Speaker 1>was getting to that. Yeah, thank you for going there first.

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<v Speaker 1>How did this happen? This is Long Island because we

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<v Speaker 1>two towns away. Kim was my mentor. This is to me.

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<v Speaker 1>I'm like, when I heard him, I thought the name

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<v Speaker 1>was rock wind somebody like you know some things we

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<v Speaker 1>rock wind came out rock Winds. That's why I thought

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<v Speaker 1>that was hard. All of a sudden, you gotta relax.

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<v Speaker 1>All of a sudden. He was two towns over. So

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<v Speaker 1>the record came out, so me and parents like, yo,

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<v Speaker 1>this is the most eliship we ever heard. The alert

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<v Speaker 1>came the next day and played Nobody Beats the Beis.

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<v Speaker 1>That was another big gas record. Nobody yea but rock him,

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<v Speaker 1>I ain't no joke. You can get the smack, but

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<v Speaker 1>this ain't no joke. Paris came back and said, like

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<v Speaker 1>a digma smack, you smack me and I smack you back.

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<v Speaker 1>I'm just and the right. I never caught that man, Yeah,

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<v Speaker 1>but the two towns did because it's long allee. Okay,

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<v Speaker 1>Kim made this ship called father Leader, said, brother said him,

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<v Speaker 1>I never dun be coming fill leading. That's why I

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<v Speaker 1>drug him in the danger zone. So he went and

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<v Speaker 1>I'm when I kemping not working with him. Let's keep

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<v Speaker 1>me my Palas was in front of both. We're not

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<v Speaker 1>walking with him though. We come to the students. You

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<v Speaker 1>know it comes on the anniversary of the first coached ship,

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<v Speaker 1>doesn't in front of us, shakes the mic nor and

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<v Speaker 1>rolls it like dice like you know like and rolls

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<v Speaker 1>the mike to y'all. I don't. I don't know this

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<v Speaker 1>because he was wrong. So it used to be called

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<v Speaker 1>the building in Manhattan, right. So him and Palas at

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<v Speaker 1>the bar talking. How you know old niggas came out

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<v Speaker 1>Old niggas like building. So him and he at the

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<v Speaker 1>bar talking, and Pie said, you're either talking with you

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<v Speaker 1>were quick so p called me over and he squatted

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<v Speaker 1>the be right there in the bar. Yeah, was right there.

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<v Speaker 1>That was the first one where the first one that

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<v Speaker 1>they they caught me in the building by myself on

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<v Speaker 1>the folly floor. It was looking like it was like

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<v Speaker 1>like the following video said something like, yat, you're stressing me.

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<v Speaker 1>I never even heard that word stressing me the blue

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<v Speaker 1>you wanted. So I'm looking, I'm waiting for I'm like, yeah,

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<v Speaker 1>we're looking easily. I can't find them nowhere in the building.

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<v Speaker 1>So I was like, yo, let me check in the

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<v Speaker 1>spot where we never go. You know, you got all

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<v Speaker 1>these winds. We don't go in that wing over. I'm

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<v Speaker 1>gonna keep him moving. I walked past the door. I

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<v Speaker 1>come in and Eric and Rock Chim is like this

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<v Speaker 1>nose to know the way. We're just in perpects office.

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<v Speaker 1>So that's the counting. Yeah, all of space and see

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<v Speaker 1>ye perfect. I'm sorry he continue. So once I've seen

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<v Speaker 1>that scene, I already knew it was a situation, you know,

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<v Speaker 1>big respect to Rock him. I was like, um, basically,

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<v Speaker 1>I don't even know what's going on in here, but

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<v Speaker 1>to see them a little correct must be in the

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<v Speaker 1>miss understanding. Rock him, was smooth with it and we

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<v Speaker 1>rolled out. But when I got there and I was like, yo,

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<v Speaker 1>what's up, he was like nah, Like East said, na,

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<v Speaker 1>your man stressed out to me? What did that mean?

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<v Speaker 1>Stressed me? You know what I mean now? But it

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<v Speaker 1>wasn't in the hip hop sling yet you just yet

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<v Speaker 1>he came out late. Yeah, that's a late term. You

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<v Speaker 1>know that came out. He came out early with that.

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<v Speaker 1>He said to me, he said, he said that to you,

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<v Speaker 1>to me about he was the one who had the problem.

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<v Speaker 1>It was something happened to I was something happened with

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<v Speaker 1>the album. And he's my mentor. So what happened was

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<v Speaker 1>I just told the girls I didn't like the new

0:14:02.720 --> 0:14:05.559
<v Speaker 1>one like I liked the past album that and it

0:14:05.720 --> 0:14:09.520
<v Speaker 1>came back to me somehow, you know, not that. I

0:14:09.600 --> 0:14:11.440
<v Speaker 1>was like, yo, how can I thish you When I'm

0:14:11.880 --> 0:14:14.000
<v Speaker 1>on one side of the tape I got happy now

0:14:14.240 --> 0:14:17.679
<v Speaker 1>with the people president the other side it is Businmarpe like,

0:14:17.720 --> 0:14:20.000
<v Speaker 1>I'm I talk about you all the time, But why

0:14:20.120 --> 0:14:23.040
<v Speaker 1>is that always like that? Why is it like are

0:14:24.080 --> 0:14:26.920
<v Speaker 1>people wrong with us? Like why it's not? But it's

0:14:26.960 --> 0:14:28.720
<v Speaker 1>the people around it that started to beat you don't

0:14:28.720 --> 0:14:31.040
<v Speaker 1>got no be your your friends and start just like

0:14:31.400 --> 0:14:35.400
<v Speaker 1>it's just like queens, right queens. You know, Core Mega

0:14:35.600 --> 0:14:39.240
<v Speaker 1>will have beef with nas on Nas will have beef

0:14:39.320 --> 0:14:42.800
<v Speaker 1>with I'm just making examples and a campone. But then

0:14:43.840 --> 0:14:47.120
<v Speaker 1>all actually we all together, So why do we can't

0:14:47.160 --> 0:14:49.400
<v Speaker 1>get along with each other? Like when I look at Compton,

0:14:49.600 --> 0:14:51.800
<v Speaker 1>I'd be like damn sometimes because you know, they're all

0:14:51.880 --> 0:14:53.640
<v Speaker 1>beef on with each other, and I'm like, damn, Why

0:14:53.880 --> 0:14:56.800
<v Speaker 1>is it like that for our community? Well? I think

0:14:56.880 --> 0:14:59.440
<v Speaker 1>probably because we wasn't advanced with the business and we

0:14:59.560 --> 0:15:02.280
<v Speaker 1>have to learned. So we was dealing with a business

0:15:02.400 --> 0:15:04.320
<v Speaker 1>that was more than advance than us. We were just

0:15:04.440 --> 0:15:07.080
<v Speaker 1>coming up out of the hood. So as years go on,

0:15:07.280 --> 0:15:09.000
<v Speaker 1>we learned the game. We know the game, but for

0:15:09.080 --> 0:15:10.720
<v Speaker 1>the new cats, they don't know the game. So they

0:15:10.840 --> 0:15:13.560
<v Speaker 1>learned in the game and then top and inside of that,

0:15:13.800 --> 0:15:16.640
<v Speaker 1>that's where the miscommunication and a little funny business go down.

0:15:17.920 --> 0:15:24.920
<v Speaker 1>But me and Cuba man friends Matthew because Cuba on

0:15:25.000 --> 0:15:27.400
<v Speaker 1>the tour bus when you book with n W A

0:15:27.960 --> 0:15:29.920
<v Speaker 1>Paris told him how to get how to do it.

0:15:30.400 --> 0:15:34.760
<v Speaker 1>That's right out to break up, to leave the well

0:15:34.840 --> 0:15:40.200
<v Speaker 1>in the way it comes for like two months because

0:15:40.480 --> 0:15:42.560
<v Speaker 1>you know, you get opened up West Coast Base. He

0:15:42.640 --> 0:15:44.960
<v Speaker 1>opened up for us like people introducing hing as a

0:15:45.000 --> 0:15:47.440
<v Speaker 1>group on the scott and then he went because he's

0:15:47.480 --> 0:15:52.440
<v Speaker 1>working with and then he came to ter five days

0:15:53.200 --> 0:15:56.680
<v Speaker 1>so so so so yeah, yeah, you gotta relax. So

0:15:57.160 --> 0:16:00.960
<v Speaker 1>please please please place, please place, please place. What up?

0:16:01.040 --> 0:16:04.680
<v Speaker 1>Drink Champs Army Wednesday at ten nine Central on BT.

0:16:05.120 --> 0:16:08.280
<v Speaker 1>Executive producer Wanda Sykes invites you to put your judgments

0:16:08.320 --> 0:16:11.040
<v Speaker 1>to good use. Face Value is the only game show

0:16:11.200 --> 0:16:15.080
<v Speaker 1>where profiling pays. Contests are asked hilarious questions about people

0:16:15.160 --> 0:16:17.640
<v Speaker 1>purely based on their looks. When they get them right,

0:16:17.880 --> 0:16:20.320
<v Speaker 1>they get cash. Just when you think someone has done

0:16:20.360 --> 0:16:22.800
<v Speaker 1>a particularly scandalous thing because of what's on the surface,

0:16:23.000 --> 0:16:26.040
<v Speaker 1>the truth flips the script on your assumptions. Prepared to

0:16:26.120 --> 0:16:29.200
<v Speaker 1>laugh NonStop with your host Di Encole and Tiffany Hatters,

0:16:29.600 --> 0:16:31.680
<v Speaker 1>see just how much we all have in common, and

0:16:31.760 --> 0:16:34.320
<v Speaker 1>watch the money stack as if stereotypes following your Face

0:16:34.480 --> 0:16:38.600
<v Speaker 1>Value all New Wednesdays at ten nine Central, followed by

0:16:38.680 --> 0:16:42.160
<v Speaker 1>Hip Hop Mogul and Clapback King fifty Sketch Variety Series

0:16:42.200 --> 0:16:46.120
<v Speaker 1>fifty Central only on BT for extras and exclusives. Make

0:16:46.120 --> 0:16:49.960
<v Speaker 1>sure you visit BT dot com slash Forward slash Face Value.

0:16:51.560 --> 0:16:54.680
<v Speaker 1>It Ain't Over. BT is bringing lyrics and laughter this

0:16:54.880 --> 0:16:59.640
<v Speaker 1>fall with Fitty Every Wednesday at ten thirty Central on BT.

0:17:00.320 --> 0:17:04.200
<v Speaker 1>Hip Hop Mogul and clapback King Curtis fifty Cent Jackson,

0:17:04.280 --> 0:17:06.920
<v Speaker 1>one of our favorite guests here at Drink Champs, delivers

0:17:06.960 --> 0:17:09.480
<v Speaker 1>a hot remix of sketch comedy as you Know It

0:17:09.600 --> 0:17:13.200
<v Speaker 1>to Bet. Fifty leads a cast of comic upstarts every

0:17:13.240 --> 0:17:17.000
<v Speaker 1>week for jaw dropping sketches and hilarious pranks. Sprinkle with

0:17:17.040 --> 0:17:19.720
<v Speaker 1>the same irreverence and spark that fifty Cent brings the

0:17:19.840 --> 0:17:24.679
<v Speaker 1>hip hop. His variety series, fifty Central pushes play on games, music,

0:17:25.040 --> 0:17:28.480
<v Speaker 1>hitting camera stunts, dance battles, and celebrity cameos for the

0:17:28.600 --> 0:17:32.439
<v Speaker 1>ultimate late night party. Make fifty Central You're late night

0:17:32.480 --> 0:17:38.399
<v Speaker 1>comedy destination Wednesdays at ten thirty Central right after Face Value.

0:17:38.640 --> 0:17:42.440
<v Speaker 1>The game show with Profiling pays only on BT for

0:17:42.600 --> 0:17:45.560
<v Speaker 1>extras and exclusives. Make sure you visit BET dot com

0:17:45.920 --> 0:17:50.679
<v Speaker 1>forward slash fifty Central. That's BT dot com Forward slash

0:17:50.960 --> 0:17:55.160
<v Speaker 1>fifty Central, So you're telling me that way? Ice Cub

0:17:55.280 --> 0:17:58.440
<v Speaker 1>came in New York. Y'all connected with him, no reason

0:17:59.280 --> 0:18:01.760
<v Speaker 1>on the tour Lose the West. We was talking. He

0:18:01.840 --> 0:18:03.760
<v Speaker 1>came on out bus and just stayed for like four

0:18:03.880 --> 0:18:07.240
<v Speaker 1>or five days. Why but why we was running was

0:18:07.359 --> 0:18:10.920
<v Speaker 1>ring shows. You know, stay on y'all bucks. Yeah, yeah,

0:18:11.160 --> 0:18:13.920
<v Speaker 1>we started wrapping, you know, started kicking l a. I

0:18:13.960 --> 0:18:15.880
<v Speaker 1>would get he would come pick me up in the Suzuki,

0:18:16.119 --> 0:18:23.120
<v Speaker 1>go to crib and go chills me and I ain't

0:18:23.119 --> 0:18:25.520
<v Speaker 1>gonna lie. I point your shots. I'm sorry. You know

0:18:25.600 --> 0:18:28.440
<v Speaker 1>you know why because you know it's nothing will take one. Yeah,

0:18:28.920 --> 0:18:30.600
<v Speaker 1>let them more that I would like to do in

0:18:30.760 --> 0:18:33.920
<v Speaker 1>my life. Don't drink driving drunk. Just look at kid

0:18:34.760 --> 0:18:39.600
<v Speaker 1>and saying slow down, you got chip, I'm not drinking.

0:18:40.240 --> 0:18:43.399
<v Speaker 1>But when I'm just the hip, you know, you know

0:18:43.920 --> 0:18:46.480
<v Speaker 1>he yeah, that's the best bocket in the world. Ain't

0:18:46.480 --> 0:18:52.560
<v Speaker 1>the best? Who's the best? The best in the world.

0:18:55.760 --> 0:19:05.560
<v Speaker 1>We make it right here, Betty, But can we side

0:19:05.640 --> 0:19:11.920
<v Speaker 1>by this seriously for real? Because to see you in

0:19:12.000 --> 0:19:15.080
<v Speaker 1>the sea loan and this is I'm just happy. But

0:19:15.320 --> 0:19:19.000
<v Speaker 1>definitely we always not been behind the gun, but always

0:19:19.040 --> 0:19:21.720
<v Speaker 1>been the people who somebody who said they ain't gonna

0:19:21.720 --> 0:19:25.280
<v Speaker 1>do it again, or the crews. We had every rapper

0:19:25.320 --> 0:19:28.240
<v Speaker 1>that we had, they wasn't good enough. And then we

0:19:28.400 --> 0:19:31.720
<v Speaker 1>showed the doctor effects. When we showed Reggie, we showed Murray,

0:19:31.760 --> 0:19:35.840
<v Speaker 1>we showed Solo, We everyone that was behind the gun. Nobody.

0:19:36.119 --> 0:19:38.119
<v Speaker 1>We got turned down by them, turned by by a

0:19:38.160 --> 0:19:42.000
<v Speaker 1>lot of labels, but we believed in them. Going over

0:19:42.080 --> 0:19:45.879
<v Speaker 1>here to you, you chose to do something and people

0:19:45.920 --> 0:19:48.960
<v Speaker 1>probably were looking at you like you was crazy. I'm

0:19:49.000 --> 0:19:50.920
<v Speaker 1>the sidebar and so you know what I did that.

0:19:51.080 --> 0:19:52.840
<v Speaker 1>I was real with me and my car saying that,

0:19:53.680 --> 0:19:57.200
<v Speaker 1>even if I didn't know it, I felt it like, yeah,

0:19:57.359 --> 0:20:01.600
<v Speaker 1>motherfucker's that you have me underneath the because the game

0:20:01.680 --> 0:20:04.160
<v Speaker 1>then changed. Look at me now, I changed with the game.

0:20:04.400 --> 0:20:07.399
<v Speaker 1>Look at my new check. Yes, it's very very, it's

0:20:07.480 --> 0:20:12.320
<v Speaker 1>very Look at my show. Look at the guests has

0:20:12.400 --> 0:20:14.800
<v Speaker 1>come to see me. Yes, and we having fun. I

0:20:14.880 --> 0:20:16.360
<v Speaker 1>want to think he said, yeah, I had to come.

0:20:16.680 --> 0:20:18.960
<v Speaker 1>He had to because he said he could one. I

0:20:19.040 --> 0:20:22.560
<v Speaker 1>had to come because the numbers. You know what that feelings.

0:20:22.600 --> 0:20:24.360
<v Speaker 1>So I felt that for him. That's why I said

0:20:24.359 --> 0:20:34.920
<v Speaker 1>that from you and crazy, but I'm add on to

0:20:35.000 --> 0:20:39.760
<v Speaker 1>you eight because our culture, like I have went to accounts, Yes,

0:20:40.480 --> 0:20:43.600
<v Speaker 1>I went to accounts office. And I've seen Mick Jag

0:20:44.440 --> 0:20:48.040
<v Speaker 1>all these other white guys. They touring and they celebrate that,

0:20:48.080 --> 0:20:50.880
<v Speaker 1>they talk, they celebrate the day. Been in this game

0:20:51.440 --> 0:20:54.520
<v Speaker 1>for twenty years, yes, but hip hop if you if

0:20:54.560 --> 0:20:56.960
<v Speaker 1>you once you have ten years, they call you old,

0:20:57.359 --> 0:20:59.800
<v Speaker 1>they call you washed up, they say you don't got

0:20:59.840 --> 0:21:02.280
<v Speaker 1>it on more. And I just, I just I just

0:21:02.359 --> 0:21:05.199
<v Speaker 1>want to play my part of saying you please tell

0:21:05.240 --> 0:21:07.400
<v Speaker 1>these people to be quiet. I just want to play

0:21:07.560 --> 0:21:12.480
<v Speaker 1>my part of changing that for hip hop. Because the

0:21:12.680 --> 0:21:16.520
<v Speaker 1>more and and and it's awesome that you broke up Europe,

0:21:16.680 --> 0:21:19.800
<v Speaker 1>the more old school you are in Europe, the more

0:21:20.359 --> 0:21:24.240
<v Speaker 1>they love you. They love you with Europe. So why

0:21:24.600 --> 0:21:28.880
<v Speaker 1>we can't reverse that the coach and make that ship.

0:21:29.240 --> 0:21:31.720
<v Speaker 1>Because the thing about it is, if it wasn't for

0:21:31.840 --> 0:21:33.680
<v Speaker 1>a P M D, there wouldn't be a mob D,

0:21:33.760 --> 0:21:35.840
<v Speaker 1>there wouldn't be a coonent, there wouldn't be an m

0:21:35.880 --> 0:21:39.639
<v Speaker 1>O P. So why shouldn't not be celebrated because we

0:21:39.720 --> 0:21:43.000
<v Speaker 1>came up differently. Don't forget Flay, Folks don't say old

0:21:43.040 --> 0:21:47.880
<v Speaker 1>school and Mick Jagger old school, Old schools just a name.

0:21:48.359 --> 0:21:51.280
<v Speaker 1>We gotta put the age on it. I heard one

0:21:51.400 --> 0:21:54.720
<v Speaker 1>Rappititel said about four years ago, Jayson needs to stop

0:21:54.800 --> 0:21:57.560
<v Speaker 1>rapping and give somebody else a shot. No, you gotta

0:21:57.560 --> 0:22:01.840
<v Speaker 1>step the game up. If you think that he imposed

0:22:01.840 --> 0:22:04.000
<v Speaker 1>to be here. You know we're the only coach of

0:22:04.520 --> 0:22:07.040
<v Speaker 1>fucking vibstration was sent me to. Just dropped the album

0:22:07.080 --> 0:22:10.119
<v Speaker 1>with number one for McCarty is still getting Grammys. It

0:22:10.240 --> 0:22:13.120
<v Speaker 1>don't matter if they look at their coaches. They look

0:22:13.160 --> 0:22:15.960
<v Speaker 1>at them and they still give them props and enjoy them.

0:22:16.080 --> 0:22:21.080
<v Speaker 1>And as they told you a legend, so nobody should

0:22:21.160 --> 0:22:23.879
<v Speaker 1>disrespect that. Like somebody to say, listen, what are we

0:22:24.040 --> 0:22:28.840
<v Speaker 1>doing now? I'm still touring. We're still making twenty thousand

0:22:28.880 --> 0:22:31.520
<v Speaker 1>dollars a night, So Pepper still making forty thollars a night.

0:22:36.400 --> 0:22:39.119
<v Speaker 1>Hands they always look and say what are you doing now?

0:22:39.520 --> 0:22:41.399
<v Speaker 1>That's why I said what I said about you. You

0:22:41.480 --> 0:22:44.080
<v Speaker 1>don't never know what they're doing. At least actpers don't

0:22:44.119 --> 0:22:48.000
<v Speaker 1>just making thing. Nobody's doing nothing. Everyone era is on

0:22:48.119 --> 0:22:51.200
<v Speaker 1>the road and some Peppers they had they was towing

0:22:51.280 --> 0:22:53.560
<v Speaker 1>so much they had to take a break. Making forty

0:22:53.600 --> 0:22:56.560
<v Speaker 1>thousand dollars a night from June to September. How much money?

0:22:56.640 --> 0:23:06.320
<v Speaker 1>Is that exactly? I'm just saying that anybody is doing that.

0:23:06.440 --> 0:23:07.840
<v Speaker 1>So when you so, how do we change that in

0:23:07.960 --> 0:23:10.720
<v Speaker 1>hip hop? How do we actually like because me and

0:23:10.800 --> 0:23:14.359
<v Speaker 1>my partner d right, me and DJ Fan, that's that

0:23:14.520 --> 0:23:16.680
<v Speaker 1>was our dream is to say, you know what we said,

0:23:16.680 --> 0:23:18.440
<v Speaker 1>we're gonna start the show, but we only want to

0:23:18.880 --> 0:23:20.840
<v Speaker 1>We didn't want to interview the new people, not because

0:23:20.920 --> 0:23:23.280
<v Speaker 1>we got something personal with it, but we don't know

0:23:23.359 --> 0:23:26.560
<v Speaker 1>their history. Like I know your history. I know what

0:23:26.720 --> 0:23:28.959
<v Speaker 1>you guys been through, right, I know. So it's easier

0:23:29.000 --> 0:23:30.840
<v Speaker 1>for me to interview you because it's easier for me

0:23:30.920 --> 0:23:33.359
<v Speaker 1>to sit then chop it up and we have these

0:23:33.400 --> 0:23:35.760
<v Speaker 1>stories that you oversee smacking me back of my head

0:23:36.160 --> 0:23:38.000
<v Speaker 1>and like you know, and then like you I was

0:23:38.080 --> 0:23:42.679
<v Speaker 1>just performing. Every just came bound. What's at still has

0:23:42.720 --> 0:23:46.280
<v Speaker 1>twenty five million people, but you out how the partners

0:23:46.320 --> 0:23:49.040
<v Speaker 1>bumped out. But how do we actually how do we

0:23:49.200 --> 0:23:51.280
<v Speaker 1>actually change that in the hip hop? How do we

0:23:51.600 --> 0:23:54.040
<v Speaker 1>that this is what I mean piece all the time? Okay,

0:23:54.680 --> 0:24:00.359
<v Speaker 1>we're the only jard who don't got categories. If Jens

0:24:00.400 --> 0:24:03.320
<v Speaker 1>Joplin was here, Brindy Spills wouldn't be in a category

0:24:03.720 --> 0:24:06.119
<v Speaker 1>because you'd be like bitch you and pop right, So

0:24:06.280 --> 0:24:10.879
<v Speaker 1>to be heavy metal pop a turn of music should have.

0:24:11.600 --> 0:24:13.919
<v Speaker 1>We shouldn't be Mary Dave Blosses something pepper. I mean

0:24:14.280 --> 0:24:17.080
<v Speaker 1>Blosses and Um and all the other black singers are

0:24:17.160 --> 0:24:22.879
<v Speaker 1>in hip hop category. It's a culture, so it should

0:24:22.960 --> 0:24:25.320
<v Speaker 1>be it's trapping what it is. It should be trapped.

0:24:25.359 --> 0:24:27.720
<v Speaker 1>If it should be you know, club music, it should

0:24:27.720 --> 0:24:30.560
<v Speaker 1>be club hip hop. It should have cindgories. Even jazz

0:24:30.600 --> 0:24:34.720
<v Speaker 1>got he listening jazz, adult jazz, bady jazz. It got

0:24:35.680 --> 0:24:39.120
<v Speaker 1>said categories. We wouldn't be having no problems. So you're

0:24:39.119 --> 0:24:41.480
<v Speaker 1>telling me Drake should be like in them. It's something

0:24:41.520 --> 0:24:45.560
<v Speaker 1>else below slow rap. I don't know, no, no, no,

0:24:46.600 --> 0:24:51.000
<v Speaker 1>it's independent because here's a dope. Hip hop artis hip

0:24:51.040 --> 0:24:54.760
<v Speaker 1>hop too, But a lot of stuff should be labeled

0:24:54.840 --> 0:24:58.600
<v Speaker 1>something else. You can't call no disrespect, but you can't

0:24:58.720 --> 0:25:02.080
<v Speaker 1>call this new music hip hop, no disrespect of them

0:25:02.119 --> 0:25:04.720
<v Speaker 1>were gonna be labeled something else because the coach that

0:25:04.840 --> 0:25:07.639
<v Speaker 1>we come from, it's not that. That's not it's not

0:25:10.720 --> 0:25:13.359
<v Speaker 1>the one under one umbrella. And you know, if it

0:25:13.440 --> 0:25:16.120
<v Speaker 1>has nothing to do with m C and radical skills,

0:25:16.359 --> 0:25:19.000
<v Speaker 1>the boom bat with the high hat like a real

0:25:19.200 --> 0:25:21.920
<v Speaker 1>m C. You had to have BDP rock Cam. I

0:25:22.080 --> 0:25:25.760
<v Speaker 1>came through the door, you know what I mean the party,

0:25:25.920 --> 0:25:28.560
<v Speaker 1>you have things. You know, we have certain things that

0:25:28.680 --> 0:25:31.800
<v Speaker 1>we said before, how your hip hop was was the coach?

0:25:32.200 --> 0:25:35.320
<v Speaker 1>We fired elements. If you're adding B box, it's wrapping

0:25:35.400 --> 0:25:37.600
<v Speaker 1>DJ an't your fee and breakdancing and you want to

0:25:37.640 --> 0:25:40.760
<v Speaker 1>add I mean be box newcast. But but it's a coach.

0:25:41.320 --> 0:25:45.160
<v Speaker 1>But you gotta follow the same laws as from seventy

0:25:45.240 --> 0:25:48.960
<v Speaker 1>eight that went down to you know, rise or whatever

0:25:49.040 --> 0:25:51.200
<v Speaker 1>else where. Stop that, you know what I'm saying. But

0:25:51.800 --> 0:25:53.880
<v Speaker 1>just right here, you can't call this because just don't

0:25:53.920 --> 0:25:56.680
<v Speaker 1>fit the culture the coach and hip hop is something.

0:25:56.720 --> 0:25:59.800
<v Speaker 1>But you know, but they don't have nothing else to call. Say,

0:26:00.000 --> 0:26:02.439
<v Speaker 1>throw it in there. They threw TLC in there too.

0:26:03.600 --> 0:26:06.240
<v Speaker 1>Whenever they can throw in there that looks like it's urban,

0:26:06.560 --> 0:26:09.680
<v Speaker 1>it's under hip hop coaching. But we got to realize

0:26:09.720 --> 0:26:11.919
<v Speaker 1>we walked away kind of from the game and stopped

0:26:12.040 --> 0:26:14.840
<v Speaker 1>working and being productive productive, you know, back there like

0:26:14.880 --> 0:26:17.000
<v Speaker 1>a ninety two when we've seen them dropping music and

0:26:17.080 --> 0:26:18.879
<v Speaker 1>we felt that was like popped and we dropped the

0:26:19.640 --> 0:26:22.640
<v Speaker 1>We didn't say that's what they said. What the Saw

0:26:22.760 --> 0:26:26.120
<v Speaker 1>said earlier? He said, Mike Saw said, silence is almost

0:26:26.280 --> 0:26:31.679
<v Speaker 1>co signed. Yeah, so when you saw you here, Yeah right,

0:26:32.080 --> 0:26:35.440
<v Speaker 1>I said, did something real on Instagram two weeks ago.

0:26:35.520 --> 0:26:38.440
<v Speaker 1>That was real? Yeah, And I told us my Saw said,

0:26:38.560 --> 0:26:43.680
<v Speaker 1>he said, you said silence is almost except acceptance, you know.

0:26:43.840 --> 0:26:45.560
<v Speaker 1>So it's like what we did was we left the

0:26:45.560 --> 0:26:47.600
<v Speaker 1>bank vault open with all the gap in it, and

0:26:47.640 --> 0:26:49.679
<v Speaker 1>they came in and took a couple of bundles. Nobody

0:26:49.720 --> 0:26:51.800
<v Speaker 1>said nothing, so they just started taking the money back

0:26:52.680 --> 0:26:55.120
<v Speaker 1>so we could sit back and complain. Or what you did.

0:26:55.200 --> 0:26:57.920
<v Speaker 1>You opened up before him and you drew a line

0:26:58.359 --> 0:27:00.119
<v Speaker 1>and you said, this is what I'm gonna do. And

0:27:00.200 --> 0:27:02.159
<v Speaker 1>this is not old school. These guys are legends and

0:27:02.200 --> 0:27:05.240
<v Speaker 1>they deserved the respect. Right now. You can interview whoever

0:27:05.280 --> 0:27:07.840
<v Speaker 1>you want because you're big, but you choose to give

0:27:07.960 --> 0:27:11.399
<v Speaker 1>us a platform, which is dope, Like who's doing this?

0:27:11.920 --> 0:27:13.280
<v Speaker 1>But I don't think this is what I bug out

0:27:13.359 --> 0:27:16.640
<v Speaker 1>or not to be going. But the radio DJs who

0:27:16.680 --> 0:27:20.640
<v Speaker 1>we remember that was all playing our ships, y'all still

0:27:20.880 --> 0:27:24.320
<v Speaker 1>our age, y'all forgot that who you know? How you

0:27:24.400 --> 0:27:26.119
<v Speaker 1>have that you don't know you wantn't hip hop at

0:27:26.160 --> 0:27:30.720
<v Speaker 1>one time. Now you'll change. That was bugging me out

0:27:30.720 --> 0:27:33.320
<v Speaker 1>because they all got the same jobs and they forgot

0:27:33.400 --> 0:27:37.879
<v Speaker 1>that that we existed, or that music existed. That's the

0:27:37.880 --> 0:27:40.639
<v Speaker 1>point I don't understand. So what what what? What is?

0:27:40.680 --> 0:27:43.360
<v Speaker 1>What is Eric Sherman listening to right now? I'll play

0:27:43.440 --> 0:27:47.240
<v Speaker 1>old old. I feel like I just play Army but

0:27:47.359 --> 0:27:50.040
<v Speaker 1>Me and Powers gotta album that we're gonna call Dynamic Duels.

0:27:50.080 --> 0:27:55.640
<v Speaker 1>And y'all written down your company. You had a rug company. Okay,

0:27:55.720 --> 0:27:58.720
<v Speaker 1>you're going up. You never gave me lett's. Let's get

0:27:58.760 --> 0:28:03.840
<v Speaker 1>those ship good. I've been I've been, I've been hating

0:28:03.840 --> 0:28:07.120
<v Speaker 1>for a long time. I've been, Hey, I'm playing. I've

0:28:07.160 --> 0:28:10.240
<v Speaker 1>been seeing everybody with a rug besides me. Problem is playing.

0:28:11.800 --> 0:28:13.640
<v Speaker 1>We got a new acronym. I don't know what you're doing.

0:28:13.960 --> 0:28:17.000
<v Speaker 1>I don't know what you're doing right now, but I've

0:28:17.040 --> 0:28:25.760
<v Speaker 1>been stopping, stopping, relax. I'm gonna be honest. It's now

0:28:25.800 --> 0:28:37.719
<v Speaker 1>we're on the road. I'm gonna say, Okay, all right,

0:28:37.760 --> 0:28:40.240
<v Speaker 1>that's what we're gonna do. That's what we're gonna do.

0:28:41.440 --> 0:28:45.920
<v Speaker 1>Drink chaps, rub goes to the office, our ship goes

0:28:45.960 --> 0:28:49.520
<v Speaker 1>to a shop check. But damn, I'm not gonna lie

0:28:49.800 --> 0:28:58.239
<v Speaker 1>like I'm not taking that one. That was another one. Yeah, yo,

0:28:58.720 --> 0:29:01.280
<v Speaker 1>drink chap. I'm so sorry. So I know that. The

0:29:01.360 --> 0:29:11.120
<v Speaker 1>interview right last, what is that? Because that better? You

0:29:11.200 --> 0:29:12.880
<v Speaker 1>know what? You know what, you know what I want.

0:29:13.040 --> 0:29:17.560
<v Speaker 1>I'm gonna be honest with you. We interviewed Onyx, and

0:29:18.000 --> 0:29:23.120
<v Speaker 1>Onyx gave me a pair of sneakers and then they

0:29:23.160 --> 0:29:25.640
<v Speaker 1>asked me what size was it. I said, it doesn't matter.

0:29:26.640 --> 0:29:29.960
<v Speaker 1>I'm never wearing me. I'm putting it right in my crib.

0:29:30.080 --> 0:29:33.600
<v Speaker 1>So you know, Leo, please, really you're gonna go, You're

0:29:33.600 --> 0:29:38.640
<v Speaker 1>gonna go. I'm gonna keep my nephew out. But Leo

0:29:38.800 --> 0:29:41.760
<v Speaker 1>told me. One day I went to Leo's house, right,

0:29:42.200 --> 0:29:45.400
<v Speaker 1>and he gave me the biggest lesson in hip hop ever.

0:29:46.840 --> 0:29:50.080
<v Speaker 1>He said to me he had moved to Park right

0:29:50.360 --> 0:29:53.880
<v Speaker 1>ninety some ship uptown right whatever. Right. It was a

0:29:53.880 --> 0:29:56.240
<v Speaker 1>twenty million our house and he said, do you like

0:29:56.360 --> 0:29:58.920
<v Speaker 1>my house? I really didn't like it, but I had

0:29:58.960 --> 0:30:04.040
<v Speaker 1>to say, yes, it's Leo Combs, It's Leo with it.

0:30:04.720 --> 0:30:06.560
<v Speaker 1>You know what? He told me this? This, this taught

0:30:06.600 --> 0:30:10.240
<v Speaker 1>me hip hop in two sentences. He said do you

0:30:10.360 --> 0:30:13.560
<v Speaker 1>like this house? I said yes. He said, make sure

0:30:13.600 --> 0:30:15.920
<v Speaker 1>you had enough you next year so I can invite

0:30:15.960 --> 0:30:23.040
<v Speaker 1>you again. WHOA. At first I wanted to snuffle because

0:30:23.080 --> 0:30:25.960
<v Speaker 1>I'm like, what, that's the most dispectful shaw. You could

0:30:25.960 --> 0:30:29.520
<v Speaker 1>have a tell somebody. He basically told me, you're only

0:30:29.680 --> 0:30:33.480
<v Speaker 1>here because you're right now. That was real though, So

0:30:33.720 --> 0:30:37.360
<v Speaker 1>if you're not hot next year, just remember this house

0:30:37.360 --> 0:30:46.200
<v Speaker 1>because you won't be bad. Whoa. That's ill. But it

0:30:46.360 --> 0:30:54.040
<v Speaker 1>taught me something so valuable that never never never appreciate

0:30:54.120 --> 0:30:57.440
<v Speaker 1>your position, because your position can be taken. Another thing

0:30:58.240 --> 0:31:02.440
<v Speaker 1>is Miami Weather taught me to say about m I'm sorry.

0:31:02.480 --> 0:31:05.000
<v Speaker 1>I know I'm going all over the place, but right no,

0:31:05.520 --> 0:31:09.920
<v Speaker 1>one day, I'm sitting on my balcony because it's not

0:31:10.000 --> 0:31:12.840
<v Speaker 1>a terrorist. When you get a little money, it's called balcony.

0:31:15.640 --> 0:31:19.240
<v Speaker 1>So I'm sitting on my balcony, right. I wrote three blunts,

0:31:19.480 --> 0:31:21.880
<v Speaker 1>all right, and I went upstairs to take a peek.

0:31:22.480 --> 0:31:24.840
<v Speaker 1>Not a ship, but for some reason, I went upstairs

0:31:25.120 --> 0:31:28.800
<v Speaker 1>and I had the ship all right, and it rained,

0:31:30.080 --> 0:31:33.800
<v Speaker 1>meaning the three blunts I just rolled they all and

0:31:33.880 --> 0:31:39.040
<v Speaker 1>it taught me a valuable lesson. Don't ever appreciate your position,

0:31:40.480 --> 0:31:43.000
<v Speaker 1>do your position, but then get the funk out of there.

0:31:43.680 --> 0:31:48.840
<v Speaker 1>And I understood that after Leo told me, and is

0:31:48.960 --> 0:31:54.680
<v Speaker 1>this music industry? Is it really that bad? All? Am

0:31:54.720 --> 0:31:58.640
<v Speaker 1>I overdoing some stories that I think about? No, I

0:31:58.680 --> 0:32:01.960
<v Speaker 1>don't think you're overdoing it. I the your perception, like

0:32:02.120 --> 0:32:04.000
<v Speaker 1>what it was to be a B boy hip hop,

0:32:04.160 --> 0:32:06.120
<v Speaker 1>just to be a doping c and to be the best,

0:32:06.840 --> 0:32:09.000
<v Speaker 1>And then in doing that you don't realize until you

0:32:09.040 --> 0:32:11.400
<v Speaker 1>start running into the trouble. Shoot, So you got to

0:32:11.440 --> 0:32:14.920
<v Speaker 1>take the burden with the success. Okay. So in the beginning,

0:32:15.080 --> 0:32:17.440
<v Speaker 1>me and Eric just wanted to be dope strictly business

0:32:17.520 --> 0:32:20.080
<v Speaker 1>unfinished business. But then as you become the best, and

0:32:20.200 --> 0:32:23.320
<v Speaker 1>you know, you got the haters before they was haters,

0:32:23.360 --> 0:32:25.080
<v Speaker 1>So then you get songs like so what you're saying?

0:32:25.240 --> 0:32:28.280
<v Speaker 1>So what you're saying? Okay, but no, that's normal. You'd

0:32:28.280 --> 0:32:30.040
<v Speaker 1>be trying to get your craft off and you just

0:32:30.160 --> 0:32:31.960
<v Speaker 1>be dealing with a lot of let's take it there.

0:32:32.080 --> 0:32:34.360
<v Speaker 1>You know what you're saying, who is your talking about?

0:32:35.320 --> 0:32:37.120
<v Speaker 1>The people who thought we wasn't gonna make it back.

0:32:37.200 --> 0:32:40.600
<v Speaker 1>Everybody wasn't going to get past the right okaycause the

0:32:40.640 --> 0:32:43.560
<v Speaker 1>sophomore jenks for people that don't know that's their second album, correct,

0:32:43.600 --> 0:32:47.600
<v Speaker 1>because they always say rappers falling off after their second album. Right,

0:32:48.480 --> 0:32:51.800
<v Speaker 1>take us through there. We came first of all, sitting

0:32:51.840 --> 0:32:53.960
<v Speaker 1>on the bends in the Iraq because you guys were

0:32:54.040 --> 0:32:56.120
<v Speaker 1>gold the first album first. I think me and he

0:32:56.200 --> 0:33:04.160
<v Speaker 1>probably went platinum or that. You know what I mean?

0:33:04.360 --> 0:33:06.800
<v Speaker 1>So no, not now, now you're going back in the

0:33:06.880 --> 0:33:11.320
<v Speaker 1>studio and you you are you aware? Shoo? Yeah? No,

0:33:11.560 --> 0:33:14.840
<v Speaker 1>first we first we dropped, totally dropped, strictly business, went

0:33:14.920 --> 0:33:17.280
<v Speaker 1>on the Run's House tour, came off the road or

0:33:17.400 --> 0:33:19.120
<v Speaker 1>amped up, but it was it was It was a

0:33:19.200 --> 0:33:25.920
<v Speaker 1>talk Runs's House with house reality. There was Runs House

0:33:28.440 --> 0:33:32.160
<v Speaker 1>everything about hip hop. I offended myself. It was a

0:33:32.280 --> 0:33:38.200
<v Speaker 1>Rugs house, TPMD Public and me JAPND the sometimes says

0:33:38.200 --> 0:33:42.600
<v Speaker 1>the sonic opened up some goddamn it. What's my man name?

0:33:43.320 --> 0:33:50.280
<v Speaker 1>What's his name? D Daddy? The original? But getting you

0:33:50.520 --> 0:33:52.600
<v Speaker 1>so yeah, So we came off the road or hype

0:33:52.720 --> 0:33:54.480
<v Speaker 1>and went in the studio and you say you hype

0:33:54.600 --> 0:33:57.440
<v Speaker 1>was was you guys like gas like? I think gas

0:33:57.640 --> 0:33:59.760
<v Speaker 1>was an understatement. I'm gonna be honest, if I wouldn't

0:33:59.760 --> 0:34:03.800
<v Speaker 1>went on tour with no hold. We didn't have no

0:34:03.960 --> 0:34:06.360
<v Speaker 1>money for a tour bus run. DMC let us ride

0:34:06.360 --> 0:34:09.160
<v Speaker 1>on their tour bus for free, right, So we woke

0:34:09.239 --> 0:34:15.440
<v Speaker 1>up on the got up and we see the shell

0:34:15.560 --> 0:34:20.720
<v Speaker 1>tolls right there, brand new brand and an unlimited supply

0:34:21.120 --> 0:34:24.360
<v Speaker 1>of Adidas anything you want and this ship and I

0:34:24.400 --> 0:34:28.600
<v Speaker 1>mean not like one, two or three pass right, there

0:34:28.640 --> 0:34:32.279
<v Speaker 1>were stadium, stadium everything. We went through two or three

0:34:32.400 --> 0:34:35.640
<v Speaker 1>nights in one and then dreaded. Yeah, but thinking about

0:34:35.640 --> 0:34:38.200
<v Speaker 1>that album. Yeah, so we went in there. We came

0:34:38.239 --> 0:34:41.200
<v Speaker 1>off the road run of Jinks, so more Jinks went

0:34:41.280 --> 0:34:45.120
<v Speaker 1>in the studio back to Charlie Murrauders and nothing. I

0:34:45.239 --> 0:34:47.600
<v Speaker 1>just was sitting there, nothing, no lyrics, no music, no

0:34:47.800 --> 0:34:53.120
<v Speaker 1>nonk just was nothing. Was siding right, just wet was

0:34:53.200 --> 0:34:55.800
<v Speaker 1>he thinking about? We know if we just know we

0:34:55.880 --> 0:34:57.439
<v Speaker 1>just got to come off and it was gonna happen

0:34:57.640 --> 0:35:00.800
<v Speaker 1>and we ended up looking like Cooper Good and society

0:35:01.920 --> 0:35:06.719
<v Speaker 1>was swinging at the end, so we had to step

0:35:06.800 --> 0:35:11.640
<v Speaker 1>yeah exactly, you know, and then we adjusted. Then we

0:35:11.719 --> 0:35:13.600
<v Speaker 1>went there. Veric went back in there then, so what

0:35:13.719 --> 0:35:15.840
<v Speaker 1>you're saying that whatever, because it was on the scenes

0:35:16.719 --> 0:35:19.680
<v Speaker 1>and um, the DJ was playing jazz b so the

0:35:19.760 --> 0:35:25.520
<v Speaker 1>soul and whatever, and he was playing the a mixed

0:35:25.640 --> 0:35:29.239
<v Speaker 1>version was just to beat whatever. So I went up

0:35:29.280 --> 0:35:31.600
<v Speaker 1>there and got the record from him and bring it

0:35:31.719 --> 0:35:36.640
<v Speaker 1>home on the DJ plate. So we we had that

0:35:37.480 --> 0:35:39.640
<v Speaker 1>and that wade off the dance floor like yo, holdie,

0:35:39.680 --> 0:35:43.399
<v Speaker 1>let me get that, and we made so what you're saying,

0:35:43.440 --> 0:35:46.440
<v Speaker 1>and after that started taking off what you're saying, and

0:35:46.520 --> 0:35:52.080
<v Speaker 1>then they then the big payback and the demo came

0:35:53.239 --> 0:35:57.320
<v Speaker 1>riding high. Yeah, yo ya yo, we built our destiny.

0:35:57.360 --> 0:35:59.640
<v Speaker 1>We actually built the sixth We built the cold building

0:35:59.640 --> 0:36:03.799
<v Speaker 1>that called sixty eight command kid, contract you build it's

0:36:03.800 --> 0:36:07.839
<v Speaker 1>not the record that before. Yo. We took a three

0:36:07.920 --> 0:36:10.480
<v Speaker 1>fifty engine out of seven before and put it in

0:36:10.560 --> 0:36:19.360
<v Speaker 1>the city. And say that again, you took a sim

0:36:19.600 --> 0:36:22.160
<v Speaker 1>We took a sixty eight come out, took the engine

0:36:22.200 --> 0:36:24.920
<v Speaker 1>out of a seventy four and over fifty four barrel

0:36:25.000 --> 0:36:27.279
<v Speaker 1>carp put it in the sixties. We used to be

0:36:27.360 --> 0:36:30.000
<v Speaker 1>drag racing all that other stuff. We stripped down. The

0:36:30.719 --> 0:36:33.239
<v Speaker 1>top had like whatever the top one, so we haven't

0:36:33.600 --> 0:36:38.719
<v Speaker 1>had to take the binal off and furious early domin

0:36:39.640 --> 0:36:41.920
<v Speaker 1>that's the wall pass almost died on the most like

0:36:42.000 --> 0:36:45.280
<v Speaker 1>the first let's get to the story. What happened. What happened?

0:36:45.480 --> 0:36:49.399
<v Speaker 1>Tell us yall was in just moving the motorcycon Yeah,

0:36:49.520 --> 0:36:51.960
<v Speaker 1>we know, we used to be wilding. Yeah, so you know,

0:36:52.080 --> 0:36:54.960
<v Speaker 1>long story short, somebody wasn't paying attention drift over the

0:36:55.040 --> 0:36:57.480
<v Speaker 1>yellow lines and it was trying to brace for impact

0:36:58.320 --> 0:37:00.720
<v Speaker 1>and proud of the star football playing so he playing football,

0:37:01.120 --> 0:37:03.719
<v Speaker 1>quarterback and kicker. You know, that's why the demo was

0:37:04.040 --> 0:37:06.319
<v Speaker 1>taking long because probably was going to school playing ball

0:37:06.600 --> 0:37:08.560
<v Speaker 1>and I was here waiting on it. So eighty five

0:37:08.600 --> 0:37:12.840
<v Speaker 1>we gotta came out. You know. No, there's more to

0:37:13.000 --> 0:37:15.680
<v Speaker 1>that though, because we used to have to communicate them

0:37:16.440 --> 0:37:22.400
<v Speaker 1>everything about y'all. You're disappointed me that I die because Paris, Paris,

0:37:22.640 --> 0:37:26.400
<v Speaker 1>my first time driving. He almost up, so I dropping

0:37:26.680 --> 0:37:33.600
<v Speaker 1>to drop the stick. So I'm going stopping the new

0:37:33.640 --> 0:37:36.560
<v Speaker 1>mag to the section where chicken funk up. I went

0:37:36.680 --> 0:37:39.960
<v Speaker 1>right through it. The question wasn't something didn't work right?

0:37:40.400 --> 0:37:45.320
<v Speaker 1>That was we wouldn't want to under sanction crazy, But

0:37:45.480 --> 0:37:49.880
<v Speaker 1>that all led to businesses do everything about apm B.

0:37:50.719 --> 0:37:53.720
<v Speaker 1>I'm mad that y'all fucking me out. Like my history.

0:37:53.760 --> 0:37:55.839
<v Speaker 1>I'm going back and I'm talking to my history later

0:37:56.320 --> 0:38:00.920
<v Speaker 1>and me and gotta show you my history book. I

0:38:02.280 --> 0:38:05.480
<v Speaker 1>gotta shot on my history y'all. Listen, my nigga, you

0:38:05.520 --> 0:38:12.239
<v Speaker 1>ain't telling me about the crash. All this stuff may

0:38:12.280 --> 0:38:15.239
<v Speaker 1>apm D crazy, especially with the We came out late

0:38:15.320 --> 0:38:19.120
<v Speaker 1>eighty eight. So we watched rock Kim Kane late with

0:38:19.160 --> 0:38:22.080
<v Speaker 1>cranmem understands j He said he was still spending money

0:38:22.080 --> 0:38:27.160
<v Speaker 1>for eight people see him and see him. People sack

0:38:27.239 --> 0:38:30.520
<v Speaker 1>this person's sowing. So like, how y'all, how did these

0:38:30.560 --> 0:38:33.319
<v Speaker 1>people influence y'all? Because they're the same error So yeah,

0:38:33.320 --> 0:38:36.439
<v Speaker 1>they were, but they was out before us before came.

0:38:36.840 --> 0:38:38.480
<v Speaker 1>So I heard that. We got to listen to Chris

0:38:39.000 --> 0:38:43.080
<v Speaker 1>Rob came before that, so we had to come. Everybody

0:38:43.120 --> 0:38:46.760
<v Speaker 1>else out there was dangerous because he was to sleep.

0:38:47.080 --> 0:38:50.359
<v Speaker 1>I mean like because they all came out that state

0:38:50.400 --> 0:38:53.440
<v Speaker 1>time and business fum Brent, which I used to see

0:38:53.520 --> 0:38:56.640
<v Speaker 1>him at the Pancake House with big on top. He

0:38:56.719 --> 0:38:58.680
<v Speaker 1>used to panc house. He just mean one time in

0:38:58.719 --> 0:39:02.000
<v Speaker 1>pancake House at the pan business team man with truck jewels. Yeah,

0:39:02.080 --> 0:39:04.480
<v Speaker 1>like just nothing you told me he ya just be

0:39:04.640 --> 0:39:11.480
<v Speaker 1>making a demo yalla, Yeah, yo, listen, man, we scribed

0:39:11.719 --> 0:39:17.560
<v Speaker 1>very bad. This was at the park House. Yeah, we're

0:39:17.560 --> 0:39:19.520
<v Speaker 1>sitting there business trying to give us the beat too.

0:39:19.719 --> 0:39:24.840
<v Speaker 1>Ain't don't have stepping back? Yeah, yeah, I didn't have

0:39:24.880 --> 0:39:28.680
<v Speaker 1>antal hashta we did we have knes ain't't have? He said,

0:39:28.719 --> 0:39:30.360
<v Speaker 1>now that's okay, we went and made this. My thing

0:39:30.719 --> 0:39:35.840
<v Speaker 1>comes to me. Yeah, all right, you matched. I was

0:39:36.080 --> 0:39:39.799
<v Speaker 1>about to go ask you I want to step Kim

0:39:40.280 --> 0:39:42.360
<v Speaker 1>King wasn't about to step it to him? Yeah that

0:39:42.520 --> 0:39:48.400
<v Speaker 1>was you need that you liked after that? It's my

0:39:48.520 --> 0:39:54.600
<v Speaker 1>thing because yeah, yeah, right, you know what I think

0:39:54.640 --> 0:39:57.040
<v Speaker 1>of I think I saw the Weeding Hall. I'm sorry,

0:39:57.239 --> 0:39:59.880
<v Speaker 1>God damn, I think I saw weed and Hall him

0:39:59.880 --> 0:40:01.560
<v Speaker 1>at that time. But I'm sorry. What year was that?

0:40:02.560 --> 0:40:07.400
<v Speaker 1>Seven November? I came out eight eight album drop, And

0:40:07.480 --> 0:40:10.080
<v Speaker 1>now I wanted to describe eighty eight because I'm like

0:40:10.200 --> 0:40:13.719
<v Speaker 1>it that like my favorite. Well the only reason why

0:40:13.840 --> 0:40:15.279
<v Speaker 1>the nineties. Of course it is not like it, but

0:40:15.440 --> 0:40:21.319
<v Speaker 1>eighty eight was said every came out. Yeah, I'm asking right,

0:40:21.320 --> 0:40:23.680
<v Speaker 1>because my favorite. Like when I was thinking of my

0:40:23.760 --> 0:40:26.279
<v Speaker 1>favorite era hip hop that I lived in, it has

0:40:26.320 --> 0:40:29.920
<v Speaker 1>to be ninety of course, but eighty eight was what

0:40:30.200 --> 0:40:34.360
<v Speaker 1>made my ninety eight ship. I want to actually describe.

0:40:34.600 --> 0:40:36.960
<v Speaker 1>I want to as a fan, I want to. I

0:40:37.000 --> 0:40:39.520
<v Speaker 1>want you to tell us that year, because what was it?

0:40:40.440 --> 0:40:44.040
<v Speaker 1>It was putting, it was it was now nice and small,

0:40:44.120 --> 0:40:49.040
<v Speaker 1>special Lass, special Lass short, n W A like MC likes.

0:40:50.400 --> 0:40:58.399
<v Speaker 1>You had audio at n W eight after they came

0:40:58.560 --> 0:41:02.719
<v Speaker 1>saying yeah, yeah, anybody came the same year. Because I

0:41:02.800 --> 0:41:09.880
<v Speaker 1>want you to describe that it was hard because you

0:41:09.960 --> 0:41:13.440
<v Speaker 1>have the music, the industry, in the artists. It's funny,

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<v Speaker 1>you know, we really think about one of the most

0:41:15.560 --> 0:41:18.560
<v Speaker 1>important pieces of of clothing that we buy and we

0:41:18.719 --> 0:41:22.520
<v Speaker 1>wear is actually our underwear. You know, comfort is the

0:41:22.600 --> 0:41:25.120
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0:41:25.120 --> 0:41:27.759
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0:41:27.880 --> 0:41:31.160
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0:41:34.239 --> 0:41:36.280
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0:41:36.800 --> 0:41:39.000
<v Speaker 1>I got my package from them. Let me tell it.

0:41:39.040 --> 0:41:41.120
<v Speaker 1>Like I said, I didn't think about it much, you know,

0:41:41.520 --> 0:41:44.840
<v Speaker 1>but they are hella comfortable. I'm not gonna lie me.

0:41:44.960 --> 0:41:47.160
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0:43:09.520 --> 0:43:11.320
<v Speaker 1>like you know, Big Daddy came after the show. He

0:43:11.400 --> 0:43:14.560
<v Speaker 1>had to he had to slip us with the don parison.

0:43:14.719 --> 0:43:17.520
<v Speaker 1>We wasn't advanced like yeah, okay, so we knew we

0:43:17.600 --> 0:43:23.200
<v Speaker 1>had to step it got off road like no, you

0:43:23.280 --> 0:43:29.160
<v Speaker 1>know to tell when we've done the whole town the doon. Yo.

0:43:29.360 --> 0:43:32.640
<v Speaker 1>He was really there already and still he's only star

0:43:32.760 --> 0:43:35.320
<v Speaker 1>ready yea, but he knew it. Kin knew when he

0:43:35.400 --> 0:43:39.680
<v Speaker 1>was he doing. Yeah, he's talking Donna already here. Yeah, yeah,

0:43:39.760 --> 0:43:42.480
<v Speaker 1>right down he's talking about that makes a Big Dady came.

0:43:45.200 --> 0:43:48.239
<v Speaker 1>I don't know if it's true, but it's just ripping

0:43:48.320 --> 0:43:59.520
<v Speaker 1>the room. She said, she makes He says, because you

0:43:59.640 --> 0:44:02.919
<v Speaker 1>know what, but that year, if it wasn't for that year,

0:44:03.880 --> 0:44:07.520
<v Speaker 1>I don't think I could ever appreciate my year, like

0:44:07.680 --> 0:44:11.719
<v Speaker 1>because my success has always been been a sweet meaning.

0:44:12.719 --> 0:44:17.680
<v Speaker 1>We came out n seven and my partner, who is

0:44:17.760 --> 0:44:23.000
<v Speaker 1>my best friend, he went to jail, ye and that

0:44:23.160 --> 0:44:30.279
<v Speaker 1>impact Tony was tell why we didn't understand was the

0:44:30.320 --> 0:44:39.960
<v Speaker 1>old nigger ship right there? He said it shook New

0:44:40.080 --> 0:44:44.839
<v Speaker 1>York way up right, like it was really bad ship.

0:44:44.920 --> 0:44:46.320
<v Speaker 1>You know what's supposed to be on the remix to

0:44:46.400 --> 0:44:51.160
<v Speaker 1>to you? And why Biggie Small so crazy? There's a

0:44:51.200 --> 0:44:54.839
<v Speaker 1>crazy ship. You know. When I watched Biggs interview, right,

0:44:55.200 --> 0:44:58.279
<v Speaker 1>I mean, I'm excuse me, I watched Big movie, right,

0:44:59.160 --> 0:45:01.680
<v Speaker 1>And if you were member when he was making these

0:45:01.800 --> 0:45:05.239
<v Speaker 1>last phone calls, that ship made me cry because he

0:45:05.400 --> 0:45:10.280
<v Speaker 1>called me and he said, he said, Yo, I'm jumping

0:45:10.320 --> 0:45:13.200
<v Speaker 1>on this record. But back then, you know, we had bootlegs.

0:45:14.000 --> 0:45:15.800
<v Speaker 1>So when he played me the record, I knew that

0:45:16.040 --> 0:45:17.840
<v Speaker 1>it wasn't coming. I didn't know what it wasn't that,

0:45:18.160 --> 0:45:22.680
<v Speaker 1>So I'm saying, how you get this? And I've gotten

0:45:22.760 --> 0:45:29.040
<v Speaker 1>nasen my Rix worked for a Bad Boys who did

0:45:29.160 --> 0:45:31.840
<v Speaker 1>the record. He just randomly played it for him and

0:45:31.840 --> 0:45:33.520
<v Speaker 1>I was like, Yo, these the new niggas coming around

0:45:33.520 --> 0:45:36.040
<v Speaker 1>from Queens and he heard it, but he went to

0:45:36.320 --> 0:45:38.040
<v Speaker 1>l A and he he must have heard it again

0:45:38.960 --> 0:45:41.680
<v Speaker 1>and he called the nigga wanted to sign Kapom. I

0:45:41.680 --> 0:45:43.560
<v Speaker 1>ain't gonna lie. I thought I thought it was over.

0:45:45.480 --> 0:45:47.439
<v Speaker 1>He was not in until Tim Noory at this time,

0:45:48.520 --> 0:45:51.680
<v Speaker 1>like we made him outside of Roy seven and Kapoem

0:45:51.760 --> 0:45:54.359
<v Speaker 1>keep the rhyme, and he was like, I'm I'm I'm

0:45:54.520 --> 0:45:56.720
<v Speaker 1>signing you. And I was like, I feel like we parted,

0:46:01.160 --> 0:46:04.120
<v Speaker 1>but I was so scared. It's Biggie Smooth also scared.

0:46:04.200 --> 0:46:11.160
<v Speaker 1>And but bring it back is the era if I,

0:46:11.920 --> 0:46:15.239
<v Speaker 1>if I didn't eight didn't happen as me as a

0:46:15.360 --> 0:46:21.080
<v Speaker 1>fan night wouldn't be as important. So yeah, I came

0:46:21.120 --> 0:46:25.000
<v Speaker 1>out with the toughest of the topic, like how was

0:46:25.080 --> 0:46:28.640
<v Speaker 1>those tours back then? Like how was it? Like I

0:46:28.719 --> 0:46:30.360
<v Speaker 1>get your perfect example, but this one too, because you

0:46:30.360 --> 0:46:32.799
<v Speaker 1>asked the question. I'm just gonna say it. We all

0:46:32.840 --> 0:46:36.960
<v Speaker 1>are rush Big Daddy Kane is Tan House down with

0:46:37.120 --> 0:46:40.360
<v Speaker 1>the l COJ tour EPD Tan House down too. So

0:46:40.520 --> 0:46:42.719
<v Speaker 1>me and part Pills that we tanned House down enough

0:46:42.800 --> 0:46:44.680
<v Speaker 1>that we should go on after you. Yeah, we should

0:46:44.680 --> 0:46:47.200
<v Speaker 1>go in after King. Yeah, you know it was Detroit

0:46:48.360 --> 0:46:51.319
<v Speaker 1>was crazy back then. Was it was that heavy D two.

0:46:51.880 --> 0:46:57.000
<v Speaker 1>I tell you how big big so Leo Coleman has

0:46:57.080 --> 0:47:03.160
<v Speaker 1>Rushman because Kane wasn't Russia, Okay, so he made the

0:47:03.880 --> 0:47:06.360
<v Speaker 1>cold because being Pattis said, you know, so we had

0:47:06.440 --> 0:47:09.399
<v Speaker 1>cal Blanche over then over that position because the French

0:47:09.440 --> 0:47:13.000
<v Speaker 1>management the next day, Kane comes out with a hot

0:47:13.120 --> 0:47:20.040
<v Speaker 1>tub speedos the stage. He said, ladies, I got three

0:47:20.120 --> 0:47:24.000
<v Speaker 1>things to tell you, m m m m. And the

0:47:24.200 --> 0:47:27.720
<v Speaker 1>paint stopped coming off the ceiling and the life pictures

0:47:27.760 --> 0:47:32.920
<v Speaker 1>stop coming off the stadiums. We said, yo yo, leo yo.

0:47:33.560 --> 0:47:44.080
<v Speaker 1>To change the order that night, I'm gonna tell you.

0:47:44.520 --> 0:47:46.200
<v Speaker 1>Let me tell you one thing, right, I will tell

0:47:46.200 --> 0:47:49.480
<v Speaker 1>you one thing when one night I'm gonna roll with Cane.

0:47:49.600 --> 0:47:53.560
<v Speaker 1>You right at had you know, put it in the mouth.

0:47:53.920 --> 0:47:57.200
<v Speaker 1>But the problem was nobody never saw the video, so

0:47:57.440 --> 0:48:01.520
<v Speaker 1>everybody like threw him to the back, meaning they was like, oh,

0:48:01.640 --> 0:48:04.080
<v Speaker 1>you gotta go on first. But I got a real

0:48:04.320 --> 0:48:07.160
<v Speaker 1>stage performance, Like he's like busting rounds without the records,

0:48:08.000 --> 0:48:10.000
<v Speaker 1>go out to hit crickets to go with it. But

0:48:10.239 --> 0:48:12.200
<v Speaker 1>he's gonna kill you on stage, and you're gonna have

0:48:12.280 --> 0:48:15.000
<v Speaker 1>a bit put up a dana in their mouth and

0:48:15.160 --> 0:48:17.840
<v Speaker 1>all that. Like anything, they're gonna dance. They got scooped.

0:48:17.840 --> 0:48:20.680
<v Speaker 1>They got he had to fake scoop and scrap. He

0:48:20.760 --> 0:48:24.040
<v Speaker 1>didn't have Kane scooping scrap. What was the nigga's name, Well,

0:48:28.280 --> 0:48:31.759
<v Speaker 1>you know he had dance surrept e book showtime and look.

0:48:32.440 --> 0:48:35.759
<v Speaker 1>So one day I forget what artists it was, but

0:48:35.840 --> 0:48:39.239
<v Speaker 1>they was like, yo ocummally gotta come on first. So

0:48:39.480 --> 0:48:42.080
<v Speaker 1>I came and grabbed me l A l A and

0:48:42.200 --> 0:48:45.680
<v Speaker 1>till on WI that's it. I said, I had nothing else.

0:48:46.040 --> 0:48:49.560
<v Speaker 1>He said, it's nothing else, nothing else, so ot combs

0:48:50.719 --> 0:48:53.640
<v Speaker 1>and I kid you not. He had twelve minutes. He

0:48:53.800 --> 0:48:57.399
<v Speaker 1>did the best twelve minutes I've ever seen in life.

0:48:57.840 --> 0:49:02.080
<v Speaker 1>And then people said, I can close from that one.

0:49:02.760 --> 0:49:05.799
<v Speaker 1>But but that's how it is. Sometimes people just come

0:49:05.840 --> 0:49:09.680
<v Speaker 1>out there. What you're doing? Check band. I'm sorry, I'm interrupting.

0:49:09.920 --> 0:49:13.640
<v Speaker 1>I'm scheming. I got my first contract itself. This is

0:49:13.760 --> 0:49:16.640
<v Speaker 1>classic moment. No, we got the classic. E. P and

0:49:16.719 --> 0:49:19.880
<v Speaker 1>D y'are my favorite artist in sparfit Listen. I've been

0:49:19.920 --> 0:49:24.000
<v Speaker 1>backing with yall since nineteen ninety. Listen. I've been Let's basically,

0:49:24.040 --> 0:49:28.839
<v Speaker 1>let's been locked up together. My next favorite group, B's

0:49:28.880 --> 0:49:31.719
<v Speaker 1>Capona Noriega. I'll never followed nobody else after that. I

0:49:31.800 --> 0:49:33.640
<v Speaker 1>was just stuck there. So this is a real classic

0:49:33.760 --> 0:49:35.520
<v Speaker 1>moment for me. You got a contract, ye, I got

0:49:35.600 --> 0:49:41.200
<v Speaker 1>my contract. Damn, I got it. I got it. I

0:49:42.160 --> 0:49:47.920
<v Speaker 1>learned about the side, got me and Mike's gonna make

0:49:48.000 --> 0:49:57.680
<v Speaker 1>a movie the next time. I'm here to Tuesday. Okay,

0:49:57.719 --> 0:50:04.680
<v Speaker 1>I'm guys coming to you. Yeah, what do you want

0:50:04.719 --> 0:50:10.640
<v Speaker 1>to know? What's got our party? That's why are you

0:50:10.680 --> 0:50:18.520
<v Speaker 1>hanging out? Hanging out? Yeah, yeah, we're gonna get him tomorrow.

0:50:18.640 --> 0:50:21.239
<v Speaker 1>Matter of fact, I'm bringing home. I'm bringing dr TC

0:50:22.800 --> 0:50:25.839
<v Speaker 1>for you. I'm hating you. I they call me okay

0:50:27.280 --> 0:50:32.160
<v Speaker 1>making make it connect? So what what? What? What is

0:50:32.239 --> 0:50:37.719
<v Speaker 1>your favorite? APM B back you got the chill? You

0:50:37.800 --> 0:50:42.279
<v Speaker 1>got's the check? Yeah? Yeah, favorite? Yeah yeah, And that's

0:50:42.320 --> 0:50:44.200
<v Speaker 1>a big song because a lot of people thought we

0:50:44.239 --> 0:50:45.719
<v Speaker 1>were on the West coast because of that, that West

0:50:45.760 --> 0:50:48.960
<v Speaker 1>Coast Phil but they thought apps from West coast period.

0:50:49.040 --> 0:50:51.640
<v Speaker 1>All the sounds weak because why anybody was doing Jane Brown.

0:50:51.680 --> 0:50:55.000
<v Speaker 1>We were saying record like like l A was doing,

0:50:55.480 --> 0:50:57.120
<v Speaker 1>like there was a gang banging too. Like we do

0:50:57.200 --> 0:50:58.799
<v Speaker 1>a show in l A. We'll be the every two

0:50:58.800 --> 0:51:00.840
<v Speaker 1>weeks and we at this get your ringing. They'd be

0:51:00.920 --> 0:51:05.520
<v Speaker 1>helicopters and the time your customer hit boo fight start yo.

0:51:05.560 --> 0:51:07.400
<v Speaker 1>Our shows used to be so wild in l A

0:51:07.480 --> 0:51:09.360
<v Speaker 1>and Texas that they we used to have to do

0:51:09.480 --> 0:51:11.640
<v Speaker 1>you guys to chill about four or five times tonight,

0:51:11.920 --> 0:51:18.000
<v Speaker 1>right because the gunshots matter of fact is they're like, yeah,

0:51:18.440 --> 0:51:21.239
<v Speaker 1>start that all was, Yeah, they'd be so close to

0:51:21.320 --> 0:51:26.880
<v Speaker 1>the state. The big payback then about the big payback? Yo,

0:51:26.960 --> 0:51:30.200
<v Speaker 1>we shot that in uh West Coast. We just basically

0:51:30.280 --> 0:51:32.640
<v Speaker 1>wanted to do something different, so we reached Agett out

0:51:32.680 --> 0:51:35.600
<v Speaker 1>to Easy Easy. He hooked it up where Dr dre

0:51:35.760 --> 0:51:38.480
<v Speaker 1>icequ them could come out show with some love and

0:51:38.600 --> 0:51:44.120
<v Speaker 1>we just wanted to show the camaraderie with the I

0:51:44.200 --> 0:51:47.279
<v Speaker 1>feel like, I feel like you should explain that more

0:51:47.760 --> 0:51:50.520
<v Speaker 1>because a lot of us, a lot of a lot

0:51:50.560 --> 0:51:53.319
<v Speaker 1>of the young people, they just see uh straight out

0:51:53.320 --> 0:51:56.400
<v Speaker 1>of Compton yea, and they actually think easy he's a

0:51:56.480 --> 0:52:04.319
<v Speaker 1>dog skinned person, right. I mean it wasn't Darsky life,

0:52:04.360 --> 0:52:07.279
<v Speaker 1>but but in the movie. But let's pick up that

0:52:07.400 --> 0:52:10.480
<v Speaker 1>actor because that actor killed it so much that I

0:52:10.560 --> 0:52:18.320
<v Speaker 1>thought he was like So I want you to describe that, like,

0:52:18.480 --> 0:52:20.680
<v Speaker 1>you know, just you know, the West Coast connection, because

0:52:20.719 --> 0:52:22.640
<v Speaker 1>a lot of people, you know what they think, they

0:52:22.760 --> 0:52:26.200
<v Speaker 1>think that the East Coast West Coast beef was real

0:52:26.360 --> 0:52:29.600
<v Speaker 1>when in the all actuality that that means some of

0:52:29.680 --> 0:52:32.640
<v Speaker 1>our number one markets, as New York Loves us. Yeah,

0:52:33.200 --> 0:52:34.600
<v Speaker 1>what did you so you know what I mean how

0:52:34.719 --> 0:52:36.439
<v Speaker 1>big he was in California. You just what I'm saying,

0:52:36.480 --> 0:52:39.160
<v Speaker 1>Like l A l A after l A l A.

0:52:40.160 --> 0:52:43.520
<v Speaker 1>Our records was going number one in l A. But

0:52:43.920 --> 0:52:46.600
<v Speaker 1>we was shocked because they're like, yeah, because it was

0:52:46.640 --> 0:52:51.520
<v Speaker 1>already a problem. But we're not not with the actual

0:52:52.400 --> 0:52:57.560
<v Speaker 1>people them, but with us. You know, Eric Wright working

0:52:57.640 --> 0:52:59.759
<v Speaker 1>with n W. Way, he was kind of doing the

0:52:59.840 --> 0:53:02.120
<v Speaker 1>same anything we were doing on the East coast. So

0:53:02.600 --> 0:53:04.600
<v Speaker 1>there was Michelle A, there was the d O C.

0:53:05.080 --> 0:53:07.600
<v Speaker 1>They were signed to Atlantic Records. I had K Solo

0:53:07.680 --> 0:53:11.480
<v Speaker 1>on Atlantic Records and through there. The communication was there

0:53:11.600 --> 0:53:13.520
<v Speaker 1>once we came through on the second album, like hey,

0:53:13.600 --> 0:53:16.040
<v Speaker 1>we want to do something different, the big payback. We

0:53:16.120 --> 0:53:18.440
<v Speaker 1>got respect for y'all, You've got respect for us. And

0:53:18.520 --> 0:53:20.719
<v Speaker 1>they showed up and they came to the Beverly Hill

0:53:20.800 --> 0:53:27.719
<v Speaker 1>gun Range with their own weapons. The girls. He was

0:53:27.920 --> 0:53:31.239
<v Speaker 1>really out there was mad ship. You see that, you

0:53:31.440 --> 0:53:37.440
<v Speaker 1>take apart, serious about serious about range was shot like yo,

0:53:37.520 --> 0:53:39.720
<v Speaker 1>they didn't even yet, they didn't even need their weapons

0:53:39.960 --> 0:53:42.560
<v Speaker 1>need yep. So now you just said you just said

0:53:42.600 --> 0:53:45.720
<v Speaker 1>case solo, right, Yeah, the case solo was your artists

0:53:46.200 --> 0:53:49.359
<v Speaker 1>and then red Man was your arts and at one

0:53:49.440 --> 0:53:52.640
<v Speaker 1>point we thought that they were the same person, like

0:53:55.760 --> 0:53:57.759
<v Speaker 1>like Humpy Hump. At one point we thought they was

0:53:57.800 --> 0:54:00.560
<v Speaker 1>the same person. And then it was out like they

0:54:00.680 --> 0:54:05.719
<v Speaker 1>had problems because they both had afros wild Yeah, uh no,

0:54:06.640 --> 0:54:10.920
<v Speaker 1>I'm correct, But did they ever have problems? We have

0:54:11.000 --> 0:54:13.960
<v Speaker 1>problems later on, but he would guest squad and he

0:54:14.080 --> 0:54:16.160
<v Speaker 1>was hit squad. Yeah yeah, but I had to do

0:54:16.239 --> 0:54:19.840
<v Speaker 1>with it that. That was just so talking at one time. Okay,

0:54:19.960 --> 0:54:22.080
<v Speaker 1>you know, not to give him prop still, but again

0:54:22.160 --> 0:54:24.440
<v Speaker 1>he was just like talking. But I mean again, everything

0:54:24.640 --> 0:54:27.840
<v Speaker 1>is done now. But there wasn't no between the crews.

0:54:27.880 --> 0:54:32.160
<v Speaker 1>It was just him, him and him talking about what

0:54:32.800 --> 0:54:35.880
<v Speaker 1>did he Oh he said something about y'all. Yeah, about

0:54:36.960 --> 0:54:40.239
<v Speaker 1>this about Reggie and me and death at one point,

0:54:40.520 --> 0:54:44.040
<v Speaker 1>yeah he did. Yeah, okay, so yeah he signs over

0:54:44.080 --> 0:54:51.600
<v Speaker 1>there yea, what the death Roma and its producer Sam

0:54:51.680 --> 0:54:55.160
<v Speaker 1>Snead That was someone's producer too, along with Paris that

0:54:55.200 --> 0:54:59.359
<v Speaker 1>went to death Row too. So now Keith Burby's also y'all.

0:54:59.480 --> 0:55:01.719
<v Speaker 1>This more y'all was together. He was signed to me.

0:55:03.120 --> 0:55:06.040
<v Speaker 1>So how did you Let's let's describe that. When did

0:55:06.080 --> 0:55:08.520
<v Speaker 1>you first meet Keith Murray. Murray his name was Keepy

0:55:08.600 --> 0:55:15.920
<v Speaker 1>Keith right, and I saw a tape of him battling

0:55:16.120 --> 0:55:19.840
<v Speaker 1>Big Daddy Kane at a dined up for Kane's birthday.

0:55:20.200 --> 0:55:25.240
<v Speaker 1>Wait a minute, Wait a minute, right, he said a tape.

0:55:25.480 --> 0:55:30.120
<v Speaker 1>You didn't say, you big Yes, yes, okay, I have it.

0:55:30.600 --> 0:55:34.520
<v Speaker 1>You have it I haven't on DVD. Keith Murray battle

0:55:34.600 --> 0:55:39.759
<v Speaker 1>Kaney Kane and a diner. Yes, what year was this?

0:55:39.920 --> 0:55:42.040
<v Speaker 1>He said? He and he said, he said you have

0:55:42.120 --> 0:55:45.239
<v Speaker 1>to take the skills A little boy who said that

0:55:45.320 --> 0:55:49.479
<v Speaker 1>to who? Kane said to the Murray? And I feel

0:55:49.480 --> 0:55:51.239
<v Speaker 1>like because I feel like keep Murray spoke with Dust

0:55:51.239 --> 0:55:56.840
<v Speaker 1>his old likes nothing that he was a kid. He

0:55:56.960 --> 0:56:00.560
<v Speaker 1>was like fifteen years old. Battle Cane. Now what Kane

0:56:00.640 --> 0:56:05.000
<v Speaker 1>is this? It's first Kane, brand new, It's the hot

0:56:05.120 --> 0:56:11.920
<v Speaker 1>Kane right, the game Kane Kane was his birthday, this

0:56:12.080 --> 0:56:15.320
<v Speaker 1>is since he born. Was Kane's family too. That was

0:56:15.360 --> 0:56:18.759
<v Speaker 1>also Keith Murray's uncle, so they was in Brooklyn. They

0:56:18.840 --> 0:56:21.080
<v Speaker 1>was family. It happened to be going to Dinah for

0:56:21.200 --> 0:56:24.160
<v Speaker 1>Kane's birthday. After after after a show that happened in Manhattan,

0:56:24.680 --> 0:56:27.040
<v Speaker 1>and Murray happened to be with with his was his uncle.

0:56:27.520 --> 0:56:30.680
<v Speaker 1>And then he said keeping on the rap, So Keith

0:56:30.960 --> 0:56:35.799
<v Speaker 1>not scared when that came kind of and then Kane

0:56:35.880 --> 0:56:43.440
<v Speaker 1>just you know, got loose because no, no he didn't.

0:56:43.680 --> 0:56:46.000
<v Speaker 1>But it wasn't even like like that though. He just said, like,

0:56:47.160 --> 0:56:48.800
<v Speaker 1>you know, came looked at him like he was you know,

0:56:50.360 --> 0:56:54.320
<v Speaker 1>you know that's that's cute. So now I asked him earlier.

0:56:55.160 --> 0:56:58.239
<v Speaker 1>Now I gotta ask you, what are you listening to? Now?

0:56:58.960 --> 0:57:02.120
<v Speaker 1>Oh man, I'm listening to a little bit of everything.

0:57:02.719 --> 0:57:04.960
<v Speaker 1>You know, I stick to the to our generation, the

0:57:05.040 --> 0:57:08.360
<v Speaker 1>legends and stuff like that. You know, it's definitely what

0:57:08.520 --> 0:57:10.560
<v Speaker 1>is the panther and animal that kills? I'm like the

0:57:10.600 --> 0:57:14.400
<v Speaker 1>show for blood coming out the guilts. Yo. We was

0:57:14.520 --> 0:57:18.160
<v Speaker 1>Sucking Gold Create a Go, Yeah, I can remember that.

0:57:18.360 --> 0:57:20.280
<v Speaker 1>Was that the cassette tape? Right? Was that? What album

0:57:20.360 --> 0:57:25.400
<v Speaker 1>is that? That was eighties six eight seven No. Eighty six? Yeah, yeah,

0:57:25.520 --> 0:57:28.160
<v Speaker 1>before this is my thing a customer Gold co Creative

0:57:28.760 --> 0:57:31.680
<v Speaker 1>like we used to study that. We studied that, you understand,

0:57:31.720 --> 0:57:34.120
<v Speaker 1>remember we said it eighth grade. We was driving to

0:57:34.200 --> 0:57:37.200
<v Speaker 1>the Lancey Street to pick up Sucking Season. It's like

0:57:37.360 --> 0:57:39.160
<v Speaker 1>that because I used to d Jack and I gotta

0:57:39.160 --> 0:57:41.920
<v Speaker 1>get back to y'all making a car too, because that

0:57:42.280 --> 0:57:44.760
<v Speaker 1>was crazy. Y'all made a car, build the car, still

0:57:44.800 --> 0:57:53.360
<v Speaker 1>got the cars listened to my dad really cover Definitely

0:57:53.640 --> 0:57:57.320
<v Speaker 1>Yeah that that's great. So so you do you do you?

0:57:57.920 --> 0:58:00.800
<v Speaker 1>Is there anybody from the new generation you actually do

0:58:01.040 --> 0:58:08.440
<v Speaker 1>funk with? Might be bad? Drew Kendrew's album Yeah, like Yo,

0:58:08.560 --> 0:58:13.000
<v Speaker 1>sit Down, Humble, sit down, a young cat like that

0:58:13.200 --> 0:58:16.080
<v Speaker 1>already that advanced to do a single like that, sit

0:58:16.160 --> 0:58:18.960
<v Speaker 1>down and you know what the crazy shi it is.

0:58:19.760 --> 0:58:22.480
<v Speaker 1>It's musical though the album like you know, you know,

0:58:22.640 --> 0:58:24.880
<v Speaker 1>you know, you know. The thing about Dre is like

0:58:25.000 --> 0:58:28.680
<v Speaker 1>if you listen to the content album, uh, it might

0:58:28.760 --> 0:58:31.800
<v Speaker 1>not be as lyrically impactful, but if you listen to

0:58:31.920 --> 0:58:36.160
<v Speaker 1>it a music at that point, it's still phenomenal. It's

0:58:36.280 --> 0:58:40.480
<v Speaker 1>that sonically you're saying, definitely here for two of you, right,

0:58:40.520 --> 0:58:43.360
<v Speaker 1>because if you're trying to hear the chronic, you're you're not, No,

0:58:43.480 --> 0:58:46.600
<v Speaker 1>it's not the chronic. It ain't that Like the sounding

0:58:46.640 --> 0:58:49.800
<v Speaker 1>of the music sounds on it like that. That's why

0:58:49.840 --> 0:58:52.960
<v Speaker 1>everybody that was there, because I feel like producers make

0:58:53.000 --> 0:58:57.800
<v Speaker 1>better music than like regular artists. Like if you're a producer, like, yeah,

0:58:57.880 --> 0:59:00.560
<v Speaker 1>definitely because the track comes first and back in the

0:59:00.640 --> 0:59:02.720
<v Speaker 1>track to let me start running. And that's how we

0:59:02.880 --> 0:59:05.240
<v Speaker 1>did most of our music because it beat that we

0:59:05.360 --> 0:59:09.400
<v Speaker 1>picked for y'all. Like because right now we have Capona,

0:59:09.480 --> 0:59:14.680
<v Speaker 1>Noriega Mob, Deep Um m O P Salt and pepper

0:59:16.040 --> 0:59:21.920
<v Speaker 1>Um Black Star hopefully hopefully put us earlier because I

0:59:22.000 --> 0:59:25.360
<v Speaker 1>feeling good. No duels is coming coming in front of

0:59:25.400 --> 0:59:30.400
<v Speaker 1>me right now. Nation you're casting me that, my sister,

0:59:30.640 --> 0:59:32.280
<v Speaker 1>you're just gonna be but you're just gonna be in

0:59:32.440 --> 0:59:38.040
<v Speaker 1>in a category with pepperm that we're only working with

0:59:38.240 --> 0:59:44.160
<v Speaker 1>groups on the groups, only groups big businesses. But I'm

0:59:44.200 --> 0:59:46.280
<v Speaker 1>also hating because I felt like I should have coming

0:59:46.320 --> 0:59:50.320
<v Speaker 1>with that. That's why I want to say have no

0:59:50.400 --> 0:59:54.880
<v Speaker 1>one now. I said old Ship because because like the crib,

0:59:54.960 --> 0:59:58.320
<v Speaker 1>we're sitting there, like I wanted to make sure saying

0:59:58.400 --> 1:00:02.240
<v Speaker 1>no stupid dra it's like right down, you know, so

1:00:02.800 --> 1:00:05.760
<v Speaker 1>we're just doing that, you know what doing But so

1:00:06.040 --> 1:00:08.160
<v Speaker 1>you know, nor we can't leave out a a boogie

1:00:08.320 --> 1:00:14.360
<v Speaker 1>and Davies. But I also like that for zombies too.

1:00:14.400 --> 1:00:17.640
<v Speaker 1>That's another you know, I've changed a lot of great

1:00:17.680 --> 1:00:19.440
<v Speaker 1>things about Flat for zob I haven't been able to

1:00:19.480 --> 1:00:21.720
<v Speaker 1>get into the stiff. Yeah, I haven't had time, but

1:00:21.840 --> 1:00:26.360
<v Speaker 1>I have been on a book. To dude from um

1:00:26.440 --> 1:00:32.880
<v Speaker 1>South Carolina was Nick Nick Nick, He's dangerous. I just

1:00:32.960 --> 1:00:35.320
<v Speaker 1>met him at Charlotte Made they got balled, he got,

1:00:35.640 --> 1:00:37.479
<v Speaker 1>they got And I told him that, you know, because

1:00:37.520 --> 1:00:40.960
<v Speaker 1>that's where we come from. We come from Zerk's first generation.

1:00:41.080 --> 1:00:44.480
<v Speaker 1>Spreading it to k O. King Glows, Yes, you know

1:00:44.640 --> 1:00:47.640
<v Speaker 1>he is, he's really dangers. King Glos is ill. He's ill.

1:00:48.040 --> 1:00:50.440
<v Speaker 1>He's ill. I like King close too as well. Um,

1:00:50.960 --> 1:00:52.800
<v Speaker 1>I feel like he gott to drop something. He does.

1:00:53.240 --> 1:00:55.240
<v Speaker 1>He gotta drop something like can you already gave him

1:00:55.240 --> 1:00:56.400
<v Speaker 1>the props? You know what I'm saying, Like, you know,

1:00:56.480 --> 1:00:58.440
<v Speaker 1>like yo, you know they missed his name, you know,

1:00:58.560 --> 1:01:01.640
<v Speaker 1>like yo. But again, it's not to find something to work.

1:01:02.440 --> 1:01:07.280
<v Speaker 1>Anybody just afraid. What's good? Man? Man? You know these days, man,

1:01:07.320 --> 1:01:09.920
<v Speaker 1>stamps dot Com is making a trip very short for you.

1:01:10.160 --> 1:01:12.200
<v Speaker 1>That's right. But these days you can get practically everything

1:01:12.280 --> 1:01:14.680
<v Speaker 1>on demand, that's right, man, So who who's still going

1:01:14.720 --> 1:01:16.680
<v Speaker 1>to the post office When you get it on demand?

1:01:16.720 --> 1:01:18.320
<v Speaker 1>It comes to your career picking up and all that.

1:01:18.440 --> 1:01:21.200
<v Speaker 1>Stamps dot Com, that's it. That's all they need. That's right.

1:01:21.240 --> 1:01:23.480
<v Speaker 1>Anything you can do at the post office you can

1:01:23.600 --> 1:01:25.960
<v Speaker 1>now do right from your desk with Stamps dot Com.

1:01:26.040 --> 1:01:28.720
<v Speaker 1>Stamps dot Com by in print official US postage for

1:01:28.920 --> 1:01:31.560
<v Speaker 1>any letter or package using your own computer and printer.

1:01:31.920 --> 1:01:34.880
<v Speaker 1>And unlike the post office, stamps dot Com never closes,

1:01:35.120 --> 1:01:38.200
<v Speaker 1>so you can get posted whenever you need it. Seven see.

1:01:38.240 --> 1:01:41.040
<v Speaker 1>I use stamps dot com to deliver you know, expensive jury,

1:01:41.320 --> 1:01:44.840
<v Speaker 1>to deliver my cats, you know, food, to deliver my dogs,

1:01:45.200 --> 1:01:47.400
<v Speaker 1>toe nails. I would do things like that with stamps

1:01:47.440 --> 1:01:49.280
<v Speaker 1>dot Com. Yeah, man, you know, I just don't want

1:01:49.280 --> 1:01:50.800
<v Speaker 1>to deal with the lines at the post office. I

1:01:50.840 --> 1:01:52.520
<v Speaker 1>love the post office, but man, if I could just

1:01:52.640 --> 1:01:54.360
<v Speaker 1>use stamps dot com, it's gonna save me a lot

1:01:54.440 --> 1:01:56.360
<v Speaker 1>of time, a lot of headache, and just a lot

1:01:56.440 --> 1:01:57.680
<v Speaker 1>of just a lot of time I could be doing

1:01:57.720 --> 1:01:59.840
<v Speaker 1>other things, you know, So right now, use our name

1:01:59.880 --> 1:02:03.400
<v Speaker 1>for this special offer. That's Champs C H A M

1:02:03.520 --> 1:02:06.440
<v Speaker 1>p S. Tell them the IFS four week trial includes

1:02:06.520 --> 1:02:09.560
<v Speaker 1>postage and digital scale. Don't wait. Go to stamps dot

1:02:09.600 --> 1:02:12.120
<v Speaker 1>com before you do anything else. Click on the radio

1:02:12.160 --> 1:02:14.080
<v Speaker 1>microphone at the top of the homepage and type in

1:02:14.280 --> 1:02:18.240
<v Speaker 1>Champs that Stamps dot com. Enter Champs Stamps dot com.

1:02:18.680 --> 1:02:20.960
<v Speaker 1>Never go to the post office again. That's Champs c

1:02:21.640 --> 1:02:25.960
<v Speaker 1>A MPs. Free chance, baby, let's do. That's why I

1:02:26.080 --> 1:02:29.200
<v Speaker 1>was doing hipore. I'm never gonna I'm never gonna put

1:02:29.240 --> 1:02:32.800
<v Speaker 1>myself in the position where I changed. Could you can

1:02:32.920 --> 1:02:35.440
<v Speaker 1>win doing hip hop? I told you you have to

1:02:35.560 --> 1:02:38.920
<v Speaker 1>conform to this. You don't gotta do this. People are

1:02:38.960 --> 1:02:41.960
<v Speaker 1>looking for what you do. Exactly. Do what you're doing.

1:02:42.040 --> 1:02:45.040
<v Speaker 1>You will win. And that's why I'll tell you something.

1:02:45.200 --> 1:02:47.680
<v Speaker 1>That's why, Like I was laid on Kadgy album, this

1:02:48.000 --> 1:02:50.800
<v Speaker 1>album is me too. I was late, right, so I

1:02:50.920 --> 1:02:53.000
<v Speaker 1>kept looking at Twitter and people can I'm telling me,

1:02:53.080 --> 1:02:57.720
<v Speaker 1>how dope it is? So like like an analyst, I

1:02:57.840 --> 1:03:02.840
<v Speaker 1>downloaded it want to him and I just my balcony,

1:03:03.280 --> 1:03:06.600
<v Speaker 1>my son. I was in my balcony. I was in

1:03:06.680 --> 1:03:10.680
<v Speaker 1>my balcony and I listened to and to tell you

1:03:10.760 --> 1:03:13.920
<v Speaker 1>the truth, you know, because I'm an artist first, you

1:03:14.080 --> 1:03:17.080
<v Speaker 1>always kind of like listen to your music to say

1:03:17.400 --> 1:03:19.800
<v Speaker 1>fuck you, like not not not in a bad way,

1:03:20.080 --> 1:03:22.160
<v Speaker 1>but I listened to it and be like, I feel

1:03:22.160 --> 1:03:25.240
<v Speaker 1>like I'm better. Leo Cohmen said, all arts and assholes.

1:03:25.920 --> 1:03:30.640
<v Speaker 1>He's right, is right, I don't think I'm like that,

1:03:30.960 --> 1:03:39.760
<v Speaker 1>you assholes straight now start. I wanted to hate and

1:03:40.000 --> 1:03:43.160
<v Speaker 1>not a bone hate, no, because you know why. I

1:03:43.280 --> 1:03:46.040
<v Speaker 1>just I just want to compare myself to every new artist.

1:03:46.040 --> 1:03:47.439
<v Speaker 1>I want to be like, Yo, I could, I could

1:03:47.440 --> 1:03:49.560
<v Speaker 1>beat you. But when I listened to that, but we

1:03:49.680 --> 1:03:51.960
<v Speaker 1>feel that way, that was like, yeah, we do, you

1:03:52.000 --> 1:03:55.000
<v Speaker 1>feel that too, But but there's nobody to go against.

1:03:55.520 --> 1:03:59.600
<v Speaker 1>You can't compare yourself to that. No, but when I'm rhyming,

1:03:59.800 --> 1:04:02.800
<v Speaker 1>but when I'm not preju them but the majority. Right.

1:04:03.120 --> 1:04:05.400
<v Speaker 1>But when I heard this album, I'm not gonna lie

1:04:05.480 --> 1:04:08.240
<v Speaker 1>to you, it made me remember how much I loved

1:04:08.320 --> 1:04:10.919
<v Speaker 1>hip hop. It made me remember how much I loved

1:04:11.000 --> 1:04:13.960
<v Speaker 1>you guys. It made me remember how much I loved

1:04:14.200 --> 1:04:17.760
<v Speaker 1>anas album madn't even remember how much would be no

1:04:17.960 --> 1:04:20.520
<v Speaker 1>time like thats album like like it kind of like

1:04:20.560 --> 1:04:24.200
<v Speaker 1>no time like that. Nineties will never we well, it's

1:04:24.240 --> 1:04:27.920
<v Speaker 1>sad to say we will never experience nothing like that.

1:04:28.480 --> 1:04:31.760
<v Speaker 1>When every group had their own identity, nobody had to

1:04:31.880 --> 1:04:34.600
<v Speaker 1>rund like nobody, everybody had their own sound and we

1:04:34.800 --> 1:04:37.760
<v Speaker 1>all won. How do you have to do that? You know,

1:04:40.000 --> 1:04:45.080
<v Speaker 1>don't want now It's totally the opposite. Everybody sounds the same,

1:04:45.160 --> 1:04:52.800
<v Speaker 1>you know, the crazy big you know you got the

1:04:52.840 --> 1:04:55.680
<v Speaker 1>other day, I looked at you looked at somebody's instagram, right,

1:04:56.640 --> 1:04:59.560
<v Speaker 1>and the guys on the instagram, and he sounds just

1:04:59.800 --> 1:05:03.000
<v Speaker 1>like future right. But the guy says, these other rappers

1:05:03.080 --> 1:05:08.360
<v Speaker 1>want to copy me, like nigga, you comy here right

1:05:08.520 --> 1:05:11.920
<v Speaker 1>right right, So I'm just like anybody else coming in.

1:05:12.680 --> 1:05:15.800
<v Speaker 1>But that's how crazy it is that nobody checks it.

1:05:15.920 --> 1:05:20.280
<v Speaker 1>Nobody says yo back then, like you said, biting was bad,

1:05:20.760 --> 1:05:24.080
<v Speaker 1>like yo, Me and Capone went all out not to

1:05:24.200 --> 1:05:26.920
<v Speaker 1>be compared to Mam d Like you don't understand, like

1:05:27.240 --> 1:05:29.480
<v Speaker 1>when we came out and we our first record was

1:05:29.680 --> 1:05:31.400
<v Speaker 1>l A l A and he was on the same

1:05:31.480 --> 1:05:36.080
<v Speaker 1>record with Mam Dight, so they automatically that's the fake

1:05:36.200 --> 1:05:37.840
<v Speaker 1>version of Mom Deep. That's what I run the mom

1:05:37.960 --> 1:05:41.520
<v Speaker 1>Deep mom me and this nigga. We did everything in

1:05:41.680 --> 1:05:45.920
<v Speaker 1>our nature to not be compared to them, nigga. So

1:05:46.000 --> 1:05:50.080
<v Speaker 1>that's why we did That's why we did that. Yeah,

1:05:50.440 --> 1:05:52.600
<v Speaker 1>we just wanted to get away from that. But the

1:05:52.720 --> 1:05:56.160
<v Speaker 1>thing is nowadays, if they say you sound like that guy,

1:05:56.520 --> 1:06:02.920
<v Speaker 1>it's actually things because never be you listen, no that's

1:06:02.960 --> 1:06:05.960
<v Speaker 1>where the God tell me all the time. My sister

1:06:06.040 --> 1:06:08.640
<v Speaker 1>called me Michael Jackson at the crib not because of that,

1:06:08.840 --> 1:06:11.680
<v Speaker 1>because no matter what you do, young kid, you will

1:06:11.720 --> 1:06:15.720
<v Speaker 1>never be me. That's right. This is thirty years. You

1:06:15.760 --> 1:06:19.480
<v Speaker 1>didn't even did three yet after you finished, how can

1:06:19.520 --> 1:06:22.680
<v Speaker 1>you eat after this? I'm still toring. How are you

1:06:22.760 --> 1:06:26.920
<v Speaker 1>gonna eat? I'm just saying I want to realize if

1:06:26.920 --> 1:06:29.240
<v Speaker 1>I can be there and see, how are you eating?

1:06:29.280 --> 1:06:34.800
<v Speaker 1>Because nobody's coming to watch you in ten years, So

1:06:35.080 --> 1:06:38.520
<v Speaker 1>how are you gonna eat? If you didn't say, then

1:06:38.600 --> 1:06:41.400
<v Speaker 1>you want to disrespect me, I'm feel sorry for you

1:06:41.760 --> 1:06:43.840
<v Speaker 1>because you will never be me. You will never sell

1:06:43.920 --> 1:06:46.440
<v Speaker 1>these records, you'll never have number one albums, You'll never

1:06:46.560 --> 1:06:48.800
<v Speaker 1>be torn, You'll never be in these arenas. To do

1:06:48.960 --> 1:06:55.400
<v Speaker 1>Summer Jam, you need eighteen a hundred new people them

1:06:55.440 --> 1:06:59.160
<v Speaker 1>you won't pack it. And we got if any one

1:06:59.200 --> 1:07:02.360
<v Speaker 1>of us going to it was CNN, NAS, EPM, D,

1:07:02.520 --> 1:07:05.000
<v Speaker 1>whatever and two more other groups, we can pack forty

1:07:05.080 --> 1:07:12.840
<v Speaker 1>one thousand when nobody radio. Usually I can give people

1:07:12.920 --> 1:07:17.600
<v Speaker 1>drunk to talk like talking, and you're just so long,

1:07:17.640 --> 1:07:22.120
<v Speaker 1>you're so drunk. I'm gonna trying to get you now,

1:07:22.240 --> 1:07:28.120
<v Speaker 1>because again, they gotta just right who you are. Don't

1:07:28.200 --> 1:07:31.960
<v Speaker 1>let nobody take this from you. Me and Paris are humble, too,

1:07:32.280 --> 1:07:36.120
<v Speaker 1>humble to a fault. Sometimes I'm like, let the niggas

1:07:36.120 --> 1:07:38.600
<v Speaker 1>ain't us. Look at that they over they would never

1:07:38.760 --> 1:07:42.560
<v Speaker 1>be us, and look at they say, Oh that's hip hop.

1:07:42.960 --> 1:07:45.640
<v Speaker 1>That's why we was like the crossover. But that's why,

1:07:45.880 --> 1:07:50.240
<v Speaker 1>that's why I drink camps. We won't be humble. For

1:07:50.400 --> 1:07:53.000
<v Speaker 1>you were right, We're gonna we're gonna represent a P

1:07:53.200 --> 1:07:56.200
<v Speaker 1>M D. Not only tonight, We're gonna represent apn D

1:07:56.360 --> 1:07:59.840
<v Speaker 1>every f Look how you won. Nobody was expecting YouTube

1:08:00.040 --> 1:08:03.640
<v Speaker 1>in they can't win with this. They know people on there,

1:08:04.160 --> 1:08:06.240
<v Speaker 1>we're watching these old you can talk about no nothing,

1:08:06.320 --> 1:08:08.960
<v Speaker 1>none of that. You know what I love about this show,

1:08:09.080 --> 1:08:10.640
<v Speaker 1>Like a lot of times we listened to it while

1:08:10.640 --> 1:08:13.520
<v Speaker 1>we're traveling and you get to hear the stories that

1:08:13.640 --> 1:08:18.000
<v Speaker 1>you didn't know exact know about Black Time. Keep mry.

1:08:18.640 --> 1:08:23.040
<v Speaker 1>I'm Rickith like like kiss, we're saying, when was I

1:08:23.360 --> 1:08:30.280
<v Speaker 1>don't know about it? Any little brothers? For ye remember

1:08:30.360 --> 1:08:34.960
<v Speaker 1>in Philly, Snoop said understood, like, yoh, shoot, we saw

1:08:35.000 --> 1:08:37.280
<v Speaker 1>a P and D B one. We're like oh, should

1:08:37.280 --> 1:08:38.920
<v Speaker 1>we made it now? I mean we're on the video,

1:08:39.080 --> 1:08:42.439
<v Speaker 1>the P and D. Like the stories that people give

1:08:42.560 --> 1:08:45.360
<v Speaker 1>y'all from on this show, like the ship that we learned.

1:08:45.439 --> 1:08:50.080
<v Speaker 1>I know something, you can bet what comes out when

1:08:50.120 --> 1:08:52.960
<v Speaker 1>that's what you know what it is. We gotta give

1:08:53.000 --> 1:08:56.000
<v Speaker 1>our artists they flowers when they can smell them, give

1:08:56.040 --> 1:08:59.400
<v Speaker 1>them their trees when they lory. Stop right now, please stop. Yeah.

1:09:00.000 --> 1:09:02.760
<v Speaker 1>Stranger in Detroit came to my room and told me

1:09:02.880 --> 1:09:08.160
<v Speaker 1>the same ship. Do not let nobody, don't compone, let

1:09:08.240 --> 1:09:13.000
<v Speaker 1>them represent you and congratulate you. Why you living? That's right.

1:09:13.120 --> 1:09:16.720
<v Speaker 1>Don't let nobody give you pops when you're dead you

1:09:16.800 --> 1:09:20.599
<v Speaker 1>supposed to get. And that's and that's the thing. That's

1:09:20.640 --> 1:09:23.840
<v Speaker 1>the thing is, I'm glad you don't seen I've seen.

1:09:24.080 --> 1:09:27.439
<v Speaker 1>I seen our culture suffers from that. I've seen that

1:09:27.640 --> 1:09:29.360
<v Speaker 1>every other culture. Like I said, I went to this

1:09:29.400 --> 1:09:33.200
<v Speaker 1>account office and the accounts you know all you know

1:09:33.479 --> 1:09:36.519
<v Speaker 1>older rock bands. I was the only black guy there,

1:09:37.160 --> 1:09:41.280
<v Speaker 1>but they they was collecting checks and they was doing that,

1:09:41.400 --> 1:09:44.200
<v Speaker 1>and I'm like damn, and I'm like, yo, why why

1:09:44.280 --> 1:09:47.240
<v Speaker 1>we don't do that? In like why we like it

1:09:47.360 --> 1:09:49.840
<v Speaker 1>doesn't cost me nothing to tell you. I let you

1:09:49.960 --> 1:09:53.599
<v Speaker 1>know right, no doubt. It don't cost me nothing, don't

1:09:53.600 --> 1:09:55.840
<v Speaker 1>cost me nothing to say. Every time I see Eric

1:09:55.880 --> 1:09:58.519
<v Speaker 1>Sherman to me and him to be like like, you

1:09:58.560 --> 1:10:01.519
<v Speaker 1>know we are playing around here, and but you know

1:10:01.680 --> 1:10:06.200
<v Speaker 1>he shows me respect, I respect. Why why don't we

1:10:06.320 --> 1:10:08.599
<v Speaker 1>do that in public? I don't know. I'm not saying us.

1:10:08.760 --> 1:10:12.439
<v Speaker 1>I'm saying generally, but most people won't. They don't want

1:10:12.479 --> 1:10:14.920
<v Speaker 1>to do that. I don't want to say that. If

1:10:15.000 --> 1:10:18.439
<v Speaker 1>I grew up listening to you and if you made

1:10:18.880 --> 1:10:21.800
<v Speaker 1>what component Noriega is, I can't tell you that to you,

1:10:22.080 --> 1:10:24.840
<v Speaker 1>no question, and I gotta say, that's why we did

1:10:24.960 --> 1:10:28.519
<v Speaker 1>this component Noriega. We tried to be epm so I

1:10:28.600 --> 1:10:31.479
<v Speaker 1>talked about to his face. I'm like, yo, and I'm like,

1:10:31.640 --> 1:10:34.160
<v Speaker 1>as a man, I tell run can see today face.

1:10:34.439 --> 1:10:37.120
<v Speaker 1>I let them people know today faces. I don't care

1:10:37.200 --> 1:10:39.640
<v Speaker 1>who it is. If you influence me, I'm giving this

1:10:39.760 --> 1:10:42.439
<v Speaker 1>to you. But people be like, yo, I know what

1:10:42.600 --> 1:10:45.240
<v Speaker 1>I'm saying, but that but that's only us. I'm not

1:10:45.400 --> 1:10:48.639
<v Speaker 1>sweating him. I'm not joking that. I think that's awesome.

1:10:51.160 --> 1:10:54.000
<v Speaker 1>The thing about it is me and Compon be the

1:10:54.080 --> 1:10:56.479
<v Speaker 1>fakest people in the world. If we ain't say we

1:10:56.680 --> 1:10:59.080
<v Speaker 1>was influenced by you, right, if we I me and

1:10:59.320 --> 1:11:02.479
<v Speaker 1>would be the corniest dudes in the world. We say, Yo,

1:11:03.160 --> 1:11:05.880
<v Speaker 1>you know he was trying to be epm like we were.

1:11:06.720 --> 1:11:09.599
<v Speaker 1>But that doesn't make us bad bad because we were

1:11:09.680 --> 1:11:13.040
<v Speaker 1>following R D MC. I mean we eight for y'all.

1:11:13.160 --> 1:11:17.760
<v Speaker 1>It's rock boxing MCS for us, and we relately eight three.

1:11:17.840 --> 1:11:20.880
<v Speaker 1>It's a little sun of be minds for the rock

1:11:21.080 --> 1:11:25.479
<v Speaker 1>another shot. But wasn't that saying about today's come on?

1:11:25.520 --> 1:11:28.200
<v Speaker 1>Obviously there wasn't the leaders for them. Yo. I noticed

1:11:28.240 --> 1:11:32.280
<v Speaker 1>my glass is the biggest in there. I watch, I watched,

1:11:32.479 --> 1:11:34.439
<v Speaker 1>we say that too. We're going back to it too.

1:11:34.960 --> 1:11:37.080
<v Speaker 1>If we would have said something when they got that far,

1:11:37.240 --> 1:11:39.840
<v Speaker 1>we didn't say anything because we left stuff to get

1:11:39.840 --> 1:11:41.880
<v Speaker 1>out of hand and it got like this. So I

1:11:41.880 --> 1:11:44.479
<v Speaker 1>would say that our generation dropped the ball, strop the ball.

1:11:44.640 --> 1:11:48.240
<v Speaker 1>But we're starting to work. It was parented, even the

1:11:48.360 --> 1:11:51.160
<v Speaker 1>parenting that like us as not us as parents, but

1:11:51.360 --> 1:11:55.120
<v Speaker 1>the parents too. Our parents was the last parents that

1:11:55.320 --> 1:11:58.519
<v Speaker 1>parented children too. And I don't like to switch the

1:11:58.920 --> 1:12:00.559
<v Speaker 1>Do you know what somebody tell me the other day,

1:12:00.920 --> 1:12:04.640
<v Speaker 1>it's that um and I agree with them. But they

1:12:04.720 --> 1:12:07.200
<v Speaker 1>said to me, you said you don't like this new

1:12:07.360 --> 1:12:10.439
<v Speaker 1>generation of hip hop. I think it's okay. They said,

1:12:10.479 --> 1:12:14.360
<v Speaker 1>what is your fault? Yeah, and they said, because you

1:12:14.400 --> 1:12:18.320
<v Speaker 1>didn't say nothing right. And I said, it's a similar

1:12:18.360 --> 1:12:20.840
<v Speaker 1>to what my song said earlier. And I said, what

1:12:21.040 --> 1:12:22.960
<v Speaker 1>they said, you didn't. You didn't say nothing like when

1:12:23.000 --> 1:12:26.840
<v Speaker 1>you knew it was bullshit happening. You never said nothing right.

1:12:27.560 --> 1:12:29.880
<v Speaker 1>You just sat nobody said, and that's what we do,

1:12:31.360 --> 1:12:34.360
<v Speaker 1>what it to ourselves. And then by time we did

1:12:34.479 --> 1:12:39.280
<v Speaker 1>really because because you know what a mile out we

1:12:39.439 --> 1:12:41.880
<v Speaker 1>actually it was actually about lyrics when we just came out,

1:12:42.000 --> 1:12:44.839
<v Speaker 1>I was actually about beats. Right now, it's about melody.

1:12:45.400 --> 1:12:49.519
<v Speaker 1>If you have a great melody, they can do you.

1:12:50.600 --> 1:12:54.320
<v Speaker 1>But if you have a great melody, I sing along melody. Everybody,

1:12:55.920 --> 1:12:57.719
<v Speaker 1>don't forget our error. We had to go to power

1:12:57.760 --> 1:13:02.599
<v Speaker 1>Play studio. We had a Queen's gone on the power point.

1:13:02.960 --> 1:13:07.519
<v Speaker 1>I tried. I was there for us the power point.

1:13:07.560 --> 1:13:09.839
<v Speaker 1>We our sounds. What you say It came with the play.

1:13:10.720 --> 1:13:13.120
<v Speaker 1>We used the caress when you stop for sleeping bag Yo,

1:13:13.160 --> 1:13:18.040
<v Speaker 1>paul Us out them over Koreo. The little came. The

1:13:18.080 --> 1:13:22.000
<v Speaker 1>Internet was the name, I was dead. You don't have

1:13:22.040 --> 1:13:26.160
<v Speaker 1>to wait and Paul pulling do y'all me pulling before y'all,

1:13:26.400 --> 1:13:34.000
<v Speaker 1>I don't know. I was so broken, was so wrong,

1:13:35.240 --> 1:13:37.280
<v Speaker 1>Like when the Niggers told me to come, I was like,

1:13:37.479 --> 1:13:40.120
<v Speaker 1>I didn't know how to get there. But I just like, yo,

1:13:40.200 --> 1:13:42.720
<v Speaker 1>I'm getting there. But I was broken. But me and

1:13:42.800 --> 1:13:45.879
<v Speaker 1>Prods got signed for fifty hundred hours our first contract.

1:13:46.520 --> 1:13:55.360
<v Speaker 1>Yeah you need us using came with loading hours. Okay,

1:13:55.439 --> 1:13:59.400
<v Speaker 1>hold on, keep keep picking up this, mam, bes mam

1:13:59.479 --> 1:14:04.160
<v Speaker 1>forever you We need you on drink doing it right now,

1:14:05.120 --> 1:14:06.960
<v Speaker 1>Like you know what the crazy thing is a lot

1:14:07.000 --> 1:14:11.560
<v Speaker 1>of people don't know that that's what I get my

1:14:11.720 --> 1:14:15.800
<v Speaker 1>humor from. My humor comes from Bismobu. Mark was the

1:14:15.880 --> 1:14:18.840
<v Speaker 1>first person that made me listen to a record and

1:14:18.920 --> 1:14:21.320
<v Speaker 1>then laugh when he said I'm gonna put you know,

1:14:21.680 --> 1:14:23.640
<v Speaker 1>pick a book and put it on the basketball and

1:14:23.760 --> 1:14:27.439
<v Speaker 1>passed like damn. Because I visualized that. I was like, yeah,

1:14:27.479 --> 1:14:34.000
<v Speaker 1>that's a family. And so a lot of people asked

1:14:34.040 --> 1:14:36.559
<v Speaker 1>me and I say, my humor comes from bis mom.

1:14:37.200 --> 1:14:40.280
<v Speaker 1>But again these people don't know who bis Macky is,

1:14:41.160 --> 1:14:43.599
<v Speaker 1>so they stand back it. But the kids know from

1:14:43.680 --> 1:14:49.040
<v Speaker 1>your guys now little kids. Yeah, yeah, but that's where

1:14:49.120 --> 1:14:51.720
<v Speaker 1>it came from. That was like the first like comedic

1:14:52.560 --> 1:14:58.519
<v Speaker 1>rapper and since then it hasn't been one. Right now,

1:14:58.640 --> 1:15:01.360
<v Speaker 1>I'm taking over that but a ship, but I'm taking

1:15:01.400 --> 1:15:04.599
<v Speaker 1>over it from a media standpoint. And at the end

1:15:04.640 --> 1:15:08.200
<v Speaker 1>of the day, I can never forget my forefathers, Like

1:15:08.520 --> 1:15:11.000
<v Speaker 1>he's gonna be gonna be gonna He had never heard that,

1:15:11.880 --> 1:15:15.160
<v Speaker 1>but never to this day, this mark is still the

1:15:15.200 --> 1:15:18.200
<v Speaker 1>same way he wasn't with the grand and you know,

1:15:18.360 --> 1:15:23.280
<v Speaker 1>on the same page. You know, you had a big shots.

1:15:23.320 --> 1:15:25.880
<v Speaker 1>You look, I've been following a long gun. To listen,

1:15:25.920 --> 1:15:31.120
<v Speaker 1>I'm listening. I'm gonna tell you nigga song Um, I

1:15:31.240 --> 1:15:35.160
<v Speaker 1>heard this nigga say, I knew a girl named Kenya

1:15:35.400 --> 1:15:38.200
<v Speaker 1>from West Virginia. Oh bo, I would I like to

1:15:38.280 --> 1:15:42.040
<v Speaker 1>stick something in you? I was a rapper from that moment.

1:15:43.120 --> 1:15:49.320
<v Speaker 1>I did not understand from you. You made me grant mad.

1:15:49.400 --> 1:15:52.360
<v Speaker 1>And I'm gonna be honest with Wow. When I heard that,

1:15:54.080 --> 1:15:56.439
<v Speaker 1>he knows it, I said, it's just like seventeen millions.

1:15:59.280 --> 1:16:02.640
<v Speaker 1>But but that ship right there, it was like I

1:16:02.760 --> 1:16:05.120
<v Speaker 1>gotta wrap now, like I gotta do. I didn't know

1:16:05.200 --> 1:16:06.720
<v Speaker 1>how I was gonna wrap. I didn't know how I

1:16:06.800 --> 1:16:10.880
<v Speaker 1>was gonna make it. But but from that from those

1:16:10.920 --> 1:16:15.200
<v Speaker 1>who brokeers right there. But let's get back to let's

1:16:15.200 --> 1:16:20.080
<v Speaker 1>get back to ep MD. I was gonna say, arguably

1:16:20.840 --> 1:16:25.120
<v Speaker 1>but probably the best two man group ever in life,

1:16:25.520 --> 1:16:28.639
<v Speaker 1>in existence. I'm standing in front of both for y'all.

1:16:29.080 --> 1:16:30.880
<v Speaker 1>I felt like one of y'all is gonna come. I

1:16:31.000 --> 1:16:33.280
<v Speaker 1>felt like it was just one person. I was like, damn, wow,

1:16:33.360 --> 1:16:37.599
<v Speaker 1>that's crazy up Like, but then, how is your brother?

1:16:38.160 --> 1:16:41.160
<v Speaker 1>Was all on you? That's my man. You know what's

1:16:41.200 --> 1:16:58.559
<v Speaker 1>his name? His name the Tiger Bone were missing some elements.

1:16:59.240 --> 1:17:02.640
<v Speaker 1>That's okay, he said. He said, you gotta check out

1:17:02.720 --> 1:17:06.519
<v Speaker 1>nor his show. What it's called Drink Chance. He says,

1:17:06.520 --> 1:17:09.640
<v Speaker 1>the dopest ship ever. I mean here, we take like

1:17:09.760 --> 1:17:12.519
<v Speaker 1>four hour rides. We listened to the music, hours into

1:17:12.560 --> 1:17:14.679
<v Speaker 1>the hip hop and everything. To take the arts track.

1:17:21.720 --> 1:17:24.200
<v Speaker 1>You're like, yo, I didn't know that you get this.

1:17:24.320 --> 1:17:27.360
<v Speaker 1>It's like behind the music and that's and that's what

1:17:27.479 --> 1:17:31.280
<v Speaker 1>it's because it's because you know why the thing is,

1:17:31.600 --> 1:17:34.040
<v Speaker 1>we don't have an inside the NBA for hip hop.

1:17:34.240 --> 1:17:37.000
<v Speaker 1>We don't have it. So when you look at Kenney Smith,

1:17:37.000 --> 1:17:41.320
<v Speaker 1>who's from left Rack. By the way, I threw that

1:17:41.439 --> 1:17:47.679
<v Speaker 1>in there, that was a shot. Ye. I watched Kenney Smith.

1:17:47.880 --> 1:17:50.240
<v Speaker 1>I watched Charles Barkley, And even though I don't agree

1:17:50.240 --> 1:17:53.240
<v Speaker 1>with Charles Barkley, it's like, you know what, you can't

1:17:53.360 --> 1:17:56.920
<v Speaker 1>argue with him because he played the game. He actually

1:17:57.240 --> 1:18:01.200
<v Speaker 1>played the game, so even and I don't even like

1:18:01.360 --> 1:18:02.880
<v Speaker 1>funk with him, and I don't know, I don't sunk

1:18:02.880 --> 1:18:05.080
<v Speaker 1>with his views at all, Like I don't funk with

1:18:05.120 --> 1:18:07.599
<v Speaker 1>his views at all, But I can't say I don't

1:18:07.680 --> 1:18:10.360
<v Speaker 1>funk with him right because he played the game at

1:18:10.360 --> 1:18:12.400
<v Speaker 1>a high level and then he's giving back and his

1:18:12.520 --> 1:18:16.000
<v Speaker 1>opinion should be his opinion, so we all sat back. Me,

1:18:16.840 --> 1:18:20.680
<v Speaker 1>if it's that bad, where is our version of that?

1:18:21.600 --> 1:18:24.040
<v Speaker 1>Why don't we have that? Why don't we have it?

1:18:24.280 --> 1:18:26.560
<v Speaker 1>And I only to have that? Well, why don't we

1:18:26.720 --> 1:18:31.519
<v Speaker 1>have people that want to show love back to the coulchure,

1:18:31.600 --> 1:18:36.320
<v Speaker 1>like like I have no problems even talk about but

1:18:36.439 --> 1:18:38.760
<v Speaker 1>I have no problems with telling you. I have no

1:18:38.880 --> 1:18:42.360
<v Speaker 1>problem telling you if it wasn't for E. P m D.

1:18:42.479 --> 1:18:45.320
<v Speaker 1>Then be a component arm right paying super homage like

1:18:45.360 --> 1:18:48.840
<v Speaker 1>we pay homage to run see but in this generation,

1:18:49.400 --> 1:18:52.760
<v Speaker 1>you would have people who use your music build their

1:18:52.800 --> 1:18:55.280
<v Speaker 1>whole career, like when they freestyle and they walked past me,

1:18:55.400 --> 1:19:00.439
<v Speaker 1>and yeah, like like that only makes you were How

1:19:00.479 --> 1:19:03.160
<v Speaker 1>did y'all feel that? It was kinda like y'all know

1:19:03.479 --> 1:19:05.160
<v Speaker 1>you like work, you like when people You're like, when

1:19:05.160 --> 1:19:13.559
<v Speaker 1>people freestyle over your music. I don't okay people saying kills.

1:19:13.680 --> 1:19:15.640
<v Speaker 1>Back in the day, when somebody used your music or

1:19:15.680 --> 1:19:20.680
<v Speaker 1>said your rhyme, it was homage. It was homed. I

1:19:20.800 --> 1:19:24.160
<v Speaker 1>seen they, dude, I kid you now. I walked to MTV, right,

1:19:24.560 --> 1:19:27.519
<v Speaker 1>I want the MTV. The dude put out the freestyle

1:19:27.720 --> 1:19:31.200
<v Speaker 1>that day of my music and walked right by me.

1:19:32.240 --> 1:19:35.280
<v Speaker 1>And I looked at the nigger and I'm like, damn,

1:19:35.360 --> 1:19:37.400
<v Speaker 1>do you know you rombed up a band from TV.

1:19:37.920 --> 1:19:44.719
<v Speaker 1>I want to shank you. I want to shiver that alone.

1:19:45.920 --> 1:19:49.160
<v Speaker 1>But the fact is you walked right by me, right right.

1:19:49.760 --> 1:19:52.080
<v Speaker 1>And the people from MTV was trying to tell him like, yeah,

1:19:54.080 --> 1:19:57.080
<v Speaker 1>introduced me, and he didn't even know I was that

1:19:57.439 --> 1:20:00.840
<v Speaker 1>like they introduced me. He was like, this is Norrie, alright, cool,

1:20:07.000 --> 1:20:09.160
<v Speaker 1>give me that. I don't know. I don't und on

1:20:09.240 --> 1:20:13.559
<v Speaker 1>my ship Like I was so mad, but I had

1:20:13.640 --> 1:20:17.759
<v Speaker 1>to actually relax. Yeah, but I didn't want to relax.

1:20:18.120 --> 1:20:21.200
<v Speaker 1>That's crazy And I'm like I was crazy, Like how

1:20:21.280 --> 1:20:23.280
<v Speaker 1>can't you not You ever see the cartoons, like when

1:20:23.600 --> 1:20:26.600
<v Speaker 1>the ship, like I know, Steven was coming out of

1:20:26.640 --> 1:20:28.400
<v Speaker 1>my ship because I was like, I'm trying to keep

1:20:28.479 --> 1:20:32.760
<v Speaker 1>holding down, and I'm like, that's the thing about it is, Yeah,

1:20:32.880 --> 1:20:36.320
<v Speaker 1>I know who you were. I knew who Rock Him was.

1:20:36.880 --> 1:20:40.639
<v Speaker 1>I knew who not was we who. I knew who Mama.

1:20:41.280 --> 1:20:43.439
<v Speaker 1>I knew who dress was. I knew Black she was.

1:20:43.840 --> 1:20:48.080
<v Speaker 1>I knew So if I actually touched your record, he

1:20:48.160 --> 1:20:50.200
<v Speaker 1>said to me, why did you do that? I can

1:20:50.240 --> 1:20:54.559
<v Speaker 1>say because I love you, right, not because I'm rhymbing

1:20:54.640 --> 1:20:56.599
<v Speaker 1>on something that's hot. And then and then it bothers

1:20:56.640 --> 1:20:59.680
<v Speaker 1>me because I even blame the producers. I blame the

1:20:59.720 --> 1:21:03.080
<v Speaker 1>engine because before you tell these nigga rhyme on this ship,

1:21:03.680 --> 1:21:09.200
<v Speaker 1>tell who it is. We went in rhyme on somebody

1:21:09.240 --> 1:21:11.960
<v Speaker 1>else's dope ship. If we couldn't represent it like what

1:21:12.120 --> 1:21:14.639
<v Speaker 1>they did this, it's like, I'm not going to get

1:21:14.680 --> 1:21:20.040
<v Speaker 1>one raw. So many if I can't right, so many,

1:21:20.960 --> 1:21:23.920
<v Speaker 1>so many people would call me to re create band

1:21:23.960 --> 1:21:28.360
<v Speaker 1>from tv O and I tell him no, not because

1:21:28.479 --> 1:21:31.519
<v Speaker 1>it can't be re created. But one of my best

1:21:31.680 --> 1:21:35.639
<v Speaker 1>friends in hip hop was named Big Punt. He's not around,

1:21:36.479 --> 1:21:39.000
<v Speaker 1>so there's no way we can we create this moment, right.

1:21:39.160 --> 1:21:44.160
<v Speaker 1>Let's let that moment die die, right, And it's my record.

1:21:45.320 --> 1:21:50.800
<v Speaker 1>I paid for these motherfucker's so I darn you motherfuckers

1:21:50.840 --> 1:21:52.640
<v Speaker 1>trying to do it, and then you're sending me their

1:21:52.720 --> 1:21:57.920
<v Speaker 1>links and I'd be like, I don't want to play right,

1:21:59.240 --> 1:22:01.000
<v Speaker 1>They'd be sending me legs too. I look at it,

1:22:01.720 --> 1:22:05.080
<v Speaker 1>I say, relaxed. In my mind, I think that Pete

1:22:05.160 --> 1:22:11.320
<v Speaker 1>Rock felt with what's the kid from Chicago Cheap No

1:22:12.920 --> 1:22:17.280
<v Speaker 1>the Big Back when he did um women, it's over beat.

1:22:17.520 --> 1:22:21.840
<v Speaker 1>You're not supposed touch women? Yeah, Yo, listen, Les Letten,

1:22:21.840 --> 1:22:24.839
<v Speaker 1>I'm gonna be honest. They can't touch any EPND record

1:22:25.720 --> 1:22:29.080
<v Speaker 1>y'all got. Y'all made too much. You can't telling the

1:22:29.240 --> 1:22:33.680
<v Speaker 1>people that used them because to the young guys, Yo

1:22:33.840 --> 1:22:35.800
<v Speaker 1>and I the most sample dudes in the hip hop

1:22:35.880 --> 1:22:39.599
<v Speaker 1>hop like from all Our Beat if you do the history, yeah,

1:22:39.960 --> 1:22:42.760
<v Speaker 1>tons of beat for beat, beat for beat, and they

1:22:42.840 --> 1:22:47.800
<v Speaker 1>just do it us. Let's go. Did you like when

1:22:48.200 --> 1:22:50.720
<v Speaker 1>artists well at that time we had because we was

1:22:50.800 --> 1:22:52.280
<v Speaker 1>kind of off the grid, so it kind of helped

1:22:52.360 --> 1:22:55.320
<v Speaker 1>us out a little, you know what I mean from

1:22:55.400 --> 1:22:57.320
<v Speaker 1>Mario Wins. I don't want to know. I know. I mean,

1:22:59.640 --> 1:23:07.280
<v Speaker 1>that's kind me, don't She's like, out your customer sample. Goddamn,

1:23:07.320 --> 1:23:09.519
<v Speaker 1>I got that's so classic, man. Let me just tell you.

1:23:11.840 --> 1:23:14.280
<v Speaker 1>And Jealous he come and talk to me, to your customer,

1:23:19.240 --> 1:23:22.560
<v Speaker 1>drink your shoes, do your customers custom Me too, But

1:23:22.680 --> 1:23:25.599
<v Speaker 1>Puppy was destroying pa to let's make some mus drinking.

1:23:28.680 --> 1:23:30.479
<v Speaker 1>I don't come up with DMX. I don't know why.

1:23:30.640 --> 1:23:32.320
<v Speaker 1>But you know, I don't know. I don't know why

1:23:32.360 --> 1:23:35.320
<v Speaker 1>I even called He called Forty called me and said

1:23:36.680 --> 1:23:41.360
<v Speaker 1>Forty called me and said, Drake the sample to DMX records.

1:23:41.760 --> 1:23:43.600
<v Speaker 1>He feels like d MS and this sam for it.

1:23:44.520 --> 1:23:47.280
<v Speaker 1>So he called me. You know, naturally, I'm the plot,

1:23:49.160 --> 1:23:52.000
<v Speaker 1>made it happen, put him on the phone with DMX,

1:23:52.960 --> 1:24:04.360
<v Speaker 1>and the dog didn't give a fuck. Yeah, I gotta

1:24:04.360 --> 1:24:08.320
<v Speaker 1>get the poet each other. No, I'm gonna get out.

1:24:09.479 --> 1:24:14.040
<v Speaker 1>But that's what But that's what that should be like.

1:24:17.280 --> 1:24:20.040
<v Speaker 1>But that shows me right there, Drake had the consideration

1:24:21.360 --> 1:24:24.280
<v Speaker 1>to the right. And but you know what you know

1:24:24.360 --> 1:24:28.880
<v Speaker 1>what to me. I respect that if I'm gonna touch

1:24:28.920 --> 1:24:31.400
<v Speaker 1>your record, I'm gonna actually reach out to you. So

1:24:31.560 --> 1:24:34.280
<v Speaker 1>y'all listen. I feel like I'm gonna do this, and

1:24:34.439 --> 1:24:37.320
<v Speaker 1>because you know what it is like a couple of brothers,

1:24:37.920 --> 1:24:41.160
<v Speaker 1>uh touched my record. It's called sometimes, right, it's about

1:24:41.160 --> 1:24:44.680
<v Speaker 1>my father, my father. It's about my father passed away. Right.

1:24:45.360 --> 1:24:47.719
<v Speaker 1>So when I say sometimes I want to cry and pray.

1:24:48.080 --> 1:24:52.160
<v Speaker 1>Sometimes sometimes I want you. Sometimes sometimes I get drunk

1:24:52.280 --> 1:24:54.840
<v Speaker 1>or goddamn day. Sometimes I want to go back around

1:24:54.920 --> 1:24:57.519
<v Speaker 1>the way. Sometimes I want to ride a smoke. Sometimes

1:24:57.600 --> 1:25:01.880
<v Speaker 1>sometimes I got money, and I still feel bro when

1:25:01.920 --> 1:25:05.040
<v Speaker 1>I say things like that, you can't take this sometimes

1:25:05.080 --> 1:25:11.120
<v Speaker 1>and be like sometimes I want a bit. Sometimes sometimes

1:25:13.840 --> 1:25:16.400
<v Speaker 1>I don't like it, right, Like, I don't like it

1:25:17.439 --> 1:25:21.400
<v Speaker 1>because this is about my father. Would you actually listen

1:25:21.479 --> 1:25:26.080
<v Speaker 1>to the record? You listen to the right. You don't

1:25:26.160 --> 1:25:29.759
<v Speaker 1>understand that this is not what you can this record

1:25:30.120 --> 1:25:32.040
<v Speaker 1>tell these people they do it. They send it to

1:25:32.120 --> 1:25:34.799
<v Speaker 1>me and I mind you. So I'm gonna be honest.

1:25:35.120 --> 1:25:39.640
<v Speaker 1>I don't own the record, so when they sample it,

1:25:39.800 --> 1:25:43.720
<v Speaker 1>they don't actually have to like me, right, But I

1:25:43.840 --> 1:25:51.760
<v Speaker 1>don't clear it In my mind, I'm a foul and

1:25:51.880 --> 1:25:56.080
<v Speaker 1>I don't like you taking the card way. But what

1:25:56.280 --> 1:25:59.360
<v Speaker 1>it actually is, it's like it's just like it's just

1:25:59.479 --> 1:26:02.240
<v Speaker 1>like y'all, y'all yo, nigga just say slow down, baby,

1:26:02.400 --> 1:26:04.880
<v Speaker 1>and then the nigga just he just takes it and

1:26:04.960 --> 1:26:14.360
<v Speaker 1>he makes it big baby. Right. So, so do you

1:26:14.479 --> 1:26:16.360
<v Speaker 1>have a problem with that or no? I have a

1:26:16.439 --> 1:26:19.439
<v Speaker 1>major I know that that that when um, what was

1:26:19.439 --> 1:26:24.120
<v Speaker 1>the kid that used rampage over? Oh no, not Joey,

1:26:24.840 --> 1:26:30.280
<v Speaker 1>No man, what's the kid who did rampage over with

1:26:30.520 --> 1:26:39.000
<v Speaker 1>l O cool J? Just God? That was I thought

1:26:39.000 --> 1:26:45.759
<v Speaker 1>it wasn't even queens. But they didn't get in contact

1:26:45.880 --> 1:26:48.400
<v Speaker 1>to actually use it. You didn't jump out there ump

1:26:50.720 --> 1:26:53.800
<v Speaker 1>look at like the people used our records. They turned

1:26:53.840 --> 1:26:56.120
<v Speaker 1>them into classics for themselves. You got jay Z, ain't

1:26:56.160 --> 1:26:58.840
<v Speaker 1>no nigger. It's my thing. You got jay Z. You

1:26:58.920 --> 1:27:06.080
<v Speaker 1>got to your next Yeah yeah, yeah, so yeah, thank you,

1:27:06.200 --> 1:27:14.120
<v Speaker 1>Kim Serman, Kanye West Gold, they go to fa it's

1:27:14.160 --> 1:27:17.519
<v Speaker 1>my things. Get at me, dog, Let's get the balls

1:27:17.560 --> 1:27:19.759
<v Speaker 1>out of making it. Taking and see shaking the breaking

1:27:20.400 --> 1:27:23.000
<v Speaker 1>the degrees and start baking them. Sees like the Tato's

1:27:23.040 --> 1:27:27.760
<v Speaker 1>beats kicking like catle Yeah, and then the ropridies. Did

1:27:27.880 --> 1:27:31.479
<v Speaker 1>he being override the rough prizes? Didn't he being over Yeah?

1:27:31.720 --> 1:27:35.919
<v Speaker 1>I love that? But see that now now that's respect.

1:27:36.080 --> 1:27:39.240
<v Speaker 1>So now it's now because for me, if a person

1:27:39.360 --> 1:27:41.320
<v Speaker 1>calls me and they say, you know, I want to

1:27:41.360 --> 1:27:43.479
<v Speaker 1>do it over like again, some of these joints I don't,

1:27:43.640 --> 1:27:46.840
<v Speaker 1>I don't own, so when they say that, it kind

1:27:46.840 --> 1:27:50.040
<v Speaker 1>of press me at ease. So do these people call

1:27:50.080 --> 1:27:52.479
<v Speaker 1>you prior today? Samp with your record? So they're not

1:27:52.600 --> 1:27:54.160
<v Speaker 1>some of them reach up, But it's really like you said,

1:27:54.200 --> 1:27:56.719
<v Speaker 1>for its publishing, they don't. They don't have the callers.

1:27:58.920 --> 1:28:01.080
<v Speaker 1>They gotta you know, let's they taking the rhymes or

1:28:01.120 --> 1:28:03.600
<v Speaker 1>something like that or or whatever or whatever we'd be

1:28:03.720 --> 1:28:06.920
<v Speaker 1>seeing and I publish it, you know. So like I said,

1:28:07.080 --> 1:28:09.679
<v Speaker 1>I didn't get a call for Mario, but he still

1:28:09.720 --> 1:28:18.920
<v Speaker 1>got the money, righty, let me take some because I

1:28:18.960 --> 1:28:22.360
<v Speaker 1>can go with y'all for seventeen thousand millions. This is dope.

1:28:22.479 --> 1:28:24.679
<v Speaker 1>We finally remit it because it's tipping like you're damn

1:28:25.080 --> 1:28:27.599
<v Speaker 1>you know. So we didn't go into my amy because

1:28:27.760 --> 1:28:29.439
<v Speaker 1>she was not gonna be on point with the rugs.

1:28:29.520 --> 1:28:32.840
<v Speaker 1>I really I really doubted crazy. I'm sorry, I gotta

1:28:32.840 --> 1:28:38.800
<v Speaker 1>I gotta gotta seeing that at least because this is

1:28:40.600 --> 1:28:44.920
<v Speaker 1>rugs dot com. But you know what, um, we have

1:28:45.600 --> 1:28:48.280
<v Speaker 1>depth Brooks dot com. This is the website we have

1:28:48.640 --> 1:28:51.519
<v Speaker 1>at depth rugs on Instagram and you know what we

1:28:51.720 --> 1:28:55.000
<v Speaker 1>wanted the rugs he's hitting right now because you didn't

1:28:55.880 --> 1:29:03.960
<v Speaker 1>rush wen't make it working. Do you remember that? He actually, no, no,

1:29:04.640 --> 1:29:08.559
<v Speaker 1>we wasn't even specting this this way. He was even dope,

1:29:09.160 --> 1:29:11.720
<v Speaker 1>you want to spect to component. I told them as

1:29:11.720 --> 1:29:20.360
<v Speaker 1>soon as I say, I said, but as far as that,

1:29:20.560 --> 1:29:23.759
<v Speaker 1>we just knew that in the short period of time, Ali,

1:29:25.920 --> 1:29:28.519
<v Speaker 1>a short period of time, were working a short period

1:29:28.520 --> 1:29:30.320
<v Speaker 1>of time. But this is my this is my number,

1:29:30.400 --> 1:29:32.360
<v Speaker 1>it's my partner. And kind of so he was like,

1:29:33.080 --> 1:29:34.880
<v Speaker 1>you know, I'm saying, okay, yo, I got something I

1:29:34.920 --> 1:29:37.920
<v Speaker 1>can kick done quick. I hope I can. You know

1:29:37.920 --> 1:29:40.920
<v Speaker 1>what I'm saying? So and say come on hit me.

1:29:40.960 --> 1:29:44.080
<v Speaker 1>One day he said, do you see these rocks? He niggers. Guy,

1:29:44.640 --> 1:29:47.320
<v Speaker 1>I say, let me just tell you. I want to

1:29:47.320 --> 1:29:49.519
<v Speaker 1>just tell you what I want my house. You know,

1:29:49.600 --> 1:29:51.559
<v Speaker 1>I had burned the story up earlier and I didn't

1:29:51.640 --> 1:29:54.800
<v Speaker 1>bring it full circle. I said, I went to Leo's house, right,

1:29:55.200 --> 1:29:57.240
<v Speaker 1>and Leo he had all this ship and the thing

1:29:57.439 --> 1:30:00.720
<v Speaker 1>is everything that he Picassos. I don't give a funk

1:30:00.720 --> 1:30:02.960
<v Speaker 1>about Pocasso. I don't even like that name. Who is

1:30:03.040 --> 1:30:08.000
<v Speaker 1>that name? Right? And then I said honest, I said honest.

1:30:08.040 --> 1:30:11.479
<v Speaker 1>I said, I just had gave me sneakers, sneakers right size,

1:30:11.920 --> 1:30:14.000
<v Speaker 1>and it didn't matter side, because this is how I

1:30:14.080 --> 1:30:16.840
<v Speaker 1>want my whole house to be his hip hop memorability. Man,

1:30:17.360 --> 1:30:19.800
<v Speaker 1>Like I want I want a painting of E. F.

1:30:20.000 --> 1:30:21.880
<v Speaker 1>M D in my kids room, and I want to

1:30:21.960 --> 1:30:25.080
<v Speaker 1>pay in the rock him in my face. I want

1:30:25.120 --> 1:30:26.880
<v Speaker 1>to do like I want to have a Caress one

1:30:26.960 --> 1:30:29.960
<v Speaker 1>tennis ball, like I want to like I wanna because

1:30:30.160 --> 1:30:34.360
<v Speaker 1>that's that's that's the that's my pocas. Yeah. Like we

1:30:34.439 --> 1:30:36.640
<v Speaker 1>did the show with Run DMC in September. I got

1:30:36.760 --> 1:30:39.200
<v Speaker 1>the pair Adidas. I had Run signed to datas and

1:30:39.240 --> 1:30:43.080
<v Speaker 1>I had DMC signed to put them in the glass case. Yo,

1:30:43.200 --> 1:30:45.559
<v Speaker 1>and they even got the special edition jam Master Jay

1:30:45.600 --> 1:30:51.040
<v Speaker 1>Adidas crib. Then boom oh there's run signature, There goes DMCs,

1:30:51.080 --> 1:30:56.439
<v Speaker 1>there goes the limited different jam Master James. Yeah, yeah, yeah, yeah,

1:30:56.439 --> 1:30:59.439
<v Speaker 1>I know I got right, and I think there was

1:30:59.479 --> 1:31:04.559
<v Speaker 1>only like mad and I gotta pare. What's epm D's

1:31:04.600 --> 1:31:11.000
<v Speaker 1>favorite at right, hippo besides eight nineties nineties? Yeah, for

1:31:11.160 --> 1:31:15.519
<v Speaker 1>so much stuff. Nothing like it in the squad time frame,

1:31:15.680 --> 1:31:17.920
<v Speaker 1>like when that was in the Holy ninety two that

1:31:21.400 --> 1:31:25.240
<v Speaker 1>the old movie with the r I was thinking that.

1:31:25.320 --> 1:31:27.120
<v Speaker 1>You remember the Queen's movie didn't got shot up? That

1:31:27.200 --> 1:31:30.600
<v Speaker 1>was oh shift, I'm not proud of it. Yeah, we

1:31:30.680 --> 1:31:32.560
<v Speaker 1>want to queens when we did a shot Yeah, that

1:31:32.640 --> 1:31:34.599
<v Speaker 1>was mean nothing to see to see it. It's nothing

1:31:35.640 --> 1:31:38.800
<v Speaker 1>when you went to go see the movie. No, no,

1:31:40.160 --> 1:31:45.640
<v Speaker 1>I wasn't coming on my side. I'm totally but I

1:31:45.800 --> 1:31:49.920
<v Speaker 1>remember you because your memory is crazy. This nigger right, yeah, yeah,

1:31:50.479 --> 1:31:53.920
<v Speaker 1>he's a drink chan is a drinking chance. Came in.

1:31:54.920 --> 1:31:57.200
<v Speaker 1>He's official drink chance. You want a drink champ. You

1:31:57.280 --> 1:32:00.439
<v Speaker 1>gotta go back to Long Island. That's it. And look

1:32:00.520 --> 1:32:03.000
<v Speaker 1>look we gave you the stamp. You're a drink chap

1:32:03.080 --> 1:32:07.800
<v Speaker 1>now and you're gonna be a crown. How was it?

1:32:08.680 --> 1:32:13.880
<v Speaker 1>How was it? Oh? Pay the fall actually was ill

1:32:14.040 --> 1:32:17.000
<v Speaker 1>because so wood on the on on on the state

1:32:17.520 --> 1:32:21.120
<v Speaker 1>where you saying that camera can really punched the kid.

1:32:21.439 --> 1:32:23.240
<v Speaker 1>I was hit him and dragged him out the car.

1:32:23.520 --> 1:32:25.160
<v Speaker 1>He really punched him. The mentor was like that we

1:32:25.240 --> 1:32:27.040
<v Speaker 1>kind of cut you know, can't really hit the kid.

1:32:27.240 --> 1:32:31.439
<v Speaker 1>You know, I was auditioned for our pa. You did

1:32:31.720 --> 1:32:34.479
<v Speaker 1>it was me that you could You could have got that.

1:32:34.560 --> 1:32:36.679
<v Speaker 1>I was fat at the time. Now you can do it. No, yeah,

1:32:37.200 --> 1:32:40.960
<v Speaker 1>looking like fat at the time, Like now I who

1:32:41.080 --> 1:32:46.479
<v Speaker 1>was fat was good? But what was the name when

1:32:46.479 --> 1:32:50.880
<v Speaker 1>you was out blogging right there? It was crazy? Told

1:32:50.920 --> 1:32:53.200
<v Speaker 1>you I can't do this kind of movie star too?

1:32:53.200 --> 1:32:55.880
<v Speaker 1>And man, little bit, what's the state properant? Let me

1:32:55.920 --> 1:32:57.400
<v Speaker 1>tell you. Let me tell you about I'll pay the

1:32:57.439 --> 1:33:01.400
<v Speaker 1>fall because you ask, right. The funny thing about paying

1:33:01.560 --> 1:33:06.280
<v Speaker 1>for was I actually auditioned to be our pole? What

1:33:06.560 --> 1:33:12.599
<v Speaker 1>Harris who is hazy? Actually he actually uh resents your call.

1:33:13.200 --> 1:33:15.960
<v Speaker 1>He rehearsed with me and he told me he knew

1:33:15.960 --> 1:33:19.040
<v Speaker 1>I wasn't getting role. He was like, y'all you wild

1:33:20.960 --> 1:33:26.040
<v Speaker 1>way too far and I'm big at the time. He's like,

1:33:26.120 --> 1:33:29.880
<v Speaker 1>you're not getting this right, that's crazy. But I went

1:33:30.000 --> 1:33:33.120
<v Speaker 1>and I still tried. Right, But the people love me

1:33:33.280 --> 1:33:36.400
<v Speaker 1>so much that like, you're not our pole, We're gonna

1:33:36.560 --> 1:33:40.720
<v Speaker 1>so the next role. That's that's what the next role was.

1:33:41.160 --> 1:33:44.479
<v Speaker 1>And that you broke it up was me getting beat

1:33:44.560 --> 1:33:48.400
<v Speaker 1>up by Cam. That that role when he snuffed him

1:33:48.400 --> 1:33:51.560
<v Speaker 1>from that was that was my next ship. And and

1:33:51.680 --> 1:33:55.200
<v Speaker 1>then the director said, nobody thinks Cam's gonna beat your like,

1:33:55.360 --> 1:34:01.600
<v Speaker 1>this is gonna be vle you. You can happen. And

1:34:01.800 --> 1:34:05.960
<v Speaker 1>then what happened was the director was Charles Anthony Stone

1:34:06.000 --> 1:34:09.080
<v Speaker 1>with Charles Stone, Anthony the third one of the like

1:34:09.200 --> 1:34:13.160
<v Speaker 1>I know his name was a third Charlestone, the third. Yeah,

1:34:13.160 --> 1:34:15.559
<v Speaker 1>because I would always remember that because I'm like, damn,

1:34:15.640 --> 1:34:18.479
<v Speaker 1>like I always see that movies when they said the third, like,

1:34:18.560 --> 1:34:30.479
<v Speaker 1>I never think that's what I was. So I'm gonna

1:34:30.479 --> 1:34:34.080
<v Speaker 1>be honest with you. And I never said this payton

1:34:34.160 --> 1:34:39.479
<v Speaker 1>Forth was made up. That role never existed. The director

1:34:39.640 --> 1:34:44.400
<v Speaker 1>just wanted me so so he just said, just do something.

1:34:44.960 --> 1:34:47.559
<v Speaker 1>So when he came. When I came, I was actually

1:34:47.640 --> 1:34:49.360
<v Speaker 1>on tour. I think he was on tour with me.

1:34:49.479 --> 1:34:52.240
<v Speaker 1>And then we was on tour and I had one

1:34:52.400 --> 1:34:56.920
<v Speaker 1>day to go in New York. So I landed and

1:34:57.040 --> 1:34:59.960
<v Speaker 1>they said make something up, and I made it up

1:35:00.880 --> 1:35:06.160
<v Speaker 1>all that ship. What they said, No, I kind of exaggerated.

1:35:06.320 --> 1:35:11.840
<v Speaker 1>What they said was exaggerate. You gotta be the guy

1:35:12.000 --> 1:35:17.560
<v Speaker 1>that say, introduced Alpo to a z I mean a

1:35:17.760 --> 1:35:22.120
<v Speaker 1>z to Alphole. So I'm talking to a z uh,

1:35:22.479 --> 1:35:25.439
<v Speaker 1>which was what was his name in the movie Ace,

1:35:26.240 --> 1:35:28.760
<v Speaker 1>So I'm talking to Ace. But so what they told

1:35:28.800 --> 1:35:33.560
<v Speaker 1>me was um Ace had never heard of Alphole, So

1:35:33.720 --> 1:35:36.720
<v Speaker 1>you gotta exaggerate. So that's what I just said. I

1:35:36.800 --> 1:35:38.320
<v Speaker 1>just made it up. One of the there's one take

1:35:38.360 --> 1:35:44.600
<v Speaker 1>it raises. I was asked, I made it up. It

1:35:44.680 --> 1:35:47.040
<v Speaker 1>was so good that when I finished, like I was like,

1:35:47.080 --> 1:35:48.840
<v Speaker 1>I was like, I did that ship. I was like water,

1:35:49.200 --> 1:35:59.960
<v Speaker 1>like waters, like sla it's not even what they don't

1:36:00.160 --> 1:36:03.080
<v Speaker 1>he said, don't don't say no, Yasamin. You heard like

1:36:03.200 --> 1:36:06.200
<v Speaker 1>something that you can relate to the nineties. So I

1:36:06.280 --> 1:36:09.880
<v Speaker 1>had no I just all Emperor, and I didn't there's

1:36:09.960 --> 1:36:13.240
<v Speaker 1>one take. The reason why I said water because I

1:36:13.320 --> 1:36:15.160
<v Speaker 1>had nothing else to say. I didn't want to say cool.

1:36:16.160 --> 1:36:17.960
<v Speaker 1>I don't want to make a peace because I'm like

1:36:18.000 --> 1:36:20.720
<v Speaker 1>a piece might be dated. So I didn't know that

1:36:20.840 --> 1:36:24.240
<v Speaker 1>this is a time piece, right, So so when I

1:36:24.320 --> 1:36:28.080
<v Speaker 1>said water, I was fucking up. It was actually a

1:36:28.200 --> 1:36:37.920
<v Speaker 1>mistake like water, No no, No, you gotta say water.

1:36:37.920 --> 1:36:41.000
<v Speaker 1>You gotta say water. Whatever you like. Water. But E

1:36:41.200 --> 1:36:45.560
<v Speaker 1>P M D. You guys are so much an inspiration

1:36:46.080 --> 1:36:51.800
<v Speaker 1>not to just us meet poem e f N your

1:36:51.840 --> 1:36:55.879
<v Speaker 1>inspiration to hip hop. You gout still test the times.

1:36:56.040 --> 1:36:59.640
<v Speaker 1>You guys still looking a good out here doing a

1:36:59.760 --> 1:37:02.960
<v Speaker 1>death frogs. I'm not gonna drink chance work, So I'm

1:37:02.960 --> 1:37:07.720
<v Speaker 1>gonna take that because you were saying, stop drissing. You

1:37:07.760 --> 1:37:16.280
<v Speaker 1>know what you said? Locked up crystal clear? Crystal clear? Right.

1:37:16.880 --> 1:37:19.879
<v Speaker 1>So we so you're working on a new album. Donnamic

1:37:19.960 --> 1:37:23.120
<v Speaker 1>duo is big business. Dynamic duels, all of you working

1:37:23.200 --> 1:37:26.800
<v Speaker 1>with other dynamic the best of the best that we

1:37:27.080 --> 1:37:29.439
<v Speaker 1>think it was the best dynamic duals. So how far

1:37:29.439 --> 1:37:33.200
<v Speaker 1>are you in this album? Right now? We knew, but

1:37:33.280 --> 1:37:36.880
<v Speaker 1>we gotta stuff and then we pick to see what

1:37:36.960 --> 1:37:40.559
<v Speaker 1>we're gonna do with on what records. Remember we used

1:37:40.560 --> 1:37:43.559
<v Speaker 1>to do that, used to pick beats early. Now we Hollywood,

1:37:43.600 --> 1:37:45.439
<v Speaker 1>we don't even do ship like that. You gotts. Once

1:37:45.479 --> 1:37:47.160
<v Speaker 1>you get back to it, the first thing you think

1:37:47.240 --> 1:37:48.880
<v Speaker 1>is like, why did I leave this in the first place?

1:37:49.479 --> 1:37:51.760
<v Speaker 1>So when we did beats exchange and beats, you know,

1:37:52.080 --> 1:37:57.439
<v Speaker 1>going over concepts and because we're gonna do I was

1:37:57.479 --> 1:38:00.880
<v Speaker 1>thinking about doing like ghost Face and a Due Jane

1:38:01.600 --> 1:38:04.640
<v Speaker 1>for storytelling and then exact and see how we right

1:38:04.920 --> 1:38:07.360
<v Speaker 1>you know so, and then coming there with them and

1:38:07.439 --> 1:38:10.120
<v Speaker 1>mix it together with them. Are they doing the storytelling

1:38:10.160 --> 1:38:13.559
<v Speaker 1>the ghosts singing j to the eight to the end

1:38:13.640 --> 1:38:16.360
<v Speaker 1>to the end, then having the you know coming, Yeah,

1:38:16.479 --> 1:38:22.599
<v Speaker 1>what you enjoy better producing or the beats even though

1:38:22.640 --> 1:38:25.320
<v Speaker 1>agetting the rhyme is something that because me and Pass

1:38:25.479 --> 1:38:30.120
<v Speaker 1>we do it because he's like, yeah, and I'm sorry

1:38:30.200 --> 1:38:32.920
<v Speaker 1>your parents did strictly for this album and people you

1:38:32.960 --> 1:38:35.880
<v Speaker 1>don't know about this stuff that you know Y did. Yeah.

1:38:38.640 --> 1:38:41.360
<v Speaker 1>I started coming in late like like like what to

1:38:41.439 --> 1:38:43.559
<v Speaker 1>what you're saying? Then we was started going and keep

1:38:43.640 --> 1:38:45.960
<v Speaker 1>doing something su But again the first one was you

1:38:46.040 --> 1:38:48.200
<v Speaker 1>know I was I was watching. Now I learned to

1:38:48.240 --> 1:38:51.760
<v Speaker 1>produce from from him and Charlie as a producer. Like

1:38:51.920 --> 1:38:53.960
<v Speaker 1>when you when you sample, is it is it still

1:38:54.040 --> 1:38:57.000
<v Speaker 1>lookal their sampling or you you suggest to get away

1:38:57.040 --> 1:39:00.800
<v Speaker 1>from that. I do it because I don't know nothing

1:39:00.880 --> 1:39:03.840
<v Speaker 1>else far. The essence of the culture is to be

1:39:03.960 --> 1:39:08.479
<v Speaker 1>able to take the sample. So why would you do that? Right?

1:39:08.720 --> 1:39:10.880
<v Speaker 1>Like you should just supposed to feel good, making to

1:39:10.920 --> 1:39:12.960
<v Speaker 1>beat right, and how am I later? Then you run

1:39:13.000 --> 1:39:17.600
<v Speaker 1>into something okay, but making music making music though, I

1:39:17.680 --> 1:39:21.200
<v Speaker 1>went by because that's what makes you you. Because we

1:39:21.280 --> 1:39:23.920
<v Speaker 1>got suthed, like Eric Clapton came and guys and begin

1:39:24.600 --> 1:39:28.559
<v Speaker 1>business and Roger came and guys more bounced. But again

1:39:28.800 --> 1:39:30.800
<v Speaker 1>Eric was cool. You don't need Eric Clapton on the charge,

1:39:30.840 --> 1:39:35.840
<v Speaker 1>just like you know what I'm saying. But like this

1:39:36.160 --> 1:39:39.400
<v Speaker 1>missed when this guy hit it was wait what happened

1:39:39.439 --> 1:39:42.040
<v Speaker 1>talking about that? No business? You got what I need?

1:39:42.200 --> 1:39:44.880
<v Speaker 1>Was missed the game up? He funked it up. That's

1:39:44.880 --> 1:39:48.640
<v Speaker 1>why everybody was getting what did he do at no?

1:39:48.760 --> 1:39:51.000
<v Speaker 1>Because that was the sample that he didn't or something

1:39:51.080 --> 1:39:53.280
<v Speaker 1>he didn't clear right, and the record blew up and

1:39:53.400 --> 1:39:56.320
<v Speaker 1>blew up and then everybody stopped coming. And this is

1:39:56.760 --> 1:40:00.560
<v Speaker 1>this when um they want to attention? No, was this

1:40:00.720 --> 1:40:03.200
<v Speaker 1>the was this the error? After that? Like, because now

1:40:03.640 --> 1:40:05.800
<v Speaker 1>we sat for somebody's music, they say they want a

1:40:05.880 --> 1:40:09.720
<v Speaker 1>hundred percent of your public? Was that from from the

1:40:09.800 --> 1:40:13.360
<v Speaker 1>Reservoir Dorms on Jay Z's album, Yes, Isaac is one

1:40:13.360 --> 1:40:16.800
<v Speaker 1>of a hundred percent. Gave unt do that. We gave

1:40:16.840 --> 1:40:20.439
<v Speaker 1>it to him because Jay wanted to record bad, but

1:40:21.800 --> 1:40:24.759
<v Speaker 1>you would do all said that was your weight floso

1:40:24.800 --> 1:40:31.280
<v Speaker 1>because you flosom flosom. Just now, let's make it that

1:40:31.479 --> 1:40:33.880
<v Speaker 1>was good. That was good. No what I'm saying, but

1:40:34.000 --> 1:40:37.360
<v Speaker 1>that's what you game, right right right. That's some people.

1:40:37.479 --> 1:40:42.519
<v Speaker 1>Sometimes we get up, we give up because music listen

1:40:45.560 --> 1:40:48.000
<v Speaker 1>of nothing. How do you get paid if you got

1:40:48.080 --> 1:40:52.200
<v Speaker 1>to give him a hunt like that with all of them,

1:40:52.760 --> 1:40:57.280
<v Speaker 1>all of them that joints. So yeah, yeah, whatever you want,

1:40:57.280 --> 1:41:00.320
<v Speaker 1>you still got good, still get in the public. Don't

1:41:00.600 --> 1:41:03.160
<v Speaker 1>get the dumb. It come from everything else, touring and

1:41:03.240 --> 1:41:05.920
<v Speaker 1>everything you know in the puppis and checks and all.

1:41:06.000 --> 1:41:08.360
<v Speaker 1>You know, if the bracket this fire is fire is

1:41:08.400 --> 1:41:10.679
<v Speaker 1>worth the sample. So what's what is one of the samples?

1:41:10.920 --> 1:41:14.320
<v Speaker 1>What's what's the best thing about hip hop? Hip hop

1:41:14.479 --> 1:41:18.639
<v Speaker 1>is was the identity of everybody having the own identity.

1:41:19.360 --> 1:41:22.000
<v Speaker 1>It was the dopeest thing. Like everybody that you knew,

1:41:22.040 --> 1:41:24.640
<v Speaker 1>that was tribe, that was daylight, that was public, that

1:41:24.760 --> 1:41:30.439
<v Speaker 1>was seeing it, I was That was all that Nigga said.

1:41:30.479 --> 1:41:33.519
<v Speaker 1>It's the identity of everybody having their own identity. Let's

1:41:33.520 --> 1:41:41.080
<v Speaker 1>make a noise for that, just says smooth, slick and

1:41:41.280 --> 1:41:44.320
<v Speaker 1>he trying to go over. Yah. Yeah, noise kid, right,

1:41:45.840 --> 1:41:48.200
<v Speaker 1>bring that back, bring that back? Listen E P M D.

1:41:48.960 --> 1:41:51.599
<v Speaker 1>I love you, thank you, love me really really really

1:41:51.680 --> 1:41:53.720
<v Speaker 1>like I'm not saying this just because y'all hear. I'm

1:41:53.760 --> 1:41:58.120
<v Speaker 1>saying this because real ship. I remember selling crack to

1:41:58.200 --> 1:42:02.240
<v Speaker 1>your music. I'm not proud of that, but this, like

1:42:02.479 --> 1:42:06.760
<v Speaker 1>I shot come to you, to you, I apologized. I

1:42:06.880 --> 1:42:09.759
<v Speaker 1>saw a crack for one day and I was outside

1:42:09.800 --> 1:42:16.080
<v Speaker 1>the hoard story stating for the robbery map on the radio.

1:42:17.280 --> 1:42:20.720
<v Speaker 1>I had two crack bows on my mother's Lincoln Continental

1:42:21.040 --> 1:42:24.160
<v Speaker 1>mark five on the floor. Why are you selling cracking?

1:42:25.000 --> 1:42:29.600
<v Speaker 1>My man was doing it. Yeah, I was influencing. I

1:42:29.720 --> 1:42:31.560
<v Speaker 1>was like, oh this ship, I mean influence like this.

1:42:32.040 --> 1:42:34.920
<v Speaker 1>And it was early and so we didn't do a show.

1:42:35.240 --> 1:42:36.880
<v Speaker 1>They were just playing on the radio and it was

1:42:36.960 --> 1:42:39.200
<v Speaker 1>my man and he didn't force me and nothing. I

1:42:39.520 --> 1:42:45.000
<v Speaker 1>just said, no, just look hard and funk. Yeah, so

1:42:45.200 --> 1:42:47.920
<v Speaker 1>we put the capsules out. I'm going to go rob

1:42:48.000 --> 1:42:50.840
<v Speaker 1>with nothing to do, so put the mask on, sat down.

1:42:50.960 --> 1:42:52.840
<v Speaker 1>It's all on one day. You so crack had a

1:42:52.920 --> 1:42:55.160
<v Speaker 1>mask and you robbed it in one day and get

1:42:55.240 --> 1:42:58.720
<v Speaker 1>him to come out. So we went it and we

1:42:58.880 --> 1:43:01.400
<v Speaker 1>was waiting too long and we up but that right

1:43:01.439 --> 1:43:03.559
<v Speaker 1>there was a sign like yo. But I told proud

1:43:03.640 --> 1:43:05.840
<v Speaker 1>Mada like I thought I got wrong. I try to

1:43:06.360 --> 1:43:11.240
<v Speaker 1>even get wrong. Stop showing the day story. But we

1:43:11.800 --> 1:43:14.280
<v Speaker 1>got now, and they got me that now they got yo,

1:43:14.400 --> 1:43:17.320
<v Speaker 1>this yo, this is gonna be ya. This was before

1:43:17.360 --> 1:43:20.160
<v Speaker 1>the whoever you gotta tell our stuff stuff so a

1:43:20.240 --> 1:43:22.160
<v Speaker 1>little so when I saw me telling me I was

1:43:22.320 --> 1:43:24.960
<v Speaker 1>pressing them, I was like, hey, yo, listen, man. The

1:43:25.120 --> 1:43:28.560
<v Speaker 1>niggas robbed me being right now, like y'all. He was

1:43:28.600 --> 1:43:31.479
<v Speaker 1>on the wrong side. He was on outside of the building,

1:43:32.160 --> 1:43:35.000
<v Speaker 1>but that was not the neighborhood. But no, actually he

1:43:35.200 --> 1:43:37.519
<v Speaker 1>got away though he was gone. He just had the

1:43:37.560 --> 1:43:41.320
<v Speaker 1>double I was walking around with the false in d

1:43:41.520 --> 1:43:45.639
<v Speaker 1>nigger the far. I don't know how I got. It's

1:43:45.720 --> 1:43:49.400
<v Speaker 1>his birthday, so I'm like, yo, you know you want something, Yeah,

1:43:50.200 --> 1:43:54.160
<v Speaker 1>good bottle of champagne or something. I saw a nigga,

1:43:54.320 --> 1:43:57.960
<v Speaker 1>No he no, lie in the building with a white

1:43:58.000 --> 1:44:02.080
<v Speaker 1>woman's wig going and the white face mask right like

1:44:02.200 --> 1:44:04.920
<v Speaker 1>a wig face like a president mask. It was a

1:44:04.960 --> 1:44:09.479
<v Speaker 1>white lady. But it threw me. I wanted to look

1:44:09.479 --> 1:44:16.280
<v Speaker 1>at things about it. I think he got me. So

1:44:18.360 --> 1:44:23.360
<v Speaker 1>so I'm in the building and then we outside, so

1:44:23.880 --> 1:44:26.600
<v Speaker 1>the forcing didn't even leave. That's why I think he

1:44:26.640 --> 1:44:32.240
<v Speaker 1>set me up. So I go into building. Right, it's

1:44:32.280 --> 1:44:33.720
<v Speaker 1>on the third floor, so I don't have to take

1:44:33.720 --> 1:44:35.880
<v Speaker 1>the elevator. So I go open the door to woke

1:44:35.960 --> 1:44:37.880
<v Speaker 1>up in the project. To woke up stairs to the

1:44:37.960 --> 1:44:41.200
<v Speaker 1>first floor. The dude said, come back down. You got

1:44:41.280 --> 1:44:44.040
<v Speaker 1>the gun of my man's stomach, you know. But no, okay,

1:44:44.720 --> 1:44:46.599
<v Speaker 1>he got the gun of my man's stomach and said

1:44:46.600 --> 1:44:49.599
<v Speaker 1>come back here on a shoot. So I'm moving slow

1:44:50.120 --> 1:44:52.160
<v Speaker 1>at a thousand dollars in my pocket. I had a

1:44:52.200 --> 1:44:55.679
<v Speaker 1>white shirt on that the world be free, ring one

1:44:55.840 --> 1:44:58.560
<v Speaker 1>with the world. I got on the two chains. I

1:44:58.640 --> 1:45:01.599
<v Speaker 1>got my busy box. Now he snapped my business. Now

1:45:01.760 --> 1:45:04.800
<v Speaker 1>mass at me going all the way home with no music.

1:45:07.880 --> 1:45:09.880
<v Speaker 1>He tells me to take the chains off. So on

1:45:10.000 --> 1:45:14.600
<v Speaker 1>this slow motion, so he snapped brown first one. I'm like,

1:45:14.720 --> 1:45:20.000
<v Speaker 1>this is crazy, man, because I couldn't win. I gotta

1:45:20.360 --> 1:45:26.200
<v Speaker 1>I was snaps snap if you don't come back, So

1:45:27.160 --> 1:45:32.120
<v Speaker 1>he shot bow right. Let so serious, you know, no,

1:45:32.840 --> 1:45:34.639
<v Speaker 1>it was over because when I walked outside and look

1:45:34.640 --> 1:45:36.960
<v Speaker 1>at what happened, I'm like I knew to set me up,

1:45:37.000 --> 1:45:39.759
<v Speaker 1>because how you know that something happened to me? Because

1:45:39.800 --> 1:45:42.439
<v Speaker 1>he's shot to let the man's know that it's over.

1:45:43.840 --> 1:45:46.599
<v Speaker 1>So I went back the next day with the fork green,

1:45:46.680 --> 1:45:49.000
<v Speaker 1>I got a dog and my cousin Mail and the

1:45:49.040 --> 1:45:52.040
<v Speaker 1>Fiords went to stout out the club. So outside the

1:45:52.120 --> 1:45:56.400
<v Speaker 1>club until it was over. When outside opening, no, we

1:45:56.439 --> 1:45:58.200
<v Speaker 1>didn't care who was there. Open the trunk up out

1:45:58.240 --> 1:46:00.639
<v Speaker 1>the businses still stop busting out the club. I'm shooting

1:46:00.680 --> 1:46:08.840
<v Speaker 1>everybody upright. So the next day Light comes and says,

1:46:09.720 --> 1:46:12.320
<v Speaker 1>I heard what happened to stat Nolan. But that part

1:46:12.400 --> 1:46:14.720
<v Speaker 1>didn't get me. The only part that was I was

1:46:14.800 --> 1:46:20.160
<v Speaker 1>scared about was Paris finding out. So his man called

1:46:20.200 --> 1:46:23.439
<v Speaker 1>him to, YO, your man got robbed. So oh, he

1:46:23.520 --> 1:46:26.280
<v Speaker 1>called this is when? So what you're saying this out right?

1:46:26.600 --> 1:46:28.360
<v Speaker 1>So Paris just me and says you got wrong, like

1:46:28.720 --> 1:46:35.360
<v Speaker 1>you know everybody robbed me. So I'm lying to him

1:46:36.160 --> 1:46:39.280
<v Speaker 1>why his man lived in you know it's so He's like, yo,

1:46:39.360 --> 1:46:40.920
<v Speaker 1>you know your point you got you got robbed b

1:46:41.120 --> 1:46:43.200
<v Speaker 1>And I'm like, Yo, that's what you're saying is out?

1:46:43.360 --> 1:46:46.120
<v Speaker 1>You know that the gun talks in the record. The

1:46:46.200 --> 1:46:48.680
<v Speaker 1>whole ship, so I have to go back. But look

1:46:48.720 --> 1:46:50.960
<v Speaker 1>y'all went back and do that then because it got

1:46:51.080 --> 1:46:53.200
<v Speaker 1>back there. Yo, they came and tried to clip up

1:46:53.280 --> 1:46:55.760
<v Speaker 1>last night they got yeah, oh my god, the a

1:46:55.880 --> 1:47:00.280
<v Speaker 1>p m D. I ain't gonna lie. Listen, listen, we

1:47:00.360 --> 1:47:03.519
<v Speaker 1>almost got jam Rolls kill yeah big time before he

1:47:03.600 --> 1:47:11.960
<v Speaker 1>went to the NBA Ohio right jail ross hip hop.

1:47:12.200 --> 1:47:15.559
<v Speaker 1>These girls is good friends as you see. You see

1:47:15.600 --> 1:47:18.040
<v Speaker 1>in the past, I mean and in the past five

1:47:18.080 --> 1:47:22.000
<v Speaker 1>you got the epn D had someone a documentary. We're

1:47:22.000 --> 1:47:26.280
<v Speaker 1>in the spot. Ohio comes to Detroit, No Detroit, come

1:47:26.320 --> 1:47:32.000
<v Speaker 1>to Ohio and tennis arena. The pieces Detroit a big

1:47:32.040 --> 1:47:41.559
<v Speaker 1>bamboo feel like they was they was. They destroyed this arena.

1:47:42.200 --> 1:47:44.439
<v Speaker 1>So now they messed up by putting chairs and seat

1:47:44.640 --> 1:47:49.120
<v Speaker 1>right in the ep m D concert right now. See

1:47:49.400 --> 1:47:54.800
<v Speaker 1>we got ten thousands up in there. Now. I'm the

1:47:54.960 --> 1:47:57.560
<v Speaker 1>only one that got to test that night too. Exactly,

1:47:57.920 --> 1:48:01.800
<v Speaker 1>you got a pistol on your We're running the right

1:48:01.880 --> 1:48:05.599
<v Speaker 1>so we want to do now Niggas is busting every angle.

1:48:06.160 --> 1:48:10.559
<v Speaker 1>Now this is a moving vand Jalen J six something

1:48:11.640 --> 1:48:13.640
<v Speaker 1>much finding way to get out of here. Man, So

1:48:13.840 --> 1:48:17.000
<v Speaker 1>he jumped in the moving band. Luckily. I don't know

1:48:17.560 --> 1:48:24.760
<v Speaker 1>how are you another stopped? You know, we came out

1:48:24.840 --> 1:48:27.160
<v Speaker 1>the venue. Everybody came out at the same time. We

1:48:27.280 --> 1:48:31.960
<v Speaker 1>had another door van rolling. Jalen jumping kept it moving.

1:48:33.200 --> 1:48:35.400
<v Speaker 1>He would have been there because there was on us.

1:48:36.720 --> 1:48:39.800
<v Speaker 1>No the time in Cana when there was there was

1:48:40.040 --> 1:48:42.360
<v Speaker 1>a boke of the boots coming by my head. Really

1:48:42.439 --> 1:48:45.800
<v Speaker 1>talk about we in North Carolinas, the niggas called them boys,

1:48:45.840 --> 1:48:49.479
<v Speaker 1>called them that game we're going to at the party,

1:48:50.640 --> 1:48:53.920
<v Speaker 1>we walk in there, specializing them going there first, right

1:48:55.320 --> 1:48:58.680
<v Speaker 1>he had made already. Yeah, of course he didn't go

1:48:58.760 --> 1:49:01.599
<v Speaker 1>in there right, all the sudd and we're walking there

1:49:01.720 --> 1:49:03.519
<v Speaker 1>next me and my man pounds out there with us.

1:49:03.680 --> 1:49:06.000
<v Speaker 1>I mean the at the party with the guy wants

1:49:06.000 --> 1:49:10.240
<v Speaker 1>something the drugs may he said the stuff. Yeah, I

1:49:10.360 --> 1:49:17.000
<v Speaker 1>was right, I thought, man, because one day all the

1:49:17.120 --> 1:49:20.560
<v Speaker 1>niggers was like, ain't no stars in here, so, you know,

1:49:20.760 --> 1:49:23.160
<v Speaker 1>kind of playing us conduct. My man wasn't having it

1:49:23.400 --> 1:49:26.439
<v Speaker 1>hit the boom the dudes gun dropped. So when the

1:49:26.520 --> 1:49:30.560
<v Speaker 1>gun dropped, it was rolling towards the inside. So we

1:49:30.680 --> 1:49:33.960
<v Speaker 1>want to go after the pistol, you know, and it

1:49:34.320 --> 1:49:38.880
<v Speaker 1>was moving fast on my children. So we're backstrapped and said,

1:49:38.880 --> 1:49:46.200
<v Speaker 1>we ain't gonna get that, so we ran. Now, I'm

1:49:46.320 --> 1:49:49.360
<v Speaker 1>dirty pound light in this. My man is in top shape.

1:49:49.920 --> 1:49:55.240
<v Speaker 1>You know. I'm neck and neck with this nick going.

1:49:56.000 --> 1:49:59.479
<v Speaker 1>They're coming from out the cause under the tires, I

1:49:59.600 --> 1:50:03.080
<v Speaker 1>mean busting. I don't know how we lived. I jumped

1:50:03.120 --> 1:50:07.160
<v Speaker 1>in a ditch somewhere in the back and the guy

1:50:07.680 --> 1:50:13.519
<v Speaker 1>sitting something goes from the highway has stopped. But I'm like,

1:50:14.120 --> 1:50:24.400
<v Speaker 1>I'm yelling. Nigga's like all right. I'm like yo yo,

1:50:25.080 --> 1:50:28.560
<v Speaker 1>So so we get back. Big daddy can't hear about it.

1:50:29.040 --> 1:50:30.920
<v Speaker 1>Him and a certain man Terminy had them big guns.

1:50:31.040 --> 1:50:33.000
<v Speaker 1>It's like, yo, I like to happy yesterday. Man, the

1:50:33.120 --> 1:50:37.679
<v Speaker 1>nigga's going down now. But like, okay, But I gotta

1:50:37.720 --> 1:50:39.800
<v Speaker 1>bring it back to what you said earlier, because I

1:50:39.960 --> 1:50:44.240
<v Speaker 1>feel like you said that um Uh Kane went on

1:50:44.439 --> 1:50:46.840
<v Speaker 1>after y'all, But then you said Kane came on with

1:50:46.920 --> 1:50:50.639
<v Speaker 1>a speedo. I just gotta get to this. I gotta Actually,

1:50:51.720 --> 1:50:59.280
<v Speaker 1>I don't know you talk about we were stage the speedo, yes,

1:51:00.200 --> 1:51:03.280
<v Speaker 1>the hotel and a hotel yes, yo. We used to

1:51:03.360 --> 1:51:07.160
<v Speaker 1>get escorted to the county line a lot. We used

1:51:07.200 --> 1:51:09.720
<v Speaker 1>to have the hostage negotiate to get our people back,

1:51:09.800 --> 1:51:11.360
<v Speaker 1>and then they'd be like, whoa, you could have your

1:51:11.400 --> 1:51:14.200
<v Speaker 1>boys backed as long as you leave the state. Me

1:51:14.320 --> 1:51:20.000
<v Speaker 1>and Paris fort Hammer and at him fifty of this handling.

1:51:20.960 --> 1:51:22.560
<v Speaker 1>They got there, They got in mind there, but we

1:51:22.640 --> 1:51:26.559
<v Speaker 1>had to fight him and some of the police department. Yes,

1:51:28.040 --> 1:51:30.439
<v Speaker 1>was understanding. But when nolla Ice was opening for us,

1:51:31.200 --> 1:51:41.160
<v Speaker 1>ever understanding. Ham told Hammond told told have it from Oakland.

1:51:41.760 --> 1:51:48.840
<v Speaker 1>Hammond told Hammond, yeah. Hammon told us too, don't have

1:51:49.080 --> 1:51:52.240
<v Speaker 1>your man dancing on the speakers. So we said, okay, cool,

1:51:52.320 --> 1:51:56.920
<v Speaker 1>it's your door Nika Thiny from Queen's you know, for

1:51:57.080 --> 1:51:59.840
<v Speaker 1>rocking right people more. He didn't want to hear all that.

1:52:00.000 --> 1:52:03.479
<v Speaker 1>That's what you do. He jumped on the speakers anyway.

1:52:03.640 --> 1:52:08.000
<v Speaker 1>While now when when she is over, somebody come to

1:52:08.360 --> 1:52:11.200
<v Speaker 1>to findy talking mess. So Powders comes over to say

1:52:11.840 --> 1:52:14.880
<v Speaker 1>to see what's going on. So do you know it's

1:52:14.960 --> 1:52:18.559
<v Speaker 1>puffed up at p p broke the glasses, the frame,

1:52:19.120 --> 1:52:25.320
<v Speaker 1>the cheek, boom, nigga, everything came up right. So again

1:52:25.400 --> 1:52:27.120
<v Speaker 1>we're six two and a half. Have you said chocolate

1:52:27.160 --> 1:52:37.240
<v Speaker 1>brown you don't like yo yo? So I thought, wow,

1:52:38.120 --> 1:52:41.160
<v Speaker 1>we're going to a hallway and we stuck met Paris

1:52:41.240 --> 1:52:46.320
<v Speaker 1>and Solo and we trapped. But about you know, it's

1:52:46.320 --> 1:52:51.080
<v Speaker 1>about fifty of them anyway, just before the Georgian she

1:52:51.200 --> 1:52:56.080
<v Speaker 1>can be the ice and she hamdls kind of down together.

1:52:56.320 --> 1:53:00.080
<v Speaker 1>Russell Simmons had the call and had to holding a

1:53:00.160 --> 1:53:05.559
<v Speaker 1>couple of days exactly. So yeah, but he called Leo

1:53:07.280 --> 1:53:09.680
<v Speaker 1>onto No, no, he could get on the day they

1:53:09.720 --> 1:53:12.479
<v Speaker 1>got the mount handled. But the way the whole thing

1:53:12.560 --> 1:53:15.680
<v Speaker 1>went down at the end, everything ended right from the

1:53:15.760 --> 1:53:19.160
<v Speaker 1>let your police man who only gets down just opened

1:53:19.200 --> 1:53:23.439
<v Speaker 1>the back door. We left. Somebody stole our mic that night,

1:53:23.960 --> 1:53:26.400
<v Speaker 1>and we had the audacity after we tore that place

1:53:26.520 --> 1:53:29.719
<v Speaker 1>up to go to the prestin and see if anybody

1:53:29.800 --> 1:53:35.639
<v Speaker 1>turned in the mike. I wasn't get a little more story,

1:53:36.160 --> 1:53:38.080
<v Speaker 1>like all right, we gotta stop. He was boys, But

1:53:38.200 --> 1:53:45.200
<v Speaker 1>we fought mostly getting step to it, getting like taking

1:53:45.200 --> 1:53:47.120
<v Speaker 1>advantage of and I'm not gonna step to me if

1:53:47.160 --> 1:53:54.080
<v Speaker 1>I'm looking at them, like are you serious? Used like

1:53:54.120 --> 1:53:57.519
<v Speaker 1>I'm gonna see Paris was this friend of the football.

1:53:57.560 --> 1:54:00.439
<v Speaker 1>We was like, did you see us? Parents? Like no,

1:54:00.640 --> 1:54:03.680
<v Speaker 1>but I'm saying but they didn't like a couple of

1:54:03.840 --> 1:54:06.800
<v Speaker 1>rappers are I'm like, damn, you ain't gonna win, man,

1:54:06.920 --> 1:54:08.400
<v Speaker 1>Like in my head when I look at like, you know,

1:54:08.840 --> 1:54:12.280
<v Speaker 1>coming down. But that was like we coming and again

1:54:12.360 --> 1:54:14.479
<v Speaker 1>and we scat something that I'm gonna come up to

1:54:14.560 --> 1:54:16.160
<v Speaker 1>dress room. I'm missing on name, but they come like

1:54:16.280 --> 1:54:22.599
<v Speaker 1>just room, not just within them and everything. A couple

1:54:22.600 --> 1:54:29.920
<v Speaker 1>of you, like y'all arrested, y'all out. You know, you

1:54:30.320 --> 1:54:33.400
<v Speaker 1>know the little bathroom they have in the production office

1:54:33.440 --> 1:54:35.520
<v Speaker 1>when you're cooking up your money. Ye know. We stayed

1:54:35.520 --> 1:54:37.080
<v Speaker 1>in there with the cups. They stayed on the phone

1:54:37.120 --> 1:54:40.160
<v Speaker 1>with Russian management. Yeah, we coups sit in the ride.

1:54:40.200 --> 1:54:43.640
<v Speaker 1>We got twenty five thousand people like that going and

1:54:43.760 --> 1:54:47.600
<v Speaker 1>everything everything joint, where's the young artist? Where City boyd?

1:54:47.760 --> 1:54:58.520
<v Speaker 1>And I'm young? Really? Yeah? The right not shut the games. Yeah,

1:54:59.480 --> 1:55:04.840
<v Speaker 1>but this is what what they're describing as me as

1:55:04.880 --> 1:55:08.080
<v Speaker 1>a CEO, I want you to understand what the fun

1:55:08.280 --> 1:55:13.920
<v Speaker 1>they're saying. Like Rush management was crazy. Everybody. If you

1:55:14.120 --> 1:55:16.800
<v Speaker 1>wasn't on the depth jat, you had to be on

1:55:17.000 --> 1:55:23.000
<v Speaker 1>Rush and that eventually turned into violater that's true, and

1:55:23.120 --> 1:55:27.000
<v Speaker 1>eventually heavy and then and then because I felt like

1:55:27.000 --> 1:55:29.560
<v Speaker 1>I was on depth jam my whole career, but I wasn't.

1:55:29.960 --> 1:55:35.080
<v Speaker 1>I was. I was on I guess rush um Russ

1:55:35.120 --> 1:55:37.800
<v Speaker 1>excuse me. I felt I felt like he was like

1:55:38.160 --> 1:55:40.800
<v Speaker 1>fuck it and he gave it to baby Chris. That's

1:55:40.840 --> 1:55:45.440
<v Speaker 1>what That's what his name was. It wasn't baby. And

1:55:45.520 --> 1:55:48.120
<v Speaker 1>actually Chris Lighty name is actually not even Chris because

1:55:48.200 --> 1:55:51.960
<v Speaker 1>like his real name is Daryl Lightdy. So baby chrismas

1:55:52.040 --> 1:56:01.480
<v Speaker 1>because it's Mike mke Lightley. But but the truth Chris

1:56:02.480 --> 1:56:06.560
<v Speaker 1>was his father. That's why they call him baby Chris. Wow.

1:56:07.520 --> 1:56:10.600
<v Speaker 1>So Chris Ldy's real name. And that's how I know

1:56:10.720 --> 1:56:13.600
<v Speaker 1>because like when he first signed me, you'll send meifty,

1:56:14.160 --> 1:56:17.680
<v Speaker 1>send me fifteen thousand or whatever. And then I kept

1:56:17.720 --> 1:56:20.200
<v Speaker 1>going to the Western Union back in the days you

1:56:20.240 --> 1:56:22.880
<v Speaker 1>were sending that ship, like you're sending that type of ship,

1:56:24.480 --> 1:56:33.520
<v Speaker 1>Chris ldy and there was like, no, You're closet, was like,

1:56:34.320 --> 1:56:37.360
<v Speaker 1>and I finally called Clordia and Claudia was like, his

1:56:37.480 --> 1:56:39.640
<v Speaker 1>name is Daryl Lighty and know was that whole ship?

1:56:39.680 --> 1:56:41.680
<v Speaker 1>I didn't know that. But he's why they called him

1:56:41.760 --> 1:56:45.160
<v Speaker 1>baby Chris is because his father name was Chris. So

1:56:45.320 --> 1:56:49.320
<v Speaker 1>the reason why I want everybody to know is one

1:56:49.360 --> 1:56:54.760
<v Speaker 1>of the best situations, best places I've ever seen in life,

1:56:54.920 --> 1:56:58.880
<v Speaker 1>was one seventy Varry. You remember that christ You could

1:56:58.960 --> 1:57:02.080
<v Speaker 1>roll dice there. You get a haircut and you get

1:57:02.120 --> 1:57:06.520
<v Speaker 1>some pussy. If you never us into that's kind of

1:57:06.560 --> 1:57:12.920
<v Speaker 1>what we tell you something. It was like the bad

1:57:13.000 --> 1:57:14.960
<v Speaker 1>boys on them. It was telling to be like that.

1:57:15.080 --> 1:57:18.280
<v Speaker 1>It was bad the depth jam first one seventy back,

1:57:18.800 --> 1:57:20.640
<v Speaker 1>and then then they had another office and there was

1:57:20.640 --> 1:57:25.320
<v Speaker 1>my chump king. I'm seventy back, was it one? So

1:57:25.440 --> 1:57:29.920
<v Speaker 1>we started off Elizabeth Street was like the town, right,

1:57:30.200 --> 1:57:34.120
<v Speaker 1>but then one seventy bag. Yeah, it was like for me,

1:57:35.760 --> 1:57:39.320
<v Speaker 1>it was like a hood outside of the hook meeting

1:57:39.920 --> 1:57:49.200
<v Speaker 1>Grand Temptation would have much money, grant nothing. I used

1:57:49.240 --> 1:57:58.160
<v Speaker 1>to call us like, yeah, old day, but I'm gonna

1:57:58.160 --> 1:58:03.360
<v Speaker 1>be honest. That office I felt like the hood outside

1:58:03.400 --> 1:58:05.880
<v Speaker 1>of the hood. But it also felt like this is

1:58:06.080 --> 1:58:09.480
<v Speaker 1>this when you make it. This is people you to

1:58:09.600 --> 1:58:13.280
<v Speaker 1>sell a million records like you. Every it's different like you,

1:58:13.920 --> 1:58:17.320
<v Speaker 1>you was ninety eight, the next like guys you know

1:58:17.440 --> 1:58:20.840
<v Speaker 1>against and a million million records categories like you was.

1:58:21.480 --> 1:58:24.480
<v Speaker 1>I remember, I remember you was balaning despot with me.

1:58:24.720 --> 1:58:27.480
<v Speaker 1>You and M and Peter guns in them like one, two,

1:58:27.560 --> 1:58:31.040
<v Speaker 1>and three. Don't get rabbits are light, super thug and

1:58:31.240 --> 1:58:38.320
<v Speaker 1>fucking Peter Gunn your video I remember. I remember I

1:58:38.440 --> 1:58:40.800
<v Speaker 1>was like, damn, I gotta take him down. Take him down.

1:58:42.440 --> 1:58:45.720
<v Speaker 1>You did, and I remember we did um um, what's

1:58:45.720 --> 1:58:49.600
<v Speaker 1>the dude from um mtvtr was name not all right? No,

1:58:49.840 --> 1:58:53.080
<v Speaker 1>no the way guy, I'm Johnny. I'm not a john

1:58:55.920 --> 1:58:59.360
<v Speaker 1>I remember being on the beach interviewing that day. I'm like, Dad,

1:58:59.360 --> 1:59:03.560
<v Speaker 1>you know we got the one that was it was

1:59:03.720 --> 1:59:06.280
<v Speaker 1>ringing so hard, like I'm like, yo, Leo, listen, man,

1:59:07.360 --> 1:59:10.760
<v Speaker 1>we gotta you know, be dropped another record like like no,

1:59:11.240 --> 1:59:13.840
<v Speaker 1>we are right. And then Maxwell we got another one

1:59:13.880 --> 1:59:22.520
<v Speaker 1>album that he'd be Max but I maxt One got

1:59:22.600 --> 1:59:24.640
<v Speaker 1>beef for me, Max One. I I gotta tell you

1:59:24.680 --> 1:59:28.280
<v Speaker 1>what because I said on the record, I said, um,

1:59:28.320 --> 1:59:32.240
<v Speaker 1>your niggas is gay like the Maxwell video and he

1:59:32.360 --> 1:59:36.040
<v Speaker 1>never he never forgot that, like they actually ring the

1:59:36.120 --> 1:59:39.720
<v Speaker 1>Violator like he actually I'm a super shoot at this time,

1:59:39.800 --> 1:59:43.320
<v Speaker 1>like I'm super shooter, Like I don't have shooters. I

1:59:43.480 --> 1:59:47.040
<v Speaker 1>am the shooter. So he came to Violator because he

1:59:47.120 --> 1:59:50.440
<v Speaker 1>was a street dude nobody do it. And I'm like,

1:59:51.280 --> 1:59:54.440
<v Speaker 1>just like I said, Yo, what did you do to Maxwell?

1:59:58.320 --> 2:00:00.040
<v Speaker 1>It was at this time, I just say dumb it

2:00:00.160 --> 2:00:02.560
<v Speaker 1>in my round. I didn't I didn't know people actually

2:00:02.720 --> 2:00:09.080
<v Speaker 1>listen to me. So some MAXs I was only a

2:00:09.120 --> 2:00:14.320
<v Speaker 1>million people. He told them, niggas you tell Nora, me

2:00:14.400 --> 2:00:17.840
<v Speaker 1>and him gotta fight like and Chris is like, yo, no,

2:00:18.120 --> 2:00:23.240
<v Speaker 1>he's gonna shoot. You don't want to fight. But I

2:00:23.400 --> 2:00:25.280
<v Speaker 1>just thought it was the dopest thing that the R

2:00:25.320 --> 2:00:29.400
<v Speaker 1>and B to fight me like I actually I told

2:00:29.480 --> 2:00:34.600
<v Speaker 1>everybody little to me and another thing before we go,

2:00:34.760 --> 2:00:36.680
<v Speaker 1>that's so big. I want to go and start get

2:00:36.720 --> 2:00:40.120
<v Speaker 1>into the middle place. But love is a situation where

2:00:40.240 --> 2:00:42.600
<v Speaker 1>we need that more. Like you said before that some

2:00:42.840 --> 2:00:44.320
<v Speaker 1>point we can change the love of ship by Nigga

2:00:44.360 --> 2:00:46.640
<v Speaker 1>is just loving this stead of the head said, and

2:00:46.720 --> 2:00:51.160
<v Speaker 1>then Michael Epp said to over forty. The only reason

2:00:51.360 --> 2:00:54.680
<v Speaker 1>that I'm gonna put these up it was necessary. I

2:00:54.680 --> 2:00:57.040
<v Speaker 1>don't give if you called me a fat fun or

2:00:57.200 --> 2:01:00.520
<v Speaker 1>your music sucks or whatever. I'm going home. That's because

2:01:00.560 --> 2:01:03.120
<v Speaker 1>my to year old son needs his dad. That's right.

2:01:03.400 --> 2:01:06.240
<v Speaker 1>The only way I'm going if I'm put in the

2:01:06.360 --> 2:01:10.080
<v Speaker 1>position right I'm protecting my family or put in the city,

2:01:10.120 --> 2:01:12.120
<v Speaker 1>but I gotta get out then I'm putting these up.

2:01:12.360 --> 2:01:14.960
<v Speaker 1>But other than that, though I can't see you being

2:01:15.840 --> 2:01:18.160
<v Speaker 1>this is the point seven four year years old and saying, Yo,

2:01:18.720 --> 2:01:21.880
<v Speaker 1>I'm talking these streets like a funk that nigga you know,

2:01:21.960 --> 2:01:25.760
<v Speaker 1>and you're here nigga's talking mess or on the web

2:01:25.880 --> 2:01:29.080
<v Speaker 1>and doing this ship on the text and oh at

2:01:29.120 --> 2:01:33.880
<v Speaker 1>this age, I'm not fighting you money, I'm not just

2:01:35.240 --> 2:01:40.440
<v Speaker 1>Here's the problem is hip hop gotta start taking responsibility,

2:01:41.040 --> 2:01:44.200
<v Speaker 1>meaning there's no way you should fight. There's no way

2:01:44.280 --> 2:01:46.720
<v Speaker 1>you should fight. This gotta be somebody that's in the

2:01:46.840 --> 2:01:54.840
<v Speaker 1>club saying what I know? Are you talking to? Who? Like? Right?

2:01:55.200 --> 2:01:59.520
<v Speaker 1>And we gotta that's that's that's the thing, is Hill,

2:02:00.160 --> 2:02:03.640
<v Speaker 1>everybody that's here. We gotta start taking responsibility. And because

2:02:03.720 --> 2:02:05.840
<v Speaker 1>you know why, and this is the reason why we

2:02:06.080 --> 2:02:09.320
<v Speaker 1>started this, because we gotta actually protect our legends like

2:02:09.440 --> 2:02:13.840
<v Speaker 1>we actually do. Like if you see I told you

2:02:15.040 --> 2:02:19.160
<v Speaker 1>now he's black, he's black. But I remember I remember

2:02:19.680 --> 2:02:23.640
<v Speaker 1>seeing Prince just just go somewhere and I'm just seeing

2:02:23.680 --> 2:02:28.200
<v Speaker 1>the club just just who just behind that there just

2:02:29.280 --> 2:02:31.720
<v Speaker 1>and it came in by itself and he levitated. In

2:02:31.800 --> 2:02:36.640
<v Speaker 1>my mind, did see him walk in my mind definitely,

2:02:37.280 --> 2:02:40.160
<v Speaker 1>but it was like, damn, I saw that. I mean

2:02:40.480 --> 2:02:44.680
<v Speaker 1>I saw it. Button. That's that's exactly like if rock

2:02:44.760 --> 2:02:47.200
<v Speaker 1>Kim coming to the club, if EPMD comeing to the club,

2:02:47.400 --> 2:02:51.040
<v Speaker 1>Careras coming to the club, and anything that happened anywhere

2:02:51.120 --> 2:02:54.280
<v Speaker 1>around y'all, it's my fault. Now, it's my fault, like

2:02:54.360 --> 2:02:57.680
<v Speaker 1>I made it happen. It's my fault because I could

2:02:57.720 --> 2:03:03.520
<v Speaker 1>have prevented it. I gotta set the presidents. I know

2:03:03.600 --> 2:03:07.440
<v Speaker 1>I'm dyslexic. I gotta set the presidents. I said it right, Yes,

2:03:08.640 --> 2:03:17.440
<v Speaker 1>the president. I gotta presidents so that the next generation

2:03:17.600 --> 2:03:21.879
<v Speaker 1>set the presidents. Yes, very important about that. It's very important.

2:03:22.000 --> 2:03:25.080
<v Speaker 1>We have to. But no, we left the game. There's

2:03:25.120 --> 2:03:28.960
<v Speaker 1>been no one there here that That's why I apologize

2:03:29.040 --> 2:03:31.880
<v Speaker 1>to to to soldier boy because from the boys said, listen,

2:03:32.240 --> 2:03:35.040
<v Speaker 1>you arguing at me, But we had nobody to tell

2:03:35.120 --> 2:03:38.200
<v Speaker 1>us exactly, so only did what I knew, right, he

2:03:38.400 --> 2:03:45.000
<v Speaker 1>was argent apologized right, Yes, I didn't know. We didn't

2:03:45.200 --> 2:03:47.400
<v Speaker 1>head him to go on. See we had something to

2:03:47.480 --> 2:03:50.520
<v Speaker 1>go on when we came. You know that it was

2:03:50.560 --> 2:03:58.240
<v Speaker 1>a way from Baby Christ was yes, do it right

2:03:58.280 --> 2:04:03.360
<v Speaker 1>exactly and that and that's the reason why. UM, if anybody,

2:04:04.280 --> 2:04:06.160
<v Speaker 1>if you're listening to this, like I told I was

2:04:06.200 --> 2:04:10.560
<v Speaker 1>telling you outside, Pete, I was telling you outside that

2:04:10.840 --> 2:04:13.200
<v Speaker 1>I had checked into this hotel, right, and when I

2:04:13.320 --> 2:04:18.960
<v Speaker 1>checked into this hotel that didn't sound good at all,

2:04:21.760 --> 2:04:24.640
<v Speaker 1>but I had checked into this I had checked into

2:04:24.720 --> 2:04:27.960
<v Speaker 1>this hotel, right. And when I checked into this hotel,

2:04:28.520 --> 2:04:30.480
<v Speaker 1>the guy says to me, thank you, and I said,

2:04:30.560 --> 2:04:32.680
<v Speaker 1>thank you for what? And he goes, you put me

2:04:32.800 --> 2:04:36.480
<v Speaker 1>on the duck down right. A part of me wanted

2:04:36.480 --> 2:04:38.840
<v Speaker 1>to smack the ship out of there. That's how the

2:04:38.880 --> 2:04:41.000
<v Speaker 1>fund can I put you on a duck down? But

2:04:41.120 --> 2:04:44.400
<v Speaker 1>then another part of me was like, damn, I gotta

2:04:44.440 --> 2:04:47.760
<v Speaker 1>recognize what I'm doing. Because he's twenty three years old.

2:04:48.560 --> 2:04:52.120
<v Speaker 1>He didn't know. So when he aired the duck down interview,

2:04:52.480 --> 2:04:55.960
<v Speaker 1>he went and he did his research and he went

2:04:56.120 --> 2:04:59.160
<v Speaker 1>and he you know, he actually knew Smith and Wesson

2:04:59.400 --> 2:05:02.840
<v Speaker 1>was and he knew it, but he was open. So

2:05:03.000 --> 2:05:05.800
<v Speaker 1>part of me still want to smack him because I'm like, damn.

2:05:06.360 --> 2:05:08.040
<v Speaker 1>But then the other part of me was like, this

2:05:08.160 --> 2:05:11.600
<v Speaker 1>guy don't even know him, nor he wasn't educated. He

2:05:11.720 --> 2:05:15.600
<v Speaker 1>don't even know. He's looking at me like the podcast,

2:05:16.680 --> 2:05:18.680
<v Speaker 1>and that's what you said your video the other day.

2:05:18.960 --> 2:05:20.640
<v Speaker 1>You're seen in a video and he was like, no,

2:05:20.920 --> 2:05:23.640
<v Speaker 1>tell his name is who he is, But I don't killing, No,

2:05:23.760 --> 2:05:25.560
<v Speaker 1>I don't, you don't care. But I just felt that

2:05:25.640 --> 2:05:27.440
<v Speaker 1>because I said I wanted to say, because I was me.

2:05:28.560 --> 2:05:33.800
<v Speaker 1>I wanted me to get. But the thing about it is,

2:05:34.560 --> 2:05:38.000
<v Speaker 1>think about it is I don't care if people have

2:05:38.160 --> 2:05:40.640
<v Speaker 1>to look at me like that and I could kill

2:05:40.800 --> 2:05:43.880
<v Speaker 1>still represent hip hop. I'm gonna say one thing before

2:05:43.920 --> 2:05:48.000
<v Speaker 1>we get this is no disrespect far as what's going on,

2:05:49.320 --> 2:05:52.360
<v Speaker 1>and no, you know we nowhere near white and black thing.

2:05:53.640 --> 2:05:57.360
<v Speaker 1>If we don't make a stance, they would want to

2:05:57.400 --> 2:06:01.560
<v Speaker 1>start the error off with martial matters. Yes, you know

2:06:01.600 --> 2:06:03.680
<v Speaker 1>what I thought about that the number one rapper in

2:06:03.800 --> 2:06:06.760
<v Speaker 1>the world, the number one selling rapper in the world

2:06:06.960 --> 2:06:10.560
<v Speaker 1>is Imminem. And it's not gonna do it because he's

2:06:10.560 --> 2:06:14.640
<v Speaker 1>incredibly nice. But that's what the culture is going through.

2:06:14.880 --> 2:06:17.680
<v Speaker 1>If they can rewrite it, you know what I'm talking

2:06:17.680 --> 2:06:19.440
<v Speaker 1>about eating I'm so sorry to cut you up. You

2:06:19.480 --> 2:06:21.960
<v Speaker 1>know what I thought about the other day, and this

2:06:22.120 --> 2:06:25.120
<v Speaker 1>is the reason why I love what we're doing because

2:06:25.160 --> 2:06:28.560
<v Speaker 1>I thought about it. I said, Yo, what happens if

2:06:28.640 --> 2:06:32.080
<v Speaker 1>hip hop is just tarnished for the next hundred years? Right?

2:06:32.920 --> 2:06:36.320
<v Speaker 1>And what happens when they actually go do research? You

2:06:36.440 --> 2:06:39.240
<v Speaker 1>know what, They could actually look up love and hip hop.

2:06:40.480 --> 2:06:43.920
<v Speaker 1>That's horrible, I'm just saying. But it's televised, so think

2:06:43.920 --> 2:06:47.000
<v Speaker 1>about it. So think about my thing. My thing is

2:06:47.800 --> 2:06:52.040
<v Speaker 1>they can actually go and pull up because the history

2:06:52.120 --> 2:06:55.720
<v Speaker 1>books is gonna up. It's gonna life up. So just imagine.

2:06:56.040 --> 2:06:58.840
<v Speaker 1>It's his story. But it goes back to what Eric said,

2:06:58.960 --> 2:07:01.320
<v Speaker 1>we have to have We should have categories for hip

2:07:01.360 --> 2:07:04.520
<v Speaker 1>hop so everything is not just shoved under hip hop

2:07:05.000 --> 2:07:09.920
<v Speaker 1>one label before before it gets written off the way

2:07:10.000 --> 2:07:11.640
<v Speaker 1>he said. But you know he's been gonna suck it up.

2:07:11.800 --> 2:07:15.440
<v Speaker 1>It's gonna his story, gonna suck it up, because Yo, glory,

2:07:15.560 --> 2:07:18.480
<v Speaker 1>if we don't work like like he said, we stopped working.

2:07:19.120 --> 2:07:22.440
<v Speaker 1>So now and have you said to you might wait

2:07:22.440 --> 2:07:26.160
<v Speaker 1>with the records, you can't do it. You know there's

2:07:26.200 --> 2:07:29.720
<v Speaker 1>people out there. Even if don't worry about about what

2:07:29.920 --> 2:07:33.080
<v Speaker 1>you think about what mainstream is, it's when he make

2:07:33.160 --> 2:07:37.040
<v Speaker 1>the records and do you it's gonna come. It's gonna

2:07:37.280 --> 2:07:40.280
<v Speaker 1>yo that that when I tell you that it's gonna

2:07:40.360 --> 2:07:43.240
<v Speaker 1>be blessed and it's gonna come, that the world will

2:07:43.280 --> 2:07:46.880
<v Speaker 1>hear it. I promise you the world is gonna hear it.

2:07:47.280 --> 2:07:50.000
<v Speaker 1>It's a different type of buying. Now. The world don't

2:07:50.040 --> 2:07:56.320
<v Speaker 1>woke up. People. People don't woke up now. They woke

2:07:56.400 --> 2:07:58.840
<v Speaker 1>up and they went to the run. They want to

2:07:59.120 --> 2:08:04.880
<v Speaker 1>they want to hear I'm telling you, tip, we just

2:08:05.000 --> 2:08:07.520
<v Speaker 1>did a new deal with Title and hit Squad Digital.

2:08:08.040 --> 2:08:10.960
<v Speaker 1>So these are the power moves that we're breaking news

2:08:11.160 --> 2:08:19.200
<v Speaker 1>right now. Yeah, okay, I want you to describe what

2:08:19.280 --> 2:08:21.000
<v Speaker 1>you just said, because you said you did a deal

2:08:21.160 --> 2:08:25.920
<v Speaker 1>with Title Digital, So that means you're an artist's owner. Yes,

2:08:26.080 --> 2:08:28.880
<v Speaker 1>that's correct, and I want people to understand what that means.

2:08:29.480 --> 2:08:31.000
<v Speaker 1>That means that you can be an artists and we're

2:08:31.000 --> 2:08:33.560
<v Speaker 1>gonna chicken. That means you could be an artist and

2:08:33.640 --> 2:08:36.880
<v Speaker 1>you can still own your ship too. That's correct, And

2:08:36.960 --> 2:08:41.880
<v Speaker 1>this is what we do. So basically that all the

2:08:41.960 --> 2:08:43.920
<v Speaker 1>work that we put in back in the early parts

2:08:44.000 --> 2:08:47.160
<v Speaker 1>of our career is coming back around. So we self contained,

2:08:47.240 --> 2:08:49.880
<v Speaker 1>independent in house, and this is the way we're gonna

2:08:49.880 --> 2:08:52.840
<v Speaker 1>fund on it because in the technology era, it's all

2:08:52.880 --> 2:08:56.040
<v Speaker 1>about content. Now they even think download it's gonna be

2:08:56.080 --> 2:08:57.720
<v Speaker 1>out in a minute, and it's all about to watch.

2:08:57.880 --> 2:09:02.440
<v Speaker 1>Think you think you know what you're doing it. Let

2:09:02.480 --> 2:09:05.280
<v Speaker 1>me ask you this. Do you like streaming because to me,

2:09:06.080 --> 2:09:08.120
<v Speaker 1>I like streaming because I feel like your hate is

2:09:08.160 --> 2:09:10.320
<v Speaker 1>even listening to you, to you because they feel like

2:09:10.360 --> 2:09:13.400
<v Speaker 1>they're not supporting you. Oh yeah, but yeah there right,

2:09:14.000 --> 2:09:19.480
<v Speaker 1>you see membership So you know we just covered the

2:09:19.720 --> 2:09:24.240
<v Speaker 1>bass part. Even if you press it, you're watching, you

2:09:24.320 --> 2:09:28.000
<v Speaker 1>got vib'll reported even the Hayters tuned into what we're

2:09:28.000 --> 2:09:35.520
<v Speaker 1>actually doing. The scream well one album one of albums up.

2:09:36.000 --> 2:09:39.520
<v Speaker 1>That's terrible, right dad for the artist. But on the record,

2:09:41.680 --> 2:09:43.760
<v Speaker 1>if you're only you're good in the streaming, it's money.

2:09:44.000 --> 2:09:46.520
<v Speaker 1>So yo. Big shout out to Daniel for the you know,

2:09:46.640 --> 2:09:50.680
<v Speaker 1>making the squad coming, Chance for having that bigot they

2:09:50.760 --> 2:09:54.240
<v Speaker 1>got second over the school nory got me up less,

2:09:54.440 --> 2:09:57.200
<v Speaker 1>that's not that's the drink Chance, got me up? Promise

2:09:57.280 --> 2:10:00.520
<v Speaker 1>you hold up time out? Can we give all uh

2:10:01.520 --> 2:10:05.600
<v Speaker 1>social media tags? Ye? What you give it out? Give

2:10:05.680 --> 2:10:09.280
<v Speaker 1>it out? Tell them? Oh yeah you have my bad

2:10:09.600 --> 2:10:12.720
<v Speaker 1>Oh I thought I didn't. Eric sermon Eric I c

2:10:12.880 --> 2:10:16.200
<v Speaker 1>K Underscore Sermon on Instagram and I am Eric Sermon

2:10:16.280 --> 2:10:20.000
<v Speaker 1>on Twitter, and of course death runs on Instagram and

2:10:20.040 --> 2:10:27.880
<v Speaker 1>death words dot Com on www whatever yo, and I'm

2:10:27.920 --> 2:10:31.560
<v Speaker 1>on the on Instagram, on pm D Underscore Mike Underscore

2:10:31.680 --> 2:10:34.240
<v Speaker 1>doc on Twitter, on p m D of E p

2:10:34.440 --> 2:10:38.800
<v Speaker 1>m D and then uh Facebook, p m D, VP

2:10:38.960 --> 2:10:41.040
<v Speaker 1>m D. I got a Facebook. That's how you know

2:10:41.160 --> 2:10:46.880
<v Speaker 1>you got got I ain't got one either, But listen

2:10:46.880 --> 2:10:49.880
<v Speaker 1>to my brothers. I'm gonna be honest. Yeah, I really

2:10:49.920 --> 2:10:53.680
<v Speaker 1>appreciated y'all. You called for us and BK, we are not.

2:10:54.320 --> 2:10:57.320
<v Speaker 1>You called and you came, and no, you called for

2:10:57.480 --> 2:11:00.840
<v Speaker 1>uce be heard. You have me, And you know what,

2:11:02.160 --> 2:11:05.280
<v Speaker 1>I don't want this to be the first second I wanted.

2:11:05.320 --> 2:11:11.160
<v Speaker 1>I want you to always come back because why and

2:11:11.360 --> 2:11:14.520
<v Speaker 1>why why we got this platform. I don't know how

2:11:14.640 --> 2:11:17.840
<v Speaker 1>long we're gonna have this platform at this level. So

2:11:17.960 --> 2:11:19.320
<v Speaker 1>you know what I want to do. I want to

2:11:19.840 --> 2:11:22.880
<v Speaker 1>continue to support people that I want to support. And

2:11:23.000 --> 2:11:26.320
<v Speaker 1>that's why y'all, y'all hear. Because but the thing about

2:11:26.360 --> 2:11:29.840
<v Speaker 1>it is, we don't know, oh we do know how

2:11:29.880 --> 2:11:33.440
<v Speaker 1>about that? We do know that hip hop should be celebrated.

2:11:34.280 --> 2:11:36.520
<v Speaker 1>And that's that's my last meeting with Leo Colins, the

2:11:36.640 --> 2:11:39.200
<v Speaker 1>last time I've seen him. He said, do you know

2:11:39.480 --> 2:11:44.440
<v Speaker 1>like this is working? I said no, He said, because

2:11:44.600 --> 2:11:49.200
<v Speaker 1>hip hop has never had a celebration. We always tear

2:11:49.280 --> 2:11:53.040
<v Speaker 1>each other down. Even why do you why didn't he

2:11:53.160 --> 2:11:58.480
<v Speaker 1>fix it? I'm fixing it. I'm saying, saying, but didn't

2:11:58.480 --> 2:12:02.760
<v Speaker 1>tell you that? No, I didn't. Some now I got smart,

2:12:04.240 --> 2:12:09.360
<v Speaker 1>but but I just wanted to take the compliment. I

2:12:09.440 --> 2:12:12.920
<v Speaker 1>definitely didn't want to get back. But the thing about

2:12:13.000 --> 2:12:17.720
<v Speaker 1>it is, I thought he had a point because hip

2:12:17.760 --> 2:12:22.840
<v Speaker 1>hop like, why the funk we can't. So the thing

2:12:22.960 --> 2:12:25.000
<v Speaker 1>that hip hop really is in the colleges, in the

2:12:25.120 --> 2:12:29.000
<v Speaker 1>high school, how to teach and celebrates, you know everything.

2:12:29.760 --> 2:12:33.360
<v Speaker 1>Let me tell you something big. One day, I'm like

2:12:33.560 --> 2:12:38.320
<v Speaker 1>Kentucky somewhere right and some guy he does a step

2:12:39.280 --> 2:12:40.800
<v Speaker 1>and as so as he does a step, the other

2:12:40.880 --> 2:12:44.080
<v Speaker 1>guy goes, oh, shoo you for him such and they're like, yeah,

2:12:45.760 --> 2:12:48.520
<v Speaker 1>they're doing this ship together. It's a white guy and

2:12:48.600 --> 2:12:51.320
<v Speaker 1>a black guy. But you know what it was that

2:12:51.520 --> 2:12:55.600
<v Speaker 1>fraternity run them together. Yes, that's what the hip hop is. YO,

2:12:55.760 --> 2:12:58.720
<v Speaker 1>No racism in hip hop there's no racism hip hop.

2:12:58.920 --> 2:13:02.440
<v Speaker 1>We're supposed to were are fraternity. So no matter where

2:13:02.480 --> 2:13:05.120
<v Speaker 1>you're at or where else, no matter what right, no

2:13:05.280 --> 2:13:08.520
<v Speaker 1>matter like you be from New Orleans, we're supposed to

2:13:08.520 --> 2:13:14.720
<v Speaker 1>say hip hop, hip hop. Yeah, yeah, that's what my mom.

2:13:14.760 --> 2:13:20.600
<v Speaker 1>They did that then. So that's what I'm trying to

2:13:20.720 --> 2:13:23.760
<v Speaker 1>tell people. I'm trying to say is that hip hop

2:13:23.840 --> 2:13:25.960
<v Speaker 1>is supposed to be a real fraternity. Now, before you

2:13:26.000 --> 2:13:31.120
<v Speaker 1>get about of here, I've been trying to start something

2:13:31.160 --> 2:13:35.919
<v Speaker 1>called a hip hop Union, which means we want everybody

2:13:36.000 --> 2:13:39.080
<v Speaker 1>to get one percent of their profits, not a lot.

2:13:40.000 --> 2:13:44.160
<v Speaker 1>And the problem is when if DMX has a problem,

2:13:45.080 --> 2:13:48.840
<v Speaker 1>DMX needs to be held down, the hip Hop Union

2:13:48.920 --> 2:13:52.360
<v Speaker 1>takes care to try to do that, like Cool Cool

2:13:52.600 --> 2:13:56.400
<v Speaker 1>when he's in trouble, donate. And the thing about it is,

2:13:56.880 --> 2:13:59.120
<v Speaker 1>the thing about it is, I know it sounds unpossible

2:13:59.160 --> 2:14:02.320
<v Speaker 1>because we dine niggers right right exactly, and we're all

2:14:04.000 --> 2:14:06.320
<v Speaker 1>but so many people want they want to sit back.

2:14:06.360 --> 2:14:08.400
<v Speaker 1>But the thing about it is, we gotta think about

2:14:08.400 --> 2:14:10.920
<v Speaker 1>the less four right, Like how about I love this?

2:14:11.280 --> 2:14:17.800
<v Speaker 1>How about like Chier that's he said he he did

2:14:17.960 --> 2:14:20.440
<v Speaker 1>something and he admitted and he took his cry, but

2:14:20.560 --> 2:14:23.120
<v Speaker 1>my son said he never did it, and he still

2:14:23.240 --> 2:14:27.320
<v Speaker 1>maintains that to this day. He did eight years and

2:14:27.400 --> 2:14:29.640
<v Speaker 1>he said he never did it, but he never had

2:14:29.640 --> 2:14:33.240
<v Speaker 1>a lawyer. And the thing about the hip hop union,

2:14:34.920 --> 2:14:39.200
<v Speaker 1>we should all be together and now somebody set up. Man,

2:14:39.360 --> 2:14:44.760
<v Speaker 1>don't talking about no, no, no no, But because Nori,

2:14:44.920 --> 2:14:49.560
<v Speaker 1>then we would be the only billion, multibillion dollar industry

2:14:50.440 --> 2:14:53.680
<v Speaker 1>that don't have a union protection. That's in boxing right

2:14:53.840 --> 2:14:57.000
<v Speaker 1>right the d next to Yeah. But that's what I

2:14:57.080 --> 2:15:00.200
<v Speaker 1>gotta say. I'm gonna tell you something. I'm sorry, and

2:15:00.400 --> 2:15:03.160
<v Speaker 1>I don't hope everybody's listening. I don't know, but you know,

2:15:03.720 --> 2:15:08.000
<v Speaker 1>the other day we've seen DMX on stage. Amount of

2:15:08.120 --> 2:15:11.840
<v Speaker 1>us really appreciated it, right, We didn't appreciate. Not not

2:15:12.000 --> 2:15:14.560
<v Speaker 1>the fact that we didn't appreciate on stage, but we

2:15:14.840 --> 2:15:18.120
<v Speaker 1>were just like, that's all. That's all kid, Our kids

2:15:18.120 --> 2:15:21.200
<v Speaker 1>gonna look a little different. So if he needs help,

2:15:22.000 --> 2:15:24.400
<v Speaker 1>the thing, I can't do it by myself. What's happening?

2:15:24.520 --> 2:15:26.800
<v Speaker 1>We do the hip hop union and people just say,

2:15:26.840 --> 2:15:29.760
<v Speaker 1>you know what, that's permanent headlock. Yeah, but you guys

2:15:29.800 --> 2:15:32.840
<v Speaker 1>want to do it to know true. But if he

2:15:33.040 --> 2:15:38.720
<v Speaker 1>does want to do it right for us to understand

2:15:38.720 --> 2:15:40.880
<v Speaker 1>what I'm saying, because it's like it's like it's it's

2:15:40.920 --> 2:15:42.600
<v Speaker 1>just it's just like it's just like yo, yo, because

2:15:42.640 --> 2:15:44.320
<v Speaker 1>the rock guys do it all the time like it's

2:15:44.360 --> 2:15:51.240
<v Speaker 1>nothing because you know, just at it like like like

2:15:51.440 --> 2:15:56.160
<v Speaker 1>like they make you pay to do a movie, That's

2:15:56.160 --> 2:15:58.880
<v Speaker 1>what I'm saying. Sac So they actually make you say,

2:15:59.000 --> 2:16:01.520
<v Speaker 1>he goes this, I'm out the money and then you're

2:16:01.560 --> 2:16:03.480
<v Speaker 1>a part of the union and then now you do

2:16:03.600 --> 2:16:06.280
<v Speaker 1>the movie and then then you get paid. Why why

2:16:06.400 --> 2:16:10.640
<v Speaker 1>why hip hop is thirty fucking five forty years old?

2:16:11.160 --> 2:16:14.920
<v Speaker 1>Why we can't do that? Why we can't actually take

2:16:14.960 --> 2:16:18.160
<v Speaker 1>care of like it's been so it's been so many

2:16:18.280 --> 2:16:21.400
<v Speaker 1>different times where I'm like, yo, damn, I know if

2:16:21.600 --> 2:16:24.480
<v Speaker 1>I cut the check or I know if I do it,

2:16:25.400 --> 2:16:29.440
<v Speaker 1>it might be perceived bad because they're like what he thinking, Yeah,

2:16:29.960 --> 2:16:31.480
<v Speaker 1>like you know what I'm saying. So you know what

2:16:31.520 --> 2:16:38.440
<v Speaker 1>I'm saying. I say okay, and you know it's okay,

2:16:38.480 --> 2:16:40.480
<v Speaker 1>and you comfortable way then you pick up the phone

2:16:40.520 --> 2:16:43.760
<v Speaker 1>and be like you get a bed right, And that's

2:16:44.160 --> 2:16:47.400
<v Speaker 1>because because because you know and then come out a

2:16:47.480 --> 2:16:50.080
<v Speaker 1>better person. This is what I'm sayings the point because

2:16:50.120 --> 2:16:53.520
<v Speaker 1>I want that for you, because if we don't protect ourselves,

2:16:53.640 --> 2:16:56.520
<v Speaker 1>nobody's gonna protect us. And I know we're kicking it.

2:16:56.680 --> 2:17:00.040
<v Speaker 1>We're talking together with this ship is real, like that's you.

2:17:00.680 --> 2:17:03.400
<v Speaker 1>I love, not seen when I seen certain people, when

2:17:03.440 --> 2:17:05.880
<v Speaker 1>I've seen them that I can help, but I've seen

2:17:06.040 --> 2:17:09.880
<v Speaker 1>also these niggas are niggas, and I'm a nigger too,

2:17:10.560 --> 2:17:14.400
<v Speaker 1>and he might take it personally if I stepped in

2:17:14.520 --> 2:17:19.520
<v Speaker 1>a certain way. So I sat back and I said, damn, first,

2:17:19.600 --> 2:17:22.440
<v Speaker 1>we started with the hip hop flag. Remember you started

2:17:22.480 --> 2:17:24.280
<v Speaker 1>with the hip hop flag. I feel like, you know,

2:17:25.400 --> 2:17:30.000
<v Speaker 1>I'm sorry, I'm getting deep gein d but I stay

2:17:30.040 --> 2:17:32.800
<v Speaker 1>at the W hotels, right. I love the W, I

2:17:32.920 --> 2:17:36.840
<v Speaker 1>really do. But every W has a gay flag out there?

2:17:37.360 --> 2:17:40.160
<v Speaker 1>Am I saying? No? Am I saying, don't take the

2:17:40.240 --> 2:17:44.720
<v Speaker 1>gay flag out? No? But that's it's it's an automatic identification.

2:17:45.440 --> 2:17:49.560
<v Speaker 1>It's an automatic identification that you're kind is welcome man. Right.

2:17:50.680 --> 2:17:52.480
<v Speaker 1>I felt like we should have a hip hop flag

2:17:53.720 --> 2:17:57.000
<v Speaker 1>that no matter where you go, you see this flag

2:17:57.040 --> 2:18:01.200
<v Speaker 1>and you know you welcome. You understand, because I could

2:18:01.240 --> 2:18:04.000
<v Speaker 1>go to the restaurant right now, right, and I can

2:18:04.080 --> 2:18:07.080
<v Speaker 1>go and I got I got a little bit brad,

2:18:07.400 --> 2:18:12.240
<v Speaker 1>so whatever, but I won't know if I'm accepted to

2:18:12.400 --> 2:18:15.680
<v Speaker 1>the bill comes. I want to know I'm accepted prior

2:18:15.800 --> 2:18:18.400
<v Speaker 1>to that. I want to walk into a restaurant and say,

2:18:18.440 --> 2:18:21.440
<v Speaker 1>oh ship, I know I'm good in that because they

2:18:21.520 --> 2:18:23.560
<v Speaker 1>got the hip hop the same way, and I'm not

2:18:23.680 --> 2:18:25.800
<v Speaker 1>comparing hip hop the gage like I'm not doing that.

2:18:25.840 --> 2:18:28.880
<v Speaker 1>I understand they play, understand, I understand, I understand. But

2:18:29.000 --> 2:18:31.880
<v Speaker 1>at the same token, that's the respect. When you look

2:18:32.320 --> 2:18:34.360
<v Speaker 1>and you say, damn you see that, you see that

2:18:34.520 --> 2:18:43.880
<v Speaker 1>black big business business down right, I have to say, yeah,

2:18:45.640 --> 2:18:52.880
<v Speaker 1>seeing copon real right off to getting you hear stuff

2:18:52.879 --> 2:18:55.480
<v Speaker 1>and you don't know now you're seeing like yo nigas

2:18:56.160 --> 2:18:58.280
<v Speaker 1>he was at the house for the album, like yoll

2:18:58.600 --> 2:19:09.360
<v Speaker 1>and then and then like what do you think I can't.

2:19:17.560 --> 2:19:19.080
<v Speaker 1>Before we get out of here, we just want to

2:19:19.120 --> 2:19:21.560
<v Speaker 1>remind you that you can buy drink Champs gear at

2:19:21.600 --> 2:19:24.640
<v Speaker 1>your local DTLR store, so look up the store nearest

2:19:24.680 --> 2:19:27.160
<v Speaker 1>to you. You can also buy drink Champs gear and

2:19:27.320 --> 2:19:30.120
<v Speaker 1>other merch at drink Champs dot com or eight and

2:19:30.240 --> 2:19:33.400
<v Speaker 1>nine dot com. Check us on Revolt TV every Thursday

2:19:33.480 --> 2:19:36.840
<v Speaker 1>night at ten pm. Then unedited audio drops Monday nights

2:19:36.879 --> 2:19:40.240
<v Speaker 1>going into Tuesday at midnight. Then check for the United

2:19:40.360 --> 2:19:43.800
<v Speaker 1>video Wednesdays on Revolt dot TV, Drink Champs dot Com,

2:19:44.120 --> 2:19:46.400
<v Speaker 1>or you can go directly to YouTube. Look out for

2:19:46.480 --> 2:19:49.320
<v Speaker 1>Nori's new food show coming soon, as well as new

2:19:49.360 --> 2:19:53.160
<v Speaker 1>project featuring the upcoming single Uno mass Produced and featuring

2:19:53.240 --> 2:19:56.840
<v Speaker 1>Farrell Check from My Coming Home documentaries Coming Home Vietnam

2:19:56.959 --> 2:20:00.840
<v Speaker 1>documentary right now currently airing on Revolt TV and coming soon,

2:20:01.280 --> 2:20:04.720
<v Speaker 1>Coming Home Colombia. Follow us at Drink Champs on i G,

2:20:05.200 --> 2:20:09.160
<v Speaker 1>Twitter and Facebook, and Nori at the Real Noriega on Instagram,

2:20:09.560 --> 2:20:12.640
<v Speaker 1>at Noriega on Twitter, and me e f N at

2:20:12.680 --> 2:20:14.880
<v Speaker 1>Who's Crazy on i G and at d j e

2:20:15.080 --> 2:20:17.360
<v Speaker 1>f N on Twitter. And until next week, we had

2:20:17.400 --> 2:20:18.000
<v Speaker 1>to hear peace